0:00:17 > 0:00:20WOMAN: Hey, guys! Up here!
0:00:20 > 0:00:22ALL CHEER
0:00:22 > 0:00:24Have a magic trip.
0:00:24 > 0:00:26We're giving up. This is our last day.
0:00:26 > 0:00:28Jerry, it's OK. Do that thing.
0:00:31 > 0:00:33He's coming, he's coming, he's coming.
0:00:33 > 0:00:36- ALL SING:- # Happy birthday to you
0:00:36 > 0:00:38# Happy birthday, dear Dale... #
0:00:38 > 0:00:40- Thanks, Mom. - Happy birthday, darling.
0:00:40 > 0:00:44# Happy birthday to you. #
0:00:44 > 0:00:46Don't you wanna know what your old dad's got you?
0:00:46 > 0:00:47You're not so old, Dad.
0:00:49 > 0:00:50A Shetland pony!
0:00:50 > 0:00:53A pony, you always wanted to have a pony, right?
0:00:54 > 0:00:57ALL EXCLAIM
0:00:58 > 0:01:00I can't believe it.
0:01:02 > 0:01:04You like it?
0:01:04 > 0:01:06Thanks, Dad. Thank you so much.
0:01:08 > 0:01:11ENGINE REVS
0:01:11 > 0:01:14No going outside that fence, no going outside that fence.
0:01:14 > 0:01:16Sure, Dad. No way.
0:01:16 > 0:01:18- Let's go! Yeah! - Careful.
0:01:18 > 0:01:20Yeah, let's go!
0:01:26 > 0:01:29ALL CHEER
0:01:29 > 0:01:31- Alright. - He's a natural.
0:01:36 > 0:01:37They're going too fast.
0:01:39 > 0:01:41CRASH!
0:01:44 > 0:01:47WOMAN SCREAMS
0:01:47 > 0:01:50Somebody help me! Dale!
0:02:59 > 0:03:00Mum!
0:03:00 > 0:03:02Come and help your mother here.
0:03:03 > 0:03:05Did you get everything, Mum?
0:03:05 > 0:03:06I hope so. Too late now if I haven't.
0:03:06 > 0:03:09- Did you get Twiglets? - They're for anorexics.
0:03:09 > 0:03:11Oh, what would you know? Little squirt!
0:03:11 > 0:03:12It's my birthday.
0:03:12 > 0:03:15Alright, alright, Brian. I see that Dad's car's not here yet.
0:03:16 > 0:03:18Well, we got hats, we got swords, we got streamers...
0:03:18 > 0:03:20Happy birthday, little brother.
0:03:20 > 0:03:22- Annie! Annie, open the door. - Come on, Annie, open up.
0:03:26 > 0:03:29MAN: Yeah. No, I hear what you're saying.
0:03:31 > 0:03:33It's no problem. Well, we've sold the apartments.
0:03:33 > 0:03:36Now, there's a penthouse left. It's yours if you want it.
0:03:36 > 0:03:38OK.
0:03:38 > 0:03:40Well, you deal with me and nobody else, right?
0:03:42 > 0:03:45Everyone is either putting it offshore or sticking it in property.
0:03:45 > 0:03:48We'll give 'em all the property they want.
0:03:48 > 0:03:50As long as the market holds.
0:03:50 > 0:03:53The market's holding like a sumo wrestler, Dan.
0:03:54 > 0:03:56Best figures ever.
0:03:56 > 0:03:58Your wife's coming, Mr McCarthy.
0:03:58 > 0:03:59- Oh, great. - Come on, Polly.
0:04:06 > 0:04:08Fancy dinner later?
0:04:08 > 0:04:10You, me and Polly.
0:04:10 > 0:04:12Sorry, Barney. It's my son's birthday.
0:04:12 > 0:04:15I better split. Late as it is.
0:04:15 > 0:04:17- Hi, Mona. - Danny. How are you?
0:04:17 > 0:04:20- You're looking, um...powerful. - Oh, thank you...
0:04:20 > 0:04:22Don't listen to that flatterer, darlin'!
0:04:22 > 0:04:24He'd charm the birds off the trees.
0:04:24 > 0:04:25I know that.
0:04:25 > 0:04:27It's Brian's birthday. Ria's waiting for me.
0:04:27 > 0:04:29- Here you are. That's for Brian. - Oh, now, you shouldn't...
0:04:29 > 0:04:31- Happy birthday. - Thanks a million.
0:04:31 > 0:04:33- He's a lovely kid. - I'll see you, Barney.
0:04:33 > 0:04:35- Bye. - What did you give the kid?
0:04:35 > 0:04:37More than you did.
0:04:37 > 0:04:38Who wants jelly?
0:04:38 > 0:04:41- KIDS:- Me! Me!
0:04:41 > 0:04:43- Pack of wild animals. - One at a time.
0:04:43 > 0:04:45Cake arriving.
0:04:45 > 0:04:48Oh, Rosemary, you are wonderful. What would I do without you?
0:04:48 > 0:04:50What are best friends for?
0:04:50 > 0:04:51Annie, I thought you might like this.
0:04:52 > 0:04:54Look at that, Brian. What do you think?
0:04:54 > 0:04:56Aren't you a spoilt boy?
0:04:57 > 0:04:58Do I get paid for wearing this?
0:04:58 > 0:05:00Say thanks, Annie.
0:05:00 > 0:05:01Thanks.
0:05:01 > 0:05:04Don't worry, I used to be like that myself.
0:05:04 > 0:05:07- Will I get these candles lit? - Perfect. Thank you.
0:05:07 > 0:05:08Outside, everybody. Outside, everyone.
0:05:08 > 0:05:11- Hi, Rosemary. - Hey, Danny.
0:05:11 > 0:05:12Kids, how's it going?
0:05:15 > 0:05:17Everybody out now.
0:05:18 > 0:05:21My big birthday boy.
0:05:23 > 0:05:25Hi, Annie. I can see you're enjoying yourself.
0:05:25 > 0:05:27Yeah.
0:05:27 > 0:05:29Just in time for the cake.
0:05:29 > 0:05:31I'm sorry I'm late.
0:05:32 > 0:05:34Oh, Rosemary. You've been so good.
0:05:37 > 0:05:39Who wants a game of football?
0:05:43 > 0:05:45I'll be off, darling. Goodbye.
0:05:45 > 0:05:47- See you, Gran. - Thanks for your help, Mum.
0:05:47 > 0:05:48Bye, sweetheart. Bye-bye.
0:06:10 > 0:06:12What?
0:06:13 > 0:06:15Well, I've been thinking, Danny.
0:06:17 > 0:06:19About us.
0:06:20 > 0:06:21Aye, so have I.
0:06:21 > 0:06:24Don't get much chance to talk these days.
0:06:27 > 0:06:30You're looking so beautiful, Dan.
0:06:31 > 0:06:33You've got that look in your eye.
0:06:33 > 0:06:35LAUGHS: You're kidding.
0:06:35 > 0:06:37I can see these things.
0:06:39 > 0:06:41It's time for another baby.
0:06:42 > 0:06:45Well, a new baby puts everything into perspective.
0:06:45 > 0:06:48Work, Barney, all this rushing around.
0:06:51 > 0:06:53How long have you known?
0:06:53 > 0:06:56I think I've always known the time would come.
0:06:56 > 0:06:58What with Annie and Brian grown up so quickly.
0:06:59 > 0:07:04They'll always be special, and nothing's gonna change that.
0:07:04 > 0:07:05Of course.
0:07:05 > 0:07:11Ria, I can't understand how you're so calm.
0:07:11 > 0:07:13You're so bloody calm.
0:07:13 > 0:07:15Well, I'm excited, Danny, darlin'.
0:07:15 > 0:07:18I've been wanting us to have another baby for a long time now.
0:07:18 > 0:07:22Oh, God. Oh, my God. I don't believe this.
0:07:22 > 0:07:24What?
0:07:24 > 0:07:25You said "us".
0:07:25 > 0:07:27You were talking about me and you.
0:07:27 > 0:07:28I thought you'd found out.
0:07:28 > 0:07:32For a mad moment, I thought you'd accepted it.
0:07:32 > 0:07:34Found out what?
0:07:41 > 0:07:43I...
0:07:45 > 0:07:47I'm having another baby.
0:07:52 > 0:07:54Ria?
0:07:54 > 0:08:00I've been seeing someone else and we just found out she's pregnant.
0:08:00 > 0:08:02GASPS
0:08:02 > 0:08:04Ria, I'm sorry. I was gonna tell you.
0:08:05 > 0:08:07I didn't mean it to be like this.
0:08:09 > 0:08:12I never wanted anything like this to happen.
0:08:12 > 0:08:14Dad, what are you doing?
0:09:12 > 0:09:15WOMAN SCREAMS Somebody help me!
0:09:17 > 0:09:19Can somebody help me?
0:09:34 > 0:09:36WOMAN WAILS
0:09:41 > 0:09:44WOMAN SCREAMS
0:09:44 > 0:09:48SOBS AND WAILS
0:10:15 > 0:10:17MAN: Have you put anything at all in that bag, Marilyn?
0:10:18 > 0:10:21What do I need in Hawaii? A grass skirt?
0:10:21 > 0:10:24LAUGHS: I can't wait to see that.
0:10:31 > 0:10:34This is gonna be so good for us, Marilyn.
0:10:35 > 0:10:37TUTS
0:10:42 > 0:10:44Just a minute.
0:10:54 > 0:10:56I'm not going.
0:10:56 > 0:10:59Are you kidding? They're expecting us.
0:10:59 > 0:11:00They're expecting you.
0:11:00 > 0:11:02You can't stay here on your own.
0:11:02 > 0:11:04I'm not gonna stay on my own.
0:11:04 > 0:11:06What do you mean?
0:11:06 > 0:11:08I don't know.
0:11:10 > 0:11:12We can't go on like this, Greg.
0:11:12 > 0:11:14We're different people now.
0:11:18 > 0:11:20Can you honestly look at me
0:11:20 > 0:11:26and tell me you have any feelings left for me at all?
0:11:27 > 0:11:29Yes, I can, Marilyn.
0:11:31 > 0:11:33Well, I don't for you.
0:12:15 > 0:12:17Her name's Bernadette and...
0:12:17 > 0:12:20The sex is fantastic. Please, Danny, you can spare me the details.
0:12:20 > 0:12:23Oh, I beg you, Ria, don't be bitter and accusing.
0:12:23 > 0:12:26I had no idea you weren't happy here with us.
0:12:26 > 0:12:28- It's not that. - Well, what is it?
0:12:28 > 0:12:31If I knew what it was, maybe I could do something about it.
0:12:32 > 0:12:34Bernadette and me...
0:12:37 > 0:12:38..it's the real thing, Ria.
0:12:40 > 0:12:43I wanna spend the rest of my life with her.
0:12:44 > 0:12:46We fell out of love, Ria, you and I.
0:12:46 > 0:12:48I didn't.
0:12:48 > 0:12:51I love everything about you. I want to feel your arms around me.
0:12:51 > 0:12:53I want to hear you telling me this is all a nightmare.
0:12:53 > 0:12:56- I just don't wanna upset the kids. - Well, stay here, then.
0:12:57 > 0:12:59My mind's made up.
0:12:59 > 0:13:01What'll we tell Brian and Annie about where we'll all live?
0:13:01 > 0:13:04Well, I'll be living here, won't I?
0:13:04 > 0:13:07Well, sweetheart, eventually we'll have to sell the place.
0:13:07 > 0:13:09Sell Tara Road?
0:13:10 > 0:13:13But this isn't a house, Danny, this is our home.
0:13:13 > 0:13:15This is where we live.
0:13:17 > 0:13:21I'm not moving out of my home so you can provide for your girlfriend!
0:13:37 > 0:13:40PHONE RINGS Danny, could you get that?
0:13:53 > 0:13:54Hello?
0:13:54 > 0:13:58Yes, I'm looking for Danny Lynch. He's a property consultant.
0:13:58 > 0:14:01My husband met him years ago in Ireland.
0:14:01 > 0:14:03I'm Marilyn Vine. I'm from America.
0:14:03 > 0:14:05I live in Stoneyfield, Connecticut, New England.
0:14:05 > 0:14:07What? Why do you want him - Danny?
0:14:07 > 0:14:10Oh, well, my husband said that he was a very helpful man,
0:14:10 > 0:14:12and, you see, I've got this big house and a swimming pool
0:14:12 > 0:14:14and I'm looking for someone
0:14:14 > 0:14:16that would like to exchange homes with me.
0:14:16 > 0:14:20I would like... I'd like to be near Dublin.
0:14:20 > 0:14:22Is this Mrs Lynch?
0:14:22 > 0:14:23I don't know.
0:14:23 > 0:14:25I beg your pardon?
0:14:25 > 0:14:28Look, it's the middle of the night here.
0:14:28 > 0:14:31Oh, God, I'm so sorry! I completely forgot about the time change.
0:14:31 > 0:14:34Look, I can call you back in the morning your time.
0:14:34 > 0:14:36Oh, no, no, don't.
0:14:36 > 0:14:38Um, listen, now's as good a time as any.
0:14:38 > 0:14:41Um, well, I've got a big house too.
0:14:41 > 0:14:44I'll do it. I'll swap with you.
0:14:44 > 0:14:48You will? Oh, that's great.
0:14:48 > 0:14:50That's great.
0:14:50 > 0:14:54OK, well, I'll send you pictures and information right away.
0:14:54 > 0:14:56You see, my husband, he's in Hawaii,
0:14:56 > 0:14:58and I'd like to be there for a couple of months,
0:14:58 > 0:14:59preferably when the weather's nice.
0:14:59 > 0:15:02Oh, the... No, the weather's beautiful now.
0:15:02 > 0:15:04THUNDER RUMBLES
0:15:04 > 0:15:08I'm Ria, by the way. Ria Lynch.
0:15:08 > 0:15:10Hello? Are you there?
0:15:11 > 0:15:13Hello?
0:15:23 > 0:15:25This whole thing is crazy.
0:15:25 > 0:15:28You're letting some mad woman move in here, into my house.
0:15:28 > 0:15:29OUR house.
0:15:29 > 0:15:31It's not on, Ria. Believe me.
0:15:31 > 0:15:34- It's all arranged, Danny. - Unarrange it, sweetheart.
0:15:34 > 0:15:36Call me "sweetheart" one more time
0:15:36 > 0:15:40and I swear I will grab the nearest fork and stick it in your eye.
0:15:40 > 0:15:46Ria, going to America for two months, what's it gonna do for you?
0:15:46 > 0:15:48Running away is never a good idea.
0:15:48 > 0:15:50Well, I'm going.
0:15:50 > 0:15:52She's arriving the same day.
0:15:53 > 0:15:55The kids'll follow out later.
0:15:57 > 0:15:59- Have you told 'em? - Not yet.
0:15:59 > 0:16:02Don't. It'll cost me a fortune.
0:16:02 > 0:16:05For God's sakes, I've got two homes to keep going now, Ria.
0:16:12 > 0:16:14What a mess.
0:16:58 > 0:17:00- Stop. - No.
0:17:00 > 0:17:03Oh, no, please don't. Don't go. Don't leave me.
0:17:03 > 0:17:04Please don't.
0:17:18 > 0:17:19SIGHS: Oh, Ria.
0:17:21 > 0:17:23Isn't it beautiful?
0:17:23 > 0:17:25It reminds me of my grandmother's house.
0:17:26 > 0:17:28Yes, it's lovely.
0:17:28 > 0:17:31But, um, you know, what about friends?
0:17:31 > 0:17:32Who are you gonna talk to?
0:17:32 > 0:17:34In Ireland? The entire population.
0:17:34 > 0:17:38The object of the exercise is to be alone.
0:17:40 > 0:17:42What does Greg say?
0:17:42 > 0:17:44Greg?
0:17:45 > 0:17:47Greg doesn't know.
0:17:49 > 0:17:52Hey, you can bring us back one of those leprechauns.
0:17:52 > 0:17:54You know, little old men with red beards and yellow trousers.
0:17:54 > 0:17:56They promise you a pot of gold.
0:17:56 > 0:17:59You've been with enough of them already.
0:18:00 > 0:18:03You're what? You're letting the house to a total stranger?
0:18:03 > 0:18:05Well, she just separated from her husband.
0:18:05 > 0:18:08Oh, yeah. Just like you and me.
0:18:08 > 0:18:11Marilyn, in your state of mind, it's dangerous to go there on your own.
0:18:11 > 0:18:14It's only for a short time, Greg. I just wanted you to know.
0:18:14 > 0:18:15Try and...
0:18:15 > 0:18:17Try and sort it out in your mind. I understand.
0:18:17 > 0:18:19Do you?
0:18:19 > 0:18:22Jesus, Marilyn, you're letting some Irish loony tune
0:18:22 > 0:18:24take over our house.
0:18:24 > 0:18:26She'll probably hang religious pictures everywhere,
0:18:26 > 0:18:27wreck the place.
0:18:27 > 0:18:31Hey, that special bottle of cognac you gave me on my birthday.
0:18:31 > 0:18:33It's in my study. Hide it.
0:18:33 > 0:18:34Marilyn, hide it away.
0:18:38 > 0:18:40A swimming pool! Wow, look at that, Mum.
0:18:40 > 0:18:42And what's that?
0:18:42 > 0:18:43A basketball ring.
0:18:43 > 0:18:46I'm not going. It'll solve nothing.
0:18:46 > 0:18:47Fine. Stay here with Dad, then.
0:18:47 > 0:18:49If he was my husband, I'd strangle him!
0:18:49 > 0:18:53And you just sit there, Mum, and do nothing.
0:18:53 > 0:18:56I'm not doing nothing. I'm going to New England.
0:18:56 > 0:18:58You can come with me or you can stay here.
0:19:02 > 0:19:03Annie, I'm sorry.
0:19:03 > 0:19:07I'm sorry, I'm sorry, I'm sorry, I'm sorry.
0:19:08 > 0:19:11SIGHS: God.
0:19:11 > 0:19:16Annie's right. Danny's so stupid, walking out on this lovely home.
0:19:16 > 0:19:19I mean, what can he get from that slut that he can't have here?
0:19:19 > 0:19:20Oh, another crack at being young.
0:19:20 > 0:19:23Well, he needs a crack alright - with a stick.
0:19:23 > 0:19:26- What did you do to make him leave? - I don't know, Mum.
0:19:26 > 0:19:29Well, you can look at what you're wearing for a start.
0:19:31 > 0:19:33Mind you, might be a clever move, going away, Ria.
0:19:33 > 0:19:36Absence makes the heart grow fonder.
0:19:36 > 0:19:39Oh, God, I hope I'm doing the right thing.
0:19:41 > 0:19:43If you could, Colm, that'd be great.
0:19:43 > 0:19:45Oh, I'd love to look after it.
0:19:45 > 0:19:48Listen, I can put in lettuces over here.
0:19:48 > 0:19:49Oh, right.
0:19:49 > 0:19:51Some scallions. It'll be great.
0:19:51 > 0:19:53My customers'll love it.
0:19:53 > 0:19:56By the time you get back, the whole garden will be blooming.
0:20:02 > 0:20:03How are the kids?
0:20:03 > 0:20:06Annie's taking it pretty badly.
0:20:06 > 0:20:09That's understandable.
0:20:13 > 0:20:15She thinks it's my fault.
0:20:22 > 0:20:24RIA: Well, this is it.
0:20:24 > 0:20:27Annie, you will try and be civil when you meet her?
0:20:27 > 0:20:29She better not try and boss me around.
0:20:29 > 0:20:31She won't.
0:20:40 > 0:20:43I bet this is her and the mother.
0:20:45 > 0:20:47It's them alright.
0:20:47 > 0:20:49- BRIAN:- How can you tell?
0:20:49 > 0:20:51A woman can tell these things.
0:20:53 > 0:20:55But you couldn't tell Dad was seeing her.
0:20:59 > 0:21:00Right, it's time.
0:21:00 > 0:21:02I love you both so much.
0:21:30 > 0:21:31DANNY: Hey, kids!
0:21:33 > 0:21:34Wait for me!
0:21:39 > 0:21:41Are you excited, Marilyn?
0:21:41 > 0:21:43Yes, I am.
0:21:43 > 0:21:44Well, let's go.
0:21:50 > 0:21:52At least it's all spick-and-span.
0:22:03 > 0:22:06You look fantastic, Ria.
0:22:06 > 0:22:07I'm so nervous.
0:22:07 > 0:22:09Oh, rubbish. You'll have the time of your life.
0:22:09 > 0:22:12Come on, now, we really need to make a move.
0:22:14 > 0:22:18Oh, goodbye, house. Goodbye, lovely house.
0:22:18 > 0:22:20Oh, don't worry. I'll keep an eye on things.
0:22:20 > 0:22:22Come on.
0:22:25 > 0:22:27Now, you're not to worry about me.
0:22:28 > 0:22:30- Ah, Mrs Doyle. - Good luck, Ria.
0:22:32 > 0:22:33I'll call you when I get there.
0:22:54 > 0:22:55Taxi, miss?
0:22:55 > 0:22:57Yes, thank you.
0:22:59 > 0:23:02WOMAN ON RADIO: 483 to base, over. Everything OK on 113.
0:23:11 > 0:23:13What brings you to these parts?
0:23:15 > 0:23:16My husband left me.
0:23:58 > 0:23:59Is that Trinity College?
0:23:59 > 0:24:01MAN: That's it, yeah.
0:24:01 > 0:24:02Do they call it "Trinity"
0:24:02 > 0:24:04because of the Father, the Son and the Holy Ghost?
0:24:04 > 0:24:07No - because St Patrick picked up a shamrock
0:24:07 > 0:24:09and it had three leaves, you see.
0:24:09 > 0:24:12Then he banished all the snakes out of the country.
0:24:12 > 0:24:15They sneaked back in later on and became tax inspectors.
0:24:18 > 0:24:20- That's for you. - Thank you, ma'am.
0:24:20 > 0:24:23- Welcome to America. - Thanks.
0:25:55 > 0:25:57- MAN: Hello? - Yes?
0:25:57 > 0:25:59DOOR OPENS
0:26:04 > 0:26:07- MAN: Hi. - Who's there?
0:26:07 > 0:26:08Marilyn?
0:26:08 > 0:26:10Welcome to Dublin.
0:26:10 > 0:26:13I'm Colm McGuire. I'm a friend of Ria's.
0:26:13 > 0:26:15Uh, she told you, right?
0:26:15 > 0:26:17I'll be digging the garden, but don't worry, I'll use the side gate.
0:26:17 > 0:26:19I won't be getting in your way.
0:26:19 > 0:26:21You're the guy with the restaurant.
0:26:21 > 0:26:22Yep, that's right.
0:26:27 > 0:26:29Uh, you'll be needing to get a bit of sleep,
0:26:29 > 0:26:31so I'll leave you to it.
0:26:31 > 0:26:33Ria's husband must really love this new woman
0:26:33 > 0:26:36to leave his family and this lovely home.
0:26:37 > 0:26:40People think they're on this earth just to be happy.
0:26:40 > 0:26:45Maybe we don't know it when we are, and then it's too late.
0:26:45 > 0:26:47Maybe.
0:26:50 > 0:26:53Did Ria tell you anything else about me?
0:26:53 > 0:26:56No.
0:26:58 > 0:27:01Like that I murdered my last two wives?
0:27:05 > 0:27:08LAUGHS: Just kidding. I'll see you later.
0:27:12 > 0:27:15Hi! You must be Ria Lynch.
0:27:15 > 0:27:17- Hi. Carlotta? - Yeah, hi.
0:27:17 > 0:27:19Jet-lagged?
0:27:19 > 0:27:21No, I always look like this.
0:27:21 > 0:27:22- CHUCKLES:- If you need anything,
0:27:22 > 0:27:26I just live over there, so just come over.
0:27:26 > 0:27:27Aren't you gonna come in and show me round?
0:27:27 > 0:27:30No, no, no. Listen, you're tired and...so just settle in, OK?
0:27:30 > 0:27:32Please come in. Come on.
0:27:32 > 0:27:34OK.
0:27:35 > 0:27:37Alright, well, you know that this is the den.
0:27:37 > 0:27:38Uh-huh.
0:27:38 > 0:27:40And this is the living room here.
0:27:40 > 0:27:43The house is so beautiful. She must have a very good cleaning lady.
0:27:43 > 0:27:44- LAUGHS:- Yeah!
0:27:44 > 0:27:46OK, and bedroom, bedroom, bedroom.
0:27:46 > 0:27:50Down here is the kitchen and this is Greg's study.
0:27:50 > 0:27:53You know that Greg is Marilyn's husband?
0:27:53 > 0:27:55- Teaches English at Conn College. - Uh-huh.
0:27:55 > 0:27:58He's a really, really sweet guy.
0:27:58 > 0:27:59My husband left me recently.
0:27:59 > 0:28:01Oh. Well, whose hasn't?
0:28:01 > 0:28:03I met him when I was 22 years old.
0:28:03 > 0:28:04Well, you shoulda dumped him then.
0:28:08 > 0:28:09Is this their son?
0:28:09 > 0:28:11Yeah, that's Dale.
0:28:12 > 0:28:13Do you fancy a nip?
0:28:13 > 0:28:15Oh, yeah!
0:28:15 > 0:28:17- It's brandy. - Yeah!
0:28:17 > 0:28:18KNOCKS AT WINDOW
0:28:18 > 0:28:20Come in.
0:28:20 > 0:28:23Hi. I'm Heidi Franks.
0:28:23 > 0:28:27Now, Marilyn told me all about you and I'm here to welcome you.
0:28:27 > 0:28:30- Hi, Heidi. - Carlotta.
0:28:30 > 0:28:32She insisted I come in.
0:28:32 > 0:28:34- Sure. - Ria Lynch.
0:28:34 > 0:28:36- Hi! - Would you like some brandy?
0:28:36 > 0:28:38- Yeah. Thanks. - Her husband left her recently.
0:28:38 > 0:28:41Bastard!
0:29:23 > 0:29:26I feel like I've known you for years.
0:29:26 > 0:29:28A hundred million years.
0:29:28 > 0:29:30It feels like a lifetime at the moment.
0:29:30 > 0:29:32What does Marilyn do, anyway?
0:29:32 > 0:29:34Oh, Marilyn, she cleans, cleans, cleans...
0:29:34 > 0:29:37She does not clean. She teaches - teaches music.
0:29:37 > 0:29:39She's a clarinettist.
0:29:39 > 0:29:41It's so sad - she won't play anymore.
0:29:41 > 0:29:43PHONE RINGS
0:29:43 > 0:29:44She's been a bit of a bitch lately.
0:29:44 > 0:29:46ANSWERING MACHINE: Hello, this is the Vine residence.
0:29:46 > 0:29:47Please leave your message after the beep.
0:29:47 > 0:29:49BEEP! MARILYN: Hi, Ria.
0:29:49 > 0:29:52This is Marilyn Vine. I'm just checking in on you.
0:29:52 > 0:29:55I wanted to let you know that everything is great here in Dublin
0:29:55 > 0:29:57and I just love your little house.
0:29:57 > 0:29:59It is simply beautiful.
0:29:59 > 0:30:03And if my friends Carlotta or Heidi impose too much,
0:30:03 > 0:30:05just tell them you're too busy.
0:30:05 > 0:30:07Goodnight.
0:30:36 > 0:30:38WOMAN: Hello? Hi.
0:30:40 > 0:30:43I'm Rosemary Ryan. Ria and I are best friends.
0:30:43 > 0:30:45Welcome to Ireland.
0:30:45 > 0:30:47Marilyn Vine. I'd ask you in, but I've...
0:30:47 > 0:30:49I don't want to come in.
0:30:49 > 0:30:52Actually, I just wanted to ask you to dinner on Saturday at Colm's.
0:30:52 > 0:30:54He's having a gala evening.
0:30:54 > 0:30:56Well, Ria asked me to keep an eye on you,
0:30:56 > 0:30:58and I think he'd like it if you'd come.
0:30:58 > 0:31:00You don't have to decide right now.
0:31:00 > 0:31:02I'll call you later or you can call me - whatever suits.
0:31:02 > 0:31:04Thank you.
0:31:04 > 0:31:06How are you?
0:31:06 > 0:31:08It's a grand day, now, isn't it, Mrs Vine?
0:31:08 > 0:31:10Isn't it a grand day?
0:31:10 > 0:31:12I was wondering how you were enjoying Ireland.
0:31:12 > 0:31:15Oh, it's lovely.
0:31:17 > 0:31:19BEEP!
0:31:19 > 0:31:21BRIAN ON ANSWERING MACHINE: Hi, Mum. Is it nice there?
0:31:21 > 0:31:24Finola's quite nice. Finola's Bernadette's mother.
0:31:24 > 0:31:27She's coming out to dinner with us as well...
0:31:27 > 0:31:31SOBS
0:31:31 > 0:31:32Bye, Mum.
0:31:32 > 0:31:34BEEP!
0:31:34 > 0:31:37KNOCKING
0:31:39 > 0:31:43Hi, I'm Andy Vine, Greg's brother. Is he in?
0:31:43 > 0:31:46No, Greg's in Hawaii, Marilyn's in Dublin.
0:31:46 > 0:31:48Really? Why?
0:31:48 > 0:31:50I can't really explain it now.
0:31:50 > 0:31:53Would you mind calling back later,
0:31:53 > 0:31:57and I'll just call Greg and check you are who you say you are?
0:31:57 > 0:31:59OK. I see.
0:31:59 > 0:32:01He'll tell you I always drop by when I come out east.
0:32:02 > 0:32:04I'm sorry.
0:32:04 > 0:32:09It's just that...it's just that my children just called.
0:32:09 > 0:32:12That's why I'm so upset.
0:32:13 > 0:32:15My husband... SOBS
0:32:15 > 0:32:18Hey, it's OK. I'll be back later.
0:32:18 > 0:32:20- I'm sorry. SOBS - Bye.
0:33:19 > 0:33:20Yeah, he's my brother. It's OK.
0:33:20 > 0:33:23He works in Los Angeles. Comes east occasionally.
0:33:23 > 0:33:25I appreciate your caution.
0:33:25 > 0:33:26You'll be pleased to know
0:33:26 > 0:33:28your wife's well-installed in my house in Dublin.
0:33:28 > 0:33:30Is your family with you there as well in my house?
0:33:30 > 0:33:33No, no, my children are coming later. Didn't Marilyn tell you that?
0:33:33 > 0:33:38No...yes... Uh, I apologise for my tone.
0:33:38 > 0:33:40Marilyn and I didn't quite... Never mind.
0:33:40 > 0:33:42Well, I don't know much about you both,
0:33:42 > 0:33:44but you certainly have a lovely son.
0:33:44 > 0:33:46He must be enjoying it in Hawaii.
0:33:46 > 0:33:47I beg your pardon?
0:33:47 > 0:33:49Dale, isn't it?
0:33:49 > 0:33:51He must be missing his mother.
0:33:55 > 0:33:56She's certainly missing him.
0:34:06 > 0:34:07Oh, how are youse?
0:34:08 > 0:34:11I'm Ria's mother. I was just wondering...
0:34:11 > 0:34:13I work for the local old people's home.
0:34:13 > 0:34:15They love surprises.
0:34:15 > 0:34:18I met a circus clown in Grafton Street once.
0:34:18 > 0:34:21Big Red Nose, he was called. I brought him along.
0:34:21 > 0:34:23Oh, he worked a treat.
0:34:23 > 0:34:25They'd love to meet an American.
0:34:26 > 0:34:28I'm sure they would,
0:34:28 > 0:34:31but I'm afraid I'd be a let-down after the Big Red Nose.
0:34:35 > 0:34:37Do you have children of your own?
0:34:37 > 0:34:41Don't worry about the gate. I'll close it.
0:34:56 > 0:34:58Hi, Colm.
0:34:59 > 0:35:01Hey.
0:35:04 > 0:35:06COLM: I needed a lot for the restaurant.
0:35:06 > 0:35:11See? Irish bread, cakes.
0:35:11 > 0:35:13There's a really nice cheese stall right here.
0:35:13 > 0:35:16How you doing? This is Marilyn, from America.
0:35:16 > 0:35:18- Hi. - Hi. How you doing?
0:35:18 > 0:35:19You got anything interesting today?
0:35:19 > 0:35:21- Have a look. - Oh, yeah.
0:35:21 > 0:35:22Goat's brie, right?
0:35:22 > 0:35:24You like goat's cheese?
0:35:24 > 0:35:25I don't even like goats.
0:35:25 > 0:35:27Try it. It's good for you.
0:35:27 > 0:35:29Why is it everything that's good for you tastes horrible?
0:35:29 > 0:35:31So as you won't get addicted to it.
0:35:31 > 0:35:33Hmm. There's a definite flavour.
0:35:33 > 0:35:36- I want a new frog. - As in hop-hop-horrible?
0:35:36 > 0:35:39I'm not buying a new one. I'm swapping it for another.
0:35:43 > 0:35:44What's so funny?
0:35:46 > 0:35:49- Coffee? - I don't drink coffee.
0:35:49 > 0:35:51I don't think he's asking you, Annie.
0:35:53 > 0:35:55- We better go. - What?
0:35:55 > 0:35:57- Bye, Colm. - See you later, kids.
0:36:01 > 0:36:05# When Mary left her highland home
0:36:05 > 0:36:08# And wandered forth with me... #
0:36:08 > 0:36:10Are you going to travel round the country at all?
0:36:10 > 0:36:12Not if I can help it.
0:36:12 > 0:36:16You only wanna travel round inside your head. Am I right?
0:36:16 > 0:36:19- You could say that. - I'll accompany you any time.
0:36:19 > 0:36:21I like being alone.
0:36:21 > 0:36:25Me too, and it's much better being alone together.
0:36:27 > 0:36:29Sometimes.
0:36:33 > 0:36:35It's so sweet. So unbearably sad.
0:36:35 > 0:36:38Not at all. He's alive, he's singing.
0:36:48 > 0:36:50Your smile is lovely and sad.
0:36:50 > 0:36:52Are you OK?
0:36:54 > 0:36:56You wouldn't flirt with someone's emotions,
0:36:56 > 0:36:59especially a stranger's, would you?
0:37:04 > 0:37:06Did Ria tell you I was an alcoholic?
0:37:06 > 0:37:09How do you know when you're an alcoholic?
0:37:11 > 0:37:13Well, you get lots of clues.
0:37:13 > 0:37:16Like, when you start drinking, you can't stop.
0:37:16 > 0:37:19- I'm addicted to something else now. - What?
0:37:20 > 0:37:22Life.
0:37:23 > 0:37:25And mashed potatoes.
0:37:32 > 0:37:33Do you have any children?
0:37:33 > 0:37:36No, thank God.
0:37:37 > 0:37:39So, did you leave her or did she leave you?
0:37:39 > 0:37:41It's never as simple as that.
0:37:41 > 0:37:43Oh, but it is.
0:37:45 > 0:37:47I had an affair, she found out and she threw me out.
0:37:47 > 0:37:50What if she were the one who'd had the affair?
0:37:50 > 0:37:51Marriages survive affairs,
0:37:51 > 0:37:54if the marriage is bigger than the affair.
0:37:55 > 0:37:56I thought ours was.
0:37:58 > 0:37:59But she couldn't cook like you.
0:37:59 > 0:38:02Unfortunately, being able to cook does not save a marriage.
0:38:02 > 0:38:04So, how does Marilyn get on with Dale,
0:38:04 > 0:38:06because he's in Hawaii with Greg, am I right?
0:38:06 > 0:38:10Dale... Marilyn didn't tell you about Dale?
0:38:10 > 0:38:13No. She didn't even mention she had a son.
0:38:15 > 0:38:18Latkes. These potato cakes are latkes, right?
0:38:19 > 0:38:20They're not Irish at all.
0:38:20 > 0:38:23We didn't invent the potato, we just perfected it, Mr Know-All.
0:38:27 > 0:38:29I like you, Maria.
0:38:31 > 0:38:34You're...nice.
0:39:01 > 0:39:02This is real bees' honey, right?
0:39:02 > 0:39:06As opposed to artificial bees?
0:39:06 > 0:39:08I see your sting isn't only in your prices.
0:39:08 > 0:39:09Oh, touche, darling.
0:39:09 > 0:39:11You're that Irish girl, right?
0:39:11 > 0:39:14Are you really looking for a cook?
0:39:17 > 0:39:20PIANO MUSIC TINKLES
0:39:23 > 0:39:25Hey, fantastic.
0:39:25 > 0:39:27Thanks, Rosemary, for persuading her.
0:39:27 > 0:39:29Oh, she didn't have to break my arm.
0:39:29 > 0:39:31We'll break yours, though, if the food's not good.
0:39:31 > 0:39:34The food'll be fine. Jennifer? Er, 15.
0:39:34 > 0:39:36Hi. Follow me, please.
0:39:37 > 0:39:39DANNY: You two ready to order yet?
0:39:39 > 0:39:41- Hey, Polly. - Hi, Rosemary.
0:39:41 > 0:39:42Hello, Danny.
0:39:46 > 0:39:48That's the American woman in our house, Dad.
0:39:48 > 0:39:50Colm fancies her, doesn't he, Annie?
0:39:50 > 0:39:51Shut your mouth.
0:39:51 > 0:39:53COLM: Martinis on the house... ALL EXCLAIM
0:39:53 > 0:39:56..for our American visitor, Marilyn - Marilyn Vine.
0:39:56 > 0:39:58- Thank you. - APPLAUSE
0:40:00 > 0:40:02You should come here more often!
0:40:02 > 0:40:04Who's he?
0:40:04 > 0:40:06That's Barney McCarthy. He's a property tycoon.
0:40:06 > 0:40:08He's Danny's boss.
0:40:08 > 0:40:11And that must be Danny sitting with him.
0:40:11 > 0:40:13And which one is the mistress?
0:40:14 > 0:40:16Oh...yes.
0:40:22 > 0:40:24Welcome to Dublin, Marilyn.
0:40:24 > 0:40:27Danny Lynch. You're staying in my house.
0:40:27 > 0:40:29It's Ria's house, isn't it?
0:40:29 > 0:40:30Our house.
0:40:30 > 0:40:33How's Clemence, our cat?
0:40:33 > 0:40:35I'd say he's missing you, Danny.
0:40:35 > 0:40:37Maybe you should call round and rub his tummy.
0:40:37 > 0:40:40Well, Ria didn't leave any instructions about...
0:40:40 > 0:40:42You know, you're very kind to leave your house to Ria.
0:40:42 > 0:40:45It's been a bad time for her.
0:40:45 > 0:40:46I guess it has.
0:40:46 > 0:40:50But, hey, she'll get over it, right?
0:40:52 > 0:40:54Ladies, ladies, won't you join us?
0:40:54 > 0:40:56The more the merrier. Make room there, kids.
0:40:56 > 0:40:58Move up there, lass.
0:41:00 > 0:41:05American hospitality in their own country is legendary.
0:41:05 > 0:41:07Oh, Barney, not a speech. No, it's too early.
0:41:07 > 0:41:09Wait till we're all drunk, Barney.
0:41:09 > 0:41:11Will you join us, Marilyn?
0:41:11 > 0:41:12Oh, OK. Thank you.
0:41:12 > 0:41:14- Come on, Rosemary. - OK.
0:41:17 > 0:41:20Thank you.
0:41:20 > 0:41:22- WOMAN:- I'm Finola. - Rosemary Ryan.
0:41:22 > 0:41:24Rosemary. This is my daughter, Bernadette.
0:41:24 > 0:41:27- Hello. - Bernadette.
0:41:27 > 0:41:28Rosemary.
0:41:39 > 0:41:41Ta-da!
0:41:46 > 0:41:48Normally we use a fork.
0:41:58 > 0:42:04If this was ice-skating, you'd score 10. I like!
0:42:06 > 0:42:07Mmm!
0:42:07 > 0:42:10Sing us the one you sang at your mother's wedding!
0:42:10 > 0:42:12At least my mother had a wedding.
0:42:12 > 0:42:13ALL EXCLAIM
0:42:13 > 0:42:16Rosemary, will you sing the song you sang at the charity do?
0:42:16 > 0:42:18- Oh, please. - Oh, go on, will you?
0:42:18 > 0:42:20Come on, give us a tune for our American visitor.
0:42:20 > 0:42:22Sing for us.
0:42:24 > 0:42:30# As I came in by yon rushy wood
0:42:30 > 0:42:34# What spied I
0:42:34 > 0:42:38# In my true love's door?
0:42:39 > 0:42:43# My heart stood still
0:42:43 > 0:42:47# My eyes grew blind
0:42:48 > 0:42:51# To see my bonny lad
0:42:51 > 0:42:54# Leave me behind
0:42:54 > 0:42:58# And I will tell you
0:42:58 > 0:43:02# The reason why
0:43:02 > 0:43:06# Because she has
0:43:06 > 0:43:09# More gold than I
0:43:09 > 0:43:14# And I will tell you
0:43:14 > 0:43:18# The reason true
0:43:18 > 0:43:22# For the sweeter taste
0:43:22 > 0:43:24# Of a love that's new... #
0:43:24 > 0:43:26I hate this!
0:43:27 > 0:43:28Why?
0:43:28 > 0:43:30Cos Mum should be here, that's why.
0:43:30 > 0:43:34Annie, what are you trying to do - ruin a great evening?
0:43:34 > 0:43:36Annie, be a good girl.
0:43:36 > 0:43:40Me? You're the one who ran off with my dad.
0:43:40 > 0:43:43I mean, you're all eejits! I hate the most of you.
0:43:49 > 0:43:53You know something? I'm suddenly not feeling very hungry.
0:43:53 > 0:43:55ROSEMARY: Wait, Marilyn.
0:43:55 > 0:43:57- DANNY:- Oh, no.
0:44:03 > 0:44:05WOMEN SHRIEK
0:44:05 > 0:44:06It's just a frog.
0:44:06 > 0:44:08COLM: Marilyn!
0:44:09 > 0:44:11Marilyn, wait.
0:44:14 > 0:44:15What happened?
0:44:15 > 0:44:18I just hated what was going on back there.
0:44:18 > 0:44:19Annie was so angry and...
0:44:20 > 0:44:22Come on back.
0:44:22 > 0:44:25I don't know what I'm doing here.
0:44:27 > 0:44:29I think I made a terrible mistake.
0:44:29 > 0:44:30Here.
0:44:34 > 0:44:35It smells like curry powder.
0:44:37 > 0:44:40Come on back. Have a brandy.
0:44:40 > 0:44:43Have two. Have the whole bottle. Cheer yourself up.
0:44:43 > 0:44:46I can't. I'd feel like a fool in front of those people.
0:44:46 > 0:44:48You couldn't make a fool of yourself. Not in my restaurant.
0:44:48 > 0:44:53Rows, fisticuffs, walk-outs - all par for the course.
0:44:55 > 0:44:57I came here to be alone.
0:44:59 > 0:45:01To think.
0:45:01 > 0:45:02WOMAN: Colm!
0:45:14 > 0:45:15KNOCKING WOMAN: Marilyn?
0:45:16 > 0:45:19It's just me. I saw the light and...
0:45:19 > 0:45:22Marilyn, are you OK? Do you want to talk?
0:45:22 > 0:45:24No, no, I'm fine.
0:45:25 > 0:45:27I was just tired.
0:45:27 > 0:45:29Sure.
0:45:29 > 0:45:32You didn't make a mistake coming here, by the way.
0:45:32 > 0:45:37Whatever it is that's bugging you, it will work out.
0:45:37 > 0:45:39Just give it a chance.
0:45:41 > 0:45:43Yeah, thanks.
0:45:43 > 0:45:44Night.
0:45:47 > 0:45:49You can call round any time.
0:45:52 > 0:45:54Everyone's so nice.
0:45:55 > 0:45:59I can't. I mean, what if Marilyn found out?
0:45:59 > 0:46:01What, like I'm gonna tell her? Relax!
0:46:01 > 0:46:03Oh, I like the green one.
0:46:03 > 0:46:05This green dress?
0:46:05 > 0:46:09This is the colour of salad! Salad is a side dish.
0:46:09 > 0:46:11You are the main course.
0:46:11 > 0:46:14Well, what about this one? This is nice.
0:46:14 > 0:46:18Yellow? I'm sorry, you wanna go out looking like an omelette? Please!
0:46:18 > 0:46:19I love the blue!
0:46:19 > 0:46:21Blue is my grandmother.
0:46:21 > 0:46:25Oh! Oh, no, this...this is perfect.
0:46:25 > 0:46:29This is you - innocent, yet alluring.
0:46:29 > 0:46:31- Innocent? - Ish.
0:46:31 > 0:46:35Listen, sweetheart, this is America, and everything is packaging.
0:46:35 > 0:46:39And with a guy like Andy Vine, think Christmas.
0:46:39 > 0:46:40Christmas?
0:46:40 > 0:46:42Look, if he likes the look of the wrapping,
0:46:42 > 0:46:44he's gonna really be desperate for the present.
0:46:44 > 0:46:47LAUGHS: I don't think we'll pursue that analogy, Carlotta.
0:46:47 > 0:46:51And I don't intend to be gift for any man anymore, not even Andy Vine.
0:46:51 > 0:46:53Mm-hm. Famous last words, sweetheart.
0:46:58 > 0:47:00Mmm. That's good.
0:47:00 > 0:47:02You never had Thai food before?
0:47:02 > 0:47:03Of course I have.
0:47:05 > 0:47:07We're quite modern in Ireland, you know.
0:47:08 > 0:47:10I sometimes even manage to feed myself.
0:47:24 > 0:47:26I could get used to this.
0:47:34 > 0:47:36I could make you an Irish coffee later.
0:47:41 > 0:47:44And there I was, standing like an idiot in front of everybody.
0:47:44 > 0:47:45LAUGHS
0:47:45 > 0:47:47It's good to hear laughter around here again too.
0:47:47 > 0:47:50It's been lovely meeting you, Maria.
0:47:51 > 0:47:53Me and you, we have no ties.
0:47:53 > 0:47:55No-one to betray or hurt.
0:47:56 > 0:47:58Wouldn't it be nice if we spent the night together?
0:48:10 > 0:48:13I'm really not very experienced at this kind of thing.
0:48:14 > 0:48:16I'm not playing games with you, Andy.
0:48:16 > 0:48:21I never did, even when I was a young girl, with the fellas.
0:48:21 > 0:48:25I'm sorry if I've been giving out the wrong signals.
0:48:25 > 0:48:26It doesn't have to end in bed.
0:48:26 > 0:48:28It'd be better if it did,
0:48:28 > 0:48:30but if it's not going to, let's remember the good bits.
0:48:32 > 0:48:33They were all good bits.
0:48:36 > 0:48:37Are you making fun of me?
0:48:37 > 0:48:39Yeah.
0:48:39 > 0:48:40Well, don't!
0:49:23 > 0:49:26You didn't just stab Ria in the back, Danny, you did it to me as well!
0:49:26 > 0:49:29Well, it has to be different.
0:49:29 > 0:49:32We're always gonna care for each other.
0:49:32 > 0:49:35Oh, that is just...bullshit!
0:49:35 > 0:49:37It's just such bullshit!
0:49:47 > 0:49:49Oh, no. It's Mona.
0:49:54 > 0:49:56Oh, that's all we need.
0:49:58 > 0:50:00Not that it matters anymore.
0:50:00 > 0:50:03It does to me.
0:50:05 > 0:50:08Oh, come on, Rosemary. I never meant to hurt you.
0:50:08 > 0:50:10Or anyone else.
0:50:12 > 0:50:14You marry the wrong person at the right time,
0:50:14 > 0:50:16or the right person at the wrong time or you...
0:50:18 > 0:50:19Oh, I don't know.
0:50:19 > 0:50:24No. I don't suppose you do.
0:50:37 > 0:50:40Hello. Excuse me, is Ria in?
0:50:40 > 0:50:42Ria's in America.
0:50:42 > 0:50:44She's in America.
0:50:47 > 0:50:49Er, thank you. Thank you very much.
0:51:06 > 0:51:08DANNY: My property's all tied up with Barney.
0:51:08 > 0:51:11Tara Road - I'm gonna lose the lot.
0:51:11 > 0:51:13It's not worth the heart attack, Danny.
0:51:13 > 0:51:16If he's gone down, we've gone down. Don't you understand, sweetheart?
0:51:16 > 0:51:18- We're sunk! - Maybe it's just a rumour.
0:51:18 > 0:51:21"Tara Holdings crashes"! It couldn't just be talk.
0:51:21 > 0:51:24Don't shout, Danny. You upset me.
0:51:24 > 0:51:26What do you... Hey, what do you mean "Mr McCarthy's not there"?
0:51:26 > 0:51:27I wanna talk to him now.
0:51:27 > 0:51:29Brian, will you stop touching that plant? You're not allowed.
0:51:29 > 0:51:31It's not a plant, Dad. It's a tree.
0:51:31 > 0:51:33Why are we here? Aren't we having a picnic?
0:51:33 > 0:51:36That's just what I'd expect from you. Are you selfish or what?
0:51:36 > 0:51:38Now, don't push it. You've caused enough trouble as it is.
0:51:38 > 0:51:40- FINOLA:- Fancy bit he goes around with, Barney.
0:51:40 > 0:51:42I wonder what his wife would say if she found out.
0:51:42 > 0:51:44Ask Mum.
0:51:44 > 0:51:46Get out of here! Go on, go home!
0:51:49 > 0:51:52For goodness sake, Annie, he doesn't mean it.
0:51:59 > 0:52:01Hi, Mona? Hi, it's Danny.
0:52:01 > 0:52:04Is it true? The whole thing's collapsed?
0:52:05 > 0:52:07I need to speak to Barney. Where is he?
0:52:08 > 0:52:10Thanks, Mona.
0:52:10 > 0:52:12Ah, it'll be OK, sweetheart.
0:52:12 > 0:52:14I'll think of something after I strangle him.
0:52:14 > 0:52:16I hate when you call me "sweetheart".
0:52:16 > 0:52:17But you're not broke, are you?
0:52:17 > 0:52:20For a start, you can sell that big house your wife is hanging onto.
0:52:20 > 0:52:22That's our house, if you don't mind.
0:52:22 > 0:52:24Isn't that right, Dad?
0:52:25 > 0:52:28Don't tell me you haven't got a get-out clause, Barney!
0:52:28 > 0:52:31Don't tell me you haven't got a nest egg or two offshore somewhere.
0:52:31 > 0:52:34HITS TABLE I want my share! I built this business up.
0:52:34 > 0:52:38You sold property for me, Danny. You're a salesman.
0:52:38 > 0:52:40You didn't build anything!
0:52:40 > 0:52:41My house is my house.
0:52:41 > 0:52:43Your house is company collateral.
0:52:43 > 0:52:45You weren't forced to sign it over.
0:52:45 > 0:52:49You floated us off the rocks at the time - don't you deny it.
0:52:49 > 0:52:52My house is not going under with you. I want it back.
0:52:52 > 0:52:55We're in a hole. We're not gonna get out by digging deeper, Danny.
0:52:55 > 0:52:59Positions change. The banks have closed us, not me.
0:52:59 > 0:53:02We shared the good times, now we gotta share the bad.
0:53:02 > 0:53:06That's business! We're bust!
0:53:06 > 0:53:09It's not gonna happen, Barney. Believe me.
0:53:16 > 0:53:17DOOR OPENS
0:53:17 > 0:53:19Oh, hi.
0:53:19 > 0:53:21I just popped round to get something.
0:53:21 > 0:53:23Why do you have a key?
0:53:23 > 0:53:26Uh, this is my house.
0:53:27 > 0:53:31I used to live here before you, Marilyn.
0:53:31 > 0:53:33It's just Ria left strict instructions
0:53:33 > 0:53:36that no-one was to have a key except for Colm for the garden.
0:53:36 > 0:53:40I just can't have people walking in and out of here, now, can I?
0:53:40 > 0:53:44I'm hardly people, am I?
0:53:46 > 0:53:51Well, come in and we'll go phone Ria and sort this out, shall we?
0:53:51 > 0:53:53OK, if you feel you have to.
0:53:54 > 0:53:56Nobody's answering.
0:53:56 > 0:53:58She's out somewhere. Forget it.
0:53:59 > 0:54:01Well, why isn't the answering machine on?
0:54:03 > 0:54:06She's probably having a party. Singing, dancing, drinking.
0:54:06 > 0:54:09Ria? Having a party?
0:54:10 > 0:54:11Don't be ridiculous.
0:54:11 > 0:54:14IRISH REEL MUSIC PLAYS
0:54:14 > 0:54:16ALL LAUGH AND WHOOP
0:54:20 > 0:54:24Well, look, check with Rosemary. She's Ria's best friend.
0:54:24 > 0:54:26She really likes you, by the way.
0:54:26 > 0:54:28Really? That's nice.
0:54:28 > 0:54:31She feels lonely too sometimes.
0:54:36 > 0:54:38You're a beautiful woman.
0:54:45 > 0:54:48I'd better be on my way. Leave you in peace.
0:54:48 > 0:54:50Is the key in the usual place?
0:54:50 > 0:54:51Key? What key?
0:54:51 > 0:54:53Ria's car key. That's what I came for.
0:54:53 > 0:54:55Look, first of all, I'd feel happier
0:54:55 > 0:54:59if you gave me the key to the front door, until I talk to your wife -
0:54:59 > 0:55:01assuming she ever answers the phone.
0:55:12 > 0:55:14Ria's car. I need it.
0:55:14 > 0:55:15For how long?
0:55:15 > 0:55:17What's it got to do with you?
0:55:17 > 0:55:20I'm paying insurance on her car to use it while I'm here.
0:55:20 > 0:55:23She's using my car in Connecticut.
0:55:24 > 0:55:25I have to sell it.
0:55:25 > 0:55:29My firm's gone bust. Everything.
0:55:29 > 0:55:32Give me the car key, please.
0:55:32 > 0:55:37I'll discuss it with Ria when I reach her.
0:55:37 > 0:55:40Until then, I think the car should stay with me.
0:55:43 > 0:55:45OK.
0:55:46 > 0:55:47OK, yeah.
0:55:49 > 0:55:54Listen, I'm sorry. I'm glad you're happy here.
0:55:54 > 0:55:57Who wouldn't be?
0:56:03 > 0:56:06FOOTSTEPS FADE
0:56:30 > 0:56:32Hello. Is Greg in?
0:56:32 > 0:56:35No, he's in Hawaii, and Marilyn's in Dublin.
0:56:35 > 0:56:37Shall I say who called?
0:56:37 > 0:56:39No. No, it's OK.
0:56:42 > 0:56:43Hubie.
0:56:43 > 0:56:46What was he doing here?
0:56:46 > 0:56:48He was looking for Greg.
0:56:48 > 0:56:50But that was Hubie Green.
0:56:50 > 0:56:51Who?
0:56:51 > 0:56:53You know, he was a friend of Dale's.
0:56:53 > 0:56:54So?
0:56:54 > 0:56:56So... You don't know?
0:56:56 > 0:56:59Know what? That he's on holiday with his dad in Hawaii?
0:57:00 > 0:57:02No. Dale is dead.
0:57:02 > 0:57:05He's dead?
0:57:06 > 0:57:08Oh, God.
0:57:08 > 0:57:10Oh, no, I feel awful.
0:57:10 > 0:57:13I've been talking to Greg about him as if he was alive.
0:57:13 > 0:57:15Why didn't somebody tell me? Why didn't Marilyn say anything?
0:57:15 > 0:57:18She won't accept it. That's why she's run away.
0:57:18 > 0:57:21She won't even speak to Greg about it anymore.
0:57:23 > 0:57:25God, how did he die?
0:57:25 > 0:57:27A motorcycle accident,
0:57:27 > 0:57:31the day of his birthday, and she blames Greg for it all.
0:57:31 > 0:57:34No, Greg got him the bike for his birthday,
0:57:34 > 0:57:35and then Dale was driving it,
0:57:35 > 0:57:38and Hubie gets on the front and takes over the controls.
0:57:38 > 0:57:41And so Dale ended up at the swimming pool, dead.
0:57:41 > 0:57:44They'd been drinking. Of course they had.
0:57:44 > 0:57:46Oh, poor Marilyn. Poor, poor Marilyn.
0:58:50 > 0:58:54GREG: Speed it up a little bit. Give it some gas, son.
0:58:57 > 0:58:58They're going too fast.
0:59:00 > 0:59:02CRASH!
0:59:05 > 0:59:07WOMAN SCREAMS
0:59:11 > 0:59:14- MARILYN:- Dale! Somebody help me!
0:59:22 > 0:59:24DANNY: ..if you were in trouble, I'd help you.
0:59:24 > 0:59:26- ROSEMARY:- It's a mistake asking friends for money, Danny.
0:59:26 > 0:59:28You know that.
0:59:28 > 0:59:30But you're more than a friend. Your business is booming!
0:59:30 > 0:59:33We're gonna lose the house and lose Tara Road.
0:59:33 > 0:59:34I'm gonna tell Ria.
0:59:34 > 0:59:36Well, she won't believe you.
0:59:36 > 0:59:39- SCATHINGLY:- "Oh, Danny, darling, it'll all turn out fine."
0:59:39 > 0:59:42What did Ria ever do to make you despise her so much?
0:59:42 > 0:59:45She let me have an affair with you right under her nose.
0:59:48 > 0:59:50Don't kick me when I'm down, Rosemary.
0:59:50 > 0:59:51Like you did to me?
0:59:51 > 0:59:54I loved you first, and then you married her.
0:59:54 > 0:59:57Rosemary. Lend me the money.
0:59:57 > 1:00:01It'll be an investment.
1:00:01 > 1:00:03I'll double it for you. I did before, didn't I?
1:00:03 > 1:00:05This time it's too complicated, Danny.
1:00:05 > 1:00:08There's Bernadette involved and she's pregnant.
1:00:08 > 1:00:11I don't understand having to go round to my own house
1:00:11 > 1:00:13and grovel to Mrs Jackboots!
1:00:16 > 1:00:20You still want me to stay the night, though, don't you?
1:00:26 > 1:00:28He was grovelling to her for money.
1:00:28 > 1:00:29It didn't work.
1:00:29 > 1:00:31She's a hard woman.
1:00:31 > 1:00:34I'm glad I left your restaurant that night.
1:00:34 > 1:00:36What an absurd species we are.
1:00:40 > 1:00:44Do you think someone should tell Ria about Rosemary and her husband?
1:00:44 > 1:00:46Would you wanna be the one to tell her?
1:00:46 > 1:00:50I was brought up to believe that the truth sets you free.
1:00:50 > 1:00:52No. The truth can drive you mad.
1:01:10 > 1:01:13- RIA:- Hello? - Hello, Ria.
1:01:13 > 1:01:15Marilyn? Hi!
1:01:15 > 1:01:18How are you? Is everything OK, because...
1:01:18 > 1:01:20Listen, Marilyn, I just...
1:01:20 > 1:01:23I hope you don't mind me saying, but I heard about your son, Dale,
1:01:23 > 1:01:27and I wanted to say how very sad and sorry I am about what happened.
1:01:27 > 1:01:30Of course, I understand now why you wanted to get away,
1:01:30 > 1:01:32and all the time I'm here in your home
1:01:32 > 1:01:37I'm thinking about you and I'm hoping you're alright.
1:01:37 > 1:01:39Well, that's all I wanted to say.
1:01:39 > 1:01:43Oh, yes, well...I appreciate that.
1:01:44 > 1:01:47Well, have you anything you need to say to me,
1:01:47 > 1:01:49cos if you need anything, just call Rosemary.
1:01:49 > 1:01:54Yes, Rosemary. She...she's very...
1:01:56 > 1:01:58I appreciate that. I really do.
1:01:58 > 1:02:00OK. Thank you.
1:02:00 > 1:02:01- Bye now.- Bye.
1:02:17 > 1:02:19We're not gonna stay for too long, OK?
1:02:19 > 1:02:20Fine.
1:02:25 > 1:02:26- Hi. - Hello.
1:02:26 > 1:02:29We're going to America, and we wanted to say goodbye to our cat.
1:02:29 > 1:02:31Well, sure, sure. Come on in, guys.
1:02:38 > 1:02:41Where's your husband? Why isn't he here?
1:02:41 > 1:02:43He's in Hawaii.
1:02:43 > 1:02:45On his holidays?
1:02:45 > 1:02:46Not exactly.
1:02:48 > 1:02:50Did he leave you, like Dad left my mum?
1:02:50 > 1:02:53No, he didn't leave me.
1:02:53 > 1:02:54Did you leave him?
1:02:56 > 1:02:58- In a way.- Why?
1:02:58 > 1:03:00At the time, I thought I knew.
1:03:00 > 1:03:03Why are people so stupid?
1:03:04 > 1:03:06Why did he do it - Dad?
1:03:06 > 1:03:10He didn't just walk out on Mum, he walked out on me.
1:03:10 > 1:03:12I can see where you're coming from, Annie.
1:03:12 > 1:03:14I understand why you're so angry.
1:03:14 > 1:03:15Angry?
1:03:15 > 1:03:18You wouldn't understand.
1:03:18 > 1:03:20I mean, you're OK. Nothing's wrong with you.
1:03:21 > 1:03:23I wouldn't mind going to Hawaii.
1:03:23 > 1:03:25Is that so?
1:03:26 > 1:03:30What about your son? Did you walk out on him as well as your husband?
1:03:31 > 1:03:33No, I haven't.
1:03:34 > 1:03:36Good. Glad to hear it.
1:03:37 > 1:03:39So, where is he?
1:03:43 > 1:03:44My son's dead.
1:03:48 > 1:03:50He died in a motorbike accident.
1:03:50 > 1:03:52Oh, what kind of motorbike?
1:03:55 > 1:03:56The dangerous kind.
1:04:00 > 1:04:02What was he like?
1:04:02 > 1:04:06Oh, he was really cool.
1:04:08 > 1:04:09He was gentle too.
1:04:11 > 1:04:14And when he smiled, oh!
1:04:16 > 1:04:19He loved music. He was really good at it.
1:04:21 > 1:04:22I'm sorry.
1:04:29 > 1:04:31We came to Ireland when he was a little boy.
1:04:31 > 1:04:34I wanted to be somewhere where I remembered him smiling.
1:04:36 > 1:04:40He's up in heaven now, looking down on you,
1:04:40 > 1:04:43and he's very sorry he caused you all this trouble.
1:04:54 > 1:04:56I've been through a few things in my time,
1:04:56 > 1:04:58but nothing like what you've had to survive, Marilyn.
1:05:04 > 1:05:09Ria's little boy told me my son was watching me from heaven.
1:05:13 > 1:05:18I don't know. It made me feel better.
1:05:42 > 1:05:45I wouldn't want anything to happen I couldn't tell my husband.
1:05:47 > 1:05:48Do you have to tell him?
1:06:26 > 1:06:27There they are!
1:06:27 > 1:06:29I even got jet-lagged.
1:06:29 > 1:06:31- Oh! - I missed you!
1:06:31 > 1:06:32I missed you more.
1:06:32 > 1:06:34I missed you so much, Mum.
1:06:34 > 1:06:36Oh, darling. Here, give me the bags.
1:06:36 > 1:06:38Now, wait until you see this house.
1:06:41 > 1:06:44It's great you learned how to drive on the wrong side of the road, Mum.
1:06:44 > 1:06:47It just came naturally to you, didn't it?
1:06:47 > 1:06:49Can you tell how I've changed?
1:06:49 > 1:06:50This is great, Mum.
1:07:18 > 1:07:22# I wish I was in Dixie Hooray, hooray
1:07:22 > 1:07:26# In Dixieland I'll take my stand to live and die in Dixie
1:07:26 > 1:07:28# Hooray, hooray. #
1:07:28 > 1:07:29SHRIEKS
1:07:36 > 1:07:39Sorry to bother you, Marilyn. There's some documents I need.
1:07:39 > 1:07:42Yeah. Documents. They're upstairs.
1:07:42 > 1:07:43Can I get 'em, please?
1:07:43 > 1:07:45Phone Ria. I told her you'd be calling.
1:07:45 > 1:07:47How are you, anyway?
1:07:47 > 1:07:49Well, thank you, Danny.
1:07:55 > 1:07:58If I talk to Ria, what shall I say you took?
1:07:58 > 1:08:00Documents about the ownership of the house,
1:08:00 > 1:08:02which we need to discuss.
1:08:02 > 1:08:04- She'll be home in four weeks. - I can't wait that long.
1:08:04 > 1:08:06Really?
1:08:07 > 1:08:10You know something, Marilyn, you've made a big impression here.
1:08:10 > 1:08:12People like you. I like you.
1:08:12 > 1:08:14You've helped Ria a lot.
1:08:14 > 1:08:16That's nice.
1:08:16 > 1:08:19I would hate for anyone to have a low opinion of me.
1:08:19 > 1:08:21Oh, no.
1:08:21 > 1:08:23Like I was wearing jackboots or something.
1:08:30 > 1:08:32So, the phone goes middle of the night
1:08:32 > 1:08:34and it's Greg telling me he's arriving tomorrow.
1:08:34 > 1:08:36Sounded so depressed I thought I'd throw him a surprise party.
1:08:36 > 1:08:37Mmm.
1:08:37 > 1:08:40Hope he likes my cooking, but if he doesn't he can take a running jump.
1:08:40 > 1:08:43You don't have to be a rocket scientist to be a cook.
1:08:43 > 1:08:44You gotta be something.
1:08:44 > 1:08:46Yeah - hungry.
1:08:48 > 1:08:50Is Greg's brother gonna be there?
1:08:52 > 1:08:54I believe he is. Why is that?
1:08:54 > 1:08:56PURRS
1:09:08 > 1:09:10Hi.
1:09:11 > 1:09:12Hi!
1:09:12 > 1:09:16Mr Vine, I'm sorry for daring to show up,
1:09:16 > 1:09:19but I just wanted to apologise for...
1:09:20 > 1:09:22I'm sorry. I'm so sorry.
1:09:23 > 1:09:25I'm sorry.
1:09:25 > 1:09:26Oh, don't go, Hubie. Stay, have some food.
1:09:26 > 1:09:29I have no objections to you being here, young man.
1:09:29 > 1:09:30I never had.
1:09:30 > 1:09:34The objections were all Marilyn's, which I can understand.
1:09:34 > 1:09:36I'm glad to see you here.
1:09:38 > 1:09:40I'm glad to see you all.
1:09:40 > 1:09:42Come on in and help yourself.
1:09:43 > 1:09:44- That took a lot of guts. - Thanks.
1:09:44 > 1:09:47Come on in, Hubie, you're just in time for the speeches,
1:09:47 > 1:09:50because I want to say thank you to Greg
1:09:50 > 1:09:52for lending us his beautiful home and his friends
1:09:52 > 1:09:56and most of all I need to say how sorry I am
1:09:56 > 1:10:00that Heidi and Carlotta and me drank your bottle of brandy.
1:10:00 > 1:10:02So, I bought a replacement.
1:10:03 > 1:10:06He doesn't drink it, Ria. He has it on his desk for show.
1:10:06 > 1:10:07ALL LAUGH
1:10:07 > 1:10:09Were you Dale's best friend?
1:10:11 > 1:10:13TANGO MUSIC PLAYS
1:10:22 > 1:10:25No, I got a new computer. Would you like to see it later?
1:10:25 > 1:10:27Seen one, seen 'em all.
1:10:29 > 1:10:31I'd like to kiss you, Annie.
1:10:39 > 1:10:42No hope at all unless she starts talking about it,
1:10:42 > 1:10:45acknowledge it happened.
1:10:45 > 1:10:47But she is talking about it now.
1:10:48 > 1:10:50She is?
1:10:50 > 1:10:52She told Annie and Brian all about it.
1:10:52 > 1:10:53She told Colm, my friend, all about it.
1:10:53 > 1:10:56Believe me, she is talking.
1:11:16 > 1:11:20And I used to think she was a frightened little Irish mouse.
1:11:20 > 1:11:25That little Irish mouse got herself a big piece of American cheese.
1:12:06 > 1:12:08We're very sorry for your troubles.
1:12:08 > 1:12:11And we just thought we had to hop over to offer our sympathies
1:12:11 > 1:12:13and to give you this mass card.
1:12:13 > 1:12:15This what card?
1:12:15 > 1:12:17Our local priest Father Glennan will offer up mass
1:12:17 > 1:12:21for the repose of your son's soul, Lord have mercy on him.
1:12:21 > 1:12:22Amen.
1:12:23 > 1:12:26It was a time ago that my son died, but thank you.
1:12:26 > 1:12:30Ah, sure. We'll come in and you can tell us all about it.
1:12:30 > 1:12:32Oh, I'm so busy. I'm just terribly busy.
1:12:32 > 1:12:35Would you look at the time? I've got so much housework to do.
1:12:35 > 1:12:39I'm sure you ladies understand, but thank you, thank you anyway.
1:12:51 > 1:12:53Dale.
1:12:53 > 1:12:56Up to now, I couldn't mention his name.
1:12:56 > 1:12:59Otherwise a tidal wave of emotions would just...
1:12:59 > 1:13:02Yeah. I'm sure.
1:13:05 > 1:13:09The dead are dead. I guess there comes a time we ought to let them go.
1:13:10 > 1:13:13Yep, and if we're really lucky, they might just let us go.
1:13:13 > 1:13:15KNOCKING
1:13:15 > 1:13:18SIGHS: For heaven's sakes!
1:13:18 > 1:13:21I told them I was busy, right?
1:13:21 > 1:13:23I don't care if it is Ria's mother.
1:13:28 > 1:13:31GASPS: Greg.
1:13:32 > 1:13:35We're still alive, aren't we?
1:13:49 > 1:13:53- Mrs Vine? - Is that the husband?
1:14:07 > 1:14:10Just be a few minutes, Barney. I'll lock up then.
1:14:12 > 1:14:13Do that till up as well.
1:14:13 > 1:14:16We'll go for a bite to eat later if you want, love.
1:14:16 > 1:14:18Yeah, I'm starving.
1:14:20 > 1:14:23I want 5,000 and I want it now.
1:14:23 > 1:14:25Just like that, huh?
1:14:25 > 1:14:26What about Bernadette? Does she not got any money?
1:14:26 > 1:14:28Don't be ridiculous.
1:14:28 > 1:14:30At least she's got a baby coming. I've got nothing.
1:14:30 > 1:14:33Now, you fork up five grand or else!
1:14:33 > 1:14:34Or else what?!
1:14:34 > 1:14:37Or else he'll tell your wife about us.
1:14:37 > 1:14:39Oh, you're blackmailing me, Danny.
1:14:39 > 1:14:41I'll do whatever it takes.
1:14:41 > 1:14:45You've been screwing Rosemary for years.
1:14:46 > 1:14:48What would Ria say if she ever found out, huh?
1:14:48 > 1:14:50It'd kill her!
1:14:51 > 1:14:53Well, now who's blackmailing who?
1:14:53 > 1:14:55"I'll do whatever it takes".
1:14:57 > 1:14:59I'm gonna tell Ria myself.
1:14:59 > 1:15:02Don't you worry about that.
1:15:02 > 1:15:03PLAYS GUITAR
1:15:11 > 1:15:13Brian, there's somebody here.
1:15:19 > 1:15:22Dad! Dad!
1:15:24 > 1:15:25Hi!
1:15:25 > 1:15:28Hey! Hi, Brian. How you doing?
1:15:28 > 1:15:29OK.
1:15:31 > 1:15:32Hi, Annie.
1:15:35 > 1:15:37Ria.
1:15:37 > 1:15:40What's happened? Isn't Bernadette with you?
1:15:40 > 1:15:45No. I came to see you, Ria.
1:15:49 > 1:15:50And you, princess.
1:15:52 > 1:15:54Dad, this is Zach.
1:15:54 > 1:15:55- Hi. - Hi.
1:15:55 > 1:15:57- He's got a raccoon. - Oh.
1:15:57 > 1:16:00He's letting me bring it back to Dublin. I'm gonna breed with it.
1:16:00 > 1:16:02You're gonna breed with one raccoon?
1:16:02 > 1:16:03A pregnant female, dumbo.
1:16:07 > 1:16:09Well, now that you're here, you'd better come in.
1:16:13 > 1:16:15Dad, Annie's got a boyfriend.
1:16:15 > 1:16:16Has she?
1:16:21 > 1:16:23It's been good.
1:16:23 > 1:16:25Good. Great. I'm delighted.
1:16:25 > 1:16:29I've got a job. New friends.
1:16:31 > 1:16:33I've changed, Danny.
1:16:33 > 1:16:39You know something? I think you have, sweetheart.
1:16:47 > 1:16:49How's Rosemary?
1:16:49 > 1:16:51Rosemary?
1:16:54 > 1:16:56Let me tell you...
1:17:01 > 1:17:03Rosemary's fine.
1:17:03 > 1:17:07Fish, batter, into the pan.
1:17:07 > 1:17:09Couple of seconds, no more.
1:17:09 > 1:17:11Out it comes.
1:17:13 > 1:17:16Salt. Pepper.
1:17:16 > 1:17:19Couple of lemons. There you go.
1:17:26 > 1:17:28- Mmm. - Oh, my God. Delicious.
1:17:28 > 1:17:30Wonderful.
1:17:30 > 1:17:31- What kind of fish is it? - Pike.
1:17:31 > 1:17:35It's a coarse fish, bit like meself.
1:17:35 > 1:17:36Not true.
1:17:36 > 1:17:38You're a sensitive man. That I can tell.
1:17:38 > 1:17:40You're lucky you showed up when you did,
1:17:40 > 1:17:42I was about to propose to your wife.
1:17:42 > 1:17:45What if I'd said yes?
1:17:46 > 1:17:48I'd probably have run a mile.
1:17:53 > 1:17:55COCK CROWS
1:18:35 > 1:18:36Do you want some more coffee?
1:18:36 > 1:18:38No, thanks.
1:18:45 > 1:18:47- BRIAN:- There's an email for you.
1:18:47 > 1:18:49For me? Great.
1:18:49 > 1:18:51No, for Dad.
1:18:51 > 1:18:52Me?
1:18:52 > 1:18:54It's from Rosemary.
1:18:56 > 1:18:58"Bernadette's been rushed to the hospital.
1:18:58 > 1:19:00"Baby on its way."
1:19:00 > 1:19:02They want you to come home immediately.
1:19:02 > 1:19:07God. Oh, I guess I'd better phone her mother.
1:19:39 > 1:19:41DOOR CLOSES
1:19:41 > 1:19:43Are you going?
1:19:43 > 1:19:44I have to, yeah.
1:19:48 > 1:19:53Ria, I hate to have come all this way to give you bad news,
1:19:53 > 1:19:57but I had to tell you face-to-face.
1:19:57 > 1:19:59Give me credit for that at least.
1:19:59 > 1:20:01Gonna tell you what it is.
1:20:01 > 1:20:06When I first started with Barney, we gave him our house as collateral.
1:20:06 > 1:20:08It was my investment in his business.
1:20:10 > 1:20:12There's your signature there, and mine.
1:20:13 > 1:20:15Tara Holdings has gone down.
1:20:17 > 1:20:19The house is gone with it.
1:20:22 > 1:20:25I haven't told Bernadette how really broke I am.
1:20:25 > 1:20:28Have to do that when I get back.
1:20:32 > 1:20:34Thank you so much.
1:20:38 > 1:20:39For what?
1:20:39 > 1:20:41For not screaming at me.
1:20:43 > 1:20:45I've just given you the worst news anyone could give.
1:20:45 > 1:20:47No.
1:20:50 > 1:20:53You gave me that the day you told me you were leaving.
1:20:58 > 1:21:01You know how fond of you I am. Always will be.
1:21:02 > 1:21:04Yeah.
1:21:05 > 1:21:09We were friends once. Great friends.
1:21:11 > 1:21:13We'll work something out, sweetheart.
1:21:19 > 1:21:23Maria! You can't afford to pay for this.
1:21:25 > 1:21:27You never loved me!
1:21:37 > 1:21:38I just realised that.
1:22:43 > 1:22:49When he turned up, you thought he was coming back to you, didn't you?
1:22:51 > 1:22:52I did.
1:22:54 > 1:22:56So did I.
1:22:57 > 1:22:59Oh.
1:23:00 > 1:23:04Are you gonna tell Marilyn you wrecked her house, Mum?
1:23:15 > 1:23:17What IS she doing?
1:23:34 > 1:23:35Who are you?
1:23:35 > 1:23:38My name is Mrs McCarthy - Mona.
1:23:38 > 1:23:39Marilyn Vine.
1:23:39 > 1:23:41I know.
1:23:41 > 1:23:43I'm very worried about Ria and the children
1:23:43 > 1:23:45and where they're going to live and...
1:23:45 > 1:23:46Yes, I know.
1:23:46 > 1:23:49Do you know Rosemary?
1:23:49 > 1:23:51Her best friend, Rosemary?
1:23:52 > 1:23:55Would you like to come inside?
1:24:06 > 1:24:08Girl, you take care.
1:24:13 > 1:24:16You know, Marilyn didn't really like that bust, so you're OK there,
1:24:16 > 1:24:19but those vases, they WERE expensive.
1:24:22 > 1:24:24ALL: Bye!
1:24:59 > 1:25:01My husband never liked the wives meeting.
1:25:06 > 1:25:08- ROSEMARY: Ria! - Oh, there she is!
1:25:08 > 1:25:11- Hello! - So good to see you.
1:25:19 > 1:25:20- Hi.- Hi!
1:25:20 > 1:25:22Welcome home.
1:25:22 > 1:25:24Oh, hey there.
1:25:24 > 1:25:26Hi there, Greg.
1:25:26 > 1:25:27- Welcome home. - Thank you.
1:25:27 > 1:25:29I really have to fly, so I'll see you later.
1:25:29 > 1:25:31Oh, uh, Rosemary, wait just a minute.
1:25:31 > 1:25:35- Ria. - Marilyn! I can't believe it.
1:25:35 > 1:25:38How wonderful to meet you at last, you brave person, you.
1:25:39 > 1:25:41Rosemary, Mona - Mrs McCarthy -
1:25:41 > 1:25:43is having a meeting here at three o'clock today
1:25:43 > 1:25:45and she would like for you to be there.
1:25:45 > 1:25:46Me?
1:25:46 > 1:25:49You too, of course, Ria. Danny's gonna be there as well.
1:25:49 > 1:25:51It's very, very important, she says.
1:25:51 > 1:25:53You won't let her down, will you?
1:26:08 > 1:26:12- What time is it now? - Half-past three.
1:26:42 > 1:26:44How's the baby, Danny?
1:26:46 > 1:26:47Thanks for asking.
1:26:47 > 1:26:50Well, there's no need to beat around the bush.
1:26:50 > 1:26:53Tara Holdings has gone bust.
1:26:53 > 1:26:54This we know, Mona.
1:26:54 > 1:26:56Yeah, shut up for a minute, Barney.
1:26:56 > 1:26:59Mona thinks she can get you back on your feet, Mr McCarthy.
1:26:59 > 1:27:02Yes, I can, because I've saved loads of money.
1:27:02 > 1:27:04How've you saved a lot of money. I...
1:27:04 > 1:27:07I saved it over the years through pension schemes, insurance policies,
1:27:07 > 1:27:10investments, tracker bonds.
1:27:10 > 1:27:13I can confirm it's a considerable portfolio.
1:27:13 > 1:27:14Thank you.
1:27:14 > 1:27:17And my money will be available to you, Barney, to help you start again.
1:27:17 > 1:27:20To rise once more from the ashes.
1:27:20 > 1:27:22Just a minute now, Mona. Hold on...
1:27:22 > 1:27:25No, Barney. You hold on.
1:27:25 > 1:27:28I've held on for years.
1:27:29 > 1:27:32Now, there are a couple of terms for you to get this money,
1:27:32 > 1:27:34and the first one is that we have to sell our house.
1:27:34 > 1:27:36Sell the house? Just a minute...
1:27:36 > 1:27:38Sell the house, Barney. It's too big for us, anyway.
1:27:38 > 1:27:41A more modest home will suffice.
1:27:41 > 1:27:43Now, the money left over from the sale
1:27:43 > 1:27:46will go to pay off debts of a personal nature.
1:27:46 > 1:27:50But today you have to return the personal guarantee on this house,
1:27:50 > 1:27:55on 16 Tara Road...to Ria.
1:27:57 > 1:28:00Now, Ria and her children are not going to be out in the street
1:28:00 > 1:28:01because of your mistakes.
1:28:01 > 1:28:04It's going to be tough, Danny, unless you straighten out your life.
1:28:04 > 1:28:06- Mona, there is no way! - That is the deal, Barney.
1:28:06 > 1:28:07Ria.
1:28:07 > 1:28:12This is...you can't do this to me.
1:28:12 > 1:28:13The papers, please.
1:28:15 > 1:28:17Pass the papers, Danny.
1:28:43 > 1:28:46Now, Polly. Polly!
1:28:46 > 1:28:47Hmm?
1:28:47 > 1:28:55You have been my husband's mistress for years and I've known for years.
1:28:56 > 1:28:59And I have no wish to comment on the morals of this situation,
1:28:59 > 1:29:04other than to say it was an underhanded insult
1:29:04 > 1:29:07to those of us who gave our word and never broke it.
1:29:07 > 1:29:13So, Barney, you will finish this relationship now.
1:29:13 > 1:29:15Is this legal, Barney?
1:29:15 > 1:29:17Mona's calling the shots.
1:29:17 > 1:29:19I'm sorry, Polly.
1:29:21 > 1:29:25How much money have you got altogether, Mona?
1:29:25 > 1:29:27You'll find out in due course, Barney, don't worry.
1:29:27 > 1:29:29Now, Rosemary...
1:29:33 > 1:29:36..we will keep you on as our printer.
1:29:37 > 1:29:40My husband's firm has been very good to you in the past.
1:29:40 > 1:29:42Thank you, Mona.
1:29:44 > 1:29:48Have you anything you'd like to say to Ria?
1:29:51 > 1:29:53I...
1:29:58 > 1:30:00Ria and I are...
1:30:00 > 1:30:02Best friends.
1:30:16 > 1:30:18Whatever it is, Rosemary...
1:30:20 > 1:30:23..you can perhaps save the gory details for later.
1:30:28 > 1:30:30You know, this would've killed me one time.
1:30:34 > 1:30:36But not now.
1:30:52 > 1:30:54I have nothing!
1:30:54 > 1:30:55You've still got the boutique.
1:30:55 > 1:30:57Save me from all this.
1:30:57 > 1:30:59Save YOU, is it?
1:30:59 > 1:31:02BARNEY AND POLLY BICKER
1:31:06 > 1:31:09PLAYS CLARINET
1:31:22 > 1:31:23ALL APPLAUD AND CHEER
1:31:27 > 1:31:29Just beautiful.
1:31:30 > 1:31:33Mum, why don't you and Colm get married?
1:31:34 > 1:31:37Hey, kid, I can fight me own battles.
1:31:37 > 1:31:39ALL LAUGH
1:31:41 > 1:31:45Marilyn, I have a confession to make.
1:31:45 > 1:31:50Those matching vases and the big, ugly, busty thing at your house,
1:31:50 > 1:31:52they're broken.
1:31:52 > 1:31:55Oh! My vases.
1:31:55 > 1:31:57I threw them...
1:31:59 > 1:32:01..at Danny.
1:32:01 > 1:32:02Oh!
1:32:06 > 1:32:09Oh, God, I was scared there for a minute.
1:32:14 > 1:32:17It has been absolutely amazing.
1:32:17 > 1:32:19Till we meet again.
1:32:19 > 1:32:22Bye. Thanks.
1:32:24 > 1:32:26Ria.
1:32:30 > 1:32:32Back to where we started, eh?
1:32:32 > 1:32:35But we're not the same, are we?
1:32:45 > 1:32:48- BRIAN:- Bye! Bye!
1:32:48 > 1:32:50- RIA: Bye! ANNIE:- Bye!