0:00:16 > 0:00:19AIR-RAID SIREN
0:00:38 > 0:00:41AIRCRAFT ENGINES ROAR
0:00:42 > 0:00:44EXPLOSION
0:00:49 > 0:00:51BOMBS WHISTLING
0:00:51 > 0:00:54ANTI-AIRCRAFT FIRE
0:00:58 > 0:01:01EXPLOSIONS
0:01:12 > 0:01:15LOUD EXPLOSION
0:01:20 > 0:01:23AIR-RAID SIREN
0:01:31 > 0:01:34FIRE ENGINE BELL RINGS
0:01:45 > 0:01:48VOICES SHOUTING
0:01:55 > 0:01:58- Hey! Just over there! Up there. - Right oh.
0:01:59 > 0:02:03- You should've been there last night. - They were gorgeous.
0:02:03 > 0:02:10- Tell her about his mate. You've got no taste.- Hold on, you slut. It wasn't me who dated that bleeder!
0:02:10 > 0:02:17- What was his name?- Peter.- Yeah, Peter, the hedgehog, with the big teeth!- Yeah, yeah, big teeth!
0:02:17 > 0:02:20Very big lips!
0:02:20 > 0:02:22LAUGHTER
0:02:22 > 0:02:25SWING MUSIC
0:02:32 > 0:02:35SHOUTING AND WHOOPING
0:02:40 > 0:02:42Whoo!
0:02:42 > 0:02:44Hiya!
0:02:45 > 0:02:47Hey, hey!
0:02:47 > 0:02:49Come on.
0:02:53 > 0:02:59- What are you having, girls? - Can we get two G and Ts and a port and lemon, please?
0:02:59 > 0:03:02Hello, darling.
0:03:02 > 0:03:04- Look at him, he's drooling.- Eugh!
0:03:04 > 0:03:09- Where are they?- I don't know. I can only see ours.
0:03:11 > 0:03:14Hey, Charlie, come on. Come on.
0:03:15 > 0:03:20- Oh, my God, they're here. Look! - Oh, God, look at them!
0:03:22 > 0:03:29- All right, cowboy, where's your 'orse? - Come over here and I'll show you!
0:03:29 > 0:03:36- Here, Rosie, look at those two. - 'Ere, are they Yanks? - I don't recognise the uniform.
0:03:36 > 0:03:39Get in there.
0:03:39 > 0:03:42Look at that one! He's smashing!
0:03:42 > 0:03:47- He's staring at you. - Well, he can forget it.
0:03:48 > 0:03:52- He wants to dance with you. Look at him.- He's gorgeous.
0:03:52 > 0:03:58Go on! I'll dance with him if you don't want to. Go on. He's bloody gorgeous!
0:03:58 > 0:04:04- Well, maybe just the one. - Go on!- Go on!
0:04:09 > 0:04:12Look at the way he's looking at her!
0:04:16 > 0:04:18He's really got a fancy for her.
0:04:27 > 0:04:29MUSIC INCREASES TEMPO
0:04:29 > 0:04:32Whoo!
0:04:37 > 0:04:39Come on, Moira.
0:04:39 > 0:04:43MUSIC: "Moonlight Serenade" - Glenn Miller
0:04:51 > 0:04:53Let's get a drink, eh?
0:04:56 > 0:04:58So what's your name, Corporal?
0:04:58 > 0:05:04Charlie Travis, Spring Hill, Alberta. And you must be Ginger.
0:05:04 > 0:05:06Why do you say that?
0:05:06 > 0:05:11- Well, I could've sworn I was dancing with Ginger Rogers out there.- You!
0:05:13 > 0:05:19- All right, what's your hurry, soldier?- There's a war on. - So I've heard.
0:05:19 > 0:05:23Oh, come on, this might be our last night on Earth.
0:05:23 > 0:05:28- We could all end up as dust tomorrow.- You've got some cheek!
0:05:29 > 0:05:36- My name's Lily.- That's pretty, like that song, Lily Of Laguna. My dad used to whistle it when I was a kid.
0:05:36 > 0:05:39Your dad in Spring Hill, Alberta?
0:05:40 > 0:05:42Well, he was. He, uh...
0:05:42 > 0:05:47He died. Now it's just my mother and my sister.
0:05:47 > 0:05:50My dad disappeared when I was five.
0:05:50 > 0:05:56- Did your mum look after you? - Kidneys copped it when I was born. Never met her.
0:05:56 > 0:05:59- You had no home? - Of course I had a home, silly!
0:05:59 > 0:06:04Northford School was home to me and my mates over there.
0:06:04 > 0:06:06Cheeky!
0:06:06 > 0:06:11They're the closest thing I've ever had to a real family.
0:06:11 > 0:06:16But it's not the same, I reckon, having a mum and a dad and all that.
0:06:16 > 0:06:20No. I don't think it's the same at all.
0:06:20 > 0:06:26You're a real softie, aren't you? And you being in the army, acting so tough.
0:06:26 > 0:06:34- They don't make them like you in Spring Hill.- Is that a good thing? - Right now, it's a very good thing.
0:06:36 > 0:06:39MUSIC: "In The Mood" - Glenn Miller
0:06:40 > 0:06:43CHEERING AND WHISTLING
0:06:44 > 0:06:51- What is it?- That's my buddy Louie causing all the commotion. Man, can he kick!
0:06:56 > 0:07:02- Let's go and dance.- They learn that kind of thing in Montreal, you know.
0:07:02 > 0:07:04WOLF-WHISTLES
0:07:05 > 0:07:08Here, what was your bloke like?
0:07:09 > 0:07:14- So-PHIE!- I didn't know they spoke French in Montreal.
0:07:14 > 0:07:19- Oh, yeah. My family owns an estate in Quebec.- No kidding?- 3,000 acres.
0:07:20 > 0:07:25- Well, my family has a spread on the prairie.- Really?
0:07:25 > 0:07:28Yeah, just outside of Spring Hill, Alberta.
0:07:28 > 0:07:36- Where's Spring Hill, Alberta? - It's near Hollywood, I think.- Yeah, like a big old ranch on the prairie.
0:07:38 > 0:07:43- Just around the corner from John Wayne.- Now I know you're kidding!
0:07:43 > 0:07:47AIR-RAID SIREN, BOMBS EXPLODE
0:07:47 > 0:07:49Oh, my Lord! >
0:07:49 > 0:07:52SIREN CONTINUES
0:07:58 > 0:08:01Where is...? There we go, look.
0:08:01 > 0:08:03LAUGHTER
0:08:03 > 0:08:08Where's the bit about the suit? Right, here we go. Listen.
0:08:08 > 0:08:13"If someone asks where were you in the winter of '41,
0:08:13 > 0:08:20- "you should answer, 'In a coloured suit.'" I don't like that material. - It's awful.- But the shape's good.
0:08:20 > 0:08:26"It's your duty to be beautiful. The hands at work today can be both beautiful and busy."
0:08:26 > 0:08:29Look, I've got red ones!
0:08:31 > 0:08:36Right, you lot, back to work! Don't you know there's a war on?
0:08:36 > 0:08:39Come on. Come on. Hurry up!
0:08:43 > 0:08:46- SIREN GOES OFF - Oh, no.
0:08:46 > 0:08:50Oh, not today. We're behind as it is. Well, come on then.
0:08:55 > 0:08:57Cheers, love.
0:09:00 > 0:09:02DISTANT EXPLOSIONS
0:09:02 > 0:09:06Give us one then. Come on, don't be tight.
0:09:06 > 0:09:13- We'll be late.- Let's take the Underground.- You can't get trains. It's used as a bomb shelter now.
0:09:13 > 0:09:15Come on, let's have a look anyway.
0:09:31 > 0:09:33- You're lucky, you are.- Why?
0:09:33 > 0:09:38You don't get bombs dropped on your head in Spring Hill, Alberta.
0:09:38 > 0:09:46- That's why we came here, so we could get a taste of it.- Are you scared? - Of you?- No, silly, the war?
0:09:46 > 0:09:52Yeah, I'm a little scared of the war. But I am petrified of you.
0:10:31 > 0:10:35AIR-RAID SIREN, VOICES OUTSIDE
0:10:35 > 0:10:38Charlie!
0:10:40 > 0:10:43Quickly now!
0:10:44 > 0:10:47Oh, dear me. Over there!
0:10:49 > 0:10:51EXPLOSIONS OVERHEAD
0:10:54 > 0:11:01- Not bad for an old tablecloth. - Do you reckon that's even? - Oh, you look beautiful!
0:11:01 > 0:11:08- Oh, Soph, don't blub. You've got to go through the whole bloody palaver next week.- In a synagogue.
0:11:08 > 0:11:11That's the best bit. Look at that.
0:11:11 > 0:11:13BOTH: Whoo!
0:11:13 > 0:11:20- Do they wear white in a synagogue? - You look gorgeous.- Thanks, love. Just got to heave that up a bit.
0:11:20 > 0:11:27And have declared the same by giving and receiving of a ring and by joining of hands.
0:11:27 > 0:11:34I pronounce that they be man and wife together in the name of the Father and of the Son and of the Holy Ghost.
0:11:34 > 0:11:36Amen. You may kiss the bride.
0:11:50 > 0:11:53GIGGLING
0:12:05 > 0:12:07We've got a regular bed.
0:12:23 > 0:12:26- What happened?- The war.
0:12:40 > 0:12:42It's not gonna happen any more.
0:12:42 > 0:12:45I'll take care of you.
0:12:45 > 0:12:48I'll take care of you for ever.
0:13:06 > 0:13:10- I'll miss you, my darling! - I'll miss you too.
0:13:10 > 0:13:16- It's only been six days. - Only two for you and me, Lou. - Don't be upset, Sophie.
0:13:16 > 0:13:24- I'll send you a silk scarf from Europe.- I've got to go.- I don't want you to go!- I've got to go.
0:13:25 > 0:13:30You just get home in one piece, all right? Come here, sunshine.
0:13:31 > 0:13:34- You write to me, yeah?- Every day.
0:13:34 > 0:13:36Throw your stuff in. >
0:13:38 > 0:13:45- I've got something to tell you. - Travis!- Yes, sir!- I wasn't going to tell you, but...- What?
0:13:45 > 0:13:49- Oh, Charlie...- NOW, Corporal Travis! - I'm coming!
0:13:49 > 0:13:52I might be pregnant.
0:13:52 > 0:13:55- What?- I don't know for sure, but...
0:13:55 > 0:14:02- Charlie, you don't want to be AWOL before we even ship out.- These things happen.- Come on! Let's go!
0:14:02 > 0:14:06- I love you! - Corporal Travis. Private Maldoff.
0:14:06 > 0:14:11- And boys, keep your peckers up! - What?- What?
0:14:11 > 0:14:15Your peckers! Keep 'em up.
0:14:15 > 0:14:18Louie!
0:14:23 > 0:14:28- That's it.- Aagh!- Come on. Push! Push! Push! Push! Push!
0:14:31 > 0:14:33PUSH!
0:14:33 > 0:14:35Come on.
0:14:36 > 0:14:39BABY CRIES
0:14:39 > 0:14:41It's a girl.
0:14:42 > 0:14:44SOBBING
0:14:44 > 0:14:47Oh, she's lovely.
0:14:50 > 0:14:52She's beautiful!
0:14:52 > 0:14:54Hello.
0:14:57 > 0:14:59Hello.
0:15:00 > 0:15:02Hello.
0:15:38 > 0:15:40Lil.
0:15:46 > 0:15:51- Charlie!- Hello, Lil.- Charlie! - They gave me three days.
0:15:56 > 0:15:58Lindy, meet your daddy.
0:15:58 > 0:16:01- She's perfect.- Isn't she?
0:16:01 > 0:16:06Every single time I look at her face, I just see you.
0:16:07 > 0:16:10God, I've missed you so much!
0:16:10 > 0:16:12I remember you.
0:16:12 > 0:16:15Oh, Charlie!
0:16:19 > 0:16:22Do you want to take her?
0:16:22 > 0:16:24Who's that?
0:16:24 > 0:16:26She's...
0:16:26 > 0:16:29She's got your nose.
0:16:34 > 0:16:36Oh, no.
0:16:38 > 0:16:40OK...
0:16:40 > 0:16:42SHE SIGHS
0:16:42 > 0:16:45Let's say goodbye here.
0:16:54 > 0:16:57I gotta go.
0:16:57 > 0:16:59Gotta go.
0:17:07 > 0:17:10- Lily!- What?- Lily!
0:17:10 > 0:17:12Lily!
0:17:12 > 0:17:16- They've come Special Delivery. - What? Two of them?
0:17:16 > 0:17:20Well, surely they can't both have copped it at once?
0:17:23 > 0:17:25We're going to bloody Canada.
0:17:25 > 0:17:32- Oh, my God! We're going to Canada! - "Report to the Royal Canadian Army Regional Transportation Office
0:17:32 > 0:17:36"at Euston Station at 8pm, 20th March, 1943.
0:17:36 > 0:17:41"Baggage should be marked only with the individual's name and code.
0:17:41 > 0:17:46- "And tell no-one." Well, March 20th, that's in three days' time.- Yes!
0:17:46 > 0:17:52- We've got to leave in three days' time?- The whole neighbourhood has already gone!- 13 days!
0:17:52 > 0:17:56I've seen my husband for a total of 13 days.
0:17:56 > 0:17:59But we're going to bloody Canada!
0:17:59 > 0:18:02SCREAMING
0:18:04 > 0:18:11- We've got to pack.- What time have we got to be at the station for? We've got a lot to do in three days.
0:18:13 > 0:18:18'Canada welcomes the British wives and ladies of Canadian servicemen.
0:18:18 > 0:18:25'Montreal takes care of the new arrivals, war brides and babies on their way to various parts of Canada.
0:18:25 > 0:18:32'Married in Britain, a new life awaits these mothers and children, who are to become Canadian citizens.
0:18:32 > 0:18:38'All that initial strangeness will disappear in the warmness of Canadian hospitality,
0:18:38 > 0:18:42'so freely given to these war brides and babies.'
0:18:43 > 0:18:46# Here I go again
0:18:46 > 0:18:51# I hear those trumpets blow again
0:18:51 > 0:18:55# All aglow again
0:18:55 > 0:19:00# Taking a chance on love
0:19:00 > 0:19:05# Here I slide again
0:19:05 > 0:19:09# About to take that ride again
0:19:09 > 0:19:13# Starry-eyed again
0:19:13 > 0:19:17# Taking a chance on love
0:19:17 > 0:19:21# I thought that cards were a frame-up
0:19:21 > 0:19:25# I never would try
0:19:25 > 0:19:29# But now I'm taking the game up
0:19:29 > 0:19:35# And the ace of hearts is high... #
0:19:36 > 0:19:42Come on, sweetheart. All right then. Time to wake up, love. Say goodbye to Auntie Soph.
0:19:51 > 0:19:53Ma'am, need any help? >
0:19:53 > 0:19:57- All right, baby?- Thank you.
0:19:58 > 0:20:04- I shouldn't have come. Oh, no, we shouldn't have come. - Of course you should.
0:20:04 > 0:20:09Sophie Maldoff? Mrs Louie Maldoff Junior?
0:20:09 > 0:20:13Oh, Lord! I've hit the bleeding jackpot!
0:20:17 > 0:20:20Is it Sophie? Come here.
0:20:25 > 0:20:28- Elle est jolie.- We're together now.
0:20:34 > 0:20:37You take care, love, all right?
0:20:37 > 0:20:40- Don't blub!- I'm trying.
0:20:40 > 0:20:43All right, darling?
0:20:43 > 0:20:48- And don't forget me, all right?- Look at you! You've got a big posh scarf.
0:20:49 > 0:20:53- You write to me, all right? - Come on. Come on, darling.
0:20:53 > 0:20:55Bye.
0:21:01 > 0:21:05All aboard! All stations to Vancouver!
0:21:06 > 0:21:09All aboard!
0:21:09 > 0:21:12All stations west!
0:21:44 > 0:21:49Ooh! Do you look gorgeous? Mummy's little pretty girl?
0:21:49 > 0:21:51- Let's see. - WOLF-WHISTLES
0:22:09 > 0:22:14- It's good to be home, Dad.- You just need some good home cooking!
0:22:20 > 0:22:25Hello. You must be the Travises. I'm Lily.
0:22:25 > 0:22:29And this is your grand-daughter, Lindy-Jane.
0:22:31 > 0:22:36Can you do what we were practising? Go, "Howdy, all! Howdy!"
0:22:44 > 0:22:47Follow us.
0:22:56 > 0:22:59We don't wear that here.
0:23:01 > 0:23:04All aboard!
0:23:04 > 0:23:06Oh, dear.
0:23:06 > 0:23:10- Come on, love. I thought you did very well.- I did?- Yes.
0:23:10 > 0:23:15I said, "Where is it you live?" He said, "Canada." I said, "Canada?"
0:23:15 > 0:23:22He said, "Yes, I live on a big ranch on the prairie." I said, "You don't!" "He said, "I do."
0:23:22 > 0:23:27He said, "Yeah. And I live just round the corner from John Wayne."
0:23:27 > 0:23:34- We haven't heard from him in three months.- And his pay cheque goes to you now, you're his wife.
0:23:34 > 0:23:36That's that.
0:23:36 > 0:23:38MOUTHS SILENTLY
0:24:03 > 0:24:06Welcome to the ranch(!)
0:24:07 > 0:24:10Yeah, it's a farm, love.
0:24:10 > 0:24:11Mum...
0:24:11 > 0:24:14Well, it's a sort of farm.
0:24:39 > 0:24:45All right, careful down the steps. Careful! There we go. Big girl. Wait for Mum. Oh, yes!
0:24:47 > 0:24:49Bloody hell!
0:24:51 > 0:24:53Come here, love.
0:24:53 > 0:24:56Come here.
0:25:01 > 0:25:03It's all right, love.
0:25:08 > 0:25:10Through here.
0:25:14 > 0:25:17Now... You and your, uh...
0:25:17 > 0:25:23You and your girl, you're going to have to both sleep here because we have no spare room.
0:25:23 > 0:25:31- Unless you want to sleep in the barn?- So there's a barn then? With cows and horses and such?- Oh, yes.
0:25:31 > 0:25:34It's a big barn on a big ranch.
0:25:34 > 0:25:38- Lovely.- Come on and I'll show you. - All right then.
0:25:46 > 0:25:48See?
0:25:48 > 0:25:51The barn.
0:25:51 > 0:25:56Oh. Well, in Canada, you might call that the barn.
0:25:56 > 0:26:01In the big European cities, you call it the lavatory.
0:26:09 > 0:26:15Well, well, Charlie boy, you've stitched me up good and proper, haven't you?
0:26:17 > 0:26:21Come on, Lil, old girl, keep your pecker up.
0:26:25 > 0:26:27For the cold.
0:26:27 > 0:26:30- They're lovely.- They're warm.
0:26:39 > 0:26:41Eugh!
0:26:41 > 0:26:44Bleeding hell!
0:26:52 > 0:26:58Ta-da! If someone were to ask you, "Where were you in the winter of '43,"
0:26:58 > 0:27:05- you should be able to answer, "In a coloured scarf." - We don't do that here.- Oh, really?
0:27:05 > 0:27:12- Well, in London, we do it all the time.- Oh, really? As far as I can tell, you're not in London any more.
0:27:12 > 0:27:15LOUD THUMPING
0:28:05 > 0:28:08Oh, it's bloody freezing!
0:28:09 > 0:28:11Ohh!
0:28:20 > 0:28:23WIND WHISTLES
0:28:31 > 0:28:33What have I done?
0:28:51 > 0:28:53FRONT DOOR OPENS >
0:28:53 > 0:28:56Mom, you didn't have to do that.
0:28:57 > 0:29:00CONVERSATION CONTINUES >
0:29:00 > 0:29:02Oh!
0:29:07 > 0:29:16- Do you want eggs?- I'd love some. We haven't had eggs since before the war.- Put the boots on and get some.
0:29:25 > 0:29:28COCK CROWS
0:29:32 > 0:29:34CLUCKING
0:29:51 > 0:29:54- LOUD SQUAWK - Oh, God!
0:29:54 > 0:29:59Right, come on, shoo! Shoo, you smelly old things! Out the way!
0:30:01 > 0:30:04Right, that's it, nice chicken.
0:30:04 > 0:30:06Lift up.
0:30:06 > 0:30:08Oh, I can't do it.
0:30:08 > 0:30:10Sit.
0:30:14 > 0:30:17I can't... Come on.
0:30:17 > 0:30:20Oh, God, you bit me, you bugger!
0:30:20 > 0:30:25You bloody bit me! Go on, get out of it. Get out! Go on!
0:30:25 > 0:30:27Go on, shoo!
0:30:27 > 0:30:29Nasty bleeder!
0:30:33 > 0:30:37Smelly, horrible things, aren't ya? There we go.
0:30:40 > 0:30:42That's it.
0:30:50 > 0:30:53So where's the nearest town then?
0:30:53 > 0:30:58- What town?- Well, you know, um, Spring Hill...Alberta.
0:30:58 > 0:31:00Seven miles north.
0:31:00 > 0:31:03It's where you came in.
0:31:03 > 0:31:07No, I mean the stores and the picture house and such.
0:31:07 > 0:31:10There's no picture houses here.
0:31:10 > 0:31:17You have to drive 60 miles to Drayton. Cost you 40 cents in gas just to get there.
0:31:20 > 0:31:22Cover yourself.
0:31:41 > 0:31:45How's that gonna get me home? Nowhere near enough.
0:31:57 > 0:32:02- Hi, Peggy.- Hi, Peggy. Come on in. Here, have a seat.
0:32:05 > 0:32:08< CONVERSATION CONTINUES
0:32:12 > 0:32:19She gets off the train. She's got her and the kid dressed in red cowboy hats. So ridiculous!
0:32:19 > 0:32:21Syl!
0:32:21 > 0:32:24Hello.
0:32:24 > 0:32:28You must be Lily. It's very nice to make your acquaintance.
0:32:28 > 0:32:32- Peggy is a friend of Charlie's. - Charmed, I'm sure.- (Charming!)
0:32:32 > 0:32:39- Blimey, looks like a salon in here! - Since Charlie's pay cheque goes to you, we have to make money somehow.
0:32:40 > 0:32:44- And this must be...? - This is Lindy, Charlie's daughter.
0:32:44 > 0:32:47- She's very pretty.- Thank you.
0:32:47 > 0:32:51And your dress, why, that is very nice!
0:32:51 > 0:32:57Do you like it, Peggy? Ta. I made it myself. I've got a passion for sewing.
0:32:57 > 0:33:00I could make you one if you want.
0:33:00 > 0:33:05Lord, no, I don't think so! You can see right through it in the light.
0:33:08 > 0:33:13- Would anyone like a cuppa?- A what? - A cuppa. Tea.- No, thanks. No cuppa.
0:33:13 > 0:33:16- That ain't your colour.- Pardon?
0:33:16 > 0:33:22- You should wear autumn colours. Sienna Sunset would look devastating on you.- I like pink.
0:33:22 > 0:33:27- It was Charlie's favourite colour. - Oh!- Oh, I see.
0:33:31 > 0:33:35Well, it was very nice to make your acquaintance, Peggy.
0:33:40 > 0:33:42Yeah, well, she can be like that.
0:33:42 > 0:33:44- Very nice.- Yeah.
0:33:44 > 0:33:46Bye!
0:33:49 > 0:33:52- Oh, thank you.- Thanks, Mrs Travis.
0:33:52 > 0:33:54- Bye, Syl!- Ta-ta!
0:33:54 > 0:33:58- Syl, no girls' stuff! - Ta-ta!- Come on, out.
0:33:58 > 0:34:03- Come out for a cuppa!- Stop, Sylvia! - What does she expect?
0:34:03 > 0:34:09Many things. I expected a long trip and a strange place and a frightened baby,
0:34:09 > 0:34:13but what I never expected is that you wouldn't even want me here!
0:34:13 > 0:34:17I think this belongs to you. It's Charlie's pay.
0:34:17 > 0:34:20Thank you.
0:34:25 > 0:34:28SLAMS DOOR >
0:34:28 > 0:34:30Go on, tidy up.
0:34:30 > 0:34:33# Sometimes I wonder... #
0:34:33 > 0:34:36TAPS ON DOOR AND WHISTLES
0:34:40 > 0:34:45- What the bloody hell are you looking at?- Sorry.- So you should be!
0:34:45 > 0:34:48# And each kiss an inspiration
0:34:48 > 0:34:52# But that was long ago... #
0:34:52 > 0:34:54Joe?
0:34:54 > 0:34:57I didn't see nothing, sweet pea.
0:34:58 > 0:35:01# Beside a garden wall
0:35:01 > 0:35:04# When stars are bright
0:35:06 > 0:35:08# You are in my arms
0:35:08 > 0:35:12# The nightingale tells his fairy tale... #
0:35:14 > 0:35:18- My physical said that I had a heart murmur.- What's a heart murmur?
0:35:18 > 0:35:21It's bloody freezing! Hello.
0:35:21 > 0:35:26- You haven't got a spare cup of tea for me there, have you?- Oh...
0:35:28 > 0:35:30Thanks.
0:35:30 > 0:35:34Lily, this is Joe, Peggy's brother. They run the grocer's.
0:35:34 > 0:35:37- Sorry if I intruded.- No harm done.
0:35:37 > 0:35:41I like the way... I like the way you talk.
0:35:41 > 0:35:44Ta! Thanks.
0:35:44 > 0:35:46It's coffee.
0:35:47 > 0:35:49Well, it's hot anyway, innit?
0:35:56 > 0:35:59# This is the GI jive
0:35:59 > 0:36:01# Man alive
0:36:01 > 0:36:08# It starts with the bugler blowin' reveille over your bed when you arrive
0:36:08 > 0:36:11# Jack, that's the GI jive
0:36:12 > 0:36:14# Roodley-toot
0:36:14 > 0:36:17# Jump in your suit and make a salute
0:36:17 > 0:36:19# Voot
0:36:19 > 0:36:22# After you wash and dress
0:36:22 > 0:36:24# More or less
0:36:24 > 0:36:28# You go get your breakfast in a beautiful little cafe... #
0:36:28 > 0:36:32- Hello. Have you got any work available?- No, no. Sorry.
0:36:32 > 0:36:35# Jack, when you convalesce
0:36:35 > 0:36:38# Out of your seat Out on the street
0:36:38 > 0:36:41# And make with the feet... #
0:36:41 > 0:36:45- Hello. Do you have any jobs available?- Oh... No.
0:36:49 > 0:36:53Excuse me, sir. Have you got any jobs going?
0:36:53 > 0:36:55- No.- What, nothing?
0:36:55 > 0:37:00- This is a garage. We work on trucks here.- Well, I can see that.
0:37:00 > 0:37:02So have you got any jobs?
0:37:02 > 0:37:06- Doing what?- Anything. I'm very mechanical.
0:37:06 > 0:37:11- Why don't you go home and fix your family some dinner?- Thanks very much.
0:37:19 > 0:37:21Hello.
0:37:49 > 0:37:52(She looks like a tramp.)
0:38:08 > 0:38:11Does she help around the house...?
0:38:13 > 0:38:17..I know and she married somebody else.
0:38:17 > 0:38:21- How long did they know each other? - Seven and a half years...
0:39:51 > 0:39:53Yee-ha!
0:39:53 > 0:39:55Ha!
0:39:57 > 0:39:59Come on, I've got work to do here.
0:39:59 > 0:40:02Yeah, just, just wait. Here we are.
0:40:03 > 0:40:05Come on.
0:40:05 > 0:40:08Here, Sylvia. She won't bite you.
0:40:12 > 0:40:14Mrs Travis?
0:40:14 > 0:40:17Look.
0:40:17 > 0:40:21From tablecloth...to table wear.
0:40:21 > 0:40:23- What's that?- It's for you.
0:40:23 > 0:40:25Look.
0:40:25 > 0:40:30Women of today are both practical and beautiful.
0:40:30 > 0:40:32Well, that's good.
0:40:32 > 0:40:35And look, Syl, for you.
0:40:35 > 0:40:39Sensual appeal in a slinky slip by Lily of London!
0:40:40 > 0:40:43What do you reck?
0:40:46 > 0:40:48- Syl...- No, thank you.
0:41:02 > 0:41:04- KNOCK AT DOOR - Syl?
0:41:04 > 0:41:07Can I come in, love?
0:41:08 > 0:41:10What is it?
0:41:10 > 0:41:13- SOBBING - Go away!- No.
0:41:14 > 0:41:18You have no idea. Do you see this?
0:41:20 > 0:41:24- Do you see this is what polio did to me?- I know, sweetheart.
0:41:24 > 0:41:27That's the whole point.
0:41:27 > 0:41:29Look, I'll show you something.
0:41:37 > 0:41:40Look at me.
0:41:40 > 0:41:43- You are perfect.- No, look!
0:41:43 > 0:41:45See that?
0:41:48 > 0:41:53That's what comes from living in a war zone. It hurt like bloody hell!
0:41:53 > 0:41:59It looks awful, but when I wear pretty things, it makes me feel better.
0:42:00 > 0:42:03Will you try it for me?
0:42:03 > 0:42:06No. I don't want it.
0:42:14 > 0:42:19This has got to stop. You've got to stop putting ideas in her head.
0:42:19 > 0:42:25- I wasn't putting any ideas... - Don't pretend you don't know what I'm talking about.
0:42:25 > 0:42:32Charlie might have liked your smart city ways, but we are simple country folk, so don't try it here.
0:42:32 > 0:42:35Leave her alone.
0:42:39 > 0:42:42I can't bear to be in this house.
0:42:43 > 0:42:46I can wear it myself. Fine!
0:42:46 > 0:42:49COCK CROWS
0:42:50 > 0:42:52Thank you very much.
0:42:53 > 0:42:56All right, we're done.
0:42:56 > 0:42:58Excuse me.
0:43:18 > 0:43:21Who the hell's that?
0:43:22 > 0:43:25Soph?
0:43:25 > 0:43:29- Bonjour, ducky! - Sophie, what are you doing here?
0:43:29 > 0:43:32EXCITED SCREAMS
0:43:32 > 0:43:38- You're a laugh! What are you doing here?- Look at you!- Look at YOU in your fur!
0:43:38 > 0:43:42- It's a bleedin' dump!- I know, look at it. I can't believe it.
0:43:42 > 0:43:47- When did you decide to come?- It was a surprise.- It's lovely to see you!
0:43:48 > 0:43:52- And making you all this stuff? - I know!
0:43:52 > 0:43:57I says, "Just put me on the train to Alberta and I'll find my way."
0:43:57 > 0:44:00- Whose car is it?- Do you like it?
0:44:00 > 0:44:04It was all arranged. They found me a lovely hotel in Drayton.
0:44:04 > 0:44:10- The Stratford.- No?- You should go there some time. C'est fantastique.
0:44:10 > 0:44:14You've got to have money to stay at The Stratford.
0:44:17 > 0:44:19Cover yourself.
0:44:19 > 0:44:21Excusez-moi!
0:44:21 > 0:44:26Anyway, Lil, tell me everything. Tous les everything!
0:44:26 > 0:44:32- There's not much to tell. I'm still sewing.- I'm so happy to be finished with all that!
0:44:32 > 0:44:37- I've got to sell what I sew.- You've got to make your own way round here.
0:44:37 > 0:44:41Um, so, do you hear from Charlie?
0:44:41 > 0:44:44Yeah, occasionally, not enough.
0:44:44 > 0:44:46I, um...
0:44:50 > 0:44:54(I think they're hiding the letters from me.)
0:44:56 > 0:44:58So how's Louie then?
0:44:58 > 0:45:05- 26 scarves from France so far. - No?- I wanted one husband, I got 26 scarves. Silk.
0:45:05 > 0:45:09You can pass them on to me when you're done.
0:45:09 > 0:45:12GIGGLING
0:45:12 > 0:45:16Let's go and have a look at your room, eh?
0:45:16 > 0:45:20It's through there. It's all right, Lind!
0:45:22 > 0:45:24GIGGLING >
0:45:26 > 0:45:29Well, welcome to my boudoir.
0:45:30 > 0:45:32I've got to get you out of here.
0:45:32 > 0:45:35Soph, what are you talking about?
0:45:35 > 0:45:37Lil, this place, it's awful.
0:45:37 > 0:45:42- It's not so bad.- Damn that Charlie, he lied about everything!
0:45:42 > 0:45:48- I've been saving up. I've been thinking of going back, but I'm not sure.- Come to Montreal with me.
0:45:48 > 0:45:51Soph, don't be so silly. Look...
0:45:53 > 0:45:57Sometimes I hate it here. I absolutely hate it.
0:45:58 > 0:46:01But he's still my husband.
0:46:01 > 0:46:03Got to remember that.
0:46:03 > 0:46:06- Will you think about it?- I will.
0:46:11 > 0:46:15- All right, love. - See you tomorrow, Soph.
0:47:44 > 0:47:49- So that's it then?- I don't expect you to understand. I don't think I do.
0:47:49 > 0:47:54- I could stay.- Yeah, right(!) You in your fur coat in these parts?
0:47:56 > 0:48:00- There's still so much to talk about. - Yeah, I know.
0:48:00 > 0:48:03I just need time to think, Soph.
0:48:04 > 0:48:10- But I'll write to you.- You've learnt how to write(?)- Shut up, you!
0:48:11 > 0:48:13I will. I'll write to you.
0:48:14 > 0:48:18- All right.- Now, you take care. Look after yourself.
0:48:18 > 0:48:22- I'll miss you.- I'll miss you too. Stop it, I'll cry.
0:48:22 > 0:48:25You keep your pecker up, eh?
0:48:26 > 0:48:29LILY LAUGHS
0:48:29 > 0:48:31As always!
0:48:53 > 0:48:57- OK, three pedals - forward, back and stop.- Here goes.
0:48:57 > 0:48:59ENGINE STARTS
0:49:02 > 0:49:04Oh, God!
0:49:04 > 0:49:06Good, good.
0:49:06 > 0:49:08Good. Careful now.
0:49:10 > 0:49:14- Brake!- Agh!- Brake!
0:49:14 > 0:49:17- I can't stop it! - LOUD MOOING
0:49:17 > 0:49:20LAUGHTER
0:49:26 > 0:49:28Oh, God!
0:49:28 > 0:49:31- Lily, brake!- Agh!
0:49:37 > 0:49:40TOOTS HORN
0:49:40 > 0:49:42Thank you.
0:49:45 > 0:49:47All right.
0:49:47 > 0:49:50There we go. Thank you.
0:49:50 > 0:49:52Oops!
0:49:53 > 0:49:56And can I get four cans of powdered milk
0:49:56 > 0:49:59and a bag of oatmeal, please?
0:49:59 > 0:50:04- And two spools of yellow thread. - We don't have yellow thread.
0:50:04 > 0:50:07- Eggshell blue then. - We don't have eggshell blue.
0:50:07 > 0:50:12- Scarlet red?- We definitely do not have scarlet red.
0:50:12 > 0:50:14People here don't like scarlet red.
0:50:14 > 0:50:18Yeah, I forgot. They like pink, if I recall.
0:50:18 > 0:50:21Or they used to. It's a shame, that, innit?
0:50:21 > 0:50:24- CLATTER - Lindy!
0:50:25 > 0:50:29- Can't you watch your child? - Yes, I can, thanks very much.
0:50:30 > 0:50:35Now, what have you done? Let's put these back. Come on!
0:50:39 > 0:50:42SLOW JAZZ MUSIC PLAYS
0:50:43 > 0:50:45There...
0:50:45 > 0:50:51- Oh, thanks.- That's pretty. - Yeah, it is. We used to dance to this back in England.
0:50:51 > 0:50:54Whoo! Up we go!
0:50:54 > 0:51:00- You're a long way from home. - That depends on how you look at it. Move up for Mum.
0:51:00 > 0:51:02Come on. Move up.
0:51:02 > 0:51:04Move over. Come on.
0:51:04 > 0:51:07- Thanks.- Here!
0:51:09 > 0:51:13- That's lovely. Thanks. - Don't tell Peggy.
0:51:13 > 0:51:17She lied. Some people here like scarlet red a lot.
0:51:18 > 0:51:20Thanks.
0:51:28 > 0:51:30I'm not sure you're ready for this.
0:51:30 > 0:51:34Give over. Course I am! I've got it down pat now.
0:51:34 > 0:51:40- Syl, are you sure you don't wanna come, love? It'll be fun.- No!
0:51:40 > 0:51:42All right then.
0:51:46 > 0:51:49- Oops!- Thanks.
0:51:49 > 0:51:52I'll see you later on. Ta-ta!
0:51:54 > 0:51:56Hello, smellies!
0:52:18 > 0:52:21TOOTS HORN
0:52:24 > 0:52:27Too much pride, Sylvia.
0:52:49 > 0:52:52# Now, I don't care what the weatherman says
0:52:52 > 0:52:55# When the weatherman says it's raining
0:52:55 > 0:52:58# You never hear me complaining
0:52:58 > 0:53:00# I'm certain the sun will shine
0:53:00 > 0:53:03# I don't care how the weatherman points
0:53:03 > 0:53:06# When the weatherman points to gloomy
0:53:06 > 0:53:08# It's got to be sunny to me
0:53:08 > 0:53:10# When your eyes look into mine
0:53:10 > 0:53:14# Oh, jeepers, creepers
0:53:14 > 0:53:17# Where d'ya get those peepers?
0:53:17 > 0:53:20# Jeepers, creepers
0:53:20 > 0:53:22# Where d'ya get those eyes?
0:53:22 > 0:53:25# Oh, gosh, all get up
0:53:25 > 0:53:28# How'd they get so lit up?
0:53:28 > 0:53:31# Gosh, all get up
0:53:31 > 0:53:33# How'd they get that size...? #
0:54:01 > 0:54:05Hello, Charlie love. It's me, it's Lily.
0:54:05 > 0:54:10They've said I can record in here and they'll make a record of it.
0:54:10 > 0:54:13Only in Canada, eh? Wouldn't get that in London!
0:54:13 > 0:54:20I hope you're well. I miss you. I miss you so much, you wouldn't even believe it.
0:54:20 > 0:54:22Um... I hope you miss me.
0:54:22 > 0:54:24Um...
0:54:24 > 0:54:29Well, here I am in Canada. It's everything you said it'd be(!)
0:54:29 > 0:54:31Cheeky bugger! I'm on a...
0:54:31 > 0:54:34On a farm in the middle of nowhere.
0:54:34 > 0:54:41I feel quite alone at times, but I keep thinking of you coming back, which you will.
0:54:41 > 0:54:44So I hope you're well and warm and happy.
0:54:44 > 0:54:48Or you're not cold. Anyway, enough of that.
0:54:48 > 0:54:53Please miss me and please still love me and please come back soon.
0:54:53 > 0:54:57We're thinking of you. We're really proud of you.
0:54:57 > 0:55:01Can you get that? Can you get my kisses...?
0:55:01 > 0:55:04I'll send you lots of them.
0:55:04 > 0:55:07I love you.
0:55:12 > 0:55:14- May I help you?- I hope so.
0:55:14 > 0:55:18I had some extra fabric. It's for you.
0:55:21 > 0:55:25In London, they call it a teddy.
0:55:26 > 0:55:28Oh...
0:55:29 > 0:55:31I couldn't.
0:55:31 > 0:55:35Oh, Peggy, please. I want us to be friends.
0:55:36 > 0:55:39All right, I suppose.
0:55:39 > 0:55:44Good. Well, I'm cooking tonight. A real English meal. Will you come?
0:55:44 > 0:55:48- That sounds nice. Thank you. - Smashing.
0:55:51 > 0:55:56- Oh, and bring your family too if you want to.- All right.
0:55:56 > 0:55:58Well, I'll see you this evening.
0:55:58 > 0:56:02Oh, and Peggy... You look good in pink.
0:56:55 > 0:57:00- Is it OK?- It's amazing what you can do with a pair of old curtains.
0:57:00 > 0:57:05- It's not too trampy?- I'm not even gonna answer that.- I'm sorry.
0:57:05 > 0:57:07I'm sorry, Lily. I'm just nervous.
0:57:08 > 0:57:11I hope Joe likes it.
0:57:11 > 0:57:13Course he will.
0:57:14 > 0:57:18- Syl, do you want to learn how to dance?- I can't.
0:57:18 > 0:57:23- You can. I'll show you. - No, I CAN'T. My leg.
0:57:23 > 0:57:28Stuff your bloody boring leg! I'm fed up hearing about it. Come here.
0:57:28 > 0:57:33Put all your weight into that hand there. I won't let you fall. Ready?
0:57:33 > 0:57:37Now watch my feet. I'm gonna go back...
0:57:37 > 0:57:39side...together.
0:57:39 > 0:57:43And...back, side, together.
0:57:43 > 0:57:48And...one, two, three. And one, two, three.
0:57:48 > 0:57:51Sylvia is dancing.
0:57:51 > 0:57:54Sylvia is dancing.
0:57:56 > 0:57:58- And twirl!- Agh!
0:58:01 > 0:58:04Right, it's just you, innit, Joe?
0:58:07 > 0:58:13So we've got steak and kidney pie, black pudding, bubble and squeak,
0:58:13 > 0:58:17- then for dessert, we've got a lovely lime swirl.- It's good.
0:58:17 > 0:58:22- You like my cooking, Joe? You like my sour apple pie?- It's not bad.
0:58:22 > 0:58:27- Do you want more?- I'm OK. Thank you.- I think it's very tasty.
0:58:33 > 0:58:36- What's this?- It's a bit of bacon.
0:58:36 > 0:58:41- Is it raw? - No, it's just soft-cooked.
0:58:41 > 0:58:46- It's how we have it in England. - Well, it's different. I'll say that.
0:58:52 > 0:58:55I can't eat it.
0:58:59 > 0:59:01I'll take it, Mom.
0:59:26 > 0:59:28TRIES SEVERAL STATIONS
0:59:30 > 0:59:33WALTZ MUSIC PLAYS
0:59:34 > 0:59:38(Syl, go on. Ask him to dance. Go on.)
0:59:46 > 0:59:49Joe, do you wanna dance?
0:59:49 > 0:59:51With you?
0:59:51 > 0:59:54Yes.
0:59:54 > 0:59:56OK.
1:00:07 > 1:00:10Hold on now. Hold on. Hold on.
1:00:14 > 1:00:16Good.
1:00:16 > 1:00:18Good.
1:00:22 > 1:00:25Good. That's great.
1:00:25 > 1:00:27No, just let me.
1:00:31 > 1:00:34- Oh!- OK...
1:00:34 > 1:00:36Never mind.
1:00:36 > 1:00:41You keep practising like that, Syl, you'll be Rita Hayworth in no time!
1:00:41 > 1:00:44She's doing well, ain't she?
1:00:44 > 1:00:46- How about you, Miss Lily?- Not me.
1:00:46 > 1:00:50Show us how they do it in England.
1:00:50 > 1:00:54- It's not my type of music. - Just the one. Just one.
1:00:54 > 1:00:58All right then, what the hell? Let me change it.
1:00:59 > 1:01:02SWITCHES STATIONS
1:01:02 > 1:01:04SWING MUSIC
1:01:04 > 1:01:07I'll take my pinny off.
1:01:07 > 1:01:11I'll show you how the London girls do it, shall I?
1:01:11 > 1:01:13Ready? Just get straight...
1:01:27 > 1:01:29Syl, watch my feet. See?
1:01:35 > 1:01:41When you get really good, you can add a bit of a twist to it, like, you know...
1:01:50 > 1:01:53You're good, Joe.
1:02:00 > 1:02:02Syl! Syl!
1:02:02 > 1:02:07Syl, I thought that went really well. He was really taken by you.
1:02:07 > 1:02:10You're a slut.
1:02:11 > 1:02:18- That is all you are. A slut!- How dare you!- You stole Charlie from Peggy and now you want to steal Joe!
1:02:18 > 1:02:23- I'm not stealing Joe!- What do you call it?- Dancing! It was harmless.
1:02:23 > 1:02:30- How can I look like a woman to him with you...- Stop hiding behind that leg and get on with your life!
1:02:40 > 1:02:43- LINDY CRIES - Ssh, ssh, ssh, ssh.
1:02:43 > 1:02:45Ssh!
1:02:45 > 1:02:47Ssh, ssh, ssh.
1:02:47 > 1:02:49- Mummy!- Ssh, ssh.- Mummy!- Let's go.
1:02:49 > 1:02:54Please be quiet. Come on. Ssh. Be a good girl for me. Please.
1:02:54 > 1:02:57Come on, we'll get some pots.
1:03:04 > 1:03:06You're only taking out what's yours.
1:03:13 > 1:03:16Now, where's that key?
1:03:18 > 1:03:21Look. What have I got?
1:03:24 > 1:03:26Mummy!
1:03:26 > 1:03:28- It's all right.- Mummy!
1:03:28 > 1:03:31- Mummy!- What, babe?
1:03:53 > 1:03:55LINDY CRIES
1:03:55 > 1:03:58Ssh, ssh. All right, Lind.
1:03:58 > 1:04:00Mummy will be right back.
1:04:19 > 1:04:23For goodness sake! It's the middle of the night!
1:04:26 > 1:04:28Oh!
1:04:28 > 1:04:32I'm sorry to disturb you, Mrs Clark, but is Joe there?
1:04:32 > 1:04:35My car's broken down.
1:04:42 > 1:04:44- Hi.- Have you got a minute?
1:04:44 > 1:04:49- You want me to take you where? - To the bus station in Drayton.
1:04:49 > 1:04:53- Where are you headed this time of night?- Montreal.
1:04:53 > 1:04:56- Montreal?- I've no place else to go.
1:04:56 > 1:05:02Look, Joe, I can't take the car. They can call me any name under the sun, but I'm no thief.
1:05:02 > 1:05:06I was kinda hopin' you were comin' to see me.
1:05:08 > 1:05:10Yeah, well, I wasn't, all right?
1:05:11 > 1:05:14Nasty scars.
1:05:15 > 1:05:17I thought you didn't see nothing.
1:05:20 > 1:05:22I lied.
1:05:56 > 1:06:01I can't do this. I'm married. I'm a married woman.
1:06:02 > 1:06:05LINDY STARTS CRYING
1:06:05 > 1:06:07It's all right, darling.
1:06:07 > 1:06:10Stop, stop, stop.
1:06:12 > 1:06:16It's all right, darling. I'm here. Mummy's here.
1:06:17 > 1:06:19It's all right, sweet.
1:06:19 > 1:06:24It's all right, darling. There we go. Ssh. There we go.
1:06:24 > 1:06:27It's Mum. There we go. Ssh.
1:06:28 > 1:06:31Joe, stop it.
1:06:33 > 1:06:35Stop. It's not what I want.
1:06:40 > 1:06:42It's just that I...
1:06:42 > 1:06:45You're so...
1:06:45 > 1:06:49- Different, you know? - You think that's good?
1:06:51 > 1:06:54Maybe that's why I like you, eh?
1:06:54 > 1:06:57Do you still love Charlie?
1:06:57 > 1:07:01I did once. God, I really loved him!
1:07:01 > 1:07:08Now I can't even remember his face, I can't remember what he looks like, I can't remember how he speaks.
1:07:08 > 1:07:12I can't remember anything about him, my husband!
1:07:15 > 1:07:17I'm sorry.
1:07:17 > 1:07:21I can still drive you to Drayton if you want.
1:07:52 > 1:07:55I'll take her.
1:07:55 > 1:07:57Come on.
1:08:03 > 1:08:06How are you?
1:08:16 > 1:08:20Come on, sit down here. There's a good girl.
1:08:23 > 1:08:26LINDY SHOUTS OUT
1:08:26 > 1:08:31- Are you hungry?- Yeah.- You know what it is?- Yeah.- Try that.
1:08:31 > 1:08:33More...? OK.
1:08:53 > 1:08:55Well? Is there anything?
1:08:55 > 1:09:00- From Charlie...? Nothing from Montreal either?- No, nothing.
1:09:04 > 1:09:08# It don't mean a thing if it ain't got that swing
1:09:08 > 1:09:13# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah
1:09:13 > 1:09:18# It don't mean a thing All you've got to do is sing
1:09:18 > 1:09:23# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah
1:09:23 > 1:09:26# It makes no difference if it's sweet or hot... #
1:09:26 > 1:09:29- All right?- Thanks.
1:09:29 > 1:09:32Ta-ta! Bye-bye!
1:09:32 > 1:09:36# It don't mean a thing if it ain't got that swing
1:09:36 > 1:09:41# Do-wah, do-wah, do-wah, do-wah Do-wah, do-wah, do-wah, do-waaah... #
1:09:42 > 1:09:45Forwards, backwards, stop.
1:09:45 > 1:09:48Right, so gently, go easy, go easy.
1:09:48 > 1:09:51Right, that's it.
1:09:51 > 1:09:55Keep your foot ready by the brake in case you have to stop.
1:09:55 > 1:09:58I know.
1:10:02 > 1:10:05HORN TOOTS
1:10:35 > 1:10:37Mummy!
1:10:39 > 1:10:44What is it, Lind? Come here, darling. Come here. Come here.
1:10:46 > 1:10:48What's the matter, sweetheart?
1:10:48 > 1:10:51SHE CRIES
1:10:51 > 1:10:54What's the matter? Eh?
1:10:54 > 1:10:58Come on, what's the matter? Let's go and see.
1:11:00 > 1:11:02Good girl.
1:11:06 > 1:11:11There's nothing there, you silly sausage! What are you talking about?
1:11:12 > 1:11:14Charlie!
1:11:19 > 1:11:22Hello, Lil.
1:11:22 > 1:11:27They didn't tell me that you were coming home! They didn't...
1:11:27 > 1:11:30Oh, Charlie!
1:11:33 > 1:11:35How are you, love?
1:11:35 > 1:11:39Are you all right? Are you in one piece?
1:11:39 > 1:11:42One piece.
1:11:42 > 1:11:44God, I don't know what to say!
1:11:44 > 1:11:48This is your daughter. This is Lindy.
1:11:48 > 1:11:53- Lindy.- There's your daddy. Remember I said Daddy would be coming home?
1:11:53 > 1:11:55- That's him.- Hey, Lindy.
1:11:56 > 1:11:58Oh, Charlie!
1:11:58 > 1:12:01I hardly recognised the place.
1:12:02 > 1:12:04Looks nice.
1:12:04 > 1:12:09- Do you want a cup of tea or something?- Some pie would be great.
1:12:09 > 1:12:13Do you want to stay and talk to Daddy?
1:12:13 > 1:12:16Look! It's your dad!
1:12:39 > 1:12:41- All right?- Hi.
1:12:50 > 1:12:54- Mrs Travis, look.- I can't open it. - Look.- What?- Look!
1:12:54 > 1:12:57- Oh, Jesus, Jesus!- Hello, Mom.
1:13:03 > 1:13:05Hello, Syl.
1:13:07 > 1:13:09Oh, my God!
1:13:17 > 1:13:21Oh, Charlie, come here! Charlie! Charlie!
1:13:30 > 1:13:32Charlie... Oh!
1:13:32 > 1:13:34Oh! Oh!
1:13:34 > 1:13:37I'm all here. Mom, you look good.
1:13:37 > 1:13:40Oh, Charlie!
1:13:42 > 1:13:44Thank God! Oh, Charlie!
1:14:26 > 1:14:29Good night, Lil.
1:14:32 > 1:14:34Good night, Charlie.
1:15:05 > 1:15:07Charlie!
1:15:15 > 1:15:18Come to bed, sweetheart.
1:15:23 > 1:15:27Cover yourself. My mother's in this house.
1:15:28 > 1:15:32Well, you never used to complain, soldier.
1:15:32 > 1:15:34We're not in London any more, Lily.
1:15:36 > 1:15:38Don't I know it!
1:16:02 > 1:16:04BANGING
1:16:04 > 1:16:07LINDY CRIES
1:16:07 > 1:16:09Oh...
1:16:09 > 1:16:11BANGING CONTINUES
1:16:11 > 1:16:13Ohhh!
1:16:13 > 1:16:16What the bleeding hell is that?
1:16:21 > 1:16:23SOUND OF SAWING
1:16:32 > 1:16:35What are you doing, love?
1:16:35 > 1:16:38- I'm building a bathroom.- Really?
1:16:38 > 1:16:42- Yeah, working with my hands again. - That's good.
1:16:42 > 1:16:48- So, tell me, how is Louie doing? Has he gone home yet?- I don't know.
1:16:48 > 1:16:52Charlie, please look at me when you're talking to me.
1:16:54 > 1:16:57I know it must've been hard.
1:16:57 > 1:16:59I know it must've been very hard.
1:16:59 > 1:17:04But I've just missed someone to talk to so much, Charlie.
1:17:04 > 1:17:07You don't know.
1:17:49 > 1:17:52I don't know what to do.
1:17:52 > 1:17:56Well, it ain't easy. I can tell you that.
1:17:56 > 1:17:58It's never easy.
1:17:58 > 1:18:01You know, when I met Frank...
1:18:01 > 1:18:04when I married Frank, I was a child.
1:18:04 > 1:18:07I knew nothing.
1:18:09 > 1:18:14- The shock!- What did you do? - We worked hard, we got nowhere.
1:18:14 > 1:18:20We were filled with longing. We just kept going until one day Frank's heart stopped.
1:18:20 > 1:18:25I don't even know him any more. He's like a different person.
1:18:25 > 1:18:27Time.
1:18:28 > 1:18:31Give him time.
1:18:50 > 1:18:53Yeah, hello. Can you hear me?
1:18:54 > 1:18:57Yeah, I'll hold. Yeah.
1:19:01 > 1:19:03Hello?
1:19:03 > 1:19:07Yeah, can I speak to Sophie, please? Sophie.
1:19:10 > 1:19:13All right, OK. Well, can I leave a message?
1:19:13 > 1:19:16Just say that Lily called.
1:19:16 > 1:19:18Yeah, Lily.
1:19:18 > 1:19:21No, there's no number.
1:19:21 > 1:19:23No, just, um, tell her...
1:19:25 > 1:19:29Um... Tell her to keep her pecker up.
1:19:30 > 1:19:33Her pecker. Keep her pecker up.
1:19:34 > 1:19:37That's right. Yeah.
1:19:38 > 1:19:40All right, thanks. Bye.
1:19:54 > 1:19:57HORN TOOTS
1:20:15 > 1:20:18< Joe! Charlie!
1:20:18 > 1:20:20< Where have you been keepin'?
1:20:20 > 1:20:23Look at you!
1:20:24 > 1:20:26Welcome home.
1:20:26 > 1:20:31So Lil tells me you've been looking after her. That's mighty fine of you.
1:20:31 > 1:20:36No... No trouble. So, back in one piece, eh?
1:20:41 > 1:20:43Yeah.
1:20:43 > 1:20:47Looks like you could use some help. What are you doing?
1:20:47 > 1:20:50Oh, indoor bathroom.
1:20:50 > 1:20:52Looks all right.
1:20:52 > 1:20:55I'll get my tools, eh?
1:20:55 > 1:20:57Yeah.
1:21:16 > 1:21:18BANGING
1:21:37 > 1:21:40Is that what you're wearing?
1:21:41 > 1:21:43Yeah.
1:21:44 > 1:21:47Is that what YOU'RE wearing?
1:21:47 > 1:21:53Well, the uniform's gone. The war's over for me.
1:22:07 > 1:22:10KNOCK AT DOOR
1:22:16 > 1:22:20- Hello.- Good evening. - Hi. How are you doing?
1:22:20 > 1:22:27- Peggy.- Hi, Lily.- Sweet dress. - Thank you. How are you?- All right. How are you? Can I take your coat?
1:22:27 > 1:22:30Hello, Charlie.
1:22:32 > 1:22:35Hello, Peggy. You look nice.
1:22:38 > 1:22:43- Can I get you a drink?- Tea would be lovely.- Sugar?- Just clear, thanks.
1:22:43 > 1:22:45Looks lovely. >
1:22:51 > 1:22:56- There you go.- Thank you.- Nice cake if you want some cake or...- Mm-hm.
1:22:56 > 1:22:58SHE WHISPERS
1:23:04 > 1:23:07- Charlie, hey, Charlie!- What?
1:23:07 > 1:23:10What was it like in the war?
1:23:10 > 1:23:13Uh, I don't know.
1:23:13 > 1:23:16Did you kill anyone?
1:23:17 > 1:23:19I don't know.
1:23:19 > 1:23:22I thought you were a hero.
1:23:25 > 1:23:28You thought wrong.
1:23:35 > 1:23:38Are you all right, Charlie?
1:23:38 > 1:23:40Everything's swell.
1:23:42 > 1:23:44Will you dance with me?
1:23:46 > 1:23:47Please.
1:23:49 > 1:23:52Come on, love. Let's dance.
1:23:58 > 1:24:00SLOW WALTZ MUSIC PLAYS
1:24:06 > 1:24:09- This is just like London, eh?- Mm-hm.
1:24:09 > 1:24:13Come on. I think we're gonna have to show 'em how it's done.
1:24:23 > 1:24:26She can't dance.
1:24:26 > 1:24:29Oh, yes, I can.
1:24:40 > 1:24:44Why don't you show us how you dance with Joe?
1:24:46 > 1:24:51- Peggy...- No, come on. Like that night the truck broke down
1:24:51 > 1:24:56- and you were dancing and kissing out on the back road.- Peggy!
1:24:57 > 1:24:59Joe?
1:24:59 > 1:25:02Peggy, you are heartless.
1:25:04 > 1:25:08- Joe?- It didn't mean nothing, sweet pea. I swear.
1:25:11 > 1:25:16Is that true, Joe? Is this true? Not you, Joe! Not you!
1:25:16 > 1:25:19Stop! Stop fighting!
1:25:19 > 1:25:24Just stop tearing each other apart and bringing poison into my home.
1:25:24 > 1:25:31- Why did you come here? Because you loved me or because it was an easy way out of London?- Charlie...
1:25:31 > 1:25:38I lost a husband and I almost lost you. Does family mean nothing to you? This is just irreplaceable!
1:25:48 > 1:25:50STARTS SOBBING
1:26:02 > 1:26:05Do you wanna go home?
1:26:05 > 1:26:08Yeah, I think I do. Yeah.
1:26:10 > 1:26:13I've been earning some money...
1:26:13 > 1:26:20Things change. If you go home, you might find that you don't fit in any more. People aren't the same.
1:26:20 > 1:26:25- Yeah, well, then I'll just have to start again then, won't I?- How?
1:26:26 > 1:26:31- How do you start all over again? - I wish I knew, Charlie.
1:26:31 > 1:26:33I'm real sorry, Lil.
1:26:37 > 1:26:39Charlie...
1:26:39 > 1:26:41I don't blame you.
1:26:41 > 1:26:45Even if I wanted to, I couldn't blame you.
1:26:46 > 1:26:49We were both so young.
1:26:50 > 1:26:55- Both so young.- I feel like I've lived a hundred years since then.
1:26:56 > 1:26:58I know.
1:27:17 > 1:27:22- Soph, what are you doing here? - Surprise, eh?- Hiya.- Oh!
1:27:22 > 1:27:26How are you, love? Are you all right?
1:27:26 > 1:27:29Just a bit tired. It's been a long journey.
1:27:31 > 1:27:34Hey, cowboy. Hello, Sophie.
1:27:34 > 1:27:37Where's your 'orse(?)
1:27:39 > 1:27:42SHE SOBS
1:27:43 > 1:27:46Soph? What's the matter?
1:27:47 > 1:27:50Let's go inside, eh?
1:27:51 > 1:27:53Soph?
1:27:53 > 1:27:56We need to talk.
1:27:57 > 1:28:00Look at me, all a-blub!
1:28:00 > 1:28:03Soph, what's going on?
1:28:03 > 1:28:06I'm going home, Lil. Back to London.
1:28:06 > 1:28:09Why are you going home to London?
1:28:10 > 1:28:13Louie's dead.
1:28:15 > 1:28:17What do you mean?
1:28:19 > 1:28:24No, you said he'd gone back home. You said Louie had gone back home.
1:28:24 > 1:28:26I didn't, Lil.
1:28:26 > 1:28:30I just... I just couldn't talk about it.
1:28:30 > 1:28:32I'm sorry.
1:28:32 > 1:28:35Is this true, Soph?
1:28:35 > 1:28:37He was captured.
1:28:38 > 1:28:41He died in the camp.
1:28:41 > 1:28:44No, he didn't!
1:28:50 > 1:28:52Oh, Soph, I'm so sorry, love!
1:28:58 > 1:29:02Why didn't you tell me? Why didn't I know? Eh?
1:29:10 > 1:29:13WIRELESS CRACKLES
1:29:13 > 1:29:16'Good afternoon, ladies and gentlemen.
1:29:16 > 1:29:20'I'm speaking to you from the downtown area of Edmonton,
1:29:20 > 1:29:23'around 103rd with Main.
1:29:23 > 1:29:27'Although the Minister of Information has announced
1:29:27 > 1:29:31'that Victory Day in Europe will be proclaimed tomorrow,
1:29:31 > 1:29:35- 'the citizens of Edmonton...' - Oh, Lord!
1:29:35 > 1:29:41'..like the citizens of London, Paris, Toronto and all over the world,
1:29:41 > 1:29:45'from coast to coast, are celebrating VE Day today.
1:29:45 > 1:29:49'If you could possibly see this scene,
1:29:49 > 1:29:54'you would see an endless stream of cars going past...'
1:29:54 > 1:29:57- Mom!- Ssh.- Mom, come down here!
1:29:57 > 1:29:59You won it for us, Charlie.
1:29:59 > 1:30:05'Hundreds of people out here are all celebrating this great day...'
1:30:05 > 1:30:08- What? What's going on? - 'And people are dancing...'
1:30:08 > 1:30:11It's over?
1:30:12 > 1:30:15Oh, that's wonderful!
1:30:15 > 1:30:17At last!
1:30:18 > 1:30:22'Almost everyone here in the street has a flag in their hands.'
1:30:22 > 1:30:28- Dear God, thank you! How about that then, eh?- 'They're having the time of their lives.'
1:30:28 > 1:30:34- Have you done it, Charlie? Let's have a butcher's.- Voila! - Charlie! Look at that!
1:30:34 > 1:30:37- It's so shiny! - TOILET FLUSHES
1:30:37 > 1:30:40LAUGHTER
1:30:58 > 1:31:00LAUGHTER AND CHEERING
1:31:10 > 1:31:13FIREWORKS EXPLODE
1:31:13 > 1:31:16Jeez, would you look at all this?
1:31:35 > 1:31:38SHOUTING AND CHEERING CONTINUES
1:31:39 > 1:31:43SINGING IN DISTANCE: "Land Of Hope And Glory"
1:31:52 > 1:31:55HORN TOOTS
1:32:31 > 1:32:33Come on.
1:32:34 > 1:32:39# Land of hope and glory
1:32:39 > 1:32:46# Mother of the free
1:32:46 > 1:32:54# How shall we extol thee
1:32:54 > 1:33:01# Who are born of thee?
1:33:01 > 1:33:08# Wider still and wider
1:33:08 > 1:33:15# Shall thy bounds be set
1:33:15 > 1:33:23# God, who made thee mighty
1:33:23 > 1:33:30# Make thee mightier yet... #
1:33:37 > 1:33:39That's not clean.
1:33:41 > 1:33:43- No, no...- Give it back.
1:33:49 > 1:33:52Do you think, uh...
1:33:54 > 1:33:58Do you think there's somethin'... special about me?
1:34:00 > 1:34:03I mean, uh...
1:34:03 > 1:34:07You know, the way I think there's somethin' special about you?
1:34:07 > 1:34:09Yeah.
1:34:09 > 1:34:12I mean... Yes.
1:34:13 > 1:34:15Cos, uh...
1:34:15 > 1:34:19I think... I think we get along real good.
1:34:36 > 1:34:38Hello, love.
1:34:59 > 1:35:03I think it's... It's about time I showed you this.
1:35:04 > 1:35:06What is it?
1:35:06 > 1:35:09It's a journal I kept in the war.
1:35:20 > 1:35:22I think it'll help.
1:35:41 > 1:35:43I'd never even been to Calgary.
1:35:53 > 1:35:55Lily, um...
1:35:55 > 1:35:58I've never been a religious man.
1:35:59 > 1:36:01But now I pray for forgiveness.
1:36:09 > 1:36:12I'm so tired.
1:36:15 > 1:36:17I'm so sorry, Lil.
1:36:17 > 1:36:20I'm so sorry.
1:36:27 > 1:36:30Oh, my darling!
1:36:30 > 1:36:32Come here, love.
1:36:34 > 1:36:36HE SOBS
1:36:39 > 1:36:42My sweet, sweet darling.
1:36:43 > 1:36:46- SOBS UNCONTROLLABLY - It's all right.
1:36:46 > 1:36:49Darling, I'm so sorry.
1:36:50 > 1:36:52I was so alone.
1:37:37 > 1:37:42- We're going up here.- I'm not going up there!- Yes, you're going up there!
1:37:42 > 1:37:46- Get lost!- Get up there! - Oh, no, it's slippy!
1:37:47 > 1:37:50Be careful if I fall!
1:38:02 > 1:38:04SHE LAUGHS
1:38:07 > 1:38:10Show us your name.
1:39:31 > 1:39:35I'm not gonna drop you. I promise you.
1:39:42 > 1:39:46# Give me a kiss to build a dream on
1:39:46 > 1:39:51# And my imagination will thrive upon that kiss
1:39:51 > 1:39:56# Hmm, sweetheart, I ask no more than this
1:39:56 > 1:39:59# A kiss to build a dream on
1:40:03 > 1:40:07# Give me a kiss before you leave me
1:40:07 > 1:40:12# And my imagination will feed my hungry heart
1:40:13 > 1:40:17# Leave me one thing before we part
1:40:17 > 1:40:20# A kiss to build a dream on
1:40:22 > 1:40:29# When I'm alone with my fancies
1:40:30 > 1:40:33# I'll be with you
1:40:35 > 1:40:39# Weaving romances
1:40:40 > 1:40:43# Making believe they're true
1:40:43 > 1:40:48# Hmm, give me what you alone can give
1:40:48 > 1:40:52# A kiss to build a dream on... #