0:02:21 > 0:02:26- Da-da!- I wish I had one key that opened everything.- Hello.
0:02:26 > 0:02:27Hello.
0:02:29 > 0:02:32Doris phoned to say you were coming.
0:02:32 > 0:02:38She thinks we've got problems, and I couldn't persuade her otherwise,
0:02:38 > 0:02:42so I told her I was having it off with the satellite installer.
0:02:42 > 0:02:46Well, as long as you get us a good picture on Channel 5,
0:02:46 > 0:02:49I can forgive anything. Hello.
0:02:49 > 0:02:52BABY GURGLES Have you been to the house
0:02:52 > 0:02:55or are you on your way there?
0:02:56 > 0:02:57No fooling you.
0:03:05 > 0:03:08I WAS on my way there,
0:03:08 > 0:03:11but now I don't know if I really want to see it.
0:03:15 > 0:03:17You want to, Tom.
0:03:18 > 0:03:20Hmm?
0:03:46 > 0:03:47'Tom!'
0:03:56 > 0:03:58'Tom?'
0:04:04 > 0:04:10- Why do I have to go? Peter and I had plans.- Peter's very ill.
0:04:10 > 0:04:13You don't want to the measles too.
0:04:13 > 0:04:18We'll take care of him. It'll be practice for when we have our own.
0:04:28 > 0:04:32Oh, the doctor said he wasn't to get out of bed.
0:04:32 > 0:04:35Tom, you'll be a visitor. Try to be good.
0:04:40 > 0:04:44- We can climb the cathedral tower, Tom.- Now?
0:04:44 > 0:04:46Not while you're in quarantine.
0:04:48 > 0:04:51We'll climb it one day. One day soon.
0:04:56 > 0:04:58I trust we'll get on well.
0:04:58 > 0:05:00Yes, Uncle Alan.
0:05:00 > 0:05:04There's not much for you to do at our flat.
0:05:04 > 0:05:07No children your age, no garden to play in.
0:05:07 > 0:05:10But we'll make the best of it.
0:05:25 > 0:05:27We're here, Tom.
0:05:32 > 0:05:35This house was something in its day.
0:05:35 > 0:05:37Split up into flats some time ago.
0:05:40 > 0:05:43HEAVY TICKING
0:05:48 > 0:05:50Ours is on the first floor.
0:05:52 > 0:05:56Don't touch that. The landlady's rather particular about it.
0:05:56 > 0:06:00Then why does she leave it there?
0:06:00 > 0:06:02The clock's screwed to the wall.
0:06:04 > 0:06:06My sister's eldest.
0:06:08 > 0:06:11There won't be any running, will there?
0:06:12 > 0:06:15My nerves can't cope with running.
0:06:15 > 0:06:18He's a quiet boy, Mrs Willows.
0:06:21 > 0:06:23It's not worth going out the back.
0:06:23 > 0:06:26There's no garden. Just the rubbish bins.
0:06:26 > 0:06:28CHIMING
0:06:28 > 0:06:32Seldom strikes the correct hour, I'm afraid.
0:06:32 > 0:06:36- What good is the old thing then? - Well, it keeps good time.
0:06:46 > 0:06:49The landlady's flat. Mrs Bartholomew.
0:06:52 > 0:06:54We're home.
0:06:59 > 0:07:02This is the living room.
0:07:03 > 0:07:06Come and see your bedroom, Tom.
0:07:17 > 0:07:20This is a nursery.
0:07:20 > 0:07:21I'm not a baby.
0:07:21 > 0:07:24No. Of course you're not, Tom.
0:07:24 > 0:07:28The room came like this.
0:07:28 > 0:07:31The bathroom window has bars on it too.
0:07:33 > 0:07:36We'll leave you to unpack, settle in.
0:07:36 > 0:07:38Then it'll be tea-time.
0:07:46 > 0:07:48KNOCKING
0:07:48 > 0:07:50I thought you might like to write home.
0:07:50 > 0:07:54- Tell them you arrived safely. - Thank you.
0:08:02 > 0:08:07'I hope your measles are better. This is the cathedral at Ely.
0:08:07 > 0:08:10'The house is flats and there's no garden.
0:08:10 > 0:08:14'My bedroom window has bars, but Aunt Gwen says it's a mistake.
0:08:17 > 0:08:18'Tom...
0:08:23 > 0:08:24'Long.'
0:08:24 > 0:08:29You may read in bed for ten minutes, Tom. No longer.
0:08:29 > 0:08:32If you need to use the convenience, remember,
0:08:32 > 0:08:37- it isn't shameful for a young man to sit.- It's quieter that way.
0:08:37 > 0:08:39I'll try to keep that in mind.
0:08:40 > 0:08:44- Goodnight, Tom. Sleep tight. - Goodnight.
0:09:05 > 0:09:08CLOCK CHIMES
0:09:14 > 0:09:15Eight.
0:09:15 > 0:09:16Nine.
0:09:16 > 0:09:18Ten.
0:09:18 > 0:09:19Eleven.
0:09:19 > 0:09:21Twelve.
0:09:21 > 0:09:23For once it's correct.
0:09:23 > 0:09:24Thirteen.
0:09:24 > 0:09:26Thirteen?!
0:09:35 > 0:09:38SNORING
0:10:58 > 0:11:00OWL HOOTS
0:11:00 > 0:11:05- Just rubbish bins. They lied to me. - DOOR CLICKS
0:11:15 > 0:11:16Atchoo!
0:11:16 > 0:11:18I'm very sorry...
0:11:57 > 0:11:59I've lit the fire in the parlour.
0:12:38 > 0:12:40Welcome back.
0:12:54 > 0:12:57- Do you believe lying is wrong? - Of course, Tom.
0:12:57 > 0:13:00- Always.- Always.
0:13:00 > 0:13:03- So it's never justifiable?- Never.
0:13:05 > 0:13:11Suppose someone was kept in the dark about something that he'd enjoy.
0:13:11 > 0:13:16Suppose the other person said something wasn't there when it was.
0:13:16 > 0:13:23- What was it that the second people didn't want the first people to know about?- First person.
0:13:23 > 0:13:26Let's say the thing was a...
0:13:26 > 0:13:28A hot water bottle?
0:13:28 > 0:13:32No. More like, um... More like a couch, say.
0:13:32 > 0:13:35A large outdoor couch.
0:13:35 > 0:13:38Oh. I'm not sure I've ever heard of that.
0:13:38 > 0:13:40A large outdoor couch.
0:13:40 > 0:13:45I don't think it matters what the thing is. The point is
0:13:45 > 0:13:50that some persons were lying simply for their own convenience.
0:13:50 > 0:13:52That's it exactly, Uncle Alan.
0:13:52 > 0:13:55Do you think that kind of lying's right?
0:13:55 > 0:13:59- I just wondered. - Out of all the forms of lying,
0:13:59 > 0:14:02that is surely the least justifiable.
0:14:02 > 0:14:06Alan has a very highly developed sense of right and wrong.
0:14:06 > 0:14:10I'm sure you will when you're grown up.
0:14:11 > 0:14:12Excuse me.
0:14:14 > 0:14:17I have one now. It's other people who haven't.
0:14:52 > 0:14:54Hello.
0:14:54 > 0:14:59You're the boy from the first floor front the Kitsons.
0:14:59 > 0:15:03- Bit dull for you here, isn't it? - Yes.
0:15:03 > 0:15:08- Do you live on the ground floor back flat?- I do at that.
0:15:08 > 0:15:12- Do you have a maid? - Do I look like I have a maid?
0:15:16 > 0:15:17No.
0:15:20 > 0:15:21DOOR SLAMS
0:15:21 > 0:15:25That's old Ma Bartholomew coming down to wind her clock.
0:15:25 > 0:15:29You don't want to run into her. She doesn't like children.
0:15:37 > 0:15:40SOFT, SLOW FOOTSTEPS
0:16:41 > 0:16:44Only 12 hours after all.
0:16:50 > 0:16:51DONG!
0:16:51 > 0:16:52DONG!
0:16:53 > 0:16:54DONG!
0:16:54 > 0:16:55DONG!
0:16:56 > 0:16:57DONG!
0:16:57 > 0:17:00CHIMING CONTINUES
0:18:45 > 0:18:47CLICK!
0:18:55 > 0:18:59HE MUTTERS TO HIMSELF
0:19:49 > 0:19:52'Dear Peter, something incredible has happened.
0:19:52 > 0:19:54'You'll never believe it.'
0:20:11 > 0:20:14'I spend hours and hours in the garden
0:20:14 > 0:20:16'at least it seems like that...
0:20:19 > 0:20:21'but when I get back...
0:20:24 > 0:20:26'it's only a few minutes later.
0:20:35 > 0:20:39'I thought I could go anywhere in the garden,
0:20:39 > 0:20:43'but it's not like that. I found a way to do things though.
0:21:09 > 0:21:11'I made an extraordinary discovery.'
0:21:31 > 0:21:33Bloody hell.
0:22:05 > 0:22:08For all good things I thank the Lord.
0:22:08 > 0:22:13May he keep me from all the works of the devil that he hurt me not.
0:23:14 > 0:23:16GIRL SCREAMS
0:23:20 > 0:23:21GIRL SIGHS
0:23:46 > 0:23:49Not unless you put the clock back.
0:23:49 > 0:23:53So a tree couldn't be fallen at one time,
0:23:53 > 0:23:56then standing up again as it was before,
0:23:56 > 0:23:59- unless you put the clock back?- Yes.
0:23:59 > 0:24:07- What clock?- No particular clock. It means to have the past again. No one can. Time isn't like that.
0:24:15 > 0:24:17You feeling all right, Tom?
0:24:17 > 0:24:22- Yes, thank you. - You looked as if you were shivering.
0:24:23 > 0:24:25I hope it's not the onset of measles.
0:24:25 > 0:24:29Then you'd be staying away from home for longer than ten days.
0:24:29 > 0:24:32Only ten days?
0:24:32 > 0:24:35You must be dying to get home.
0:24:40 > 0:24:44I think I do have a temperature and that it is measles.
0:24:52 > 0:24:54No. You've no temperature.
0:24:54 > 0:24:57No temperature, no measles.
0:24:57 > 0:25:01That's a relief...for you, I'm sure. Home soon.
0:25:01 > 0:25:03CRACKLING
0:25:15 > 0:25:18DOG BARKS
0:25:21 > 0:25:24Let's all run from Hattie. Come on.
0:25:29 > 0:25:31Please don't run from me.
0:25:31 > 0:25:35Oh, you silly little juggins! Come on.
0:25:44 > 0:25:46What will Aunt say?
0:25:47 > 0:25:49Why did you fall?
0:25:51 > 0:25:57I'll think of something to tell Mother. Now I'm off with the others. Stop crying.
0:26:16 > 0:26:19Oh! Bloody hell!
0:26:19 > 0:26:21Abel, have you seen my cousins?
0:26:21 > 0:26:24They playing hide and seek with you again, Miss?
0:26:24 > 0:26:27It's the only game they ever play.
0:26:27 > 0:26:31You could ask them to let you do the hiding for a change.
0:26:31 > 0:26:35They wouldn't find me easily. I can hide better than them.
0:26:35 > 0:26:38I know more secret places.
0:26:38 > 0:26:40Do you now, Miss Hattie.
0:26:40 > 0:26:45I can be so quiet that nobody would even know I was in the garden.
0:26:45 > 0:26:46Can you now.
0:26:46 > 0:26:50I can see everybody and nobody can see me.
0:27:07 > 0:27:09Hey!
0:27:10 > 0:27:11Hey!
0:27:11 > 0:27:14Come on, Sam. This way. Catch up!
0:27:23 > 0:27:24Bloody hell.
0:28:24 > 0:28:27- WOOF!- Shoo. Go away.
0:28:27 > 0:28:29Shoo. Go on.
0:28:31 > 0:28:37- Let's play another game. - Yes, but not Hattie. She doesn't play by the rules.
0:28:37 > 0:28:38Can I have an apple?
0:28:38 > 0:28:42- Only if you play by the rules. - You keep changing the rules.
0:28:42 > 0:28:44You can't keep up.
0:28:46 > 0:28:48How dare you stick your tongue out at us!
0:28:48 > 0:28:51My tongue was hot. I was cooling it.
0:28:51 > 0:28:54- Don't give pert answers.- Let her be.
0:28:54 > 0:28:58Yes, James. We will. We'll let her be all alone.
0:29:56 > 0:30:00I've seen you watching me and following me.
0:30:00 > 0:30:02I saw you when Susan was dusting,
0:30:02 > 0:30:05and when you waved from the tree.
0:30:05 > 0:30:09I saw you when you went right through the orchard door.
0:30:09 > 0:30:11I saw when you never knew it.
0:30:13 > 0:30:15- Who are you?- I'm Tom.
0:30:15 > 0:30:19Tom Long. I know your name. It's Hattie.
0:30:19 > 0:30:22Princess Hattie, if you please.
0:30:22 > 0:30:25- You may kiss my hand. - I don't want to!
0:30:28 > 0:30:32If you're a princess, your father and mother must be king and queen.
0:30:32 > 0:30:36- Where are they?- I can't say. I'm a prisoner here.
0:30:36 > 0:30:41Someone here calls herself my aunt, but she's wicked and cruel to me.
0:30:41 > 0:30:46Those boys aren't really my cousins. I'm forced to call them that.
0:30:47 > 0:30:53You can call me Princess and I'll allow myself to play with you.
0:30:57 > 0:31:01CHEERFUL MUSIC PLAYS
0:31:57 > 0:32:01'Peter, I can't really describe everything in the garden.
0:32:01 > 0:32:07'I can tell you what it looks like, but not what it FEELS like.
0:32:07 > 0:32:13'I mean to ask Hattie questions about the garden and everything,
0:32:13 > 0:32:16'but somehow I always forget.'
0:32:19 > 0:32:23- Did you get it? - Susan almost caught me.
0:32:26 > 0:32:28I always wanted to play bow and arrows,
0:32:28 > 0:32:31but my cousins said I was too young,
0:32:31 > 0:32:34and when I was older, they said they were too old.
0:32:38 > 0:32:40CRASH!
0:32:43 > 0:32:47- You made this, Miss Hattie? - All by myself.
0:32:47 > 0:32:49But who taught you to do it?
0:32:49 > 0:32:51Someone.
0:32:51 > 0:32:56Well, whoever it was, take care he don't teach you trouble with it.
0:32:56 > 0:32:59Trouble? How could there be trouble?
0:32:59 > 0:33:02WOMAN SCREAMS
0:33:09 > 0:33:11I left the gate open.
0:33:25 > 0:33:28How she came here unbeknownst is more than I know.
0:33:28 > 0:33:32Unless the devil himself drew her.
0:33:32 > 0:33:34I wager Hattie let the old thing in.
0:33:37 > 0:33:38Harriet!
0:33:43 > 0:33:47There is little doubt you are to blame for this.
0:33:47 > 0:33:54Must I remind you that I received you into my home as a duty to my late husband?
0:33:54 > 0:33:57No. You don't need to remind me.
0:33:57 > 0:34:01- I would expect you to be grateful. - I am grateful.
0:34:01 > 0:34:07- Are you?- Yes, Aunt.- And are you obedient?- Yes, Aunt.- Show me.
0:34:07 > 0:34:09To your room instantly.
0:34:23 > 0:34:25Come on, girl.
0:34:51 > 0:34:53Poor Hattie.
0:35:17 > 0:35:21SOFT CRYING
0:36:04 > 0:36:06Don't cry.
0:36:07 > 0:36:09Why are you crying?
0:36:09 > 0:36:13For my real home, for my mother, for my father.
0:36:13 > 0:36:16They're dead. I don't want to be here.
0:36:19 > 0:36:21Hattie?
0:36:21 > 0:36:25Please leave me alone. I just want to be left alone.
0:36:28 > 0:36:31'Strange things happen in the garden, Peter.
0:36:31 > 0:36:35'I've seen Hattie as a very little girl, very unhappy, crying,
0:36:35 > 0:36:38'and it makes me sad to see it
0:36:38 > 0:36:42sadder, I think, than I've ever been.'
0:36:47 > 0:36:50I'm sorry our outing's ruined.
0:36:50 > 0:36:53Can't we still climb the tower?
0:36:53 > 0:36:55They close the tower in weather like this.
0:36:55 > 0:36:59I wish I didn't have to go home tomorrow.
0:36:59 > 0:37:01Atchoo!
0:37:01 > 0:37:03You haven't caught a cold, have you?
0:37:20 > 0:37:23If he has got a cold, he can't go home.
0:37:23 > 0:37:26Not with Peter just getting over the measles.
0:37:26 > 0:37:31No, you're right. We'll telephone and say Tom must stay longer.
0:37:31 > 0:37:33Mmm.
0:37:36 > 0:37:39Did Mr Bartholomew always own this house?
0:37:39 > 0:37:42Mr Bartholomew never lived here.
0:37:42 > 0:37:46Mrs Bartholomew came here as a widow. That wasn't many years ago.
0:37:46 > 0:37:51But what about the clock? You said Mrs Bartholomew owned it.
0:37:51 > 0:37:55- But the clock has always been in this house.- Why do you think that?
0:37:55 > 0:37:59Though that clock must have been here for some time.
0:37:59 > 0:38:02The screws have rusted into the wall.
0:38:04 > 0:38:08I imagine Mrs Bartholomew bought the clock with the house.
0:38:08 > 0:38:12It's very straightforward when you reason it out, isn't it?
0:38:12 > 0:38:14I suppose so.
0:38:17 > 0:38:20I'm not saying yes and I'm not saying no.
0:38:20 > 0:38:24You enjoy having him here, don't you?
0:38:24 > 0:38:26Most of the time.
0:38:27 > 0:38:30It would be different if we had our own.
0:38:32 > 0:38:36It would be permanent. Not just a fortnight's visit.
0:38:38 > 0:38:40It's such a wonderful feeling,
0:38:40 > 0:38:44knowing there's another life in the room next to us.
0:38:44 > 0:38:47Sleeping peacefully.
0:38:53 > 0:38:58- What's it like, I wonder, to be dead and a ghost?- You tell me.
0:38:58 > 0:39:00I'm not a ghost.
0:39:00 > 0:39:04I saw you walk right through the orchard door.
0:39:04 > 0:39:08I'm not a ghost. The orchard door is, the garden is, YOU are.
0:39:08 > 0:39:13Indeed I'm not, YOU are, and a silly ghost in those clothes.
0:39:13 > 0:39:17These are my best pyjamas and this is my bedroom slipper.
0:39:17 > 0:39:22Why do you wear just one? Is that the fashion? No, you are a ghost.
0:39:24 > 0:39:26'I'm glad you're better.
0:39:26 > 0:39:31'Try as I might, I can't get any answers out of Hattie.
0:39:31 > 0:39:35'The more time I spend with her, the more confused I get.
0:39:35 > 0:39:39'Peter, I'm learning that girls can be very...emotional.
0:39:39 > 0:39:44'When they cry, you find yourself saying rubbish to get them to stop.
0:39:47 > 0:39:50'I need to find out more about Hattie.
0:39:50 > 0:39:53'I need to find out everything about her.
0:39:54 > 0:39:58'But time is running out. Bloody hell.'
0:40:06 > 0:40:10The yellow one seems to drench everything in lemonade.
0:40:10 > 0:40:13This one makes it look like night.
0:40:16 > 0:40:19You can't really see anything through the star.
0:40:19 > 0:40:21Sometimes I like that best of all.
0:40:21 > 0:40:26You might think there wasn't a garden there at all.
0:40:26 > 0:40:30But all the time, of course, there is one
0:40:30 > 0:40:32waiting for you.
0:40:37 > 0:40:41This is my favourite tree. It's the hardest to climb.
0:40:41 > 0:40:43I call it Trixie.
0:40:44 > 0:40:50See what I've carved? This means Hattie Melbourne has climbed it.
0:40:50 > 0:40:52Carve my name too.
0:41:10 > 0:41:14That means Tom Long has climbed this tree with you.
0:41:14 > 0:41:17- It will always be here, won't it, Tom?- Always.
0:41:17 > 0:41:20Always and always.
0:41:24 > 0:41:27I wonder what's on the other side of that wall.
0:41:27 > 0:41:30I'll climb it and find out.
0:41:30 > 0:41:32No. That wall's far too high.
0:41:41 > 0:41:45What do you see? What do you see beyond the garden?
0:41:45 > 0:41:46You can see the river,
0:41:46 > 0:41:51and if you follow the river, you can see Ely Cathedral.
0:41:51 > 0:41:54- Beyond that...- Yes, beyond... Oh!
0:42:23 > 0:42:24Hattie!
0:42:27 > 0:42:29What happened?
0:42:29 > 0:42:34Abel made me swear on the Bible that I'd never climb the wall.
0:42:34 > 0:42:37- So dangerous, he said. - Why would he think you would?
0:42:37 > 0:42:42- Perhaps he heard me talking to you. - No. Your voice was too soft.
0:42:42 > 0:42:47- He couldn't have seen me. - I don't know. He seemed so...
0:42:47 > 0:42:48Angry?
0:42:49 > 0:42:51Frightened.
0:42:55 > 0:42:59Oh, you'll have to stay indoors again, Tom.
0:42:59 > 0:43:02RAIN PATTERS
0:43:02 > 0:43:06- We don't want you catching another cold.- I suppose not.
0:43:11 > 0:43:14I'm sorry to disappoint you, Tom.
0:43:14 > 0:43:19It looks as if we might never get to climb the cathedral tower.
0:43:20 > 0:43:21Mrs Kitson!
0:43:23 > 0:43:28- I thought we had an understanding. - I'm sorry, Mrs Willows?
0:43:28 > 0:43:32No running about! We agreed. No running about.
0:43:32 > 0:43:36We were just climbing the stairs. And rather quietly, I'd say.
0:43:36 > 0:43:42I don't mean now. I mean at night. Every night there are footsteps.
0:43:42 > 0:43:46- Oh, and at what time do you hear these footsteps?- Midnight.
0:43:46 > 0:43:50Every night at midnight when the clock strikes.
0:43:50 > 0:43:55Footsteps running down the stairs, across the hall, out the back,
0:43:55 > 0:43:59then right away, back again.
0:43:59 > 0:44:02Surely you're not suggesting that Tom...
0:44:02 > 0:44:04He's in bed then, aren't you, Tom?
0:44:04 > 0:44:09Yes, Aunt Gwen. A boy my age needs ten hours sleep.
0:44:12 > 0:44:16I know running about when I hear it.
0:44:22 > 0:44:24Well...
0:44:24 > 0:44:28Poor old dear is hearing things. Must have her wig on too tight.
0:44:31 > 0:44:34CLOCK STRIKES
0:45:10 > 0:45:15I promised Abel I wouldn't climb the wall. I didn't say this tree.
0:45:15 > 0:45:19If this is to be a proper house, it must have windows,
0:45:19 > 0:45:21not just accidental gaps in the walls.
0:45:21 > 0:45:25- You expect too much. - I hope I always shall.
0:45:25 > 0:45:27Aagh!
0:45:27 > 0:45:29Hattie!
0:45:55 > 0:45:57Get you gone!
0:45:57 > 0:46:01Get you back to hell where you come from. I know you.
0:46:01 > 0:46:04I've seen you always and heard you,
0:46:04 > 0:46:08and thought best to seem deaf, but I know you for the devil!
0:46:08 > 0:46:12Please, is Hattie...? Is she alive or dead?
0:46:12 > 0:46:14You've tried to kill her often enough.
0:46:14 > 0:46:19Her with no father or mother. Just her innocence against your devilry.
0:46:19 > 0:46:24May the Lord keep me from all the works of the devil.
0:46:31 > 0:46:34Let me in! Hattie! Hattie!
0:46:36 > 0:46:39Abel, what's happened?
0:46:39 > 0:46:42James! Fetch the doctor.
0:46:48 > 0:46:50Abel, please, how is Hattie?
0:46:50 > 0:46:52She's not dead, is she?
0:46:54 > 0:46:57No. She's alive.
0:47:37 > 0:47:41SILENCE APART FROM SLOW TICKING
0:48:24 > 0:48:27FOOTSTEPS
0:48:28 > 0:48:31- Mother?- Come in, James.
0:48:31 > 0:48:33James?
0:48:37 > 0:48:39How's Hattie?
0:48:39 > 0:48:42Hattie will do well enough.
0:48:42 > 0:48:44Is that what the doctor says?
0:48:44 > 0:48:46Yes.
0:48:46 > 0:48:49- We must be thankful then.- Thankful?
0:48:49 > 0:48:54- Why was she climbing trees at her age?- Hattie's young for her age.
0:48:54 > 0:48:57Perhaps it comes from being by herself so much.
0:48:57 > 0:49:03It's beyond me to understand why she stubbornly refuses to grow up.
0:49:03 > 0:49:07Hattie will grow up. She has no choice. None of us do.
0:49:07 > 0:49:13- She'll grow up and marry. - I'll not have her in this house when I'm gone.
0:49:13 > 0:49:15Mother, please.
0:49:15 > 0:49:20You, Hubert and Edgar are all in your father's business. You're independent.
0:49:24 > 0:49:28But if any of you think of marrying Harriet,
0:49:28 > 0:49:31never ever expect a penny from me.
0:49:35 > 0:49:40Tom. Come through slowly. I want to see how it's done.
0:49:45 > 0:49:49- It's a knack. - I wish I could do that.
0:49:51 > 0:49:53How are you?
0:49:53 > 0:49:57I'm quite well. The doctor says the scar won't show.
0:49:57 > 0:50:01- You had a visitor just now. - Yes. Cousin James.
0:50:01 > 0:50:05He says I should do things besides falling out of trees.
0:50:05 > 0:50:10- Things without me.- Oh, no, Tom. You can come whenever you want to.
0:50:10 > 0:50:13I count on it. I depend on it.
0:50:31 > 0:50:35- You have bars on your windows. - It was a nursery once.
0:50:41 > 0:50:44Don't be so sad, Tom.
0:50:46 > 0:50:49Shall I show you something? A secret?
0:50:49 > 0:50:51I'd like that.
0:51:12 > 0:51:15This was my mother and father long ago.
0:51:15 > 0:51:18You used to say they were king and queen.
0:51:18 > 0:51:21Cousin James says I shouldn't say that,
0:51:21 > 0:51:24and so I shan't.
0:51:24 > 0:51:27Cousin James says a great many things
0:51:27 > 0:51:29that seem to take away the fun.
0:51:29 > 0:51:32I have to go now. I'll see you tomorrow.
0:51:36 > 0:51:40You always say that, then it's months before I see you again.
0:51:40 > 0:51:42But I come every night.
0:51:54 > 0:51:58Oh, Tom, I'm afraid it's time for me to grow up.
0:53:00 > 0:53:02I'll never get back!
0:53:02 > 0:53:05Aunt Gwen! Uncle Alan!
0:53:15 > 0:53:19BELL JANGLES
0:53:32 > 0:53:34Sleep well, Miss Hattie.
0:54:01 > 0:54:03- Who is it?- It's only me.
0:54:03 > 0:54:05Tom.
0:54:05 > 0:54:07You came back.
0:54:07 > 0:54:09I can't get home.
0:54:11 > 0:54:13But you are home, Tom.
0:55:21 > 0:55:26'It was awful, Peter. I was trapped in the past with Hattie.
0:55:26 > 0:55:30'In the end, I returned to now, but I don't know how I did it.
0:55:30 > 0:55:34'It's almost as if Hattie helped me to get back.
0:55:34 > 0:55:36'I think the clock holds a clue.
0:55:36 > 0:55:41'I need to get back to the garden and to Hattie. That's all I want.'
0:55:43 > 0:55:47Well, Tom, we must say goodbye to you soon.
0:55:47 > 0:55:49- When?- On Saturday.
0:55:51 > 0:55:53I had a letter from your mother.
0:55:53 > 0:55:55- This Saturday?- Mmm.
0:55:55 > 0:55:57We'll both miss you.
0:55:58 > 0:56:02We could hardly expect to keep you with us any longer,
0:56:02 > 0:56:04unless we adopted you.
0:56:06 > 0:56:08If you adopt me?
0:56:08 > 0:56:10I was only joking, Tom.
0:56:12 > 0:56:16It's gone rather chilly. I'll plug the fire in.
0:56:16 > 0:56:18Oh, yes.
0:56:24 > 0:56:27CLOCK CHIMES
0:57:18 > 0:57:20Hattie!
0:57:22 > 0:57:25- Hattie!- Tom!
0:57:28 > 0:57:31Tom. You're so much thinner.
0:57:31 > 0:57:35I'm no such thing. Aunt Gwen weighed me yesterday.
0:57:35 > 0:57:40I didn't mean that. I meant thinner through.
0:57:40 > 0:57:44No. I didn't mean that either. Or rather...
0:57:44 > 0:57:48Can we look at the clock? To see the book the angel's holding.
0:57:48 > 0:57:53Could we wait? Must you know now? I'd much rather skate.
0:57:53 > 0:57:57- Oh, all right.- I'm getting better. They all say so.
0:57:57 > 0:58:00- Who's all?- James, Edgar, Hubert...
0:58:01 > 0:58:04and our new friend Barty.
0:58:04 > 0:58:08Don't you like skating, Tom?
0:58:08 > 0:58:14I do, yes, but I'd rather find out what the clock says. What the picture means.
0:58:15 > 0:58:17All right.
0:58:27 > 0:58:31You must be very quiet. Aunt is upstairs.
0:58:35 > 0:58:39"Time no longer." But no longer than what?
0:58:39 > 0:58:41Tell me, Hattie.
0:58:41 > 0:58:46Is it when the last trumpet sounds and the end of the world comes?
0:58:50 > 0:58:55Sometimes, Tom, it doesn't do to ask so many questions.
0:58:59 > 0:59:02Are you coming to watch me skate?
0:59:02 > 0:59:05No. I must think.
0:59:21 > 0:59:23Imagine, Tom, that...
0:59:25 > 0:59:27this is a point in time.
0:59:29 > 0:59:33Now, imagine a painter standing in a landscape
0:59:33 > 0:59:35and painting it.
0:59:35 > 0:59:39Imagine a second painter behind him,
0:59:39 > 0:59:43painting the landscape and the first painter's picture in it.
0:59:43 > 0:59:47Then imagine a third painter coming up
0:59:47 > 0:59:52and painting the same picture with the first and second painters' pictures.
0:59:52 > 0:59:58Then a fourth painter, fifth... I hope this has made things clearer.
0:59:58 > 1:00:01Oh, yes. Thank you, Uncle Alan.
1:00:01 > 1:00:03Let's look at it another way.
1:00:03 > 1:00:06Think of Rip Van Winkle.
1:00:06 > 1:00:09Actually, that's not very illuminating.
1:00:09 > 1:00:12Think of another point in time,
1:00:12 > 1:00:16which we'll call Point A.
1:00:16 > 1:00:22Different people have different times, but they're all part of the same big time.
1:00:22 > 1:00:28- That would be implying... - That I might be able to step into someone else's time
1:00:28 > 1:00:31or she might step forward into my time,
1:00:31 > 1:00:36which would see the future to her, although to me it's the present.
1:00:38 > 1:00:40It'd be clearer to go back to Point A.
1:00:40 > 1:00:45She'd be no more a ghost from the past than I'd be a ghost from the future.
1:00:45 > 1:00:49Neither of us are ghosts and the garden isn't either.
1:00:49 > 1:00:53That settles that. You've been very helpful.
1:00:53 > 1:00:59What settles what? Gardens, ghosts? We're talking theories here.
1:00:59 > 1:01:03But suppose someone had stepped out of one time into another?
1:01:03 > 1:01:05It would be proof.
1:01:05 > 1:01:07Proof?!
1:01:07 > 1:01:12I've explained little if you don't know that proof in time theory...
1:01:13 > 1:01:15Proof!
1:01:31 > 1:01:33- Barty.- Just coming, James.
1:01:33 > 1:01:36It's been a pleasure.
1:01:42 > 1:01:44Tom.
1:01:44 > 1:01:48I'm so glad to see you. I miss you, even now
1:01:48 > 1:01:52in spite of the cousins being so much nicer.
1:01:52 > 1:01:56And Barty. And skating. Oh, Tom, skating!
1:01:56 > 1:01:59I feel I could go from here to the end of the world.
1:01:59 > 1:02:03I want to go far, so far.
1:02:03 > 1:02:05Tom, why haven't you skates?
1:02:05 > 1:02:08Hattie, where do you keep your skates?
1:02:08 > 1:02:11In the boot cupboard in the hall.
1:02:11 > 1:02:16- Will you promise something?- Nothing that's dangerous. No tree climbing.
1:02:16 > 1:02:21No. Promise me to keep your skates in the secret place you showed me.
1:02:21 > 1:02:25- Under the floorboards.- Why should I keep them there?
1:02:25 > 1:02:27Please promise. I know it sounds silly.
1:02:27 > 1:02:30That place is still secret?
1:02:30 > 1:02:33The only person I ever told was you.
1:02:33 > 1:02:38I don't understand why, but I'll keep them there. I promise.
1:02:41 > 1:02:42Tom!
1:02:42 > 1:02:48That means I'd have to leave the skates behind if I ever went away from here.
1:03:42 > 1:03:44"To whomever may find this.
1:03:44 > 1:03:47"These skates are the property of Harriet Melbourne.
1:03:47 > 1:03:52"but she leaves them in this place in fulfilment of a promise.
1:03:52 > 1:03:56"Harriet Melbourne. June 20. 18..."
1:04:19 > 1:04:22Peter, you're looking your old self again.
1:04:22 > 1:04:27- Doctor says we can go to the park tomorrow.- Is there a card from Tom?
1:04:27 > 1:04:29No. Nothing today.
1:04:29 > 1:04:34You'll see him soon enough. He's coming home the day after tomorrow.
1:04:35 > 1:04:40Poor boy. He must have had a dreadfully dull time.
1:04:41 > 1:04:45CLOCK CHIMES
1:05:05 > 1:05:07Tom?
1:05:10 > 1:05:12Hattie.
1:05:12 > 1:05:15I wasn't sure if it was you.
1:05:15 > 1:05:17- Of course it's me.- I hope so.
1:05:19 > 1:05:24James is going to market, and I'm going with him to skate to Ely.
1:05:24 > 1:05:28- Come with us, Tom.- Out of the garden? I don't know if I can.
1:05:28 > 1:05:33Of course you can. The garden will be there waiting for you.
1:05:36 > 1:05:38Ready, Harriet?
1:06:06 > 1:06:09There you are, old girl.
1:06:27 > 1:06:29Never thought I'd see you again.
1:06:31 > 1:06:35I don't know what we're going to do with him. He talks to himself.
1:07:34 > 1:07:38I'll be no longer than an hour. If we miss each other, take the train.
1:08:24 > 1:08:27- Shall we climb the tower, Tom?- Yes.
1:08:57 > 1:08:59286 steps.
1:08:59 > 1:09:01Five minutes!
1:09:01 > 1:09:03Five minutes till last descent!
1:09:13 > 1:09:17"Mr James Robinson, gentleman of the city,
1:09:17 > 1:09:20"who exchanged time for eternity."
1:09:42 > 1:09:47Tom, I want to see the garden where you and Hattie play.
1:09:47 > 1:09:53The garden's over there and Hattie's here. She's carrying the skates.
1:09:53 > 1:09:56That's not Hattie. That's a grown-up woman.
1:09:56 > 1:10:00Time to go down now, please, ladies and gentlemen.
1:10:00 > 1:10:04She's grown up. How can you play with someone who's grown up?
1:10:11 > 1:10:14Who was he, Tom?
1:10:14 > 1:10:16What was he?
1:10:16 > 1:10:19Come on, lady. Time, time.
1:10:21 > 1:10:25He's my brother, Hattie. He's real, like me.
1:10:34 > 1:10:36Bloody hell.
1:10:50 > 1:10:52Miss Hattie?
1:10:52 > 1:10:55Barty!
1:10:56 > 1:10:58I'm so glad to see you.
1:10:58 > 1:11:00Where are you off to all alone?
1:11:00 > 1:11:05- She's not alone!- James brought me. I'm just off for the train.
1:11:05 > 1:11:08I have my carriage. I'll give you a lift.
1:11:10 > 1:11:12Hattie. Wouldn't you rather...?
1:11:25 > 1:11:27- I see you like skating.- Yes.
1:11:27 > 1:11:29More than anything.
1:11:29 > 1:11:32We could go next week if you like.
1:11:32 > 1:11:36To Castleford of Littleport. If you'd like.
1:11:36 > 1:11:37We'd love to.
1:11:54 > 1:11:56Whoa.
1:11:56 > 1:11:58Here we are.
1:12:25 > 1:12:27Goodnight, Miss Hattie.
1:12:27 > 1:12:29Goodnight, Barty.
1:12:32 > 1:12:35Yes. Goodnight, Barty.
1:13:04 > 1:13:08Hattie? Wouldn't you like to go into the garden?
1:13:11 > 1:13:14Hattie, don't you see me or hear me?
1:13:16 > 1:13:19Please don't walk through me.
1:13:19 > 1:13:22Hattie, please don't walk through me.
1:14:20 > 1:14:22Perhaps you should wake him.
1:14:22 > 1:14:24Yes.
1:14:24 > 1:14:28A boy his age needs ten hours sleep, not twelve.
1:14:54 > 1:14:56No, not this time! Not now!
1:14:56 > 1:14:58Oh, you're awake.
1:14:58 > 1:15:00It's morning.
1:15:00 > 1:15:02Oh.
1:15:02 > 1:15:04You've had a nightmare.
1:15:06 > 1:15:08It's over now.
1:15:08 > 1:15:10It's over now.
1:15:10 > 1:15:12Alan...
1:15:14 > 1:15:17I think it's time that Tom went home.
1:15:17 > 1:15:21He's terribly strung up. Bad dreams, nightmares.
1:15:24 > 1:15:28I wouldn't be surprised if he's even walking in his sleep.
1:15:39 > 1:15:43'I have to get Hattie back, Peter. The way she was.
1:15:43 > 1:15:48'I have a feeling that if I make one last trip into the garden,
1:15:48 > 1:15:52'Hattie might be a little girl again and we can play together.
1:15:52 > 1:15:56'I want that so much. I want time to go back.
1:15:56 > 1:15:59'I might not be home tomorrow as planned.
1:15:59 > 1:16:04'Tonight, I will exchange time for eternity.'
1:16:09 > 1:16:12CLOCK CHIMES
1:16:12 > 1:16:15I'm coming, Hattie. I'll find you in the dark.
1:16:19 > 1:16:21CLATTERING
1:16:37 > 1:16:40Hattie! Hattie!
1:16:50 > 1:16:52Uncle Alan.
1:16:52 > 1:16:55Come on. Let's get you to bed.
1:17:01 > 1:17:03Midnight.
1:17:03 > 1:17:08Every night at midnight. Footsteps running down the stairs.
1:17:08 > 1:17:11He seems to be in shock.
1:17:14 > 1:17:19It must have been the terror of waking up to find himself outside.
1:17:19 > 1:17:22And he was carrying these.
1:17:22 > 1:17:26Strange things to carry, even when sleepwalking.
1:17:26 > 1:17:30- Where did he come by them? - That's what I'd like to know.
1:17:30 > 1:17:33And he was calling out to someone.
1:17:33 > 1:17:35Probably his mother.
1:17:35 > 1:17:38No. It was someone else.
1:17:50 > 1:17:53- It was that old woman. - Mrs Bartholomew?
1:17:54 > 1:17:56Why can't she leave well alone?
1:17:56 > 1:18:00- What did she want? - An apology for the disturbance.
1:18:00 > 1:18:05I apologised profusely, but she says the boy must go up himself.
1:18:06 > 1:18:11That's outrageous. I wouldn't dream of sending him up there.
1:18:11 > 1:18:12No. I'll go.
1:18:12 > 1:18:14I ought to.
1:18:14 > 1:18:17I don't mind.
1:18:17 > 1:18:19I don't mind anything now.
1:18:39 > 1:18:40Come in.
1:19:06 > 1:19:08Your name is Tom, isn't it?
1:19:08 > 1:19:10Yes.
1:19:10 > 1:19:14- My name is Tom. I've come to apolo.. - Tom Long.
1:19:14 > 1:19:18- I'm sorry...- You woke me in the middle of the night.
1:19:19 > 1:19:21I've said I'm sorry.
1:19:21 > 1:19:24You called out a name.
1:19:28 > 1:19:30Tom.
1:19:30 > 1:19:32You called me.
1:19:33 > 1:19:35Don't you see?
1:19:35 > 1:19:38You called me.
1:19:42 > 1:19:44I'm Hattie.
1:19:50 > 1:19:52It's the barometer.
1:19:52 > 1:19:55The barometer from the Melbourne's hall.
1:19:55 > 1:19:56Uh-huh.
1:20:00 > 1:20:01And the owl!
1:20:03 > 1:20:05I don't understand.
1:20:05 > 1:20:09The garden is gone and yet all these things are here.
1:20:11 > 1:20:16You say you were Hattie. Our Hattie?
1:20:16 > 1:20:20Yes. I was Hattie. I AM Hattie.
1:20:20 > 1:20:25What happened after we skated. The last time we saw each other?
1:20:25 > 1:20:29That wasn't the last time we saw each other, Tom.
1:20:29 > 1:20:31Have you forgotten?
1:20:31 > 1:20:34Don't you remember?
1:20:46 > 1:20:47That's young Barty.
1:20:49 > 1:20:52His name was John Bartholomew.
1:20:52 > 1:20:55That was taken soon after we married.
1:20:56 > 1:21:03It was in the year 1895 that we skated to Ely and climbed the tower.
1:21:03 > 1:21:07We met Barty and he gave us a lift.
1:21:07 > 1:21:12He told me that he'd made up his mind that day he wanted me for his wife.
1:21:12 > 1:21:15We married a year later.
1:21:15 > 1:21:19Aunt Melbourne was more than happy to have me off her hands.
1:21:19 > 1:21:23Midsummer Eve was the eve of my wedding.
1:21:23 > 1:21:26I was finishing my packing that night.
1:21:26 > 1:21:31I took what I thought was a last look around the house.
1:21:31 > 1:21:35Suddenly, and I don't know why, I remembered my skates,
1:21:35 > 1:21:38and that made me remember you.
1:21:38 > 1:21:41It had been so long since I'd seen you,
1:21:41 > 1:21:46but I knew I had to leave them in the wardrobe where we'd agreed.
1:21:46 > 1:21:49I wrote a note to go with them.
1:21:49 > 1:21:54- I found the note. Signed and dated. - At the end of the old century.
1:21:56 > 1:22:01When the house was being sold, Barty and I came over for the auction.
1:22:06 > 1:22:08The past I had escaped from,
1:22:08 > 1:22:11but which was so much part of me,
1:22:11 > 1:22:13was up for sale.
1:22:14 > 1:22:18I stood with Barty in front of the mantle,
1:22:18 > 1:22:21in what was once the parlour.
1:22:23 > 1:22:27In that place where I had stood on Christmas Eve
1:22:27 > 1:22:32the night I realised that Barty loved me and that I loved him.
1:22:33 > 1:22:37The house was already quite different by then.
1:22:38 > 1:22:41Colder, sadder,
1:22:41 > 1:22:42emptier.
1:22:42 > 1:22:48But the clock our clock was still there.
1:22:48 > 1:22:50Still ticking.
1:22:50 > 1:22:52Still alive.
1:22:53 > 1:22:57Something that day, some feeling,
1:22:57 > 1:22:59some vestige of memory,
1:22:59 > 1:23:02drew me back to what was left of the garden.
1:23:02 > 1:23:06Somehow I knew that Trixie would survive.
1:23:06 > 1:23:10Barty sensed that that place held a special meaning for me,
1:23:10 > 1:23:14even though I couldn't really explain why to him.
1:23:14 > 1:23:18To know it was important to me was enough for him.
1:23:18 > 1:23:24Very much in love, Barty and I stood together beneath Trixie's branches,
1:23:24 > 1:23:27as the world around us continued to change.
1:23:27 > 1:23:31By the end of that day, there would be one tree standing
1:23:31 > 1:23:35in what was once our garden Trixie.
1:23:35 > 1:23:40It's in its very own, very much smaller garden now.
1:23:41 > 1:23:45I hope whoever owns it takes good care of it.
1:23:46 > 1:23:49- Did Barty buy the clock for you? - Yes.
1:23:49 > 1:23:52Barty bought the house and the clock.
1:23:52 > 1:23:56I'd always loved to hear it striking.
1:23:56 > 1:23:58You didn't come to live here then?
1:23:58 > 1:24:02No. We had a home in the Fens,
1:24:02 > 1:24:06and we were content there more than.
1:24:07 > 1:24:09We had two children.
1:24:10 > 1:24:12Two boys.
1:24:19 > 1:24:22They were both killed in the Great War.
1:24:22 > 1:24:25The First World War we call it now.
1:24:28 > 1:24:32And then, many years later, Barty died.
1:24:33 > 1:24:36Peacefully in my arms.
1:24:37 > 1:24:40I was left quite alone.
1:24:40 > 1:24:43That was when I came here.
1:24:44 > 1:24:47And I've lived here ever since.
1:24:48 > 1:24:53Since you've come here, you've often gone back in time, haven't you?
1:24:53 > 1:24:55Oh, yes, Tom.
1:24:55 > 1:24:59When you're my age, you live in the past.
1:25:00 > 1:25:02You remember it.
1:25:02 > 1:25:05You dream it.
1:25:11 > 1:25:14These last few nights, you've hardly dreamt about the garden.
1:25:14 > 1:25:19I dreamt of my wedding and of leaving here.
1:25:19 > 1:25:24Last night I called to you, but I never thought you'd hear me.
1:25:24 > 1:25:26You woke me.
1:25:26 > 1:25:29But I didn't mind.
1:25:29 > 1:25:33I knew it was Tom calling for help.
1:25:33 > 1:25:38- I couldn't believe you were real. - We're both real. Then and now.
1:25:38 > 1:25:40It's as the pendulum says...
1:25:40 > 1:25:43- BOTH:- "Time no longer.
1:25:43 > 1:25:46Do you think our marks still show on Trixie?
1:25:46 > 1:25:48I dream they do.
1:25:56 > 1:25:58Until the next time.
1:25:58 > 1:26:00Goodbye, Tom.
1:26:00 > 1:26:01Goodbye, Hat...
1:26:03 > 1:26:06Goodbye, Mrs Bartholomew.
1:26:25 > 1:26:27Goodbye, Hattie.
1:26:38 > 1:26:41When he ran and they hugged each other,
1:26:41 > 1:26:46it as as if they'd known each other for years and years.
1:26:48 > 1:26:53There was something else, Alan. I know this sounds absurd.
1:26:53 > 1:26:57Mrs Bartholomew is an old woman and hardly bigger than Tom,
1:26:57 > 1:27:01but when he put his arms around her and they hugged goodbye,
1:27:01 > 1:27:05it was as if she were a little girl.
1:27:07 > 1:27:09- Stop! Stop the car!- Tom?
1:27:14 > 1:27:17Tom, what are you doing?
1:27:17 > 1:27:20- I'm sorry, sir, but do you have a garden?- Yes.
1:27:20 > 1:27:23Would you care to see it?
1:27:23 > 1:27:25Tom! I'm so sorry, I...
1:27:25 > 1:27:28I'm sorry. Good morning.
1:27:31 > 1:27:32Tom.
1:27:34 > 1:27:39- We're sorry. The boy... - He's been very ill with a bad cold.
1:28:17 > 1:28:20I think it would be nice to have a child.
1:28:20 > 1:28:23After everything that just happened?
1:28:23 > 1:28:25With Tom?
1:28:27 > 1:28:31- But I...- It'll be wonderful knowing there's another life next door.
1:28:32 > 1:28:33Won't it?
1:28:33 > 1:28:35Won't it just?
1:28:35 > 1:28:38Of course, discipline will be paramount.
1:29:13 > 1:29:16She stood here and touched it...
1:29:17 > 1:29:20and said, "It's all real.
1:29:20 > 1:29:23"You've made it all real, Tom...
1:29:25 > 1:29:27"and you've kept it alive."
1:29:31 > 1:29:33And so you have, my love.
1:30:23 > 1:30:27# Peaches are gold today
1:30:27 > 1:30:31# I opened up the door
1:30:31 > 1:30:35# My heart got in the way
1:30:35 > 1:30:39# This is what I saw
1:30:39 > 1:30:46# Dreams and shades of green and gold
1:30:46 > 1:30:49# Once upon a time
1:30:49 > 1:30:53# He came right now
1:30:53 > 1:30:57# Life is long and timeless
1:30:57 > 1:31:02# And the magic's just a door away
1:31:02 > 1:31:06# After always
1:31:06 > 1:31:09# Past forever more
1:31:10 > 1:31:13# Can I take you?
1:31:13 > 1:31:17# I've been there before
1:31:17 > 1:31:21# It's a place filled with wonder
1:31:21 > 1:31:25# Filled with surprises
1:31:25 > 1:31:32# Wait till you see what I saw
1:31:33 > 1:31:37# Peaches are gold today
1:31:37 > 1:31:40# Or was it last July?
1:31:41 > 1:31:44# I went outside to play
1:31:44 > 1:31:47# 'Neath a summer sky
1:31:47 > 1:31:51# Life is long and timeless
1:31:51 > 1:31:56# And the magic's just a door away
1:31:56 > 1:31:59# After always
1:31:59 > 1:32:03# Past forever more
1:32:04 > 1:32:07# Can I take you?
1:32:07 > 1:32:10# I've been there before
1:32:10 > 1:32:15# It's a place filled with wonder
1:32:15 > 1:32:19# Filled with surprises
1:32:19 > 1:32:25# Wait till you see what I saw
1:32:26 > 1:32:36# Come with me, let's walk through the door. #