0:01:39 > 0:01:44The roof falls down, walls fall down, the bottom falls...
0:01:44 > 0:01:46Chico falls down.
0:01:46 > 0:01:52Don't call me Chico. I am Johnny Monroe, best engineer around.
0:01:52 > 0:01:56I build a railroad through the mountain. Dig!
0:01:59 > 0:02:03- How about it, Johnny?- Any time now.
0:02:03 > 0:02:06I work all day and all night.
0:02:08 > 0:02:13Scram! I, Johnny Monroe, will make the blast. Everything comes down.
0:02:13 > 0:02:15Fire in the hole!
0:02:19 > 0:02:23My head, my head! I'm hurt!
0:02:23 > 0:02:25My head! I'm hurt!
0:02:25 > 0:02:28- I'm hurt!- Is he hurt?
0:02:28 > 0:02:33- A scratch.- I said not to play here when we're blasting.
0:02:33 > 0:02:37- It's fixed. - Take him to medico to be sure.
0:02:37 > 0:02:42Chico, I ought to paddle your rump. What were you doing?
0:02:42 > 0:02:46- I am the engineer.- Engineer, eh?
0:02:46 > 0:02:52A good engineer doesn't get men hurt. If he does, he has to be punished.
0:02:52 > 0:02:54Step up here.
0:03:09 > 0:03:11Now get outta here.
0:03:11 > 0:03:14All of you!
0:03:15 > 0:03:20- He hit your face.- Yes, he used his fist because I am an engineer.
0:03:20 > 0:03:25You, he would paddle your rump. You too.
0:03:26 > 0:03:28Where's the second shot?
0:03:28 > 0:03:31The slowest blaster in the Andes!
0:03:31 > 0:03:33Just say when and duck your head.
0:03:33 > 0:03:36All right. When.
0:03:36 > 0:03:38Fire in the hole!
0:03:41 > 0:03:48Here we come! When the last rock falls, drinks are on Johnny Monroe. Let's go, brothers.
0:03:48 > 0:03:50Where are you going?
0:03:50 > 0:03:53He promised us Tenango if we did it.
0:03:53 > 0:03:57- And there it is. - Tenango! Not this weekend.
0:03:57 > 0:04:00- That's out.- Out? Why?
0:04:00 > 0:04:03Why?! You know why.
0:04:03 > 0:04:08I'm meeting Alexander at the hotel. And with you guys in town... Oh!
0:04:08 > 0:04:14Look, Johnny, if we don't get a lining that tunnel will come down.
0:04:14 > 0:04:18I wanted to build a bridge over the river, remember?
0:04:18 > 0:04:22- You bid in the tunnel. - Because Alexander wanted it.
0:04:22 > 0:04:25It's his money. We follow orders.
0:04:25 > 0:04:32That comes in your department, Pop - specifications, money... Money! Did I say money?
0:04:32 > 0:04:36We need - one, two, three, four - 500 pesos.
0:04:36 > 0:04:42- No Tenango this weekend.- No Tenango, no tunnel.- No tunnel, no railroad.
0:04:42 > 0:04:46No railroad, no pay. No pay, no Tenango.
0:04:46 > 0:04:50- That brings us right back. - Yep, we'll need 500 pesos.
0:04:51 > 0:04:54Oh, Johnny! Oh!
0:04:54 > 0:04:58100, 200, 250, 300...
0:04:58 > 0:05:02No serenades under the mayor's balcony!
0:05:02 > 0:05:05Oh, no. Those things only happen once.
0:05:05 > 0:05:10400... And look, stay out of sight when I'm talking to Alexander.
0:05:10 > 0:05:13- Sure, sure.- 450...
0:05:13 > 0:05:18- He's plenty tough without you making it worse.- Yeah.- 500.
0:05:19 > 0:05:24- Thanks, Pop.- And stay outta sight! I'll be in Tenango too, you know!
0:05:35 > 0:05:39You agree there's no mention of a lining.
0:05:39 > 0:05:44Sure. And I know why the engineer didn't include one.
0:05:44 > 0:05:48It doesn't flake off until air hits it, and then...
0:05:59 > 0:06:05You couldn't know this, but every shot kicks out a section of roof.
0:06:05 > 0:06:08That may be just temporary.
0:06:08 > 0:06:14- Drive on a few hundred yards. See if it changes.- That sounds reasonable.
0:06:14 > 0:06:21But not practical. To put in lining we need a bigger concrete plant. That'll take time.
0:06:21 > 0:06:28- LAUGHTER AND MUSIC - And money. My money. And I might add...the stockholders' money too.
0:06:30 > 0:06:33What is the meaning of this?
0:06:33 > 0:06:37- This is Sunday morning. - Probably a party. It happens.
0:06:37 > 0:06:41- Mr Matthews... - It doesn't happen in Tenango!
0:06:41 > 0:06:45- And I don't intend that it shall. - Yes, Uncle.
0:06:45 > 0:06:48Find the manager. Say I don't like it.
0:06:48 > 0:06:54- You'd like it less if he didn't make money.- The hotel does not make money.
0:06:54 > 0:06:59I support it out of habit. The same is true of some of my relatives.
0:06:59 > 0:07:03LATIN AMERICAN MUSIC PLAYS
0:07:13 > 0:07:17- Find Hernandez. - Shouldn't we reach a decision?
0:07:17 > 0:07:20I'll reach a decision. Do as you're told.
0:07:23 > 0:07:28Before we go further, Mr Matthews, have you told Monroe about Tenango?
0:07:28 > 0:07:32There'll be no more of that nonsense.
0:07:32 > 0:07:36They hit town last night, probably had a few drinks and went to bed.
0:07:39 > 0:07:44I don't know what you're saying but you must be mad.
0:07:44 > 0:07:47THEY SING DRUNKENLY
0:07:50 > 0:07:55- Johnny...- Hello, Ricky. Tell him I promised a party and this is it.
0:07:55 > 0:08:00- Where's the dames and music? - My uncle's on the warpath.
0:08:07 > 0:08:09Better get out of sight.
0:08:11 > 0:08:16Come to my office, Hernandez. I have something to say to you.
0:08:21 > 0:08:25- I've got something to say to you. - Save it.
0:08:25 > 0:08:32I've had a massage and you still look like a shimmering landscape! Tell them. I need air.
0:08:35 > 0:08:37Waiter.
0:08:37 > 0:08:40CAR HORN BLASTS >
0:09:08 > 0:09:12CHURCH ORGAN PLAYS IN BACKGROUND
0:09:29 > 0:09:32Good morning.
0:09:37 > 0:09:41Let's walk. I wanna talk to you guys.
0:09:43 > 0:09:45Hey, look.
0:09:47 > 0:09:51It's a habit from his childhood. Come on.
0:09:52 > 0:09:54- See you, Ricky.- Bye, Pop.
0:09:58 > 0:10:01ORGAN PLAYS
0:11:09 > 0:11:12CHORAL SINGING
0:11:47 > 0:11:50SINGING CONTINUES
0:12:42 > 0:12:46- Do you believe in love at first sight?- No.
0:12:51 > 0:12:55- Oh, hello, Ricky. - She's my favourite cousin, Johnny.
0:12:55 > 0:13:00- She is?- I thought you should know, in case I have to shoot you.
0:13:04 > 0:13:10- This is wrong.- It's the custom, isn't it?- Yes, but not this way.
0:13:10 > 0:13:13- I'll introduce you. - What's her name?- Maura.
0:13:13 > 0:13:18- This is not the time.- Why not?- Down here, we... All right, you'll see.
0:13:18 > 0:13:21- This the window?- Yeah.
0:13:24 > 0:13:28THEY PLAY A SERENADE
0:13:28 > 0:13:33I like this, it's cute. Back home I'd just punch that bell.
0:13:33 > 0:13:35- Not that bell.- Huh?
0:13:41 > 0:13:44- What's the matter, Johnny? - Frederick Alexander?
0:13:44 > 0:13:47- THE Frederick Alexander.- Oh!
0:13:47 > 0:13:50Less than five families can walk through that doorway.
0:13:50 > 0:13:54Unfortunately, Mr Monroe, you are not one of them.
0:13:54 > 0:13:59- You could have told me that earlier. - I tried but you wouldn't listen.
0:13:59 > 0:14:03Let's get away before my uncle... Oh, hello, Maura.
0:14:03 > 0:14:05Why, Ricky...
0:14:06 > 0:14:08Oh!
0:14:15 > 0:14:18Maura, dear, may I present Mr Monroe.
0:14:18 > 0:14:23- He's working for your father. - How do you do?
0:14:25 > 0:14:29Well, I...I... Are you staying?
0:14:29 > 0:14:34- Sure, I've come this far.- I'll be back in ten minutes...for your body!
0:14:34 > 0:14:37- Hey, Ricky.- What?
0:14:37 > 0:14:40- Can you use a band?- No.
0:14:41 > 0:14:43Vamoose.
0:14:52 > 0:14:54- Hello.- Hello.
0:14:56 > 0:14:59I...I'm not very good on my feet.
0:14:59 > 0:15:02And when you sit you fall asleep.
0:15:02 > 0:15:04Oh, you remembered.
0:15:04 > 0:15:09Maybe I should have kept the guitars. Balcony scenes confuse me.
0:15:09 > 0:15:15- Next time bring your Shakespeare. - Next time? What happens this time?
0:15:15 > 0:15:18I've used two of my ten minutes.
0:15:22 > 0:15:27If I let you sit, can you stay awake for the remaining eight?
0:15:27 > 0:15:29I think so.
0:15:31 > 0:15:33That door.
0:15:34 > 0:15:36That door?
0:15:52 > 0:15:54- Come in.- Thank you.
0:16:29 > 0:16:34- What do you want?- You sent for me. - Did I?- Yes.
0:16:34 > 0:16:40Oh, yes. I've been considering your suggestion about Maura's studies.
0:16:40 > 0:16:42Yes.
0:16:42 > 0:16:47I've noticed what she reads. I should watch that if I were you.
0:16:47 > 0:16:52Maura's at an age when...a girl's apt to get a little out of hand.
0:16:52 > 0:16:57- Maura is a woman. - She's also an Alexander.
0:16:59 > 0:17:02- You don't like this, do you?- No. - Why not?
0:17:02 > 0:17:07- It's foolish to paint by artificial light. And...- And what?
0:17:07 > 0:17:09You don't do it well.
0:17:09 > 0:17:14I've always felt a man should be allowed to do one thing badly,
0:17:14 > 0:17:18if he doesn't inflict his mistakes on others.
0:17:18 > 0:17:23I store my paintings in the vault for posterity.
0:17:23 > 0:17:27- Along with other things.- Like what? - Your daughter.
0:17:31 > 0:17:35My daughter is not one of my mistakes.
0:17:35 > 0:17:41Let us say instead that she is my greatest accomplishment.
0:17:44 > 0:17:47I'm sure her mother would agree.
0:17:47 > 0:17:50She was also a sound art critic.
0:17:50 > 0:17:52She happened to like my paintings.
0:17:52 > 0:17:57- She was in love with you.- Naturally. You wouldn't understand that.
0:17:58 > 0:18:00I'm sure I wouldn't.
0:18:00 > 0:18:05Many of the things I do must seem strange to you.
0:18:07 > 0:18:10I look at the beginnings, the embryo.
0:18:10 > 0:18:15But here I see the finished canvas -
0:18:15 > 0:18:18a glorious woman, cultured, poised,
0:18:18 > 0:18:26- ready to take an important position as the wife of... What shall I say? - You've already picked her husband?!
0:18:28 > 0:18:29Sorry.
0:18:33 > 0:18:37- What were we discussing? - Maura's husband.
0:18:37 > 0:18:41No, I mean the things I've laid out for her to do.
0:18:41 > 0:18:43Oh, I think they can wait.
0:18:43 > 0:18:50While, as you say, I never created a daughter of my own, for some reason God made me a woman.
0:18:50 > 0:18:55That's why I know that this morning, or perhaps yesterday,
0:18:55 > 0:19:00when Maura looked in the mirror she saw not a girl, but a woman -
0:19:00 > 0:19:06a woman whose life, for 20-odd years, has been run as if it were a mine or a railroad.
0:19:06 > 0:19:09She resented it. She still does.
0:19:09 > 0:19:14If you keep on living her life for her, you may regret it.
0:19:14 > 0:19:18I realise you believe what you're saying is true.
0:19:18 > 0:19:25But confine your suggestions to her studies. Get my permission before starting anything new.
0:19:25 > 0:19:26Good night.
0:19:32 > 0:19:35- Mr Alexander.- What is it?
0:19:35 > 0:19:40- You do love your daughter, don't you? - Of course. Why do you ask?
0:19:40 > 0:19:44Well, it might be nice if she knew it, too.
0:19:55 > 0:20:00This is the mountain and this is the tin mines.
0:20:00 > 0:20:03There's a river runs right along here.
0:20:05 > 0:20:08That's the river.
0:20:08 > 0:20:13I think it would be smarter to throw a bridge across it but...
0:20:14 > 0:20:19..if they want a tunnel, they'll get a tunnel.
0:20:19 > 0:20:22We'll drive through Mount Tormento.
0:20:22 > 0:20:28Three or four months and we'll reach the tin mines and that's it.
0:20:28 > 0:20:32- Then where? - Oh, wherever they want a railroad.
0:20:32 > 0:20:38Alaska perhaps, China, Tibet, or...Brooklyn.
0:20:40 > 0:20:42Say, what time is it?
0:20:42 > 0:20:49- This says my visit's over and I feel it's hardly begun. - Why hurry away?
0:20:49 > 0:20:55- Ricky said ten minutes. - And you used them all to talk about you.- I'm sorry.
0:20:55 > 0:20:59He might give us ten more so I could talk about me.
0:20:59 > 0:21:04Sounds interesting. Tell me about me.
0:21:06 > 0:21:10Well, I was born, er...er...
0:21:10 > 0:21:17Under a lucky star, some 20-odd years ago, with the most beautiful eyes I've seen in South America.
0:21:17 > 0:21:22You've got a cute nose too, though you carry it rather high at times.
0:21:22 > 0:21:27- Tell me more.- I could go on for hours. Raven-black hair.
0:21:27 > 0:21:32Oh, that's right, you don't believe in love at first sight.
0:21:44 > 0:21:50- Go to your room, Maura.- Father, don't take that attitude. We were only talking.- Go to your room.
0:21:52 > 0:21:56- Mr Alexander, I know this looks... - Good night, Mr Monroe.
0:22:13 > 0:22:16- Good night.- Good night.
0:22:31 > 0:22:35# Ay, ay, ay-ay... #
0:22:37 > 0:22:39Ay, ay, ay-ay!
0:22:59 > 0:23:05I thought I had bred a gentlewoman, Maura. I find I've made a mistake.
0:23:05 > 0:23:08I'm surprised you admit you can.
0:23:10 > 0:23:12Maura!
0:23:20 > 0:23:23I doubt I shall ever be surprised again.
0:23:23 > 0:23:27- I find my daughter... - Talking to a man.
0:23:27 > 0:23:33In the arms of a drunken, brawling lout, who was recently associating with...
0:23:35 > 0:23:38I've heard of such things.
0:23:38 > 0:23:42I understand it was a custom in pagan Rome.
0:23:42 > 0:23:48Women of breeding amused themselves with...gladiators.
0:23:48 > 0:23:50Amused themselves?!
0:23:50 > 0:23:54Where do you find this boldness?
0:23:56 > 0:24:01Finish what you were saying. Tell me of the man you found in my arms.
0:24:01 > 0:24:04- Don't say that again.- Why not? - Don't!
0:24:04 > 0:24:07Go on, finish what you were saying.
0:24:07 > 0:24:13Of course, you wouldn't know of such men. How could I expect you to?
0:24:13 > 0:24:16But you know not to ask men into my home!
0:24:16 > 0:24:20I thought perhaps it was my home too.
0:24:20 > 0:24:23It is your home, Maura.
0:24:23 > 0:24:26It was also the home of your mother.
0:24:26 > 0:24:32As such, I expect you to respect it, even though you have so little for yourself.
0:24:48 > 0:24:51- Hey, Curly.- Yeah.
0:24:51 > 0:24:54- Did you take a look at the plans? - Mmm-hmm.
0:24:54 > 0:24:59Fog's making cosy with the big blonde, you follow? >
0:24:59 > 0:25:04I'm listening. He's telling me about Fog and the blonde.
0:25:04 > 0:25:06Women, trouble, they're the same.
0:25:06 > 0:25:12Right there under the hammock, I got an exploder planted, rigged up to the light.
0:25:12 > 0:25:16HAMMER-DRILL MAKES LOUD NOISE
0:25:16 > 0:25:19< When he reaches to turn off the light...
0:25:19 > 0:25:24HAMMER-DRILL DROWNS SPEECH
0:25:24 > 0:25:27< When he turns off the light, wham!
0:25:29 > 0:25:33And the blonde says, "Fog, you're dynamite."
0:25:34 > 0:25:36Yeah!
0:25:47 > 0:25:51- All right, Brains.- All right, Brawn.
0:25:58 > 0:26:01Ready to load. Or should I do that too?!
0:26:01 > 0:26:06You fired one the other night and look at that hammock.
0:26:06 > 0:26:10- How many you using? - Only 100, on account of the roof.
0:26:10 > 0:26:13Let's take a look.
0:26:25 > 0:26:28Kill the light. >
0:26:29 > 0:26:32- Douse the circuit.- Kill the lights.
0:26:37 > 0:26:40CLATTERING
0:26:59 > 0:27:02OK, take it away.
0:27:03 > 0:27:06- How's it look?- Straining plenty.
0:27:06 > 0:27:11- Fog did well. She'll hold, I think. - Wanna think outside?
0:27:11 > 0:27:14- What?- How about thinking outside?
0:27:14 > 0:27:19- You gonna shoot from in here? - You gotta trust the roof sometime.
0:27:19 > 0:27:23- Wish I had a tin hat. - Pull in your ears.
0:27:24 > 0:27:26Fire in the hole!
0:27:27 > 0:27:30LOUD EXPLOSION
0:27:32 > 0:27:35Hit the lights.
0:27:37 > 0:27:40Boy, it's great to be alive.
0:27:49 > 0:27:52- How was it?- Right, bring 'em in.
0:27:55 > 0:27:57CREAKING AND CRASHING
0:28:02 > 0:28:04Hit the whistle.
0:28:05 > 0:28:08WHISTLE BLOWS
0:28:12 > 0:28:14Are you all right?
0:28:14 > 0:28:18- Are you all right? - No, we're both dead.
0:28:18 > 0:28:21That's too close for comfort.
0:28:21 > 0:28:24You can't trust that guy.
0:28:24 > 0:28:28- All right, get this cleared out. - Fog will love this!
0:28:28 > 0:28:32I build a nice clean tunnel and look what you did!
0:28:32 > 0:28:36Buy a book and learn how it's done.
0:28:36 > 0:28:39Use timber. It ain't a wigwam, you know.
0:28:39 > 0:28:41Sometimes I wonder!
0:28:43 > 0:28:49- I wish we didn't have to build this tunnel. It's a stinker. - That covers it.
0:28:49 > 0:28:55- Did you feed the pigeons? - Yes, and a bit extra.- Good.
0:28:55 > 0:29:00The roof falls down, the walls fall down, the bottom, everything...
0:29:02 > 0:29:04Any luck?
0:29:04 > 0:29:08Yeah, plenty, and all bad!
0:29:08 > 0:29:10Oh!
0:29:10 > 0:29:14I don't know what coulda happened.
0:29:14 > 0:29:20Last night that lining was in the bag. This morning he turned me down cold.
0:29:20 > 0:29:22Blame me, Pop.
0:29:22 > 0:29:27That stuff in the hotel? It's more than that.
0:29:27 > 0:29:31- Something else happened. - I'm afraid so.- What?
0:29:31 > 0:29:34- Alexander's daughter.- Oh, no! No!
0:29:34 > 0:29:39- I was just talking.- In her house. - No, in a bar(!)
0:29:39 > 0:29:42Oh, not in South America, not here.
0:29:42 > 0:29:47- North, South, I was talking and my arm...- Don't tell me more.
0:29:47 > 0:29:50- There wasn't more. - We're dead.- We are not.
0:29:50 > 0:29:56He can't mix personalities and business. I'll tell him so now.
0:29:56 > 0:30:01- His daughter's one thing, business is another.- You'll make it worse.
0:30:01 > 0:30:04I doubt it. Look at that tunnel.
0:30:12 > 0:30:17- The downward load is equalled by the upward pressure...- Hold on, Ricky.
0:30:17 > 0:30:22Let me make myself clear to you and your consulting engineers.
0:30:22 > 0:30:26I do not risk lives to make money for my stockholders,
0:30:26 > 0:30:30not only is it bad business, but it's murder.
0:30:30 > 0:30:33Do we need a concrete lining for the tunnel?
0:30:33 > 0:30:38- I've been trying to explain... - I'm not interested in explanations.
0:30:38 > 0:30:43- Do we need a concrete lining for that tunnel? Yes or no?- No.
0:30:43 > 0:30:48- You agree, gentlemen? - Yes, Mr Alexander, we do.
0:30:48 > 0:30:52- Mr Monroe is still waiting, sir. - Let him wait.
0:30:52 > 0:30:54Any other matters?
0:30:54 > 0:30:59Mr Alexander is still in conference. You'll have to wait.
0:30:59 > 0:31:02Lady, how wrong you can be.
0:31:03 > 0:31:06DOOR BANGS
0:31:06 > 0:31:10I don't know if you realise, but I've got a railroad to build.
0:31:10 > 0:31:14If I come here it's because I've got something to say.
0:31:14 > 0:31:20My partner wants a concrete lining, but it's still under consideration.
0:31:20 > 0:31:25While you've been considering, 20 tonne of rock decided not to wait.
0:31:25 > 0:31:28Fortunately it missed the gang,
0:31:28 > 0:31:32but if it happens again a lot of us would be embarrassed.
0:31:32 > 0:31:36That shouldn't worry you, Mr Monroe.
0:31:36 > 0:31:42That is my naive way of telling you that while you're talking, people are risking their lives.
0:31:42 > 0:31:49I know the lining isn't in the contract, but it's a matter of common decency.
0:31:49 > 0:31:53That again, Mr Monroe, should give you little cause for concern.
0:31:58 > 0:32:04- As one engineer to another, may I ask a question?- Why not? As an engineer I respect you.
0:32:04 > 0:32:08Why not assume that only necessity would bring me here?
0:32:08 > 0:32:15I'm against the tunnel. A bridge is better, but you say it's impossible and the stockholders agree. OK.
0:32:15 > 0:32:20I won't kill men or drive through El Tormento without concrete.
0:32:20 > 0:32:23- Won't or can't?- What do you mean? - What I said.
0:32:23 > 0:32:27If you're afraid, we'll terminate your contract.
0:32:27 > 0:32:29We'll get somebody else to do it.
0:32:29 > 0:32:34If you got out on the job, you'll see slide-rules don't hold up rocks.
0:32:34 > 0:32:38- Look, Mr Monroe...- I've heard enough.
0:32:38 > 0:32:41It will remain under consideration.
0:32:41 > 0:32:45I suggest, Ricky, a further examination of the tunnel.
0:32:45 > 0:32:48That's all, gentlemen.
0:32:48 > 0:32:51- Wait a minute, Mr Monroe. - I'm going to.
0:33:01 > 0:33:04Why don't you leave Tenango?
0:33:04 > 0:33:07I've got a railroad to build.
0:33:07 > 0:33:10- Do you expect to finish? - On schedule.
0:33:10 > 0:33:15- You're either a fool or an optimist. - Are we talking about Miss Alexander?
0:33:15 > 0:33:19- That's impertinent! - Makes a difference.
0:33:19 > 0:33:25- Does it?- I have a partner named Pop Matthews. Why take it out on him?
0:33:25 > 0:33:30- Are you giving me a reason why I shouldn't break you?- Break me?
0:33:30 > 0:33:33Yes...break you.
0:33:37 > 0:33:39Wait.
0:33:39 > 0:33:46I'm gonna build your railroad and when I'm finished you can wrap it around your neck.
0:33:52 > 0:33:55- Senor!- Get out of the way, pigeons.
0:34:34 > 0:34:35< Flores?
0:34:35 > 0:34:37Flores?
0:34:37 > 0:34:40Flowers, mister?
0:34:45 > 0:34:47- Hello.- Hello.
0:34:47 > 0:34:51- We said that before and look what happened.- Sorry.
0:34:51 > 0:34:55- Did I say a lot? This time... - No railroads.
0:34:55 > 0:35:00- No rivers, just you. - Just me AND you.
0:35:02 > 0:35:08And Miss Braithwaite. Does she know about the other night? Does she approve?
0:35:08 > 0:35:12- I wouldn't be here if she hadn't helped.- Will she help again?
0:35:12 > 0:35:21- In South America we wait six months for the first visit, but I could be...- In China, Tibet or Brooklyn.
0:35:21 > 0:35:25I wouldn't be any further from you than now.
0:35:25 > 0:35:28- Why?- Your father doesn't like me,
0:35:28 > 0:35:33- and he doesn't want me to see you. - Don't I have a say in anything?
0:35:33 > 0:35:37- Everything.- I can't say it now.
0:35:37 > 0:35:40Save it till next week.
0:35:40 > 0:35:43- I'll be here, same time, same place...- If I'm not?
0:35:43 > 0:35:47Then I'll understand that you'd rather not see me.
0:35:47 > 0:35:50But I hope you do.
0:35:54 > 0:35:59I, er, um... Thank you.
0:36:00 > 0:36:01Hey.
0:36:04 > 0:36:07HE WHISPERS
0:36:15 > 0:36:20What's this? The man in the Jeep.
0:36:20 > 0:36:25- See what I mean?- Yes, but I'm afraid your father wouldn't.
0:36:42 > 0:36:46Johnny, I'm still waiting on those 12 by 12s.
0:36:46 > 0:36:52- Did you call the lumber company? - They told me about a prior order for the Durango mines.
0:36:52 > 0:36:56- That's Alexander's outfit. - They're getting their timber.
0:36:56 > 0:37:01- Johnny...- You want more rope. - I'm in no hurry.
0:37:01 > 0:37:07- Why?- I can't blast without dynamite, which I've haven't got as it's gone to Durango.
0:37:07 > 0:37:10They're tying us in knots - timber, powder,
0:37:10 > 0:37:15and piping which the railroad says we can't have for three weeks.
0:37:15 > 0:37:18And Alexander owns the railroad.
0:37:18 > 0:37:23- Make do with what you've got until...- We ain't got until you get.
0:37:23 > 0:37:25I'll get.
0:37:25 > 0:37:30Railroad, pipe, lumber, timber, Alexander...
0:37:47 > 0:37:49Hello, you big mug.
0:37:49 > 0:37:54- I don't get it.- Come on, shake anyway. I'm trying to apologise.
0:37:54 > 0:38:00- For calling yourself an engineer? - For not talking to Maura before I jumped you at the office.
0:38:00 > 0:38:07- Come on, they wanna be alone. - This is strictly love stuff. Don't forget the timber.
0:38:07 > 0:38:11- Keep squawking for it. - Does this always go on?
0:38:11 > 0:38:15Today it's worse. Alexander's holding up everything.
0:38:15 > 0:38:18- You asked for a fight.- From you too?
0:38:18 > 0:38:25- Not since Maura said she'd invited you to the house.- Wait a minute, don't think I ran away.
0:38:25 > 0:38:28- AND I'm seeing her today. - It's your neck.
0:38:28 > 0:38:32- Where do you stand? - Right in the middle.
0:38:32 > 0:38:36I told you what I think about the lining. I'll look at the tunnel.
0:38:36 > 0:38:39If I'm wrong I'll say - and to Alexander.
0:38:39 > 0:38:42You're wrong.
0:38:42 > 0:38:47- Come on, Chico.- I need gum drops, plenty of them and soft.
0:38:47 > 0:38:51- OK. Get in. - That Jeep's fresh out of gas.
0:38:51 > 0:38:54- Can I see a movie? - You're a cinch.
0:38:54 > 0:38:57- I hope it's not love stuff?- Why?
0:38:57 > 0:39:02He kisses her, she kisses him, they get married, kids...trouble.
0:39:04 > 0:39:07- Hiya, Pop.- Ricky, you're a nice guy.
0:39:07 > 0:39:10Just feel sorry for that big mug.
0:39:21 > 0:39:24CHATTER AND LAUGHTER
0:39:25 > 0:39:29Don't think of Europe for a year or two.
0:39:29 > 0:39:32Stay in Las Palmas. Look what you have -
0:39:32 > 0:39:38mountains, the climate, agreeable companions and close to Tenango.
0:39:38 > 0:39:42That's not what I want. For five years, we've been unable to travel,
0:39:42 > 0:39:47cut off by the war from any way of living. It's very confining.
0:39:47 > 0:39:50Maura, we were talking about Europe.
0:39:50 > 0:39:54- Europe?- We're both going, haven't I told you?
0:39:54 > 0:39:58- No.- I'm getting old. I thought I'd discussed it.
0:39:58 > 0:40:01- You're interested?- Not particularly.
0:40:01 > 0:40:04I don't blame you, unless it's the Riviera.
0:40:04 > 0:40:07- There's Paris.- I've been there.
0:40:07 > 0:40:11These blase young people.
0:40:11 > 0:40:15At this age she was easier to amuse. Travel was an adventure.
0:40:15 > 0:40:18Maura, we're waiting. >
0:40:23 > 0:40:28- We're going down to the lake. - Don't wait, I'll meet you later.
0:40:34 > 0:40:39- Aren't you going to ride?- We're taking exercise at the bridge table.
0:40:39 > 0:40:43And don't quote to me, I have my own system.
0:40:50 > 0:40:53- I'm not going to Europe.- Aren't you?
0:40:53 > 0:40:56And I'm not staying in Las Palmas.
0:40:56 > 0:41:00Your attitude this past week puzzles me.
0:41:00 > 0:41:07- Does it?- I've tried to please you, invited guests when I'd rather be alone, entertained your friends.
0:41:07 > 0:41:09Your friends, not mine.
0:41:09 > 0:41:16There you are. 20 years they've been OUR friends. Now suddenly they become MY friends.
0:41:16 > 0:41:20What is it, Maura? What's wrong?
0:41:20 > 0:41:24I simply prefer Tenango to Las Palmas.
0:41:24 > 0:41:27You used to like Las Palmas.
0:41:27 > 0:41:30The trails we rode together.
0:41:30 > 0:41:34Do you remember when we made time stand still?
0:41:34 > 0:41:38We looked out from the mountain and said, "This is good.
0:41:38 > 0:41:46"This is now. Let's enjoy it together, because tomorrow who knows what will happen."
0:41:48 > 0:41:51Has it happened, Maura?
0:41:51 > 0:41:56Do we no longer understand each other?
0:41:56 > 0:42:02- I want you to understand... I want you to understand that... - Yes?
0:42:02 > 0:42:05I just want to see him.
0:42:07 > 0:42:09That's something I will not discuss.
0:42:11 > 0:42:17- I'm to stay in Las Palmas?- Until we leave for Europe, understood?
0:42:29 > 0:42:31You handled that very badly, Maura.
0:42:33 > 0:42:38I wasn't trying to handle anything. I told him the truth.
0:42:38 > 0:42:41So have I, often, and found it's a mistake.
0:42:41 > 0:42:45Truth to him is something he wants to believe.
0:42:45 > 0:42:50Then he'd better start to believe it. I'm going to see Johnny Monroe.
0:42:50 > 0:42:54- When?- I'm supposed to be at the cathedral this afternoon.
0:42:54 > 0:42:59- You're not going to be. - Ellen, you're dressed for town.
0:42:59 > 0:43:03Call the garage and ask Pablo to have the car ready.
0:43:03 > 0:43:04Wait.
0:43:08 > 0:43:16The garage, please. Pablo, have Miss Alexander's car ready in 20 minutes. We're driving to Tenango.
0:43:21 > 0:43:23I see. Thank you.
0:43:25 > 0:43:26Well?
0:43:26 > 0:43:32Your father's said you're not to use the car without his permission.
0:43:33 > 0:43:36Without his permission!
0:43:36 > 0:43:41Lock the doors, close the gates, post men on the walls.
0:43:41 > 0:43:46- It's ridiculous.- But very effective.- Then suggest something.
0:43:46 > 0:43:50I can, but it will sound more ridiculous.
0:43:50 > 0:43:54- Say it.- First, don't argue with your father, now.
0:43:54 > 0:43:58- You can't win.- How will I get to Tenango? It's 30 miles.
0:43:58 > 0:44:01It's less than 20 if you ride.
0:44:01 > 0:44:06Stay at the town house and argue with your father in the morning.
0:44:06 > 0:44:09AND you will have had your meeting.
0:44:09 > 0:44:14I'll stay in Tenango tonight and tomorrow and tomorrow until...
0:44:14 > 0:44:19- Oh, Ellen, I love you. - Get out of here.
0:44:19 > 0:44:21Be careful, darling.
0:44:30 > 0:44:33Any messages?
0:44:39 > 0:44:42- Did you get the gum drops for Pop? - Yes.
0:44:42 > 0:44:47- How many did you eat? - That's all that I got.
0:44:47 > 0:44:50- What took you so long? - I met a woman.
0:44:50 > 0:44:53You're luckier than I am.
0:44:53 > 0:44:57- Sometimes they don't show up. - Sometimes they don't...
0:44:57 > 0:45:02Excuse me, senor, will you stand up please?
0:45:07 > 0:45:11- Six foot three? Four? Five?- Four.
0:45:11 > 0:45:16Ah, you must be the one. Senorita Maura had to go to Las Palmas.
0:45:24 > 0:45:29If she was my woman I would go to Las Palmas.
0:45:29 > 0:45:31But I would rather go to a movie.
0:45:35 > 0:45:39You are going to a movie and I'm going to Las Palmas.
0:45:39 > 0:45:41I'll have more fun!
0:45:43 > 0:45:46- Where's Maura?- I don't know.
0:45:46 > 0:45:49- Wasn't she with you? - We didn't see her at all.
0:45:49 > 0:45:52I wonder what's keeping her?
0:45:59 > 0:46:03- Are you sure she's riding?- Yes.
0:46:03 > 0:46:08- Don't be mysterious, where did she go?- Tenango.
0:46:08 > 0:46:11Rode? To Tenango?
0:46:11 > 0:46:13You let her?
0:46:18 > 0:46:20The town house, please.
0:46:20 > 0:46:24Maura is in an adventurous mood today.
0:46:24 > 0:46:27She rode to Tenango.
0:46:27 > 0:46:30Hello, has Miss Alexander arrived?
0:46:31 > 0:46:34That's all, thank you.
0:46:34 > 0:46:36She's not at the town house.
0:46:36 > 0:46:41Call my house, Frederick. She might ride through my grounds.
0:46:41 > 0:46:43Felarde will have to unlock the gate.
0:46:45 > 0:46:49I've made that ride. It's there you start getting tired.
0:46:49 > 0:46:51Felarde will drive her home.
0:46:51 > 0:46:55Thank you. Felarde says she's not been through the grounds.
0:46:55 > 0:46:58She should be in Tenango now.
0:46:58 > 0:47:02Tell Felarde to mount a dozen men and ride to Las Palmas.
0:47:02 > 0:47:06- It could be serious.- I wouldn't like to spend a night out there.
0:47:06 > 0:47:11- Emilio, tell the grooms to saddle the horses.- Yes, sir.
0:47:11 > 0:47:14- With your permission.- Of course.
0:47:14 > 0:47:16I'm coming with you.
0:47:19 > 0:47:22So Chico said he'd go to Las Palmas.
0:47:22 > 0:47:26So you did and found me going to Tenango.
0:47:26 > 0:47:29- Is that bad?- No, it's good.
0:47:29 > 0:47:32What happens to the mare?
0:47:32 > 0:47:38She'll be all right. She'll eat and go back to the barn when it's dark.
0:47:38 > 0:47:43She'd better or she'll get a bad name, especially in South America.
0:47:43 > 0:47:48- What's wrong with South America? - Nothing's wrong with it.
0:47:48 > 0:47:50Some nice people come from there.
0:47:50 > 0:47:55Some of the nicest people I know come from North America.
0:47:58 > 0:48:02That's the way girls with blue eyes get themselves kissed.
0:48:02 > 0:48:09- That's how big boys with grey eyes get their faces slapped. - Difficult, huh?
0:48:09 > 0:48:12I guess I'll have to buy myself a guitar
0:48:12 > 0:48:16and give you romance South American fashion.
0:48:17 > 0:48:21ENGINE FAILS
0:48:26 > 0:48:30Uh-oh. I give up. Say anything you want to.
0:48:30 > 0:48:35- Why?- You won't believe me anyway, I've run out of gasoline.
0:48:37 > 0:48:42- Johnny!- Pop told me about it and I just forgot.
0:48:42 > 0:48:46I had a date and I guess I got excited.
0:48:46 > 0:48:51What do you think will happen when I don't arrive in Tenango?
0:48:51 > 0:48:56Oh. Well, you'll arrive in Tenango, all right.
0:48:58 > 0:49:03But you're gonna be tired when we get there. We're gonna walk.
0:49:09 > 0:49:12Romance North American fashion(!)
0:49:12 > 0:49:16- Where are you going? - Tenango. It's a short cut.
0:49:16 > 0:49:21- Pretty wet.- No! Around the lake. - How much shorter is it?
0:49:21 > 0:49:26- About seven miles.- Oh.
0:49:33 > 0:49:38- You take the trail. We'll meet you at Rocas.- Where?- At the ruins.
0:49:38 > 0:49:43- Take your men south and we'll meet you.- At the ruins?- Yes.
0:49:44 > 0:49:48Are you sure this is the right way?
0:49:48 > 0:49:51- Very sure.- I'm not arguing.
0:49:51 > 0:49:55I came through with my grandfather. He made the trail himself.
0:49:55 > 0:49:59All due respect to your grandfather, this isn't exactly a highway.
0:49:59 > 0:50:04- He must have been on a horse, I was. - When was that?- Ten years. Ow!
0:50:04 > 0:50:06Hold it.
0:50:06 > 0:50:12Things can happen in ten years. Hunks of mountains fall down...
0:50:14 > 0:50:18- Things happen.- Is that my fault?
0:50:19 > 0:50:22- Yes.- No.
0:50:29 > 0:50:32Oh!
0:50:33 > 0:50:38- Oh!- What's wrong?- It's the wrong trail.- When did you decide that?
0:50:38 > 0:50:43- This is the temple. We should have turned at the falls.- The falls!
0:50:43 > 0:50:46- That's miles.- I was so positive.
0:50:49 > 0:50:52- Any suggestions?- No.
0:50:52 > 0:50:56- Then I take over, agreed? - What are we going to do?
0:50:58 > 0:51:02Park here for a while. Rest our bones and catch our breath.
0:51:02 > 0:51:04We mustn't wait too long.
0:51:04 > 0:51:07We'll have dinner, dance...
0:51:07 > 0:51:10- LOUD SQUAWKS - Aagh!
0:51:18 > 0:51:25- PARROT SQUAWKS - Don't get excited. Don't get excited, we're paying guests.
0:51:29 > 0:51:34- Squawk louder next time. - PARROT SQUAWKS
0:51:35 > 0:51:42- I'm worried. You don't realise what will happen if I don't get to Tenango.- You'll get there.
0:51:42 > 0:51:44Oh, there she goes.
0:51:53 > 0:51:55Nice.
0:52:01 > 0:52:03Nice.
0:52:16 > 0:52:21- I've got to get home. - Everything will be all right.
0:52:21 > 0:52:24If we could only get back to the road.
0:52:24 > 0:52:28We can't grope around the jungle in the dark.
0:52:30 > 0:52:33Well, what can we do?
0:52:33 > 0:52:38Well, er...first we'll er... build a fire.
0:52:38 > 0:52:41- Yeah.- And er...
0:52:41 > 0:52:45Then we'll sit around and watch it burn...
0:52:45 > 0:52:46till daylight.
0:52:46 > 0:52:51I couldn't possibly stay here all night.
0:52:51 > 0:52:53You'll have to.
0:52:53 > 0:52:58At the crack of dawn, I'll rush you home as fast as I can.
0:52:58 > 0:53:00- This is serious.- You bet.
0:53:00 > 0:53:06If you weren't the lady you are, I'd have you gathering wood.
0:53:06 > 0:53:08There's nothing like work
0:53:08 > 0:53:12- to take your mind off your troubles.- I'll help.
0:53:12 > 0:53:15Don't wear yourself out.
0:53:15 > 0:53:19- You're not geared for this. - I might surprise you.
0:53:19 > 0:53:22That would be awfully nice,
0:53:22 > 0:53:27but just the same, I'd hate to see you really roughing it.
0:53:27 > 0:53:30No offence, understand.
0:53:47 > 0:53:49Dinner!
0:53:52 > 0:53:55- Sit down, let's eat.- Eat?
0:53:55 > 0:53:57- Aren't you hungry?- Famished.
0:53:57 > 0:54:02Have a gum drop on Pop. Sorry, there's only one flavour.
0:54:02 > 0:54:04Johnny, I'm so...
0:54:04 > 0:54:07Close your eyes.
0:54:07 > 0:54:09Close 'em.
0:54:12 > 0:54:16- What do you see?- Father, and he's perfectly furious.
0:54:16 > 0:54:21Well, we really won't have to worry about that,
0:54:21 > 0:54:26because I'll say, "Mr Alexander, I know this doesn't look..."
0:54:26 > 0:54:31And he'll say, "Goodnight, Mr Monroe," and that will be that!
0:54:31 > 0:54:33Close your eyes.
0:54:43 > 0:54:48- There's a fire at the old temple. - Senor Tobar must have ridden past.
0:54:48 > 0:54:52- Perhaps it's Senor Ravida. - We'll find out.
0:54:57 > 0:55:01- Hey.- I just made a wish.
0:55:01 > 0:55:04- What about?- I wished that...
0:55:04 > 0:55:07If I tell you, it won't come true.
0:55:07 > 0:55:10- Was I in it?- Well, yes.
0:55:10 > 0:55:12I think so.
0:55:12 > 0:55:15If I made a wish, you'd be in it.
0:55:15 > 0:55:19You see those two stars, the ones close together?
0:55:19 > 0:55:22- See them?- Yes.
0:55:22 > 0:55:24They're called...
0:55:24 > 0:55:28You're not looking in the right direction.
0:55:28 > 0:55:30Yes, I am.
0:55:35 > 0:55:39- Oh, Johnny.- Didn't I tell you you'd be all right?
0:55:41 > 0:55:45- How I dread tomorrow. - You dreaded tonight.
0:55:45 > 0:55:47Yes, I did.
0:55:47 > 0:55:50Now I wish it would never end.
0:55:52 > 0:55:54I feel kind of like that, too.
0:55:58 > 0:56:01Making another wish?
0:56:01 > 0:56:03Sleepy.
0:56:06 > 0:56:07Goodnight.
0:56:29 > 0:56:33HORSES WHINNY
0:56:37 > 0:56:40What is it?
0:56:42 > 0:56:44Pedro, Miguel.
0:56:44 > 0:56:47Give them your horses.
0:56:52 > 0:56:58- I don't suppose there's any use explaining?- Give them your horses.
0:57:58 > 0:58:00No rice!
0:58:00 > 0:58:05Johnny, I'm sorry it couldn't have happened differently.
0:58:05 > 0:58:07I'm glad it happened the way it did.
0:58:07 > 0:58:13I didn't know it was possible to get married so quickly.
0:58:15 > 0:58:19Oh, Maura, hasn't it occurred to you that I'm in love with you?
0:58:19 > 0:58:24- You've only seen me a few times. - Once is enough.
0:58:24 > 0:58:26I mean it.
0:58:28 > 0:58:31It's the way it happened last time.
0:58:31 > 0:58:36- You've been in love before? - Sure, I can remember it clearly.
0:58:36 > 0:58:41I was in her arms. She put me over her shoulder and burped me.
0:58:41 > 0:58:45Makes wonderful pies. You'll meet her in a month.
0:58:45 > 0:58:47Honey, don't worry.
0:58:47 > 0:58:52I won't let anything happen to you. You're mine. For ever.
0:58:55 > 0:58:58ALARM SOUNDS
0:58:58 > 0:59:03- What is that?- It comes from the camp and it's not good.
0:59:03 > 0:59:07They only blow it when there's trouble. Step on it.
0:59:08 > 0:59:10Come on.
0:59:10 > 0:59:14ALARM SOUNDS
0:59:20 > 0:59:23- Where were you?- What happened?
0:59:23 > 0:59:27- The roof went, the mountain fell. - How many in there?- The night gang.
0:59:30 > 0:59:34Senor Monroe, Senor Monroe, my man is in there.
0:59:34 > 0:59:39We're going as fast as we can. Just be patient, all of you.
0:59:40 > 0:59:43- Senor Johnny, my father, he is... - I know.
0:59:43 > 0:59:48- I know I forgot you Chico. I'll see your dad...- He's in there.
0:59:48 > 0:59:51We'll get him out, don't worry.
0:59:51 > 0:59:54Maura... Take her up to my shed, Chico.
0:59:54 > 0:59:57- Stay with him.- But...- Stay with him.
1:00:05 > 1:00:08I will take you to his house.
1:00:08 > 1:00:13Your father's there, we'll wait. He'll be in there a long time.
1:00:17 > 1:00:19Fire in the hole!
1:00:20 > 1:00:26- I shot the bench, an hour later she went.- Ricky's in there with Pop?
1:00:26 > 1:00:28In the back. That stuff will hold.
1:00:28 > 1:00:32- Fog?- If he was coming out, it would have got him.
1:00:32 > 1:00:35- Where are you gonna shoot next? - Over the top.
1:00:35 > 1:00:40- Get me a tin hat! You got that air line ready?- All set.
1:00:40 > 1:00:45Are you gonna shoot that thing or let the rocks wear away?!
1:00:45 > 1:00:50Am I gonna shoot? Now he starts giving orders!
1:00:50 > 1:00:53- You're glad.- All clear.
1:00:57 > 1:00:59Get the air line in!
1:01:08 > 1:01:12- You see what Johnny brought?- Bourbon, I hope.- Alexander's daughter.
1:01:12 > 1:01:17Alexander's daughter?! I told you to keep out the smoke.
1:01:17 > 1:01:19No, look.
1:01:27 > 1:01:31Dames, dames, always a dame.
1:01:31 > 1:01:33Which brings us back to Fog.
1:01:36 > 1:01:38Pick it up!
1:01:41 > 1:01:45They must be through. No, you'd hear the women.
1:01:45 > 1:01:48It could go on for two days, maybe three.
1:01:48 > 1:01:51Three days! They'll be dead.
1:01:51 > 1:01:55Johnny Monroe said he would get them out.
1:01:57 > 1:02:01You want another blanket for your bed?
1:02:01 > 1:02:03No, no.
1:02:03 > 1:02:06I can't stay here.
1:02:06 > 1:02:09He'll beat you and you'll deserve it.
1:02:29 > 1:02:32Give me that sledge.
1:02:36 > 1:02:39Cut off the air!
1:02:39 > 1:02:41Cut the air!
1:02:52 > 1:02:58- FAINT BANGS - Tell the women!
1:03:03 > 1:03:05Come on, let's dig.
1:03:08 > 1:03:14- They answered our signals. Your men are alive.- How long?- An hour, sooner.
1:03:14 > 1:03:17I tell you, your men are alive.
1:03:17 > 1:03:19WOMEN CHAT EXCITEDLY
1:03:19 > 1:03:23Chico, go home and warm up those beans. Your old man will be hungry.
1:03:23 > 1:03:25He'll not want beans!
1:03:25 > 1:03:29You're Mrs Monroe. I'm Curly, you've got a good guy.
1:03:29 > 1:03:34- What's he doing in there?- We hit a pocket, we don't know who's in there.
1:03:34 > 1:03:37- Johnny and Joe are holing through. - Oh.
1:03:37 > 1:03:45- Why don't you go to his place? I'll send him up soon.- Can he get hurt?- He's too ugly to get hurt!
1:03:45 > 1:03:50He's like that. He always laughs. He is nice.
1:03:50 > 1:03:53- I think I can get through there. - I can, for sure.
1:03:58 > 1:04:01- Fog! Fog!- Yeah.
1:04:04 > 1:04:07What kept you?
1:04:07 > 1:04:11- Touchy guy! - How about the others?- Conked out.
1:04:13 > 1:04:16Give me a hand.
1:04:17 > 1:04:20- Aah!- Johnny!
1:04:20 > 1:04:23He's still alive.
1:04:23 > 1:04:26- His leg.- Doc!
1:04:26 > 1:04:30Ssh. They're both asleep.
1:04:30 > 1:04:35- How about Pop and Ricky? - You got me, Johnny.
1:04:36 > 1:04:39In there, some place.
1:04:39 > 1:04:42Tell Curly to get the rest of the crew in here.
1:04:42 > 1:04:47- Come on Joe!- Don't take all the babes in the hospital.
1:05:00 > 1:05:03What is it? What do you want?
1:05:03 > 1:05:07Why did you let me sleep? You were tired.
1:05:07 > 1:05:11They've found them, they're safe. And you let me sleep?!
1:05:11 > 1:05:15There is time. They've just come from the tunnel.
1:05:17 > 1:05:22It's better that you wait here. See your man alone.
1:05:27 > 1:05:30Always they talk. Men talk and drink.
1:05:30 > 1:05:33No-one is dead, they are happy.
1:05:33 > 1:05:37Your father? He's all right.
1:05:38 > 1:05:43There's coffee and beans on the stove. I'll go out the back.
1:05:43 > 1:05:48- What's going on. I want to know about Alexander's daughter.- >
1:05:48 > 1:05:52Get your skull patched up, I'll tell you later.
1:05:52 > 1:05:55- I can still think with it, more than you can.- >
1:05:55 > 1:05:59I haven't slept for two days. Give me a break.
1:05:59 > 1:06:03I'll break your nose. Can you imagine anything so stupid?
1:06:03 > 1:06:07- Marries Alexander's daughter. He's nuts!- He's original.
1:06:07 > 1:06:12- My face feels like someone stepped on it, which you did!- See you later.
1:06:12 > 1:06:15- Not if I see you first.- >
1:06:17 > 1:06:21Aye-aye-aye. Hello, baby.
1:06:21 > 1:06:24Oh, there's what I need.
1:06:28 > 1:06:30Tough night.
1:06:30 > 1:06:33Are you hurt?
1:06:33 > 1:06:35Just tired.
1:06:47 > 1:06:50You're sweet, baby.
1:06:53 > 1:06:55Just sweet.
1:07:00 > 1:07:03- All ready, senora.- Thank you.
1:07:03 > 1:07:07- All that for two people? - He is much of a man, senora.
1:07:07 > 1:07:11- He is.- Hey, Maria! What are we having for breakfast?
1:07:11 > 1:07:13Eggs fried.
1:07:13 > 1:07:20- When will it be different? - Tomorrow, boiled. - Fried eggs, boiled eggs, scrambled.
1:07:20 > 1:07:24- A man can have something else. - What, for instance?
1:07:24 > 1:07:26You.
1:07:28 > 1:07:31Pretty, baby.
1:07:35 > 1:07:38I'm gonna have to learn some new manners.
1:07:38 > 1:07:42- I'm used to having the bedroom in the dining room.- I don't mind.
1:07:42 > 1:07:46- You don't? I'll take four of them.- Four!
1:07:46 > 1:07:49Mmm-hmm and some bacon.
1:07:49 > 1:07:51My lord and master.
1:08:00 > 1:08:03Four of 'em and plenty of bacon.
1:08:06 > 1:08:08- <- Hey, Johnny!
1:08:08 > 1:08:11Johnny, I can't use the shovel...
1:08:11 > 1:08:15Good morning, Miss...Mrs Monroe. Morning.
1:08:15 > 1:08:19- You had to reach for that. All right, huh?- Yes, she's lovely.
1:08:19 > 1:08:24- We're hung up down there.- I haven't eaten.- You can eat later.- A coffee?
1:08:24 > 1:08:27Bring your coffee. You don't mind?
1:08:27 > 1:08:30Drink your coffee while you walk.
1:08:30 > 1:08:35Well... Put a cover on the eggs, honey. I'll be back in two minutes.
1:08:37 > 1:08:43Every morning it's the same. I cook eggs, something happens.
1:08:43 > 1:08:47He goes away, I have to eat them. I hate eggs!
1:08:49 > 1:08:53- <- All right, Joe. I'll get them, all right.
1:08:53 > 1:08:58- <- Fog, where's the timbers? I'll get the timbers.
1:08:58 > 1:09:01Oh, don't worry.
1:09:01 > 1:09:04I'll get 'em, Joe.
1:09:04 > 1:09:07OK, I'll get 'em.
1:09:07 > 1:09:09We...
1:09:16 > 1:09:21- Maura!- I'm here. - What time is it?- After seven.
1:09:23 > 1:09:28Oh! Why didn't you wake me up? I've asked you not to do this.
1:09:28 > 1:09:30You came in late, I let you sleep.
1:09:30 > 1:09:35- Has Pop been here? - I said he could see you at eight.
1:09:35 > 1:09:40I told him to be here at six. The track foreman will blow his top.
1:09:40 > 1:09:43All right, let him blow his top.
1:09:45 > 1:09:47Maria, get me some coffee...
1:09:47 > 1:09:51- Where's Maria?- She isn't here today. I'm making breakfast.
1:09:51 > 1:09:57- Oh...- Don't worry. I wouldn't know what to do with you around.
1:09:57 > 1:09:59- I never see you.- Never?
1:09:59 > 1:10:05Almost never. Ten minutes at lunch, ten minutes at dinner.
1:10:05 > 1:10:07Back into that mountain.
1:10:07 > 1:10:13- I see you at night.- You frighten me, you talk in your sleep.- Oh!
1:10:13 > 1:10:18Last night you called out, "Curly, look out, the roof is falling."
1:10:18 > 1:10:23You talk to Joe, Fog, everybody but me.
1:10:23 > 1:10:25Oh, honey, I...
1:10:25 > 1:10:29Johnny, it's an insane way to live.
1:10:29 > 1:10:31Are you sorry we tried it?
1:10:31 > 1:10:36- Just three more months.- Promise. - Three more months.
1:10:40 > 1:10:45- Hello, Ricky.- Hello, Johnny. Hello, Maura.
1:10:45 > 1:10:50You're just in time for breakfast. My breakfast. I gotta hurry.
1:10:50 > 1:10:52- See you later.- Bye, Johnny.
1:10:52 > 1:10:58- What happens in three months? - This job will finish.
1:10:58 > 1:11:02- In three months?- Yes, I'm going to meet his mother.
1:11:02 > 1:11:06There's a barn with a thing that you slide down.
1:11:06 > 1:11:08I don't know where you land.
1:11:08 > 1:11:12- Sit down, I'll get some breakfast. - Three months?
1:11:12 > 1:11:15- Mmm-hmm. Want coffee?- Yes, please.
1:11:15 > 1:11:20Maura, if Johnny gets through this job in a year, he'll be lucky.
1:11:20 > 1:11:25He's working night and day to finish this job.
1:11:25 > 1:11:29- Your father's working to make sure he doesn't.- You mean the deliveries.
1:11:29 > 1:11:33Johnny fixed that. We got a car load yesterday.
1:11:33 > 1:11:35- Want some beans?- Mmm.
1:11:35 > 1:11:38He needed three car loads.
1:11:38 > 1:11:43Maura, if your father wanted to, he could close us tomorrow.
1:11:43 > 1:11:47- He owns the railroad. - Then why did we get that delivery?
1:11:47 > 1:11:50Ever see a cat play with a mouse?
1:11:50 > 1:11:54Stops and lets him go, stops and lets him go...
1:11:57 > 1:12:00Does he hate me that much?
1:12:00 > 1:12:05I don't know, but I know Johnny will be lucky to ever get this job done,
1:12:05 > 1:12:08let alone in three months.
1:12:09 > 1:12:13Johnny said three months and I believe him.
1:12:14 > 1:12:17Bring the sandwiches, Chico.
1:12:17 > 1:12:20I don't like sandwiches.
1:12:20 > 1:12:23What's a picnic without sandwiches?
1:12:23 > 1:12:27You can eat the bread and I'll eat the middle.
1:12:27 > 1:12:30ALARM SOUNDS
1:12:32 > 1:12:37Not today. Nothing must happen today. We've waited so long.
1:12:37 > 1:12:42Maybe it's not important. There's always tomorrow.
1:12:42 > 1:12:45Always tomorrow, never today.
1:12:46 > 1:12:53- It's Pop.- Is Johnny hurt? - No, it's just Pop. Lots of rock fell on him. Oh, it's bad.
1:12:53 > 1:12:57Get the hospital. The hospital! >
1:12:57 > 1:13:00We have a man for the operating room. >
1:13:10 > 1:13:15- Is it bad?- Bad enough, he's got a couple of ribs broken.
1:13:15 > 1:13:19If you see Alexander, tell him he's in front today.
1:13:19 > 1:13:22- He got a good guy.- I'm on your side.
1:13:22 > 1:13:27Who said I wanted you on my side! Your tribe are all a bunch of...
1:13:32 > 1:13:34I'm sorry, Maura.
1:13:34 > 1:13:37Sometimes I...
1:13:37 > 1:13:39I'm sorry.
1:13:39 > 1:13:42We've gotta get Pop to hospital.
1:13:55 > 1:13:59- Doesn't he know I love Pop too? - He didn't think.
1:13:59 > 1:14:03Sometimes I wonder how he can think at all.
1:14:03 > 1:14:05Three months.
1:14:05 > 1:14:08Just...three more months.
1:14:15 > 1:14:19Prayers, prayers. You women pray too much.
1:14:19 > 1:14:24What else can we do? I don't know, but you must weary the saints.
1:14:24 > 1:14:27Perhaps, but they've kept him alive.
1:14:27 > 1:14:29It won't be long before we leave.
1:14:29 > 1:14:35Always you talk of going away. What is wrong with this? I hate it.
1:14:35 > 1:14:38You're a woman. Women don't understand such things.
1:14:44 > 1:14:50Tell Curly both valves are plugged solid! Hello. Tell him I'm waiting!
1:14:50 > 1:14:55Get me some dry clothes, kid. That river's cold!
1:14:55 > 1:14:57Bring me some cigarettes!
1:14:59 > 1:15:02Oh, thanks.
1:15:05 > 1:15:09- What's for supper?- Boiled beef. - Good.
1:15:12 > 1:15:16- When did you start this? - A month ago.
1:15:16 > 1:15:20You'd better cut in that emergency land, we'll need water.
1:15:20 > 1:15:24- What did Chavez say about the rails?- I've been smoking a month.
1:15:24 > 1:15:29You have? Pete, they're waiting on those rails. Catch them up!
1:15:29 > 1:15:32With what? I'm stuck for a truck.
1:15:32 > 1:15:36- Didn't you tell Chavez to send a truck.- I haven't seen him.
1:15:36 > 1:15:41- Today at breakfast?- I didn't see you at breakfast.- Last night, then.
1:15:41 > 1:15:46- Make do with what you've got. I'll get them tonight.- OK.
1:15:46 > 1:15:49- Why don't you do what I tell you? - Johnny!
1:15:49 > 1:15:52It would have taken you five minutes.
1:15:54 > 1:15:57Well...
1:15:57 > 1:16:00Hey, that's beautiful.
1:16:00 > 1:16:03I like it. New?
1:16:03 > 1:16:06- No.- I like it.
1:16:06 > 1:16:09Right there.
1:16:15 > 1:16:19- Now look at you. - I don't mind, Johnny.
1:16:19 > 1:16:23- I wanna find out when we're going away.- It won't be long.
1:16:23 > 1:16:26You don't need these.
1:16:26 > 1:16:29- How long?- 30, 60 days.
1:16:29 > 1:16:33Jose, go to the river and help them with the fillers.
1:16:33 > 1:16:38- You said that last month.- I meant it. Take some men to help you!
1:16:38 > 1:16:41We're almost through the bad run.
1:16:41 > 1:16:44- Two more blasts and we'll be in the clear.- What then?
1:16:44 > 1:16:48Blast our way through the mountain. 30, 60 days tops.
1:16:48 > 1:16:5230 days. 60 days. You've said all that before.
1:16:52 > 1:16:58Three months ago you promised we'd be in the States this week.
1:16:58 > 1:17:02I believed you. I've tried to live in this crazy world.
1:17:02 > 1:17:05- I can't do it, Johnny! - Come on, Maura.
1:17:05 > 1:17:12Dirt, noise, men getting killed. If I stay any longer I'll go insane. I won't! I won't!
1:17:12 > 1:17:16Don't I have enough headaches without you blowing your top?
1:17:16 > 1:17:19- You said three months.- I meant it.
1:17:19 > 1:17:23But that was before your old man started interfering.
1:17:23 > 1:17:27What do you expect me to do? Build it with spit and chewing gum?
1:17:27 > 1:17:30If you could, I'd believe you.
1:17:30 > 1:17:34Then believe this, I'm doing everything I can.
1:17:34 > 1:17:39If you love me, stop nagging at me. Leave me alone when I'm working.
1:17:39 > 1:17:42ALARM SOUNDS
1:17:54 > 1:17:56Get some explosives, make it fast!
1:17:56 > 1:18:01- The roof went at the head.- What about that shoulder?- It's all right.
1:18:01 > 1:18:06- How much came down?- Enough to wrap it up.- This isn't the first time.
1:18:06 > 1:18:10It's the last. There's rock all the way through.
1:18:10 > 1:18:13- It'll take a year to dig out. - Then we'll dig for a year.
1:18:13 > 1:18:16- Don't say we're through. - I'm not kidding.- Nor am I.
1:18:16 > 1:18:22I'll drive that tunnel if it takes 50 years. If it's too tough, leave!
1:18:22 > 1:18:25- Don't say we're through. - Johnny!- Go away!
1:18:25 > 1:18:30- What do you want?- Curly. - What about Curly!- Nothing.- Let's go.
1:18:30 > 1:18:34Get to the hospital and fix that shoulder!
1:18:35 > 1:18:38Chavez, what about Curly?
1:18:38 > 1:18:41I couldn't tell him.
1:18:45 > 1:18:48There's a guy ready to crack, but I mean now.
1:18:48 > 1:18:52What happens when he finds Curly under that rock?
1:18:52 > 1:18:56Is Curly dead? What else could he be under that?
1:18:56 > 1:18:59That guy's going in to clear it up.
1:18:59 > 1:19:03He can't. No, he can't. But he will.
1:19:04 > 1:19:09Draw your pay and scram. If I had any sense, I would.
1:19:09 > 1:19:14If you had any sense, that's what you'd do.
1:19:14 > 1:19:17Why don't you take his advice and get out of here?
1:19:20 > 1:19:24- How is he?- He's through.
1:19:41 > 1:19:44That'll give you a little rest, son.
1:19:44 > 1:19:50Yeah, it'll put you to sleep. When you wake you'll be in hospital.
1:19:50 > 1:19:53We'll get you a nice blonde nurse.
1:19:53 > 1:19:57Since when did we start telling each other lies?
1:19:59 > 1:20:03Leave it where it is, Johnny. Leave the whole thing.
1:20:03 > 1:20:07You can't drive through this mountain.
1:20:07 > 1:20:10Nobody can. Stop trying.
1:20:10 > 1:20:12As a favour?
1:20:13 > 1:20:16What can I say to that?
1:20:16 > 1:20:18You don't say anything.
1:20:18 > 1:20:22Just take those plans and build yourself that bridge.
1:20:22 > 1:20:26Would it make you happy if I said yes?
1:20:30 > 1:20:36- Be happy.- You're a great guy, Johnny. One more favour?
1:20:36 > 1:20:39While I've still got you on the hook.
1:20:41 > 1:20:44- Let me stay here.- What?
1:20:44 > 1:20:47I'm scared of graveyards.
1:20:47 > 1:20:52Have been...ever since I was...a kid.
1:20:57 > 1:20:59Curly?
1:21:08 > 1:21:12- Mr Monroe, I think we'd better... - Leave him alone.
1:21:16 > 1:21:20- How many cases of dynamite did you get?- 30.
1:21:20 > 1:21:25That's funny, that's how old Curly was on his last birthday.
1:21:25 > 1:21:26Yeah.
1:21:27 > 1:21:30Plant 'em all.
1:21:42 > 1:21:45- All clear?- All clear.
1:22:18 > 1:22:21If a guy could write poetry,
1:22:21 > 1:22:25he'd say that mountain was Curly's monument.
1:23:54 > 1:23:56Maura?
1:23:56 > 1:23:59- Maura?- She went home to her father.
1:23:59 > 1:24:02She...she told me to tell you.
1:24:20 > 1:24:24Joe told me about the tunnel.
1:24:24 > 1:24:27- He did?- He also told me about the bridge.
1:24:27 > 1:24:30I think I can swing it for you.
1:24:30 > 1:24:33- Can you?- No need to go into the details now.
1:24:33 > 1:24:35I'm sure I can talk Alexander...
1:24:38 > 1:24:42I listened to you and compromised with Alexander before.
1:24:42 > 1:24:44Because I did, Curly's dead.
1:24:44 > 1:24:50From now on I listen to no-one. I'll build his railroad my own way.
1:24:50 > 1:24:52Get out!
1:24:53 > 1:24:56All right, Johnny.
1:25:13 > 1:25:15I'm sorry, Chico.
1:25:19 > 1:25:21You'd better go home.
3:00:03 > 3:00:06- What time did Maura come home last night?- After midnight.
3:00:06 > 3:00:09- Why didn't you wake me? - She asked me not to.
3:00:11 > 3:00:13So, she's left him.
3:00:13 > 3:00:17- Come home to stay, hmm?- Yes.
3:00:17 > 3:00:20Well, that settles that.
3:00:20 > 3:00:24- Be sure and say I told you so(!) - I probably shall.
3:00:30 > 3:00:32Will you excuse us please, Ellen?
3:00:34 > 3:00:35That's all.
3:00:37 > 3:00:39It's good to see you, Maura.
3:00:43 > 3:00:47Well, you've done just what you set out to do.
3:00:47 > 3:00:51Sit down. You're upset. I can understand that.
3:00:51 > 3:00:55Can we discuss this quietly and sensibly for a few moments?
3:00:55 > 3:01:02- How does it feel to be responsible for the death of a man?- What man?
3:01:02 > 3:01:05The man who died in the tunnel.
3:01:05 > 3:01:07You did that, you've done it all.
3:01:07 > 3:01:12You marry off your daughter and put the whole world between them.
3:01:12 > 3:01:16It's so easy for you. Pick up a phone and call someone.
3:01:16 > 3:01:21"No timber, no rails." You, yes, you killed Curly Messenger.
3:01:21 > 3:01:26That's a very serious accusation, Maura...and untrue.
3:01:26 > 3:01:31They asked for a concrete lining and you refused.
3:01:31 > 3:01:35I'm not in the habit of defending my decisions, Maura,
3:01:35 > 3:01:43but I think you should know six engineers, including Ricky, decided it was unnecessary.
3:01:43 > 3:01:47I agreed and Ricky signed the contract, as did Mr Monroe.
3:01:47 > 3:01:53- But he came to you later and... - No-one forced Monroe and Matthews to build that railroad.
3:01:53 > 3:01:55Other firms wanted the contract.
3:01:55 > 3:01:58Your husband's bid was the lowest.
3:01:58 > 3:02:03Work started and out of a clear sky he insisted on a concrete lining.
3:02:03 > 3:02:07- He proved he was right. - After the damage was done.
3:02:07 > 3:02:09He could have stopped any time.
3:02:09 > 3:02:12You knew he wouldn't do that.
3:02:12 > 3:02:15What made him think I would quit?
3:02:15 > 3:02:19Does he judge all the Alexanders by you?
3:02:28 > 3:02:30I'm sorry.
3:02:30 > 3:02:33Don't be. I quit, I ran away.
3:02:33 > 3:02:37Let's say instead that you've come home.
3:02:37 > 3:02:43- Monroe is a part of yesterday. - Mr Monroe is in the library.
3:02:47 > 3:02:51- What does he want? - < He's closed down the tunnel.
3:02:52 > 3:02:55Oh!
3:02:55 > 3:03:00Having failed with the tunnel, I suppose he wants to build a bridge.
3:03:00 > 3:03:03Something like that.
3:03:07 > 3:03:10Sorry to be abrupt.
3:03:10 > 3:03:12But, I'm in a hurry.
3:03:12 > 3:03:15(Excuse me, please.)
3:03:17 > 3:03:23- Have you been drinking?- Steadily. There are the bridge specifications.
3:03:23 > 3:03:26I want you to OK them so I can get started.
3:03:26 > 3:03:29You expect me to put my signature on these?
3:03:29 > 3:03:33- What makes you think I will? - You have no alternative.
3:03:33 > 3:03:38The mountain just came down on your tunnel and all your investment.
3:03:38 > 3:03:42- Another contractor can build it. - I doubt it.
3:03:42 > 3:03:47I'll build the bridge with the funds left from the tunnel.
3:03:47 > 3:03:52- You're insane.- Your stockholders will like it if it's the same cost.
3:03:52 > 3:03:56Particularly now the tunnel's a failure.
3:03:56 > 3:04:02- Why don't you admit you're beaten, Monroe?- When do I start the bridge?
3:04:07 > 3:04:09Sleep on it.
3:04:10 > 3:04:15You look charming, Miss Braithwaite. I like your hair.
3:04:17 > 3:04:20DRILLING
3:04:22 > 3:04:26- How's it going, Holden? - There's hard rock down there.
3:04:26 > 3:04:31They're squawking about that rock dust. They need to wet it down.
3:04:31 > 3:04:34Dry holes drill faster - no water.
3:04:34 > 3:04:39- One of them knows the law. - Fire him.- They won't like it.
3:04:39 > 3:04:42That's your headache, Holden.
3:04:42 > 3:04:47OK, but how about this traveller? It's overloaded - she's gonna let go.
3:04:47 > 3:04:51We lose a little cement, but we save 100 hours.
3:04:51 > 3:04:58- Who takes the rap for the men we lose?- That worry you? - The men, no, the rap, yeah.
3:04:58 > 3:05:03- I hired you cos you could get the work done.- That's right.
3:05:03 > 3:05:07Then get it done. I'll deal with the raps.
3:05:21 > 3:05:25Hey, Joe, what's holding up this yacht?
3:05:25 > 3:05:30- Waiting for the boss to pull his gang out.- He won't. Take it off.
3:05:30 > 3:05:35- Then she'll close.- Not the way I look at it. Fire in the hole!
3:05:43 > 3:05:47Crawl under your tin hats. That's what they're for!
3:05:47 > 3:05:52Don't ever do that again, not with me around.
3:05:52 > 3:05:57- Didn't you like it? Why not quit? - I wanna see how rotten you get.
3:05:57 > 3:06:01OK, stick around, but that's how it'll be, or maybe tougher.
3:06:01 > 3:06:06Get closer to the men. You'll see things better.
3:06:07 > 3:06:08Come on.
3:06:08 > 3:06:12HEAVY DRILLING
3:06:15 > 3:06:20- That's popping 'em kind of close, isn't it?- You, too?
3:06:20 > 3:06:27- I didn't know you were interested in construction. I'll explain the details.- That's not necessary.
3:06:27 > 3:06:32- I engineered the railroad that brought you here.- I didn't know.
3:06:32 > 3:06:39- There are many things you don't know about me.- I'm learning fast. How does it strike you?
3:06:39 > 3:06:43The bridge is coming along all right.
3:06:43 > 3:06:48You're cheating on safety. You're cutting some dangerous corners.
3:06:48 > 3:06:54I'm building you a bridge. You can decide if it's good or not when you pay off.
3:06:54 > 3:06:59- How I build it is my business. - There are other people involved.
3:06:59 > 3:07:03I don't mean the board of directors.
3:07:07 > 3:07:11- You're worried about them? - Yes and about you, too.
3:07:11 > 3:07:16You'll understand, Monroe, I've never been an admirer of yours.
3:07:16 > 3:07:23- But somehow, recently, I've come to see you differently. - You look just the same to me.
3:07:23 > 3:07:27Don't be a fool. I know this country well.
3:07:27 > 3:07:34When the rains come, the river rises 15ft. It roars down here like a mad thing in flight.
3:07:34 > 3:07:39- Don't cheat on your foundations. - They'll be good.
3:07:39 > 3:07:46Make them better. Seal in your span if necessary. I'll give you a 90-day extension, if you like.
3:07:46 > 3:07:50- Do a good job.- A 90-day extension? You gave me a wedding once.
3:07:50 > 3:07:56Now I'm very careful about what I accept from you. I'm not interested.
3:08:06 > 3:08:10You have come back! It's good to see you again.
3:08:10 > 3:08:17- Listen to me, stay out of hospital! - Johnny will be happy you're back. You're good with three legs.
3:08:17 > 3:08:20What they bring that guy back for?
3:08:20 > 3:08:25- Who are those guys?- Strangers. This is not a happy camp.
3:08:25 > 3:08:27What do you...?
3:08:27 > 3:08:32- Say, they've sure been building a bridge.- Yes.
3:08:33 > 3:08:36I'd better have a closer look.
3:08:36 > 3:08:43I hope he will say something to Johnny Monroe. Maybe things will be better.
3:08:44 > 3:08:47Hiya, Pop. Remember me?
3:08:47 > 3:08:52Welcome home. You look swell, positively lady-bait.
3:08:52 > 3:08:58- That's what the nurses said. That all you got to do, potter with paper work?- Yeah, that's right.
3:08:58 > 3:09:01- Hey!- What do you think of it?
3:09:01 > 3:09:04Come on, take a look.
3:09:13 > 3:09:18- Hey, you didn't say you were this far along.- Yesterday, we weren't.
3:09:18 > 3:09:19Hey, Joe!
3:09:19 > 3:09:22Look what I got!
3:09:22 > 3:09:28Fog Harris. Say, isn't there anything I can do to get rid of you?
3:09:28 > 3:09:35- What's with the cane? - To get sympathy. You think this will stay put when the rains come?
3:09:35 > 3:09:38That's something we don't talk about.
3:09:38 > 3:09:41Let's go.
3:09:41 > 3:09:45I'm going to introduce him to Holden.
3:09:45 > 3:09:48Keep on this wire, I'll be right back.
3:09:48 > 3:09:53I've seen how this camp's run. I'm going to ask Johnny some questions.
3:09:53 > 3:09:58- Holden...- Fog Harris, huh? I've heard about you.
3:09:58 > 3:10:02Settle for night watchman and it's your job.
3:10:02 > 3:10:04Watchman?! He was gang boss!
3:10:04 > 3:10:11- He's going to be construction boss across the river. - You've got a job for him?
3:10:11 > 3:10:16You're a pest. You're only here because Johnny asked me to keep you.
3:10:16 > 3:10:19Johnny asked you to keep ME!
3:10:19 > 3:10:22Ask him - here he is.
3:10:22 > 3:10:27- Did you ask him to keep me around? - I told you to keep your mouth shut.
3:10:27 > 3:10:32- He's...- I said, keep your mouth shut! - I opened it, so what?
3:10:40 > 3:10:43He didn't rate that.
3:10:43 > 3:10:44No?
3:10:46 > 3:10:51You did. That's for popping a lot of swell guys you've stepped on.
3:10:54 > 3:10:57I'm building a bridge. Want a job?
3:10:57 > 3:11:02With you? No, Johnny, I'm writing you off.
3:11:04 > 3:11:09I see what he means. And on you it doesn't look good.
3:11:09 > 3:11:11Hey, Bert!
3:11:11 > 3:11:13We're getting a new job.
3:11:15 > 3:11:17You, too?
3:11:17 > 3:11:21I'm your partner till I say different.
3:11:24 > 3:11:26Poncho.
3:11:40 > 3:11:43Get up, you're not hurt.
3:12:11 > 3:12:16- Reminds me of Johnny.- The faster they climb, the sooner they fall.
3:12:16 > 3:12:21It's not all his fault. He has to meet the deadline.
3:12:24 > 3:12:26FOLK MUSIC PLAYS
3:12:26 > 3:12:27Hey!
3:12:30 > 3:12:31Chico!
3:12:37 > 3:12:39- Salud!- Down the hatch.
3:12:54 > 3:12:57Viva el toro! Viva nosotros!
3:12:57 > 3:12:58Viva...!
3:12:58 > 3:13:01I am saying hurray for everybody.
3:13:01 > 3:13:03Ole!
3:13:06 > 3:13:11- Hey, why not go out there and be a bullfighter.- Not me, I'm an engineer.
3:13:14 > 3:13:18- Hello, Senor Johnny. - Hello, Chico. Hello.
3:13:20 > 3:13:25- Sorry, you have to have a tie. - Got one here.- What's up?
3:13:25 > 3:13:30- It's Independence Day. We are full. - Try the bar.- We'll drink our dinner.
3:13:30 > 3:13:34- That's crowded, too. - We'll be all right.
3:13:46 > 3:13:50- Good evening, ladies. How do you do, Mr Alexander?- How do you do?
3:13:53 > 3:13:57How do you like Monroe? He's still mooning over Jane. Mister...
3:13:57 > 3:14:02- Hello.- Hello.- You haven't been to the bridge lately. Mad at me?
3:14:02 > 3:14:07- Are they your friends?- They're part of my crew.- Why inflict them on us?
3:14:07 > 3:14:14- Want a clout on the ear? You talking to me? - If anyone's insulted, it's me.
3:14:14 > 3:14:17Let's pretend we didn't hear it.
3:14:19 > 3:14:22FIREWORKS EXPLODE
3:14:22 > 3:14:28- Seen Johnny?- He's in there. - He say anything? - Yeah, he said hello.
3:14:28 > 3:14:29Oh.
3:14:42 > 3:14:44- I was talking to Alexander.- Yes.
3:14:44 > 3:14:51- He offered you 90 more days. You kicked it in the pants. - I want nothing from him.
3:14:51 > 3:14:55No, you'd rather turn the job into a rat race.
3:14:55 > 3:15:00You break with Joe and Fog and bring in slime like Holden.
3:15:00 > 3:15:07- Ah, what are you doing to yourself? What are you doing? - I've got a fight on my hands, Pop.
3:15:07 > 3:15:12Not a nice clean fight where you punch each other on the jaw.
3:15:12 > 3:15:18It's no holds barred. You fight with contracts, telephones and time clauses.
3:15:18 > 3:15:22When it's finished, I win the first round.
3:15:22 > 3:15:29Yeah, you won a round, all right, but you've lost everything that made you Johnny Monroe.
3:15:29 > 3:15:32You used to be a builder, a creator.
3:15:32 > 3:15:38I've watched those hands dream up railways, dams, tunnels and bridges.
3:15:38 > 3:15:43You took nothing and made it into something, and built things.
3:15:43 > 3:15:45And now...
3:15:45 > 3:15:48Now you've lost all that.
3:15:48 > 3:15:52You're tearing things down, tearing people down.
3:15:52 > 3:15:58- You don't build, you destroy. - So you don't want any more of it?
3:16:00 > 3:16:03Yeah, I guess that's it.
3:16:04 > 3:16:09When you get back, take my name off the sign.
3:16:09 > 3:16:12From now on, it's just Johnny Monroe.
3:16:36 > 3:16:39- May I talk to you?- Talk to me?
3:16:39 > 3:16:41Yes.
3:17:03 > 3:17:04Well?
3:17:04 > 3:17:06It's...
3:17:06 > 3:17:11taken a long time to find the courage to say this.
3:17:11 > 3:17:15I was wrong. I should never have left you.
3:17:15 > 3:17:20I don't know how you stuck it as long as you did.
3:17:20 > 3:17:26- The mud and noise and dirt, and people getting killed. - I'll get used to it.
3:17:26 > 3:17:31You won't and neither will I. I've found a little thing called money.
3:17:31 > 3:17:34I'm going after it, plenty of it.
3:17:34 > 3:17:40I'll finish the bridge, and I'll keep working but it'll be for money.
3:17:41 > 3:17:44Then I'll buy you back.
3:17:56 > 3:17:59Let me take you home, Maura.
3:17:59 > 3:18:02I'll get the car.
3:18:02 > 3:18:04FIREWORKS EXPLODE
3:18:04 > 3:18:08- Fireworks. - Yeah, nothing like the real thing.
3:18:08 > 3:18:13- Let's grab a nightcap.- Come on, Chico. We'll buy you a lemonade.
3:18:13 > 3:18:16Are you going to see Senor Johnny?
3:18:16 > 3:18:17No.
3:18:33 > 3:18:38We should be quite proud of ourselves, shouldn't we?
3:18:38 > 3:18:42- Proud?- Yes, proud of what we've done to him.
3:18:42 > 3:18:46My dear, let us not take all the credit.
3:18:46 > 3:18:51In the jungle you discover a man's real nature. The veneer wears thin.
3:18:51 > 3:18:54Monroe had very little to begin with.
3:18:54 > 3:19:00- He was real and for that, I loved him.- Maura.
3:19:00 > 3:19:03He was himself then - Johnny -
3:19:03 > 3:19:07not this crazy stranger without friends.
3:19:07 > 3:19:11Yes, he stands alone now, doesn't he?
3:19:15 > 3:19:18Yes. All alone.
3:19:19 > 3:19:22THUNDERCLAP
3:19:24 > 3:19:27TELEPHONE RINGS
3:19:28 > 3:19:30Yes.
3:19:33 > 3:19:34Oh.
3:19:37 > 3:19:42It's Gonzales at the mine. There's been a cloudburst in the mountains.
3:19:42 > 3:19:48- A three-foot wall of water is starting down the river. - Get me the hotel.
3:19:48 > 3:19:51The hotel, please.
3:19:51 > 3:19:56The showdown, Maura. A little sooner than Mr Monroe expected.
3:19:56 > 3:19:59- That pleases you?- Frankly, yes.
3:19:59 > 3:20:05It was never a question of could he build a bridge. Any man could do that.
3:20:05 > 3:20:10But will it be there after the water hits it? Hello.
3:20:10 > 3:20:13Can I speak to Mr Vargas, please?
3:20:16 > 3:20:20Yes? Yes, sir, thank you.
3:20:20 > 3:20:22I'll tell Monroe at once.
3:20:24 > 3:20:26Yes, in your office, ten minutes.
3:20:30 > 3:20:33Snap out of it, you big ape!
3:20:33 > 3:20:37VERY SLURRED: Snap out of it. More coffee?
3:20:37 > 3:20:40He's out for the night.
3:20:40 > 3:20:47- See if...- There's been a cloudburst. There's three feet of water on the river. My uncle wanted you to know.
3:20:47 > 3:20:54- He's worried about his bridge? - He's made a big investment. - It's worth more to him if it goes.
3:20:54 > 3:20:59It won't be three feet when it gets there - it'll be six, eight or ten.
3:20:59 > 3:21:03Without that centre span in place, you're in trouble.
3:21:03 > 3:21:10- How long before the water hits it? - Six hours, the turns in the river slow it down.
3:21:10 > 3:21:15- Fernandez, where are the others? - They're worse than him.
3:21:15 > 3:21:17Wait a minute.
3:21:17 > 3:21:19My crew!
3:21:32 > 3:21:37Break it up, you're gonna get some water down this river.
3:21:37 > 3:21:42What are you waiting for? Get some men on this bend.
3:21:42 > 3:21:47They won't go onto the bridge in case the flood hits it.
3:21:48 > 3:21:51Tell them they'll get double pay!
3:21:51 > 3:21:54Muchachos, van a pagar doble!
3:21:54 > 3:21:55Double!
3:21:59 > 3:22:02All right, haul in a tram block.
3:22:29 > 3:22:32All right, let me out slow now.
3:22:32 > 3:22:35Watch my signal!
3:23:29 > 3:23:31What happened?
3:24:30 > 3:24:31Chavez!
3:24:31 > 3:24:34You have to help me.
3:24:34 > 3:24:36Get some crow bars.
3:24:36 > 3:24:39Digale que no! Esta muy peligroso!
3:24:39 > 3:24:46- They know the flood is coming and it won't dam the bridge.- That won't hit for hours, you know that.
3:24:46 > 3:24:49Ten of us can do it.
3:24:49 > 3:24:51Come on!
3:24:51 > 3:24:53100 pesos a piece for five of you.
3:24:56 > 3:25:00OK, three - a thousand a piece for three.
3:25:00 > 3:25:01Pepe!
3:25:04 > 3:25:05Chaco!
3:25:06 > 3:25:09They have turned away from you.
3:25:09 > 3:25:14I am unhappy to tell you this, but I heard them say it.
3:25:14 > 3:25:17If it had been Senor Matthews,
3:25:17 > 3:25:20or Fog or Joe, the men...
3:25:20 > 3:25:21Oh.
3:25:24 > 3:25:25Well...
3:25:28 > 3:25:31..I guess this is it.
3:25:43 > 3:25:46THUNDERCLAP
3:25:57 > 3:26:01The men are stinkers. They will not work.
3:26:13 > 3:26:15The bridge will fall down.
3:26:15 > 3:26:18That's right, Chico.
3:26:18 > 3:26:23All our work and blood and sweat will be blasted into...
3:26:25 > 3:26:28Oh, it doesn't matter.
3:26:43 > 3:26:46I'm tired, Chico,
3:26:46 > 3:26:48awful tired.
3:26:48 > 3:26:51Good night, Senor Johnny.
3:27:16 > 3:27:18I love you, Johnny Monroe.
3:27:18 > 3:27:21Don't say it, Maura.
3:27:21 > 3:27:24It's no good.
3:27:35 > 3:27:38I've come back to you, Johnny.
3:27:42 > 3:27:44Don't you want me?
3:27:44 > 3:27:49That isn't it. I don't want sympathy, it's just...
3:27:50 > 3:27:53I'm gonna get out of here.
3:27:57 > 3:27:58Are you?
3:28:02 > 3:28:06Are you still "gonna get out of here"?
3:28:14 > 3:28:17Shouldn't you get back to the bridge?
3:28:17 > 3:28:24- The bridge!- I won't mind, but Pop and the boys won't like it. - Pop and...
3:28:24 > 3:28:29- You can't expect them to do all the work.- Pop and the boys?
3:28:30 > 3:28:33Why didn't you say?
3:28:36 > 3:28:40Because I knew something like this would happen.
3:28:42 > 3:28:45Keep her in line.
3:28:45 > 3:28:48Watch those bars!
3:28:48 > 3:28:50Turn her round!
3:28:50 > 3:28:55- What can I...? - Why don't you shut up?
3:28:57 > 3:29:01- You're all wet. Get up there and help!- Yeah.
3:29:04 > 3:29:07And stop slowing down the work!
3:29:08 > 3:29:12- Room for one more? - Yeah, pull up a chair.
3:29:12 > 3:29:15Hey, Pop, keep the tourists off here!
3:29:17 > 3:29:22Wipe the jam off your face. Steady now, Joe. Down easy.
3:29:22 > 3:29:25More right. More right.
3:29:27 > 3:29:28Hello.
3:29:28 > 3:29:31Has the crest passed you there, yet?
3:29:40 > 3:29:43It's coming, Senor. Six feet, maybe more.
3:29:43 > 3:29:46It's six feet there.
3:29:46 > 3:29:50How long before it reaches the bridge?
3:29:50 > 3:29:52Four hours, perhaps less.
3:29:52 > 3:29:57Now we'll see if this man is all he pretends to be.
3:30:25 > 3:30:28Call Lopez. Tell him to report.
3:30:44 > 3:30:48Lopez, has the flood reached you? The flood!
3:30:57 > 3:30:59It's here!
3:31:01 > 3:31:03Eight feet and rising.
3:31:19 > 3:31:23- The crest is coming fast.- How high?
3:31:23 > 3:31:27Maybe 15 feet. It's giving everything a haircut.
3:31:27 > 3:31:33- It won't take a 15-foot wave.- It might if we could weight this down.
3:31:33 > 3:31:38- Let's haul out the iron foundry(!) - That's train no sack of feathers.
3:31:38 > 3:31:43- You wouldn't use a perfectly good train?!- Get them going.
3:31:43 > 3:31:47Here goes another slice of Alexander's bankroll.
3:31:47 > 3:31:51- No crew will run around here! - I don't blame 'em.
3:31:56 > 3:31:59Hey, give me a full head of steam.
3:31:59 > 3:32:01OK, Johnny!
3:32:17 > 3:32:18OK!
3:33:55 > 3:33:56Johnny!
3:34:12 > 3:34:14Senor Johnny.
3:34:14 > 3:34:16Hello, kid.
3:34:24 > 3:34:28She's standing, Johnny. She's staying put.
3:34:36 > 3:34:39- At the risk of repeating myself, gentlemen...- >
3:34:39 > 3:34:46I've been telling them you build a good bridge. They won't listen. All he talks about is you.
3:34:46 > 3:34:51- ..a reprehensible rascal. A blight on the community...- >
3:34:51 > 3:34:54- A hard rock scoundrel...- >
3:34:52 > 3:34:54DOOR SHUTS
3:34:54 > 3:34:59So we bid fond farewell to beautiful Tenango.
3:34:57 > 3:34:59DOOR OPENS
3:35:02 > 3:35:03Well?
3:35:03 > 3:35:07- Maura wants to say goodbye. - We're leaving.
3:35:11 > 3:35:13Goodbye, Maura.
3:35:13 > 3:35:17Your happiness means everything to me.
3:35:17 > 3:35:20I know now where you'll find it.
3:35:21 > 3:35:24Goodbye, Monroe.
3:35:26 > 3:35:29- You dislike me a lot. - More than that.
3:35:29 > 3:35:35I dislike you, too, quite sincerely. That's the beauty of mutual dislike - sincerity.
3:35:35 > 3:35:40What you made of that bridge is good. I trust you'll finish it.
3:35:40 > 3:35:44The board wants to discuss it with you.
3:35:44 > 3:35:47Is the luggage ready? Is my car here?
3:35:47 > 3:35:48Yes.
3:35:48 > 3:35:52- Where are you going? - Where are WE going.
3:35:52 > 3:35:57Back to a town in Vermont. I was there once. I really like it.
3:35:57 > 3:36:01Simple values are good for the soul of man.
3:36:01 > 3:36:04Back to the green hills of Vermont.
3:36:04 > 3:36:08Utopia - untouched by the ugly works of greedy men.
3:36:11 > 3:36:14- He's changed.- I don't believe it.
3:36:16 > 3:36:19Well, let's face the music.
3:36:31 > 3:36:33He has changed!
3:36:35 > 3:36:39- That bridge can wait. - That's our bridge!
3:36:39 > 3:36:44- This is my honeymoon. - That can wait!
3:36:44 > 3:36:46The bridge can wait.
3:36:59 > 3:37:03Subtitles by Red Bee Media Ltd