0:00:02 > 0:00:09This programme contains strong language
0:00:09 > 0:00:14and some violent scenes
0:00:51 > 0:00:55Come on! Whoo!
0:00:55 > 0:00:59Come on! Come on!
0:00:59 > 0:01:01Yeah! Whoo!
0:01:16 > 0:01:18Keep an eye out.
0:01:37 > 0:01:39Come on.
0:01:59 > 0:02:02I can't remember when I first noticed the change.
0:02:02 > 0:02:05It's not that I didn't see it coming.
0:02:06 > 0:02:08I just didn't want to believe it.
0:02:08 > 0:02:12I guess that's not much of an excuse, but it's the truth.
0:02:12 > 0:02:15You're an evil little fucker.
0:02:28 > 0:02:30I guess it didn't look good.
0:02:36 > 0:02:38But he had to die.
0:02:38 > 0:02:41It was a necessary means to an end.
0:02:43 > 0:02:47All I can tell you is that the heavens were falling.
0:02:48 > 0:02:50The sound, oh...
0:02:50 > 0:02:52The sound, it was incredible.
0:02:52 > 0:02:58It was...it was like the gods were rejoicing for what was done.
0:03:27 > 0:03:29Sorry, guys.
0:03:37 > 0:03:39Glad you could make it.
0:03:39 > 0:03:41Mmm. Good things come to those who wait.
0:03:41 > 0:03:43And hello to you, too, Martin.
0:03:43 > 0:03:46He's a 17-year-old, smart-arse little rich kid.
0:03:46 > 0:03:48I'm under pressure to let him go
0:03:48 > 0:03:50because the evidence is circumstantial.
0:03:50 > 0:03:51So I charged him.
0:03:51 > 0:03:55I need you to find him culpable.
0:03:55 > 0:03:56Anything else?
0:03:56 > 0:03:58Good luck.
0:03:58 > 0:04:01Luck's for the Irish, McKenzie.
0:04:09 > 0:04:12Hello, Alex. My name's Sally Rowe.
0:04:12 > 0:04:14I'm a forensic psychologist.
0:04:14 > 0:04:17I've been asked to talk with you to find out what happened.
0:04:17 > 0:04:19Would you like someone present during this interview?
0:04:20 > 0:04:22Would you?
0:04:24 > 0:04:25Do you mind if I record?
0:04:34 > 0:04:36Tell me about your friend Nigel.
0:04:36 > 0:04:38Oh, he wasn't my friend.
0:04:38 > 0:04:40What did you mean when you said
0:04:40 > 0:04:43his death was a "necessary means to an end"?
0:04:43 > 0:04:45So do you think that I did this?
0:04:46 > 0:04:48I'm here to listen to you, Alex.
0:04:51 > 0:04:54During the 13th century,
0:04:54 > 0:04:57there were these people known as Cathars.
0:04:57 > 0:05:01And they insisted that God could only be experienced first hand,
0:05:01 > 0:05:03so they banished all the priests and the bishops.
0:05:03 > 0:05:06Now, this undermined the power of the Vatican,
0:05:06 > 0:05:09which caused the Pope to lose precious revenues in the region.
0:05:11 > 0:05:13You like history, Alex?
0:05:15 > 0:05:21In 1209, a Vatican army descended upon Cathar villages
0:05:21 > 0:05:24and every man, woman and child was slaughtered.
0:05:24 > 0:05:27And when an officer inquired to the Pope
0:05:27 > 0:05:29how to distinguish between the heretics and the true believers,
0:05:29 > 0:05:31you know what his response was?
0:05:31 > 0:05:34"Kill them all. God will recognise his own."
0:05:36 > 0:05:38And why are you telling me this?
0:05:40 > 0:05:42Are you a religious woman, Miss Rowe?
0:05:42 > 0:05:45Is that important to you?
0:05:45 > 0:05:47Do you want to know what I believe in?
0:05:47 > 0:05:49It'd be a good place to start.
0:05:49 > 0:05:51Gestalt.
0:05:51 > 0:05:52Gestalt?
0:05:52 > 0:05:57An organised whole in which each individual part affects every other,
0:05:57 > 0:05:59but the whole being more important than the sum of its parts.
0:05:59 > 0:06:02Yeah, I'm familiar with first-year psychology theory.
0:06:02 > 0:06:05- Should I be impressed? - It's not what it is.
0:06:07 > 0:06:09It's how you use it.
0:06:09 > 0:06:11And how's that?
0:06:11 > 0:06:12Well, you're the psychologist.
0:06:19 > 0:06:21Nigel's dead.
0:06:21 > 0:06:23I've been charged with murder.
0:06:23 > 0:06:26It doesn't really matter what I believe in, now, does it?
0:06:28 > 0:06:31You're not one for making good first impressions, are you, Alex?
0:06:34 > 0:06:38BAGPIPES PLAY DISTANTLY
0:06:40 > 0:06:43DISTANT VOICES SPEAK IN UNISON
0:06:43 > 0:06:48ALL: Through Jesus Christ, our lord and saviour. Amen.
0:06:53 > 0:06:55Who's the new guy?
0:06:59 > 0:07:00I don't know.
0:07:00 > 0:07:02Shame you'll have to share your room.
0:07:02 > 0:07:03Sorry?
0:07:03 > 0:07:05I saw them put an extra bed in your room before.
0:07:05 > 0:07:08- That's bollocks. - Well, they did.
0:07:14 > 0:07:16Sir? Sir?
0:07:16 > 0:07:18Sir, can I have permission to leave, please?
0:07:18 > 0:07:21- Where do you need to go, Mr Forbes? - To the bathroom.
0:07:21 > 0:07:23Can't it wait, boy?
0:07:23 > 0:07:26It's hard to say, sir. It's quite urgent business.
0:08:23 > 0:08:24Do you mind?
0:08:33 > 0:08:35Don't get too comfortable.
0:08:44 > 0:08:48- What's he like? - Weird.
0:08:48 > 0:08:50He's got this collection of stuffed animals.
0:08:50 > 0:08:52Isn't he a bit old for that?
0:08:52 > 0:08:54Real animals, you dick.
0:08:54 > 0:08:56Cool.
0:08:56 > 0:08:57Have you heard anything about him?
0:08:57 > 0:09:00Well, it's been hard to get any dirt on him.
0:09:00 > 0:09:01I heard some guys at dinner
0:09:01 > 0:09:04saying that he used to be a day-boy at St Edwards.
0:09:04 > 0:09:06- Really? - Yeah.
0:09:06 > 0:09:08But apparently he had some kind of family issues.
0:09:08 > 0:09:11So they sent him here? That'll fix him.
0:09:12 > 0:09:14ALEX: Josh was pretty crazy.
0:09:14 > 0:09:17His dad wanted him to be a politician.
0:09:17 > 0:09:20Christ, what a lot of shite to put on your own child.
0:09:21 > 0:09:23- Whoa! - (Laughs)
0:09:23 > 0:09:25For fuck's sake, guys! What the fuck are you guys doing?
0:09:25 > 0:09:28Raj was Josh's roommate.
0:09:28 > 0:09:31He just kind of hung out with us, never liked pushing the limits.
0:09:31 > 0:09:33Just as well, I guess.
0:09:33 > 0:09:34Ooh.
0:09:45 > 0:09:48He was different. Yeah, I'll give him that.
0:09:48 > 0:09:52I guess that's why I found him interesting at first.
0:09:53 > 0:09:57And he had this morbid fascination with all things dead.
0:10:04 > 0:10:06SALLY: And what about you, Alex?
0:10:06 > 0:10:09I told the police everything. Why don't you ask them?
0:10:09 > 0:10:11I'm asking you, Alex.
0:10:13 > 0:10:14Do you have any children?
0:10:14 > 0:10:17Well, you're not bad-looking.
0:10:17 > 0:10:19I think you're running out of time, you know.
0:10:19 > 0:10:21No, you're the one running out of time.
0:10:21 > 0:10:23I read once that a third of women study psychology
0:10:23 > 0:10:25to work out their own personal problems.
0:10:25 > 0:10:28- What do you think? - Tell me about Nigel.
0:10:28 > 0:10:30Nigel got what he wanted.
0:10:30 > 0:10:34- And what was that? - Eternity.
0:10:37 > 0:10:40So you don't get it, do you?
0:10:43 > 0:10:45But you will.
0:10:46 > 0:10:48You will.
0:10:54 > 0:10:56DOOR BUZZES
0:11:19 > 0:11:21What's going on?
0:11:21 > 0:11:24Nothing I can't handle. How did you get on?
0:11:24 > 0:11:26Well, this case is bullshit, McKenzie.
0:11:26 > 0:11:28What do you mean?
0:11:28 > 0:11:30You can afford me just a little intelligence.
0:11:30 > 0:11:32This kid's guilty, Sally. Trust me on this.
0:11:32 > 0:11:34(Sighs) You can't hold him on a hunch.
0:11:34 > 0:11:37He's a fucked up, remorseless little psycho.
0:11:37 > 0:11:40So? He'll make a great merchant banker.
0:11:40 > 0:11:42And what about all this religious shit?
0:11:42 > 0:11:44None of what I've heard makes him a murderer.
0:11:44 > 0:11:46You've charged him without any hard evidence.
0:11:46 > 0:11:50You've dug yourself a hole and now you want me to get you out of it.
0:11:50 > 0:11:51Could be good for the old career, Sal.
0:11:51 > 0:11:55Get your name on the door, you could be kicking around with the big boys.
0:11:55 > 0:11:58There'll be lots of publicity - guarantee it.
0:11:58 > 0:12:00I'm out.
0:12:00 > 0:12:03How about some Italian, then? For old time's sake?
0:12:04 > 0:12:06Take that as a no.
0:12:27 > 0:12:29Shit.
0:13:05 > 0:13:06(Plays tape recorder)
0:13:06 > 0:13:09ALEX ON TAPE: Do you want to know what I believe in?
0:13:09 > 0:13:11SALLY ON TAPE: It'd be a good place to start.
0:13:11 > 0:13:13- Gestalt. - Gestalt?
0:13:13 > 0:13:17An organised whole in which each individual part affects every other,
0:13:17 > 0:13:20but the whole being more important than the sum of its parts.
0:13:20 > 0:13:22Yeah, I'm familiar with first-year psychology theory.
0:13:22 > 0:13:25- Should I be impressed? - It's not what it is.
0:13:25 > 0:13:28It's how you use it.
0:13:28 > 0:13:30(Rewinds tape)
0:13:30 > 0:13:33- Should I be impressed? - It's not what it is.
0:13:33 > 0:13:36It's how you use it.
0:13:36 > 0:13:37(Stops tape)
0:14:01 > 0:14:02ALEX: What is that smell?
0:14:09 > 0:14:12Oh. No, you've gotta be kidding.
0:14:15 > 0:14:17Where did you get that?
0:14:18 > 0:14:21I asked you a question. Where did you get it?
0:14:23 > 0:14:27OK, let's make this nice and clear. I don't like you very much.
0:14:27 > 0:14:28In fact, I'm really beginning to dislike you.
0:14:28 > 0:14:31But if I have to spend time in the same room with you,
0:14:31 > 0:14:33you can at least show me some common courtesy.
0:14:33 > 0:14:36Is there anything else?
0:14:44 > 0:14:45DOOR SLAMS
0:14:48 > 0:14:51ALEX: They must be quite desperate, sending you in again.
0:14:54 > 0:14:56They don't have a case, do they?
0:14:56 > 0:14:58What makes you say that, Alex?
0:14:58 > 0:15:03Well, if they had any evidence, I wouldn't be talking to you, would I?
0:15:05 > 0:15:06Would I?
0:15:09 > 0:15:11How long can you keep me here?
0:15:13 > 0:15:15Well, that depends on how soon you're willing to talk to me.
0:15:15 > 0:15:18You know nothing. (Chuckles)
0:15:19 > 0:15:22You know absolutely nothing.
0:15:22 > 0:15:24That goes for you, too.
0:15:26 > 0:15:27DOOR BUZZES
0:15:31 > 0:15:33This just came in from Forensics.
0:15:33 > 0:15:37Gunshot residue patterns indicate that you were holding the gun
0:15:37 > 0:15:39when it was discharged.
0:15:39 > 0:15:41Your clothes were covered in the stuff.
0:15:41 > 0:15:43I want to see my father.
0:15:43 > 0:15:46I don't think he's gonna be able to help you with this.
0:15:46 > 0:15:48No, no. I did not do this! Nigel pulled that fucking trigger!
0:15:48 > 0:15:50Get your fucking hands off her!
0:15:50 > 0:15:52Enough!
0:15:53 > 0:15:58- You are fucking insane! - Get him in a lock-up.
0:15:58 > 0:16:00- Come on! - You know I did not do this!
0:16:00 > 0:16:02You KNOW I did not do...!
0:16:02 > 0:16:04Get off me, please! Where are you taking me?
0:16:04 > 0:16:06Will you get off me? Get your fucking hands off me!
0:16:06 > 0:16:09Where do you think you're taking me?
0:16:09 > 0:16:12Get off me! Get your fucking hands off me!
0:16:12 > 0:16:14(Sighs)
0:16:14 > 0:16:17SALLY: We are meant to be working together on this.
0:16:19 > 0:16:22Don't you ever interrupt me when I'm in session with a patient.
0:16:22 > 0:16:23Just hold on a minute.
0:16:23 > 0:16:25You just assaulted a 17-year-old child.
0:16:25 > 0:16:28- I could have your job for that. - I was trying to protect you.
0:16:28 > 0:16:30Oh, don't bullshit me.
0:16:30 > 0:16:32Did Nigel Colbie have gunshot residue on his hands?
0:16:32 > 0:16:36Look, Sal, there are some things I don't tend to be wrong,
0:16:36 > 0:16:37and this is one of them!
0:16:37 > 0:16:40- Yes, he did. - So he could've fired that gun.
0:16:40 > 0:16:44Look, he was taking the piss. I just wanted to speed things up a little.
0:16:44 > 0:16:46What makes you think you have the intelligence
0:16:46 > 0:16:48to determine whether or not that boy was fucking with me?
0:16:48 > 0:16:51Well, as long as he confesses it doesn't matter, does it?
0:16:51 > 0:16:55If Alex confesses MY way, it'll stand up in court.
0:16:56 > 0:16:58All right.
0:16:58 > 0:17:00- (Sighs) - All right.
0:17:00 > 0:17:03Just... I need time, so butt out.
0:17:03 > 0:17:05Your strong-arm stuff won't cut it with this boy.
0:17:05 > 0:17:06He's too smart for that.
0:17:06 > 0:17:07Sal?
0:17:09 > 0:17:12You're not gonna report this, are you?
0:17:12 > 0:17:14Dr Rowe, I think you'd better come.
0:17:18 > 0:17:21Just let me out there. No, come on, just out there.
0:17:21 > 0:17:22That's all I'm asking. Just let me out.
0:17:22 > 0:17:24No, don't you even think about that!
0:17:24 > 0:17:27- (All shout) - Get off me! Get off me!
0:17:28 > 0:17:29Ohh!
0:17:32 > 0:17:34Get the fuck off me!
0:17:35 > 0:17:37You stay back.
0:17:37 > 0:17:40Fine. He's all yours.
0:17:40 > 0:17:42Ow!
0:17:45 > 0:17:47Oh, God! Let him up!
0:17:53 > 0:17:55They say you want to talk.
0:17:58 > 0:18:02Leave us. I'll be fine.
0:18:15 > 0:18:18Nigel set me up.
0:18:19 > 0:18:22- How do you figure that? - You have to believe me.
0:18:22 > 0:18:25He set the whole thing up to make it look like I did it.
0:18:26 > 0:18:30Nigel set it up to make it look like you killed him?
0:18:31 > 0:18:35- I think you can do better than that. - I didn't kill him.
0:18:38 > 0:18:41You don't exactly come across as the victim here, Alex.
0:18:43 > 0:18:45Feel that?
0:18:45 > 0:18:48Can you feel it?
0:18:50 > 0:18:55He's here. He's listening. He's watching.
0:18:55 > 0:18:57- Who, Alex? - Shh.
0:18:57 > 0:18:58Listening...
0:19:03 > 0:19:05Listen.
0:19:10 > 0:19:12MAN: All rise.
0:19:12 > 0:19:14ORGAN PLAYS "ONWARD, CHRISTIAN SOLDIERS"
0:19:34 > 0:19:39(All sing) # Onward, Christian soldiers
0:19:39 > 0:19:42# Marching as to war
0:19:42 > 0:19:46# With the cross of Jesus
0:19:46 > 0:19:50# Going on before
0:19:50 > 0:19:52# Christ, the royal master... #
0:19:52 > 0:19:54ALEX: Have you ever had that feeling
0:19:54 > 0:19:57that there was someone inside your head, listening to your thoughts?
0:19:58 > 0:20:00I wrote this article on twinning,
0:20:00 > 0:20:03about how two people could communicate across countries
0:20:03 > 0:20:04through the mind.
0:20:04 > 0:20:06Now, just imagine if that were true?
0:20:06 > 0:20:11Your darkest secrets floating out there like radio waves,
0:20:11 > 0:20:12just waiting to be picked up on.
0:20:17 > 0:20:19There was something about this guy.
0:20:20 > 0:20:25(All sing) # Going on before. #
0:20:26 > 0:20:29(Speaks Latin)
0:20:29 > 0:20:33(All speak Latin)
0:20:33 > 0:20:35Be seated.
0:20:39 > 0:20:45Now, it's come to my attention that some boys from...
0:20:45 > 0:20:46What?
0:20:50 > 0:20:52Do you two have something important to contribute?
0:20:52 > 0:20:56Hmm? Campbell? Forbes?
0:20:56 > 0:20:58Stand up and share with us whatever it is
0:20:58 > 0:21:01that obviously can't wait until after this assembly.
0:21:02 > 0:21:04Campbell, do your tie up properly.
0:21:06 > 0:21:08Well? Campbell?
0:21:08 > 0:21:09Nothing, sir.
0:21:09 > 0:21:13- Forbes? - No, nothing important to say, sir.
0:21:15 > 0:21:17Both of you outside my office after assembly.
0:21:17 > 0:21:19Be seated.
0:21:19 > 0:21:23Now, it's come to my attention that some of the boys from Year 12 drama
0:21:23 > 0:21:25will be performing the Tennyson play Becket this term,
0:21:25 > 0:21:29and they're looking for volunteers for props and stage-building.
0:21:29 > 0:21:31Will you calm down?
0:21:31 > 0:21:34Nobody on the train could've possibly known where we were from.
0:21:34 > 0:21:36Will you just relax, please?
0:21:36 > 0:21:38FOOTSTEPS APPROACH
0:21:38 > 0:21:40Inside.
0:21:45 > 0:21:48I do recognise your academic achievements this year, both of you,
0:21:48 > 0:21:50but why do you insist on bucking the system?
0:21:50 > 0:21:52Hmm?
0:21:53 > 0:21:54Be seated.
0:22:01 > 0:22:04Until recently, I've always been able to rely on both of you
0:22:04 > 0:22:05to set a good example.
0:22:05 > 0:22:08- (Mutters) Come on. - I beg your pardon?
0:22:08 > 0:22:10If that was the case,
0:22:10 > 0:22:12then I wouldn't be having a freak in my room, would I?
0:22:12 > 0:22:14Most of your fellow students have three boys to a room.
0:22:14 > 0:22:17I don't think you're too hard done by, Forbes.
0:22:17 > 0:22:20Most of my fellow students have a real home away from this hell hole.
0:22:23 > 0:22:27I'm putting your names down to help with this Year 12 play.
0:22:27 > 0:22:29No, I don't have time for this bullshit.
0:22:31 > 0:22:33Would you wait outside, Campbell, please?
0:22:44 > 0:22:46What's all this about?
0:22:46 > 0:22:49I told you before. I'm not sharing with anyone.
0:22:49 > 0:22:52Nigel Colbie is a brilliant young man.
0:22:52 > 0:22:54You may find his company rewarding.
0:22:54 > 0:22:55Like how?
0:22:55 > 0:22:58"Like how?"
0:22:58 > 0:23:00Because collaboration is an important part of learning,
0:23:00 > 0:23:02I've put you with a young man
0:23:02 > 0:23:05who I believe you will find academically challenging.
0:23:05 > 0:23:06This is such bollocks.
0:23:06 > 0:23:09Your future is what is at stake here.
0:23:11 > 0:23:14Don't lose sight of your obligations, Alex.
0:23:17 > 0:23:19That'll be all.
0:23:26 > 0:23:28I said that'll be all.
0:23:44 > 0:23:47What happened? Did you say anything?
0:23:48 > 0:23:50Well, did you?
0:23:51 > 0:23:54Your father can be such an arsehole sometimes.
0:24:08 > 0:24:11Throughout history, men have sacrificed themselves
0:24:11 > 0:24:13for their fundamental beliefs.
0:24:13 > 0:24:17It may not be wise to pit the force of God against mere human desires...
0:24:17 > 0:24:18ZAP!
0:24:20 > 0:24:22Are you all right, Mr Simms?
0:24:22 > 0:24:25Um, I'm fine, sir. I just fell off my chair, sir.
0:24:25 > 0:24:28Well, be more careful next time.
0:24:28 > 0:24:30Yes, sir.
0:24:31 > 0:24:33Some of you are working on Becket.
0:24:33 > 0:24:36Who can tell me about its subject, Thomas a Becket?
0:24:36 > 0:24:38Yes, Mr Welland.
0:24:38 > 0:24:40Thomas Becket was the Lord Archbishop of Canterbury
0:24:40 > 0:24:42in the early 12th century, sir.
0:24:42 > 0:24:46In 1170, he was murdered in front of the high altar at his cathedral.
0:24:46 > 0:24:47Exactly.
0:24:47 > 0:24:49He knew that the knights were coming to slay him.
0:24:49 > 0:24:52But he chose to wait for them under the sight of God.
0:24:52 > 0:24:57His murder was a sacrilegious act of gross profanity.
0:24:57 > 0:24:59However, almost immediately after his death,
0:24:59 > 0:25:02there were whispers of miracles being performed at his grave.
0:25:02 > 0:25:05Believers from all over the country
0:25:05 > 0:25:07travelled day and night on foot, in order...
0:25:09 > 0:25:11Yes, Mr Forbes?
0:25:11 > 0:25:12His murder was simply political.
0:25:12 > 0:25:15Becket got in the way, so the Church had him put down.
0:25:15 > 0:25:19Trust Mr Forbes to come up with such an interesting slant on history.
0:25:20 > 0:25:22Well, you can't change history.
0:25:22 > 0:25:23No, if you look at it,
0:25:23 > 0:25:25you'll see it's exactly like all the other atrocities
0:25:25 > 0:25:27committed against the people by the Church.
0:25:27 > 0:25:30Oh, and exactly what atrocities are you referring to?
0:25:30 > 0:25:33- The Cathars. - The Cathars?
0:25:33 > 0:25:35They were a bunch of heathens
0:25:35 > 0:25:37who created their own rules to suit themselves.
0:25:37 > 0:25:39The Church was simply trying to retain order in a volatile land.
0:25:39 > 0:25:41What about the Knight Templars, then?
0:25:41 > 0:25:44I fail to see how this has anything to do with what we're talking about.
0:25:44 > 0:25:46Weren't they the knights that killed Thomas Becket?
0:25:46 > 0:25:48- This is ludicrous! - Is it?
0:25:48 > 0:25:51So weren't the Templars known as the Knights of Christ?
0:25:51 > 0:25:53Weren't they the Church's foot soldiers?
0:25:53 > 0:25:55- What? - So why kill the Archbishop?
0:25:55 > 0:25:56At least they had the foresight
0:25:56 > 0:25:58to see the pointlessness of the Holy Crusades.
0:25:58 > 0:26:01Now, why don't you tell the class how the Knights of Christ
0:26:01 > 0:26:04turned their back on the Vatican and adopted the Cathars' beliefs?
0:26:04 > 0:26:06This has got to stop now.
0:26:06 > 0:26:07Free from the Church, the Templars took control.
0:26:07 > 0:26:09They had more fingers in the pie than the Vatican,
0:26:09 > 0:26:11which is a lot of fingers.
0:26:11 > 0:26:12Sit down.
0:26:12 > 0:26:15Isn't that why they were hunted down and burnt at the stake?
0:26:15 > 0:26:17They had betrayed their original cause!
0:26:17 > 0:26:20And whose cause was that?
0:26:21 > 0:26:23Get out of my class.
0:26:25 > 0:26:27Go on. Get out!
0:26:30 > 0:26:33Frightful little man.
0:26:38 > 0:26:41DOOR CLOSES
0:26:54 > 0:26:56What are you trying to prove now, hmm?
0:26:56 > 0:26:59You've managed to upset the Reverend Donaldson.
0:27:00 > 0:27:02I thought that might get you up here.
0:27:02 > 0:27:04Alex, he's a man of the cloth.
0:27:04 > 0:27:06You must learn to show him some respect.
0:27:06 > 0:27:10Don't walk away from me when I'm talking to you!
0:27:13 > 0:27:15Good God.
0:27:15 > 0:27:17He's been busy.
0:27:25 > 0:27:28And you make me share a room with him.
0:27:28 > 0:27:32But he was dux at St Edward's Academy last year.
0:27:32 > 0:27:34So why bring him here?
0:27:35 > 0:27:38Well, his father felt there would be more opportunities for him here,
0:27:38 > 0:27:42um...away from the distractions of home.
0:27:43 > 0:27:44We're very fortunate to have him.
0:27:44 > 0:27:46You're fortunate, not me.
0:27:47 > 0:27:51Alex, I have worked extremely hard to give you what you need.
0:27:52 > 0:27:55This boy will have our hospitality.
0:27:56 > 0:28:00Dad, please. Please.
0:28:02 > 0:28:05Look, his father is a very important member of our society.
0:28:05 > 0:28:08OK, so, that's more like it. So he's part of your precious club.
0:28:08 > 0:28:11And nobody else wanted him and you're doing the brotherly thing.
0:28:11 > 0:28:14- Does my future depend on that? - That's enough.
0:28:14 > 0:28:16No, you don't give a fuck about me or this guy -
0:28:16 > 0:28:19the only thing that you care about is the amount of kudos his father...
0:28:19 > 0:28:20I said enough!
0:28:20 > 0:28:25Well, that's fine, but just don't give me the brotherhood bullshit.
0:28:25 > 0:28:27This boy will be made welcome.
0:29:02 > 0:29:05He's been studying us like we're part of his bug collection.
0:29:08 > 0:29:10What's he say about me?
0:29:12 > 0:29:13This is weird, guys.
0:29:13 > 0:29:15Look, let's just leave it alone.
0:29:15 > 0:29:17(Chuckles) Hey, listen to this.
0:29:17 > 0:29:21"Alex is an egocentric megalomaniac with delusions of grandeur."
0:29:21 > 0:29:23Give me that.
0:29:26 > 0:29:28OK, this little shit needs to be taught a lesson.
0:29:28 > 0:29:30The guy's a freak, Alex.
0:29:30 > 0:29:33Let's put the book back before he finds out it's gone.
0:29:33 > 0:29:36(German accent) What do you propose we do, mein Fuhrer?
0:29:36 > 0:29:38Can you give it a fucking rest, please?
0:29:38 > 0:29:40Sorry.
0:29:40 > 0:29:42No, no. I really am.
0:29:43 > 0:29:45All right, I'm in.
0:29:49 > 0:29:50I'm out of here.
0:30:50 > 0:30:52Hello.
0:30:53 > 0:30:55(Shouts)
0:30:55 > 0:30:57You enjoying it?
0:30:57 > 0:30:59I can't hear you, mate, you're gonna have to speak up.
0:31:02 > 0:31:04Are you fucking enjoying it?
0:31:04 > 0:31:06Isn't it a fucking rush?
0:31:06 > 0:31:09(Shouts)
0:31:13 > 0:31:15(Shouts and swears indistinctly)
0:31:15 > 0:31:17Quick, Alex, get out of the way!
0:31:22 > 0:31:24Where the fuck do you think you're going?
0:31:28 > 0:31:31- You're a little shit! - That's enough! Let him go.
0:31:31 > 0:31:32- You've got to learn to respect... - Stop it!
0:31:32 > 0:31:34- No! He's to learn respect... - You've made your point!
0:31:34 > 0:31:36Christ!
0:31:36 > 0:31:38Alex!
0:32:04 > 0:32:07His eyes...
0:32:09 > 0:32:11..there was this terror in his eyes.
0:32:18 > 0:32:22If I'm guilty, then it's for letting Nigel get too close.
0:32:36 > 0:32:37(Sighs)
0:32:42 > 0:32:45ENGINE SPUTTERS
0:33:24 > 0:33:26- Can I be of any assistance? - Oh...
0:33:26 > 0:33:29No, thanks, it's just the, uh...
0:33:29 > 0:33:31the rotor button.
0:33:31 > 0:33:32Well, I'll leave you to it, then.
0:33:32 > 0:33:35No, wait. We haven't been properly introduced.
0:33:35 > 0:33:36I'm Sally Rowe.
0:33:38 > 0:33:41I inherited a passion for difficult cars from my dad.
0:33:43 > 0:33:46Sorry, you're Alex's father, aren't you?
0:33:46 > 0:33:48I don't think this is the time or the place, Miss Rowe,
0:33:48 > 0:33:51so if you'll excuse me, you can contact me through the school.
0:33:51 > 0:33:53Well, I've already spoken with your secretary.
0:33:53 > 0:33:55I find it remarkable that under the circumstances
0:33:55 > 0:33:57you can't find the time to speak with me.
0:34:02 > 0:34:05What is it that you want, Miss Rowe?
0:34:05 > 0:34:08I want to discuss Alex's situation with you and your wife.
0:34:11 > 0:34:15Alex's mother died a long time ago.
0:34:15 > 0:34:16Oh, I'm sorry, I didn't know.
0:34:16 > 0:34:20Oh, Alex's upbringing has been...impeccable.
0:34:20 > 0:34:23My son has one of the highest academic records in the country.
0:34:25 > 0:34:29Boys of Alex's ability need regimented discipline.
0:34:31 > 0:34:33We don't allow any distraction
0:34:33 > 0:34:37which might lead these boys away from their true potential.
0:34:37 > 0:34:39And look where he is now.
0:34:39 > 0:34:42(Draws breath) Why can't you people help Alex
0:34:42 > 0:34:44instead of trying to convict him of something he didn't do,
0:34:44 > 0:34:46for the love of Christ?
0:34:46 > 0:34:48He witnessed the death of his best friend
0:34:48 > 0:34:52and now this boy...blows his head off in front of him.
0:34:52 > 0:34:54Hasn't he been through enough?
0:34:54 > 0:34:56I am trying to help your son, Dr Forbes.
0:35:01 > 0:35:02I love my son.
0:35:04 > 0:35:06And I'm going to make very sure
0:35:06 > 0:35:10that the humiliation you people have subjected him to is made public.
0:35:17 > 0:35:21SALLY: In almost every single case attributed to Gestalt psychology,
0:35:21 > 0:35:23the psychopath's relationship with parental figures
0:35:23 > 0:35:25has been troubled.
0:35:25 > 0:35:29Broken homes, mental and physical abuse,
0:35:29 > 0:35:32abandonment by or death of a parent -
0:35:32 > 0:35:35all can be influential factors on the psychopath's make-up.
0:35:38 > 0:35:40DOORBELL RINGS
0:35:40 > 0:35:42(Stops recorder)
0:35:53 > 0:35:55McKENZIE: Peace offering.
0:35:55 > 0:35:56Your favourite.
0:35:56 > 0:35:58Expensive...
0:35:58 > 0:36:02Uh, I came to apologise.
0:36:02 > 0:36:04I'm actually busy.
0:36:04 > 0:36:06I'm sorry. OK?
0:36:07 > 0:36:09Look, I know I shouldn't have hit the kid,
0:36:09 > 0:36:13it was a really fucking stupid thing to do.
0:36:13 > 0:36:16Oh, relax, Martin, I'm not gonna make a report.
0:36:16 > 0:36:18Cheers.
0:36:18 > 0:36:21Do you know what those kids were up to when Josh Campbell was killed?
0:36:21 > 0:36:22- The train kid? - Yeah.
0:36:22 > 0:36:25Another one of Alex's dead best friends.
0:36:25 > 0:36:28The coroner said it was an accident, didn't he?
0:36:28 > 0:36:30Why? What's the little shit telling you?
0:36:30 > 0:36:32Do you want to work together on this or not?
0:36:32 > 0:36:34Well, how is it related to Nigel's murder?
0:36:34 > 0:36:37How? Everything he's been through is related, you know that.
0:36:37 > 0:36:41I cannot believe you're falling for his bullshit.
0:36:41 > 0:36:44He's trying to throw you off the scent, Sal.
0:36:44 > 0:36:47Well, I want to talk to the Colbies and work up a profile on Nigel.
0:36:47 > 0:36:49Well, that's gonna be tricky.
0:36:49 > 0:36:52- And why's that? - Because we can't find them.
0:36:53 > 0:36:56BAGPIPES PLAY
0:38:10 > 0:38:12ALEX: Nigel was moved to another room.
0:38:14 > 0:38:16It was strange - I almost missed him.
0:38:17 > 0:38:20(Reads) "With a sudden movement she bowed his head
0:38:20 > 0:38:22"and joined her lips to his
0:38:22 > 0:38:23"and he read the meaning of her movements
0:38:23 > 0:38:27"in her frank, uplifted eyes.
0:38:27 > 0:38:28"It was too much for him..."
0:38:28 > 0:38:31ALEX: We kept our distance.
0:38:31 > 0:38:34But I felt that my thoughts were no longer my own.
0:38:34 > 0:38:38"..the dark pressure of her soft, parting lips.
0:38:38 > 0:38:40"They pressed upon his..."
0:38:40 > 0:38:44ALEX: The further I sank, the stronger he became.
0:38:44 > 0:38:46It was like he had taken my soul.
0:38:47 > 0:38:50(Faintly) "..darker than the swoon of sin..."
0:38:55 > 0:38:58ALEX: I started work on the set-building for the school play.
0:38:59 > 0:39:02At least it kept my mind off Josh's death.
0:39:19 > 0:39:21GIRL: ..A nightingale out of season -
0:39:21 > 0:39:25marriage, rose or no rose, has killed the golden violet.
0:39:25 > 0:39:29BOY: Mother, you do ill to scorn wedded love!
0:39:29 > 0:39:30So I do.
0:39:30 > 0:39:32Louis of France loved me,
0:39:32 > 0:39:36and I dreamed that I loved Louis of France.
0:39:36 > 0:39:38And I loved Henry of England,
0:39:38 > 0:39:40and Henry of England dreamed that he loved me.
0:39:40 > 0:39:44But the marriage garland withers even at the putting on,
0:39:44 > 0:39:48the bright link rusts at the breath of the first after-marriage kiss.
0:39:48 > 0:39:50I could laugh at this poor world myself,
0:39:50 > 0:39:51that it isn't better ordered.
0:39:51 > 0:39:54(Continues indistinctly)
0:39:57 > 0:39:59I'm really sorry about your friend.
0:40:01 > 0:40:03Fuck off, freak.
0:40:03 > 0:40:05But you don't have to worry.
0:40:05 > 0:40:08He's at peace now.
0:40:10 > 0:40:12The harvest moon is the ripening of the harvest
0:40:12 > 0:40:14and the honeymoon is the gall of love -
0:40:14 > 0:40:16he dies of its honey.
0:40:16 > 0:40:20BOY: What? I must swear nay, to the cross around my neck.
0:40:20 > 0:40:22Does it please you?
0:40:23 > 0:40:25Take it.
0:40:25 > 0:40:27That girl's really something, isn't she?
0:40:27 > 0:40:29..wear it on that hard heart of yours.
0:40:29 > 0:40:31Would you have it -
0:40:31 > 0:40:35the last Parthian shaft of a forlorn Cupid on the King's left breast?
0:40:35 > 0:40:37And all left-handed...
0:40:37 > 0:40:40(Actors continue faintly)
0:41:20 > 0:41:22(Gags and gasps)
0:41:22 > 0:41:24(Gags)
0:41:29 > 0:41:32(Vomits)
0:41:35 > 0:41:37ALEX: And then when I got back, the hand was gone.
0:41:37 > 0:41:40And did you tell anyone?
0:41:40 > 0:41:41What? Who was I gonna tell?
0:41:43 > 0:41:45And why do you think it was Josh's hand?
0:41:47 > 0:41:49I don't know. I didn't exactly study it.
0:41:51 > 0:41:52He was everywhere.
0:41:54 > 0:41:55Everywhere.
0:41:57 > 0:42:00All I'm saying is that Nigel could have quite easily taken it.
0:42:03 > 0:42:05And how do you feel about Nigel now?
0:42:05 > 0:42:08That he got what he deserved.
0:42:10 > 0:42:12(Sighs)
0:42:12 > 0:42:15How do I know you're telling the truth?
0:42:16 > 0:42:18You don't.
0:42:20 > 0:42:23(Boys chatter)
0:42:32 > 0:42:34You get out of my room.
0:42:34 > 0:42:36- Have you finished your essay? - Get out.
0:42:38 > 0:42:40It looks like you need a hand.
0:42:40 > 0:42:41Get out!
0:42:43 > 0:42:45You might find these helpful.
0:42:56 > 0:42:58ALEX: How did he know I was struggling with my essay?
0:42:59 > 0:43:01How did he know my topic?
0:43:01 > 0:43:06I mean, he had answers to questions I hadn't even thought of yet.
0:43:06 > 0:43:09But with only an hour left of study time,
0:43:09 > 0:43:11I knew I didn't have a choice.
0:43:12 > 0:43:15It was like selling my soul.
0:43:17 > 0:43:21Poole - rubbish. Simms - rubbish.
0:43:23 > 0:43:24- Better. - Thank you, sir.
0:43:25 > 0:43:28Well, this is a step in the right direction, Mr Linden. Well done.
0:43:31 > 0:43:33Excellent work, Mr Forbes.
0:43:35 > 0:43:37I was beginning to worry about you, lad.
0:43:41 > 0:43:43ALEX: I felt worthless.
0:44:06 > 0:44:08(Whispers) Alex.
0:44:08 > 0:44:10Alex, wake up.
0:44:10 > 0:44:13I've got a night planned.
0:44:17 > 0:44:19What are you doing here?
0:44:19 > 0:44:20I wanna show you something.
0:44:22 > 0:44:23(Mumbles) I'm not interested.
0:44:30 > 0:44:32Don't forget I helped you.
0:44:32 > 0:44:35Come on, it'll be fun.
0:44:35 > 0:44:37Come.
0:44:46 > 0:44:48We're nearly there.
0:44:51 > 0:44:52You having fun?
0:44:55 > 0:44:58Oh, come on, Alex, you've come all this way. Say something.
0:45:03 > 0:45:04Fine.
0:45:20 > 0:45:22Is this your house?
0:45:22 > 0:45:24Where are your parents?
0:45:24 > 0:45:28They're probably away. They travel a lot.
0:45:52 > 0:45:54(Dog barks)
0:45:54 > 0:45:56Hey, Luther.
0:45:58 > 0:46:01- Hey. - (Dog whines)
0:46:01 > 0:46:03- Is he yours? - He's next door's.
0:46:03 > 0:46:05He's beautiful, isn't he?
0:46:07 > 0:46:10- (Dogs bark distantly) - (Luther barks and growls)
0:46:10 > 0:46:12He doesn't like you.
0:46:15 > 0:46:17I've never brought anybody here before.
0:46:17 > 0:46:19You're the first.
0:46:19 > 0:46:21OK?
0:46:21 > 0:46:22First.
0:46:23 > 0:46:25GATE SQUEAKS
0:46:28 > 0:46:29Come on.
0:46:48 > 0:46:50METAL CLANGS AND CRASHES
0:46:50 > 0:46:51Shhh!
0:46:51 > 0:46:53MAN: Hello?
0:46:53 > 0:46:54Turn the torch off, turn the torch off.
0:46:54 > 0:46:57- (Man coughs) - I thought you said they were away.
0:46:57 > 0:46:59FOOTSTEPS PASS OVER
0:47:02 > 0:47:04He's got the gun.
0:47:04 > 0:47:07FOOTSTEPS APPROACH
0:47:09 > 0:47:12- OPENS DOOR - (Dog barks)
0:47:12 > 0:47:17- Oh... Go home, stupid dog! - DOOR CLOSES
0:47:17 > 0:47:22- (Dog barks) - FOOTSTEPS RECEDE
0:47:25 > 0:47:27I'm getting out of here.
0:47:27 > 0:47:28Wait! Wait, wait, wait.
0:47:28 > 0:47:31Come here, I wanna show you something. It's just through here.
0:47:34 > 0:47:35Come on.
0:47:51 > 0:47:53Come on!
0:48:05 > 0:48:06Come in.
0:48:08 > 0:48:10Oh, my God.
0:48:17 > 0:48:19You like it?
0:48:26 > 0:48:28Well, if you're the expert, tell me the history of the flag.
0:48:28 > 0:48:31What, you mean Captain Hook and Long John Silver?
0:48:32 > 0:48:34You know so little about the things that are closest to you.
0:48:34 > 0:48:37- Is that supposed to be a riddle? - No.
0:48:37 > 0:48:40It's about you - your future.
0:48:43 > 0:48:45Do you know who my father is?
0:48:47 > 0:48:49He's the Grand Master of your father's order.
0:48:49 > 0:48:51Yeah. And so...what?
0:48:51 > 0:48:54- (Scoffs) - Yeah.
0:48:54 > 0:48:56It's nothing more than puerile male bonding now.
0:48:56 > 0:48:59But it was once something - I mean, really something.
0:48:59 > 0:49:03These were great men, men who kings knelt before.
0:49:06 > 0:49:07They lost their way.
0:49:11 > 0:49:13It's up to us to take on that mantle.
0:49:13 > 0:49:16- (Chuckles) - Alex!
0:49:17 > 0:49:19We've been chosen.
0:49:19 > 0:49:21What have we been chosen for, Nigel?
0:49:26 > 0:49:27This.
0:49:27 > 0:49:30What?
0:49:30 > 0:49:32Do you know when playing cards first appeared?
0:49:35 > 0:49:37The 12th century.
0:49:37 > 0:49:39And that was the start of the REAL brotherhood -
0:49:39 > 0:49:41I mean, imagine what it must have been like!
0:49:41 > 0:49:46The...the loss of the Holy Land, the Templars abandoning the Church,
0:49:46 > 0:49:47the death of Becket.
0:49:47 > 0:49:51And out of it comes this simple, logical game.
0:49:51 > 0:49:53I mean, it's just a game, but it's...
0:49:53 > 0:49:58but it's a game born of injustice, hardship, suffering...
0:49:59 > 0:50:01(Whispers) ..death.
0:50:02 > 0:50:05Now, that is truly an age to revere.
0:50:05 > 0:50:07You're fucked.
0:50:07 > 0:50:09You can't deny the truths that this card has seen
0:50:09 > 0:50:12and the truths we can show it again.
0:50:12 > 0:50:14So why am I here, Nigel?
0:50:22 > 0:50:24Look up "Jack".
0:50:24 > 0:50:27- Sorry? - Look up "Jack".
0:50:43 > 0:50:45Says "knave", doesn't it?
0:50:47 > 0:50:49Do you know what a knave is?
0:50:49 > 0:50:51Yes.
0:50:52 > 0:50:54Unprincipled man.
0:50:54 > 0:50:55Rogue.
0:50:56 > 0:50:58That's what you are, Alex.
0:51:00 > 0:51:02Do you know what this is?
0:51:02 > 0:51:04It's a spade.
0:51:04 > 0:51:06Spade represents a tip of a pike.
0:51:06 > 0:51:08Do you know what a pike is?
0:51:08 > 0:51:11- It's a kind of spear. - Hmm.
0:51:11 > 0:51:12An implement for killing.
0:51:14 > 0:51:15That's what I am.
0:51:17 > 0:51:20This is our time, Jack.
0:51:20 > 0:51:23We've been brought together for a reason.
0:51:25 > 0:51:26And it's written here.
0:51:28 > 0:51:30For eternity.
0:51:33 > 0:51:35BELL RINGS Thank you, gentlemen.
0:51:35 > 0:51:36That's all for today.
0:51:36 > 0:51:38Tales of Mystery and Imagination by Edgar Allan Poe -
0:51:38 > 0:51:40I want it read for next week.
0:51:40 > 0:51:42Thank you.
0:51:42 > 0:51:45Mr Poole, I want better work from you as well.
0:51:47 > 0:51:49- Sir, can I ask you a question? - Certainly.
0:51:49 > 0:51:52Whether or not I can answer it is another question.
0:51:52 > 0:51:55Do you think it's possible to get inside people's minds?
0:51:56 > 0:51:59I just need to know whether you think objectively that's possible.
0:51:59 > 0:52:00- Objectively? - Yeah.
0:52:00 > 0:52:04My dear boy, the power of the mind has no boundaries.
0:52:04 > 0:52:08Understanding its capabilities is like...is like searching
0:52:08 > 0:52:10for the end of the universe
0:52:10 > 0:52:13or trying to find the beginning of time.
0:52:14 > 0:52:15(Half-laughs)
0:52:15 > 0:52:18OK.
0:52:18 > 0:52:19Thank you.
0:52:27 > 0:52:30LOW-LEVEL CONVERSATION
0:52:38 > 0:52:39Hey, sorry. Excuse me. Hi.
0:52:39 > 0:52:43I...I just wanted to say, I thought you were absolutely fantastic.
0:52:43 > 0:52:44Thanks.
0:52:44 > 0:52:46Come on, Sue, or we'll miss the bus.
0:52:46 > 0:52:48Sorry, I've got to go.
0:52:48 > 0:52:51No, will you hang on for one sec? I'm sorry.
0:52:51 > 0:52:53You go ahead. I'll catch up.
0:52:54 > 0:52:57Um...I'm not particularly good at this.
0:52:57 > 0:53:02I was, uh...I was wondering if maybe you wanted to hook up or something
0:53:02 > 0:53:04after school sometime.
0:53:04 > 0:53:07I mean, it's completely fine if you don't. It was just...
0:53:07 > 0:53:09Yeah. OK.
0:53:09 > 0:53:12Cool. Um, when?
0:53:14 > 0:53:16They're running some Hitchcock classics at the old Astra.
0:53:16 > 0:53:18I think tonight it's Strangers on a Train.
0:53:18 > 0:53:21- What time is that? - We're getting there about 7.30.
0:53:21 > 0:53:22"We"?
0:53:22 > 0:53:25Oh...well, if you'd prefer not to go with my friends...
0:53:25 > 0:53:27- No. - ..that's all right.
0:53:27 > 0:53:30No, no, no, no. That'd...that'd be awesome. That'd be great.
0:53:30 > 0:53:33So I'll see you there, then.
0:53:33 > 0:53:35Yeah, you betcha.
0:53:49 > 0:53:52Here goes the troubled traitor to the King.
0:53:52 > 0:53:54(Laughs)
0:53:56 > 0:53:58Do you think she's still a virgin?
0:53:58 > 0:53:59Why don't you fuck off?
0:53:59 > 0:54:01(Laughs) Jack.
0:54:02 > 0:54:04Thou lovest the wench.
0:54:08 > 0:54:09I've got something for you.
0:54:11 > 0:54:15My name is Alex. Will you stay away from me, please?
0:54:38 > 0:54:40I've finished, sir. Can I go, please?
0:54:41 > 0:54:42MAN: Headmaster?
0:54:44 > 0:54:46No, he can wait until dinner is over.
0:54:46 > 0:54:48But I'm meant to be...
0:54:49 > 0:54:51Please!
0:54:51 > 0:54:53Please!
0:55:14 > 0:55:16Can I get a ticket, please?
0:55:16 > 0:55:17Sorry.
0:55:17 > 0:55:19(Sighs)
0:55:49 > 0:55:51WIND BLOWS
0:56:13 > 0:56:15(Gasps)
0:56:40 > 0:56:42Sorry. Can I have some more?
0:56:42 > 0:56:43I'm starving.
0:56:43 > 0:56:45Thanks.
0:56:45 > 0:56:47What's with the knife?
0:56:47 > 0:56:48I don't know what you're talking about, Jack.
0:56:48 > 0:56:50Will you stay out of my fucking room, please?
0:56:50 > 0:56:52Mmm. Have you read my book?
0:56:52 > 0:56:54No, I haven't read your fucking book.
0:56:55 > 0:56:57You should.
0:57:41 > 0:57:44(Coughs)
0:57:48 > 0:57:51MUFFLED POLICE RADIO COMMUNICATIONS
0:58:08 > 0:58:13Boys, members of staff,
0:58:13 > 0:58:17I have some very unfortunate news to report.
0:58:17 > 0:58:25Early this morning, Susan Mueller, a young lady from Sandsley College
0:58:25 > 0:58:29who was working with us on our final-year play,
0:58:29 > 0:58:34was found murdered not far from here.
0:58:35 > 0:58:41The police believe that this vile act
0:58:41 > 0:58:48took place while she was on her way home from rehearsal last night,
0:58:48 > 0:58:51so I'm afraid that all members of the cast and crew
0:58:51 > 0:58:54will remain behind after assembly,
0:58:54 > 0:58:59together with anyone who may have seen or spoken with Susan
0:58:59 > 0:59:02during the course of yesterday afternoon.
0:59:04 > 0:59:06That'll be all.
0:59:26 > 0:59:29Raj? Raj? Have you seen Nigel?
0:59:30 > 0:59:32No.
0:59:41 > 0:59:43(Speaks indistinctly)
0:59:52 > 0:59:55(Claps hands together) Pay attention.
0:59:55 > 0:59:58My name is Detective Inspector McKenzie.
0:59:58 > 1:00:01I'd like to talk to all of you individually, please,
1:00:01 > 1:00:05so could you give your names to Constable Murray here?
1:00:05 > 1:00:08Uh, we're going to try and get through this as quickly as possible,
1:00:08 > 1:00:11but please be patient.
1:00:26 > 1:00:28- Did you see her? - Yes.
1:00:28 > 1:00:30What time did you see her?
1:00:30 > 1:00:32Around noon.
1:00:33 > 1:00:35And where was she at that time?
1:00:35 > 1:00:37Passing by in the corridor.
1:00:37 > 1:00:38Which corridor?
1:00:38 > 1:00:40The west side.
1:00:40 > 1:00:41- And that was it? - Yes.
1:00:41 > 1:00:44- OK. All right. Thank you. - Thank you.
1:00:47 > 1:00:48Alex Forbes.
1:01:08 > 1:01:10Did you talk to Susan yesterday?
1:01:10 > 1:01:12Yes.
1:01:12 > 1:01:14What time?
1:01:14 > 1:01:16I can't remember.
1:01:16 > 1:01:19Try.
1:01:21 > 1:01:22It was about 5.00.
1:01:24 > 1:01:26I was just packing up.
1:01:27 > 1:01:29What did you talk about?
1:01:31 > 1:01:34I thought that she was really good, so I told her she was really good.
1:01:34 > 1:01:36- Really good? - In the play.
1:01:37 > 1:01:39She was really good in the play.
1:01:39 > 1:01:42What else?
1:01:43 > 1:01:45That was it.
1:01:46 > 1:01:47That's it?
1:01:47 > 1:01:50I think that was it.
1:01:52 > 1:01:53That's weird.
1:01:56 > 1:02:01I have here that you were due to meet her at about 7.30 at the Astra.
1:02:01 > 1:02:06Because, according to her friends, she kind of fancied you.
1:02:09 > 1:02:12What do you think about that?
1:02:17 > 1:02:18Well... (Sighs)
1:02:20 > 1:02:23..looks like you both missed the film.
1:02:23 > 1:02:25(McKenzie writes)
1:02:42 > 1:02:44- Was that fun? - What did you do with the knife?
1:02:44 > 1:02:46Oooh, is that some hostility?
1:02:46 > 1:02:48What do you reckon?
1:02:48 > 1:02:50Let's just call it fingerprint insurance.
1:02:52 > 1:02:54I'm gonna be late.
1:02:54 > 1:02:55Do you think I should tell them?
1:02:55 > 1:02:58I mean, you were the last person to see her, Jack.
1:02:58 > 1:03:00Poor, fair maiden.
1:03:02 > 1:03:04I can't believe what's happened.
1:03:05 > 1:03:07You did it, didn't you?
1:03:08 > 1:03:11No, Jack. You did it.
1:03:15 > 1:03:18How could you do this? You fucking killed her.
1:03:20 > 1:03:22It feels good to vent one's anger, doesn't it, Jack?
1:03:29 > 1:03:30I don't want any part of this.
1:03:30 > 1:03:33Will you stop fucking calling me Jack?
1:03:34 > 1:03:37Well, I'm sorry, Jack, but you were the one who got inside my head.
1:03:37 > 1:03:39Well, get out of mine.
1:03:39 > 1:03:43It's too late for that. It's too late for a lot of things.
1:03:43 > 1:03:44I mean, before we met,
1:03:44 > 1:03:47we were incapable of reaching our true potentials,
1:03:47 > 1:03:49but...but now...
1:03:50 > 1:03:52I know you feel it.
1:03:54 > 1:03:56It's so invigorating.
1:03:59 > 1:04:02We make such a wonderful team.
1:04:30 > 1:04:32Inspector McKenzie?
1:04:34 > 1:04:35I'd like a word with you.
1:04:35 > 1:04:37You shouldn't be here, Dr Forbes.
1:04:37 > 1:04:40If you want to discuss Alex's case, you can come to my office.
1:04:40 > 1:04:42I want you to release my son.
1:04:42 > 1:04:44Sir, you son's been charged with murder.
1:04:44 > 1:04:46My son is innocent.
1:04:49 > 1:04:52We might have expected you to take that for granted, Martin.
1:04:52 > 1:04:57He's implicated in the deaths of Josh Campbell, Susan Mueller
1:04:57 > 1:04:59and Nigel Colbie.
1:04:59 > 1:05:01I have a job to do.
1:05:02 > 1:05:04Your father would've expected you to help us.
1:05:10 > 1:05:14My father would've expected me to uphold the law.
1:05:15 > 1:05:19Don't presume to know me just because we belong to the same club.
1:05:20 > 1:05:22Good night, Dr Forbes.
1:05:31 > 1:05:33MAN ON PHONE: The car's locked in the garage
1:05:33 > 1:05:35and we've searched the house.
1:05:35 > 1:05:37(Knocks)
1:05:37 > 1:05:39Have they used their credit cards or bank accounts?
1:05:39 > 1:05:41- No, sir. - All right. Keep me informed.
1:05:43 > 1:05:46Still no sign of Nigel's parents, huh?
1:05:46 > 1:05:48(Sighs)
1:05:48 > 1:05:51Was Nigel Colbie a suspect in the Susan Mueller killing?
1:05:51 > 1:05:55We're investigating the DEATH of Nigel Colbie.
1:05:55 > 1:05:57Don't you think it's worth looking at in light of what's happening?
1:05:57 > 1:05:59I've already been down that road.
1:05:59 > 1:06:01No fingerprints, no murder weapon.
1:06:01 > 1:06:04No probable cause.
1:06:04 > 1:06:06End of story.
1:06:11 > 1:06:13There's no proof of what you're telling me
1:06:13 > 1:06:14and the evidence indicates
1:06:14 > 1:06:16you shot the head off the boy you're incriminating,
1:06:16 > 1:06:18so just what do you want anyone to believe?
1:06:18 > 1:06:20Well, if it wasn't for me messing with Nigel's head,
1:06:20 > 1:06:22then both Susan and Josh would still be alive.
1:06:22 > 1:06:25Don't think you'll get some kind of redemption by taking the blame...
1:06:25 > 1:06:27What makes you think I want any kind of redemption?
1:06:27 > 1:06:29I told you I didn't do it.
1:06:32 > 1:06:34Alex, I want to believe you.
1:06:34 > 1:06:36But come on, look at the facts.
1:06:36 > 1:06:38- Facts? - I want to help you.
1:06:38 > 1:06:40But you've got to help me.
1:06:40 > 1:06:42Give me something to go on, something concrete,
1:06:42 > 1:06:44before it's too fucking late.
1:06:45 > 1:06:47Find Nigel's red book.
1:06:49 > 1:06:52- The book Nigel gave you? - Yeah, his bible.
1:06:52 > 1:06:54And what would I expect to find in this bible?
1:06:54 > 1:06:55Most things.
1:06:55 > 1:06:57Alex...
1:06:57 > 1:06:59Last time I saw it was in my room.
1:06:59 > 1:07:01- Your room was stripped. - They must've taken it.
1:07:01 > 1:07:02Who might "they" be?
1:07:02 > 1:07:05They who don't wish to have their secrets betrayed.
1:07:05 > 1:07:08Oh! Secrets! They, them, us, we!
1:07:08 > 1:07:09Listen to you! What are you talking about?
1:07:12 > 1:07:15You've no intention of telling me what really happened.
1:07:15 > 1:07:19I'm just...wasting my time, aren't I?
1:07:19 > 1:07:21Don't you think it's a little odd
1:07:21 > 1:07:24that your Detective McKenzie hasn't spoke to Nigel's parents yet?
1:07:24 > 1:07:26How do you know he hasn't?
1:07:26 > 1:07:30Have a look at the room underneath Nigel's house...
1:07:32 > 1:07:34..before anything else goes missing.
1:07:41 > 1:07:43(Sighs)
1:08:10 > 1:08:13PHONE RINGS
1:08:23 > 1:08:25(Hangs up)
1:08:39 > 1:08:41GATE SQUEAKS
1:09:20 > 1:09:22Oh, God.
1:09:33 > 1:09:35- LIGHT CLINKING - (Gasps)
1:11:09 > 1:11:10SHUFFLING
1:11:30 > 1:11:32Oh, just scared the crap... (Clears throat)
1:11:37 > 1:11:39(Places torch on the ground)
1:12:53 > 1:12:55GROWLING
1:13:02 > 1:13:04(Gasps)
1:13:04 > 1:13:06- GROWLING - Oh, fuck.
1:13:09 > 1:13:11- (Barks) - (Yelps)
1:13:16 > 1:13:18- Oh! - (Barks)
1:13:18 > 1:13:21(Pants)
1:13:21 > 1:13:23BARKING CONTINUES
1:13:23 > 1:13:25THUMPING
1:13:32 > 1:13:34Oh, fuck.
1:13:34 > 1:13:37(Groans)
1:13:51 > 1:13:52MAN: They were both embalmed.
1:13:52 > 1:13:55Quite an elaborate job, really.
1:13:55 > 1:13:57Whoever did this went to a lot of trouble -
1:13:57 > 1:14:01blood drained, all the main organs removed, including the brain.
1:14:02 > 1:14:04Like taxidermy.
1:14:04 > 1:14:06That's a novel way to look at it,
1:14:06 > 1:14:08but I guess it's a similar procedure.
1:14:08 > 1:14:12- How did they die? - Both shotgun deaths.
1:14:12 > 1:14:13Excuse me.
1:14:15 > 1:14:18- I don't know why she was there. - You should have been looking.
1:14:18 > 1:14:20Or didn't you want them found?
1:14:25 > 1:14:29(Sighs) We were searching via normal channels.
1:14:29 > 1:14:31Or should I go around digging up vegetable patches
1:14:31 > 1:14:33every time someone goes missing?
1:14:33 > 1:14:35Well, that depends on the circumstances, doesn't it?
1:14:35 > 1:14:39And what the fuck were you doing down here?
1:14:39 > 1:14:41Your dirty work.
1:14:44 > 1:14:45What's this?
1:14:47 > 1:14:50What? It's nothing.
1:14:51 > 1:14:54And I suppose this is nothing as well.
1:14:54 > 1:14:56Is there something you want to tell me?
1:14:57 > 1:15:01Yes, I'm a member. My father was a member.
1:15:01 > 1:15:03It was passed on to me. It's a business network.
1:15:03 > 1:15:06The last thing they need is to be connected to something like this.
1:15:06 > 1:15:07So you're saying they are connected?
1:15:07 > 1:15:09Don't put fucking words in my mouth.
1:15:09 > 1:15:11There's no conspiracy here.
1:15:11 > 1:15:14The order is about as insidious as the Lions Club.
1:15:14 > 1:15:17Alex Forbes is fucking with your mind, and you're letting him.
1:15:17 > 1:15:19- And you're the psychologist! - All right, all right.
1:15:19 > 1:15:23I'm sorry. I'm just... looking at all the angles.
1:15:23 > 1:15:26Look, Sal,
1:15:26 > 1:15:28I'm running out of time here.
1:15:28 > 1:15:32I really need to know if the charges I've laid are going to stick.
1:15:32 > 1:15:35In your opinion,
1:15:35 > 1:15:38did Alex Forbes murder Nigel Colbie?
1:15:40 > 1:15:42So did you find the bible?
1:15:50 > 1:15:53Do you know who this is?
1:16:09 > 1:16:12Hi. I'm sorry. You've got to go round to the front of the church.
1:16:12 > 1:16:14- You'll see the entrance... - Jack.
1:16:14 > 1:16:16These are my parents, Helen and John.
1:16:16 > 1:16:20This is my best friend, Jack. He's working on the play.
1:16:21 > 1:16:23Hi.
1:16:23 > 1:16:26I've heard lots about you, Jack. It's lovely to meet you.
1:16:26 > 1:16:30Um... I'm sorry. I've actually got to head up with this to the stage.
1:16:30 > 1:16:33But, uh...
1:16:33 > 1:16:35..well, I...I hope you enjoy the play.
1:16:38 > 1:16:40Nice to see you've made a friend so easily.
1:16:45 > 1:16:46MAN: Ladies and gentlemen,
1:16:46 > 1:16:50welcome to tonight's performance of Lord Tennyson's play Becket.
1:16:50 > 1:16:53Um...
1:16:53 > 1:16:56The presentation of this play has seen its own vicissitude,
1:16:56 > 1:17:00with the tragic death last month of Susan Mueller.
1:17:00 > 1:17:02As a gesture to her memory,
1:17:02 > 1:17:05her parents asked that the play should proceed.
1:17:05 > 1:17:08So we dedicate tonight's performance to the memory of Susan.
1:17:08 > 1:17:13- Thank you. - (Audience applauds)
1:17:13 > 1:17:16MUTED ORGAN MUSIC
1:17:18 > 1:17:21So then our good Archbishop Theobald lies dying.
1:17:21 > 1:17:23I'm grieved to know as much.
1:17:23 > 1:17:27But we must have a mightier man than he for his successor.
1:17:27 > 1:17:28Have you thought of one?
1:17:28 > 1:17:31A cleric lately poisoned his own mother
1:17:31 > 1:17:33and being brought before the courts of the Church,
1:17:33 > 1:17:35they but degraded him.
1:17:35 > 1:17:37(Voices fade)
1:17:55 > 1:17:57Damn it, Nigel.
1:17:57 > 1:17:59(Inhales deeply)
1:18:18 > 1:18:22ALEX: And the more I read, the deeper I sank into the pages.
1:18:22 > 1:18:25It was all there - the slaughter of the Cathars,
1:18:25 > 1:18:27the Templars' assassination of Thomas Becket
1:18:27 > 1:18:29and the holy Inquisition,
1:18:29 > 1:18:32resulting in the Templars' excommunication as heretics.
1:18:45 > 1:18:47It all made startling sense,
1:18:47 > 1:18:51like I'd just seen the other side of Escher's staircase.
1:18:51 > 1:18:53I'd woken up.
1:18:57 > 1:18:59Nigel believed that he was a direct descendant
1:18:59 > 1:19:03from the Templar bloodline.
1:19:03 > 1:19:05He was some fucked-up individual.
1:19:07 > 1:19:10He thought that the medieval insignia of the brotherhood
1:19:10 > 1:19:13foretold the power that our union would bring.
1:19:13 > 1:19:15The pike, being a weapon,
1:19:15 > 1:19:18harnessed by the interlinking loops -
1:19:18 > 1:19:20the two of us.
1:19:36 > 1:19:40When I was a child, my father used to stand me in front of that painting.
1:19:40 > 1:19:44He told me stories of courage and bravery,
1:19:44 > 1:19:47how my ancestors had fought to protect their free right.
1:19:54 > 1:19:58It was only then that I realised what Nigel believed.
1:19:58 > 1:20:02I was of the same Templar bloodline.
1:20:06 > 1:20:08Alex, I want the truth.
1:20:08 > 1:20:11Did you do this?
1:20:11 > 1:20:13Is that what you want to hear?
1:20:13 > 1:20:16Alex, we've got people who can help you. You must let them.
1:20:16 > 1:20:19The only thing that you care about is the brotherhood, isn't it?
1:20:21 > 1:20:22Nigel said it, and he was right.
1:20:22 > 1:20:24It's nothing more than puerile male bonding.
1:20:24 > 1:20:26- I know what's best for you. - No.
1:20:26 > 1:20:28Your friends must be shitting themselves.
1:20:28 > 1:20:30Oh, what are they going to do about their golf club membership?
1:20:30 > 1:20:33Listen. Listen, please. Look at me.
1:20:47 > 1:20:49What was my mother like?
1:20:53 > 1:20:55Do you regret her sacrifice? Was I worth it?
1:20:55 > 1:20:58Alex, your mother's death was not your fault.
1:20:58 > 1:21:00No.
1:21:00 > 1:21:03No, no, no.
1:21:03 > 1:21:04You got her pregnant.
1:21:06 > 1:21:08DOOR BUZZES
1:21:08 > 1:21:10It's time.
1:21:20 > 1:21:23Alex, all I ever wanted was the best for you,
1:21:23 > 1:21:25for the sake of your mother.
1:21:42 > 1:21:43Well, that went well.
1:21:43 > 1:21:48Do you ever get the feeling you might be responsible for all this?
1:21:52 > 1:21:53Don't think I'll need that anymore.
1:22:12 > 1:22:15BUZZER, DOOR OPENS
1:22:25 > 1:22:26You all right?
1:22:42 > 1:22:44Who's Maraclea, Alex?
1:22:50 > 1:22:53ALEX: She was the instrument of Nigel's obsession.
1:22:54 > 1:22:56Jack.
1:22:57 > 1:22:59I knew you couldn't resist a secret rendezvous.
1:22:59 > 1:23:02- What do you want? - This way.
1:23:04 > 1:23:08ALEX: Maraclea was the lost love of a 13th century Templar.
1:23:08 > 1:23:10As the story goes,
1:23:10 > 1:23:13Maraclea was betrothed to a Knight Templar,
1:23:13 > 1:23:16but died before they could wed.
1:23:16 > 1:23:18And the knight was so tormented by his loss
1:23:18 > 1:23:22that he opened her grave and made love to her body.
1:23:27 > 1:23:29Come on.
1:23:39 > 1:23:41ALEX: Exactly nine months later,
1:23:41 > 1:23:43he was summoned to her grave.
1:23:43 > 1:23:44On opening her coffin,
1:23:44 > 1:23:47he found that her remains had been moved.
1:23:47 > 1:23:50Her head had been placed below her pelvis,
1:23:50 > 1:23:53sitting on top of her thigh bones, which had been crossed.
1:23:55 > 1:23:57Where the hell are we?
1:24:01 > 1:24:03ALEX: A voice told him to guard the skull,
1:24:03 > 1:24:06as it would be the bringer of all power.
1:24:41 > 1:24:43She's yours, Jack.
1:24:49 > 1:24:51She was lying there...
1:24:54 > 1:24:56..and he said since I was her only love,
1:24:56 > 1:25:00it was up to me to d...to do the deed.
1:25:02 > 1:25:04And when I refused,
1:25:04 > 1:25:07he went on about letting down the bloodline,
1:25:07 > 1:25:10and that with the skull we would be complete.
1:25:14 > 1:25:16You didn't know Nigel.
1:25:18 > 1:25:20You didn't know him.
1:25:23 > 1:25:25Do you honestly think that you can help me?
1:25:28 > 1:25:31Did you pull the trigger?
1:25:31 > 1:25:34DOOR OPENS
1:26:12 > 1:26:16MAN ON RADIO: Visibility moderate, or good occasionally, poor later.
1:26:16 > 1:26:20Now on Radio Six, it's time for the evening prayer...
1:26:20 > 1:26:22(Man shouts) What... What's happening? What is happening?
1:26:22 > 1:26:24Good evening.
1:26:24 > 1:26:27An angel said unto Zachariah,
1:26:27 > 1:26:29"Your prayers have been heard.
1:26:29 > 1:26:32"Your wife will bear you a son,
1:26:32 > 1:26:34"and you are to christen him John..."
1:26:34 > 1:26:37- (Woman sobs) - What is this?
1:26:37 > 1:26:40"..spirit and power of Elijah, turn the hearts of the fathers..."
1:26:40 > 1:26:42Hey? Hmm?
1:26:42 > 1:26:45John. John...
1:26:45 > 1:26:49Will someone tell me what's going on?
1:26:49 > 1:26:52Look at them. LOOK at them.
1:26:54 > 1:26:57I don't know about these. I didn't do this.
1:26:57 > 1:26:59Well, you can imagine my surprise
1:26:59 > 1:27:01when they handed these to me at the lodge.
1:27:01 > 1:27:03And then I come home and find this.
1:27:03 > 1:27:05That is disgusting.
1:27:05 > 1:27:07He can't talk to you.
1:27:07 > 1:27:08- Who's he supposed to talk to? - Talk? Talk?!
1:27:08 > 1:27:10You call this talk?
1:27:10 > 1:27:12What are you implying?
1:27:12 > 1:27:16- Who took the photos? - I have never seen them before.
1:27:16 > 1:27:18- Oh. - Nigel.
1:27:18 > 1:27:20Nigel!
1:27:23 > 1:27:28(Haltingly) They felt it would be best if I left for a while
1:27:28 > 1:27:30to get my family back on track.
1:27:30 > 1:27:32Well, sure, I understand.
1:27:32 > 1:27:33We can't have this sort of thing
1:27:33 > 1:27:35happening in the master's own bedroom, can we?
1:27:35 > 1:27:37- Can we?! - (Gasps and screams)
1:27:37 > 1:27:38Can we?!
1:27:38 > 1:27:41I'm so very sorry.
1:27:41 > 1:27:43- Tell me why. - (Sobs)
1:27:43 > 1:27:45Tell me why!
1:27:45 > 1:27:47- (Cries) - Tell me!
1:27:47 > 1:27:49- Tell me! Tell me! - I don't know!
1:27:49 > 1:27:51GUNSHOT
1:27:54 > 1:27:57God.
1:27:57 > 1:27:59Oh, God. Oh, God.
1:28:08 > 1:28:10(Sobs) No.
1:28:11 > 1:28:13Jack. You made it.
1:28:18 > 1:28:19- What have you done? - (Sobs)
1:28:19 > 1:28:21She was chosen.
1:28:23 > 1:28:26Please just put the gun down.
1:28:26 > 1:28:27- Give it to me. - Don't come near. No!
1:28:27 > 1:28:29Don't come near me! Stay where you are!
1:28:29 > 1:28:31- No! - GUNSHOT
1:29:18 > 1:29:21Killing is such an extraordinary feeling, isn't it?
1:29:28 > 1:29:31Well, I have my Maraclea.
1:29:31 > 1:29:33How do you feel?
1:29:35 > 1:29:38Jack?
1:29:38 > 1:29:40How do you feel?
1:29:45 > 1:29:47Set the whole thing up, didn't you?
1:29:52 > 1:29:54Come on. We've got work to do.
1:30:09 > 1:30:10(Sighs)
1:30:39 > 1:30:42They're gone.
1:30:42 > 1:30:43I hated him.
1:30:45 > 1:30:47Don't you think they're going to be missed?
1:30:47 > 1:30:50Well, as long as they don't find her for nine months,
1:30:50 > 1:30:52it doesn't really matter, does it?
1:30:54 > 1:30:57You didn't.
1:30:57 > 1:30:59No, you didn't.
1:30:59 > 1:31:01What do you think we're here for?
1:31:03 > 1:31:06You're fucked.
1:31:06 > 1:31:08You're absolutely fucked.
1:31:08 > 1:31:10- And what about you and Susan? - I didn't do it.
1:31:10 > 1:31:13Oh, come on. I left you with her.
1:31:13 > 1:31:16- I could smell you on her. - No.
1:31:16 > 1:31:19Did you touch her? I know you felt her.
1:31:19 > 1:31:21- No, no, no. - It doesn't make any difference now.
1:31:21 > 1:31:23- You can have your Maraclea. - No. No.
1:31:23 > 1:31:25I'll harvest what awaits me here.
1:31:25 > 1:31:28We will be united!
1:31:33 > 1:31:35It's fated.
1:31:55 > 1:31:57(Nigel shouts) Jack!
1:32:03 > 1:32:05It's over, Nigel.
1:32:05 > 1:32:09It'll never be over. You know that.
1:32:10 > 1:32:12Do it.
1:32:12 > 1:32:14Come on. Do it.
1:32:15 > 1:32:19- Stop it, Jack. - Do it.
1:32:19 > 1:32:22- Stop walking away, Jack. - Do it!
1:32:23 > 1:32:25Get off the track.
1:32:26 > 1:32:29- DO IT! - I showed you the card, remember?
1:32:29 > 1:32:31It's written for eternity.
1:32:31 > 1:32:34Shoot, you fuck!
1:32:38 > 1:32:39Don't move.
1:32:39 > 1:32:42We are not Templars with God-given rights.
1:32:42 > 1:32:44There are no holy wars to fight, Nigel.
1:32:44 > 1:32:46Who's the enemy now?
1:32:46 > 1:32:49We are. Because...
1:32:49 > 1:32:53Because we wanted more from life than it has to offer.
1:32:53 > 1:32:55- You're deluded. - Why?
1:32:55 > 1:32:58Why am I deluded? This is our fate.
1:32:58 > 1:33:01Right, just shut the fuck up.
1:33:02 > 1:33:04- Pray for me. - What are you doing?
1:33:04 > 1:33:07Pray for yourself. We're one now.
1:33:07 > 1:33:09GUNSHOT
1:34:44 > 1:34:47What follows, through a system of either intimidation,
1:34:47 > 1:34:49manipulation or coercion,
1:34:49 > 1:34:50is the dominant individual
1:34:50 > 1:34:54begins to focus and influence the thoughts of the subordinate partner.
1:34:54 > 1:34:57This process nurtures a subjective Gestalt,
1:34:57 > 1:35:00where similar thoughts, fantasies and other interlocking elements
1:35:00 > 1:35:04conspire to form a greater and more volatile whole -
1:35:04 > 1:35:07therefore, a merging of like minds.
1:35:07 > 1:35:08Thank you.
1:35:08 > 1:35:11(All applaud)
1:35:55 > 1:35:58PHONE RINGS
1:36:00 > 1:36:02Hello.
1:36:37 > 1:36:39The head's missing.
1:36:57 > 1:37:01- ALEX: Nigel got what he wanted. - What was that?
1:37:01 > 1:37:03Eternity.
1:37:07 > 1:37:09No, you don't get it, do you?
1:37:12 > 1:37:15But you will.
1:37:15 > 1:37:17You will.
1:37:17 > 1:37:20A necessary means to an end.
1:37:23 > 1:37:25Evil little fucker.
1:38:22 > 1:38:24Do you like history?
1:38:37 > 1:38:42Supertext Captions by Red Bee Media Australia