0:04:20 > 0:04:23INTERCOM: 'Next subject - Kowalski, Leon.
0:04:23 > 0:04:25'Engineer, waste disposal.
0:04:25 > 0:04:29'File section - new employee, six days.'
0:04:29 > 0:04:31KNOCK AT DOOR
0:04:31 > 0:04:32Come in.
0:04:37 > 0:04:39HE SIGHS
0:04:39 > 0:04:41'Level 9, we have a B1 security alert.
0:04:41 > 0:04:44'Stand by for...'
0:04:44 > 0:04:46Sit down.
0:04:50 > 0:04:52OK if I talk?
0:04:52 > 0:04:54I get nervous when I take tests.
0:04:54 > 0:04:56Just please don't move.
0:04:56 > 0:04:58Sorry.
0:05:01 > 0:05:04I already had an IQ test this year.
0:05:04 > 0:05:06Reaction time is a factor here,
0:05:06 > 0:05:08so please pay attention.
0:05:08 > 0:05:10Answer as quickly as you can.
0:05:10 > 0:05:11Sure.
0:05:13 > 0:05:15"1187 Huntervosser."
0:05:15 > 0:05:18That's the hotel where I live.
0:05:18 > 0:05:19Nice place?
0:05:19 > 0:05:21Sure, I guess.
0:05:21 > 0:05:22Is that part of the test?
0:05:22 > 0:05:24No.
0:05:24 > 0:05:26Just warming you up.
0:05:26 > 0:05:28It's not fancy or anything.
0:05:28 > 0:05:31You're in a desert, walking in the sand...
0:05:31 > 0:05:32Is this the test?
0:05:32 > 0:05:34Yes.
0:05:34 > 0:05:36You're in a desert, walking...
0:05:36 > 0:05:37What one?
0:05:37 > 0:05:39What? What desert?
0:05:39 > 0:05:41It doesn't make any difference.
0:05:41 > 0:05:42It's completely hypothetical.
0:05:42 > 0:05:44How come I'd be there?
0:05:44 > 0:05:46Maybe you want to be by yourself.
0:05:46 > 0:05:49You see a tortoise, Leon.
0:05:49 > 0:05:50It's crawling towards you.
0:05:50 > 0:05:51Tortoise?
0:05:51 > 0:05:53What's that?
0:05:55 > 0:05:57Know what a turtle is?
0:05:57 > 0:05:58Of course.
0:05:58 > 0:05:59Same thing.
0:05:59 > 0:06:01Never seen a turtle.
0:06:03 > 0:06:05But I understand.
0:06:05 > 0:06:07You flip the tortoise on its back, Leon.
0:06:07 > 0:06:10Do you make up these questions, Mr Holden?
0:06:10 > 0:06:13The tortoise lays on its back,
0:06:13 > 0:06:15its belly baking in the sun.
0:06:15 > 0:06:17It can't turn itself over,
0:06:17 > 0:06:19not without your help.
0:06:19 > 0:06:21But you're not helping.
0:06:21 > 0:06:22What do you mean?
0:06:22 > 0:06:24You're not helping.
0:06:24 > 0:06:25Why is that, Leon?
0:06:33 > 0:06:35They're just questions, Leon.
0:06:35 > 0:06:37In answer to your query,
0:06:37 > 0:06:40they're written down for me.
0:06:40 > 0:06:44It's a test designed to provoke an emotional response.
0:06:45 > 0:06:48Shall we continue?
0:06:49 > 0:06:50Describe in single words
0:06:50 > 0:06:54the good things that come into your mind
0:06:54 > 0:06:55about your mother.
0:06:55 > 0:06:56My mother?
0:06:56 > 0:06:58Yeah.
0:06:58 > 0:07:01Let me tell you about my mother.
0:07:16 > 0:07:20INTERCOM: A new life awaits you in the off-world colony,
0:07:20 > 0:07:22the chance to begin again
0:07:22 > 0:07:26in a golden land of opportunity and adventure.
0:07:51 > 0:07:55INTERCOM: A new life awaits you in the off-world colony,
0:07:55 > 0:07:57the chance to begin again
0:07:57 > 0:08:01in a golden land of opportunity and adventure.
0:08:01 > 0:08:02HE SPEAKS JAPANESE
0:08:14 > 0:08:16HE SPEAKS JAPANESE
0:08:16 > 0:08:17Give me four.
0:08:17 > 0:08:19JAPANESE
0:08:19 > 0:08:22No. Four. Two, two-four.
0:08:22 > 0:08:23JAPANESE
0:08:25 > 0:08:26And noodles.
0:08:26 > 0:08:28JAPANESE
0:08:39 > 0:08:41MAN SPEAKS KOREAN
0:08:42 > 0:08:45HE SPEAKS IN CITYSPEAK
0:08:48 > 0:08:51He say you under arrest, Mr Deckard.
0:08:51 > 0:08:54Got the wrong guy, pal.
0:08:54 > 0:08:56CITYSPEAK
0:08:58 > 0:09:00He say you Blade Runner.
0:09:00 > 0:09:02Tell him I'm eating.
0:09:02 > 0:09:03Captain Bryant...
0:09:03 > 0:09:06CONTINUES IN CITYSPEAK
0:09:06 > 0:09:09Bryant, huh?
0:09:23 > 0:09:24'Yellow 3.
0:09:24 > 0:09:27'Climb and maintain 4,000.
0:09:27 > 0:09:30'When approaching pad six, use caution.
0:09:38 > 0:09:42INDISTINCT DISTANT VOICES SPEAK DIFFERENT LANGUAGES
0:10:53 > 0:10:54Hiya, Deck.
0:10:54 > 0:10:55Bryant.
0:10:55 > 0:10:58You wouldn't have come if I just asked you to.
0:10:58 > 0:10:59Sit down, pal.
0:10:59 > 0:11:01Don't be an ass, Deckard.
0:11:01 > 0:11:04I've got four skin-jobs walking the streets.
0:11:19 > 0:11:21They jumped the shuttle off-world,
0:11:21 > 0:11:23killed the crew and passengers.
0:11:23 > 0:11:29They found the shuttle drifting off the coast two weeks ago, so we know they're around.
0:11:29 > 0:11:30Embarrassing.
0:11:30 > 0:11:34No, sir, not embarrassing cos no-one's going to find out they're here.
0:11:34 > 0:11:36You're going to spot 'em and air 'em out.
0:11:36 > 0:11:39I don't work here anymore.
0:11:39 > 0:11:40Give it to Holden.
0:11:40 > 0:11:41He's good.
0:11:41 > 0:11:42I did.
0:11:42 > 0:11:45He can breathe OK, as long as nobody unplugs him.
0:11:45 > 0:11:49He's not good enough. Not good as you.
0:11:49 > 0:11:50I need you, Deck.
0:11:50 > 0:11:52This is a bad one,
0:11:52 > 0:11:53the worst yet.
0:11:53 > 0:11:56I need the old Blade Runner.
0:11:56 > 0:11:57I need your magic.
0:11:57 > 0:12:01I was quit when I come in here, Bryant.
0:12:01 > 0:12:03I'm twice as quit now.
0:12:03 > 0:12:04Stop right where you are.
0:12:04 > 0:12:07Do you know the score, pal?
0:12:07 > 0:12:10If you're not cop, you're little people.
0:12:21 > 0:12:23No choice, huh?
0:12:24 > 0:12:26No choice, pal.
0:12:26 > 0:12:28'I already had an IQ test.
0:12:28 > 0:12:31'I've never had one of these.
0:12:31 > 0:12:32'Reaction time's a factor.
0:12:32 > 0:12:35'Answer as quickly as you can.
0:12:35 > 0:12:36'Yeah, sure.
0:12:36 > 0:12:38'"1187 Huntervosser."
0:12:38 > 0:12:41'Yeah. That's the hotel.
0:12:41 > 0:12:42'What?
0:12:42 > 0:12:43'Where I live.
0:12:43 > 0:12:44'Nice place?
0:12:44 > 0:12:45'Yeah, sure, I guess.'
0:12:45 > 0:12:49Six replicants escaped from the off-world colonies two weeks ago,
0:12:49 > 0:12:51three male, three female.
0:12:51 > 0:12:54They slaughtered 23 people and jumped a shuttle.
0:12:54 > 0:12:56An aerial patrol spotted the ship.
0:12:56 > 0:12:58No sight of the crew.
0:12:58 > 0:13:01Three nights ago, they tried to break in the Tyrell Corporation.
0:13:01 > 0:13:05Two got electrocuted. We lost the others.
0:13:05 > 0:13:09On the possibility they might try infiltrating as employees,
0:13:09 > 0:13:13I had Holden run Voight-Kampff tests on the new workers.
0:13:13 > 0:13:16Looks like he got himself one.
0:13:16 > 0:13:19'You see a tortoise crawling towards you.
0:13:19 > 0:13:20'Tortoise? What's that?'
0:13:20 > 0:13:24That's Leon, ammunition loader on intergalactic runs.
0:13:24 > 0:13:27He can lift 400-pound atomic loads all day and night.
0:13:27 > 0:13:29The only way to hurt him is to kill him.
0:13:29 > 0:13:32What do they risk coming back to Earth for?
0:13:32 > 0:13:35What do they want out of the Tyrell Corporation?
0:13:35 > 0:13:37You tell me, pal.
0:13:37 > 0:13:39That's what you're here for.
0:13:49 > 0:13:50What's this?
0:13:50 > 0:13:52Nexus 6.
0:13:52 > 0:13:53Roy Batty.
0:13:53 > 0:13:55Incept date-2016.
0:13:55 > 0:13:56Combat model.
0:13:56 > 0:13:58Optimum self-sufficiency.
0:13:59 > 0:14:01Probably the leader.
0:14:04 > 0:14:05This is Zhora.
0:14:05 > 0:14:08She's trained for an off-world kick murder squad.
0:14:08 > 0:14:11Talk about beauty and the beast. She's both.
0:14:17 > 0:14:19The fourth skin-job is Pris,
0:14:19 > 0:14:20a basic pleasure model.
0:14:20 > 0:14:23The standard item for military clubs
0:14:23 > 0:14:24in the outer colonies.
0:14:25 > 0:14:29They copy humans in every way except their emotions.
0:14:29 > 0:14:32The designers reckoned that after a few years,
0:14:32 > 0:14:35they might develop their own emotional responses -
0:14:35 > 0:14:37hate, love, fear, anger, envy -
0:14:37 > 0:14:40so they built in a fail-safe device. Which is what?
0:14:40 > 0:14:43A four-year life span.
0:14:48 > 0:14:50There's a Nexus six at the Tyrell Corporation.
0:14:50 > 0:14:54I want you to put the machine on it.
0:14:54 > 0:14:56And if the machine doesn't work?
0:16:24 > 0:16:25Do you like our owl?
0:16:29 > 0:16:31It's artificial?
0:16:31 > 0:16:33Of course it is.
0:16:35 > 0:16:36Must be expensive.
0:16:38 > 0:16:39Very.
0:16:39 > 0:16:41I'm Rachael.
0:16:41 > 0:16:42Deckard.
0:16:45 > 0:16:49You feel our work is not a benefit to the public.
0:16:49 > 0:16:51Replicants are like any other machine.
0:16:51 > 0:16:54They're either a benefit or a hazard.
0:16:54 > 0:16:57If they're a benefit, it's not my problem.
0:16:57 > 0:17:00May I ask you a personal question?
0:17:00 > 0:17:01Sure.
0:17:06 > 0:17:08Have you ever retired a human by mistake?
0:17:09 > 0:17:11No.
0:17:11 > 0:17:13But in your position, that is a risk.
0:17:13 > 0:17:16MAN: Is this to be an empathy test?
0:17:16 > 0:17:20Capillary dilation of the so-called blush response?
0:17:20 > 0:17:23Fluctuation of the pupil?
0:17:24 > 0:17:27Involuntary dilation of the iris?
0:17:29 > 0:17:32We call it Voight-Kampff for short.
0:17:32 > 0:17:34Mr Deckard, Dr Elden Tyrell.
0:17:35 > 0:17:38Demonstrate it. I want to see it work.
0:17:38 > 0:17:40Where's the subject?
0:17:40 > 0:17:45I want to see it work on a person.
0:17:45 > 0:17:46What's that going to prove?
0:17:46 > 0:17:48Indulge me.
0:17:48 > 0:17:50On you?
0:17:50 > 0:17:52Try her.
0:17:56 > 0:17:58It's too bright in here.
0:18:34 > 0:18:35Mind if I smoke?
0:18:36 > 0:18:39It won't affect the test.
0:18:41 > 0:18:44I'm going to ask you a series of questions.
0:18:44 > 0:18:48Just relax and answer them as simply as you can.
0:18:54 > 0:18:56It's your birthday.
0:18:56 > 0:18:58Someone gives you a calfskin wallet.
0:18:58 > 0:19:00I wouldn't accept it.
0:19:00 > 0:19:03Also, I'd report the person who gave it to me
0:19:03 > 0:19:04to the police.
0:19:04 > 0:19:06You've got a little boy.
0:19:06 > 0:19:08He shows you his butterfly collection,
0:19:08 > 0:19:10plus the killing jar.
0:19:13 > 0:19:15I'd take him to the doctor.
0:19:21 > 0:19:25You're watching television. You realise a wasp is crawling on your arm.
0:19:25 > 0:19:26I'd kill it.
0:19:30 > 0:19:33In a magazine, you see a nude photo of a girl.
0:19:33 > 0:19:37Is this testing whether I'm a replicant or a lesbian?
0:19:37 > 0:19:39Just answer the questions, please.
0:19:43 > 0:19:45You show it to your husband.
0:19:45 > 0:19:48He hangs it on your bedroom wall.
0:19:48 > 0:19:50I wouldn't let him.
0:19:52 > 0:19:53Why not?
0:19:53 > 0:19:55I should be enough for him.
0:19:59 > 0:20:01One more question.
0:20:01 > 0:20:03You're watching a stage play.
0:20:03 > 0:20:05A banquet is in progress.
0:20:05 > 0:20:08The guests are enjoying an appetiser of raw oysters.
0:20:08 > 0:20:11The entree consists of boiled dog.
0:20:28 > 0:20:31Would you step out for a few moments, Rachael?
0:20:40 > 0:20:41Thank you.
0:20:43 > 0:20:44She's a replicant, isn't she?
0:20:44 > 0:20:46I'm impressed.
0:20:46 > 0:20:47How many questions
0:20:47 > 0:20:50does it usually take to spot one?
0:20:50 > 0:20:52I don't get it.
0:20:52 > 0:20:53How many questions?
0:20:53 > 0:20:5420, 30, Cross-referenced.
0:20:54 > 0:20:57It took more than 100 for Rachael.
0:20:57 > 0:20:58She doesn't know.
0:20:58 > 0:21:01She's beginning to suspect, I think.
0:21:01 > 0:21:04How can it not know what it is?
0:21:04 > 0:21:06Commerce is our goal here at Tyrell.
0:21:06 > 0:21:09"More human than human" is our motto.
0:21:09 > 0:21:13Rachael is an experiment, nothing more.
0:21:13 > 0:21:16We began to recognise in them strange obsession.
0:21:16 > 0:21:18After all, they are emotionally inexperienced,
0:21:18 > 0:21:20with only a few years
0:21:20 > 0:21:23in which to store up the experiences
0:21:23 > 0:21:25which we take for granted.
0:21:25 > 0:21:27If we gift them with a past,
0:21:27 > 0:21:30we create a cushion for their emotions,
0:21:30 > 0:21:33and we can control them better.
0:21:33 > 0:21:35Memories.
0:21:35 > 0:21:36You're talking about memories.
0:21:46 > 0:21:48'Reaction time is a factor.
0:21:48 > 0:21:51'Answer as quickly as you can.'
0:21:51 > 0:21:52'Sure.
0:21:52 > 0:21:53'"1187 Huntervosser."
0:21:53 > 0:21:55'That's the hotel where I live.
0:21:55 > 0:21:56'Nice place?
0:21:56 > 0:21:58'Is that part of the test?
0:21:58 > 0:21:58'No.'
0:22:27 > 0:22:29Kowalski...
0:24:12 > 0:24:15Time...
0:24:15 > 0:24:16enough.
0:24:20 > 0:24:22TAPPING
0:24:33 > 0:24:36Did you get your precious photos?
0:24:39 > 0:24:41Someone was there.
0:24:41 > 0:24:43Man?
0:24:47 > 0:24:48Police...
0:24:48 > 0:24:49man?
0:25:24 > 0:25:26MAN SPEAKS CHINESE
0:25:37 > 0:25:38Ha ha!
0:25:52 > 0:25:53MAN CONTINUES SPEAKING CHINESE
0:26:13 > 0:26:14CHINESE
0:26:18 > 0:26:22Fiery the angels fell.
0:26:22 > 0:26:25Deep thunder rolled around their shores,
0:26:25 > 0:26:28burning with the fires of Orc.
0:26:28 > 0:26:30CHINESE
0:26:30 > 0:26:32You not come here!
0:26:32 > 0:26:34Illegal!
0:26:37 > 0:26:39Hey. Hey!
0:26:40 > 0:26:41Cold!
0:26:41 > 0:26:43Those are my eyes! Freezing!
0:26:53 > 0:26:55Yes.
0:26:55 > 0:26:57Questions.
0:27:03 > 0:27:06Hey!
0:27:08 > 0:27:09Hey!
0:27:17 > 0:27:19Morphology.
0:27:19 > 0:27:20Longevity.
0:27:20 > 0:27:21Incept dates.
0:27:21 > 0:27:23Don't know.
0:27:25 > 0:27:27I don't know such stuff.
0:27:27 > 0:27:29I just do eyes, see?
0:27:29 > 0:27:31Just eyes.
0:27:31 > 0:27:34Genetic design. Just eyes.
0:27:36 > 0:27:39You Nexus, huh?
0:27:39 > 0:27:41I design your eyes.
0:27:41 > 0:27:45Chew, if only you could see
0:27:45 > 0:27:48what I've seen with your eyes.
0:27:48 > 0:27:51Now...questions.
0:27:51 > 0:27:54I don't know answers.
0:27:54 > 0:27:56Who does?
0:27:59 > 0:28:01Tyrell.
0:28:01 > 0:28:03He-he knows everything.
0:28:03 > 0:28:06Tyrell Corporation?
0:28:06 > 0:28:10He's big boss, big genius.
0:28:10 > 0:28:12He design your mind, your brain.
0:28:12 > 0:28:15Ah. Smart.
0:28:17 > 0:28:18Cold.
0:28:21 > 0:28:25Not an easy man to see.
0:28:25 > 0:28:27Me cold.
0:28:28 > 0:28:30I guess.
0:28:35 > 0:28:37S-S-Sebastian.
0:28:37 > 0:28:40He-he take... take you there.
0:28:40 > 0:28:41He take you.
0:28:41 > 0:28:44Sebastian who?
0:28:46 > 0:28:52J-J.F. S-Sebastian. Sebast...Sebas...
0:28:52 > 0:28:54Now...
0:28:57 > 0:29:00where...
0:29:00 > 0:29:03would we find this...
0:29:03 > 0:29:06JF Sebastian?
0:29:06 > 0:29:08Let's continue, shall we?
0:29:08 > 0:29:09Describe in single words
0:29:09 > 0:29:11only the good things
0:29:11 > 0:29:12that come into your mind
0:29:12 > 0:29:14about your mother.
0:29:14 > 0:29:15My mother?
0:29:15 > 0:29:16Yeah.
0:29:16 > 0:29:18I'll tell you about my mother.
0:29:39 > 0:29:43'Voice-print identification. Your floor number, please.'
0:29:43 > 0:29:44Deckard, 97.
0:29:44 > 0:29:46'97. Thank you.'
0:30:07 > 0:30:09I wanted to see you.
0:30:14 > 0:30:16So I waited.
0:30:16 > 0:30:17Let me help you.
0:30:20 > 0:30:23What do I need help for?
0:30:23 > 0:30:24BEEP
0:30:24 > 0:30:27I don't know why he told you what he did.
0:30:27 > 0:30:28Talk to him.
0:30:28 > 0:30:31He wouldn't see me.
0:30:43 > 0:30:45You want a drink. No?
0:30:46 > 0:30:48No?
0:30:54 > 0:30:57You think I'm a replicant, don't you?
0:31:02 > 0:31:03Look.
0:31:04 > 0:31:06It's me with my mother.
0:31:07 > 0:31:09Yeah?
0:31:16 > 0:31:17Remember when you were six?
0:31:17 > 0:31:19You and your brother
0:31:19 > 0:31:23snuck into an empty building through a basement window.
0:31:23 > 0:31:25You were going to play doctor.
0:31:25 > 0:31:27He showed you his.
0:31:27 > 0:31:30When it got to be your turn, you ran, remember?
0:31:32 > 0:31:34You ever tell anybody that?
0:31:34 > 0:31:37Your mother. Tyrell? Anybody, huh?
0:31:39 > 0:31:42You remember the spider that lived outside your window?
0:31:42 > 0:31:43Orange body, green legs.
0:31:43 > 0:31:46Watched her build a web all summer.
0:31:46 > 0:31:50Then one day, there was a big egg in it.
0:31:50 > 0:31:52The egg hatched...
0:31:52 > 0:31:53The egg hatched.
0:31:53 > 0:31:54And?
0:31:54 > 0:31:57And a hundred baby spiders came out.
0:31:59 > 0:32:00And they ate her.
0:32:02 > 0:32:06Th...implants.
0:32:06 > 0:32:08Those aren't your memories.
0:32:08 > 0:32:09They're somebody else's.
0:32:09 > 0:32:11They're Tyrell's niece's.
0:32:19 > 0:32:22OK. Bad joke.
0:32:22 > 0:32:25I made a bad joke.
0:32:25 > 0:32:29You're not a replicant. Go home, OK?
0:32:31 > 0:32:34No. Really. I'm sorry.
0:32:34 > 0:32:36Go home.
0:32:48 > 0:32:50Want a drink?
0:32:51 > 0:32:54I'll get you a drink.
0:32:54 > 0:32:56I'll get a glass.
0:33:32 > 0:33:34POLICE SIREN
0:36:31 > 0:36:33Hey!
0:36:38 > 0:36:39You forgot your bag.
0:36:49 > 0:36:51I'm lost.
0:36:53 > 0:36:55Don't worry. I won't hurt you.
0:36:58 > 0:37:00What's your name?
0:37:00 > 0:37:02Pris.
0:37:02 > 0:37:03Mine's JF Sebastian.
0:37:03 > 0:37:04Hi.
0:37:04 > 0:37:06Hi.
0:37:08 > 0:37:11Oh, where were you going?
0:37:12 > 0:37:14Home?
0:37:15 > 0:37:17I don't have one.
0:37:20 > 0:37:22We scared each other pretty good, didn't we?
0:37:22 > 0:37:23We sure did.
0:37:23 > 0:37:25Ha ha!
0:37:30 > 0:37:31I'm hungry, JF.
0:37:31 > 0:37:34I got stuff inside.
0:37:34 > 0:37:36You want to come in?
0:37:36 > 0:37:39I was hoping you'd say that.
0:38:10 > 0:38:14You live in this building all by yourself?
0:38:14 > 0:38:18Yeah. I live here pretty much alone right now.
0:38:18 > 0:38:20No housing shortage around here.
0:38:21 > 0:38:24Plenty of room for everybody.
0:38:31 > 0:38:33PRIS COUGHS
0:38:33 > 0:38:35Watch out for the water.
0:38:37 > 0:38:39You must get lonely here, JF.
0:38:39 > 0:38:43Mmm. Not really. I make friends.
0:38:44 > 0:38:47They're toys. My friends are toys.
0:38:47 > 0:38:52I make them. It's a hobby. I'm a genetic designer. Do you know what that is?
0:38:52 > 0:38:53No.
0:38:56 > 0:38:57Now.
0:38:59 > 0:39:00Oh.
0:39:01 > 0:39:04Yoo-hoo! Home again!
0:39:09 > 0:39:12Home again, home again, jiggety-jig.
0:39:12 > 0:39:14Good evening, JF.
0:39:14 > 0:39:15Good evening, fellas.
0:39:20 > 0:39:21Oh!
0:39:26 > 0:39:28They're my friends.
0:39:28 > 0:39:29I made them.
0:39:29 > 0:39:30Where are your folks?
0:39:30 > 0:39:32I'm sort of an orphan.
0:39:32 > 0:39:34Oh. What about your friends?
0:39:34 > 0:39:38I have some, but I have to find them.
0:39:38 > 0:39:40I'll let them know where I am tomorrow.
0:39:40 > 0:39:41Oh.
0:39:43 > 0:39:46Can I take those things for you?
0:39:46 > 0:39:48They're soaked, aren't they?
0:40:37 > 0:40:38UNICORN WHINNIES
0:41:07 > 0:41:08BEEP
0:41:09 > 0:41:10BEEP
0:41:23 > 0:41:26Enhance 224 to 176.
0:41:26 > 0:41:27BEEPING
0:41:31 > 0:41:34CLICKING
0:41:41 > 0:41:42Enhance.
0:41:42 > 0:41:44Stop.
0:41:58 > 0:41:59Move in.
0:41:59 > 0:42:00Stop.
0:42:02 > 0:42:04Pull out. Track right.
0:42:04 > 0:42:06Stop.
0:42:07 > 0:42:09Centre and pull back.
0:42:11 > 0:42:13Stop.
0:42:13 > 0:42:16Track 45 right.
0:42:18 > 0:42:19Stop.
0:42:19 > 0:42:21Centre and stop.
0:42:26 > 0:42:29Enhance 34 to 36.
0:42:39 > 0:42:42Pan right and pull back.
0:42:42 > 0:42:44Stop.
0:42:49 > 0:42:50Enhance 34 to 46.
0:43:01 > 0:43:03Pull back.
0:43:04 > 0:43:07Wait a minute. Go right.
0:43:07 > 0:43:09Stop.
0:43:09 > 0:43:11Enhance 57 to 19.
0:43:13 > 0:43:15Track 45 left.
0:43:17 > 0:43:19Stop.
0:43:20 > 0:43:23Enhance 15 to 23.
0:43:33 > 0:43:35Give me a hard copy right there.
0:44:30 > 0:44:31Fish?
0:44:46 > 0:44:50I think it was manufactured locally.
0:44:53 > 0:44:55Finest quality.
0:44:55 > 0:44:58Superior workmanship.
0:44:58 > 0:45:02There is a maker's serial number...
0:45:02 > 0:45:089906947-XB-71.
0:45:08 > 0:45:09Interesting.
0:45:09 > 0:45:14Not fish. Snake scale.
0:45:14 > 0:45:15Snake?
0:45:15 > 0:45:17Try Abdul Ben Hassan.
0:45:17 > 0:45:20He make this snake.
0:46:10 > 0:46:12HE TAPS
0:46:16 > 0:46:18HE SPEAKS IN HIS OWN LANGUAGE
0:46:19 > 0:46:20Abdul Hassan?
0:46:22 > 0:46:23I'm a police officer.
0:46:23 > 0:46:26I'd like to ask you a few questions.
0:46:26 > 0:46:28Artificial snake licence XB71 - that's you?
0:46:28 > 0:46:30This is your work, huh?
0:46:30 > 0:46:32Who'd you sell it to?
0:46:32 > 0:46:36My work? Not too many could afford such quality.
0:46:36 > 0:46:37How many?
0:46:37 > 0:46:38Very few.
0:46:38 > 0:46:39How few?
0:46:39 > 0:46:40Look, my friend...
0:46:40 > 0:46:43Taffey Lewis. Down in first sector. Chinatown.
0:47:19 > 0:47:20Bartender.
0:47:24 > 0:47:26Taffey Lewis.
0:47:31 > 0:47:32Taffey?
0:47:33 > 0:47:36I'd like to ask you a few questions.
0:47:36 > 0:47:38Blow me.
0:47:39 > 0:47:41You ever buy snakes from the Egyptian, Taffey?
0:47:41 > 0:47:43All the time, pal.
0:47:44 > 0:47:47You ever see this girl, huh?
0:47:48 > 0:47:50Never seen her. Buzz off.
0:47:50 > 0:47:52Your licences in order, pal?
0:47:52 > 0:47:54Hey, Louis. The man is dry.
0:47:54 > 0:47:57Give him one on the house, OK?
0:47:57 > 0:47:58See you.
0:48:38 > 0:48:40Hello.
0:48:41 > 0:48:44I've had people walk out on me before,
0:48:44 > 0:48:48but not when... I was being so charming.
0:48:48 > 0:48:50I'm in a bar here now
0:48:50 > 0:48:53down in the fourth sector...
0:48:53 > 0:48:55Taffey Lewis's, on the line.
0:48:55 > 0:48:57Why don't you come on down here and have a drink?
0:48:57 > 0:48:59I don't think so, Mr Deckard.
0:48:59 > 0:49:03That's not my kind of place.
0:49:03 > 0:49:04We'll go someplace else.
0:49:20 > 0:49:22Ladies and gentlemen,
0:49:22 > 0:49:27Taffey Lewis presents Miss Salome and the snake.
0:49:27 > 0:49:32Watch her take the pleasures from the serpent
0:49:32 > 0:49:35that once corrupted man.
0:50:16 > 0:50:19Excuse me, Miss Salome. Can I talk to you?
0:50:19 > 0:50:22I'm from the American federation of variety artists.
0:50:22 > 0:50:23Oh, yeah?
0:50:23 > 0:50:26I'm not here to make you join.
0:50:26 > 0:50:28That's not my department.
0:50:28 > 0:50:30Actually, er...
0:50:31 > 0:50:35I'm from the confidential committee on moral abuses.
0:50:36 > 0:50:38Committee of moral abuses?
0:50:38 > 0:50:40There's been reports that the management
0:50:40 > 0:50:43has taken liberties with the artists here.
0:50:43 > 0:50:45I don't know nothing about it.
0:50:45 > 0:50:48Have you felt yourself to be exploited?
0:50:48 > 0:50:50How do you mean, exploited?
0:50:50 > 0:50:52Well, like, to get this job.
0:50:52 > 0:50:57I mean, did you do or were you asked to do
0:50:57 > 0:50:59anything that's lewd or unsavoury
0:50:59 > 0:51:02or otherwise repulsive to...to your person?
0:51:02 > 0:51:04Huh?
0:51:06 > 0:51:07Are you for real?
0:51:07 > 0:51:09Oh, yeah.
0:51:09 > 0:51:12I'd like to check your dressing room.
0:51:12 > 0:51:13For what?
0:51:13 > 0:51:15For, er, for holes.
0:51:15 > 0:51:16Holes?
0:51:16 > 0:51:20Well, you'd be surprised what a guy would go through
0:51:20 > 0:51:22to glimpse a beautiful body.
0:51:22 > 0:51:23Huh.
0:51:25 > 0:51:27No, I wouldn't.
0:51:27 > 0:51:31Uh, little dirty holes they, er, drill in the walls
0:51:31 > 0:51:34so they can watch a lady undress.
0:52:06 > 0:52:07Is this a real snake?
0:52:07 > 0:52:09Of course it's not real.
0:52:09 > 0:52:12I can't afford a real snake.
0:52:12 > 0:52:14HISSING
0:52:27 > 0:52:30So, if somebody does try to exploit me, who do I go to?
0:52:30 > 0:52:31Me.
0:52:31 > 0:52:33You're a dedicated man. Dry me.
0:52:37 > 0:52:38Oh!
0:53:01 > 0:53:02Hey! Oh!
0:53:24 > 0:53:26HORN HOOTS
0:53:42 > 0:53:44KLAXON SOUNDS
0:53:44 > 0:53:49Cross now.
0:53:51 > 0:53:55# Hare, hare
0:53:55 > 0:53:56# Hare, hare. #
0:54:25 > 0:54:40Cross now.
0:54:40 > 0:54:46Don't walk.
0:54:46 > 0:54:48Don't walk. Don't walk.
0:55:02 > 0:55:03Oh!
0:55:03 > 0:55:05Cross now. Cross now.
0:55:05 > 0:55:14Cross now.
0:55:14 > 0:55:16Cross now. Cross now.
0:55:16 > 0:55:18Move! Get out of the way!
0:56:59 > 0:57:01Deckard.
0:57:01 > 0:57:03B26354.
0:57:10 > 0:57:18Move on.
0:57:23 > 0:57:24A minute.
0:57:26 > 0:57:28Yeah, what do you want?
0:57:28 > 0:57:29Tsingtao.
0:57:37 > 0:57:39Is this enough?
0:57:39 > 0:57:39Yeah.
0:57:48 > 0:57:50Bryant.
0:58:10 > 0:58:13You look almost as bad as that skin-job you left on the sidewalk.
0:58:13 > 0:58:15I'm going home.
0:58:15 > 0:58:17Could learn from this guy, gaff.
0:58:17 > 0:58:20He's a goddamn one-man slaughterhouse, that's what he is.
0:58:20 > 0:58:23Four more to go. Let's go.
0:58:23 > 0:58:24Three.
0:58:25 > 0:58:27There's three to go.
0:58:27 > 0:58:29There's four.
0:58:29 > 0:58:34That skin-job you VK'd at the Tyrell Corporation - Rachael - disappeared, vanished.
0:58:34 > 0:58:37Didn't know she was a replicant.
0:58:37 > 0:58:39Something to do with a brain implant.
0:58:39 > 0:58:41Come on, gaff.
0:58:41 > 0:58:43Drink some for me, huh?
0:59:25 > 0:59:27Leon.
0:59:27 > 0:59:28How old am I?
0:59:32 > 0:59:33I don't know.
0:59:36 > 0:59:38My birthday's April 10, 2017.
0:59:38 > 0:59:40How long do I live?
0:59:40 > 0:59:41Four years.
0:59:48 > 0:59:49More than you.
0:59:54 > 0:59:57Painful to live in fear, isn't it?
1:00:01 > 1:00:04Nothing's worse than having an itch
1:00:04 > 1:00:05you can never scratch.
1:00:05 > 1:00:07I agree.
1:00:18 > 1:00:19Wake up!
1:00:19 > 1:00:20Time to die.
1:00:22 > 1:00:23GUNSHOT
1:00:54 > 1:00:55Shakes?
1:00:56 > 1:00:58Me, too.
1:01:02 > 1:01:04I get them bad.
1:01:10 > 1:01:11Part of the business.
1:01:18 > 1:01:20I'm not in the business.
1:01:33 > 1:01:35I AM the business.
1:02:10 > 1:02:13WATER RUNNING
1:03:03 > 1:03:05What if I go north?
1:03:09 > 1:03:11Disappear.
1:03:15 > 1:03:17Would you come after me?
1:03:18 > 1:03:20Hunt me?
1:03:25 > 1:03:26No.
1:03:28 > 1:03:30No, I wouldn't.
1:03:36 > 1:03:38I owe you one.
1:03:52 > 1:03:54But somebody would.
1:04:06 > 1:04:07Deckard...
1:04:10 > 1:04:12You know those files on me?
1:04:14 > 1:04:17The incept date, the longevity,
1:04:17 > 1:04:19those things.
1:04:20 > 1:04:22You saw them?
1:04:26 > 1:04:27They're...
1:04:27 > 1:04:29classified.
1:04:29 > 1:04:31But you're a policeman.
1:04:31 > 1:04:33I...
1:04:33 > 1:04:35didn't look at them.
1:04:37 > 1:04:40You know that Voight-Kampff test of yours?
1:04:40 > 1:04:43Do you ever take that test yourself?
1:04:55 > 1:04:56Deckard?
1:05:54 > 1:05:55PLAYING PIANO
1:07:20 > 1:07:22I dreamt music.
1:07:24 > 1:07:26PLAYING PIANO
1:07:27 > 1:07:30I didn't know if I could play.
1:07:30 > 1:07:33I remember lessons.
1:07:35 > 1:07:38I don't know if it's me or Tyrell's niece.
1:07:43 > 1:07:45You play beautifully.
1:08:52 > 1:08:55And now you kiss me.
1:08:55 > 1:08:58I can't rely on...
1:08:58 > 1:09:00Say kiss me.
1:09:03 > 1:09:04Kiss me.
1:09:16 > 1:09:17I want you.
1:09:21 > 1:09:22I want you.
1:09:22 > 1:09:23Again.
1:09:23 > 1:09:26I want you.
1:09:29 > 1:09:31Put your hands on me.
1:09:59 > 1:10:02CUCKOO CLOCK CHIMES
1:10:27 > 1:10:29SHE SNIFFS
1:10:48 > 1:10:50What are you doing?
1:10:50 > 1:10:51I'm sorry.
1:10:51 > 1:10:53Just peeking.
1:10:53 > 1:10:54Oh.
1:10:55 > 1:10:57How do I look?
1:10:57 > 1:10:59You...you look better.
1:10:59 > 1:11:00Just better?
1:11:00 > 1:11:03Well, you look beautiful.
1:11:07 > 1:11:08Thanks.
1:11:15 > 1:11:16How old are you?
1:11:18 > 1:11:2025.
1:11:21 > 1:11:22What's your problem?
1:11:22 > 1:11:24Methuselah syndrome.
1:11:24 > 1:11:25What's that?
1:11:25 > 1:11:28My glands... they grow old too fast.
1:11:28 > 1:11:31Is that why you're still on Earth?
1:11:31 > 1:11:32Yeah.
1:11:32 > 1:11:33I couldn't pass the medical.
1:11:36 > 1:11:39Anyway, I kind of like it here.
1:11:41 > 1:11:43I like you...
1:11:43 > 1:11:45just the way you are.
1:11:47 > 1:11:48Hi, Roy!
1:11:51 > 1:11:55Gosh... You really got some nice toys here.
1:11:55 > 1:11:58This is the friend I was telling you about.
1:11:58 > 1:12:01This is my saviour, JF Sebastian.
1:12:01 > 1:12:03Sebastian.
1:12:03 > 1:12:06I like a man that stays put.
1:12:06 > 1:12:10You live here all by yourself, do you?
1:12:10 > 1:12:12Yes.
1:12:22 > 1:12:25How about some breakfast?
1:12:25 > 1:12:27I was just going to make some.
1:12:35 > 1:12:36Well?
1:12:39 > 1:12:40Leon...
1:12:40 > 1:12:42What's going on?
1:12:42 > 1:12:43I've...
1:12:46 > 1:12:48There's only two of us now.
1:12:50 > 1:12:53Then we're stupid, and we'll die.
1:12:56 > 1:12:59No, we won't.
1:13:31 > 1:13:32No.
1:13:32 > 1:13:34Knight takes queen, see?
1:13:34 > 1:13:36Won't do it.
1:13:44 > 1:13:47Why are you staring at us, Sebastian?
1:13:47 > 1:13:49Because...
1:13:49 > 1:13:50You're so different.
1:13:52 > 1:13:54You're so perfect.
1:13:56 > 1:13:58Yes.
1:13:58 > 1:14:01What generation are you?
1:14:08 > 1:14:10Nexus 6.
1:14:10 > 1:14:11Ah! I knew it
1:14:11 > 1:14:14because I do genetic design work
1:14:14 > 1:14:15for the Tyrell Corporation.
1:14:15 > 1:14:18There's some of me in you.
1:14:18 > 1:14:20Show me something.
1:14:20 > 1:14:22Like what?
1:14:22 > 1:14:24Like anything.
1:14:26 > 1:14:28We're no computers, Sebastian.
1:14:28 > 1:14:29We're physical.
1:14:32 > 1:14:36I think, Sebastian, therefore I am.
1:14:37 > 1:14:39Very good, Pris.
1:14:39 > 1:14:40Now show him why.
1:15:01 > 1:15:02Huh!
1:15:02 > 1:15:04Ha-ha!
1:15:05 > 1:15:08We've got a lot in common.
1:15:08 > 1:15:09What do you mean?
1:15:09 > 1:15:11Similar problems.
1:15:11 > 1:15:12Accelerated decrepitude.
1:15:14 > 1:15:17I don't know much about biomechanics, Roy. I wish I did.
1:15:17 > 1:15:19Umm!
1:15:19 > 1:15:21If we don't find help soon,
1:15:21 > 1:15:24Pris hasn't got long to live.
1:15:24 > 1:15:27We can't allow that.
1:15:28 > 1:15:30Is he good?
1:15:30 > 1:15:31Who?
1:15:31 > 1:15:33Your opponent.
1:15:33 > 1:15:35Oh, Dr Tyrell?
1:15:35 > 1:15:38I've only beaten him once in chess.
1:15:38 > 1:15:39He's a genius.
1:15:41 > 1:15:42He designed you.
1:15:44 > 1:15:46Maybe he could help.
1:15:47 > 1:15:49I'd be happy to mention it to him.
1:15:51 > 1:15:54Better if I talk to him in person.
1:15:57 > 1:16:02But I understand he's a sort of hard man to get to.
1:16:02 > 1:16:04Yes.
1:16:04 > 1:16:05Very.
1:16:09 > 1:16:11Will you help us?
1:16:11 > 1:16:13I can't.
1:16:13 > 1:16:15We need you, Sebastian.
1:16:15 > 1:16:17You're our best and only friend.
1:16:30 > 1:16:33We're so happy you found us.
1:16:33 > 1:16:35Ha-ha!
1:16:35 > 1:16:39I don't think anybody else would have helped us.
1:17:26 > 1:17:2966,000 Prosser and Ankovich.
1:17:29 > 1:17:31Hmm...
1:17:31 > 1:17:32Trade.
1:17:32 > 1:17:33Trade at...
1:17:33 > 1:17:36INTERCOM: 'Blue entry.
1:17:36 > 1:17:39'A Mr JF Sebastian.
1:17:39 > 1:17:42'16417.'
1:17:44 > 1:17:46'At this hour?
1:17:46 > 1:17:48'What can I do for you, Sebastian?'
1:17:51 > 1:17:53Queen to bishop 6. Check.
1:17:59 > 1:18:01Nonsense.
1:18:01 > 1:18:03Just a moment.
1:18:05 > 1:18:08Queen to bishop 6.
1:18:08 > 1:18:10Ridiculous.
1:18:16 > 1:18:17Queen.
1:18:19 > 1:18:20Bishop 6.
1:18:22 > 1:18:23Hmm...
1:18:26 > 1:18:28'Knight...
1:18:28 > 1:18:29'takes...
1:18:29 > 1:18:30'Queen.
1:18:37 > 1:18:39What's on your mind, Sebastian?
1:18:39 > 1:18:41What are you thinking about?
1:18:42 > 1:18:44Bishop to king 7.
1:18:44 > 1:18:45Check.
1:18:46 > 1:18:50Bishop to king 7. Checkmate, I think.
1:18:50 > 1:18:54Got a brainstorm, huh, Sebastian?
1:18:54 > 1:18:57Milk and cookies kept you awake, huh?
1:18:57 > 1:18:58'Let's discuss this.
1:18:58 > 1:19:01'You better come up, Sebastian.'
1:19:17 > 1:19:19Mr Tyrell?
1:19:21 > 1:19:22I...
1:19:22 > 1:19:25I brought a friend.
1:19:30 > 1:19:34I'm surprised you didn't come here sooner.
1:19:41 > 1:19:44It's not an easy thing to meet your maker.
1:19:44 > 1:19:48And what can he do for you?
1:19:48 > 1:19:51Can the maker repair what he makes?
1:19:51 > 1:19:53Would you...
1:19:53 > 1:19:55like to be modified?
1:19:55 > 1:19:57Stay here.
1:20:02 > 1:20:06Had in mind something a little more radical.
1:20:06 > 1:20:07What...
1:20:07 > 1:20:11What seems to be the problem?
1:20:11 > 1:20:12Death.
1:20:12 > 1:20:13Death?
1:20:13 > 1:20:17Well, I'm afraid that's a little out of my jurisdiction.
1:20:17 > 1:20:19I want more life,
1:20:19 > 1:20:21Father.
1:20:26 > 1:20:27The facts of life.
1:20:30 > 1:20:32To make an alteration in the...
1:20:32 > 1:20:35evolvement of an organic life system is fatal.
1:20:35 > 1:20:37A coding sequence cannot be revised
1:20:37 > 1:20:38once it's been established.
1:20:38 > 1:20:39Why not?
1:20:39 > 1:20:42Because by the second day of incubation,
1:20:42 > 1:20:47any cells that have undergone reversion mutations
1:20:47 > 1:20:49give rise to revertant colonies
1:20:49 > 1:20:51like rats leaving a sinking ship.
1:20:51 > 1:20:53Then the ship sinks.
1:20:53 > 1:20:55What about EMS recombination?
1:20:55 > 1:20:57We've already tried it.
1:20:57 > 1:21:00Ethyl Methane Sulphonate is an alkylating agent
1:21:00 > 1:21:02and a potent mutagen.
1:21:02 > 1:21:04It created a virus so lethal,
1:21:04 > 1:21:08the subject was dead before he left the table.
1:21:08 > 1:21:11Then a repressive protein that blocks the operating cells.
1:21:11 > 1:21:13It wouldn't obstruct replication,
1:21:13 > 1:21:17but it does give rise to an error in replication
1:21:17 > 1:21:21so that the newly-formed DNA strand carries the mutation,
1:21:21 > 1:21:23and you've got a virus again.
1:21:23 > 1:21:24But, er...this...
1:21:24 > 1:21:28All of this is...academic.
1:21:28 > 1:21:32You were made as well as we could make you.
1:21:32 > 1:21:33But not to last.
1:21:33 > 1:21:36The light that burns twice as bright
1:21:36 > 1:21:37burns half as long.
1:21:37 > 1:21:41And you have burned so very, very brightly, Roy.
1:21:41 > 1:21:44Look at you.
1:21:44 > 1:21:46You're the prodigal son.
1:21:46 > 1:21:49You're quite a prize.
1:21:55 > 1:21:57I've done...
1:21:57 > 1:21:58questionable things.
1:21:58 > 1:22:00Also extraordinary things.
1:22:00 > 1:22:02Revel in your time.
1:22:06 > 1:22:08Nothing the God of biomechanics
1:22:08 > 1:22:11wouldn't let you in Heaven for.
1:22:28 > 1:22:31Aah!
1:23:01 > 1:23:03Sorry, Sebastian
1:23:04 > 1:23:07Come! Come!
1:23:26 > 1:23:29SIREN BLARES, POLICE RADIO TRANSMITTING
1:23:31 > 1:23:34'Tactical alert now in quadrant 19, 12th sector.
1:23:34 > 1:23:37'Report to units.' INDISTINCT RESPONSE
1:23:37 > 1:23:38'Sectors one through 19...'
1:23:38 > 1:23:40SPEAKING IN GERMAN
1:23:51 > 1:23:56BRYANT: 'Body identified with Tyrell is a 25-year-old male Caucasian
1:23:56 > 1:23:59'named Sebastian, JF Sebastian.
1:23:59 > 1:24:03'Address - Bradbury Apartments, ninth sector. NF-46751.
1:24:03 > 1:24:06'Now, I want you to go down there.'
1:24:09 > 1:24:12POLICE: This sector's closed. What are you doing here?
1:24:12 > 1:24:14I'm working. What are you doing?
1:24:14 > 1:24:17Arresting you. That's what I'm doing.
1:24:17 > 1:24:19I'm Deckard, Blade Runner 26354.
1:24:19 > 1:24:20I'm filed and monitored.
1:24:20 > 1:24:22Hold on. Checking.
1:24:26 > 1:24:28OK, checked and cleared.
1:24:28 > 1:24:30Have a better one.
1:24:32 > 1:24:35DIALLING VIDEOPHONE
1:24:39 > 1:24:40Hello?
1:24:40 > 1:24:42Hi. Is JF there?
1:24:42 > 1:24:45Who is it? This is Eddie, an old friend of JF's.
1:24:45 > 1:24:47Oh...
1:24:47 > 1:24:50That's no way to treat a friend.
1:24:53 > 1:24:55CLUNK!
1:24:57 > 1:24:59SPEAKING IN GERMAN
1:26:06 > 1:26:10FAINT ORIENTAL SINGING
1:26:16 > 1:26:19SINGING GETS LOUDER
1:26:24 > 1:26:26SINGING PASSES
1:27:36 > 1:27:38INDISTINCT CLATTER
1:27:40 > 1:27:42FOOTSTEPS
1:27:42 > 1:27:45TOYS: Home again, home again, jiggety-jig.
1:27:45 > 1:27:47Good evening, JF.
1:27:57 > 1:27:59Oh!
1:28:00 > 1:28:02More tea?
1:28:02 > 1:28:04Some tea?
1:28:13 > 1:28:15More tea?
1:28:15 > 1:28:17Ha-ha-ha!
1:28:17 > 1:28:19More tea?
1:28:19 > 1:28:20Ha-ha-ha!
1:28:20 > 1:28:22More tea?
1:28:22 > 1:28:24Ha-ha-ha!
1:28:24 > 1:28:26More tea?
1:28:26 > 1:28:37Ha-ha-ha!
1:28:37 > 1:28:39More tea?
1:28:55 > 1:28:59Aah!
1:28:59 > 1:29:01Ah!
1:29:01 > 1:29:02Uh!
1:29:03 > 1:29:05Huh!
1:29:06 > 1:29:08BOTH GRUNTING
1:29:33 > 1:29:36Aah!
1:29:36 > 1:29:39GUN SHOT, SHE SCREAMS
1:29:39 > 1:29:52Aah!
1:31:37 > 1:31:39Not very sporting
1:31:39 > 1:31:43to fire on an unarmed opponent.
1:31:43 > 1:31:45I thought you were supposed to be good.
1:31:47 > 1:31:50Aren't you the good man?
1:31:53 > 1:31:55Come on...
1:31:55 > 1:31:58Deckard.
1:31:59 > 1:32:01Show me...
1:32:01 > 1:32:03what you're made of.
1:32:15 > 1:32:17Proud of yourself, little man?
1:32:24 > 1:32:26This is for Zhora.
1:32:26 > 1:32:28Ah!
1:32:28 > 1:32:29This is for Pris.
1:32:29 > 1:32:31Ah!
1:32:33 > 1:32:34Uh...
1:32:36 > 1:32:37Come on, Deckard.
1:32:37 > 1:32:39I'm right here,
1:32:39 > 1:32:42but you've got to shoot straight.
1:32:42 > 1:32:45Straight doesn't seem to be good enough.
1:32:45 > 1:32:47Now it's my turn.
1:32:47 > 1:32:51I'm going to give you a few seconds before I come.
1:32:51 > 1:32:531...
1:32:53 > 1:32:552.
1:33:07 > 1:33:083...
1:33:08 > 1:33:104.
1:33:22 > 1:33:24Pris.
1:33:41 > 1:33:42Oh...
1:33:47 > 1:33:50Awoo!
1:33:53 > 1:33:55HE HOWLS
1:34:07 > 1:34:10Yee-ah!
1:34:18 > 1:34:21ROY HOWLS
1:34:29 > 1:34:32ROY SQUEALS AND LAUGHS
1:34:32 > 1:34:35I'm coming!
1:34:35 > 1:34:37Deckard.
1:34:39 > 1:34:414, 5.
1:34:45 > 1:34:47How to stay alive?
1:34:59 > 1:35:01HE HOWLS
1:35:03 > 1:35:05Ha-ha-ha!
1:35:09 > 1:35:11I can see you!
1:35:35 > 1:35:37Not...yet!
1:35:37 > 1:35:40Not...
1:35:40 > 1:35:42HE GASPS
1:35:49 > 1:35:51THUNDER RUMBLES
1:36:05 > 1:36:07Argh!
1:36:21 > 1:36:23Yes!
1:36:30 > 1:36:33You better get it up. Or I'm going to have to kill ya!
1:36:34 > 1:36:39Unless you're alive, you can't play. And if you don't play...
1:36:48 > 1:36:50Six, seven...
1:36:50 > 1:36:52Go to hell or go to heaven!
1:36:59 > 1:37:01That's the spirit!
1:37:22 > 1:37:25WOLF-LIKE HOWL
1:37:41 > 1:37:43That hurt!
1:37:46 > 1:37:48That was irrational of you.
1:37:50 > 1:37:53Not to mention unsportsmanlike.
1:37:57 > 1:37:59Where are you going?
1:38:40 > 1:38:42HE PANTS
1:40:56 > 1:41:01Quite an experience to live in fear, isn't it?
1:41:01 > 1:41:04That's what it is to be a slave.
1:41:06 > 1:41:08HE TREMBLES
1:42:01 > 1:42:03I've...seen things...
1:42:03 > 1:42:06you people wouldn't believe.
1:42:09 > 1:42:10Attack ships on fire
1:42:10 > 1:42:12off the shoulder of Orion.
1:42:15 > 1:42:18I watched C-beams
1:42:18 > 1:42:21glitter in the dark near the Tannhauser Gate.
1:42:25 > 1:42:27All those...
1:42:27 > 1:42:29moments will be lost...
1:42:31 > 1:42:33in time...
1:42:34 > 1:42:36like...
1:42:36 > 1:42:38tears...
1:42:40 > 1:42:42in rain.
1:42:45 > 1:42:47Time...to die.
1:43:51 > 1:43:53You've done a man's job, sir!
1:43:59 > 1:44:01I guess you're through, huh?
1:44:03 > 1:44:05Finished.
1:44:26 > 1:44:29It's too bad she won't live.
1:44:29 > 1:44:31But then again, who does?
1:45:05 > 1:45:07Rachael?
1:45:14 > 1:45:16Rachael?
1:45:29 > 1:45:31Rachael?
1:46:35 > 1:46:37Do you love me?
1:46:37 > 1:46:40I love you.
1:46:40 > 1:46:42Do you trust me?
1:46:43 > 1:46:45I trust you.
1:46:54 > 1:46:56Rachael.
1:47:33 > 1:47:38IN HEAD: 'It's too bad she won't live. But then again, who does?'