Shall We Dance

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0:02:33 > 0:02:35- <- Hey!

0:02:36 > 0:02:42Voici! Voici! Stop that! Voulez-vous me to call the police?

0:02:42 > 0:02:47En effet, vous avez exactement l'air d'un chameau.

0:02:47 > 0:02:53- What does that mean in English? - The same as it does in French.

0:03:01 > 0:03:07All, right. Comme ca, a little brook... comme ca, a little river...

0:03:07 > 0:03:10- Ou est Petrov?- A little brook...

0:03:10 > 0:03:13- A little river...- Where is Petrov?

0:03:13 > 0:03:19Can you not see I am beezy being a wave? Comme ca...

0:03:19 > 0:03:23a little river... comme ca, a little brook...

0:03:24 > 0:03:27Where is Petrov?

0:03:32 > 0:03:40I am the owner of this company! If you don't tell me where Petrov is, there will be trouble!

0:03:40 > 0:03:47- He's in his private room. - Thank you.- He doesn't want to be disturbed.- Thank you!

0:03:47 > 0:03:51UP-TEMPO MUSIC

0:03:52 > 0:03:55- What IS this?- Hi, Jeff!

0:04:01 > 0:04:04Stop it! Stop that music!

0:04:05 > 0:04:08What on EARTH are you doing?

0:04:08 > 0:04:10Just having fun!

0:04:12 > 0:04:15Petrov doesn't dance for FUN!

0:04:15 > 0:04:19Pete Peters DOES! Remember me?

0:04:19 > 0:04:25- That awful name of yours. - I was born with it. It isn't bad. Pete Peters!

0:04:28 > 0:04:35- How do you make that noise? What have you got on your shoes? - Taps.- Taps? On your ballet shoes!

0:04:35 > 0:04:43- Sure.- Sacrilege! All this time I thought you were practising your grand leap!

0:04:43 > 0:04:46I haven't neglected anything.

0:04:46 > 0:04:49Look - the entrechat-trois.

0:04:51 > 0:04:53Lovely. Beautiful.

0:04:53 > 0:04:56But it's more effective THIS way.

0:04:59 > 0:05:05Lovely! Beaut... I forbid that! That's not art!

0:05:05 > 0:05:08It's the Philadelphia in me!

0:05:08 > 0:05:14I wish we could combine ballet with the passion of this other mood.

0:05:14 > 0:05:18- You mean this jazz business? - That isn't jazz!

0:05:18 > 0:05:24You want to be a shimmy dancer! Forget that! Here, look at this...

0:05:24 > 0:05:29The Metropolitan in New York is getting nervous.

0:05:29 > 0:05:32- I have to stay in Paris a while. - Why?

0:05:33 > 0:05:37- Why? WHY? - That's grace, that's rhythm.

0:05:37 > 0:05:40What have you got there?

0:05:44 > 0:05:47Isn't she lovely?

0:05:47 > 0:05:50Isn't she LOVELY?!

0:05:50 > 0:05:53Oh, so THAT'S it!

0:05:53 > 0:05:58- Where did you meet her?- I haven't. But I hope to dance with her.

0:05:58 > 0:06:05- Dance? With HER?- Sure. - Has SHE tried to persuade you to stay on?

0:06:05 > 0:06:11I haven't met her! But I'd like to marry her. Think I will.

0:06:11 > 0:06:14Thank you.

0:06:21 > 0:06:24THEY TAP DANCE TO "RHUMBA GINGER"

0:06:45 > 0:06:47APPLAUSE

0:06:51 > 0:06:55You are beautiful. I cannot help what I cannot help.

0:06:55 > 0:06:57Neither can I !

0:07:01 > 0:07:04You cannot let us down like thees!

0:07:04 > 0:07:09Eet is YOUR fault! You kissed her! Eet is in the play!

0:07:09 > 0:07:12You kissed her OUT of the play!

0:07:12 > 0:07:15Go home, all of you. GO HOME!

0:07:16 > 0:07:19THEY ARGUE

0:07:27 > 0:07:31- Hello!- Mr Miller has arrived from New York.

0:07:38 > 0:07:41- Hello, Arthur.- Hello, Lynn.

0:07:42 > 0:07:44You'd better go.

0:07:44 > 0:07:47If I EVER go on stage again...

0:07:47 > 0:07:53- How did you get here?- By rail. I hung over every inch of it.

0:07:53 > 0:07:56You usually have your foot on one.

0:07:56 > 0:07:58Yes, Lynn.

0:07:58 > 0:08:06- Did YOU ever dance with a man you didn't care about, and who was in love with you?- No, Lynn.

0:08:06 > 0:08:09Actors take the lines literally.

0:08:09 > 0:08:12Why must there always be a kiss?

0:08:12 > 0:08:16I hope I never see another heel-clicker.

0:08:16 > 0:08:22Careful! I come from a long line of heels, but we've never clicked.

0:08:22 > 0:08:27It's YOUR fault. I was happy until you "discovered" me.

0:08:27 > 0:08:29Fame! Name in lights!

0:08:29 > 0:08:32I never should have listened.

0:08:32 > 0:08:34I'll quit.

0:08:35 > 0:08:38- I'll retire from the stage.- Again?

0:08:38 > 0:08:44- It does you good to break an engagement.- Engagement! That's it!

0:08:44 > 0:08:46Tai !

0:08:46 > 0:08:53Send a cable to Jim Montgomery. Tell him I'm coming back on the Queen Anne.

0:08:53 > 0:08:56You have to stay in the theatre.

0:08:56 > 0:09:03- I refuse to be a bowl in a gold of fish.- A fish in a bowl of gold? - That's right!

0:09:03 > 0:09:06- Just a moment, please. - Thank you.

0:09:12 > 0:09:14Petrov? What's a Petrov?

0:09:17 > 0:09:23- Just the Russian ballet's greatest dancer!- Tell him to go to Moscow!

0:09:23 > 0:09:26TAI: He is anxious to see you.

0:09:26 > 0:09:32Another dancer to swoon in my arms. That's all I need(!)

0:09:32 > 0:09:35A simpering toe-dancer!

0:09:35 > 0:09:43He probably only wants to say he's seen a picture of me and can't live without me!

0:09:48 > 0:09:50- RUSSIAN ACCENT: - Hotchachanya!

0:09:59 > 0:10:01I yam Petrov!

0:10:02 > 0:10:07- Charmed. I'm Linda... Linda...- Linda Keene.

0:10:07 > 0:10:10How do you do?

0:10:13 > 0:10:15Hotchachanya.

0:10:15 > 0:10:20- So glad you came, Mr Petrov. - Not Meester, Petrov alone.

0:10:20 > 0:10:22Just Petrov.

0:10:22 > 0:10:30And why not? Just Caesar, just Napoleon and only Garbo, so, Petrov, too, ees enough.

0:10:30 > 0:10:33Just ABOUT enough!

0:10:33 > 0:10:38And you, I understand you want to dance wiz me.

0:10:38 > 0:10:43I cannot blame you, but I weel not permit it.

0:10:44 > 0:10:50- Who told you that? - Ah! A little bird, she tell me so.

0:10:52 > 0:10:53Nyet?

0:10:53 > 0:10:56Not in the least.

0:10:56 > 0:11:03What?! You do not want to dance wiz zee great Petrov? Don't be a silly horse!

0:11:06 > 0:11:09Maybe you could tweest for me.

0:11:09 > 0:11:11Like so.

0:11:13 > 0:11:17- Er...no...I...I don't... - Tweest! TWEEST!

0:11:17 > 0:11:20Better twist.

0:11:22 > 0:11:24PIANO CLANGS

0:11:25 > 0:11:29Oh, get up! I hate zees discords!

0:11:29 > 0:11:33- Oh, she is horrible! - That kinda settles it!

0:11:34 > 0:11:37With me, nothink is settled.

0:11:37 > 0:11:41Well, I mosgo now. I mosgo to Moscow!

0:11:41 > 0:11:43Funny?

0:11:43 > 0:11:46- Very.- It kills me.

0:11:46 > 0:11:49Hotchachanya!

0:11:56 > 0:12:02That lunatic's dangerous. I'm glad I'm sailing on the Queen Anne tomorrow!

0:12:06 > 0:12:08I can't take you back, Denise.

0:12:08 > 0:12:13Everything's been so peaceful since you left!

0:12:14 > 0:12:18It wasn't my fault. Peter didn't fall in love with me.

0:12:23 > 0:12:29- Peter, darling!- Denise. Or Lady Tarrington.- No. It's Denise again.

0:12:29 > 0:12:35- Denise wants to come back. - She does? Oh, that sounds like fun(!)

0:12:36 > 0:12:39Oh! Why, of course, Denise.

0:12:39 > 0:12:42Go and get your contract.

0:12:42 > 0:12:47Jeffrey, may I speak to you? Excuse us.

0:12:47 > 0:12:52I'll let you know about rehearsals in the morning.

0:12:53 > 0:12:56We won't give her a big part...

0:12:56 > 0:13:02- You want me to stay with the company?- Yes! - Then get rid of her!- What?

0:13:02 > 0:13:09- Remember the trouble she caused? - But you...- I was being polite. - I've given her my word.

0:13:09 > 0:13:17- You want me to go to New York? - Yes.- I'll sail tomorrow - if you get rid of HER.- Tomorrow?

0:13:17 > 0:13:21I wouldn't know what to do, what to say...

0:13:21 > 0:13:26- I'll stay in Paris. - I'll think of something.

0:13:26 > 0:13:29- I'll connive something good.- Good.

0:13:29 > 0:13:32DANCE MUSIC ON GRAMOPHONE

0:13:37 > 0:13:40THE NEEDLE STICKS

0:13:40 > 0:13:43MUSIC REPEATS...

0:13:46 > 0:13:49VERY LOUD BURST OF MUSIC

0:13:53 > 0:13:56NEEDLE STICKS AGAIN

0:13:56 > 0:13:59MUSIC REPEATS

0:14:01 > 0:14:04LOUD BURST OF MUSIC

0:14:10 > 0:14:13MUSIC SLOWS DOWN

0:14:37 > 0:14:39Peter.

0:14:39 > 0:14:42Oh...oh...hello, Denise.

0:14:42 > 0:14:47- I feel bad because I'm not going with you.- So do I.

0:14:47 > 0:14:50Is your wife going with you?

0:14:50 > 0:14:57- My WIFE? I haven't any wife. - Jeff said it was a secret for professional reasons.

0:14:57 > 0:15:02Jeff! Did he say how long I'd been married?

0:15:02 > 0:15:07Yes. Immediately after Tarrington took me away from you.

0:15:07 > 0:15:12- Dear Tarrington! - Is she sailing with you?

0:15:12 > 0:15:15Who? Oh, my wife! Yes, of course.

0:15:15 > 0:15:20- I'd love to meet her. - She's busy with the children now.

0:15:20 > 0:15:25- Jeffrey didn't tell me. - He doesn't know.

0:15:25 > 0:15:32- Imagine! Married FOUR years! - Imagine(!)- And how many little ones?

0:15:32 > 0:15:34Five.

0:15:34 > 0:15:36Five?!

0:15:36 > 0:15:41- Well, twins. - How WONDERFUL!- Isn't it?

0:15:41 > 0:15:47- LOUDSPEAKER: 'All visitors ashore!' - Well, goodbye, Denise.- Goodbye.

0:15:47 > 0:15:49Bon voyage!

0:15:56 > 0:16:03Miss Keene hates leaving her dear Paris. She's enjoyed everything about it.

0:16:07 > 0:16:10LOUDSPEAKER: 'All visitors ashore.'

0:16:14 > 0:16:17- < One more, please.- All right.

0:16:17 > 0:16:19PHOTOGRAPHER: Going home at last!

0:16:19 > 0:16:24I kinda like the idea! So long, fellas!

0:16:29 > 0:16:33- RUSSIAN ACCENT: - Hotchachanya, Miss Keene!

0:16:33 > 0:16:40- Why! Just Petrov(!) - You come to see me go, nyet? - Yes. Sweet of me(!)

0:16:40 > 0:16:45- I know you come!- Petrov, I've... I beg your pardon.

0:16:45 > 0:16:49Miss Keene, my fren, Jeffree Bairrrrd.

0:16:49 > 0:16:54- How do you do?- Miss Keene, I... What did you say?

0:16:54 > 0:16:56Me? Nossing.

0:16:57 > 0:16:59Have you got a cold?

0:16:59 > 0:17:03No. I feel like you say...good.

0:17:03 > 0:17:08- What's the matter? - Don't you understand Russian?- No.

0:17:08 > 0:17:11- Yes! Rjengoff proodoof Schnevka. - What?

0:17:11 > 0:17:14Schnevka proodoof djenyoff.

0:17:14 > 0:17:17What sort of a game IS this?

0:17:18 > 0:17:22A game little American boys play.

0:17:45 > 0:17:53- Sir, we can't find Mr Petrov. - Well, you've GOT to find him. - I've looked everywhere, sir.

0:17:53 > 0:18:01Splendid service(!) The world's leading ballet dancer disappears under your very nose!

0:18:01 > 0:18:09- He might be in someone else's room. - What would he be doing there? - That's up to him.

0:18:21 > 0:18:24ALL: # Zoom zoom, zoom zoom, zoom zoom zoom,

0:18:24 > 0:18:26# Zoom zoom, zoom zoom, zoom zoom, zoom,

0:18:26 > 0:18:30# Zoom, zoom, zoom zoom, zoom, zoom zoom,

0:18:30 > 0:18:32- # Zoom zoom - # Ahhhh-ah

0:18:32 > 0:18:35- # Zoom zoom - # Ahhhh-ah

0:18:35 > 0:18:39# Chee-bam-chee-bam chee-bam-chee-bam

0:18:39 > 0:18:41- # Wah-wah - # Chee-bam-chee-bam chee-bam-chee-bam

0:18:41 > 0:18:44- # Wah-wah - # Chee-bam-chee-bam chee-bam-chee-bam

0:18:44 > 0:18:46# Wah-wah-wah-wah

0:18:49 > 0:18:50# Zoom zoom zoom zoom

0:18:50 > 0:18:52- # The world is in a mess - # Yeah

0:18:53 > 0:18:56# Politics and taxes People grinding axes There's no happiness

0:18:56 > 0:18:59# Zoom zoom zoom zoom

0:18:59 > 0:19:06# The future doesn't fret me If I can only get me Someone to slap that bass

0:19:06 > 0:19:11# Happiness is not a riddle When I'm listening to that big bass

0:19:11 > 0:19:14# Zoom, zoom, zoom zoom, zoom, zoom zoom,

0:19:14 > 0:19:21# Zoom zoom Shee-bop-shee-bop shee-bop-shee-bop Shee-bop-shee-bop shee-bop-shee-bop

0:19:21 > 0:19:24- #- Slap that bass, slap it till it's dizzy

0:19:24 > 0:19:26- #- Slap that bass Keep the rhythm busy

0:19:26 > 0:19:29- # Zoom zoom zoom Misery, you've got to go - # Misery, you've got to go

0:19:29 > 0:19:33# Slap that bass Use it like a tonic

0:19:33 > 0:19:37# Slap that bass Keep your philharmonic Zoom, zoom, zoom

0:19:37 > 0:19:40# The milk and honey will flow!

0:19:40 > 0:19:43# Dictators would be better off if they zoom zoom now and then

0:19:43 > 0:19:49# Today you can see that the happiest men all got rhythm

0:19:49 > 0:19:54# If you want to bubble Snap that bass, snap away trouble

0:19:54 > 0:19:57# Learn to zoom zoom zoom, snap that bass!

0:19:57 > 0:20:01# Da-da-da-doo da-da-da-doo #

0:21:31 > 0:21:34MACHINERY CHUGS

0:21:41 > 0:21:44TAPS IN TIME TO MACHINERY

0:22:21 > 0:22:23MACHINERY CLUNKS

0:22:54 > 0:22:57THEY ALL APPLAUD AND CHEER

0:23:01 > 0:23:09- You're not serious about that marriage idea?- No(?) - What about ME?- Sorry.

0:23:09 > 0:23:16- But I'm facing real happiness. - And I'M facing bankruptcy. KNOCK ON DOOR

0:23:16 > 0:23:19- Steward. > - Come in. I ordered lunch.

0:23:19 > 0:23:22Put the table right here.

0:23:22 > 0:23:27We won't be having many more of these together.

0:23:27 > 0:23:31You'll walk out on me just to get married.

0:23:31 > 0:23:35I'm tired of the life I've been leading.

0:23:35 > 0:23:39I'll give you 10,000 more.

0:23:39 > 0:23:44You don't understand. Money isn't everything.

0:23:45 > 0:23:48After all these years together.

0:23:48 > 0:23:52I'm tired of being pawed!

0:23:52 > 0:23:57I beg your pardon. My compliments, miss.

0:23:57 > 0:23:59And as for you, sir,

0:23:59 > 0:24:02shame!

0:24:10 > 0:24:13You misled me. You tricked me.

0:24:13 > 0:24:18- You KNEW that she was on this boat.- I'll admit the charge!

0:24:18 > 0:24:23- Have you been with that woman? - Not THAT woman, THE woman.

0:24:23 > 0:24:28But I wasn't with her. She hasn't left her room.

0:24:28 > 0:24:34- I'm staying with you all evening. - Good. Maybe she's got a friend.

0:24:34 > 0:24:36Really?

0:24:54 > 0:24:57What are you weaving about for?

0:24:57 > 0:25:00- Weaving?- Yes.- I'm not weaving.

0:25:00 > 0:25:04- It's the boat. - THIS boat's doing that?

0:25:04 > 0:25:07- It must be getting choppy.- Oh!

0:25:07 > 0:25:09Of course.

0:25:09 > 0:25:11Ohhhh...

0:25:11 > 0:25:13Ohhhh...

0:25:13 > 0:25:18- Jeff, what the matter?- Nothing. I'm all right, I think.

0:25:18 > 0:25:20I guess.

0:25:24 > 0:25:29Oh, you look terrible. Do I? Yes, you're all white.

0:25:29 > 0:25:32Sort of green, kind of yellowish.

0:25:32 > 0:25:35- You ought to go to bed.- Maybe...

0:25:35 > 0:25:38No, maybe I'd better get some air.

0:25:45 > 0:25:47Ohhhh....

0:26:33 > 0:26:36- Do you mind?- Not at all.

0:26:46 > 0:26:49- Ohhhh...- What's the matter?

0:26:49 > 0:26:52It's the boat. It's weaving.

0:27:00 > 0:27:02There.

0:27:02 > 0:27:05- Is that better?- I don't know.

0:27:05 > 0:27:11- Straight lemon juice, please. - That'll make you seasick.- Ohhhh.

0:27:11 > 0:27:16- He needs champagne.- No, no, no. I've never touched champagne.

0:27:16 > 0:27:21- You can watch ME, then. Keep them coming.- Nothing.

0:27:23 > 0:27:27Tell me the truth, do I look bad to you?

0:27:27 > 0:27:32I don't know you well enough to tell you the truth.

0:27:45 > 0:27:48BAND PLAYS "DOG WALK"

0:29:35 > 0:29:41Miss...er...Miss Keene... you remember the night we met?

0:29:41 > 0:29:44Yes, I remember.

0:29:44 > 0:29:46Hotchachanya(!)

0:29:46 > 0:29:50Wait a minute, please. I want to explain.

0:29:50 > 0:29:55I saw a photograph of you and decided I HAD to meet you.

0:29:55 > 0:30:00I tried, but nobody in Paris knew you...

0:30:00 > 0:30:04Everybody WORTH knowing knows Linda Keene.

0:30:05 > 0:30:11Of course, but I just don't seem to know the right people. Yet.

0:30:11 > 0:30:18Couldn't you do something about that? As one Yankee to another?

0:30:18 > 0:30:21I'm from the SOUTH.

0:30:23 > 0:30:25- SOUTHERN ACCENT: - Maybe y'all's from the North?

0:30:25 > 0:30:28DOG SNAPS

0:30:28 > 0:30:33It's funny. Dogs have an instinct for the right people.

0:30:34 > 0:30:37- How d'you like that? - HE BARKS

0:30:49 > 0:30:53- DRUNKENLY:- Thash marvellous how you can do that.

0:30:55 > 0:30:58- Lesh drink to that.- Steward!

0:30:58 > 0:31:01Another bottle of this lemon.

0:31:02 > 0:31:05He's gone to bed!

0:31:05 > 0:31:08Must be late. What time is it?

0:31:14 > 0:31:17What does your watch say?

0:31:22 > 0:31:25It says tick, tick, tick, tick...

0:31:26 > 0:31:30CLOCK TICKS

0:31:30 > 0:31:33Hey, Jeffrey!

0:31:33 > 0:31:38Hello, hello, hello! Good morning! Good morning!

0:31:41 > 0:31:45Well! What's wrong? Lose something?

0:31:49 > 0:31:54I've got great news for you. You're NOT going to be seasick.

0:31:55 > 0:32:01- The Captain says this will be the smoothest trip in 10 years.- Ohhhh!

0:32:01 > 0:32:06- You only had one glass. - But you kept filling it.

0:32:06 > 0:32:09- < Breakfast!- What'll I do?

0:32:09 > 0:32:12Put that breakfast away!

0:32:26 > 0:32:29That'll save me an extra trip.

0:32:37 > 0:32:40BAND PLAYS "DOG WALK"

0:33:59 > 0:34:02Come here. What happened?

0:34:02 > 0:34:07You've ruined your sweater. I'll have to fix it.

0:34:14 > 0:34:18Isn't it wonderful being here tonight like this?

0:34:18 > 0:34:24- Still on the same boat together. - I seldom change boats mid-ocean.

0:34:24 > 0:34:32I'm lucky. The first time I'm on a boat with somebody like you, it turns out to be...YOU.

0:34:32 > 0:34:37# At any gambling casino From Monte Carlo to Reno

0:34:37 > 0:34:42# They tell you that a beginner comes out a winner

0:34:42 > 0:34:45# Beginner fishing for flounder

0:34:45 > 0:34:48# Will catch a seventeen-pounder

0:34:48 > 0:34:53# That's what I've always heard And always thought absurd

0:34:53 > 0:34:57# But NOW I believe every word

0:34:58 > 0:35:02# For I've got beginner's luck

0:35:02 > 0:35:07# The first time I'm in love I'm in love with you

0:35:07 > 0:35:11# Gosh, I'm lucky I've got beginner's luck

0:35:11 > 0:35:16# There never was such a smile Or such eyes of blue

0:35:16 > 0:35:22# Gosh, I'm fortunate, this thing we've begun is much more than a pastime

0:35:22 > 0:35:28# For this time is the one Where the first time is the last time

0:35:28 > 0:35:34# I've got beginner's luck Lucky through and through

0:35:34 > 0:35:37# 'Cos the first time I'm in love I'm in love with YOU! #

0:35:37 > 0:35:40DOGS HOWL

0:35:45 > 0:35:48Fellows, listen to this.

0:35:48 > 0:35:53"Lady Tarrington left this morning on the S.S. Marseilles

0:35:53 > 0:35:59"for a trip to America to visit her friends, Mr and Mrs Petrov.

0:35:59 > 0:36:03"The Petrovs have been married for some time.

0:36:03 > 0:36:09"But the marriage has not previously been disclosed."

0:36:09 > 0:36:11News for your morning bulletin!

0:36:11 > 0:36:15That must be the musical star Linda Keene.

0:36:15 > 0:36:17You're right.

0:36:18 > 0:36:22That ballet dancer, Petrov, is secretly married.

0:36:22 > 0:36:26I'll bet it's to that dancer. Righto!

0:36:27 > 0:36:29- Will that be all?- Yes, thank you.

0:36:35 > 0:36:38They've been married for some time.

0:36:38 > 0:36:41They're a lovely looking couple.

0:36:47 > 0:36:50(My dear!)

0:36:55 > 0:36:59CHORUS OF "GOOD EVENING"

0:36:59 > 0:37:05- That's what I like about boats - everyone's so friendly.- Yes!

0:37:05 > 0:37:07A toast!

0:37:07 > 0:37:14ALL: # For he's a jolly good fellow For he's a jolly good fellow For he's a jolly good fe-ellow

0:37:14 > 0:37:17# Which nobody can deny! #

0:37:20 > 0:37:23PETROV!

0:37:23 > 0:37:26Wake up, wake up, Petrov, wake up!

0:37:26 > 0:37:31- We're going to have a baby!- What? - Why keep this a secret from me?

0:37:31 > 0:37:37- What are you talking about? - It's in the ship's bulletin.

0:37:37 > 0:37:42The editor announces, quote, "A blessed event is imminent."

0:37:42 > 0:37:48- Why does this happen to me? - It hasn't even happened to ME!

0:37:48 > 0:37:51Lady Tarrington!

0:37:51 > 0:37:56You realise that YOU'RE the father of my child?

0:37:56 > 0:37:59Of course. ..That's ridiculous!

0:37:59 > 0:38:04You told Denise I was married, and now I'm going to be a father.

0:38:04 > 0:38:11- Isn't that cute?- It's a MIRACLE! - I warned you that that woman would cause trouble.

0:38:11 > 0:38:15I warned YOU that I'd fall in love with her.

0:38:15 > 0:38:20- Explain to her!- I won't! - You DO want me to dance?

0:38:20 > 0:38:24- In that case, perhaps I'd better. - I'll take care of this.

0:38:27 > 0:38:32Operator! Operator! Get me Mr Petrov.

0:38:32 > 0:38:34Don't you DARE congratulate me.

0:38:36 > 0:38:39- KNOCK ON DOOR - Come in!

0:38:42 > 0:38:48- Miss Keene, we will not tolerate your insinuations.- Stay there!

0:38:48 > 0:38:52While I compose myself.

0:38:52 > 0:38:57I suppose you and that toe-dancer think this whole thing's a joke?

0:38:57 > 0:39:02- It wasn't Mr Petrov's fault. - It wasn't(?)

0:39:02 > 0:39:07- Petrov is besieged by women. - Oh, naturally(!)

0:39:07 > 0:39:12To get rid of one...well... he said he was married to you.

0:39:12 > 0:39:18- To get rid of her?!- Exactly. He felt that YOU wouldn't mind.

0:39:18 > 0:39:21So, he used ME to...

0:39:21 > 0:39:26Exactly. See, it wasn't altogether a joke.

0:39:26 > 0:39:29Good morning, little mother!

0:39:43 > 0:39:46Good morning.

0:39:46 > 0:39:55- I want to book passage on that mail plane.- It's against the law. - But I MUST leave the ship.

0:39:55 > 0:39:59Oh, I understand. But it IS a little irregular.

0:39:59 > 0:40:02The Government will understand.

0:40:02 > 0:40:06Under the circumstances, Madam...

0:40:06 > 0:40:09Not Madam - MISS!

0:40:24 > 0:40:28- Where's Linda?- Oh, pardon me.

0:40:28 > 0:40:31Take a good look.

0:40:42 > 0:40:46I could have explained everything.

0:40:46 > 0:40:50You couldn't have explained her humiliation.

0:40:50 > 0:40:54- Now she's going to get married. - Married?!- Yes.

0:40:54 > 0:41:01Married to a Park Avenue cluck. YOU'VE driven her to that.

0:41:01 > 0:41:08- I didn't do anything. - Only used her to get rid of another dame(!)

0:41:08 > 0:41:11- Who said I did?- Mr Baird.

0:41:11 > 0:41:13Oh, he DID(?)

0:41:16 > 0:41:24The fire bell will ring. Do not pay any attention to it - fire drill for the crew.

0:41:24 > 0:41:25Here.

0:41:25 > 0:41:29Jeff, did you tell Miss Keene I used her?

0:41:29 > 0:41:33Yes. One day you'll thank me for doing it.

0:41:33 > 0:41:38- THANK you?!- Haven't you any feeling for your art?

0:41:38 > 0:41:45- Because of your lies, she's quitting showbusiness. - That's no loss!

0:41:45 > 0:41:52- I've scotched it, and I'm proud of it! - You've scotched it, all right!

0:41:52 > 0:41:56- FIRE BELL SOUNDS - What IS that noise?

0:41:56 > 0:41:59- The boat's on fire.- Oh, is it?

0:41:59 > 0:42:01THIS boat?

0:42:01 > 0:42:07- Aaaaaagh! What are we gonna do? - Nothing.- Nothing.- Stay.- Stay.

0:42:07 > 0:42:10- Don't move.- Don't move. HURRY!

0:42:10 > 0:42:16- Get into this.- I'll sue them! - IF we get out.- I'll sue anyway!

0:42:16 > 0:42:21- Take this.- Yes.- We'll need this. - The flames are getting nearer!

0:42:21 > 0:42:26- Keep the head!- Keep the head! - We need hats.- Of course!

0:42:26 > 0:42:29- We don't want head colds.- No.

0:42:29 > 0:42:32- And fruit.- To eat. Of course.

0:42:32 > 0:42:35- Blankets!- Blankets!- The clock!

0:42:35 > 0:42:38Petrov, they've lowered our boat.

0:42:38 > 0:42:43- Better take this. - We can play golf.- Of course.

0:42:43 > 0:42:47- It's boat station four. - Got everything?

0:42:47 > 0:42:50Don't forget the blankets.

0:42:50 > 0:42:53Don't get excited. Just follow me.

0:42:57 > 0:43:01Hurry up! Don't get excited.

0:43:01 > 0:43:04Everybody keep calm.

0:43:04 > 0:43:07My boat's number four.

0:43:07 > 0:43:13Four! All right, I'm here. Let it down! What are you waiting for?

0:43:13 > 0:43:16THEY ALL ROAR WITH LAUGHTER

0:43:59 > 0:44:05Miss Keene? She's back already. Oh, goody, goody.

0:44:05 > 0:44:08Miss Keene's back. Key, please.

0:44:08 > 0:44:11Thank you very much.

0:44:13 > 0:44:17Welcome home. So happy to see you.

0:44:17 > 0:44:22- Thank you, Cecil.- Are you... are you...ALONE ?

0:44:22 > 0:44:26Certainly. And who else would be with me?

0:44:26 > 0:44:30You are a one! Keeping it a secret so long.

0:44:30 > 0:44:35- There is NO secret.- Not NOW... - There never WAS.- Very well.

0:44:35 > 0:44:39You'll find me the very SOUL of discretion.

0:44:46 > 0:44:51Just one moment. I've got a surprise for you.

0:44:52 > 0:44:54Voila!

0:45:46 > 0:45:52- Jim! I'm so glad to see you. - You're looking very well.

0:45:52 > 0:45:57- Considering.- You look grand, too. - Thanks. I'm lucky that way.

0:45:57 > 0:45:59Nothing shows in my face.

0:45:59 > 0:46:06- Why didn't you tell me?- Tell you? There's nothing to tell. - Somebody's wrong.

0:46:06 > 0:46:08That?!

0:46:08 > 0:46:10False, malicious gossip.

0:46:14 > 0:46:16Petrov...

0:46:16 > 0:46:19On his way up? Splendid.

0:46:24 > 0:46:29- Cecil Flintridge. - No, no, no. Jeffrey Baird.

0:46:29 > 0:46:32I beg your pardon, Cecil Flintridge.

0:46:32 > 0:46:35I beg YOUR pardon, Jeffrey Baird.

0:46:35 > 0:46:39NO! Cecil Flintridge.

0:46:39 > 0:46:42I am JEFFREY BAIRD, Petrov's manager.

0:46:42 > 0:46:45- And- I- am Cecil Flintridge.

0:46:45 > 0:46:52- YOU are Cecil Flintridge?- Yes. - What of it?- What?!- Cecil! Of the hotel?

0:46:52 > 0:46:56- Yes!- How are you?- How are you? How do you do?

0:46:56 > 0:47:04- I've been at great pains to make you comfortable.- How kind of you. - Yes, I thought it was kind of me.

0:47:04 > 0:47:11- Your suite is next to Mrs... Miss Keene's.- WHAT?! You blundering blunderer!

0:47:14 > 0:47:17Petrov! Petrov! PETROV!

0:47:17 > 0:47:20Petrov, do you know where we are?

0:47:20 > 0:47:23Don't tell me. New York!

0:47:23 > 0:47:27- We're right next to Linda Keene. - Good!

0:47:27 > 0:47:31- That's what- I- thought. - Nobody's interested.

0:47:31 > 0:47:37- I'm only doing my best. - Then move us to another suite.

0:47:37 > 0:47:42- Married people... - They're NOT married.- NOT married?!

0:47:42 > 0:47:43Ohhhh!

0:47:58 > 0:48:04- Arthur.- I've only kept The Roof open in the hope you'd come back.

0:48:04 > 0:48:09Since you left, I haven't had one revue there.

0:48:09 > 0:48:14- Arthur, I'm not THAT good. - You're right, you're not.

0:48:14 > 0:48:21Seriously - the crowds who haven't been on The Roof since you left think you are.

0:48:21 > 0:48:26- Arthur...- What?- I'm going to be married to Jim Montgomery.

0:48:26 > 0:48:29Well, I guess I'm licked.

0:48:29 > 0:48:34If your mind's made up, there's nothing I can say.

0:48:34 > 0:48:37No, I'm afraid there's not.

0:48:39 > 0:48:42Except to wish me luck.

0:48:42 > 0:48:45You know I do! All the best.

0:48:45 > 0:48:50- Thank you.- There's one thing I insist on doing.- What's that?

0:48:50 > 0:48:55Give you and Jim dinner. Tonight. On The Roof.

0:48:55 > 0:48:58Lovely! Nice of you to think of Jim.

0:48:58 > 0:49:01I think of him constantly.

0:49:20 > 0:49:24We've had dinner. What are we doing up here?

0:49:24 > 0:49:29- You'll find out when- I- do. - Mr Miller's expecting you.

0:49:29 > 0:49:32This way.

0:50:06 > 0:50:09Take this to Evans. Yes, sir.

0:50:22 > 0:50:24MUSIC ENDS

0:50:30 > 0:50:33Thank you, Arthur.

0:50:47 > 0:50:50OPENING BARS OF "THEY ALL LAUGHED"

0:50:50 > 0:50:53APPLAUSE

0:51:11 > 0:51:16# The odds were a hundred to one against me

0:51:16 > 0:51:21# The world thought the heights were too high to climb

0:51:21 > 0:51:26# But people from Missouri never incensed me

0:51:26 > 0:51:29# Oh, I wasn't a bit concerned

0:51:29 > 0:51:32# For from history I had learned

0:51:32 > 0:51:37# How many, many times the worm had turned

0:51:37 > 0:51:43# They all laughed at Christopher Columbus When he said the world was round

0:51:43 > 0:51:47# They all laughed when Edison recorded sound

0:51:47 > 0:51:54# They all laughed at Wilbur and his brother When they said that man could fly

0:51:54 > 0:52:00# They told Marconi wireless was a phoney It's the same old cry

0:52:00 > 0:52:05# They laughed at me wanting you said I was reaching for the moon

0:52:05 > 0:52:13# But, oh, you came through They'll have to change their tune They said we never would be happy

0:52:13 > 0:52:15# Darling, take a bow

0:52:15 > 0:52:19# Ho, ho, ho Who's got the last laugh now? #

0:52:19 > 0:52:24APPLAUSE

0:52:39 > 0:52:41Miss Keene will now dance for us.

0:52:43 > 0:52:51But not alone! Those of you who've never seen her famous partner have heard a lot about him! Petrov!

0:52:51 > 0:52:54APPLAUSE

0:53:06 > 0:53:09BAND BEGINS TO PLAY

0:53:39 > 0:53:42- (What do I do?)- (Tweest!)

0:53:53 > 0:53:57BAND BREAKS INTO "THEY ALL LAUGHED"

0:56:53 > 0:56:56CROWD APPLAUD AND CHEER

0:57:00 > 0:57:06I've got to stop Linda from marrying Jim. Get a new angle.

0:57:06 > 0:57:13This secret marriage is too secret. The newspapers need absolute proof.

0:57:13 > 0:57:20The public would climb a building to see Linda and Petrov dance. We must do something.

0:57:20 > 0:57:24Furnish the proof that they're married.

0:57:24 > 0:57:31I have an idea. Remember the dream idea that sculptor sold us on for Lynn?

0:57:31 > 0:57:34The one we never used?

0:57:34 > 0:57:37Yeah. We're going to collect on it.

0:57:37 > 0:57:40Lynn never saw that model ? < No.

0:57:40 > 0:57:47With a few changes, I'll turn that dream stuff into a nightmare that'll make history.

0:57:47 > 0:57:50Poor Lynn!

0:59:08 > 0:59:13DRUNKENLY: # They all said we never would be happy

0:59:13 > 0:59:20# They laughed at us and how But, ho, ho, ho Who's got the last laugh now? #

0:59:20 > 0:59:22DOOR SLAMS

0:59:45 > 0:59:49- Good morning, Tai. - Good morning, Miss Linda.

0:59:53 > 0:59:55BUZZER SOUNDS

1:00:10 > 1:00:17- Have you no shame?- Why, I... - I deny your marriage to the boys, then they flash these pictures...

1:00:17 > 1:00:25- I never thought you'd double-cross me.- Double-cross you?! I didn't pose for those!- No(?)

1:00:25 > 1:00:29- This is certainly not ME.- Linda...

1:00:29 > 1:00:34I trusted you. I even blessed your proposed union with Jim.

1:00:34 > 1:00:37What a way to treat your friend.

1:00:37 > 1:00:43- You're the only one who can help. - I've done everything.- You must. - No more.

1:00:43 > 1:00:50- I'll sue the paper! - Linda, I can't let you down. I'll handle it.

1:00:50 > 1:00:53I knew you'd stand by me.

1:00:58 > 1:01:00Get me Mr Petrov.

1:01:02 > 1:01:04TELEPHONE RINGS

1:01:05 > 1:01:06Hello.

1:01:07 > 1:01:09Oh, it's you...

1:01:09 > 1:01:12Good morning!

1:01:12 > 1:01:15How? What?

1:01:16 > 1:01:19No, I haven't. The papers?

1:01:19 > 1:01:22I'll be right over.

1:01:33 > 1:01:35Jeffrey!

1:01:35 > 1:01:40- What IS the matter? - Take a look at this.

1:01:49 > 1:01:56You won't have to run through the hallway any more. Compliments of the management.

1:02:01 > 1:02:02Cad!

1:02:15 > 1:02:20I suppose you're going to say this isn't you!

1:02:20 > 1:02:23I can't. Neither can YOU.

1:02:23 > 1:02:26- Can you?- No.

1:02:27 > 1:02:32You...you don't, by any chance, walk in your sleep, do you?

1:02:32 > 1:02:36Why...how can you SAY such a thing?

1:02:37 > 1:02:40Well, it's MY bed, and I'M asleep.

1:02:40 > 1:02:42- Well! - TELEPHONE RINGS

1:02:46 > 1:02:47R-I-I-I-ING

1:02:47 > 1:02:49R-I-I-I-ING

1:02:51 > 1:02:52Hello.

1:02:52 > 1:02:54What?

1:02:54 > 1:02:59- You want a statement?! Let me tell...- Wait!

1:02:59 > 1:03:05It might be libel. Let ME talk. Maybe I can put it more gently.

1:03:08 > 1:03:12- SWEETLY: - Hello. Who is this, please?

1:03:12 > 1:03:15Oh, the editor!

1:03:15 > 1:03:20Well, you and that cheap outfit that published those pictures...

1:03:20 > 1:03:23Wait! I'M talking! What?

1:03:25 > 1:03:28- Oh... - DOOR BUZZER

1:03:29 > 1:03:30Oh...

1:03:33 > 1:03:34Oh...

1:03:36 > 1:03:37Oh!

1:03:37 > 1:03:41Oh! Oh, Jim.

1:03:45 > 1:03:50Wh...why didn't you phone? I...I would have been dressed.

1:03:50 > 1:03:55- You've seen the paper?- Oh, that? Lies. Ridiculous lies.

1:03:55 > 1:04:00I let you talk your way out of that other picture.

1:04:00 > 1:04:02- But that's YOU.- That's NOT me.

1:04:02 > 1:04:10- I wouldn't be caught dead in that cheap negligee! - In this picture, there's no corpse.

1:04:20 > 1:04:23Er...good morning.

1:04:24 > 1:04:26Er...good morning.

1:04:26 > 1:04:30Er...Jim...this is Mr Petrov...

1:04:30 > 1:04:35er...Mr Petrov...this is Jim. Jim Montgomery, my fiance.

1:04:35 > 1:04:39You've heard of Mr Petrov, dear?

1:04:39 > 1:04:44- Yes. Isn't he the man you were telling me about?- Yes. He's the one!

1:04:44 > 1:04:47Yes. I'm...the one.

1:04:47 > 1:04:52Glad to see you, Mr Montgomery.

1:04:52 > 1:04:57The editor will retract the story, but how about those pictures?

1:04:57 > 1:05:05- Yes, as I was saying, how about those pictures?- Er, yes. How about those pictures!

1:05:05 > 1:05:11Don't you think this is a poor time to announce our engagement?

1:05:11 > 1:05:14Couldn't we wait?

1:05:14 > 1:05:19Oh, yes, Jim. Of course. It's only fair to you.

1:05:24 > 1:05:27Glad to have met you, Mr Petrov.

1:05:27 > 1:05:29Me, too.

1:05:32 > 1:05:34Charming chap.

1:05:36 > 1:05:40- We'll manage this somehow. - But HOW?

1:05:40 > 1:05:46The reporters are on their way up! What shall I do? What SHALL I do?

1:05:46 > 1:05:51- Stall them off, Cecil. We'll sneak out.- Yes, sir.

1:05:51 > 1:05:54- I'll meet you in the park.- OK.

1:06:14 > 1:06:17Let's go back. I'm tired.

1:06:44 > 1:06:51I can't keep this up much longer. I haven't been on skates since I was a kid.

1:06:51 > 1:06:54- It was YOUR idea.- Yeah.

1:06:54 > 1:07:00- How much longer do we stay out? - Oh, the reporters will leave by dark.

1:07:00 > 1:07:06It would look funny if we denied the marriage now, wouldn't it?

1:07:06 > 1:07:10- I don't know what to do. - I don't either.

1:07:11 > 1:07:14The word is "eether".

1:07:14 > 1:07:19All right. The word is eether. No use squabbling.

1:07:19 > 1:07:24- That'll get neither of us any place.- The word is "neether".

1:07:24 > 1:07:27- #- Things have come to a pretty pass

1:07:27 > 1:07:30- #- Our romance is growing FLAT

1:07:30 > 1:07:33- #- Cos you like this and the other

1:07:33 > 1:07:36- #- While I go for this and that

1:07:36 > 1:07:41- #- Goodness knows what the end will be I don't know where I'm at

1:07:41 > 1:07:45- #- It's plain to see We two will never make one

1:07:45 > 1:07:49- #- Something must be done

1:07:49 > 1:07:52- #- You say eether I say either

1:07:52 > 1:07:55- #- You say neether I say neither

1:07:55 > 1:08:00- #- Eeether, either, neether, neither Let's call the whole thing off

1:08:00 > 1:08:06- #- You like potato, I like potatah You like tomato, I like tomatah

1:08:06 > 1:08:11- #- Potato, potatah, tomato, tomatah Let's call the whole thing off

1:08:11 > 1:08:17- #- But o-o-o-o-h If we call the whole thing off Then we must part

1:08:17 > 1:08:23- #- And o-o-o-o-h if we ever part Then that might break my heart

1:08:23 > 1:08:25- #- So if you like pyjamas And I like pyjahamas

1:08:25 > 1:08:28- #- I'll wear pyjamas And give up pyjahamas

1:08:28 > 1:08:31- #- For we know we need each other so we

1:08:31 > 1:08:36- #- Better call the calling off off Let's call the whole thing off

1:08:39 > 1:08:42- #- You say laughter I saw lawfter

1:08:42 > 1:08:45- #- You say after I saw awfter

1:08:45 > 1:08:50- #- Laughter, lawfter, after, awfter Let's call the whole thing off

1:08:50 > 1:08:53- #- You like Havana I like Havanha

1:08:53 > 1:08:56- #- You eat banana I eat bananha

1:08:56 > 1:09:01- #- Havana, Havanha, banana, bananha Let's call the whole thing off

1:09:01 > 1:09:07- #- But o-o-o-o-h If we call the whole thing off Then we must part

1:09:07 > 1:09:12- #- And, o-o-o-o-h if we ever part Then that might break my heart

1:09:12 > 1:09:15- #- So if you like oysters And I like ersters

1:09:15 > 1:09:18- #- I'll take oysters And give up ersters

1:09:18 > 1:09:21- #- For we know we need each other so we

1:09:21 > 1:09:26- #- Better call the calling off OFF Let's call the whole thing off!- #

1:09:26 > 1:09:29SHE TAPS IN TIME TO MUSIC

1:11:54 > 1:11:57Yes, it was MY idea.

1:11:58 > 1:12:01Have you any more of them?

1:12:02 > 1:12:06PAPER BOY: Read about the secret marriage!

1:12:06 > 1:12:10Read all about the secret marriage!

1:12:10 > 1:12:15We're about the only two people who don't think we're married!

1:12:15 > 1:12:20- We both KNOW we're NOT. - I'm beginning to have my doubts.

1:12:20 > 1:12:25Don't say I have to convince YOU that we're not married?!

1:12:25 > 1:12:30We certainly can't deny it, in the face of those pictures.

1:12:30 > 1:12:35- No, I'm afraid not. - We can't even get a divorce.

1:12:35 > 1:12:42If I COULD divorce you before I married Jim, THAT would put a stop to all this.

1:12:42 > 1:12:45It certainly would!

1:12:49 > 1:12:52Peter, you've got to marry me.

1:12:52 > 1:12:55Why, Linda, this is so sudden.

1:12:55 > 1:13:00If we get married, I could start divorce proceedings.

1:13:00 > 1:13:03Well, I...I don't know.

1:13:03 > 1:13:08You got me into all this, you should marry me.

1:13:08 > 1:13:10It wasn't MY fault.

1:13:10 > 1:13:18- All right, it's MY fault. But you've got to marry me. - Well...I...I...

1:13:18 > 1:13:24- I'd like to think it over. - There's nothing to think over! - All right.

1:13:25 > 1:13:28But where can we get a licence?

1:13:28 > 1:13:33- Everybody in New York knows us. - Try New Jersey.- Thanks.

1:13:39 > 1:13:42The name of the bride is...?

1:13:43 > 1:13:47My...er...my REAL name... is Linda Thompson.

1:13:49 > 1:13:52And the name of the groom?

1:13:52 > 1:13:55Er...Peter P. Peters.

1:13:58 > 1:14:04I beg your pardon, but what are grounds for divorce in this state?

1:14:05 > 1:14:07Marriage!

1:14:13 > 1:14:15Good afternoon.

1:14:15 > 1:14:20Oh, Lady Tarrington, your suite is ready.

1:14:20 > 1:14:25Announce me to Mr Petrov. < Is he expecting you? Yes!

1:14:25 > 1:14:28Room 2601. I'll have you announced.

1:14:28 > 1:14:31TELEPHONE RINGS

1:14:31 > 1:14:34Petrov! Where ARE you?

1:14:34 > 1:14:38Oh, it's not Petrov? It's the desk.

1:14:38 > 1:14:41Lady Tarrington? Send her up.

1:14:42 > 1:14:46Lady Tarrington?! She can't come up here.

1:14:46 > 1:14:49Tell her to go back to Paris.

1:14:49 > 1:14:55She's on her way up?! Let me talk to the floor manager.

1:14:57 > 1:15:03Cecil Flintridge. Oh, it's YOU, Mr Baird. How are you?

1:15:03 > 1:15:10That doesn't matter. The woman who started the rumour of Petrov's marriage...

1:15:10 > 1:15:13- Yes, I said rumour.- Rumour? >

1:15:13 > 1:15:16YES! They are NOT married!

1:15:18 > 1:15:24- Oh, Denise! It's you! - So, they are NOT married?

1:15:24 > 1:15:27Yes, well, that is, not exactly, no.

1:15:27 > 1:15:32Well, my little journey is going to be exciting!

1:15:32 > 1:15:38- Oh, you're not going to...er...? - Oh, yes, indeed I am!

1:15:38 > 1:15:41- DOOR BUZZER - That's Petrov now.

1:15:44 > 1:15:47I don't wish to shilly-shally.

1:15:47 > 1:15:53- But I want to know - is Petrov married or not?!- Yes! He is not.

1:15:54 > 1:15:56Johnson...

1:15:56 > 1:15:59Change that lock!

1:16:16 > 1:16:19FLOWER-SELLER: Gardenias, 10 cents.

1:16:19 > 1:16:22Right here, please.

1:16:23 > 1:16:26A corsage for the bride.

1:16:28 > 1:16:31- That's all right.- Thank you, sir.

1:16:50 > 1:16:54Tomorrow we'll be all straightened out.

1:16:54 > 1:16:59- You'll be on YOUR way, and I'll...be on MY way.- Where?

1:16:59 > 1:17:04Oh, back to being a bachelor. Catch up with my usual life.

1:17:04 > 1:17:08- Forget all this. - I hope you enjoy it.

1:17:08 > 1:17:13Thanks. I hope you enjoy your divorce.

1:17:13 > 1:17:20Thanks. I didn't know getting married was so depressing. I'm sorry I asked you.

1:17:20 > 1:17:25- That's all right. I'll get over it.- Oh, of course.

1:17:25 > 1:17:29- #- Our romance won't end on a sorrowful note

1:17:29 > 1:17:32- #- Though by tomorrow you're gone

1:17:32 > 1:17:37- #- The song is ended But as the songwriter wrote

1:17:37 > 1:17:40- #- The melody lingers on

1:17:40 > 1:17:46- #- They may take you from me I'll miss your fond caress

1:17:46 > 1:17:53- #- But though they take you from me I'll still poss-e-e-e-e-ss

1:17:53 > 1:17:58- #- The way you wear your hat

1:17:58 > 1:18:02- #- The way you sip your tea

1:18:02 > 1:18:07- #- The memory of all that

1:18:07 > 1:18:11- #- Oh no They can't take that away from me

1:18:11 > 1:18:15- #- The way your smile just beams

1:18:15 > 1:18:19- #- The way you sing off-key

1:18:20 > 1:18:24- #- The way you haunt my dreams

1:18:24 > 1:18:29- #- No no They can't take that away from me

1:18:29 > 1:18:33- #- We may never never meet again

1:18:33 > 1:18:37- #- On the bumpy road to love

1:18:37 > 1:18:44- #- But I'll always always keep the memory of...

1:18:44 > 1:18:48- #- The way you hold your knife

1:18:48 > 1:18:53- #- The way we danced till three

1:18:53 > 1:18:57- #- The way you changed my life

1:18:57 > 1:19:02- #- No no They can't take that away from me

1:19:02 > 1:19:03- #- No...

1:19:03 > 1:19:07- #- They can't take that a-a-a-a-way

1:19:07 > 1:19:11- #- From m-e-e-e-e-e-e.- #

1:19:40 > 1:19:44I guess the honeymoon is over.

1:19:44 > 1:19:47Won't you come in for a drink?

1:19:48 > 1:19:51No, I don't think so.

1:19:51 > 1:19:54- Goodnight.- A cigarette?

1:19:56 > 1:19:59No. No. Thanks just the same.

1:19:59 > 1:20:03I just want to thank you for everything.

1:20:04 > 1:20:07You're welcome.

1:20:07 > 1:20:09Well...goodnight.

1:20:11 > 1:20:14Sorry! It's way past my bedtime.

1:20:14 > 1:20:17Goodnight, Linda.

1:20:26 > 1:20:28DOOR SLAMS

1:20:37 > 1:20:39Jeff!

1:20:39 > 1:20:41Jeff!

1:21:03 > 1:21:06KNOCK ON DOOR

1:21:10 > 1:21:14Come in.

1:21:17 > 1:21:20Oh, Cecil.

1:21:20 > 1:21:24- M...may I come in? - Isn't it way past your bedtime?

1:21:24 > 1:21:29- Yes. But I've been waiting up to see you.- To see me?

1:21:29 > 1:21:34I must acquaint you with the varying state of my mind.

1:21:34 > 1:21:38It feels like a pendulum. To...and fro.

1:21:38 > 1:21:42Then a moment later, fro...and to.

1:21:44 > 1:21:52Miss Keene, ARE you Mrs Petrov? Or should I say, Miss Petrov, are you Miss Keene?

1:21:52 > 1:21:56I'll tell you, Cecil, we ARE married.

1:21:56 > 1:22:00- Mrs Petrov! My best congratulations!- Thank you.

1:22:00 > 1:22:05- Now I can go to bed with a clear conscience.- So can I!

1:22:05 > 1:22:09Mrs Petrov, I hope you will forgive me,

1:22:09 > 1:22:15but in the stress of the circumstances, I changed the lock.

1:22:15 > 1:22:18But may I present you with this?

1:22:18 > 1:22:21The new key to your happiness!

1:22:21 > 1:22:23Thank you.

1:22:23 > 1:22:26Thank YOU. Goodnight.

1:22:39 > 1:22:42HANDLE CLICKS

1:22:58 > 1:23:02- KNOCK ON DOOR - Come in!

1:23:02 > 1:23:04Peter!

1:23:06 > 1:23:08Denise!

1:23:08 > 1:23:13- You can't come in here.- Why? Afraid your wife will object(?)

1:23:13 > 1:23:18- Yes. Yes, exactly. - Peter, please! Think of a new one.

1:23:18 > 1:23:24- B...but I'm married. REALLY. - Jeffrey told me the truth.

1:23:24 > 1:23:29- But even Jeffrey doesn't know. - Are you sure your WIFE knows?

1:23:29 > 1:23:33- Please go away. - I don't believe you.

1:23:33 > 1:23:37And I won't budge under any circumstances!

1:23:44 > 1:23:49Peter, you're so worked up... and I LOVE it!

1:23:53 > 1:23:56Linda!

1:23:56 > 1:23:58- Wait a minute!- Yes, don't go.

1:23:58 > 1:24:01Er...this is...Lady Tarrington.

1:24:01 > 1:24:06This is my wife, Mrs Petrov... er...Miss Keene.

1:24:06 > 1:24:09Oh. I have heard about you.

1:24:09 > 1:24:14I hadn't heard about YOU. Why have you been so secretive?

1:24:14 > 1:24:19Oh, well, er...er...I didn't think you'd be interested.

1:24:19 > 1:24:25How silly! I imagine Lady Tarrington is quite charming.

1:24:25 > 1:24:29- When you get to know her. - She is. I mean...

1:24:29 > 1:24:32You really ARE married to Peter?

1:24:32 > 1:24:35Yes. Really. Do you mind?

1:24:35 > 1:24:41No. But I think it would be awfully pleasant if you would divorce him.

1:24:41 > 1:24:44I'm sure I'll NEVER divorce him.

1:24:45 > 1:24:49You are more intelligent than you look.

1:24:49 > 1:24:51Thank you.

1:24:51 > 1:24:55I wish I could say the same of you. Goodnight.

1:25:03 > 1:25:06Tai!

1:25:06 > 1:25:10- I'm sorry, Peter. - No, no, don't apologise.

1:25:10 > 1:25:15- You've done me a great favour. - I certainly didn't mean to.

1:25:17 > 1:25:20- Bon voyage.- Are you going away?

1:25:20 > 1:25:23No. But I thought maybe YOU were.

1:25:26 > 1:25:28- I'll send for you.- Yes, miss.

1:25:39 > 1:25:42- Good luck, Peter.- Thanks, Denise.

1:25:53 > 1:25:56Linda! Linda, darling! She's gone!

1:25:56 > 1:26:03May I come in to tell you how happy I am that you're not divorcing me?

1:26:04 > 1:26:06Linda!

1:26:07 > 1:26:09Linda!

1:26:13 > 1:26:17Tell me where you're going.

1:26:17 > 1:26:23All right, Linda, if that's the way you feel. Good luck.

1:26:23 > 1:26:27Now what? Linda.

1:26:27 > 1:26:30She's walked out. For good.

1:26:30 > 1:26:34For whose good? Not yours or your creditors.

1:26:34 > 1:26:40Creditors? Yeah. The people who come up because the customers didn't.

1:26:42 > 1:26:45Send up a case of champagne!

1:26:48 > 1:26:53- Have you heard from Linda?- Yeah. - Where is she?- She wouldn't say.

1:26:53 > 1:26:58But she said something about going through with the divorce.

1:26:58 > 1:27:05- Why didn't you stop her?- I tried to stop her marrying Montgomery. - What did YOU do?

1:27:05 > 1:27:10- I proved that she was married to you.- YOU took those pictures?

1:27:10 > 1:27:12How?

1:27:18 > 1:27:26If Linda didn't marry Montgomery, I thought I'd get her in my review. But YOU had to horn in.

1:27:26 > 1:27:29- Now I've lost her.- I'VE lost her.

1:27:29 > 1:27:32Petrov! Oh, you're here!

1:27:32 > 1:27:36Let me tell you... Hello, Miss Keene.

1:27:36 > 1:27:41- We have no show! - Arthur hasn't either.- I'm glad.

1:27:41 > 1:27:46The show's been cancelled because of you and THAT woman.

1:27:46 > 1:27:49Oh, my word! She's fainted!

1:27:49 > 1:27:55- It's just a dummy. - I know she's a dummy. A tap-dancing dummy.

1:27:58 > 1:28:03You mean a dumb dummy. Of course! That picture in the paper!

1:28:05 > 1:28:08You know where we are, don't you?

1:28:08 > 1:28:15We're in New York with no show - all because of you and your practical jokes.

1:28:15 > 1:28:19We can help. We'll use your boy in our show.

1:28:19 > 1:28:24- My what?! - What if we find a spot for you? >

1:28:24 > 1:28:29You vandal! The great Petrov in one of your cheap shows?!

1:29:06 > 1:29:08What's wrong?

1:29:08 > 1:29:14- I'm still trying to get an idea. Something's missing.- Linda Keene!

1:29:14 > 1:29:19A man outside to see Mr Petrov. Shall I let him in?

1:29:19 > 1:29:22Nobody is to go near him. But he...

1:29:22 > 1:29:29- I'm going to dance with Linda! - Is she back?- No. But that figure gave me an idea.

1:29:29 > 1:29:36- If I can't dance with ONE Linda, I'll dance with dozens! - You've got something!

1:29:36 > 1:29:39The man says if he don't see...

1:29:39 > 1:29:45Tell him YOU'RE Petrov. Like a game? Yes!

1:29:47 > 1:29:50What's troubling you, good fellow?

1:29:50 > 1:29:53Peter P Peters, known as Petrov?

1:29:53 > 1:29:57What an amusing alliteration! I am.

1:29:58 > 1:30:02Here's a present for you. Thank you.

1:30:07 > 1:30:10Now I see the idea of the game.

1:30:10 > 1:30:14I am NOT Peter Peters. Neither am I Petrov.

1:30:14 > 1:30:19Oh, wise guy, eh? Leave these premises!

1:30:26 > 1:30:30I'm waiting to speak with Mr Arthur Miller.

1:30:30 > 1:30:34Well, I'll speak with Mr Jeffrey Baird.

1:30:34 > 1:30:38This is Cecil Flintridge. Yes. I'll wait.

1:30:42 > 1:30:43Hello?

1:30:43 > 1:30:48- Hello, Jeffrey. Are you there? - Of course I'm here.

1:30:48 > 1:30:51Don't shout at me! I'm in jail.

1:30:51 > 1:30:54That's OK. We don't need you.

1:30:54 > 1:31:00I'm in jail! Get me out. I'm at the Susquehanna Street jail.

1:31:00 > 1:31:02Susquehanna!

1:31:03 > 1:31:05Susquehanna!

1:31:05 > 1:31:08S...U...S...Q...

1:31:08 > 1:31:13Q! Q! You know, the thing you play billiards with.

1:31:14 > 1:31:16Billiards!

1:31:16 > 1:31:21B...I...L...L... What is this? A spelling bee?

1:31:21 > 1:31:24No. "L" for larynx.

1:31:24 > 1:31:27L...A...R...Y...N...

1:31:27 > 1:31:31Not M - N ! N as in neighbour!

1:31:31 > 1:31:34N...E...I...G...H...B...

1:31:34 > 1:31:36B !

1:31:37 > 1:31:40B ! Bzzzzzzzzzzzzzzzzzzzzzzzzzz!

1:31:40 > 1:31:43You know, the stinging insect.

1:31:43 > 1:31:46Insect! I...N...S...

1:31:46 > 1:31:48S!

1:31:48 > 1:31:50S for symbol!

1:31:51 > 1:31:53S...Y...

1:31:53 > 1:31:55Y!

1:31:56 > 1:31:58Y!

1:31:58 > 1:32:01Don't ask ME why!

1:32:01 > 1:32:05Look, Jeffrey, I'm in jail. Wait a minute.

1:32:05 > 1:32:11What jail did you say this was? Susquehanna Street. Thank you.

1:32:11 > 1:32:14I'm in the Susque...the Susq...

1:32:14 > 1:32:17Jeffrey, listen closely.

1:32:17 > 1:32:21Do you know where Oak Street jail is?

1:32:21 > 1:32:26You do? Fine! I'll have them transfer me there in the MORNING!

1:32:56 > 1:32:59ORCHESTRA BEGIN TO PLAY

1:36:58 > 1:37:03Linda, give up this idea of making a spectacle of yourself.

1:37:03 > 1:37:09- Our men will serve Petrov. - Your men have had their chance.

1:37:09 > 1:37:15Besides, I'll enjoy serving this summons PERSONALLY.

1:37:25 > 1:37:28Linda, it was swell of you to come.

1:37:28 > 1:37:31Meet my attorney, Mr Russell.

1:37:31 > 1:37:34How do you do? How do you do?

1:37:44 > 1:37:50He said if he couldn't dance with you, he'd dance with images of you.

1:39:26 > 1:39:31- Arthur, take me backstage. - Mrs Petrov! Or...Miss Keene?

1:39:31 > 1:39:33Ssssh!

1:39:33 > 1:39:36You're back! What do you want?

1:39:36 > 1:39:37Ssh!

1:39:38 > 1:39:41- Ssh! - What's the matter, Cecil?- Ssh!

1:39:41 > 1:39:44- Ssh! - < Ssh!

1:39:44 > 1:39:47SSSSSSSSH!

1:39:47 > 1:39:52Ssssh! < SSSSSSH!

1:39:52 > 1:39:55- SSSSSH! - Arthur, please.

1:39:55 > 1:40:00Ssssh! Sssh! Ssssh!

1:40:00 > 1:40:04- Sssssh!- Ssssh!

1:40:15 > 1:40:20- #- Drop that long face Come on, have your fling

1:40:20 > 1:40:23- #- Why keep nursing the blues?

1:40:23 > 1:40:27- #- If you want this old world on a string

1:40:27 > 1:40:31- #- Put on your dancing shoes Stop wasting time

1:40:31 > 1:40:36- #- Put on your dancing shoes Watch your spirits climb

1:40:36 > 1:40:40- #- Shall we dance Or keep on moping?

1:40:40 > 1:40:43- #- Shall we dance And walk on air?

1:40:43 > 1:40:46- #- Shall we give in to despair?

1:40:46 > 1:40:50- #- Or shall we dance with never a care?

1:40:50 > 1:40:54- #- Life is short We're growing older

1:40:54 > 1:40:57- #- Don't you be an also-ran

1:40:57 > 1:41:00- #- Dance little lady little man...

1:41:00 > 1:41:03- #- Dance whenever you can.- #

1:41:53 > 1:41:55Hotchachanya!

1:43:15 > 1:43:20TOGETHER: # They all said we'd never get together

1:43:20 > 1:43:23# They laughed at us and how

1:43:23 > 1:43:28# But ho, ho, ho! Who's got the last laugh now? #

1:43:36 > 1:43:39Subtitles by BBC

1:43:39 > 1:43:42E-mail subtitling@bbc.co.uk