0:00:02 > 0:00:10This film contains some violent scenes.
0:00:30 > 0:00:33HE CLEARS THROAT You'll have to wait a minute.
0:00:33 > 0:00:37- Where is my advertisement? - What advertisement?
0:00:37 > 0:00:41- It should be there! Where is it? - What's it for? - Professional services.
0:00:41 > 0:00:45Oh! You're the famous Professor Monserrat.
0:00:45 > 0:00:48- Where is the advertisement? - Took it down.
0:00:48 > 0:00:53It didn't interest the public. And there's five bob owing on it.
0:00:53 > 0:00:58- How can I practise without advertising? - Like I said, five bob's owing.
0:00:59 > 0:01:01There.
0:01:01 > 0:01:04- OK, Grandpa, back it goes. - Thank you.
0:01:04 > 0:01:09Maybe you'd do some spadework on a little dolly I've got lined up.
0:01:09 > 0:01:10HE LAUGHS
0:01:36 > 0:01:37Estelle.
0:01:38 > 0:01:40You're late for lunch, Marcus.
0:01:40 > 0:01:45I'm sorry, dear. I got into an argument with that tobacconist fellow
0:01:45 > 0:01:48- about the notice. - Oh, bother, I forgot to pay him.
0:01:48 > 0:01:50Oh, I took care of it.
0:01:51 > 0:01:54ESTELLE: Ready to eat now?
0:02:04 > 0:02:06Any patients while I was out?
0:02:06 > 0:02:08Only a man with a twitch in his cheek.
0:02:08 > 0:02:12- He said he'd be back later. - I wonder if he will.
0:02:12 > 0:02:14- What's that? - Nothing. Nothing.
0:02:45 > 0:02:46Come on, Marcus,
0:02:46 > 0:02:48lunch is ready.
0:02:54 > 0:02:57Do you really think it will work?
0:02:57 > 0:02:59Of course.
0:02:59 > 0:03:01When will you be ready to try?
0:03:01 > 0:03:05- Oh, soon. Very soon. - How soon?
0:03:05 > 0:03:07Why, tomorrow, perhaps.
0:03:07 > 0:03:11- Tomorrow.- Why not? All I have to do is check the equipment.
0:03:11 > 0:03:13And then we can test it?
0:03:14 > 0:03:17And then...we can test it.
0:03:31 > 0:03:34MUSIC: Lee Grant And The Capitols.
0:04:59 > 0:05:02- Thank you. - I'm here to serve.
0:05:02 > 0:05:07- As long as you don't feel inferior. - Right, sir. - You're earning respect.
0:05:07 > 0:05:10It's all those years working down t'mine(!)
0:05:10 > 0:05:14- Michael, come and dance, yeah? - Michael, come and dance, no.
0:05:14 > 0:05:17Come on, Mike. Let Nicole have fun for once!
0:05:17 > 0:05:23For once? Four nights a week I'm down in this den of iniquity trying to give her a good time.
0:05:23 > 0:05:27All right, if you won't, I will. Come on, Nicole.
0:05:27 > 0:05:31- All right?- Sure. Seduced and abandoned, that's me!
0:05:31 > 0:05:33You poor misunderstood lad!
0:05:34 > 0:05:36MUSIC: Lee Grant And The Capitols.
0:05:36 > 0:05:40# I feel so blue I know a girl, what you gotta do
0:05:40 > 0:05:42# Hey, hey, girl
0:05:42 > 0:05:45# I think that you matter, it's a matter of time
0:05:45 > 0:05:47# I'm telling you
0:05:47 > 0:05:50# I feel the same
0:05:50 > 0:05:52# And everything will work out fine
0:05:52 > 0:05:54# I intend to make you mine
0:05:54 > 0:05:57# I'll wait until the end of time... #
0:06:21 > 0:06:23Yes.
0:06:23 > 0:06:25It's ready. When can we test it?
0:06:25 > 0:06:27Now. Tonight. If only...
0:06:27 > 0:06:28Marcus, who can we use?
0:06:28 > 0:06:32- It must be a stranger. - Yes, someone who doesn't know us.
0:06:32 > 0:06:36A complete stranger who need never know what has happened.
0:06:36 > 0:06:42Precisely. But...it must be someone whose mind is sound.
0:06:42 > 0:06:47- Someone who's basically willing. - How do we find someone without explaining first?
0:06:47 > 0:06:53- A drunk, perhaps? - No, not a mind confused by alcohol. It must be able to respond.
0:06:53 > 0:06:57- Someone young.- A bored boy, out looking for something.
0:06:57 > 0:06:59How can we find him?
0:06:59 > 0:07:03All these children out on the streets, on pills to keep awake!
0:07:03 > 0:07:06- Looking for new experiences. - Exactly.
0:07:06 > 0:07:11- You could persuade one of them. - Try something new! - He'd fall for it.
0:07:11 > 0:07:16Then we begin up here, in that room.
0:07:16 > 0:07:19- He'd know nothing afterwards. - It's perfect, Estelle!
0:07:19 > 0:07:22And no-one will laugh this time.
0:07:22 > 0:07:24Nothing to laugh at.
0:07:26 > 0:07:27Nothing at all.
0:07:27 > 0:07:30MUSIC: Lee Grant And The Capitols.
0:07:41 > 0:07:43Have fun?
0:07:43 > 0:07:45She's a lovely girl.
0:07:46 > 0:07:49How long do you think all this can last?
0:07:51 > 0:07:52Girls?
0:07:52 > 0:07:57- No, the trouble they come wrapped in.- I like the dress.
0:07:57 > 0:08:02- You've been brainwashed by your boss. - He's nice and he's been good to me.
0:08:02 > 0:08:05If I hadn't met him, I'd worry about that.
0:08:06 > 0:08:08Now, come on, let's get out of here.
0:08:08 > 0:08:12- Where to?- It doesn't matter. Anywhere. Come on.
0:08:12 > 0:08:14I think it's going to be one of THOSE places.
0:08:14 > 0:08:18- Are you mumbling about something? - Not me, bwana.
0:08:35 > 0:08:37CAR HORNS BEEPING
0:09:03 > 0:09:05- Where's Nicole? - Still titivating.
0:09:05 > 0:09:09- She's what? - In the Ladies, combing her toenails.
0:09:09 > 0:09:12- I spend half my life waiting for her.- Not worth it, eh?
0:09:12 > 0:09:15- Depends.- On? - The state of her toenails.
0:09:15 > 0:09:17Where are you going?
0:09:17 > 0:09:19For a walk. What else?
0:09:19 > 0:09:21Taking your girl to dinner?
0:09:21 > 0:09:24You've just landed yourself a job!
0:09:24 > 0:09:28- She's your girlfriend! - Don't worry. I'll pay you back.
0:09:28 > 0:09:31It's not the point, Mike. She's with you, not me.
0:09:31 > 0:09:34But I'm bored. Blue, black and indigo,
0:09:34 > 0:09:39with no more idea where I'm going than a blind camel in Oxford Circus.
0:09:39 > 0:09:42I'm going for a walk, on my own, by myself. Got it?
0:09:42 > 0:09:44No. I don't know what you mean.
0:09:44 > 0:09:46You wouldn't.
0:09:48 > 0:09:51We'll see you at the club later?
0:09:52 > 0:09:54Bloody artistic temperament!
0:10:27 > 0:10:29- Yes?- Give us a Wimpy, please.
0:10:47 > 0:10:50You're looking very bored, young man.
0:10:52 > 0:10:54Are you talking to me?
0:10:54 > 0:10:56As a matter of fact, I am.
0:10:56 > 0:10:58I've been watching you this evening.
0:10:58 > 0:11:01Are you from the FBI?
0:11:01 > 0:11:03No.
0:11:03 > 0:11:05I wonder if I might join you?
0:11:06 > 0:11:08You just did!
0:11:08 > 0:11:10Can I offer you some coffee?
0:11:10 > 0:11:12No, thanks. I don't drink.
0:11:12 > 0:11:14Yes.
0:11:15 > 0:11:17What is it you do want?
0:11:17 > 0:11:20I could offer you an unusual evening.
0:11:22 > 0:11:25- I doubt it. - Some extraordinary experience.
0:11:25 > 0:11:27Are you selling blue movies?
0:11:27 > 0:11:30Oh, nothing as dull as that.
0:11:30 > 0:11:31Cheap hash?
0:11:31 > 0:11:33It's not worth the trouble.
0:11:33 > 0:11:36THIS would be worth the trouble.
0:11:38 > 0:11:41Come now, there's nothing you have to do.
0:11:41 > 0:11:42Is there?
0:11:46 > 0:11:48OK.
0:11:48 > 0:11:50Lead me to it.
0:11:58 > 0:12:00So you found someone, then.
0:12:00 > 0:12:02- Oh, yes.- Who's this?
0:12:02 > 0:12:05This is my wife, Estelle.
0:12:05 > 0:12:07My assistant of many years.
0:12:07 > 0:12:08Good on ya!
0:12:08 > 0:12:12Perhaps I should introduce myself.
0:12:12 > 0:12:14I'm Professor Marcus Monserrat.
0:12:14 > 0:12:15You've heard of me?
0:12:15 > 0:12:18Not that I recall.
0:12:18 > 0:12:23Come on, where are all these multicoloured miracles of yours?
0:12:23 > 0:12:25He's impatient, Estelle.
0:12:25 > 0:12:28- You're wasting my time.- Don't go.
0:12:28 > 0:12:30Let's get on with it, then.
0:12:30 > 0:12:32That's right. In here.
0:12:35 > 0:12:36Go on, in that room.
0:12:42 > 0:12:43You're kidding!
0:12:54 > 0:12:57For 40 years I've been acclaimed as a great hypnotist.
0:12:57 > 0:13:00Bully for you!
0:13:00 > 0:13:03No, No! Not a cheap stage act.
0:13:03 > 0:13:05A medical hypnotist.
0:13:05 > 0:13:07- A practitioner.- Marcus!
0:13:07 > 0:13:11- During that time, I've refined my powers.- That's enough!
0:13:11 > 0:13:14If you two want to argue, feel free.
0:13:14 > 0:13:20Now, with the aid of sound and light, my powers are at a pitch never dreamed of
0:13:20 > 0:13:22- in the annals of the mind. - Eh?
0:13:22 > 0:13:23Come and sit down.
0:13:23 > 0:13:25What? On this thing?
0:13:25 > 0:13:27Yes, sit down.
0:13:27 > 0:13:29I'm too young to die.
0:13:29 > 0:13:32You said you were looking for something new.
0:13:32 > 0:13:35- I didn't think that... - No harm will come to you.
0:13:35 > 0:13:37Sit down while I adjust these.
0:13:37 > 0:13:40What's it supposed to do?
0:13:40 > 0:13:44A dazzling indescribable experience.
0:13:44 > 0:13:48Complete abandonment with no thought of remorse.
0:13:48 > 0:13:50Intoxication with no hangover.
0:13:50 > 0:13:52Ecstasy with no consequence.
0:13:54 > 0:13:58All right, then. See what you can come up with.
0:14:09 > 0:14:12Eagle Two to Blue Leader(!)
0:14:12 > 0:14:14Relax. Try to clear your mind.
0:14:14 > 0:14:17Empty your mind of all thought.
0:14:25 > 0:14:28ELECTRONIC BEEPS AND WHIRRING
0:14:30 > 0:14:31ELECTRIC HUMMING
0:14:32 > 0:14:33Hey!
0:14:33 > 0:14:35What's going on?
0:14:37 > 0:14:40ELECTRONIC HUMMING AND REVERBERATION
0:15:14 > 0:15:17ELECTRONIC HUMMING RISES TO A PITCH
0:16:34 > 0:16:36ELECTRONIC HUMMING DECREASES
0:16:43 > 0:16:46THUMPING HEARTBEAT
0:17:04 > 0:17:07Everything's all right so far.
0:17:15 > 0:17:18Get up out of the chair.
0:17:22 > 0:17:24Go into the next room.
0:17:24 > 0:17:26OK.
0:17:29 > 0:17:33- Are you coming, then? - Yes. You go on.
0:17:41 > 0:17:43Close the door.
0:17:53 > 0:17:56It's working, Marcus.
0:17:56 > 0:17:58Yes, we can control him.
0:17:58 > 0:17:59Even through the door.
0:17:59 > 0:18:02- By directing his mind. - We've done it, Marcus.
0:18:05 > 0:18:09Keep concentrating. Hold him, hold him!
0:18:09 > 0:18:12Have him go into the kitchen.
0:18:24 > 0:18:27- It's perfect!- Let me try!
0:18:27 > 0:18:29Keep concentrating.
0:18:29 > 0:18:30Feel his mind.
0:18:31 > 0:18:33What shall I have him do?
0:18:33 > 0:18:35Have him pick something up.
0:18:35 > 0:18:37Yes! An egg from the fridge.
0:18:43 > 0:18:44Third from the left.
0:18:50 > 0:18:52Break the egg!
0:18:52 > 0:18:55My hand! It's as though...
0:18:55 > 0:18:57Egg, all over my hand!
0:19:06 > 0:19:08Water. Tap water.
0:19:09 > 0:19:11Ooh, mine too.
0:19:11 > 0:19:15My God! We're feeling all his sensations!
0:19:15 > 0:19:18Everything he touches, we touch!
0:19:18 > 0:19:20It's as if...we were him.
0:19:25 > 0:19:30Let's send him away and see if it works at a distance.
0:19:37 > 0:19:41I er...broke one of your eggs.
0:19:41 > 0:19:44That's all right. Perfectly all right.
0:19:44 > 0:19:46Now, I want you to leave here.
0:19:46 > 0:19:50Once outside, you will remember nothing of what has happened here.
0:19:50 > 0:19:55You'll be perfectly normal. Except you'll remember nothing of this.
0:19:55 > 0:19:59From now on, we are going to control your mind.
0:19:59 > 0:20:04We'll put thoughts into your head and you will obey them. Understand?
0:20:06 > 0:20:10Now go, my boy, and remember nothing.
0:20:15 > 0:20:18Quickly, Estelle, sit here.
0:20:19 > 0:20:24- We'll follow his movements. - It's wonderful...- Concentrate!
0:20:31 > 0:20:34We have him. I can feel his footsteps on the pavement.
0:20:39 > 0:20:42I never dreamed it could happen from so far.
0:20:42 > 0:20:46To be in another mind and receive transmissions from his nerve ends.
0:20:46 > 0:20:50We need something more positive, a prolonged sensation.
0:20:50 > 0:20:53- Intense heat. Or water! - That's it, water!
0:20:53 > 0:20:56MUSIC: Lee Grant And The Capitols.
0:20:56 > 0:20:58I can hear music.
0:20:58 > 0:21:01Even sound is transmitted.
0:21:06 > 0:21:10- Mike!- Hi. The return of the prodigal.- Did you have a good time?
0:21:10 > 0:21:13- Come on, let's sit down. - Suits me, I'm bushed.
0:21:18 > 0:21:22- Where have you been? - Having an orgy with a hamburger.
0:21:22 > 0:21:26- All this time? - Economy-size hamburger. Cheers.
0:21:26 > 0:21:29Urgh! Horrible stuff.
0:21:30 > 0:21:32I'll get the drinks, if you pay.
0:21:33 > 0:21:35There you go, Shylock.
0:21:37 > 0:21:39Come on, let's get out of here.
0:21:39 > 0:21:40What about Alan?
0:21:40 > 0:21:42He can look after himself.
0:21:42 > 0:21:45- I'll take you somewhere. - Sounds dangerous.
0:21:45 > 0:21:47Come on!
0:21:47 > 0:21:49We can't just leave Alan,
0:21:49 > 0:21:53- he'll be hurt. - You just left me.- That's different.
0:21:53 > 0:21:56- Why?- YOU wanted to be on your own.
0:21:56 > 0:21:58I never want to be on my own.
0:21:58 > 0:22:00Come on. Let's go.
0:22:00 > 0:22:02We'll leave a note if you like.
0:22:39 > 0:22:40Bastard!
0:22:42 > 0:22:47- He's responding perfectly, Marcus. - I know just where to send them.
0:22:55 > 0:22:57- This way.- Where are we going?
0:22:57 > 0:23:01- We're going for a swim. - You're crazy! In this cold?
0:23:01 > 0:23:04- Indoor pool. Private. - How do we get in?
0:23:04 > 0:23:07I've got my own personal "open sesame". Come on.
0:23:52 > 0:23:55Why did you think of this?
0:23:55 > 0:23:57I don't know. It just came to me.
0:23:57 > 0:24:00- Out of the blue? - Yeah. Mike Mercury, that's me.
0:24:02 > 0:24:04Et voila!
0:24:06 > 0:24:09I'll go and turn on the pool lights. You go on down.
0:24:09 > 0:24:10Right.
0:24:33 > 0:24:34SHE SCREAMS
0:24:45 > 0:24:47It transmits perfectly.
0:24:56 > 0:24:58I can feel the water all around me.
0:24:58 > 0:25:00It's wonderful.
0:25:10 > 0:25:12Oh!
0:25:12 > 0:25:14It's too much, he's exhausting me.
0:25:14 > 0:25:17- Stop him.- No, no.
0:25:17 > 0:25:19Let the boy enjoy himself, Estelle.
0:25:19 > 0:25:25All we have to do is stop concentrating and our sensations will get less and less.
0:25:25 > 0:25:30- We can get him back when we want? - Of course, dear. Relax. Let go.
0:25:40 > 0:25:44- We must keep the process secret. - No, we'll use it to help people.
0:25:44 > 0:25:48To help us, Marcus. But only if we handle it right.
0:25:48 > 0:25:51Not just us. Other people, too.
0:25:51 > 0:25:53Old people who don't have what we have.
0:26:08 > 0:26:11We haven't been able to afford anything for years.
0:26:11 > 0:26:16Not since that reporter decided to investigate your practice.
0:26:16 > 0:26:19You know that. Now, why are we so different?
0:26:19 > 0:26:22We're not in some old-people's home.
0:26:35 > 0:26:36- Don't you see?- I don't.
0:26:36 > 0:26:41They could enjoy the sensations of swimming, just as we did now,
0:26:41 > 0:26:47- and take long, long holidays. - How do you propose to do that?
0:26:47 > 0:26:52We'll find somebody who'll set up a foundation and send just one person.
0:26:52 > 0:26:57A transmitter, so to speak. On a long cruise and all his sensations
0:26:57 > 0:27:02and experiences will be relayed back to the old people at home.
0:27:02 > 0:27:05Yes. It sounds wonderful, Marcus.
0:27:05 > 0:27:08- Ah, then you do see.- Yes.
0:27:08 > 0:27:12You must feel proud. The sensations and the control.
0:27:12 > 0:27:15You've achieved something remarkable.
0:27:15 > 0:27:20- I'd forgotten the control. - It's there. That boy, we were making him do things.
0:27:20 > 0:27:22He was ours. He is still.
0:27:22 > 0:27:26An enormous extension of hypnotic power.
0:27:26 > 0:27:31We've stumbled on something greater. I'm going to write up a report.
0:27:31 > 0:27:36If I can convince people that it works and find someone to finance it
0:27:36 > 0:27:38and make sure it's put to a good use.
0:27:38 > 0:27:40- Marcus.- Yes, dear?
0:27:40 > 0:27:43- The report.- What about it?
0:27:43 > 0:27:46- Must we do it yet? - Why not? What do you mean?
0:27:50 > 0:27:55These papers scorned your work. They wrecked our lives for years!
0:27:55 > 0:27:57That's over now.
0:27:57 > 0:28:0130 years with no money, no reputation, because of these lies!
0:28:02 > 0:28:06Don't we deserve something for all those years?
0:28:06 > 0:28:08Nobody else, just you and me!
0:28:10 > 0:28:12We have the boy now!
0:28:12 > 0:28:17Let's use him, give ourselves things we haven't had for so long.
0:28:17 > 0:28:19Why not?
0:28:19 > 0:28:21The powers are to be used for others.
0:28:21 > 0:28:25Yes, of course, but just for a while.
0:28:25 > 0:28:28Just for a little while.
0:28:28 > 0:28:29Let us use the boy.
0:28:29 > 0:28:32- We deserve it.- Use him for what?
0:28:34 > 0:28:37We can choose, Marcus.
0:28:42 > 0:28:44All right, Estelle.
0:28:44 > 0:28:45Just for a little while.
0:28:45 > 0:28:48We can choose anything.
0:28:59 > 0:29:01Thanks, Michael.
0:29:05 > 0:29:06Can I come up?
0:29:11 > 0:29:12Why not?
0:29:23 > 0:29:25Go and find Alan. Or he'll go mad.
0:29:28 > 0:29:29OK. You're the boss.
0:29:29 > 0:29:31For once, I am.
0:30:16 > 0:30:18Morning.
0:30:22 > 0:30:24Anything in particular, you were after?
0:30:24 > 0:30:28I'm looking for a telephone, as a matter of fact.
0:30:35 > 0:30:36How's that?
0:30:38 > 0:30:42Let's face it, that won't do anything for anybody.
0:30:42 > 0:30:43Got anything else?
0:30:43 > 0:30:48- No, that's it.- In that case, you're not much use to me, are you?
0:31:18 > 0:31:21It's so beautiful, Marcus.
0:31:21 > 0:31:24They'd have it insured.
0:31:24 > 0:31:27Well...
0:31:27 > 0:31:30all things like that are insured.
0:31:30 > 0:31:34They wouldn't suffer in the least if they lost it.
0:31:34 > 0:31:36If it...
0:31:36 > 0:31:37Well...
0:31:37 > 0:31:39If it got burnt by fire, let's say.
0:31:39 > 0:31:41Now, would they?
0:31:43 > 0:31:45All right, Estelle, just this time.
0:31:45 > 0:31:47But please...
0:31:48 > 0:31:50..never again.
0:31:58 > 0:32:00DOOR BUZZER
0:32:00 > 0:32:02Michael, is that you?
0:32:02 > 0:32:04The geese are flying tonight.
0:32:04 > 0:32:06'What's that?'
0:32:06 > 0:32:08The password. Let me in. It's cold.
0:32:08 > 0:32:10OK, come up. I'm nearly ready.
0:32:19 > 0:32:22MUSIC: "In The Country" By Cliff Richard
0:32:22 > 0:32:25Why do girls always SAY they're ready?
0:32:25 > 0:32:27Maybe there's an answer to that.
0:32:27 > 0:32:29There could well be.
0:32:29 > 0:32:35# When the world in which we live in gets a bit too much to bear
0:32:35 > 0:32:37# And you need someone to lean on
0:32:37 > 0:32:40# When you look there's no-one there
0:32:40 > 0:32:43# You're gonna find me
0:32:43 > 0:32:45# Out in the country... #
0:32:45 > 0:32:50All right, Marcus, let us put ourselves in touch.
0:32:50 > 0:32:52Concentrate and we'll get him.
0:32:54 > 0:32:57# It belongs to you and I
0:32:57 > 0:32:59# Come on and join me
0:32:59 > 0:33:02# Hey, out in the country... #
0:33:11 > 0:33:12# And the day is fine
0:33:12 > 0:33:15# A pretty girl has her hand in mine... #
0:33:20 > 0:33:23# In the country-y-y... #
0:33:29 > 0:33:31# Ba ba ba ba
0:33:31 > 0:33:34# Ba ba ba ba ba
0:33:34 > 0:33:36# Ba ba ba ba ba. #
0:34:30 > 0:34:32Mike?
0:34:58 > 0:35:00PHONE RINGS
0:35:09 > 0:35:11Hello.
0:35:12 > 0:35:13Eh?
0:35:14 > 0:35:16Do what?
0:35:16 > 0:35:18Oh, yes, hang on. I'll fetch him.
0:35:22 > 0:35:25Al! There's some French bird on the phone for you.
0:35:27 > 0:35:29Thanks, Ron.
0:35:29 > 0:35:31I wish I were your age.
0:35:32 > 0:35:34Hello.
0:35:34 > 0:35:36Nicole!
0:35:36 > 0:35:38He stood you up?
0:35:38 > 0:35:40Mike?
0:35:40 > 0:35:43That's a bit sudden, even for the boy wonder!
0:35:44 > 0:35:48Sure. Sure. I'll be finished in about ten minutes.
0:35:48 > 0:35:50Yeah, that's great, love.
0:35:50 > 0:35:53Yeah. I'll see you later, then.
0:35:53 > 0:35:54Bye.
0:35:59 > 0:36:01Er...Ron.
0:36:01 > 0:36:03All right, you can go.
0:36:03 > 0:36:05Thanks, Ron.
0:36:05 > 0:36:09Hey! Make sure she's on the pill. RON LAUGHS
0:36:09 > 0:36:12You dirty old foreman, Ron.
0:36:14 > 0:36:16Down the street.
0:36:16 > 0:36:18To the right.
0:37:07 > 0:37:10MUSIC: "Your Love" By Toni Daley
0:37:10 > 0:37:12# You
0:37:12 > 0:37:16# Keep tearing me apart from morning till night
0:37:16 > 0:37:22# And I'm trying to resist but it just ain't right
0:37:22 > 0:37:26# You make me feel like I've never felt before
0:37:26 > 0:37:30# I've got you now, I can't stand it any more
0:37:30 > 0:37:32# Oh, please,
0:37:32 > 0:37:34# Give me what I want
0:37:34 > 0:37:35# Give me what I want
0:37:35 > 0:37:37# Your love, please
0:37:37 > 0:37:39# Give me what I want
0:37:39 > 0:37:42# Give me what I want
0:37:42 > 0:37:44# Your love
0:37:44 > 0:37:49# I realised how much I needed you
0:37:50 > 0:37:56# Love is here and there's nothing I can do... #
0:37:56 > 0:37:58Nothing.
0:37:58 > 0:38:01# You make me feel like I've never felt before
0:38:01 > 0:38:05# I've got your love, I can't resist you any more
0:38:05 > 0:38:07# So please, give me what I want... #
0:38:07 > 0:38:09Don't worry.
0:38:09 > 0:38:13You know these moods of his as well as I do.
0:38:13 > 0:38:15- Better, in fact. - I'm sorry, Alan.
0:38:15 > 0:38:17What for?
0:38:17 > 0:38:21- You love the idiot, not me. - I'm not in love with Mike.
0:38:35 > 0:38:37ALARM BELL
0:38:40 > 0:38:41SILENCE
0:41:59 > 0:42:01Oh, he did it, Marcus.
0:42:01 > 0:42:03Yes, we did it.
0:42:03 > 0:42:04You'll have your fur.
0:42:04 > 0:42:08- Wonderful. Thanks.- You'd best wait before you collect it.
0:42:08 > 0:42:11- My fur.- That's what you wanted.
0:42:11 > 0:42:13Yes, then.
0:42:13 > 0:42:16- I didn't realise... - You didn't realise what?
0:42:16 > 0:42:21I didn't realise it would be like this.
0:42:21 > 0:42:23I don't know what you mean.
0:42:23 > 0:42:26You do, Marcus. I saw you.
0:42:26 > 0:42:28You enjoyed it, didn't you?
0:42:28 > 0:42:31How could I enjoy it?
0:42:31 > 0:42:33That policeman coming in.
0:42:33 > 0:42:35It was dangerous.
0:42:35 > 0:42:38That was the most exciting part.
0:42:38 > 0:42:41I saw your face. You did enjoy it. I know that.
0:42:41 > 0:42:44- I did, too. - It's wrong, Estelle, wrong.
0:42:44 > 0:42:46To be human?
0:42:46 > 0:42:50We all want to do things deep down inside ourselves.
0:42:50 > 0:42:53Things we can't allow ourselves to do.
0:42:53 > 0:42:55I'm right. Aren't I?
0:42:55 > 0:42:57But now...
0:42:58 > 0:43:01..we have the means to do these things
0:43:01 > 0:43:04without the fear of the consequences.
0:43:08 > 0:43:10You're right, Estelle.
0:43:10 > 0:43:12I...
0:43:12 > 0:43:14I DID enjoy it.
0:43:43 > 0:43:45DOOR BUZZER
0:43:53 > 0:43:55Who is that?
0:43:57 > 0:43:58It's me, Nicole.
0:43:58 > 0:43:59What do you want?
0:43:59 > 0:44:01Can I come up?
0:44:02 > 0:44:04Please.
0:44:07 > 0:44:08OK, come up.
0:44:17 > 0:44:19I don't remember a bloody thing.
0:44:21 > 0:44:24It was...peculiar. I don't know.
0:44:24 > 0:44:28Poor Michael. Can you remember walking out on me?
0:44:28 > 0:44:31I remember leaving here, but I don't know why.
0:44:31 > 0:44:35I felt I had to... do something somewhere.
0:44:35 > 0:44:37Do what?
0:44:37 > 0:44:40That's what I can't work out.
0:44:40 > 0:44:41But I obviously did it.
0:44:41 > 0:44:46And you can bet your bottom dollar it wasn't a whist drive.
0:44:46 > 0:44:51Sorry about...waking you up, but I was a bit scared, you know?
0:44:51 > 0:44:55I bet it's the first time you've ever admitted it.
0:44:59 > 0:45:01Yeah, maybe it is.
0:45:55 > 0:45:59Stop brooding over those, Marcus. It's all past.
0:46:00 > 0:46:04I've just seen a policeman stop a man on a motorcycle.
0:46:04 > 0:46:06What was he doing wrong?
0:46:06 > 0:46:08- Speeding.- Well?
0:46:08 > 0:46:11Have you ever experienced speed?
0:46:11 > 0:46:15Oh-oh, once. In an ambulance, after I cracked up my leg.
0:46:15 > 0:46:19I mean, real speed. I never have, and it must be magnificent.
0:46:19 > 0:46:21Oh, terrifying.
0:46:21 > 0:46:22But magnificent!
0:46:22 > 0:46:25We'll have it, Marcus.
0:46:25 > 0:46:26Real speed.
0:46:27 > 0:46:29When's your afternoon off, love?
0:46:29 > 0:46:32- Today. It's Saturday. Remember? - So it is.
0:46:32 > 0:46:35That's two blackouts in 24 hours.
0:46:35 > 0:46:38You should see a doctor.
0:46:40 > 0:46:43I'm healthy enough.
0:46:43 > 0:46:45Lots of green veg.
0:46:45 > 0:46:48- Don't talk with your mouth full. - It's my mouth!
0:46:48 > 0:46:51So, you've got the afternoon off.
0:46:51 > 0:46:53Let's go some place.
0:46:53 > 0:46:55Where, movies?
0:46:55 > 0:46:57- No. The country. Out of the smoke. - How?
0:46:57 > 0:47:00- Alan's bike. - He'll let you use it?
0:47:00 > 0:47:02No. But if I just borrow it for a while.
0:47:02 > 0:47:04ENGINE STARTS
0:47:08 > 0:47:11Sounds like your bike, Alan.
0:47:11 > 0:47:13- OK, love.- OK.
0:47:13 > 0:47:15Right, let's go!
0:47:21 > 0:47:23The bleeding nerve.
0:47:23 > 0:47:27- Hello, friend of yours? - That's your word for it.
0:47:27 > 0:47:31- Who was the bird with him? - The one I took out last night.
0:47:31 > 0:47:33Oh-h-h...
0:47:33 > 0:47:35RON CHUCKLES
0:47:35 > 0:47:37Yeah.
0:48:22 > 0:48:25Mike, slow down. Michael.
0:48:40 > 0:48:41Mike, slow down!
0:49:05 > 0:49:06Stop!
0:49:30 > 0:49:31SHE SCREAMS
0:50:09 > 0:50:11What the hell have you been up to?
0:50:11 > 0:50:14- Taking a spin in the country. OK? - No, it's not OK.
0:50:14 > 0:50:18Look at Nicole. What have you done to her?
0:50:18 > 0:50:22- He can't talk to you like that. - Don't talk to me like that.
0:50:22 > 0:50:23What are you up to?
0:50:23 > 0:50:25You lousy bastard! Hit him!
0:50:26 > 0:50:27Michael!
0:51:05 > 0:51:07Ronnie, quickly!
0:51:31 > 0:51:35Good boy, Mike. Good boy, Mike.
0:51:57 > 0:52:01That was the best thing we've had yet, Marcus.
0:52:01 > 0:52:04I never dreamed that you could sink to this.
0:52:04 > 0:52:07It was beautiful. Incredible!
0:52:07 > 0:52:10By God, Estelle, you must be out of your mind.
0:52:10 > 0:52:14A liberation...like never before.
0:52:14 > 0:52:15Oh!
0:52:17 > 0:52:20I'll stop you, Estelle.
0:52:20 > 0:52:21How, Marcus?
0:52:21 > 0:52:23Tell me how?
0:52:23 > 0:52:25- I've already proved one thing. - What?
0:52:25 > 0:52:28My will is stronger than yours.
0:52:28 > 0:52:31You can't stop me. You tried to then, didn't you?
0:52:31 > 0:52:36I could feel your mind working against mine, but I won, Marcus.
0:52:36 > 0:52:38You can't win all the time.
0:52:38 > 0:52:39Not when you are asleep.
0:52:39 > 0:52:43I'll bring the boy back here and de-process him,
0:52:43 > 0:52:45set him free!
0:52:45 > 0:52:47I'll never let you do that. Never!
0:52:47 > 0:52:50I'll tell the police everything.
0:52:51 > 0:52:52They'd laugh at you.
0:52:52 > 0:52:55I'm going to stop you, Estelle.
0:52:57 > 0:52:59I promise you! Argh!
0:53:03 > 0:53:06You'll never de-process him, Marcus.
0:53:21 > 0:53:22No!
0:53:22 > 0:53:24No!
0:53:26 > 0:53:28No!
0:53:32 > 0:53:35MARCUS: Don't do it, Estelle. No!
0:53:35 > 0:53:37No! No!
0:53:37 > 0:53:38No!
0:53:38 > 0:53:41There's no point in getting the boy back, Marcus.
0:53:41 > 0:53:44I'll stop you, if it's the last thing I do.
0:53:44 > 0:53:48It's no good, Marcus. You can't stop me!
0:54:39 > 0:54:41PHONE RINGS
0:54:41 > 0:54:43I'm sorry.
0:54:45 > 0:54:47Hello.
0:54:48 > 0:54:49Hello?
0:55:03 > 0:55:05Who was it?
0:55:05 > 0:55:08I don't know. Nobody there.
0:55:08 > 0:55:11Somebody casing the joint, maybe?
0:55:11 > 0:55:15I doubt it. Probably Michael wanting to make peace with me.
0:55:16 > 0:55:17That bastard!
0:55:18 > 0:55:21What did you see in him, Nicole?
0:55:21 > 0:55:22Honestly?
0:55:22 > 0:55:23I don't know.
0:55:23 > 0:55:28Since that business last night, he seems to be in some kind of trouble.
0:55:28 > 0:55:31And I wanted to help.
0:55:31 > 0:55:33But after this...
0:55:35 > 0:55:37After this, what?
0:55:37 > 0:55:39Nothing. Not again.
0:56:05 > 0:56:07Who is it?
0:56:07 > 0:56:09Audrey.
0:56:09 > 0:56:10It's me, Mike.
0:56:10 > 0:56:12Who?
0:56:12 > 0:56:14Mike Roscoe.
0:56:20 > 0:56:24- I don't deserve that.- That's right. I haven't seen you for ages.
0:56:24 > 0:56:27Why have you come here? Come in.
0:56:27 > 0:56:29Thank you.
0:56:30 > 0:56:33I thought I'd pop round to see how you were.
0:56:33 > 0:56:35Do you want a cup of coffee?
0:56:35 > 0:56:37Yeah. Thanks.
0:56:39 > 0:56:41Sugar?
0:56:42 > 0:56:43No, thanks.
0:56:44 > 0:56:46I should have remembered that.
0:56:49 > 0:56:52Mike, why did you come here?
0:56:52 > 0:56:56Really, I mean. Is it trouble with Nicole?
0:56:59 > 0:57:00Yeah, sort of.
0:57:03 > 0:57:05It's a bit complicated.
0:57:05 > 0:57:06Tell me.
0:57:07 > 0:57:10I'm sorry, Aud. I had to talk to someone.
0:57:10 > 0:57:13You can talk to me, can't you?
0:57:16 > 0:57:18Yeah, I guess so.
0:57:21 > 0:57:23How are you feeling, Marcus?
0:57:27 > 0:57:29I'm sorry I had to do that.
0:57:30 > 0:57:33But I couldn't have you getting out of here
0:57:33 > 0:57:36just as we were going to have our little contest.
0:57:37 > 0:57:39Now, could I?
0:57:40 > 0:57:41It's all so hazy.
0:57:42 > 0:57:46Half the time I don't know why I'm doing things.
0:57:46 > 0:57:50And there are whole periods when I can't remember anything at all.
0:57:51 > 0:57:53Did you explain to Nicole?
0:58:00 > 0:58:02Yeah.
0:58:04 > 0:58:05What did she say?
0:58:05 > 0:58:07Did she try and understand?
0:58:21 > 0:58:23No. No!
0:58:24 > 0:58:27Mike? What did Nicole say?
0:58:35 > 0:58:37Mike?
0:58:49 > 0:58:51Mike, what's the matter?
0:58:59 > 0:59:01Are you all right?
0:59:05 > 0:59:06Stop!
0:59:10 > 0:59:12Well, Marcus...
0:59:12 > 0:59:14it's no good.
0:59:15 > 0:59:18You can't hold me back now.
0:59:18 > 0:59:20Somehow...
0:59:20 > 0:59:22..some way...
0:59:22 > 0:59:25..at any cost, Estelle,
0:59:25 > 0:59:27at any cost!
0:59:30 > 0:59:33# Boy, you're coming on strong now
0:59:34 > 0:59:36# Turning me on now
0:59:37 > 0:59:40# I feel kind of groovy
0:59:40 > 0:59:43# Oh, baby, you move me
0:59:43 > 0:59:49# Well, you get me to the stage where I feel fine
0:59:49 > 0:59:53# And then you tell me that I've got to draw the line
0:59:53 > 0:59:57# So, baby, nothing
0:59:57 > 0:59:59# I said, I miss nothing at all
0:59:59 > 1:00:02# Sweet, sweet nothings
1:00:02 > 1:00:07# Well, that's all I ever get from you
1:00:07 > 1:00:10# Ooh, you excite me
1:00:10 > 1:00:13# When you touch my hand
1:00:13 > 1:00:16# So why try to fight me?
1:00:17 > 1:00:19# I just don't understand
1:00:21 > 1:00:25# Well, you get me to the stage with my feet off the ground
1:00:25 > 1:00:28# And then you turn around and say, "Down, girl, down"... #
1:00:28 > 1:00:31Well, well, well.
1:00:31 > 1:00:33# Nothing
1:00:33 > 1:00:36# I said I'm getting nothing, oh, no
1:00:36 > 1:00:38# Baby, nothing
1:00:40 > 1:00:43# Well, that's all I ever get from you
1:00:56 > 1:00:58# Now, all the money I get, now
1:01:00 > 1:01:03# I'll give it all to you
1:01:03 > 1:01:05# I even bought your sweater
1:01:07 > 1:01:10# And your hipsters, too
1:01:11 > 1:01:15# Well, you get me to the stage with my feet off the ground...
1:01:17 > 1:01:19# Say, "Down, girl, down"
1:01:19 > 1:01:21# Oh, baby, nothing
1:01:23 > 1:01:26# Yeah, I said I'm getting nothing, no, no
1:01:26 > 1:01:28# Baby, nothing
1:01:30 > 1:01:33# Well, that's all I ever get from you
1:01:33 > 1:01:35# Oh, baby, sweet, sweet nothing
1:01:36 > 1:01:39# Yeah, I said I'm getting nothing
1:01:39 > 1:01:40# No
1:01:45 > 1:01:47# That's all I ever get from you
1:01:47 > 1:01:50# Baby, sweet, sweet nothing. #
1:02:09 > 1:02:11I suppose that's for our benefit.
1:02:11 > 1:02:13Independence and so on.
1:02:14 > 1:02:17He always said he couldn't stand her.
1:02:17 > 1:02:21You've been saying how strange he's been recently.
1:02:21 > 1:02:23Maybe he's finally flipped.
1:02:31 > 1:02:33He certainly hasn't lost his charm.
1:02:33 > 1:02:35That's if he ever had any.
1:02:35 > 1:02:38Leave him alone, Alan, please.
1:03:12 > 1:03:14Are you sure you know where we are?
1:03:16 > 1:03:18I know where we are.
1:03:18 > 1:03:20Where, then?
1:03:20 > 1:03:21You'll see.
1:03:36 > 1:03:38Look, I don't like this.
1:03:39 > 1:03:42Don't be daft. It's up there. Come on.
1:03:42 > 1:03:44I'm going back.
1:03:44 > 1:03:46Come on!
1:04:09 > 1:04:14- Why have you brought me here? - To sing for us.- Us?
1:04:17 > 1:04:20Yes, us. That's why you came,
1:04:20 > 1:04:22- so let's hear you. - But the club...
1:04:22 > 1:04:25I'll sing at the club. Have they got a group?
1:04:25 > 1:04:28- Sing. - I can't. Not just like that.
1:04:28 > 1:04:34I want to hear you in your right surroundings, so come on, sing.
1:04:38 > 1:04:40Come on. Get on with it.
1:04:43 > 1:04:45Sing.
1:04:47 > 1:04:50Stay away from her. Stay away!
1:04:57 > 1:04:58Now!
1:05:29 > 1:05:32Nothing. Nothing you can do at all.
1:05:32 > 1:05:37And nothing yet can compare with tonight's achievement.
1:06:40 > 1:06:42Can I help you? Cheese and pickles?
1:06:42 > 1:06:44Ham?
1:06:44 > 1:06:49Something special? Liver sausage, sauerkraut and gherkin?
1:06:49 > 1:06:52You are not hungry, then?
1:06:52 > 1:06:55- What's another few inches? - I will lose a few shillings.
1:06:55 > 1:06:59Please, don't. You look OK to me, my dear.
1:06:59 > 1:07:02- Yes?- Cheese and pickles?
1:07:02 > 1:07:06Ham? Gherkin, sauerkraut? Liver sausage? What can I do you for?
1:07:06 > 1:07:08Nothing, thanks.
1:07:08 > 1:07:12This is not a bus shelter, you know.
1:07:12 > 1:07:15- One espresso, please. - Coming.- What's wrong?
1:07:20 > 1:07:21- This is the girl!- Shush.
1:07:24 > 1:07:26He couldn't have... Oh, not Mike.
1:07:26 > 1:07:29He pretty near killed me. Look at this.
1:07:32 > 1:07:35Another killing as well last night...
1:07:35 > 1:07:37You can't think that...
1:07:37 > 1:07:41Two girls have been killed. One we saw him with,
1:07:41 > 1:07:44- and one near his shop. - What can we do?- Go to the fuzz.
1:07:44 > 1:07:48- You're guessing... - We still have to call the cops.
1:07:48 > 1:07:53- Can't we talk to him? He may have an alibi.- Yeah, that's a point.
1:07:53 > 1:07:57- Please, let's go and see him. - OK. He won't be at the shop, though.
1:07:57 > 1:08:00- Perhaps in the flat? - We'll try there.
1:08:07 > 1:08:10Here, you are tuppence short.
1:08:11 > 1:08:13Marcus?
1:08:13 > 1:08:15Are you happy, Marcus?
1:08:18 > 1:08:20SHE COUGHS
1:08:23 > 1:08:25Marcus?
1:08:25 > 1:08:27I'm talking to you.
1:08:45 > 1:08:46Do you hear me?
1:09:05 > 1:09:07You haven't eaten it.
1:09:10 > 1:09:12Eat, Marcus.
1:09:12 > 1:09:15You have to eat to keep you strong.
1:09:15 > 1:09:18Go away, Estelle.
1:09:18 > 1:09:20If you don't keep strong
1:09:20 > 1:09:24you won't be able to have any...
1:09:25 > 1:09:27..any comp...
1:09:27 > 1:09:29competitions with me.
1:09:31 > 1:09:33Keep away from me.
1:09:33 > 1:09:35Damn you, eat!
1:09:45 > 1:09:47Wotcha, Fred. Hello.
1:09:47 > 1:09:49How goes it? Fine. Is that a late one?
1:09:49 > 1:09:52Fairly. I done one in the three o'clock.
1:09:52 > 1:09:54Which one was that?
1:09:54 > 1:09:56Old Times. Seventh.
1:09:56 > 1:10:00Give more to your woman, not so much to the bookmaker.
1:10:00 > 1:10:02Yeah, very funny.
1:10:03 > 1:10:07Here - this bird that's got done in,
1:10:07 > 1:10:09I picked her up in the cab.
1:10:09 > 1:10:13When was this? Last night with a young fella.
1:10:15 > 1:10:18I ain't going to have my fun without you.
1:10:18 > 1:10:20Damn you!
1:10:20 > 1:10:22You're drunk.
1:10:22 > 1:10:24What do you mean?
1:10:24 > 1:10:27My will is stronger.
1:10:27 > 1:10:29I've proved it. Twice!
1:10:29 > 1:10:32Your mind's a fog.
1:10:32 > 1:10:36That's what you think, but you're wrong.
1:10:45 > 1:10:48BELL RINGS
1:10:53 > 1:10:55Try the door.
1:10:59 > 1:11:02- Mike? - Try the bedroom.- Yeah.
1:11:11 > 1:11:14No. Looks like he came back last night.
1:11:14 > 1:11:18I wish he was still there. At least we could talk to him.
1:11:18 > 1:11:22Maybe he is at the shop. He loves it if he has nobody to talk to.
1:11:22 > 1:11:25- I suppose so. - Let's telephone him.- OK, fine.
1:11:43 > 1:11:46Hello?
1:11:46 > 1:11:50Hello, Mike? This is Alan. Nicole and I want to talk to you.
1:11:50 > 1:11:51HE HANGS UP
1:11:53 > 1:11:55- At least he's there. - Yeah.
1:11:55 > 1:11:57Come on.
1:12:02 > 1:12:04SIREN BLARES
1:12:06 > 1:12:10Marcus? Do you think I can't still hold him?
1:12:10 > 1:12:12All right, I'll show you.
1:12:12 > 1:12:15If you try anything, Estelle,
1:12:15 > 1:12:17using that boy,
1:12:17 > 1:12:19I will prevent you.
1:12:19 > 1:12:23- How will you do that? - In the only way I can.
1:12:24 > 1:12:26Just you try.
1:12:31 > 1:12:33Hmm, careless bastard.
1:13:10 > 1:13:13Nobody here. We'll have to check all this junk.
1:13:13 > 1:13:16Can't waste a tip-off just because he isn't home.
1:13:36 > 1:13:40Mike! Let us in. We want to talk to you.
1:13:40 > 1:13:42Mike, unlock the door, please.
1:13:48 > 1:13:51What do you want? I thought we aren't speaking.
1:13:51 > 1:13:54- It's about that girl.- What girl?
1:13:54 > 1:13:58- The singer you went out with. - What do you mean?
1:13:58 > 1:14:00You were the last girl I went out with.
1:14:00 > 1:14:05- Last night...- The kid with the group. Laura.- That slag?
1:14:05 > 1:14:07I wouldn't look at her.
1:14:07 > 1:14:12I'm very busy. I've got a lot to do. Would you two mind leaving me alone?
1:14:12 > 1:14:14- Mike, we must talk to you. - Why?
1:14:14 > 1:14:18Laura was killed last night, and another girl too.
1:14:20 > 1:14:21He must work somewhere.
1:14:21 > 1:14:25Look for a letterhead to give us an idea of where.
1:14:25 > 1:14:27Everything's closed today.
1:14:27 > 1:14:29It's better than nothing.
1:14:29 > 1:14:33We won't get anywhere if we wait here looking for bloodstains.
1:14:33 > 1:14:35Well, that's true enough.
1:14:48 > 1:14:52- Where were you?- I don't know. - You must have some idea.
1:14:52 > 1:14:59- You shut up. Then what?- I took a walk.- Where?- To see a friend. - Who?- My business.- A girl?- So?
1:14:59 > 1:15:02- A girl named Audrey Woods? - We went out together.
1:15:02 > 1:15:04She was killed last night.
1:15:06 > 1:15:11- You killed her. - No! I don't remember.- You don't remember much.- Some things.
1:15:11 > 1:15:16- Like blackouts when you kill? - I don't kill anybody. Never!
1:15:16 > 1:15:20You were with two girls. One you saw, the other you don't remember.
1:15:20 > 1:15:24- Both murdered. If you didn't do it, who did?- I don't know.
1:15:24 > 1:15:28- I can't remember things. - You remember swimming?- Yes.
1:15:28 > 1:15:32- Being on a motorbike?- Yes. - Fighting me?- Yes.
1:15:32 > 1:15:34- Or killing two girls? - No!
1:15:35 > 1:15:38- Now, get out. Leave me alone. - Come on, Mike!
1:15:38 > 1:15:41- Tell the truth! - Get out of here! Leave me alone!
1:15:41 > 1:15:45They suspect, or they know.
1:15:45 > 1:15:46Kill.
1:15:48 > 1:15:50Michael, what's the matter?
1:15:53 > 1:15:54- Kill.- No!
1:15:55 > 1:15:58- Agghhh! - Put it down, Mike.
1:15:59 > 1:16:00Get help!
1:16:31 > 1:16:34SIREN BLARES
1:16:51 > 1:16:53Run!
1:17:25 > 1:17:28- Are you all right, son? - I'm fine.
1:17:28 > 1:17:30- You're not hurt? - No, no.
1:19:40 > 1:19:42Stop, Marcus. Stop.
1:19:48 > 1:19:50Stop!
1:20:01 > 1:20:02- Oh, no! - Yes!
1:20:05 > 1:20:06I had to do it, Estelle.
1:20:17 > 1:20:20SCREAMING
1:21:03 > 1:21:06Take them home, Sergeant. Yes, sir.
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