0:00:02 > 0:00:12This film contains very strong language and scenes of prolonged violence.
0:00:23 > 0:00:28Father, look kindly on your children who put their trust in you.
0:00:28 > 0:00:31Bless them and keep them from all harm.
0:00:31 > 0:00:35Strengthen them against the attacks of the devil.
0:00:35 > 0:00:40May they never offend you but seek to love you in all they do.
0:00:41 > 0:00:45May almighty God bless you, the Father, the Son and the Holy Spirit.
0:00:45 > 0:00:49The mass has ended. Go in peace to love and serve the Lord.
0:00:49 > 0:00:51ALL: Thanks be to God.
0:01:01 > 0:01:03Good morning, Mary.
0:01:03 > 0:01:06Morning, Elizabeth, how are you?
0:01:06 > 0:01:08Good morning, Bernie.
0:01:08 > 0:01:12Father, would you say a prayer to Our Lady for an intervention?
0:01:12 > 0:01:15- Is someone sick?- No. I want to pray for my daughter
0:01:15 > 0:01:17to lose her driving licence.
0:01:17 > 0:01:21Case number 37422.
0:01:21 > 0:01:24- Veronica Guerin. - GAVEL BANGS
0:01:24 > 0:01:27Almost 1,200 parking tickets.
0:01:28 > 0:01:30March 10th, speeding ticket.
0:01:30 > 0:01:33108 miles per hour.
0:01:34 > 0:01:39Just last month, another speeding ticket for 104 miles per hour.
0:01:39 > 0:01:43Well, I think that shows some improvement by my client, Judge.
0:01:43 > 0:01:47I'll alert mothers that it's safe to let their children on the streets.
0:01:47 > 0:01:50I... I deserve to lose this case, Judge,
0:01:50 > 0:01:55that's fair enough, you know, but if I can't drive,
0:01:55 > 0:01:59I can't do my job. I'm a journalist with the Sunday Independent...
0:01:59 > 0:02:02We all know who you are, Miss Guerin.
0:02:02 > 0:02:04That does not grant you immunity.
0:02:09 > 0:02:11TELEPHONE RINGS
0:02:17 > 0:02:21'This is Bernie Guerin. I can't take your call at the moment,
0:02:21 > 0:02:24'so please leave a message.'
0:02:24 > 0:02:27Mum? I'm driving.
0:02:27 > 0:02:32Can you believe it? He let me off. He actually let me off. I love you.
0:02:32 > 0:02:35Oh, no. You're having me on.
0:02:35 > 0:02:38No. Just a £100 fine and a warning. I'm behind the wheel again.
0:02:38 > 0:02:41- It's your ma, the criminal. - Hi, Ma.
0:02:41 > 0:02:45I hope you've learned a lesson and reformed your ways.
0:02:45 > 0:02:49- 'You're not speeding now, are you?' - No, course I'm not.
0:02:49 > 0:02:51Well, maybe a little.
0:02:52 > 0:02:55What did you say to that daft judge?
0:02:55 > 0:02:57'I told him I was guilty as sin.'
0:02:57 > 0:03:01And he let you off? Pleads a great case for judicial reform.
0:03:01 > 0:03:05SHE LAUGHS: Yeah. Another repeat offender returned to decent society.
0:03:06 > 0:03:10'This is Garda Detective Chris Mulligan. Please leave a message.'
0:03:10 > 0:03:14You didn't get me this time, Chris. Still got the wheels.
0:03:14 > 0:03:19I was fined, you're gonna love this, 100 quid. Can you believe it?
0:03:19 > 0:03:22You owe me lunch. You said wherever I want...
0:03:23 > 0:03:26SHE SCREAMS
0:03:29 > 0:03:33Veronica? Veronica.
0:05:04 > 0:05:06The fucking eagle has landed.
0:05:18 > 0:05:20Hello, boys. You all right there, Terry?
0:05:22 > 0:05:25I met your fucking sister last night.
0:05:25 > 0:05:28INDISTINCT CHATTER
0:05:31 > 0:05:33How are you, Boss?
0:06:23 > 0:06:25Get off that.
0:06:27 > 0:06:29Push off!
0:06:31 > 0:06:34Get your money ready. Five pounds.
0:07:00 > 0:07:02There, beat ya.
0:07:19 > 0:07:22Yeah, like this.
0:07:33 > 0:07:37A CHILD CRIES
0:07:45 > 0:07:47How're ya?
0:07:48 > 0:07:52My name's Veronica. I write for the Sunday Independent.
0:07:56 > 0:08:00May I ask you some questions? Do you mind?
0:08:02 > 0:08:06- How much do you pay for one of those? - Few quid.
0:08:06 > 0:08:10Anyway, it's cheaper to rent someone else's needle.
0:08:10 > 0:08:14- How about the score? - First one's free.
0:08:14 > 0:08:17Well, I heard five pounds.
0:08:19 > 0:08:22Where do you get the cash for all this?
0:08:22 > 0:08:25We just say to some broad like you,
0:08:25 > 0:08:28"Gimme your money or I'll inject you with AIDS."
0:08:31 > 0:08:35- How old are you? - What's it to you?
0:08:35 > 0:08:39I'm writing a piece for the paper. I wanna know where you get the gear.
0:08:39 > 0:08:41And do your work for you?
0:08:41 > 0:08:43Come back when you got some money.
0:08:52 > 0:08:55Check you later, all right?
0:08:56 > 0:08:59- Lost, are we? - Who might you be?
0:08:59 > 0:09:03- Neighbourhood watch. - Yeah, well, better keep an eye out.
0:09:03 > 0:09:06I hear there's some dodgy scangers about.
0:09:06 > 0:09:08HE LAUGHS
0:09:12 > 0:09:15I fucking swear to God, fuck you.
0:09:38 > 0:09:41Ah, Jamie, Jamie, Jamie.
0:09:41 > 0:09:44You're an awful man, do you know that?
0:09:44 > 0:09:48What did you have to shoot your mouth off to the guards about me for?
0:09:48 > 0:09:51Did you think I wouldn't find out it was you?
0:09:52 > 0:09:56You know... I was thinking about killing you
0:09:56 > 0:09:59and then I thought to myself, "You know,
0:09:59 > 0:10:04"people get killed every day and nobody gives a shite."
0:10:04 > 0:10:08So, I've decided I'm going to have to hurt you a bit.
0:10:08 > 0:10:10HE MUMBLES
0:10:10 > 0:10:13Actually, I'm going to hurt you an awful lot.
0:10:13 > 0:10:18The good news is I'm going to do you myself. Oh, yeah, personally.
0:10:18 > 0:10:21I mean, you don't want people thinking
0:10:21 > 0:10:24just because I've got me name in the papers and all that,
0:10:24 > 0:10:28that Martin Cahill is too posh to do his own dirty work,
0:10:28 > 0:10:30now do you?
0:10:37 > 0:10:40MUMBLES: Oh, for fuck's sake.
0:10:40 > 0:10:42Let the gag out of his mouth.
0:10:42 > 0:10:45Let the scumbag squeal. He's good at that.
0:10:45 > 0:10:48HE SCREAMS
0:10:48 > 0:10:51SHOUTING AND SCREAMS
0:10:54 > 0:10:57SCREAMS AND YELLS
0:11:00 > 0:11:03LOUD SCREAMS
0:11:31 > 0:11:33CAR HORN BEEPS
0:11:35 > 0:11:38- Hi. - How are you?
0:11:38 > 0:11:41- Here she is now. - Hiya. You're great.
0:11:41 > 0:11:43I must be.
0:11:43 > 0:11:46- How you doing? - Hi, Jimmy.
0:11:46 > 0:11:49Off to a big news story, are we?
0:11:49 > 0:11:53Come on, Ronnie, give us the scoop. Who's the scumbag of the week?
0:11:53 > 0:11:56Go and buy the paper, little brother.
0:11:56 > 0:11:59- You ready for me? - Did I say something?
0:11:59 > 0:12:01Don't look at me. She's your sister.
0:12:09 > 0:12:12- You warm enough? - Yeah.- OK.
0:12:12 > 0:12:14Night, darlin'.
0:12:14 > 0:12:18- I'm in the other room if you need me.- OK.
0:12:21 > 0:12:24He won't have any trouble sleeping tonight.
0:12:24 > 0:12:28- That's cos you wore him out on the football pitch.- Yeah.
0:12:30 > 0:12:32- What's up? - Nothin'.
0:12:33 > 0:12:36Nothin' or somethin'?
0:12:36 > 0:12:39It's bollocks. What I'm writing.
0:12:39 > 0:12:42Why don't you give yourself a bit of credit?
0:12:42 > 0:12:45So it's half-decent bollocks. It's light, it's human interest.
0:12:45 > 0:12:48It's bollocks.
0:12:49 > 0:12:52On that estate, on the street, there were needles everywhere.
0:12:52 > 0:12:55- Where kids were playing. - Jesus.
0:12:55 > 0:12:57You should have seen these wankers.
0:12:57 > 0:13:00Standing there with their new Mercedes.
0:13:00 > 0:13:04How many five-pound hits of dope do you need to shift to buy a Mercedes?
0:13:04 > 0:13:08You do the maths. How many kids is that?
0:13:09 > 0:13:12Nobody's writing about it. Nobody cares.
0:13:12 > 0:13:17Isn't that...? Someone needs to get after these bastards.
0:13:17 > 0:13:20They're making megabucks.
0:13:20 > 0:13:23That's what I should be writing about.
0:13:25 > 0:13:27Now that wouldn't be bollocks.
0:13:30 > 0:13:34The pushers are using the underaged kids to do their business.
0:13:34 > 0:13:38They know the guards won't touch the kids. Everyone knows what goes on.
0:13:38 > 0:13:41Eight kids from this block died from drugs last year. Eight.
0:13:41 > 0:13:45- All under 15. Four were me sister Iris's kids.- Jesus, I'm sorry.
0:13:45 > 0:13:48TD's, guards, closed their eyes,
0:13:48 > 0:13:52called it a family problem. To some, these kids are dead already.
0:13:52 > 0:13:56We formed Concerned Parents Against Drugs. Made it our problem.
0:13:56 > 0:14:00- I'd love you to write something. - How often do you march?- Once a week.
0:14:00 > 0:14:03- It's quite a commitment. - It's quite a problem.
0:14:03 > 0:14:06Hey, you remember me?
0:14:08 > 0:14:11Where those Cahill's lads in the van?
0:14:11 > 0:14:13What van?
0:14:13 > 0:14:16She can help, Timmy.
0:14:16 > 0:14:19You know, Martin Cahill? The General.
0:14:19 > 0:14:21You know him?
0:14:21 > 0:14:24What's your cut?
0:14:27 > 0:14:32- I better go. I can't be seen with yous.- Let us help you, Timmy.
0:14:32 > 0:14:36I can find you a good place to stay tonight. Tomorrow...
0:14:36 > 0:14:40Do yous want to have sex with me? I'm not expensive.
0:14:46 > 0:14:49- The bill, please. - He nicked your wallet.
0:14:50 > 0:14:54- What do we want?- Pushers out. - When do we want it?- Now.
0:14:54 > 0:14:58- What do we want?- Pushers out. - When do we want it?- Now.
0:14:58 > 0:15:00Are these marches always this small?
0:15:00 > 0:15:05- Well, hopefully with your help the word will get to more people.- Yeah.
0:15:05 > 0:15:07I'll make sure it does.
0:15:09 > 0:15:13- When do we want it?- Now. - What do we want?- Pushers out.
0:15:13 > 0:15:16- Tommy Mullen! - You bastard!
0:15:21 > 0:15:24- What do we want?- Pushers out. - When do we want it?- Now.
0:15:24 > 0:15:28- What do we want?- Pushers out. - When do we want it?- Now.
0:15:28 > 0:15:30- Pusher, pusher, pusher. - Out! Out! Out!
0:15:43 > 0:15:46Look who's got himself a new girlfriend.
0:15:50 > 0:15:53- See you there then, John. - Yeah, go ahead.
0:15:53 > 0:15:56What the hell do you want?
0:15:56 > 0:15:58Is that any way to talk to a lady?
0:15:59 > 0:16:03- Ladies don't call on gentlemen unannounced.- Oh, we're a gentleman!
0:16:03 > 0:16:07Where's your manners? You didn't introduce me.
0:16:07 > 0:16:10- If that's what you after. - You closing early?
0:16:10 > 0:16:14- One of the benefits of being self-employed.- You're amazing, John.
0:16:14 > 0:16:18No, really. You're a model of profitability.
0:16:18 > 0:16:22How to succeed in business without any customers.
0:16:22 > 0:16:24I do well enough.
0:16:24 > 0:16:27Yeah, well, there must be a few bob in those brothels on Athgar Road.
0:16:27 > 0:16:30What are they worth now, John?
0:16:30 > 0:16:34- You're a dangerous bitch, aren't you?- I do my best. Buy us a drink?
0:16:34 > 0:16:37That's the benefit of being self-employed, John.
0:16:37 > 0:16:40You are your own boss, aren't you?
0:16:40 > 0:16:44You're way off the mark, Veronica. Martin Cahill isn't into the drugs.
0:16:44 > 0:16:46- Neither am I. - You sure?
0:16:46 > 0:16:49We're just ordinary, decent criminals.
0:16:50 > 0:16:54If you won't take my word, why don't you ask Martin?
0:16:54 > 0:16:58- He's very fond of the ladies. - Exactly. So set it up for me.
0:17:00 > 0:17:03Why you chasing the drugs? You should chase the pubs,
0:17:03 > 0:17:06- they do more damage. - Yeah, right.
0:17:06 > 0:17:10Yeah? No, I tried that. It was a dead end.
0:17:10 > 0:17:12I'll call you back? Grand.
0:17:12 > 0:17:16So, how many guys you have working for stories at once?
0:17:16 > 0:17:20Now, a less generous person might say you were ungrateful
0:17:20 > 0:17:22for what I gave you already.
0:17:22 > 0:17:25Stealing paintings, kidnapping, you above that now?
0:17:25 > 0:17:29I got you famous with those stories.
0:17:29 > 0:17:33Yeah. You feed me the superficial crap.
0:17:33 > 0:17:36- I make you look good. - Great picture.
0:17:36 > 0:17:38Come on, I need your help to get to Cahill.
0:17:38 > 0:17:40Write me a reference.
0:17:40 > 0:17:43I'm late for an appointment.
0:17:44 > 0:17:48Word of advice. Stay away from Martin Cahill.
0:17:57 > 0:18:01Sorry to disturb ya, are you Mrs Cahill?
0:18:01 > 0:18:03Frances Cahill?
0:18:06 > 0:18:09Right.
0:18:23 > 0:18:25Are you Frances Cahill?
0:18:25 > 0:18:28- I am. - Hi, I'm Veronica.
0:18:28 > 0:18:32- I'm a friend of John Traynor's. - I know who you are.
0:18:32 > 0:18:35Is your husband home? I want to ask him a favour.
0:18:35 > 0:18:39Martin Cahill doesn't do favours for journalists.
0:18:39 > 0:18:41So piss off.
0:18:41 > 0:18:45There's a rumour he's putting drugs on the street, you got any comment?
0:18:45 > 0:18:49I know he nailed a tout to the floor of a flat, was it drug-related?
0:18:49 > 0:18:54I want a comment. Off the record. I'll be out of your...
0:18:55 > 0:18:58Mr Cahill! Could you do me a favour?
0:18:58 > 0:19:02I need the names of those kids selling drugs for you.
0:19:02 > 0:19:06And I'll do you a favour. I won't write about what people are saying.
0:19:06 > 0:19:10You know, you're having kids with your wife's sisters?
0:19:10 > 0:19:12There's me number. Gimme a call!
0:19:13 > 0:19:15Cheers.
0:19:17 > 0:19:20SIRENS BLARE
0:19:24 > 0:19:26'What can I do for you, Veronica?'
0:19:26 > 0:19:29How could you lose a body?
0:19:29 > 0:19:32I mean, that's just downright careless.
0:19:32 > 0:19:36You find some, you lose some. It'll turn up. They always do.
0:19:36 > 0:19:39You gonna join the cause of those crying foul?
0:19:39 > 0:19:42"More Garda incompetence? Is this why we pay our taxes?"
0:19:42 > 0:19:46Some might say incompetent, but you could say you're understaffed.
0:19:46 > 0:19:51You can't have 24-hour surveillance on a murder site with 24 staff.
0:19:51 > 0:19:56People should know that. Someone should write that.
0:19:56 > 0:20:00And if someone did write that, what would that someone want in return?
0:20:00 > 0:20:05I talked to the couple you detained after the weekend in Amsterdam.
0:20:05 > 0:20:08Held for 48 hours cos they bought nothing there but a box of condoms.
0:20:10 > 0:20:15How does it feel to wait for a mule to shite out a condom full of drugs?
0:20:16 > 0:20:20You and I both know the couriers are the lowest man in the organisation.
0:20:20 > 0:20:24Some Mr Big is laughing at you and your stool sample.
0:20:24 > 0:20:26Now you can't touch him. I want...
0:20:26 > 0:20:30- We both want to get Mr Untouchable. - What'll you do when you do?
0:20:30 > 0:20:33Your paper's so scared he'll sue if you name him,
0:20:33 > 0:20:36they employ more lawyers than journalists!
0:20:36 > 0:20:39Well, there's more than 300,000 people...
0:20:39 > 0:20:41I don't want to blow my own trumpet,
0:20:41 > 0:20:44but they know that Martin Cahill's The General,
0:20:44 > 0:20:48because what I write in the Sunday Independent.
0:20:48 > 0:20:50At least they know what he's up to.
0:20:50 > 0:20:54Great. For your readers, but does it help me put him behind bars?
0:20:54 > 0:20:56We're on the same side, Chris.
0:20:56 > 0:20:59I trained as an accountant, right?
0:20:59 > 0:21:01If I could have a look at these files,
0:21:01 > 0:21:04then I could go after those other wankers.
0:21:04 > 0:21:08Put some pressure on them. Come on.
0:21:10 > 0:21:12Go on.
0:21:16 > 0:21:20Look, I've got more packing to do. I'll be back in an hour or so.
0:21:20 > 0:21:25Looking forward to reading someone's column on Sunday.
0:21:33 > 0:21:37- "For The Coach, every day is Lotto Day." - LAUGHTER
0:21:37 > 0:21:42"What others might earn in a decade, he can conjure up in an afternoon."
0:21:42 > 0:21:47"His Swiss scam was a stroke, a child of his remarkable ingenuity."
0:21:47 > 0:21:50"The fruits of a complex fraud..."
0:21:50 > 0:21:52- Coach, boss. - What?
0:21:54 > 0:21:58I never knew you were such a horse lover, John.
0:22:02 > 0:22:05- What took you so long? - The traffic.
0:22:05 > 0:22:08Nothing to do with that woman from the Sunday Indo?
0:22:08 > 0:22:11Did the boys say somethin'?
0:22:11 > 0:22:14That's not the question. What did you say to her?
0:22:14 > 0:22:17Nothin' important.
0:22:17 > 0:22:20She fancies me, so I humour her.
0:22:20 > 0:22:23You know why I'm successful, Johnny?
0:22:23 > 0:22:25I lead a quiet life.
0:22:25 > 0:22:29Nobody knows what I'm doing and that's good for business.
0:22:29 > 0:22:32When you talk to that bitch and she writes about you,
0:22:32 > 0:22:34you feel like a movie star.
0:22:34 > 0:22:38And don't think she doesn't know how to use that, because she does.
0:22:38 > 0:22:41You're not as smart as you think you are.
0:22:41 > 0:22:45That makes you a liability. Remember this.
0:22:45 > 0:22:48If that bitch ever mentions my name,
0:22:48 > 0:22:51you pay.
0:22:52 > 0:22:54GUNSHOT
0:22:57 > 0:23:00Hey, you like playing the gangster, do ya? Do ya?
0:23:00 > 0:23:04- Make you feel like a big man, does it? Does it?- John, please.
0:23:04 > 0:23:08- How does it feel now?- John! - You heap o' shite!
0:23:08 > 0:23:10- You heap o' shite! - Please!
0:23:10 > 0:23:15You bunch of eejits. Which fucking genius fired a gun around my horses?
0:23:15 > 0:23:19You don't insult me boys, Gerry.
0:23:19 > 0:23:24You leave that to me, unless you want some of the same yourself.
0:23:29 > 0:23:32Word of advice. Keep your fucking mouth shut.
0:23:34 > 0:23:38- I called you here, cos we've got a debt to settle.- What debt?
0:23:38 > 0:23:42Your man Martin Cahill thinks over half a million quid is owed him.
0:23:42 > 0:23:46He loaned us that to start up the operation. He wants it back.
0:23:46 > 0:23:49There's no back, that money moves forward.
0:23:49 > 0:23:53He lent you it when you were out of prison. You had nothin'.
0:23:53 > 0:23:57Now, he's down on his luck. He can't shift the paintings. Too hot.
0:23:57 > 0:24:00- Why don't you just pay him? - No, no. You don't get it.
0:24:00 > 0:24:04When a scumbag like him is down on his luck, kick him in the bollocks.
0:24:04 > 0:24:08I wouldn't try that with Martin Cahill.
0:24:08 > 0:24:10Who's side are you on, Coach?
0:24:10 > 0:24:14I just think we should make payment.
0:24:15 > 0:24:18Don't you worry about it. We're gonna make payment.
0:24:27 > 0:24:29SHE SCREAMS
0:24:32 > 0:24:35Then he poked that one...
0:24:42 > 0:24:44GUNSHOT
0:24:54 > 0:24:56GUNSHOT
0:25:08 > 0:25:09Jesus!
0:25:22 > 0:25:25CHEERING
0:25:26 > 0:25:28LAUGHS
0:25:36 > 0:25:39Are you people fucking insane?
0:25:39 > 0:25:44- For a few hundred grand you murdered all of us?- I don't like your tone.
0:25:44 > 0:25:47Maybe the guards don't know, but if the Cahill mob find out,
0:25:47 > 0:25:50they'll kill yous and everyone you work with.
0:25:52 > 0:25:57The IRA has claimed responsibility for the murder of Martin Cahill
0:25:57 > 0:25:59and we are now doing everything in our power
0:25:59 > 0:26:02to apprehend the gunmen involved.
0:26:02 > 0:26:04No progress has been made.
0:26:04 > 0:26:08This isn't the first execution. What about the Davey and Gormley cases?
0:26:08 > 0:26:12I cannot comment on any other investigation.
0:26:12 > 0:26:15No progress is ever made in cases involving the IRA.
0:26:15 > 0:26:19Cahill's family has stated that The General and I quote,
0:26:19 > 0:26:24"Was not killed by the IRA, but by someone who saw the money he made."
0:26:24 > 0:26:27In your opinion, could this be drug-related?
0:26:27 > 0:26:32- You can't believe everything you hear.- Neither can you, Des.
0:26:32 > 0:26:34BARRAGE OF QUESTIONS
0:26:40 > 0:26:42Look, Veronica,
0:26:42 > 0:26:46- every journalist sees a vast conspiracy in everything.- Get away.
0:26:46 > 0:26:50We haven't a fucking clue. We don't know who killed Cahill.
0:26:50 > 0:26:52And you don't care, right?
0:26:52 > 0:26:55If they kill each other, it's easier for you.
0:26:57 > 0:27:01Here. Let's sort out the petty criminals first.
0:27:01 > 0:27:03Those who loved Martin Cahill
0:27:03 > 0:27:07feel a deep sense of loss and pain.
0:27:09 > 0:27:12Violence can only lead to death...
0:27:13 > 0:27:15..because it's the way of hatred,
0:27:15 > 0:27:18fear and revenge.
0:27:18 > 0:27:21Our Father, who art in heaven, hallowed by thy name. Thy kingdom...
0:27:21 > 0:27:25Nothin' like a funeral to bring out the competition, is there?
0:27:25 > 0:27:28- Yeah. - Look at Gerry Hutch, all tearful.
0:27:28 > 0:27:32- Or should I say The Monk? - He's not bad looking for a monk.
0:27:32 > 0:27:36Thing about monks though, is they're celibate.
0:27:36 > 0:27:38Supposedly.
0:27:40 > 0:27:43- See those two there?- Yeah. - Dealers, right?- Yeah.
0:27:43 > 0:27:46Fatso Mitchell and Tommy Mullen.
0:27:47 > 0:27:49Right.
0:27:50 > 0:27:53- Cahill wasn't running drugs. - No?
0:27:53 > 0:27:56I followed the money and it turns out
0:27:56 > 0:27:58your man was absolutely broke.
0:27:58 > 0:28:02- The family had to borrow 10,000 for this.- Really?
0:28:02 > 0:28:05- Didn't have the cash to run drugs. - Fuck's sakes.
0:28:05 > 0:28:09Will you look? The north-side rivals to pay their respects.
0:28:09 > 0:28:12- Out. - That's Brian Meehan there.
0:28:12 > 0:28:14- The blond one? - Yeah.
0:28:14 > 0:28:16Nasty little fucker.
0:28:16 > 0:28:20The Lord is with thee. Blessed art thou among women
0:28:20 > 0:28:23and blessed is the fruit of thy womb, Jesus.
0:28:23 > 0:28:25Hail Mary full of grace,
0:28:25 > 0:28:29the Lord is with thee. Blessed art thou among women
0:28:29 > 0:28:31and blessed is the fruit of thy womb, Jesus.
0:28:33 > 0:28:35TELEPHONE RINGS
0:28:38 > 0:28:42- Yeah? - The IRA didn't act alone.
0:28:42 > 0:28:46Tell me something I don't know. Where are ya?
0:28:46 > 0:28:49Gerry Hutch ordered the hit on Cahill.
0:28:49 > 0:28:54Hutch? Jesus, are you sure?
0:28:54 > 0:28:56I was there.
0:29:08 > 0:29:10She bought it.
0:29:12 > 0:29:14Boo-hoo(!)
0:29:14 > 0:29:17- Holy Mary, mother of God. - Boo-hoo.
0:29:17 > 0:29:21Hail Mary, full of grace, the Lord is with thee...
0:29:21 > 0:29:24RAISED VOICES
0:29:24 > 0:29:27OK. Let's bring them in. Bring them in.
0:29:27 > 0:29:30Leave it out lads, please.
0:29:35 > 0:29:38Strip 'em and search 'em.
0:29:38 > 0:29:40I'll get you,
0:29:40 > 0:29:42your wife, your kids.
0:29:42 > 0:29:44Think you're the big fella now?
0:29:44 > 0:29:49- You'll not be so big the next time you meet me.- Yeah? I'm trembling.
0:29:49 > 0:29:53We can do this the hard or the easy way, your choice.
0:29:53 > 0:29:56Please, let's do it the hard way, huh?
0:29:56 > 0:29:59Do you like men with big cocks, do you? Want that, do you?
0:29:59 > 0:30:03Is she a lesbian? Fancy me arse, do ya? Pervert!
0:30:03 > 0:30:08All right, get your designer gear back on and get the fuck out of my sight.
0:30:08 > 0:30:11There's over £600 there. You can keep that.
0:30:11 > 0:30:14Yous fuckers need it more than I do.
0:30:15 > 0:30:19Bunch of fuckin' eejits, working and paying taxes. Do you know what?
0:30:19 > 0:30:23I make more in a week than yous fuckers earn in a month.
0:30:23 > 0:30:26Here. Much more than you earn in a year.
0:30:26 > 0:30:29Thanks. See you, guys. All the best.
0:30:29 > 0:30:32- You can tell the time, can't ya? - See you soon.
0:30:39 > 0:30:42I always like to go shopping after a funeral.
0:30:45 > 0:30:49- What are you doin' here? - It's lookin' bad for you.
0:30:49 > 0:30:53- People say you ordered the hit on Cahill.- They can say what they like.
0:30:53 > 0:30:55I was out of the country.
0:30:55 > 0:30:57Is that your response, Mr Hutch?
0:30:57 > 0:31:00Or should I call you The Monk?
0:31:00 > 0:31:04You're invading my privacy and the privacy of my family.
0:31:04 > 0:31:09If you don't get off my property I'll sue you and your fuckin' paper.
0:31:09 > 0:31:11Now fuck off.
0:31:13 > 0:31:15Can I quote you on that?
0:31:21 > 0:31:23I can't talk to anyone right now.
0:31:23 > 0:31:27It's Tony Gregory. He's an MP for Dublin South.
0:31:27 > 0:31:30I know. I still can't talk. Tell him I'll call him later.
0:31:30 > 0:31:34- You can tell him yourself. - Hiya, Tony.
0:31:34 > 0:31:38- What is this shite? - It's Ireland's finest newspaper.
0:31:38 > 0:31:42"Dublin city is currently like a tinderbox waiting to explode"?!
0:31:42 > 0:31:45- Self-fulfilling prophecy. - It's a quote.
0:31:45 > 0:31:49It's a source quote. It's not me editorialising. Understand?
0:31:49 > 0:31:51No gang was involved in the murder.
0:31:51 > 0:31:54The Garda filed photos of these gangs. No-one identified them.
0:31:54 > 0:31:57The only reason there's no blood bath
0:31:57 > 0:31:59is the Cahills didn't buy your story.
0:31:59 > 0:32:03As far as I'm concerned, this woman is reckless and inflammatory.
0:32:03 > 0:32:05She treats rumour as fact.
0:32:05 > 0:32:08And you are irresponsible for publishing it.
0:32:08 > 0:32:12I expect to read my response over breakfast next Sunday.
0:32:14 > 0:32:18- I did nothin' wrong.- I know that. - Did you corroborate your facts?
0:32:18 > 0:32:21I was told by a source. He's never been wrong before.
0:32:21 > 0:32:25I didn't name Hutch. I didn't even call him The Monk.
0:32:25 > 0:32:27Hutch said he was out of the country.
0:32:27 > 0:32:30- He said he'd sue us, but didn't deny it.- We know that.
0:32:30 > 0:32:34- And the lawyers approved it, Angus. - We don't doubt you,
0:32:34 > 0:32:39but Gregory doubts you. He's an MP for the area. He wants his say.
0:32:39 > 0:32:41- I don't give a shite. - What about the source?
0:32:41 > 0:32:45- Will he go on record? - Of course he won't, he's a criminal.
0:32:45 > 0:32:48- This is like being a cop. - It's worse.
0:32:48 > 0:32:52You can't get a search warrant or tap but you must prove everything.
0:32:52 > 0:32:56Yes, and you want to check how reliable that source is.
0:33:02 > 0:33:04Is Traynor about?
0:33:11 > 0:33:13What time? Whatever. Yeah.
0:33:13 > 0:33:16OK. Uh-huh.
0:33:20 > 0:33:24- Jesus! - Sorry, John. Just a quick question.
0:33:24 > 0:33:28You're not aiming to start a gang war between the Cahills and Hutch?
0:33:28 > 0:33:31- Jesus. She's famous. - Shut up, you.
0:33:31 > 0:33:35I have a feeling you've been feeding me a line of shite about The Monk.
0:33:35 > 0:33:39- What?- Get the south-side and north-side gangs to kill each other,
0:33:39 > 0:33:43- so someone else can take over? - You're talking out of your arse.
0:33:43 > 0:33:48- Get out of here, unless you want to join in.- You said you were there.
0:33:48 > 0:33:51- I done you a lot of favours. - I'm doing the favours.
0:33:51 > 0:33:55No, I've done you the favours. Don't forget that.
0:33:55 > 0:33:59I tell you what I know. I don't tell you what to do with it.
0:33:59 > 0:34:02You come in here calling me a fucking liar?
0:34:02 > 0:34:05That's a bit of an overreaction there, John.
0:34:13 > 0:34:17- Why don't you come and have a pint? - Too many journalists for me.
0:34:19 > 0:34:22You can't join the club if you ignore the members.
0:34:22 > 0:34:27I know what they say. No experience, I'm exaggerating the drug problem.
0:34:27 > 0:34:31- My sources are unreliable, can't spell.- Pretty accurate.
0:34:31 > 0:34:35- Get away and shite. I know I'm no great writer.- I think you're a poet.
0:34:40 > 0:34:42Go on. Go on, Cantona.
0:34:43 > 0:34:46That's poetry.
0:34:46 > 0:34:48What's the score?
0:34:48 > 0:34:51Nothin' nothin.' Cantona's a fuckin' vacuum cleaner today, man.
0:34:51 > 0:34:53It's unreal.
0:34:55 > 0:35:00- He's what you call a striker. Number seven. Watch him.- A striker?
0:35:00 > 0:35:03- What did you say his name was? - Eric Cantona.
0:35:03 > 0:35:07Born 26 May 1966, led Man United to six cups,
0:35:07 > 0:35:11- winning Footballer Of the Year in 89, is that him?- Fuck me pink, it is.
0:35:11 > 0:35:13Yeah. Fair play to you.
0:35:13 > 0:35:16- I met him, you know? - You met him? What did he say to ya?
0:35:16 > 0:35:21- Doesn't matter, does it? He's a genius.- He is a genius. He's deadly.
0:35:23 > 0:35:28Would you look at that? I bet you any money The Monk done that.
0:35:29 > 0:35:33Do you fancy a pint? There's a great pub down there. Very quiet.
0:35:33 > 0:35:36That's almost three million quid.
0:35:38 > 0:35:40Where would you hide all that?
0:35:40 > 0:35:45How could you find any fun in hiding that? You'd be spending it like mad,
0:35:45 > 0:35:49- wouldn't ya? - Yeah. That's exactly right.
0:35:49 > 0:35:52- Good night. Thanks. - So, no pint, no?
0:35:54 > 0:35:56Not a chance?
0:36:03 > 0:36:07- Well done on the Brinks job. - What are you doing following me?
0:36:07 > 0:36:10I'm gonna write about it, so you may as well talk.
0:36:10 > 0:36:12I don't give a bollocks.
0:36:12 > 0:36:16- What do you do with the money? - None of your business. There you go.
0:36:16 > 0:36:18You know, I've forgotten my manners.
0:36:18 > 0:36:22You've been to my home. Maybe it's about fucking time I visit yours.
0:36:22 > 0:36:26- Right ahead, sir. - Thanks. I'll see you again.
0:36:29 > 0:36:31- 'Night, Ma.' - 'Night, love.'
0:36:31 > 0:36:34- What are you reading, Ma? - Some of me notes.
0:36:34 > 0:36:36- On the bad guys? - No.
0:36:36 > 0:36:40There's just one bad guy I'm after who's up way past his bedtime.
0:36:40 > 0:36:43Now, let's go.
0:36:43 > 0:36:45You're getting too big for your ma.
0:36:45 > 0:36:48HE LAUGHS I'll have to read you a story.
0:36:48 > 0:36:50GUNSHOT
0:36:55 > 0:36:57- Stay there.- All right.
0:37:16 > 0:37:19You gonna give someone else a go?
0:37:19 > 0:37:21Me! Me! Me! Me!
0:37:22 > 0:37:24Oh, that's great.
0:37:32 > 0:37:36- Ronnie? - Hmm?- We're all nervous.
0:37:36 > 0:37:38Ma's nervous, I'm nervous.
0:37:38 > 0:37:41Even Graham. He just won't say anything.
0:37:41 > 0:37:43There's no use talking to you.
0:37:43 > 0:37:47Those people issue death threats if their laundry's folded wrong.
0:37:47 > 0:37:49Ma? Where did you put the candles?
0:37:49 > 0:37:52They're on top of the bread box.
0:37:52 > 0:37:54Oh, right.
0:37:54 > 0:37:58It's not the first. Remember the religious fanatics
0:37:58 > 0:38:01after the Bishop Casey story? There's always someone.
0:38:01 > 0:38:05- You get used to them. - No, you get used to cold water,
0:38:05 > 0:38:07not bullets. This is madness.
0:38:07 > 0:38:10You'd do the same. If you saw those kids on the streets.
0:38:10 > 0:38:14- Not if people were shooting at me. - Ma, look!
0:38:14 > 0:38:18- Cathal, that's great! Who gave you that?- You and Dad.
0:38:18 > 0:38:20Yeah.
0:38:23 > 0:38:27I'm listening. Whoever did it made sure I was not in the room.
0:38:28 > 0:38:31Could you do this? You're better at it.
0:38:31 > 0:38:34- There's nothing to worry about. - Nothing?
0:38:34 > 0:38:38I'm the only Guerin in the phone book. Who will they come after?
0:38:38 > 0:38:41Don't flatter yourself, little brother.
0:38:42 > 0:38:46Are you gonna dance or go fast? Give someone else a go.
0:39:13 > 0:39:16MUSIC MUFFLED THROUGH HEADPHONES
0:39:25 > 0:39:28You coming to bed?
0:39:28 > 0:39:31- What?- I know you can hear me, are you coming to bed?
0:39:31 > 0:39:35- I'll be along in a minute. - Fine.
0:39:35 > 0:39:38Suit yourself.
0:39:40 > 0:39:44- SWITCHES MUSIC TO SPEAKERS - Turn it down.
0:39:44 > 0:39:48- Turn it down. - Come on.
0:39:48 > 0:39:51I love it. I love my work.
0:39:51 > 0:39:56- I'm doing something that could make a difference.- What can I do with you?
0:39:57 > 0:40:00- Come on. - No.
0:40:00 > 0:40:02MUSIC: "Everlasting Love" by U2
0:40:11 > 0:40:13OK.
0:40:13 > 0:40:16# We'll have our own... everlasting love
0:40:16 > 0:40:20# Love will last forever
0:40:20 > 0:40:23# It's going to last forever... #
0:40:23 > 0:40:26Good boy. Up you come.
0:40:26 > 0:40:28# You will realise
0:40:28 > 0:40:29# Here I stand with my
0:40:29 > 0:40:31# Everlasting love... #
0:40:31 > 0:40:33Did we wake you up?
0:40:33 > 0:40:35# Come and be my pride
0:40:35 > 0:40:36# Never be denied
0:40:36 > 0:40:38# Everlasting love! #
0:40:38 > 0:40:42What can I say? I don't think Gerry Hutch is into drugs.
0:40:44 > 0:40:46The Brinks heist, yeah, probably,
0:40:46 > 0:40:50- but drugs is not his scene. - I've been tracking his movements.
0:40:50 > 0:40:54I just need to source the drugs, the connection's easy. I need your help.
0:40:54 > 0:40:57And I need you to stop coming to my office.
0:40:57 > 0:40:59He's got the money.
0:40:59 > 0:41:03We're talking about a fella with no visible source of income,
0:41:03 > 0:41:06who paid tax on two million pounds last year.
0:41:06 > 0:41:09Just laundered through the government's tax amnesty.
0:41:09 > 0:41:12- He has too much money not to be in it.- Your opinion.
0:41:12 > 0:41:16You seized shipments from Cork, but it's coming from somewhere. Where?
0:41:16 > 0:41:20We impounded drugs from Liverpool, Scotland, Amsterdam, Pakistan.
0:41:20 > 0:41:22You're not the only one trying
0:41:22 > 0:41:25and Gerry Hutch isn't alone with dirty money.
0:41:25 > 0:41:27- Who else you got? - I could name a dozen.
0:41:27 > 0:41:31Here's the latest candidate, just in from Interpol.
0:41:31 > 0:41:33John Gilligan. A year out of prison.
0:41:33 > 0:41:37Can you tell me how this low life has £300,000
0:41:37 > 0:41:41- to launder in an Amsterdam casino? You're the journalist. - TELEPHONE RINGS
0:41:41 > 0:41:46Certainly keeps a low profile. ..Yeah? Hi, Aengus. Can you hold?
0:41:46 > 0:41:49- Can I?- Go on, it's a copy. - Great.
0:41:49 > 0:41:51- Just go. - I owe you lunch.
0:41:54 > 0:41:57No. Run the Brinks story. Hold off on the drugs claim.
0:41:57 > 0:42:00What for? This stuff you sent is great.
0:42:00 > 0:42:03No, give me 24 hours. I got a tip. This could be big.
0:42:03 > 0:42:07- I'm trusting you on this one. - Oh, aren't you great?
0:42:18 > 0:42:21Nice tan there, John.
0:42:23 > 0:42:25Hope there's no hard feelings between us?
0:42:25 > 0:42:29I'm not one to take a bullet through my window personally.
0:42:30 > 0:42:33Get lost.
0:42:33 > 0:42:36You wanna be careful when dealing with Gerry Hutch.
0:42:36 > 0:42:39But you didn't tell me about a guy named Gilligan.
0:42:39 > 0:42:44- Who?- You provided him with a car when he got out of prison last year.
0:42:44 > 0:42:47John Gilligan. Want me to spell it?
0:42:47 > 0:42:50I run a bleedin' garage. I provide loads of cars.
0:42:50 > 0:42:53I'm hardly going to remember every one, am I?
0:42:53 > 0:42:58- Is that him there? - Why should I give a shite?
0:42:58 > 0:43:03No reason, just the fella behind looks a lot like you.
0:43:03 > 0:43:05Now, there's a coincidence.
0:43:05 > 0:43:09Where's his money from? Does he provide hash and heroin to Mitchell?
0:43:09 > 0:43:13I can't help you. Don't know nothin' about him.
0:43:13 > 0:43:15If I hear, I'll tell you. Molly!
0:43:15 > 0:43:20You can keep the photo, it's a nice one of you. We got plenty.
0:43:25 > 0:43:28- You sell horses, don't you, Mr Chapman?- I do.
0:43:28 > 0:43:30I sell them on to Germany.
0:43:30 > 0:43:35Myself and Geraldine are planning to make this the largest and finest
0:43:35 > 0:43:38equestrian centre in Ireland.
0:43:39 > 0:43:42Well, I must say, the size is impressive.
0:43:42 > 0:43:46Said the nun to the sailor. HE LAUGHS
0:43:46 > 0:43:50How about an aperitif? Some champers? Caviar?
0:43:50 > 0:43:53It's all imported. John and I have great plans for this place.
0:43:53 > 0:43:56TELEPHONE RINGS Hang on.
0:43:58 > 0:44:00Hello?
0:44:00 > 0:44:04Hello? You're breaking up there. Hello?
0:44:04 > 0:44:06'It's Traynor.'
0:44:06 > 0:44:08Johnny.
0:44:08 > 0:44:12Veronica Guerin got hold of a photo of us in Amsterdam.
0:44:12 > 0:44:14John, I swear I had nothing to do with it.
0:44:14 > 0:44:17I never mentioned your name,
0:44:17 > 0:44:19but she was asking about ya.
0:44:19 > 0:44:23Johnny, look, I've told you before, if she so much as mentions my name,
0:44:23 > 0:44:25you pay.
0:44:28 > 0:44:32Fucking eejits! Fuck 'em!
0:44:38 > 0:44:40Happy Christmas!
0:44:40 > 0:44:42How you doing? Happy Christmas.
0:44:42 > 0:44:46- Now, isn't this great? - When's Mum coming here?
0:44:46 > 0:44:49Soon. You'll want something stronger than that.
0:44:49 > 0:44:51TELEPHONE RINGS
0:44:54 > 0:44:56Yeah? Ma, how are ya?
0:44:56 > 0:45:00- Happy Christmas.- Happy Christmas. - You look great.
0:45:00 > 0:45:03- Where's your mum?- You know her, she's always going for the gold.
0:45:03 > 0:45:05All right.
0:45:05 > 0:45:08KNOCK ON DOOR Look, there's someone at the door.
0:45:08 > 0:45:12My phone will be on all night. Call me later.
0:45:12 > 0:45:15Yeah. I love you, too. OK, bye. Bye!
0:45:17 > 0:45:19KNOCK AGAIN
0:45:22 > 0:45:25LOUDER KNOCKING Yeah, all right, all right.
0:45:29 > 0:45:31SHE SCREAMS
0:45:39 > 0:45:40GUN CLICKS
0:45:40 > 0:45:41SHE SCREAMS
0:45:53 > 0:45:56SHE GROANS
0:45:58 > 0:46:02POUNDING MUSIC
0:46:06 > 0:46:09SHE MOANS
0:46:17 > 0:46:19TELEPHONE BEEPS
0:46:23 > 0:46:25Oh, oh, God, no.
0:46:25 > 0:46:29TYRES SCREECH, CLICKING AND CHATTERING
0:46:38 > 0:46:41- Hi.- How are you? - Ah, you look gorgeous.
0:46:41 > 0:46:44- Hey, Aengus. - Look at you, for God's sake.
0:46:44 > 0:46:49- Hi, Willy.- Hiya, darlin'.- Can't find any sport, can you believe it?
0:46:49 > 0:46:53- TV:- '..Conducted investigations into organised crime in Dublin
0:46:53 > 0:46:57- 'and has interviewed...'- Why do they always use that brutal picture?
0:46:57 > 0:47:02'..was a serious incident. Veronica Guerin is a talented journalist.'
0:47:02 > 0:47:06'An attack like this could be seen as an attempt to muzzle her
0:47:06 > 0:47:11'because of certain publications or articles she wrote.'
0:47:11 > 0:47:15'This would be connected with last month's robbery?'
0:47:15 > 0:47:17We know who pulled that one, don't we?
0:47:17 > 0:47:21- He threatened me, you know? - Veronica, please, stop this.
0:47:21 > 0:47:24Write about fashion, football, anything.
0:47:24 > 0:47:26You don't have to do it any more.
0:47:26 > 0:47:31I don't see myself covering catwalks or doing a gardening column.
0:47:31 > 0:47:35- You've always wanted to write about politics.- Ah, come off it, I am.
0:47:35 > 0:47:38- Drugs are political. - What if I told you
0:47:38 > 0:47:41- I wouldn't publish your stuff? - You never would, would you?
0:47:41 > 0:47:45- For Christ's sake, there's no sport. - We're gonna have to go.
0:47:45 > 0:47:49What kind of hospital is this? Is this why we pay health insurance?
0:47:49 > 0:47:54- Where's Cathal?- He's with your mum. Don't worry.- Oh, I'm not worried.
0:47:54 > 0:47:57Thanks. Right, we've got you 24-hour police protection.
0:47:57 > 0:48:00OK?
0:48:00 > 0:48:04What a way to spend Christmas Eve. Looking at a poxy box.
0:48:05 > 0:48:08Mary Poppins, Gone With The Wind...
0:48:08 > 0:48:12Next thing you know it'll be A Wonderful Fuckin' Life.
0:48:12 > 0:48:16- The doctor says it missed the artery and the bone.- Point-blank range
0:48:16 > 0:48:20with a .45 and this is all they could do. How's Cathal? How is he?
0:48:20 > 0:48:22- He's fine. - Where is he?
0:48:22 > 0:48:26- Oh, that's right. He's with Mum. - Yeah, he keeps askin' for ya.
0:48:26 > 0:48:28Yeah?
0:48:28 > 0:48:31- TV:- '..But Miss Guerin's... - ..Shooting happened...
0:48:31 > 0:48:35- '..Investigations for the Sunday... - ..Warning from a crime gang...'
0:48:37 > 0:48:40You gonna stop this now?
0:48:50 > 0:48:52HUMMING
0:48:55 > 0:48:58Nan, look! It's mum.
0:49:13 > 0:49:16- Gimme the keys. - I know what I'm doing.
0:49:16 > 0:49:20- Why do you think they shot me? I'm on the right track.- Gimme the keys.
0:49:20 > 0:49:23- Thank you. - Would you gimme the keys?
0:49:23 > 0:49:26No. Look at the state of ya.
0:49:28 > 0:49:31Do you think I want to do this, do ya?
0:49:31 > 0:49:34I don't want to do it, I have to do it.
0:49:34 > 0:49:38You're a journalist. You write. You let the guards look after this.
0:49:38 > 0:49:42The guards can't do anything. They always get away with it.
0:49:42 > 0:49:45- 14 shootings... - I know, you're one of them.
0:49:45 > 0:49:49- I know who the guys are. Would you just give me the keys?- No.
0:49:49 > 0:49:52Tough shit. Come on inside, please?
0:49:53 > 0:49:57They're not gettin' away with it. I'll catch a cab then.
0:49:57 > 0:50:00- Oh, for God's sake. - TELEPHONE BEEPS
0:50:04 > 0:50:07Yeah, hi. It's Veronica Guerin, I'd like a...
0:50:07 > 0:50:09Thank you. Come on, get in.
0:50:11 > 0:50:13- Who's driving? - You can't drive with two legs,
0:50:13 > 0:50:17- I hardly think I'm gonna let you drive with one.- That's low, that is.
0:50:17 > 0:50:22- You drive like an old granny. - Come on, Hopalong, get in.
0:50:22 > 0:50:26Where's she going? She only got out the hospital a couple of days ago.
0:50:26 > 0:50:28Yeah, I know.
0:50:37 > 0:50:39Here, let me do it.
0:50:45 > 0:50:49Look, Veronica Guerin! Come here, have a look.
0:50:50 > 0:50:53Tommy Mullen?
0:51:06 > 0:51:09- Fatso Mitchell? - Yeah?
0:51:09 > 0:51:12This is for you.
0:51:15 > 0:51:18Get the fuck out of it. Here!
0:51:21 > 0:51:25- Your column's upsetting my mother. - Ah, you poor fella.
0:51:26 > 0:51:31You think I'm a drug dealer, don't ya? Well, I'm no drug dealer.
0:51:31 > 0:51:35I've seen family and friends dying, week in, week out, because of them.
0:51:35 > 0:51:39All right... Why did you shoot me?
0:51:41 > 0:51:46I had nothing to do with shooting you. I wouldn't have missed.
0:51:53 > 0:51:58- I'm telling ya, he isn't here. - SNIFFS:- And I have to go. I'm busy.
0:51:59 > 0:52:02- How old are you? - None of your business!
0:52:02 > 0:52:05Look, please, just give this to Traynor.
0:52:06 > 0:52:10- Are you gonna be OK, I mean, your leg and all?- Yeah, I'm grand.
0:52:11 > 0:52:14Are you gonna be all right?
0:52:19 > 0:52:22TV: 'I thought, I mean, I've always believed...
0:52:22 > 0:52:25LAUGHING '..nobody shoots the messenger.
0:52:25 > 0:52:29'I mean, a journalist doesn't get shot.
0:52:29 > 0:52:33- 'If the bullet had hit an artery, you could have died.- Yeah.
0:52:33 > 0:52:36'So, why do you do it? Why take the risks?'
0:52:36 > 0:52:38I'll give her this,
0:52:38 > 0:52:42takes some balls to shoot yourself in the leg for publicity.
0:52:42 > 0:52:46- Yeah, she should've shot herself in the balls.- Bigger target!
0:52:46 > 0:52:50- Shall we? - Never liked this place anyway.
0:52:50 > 0:52:54She can always use the insurance money for a course in journalism.
0:52:59 > 0:53:01CHEERING
0:53:10 > 0:53:13Here, come here and check this out.
0:53:13 > 0:53:17'..Bring it to the attention of the public, generally,
0:53:17 > 0:53:22'a culture that exists in our society that nobody knows anything about.'
0:53:22 > 0:53:26- Lookin' very fuckin' healthy, isn't she?- Too bad the moron you hired
0:53:26 > 0:53:29shot her in the leg. Now the whole country's watching her.
0:53:29 > 0:53:34Yeah, she's a real martyr, thanks to you, Coach.
0:53:34 > 0:53:37Saint Veronica of the Sunday Independent.
0:53:37 > 0:53:41Ah, relax, will ya? She's convinced it was Gerry Hutch that done it.
0:53:41 > 0:53:44You better pray she stays that way.
0:53:44 > 0:53:47Come on.
0:53:47 > 0:53:49Champagne, now.
0:53:49 > 0:53:53'These letters that you delivered, what did you say in them?
0:53:53 > 0:53:57'There was one simple question on each of the letters and it was,
0:53:57 > 0:54:00' "Were you responsible for my attack?" '
0:54:11 > 0:54:14- Er, Mr Gregory? - What are you doing in here?
0:54:14 > 0:54:17How did you get past security?
0:54:17 > 0:54:21- You can't just barge in here. - Sorry. Do you mind if I sit down?
0:54:21 > 0:54:25A young woman on a crutch. You have me at a disadvantage. Take a seat.
0:54:26 > 0:54:30I've come to apologise, if I've got it all wrong.
0:54:30 > 0:54:33All of you journalists have got it wrong.
0:54:33 > 0:54:38You call these guys The Viper, The Monk, The General, you glorify them.
0:54:38 > 0:54:41- They're not movie stars. - With respect, I've no option.
0:54:41 > 0:54:44The libel laws won't let me name them.
0:54:44 > 0:54:47Journalists are going to jail for doing that.
0:54:47 > 0:54:51You know Liz Allen? She's facing prison for exposing these murderers.
0:54:51 > 0:54:54I can't get involved in personal vendettas.
0:54:54 > 0:54:58- I'm not here because I was shot. - Now I know what you're not here for.
0:54:58 > 0:55:00I've been writing quite extensively -
0:55:00 > 0:55:03in a balanced way - for the past 18 months.
0:55:03 > 0:55:06You must have missed some of my articles.
0:55:06 > 0:55:09On June 11th - I want to clarify this -
0:55:09 > 0:55:12I suggested extending detention periods for drug offenders.
0:55:12 > 0:55:16On July 16th I wrote about tax officialdom, and this is ridiculous,
0:55:16 > 0:55:19saying they're paid only to record declared income,
0:55:19 > 0:55:23not to worry whether it comes from drugs. Then on July 23rd,
0:55:23 > 0:55:26I wrote how the Gardai can seize drug proceeds
0:55:26 > 0:55:29but can't hold them. How frustrating is that?
0:55:29 > 0:55:33I don't need to be told the fight against drugs has been crippled
0:55:33 > 0:55:36- by the laws we have at the moment. - Yeah.
0:55:36 > 0:55:40- We're on the same side, Mr Gregory. - We're on the same side.
0:55:40 > 0:55:45- I do not like your methods and I do not like your paper.- Yeah.
0:55:45 > 0:55:48It's a rag. But it's a popular rag.
0:55:48 > 0:55:51Use it, get your message out.
0:55:51 > 0:55:55Use me. You've got to change these laws that favour the criminals.
0:55:55 > 0:55:58OK, so, when do we get to the part where you're going to use me?
0:55:58 > 0:56:01Well, I'm looking into a guy called Gilligan.
0:56:01 > 0:56:04Just take my phone calls.
0:56:09 > 0:56:11Gilligan, did you say?
0:56:11 > 0:56:15Friend of mine said he rents these containers out. You seen him about?
0:56:15 > 0:56:18- Slightly overweight, like? Bald guy? - Mm-hm.
0:56:18 > 0:56:21We've never seen him here.
0:56:21 > 0:56:23- Thanks for the smoke. - Yeah.
0:56:29 > 0:56:33Gwyneth, find out how long Tony Gregory'll be in his office.
0:56:33 > 0:56:35Grand, thanks. Hiya.
0:56:35 > 0:56:40No offence but they're not gonna talk to me with the cops hanging about.
0:56:40 > 0:56:44- All right?- Right. - Thanks. It's not working.
0:56:44 > 0:56:48Gilligan's listed here as living in a council flat on the dole?
0:56:48 > 0:56:50That's just a mailing address.
0:56:50 > 0:56:54Those lads go to meetings with probation officers
0:56:54 > 0:56:56in BMWs and Mercedes.
0:56:56 > 0:56:59Having money isn't a probation violation.
0:56:59 > 0:57:02It is if the assets are illegal.
0:57:02 > 0:57:05I'd like to see a register of ownership
0:57:05 > 0:57:09for the following properties under this corporation,
0:57:09 > 0:57:11with a copy of the shareholders reports.
0:57:11 > 0:57:15And the same for these others run by a John Gilligan.
0:57:23 > 0:57:25'I told you. This office is closed for lunch.'
0:57:25 > 0:57:29Unless you're with the government, it's closed to you.
0:57:29 > 0:57:31Absolutely, not a problem.
0:57:31 > 0:57:36I've a friend here who'd like to talk to you. Do you know Tony Gregory?
0:57:54 > 0:57:56Oh, you're an angel.
0:57:56 > 0:57:59- I'm just finishing off. - You're a bad liar.
0:57:59 > 0:58:02- Oh, God, you make the worst coffee. - Ouch!
0:58:02 > 0:58:04I'll put Cathal to bed.
0:58:06 > 0:58:10- Hey, he's been asleep for an hour. - Oh, course.
0:58:14 > 0:58:18Don't you ever just want to... keep him in the house?
0:58:18 > 0:58:21- Not let him out, ever? - Yeah.
0:58:21 > 0:58:24But mostly I feel that way about you.
0:58:30 > 0:58:33I've got him, Graham. I've got his name.
0:58:35 > 0:58:38I'll get this Gilligan bastard.
0:58:38 > 0:58:42I am so close, you know? I'm this close.
0:58:46 > 0:58:49Do you trust me, hm? Right?
0:58:50 > 0:58:55- Don't worry. - Easy for you to say.
0:59:48 > 0:59:52How are ya? Do you know where I might find Mr Gilligan?
0:59:56 > 0:59:59- Sorry, don't know. - Right.
1:00:36 > 1:00:38DOORBELL RINGS
1:00:47 > 1:00:49DOORBELL RINGS
1:00:56 > 1:00:59Mr Gilligan? I'm Veronica Guerin
1:00:59 > 1:01:01from the Sunday Independent.
1:01:01 > 1:01:04I've come to ask you about your property,
1:01:04 > 1:01:08including this lovely equestrian centre you've got here.
1:01:09 > 1:01:13You could start by telling me where you get the money.
1:01:16 > 1:01:19Cunt! Cunt!
1:01:19 > 1:01:21Cunt!
1:01:25 > 1:01:27Cunt! Cunt!
1:01:29 > 1:01:31SHE MOANS
1:01:39 > 1:01:43- Are you wearing a wire? - CLOTHES TEARING: No! No! No!
1:01:43 > 1:01:46- HORN HONKS - Get off my property, you cunt!
1:02:25 > 1:02:28DOOR OPENS
1:02:37 > 1:02:40Jesus! Jesus! What happened to you?
1:02:40 > 1:02:43What happened to you, darling? God!
1:02:44 > 1:02:48- God! What happened to you? - VERONICA SOBS
1:02:48 > 1:02:52Oh, my darling. Oh, my darling.
1:02:57 > 1:02:59- Can you see it all? - Mm-hm.
1:02:59 > 1:03:01Right.
1:03:08 > 1:03:11- Are you ready to go home? - Yeah.
1:03:11 > 1:03:14- You want to try a drop of that? - Oh, thanks.
1:03:15 > 1:03:20Look, it's up to you, Ronnie, but if you do press charges,
1:03:20 > 1:03:23writing the story might prejudice the case.
1:03:23 > 1:03:27- I know you, you just want to steal it.- Of course I do, I'm a reporter.
1:03:29 > 1:03:34What's it to be? Do you want a story or do you want to press charges?
1:03:41 > 1:03:44TELEPHONE RINGS
1:03:53 > 1:03:56SHE SIGHS
1:03:57 > 1:03:59Yeah?
1:03:59 > 1:04:02'This is John Gilligan.
1:04:03 > 1:04:05'If you do one thing on me...'
1:04:07 > 1:04:10..if you go to the Gardai or write about me,
1:04:10 > 1:04:14I'm going to kidnap your son...
1:04:14 > 1:04:17and I'm gonna ride him.
1:04:17 > 1:04:19'I'm gonna shoot you.
1:04:21 > 1:04:25'Do you understand what I'm saying to ya?
1:04:25 > 1:04:29'I'm gonna fuckin' kidnap your son and I'm gonna ride him
1:04:29 > 1:04:32'and then I'm gonna shoot you.'
1:04:33 > 1:04:36I'm gonna fuckin' kill ya.
1:04:37 > 1:04:40DIALLING TONE
1:04:42 > 1:04:44SHE GASPS
1:04:48 > 1:04:51SHE RETCHES
1:04:53 > 1:04:56- Veronica? - Where's Cathal?
1:04:56 > 1:05:00- What's wrong?- Where's Cathal? - In the country with your sister.
1:05:00 > 1:05:02- He's safe. - Jesus!
1:05:04 > 1:05:07- It was him. - What?
1:05:07 > 1:05:09I should never have gone there.
1:05:09 > 1:05:13- Oh, Jesus. I'm so scared, Graham. - It's OK. I know.
1:05:13 > 1:05:16- I'm really scared. - I know, I know.
1:05:16 > 1:05:18It's gonna be all right.
1:05:24 > 1:05:27- I want you to promise me something. - What?
1:05:30 > 1:05:32- Don't tell anyone I was like this. - What?
1:05:32 > 1:05:35All right?
1:05:35 > 1:05:38- I don't want them to have it. - All right.
1:05:38 > 1:05:42- It's what they want and I don't want them to have it.- I promise you.
1:05:42 > 1:05:45- All right? - You were never afraid.- All right.
1:05:45 > 1:05:48- Oh, Jesus! - Never afraid.
1:06:01 > 1:06:03Jesus, Veronica, look at ya.
1:06:04 > 1:06:06I'll live.
1:06:06 > 1:06:09How are you, John?
1:06:09 > 1:06:11It's, um...been a while.
1:06:11 > 1:06:14I'm grand. Get you a drink?
1:06:14 > 1:06:16No, thanks. I'm not thirsty.
1:06:16 > 1:06:20So, what do you want to talk about?
1:06:24 > 1:06:28- I've a message for you from John Gilligan.- The man you don't know?
1:06:29 > 1:06:34Soon as I heard, I went to see him. I told him he'd got it all wrong.
1:06:35 > 1:06:37He's a small man with a chip.
1:06:37 > 1:06:41You know? He's got a temper. He just lost his head.
1:06:41 > 1:06:45Anyway, he wants you to know that he's sorry for what he done
1:06:45 > 1:06:49and for what he said about your kid and the family.
1:06:49 > 1:06:51He'd never do those things.
1:06:51 > 1:06:55He wishes he could take it back.
1:06:55 > 1:06:59Gilligan got you to feed me that shite about Hutch.
1:06:59 > 1:07:04Yeah. He murdered Cahill, stepped back
1:07:04 > 1:07:08- and let the IRA take credit.- I don't know what you're talking about.
1:07:08 > 1:07:10I'm here because he wants this to end
1:07:10 > 1:07:14- before things get any worse. - How can it get any worse?
1:07:14 > 1:07:19Things can always get worse, Veronica.
1:07:20 > 1:07:24Now, if you don't press charges...
1:07:25 > 1:07:28..you'll be £100,000 richer within an hour.
1:07:30 > 1:07:33It's not enough. I want 300.
1:07:36 > 1:07:38CLEARS THROAT
1:07:38 > 1:07:42- I think I could get you that. - Right.
1:07:42 > 1:07:46Now you tell Gilligan that he's not gonna buy me off.
1:07:46 > 1:07:50Nobody's buying you off. The man just wants to be fair, that's all.
1:07:50 > 1:07:53If convicted, all he'll get is six months.
1:07:53 > 1:07:57Well, if he's not worried, why is he prepared to pay so much?
1:07:57 > 1:08:00You know, why did he bother sending a...messenger?
1:08:02 > 1:08:05You're not The Coach at all, are you, Johnny?
1:08:05 > 1:08:07You're the ball boy.
1:08:07 > 1:08:11What are you doing, talking to her like this?
1:08:11 > 1:08:15- After what you did.- What the fuck are you doing here? Get out.
1:08:15 > 1:08:18- He sent that man to shoot you. - That's bollocks.
1:08:18 > 1:08:20Don't listen to this slag.
1:08:20 > 1:08:24- It's true. He was supposed to shoot you in the head.- Shut up.
1:08:24 > 1:08:28- He was supposed to kill you... - Shut the fuck up! Veronica!
1:09:08 > 1:09:11TV: 'I've decided to make a formal complaint
1:09:11 > 1:09:13'against the guy who beat me.
1:09:14 > 1:09:17'I mean, I would...
1:09:17 > 1:09:19'I would lose a lot,
1:09:19 > 1:09:22'if I gave in to these thugs.
1:09:22 > 1:09:26'I'm not going to be doing that because it'd be worse for me
1:09:26 > 1:09:30'and for journalism, if I or any journalist was to be intimidated.
1:09:30 > 1:09:32'That means they've won.
1:09:32 > 1:09:35'And they're not going to win.'
1:09:35 > 1:09:37Yeah, fuck off, ya...!
1:09:37 > 1:09:41"The house shuddered and collapsed.
1:09:41 > 1:09:44"And then the little people discovered
1:09:44 > 1:09:48"that they were disappearing into a swirl of leaves."
1:09:51 > 1:09:53DOOR OPENS
1:09:54 > 1:09:58- He's fast asleep. - Thanks for watching him, Ma.
1:09:59 > 1:10:03What should a girl wear to court? Maybe the navy.
1:10:03 > 1:10:05- This one looks grand. - Oh, look.
1:10:06 > 1:10:09Ah, look at that.
1:10:12 > 1:10:16Look at you, always trying to be better than the boys.
1:10:18 > 1:10:21That reminds me, you know, of a day...
1:10:21 > 1:10:23You were out in the street playing football
1:10:23 > 1:10:27and the ball went over the wall to old man Clancy, remember him?
1:10:27 > 1:10:31He was a very dangerous man and very violent. The boys did nothing.
1:10:31 > 1:10:34But you, bold as brass,
1:10:34 > 1:10:37marched up those steps and knocked on his door.
1:10:37 > 1:10:41- He scared the bejesus out of me. - You didn't show it.
1:10:41 > 1:10:45That's your thing, isn't it? You don't show your fear.
1:10:46 > 1:10:51You know, sometimes it's wiser to let the crazy old man keep the ball.
1:10:52 > 1:10:56It is. And sometimes it's braver to just walk away.
1:10:57 > 1:11:02(Yeah.) Well, I got the ball back, didn't I?
1:11:04 > 1:11:07You know exactly what I mean.
1:11:12 > 1:11:14THUNDERING
1:11:23 > 1:11:26In response to a defence motion,
1:11:26 > 1:11:28I'm granting an extension
1:11:28 > 1:11:31until June 30th.
1:11:31 > 1:11:35- This hearing is adjourned. - Ah, I'm sorry.
1:11:41 > 1:11:44Hey, you haven't seen the last of us, missus.
1:11:55 > 1:11:58- He just sits there and... - Cheers.
1:12:16 > 1:12:18You all right?
1:12:18 > 1:12:21I've got a speeding issue to deal with.
1:12:21 > 1:12:24You haven't bought off any judges, have you?
1:12:24 > 1:12:26- Who is it?- Ballaugh. - Can't help you.
1:12:26 > 1:12:30I hope you didn't take what that junkie slag said seriously.
1:12:30 > 1:12:33Her brain burned out months ago.
1:12:33 > 1:12:37And you didn't call me here to talk about a speeding ticket.
1:12:37 > 1:12:42- Changed your mind about Gilligan's offer?- Er, I'm writing a story.
1:12:42 > 1:12:45Wanted to clear some things up. You're my man.
1:12:45 > 1:12:48What do you want to know?
1:12:48 > 1:12:52How you guys launder all the money you're making from the drug deals.
1:12:52 > 1:12:56- Is it the Amsterdam casinos? - Are you saying I'm a dealer?
1:12:56 > 1:12:59Talk straight to me. The two car franchises, the yacht,
1:12:59 > 1:13:03are you telling me that comes from the brothels?
1:13:03 > 1:13:05Don't they ask where the money comes from?
1:13:05 > 1:13:08Do you think I threatened those tax fellas?
1:13:08 > 1:13:12I was with my accountant and the taxman was very fair. No, I'm legit.
1:13:12 > 1:13:17- They can't touch me. - Who shot me, John?
1:13:18 > 1:13:20You know as well as I do, Veronica.
1:13:20 > 1:13:24- I'd like to hear it from you. - Gerry Hutch.
1:13:24 > 1:13:27- Ah. - I'm one of the only people in Dublin
1:13:27 > 1:13:30who knows who did 90% of the hits last year.
1:13:30 > 1:13:35- Cos you're Gilligan's partner, right? - Look, I'm a fairly minor player.
1:13:35 > 1:13:37You've seen Gilligan's house.
1:13:37 > 1:13:41He has a three million fuckin' horse shed out the front,
1:13:41 > 1:13:43I'm not in his league.
1:13:44 > 1:13:48Why are you asking me all these questions? What's the story about?
1:13:49 > 1:13:53- You. - Me?
1:13:53 > 1:13:58Yeah, I'm gonna say you're a dealer and I'm gonna quote you on Hutch.
1:13:58 > 1:14:01- You can't do that, Veronica. - I think I can.
1:14:01 > 1:14:04- You do and I'm a fuckin' dead man. - Ah, you poor fella.
1:14:04 > 1:14:07I'm trying to fuckin' help you!
1:14:07 > 1:14:10Now take Gilligan's offer.
1:14:10 > 1:14:14You don't know how far he'll go to keep from going back to prison.
1:14:14 > 1:14:18I came with a photographer. He's over there next to the police.
1:14:18 > 1:14:20Smile.
1:14:20 > 1:14:22CAMERA CLICKING
1:14:22 > 1:14:25ENGINE STARTS
1:14:25 > 1:14:28Let go of my door, John.
1:14:36 > 1:14:38CLICKING
1:15:01 > 1:15:04TELEPHONE BEEPS
1:15:09 > 1:15:12TELEPHONE RINGING
1:15:13 > 1:15:16- SHE LAUGHS:- Yeah. - Just a minute.
1:15:16 > 1:15:19- John? - Hello? Just a minute. Hello?
1:15:21 > 1:15:24She'll be at the Naas Courthouse tomorrow morning.
1:15:40 > 1:15:43ENGINE REVVING, SHOUTING
1:15:45 > 1:15:47Pull a fuckin' wheelie!
1:15:47 > 1:15:49LAUGHING
1:15:49 > 1:15:52- Whoo! - What the fuck?
1:15:52 > 1:15:55LAUGHING CONTINUES
1:15:55 > 1:15:57Have a fucking wheelie. Go on.
1:15:59 > 1:16:01Come on here.
1:16:37 > 1:16:40- GAVEL BANGS - £100 fine.
1:16:41 > 1:16:44Thank you.
1:16:44 > 1:16:47Well done.
1:17:30 > 1:17:33WEEPING, TELEPHONE RINGING
1:17:44 > 1:17:46TELEPHONE BEEPS
1:17:47 > 1:17:50She's out.
1:17:51 > 1:17:53ENGINE STARTING
1:18:03 > 1:18:06Mum, I'm driving. Can you believe it? They let me off.
1:18:06 > 1:18:10They actually let me off. I love ya. Talk to ya.
1:18:20 > 1:18:24SHE LAUGHS: Yeah, another repeat offender returned to decent society.
1:18:41 > 1:18:43TELEPHONE RINGS
1:18:44 > 1:18:46She's on her way.
1:19:02 > 1:19:05I told him I was guilty as sin.
1:19:13 > 1:19:15INAUDIBLE
1:20:05 > 1:20:08SHE SCREAMS
1:20:12 > 1:20:14GUNSHOTS
1:20:22 > 1:20:24Veronica?
1:20:25 > 1:20:28'Veronica?'
1:21:17 > 1:21:21# By a lonely prison wall
1:21:21 > 1:21:27# I heard a young man calling
1:21:27 > 1:21:32# "Nothing matters, Mary when you're free
1:21:32 > 1:21:36# "Against the Famine and the Crown
1:21:36 > 1:21:39# "I rebelled, they shot us down
1:21:39 > 1:21:45# "Now you must raise our child with dignity"
1:21:45 > 1:21:51# Low lie the fields of Athenry
1:21:51 > 1:21:57# Where once we watched the small free birds fly
1:21:58 > 1:22:01# Our love was on the wing
1:22:01 > 1:22:04# We had dreams and songs to sing
1:22:04 > 1:22:10# It's so lonely round the fields of Athenry
1:22:14 > 1:22:17# By a windswept harbour wall
1:22:17 > 1:22:23# She watched the last star falling
1:22:24 > 1:22:29# As the prison ship sailed out against the sky
1:22:29 > 1:22:33# But she'll wait and hope and pray
1:22:33 > 1:22:36# For her love in Botany Bay
1:22:36 > 1:22:43# It's so lonely round the fields of Athenry
1:22:43 > 1:22:49# Low lie the fields of Athenry
1:22:49 > 1:22:54# Where once we watched the small free birds fly
1:22:55 > 1:22:59# Our love was on the wing
1:22:59 > 1:23:02# We had dreams and songs to sing
1:23:02 > 1:23:09# It's so lonely round the fields of Athenry
1:23:12 > 1:23:16# By a lonely prison wall
1:23:16 > 1:23:22# I heard a young man calling
1:23:23 > 1:23:27# "Nothing matters, Mary when you're free
1:23:27 > 1:23:31# "Against the Famine and the Crown
1:23:31 > 1:23:34# "I rebelled, they shot us down
1:23:34 > 1:23:40# "Now you must raise our child with dignity"
1:23:41 > 1:23:48# Low lie the fields of Athenry
1:23:48 > 1:23:54# Where once we watched the small free birds fly
1:23:54 > 1:23:57# Our love was on the wing
1:23:57 > 1:24:01# We had dreams and songs to sing
1:24:01 > 1:24:06# It's so lonely round the fields of Athenry. #
1:24:06 > 1:24:09CHANTING, SHOUTING
1:24:09 > 1:24:13'Veronica Guerin's writing turned the tide in the drug war.
1:24:13 > 1:24:17'Her murder galvanised Ireland into action.
1:24:17 > 1:24:20'Thousands took to the streets
1:24:20 > 1:24:25'in weekly anti-drug marches, which drove the dealers out of Dublin
1:24:25 > 1:24:28'and forced the drug barons underground.'
1:24:32 > 1:24:34- Get your hands off me! - Get out!
1:24:39 > 1:24:44'Within a week of her death, during an emergency session of Parliament,
1:24:44 > 1:24:48'the government altered the constitution of the Republic of Ireland
1:24:48 > 1:24:52'to allow the High Court to freeze assets of suspected drug barons.'
1:25:02 > 1:25:05- It's mine, I paid for that. - 'That same year,
1:25:05 > 1:25:08'the Criminal Assets Bureau, CAB, was formed
1:25:08 > 1:25:12'and given power to access and seize unexplained wealth
1:25:12 > 1:25:14'from suspected criminals.'
1:25:14 > 1:25:17Not my horse. No!
1:25:18 > 1:25:21- No, not my horses. - SHE SOBS
1:25:29 > 1:25:32'Charles Bowden turned state's evidence
1:25:32 > 1:25:34'and became the first person in Irish history
1:25:34 > 1:25:38'to be entered into the witness protection programme.
1:25:52 > 1:25:55'Brian Meehan was sentenced to life imprisonment
1:25:55 > 1:26:00'for the murder of Veronica Guerin. His assets were seized by the CAB.
1:26:04 > 1:26:08'Eugene Holland was sentenced to 20 years for drug trafficking.
1:26:08 > 1:26:11'His assets were seized by CAB.
1:26:13 > 1:26:16'John Traynor escaped to Portugal
1:26:16 > 1:26:20'and continues to fight extradition to Ireland on charges of murder.
1:26:20 > 1:26:23'His assets were seized by the CAB.
1:26:34 > 1:26:36'After a long extradition battle,
1:26:36 > 1:26:39'John Gilligan was brought back to Ireland from England
1:26:39 > 1:26:43'and sentenced to 28 years in prison for drug trafficking.
1:26:43 > 1:26:46'His assets were seized by CAB.
1:26:51 > 1:26:55'By the following year, crime rates had dropped 15 percent.
1:27:04 > 1:27:07'Everyone in the Republic of Ireland remembers where they were
1:27:07 > 1:27:12'when they heard that Veronica Guerin had been murdered on the Naas Road.'
1:27:13 > 1:27:16MUSIC "Funeral Song" by Sinead O'Connor
1:27:16 > 1:27:18SHE SINGS IN IRISH