Déjà Vu

0:00:00 > 0:00:06This film contains some violent scenes.

0:00:18 > 0:00:20THUNDER

0:00:43 > 0:00:45LAUGHTER

0:00:51 > 0:00:54HORN HONKS

0:01:14 > 0:01:16SEAGULLS CALLING

0:01:21 > 0:01:24STEAM HORN BELLOWS

0:01:53 > 0:01:56ENGINE RUMBLES

0:01:56 > 0:01:58HORN

0:02:20 > 0:02:22Can't believe it. They're right on time.

0:02:22 > 0:02:24Let's get these boys to their party.

0:02:35 > 0:02:37HORN

0:02:43 > 0:02:46Mommy!

0:02:58 > 0:03:01BAND PLAY "WHEN THE SAINTS GO MARCHING IN"

0:03:14 > 0:03:18MAN ON RADIO: It's 10:48 on Fat Tuesday, Mardi Gras.

0:03:18 > 0:03:21Now, let's go back in time to 1964 - the Beach Boys -

0:03:21 > 0:03:26105.3 FM, the heart of New Orleans.

0:03:26 > 0:03:28BAND PLAYING

0:03:35 > 0:03:37RADIO: # Well, it's been building up inside of me_

0:03:37 > 0:03:42# For, oh, I don't know how long... #

0:03:47 > 0:03:49HORN BELLOWS

0:03:49 > 0:03:53OK. Take it out wide, give the pink some room.

0:03:53 > 0:03:54HORN

0:03:57 > 0:03:59RADIO: # She says, don't worry, baby

0:03:59 > 0:04:01# Don't worry, baby

0:04:01 > 0:04:03# Don't worry...

0:04:15 > 0:04:18# Don't worry, baby

0:04:18 > 0:04:21# Ooh

0:04:21 > 0:04:23# I guess I should've kept my mouth shut

0:04:23 > 0:04:28# When I start to brag about my car

0:04:28 > 0:04:29# Ooh

0:04:29 > 0:04:31# But I can't back down now

0:04:31 > 0:04:35# Because I pushed the other guys too far

0:04:35 > 0:04:39# She makes me come alive

0:04:39 > 0:04:43# And makes me want to cry when she says

0:04:43 > 0:04:48# Don't worry, baby Don't worry, baby

0:04:48 > 0:04:51# Don't worry, baby Everything will turn out all right... #

0:04:51 > 0:04:54BEEPING

0:04:54 > 0:04:56# Don't worry... #

0:05:03 > 0:05:05WOMAN SCREAMS

0:05:45 > 0:05:48NO AUDIO

0:06:13 > 0:06:17SIRENS APPROACHING

0:06:21 > 0:06:23POLICE RADIO CHATTER

0:06:35 > 0:06:39My daughter's on that ferry. Please. Please.

0:06:39 > 0:06:42Oh, God. My daughter.

0:06:59 > 0:07:01HELICOPTER BLADES WHIRRING

0:07:04 > 0:07:07CELL PHONE RINGING

0:07:08 > 0:07:11RING

0:07:11 > 0:07:14RING

0:07:14 > 0:07:17RING

0:07:17 > 0:07:20RING

0:07:20 > 0:07:22RING

0:07:22 > 0:07:25RING

0:07:25 > 0:07:27RING

0:07:27 > 0:07:29HELICOPTER BLADES

0:07:43 > 0:07:46Are they on the other side?

0:08:09 > 0:08:10SIRENS WAILING

0:08:10 > 0:08:13POLICE RADIO CHATTER

0:08:37 > 0:08:39TELEPHONE RINGS

0:08:39 > 0:08:41ATF-New Orleans, Agent Donnelly.

0:08:41 > 0:08:43Listen. Call New Orleans PD.

0:08:43 > 0:08:45I want all surveillance from the Algiers Dock.

0:08:45 > 0:08:49Then call City Transit. I want the Crescent City Bridge surveillance

0:08:49 > 0:08:51westbound between 10:00 and 11:00.

0:08:51 > 0:08:53All right. Got it.

0:09:30 > 0:09:32Hey.

0:09:32 > 0:09:34Seen an ATF agent around here? Yeah.

0:09:34 > 0:09:36He went down below.

0:09:36 > 0:09:37How do I get there?

0:09:37 > 0:09:39The south side of the bridge.

0:09:46 > 0:09:48You Agent Minuti?

0:09:48 > 0:09:50Larry Minuti? ATF?

0:09:50 > 0:09:53No. Larry's my partner. I'm Doug Carlin.

0:09:53 > 0:09:55Paul Pryzwarra. FBI.

0:09:55 > 0:09:56How you doing?

0:09:56 > 0:09:58Where's Minuti? On vacation.

0:09:58 > 0:09:59Not any more.

0:09:59 > 0:10:02Calling in half the region on this one.

0:10:02 > 0:10:03You can reach him?

0:10:03 > 0:10:06I tried. He's not picking up his phone.

0:10:06 > 0:10:08Well, try harder.

0:10:08 > 0:10:11It's important. Obviously.

0:10:11 > 0:10:13PAUL: What are you looking for?

0:10:13 > 0:10:16Anything that doesn't belong.

0:10:19 > 0:10:21You want to give me a spot?

0:10:22 > 0:10:23Uh, yeah.

0:10:36 > 0:10:37Ampho.

0:10:37 > 0:10:39Ammonium nitrate. Water soluble.

0:10:39 > 0:10:41Fuel oil would've burned off during the blast.

0:10:41 > 0:10:43Between the river and the rain,

0:10:43 > 0:10:45if ampho was used the only place you'd find it

0:10:45 > 0:10:47would be - Underneath this bridge.

0:10:47 > 0:10:48That's right.

0:10:48 > 0:10:50TELEPHONES RINGING

0:10:50 > 0:10:52MAN: We can't rule out an accident at this point.

0:10:52 > 0:10:54It's not officially a crime scene yet.

0:10:54 > 0:10:55Here's a thought - why don't we double the perimeter,

0:10:55 > 0:10:57so we don't have wall to wall trailers down there?

0:10:57 > 0:10:59SECOND MAN: Now, we're gonna need all our manpower for evidence control

0:10:59 > 0:11:01and witness processing.

0:11:01 > 0:11:03Now, we need to keep it tight until we can determine that it is

0:11:03 > 0:11:06a crime investigation. It is a crime investigation.

0:11:06 > 0:11:09Got a piece of electric blasting cap

0:11:09 > 0:11:12and a strand of what appears to be leg wire.

0:11:12 > 0:11:13About a million of those blue particles

0:11:13 > 0:11:15washed up on the Algiers side,

0:11:15 > 0:11:18probably from a plastic container or barrel.

0:11:18 > 0:11:20Ampho? Most likely.

0:11:20 > 0:11:22There was post-blast residue under the Crescent City Bridge.

0:11:22 > 0:11:25The insulation on the leg wire will inform us

0:11:25 > 0:11:27of who the manufacturer of the blasting cap is.

0:11:27 > 0:11:30Then we go after the switching mechanism and the bomb's power source.

0:11:30 > 0:11:32We probably don't need to wait for the lab

0:11:32 > 0:11:33to tell us what we already know:

0:11:33 > 0:11:36that this is an explosive and a trigger.

0:11:36 > 0:11:37And you are?

0:11:37 > 0:11:39Oh, I'm sorry. I'm Doug Carlin. ATF.

0:11:39 > 0:11:42Who's in charge? ALL SPEAK AT ONCE

0:11:42 > 0:11:44Gentlemen, please. Ed Elkins. I'm in charge.

0:11:44 > 0:11:47Oh, good. Good, good. You're in charge, then. OK.

0:11:47 > 0:11:49First things first, where's the coffee pot?

0:11:49 > 0:11:51Ed? Uh...

0:11:51 > 0:11:53Come on. This is a police investigation, right?

0:11:53 > 0:11:55We gotta have a coffee pot.

0:11:55 > 0:11:57Yeah. You'll find it in the back. Back there?

0:11:57 > 0:12:00Yeah. He is in charge. Thank you, gentlemen.

0:12:22 > 0:12:23See anything?

0:12:23 > 0:12:24Uh, traffic?

0:12:24 > 0:12:27Ha. Hit rewind for me.

0:12:27 > 0:12:29Hey, did Larry call? Still not answering his cell.

0:12:29 > 0:12:31We left another message.

0:12:31 > 0:12:33Say, that girl ever get ahold of you?

0:12:33 > 0:12:35What girl? Real sexy voice.

0:12:35 > 0:12:36Asked if you were talk, dark, and handsome.

0:12:36 > 0:12:38I gave her 2 out of 3. 2 out of 3. That's very good.

0:12:38 > 0:12:40Hit play. Thank you.

0:12:40 > 0:12:42DIALLING PHONE

0:12:45 > 0:12:46Hey, Larry, this is Doug. How you doing?

0:12:46 > 0:12:49Listen, I know you may be still pissed off at me,

0:12:49 > 0:12:50but you need to get your behind down here, all right?

0:12:50 > 0:12:52Doug. Doug? Yeah.

0:12:52 > 0:12:53Orleans Parish on line one.

0:12:53 > 0:12:55It's Sheriff Reed. They pulled a body out of the water,

0:12:55 > 0:12:56and they want a profile.

0:12:56 > 0:12:58All right. Tell them they don't need a profile.

0:12:58 > 0:13:00Just tell 'em to bag it - I'll call them back. OK. Got it.

0:13:02 > 0:13:03Put this on a candy wrapper?

0:13:03 > 0:13:05That's all I had.

0:13:05 > 0:13:07Cuttin' back, huh?

0:13:08 > 0:13:10Hold it right there.

0:13:11 > 0:13:15Yeah. This is ATF agent Doug Carlin returning your call.

0:13:15 > 0:13:18My cell number is 504-555-0130.

0:13:18 > 0:13:20What's that?

0:13:20 > 0:13:22Looks like a dude on a bike.

0:13:22 > 0:13:23Run it forward a little bit.

0:13:25 > 0:13:27Stop right there.

0:13:28 > 0:13:31What is he doing?

0:13:31 > 0:13:34He going to the bathroom?

0:13:34 > 0:13:35Ha ha ha!

0:13:39 > 0:13:40Run it forward. Run it forward.

0:13:44 > 0:13:46What time does it say?

0:13:46 > 0:13:4710:47.

0:13:47 > 0:13:49That's before the explosion, isn't it?

0:13:49 > 0:13:50Right before it.

0:13:50 > 0:13:53CAMERA SHUTTERS CLICKING

0:13:53 > 0:13:54MAN: Can I have your attention, please?

0:13:54 > 0:13:56Thanks very much for coming.

0:13:56 > 0:14:00I'm Jack McCready. Special Agent in charge of this investigation.

0:14:00 > 0:14:06First, let me say our hearts go out to all of those affected by this tragedy.

0:14:06 > 0:14:14Early estimates place the number of casualties at 543 men, women, and children.

0:14:14 > 0:14:17Now, lord knows, this city has seen its share of pain

0:14:17 > 0:14:21but, unlike Katrina, this disaster was not an act of nature.

0:14:21 > 0:14:25After careful review of evidence retrieved at the scene,

0:14:25 > 0:14:28we have concluded this was a deliberate act of terrorism.

0:14:28 > 0:14:31And the President concurs with our assessment.

0:14:31 > 0:14:34On our end, we have to ask for your patience,

0:14:34 > 0:14:36as the investigation will take time.

0:14:36 > 0:14:39It's a unique and complicated crime scene.

0:14:39 > 0:14:42There's no baggage checks - there's no flight data recorder.

0:14:42 > 0:14:44There are maximum casualties.

0:14:44 > 0:14:49And most of the evidence is under 100 feet of muddy water.

0:14:49 > 0:14:52There are no shortcuts.

0:14:54 > 0:14:56Kevin, where's Doug? You just missed him.

0:14:56 > 0:14:58Well, his car's still here. Took the streetcar.

0:14:58 > 0:14:59What? The streetcar?

0:14:59 > 0:15:02Hey, don't look at me. It's part of his process.

0:15:02 > 0:15:03Says it helps him think.

0:15:03 > 0:15:05BELL CLANGING

0:15:09 > 0:15:10Sheriff Reed?

0:15:10 > 0:15:14How you doing? It's Doug Carlin returning your call.

0:15:14 > 0:15:16Hey, Doug. I know you got your hands full right now.

0:15:16 > 0:15:18Yeah. That's OK. What do you got for me, Bob?

0:15:18 > 0:15:22A couple of kids found a woman face down in the waters off Algiers Point.

0:15:22 > 0:15:25She was burned over 30% of her body.

0:15:25 > 0:15:27Well, you're gonna see a lot of that over the next few weeks.

0:15:27 > 0:15:31We just set up BCC. Just have Crime Scene bag it for us.

0:15:31 > 0:15:33We've already done that. The body's at the ME's right now.

0:15:33 > 0:15:35Crime Scene's already been there?

0:15:35 > 0:15:36Yeah. They've been and gone.

0:15:36 > 0:15:39Well, exactly what time did this woman wash up on shore?

0:15:39 > 0:15:44Mm. Kid called it in at 10:42 A.M.

0:15:44 > 0:15:47You mean 11:42, don't you?

0:15:47 > 0:15:50No. I mean 10:42. I got the sheet right in front of me.

0:15:50 > 0:15:52And I got my reading glasses on.

0:15:56 > 0:16:00MAN: Immediately evident is the focal charring of the limbs and torso.

0:16:00 > 0:16:04Anterior face, neck, and chest are intact,

0:16:04 > 0:16:08though swollen from apparent immersion in water.

0:16:16 > 0:16:20Hold her hand for me, will you? There.

0:16:21 > 0:16:23There we go.

0:16:23 > 0:16:25Each digit of the right hand has been severed

0:16:25 > 0:16:29Between the middle and distal phalanges. Thanks.

0:16:29 > 0:16:33Angle of shearing indicates a single sharp-force trauma,

0:16:33 > 0:16:36possibly caused by shrapnel.

0:16:36 > 0:16:39That's too even to be shrapnel trauma.

0:16:39 > 0:16:42Posterior charring gives off a strong odour

0:16:42 > 0:16:46suggesting peri-mortem immersion in burning fuel.

0:16:46 > 0:16:47Diesel.

0:16:47 > 0:16:49An accelerant, maybe?

0:16:49 > 0:16:50I don't know. If she was that close to the bomb,

0:16:50 > 0:16:54she probably wouldn't be laying here now.

0:16:54 > 0:16:56What are you doing?

0:16:56 > 0:16:58What are you doing?

0:16:58 > 0:16:59You got a U.V. gun?

0:16:59 > 0:17:01Yeah. On the table behind you.

0:17:04 > 0:17:06You see that?

0:17:06 > 0:17:09Duct tape. Mm-hmm.

0:17:09 > 0:17:11See that stippling, you see that?

0:17:11 > 0:17:14Adhesive probably retained some substance against the water.

0:17:14 > 0:17:17Yep. CELL PHONE RINGS

0:17:17 > 0:17:19RING

0:17:19 > 0:17:22Yeah. Go ahead.

0:17:22 > 0:17:23I ran down those MPRs for you.

0:17:23 > 0:17:26A Claire Kuchever was reported missing this morning.

0:17:26 > 0:17:30Supposed to pick up her father from the airport. Pulled a no-show.

0:17:30 > 0:17:31OK.

0:17:32 > 0:17:35All right, Phil. I want you to do a full autopsy.

0:17:35 > 0:17:37Concentrate on time and cause.

0:17:39 > 0:17:41Full spread of lab tests, everything.

0:17:41 > 0:17:44Let's pretend like the ferry explosion never happened today. OK?

0:17:44 > 0:17:46Absolutely.

0:17:49 > 0:17:50Claire?

0:17:53 > 0:17:55She's beautiful.

0:17:56 > 0:17:58Yeah. Very.

0:18:07 > 0:18:09BELL CLANGING

0:18:28 > 0:18:32MAN: You'll need a photograph for your investigation.

0:18:32 > 0:18:34There's plenty in the house,

0:18:34 > 0:18:36plenty to choose from.

0:18:36 > 0:18:40Um...Mr. Kuchever...

0:18:40 > 0:18:42Sorry about this, but...

0:18:44 > 0:18:47I'm gonna need you to confirm your daughter's identity.

0:18:53 > 0:18:54OK.

0:18:55 > 0:18:59Um...now, anything that you can tell me

0:18:59 > 0:19:02about your daughter's activities over the weekend

0:19:02 > 0:19:05or any time, anything at all will be helpful.

0:19:05 > 0:19:07Oh, I don't know.

0:19:07 > 0:19:09My flight got in at 8 A.M. this morning,

0:19:09 > 0:19:11and she was supposed to pick me up.

0:19:11 > 0:19:14When she wasn't there, I thought maybe she just overslept.

0:19:14 > 0:19:16So I took a cab and I went straight to her house.

0:19:16 > 0:19:19But her and Allen's car was gone, so I thought

0:19:19 > 0:19:21maybe she just finally sold it.

0:19:21 > 0:19:23Who's Allen?

0:19:23 > 0:19:24Her fiance. Or ex-fiance.

0:19:24 > 0:19:27They broke up a few months ago.

0:19:27 > 0:19:29And where is he now - Allen?

0:19:29 > 0:19:31He moved to Montreal.

0:19:31 > 0:19:32OK.

0:19:32 > 0:19:34She's too good for him, anyway.

0:19:34 > 0:19:36I got a sweater that she left

0:19:36 > 0:19:38if you want to take it.

0:19:38 > 0:19:39No. That's OK.

0:19:39 > 0:19:41But if you have keys to her house, I would appreciate it.

0:19:41 > 0:19:43KEYS RATTLE

0:19:43 > 0:19:46Oh. She, uh... she had a date.

0:19:46 > 0:19:47Last night on the phone

0:19:47 > 0:19:49she told me that she was gonna meet someone.

0:19:49 > 0:19:50She didn't say who.

0:19:50 > 0:19:53Her friend Beth set it up.

0:19:53 > 0:19:54Beth.

0:19:54 > 0:19:55Beth Walsh.

0:19:55 > 0:19:58Claire babysits her daughter Abbey sometimes.

0:19:58 > 0:19:59OK.

0:20:00 > 0:20:02Thank you.

0:20:02 > 0:20:04That's good for now.

0:20:04 > 0:20:05Um...

0:20:05 > 0:20:08Somebody will be in touch.

0:20:11 > 0:20:13KUCHEVER: Agent Carlin?

0:20:14 > 0:20:15Doug.

0:20:15 > 0:20:17I want you to take these.

0:20:17 > 0:20:18Well, that's -

0:20:18 > 0:20:22Just go through 'em when you get a chance.

0:20:22 > 0:20:24It's really not necessary.

0:20:24 > 0:20:26Yes, it is.

0:20:26 > 0:20:28See, I know how these things go, Agent Carlin,

0:20:28 > 0:20:31and I need her to matter to you.

0:20:53 > 0:20:55DISTANT SIREN

0:21:15 > 0:21:17MEOW

0:21:55 > 0:21:58DISTANT SIRENS

0:22:10 > 0:22:12BIRDS CHIRPING

0:22:17 > 0:22:20BEEPING

0:22:20 > 0:22:23COMPUTER VOICE: Monday, 7:48 P.M.

0:22:23 > 0:22:25KUCHEVER: Hi, Claire. It's Dad.

0:22:25 > 0:22:27My flight gets in at 7:55 tomorrow morning,

0:22:27 > 0:22:29so don't stay up too late. I love you.

0:22:29 > 0:22:31Bye-bye. HANGS UP

0:22:31 > 0:22:34COMPUTER: Tuesday. 9:44 A.M.

0:22:34 > 0:22:36WOMAN: Claire? Hi. It's Beth. Are you there?

0:22:36 > 0:22:37I'm sorry to call you so early,

0:22:37 > 0:22:38but you said you were gonna call me when you got home,

0:22:38 > 0:22:40and when you didn't I started to get worried.

0:22:40 > 0:22:42CLAIRE: Beth, is this a joke? Oh, hi!

0:22:42 > 0:22:44No. Like I said, I was just worried about you, that's all.

0:22:44 > 0:22:46I can't talk right now. Someone's here.

0:22:46 > 0:22:47I'll call you later. Claire -

0:22:47 > 0:22:49HANG UP

0:22:49 > 0:22:51BEEP

0:22:51 > 0:22:54COMPUTER: Tuesday. 9:50 A.M.

0:22:54 > 0:22:55DIAL TONE

0:22:57 > 0:22:58BEEP

0:22:58 > 0:23:01COMPUTER: Tuesday. 10:04 A.M.

0:23:01 > 0:23:05KUCHEVER: Claire, it's Dad. I did say 7:55, didn't I?

0:23:05 > 0:23:07I'm here at the airport waiting for you.

0:23:07 > 0:23:10If you're not coming, I hope you're sending Beth or someone.

0:23:10 > 0:23:12Call me.

0:23:12 > 0:23:13BEEP

0:23:13 > 0:23:17COMPUTER: Tuesday. 1:18 P.M.

0:23:17 > 0:23:20Yeah. This is ATF Agent Doug Carlin returning your call.

0:23:20 > 0:23:24My cell number is 504-555-0130.

0:23:26 > 0:23:27CHIRPING

0:23:27 > 0:23:29DISTANT SIREN

0:23:33 > 0:23:36COMPUTER: Tuesday. 1:18 P.M.

0:23:36 > 0:23:40Yeah. This is ATF agent Doug Carlin returning your call.

0:23:40 > 0:23:44My cell number is 504-555-0130.

0:23:57 > 0:24:00The blast wave, initiated here, hit the bulkhead.

0:24:00 > 0:24:04And propagated fore and aft along the path of least resistance

0:24:04 > 0:24:06until it hits this access hatch.

0:24:06 > 0:24:08And that's where it gets really bad.

0:24:08 > 0:24:10The blast wave continues into the engine room,

0:24:10 > 0:24:11bursting the fuel tanks.

0:24:11 > 0:24:14This utility shaft here acts like a chimney,

0:24:14 > 0:24:16draws the thermal components into the engine room,

0:24:16 > 0:24:17which ignites the fuel vapour

0:24:17 > 0:24:21causing a secondary explosion of far greater magnitude.

0:24:21 > 0:24:23PAUL: Essentially, the initial device

0:24:23 > 0:24:26turns the whole ferry into a bomb and detonates it.

0:24:26 > 0:24:31And so our early guess is that the bomb vehicle was a mini-van or SUV,

0:24:31 > 0:24:34possibly red or tan. Make and model?

0:24:34 > 0:24:36No. It'd take weeks, maybe months.

0:24:36 > 0:24:38I got a partial on the licence plate.

0:24:41 > 0:24:44Check all the SUVs and mini-vans that are registered in the state.

0:24:44 > 0:24:46Anything recently rented or purchased;

0:24:46 > 0:24:48anything tied to a theft or a missing person's report.

0:24:48 > 0:24:50Agent McCready? Yeah.

0:24:50 > 0:24:51Doug Carlin. ATF.

0:24:51 > 0:24:53Oh, yeah. Oklahoma City.

0:24:53 > 0:24:55Right. That's right.

0:24:55 > 0:24:58This afternoon, I witnessed an autopsy

0:24:58 > 0:25:01of a young woman who washed up off the wharf.

0:25:01 > 0:25:05Heavy fuel burns, traces of PETN on her face.

0:25:05 > 0:25:08PETN - that's the base explosive used by domestic terrorists.

0:25:08 > 0:25:13She also lost several fingers in what appeared to be blast damage.

0:25:13 > 0:25:14"Appeared"? That's right.

0:25:14 > 0:25:17I checked the tide tables against the position of the blast.

0:25:17 > 0:25:19For her to have washed up that early and that far upriver,

0:25:19 > 0:25:22she would've been killed 2 hours before the ferry exploded.

0:25:22 > 0:25:25Before?

0:25:25 > 0:25:27POPS SODA CAN OPEN She died before the explosion?

0:25:27 > 0:25:29She died before the explosion, yeah.

0:25:29 > 0:25:31Her name is Claire Kuchever.

0:25:31 > 0:25:34She washed up before the explosion and against the tide.

0:25:34 > 0:25:37Do you have a scenario? Yes, I do.

0:25:37 > 0:25:40I believe that somebody abducted her in her home,

0:25:40 > 0:25:42taped her mouth, bound her wrists,

0:25:42 > 0:25:44burned her alive, dumped her in the river

0:25:44 > 0:25:47so she would appear to be just another disaster victim.

0:25:47 > 0:25:50A disaster that hadn't happened yet.

0:25:50 > 0:25:53The PETN tells us that the bomber came

0:25:53 > 0:25:55in direct contact with the victim.

0:25:55 > 0:25:57You solve her case, you solve this case.

0:25:57 > 0:25:59Why this woman?

0:25:59 > 0:26:00Good question.

0:26:00 > 0:26:02Her SUV is missing.

0:26:02 > 0:26:06It's tan and red Bronco. It could've been stolen

0:26:06 > 0:26:09to drive the bomb to the ferry.

0:26:09 > 0:26:10Oh, one more thing.

0:26:10 > 0:26:13The victim called the local ATF office

0:26:13 > 0:26:16the morning of the explosion.

0:26:16 > 0:26:18Yeah.

0:26:18 > 0:26:19We'll look into it.

0:26:19 > 0:26:22OK.

0:26:22 > 0:26:23All right.

0:26:23 > 0:26:25OK.

0:26:33 > 0:26:35Where's Larry?

0:26:35 > 0:26:37What?

0:26:37 > 0:26:39Larry Minuti, my partner. That's his car right there.

0:26:39 > 0:26:41Is he here?

0:26:41 > 0:26:43I thought you said he was on vacation.

0:26:43 > 0:26:45Yeah. That's right.

0:26:47 > 0:26:48What?

0:26:50 > 0:26:54Uh...those cars were brought here from the Algiers ferry parking lot.

0:26:54 > 0:26:58They're the vehicles that belonged to the victims.

0:27:12 > 0:27:14I'm sorry.

0:27:27 > 0:27:31So he's a former marine. Yes, sir. Local, too.

0:27:31 > 0:27:33He was born and bred in New Orleans.

0:27:33 > 0:27:35His family still in the area?

0:27:35 > 0:27:38No. Nothing really but his job.

0:27:38 > 0:27:39You like him?

0:27:39 > 0:27:40He's smart.

0:27:40 > 0:27:42Yeah. I like him, too.

0:27:42 > 0:27:44All right. Then let's go find him.

0:27:45 > 0:27:47SIREN BLIPS

0:27:51 > 0:27:52POLICE RADIO CHATTER

0:28:08 > 0:28:10Oklahoma City.

0:28:13 > 0:28:15Yeah.

0:28:15 > 0:28:18STEAM HORN BLOWS

0:28:18 > 0:28:20PAUL: You and Larry were close?

0:28:20 > 0:28:21Yeah.

0:28:21 > 0:28:24Yeah. You know, close enough to, um...

0:28:24 > 0:28:26get on each other's nerves.

0:28:26 > 0:28:27Doug, I have been put in charge of

0:28:27 > 0:28:30a newly formed investigative unit.

0:28:30 > 0:28:32The ferry disaster is our first case,

0:28:32 > 0:28:34and I want you on the team.

0:28:34 > 0:28:35Why me?

0:28:35 > 0:28:38We've got some unique time constraints.

0:28:38 > 0:28:42I need someone who can look at a crime scene exactly one time,

0:28:42 > 0:28:46tell us what's missing, tell us what shouldn't be there,

0:28:46 > 0:28:47tell us what we can ignore,

0:28:47 > 0:28:49and especially what we need to pursue.

0:28:49 > 0:28:53Also, you're local. You know the people and you know the area.

0:28:53 > 0:28:55And why an ATF guy?

0:28:55 > 0:28:57Why not? It's your shot.

0:28:57 > 0:28:59You want to find the guy who killed Minuti, don't you?

0:29:02 > 0:29:04Yes, I do.

0:29:16 > 0:29:18CRANE WHIRRING

0:29:18 > 0:29:21WOMAN ON PA, INDISTINCT

0:29:25 > 0:29:27I guess you've got some questions.

0:29:27 > 0:29:31For me to have questions, first I need to know something.

0:29:45 > 0:29:46MAN ON PA, INDISTINCT

0:29:57 > 0:29:59COMPUTERS BEEPING

0:30:00 > 0:30:01Now I do have some questions.

0:30:01 > 0:30:03Don't touch anything. We don't need you yet.

0:30:03 > 0:30:06PAUL: Doug, you remember Dr. Alexander Denny.

0:30:06 > 0:30:08Where's my audio?

0:30:08 > 0:30:11MAN: Uh, compensating for - just a second.

0:30:11 > 0:30:12BEEP

0:30:12 > 0:30:15Ooh, compensating for a technical blunder by a tech guy -

0:30:15 > 0:30:18solid stream, minus 4 days, 6 hours, 3 minutes, 45 seconds.

0:30:18 > 0:30:22and 14 1/2 nanoseconds.

0:30:22 > 0:30:26DENNY: OK. Any time you want to jump in here, be my guest.

0:30:26 > 0:30:29Me? Yeah.

0:30:36 > 0:30:38What are we looking for?

0:30:38 > 0:30:42Clues. Suspects. Anything out of the norm.

0:30:42 > 0:30:44When was this taken?

0:30:44 > 0:30:464 1/2 days ago. Gunnars, try the guy with the backpack.

0:30:53 > 0:30:56Oh, that's tender. I wish I had someone.

0:30:56 > 0:30:59OK. Widen out. Let's cruise the car deck for a while,

0:30:59 > 0:31:00see what we got.

0:31:05 > 0:31:09How can you change the angle on footage taken 4 1/2 days ago?

0:31:09 > 0:31:10PAUL: This is a digital recreation.

0:31:10 > 0:31:13We're combining all the data we've got into one fluid shot.

0:31:13 > 0:31:16Any angle, any view within the target area.

0:31:18 > 0:31:21OK. Let's cruise the breezeway, see what we get there.

0:31:21 > 0:31:24PAUL: It's a brand-new program; it's called Snow White.

0:31:24 > 0:31:26Our primary data comes from 7 orbiting satellites,

0:31:26 > 0:31:31but at any given time, as many as 4 are surveilling one area.

0:31:31 > 0:31:32It's like having multiple eye witnesses,

0:31:32 > 0:31:34each with their own vantage point.

0:31:34 > 0:31:36Snow White?

0:31:40 > 0:31:43But which one of the 7 dwarfs can explain to me

0:31:43 > 0:31:46how you get the audio?

0:31:46 > 0:31:48INDISTINCT CHATTER

0:31:49 > 0:31:53I don't understand...

0:31:53 > 0:31:54why do you got to look at 4 days ago?

0:31:54 > 0:31:57Why don't you just fast forward it to the day of the explosion?

0:31:57 > 0:32:01We have to wait. It takes 4 1/2 days to render this single fluid shot.

0:32:01 > 0:32:06The only thing that matters is that we have exactly one look at any one time.

0:32:06 > 0:32:09We can't go back 10 minutes, you know.

0:32:09 > 0:32:12Can't look back and see if there was a second gunman.

0:32:12 > 0:32:17We can't watch the agent buying 10 pairs of cargo pants in 1983.

0:32:17 > 0:32:22But given enough lead time, we can look anywhere within the target area. All right?

0:32:22 > 0:32:23It's the "when" that's always constant.

0:32:23 > 0:32:27It's always 4 days and 6 hours ago. Always.

0:32:27 > 0:32:31You understand? It's like a single trailing moment of now.

0:32:31 > 0:32:33In the past.

0:32:33 > 0:32:34OK.

0:32:34 > 0:32:37So, if you can't move forward or backward in time,

0:32:37 > 0:32:39how is it the image keeps speeding up like that?

0:32:39 > 0:32:41It's not the image that's moving faster.

0:32:41 > 0:32:43It's just our shifting point of view.

0:32:43 > 0:32:44The passage of time remains constant.

0:32:44 > 0:32:48We can shift our point of view within the data stream as fast as we want.

0:32:48 > 0:32:50You understand?

0:32:50 > 0:32:52Yeah. Yeah. No.

0:32:52 > 0:32:55Yeah, I know. So 4 days - well, actually, 3 days from now,

0:32:55 > 0:32:59since it's after midnight, you'll be able to look back to the day of the explosion,

0:32:59 > 0:33:02see who did it, how they did it, and what they did it with.

0:33:02 > 0:33:03You got it.

0:33:03 > 0:33:05The only thing is you need to tell us where to look,

0:33:05 > 0:33:09'cause, you know, we can miss it.

0:33:09 > 0:33:11PAUL: Besides, 3 days can be too late.

0:33:11 > 0:33:14He could leave the country; he could strike again.

0:33:14 > 0:33:15We need to do whatever we can now.

0:33:15 > 0:33:18We know he's out there planning this.

0:33:18 > 0:33:20We just don't know where to look.

0:33:21 > 0:33:24So, Agent Carlin, where do we look?

0:33:27 > 0:33:30Claire Kuchever's house.

0:33:32 > 0:33:34Address is in range.

0:33:34 > 0:33:37All right, match the viewer settings to the signal.

0:33:40 > 0:33:42GUNNARS: The signal's solid.

0:33:42 > 0:33:44All right. Dazzle me.

0:33:54 > 0:33:57TELEPHONE RINGING

0:33:58 > 0:33:59What?

0:33:59 > 0:34:01See, with Snow White we can track through walls.

0:34:01 > 0:34:04Part of the semi-infrared thermal imaging stuff

0:34:04 > 0:34:05they're using in Iraq.

0:34:05 > 0:34:07CLAIRE: Hello. This is 877 -

0:34:07 > 0:34:10PAUL: We triangulate from 4 satellites,

0:34:10 > 0:34:11pick up the heat signal and reconstruct.

0:34:11 > 0:34:14Basically, we can walk through walls.

0:34:15 > 0:34:16Claire Kuchever.

0:34:16 > 0:34:18ANSWERING MACHINE BEEPS

0:34:18 > 0:34:20DENNY: Did you know her?

0:34:20 > 0:34:22We held hands once, but no, I didn't know her.

0:34:22 > 0:34:24MAN ON MACHINE: Just checking in, wondering how you're doing.

0:34:24 > 0:34:27Montreal's fantastic. Luckily, my boss...

0:34:27 > 0:34:30Can you rotate the view, see what she's looking at?

0:34:30 > 0:34:32Yeah, yeah.

0:34:32 > 0:34:35Why don't you come visit? The city's phenomenal. You're gonna love it.

0:34:35 > 0:34:39Claire? Claire. 555-0118.

0:34:39 > 0:34:41Somebody got that? Yep.

0:34:41 > 0:34:43Claire, are you there?

0:34:43 > 0:34:45Listen, uh, I've had a lot of time to think,

0:34:45 > 0:34:47and...

0:34:52 > 0:34:56I need you to sell the Bronco as soon as possible.

0:35:00 > 0:35:02Or at least pay me back my half.

0:35:02 > 0:35:04I just really need the money.

0:35:04 > 0:35:07I love you, honey. Call me.

0:35:07 > 0:35:10Unbelievable.

0:35:10 > 0:35:12Wait... Can you follow her?

0:35:12 > 0:35:14No problem.

0:35:26 > 0:35:29CELL PHONE RINGS

0:35:29 > 0:35:32Damn. Come on.

0:35:32 > 0:35:34RING

0:35:34 > 0:35:34What?

0:35:34 > 0:35:36It's Stalhuth.

0:35:36 > 0:35:39At that house you found, female murder victim - Claire?

0:35:41 > 0:35:43Right. What do you got?

0:35:43 > 0:35:45Uh, we got some bloody cotton swabs

0:35:45 > 0:35:47and gauze strips in the bathroom.

0:35:47 > 0:35:48Some blood in the sink trap.

0:35:48 > 0:35:50And, oh, hey, Carlin?

0:35:50 > 0:35:53When did you completely forget how to investigate a crime scene?

0:35:53 > 0:35:54What do you mean?

0:35:54 > 0:35:57This place is lousy with your fingerprints. They're all over the place.

0:36:04 > 0:36:06Do me a favour. Just describe what you see for me, OK?

0:36:06 > 0:36:09Just humour me.

0:36:09 > 0:36:11Uh, woman's bedroom. Vanity mirror,

0:36:11 > 0:36:14dressing table with makeup, knickknacks.

0:36:14 > 0:36:17OK, OK. I get it. Anybody there?

0:36:17 > 0:36:19Anybody brushing their teeth?

0:36:19 > 0:36:21Uh, no. Just a couple agents,

0:36:21 > 0:36:23including Hendrix who's bent over

0:36:23 > 0:36:25and I have a fine view of the crack of his ass.

0:36:25 > 0:36:28OK. I get the picture. Talk to you later.

0:36:29 > 0:36:30You satisfied?

0:36:30 > 0:36:34She was supposed to go on a date the night before she died.

0:36:34 > 0:36:35I want to get her appointment books and everything

0:36:35 > 0:36:38brought down here, you know, her phone records, credit cards,

0:36:38 > 0:36:40diaries, anything.

0:36:40 > 0:36:41I want to know everything there is to know about this woman.

0:36:41 > 0:36:43Shouldn't we be concentrating on the ferry?

0:36:43 > 0:36:47Well, yeah, it's likely that our guy cased the ferry first,

0:36:47 > 0:36:52but we don't know when, we don't even know what he looks like.

0:36:52 > 0:36:55I mean, we could stare him right in the face and not know it's him.

0:36:55 > 0:36:58But we will notice a change, even a small change in her life.

0:36:58 > 0:37:01TELEPHONE RINGING

0:37:03 > 0:37:05Hey, Beth. Claire.

0:37:05 > 0:37:06That guy I've been telling you about.

0:37:06 > 0:37:08He really wants to meet you.

0:37:08 > 0:37:10OK. Tell him I'll meet him Monday night.

0:37:10 > 0:37:11Monday. BETH: How about Sunday,

0:37:11 > 0:37:13if you're not doing anything?

0:37:13 > 0:37:14No. Monday. Great. I'll give him your number.

0:37:14 > 0:37:16No. Do not give him my number. I'll go meet him.

0:37:16 > 0:37:18Who? Him who?

0:37:18 > 0:37:20I don't even know if I can do it Monday. Hang on.

0:37:20 > 0:37:22Show me the book.

0:37:25 > 0:37:26Monday works.

0:37:26 > 0:37:27Damn!

0:37:27 > 0:37:29Can we go back? No.

0:37:29 > 0:37:31PAUL: There's far too much data for any existing storage system.

0:37:31 > 0:37:34It's a constant stream. There's no rewind, no second chances.

0:37:34 > 0:37:36We can record what we're seeing,

0:37:36 > 0:37:38but we can't go back and choose to look at something different.

0:37:38 > 0:37:40OK. You said you can record, though?

0:37:40 > 0:37:41Yes. OK.

0:37:45 > 0:37:48Tell me, is there any scientific and forensic insight

0:37:48 > 0:37:52likely to be gained by spying on this woman in the shower?

0:37:52 > 0:37:54Shanti, we're trying to make sure the woman's clean.

0:37:54 > 0:37:56WATER RUNNING

0:37:56 > 0:37:58All right. Why don't you, you know,

0:37:58 > 0:38:00look around the rest of the bathroom?

0:38:00 > 0:38:03Can you do that?

0:38:05 > 0:38:07COUGHS

0:38:11 > 0:38:12Gunnars?

0:38:12 > 0:38:13Yeah.

0:38:13 > 0:38:14You back? Sorry.

0:38:14 > 0:38:16All right.

0:38:18 > 0:38:20Icy hot, band-aids, baby oil.

0:38:20 > 0:38:22This woman needs a vice.

0:38:22 > 0:38:23What's on the other side of that wall?

0:38:23 > 0:38:24Kitchen.

0:38:24 > 0:38:26Let's take a look.

0:38:28 > 0:38:30CLAIRE: Hello? Hello?

0:38:38 > 0:38:39Maybe there's someone out there.

0:38:39 > 0:38:41Maybe there was a stalker.

0:38:41 > 0:38:43Is someone there?

0:38:43 > 0:38:44MEOW

0:38:44 > 0:38:47Hey, Ginger.

0:38:50 > 0:38:51Hello?

0:38:53 > 0:38:54Does she know I'm here?

0:38:54 > 0:38:56Does she know we're here?

0:38:56 > 0:38:59No. Not possible. Strictly one-way.

0:38:59 > 0:39:01You sure?

0:39:01 > 0:39:02Mm-hmm.

0:39:12 > 0:39:13Hello?

0:39:13 > 0:39:16OK. Let's check the perimeter.

0:39:21 > 0:39:23GUNNARS: Nobody.

0:39:25 > 0:39:27Who's watching her?

0:39:27 > 0:39:29We are.

0:39:59 > 0:40:01WOMAN ON TV: They will also take up a request

0:40:01 > 0:40:04for more money for the agri -

0:40:04 > 0:40:05MUTES

0:40:07 > 0:40:10God, thank you for blessing me with this food

0:40:10 > 0:40:12and with my life.

0:40:12 > 0:40:15I know today's gonna be a great day.

0:40:15 > 0:40:19Amen.

0:40:19 > 0:40:20BIRDS CHIRPING

0:40:20 > 0:40:23CLAIRE: Are you singing? You singing a love song?

0:40:23 > 0:40:25Huh?

0:40:25 > 0:40:28You singing a love song to me, my little...?

0:40:28 > 0:40:30What are you doing?

0:40:52 > 0:40:54Hi.

0:40:57 > 0:40:58Oh.

0:41:00 > 0:41:02Yeah. It's been a while.

0:41:11 > 0:41:15MAN: Everything God has done will remain forever.

0:41:15 > 0:41:17There is nothing to add to it

0:41:17 > 0:41:19and nothing to take from it.

0:41:19 > 0:41:22God has done this so that men should be...

0:41:22 > 0:41:23Her ex didn't show.

0:41:23 > 0:41:25Would you?

0:41:25 > 0:41:27MAN: ..has already been and what will be

0:41:27 > 0:41:28has been before.

0:41:28 > 0:41:30WOMAN: # Amazing grace...

0:41:30 > 0:41:33God calls forth the past.

0:41:33 > 0:41:35# ..sweet the sound

0:41:35 > 0:41:38# That saved a wretch... #

0:41:38 > 0:41:41Claire loved music.

0:41:41 > 0:41:43There's a church near our house,

0:41:43 > 0:41:46and gospel fills the neighbourhood.

0:41:46 > 0:41:52When she was little, Claire saw a jazz funeral procession.

0:41:52 > 0:41:55She asked me that day, "Why do they always wait

0:41:55 > 0:41:58"until the end to play the good music?"

0:41:58 > 0:42:00# ..now I see... #

0:42:00 > 0:42:03Claire, honey, the music's playing for you now.

0:42:03 > 0:42:06And forever.

0:42:06 > 0:42:10# ..my heart to love

0:42:10 > 0:42:14# Was grace that made me... #

0:42:14 > 0:42:16INDISTINCT CHATTER

0:42:22 > 0:42:25Were there 4 limo drivers or 5?

0:42:25 > 0:42:284 limos. Must have been 4 drivers, right?

0:42:31 > 0:42:33You would say yeah.

0:42:37 > 0:42:39Address is in range.

0:42:40 > 0:42:42Palace restaurant.

0:42:42 > 0:42:44They got good food there.

0:42:48 > 0:42:52CLAIRE: I'm so sorry for the wait, ma'am.

0:42:52 > 0:42:53Your table's gonna be ready in a few minutes.

0:42:53 > 0:42:56All right? And it should be a few more minutes...

0:42:56 > 0:42:59WOMAN SINGING CELL PHONE RINGING

0:42:59 > 0:43:01Hold on. Hang on.

0:43:01 > 0:43:02Hello. Hello?

0:43:02 > 0:43:04MAN ON PHONE: Hey. Are you the lady with the Bronco for sale?

0:43:04 > 0:43:06That's him. How do you know?

0:43:06 > 0:43:07That's him.

0:43:07 > 0:43:08Call up the phone list,

0:43:08 > 0:43:11that's see if his number can be tracked.

0:43:11 > 0:43:13Yes, that's me. Just a second.

0:43:13 > 0:43:16Keep that tape running, too.

0:43:16 > 0:43:17I'm gonna want a recording of this conversation

0:43:17 > 0:43:19for voice analysis.

0:43:19 > 0:43:20I'm here. Can you hear me?

0:43:20 > 0:43:21MAN ON PHONE: Well, hello there.

0:43:21 > 0:43:22Let me tell you first off,

0:43:22 > 0:43:24I'm what you could call a real motivated buyer.

0:43:24 > 0:43:25I bet you are.

0:43:25 > 0:43:27I'm ready to get something right away.

0:43:27 > 0:43:28That sounds great.

0:43:28 > 0:43:29I need to sell something right away.

0:43:29 > 0:43:33Your price looks good, model, mileage.

0:43:33 > 0:43:34So where can I come by and see it?

0:43:34 > 0:43:36Don't tell him.

0:43:36 > 0:43:39I'm at 827 King Oak in the French Quarter.

0:43:39 > 0:43:41Need directions? Now he knows where she lives.

0:43:41 > 0:43:42No, no. I'll find you.

0:43:42 > 0:43:44Is tomorrow night good?

0:43:44 > 0:43:46Actually, I - tomorrow night is not good.

0:43:46 > 0:43:48Tomorrow? DOUG: Mm-hmm.

0:43:48 > 0:43:50Wants to wait till the last possible moment to steal her car,

0:43:50 > 0:43:52and then it's too late to report it.

0:43:52 > 0:43:54How does Tuesday sound?

0:43:54 > 0:43:56Got it. 504-555-0147.

0:43:56 > 0:43:58I see it. Tracking.

0:43:58 > 0:44:00MAN: I think that's gonna be too late.

0:44:00 > 0:44:02See, I need the vehicle Tuesday morning.

0:44:02 > 0:44:03Is there anyone else there that can show me the car?

0:44:03 > 0:44:05No. Sorry. He's thinking.

0:44:05 > 0:44:07I'll tell you what. There's a...

0:44:07 > 0:44:09A date means somebody's gonna be expecting her

0:44:09 > 0:44:11and will miss her if she doesn't show up.

0:44:11 > 0:44:12That could ruin his plans.

0:44:12 > 0:44:13Shanti, I want to see this guy.

0:44:13 > 0:44:14No good. It's an outdoor phone booth.

0:44:14 > 0:44:163 miles out of range.

0:44:16 > 0:44:18CLAIRE: I hope to hear from you.

0:44:18 > 0:44:21Can we get someone out there with a goggle reading?

0:44:23 > 0:44:26What's that do, extend the range?

0:44:26 > 0:44:27Yeah. It's immediate line of sight.

0:44:27 > 0:44:30But we can use it to gather data outside the target area.

0:44:30 > 0:44:32Provided there's any data to gather.

0:44:32 > 0:44:33How long is this guy gonna be at the phone booth?

0:44:33 > 0:44:34Not long.

0:44:34 > 0:44:35Have a good night.

0:44:35 > 0:44:36Thanks.

0:44:36 > 0:44:38Bye.

0:44:38 > 0:44:40Story of my life.

0:44:40 > 0:44:42Story of my life, too. All right.

0:44:42 > 0:44:44Now we heard the voice of our bomber.

0:44:44 > 0:44:45Now we're gonna go after him the old-fashioned way.

0:44:45 > 0:44:47Can we get video surveillance on that phone booth?

0:44:47 > 0:44:49We can access all surveillance

0:44:49 > 0:44:51available to any government agency.

0:44:57 > 0:45:01OK. This is from the ATM camera across the street.

0:45:02 > 0:45:04All right. Let's fast forward

0:45:04 > 0:45:07to the exact time of his phone call with Claire.

0:45:09 > 0:45:12Where are we supposed to be looking?

0:45:12 > 0:45:14Behind the guy on the left.

0:45:14 > 0:45:16Can you enhance it, Gunnars?

0:45:18 > 0:45:19Not enough for an I.D.

0:45:21 > 0:45:25Wait. Go back. Can you rewind it just a little bit?

0:45:25 > 0:45:27Stop. What is that on the ground?

0:45:29 > 0:45:31Looks like a camcorder bag, maybe.

0:45:31 > 0:45:33We have facial recognition software?

0:45:33 > 0:45:33Yeah.

0:45:33 > 0:45:35Let's use it on the bag.

0:45:35 > 0:45:37Cross-match it to all the bags on the south side of the city

0:45:37 > 0:45:40in the 48 hours leading up to the explosion, all right?

0:45:43 > 0:45:45GUNNARS: Don't think it's ever been used this way.

0:45:45 > 0:45:47Yeah. That's kind of a simple image to go for a match.

0:45:47 > 0:45:49We got nowhere else to go.

0:45:52 > 0:45:54GUNNARS: Look, same bag.

0:45:54 > 0:45:57Bingo.

0:46:01 > 0:46:03OK. Freeze it.

0:46:05 > 0:46:08Looks like the same guy, too. Where is this?

0:46:08 > 0:46:10Security camera at the Algiers ferry dock.

0:46:10 > 0:46:12OK. When is this?

0:46:12 > 0:46:152 nights before the explosion. 7 hours from now.

0:46:15 > 0:46:182 nights before the explosion is 7 hours from now?

0:46:18 > 0:46:197 hours from now we will be able

0:46:19 > 0:46:23to access this point in our time window. Gotcha.

0:46:30 > 0:46:36Kinda creepy seeing that lady's life go down in flames.

0:46:36 > 0:46:37Yep.

0:46:37 > 0:46:40Makes you appreciate life.

0:46:40 > 0:46:43I suggest you go home and jump on whoever you got.

0:46:43 > 0:46:45That's what I'm gonna do.

0:46:45 > 0:46:46Nobody home.

0:46:46 > 0:46:49How'd you let that happen?

0:46:49 > 0:46:51Everything you have you lose, right?

0:46:51 > 0:46:56Mother and father? Gone. Good looks? Gone.

0:46:56 > 0:46:58Loved ones gone in a second.

0:46:58 > 0:47:01That's what this job teaches you, doesn't it?

0:47:01 > 0:47:04No matter what, no matter how hard you grab onto something,

0:47:04 > 0:47:06you still lose it, right?

0:47:06 > 0:47:10Well, we're gonna grab onto this guy in a couple of hours.

0:47:10 > 0:47:13We're gonna nail this son of a bitch.

0:47:13 > 0:47:14Mm.

0:47:14 > 0:47:16What's wrong?

0:47:18 > 0:47:21No matter what, we still lose her.

0:47:23 > 0:47:25Right?

0:47:27 > 0:47:30WOMAN ON TV: ..for a link to the FEMA website.

0:47:30 > 0:47:32MAN ON TV: 3 helicopters have served as emergency...

0:47:42 > 0:47:45ABBEY: Oh, no. CLAIRE: What is it?

0:47:45 > 0:47:47Mom asked me to say a prayer for David this morning,

0:47:47 > 0:47:49but I forgot. OK.

0:47:49 > 0:47:51Mom is gonna be so mad at me.

0:47:51 > 0:47:53She's not gonna be mad at you. Come on.

0:47:53 > 0:47:55So let's say one now, all right?

0:47:55 > 0:47:57It's too late.

0:47:57 > 0:47:59It's never too late, sweetie.

0:47:59 > 0:48:01We'll just pray that he had a good day, all right?

0:48:01 > 0:48:04How about this?

0:48:04 > 0:48:06You pray for David. I'll pay for my mom, OK?

0:48:06 > 0:48:08OK. OK. All right.

0:48:21 > 0:48:23GUNNARS: What's going on?

0:48:23 > 0:48:25PAUL: Gunnars? It's rebooting.

0:48:25 > 0:48:27ALL CHATTERING AT ONCE

0:48:28 > 0:48:30PAUL: Shanti, are we back online?

0:48:30 > 0:48:32SHANTI: Something broached the field.

0:48:32 > 0:48:33What broached the field?

0:48:33 > 0:48:34That broached the field right there.

0:48:34 > 0:48:35That broached the field right there.

0:48:35 > 0:48:37That's what broached the field.

0:48:37 > 0:48:38Now you want to tell me what the hell this thing is?

0:48:38 > 0:48:40It's not surveillance, Paul.

0:48:40 > 0:48:43There's not electronic thermal imaging.

0:48:43 > 0:48:44You guys have figured out a way to look into the past.

0:48:44 > 0:48:45Yes or no? No.

0:48:45 > 0:48:47You're lying. You're lying and you know it.

0:48:47 > 0:48:48I told you everything I can.

0:48:48 > 0:48:50She saw it, Paul! I pointed this thing at her just now,

0:48:50 > 0:48:53and she responded to it from 4 1/2 days ago!

0:48:53 > 0:48:55Explain that to me!

0:48:55 > 0:48:58Somebody explain it.

0:48:59 > 0:49:01DENNY: Hit it, Shanti.

0:49:03 > 0:49:06For 3 years, Cambridge has been working for national reconnaissance

0:49:06 > 0:49:07on an R.D. grant. OK.

0:49:07 > 0:49:10We were attempting to use concentrated bursts of energy to enhance

0:49:10 > 0:49:12the sensitivity of optical telescopes.

0:49:12 > 0:49:13In the process, we had a breakthrough:

0:49:13 > 0:49:16given enough energy, we could warp the very fabric of space.

0:49:16 > 0:49:19I said explain it to me, not talk science.

0:49:19 > 0:49:21Look, I'll tell you what - they found a way to fold -

0:49:21 > 0:49:22Why don't you guys just keep talking?

0:49:22 > 0:49:24I'll just sit here until you figure out

0:49:24 > 0:49:26what it is you really want to tell me.

0:49:26 > 0:49:29They found a way to fold space back onto itself.

0:49:30 > 0:49:32All right, look...

0:49:32 > 0:49:34We're used to viewing space as flat, right,

0:49:34 > 0:49:35like this piece of paper.

0:49:35 > 0:49:37to see something from a distance, light has

0:49:37 > 0:49:39always had to travel the long way across the flat space in between.

0:49:39 > 0:49:42But given when I was trying to explain, we can fold the space,

0:49:42 > 0:49:45bring the target closer to us, create what's known as an Einstein-Rosen bridge,

0:49:45 > 0:49:47otherwise known as a worm hole,

0:49:47 > 0:49:48suspend it via gravitational field.

0:49:48 > 0:49:49That's what we're looking at.

0:49:49 > 0:49:52That's it. What's on the other end of the bridge?

0:49:52 > 0:49:53Claire's house.

0:49:54 > 0:49:56Wow.

0:49:56 > 0:49:58SHANTI: Basically, we're folding space in a higher dimension

0:49:58 > 0:49:59to create an instantaneous link

0:49:59 > 0:50:01between 2 distant points.

0:50:01 > 0:50:03Instantaneous? That's what we hoped for,

0:50:03 > 0:50:05and that's what we expected, but the electrical force -

0:50:05 > 0:50:07we used huge amounts of energy to create this bridge.

0:50:07 > 0:50:09Oh. All right. How huge?

0:50:09 > 0:50:11You remember that little blackout we had a few years back?

0:50:11 > 0:50:13New York blamed Canada, Canada blamed Michigan.

0:50:13 > 0:50:15Half the northeast. You're saying you guys...?

0:50:15 > 0:50:1650 million homes. Right.

0:50:16 > 0:50:17My bad.

0:50:17 > 0:50:19Well, I still say we blame Canada, but -

0:50:19 > 0:50:21OK. So why can't I see this bridge?

0:50:21 > 0:50:22It's not visible to the human eye.

0:50:22 > 0:50:24I mean, it's real, though.

0:50:24 > 0:50:26Just as real and just as solid as a cell phone signal on a radio wave.

0:50:26 > 0:50:28Right. Well, I don't know how a cell phone works.

0:50:28 > 0:50:30I just know how to use it.

0:50:30 > 0:50:32So how do we use this?

0:50:32 > 0:50:33We can look back 4 1/2 days.

0:50:33 > 0:50:35And what? We can look anywhere?

0:50:35 > 0:50:37Limited radius. Right, right, right.

0:50:37 > 0:50:38Looking into the past.

0:50:38 > 0:50:40PAUL: In a sense, we're always looking

0:50:40 > 0:50:43in the past - even light reflected from yourself in the mirror

0:50:43 > 0:50:44takes some time to reflect back.

0:50:44 > 0:50:45Let me get this straight.

0:50:45 > 0:50:47You're trying to tell me that on the other side

0:50:47 > 0:50:51of this bridge is the actual past? Yes.

0:50:51 > 0:50:53Yeah. But look, look. We created this thing

0:50:53 > 0:50:55by pure accident, all right?

0:50:55 > 0:50:58This space in time, this time window

0:50:58 > 0:51:00is a complete fluke, all right?

0:51:00 > 0:51:02And everybody is terrified of screwing with it

0:51:02 > 0:51:05for fear of losing it or suffering the consequences of God-knows-what,

0:51:05 > 0:51:07which is why it can only be used as a retroactive tool...

0:51:07 > 0:51:09Let me ask you something.

0:51:09 > 0:51:10Is she alive or is she dead?

0:51:10 > 0:51:11You went to her funeral, Doug.

0:51:11 > 0:51:13I know that, but I think the question still applies.

0:51:13 > 0:51:14Is she alive or is she dead?

0:51:14 > 0:51:16All right, life, like time and space,

0:51:16 > 0:51:18is not merely a local phenomenon.

0:51:18 > 0:51:20All right!

0:51:20 > 0:51:23Am I asking a hard question?

0:51:23 > 0:51:25Looks like I picked a bad week to stop snorting hash.

0:51:25 > 0:51:26All right, I'll tell you what.

0:51:26 > 0:51:30I'll speak slow so those of you with Ph.D.s in the room

0:51:30 > 0:51:32can understand. It - here, look.

0:51:32 > 0:51:34Here's a monitor, right?

0:51:35 > 0:51:37Now the monitor is broken.

0:51:37 > 0:51:40It's dead. It has not temporarily transitioned

0:51:40 > 0:51:44to another state of entropy. It's dead!

0:51:44 > 0:51:47Right? Now, is she alive or is she dead?

0:51:47 > 0:51:49She's alive. All right.

0:51:49 > 0:51:51Now we're getting somewhere. All right.

0:51:51 > 0:51:52Now, you said light could go back. What else?

0:51:52 > 0:51:54Nothing. Something else could be sent back.

0:51:54 > 0:51:55Come on, Paul. Something. What?

0:51:55 > 0:51:56A body? A human being? No.

0:51:56 > 0:51:58Not a person. Not alive anyway.

0:51:58 > 0:51:59Why not?

0:51:59 > 0:52:00Because you can't beat the physics.

0:52:00 > 0:52:03The electromagnetic field. Look, you transition across what's known as

0:52:03 > 0:52:04the Wheeler boundary, all right?

0:52:04 > 0:52:06An E.M. pulse annihilates all electrical activity.

0:52:06 > 0:52:08That's your heartbeat, that's brainwaves, that's everything.

0:52:08 > 0:52:09So, what?

0:52:09 > 0:52:10You haven't tried a person?

0:52:10 > 0:52:12All right. Let's just say that we've done enough tests to know

0:52:12 > 0:52:13that it's not even possible.

0:52:13 > 0:52:15It's not even theoretically possible.

0:52:15 > 0:52:17Like the hamster goes back dead, a drosophila fly - dead.

0:52:17 > 0:52:19What about a radio signal? What about that?

0:52:19 > 0:52:21A radio signal? Yeah. A radio signal!

0:52:21 > 0:52:23The field would scramble it. Won't work.

0:52:23 > 0:52:24All right, then a note, a warning note,

0:52:24 > 0:52:26a single piece of paper, one sheet.

0:52:26 > 0:52:27No!

0:52:27 > 0:52:28If we keep the mass low. No!

0:52:28 > 0:52:29This could work! It could work!

0:52:29 > 0:52:31Sure, we know where the guy's gonna be.

0:52:31 > 0:52:32We can apprehend him and put him away

0:52:32 > 0:52:33before he even blows up the ferry.

0:52:33 > 0:52:34And how do we do that exactly?

0:52:34 > 0:52:37We send it to ourselves! We send it to me.

0:52:37 > 0:52:38Yeah. Send it to me. Send it to my office.

0:52:38 > 0:52:40Send it to my office 4 1/2 days ago.

0:52:40 > 0:52:41An anonymous tip, and we can capture this guy

0:52:41 > 0:52:43before he even meets Claire.

0:52:43 > 0:52:44We know he's gonna be at the dock.

0:52:44 > 0:52:46Whatever you did, you did it already,

0:52:46 > 0:52:48whether you send this note or you don't send this note,

0:52:48 > 0:52:49it doesn't matter.

0:52:49 > 0:52:50You cannot change the past.

0:52:50 > 0:52:52It's physically impossible.

0:52:52 > 0:52:55What if there's more than physics?

0:52:55 > 0:52:59OK. Something spiritual. Yes.

0:52:59 > 0:53:00Something spiritual.

0:53:00 > 0:53:03OK, OK, OK. Look, just try to think of it this way:

0:53:03 > 0:53:05God's mind is made up about this, all right.

0:53:05 > 0:53:07I mean, you know, call it fate, call it destiny, whatever.

0:53:07 > 0:53:09But it already happened, it will keep happening,

0:53:09 > 0:53:11and it always will happen.

0:53:11 > 0:53:13Maybe. And why don't we call it fate,

0:53:13 > 0:53:15since we're calling it something?

0:53:15 > 0:53:16Maybe you're right. Maybe you guys are exactly right.

0:53:16 > 0:53:18I don't know. All I know is this -

0:53:18 > 0:53:20For all of my career, I've been trying to catch people

0:53:20 > 0:53:22after they do something horrible.

0:53:22 > 0:53:24For once in my life, I'd like to catch somebody

0:53:24 > 0:53:26before they do something horrible, all right?

0:53:26 > 0:53:28Can you understand that?

0:53:33 > 0:53:34Address is in range.

0:53:38 > 0:53:402 Ls - "surveilling". 2 Ls.

0:53:40 > 0:53:42DENNY LAUGHS

0:53:42 > 0:53:45Since this is such a tremendous waste of taxpayer money,

0:53:45 > 0:53:46the least we could do is get the spelling right.

0:53:46 > 0:53:47SHANTI: That's not necessarily true.

0:53:47 > 0:53:49Branch universe theory holds -

0:53:49 > 0:53:52Oh, branching universe. Oh, no, no.

0:53:52 > 0:53:54I'll show you.

0:53:54 > 0:53:55The traditional view of time is linear like a river,

0:53:55 > 0:53:59going from the past toward the future.

0:53:59 > 0:54:00But you can change the course of a river, right?

0:54:00 > 0:54:03Exactly. Introduce a significant enough event at any point

0:54:03 > 0:54:06in this river, and you create a new branch,

0:54:06 > 0:54:09still flowing toward the future, but along a different route.

0:54:09 > 0:54:11Changed.

0:54:11 > 0:54:13Yeah. But that river is the Mississippi,

0:54:13 > 0:54:15and we're lobbing what amounts to a pebble into it.

0:54:15 > 0:54:16That's a very few tiny ripples

0:54:16 > 0:54:18in a kind of big body of water.

0:54:18 > 0:54:19Don't ya think? Traditionalist.

0:54:19 > 0:54:22Say we do create this new branch, what happens to the old one,

0:54:22 > 0:54:24to this one?

0:54:24 > 0:54:25Ask the radical.

0:54:25 > 0:54:28Well, it might continue parallel to the new branch,

0:54:28 > 0:54:31but most likely it ceases to exist.

0:54:31 > 0:54:34The idea is we cease to exist.

0:54:34 > 0:54:36All right. This version of us, anyway.

0:54:36 > 0:54:39Um...we never came here, we didn't meet Doug.

0:54:39 > 0:54:40We don't remember it ever happening.

0:54:40 > 0:54:43Well, that's worth 10 billion right there.

0:54:48 > 0:54:51PAUL: Would've been a lot faster if you'd written it yourself.

0:54:51 > 0:54:53DOUG: Right. And I recognize my own handwriting

0:54:53 > 0:54:56and the universe blows up.

0:55:11 > 0:55:12SHANTI: We're ready.

0:55:12 > 0:55:13All right. Third floor, southwest corner.

0:55:13 > 0:55:15That's where we are.

0:55:16 > 0:55:18MAN: How'd you get that information?

0:55:18 > 0:55:19DOUG: A police wire.

0:55:19 > 0:55:21That's me. I can hear me.

0:55:21 > 0:55:22I don't want to play games with you.

0:55:22 > 0:55:23Where am I? I'm not playing games.

0:55:23 > 0:55:25Yeah. You are. There are protocols. Yeah, you are.

0:55:25 > 0:55:27There I am.

0:55:27 > 0:55:28Is that Minuti?

0:55:28 > 0:55:30Yep. That's my partner Larry.

0:55:30 > 0:55:33Jeez, I forgot all about this part.

0:55:33 > 0:55:36All right. Let's find a nice, happy place to push the note onto.

0:55:36 > 0:55:38That your desk? Uh, yeah. That's -

0:55:38 > 0:55:40OK. Line us up.

0:55:40 > 0:55:42DOUG ON SCREEN: When I peg a guy on a hunch,

0:55:42 > 0:55:44that's good police work, not some conspiracy

0:55:44 > 0:55:46to keep you out of the loop.

0:55:46 > 0:55:47MINUTI: You know what, Doug?

0:55:47 > 0:55:49OK, kids, start pushing.

0:55:49 > 0:55:50Span the wave. Pass the note.

0:55:52 > 0:55:54DOUG: If my memory serves me right,

0:55:54 > 0:55:56we'd better hurry up, 'cause I think I'm about to leave.

0:55:56 > 0:55:58I need more cow bell!

0:55:58 > 0:55:59GUNNARS: Trying.

0:55:59 > 0:56:01Just give me a second. Good!

0:56:01 > 0:56:02Don't talk each other. Just scan.

0:56:02 > 0:56:04I'm about to leave.

0:56:04 > 0:56:05MINUTI: You find yourself another partner, how about that?

0:56:05 > 0:56:06DENNY: Everybody relax.

0:56:06 > 0:56:09Let's go. Let's go. I'm working on it.

0:56:09 > 0:56:10Prepare for the final power burst right...

0:56:10 > 0:56:11Have a good vacation!

0:56:11 > 0:56:15All right. Go, go, go!

0:56:15 > 0:56:16MINUTI: Don't walk away!

0:56:25 > 0:56:27GUNNARS: What the hell happened?

0:56:27 > 0:56:29DENNY: I don't know.

0:56:29 > 0:56:30It doesn't matter. Pull it back.

0:56:30 > 0:56:32Did it go through? I don't know!

0:56:32 > 0:56:33Pull it back!

0:56:40 > 0:56:42There it is.

0:56:42 > 0:56:44It went through. That's right.

0:56:44 > 0:56:45GUNNARS: It's through! It went through!

0:56:45 > 0:56:46SHANTI: Great!

0:56:46 > 0:56:48Now, wait a minute. Hang on. It ain't great yet.

0:56:48 > 0:56:49I don't come back.

0:57:02 > 0:57:05Put it down, Larry. I'm not coming back.

0:57:14 > 0:57:15Put it down, Larry.

0:57:17 > 0:57:19Larry, don't do it.

0:57:19 > 0:57:21Follow him. I'm on him.

0:57:40 > 0:57:41All right, look. Let's, um...

0:57:41 > 0:57:44Um, you know what? Let's cut away from him.

0:57:44 > 0:57:46The bomber's on his way to the dock. He's due there any minute.

0:57:46 > 0:57:48We'll come back to Minuti when he gets there.

0:57:48 > 0:57:49All right.

0:57:53 > 0:57:55All right.

0:57:55 > 0:57:57OK. Where is he?

0:58:00 > 0:58:02Can we, uh, circle it?

0:58:06 > 0:58:08Should be able to see it by now.

0:58:15 > 0:58:18That's him. There he is. All right.

0:58:18 > 0:58:19Holy... Right.

0:58:19 > 0:58:20Move in on him real close.

0:58:20 > 0:58:23I want to see his - that's him. That's him.

0:58:24 > 0:58:26That's our guy. That's him. At the bridge,

0:58:26 > 0:58:29the cemetery, the ATM. That's our guy.

0:58:29 > 0:58:31Shanti, see if you can get an I.D., a facial I.D. on him.

0:58:31 > 0:58:32Give me some time. OK.

0:58:32 > 0:58:34All right. Take your time.

0:58:34 > 0:58:36COMPUTER BEEPS

0:58:37 > 0:58:38There's your partner.

0:58:38 > 0:58:39I see him.

0:58:39 > 0:58:41Try to move in on his truck, see if we can get a plate.

0:58:43 > 0:58:44Ooh, a plate.

0:58:44 > 0:58:45Get back on him.

0:58:49 > 0:58:51Stay on him.

0:58:55 > 0:58:56Where's Minuti?

0:58:56 > 0:58:58Federal agent! Turn the engine off!

0:58:58 > 0:59:01Turn the engine off!

0:59:02 > 0:59:05SOBBING

0:59:14 > 0:59:16Tilt back down.

0:59:19 > 0:59:20DENNY: Yeah, he's still breathing.

0:59:33 > 0:59:35TYRES SQUEALING

0:59:35 > 0:59:37What can we do?

0:59:37 > 0:59:39I don't know what to do.

0:59:42 > 0:59:45He's travelling east. He's travelling out of range.

0:59:45 > 0:59:47OK, what can we do? Anything?

0:59:47 > 0:59:48I don't know, but if we don't do something fast,

0:59:48 > 0:59:49I'm gonna lose this guy.

0:59:49 > 0:59:52SHANTI: We're losing the signal.

0:59:52 > 0:59:53We have to boost the signal.

0:59:53 > 0:59:54We need to chase him with the goggle rig.

0:59:54 > 0:59:56Yeah, well, Gunnars is a little busy right now,

0:59:56 > 0:59:59And he's the only one who can use it.

1:00:00 > 1:00:01Where is it?

1:00:01 > 1:00:03What, the rig? It's - Yeah, the rig! Where is it?

1:00:03 > 1:00:05It's in his Hummer.

1:00:08 > 1:00:09Keys in there?

1:00:09 > 1:00:10Yeah.

1:00:29 > 1:00:31SPEED-DIALLING

1:00:35 > 1:00:37TELEPHONE RINGING All right, quiet, everybody. It's him.

1:00:37 > 1:00:39Carlin?

1:00:39 > 1:00:40Where is he now?

1:00:40 > 1:00:41Is he going east?

1:00:43 > 1:00:45Yes. OK.

1:00:45 > 1:00:47He's going east going up on Degaulle.

1:00:47 > 1:00:50All right. Just try to keep him in sight and keep feeding me directions.

1:00:50 > 1:00:53I'll try and track him with this, uh, goggle rig.

1:00:53 > 1:00:55Can he do that? DENNY: Yeah, if he can catch up

1:00:55 > 1:00:57to the image and then keep him in sight, that can work.

1:01:00 > 1:01:02Hey, how do you turn this thing on?

1:01:02 > 1:01:04There's an on/off button on the back of the rig.

1:01:04 > 1:01:06OK, I see it.

1:01:06 > 1:01:07It's really simple. Wherever you look,

1:01:07 > 1:01:11the eyepiece will auto-focus and we'll see what you see.

1:01:15 > 1:01:16OK, you're live. You're on.

1:01:16 > 1:01:19Try the goggles. Hang on, hang on.

1:01:22 > 1:01:24He's gone. Out of range.

1:01:24 > 1:01:25What?

1:01:25 > 1:01:26Where's he headed?

1:01:26 > 1:01:27SHANTI: He's headed toward the I-10.

1:01:27 > 1:01:29East or west?

1:01:29 > 1:01:31I don't - I don't know.

1:01:31 > 1:01:33East or west?

1:01:33 > 1:01:35We've lost the signal. We're blind in here.

1:01:35 > 1:01:37SHANTI: I don't know. All right. Hang on.

1:01:40 > 1:01:42Oh, shit!

1:01:44 > 1:01:46What? What happened? What happened?

1:01:51 > 1:01:53Heh! Wow, this is trippy.

1:01:53 > 1:01:56Doug, look straight ahead. We've got the window slave to your goggles.

1:01:56 > 1:01:59We are seeing what you're seeing 4 days in the past.

1:02:00 > 1:02:02SHANTI: OK, I got him, I got him. He's back in range.

1:02:02 > 1:02:06He's going west, not east, on the Crescent City Bridge.

1:02:08 > 1:02:10There he is. That's him. Opposite lane.

1:02:11 > 1:02:13CARLIN: I got him. That's him.

1:02:13 > 1:02:14I got him!

1:02:16 > 1:02:17Watch the traffic.

1:02:26 > 1:02:27What was that?

1:02:27 > 1:02:28I think he hit something.

1:02:30 > 1:02:34SHANTI: Doug, you've got to stay with him. You're gonna lose him again.

1:02:35 > 1:02:36Doug, what's happening?

1:02:38 > 1:02:41HORNS HONKING

1:02:41 > 1:02:42I got him. I got him.

1:02:44 > 1:02:46All right, all right, all right.

1:02:46 > 1:02:48Good. Now stay with him.

1:02:48 > 1:02:50Send paramedics to the Crescent City Bridge.

1:02:50 > 1:02:52Got that?

1:02:55 > 1:02:56I lost him.

1:03:05 > 1:03:06CARLIN: I got him! I got him!

1:03:06 > 1:03:09DENNY: All right, all right. SHANTI: That's him.

1:03:09 > 1:03:10He's headed for the 10 to the bayou.

1:03:29 > 1:03:31I can see him. He's right in front of me.

1:03:38 > 1:03:39HONK

1:03:41 > 1:03:42Carlin!

1:03:42 > 1:03:45DENNY: What was that? What was that?

1:03:45 > 1:03:46Doug, are you all right?

1:03:48 > 1:03:49Ow.

1:03:49 > 1:03:51DENNY: Doug.

1:03:51 > 1:03:52Doug?

1:03:54 > 1:03:56Think it's broken. I can't see anything.

1:03:56 > 1:04:00DENNY: We still have a signal here. You're still transmitting.

1:04:00 > 1:04:01You can see?

1:04:01 > 1:04:02We'll talk you through it.

1:04:02 > 1:04:03Can you still drive?

1:04:03 > 1:04:06Yeah, yeah. Where is he?

1:04:06 > 1:04:07Give us a 360 with the goggle rig.

1:04:08 > 1:04:10There! There he is!

1:04:10 > 1:04:12Pan the thing around.

1:04:12 > 1:04:13Which way? DENNY: To your right.

1:04:13 > 1:04:14To your right.

1:04:16 > 1:04:18There. There he is.

1:04:18 > 1:04:19He's taking the road to the bayou.

1:04:19 > 1:04:20Right there?

1:04:20 > 1:04:22The road is blocked.

1:04:22 > 1:04:24Take the expressway. It parallels the road.

1:04:24 > 1:04:26PAUL: Go, go, go.

1:04:39 > 1:04:40See him?

1:04:40 > 1:04:41Pan right, pan right.

1:04:42 > 1:04:44CARLIN: Do you still see him?

1:04:44 > 1:04:46He's at the end of the bridge.

1:04:46 > 1:04:48You hear me? He's at the end of the bridge.

1:04:53 > 1:04:54Keep talking to me.

1:04:54 > 1:04:55I don't know what else to tell you.

1:04:55 > 1:04:57I feel very, very close to you right now.

1:04:57 > 1:05:00SHANTI: He took the exit ramp beneath you.

1:05:00 > 1:05:01Take the next off ramp!

1:05:01 > 1:05:03DENNY: Take the next off ramp!

1:05:05 > 1:05:06All right, I'm on the off ramp!

1:05:08 > 1:05:10Go right, then double back on yourself.

1:05:10 > 1:05:11All right, I got it!

1:05:14 > 1:05:15All right, take another right.

1:05:21 > 1:05:23Still see him?

1:05:23 > 1:05:25He's heading to the bayou. Take a left here.

1:05:31 > 1:05:33Good, good, good, good.

1:05:33 > 1:05:35PAUL: Take it easy, Doug. He's dead ahead of you.

1:05:35 > 1:05:36OK, OK, OK.

1:05:43 > 1:05:45He's slowing down, coming to a fence. Do you see it?

1:05:49 > 1:05:50Yeah, I see it.

1:06:04 > 1:06:06GUNNARS: Doug, if you're gonna leave the Hummer,

1:06:06 > 1:06:09take the backpack - power source for the rig.

1:06:34 > 1:06:36Can you hear me?

1:06:36 > 1:06:37Yeah, yeah, yeah.

1:06:37 > 1:06:39GUNNARS: Yeah, we can hear you.

1:06:39 > 1:06:41All right.

1:06:50 > 1:06:51What's he doing now?

1:06:54 > 1:06:56PAUL: Pulled around the back of the building.

1:07:00 > 1:07:02Looks like a bomb went off.

1:07:02 > 1:07:04DENNY: Really? We -

1:07:04 > 1:07:06We see an intact structure here.

1:07:06 > 1:07:08No damage?

1:07:08 > 1:07:09No, none.

1:07:11 > 1:07:13Looks like a vehicle's inside.

1:07:13 > 1:07:15An ambulance. You see that?

1:07:16 > 1:07:18No, nothing.

1:07:41 > 1:07:42See anything?

1:07:42 > 1:07:45PAUL: He's dead ahead of you.

1:07:45 > 1:07:47Doug, he's pulling Minuti out of the car.

1:07:47 > 1:07:48Where?

1:07:48 > 1:07:49All right. Now pan to the right.

1:07:49 > 1:07:50Pan to the right.

1:07:50 > 1:07:51More right. You got him.

1:07:51 > 1:07:53Yeah, he's dragging him out of the car.

1:07:53 > 1:07:55Do you see him?

1:07:55 > 1:07:56Yeah. Yes.

1:07:56 > 1:07:57Right in front of you.

1:07:57 > 1:07:58Boost the audio for me.

1:07:58 > 1:08:00Audio boosted.

1:08:00 > 1:08:01Turn around.

1:08:01 > 1:08:03Turn around behind you.

1:08:03 > 1:08:05Larry?

1:08:05 > 1:08:06Head back to the right.

1:08:06 > 1:08:08You've got him now. CARLIN: Where is he?

1:08:08 > 1:08:09He's being dragged on the concrete.

1:08:12 > 1:08:15Larry? ECHOING

1:08:16 > 1:08:17SLOSHING

1:08:17 > 1:08:19What's that sound?

1:08:20 > 1:08:22CARLIN: What's the sound?!

1:08:22 > 1:08:25PAUL: He's pouring some kind of...

1:08:25 > 1:08:27accelerant over Agent Minuti.

1:08:27 > 1:08:31I think it's the diesel fuel like at the ferry.

1:08:38 > 1:08:40SOBBING: He's waking up.

1:08:40 > 1:08:43Brace yourselves. I think you're about to witness a murder.

1:09:46 > 1:09:48SIRENS FADING

1:09:48 > 1:09:52POLICE RADIOS

1:09:53 > 1:09:55GUNNARS: If we hadn't sent him there, he wouldn't be dead now.

1:09:55 > 1:09:58No, he was already dead from the ferry. We just changed how he died.

1:09:58 > 1:10:00We don't know that. He could have been standing

1:10:00 > 1:10:02right next to you right until we sent that note.

1:10:02 > 1:10:04SHANTI: He'd need a branching multiple universe for that to happen.

1:10:04 > 1:10:07DENNY: Oh, come on. We can't change anything.

1:10:07 > 1:10:08We didn't change anything.

1:10:08 > 1:10:10That's what I've been trying to tell you.

1:10:10 > 1:10:12I'll tell you what we did.

1:10:12 > 1:10:16The suspect used a stolen blazer to case the dock,

1:10:16 > 1:10:20so now he has a truck big enough to drive a bomb onto the ferry.

1:10:20 > 1:10:22Now Larry shows up, right?

1:10:22 > 1:10:25Larry puts bullet holes through the windshield -

1:10:25 > 1:10:27You want a mask?

1:10:27 > 1:10:28No, no. I'm good. Thanks.

1:10:28 > 1:10:30Larry puts bullet holes through the windshield,

1:10:30 > 1:10:32leaves blood all over the back seat,

1:10:32 > 1:10:34so now our bomber needs a new truck,

1:10:34 > 1:10:36you understand? Claire's truck.

1:10:38 > 1:10:39You hungry?

1:10:39 > 1:10:41Now we changed one thing, but by changing one thing,

1:10:41 > 1:10:43we didn't change anything.

1:10:43 > 1:10:45What's on TV?

1:10:45 > 1:10:46Ah.

1:11:10 > 1:11:12DISTANT POLICE SIREN

1:11:12 > 1:11:14EQUIPMENT BEEPING

1:11:20 > 1:11:22Hey, hey, hey, we got a name.

1:11:22 > 1:11:23Carroll Oerstadt.

1:11:23 > 1:11:25WOMAN: What? STALHUTH: Who is that?

1:11:25 > 1:11:26Owner of that bait camp Doug found.

1:11:26 > 1:11:29Truck registration, air boat registration - match.

1:11:29 > 1:11:31And another property -

1:11:31 > 1:11:335874 Mullie Ave., Ninth Ward, New Orleans.

1:11:33 > 1:11:35Is this a he or she?

1:11:35 > 1:11:36It's a he. Let's go.

1:11:51 > 1:11:55BRAKES SCREECH, SIRENS FADE

1:12:08 > 1:12:09Clear!

1:12:36 > 1:12:39CARLIN: Testing, 1, 2, 3, 4.

1:12:40 > 1:12:43MAN ON RADIO: Testing, 1, 2, 3, 4.

1:12:43 > 1:12:45ATF-New Orleans,

1:12:45 > 1:12:48conducting interview with Carroll Oerstadt.

1:12:48 > 1:12:50You waive your right to counsel, right?

1:12:50 > 1:12:52OERSTADT: Yes, sir.

1:12:52 > 1:12:56I'm fascinated with your precision.

1:12:56 > 1:12:58CARLIN: It's not very often

1:12:58 > 1:12:59we see that level of expertise around here.

1:12:59 > 1:13:01And if it's all right with you,

1:13:01 > 1:13:02I'd like to use this interview

1:13:02 > 1:13:04to educate my colleagues in law enforcement.

1:13:04 > 1:13:06Yes, sir.

1:13:06 > 1:13:08Good, good.

1:13:08 > 1:13:10Let's talk about motive.

1:13:10 > 1:13:13Why would you use explosives against the U.S. Navy?

1:13:14 > 1:13:16Correction, sir.

1:13:16 > 1:13:17U.S. Government.

1:13:17 > 1:13:19U.S. Government.

1:13:19 > 1:13:22Says here that you tried to enlist in the marines.

1:13:22 > 1:13:24You were rejected, and you tried to enlist in the army.

1:13:24 > 1:13:26You were rejected again.

1:13:26 > 1:13:28Why do you think they did that?

1:13:30 > 1:13:33Because they don't want patriots.

1:13:33 > 1:13:36The military no longer recognizes commitment and purpose.

1:13:36 > 1:13:38They thought I was overcommitted

1:13:38 > 1:13:41and psychologically unstable.

1:13:41 > 1:13:43They didn't want to understand my value.

1:13:43 > 1:13:45They understand it now.

1:13:45 > 1:13:46I believe so.

1:13:46 > 1:13:48Yes, sir.

1:13:50 > 1:13:52You're ATF, right?

1:13:52 > 1:13:54Yes, I am.

1:13:54 > 1:13:55Got a smoke?

1:13:55 > 1:13:58No, I don't, but I can get you one. Would you like one?

1:13:58 > 1:13:59Yes. OK.

1:13:59 > 1:14:01Anything you want to say, just talk into the mic.

1:14:01 > 1:14:04A man can always use more alcohol, tobacco, and firearms.

1:14:04 > 1:14:07I can think of one more thing.

1:14:10 > 1:14:12CARLIN, OVER INTERCOM: Like the Revolutionary War, you know what I mean?

1:14:12 > 1:14:15One man's terrorist is another man's patriot, isn't it?

1:14:15 > 1:14:17Huh? Yeah? OERSTADT: Exactly.

1:14:17 > 1:14:20Yep. You get it.

1:14:20 > 1:14:22This wasn't about revenge.

1:14:22 > 1:14:24What was it about?

1:14:26 > 1:14:28Destiny.

1:14:28 > 1:14:31Destiny?

1:14:31 > 1:14:33You've been asking me about my motives. Right.

1:14:33 > 1:14:35My methods. Right.

1:14:35 > 1:14:37They're all connected.

1:14:37 > 1:14:39Everything's connected.

1:14:39 > 1:14:41OK, how was Claire Kuchever connected?

1:14:41 > 1:14:43I needed a car.

1:14:43 > 1:14:44And that's it?

1:14:44 > 1:14:46And, well, something that couldn't be traced back to me.

1:14:46 > 1:14:48Right. I had one ready till that cop showed up.

1:14:50 > 1:14:52"That cop" was a federal agent -

1:14:52 > 1:14:55Lawrence Minuti, my partner. You shot him.

1:14:55 > 1:14:58He - I was about to burn him and he was waking up, you know.

1:14:58 > 1:14:59I didn't - I mean, I'm not cruel.

1:14:59 > 1:15:01Oh. Heh!

1:15:01 > 1:15:06Well, why didn't you, uh, "do that" for Claire Kuchever?

1:15:07 > 1:15:10Well - ahem - because...

1:15:10 > 1:15:12I needed her to look like a ferry victim,

1:15:12 > 1:15:14and a bullet would have given it away.

1:15:14 > 1:15:16I see. I went to her house

1:15:16 > 1:15:18on the pretence of buying her car.

1:15:18 > 1:15:21I took her from behind, taped her mouth, and threw a hood over her head.

1:15:21 > 1:15:23And?

1:15:23 > 1:15:24I bound her wrists and her ankles,

1:15:24 > 1:15:26and I drove back to my place.

1:15:26 > 1:15:27I loaded the device into her car,

1:15:27 > 1:15:29then I soaked her with the gasoline.

1:15:29 > 1:15:30Jesus.

1:15:30 > 1:15:31And?

1:15:31 > 1:15:33I think you know what happened after that.

1:15:33 > 1:15:34No, I don't know. I want you to tell me.

1:15:34 > 1:15:36You got to talk. I mean, you know, come on, hero.

1:15:36 > 1:15:37What happened after that?

1:15:37 > 1:15:38I'll tell you what happened after that.

1:15:38 > 1:15:40You killed 543 people.

1:15:40 > 1:15:42How do you feel about that?

1:15:46 > 1:15:48I think that you were a murderer

1:15:48 > 1:15:49right from the beginning.

1:15:51 > 1:15:55Sometimes a little human collateral is the cost of freedom.

1:15:55 > 1:15:57To me, those people were war casualties,

1:15:57 > 1:15:59but to you, they're just evidence.

1:15:59 > 1:16:01That'll do.

1:16:01 > 1:16:03We got him. CARLIN: What'd you say?

1:16:03 > 1:16:05You think you know what's coming.

1:16:05 > 1:16:06You don't have a clue.

1:16:06 > 1:16:08I know where you're going.

1:16:08 > 1:16:11I know you're gonna be away for a long time.

1:16:11 > 1:16:12I know that.

1:16:12 > 1:16:15This case will never even go to trial.

1:16:15 > 1:16:16No?

1:16:16 > 1:16:18Mm-mmm, 'cause I see what's coming.

1:16:18 > 1:16:20SCOFFS What?

1:16:20 > 1:16:22What is in this glass?

1:16:22 > 1:16:24You see what's coming, huh?

1:16:24 > 1:16:26OK. What's coming? You tell me.

1:16:26 > 1:16:29I told you earlier I have a destiny,

1:16:29 > 1:16:31a purpose.

1:16:31 > 1:16:34Satan reasons like man, but God thinks of eternity.

1:16:34 > 1:16:39Why prostrate myself before a world that's going to hell in a handbag?

1:16:39 > 1:16:43'Cause in all eternity, I am here, and I will be remembered.

1:16:43 > 1:16:44That's destiny.

1:16:44 > 1:16:46A bomb has a destiny,

1:16:46 > 1:16:50a predetermined fate sent by the hand of its creator,

1:16:50 > 1:16:53and anyone who tries to alter that destiny will be destroyed.

1:16:53 > 1:16:56Anyone who tries to stop it from happening will cause it to happen,

1:16:56 > 1:16:59and that's what you don't understand.

1:16:59 > 1:17:01We're not here to coexist.

1:17:01 > 1:17:02I'm here to win.

1:17:02 > 1:17:06So you'd better have some divine intervention, buddy.

1:17:06 > 1:17:08You're gonna need it.

1:17:08 > 1:17:10You better have some K.Y.

1:17:10 > 1:17:12You're gonna need it.

1:17:19 > 1:17:21DISTANT SIREN, HELICOPTER WHIRRING

1:17:23 > 1:17:27MCCREADY: What am I supposed to do?

1:17:27 > 1:17:28We're shutting you down.

1:17:28 > 1:17:30What? Yeah, we got what we need -

1:17:30 > 1:17:31the forensics, the suspect, the confession.

1:17:31 > 1:17:32We're done.

1:17:32 > 1:17:34Sir, perhaps we should

1:17:34 > 1:17:36continue and watch the actual crime,

1:17:36 > 1:17:37the ferry bombing.

1:17:37 > 1:17:38Right. He's right.

1:17:38 > 1:17:40I mean, we can't just go on the confession alone.

1:17:40 > 1:17:42We need an airtight case. We need to collect more evidence.

1:17:42 > 1:17:44Well, collecting evidence would have been fine, Agent Carling.

1:17:44 > 1:17:46You took it a little further than that.

1:17:46 > 1:17:48Agent Car-LIN, Car-LIN. My name is Car-LIN, not Carling.

1:17:48 > 1:17:51We have protocols in place. There are strict protocols,

1:17:51 > 1:17:53and then you had to push it and now an agent's dead.

1:17:53 > 1:17:56Sir, by one theory, that already happened.

1:17:56 > 1:17:57We're done.

1:17:57 > 1:17:58Power it down, pack it up.

1:17:58 > 1:17:59On to the next case.

1:17:59 > 1:18:00What about Claire?

1:18:00 > 1:18:02What ab -

1:18:02 > 1:18:04Look, charging Oerstadt in the Kuchever murder

1:18:04 > 1:18:05is just gonna raise too many questions

1:18:05 > 1:18:07about how we obtained the evidence. We can't risk it.

1:18:07 > 1:18:08I understand that, sir, but what about Claire?

1:18:08 > 1:18:09What, we're just gonna drop the case?

1:18:09 > 1:18:10We got him on the ferry bombing.

1:18:10 > 1:18:12We got him on killing a federal agent.

1:18:12 > 1:18:14I cannot accept that, sir.

1:18:14 > 1:18:16But, you know, I don't give a rat's ass what you can accept.

1:18:16 > 1:18:17She doesn't matter.

1:18:17 > 1:18:18He's gonna kill her.

1:18:18 > 1:18:20In 12 hours, he's gonna kill her.

1:18:20 > 1:18:22He killed her 4 days ago.

1:18:22 > 1:18:23You were at the funeral.

1:18:23 > 1:18:25What's wrong with you?

1:18:28 > 1:18:30It had to happen.

1:18:30 > 1:18:33I delayed turning in my report till we caught the guy.

1:18:33 > 1:18:36Hey, mission accomplished.

1:18:36 > 1:18:38This is a victory, Doug.

1:18:44 > 1:18:46PAUL: Hey.

1:18:46 > 1:18:48Now my job is closure.

1:18:48 > 1:18:50Your job's to help facilitate that closure.

1:18:50 > 1:18:52And you tell me, what do I tell her father?

1:18:52 > 1:18:54We caught the son of a bitch.

1:18:54 > 1:18:56We can't save the victims.

1:18:56 > 1:18:59It's not our job to make the relatives feel better.

1:18:59 > 1:19:02We lose everything that we care about.

1:19:02 > 1:19:03Those are your words.

1:19:05 > 1:19:08Doug, it's not your fault that Claire dies.

1:19:09 > 1:19:11Yeah, that's one theory.

1:19:15 > 1:19:19MAN ON TV: Lieutenant... EQUIPMENT POWERING DOWN

1:19:19 > 1:19:21Martin Kyle.

1:19:21 > 1:19:24Commander Francis Lacey,

1:19:24 > 1:19:25retired.

1:19:25 > 1:19:27Elaine Lacey.

1:19:27 > 1:19:31Chief Petty Officer Darren McAndrews.

1:19:31 > 1:19:34Lorraine McAndrews...

1:19:34 > 1:19:36CROWD SINGING

1:19:36 > 1:19:38..Lisa Melville.

1:19:38 > 1:19:40Chaplain...

1:20:51 > 1:20:53TELEPHONE RINGING

1:20:54 > 1:20:56Denny, it's Doug.

1:20:56 > 1:20:58Well, I can't say I wasn't expecting this call.

1:20:58 > 1:21:01Look, you know what happens if you try this.

1:21:01 > 1:21:03We both know what happens if I don't.

1:21:03 > 1:21:06Well, not a lot of guinea pigs volunteer

1:21:06 > 1:21:08to die in the name of science.

1:21:08 > 1:21:09Well, then we have to make sure I end up

1:21:09 > 1:21:11somewhere besides the morgue.

1:21:11 > 1:21:13Can you help me?

1:21:13 > 1:21:15SIGHS

1:21:17 > 1:21:19I'll see you when you get here.

1:21:21 > 1:21:22Doug?

1:21:24 > 1:21:26Hmm?

1:21:27 > 1:21:29Do me a favour. SIGHS

1:21:29 > 1:21:33When you, uh, finish, turn off the lights.

1:21:45 > 1:21:47BEEP

1:21:47 > 1:21:48BEEP

1:21:53 > 1:21:56You do that one more time, you set off every alarm in the joint.

1:21:59 > 1:22:01Can't take it.

1:22:01 > 1:22:04Got to keep the mass as low as possible. You got to take everything off.

1:22:06 > 1:22:08SIGHS

1:22:10 > 1:22:12You can keep your underwear on.

1:22:12 > 1:22:14Thank you very much.

1:22:14 > 1:22:17Thought you said you didn't believe in changing the past.

1:22:17 > 1:22:20Right. Well, I also believe in God.

1:22:20 > 1:22:22Just don't tell anyone.

1:22:22 > 1:22:24I'm gonna tell everybody. Yeah?

1:22:24 > 1:22:27You know, um, when I open up the throttle on this thing -

1:22:27 > 1:22:28Yeah, I know. E.M. field,

1:22:28 > 1:22:30the flat line. I got it.

1:22:30 > 1:22:33Thing of it is, uh, no matter how clever we think we are,

1:22:33 > 1:22:36the most probable outcome of our little experiment is

1:22:36 > 1:22:39that 4 1/2 days ago, you get a call from the coroner's office -

1:22:39 > 1:22:42"Hey, Agent Carlin, I want you to come down here.

1:22:42 > 1:22:43"There's something you should see."

1:22:43 > 1:22:46And, uh, next thing you know, you're standing over a corpse

1:22:46 > 1:22:48and it's you.

1:22:48 > 1:22:50Well...

1:22:50 > 1:22:53you can be wrong a million times. You only got to be right once.

1:22:53 > 1:22:56Besides, I think I'd remember if that happened, right?

1:22:56 > 1:22:58So I got to face out toward you?

1:22:58 > 1:23:01Yeah, face out, just like the note, only bigger.

1:23:01 > 1:23:03Ready?

1:23:03 > 1:23:05No.

1:23:05 > 1:23:07You don't have to do this.

1:23:09 > 1:23:11What if I already have?

1:23:11 > 1:23:13OK.

1:23:26 > 1:23:27Doug?

1:23:28 > 1:23:30Doug?

1:23:30 > 1:23:32Hey. Hello?

1:23:32 > 1:23:33You OK in there?

1:23:33 > 1:23:34Yeah.

1:23:34 > 1:23:36You good?

1:23:36 > 1:23:37Yeah, yeah, I'm good. I'm, uh...

1:23:37 > 1:23:39beside myself.

1:23:39 > 1:23:41Ha ha ha!

1:23:41 > 1:23:43Am I still here?

1:23:43 > 1:23:44Heh! For now.

1:23:44 > 1:23:47You ready? Yeah, I'm ready. All right.

1:23:47 > 1:23:48Looking forward to walking up to you 4 days ago

1:23:48 > 1:23:49and blowing your mind, though.

1:23:49 > 1:23:51Well, if that happens, maybe you can tell me

1:23:51 > 1:23:52what it's like to meet your younger self.

1:23:52 > 1:23:54All right, I'll let you know.

1:23:54 > 1:23:56All right, remember, the ferry blows

1:23:56 > 1:23:59at 10:50 on Fat Tuesday, OK?

1:23:59 > 1:24:01Yeah.

1:24:01 > 1:24:03Here we go.

1:24:04 > 1:24:05See you yesterday.

1:24:05 > 1:24:07God willing.

1:24:31 > 1:24:32Claire? Claire?

1:24:32 > 1:24:33OVERLAPPING VOICES Hello?

1:24:33 > 1:24:34Maybe you already have.

1:24:34 > 1:24:36Maybe you already have.

1:24:38 > 1:24:39WOMAN: What the hell?

1:24:39 > 1:24:41MAN: All right. Hold on, everybody.

1:24:41 > 1:24:43Is there a generator? It should kick in. Nobody move.

1:24:43 > 1:24:45That was interesting.

1:24:45 > 1:24:46RATTLING

1:24:48 > 1:24:50Doctor!

1:24:50 > 1:24:52Who the hell is that? Where'd he come from?

1:24:53 > 1:24:55All right, let's get him into trauma two,

1:24:55 > 1:24:57Trauma two.

1:25:01 > 1:25:03This is weird.

1:25:05 > 1:25:06Defib.

1:25:06 > 1:25:07Clear!

1:25:07 > 1:25:09Recharging again.

1:25:09 > 1:25:11Clear!

1:25:11 > 1:25:12Recharge to 300.

1:25:12 > 1:25:14Charging.

1:25:14 > 1:25:15Clear!

1:25:15 > 1:25:17Resume CPR.

1:25:17 > 1:25:191, 2, 3, 4,

1:25:19 > 1:25:205, 6, 7, 8.

1:25:20 > 1:25:23STEADY BEEPING

1:25:47 > 1:25:49..49 was our low temperature at the airport.

1:25:49 > 1:25:53It's gonna be at that or just maybe above that for tonight.

1:25:53 > 1:25:56Let me show you why. Look at the winds. They're starting to return...

1:26:18 > 1:26:19COCKS GUN Whoa.

1:26:19 > 1:26:20I'm a federal agent. I need your keys.

1:26:20 > 1:26:22I need a vehicle.

1:26:22 > 1:26:23There's keys in the truck there.

1:26:23 > 1:26:25Which - right here?

1:26:25 > 1:26:26Put your hands down. Hands on the table.

1:26:26 > 1:26:29Hold your doughnut. Hands right there.

1:26:30 > 1:26:31Water it.

1:26:32 > 1:26:34SIREN

1:26:34 > 1:26:37TYRES SQUEALING

1:26:53 > 1:26:55MAN ON TV: This might be a metaphor for existence itself.

1:26:55 > 1:26:59The fish struggles instinctively against...

1:26:59 > 1:27:01TV AUDIO FADES

1:27:14 > 1:27:16SIREN

1:27:16 > 1:27:19MAN ON RADIO: Here's the news at half past 8:00.

1:27:19 > 1:27:21Federal officials are still baffled by the massive blackout

1:27:21 > 1:27:25that targeted the entire eastern half of the country early this morning.

1:27:40 > 1:27:42Mmm! Oh!

1:28:26 > 1:28:28COCKS GUN

1:29:15 > 1:29:16Hey!

1:29:53 > 1:29:56CLAIRE WHIMPERING

1:30:35 > 1:30:36Jesus.

1:30:41 > 1:30:42Mmm!

1:30:42 > 1:30:44Oh! Wait a minute!

1:30:44 > 1:30:45Hey, it's OK. Wait a minute!

1:30:45 > 1:30:47Listen. Claire.

1:30:47 > 1:30:48I'm a federal agent.

1:30:48 > 1:30:50Hang on, hang on.

1:30:50 > 1:30:52All right. It's OK, it's OK. It's OK.

1:30:52 > 1:30:54I'm a federal agent. It's OK.

1:30:54 > 1:30:56It's OK.

1:30:56 > 1:30:58You're safe. You're all right, OK?

1:30:58 > 1:31:00I'm a federal agent. You're safe.

1:31:00 > 1:31:01You're safe. Look at me.

1:31:01 > 1:31:04You're safe. He's gone, all right?

1:31:04 > 1:31:06CRYING

1:31:06 > 1:31:08Get me out of here!

1:31:08 > 1:31:11GASPING Get me out of here!

1:31:11 > 1:31:13You're all right. You're OK.

1:31:13 > 1:31:15OK.

1:31:15 > 1:31:16WAILING

1:31:16 > 1:31:18Get me out... All right. Let me get your feet.

1:31:18 > 1:31:20PANTING

1:31:24 > 1:31:26Hey, look at me. Look at me.

1:31:26 > 1:31:29I'm gonna get you out of here, OK?

1:31:45 > 1:31:48How'd you know there'd be keys in this truck?

1:31:48 > 1:31:50That's a good question.

1:31:50 > 1:31:51I didn't know.

1:31:51 > 1:31:52GRUNTS

1:31:53 > 1:31:55He's a terrorist?

1:31:55 > 1:31:57Yep. His name is Carroll Oerstadt.

1:31:57 > 1:31:59I'm a part of a special surveillance unit.

1:31:59 > 1:32:01We've been tracking him.

1:32:01 > 1:32:04Planning on blowing up the Canal Street ferry today

1:32:04 > 1:32:06at 10:50.

1:32:08 > 1:32:10So we're going to the police?

1:32:10 > 1:32:11Naw, it's too complicated.

1:32:11 > 1:32:13By the time we get them up to speed, the ferry will be gone.

1:32:13 > 1:32:15We got to go straight to the Algiers Dock.

1:32:15 > 1:32:17I don't think you're gonna make it.

1:32:17 > 1:32:18You're losing too much blood.

1:32:18 > 1:32:19Oh, I got to make it. I only got an hour

1:32:19 > 1:32:21and 40 minutes to catch up to this guy.

1:32:21 > 1:32:23What if you don't make it?

1:32:23 > 1:32:24What happens then?

1:32:24 > 1:32:27If I don't make it...

1:32:28 > 1:32:30What?

1:32:30 > 1:32:32Your house is on the way.

1:32:32 > 1:32:34We'll go by your house and I'll get cleaned up.

1:32:34 > 1:32:35I'll drop you off, all right?

1:32:35 > 1:32:38All right.

1:32:38 > 1:32:39Hey, Ginger.

1:32:39 > 1:32:41LOW GROWL

1:32:41 > 1:32:44She hates strangers. You need anything?

1:32:44 > 1:32:45You get cleaned up. I'll take care of this.

1:32:45 > 1:32:47You sure? I could bind that for you.

1:32:47 > 1:32:49No, I'm sure. You go ahead.

1:32:49 > 1:32:51I'm gonna need to borrow one of your boyfriend's jackets, though.

1:32:51 > 1:32:52Sure.

1:32:57 > 1:33:00SHOWER RUNNING

1:33:08 > 1:33:09SOBBING

1:33:18 > 1:33:20Oh...

1:33:38 > 1:33:40Hey, uh, uh, listen -

1:33:40 > 1:33:41You shouldn't wear that.

1:33:41 > 1:33:43What?

1:33:43 > 1:33:45Why don't you put on a different one?

1:33:45 > 1:33:46The - the blue and white one, anything.

1:33:46 > 1:33:49It's just, uh, just trust me.

1:33:49 > 1:33:51The victim wore a dress like that,

1:33:51 > 1:33:54and...it wouldn't be good.

1:33:54 > 1:33:55OK.

1:33:55 > 1:33:57Trust me.

1:33:57 > 1:33:58All right. Um,

1:33:58 > 1:34:00I - I'll... I'll go change.

1:34:00 > 1:34:02I'll be right out.

1:34:11 > 1:34:13Stop right there! Don't move!

1:34:13 > 1:34:15Don't move! I'm calling the police.

1:34:15 > 1:34:16I am the police. No, you're not.

1:34:16 > 1:34:18Yes, I am. No, you're not!

1:34:18 > 1:34:20You didn't ask me any questions.

1:34:20 > 1:34:21You didn't take a statement.

1:34:21 > 1:34:23And you knew where my house was.

1:34:23 > 1:34:24Went through my closet.

1:34:24 > 1:34:26Who are you?

1:34:26 > 1:34:28I'm Doug Carlin. I'm an ATF agent.

1:34:28 > 1:34:31I'm part of a special surveillance unit that's been

1:34:31 > 1:34:32tracking the man who's trying to kill you.

1:34:32 > 1:34:34How do I know that? I had a hood over my head. You could be him.

1:34:34 > 1:34:36Just think about it, Claire. Look at my face.

1:34:36 > 1:34:37You scratched the man's face.

1:34:37 > 1:34:39Do I have a scratch on my face?

1:34:39 > 1:34:40You scratched him, didn't you?

1:34:40 > 1:34:42Get on the floor.

1:34:43 > 1:34:45Now! Get on the floor!

1:34:48 > 1:34:49All the way!

1:34:49 > 1:34:51RING

1:34:51 > 1:34:53SIGHS

1:34:53 > 1:34:55ATF-New Orleans. Agent Donnelly.

1:34:55 > 1:34:58Yes, is - is there an agent Douglas Carlin

1:34:58 > 1:34:59working out of that branch?

1:34:59 > 1:35:01Uh, yes, there is, but he's not here right now.

1:35:01 > 1:35:03Would you like to leave a message?

1:35:03 > 1:35:05Can you describe him for me, please?

1:35:05 > 1:35:07How tall, skin colour?

1:35:07 > 1:35:10I don't know. He's, uh,

1:35:10 > 1:35:116'3", black,

1:35:11 > 1:35:13not bad-looking.

1:35:15 > 1:35:17OK, um,

1:35:17 > 1:35:18have him call me back

1:35:18 > 1:35:22at 877-504-8423.

1:35:22 > 1:35:24OK, wait. Phone pad's empty. All right. Got it.

1:35:26 > 1:35:27Hello?

1:35:27 > 1:35:29DIAL TONE

1:35:31 > 1:35:33Get up.

1:35:39 > 1:35:42Are you gonna tell me the truth?

1:35:42 > 1:35:46Are you gonna tell me why you're here, why this is happening,

1:35:46 > 1:35:48and none of it makes sense, none of it?

1:35:49 > 1:35:52What if you had to tell someone the most important thing in the world,

1:35:52 > 1:35:55but you knew they'd never believe you?

1:35:56 > 1:35:58What would you do?

1:35:58 > 1:36:00I'd try.

1:36:00 > 1:36:02You never know what someone might believe.

1:36:09 > 1:36:11I don't understand what's...

1:36:11 > 1:36:14GASPING What's happening?

1:36:15 > 1:36:16CRYING

1:36:37 > 1:36:39Got to hurry up and get down there.

1:36:39 > 1:36:41Why are you the only one who can stop him?

1:36:41 > 1:36:44Well, because I'm the only one that knows his plan.

1:36:44 > 1:36:46I'm the only one that knows where he's gonna be

1:36:46 > 1:36:47and exactly what he's gonna do.

1:36:47 > 1:36:49How do you know that?

1:36:49 > 1:36:50I mean, how'd you know those things about me?

1:36:50 > 1:36:52Well,

1:36:52 > 1:36:54for the sake of argument, let's just say that

1:36:54 > 1:36:56the government has this special device that allows me

1:36:56 > 1:36:59to know what's gonna happen ahead of time.

1:36:59 > 1:37:02Then how come you didn't know I was gonna pull a gun on you?

1:37:02 > 1:37:03I did.

1:37:03 > 1:37:05No, I didn't.

1:37:05 > 1:37:06CHUCKLING

1:37:08 > 1:37:10Is that OK? Yeah, it's good.

1:37:17 > 1:37:19WHISPERING I think that's gonna stay.

1:37:19 > 1:37:21Is that OK?

1:37:21 > 1:37:22Yeah, it's great.

1:37:24 > 1:37:27Right. I'm not very good at this.

1:37:27 > 1:37:28You're very good.

1:37:41 > 1:37:43What's the matter?

1:37:43 > 1:37:45Jesus.

1:37:48 > 1:37:50Haven't changed a thing.

1:37:51 > 1:37:53I got to go, and you got to go with me. Come on.

1:37:53 > 1:37:55What?

1:37:55 > 1:37:57I thought you said I would stay here.

1:37:57 > 1:37:58I was wrong, I was wrong.

1:37:58 > 1:38:00You got to go with me now, right now.

1:38:00 > 1:38:01TELEPHONE RINGING Wait, wait.

1:38:01 > 1:38:03Wait, wait. Don't answer.

1:38:05 > 1:38:06Don't answer it. I'll prove it to you.

1:38:06 > 1:38:08That's your friend Beth calling. Let the machine pick it up.

1:38:08 > 1:38:11She's gonna say, "Hi, Claire, it's Beth. Are you there?

1:38:11 > 1:38:13"I'm sorry to call you so early,

1:38:13 > 1:38:15"But when you didn't call me last night, I got worried."

1:38:15 > 1:38:17BEEP BETH: Claire?

1:38:17 > 1:38:19Hi, it's Beth. Are you there?

1:38:19 > 1:38:20I'm sorry to call you so early,

1:38:20 > 1:38:22but you said you were gonna call me when you got home,

1:38:22 > 1:38:24and when you didn't, I started to get worried.

1:38:24 > 1:38:26Beth, is this a joke? Oh, hi, hi!

1:38:26 > 1:38:27No, like - like I said, I was just worried about you, that's all -

1:38:27 > 1:38:30Can't talk right now. Someone's here. I'll call you later.

1:38:30 > 1:38:31Claire - Believe me,

1:38:31 > 1:38:33the only one you're gonna be safe with is me.

1:38:33 > 1:38:34OK.

1:38:34 > 1:38:35Let's go.

1:38:40 > 1:38:41I don't understand.

1:38:41 > 1:38:43Why not just call the police

1:38:43 > 1:38:45and have them arrest him at the dock?

1:38:45 > 1:38:47He'll set the bomb off right there on the spot.

1:38:47 > 1:38:49He can't know he's been compromised

1:38:49 > 1:38:51until it's too late for him to do anything about it.

1:38:51 > 1:38:53Set the timer, walk away on foot,

1:38:53 > 1:38:55get on his motorcycle, and ride

1:38:55 > 1:38:56to the Crescent City Bridge to watch it.

1:38:56 > 1:38:58OK, then what?

1:38:58 > 1:39:00You defuse the bomb?

1:39:00 > 1:39:03Then I defuse the bomb.

1:39:22 > 1:39:23Yeah!

1:39:23 > 1:39:25Whoo!

1:39:58 > 1:40:00There's my truck.

1:40:04 > 1:40:06FERRY HORN BLOWING

1:40:09 > 1:40:10All these people.

1:40:10 > 1:40:11There he is.

1:40:11 > 1:40:13Where?

1:40:13 > 1:40:16You see the military jacket coming this way?

1:40:19 > 1:40:21It's just what you said.

1:40:21 > 1:40:24All right, you see those officers behind you?

1:40:24 > 1:40:26Yeah.

1:40:26 > 1:40:29When the ferry pulls off, I want you to tell them about the bomb, all right?

1:40:29 > 1:40:30They'll believe me?

1:40:30 > 1:40:32They'd better believe you.

1:40:32 > 1:40:33Come on. They'll arrest me.

1:40:33 > 1:40:35They won't arrest you.

1:40:35 > 1:40:36They'll take you into custody, you'll be fine.

1:40:36 > 1:40:39That's a good thing. Don't turn around.

1:40:48 > 1:40:50Be careful.

1:41:22 > 1:41:24MAN ON P.A.: Your attention, please.

1:41:24 > 1:41:26Passengers are not allowed on the car deck

1:41:26 > 1:41:29when the ferry is in motion.

1:41:35 > 1:41:37Sir, sir. Excuse me, sir.

1:41:37 > 1:41:40You're gonna have to move to the upper deck.

1:41:40 > 1:41:41Passengers aren't allowed here.

1:41:41 > 1:41:42OK.

1:41:45 > 1:41:47HORN

1:42:21 > 1:42:23Can't believe it. They're right on time.

1:42:23 > 1:42:24Let's get these boys to their party.

1:42:26 > 1:42:30NO AUDIO

1:42:35 > 1:42:37HORN

1:42:46 > 1:42:49Mommy!

1:42:55 > 1:42:58BAND PLAY "WHEN THE SAINTS GO MARCHING IN"

1:43:55 > 1:43:56HORN

1:44:01 > 1:44:03BAND PLAYING

1:44:25 > 1:44:28Excuse me, sir?

1:44:28 > 1:44:29Sir!

1:44:29 > 1:44:30There's no passengers allowed on the car deck

1:44:30 > 1:44:32during transit.

1:44:35 > 1:44:37No passengers allowed, sir.

1:44:46 > 1:44:48GUNSHOTS

1:45:04 > 1:45:07GUNSHOTS CONTINUE

1:45:13 > 1:45:16MACHINE GUNFIRE

1:45:47 > 1:45:49It's destiny, Oerstadt.

1:45:50 > 1:45:54Satan reasons like a man, but God thinks of eternity.

1:45:55 > 1:45:57What did you say?

1:45:57 > 1:45:59I'm saying it's gonna take

1:45:59 > 1:46:02a little divine intervention here, buddy.

1:46:03 > 1:46:04I'm coming out.

1:46:11 > 1:46:13What did you say?

1:46:14 > 1:46:16I thought you were a patriot.

1:46:16 > 1:46:18Oh, I am.

1:46:18 > 1:46:21Patriotism requires sacrifice.

1:46:21 > 1:46:23I'm willing to sacrifice.

1:46:23 > 1:46:25Yeah? Who? Her? Me?

1:46:25 > 1:46:27You're willing to sacrifice others, but not yourself.

1:46:27 > 1:46:29"The tree of liberty must be refreshed

1:46:29 > 1:46:31"with the blood of patriots and tyrants."

1:46:32 > 1:46:33Right.

1:46:33 > 1:46:35Sometimes a little human collateral is

1:46:35 > 1:46:37the cost of freedom, isn't it?

1:46:42 > 1:46:43Who are you, Oerstadt?

1:46:46 > 1:46:48Who are you?

1:46:51 > 1:46:53It's not supposed to be this way.

1:47:01 > 1:47:03SIREN

1:47:19 > 1:47:21You all right?

1:47:24 > 1:47:25I killed him.

1:47:25 > 1:47:27No, you didn't. I did.

1:47:27 > 1:47:30MAN ON RADIO: It's 10:48 on Fat Tuesday, Mardi Gras.

1:47:30 > 1:47:32Now, let's go back in time to 1964 - the Beach Boys...

1:47:32 > 1:47:33We're gonna die.

1:47:33 > 1:47:35No, we're not.

1:47:35 > 1:47:37105.3 FM, the heart of New Orleans.

1:47:37 > 1:47:39Hit the gas.

1:47:39 > 1:47:41Hit the gas!

1:47:45 > 1:47:49MAN: Get your hands in the air and step out of the vehicle now!

1:47:49 > 1:47:51RADIO: # Well, it's been building up inside of me.. #_

1:47:51 > 1:47:54We get out now, everybody dies.

1:47:54 > 1:47:57You have until the count of 3.

1:47:57 > 1:47:58Hit it.

1:47:58 > 1:47:591...

1:48:30 > 1:48:33HORN

1:49:20 > 1:49:22GASPING

1:49:41 > 1:49:44NO AUDIO

1:49:58 > 1:50:01SIRENS

1:50:06 > 1:50:11My daughter's on that ferry. Please. Please.

1:50:11 > 1:50:14Oh, God. My daughter.

1:50:27 > 1:50:29WOMAN: Chrissy!

1:50:29 > 1:50:31Chrissy! Oh, Chrissy!

1:50:31 > 1:50:33There's my mom!

1:50:33 > 1:50:34Mom!

1:50:39 > 1:50:41Ma'am...

1:50:41 > 1:50:42We're gonna need you to stay right here.

1:50:42 > 1:50:45Someone's on the way over to take a statement

1:50:45 > 1:50:47and ask you some questions, OK?

1:51:10 > 1:51:13Bobby.

1:51:13 > 1:51:14Doug. How you doing?

1:51:14 > 1:51:15All right.

1:51:15 > 1:51:17We got a live one over here.

1:51:17 > 1:51:18Pulled her out of the drink.

1:51:18 > 1:51:19Somehow involved in all of this.

1:51:23 > 1:51:25I'll get her.

1:51:29 > 1:51:31How you doing?

1:51:31 > 1:51:33Doug?

1:51:33 > 1:51:35That's right.

1:51:38 > 1:51:40You OK?

1:51:40 > 1:51:41Yeah.

1:51:41 > 1:51:44I'm...

1:51:44 > 1:51:46Have we met?

1:51:48 > 1:51:50Yeah.

1:51:50 > 1:51:51Yeah, we have.

1:51:54 > 1:51:56It's OK. Come on.

1:52:12 > 1:52:14You OK?

1:52:14 > 1:52:16Yeah. You sure?

1:52:16 > 1:52:17OK.

1:52:17 > 1:52:20Let me get you warmed up.

1:52:20 > 1:52:22# Don't worry, baby ..all right

1:52:22 > 1:52:27# Don't worry, baby Don't worry, baby

1:52:27 > 1:52:28# Ooh... #_

1:52:28 > 1:52:30What is it?

1:52:30 > 1:52:32Hmm?

1:52:32 > 1:52:33What is it?

1:52:37 > 1:52:39Doug?

1:52:40 > 1:52:42What if you had to tell someone

1:52:42 > 1:52:44the most important thing in the world,

1:52:44 > 1:52:48but you knew they'd never believe you?

1:52:48 > 1:52:50I'd try.

1:52:53 > 1:52:56# And if you knew how much I love you, baby

1:52:56 > 1:52:59# Nothing could go wrong with you... #

1:52:59 > 1:53:00Naw.

1:53:00 > 1:53:01STARTS ENGINE

1:53:01 > 1:53:04# But what she does to me

1:53:04 > 1:53:08# When she makes love to me when she says... #

1:53:10 > 1:53:13Subtitles by The National Captioning Institute, Inc.