0:00:07 > 0:00:12This film contains some strong language.
0:00:18 > 0:00:21SPOKEN FRENCH IN TRANSLATION:
0:13:21 > 0:13:27MUSIC: "Les Comediens" by Charles Aznavour
0:13:35 > 0:13:37SHE MOUTHS TO: "Les Comediens"
0:13:42 > 0:13:44BELL RINGS
0:14:10 > 0:14:15ORCHESTRAL MUSICIANS TUNE UP
0:14:20 > 0:14:25PIANO PLAYS
0:14:38 > 0:14:43PIANO CONTINUES >
0:16:10 > 0:16:13HE PLAYS: "Twinkle Twinkle Little Star"
0:16:17 > 0:16:19THEY SING
0:21:04 > 0:21:07MOBILE RING TONE: "Night Fever" By The Bee Gees
0:23:14 > 0:23:16CRASH!
0:24:13 > 0:24:15SIREN WAILS OUTSIDE >
0:28:42 > 0:28:44THEY SPEAK JAPANESE
0:29:20 > 0:29:22HE SPEAKS JAPANESE
0:29:22 > 0:29:24HE REPEATS JAPANESE
0:29:39 > 0:29:41HE SCREECHES
0:29:49 > 0:29:50Arigato.
0:29:50 > 0:29:52BELL RINGS
0:31:07 > 0:31:11MUSIC: "La Solitude Ca N'Existe Pas" by Gilbert Becaud
0:31:15 > 0:31:19SHE MOUTHS TO SONG
0:31:30 > 0:31:32BELL RINGS
0:31:33 > 0:31:35BELL RINGS
0:31:43 > 0:31:45MUSIC FADES OUT
0:33:56 > 0:33:59MUSIC: "Si Tu T'Imagines" by Juliette Greco
0:33:59 > 0:34:01SHE MOUTHS
0:34:29 > 0:34:32MUSIC CONTINUES
0:34:46 > 0:34:48Ah, non! Merde!
0:35:33 > 0:35:35THUNDER RUMBLES
0:35:51 > 0:35:53PIANO MUSIC PLAYS
0:35:54 > 0:35:56RAIN FALLS
0:36:06 > 0:36:08THUNDER RUMBLES
0:36:16 > 0:36:18PIANO MUSIC CONTINUES
0:40:53 > 0:40:55Yeah, me too. Marty's a good director.
0:42:04 > 0:42:06Wait, wait. Who is this?
0:42:06 > 0:42:08A new girl. She's good.
0:42:08 > 0:42:10No, no. Not that one.
0:42:10 > 0:42:11This one.
0:42:14 > 0:42:16Why haven't I seen her?
0:42:16 > 0:42:18Catherine Versen? For who?
0:42:18 > 0:42:20For Simone.
0:42:20 > 0:42:22Catherine Versen for Beauvoir?
0:42:22 > 0:42:25No, no, no...
0:44:55 > 0:44:57MOBILE PHONE RINGS
0:49:32 > 0:49:34MOBILE PHONE RINGS
0:52:51 > 0:52:54MOBILE PHONE RINGS
0:54:36 > 0:54:39No, no. I understand a lot more than I speak.
0:54:39 > 0:54:42MOBILE RING TONE: "Night fever" by The Bee Gees
0:54:42 > 0:54:43Sorry.
0:54:43 > 0:54:46You know, I did a production of Feydeau once.
0:54:46 > 0:54:49A Flea In Her Ear. Une puce a l'oreille.
0:54:49 > 0:54:51It was a long time ago. At college.
0:55:02 > 0:55:05no psychology. It's just straight, simple comedy.
0:55:05 > 0:55:08- It's so refreshing.- So refreshing.
0:55:08 > 0:55:12What a life. My God. So you're in the soap?
0:55:12 > 0:55:14It goes very well, I understand?
0:55:14 > 0:55:18It's not exactly a soap. It's what we call a recurrent airing.
0:55:18 > 0:55:20Re...re-cor-ont err-ing?
0:55:20 > 0:55:24Yes... It's better, it's more prestigious.
0:55:24 > 0:55:25Good.
0:55:25 > 0:55:28So, did you ever work with Truffaut?
0:55:28 > 0:55:32- Never, no. I'm too young.- Of course.
0:55:32 > 0:55:34MOBILE PHONE BEEPS
0:55:34 > 0:55:36Sorry.
0:55:40 > 0:55:42..in the lunatic asylum.
0:55:44 > 0:55:46Oh, yeah? Mine too!
0:55:50 > 0:55:51Monsieur...
0:55:52 > 0:55:54Oh, no. It's an expression.
0:55:58 > 0:56:00Well, I was thinking...
0:56:04 > 0:56:07If I drink with nothing in the stomach...
0:56:07 > 0:56:10I, um... Let me try some French here.
0:56:10 > 0:56:12In the beginning.
0:56:21 > 0:56:25Then right up until De Beauvoir renounces their relationship...
0:56:36 > 0:56:38Aha. Well, I, I...
0:56:38 > 0:56:42Well, I'm gonna try to cover as much as I can of this extraordinary
0:56:42 > 0:56:47intellectual relationship between the two and have Paris as a...
0:56:47 > 0:56:52post-war backdrop. Existentialism, the nightclub scene, St Germain.
0:56:52 > 0:56:55I know about all of the sexual ambiguities. I'm gonna get into...
0:57:00 > 0:57:02A bad fucker.
0:57:02 > 0:57:04Une petite bourgeois. Little bourgeois
0:57:05 > 0:57:07The one who suffered. C'est elle.
0:57:07 > 0:57:08Because she loved him.
0:57:13 > 0:57:15..fuck a lot of little bimbos.
0:57:22 > 0:57:25Well, that's a way of looking at it.
0:57:35 > 0:57:39An actress would play that part... You need an actress who's suffered.
0:57:39 > 0:57:43Who would know what suffering... Who would know what suffering is,
0:57:43 > 0:57:46to play that part. With...um...
0:57:47 > 0:57:49- With guts.- Yes, with guts. Exactly.
0:57:56 > 0:58:00I have all the ages. I'm old, young, middle.
0:58:08 > 0:58:10I make TV. So what?
0:58:10 > 0:58:12I'm popular. So what?
0:58:13 > 0:58:15Madame Versen.
0:58:18 > 0:58:20People love me. So what?
0:58:20 > 0:58:23No, no, no, no. Don't... Don't.
0:58:23 > 0:58:25Don't cry. Please, don't, don't...
0:58:34 > 0:58:36300,000 euros.
0:58:36 > 0:58:39And you know what, Brian?
0:58:40 > 0:58:43Your movie. I would do it for nothing.
0:58:43 > 0:58:46I'm gonna give you some advice. It's free.
0:58:46 > 0:58:49Don't ever do something for nothing.
0:58:49 > 0:58:51I'm talking about work now.
0:58:52 > 0:58:55And what does morfle mean?
0:58:57 > 0:59:01Morfle... Morfle is suffering.
0:59:01 > 0:59:04- Ah.- But modern. Modern suffering.
0:59:04 > 0:59:08A lot... It's an expression.
0:59:52 > 0:59:55WOMEN CHATTER IN BACKGROUND
0:59:57 > 0:59:59HE WHISPERS:
1:02:21 > 1:02:22BELL RINGS
1:05:47 > 1:05:50MOBILE RING TONE: "Night Fever" by The Bee Gees
1:06:10 > 1:06:12Wow.
1:06:16 > 1:06:19Wow, wow, wow.
1:07:07 > 1:07:10SHE SNORES
1:07:43 > 1:07:45SNORING CONTINUES
1:10:52 > 1:10:54PHONE RINGS
1:14:26 > 1:14:29ORCHESTRA TUNES UP
1:16:40 > 1:16:42APPLAUSE
1:19:18 > 1:19:21AUDIENCE LAUGHS
1:20:08 > 1:20:12MUSIC: "Je Reviens Te Chercher" by Gilbert Becaud
1:20:12 > 1:20:14SHE MOUTHS
1:20:36 > 1:20:38MUSIC CONTINUES
1:20:50 > 1:20:53PIANO MUSIC PLAYS
1:21:58 > 1:22:00AUDIENCE LAUGH
1:22:00 > 1:22:02Ah! Ah! Ah!
1:28:16 > 1:28:19APPLAUSE
1:29:15 > 1:29:17Catherine. Listen.
1:29:17 > 1:29:24I, uh, brought you...a script. I've been thinking... Hell, I've been...
1:29:24 > 1:29:28I've been absolutely obsessed since that conversation last night.
1:29:28 > 1:29:33- You've given me a whole new approach to this story.- Have I? I did?
1:29:33 > 1:29:36I don't think I can do the film without you.
1:29:39 > 1:29:41I am?
1:29:41 > 1:29:43And I need to ask you a favour, OK?
1:29:43 > 1:29:44OK.
1:29:44 > 1:29:47I want you to work with me on the script. Fuck Sartre.
1:29:47 > 1:29:50I wanna tell her story and I want to tell it from her point of view, OK?
1:29:50 > 1:29:56And I need you, I need you to help me. I need your... insight, your sensitivity.
1:29:56 > 1:29:59What do you think? It'll be hard. Will you work with me on it?
1:29:59 > 1:30:03It'll be difficult, I know, but...if you're ready...
1:30:03 > 1:30:04I...I'm ready.
1:30:04 > 1:30:06OK. OK.
1:30:06 > 1:30:08Then, we can... Whoa!
1:30:10 > 1:30:12- Catherine? Catherine?- Sorry.
1:30:12 > 1:30:14- Yes?- Hello?
1:31:28 > 1:31:30Oh!
1:34:52 > 1:34:55INAUDIBLE
1:36:33 > 1:36:37Subtitles for the deaf and hard of hearing by Red Bee Media Ltd
1:36:37 > 1:36:40E-mail subtitling@bbc.co.uk