0:01:31 > 0:01:35HE TAPS IMPATIENTLY Order! Order! >
0:01:42 > 0:01:46Ladies and gentlemen, you're all aware of what we're here for.
0:01:46 > 0:01:48This sweepstake has been inaugurated
0:01:48 > 0:01:51to provide a harmless sporting flutter
0:01:51 > 0:01:54for the domestic staff of Tottney Castle.
0:01:54 > 0:01:56Get on with it! Why do you go on?
0:01:56 > 0:01:58Order! Order! Silence!
0:01:58 > 0:02:03We have come to the conclusion that soon Lady Alyce will make up her mind to get married,
0:02:03 > 0:02:06so I've put all the eligibles in this hat and whoever draws...
0:02:06 > 0:02:08Gets the pot?
0:02:08 > 0:02:14Whoever draws the happy man will become the possessor of the total subscribed.
0:02:14 > 0:02:17Well, we will now proceed with the draw.
0:02:17 > 0:02:19THEY ALL CHATTER
0:02:19 > 0:02:21Thomas, the footman.
0:02:23 > 0:02:26He draws..."The Hon. Wilfred Washington Watkins."
0:02:26 > 0:02:30- Why couldn't I pull Reggie? - I don't know why you favour him.
0:02:30 > 0:02:34- With Lady Caroline backing him?- Did you ever know her not get her way?
0:02:34 > 0:02:37Antoine, our respected cook.
0:02:44 > 0:02:46"Sir George Belgrave."
0:02:46 > 0:02:48Oh, too bad!
0:02:48 > 0:02:50Now I draw.
0:02:54 > 0:02:56Oh!
0:02:56 > 0:02:58Mr Reggie.
0:02:58 > 0:02:59THEY MURMUR UNHAPPILY
0:02:59 > 0:03:03That, ladies and gentlemen, concludes the proceedings.
0:03:03 > 0:03:05Here! What about me?
0:03:05 > 0:03:07What about my go at the pot?
0:03:07 > 0:03:10I'm sorry. There are no more starters, my boy.
0:03:10 > 0:03:14- Well, what's wrong with writing me out a ticket for Mr X.- Mr X?
0:03:14 > 0:03:18Not in the field. If her ladyship turns down Mr Reggie and the rest,
0:03:18 > 0:03:21and marries some tee-total stranger, it's my pot.
0:03:23 > 0:03:25Any objections?
0:03:26 > 0:03:27Very well.
0:03:30 > 0:03:32There we are. Ha!
0:03:32 > 0:03:34Ha, yourself with knobs on!
0:03:35 > 0:03:42- Want me to tell you something?- What? - Lady Alyce is in love with a young American fella she met last year.
0:03:42 > 0:03:44Barmy! That's what you are!
0:03:44 > 0:03:50- Oh, barmy, am I? Then why has Lady Caroline appointed you to watch her wherever she goes?- How do you know?
0:03:50 > 0:03:53Listening at keyholes!
0:03:53 > 0:03:55Keggs, she's running off to London.
0:03:55 > 0:03:58- She told me not to tell a soul. - London? What for?
0:03:58 > 0:04:01To see Mr X. It's a walkover!
0:04:01 > 0:04:04Lady Caroline mustn't get a word of this.
0:04:04 > 0:04:05Where you going?
0:04:05 > 0:04:07FRANTIC MUSIC PLAYS
0:04:22 > 0:04:25- Where are you off to? - To protect my investment.
0:04:36 > 0:04:40Hello...? Yes, this is Jerry Halliday's apartment.
0:04:41 > 0:04:43No, I'm his publicity.
0:04:44 > 0:04:46About what?
0:04:46 > 0:04:50Well, you'll have to talk to my secretary. She's not in yet.
0:04:50 > 0:04:54You'd better call about 12 o'clock. She'll be in then to go to lunch.
0:04:54 > 0:04:55Hello.
0:04:56 > 0:05:00- You should have been in two hours ago.- Why? What happened?
0:05:00 > 0:05:04- What happened?- Yes.- If you're not on time, I'll get another stenographer.
0:05:04 > 0:05:09Another stenographer? Do you think there's enough work for two of us?
0:05:10 > 0:05:12Look, I mean I'm going to fire YOU!
0:05:12 > 0:05:18- Ye... Fire me!?- Yes!- If it wasn't for my father backing Jerry's first show in the United States...
0:05:18 > 0:05:21BOTH: You wouldn't be here in London now. No.
0:05:23 > 0:05:26Without him, you wouldn't work for me for two weeks.
0:05:26 > 0:05:28You wouldn't even work for me for two days!
0:05:28 > 0:05:29Not even for two minutes!
0:05:29 > 0:05:32Well, a girl couldn't ask for shorter hours than that.
0:05:33 > 0:05:35Here, sharpen this pencil.
0:05:35 > 0:05:38Type that letter I dictated last night?
0:05:38 > 0:05:42Well, no, I didn't have time, so I mailed them my notebook.
0:05:42 > 0:05:43I hope they read shorthand.
0:05:43 > 0:05:48Mailed your notebook! You know, Gracie, I'm beginning to think there's nothing up here.
0:05:48 > 0:05:51Oh, George! You're self-conscious.
0:05:51 > 0:05:52There.
0:05:52 > 0:05:54- That's it?- Yes.
0:05:55 > 0:05:58- PHONE RINGS I'm not in.- He's not in.
0:05:58 > 0:06:01- Find out who it is.- Um...who?
0:06:01 > 0:06:05- It's a Hawaiian.- A Hawaiian? - Well, he must be.
0:06:05 > 0:06:08He says he's Brown from the Morning Sun.
0:06:08 > 0:06:10Look, the man's name is Brown.
0:06:10 > 0:06:14Morning Sun is the newspaper he's working for. Tell him I'm not here.
0:06:14 > 0:06:15Oh, he's not here.
0:06:16 > 0:06:20I tell you, he's not here. Oh, you don't, huh?
0:06:20 > 0:06:23Well, ask him if you don't believe me. ..George...?
0:06:23 > 0:06:26Hello. Mr Halliday is not in.
0:06:50 > 0:06:54Mr Jerry Halliday, the destroyer of feminine hearts...
0:06:54 > 0:06:57I saw a crowd of women running. Why were they running?
0:06:57 > 0:07:01- Cos you were chasing them?- No, they chased me. You and your publicity!
0:07:01 > 0:07:05Gerry, these people believe you're the same character off stage as on.
0:07:05 > 0:07:08What's the difference if you cash in at the box office?
0:07:08 > 0:07:11Thanks to you, every woman who reads rushes at or away from me.
0:07:11 > 0:07:14Has it occurred to you I might like to meet a young lady
0:07:14 > 0:07:16who stands still for one second?
0:07:16 > 0:07:18AHEM!
0:07:18 > 0:07:20Sit down. Sit down! A story is a story, Jerry.
0:07:20 > 0:07:24- And as long as they're read... - Here's a story. A true story.
0:07:24 > 0:07:26- I'm through!- What?
0:07:26 > 0:07:28- What do you mean?- Oh, Jerry!
0:07:28 > 0:07:32Until I get out of this there'll be no more love scenes, love songs,
0:07:32 > 0:07:36- love dances and no more love-sick publicity!- Listen, Jerry...
0:07:36 > 0:07:38Jerry! Wait! Jerry!
0:07:51 > 0:07:53WOMEN CLAMOUR
0:08:18 > 0:08:21Good morning. Can I hide here, please?
0:08:21 > 0:08:24Now, listen, miss. This is too much.
0:08:24 > 0:08:29- Keggs mustn't see me.- Keggs? - Yes, he's following me. Keggs, Aunt Caroline's head watchdog.
0:08:31 > 0:08:33Here he is. Hide me.
0:08:33 > 0:08:36- You sir! You sir! - What's your trouble, my friend?
0:08:36 > 0:08:41- American, are you? Well, you can't get away with this sort of thing. - What?- A young lady got in your cab.
0:08:41 > 0:08:44- Surely not.- What do you mean? - I've been in the cab all this time
0:08:44 > 0:08:48- and I'd have noticed, sir. - Let me look inside this cab.
0:08:48 > 0:08:51- I will not, sir.- Very well. I'll be bound to force my way in.
0:08:51 > 0:08:55- Then, Keggs, I'm bound to force you out.- How did you know my name?
0:08:55 > 0:08:57It's written behind you.
0:09:01 > 0:09:04- Who is he?- He's Jerry Halliday.
0:09:04 > 0:09:07- He lives there?- Yes, The Devonshire.- The Devonshire!
0:09:09 > 0:09:12You're the American! Right.
0:09:12 > 0:09:14Don't give her up, we're going to win!
0:09:21 > 0:09:25- I suppose you're wondering what this is about.- Oh, no! Not my business.
0:09:25 > 0:09:30And of course you're much too well bred to enquire about my business.
0:09:30 > 0:09:32Of course I am. What's it all about?
0:09:32 > 0:09:38Well, I'm in a perfectly simple piece of trouble and it'll bore you to death if I tell you.
0:09:39 > 0:09:42Open that door. Do you hear me?
0:09:42 > 0:09:44Go away, my good man.
0:09:44 > 0:09:46'Ello. What's all this?
0:09:46 > 0:09:48I've another little idea here.
0:09:48 > 0:09:50I say...
0:09:52 > 0:09:56'Ello, 'Ello, 'Ello. Get out of there!
0:09:56 > 0:10:00You've committed a breach of the peace. You'll be charged for this.
0:10:00 > 0:10:04Officer, I'm glad you arrived. This man is annoying me.
0:10:04 > 0:10:06There is a young lady in this cab.
0:10:06 > 0:10:08- Ridiculous!- There is!- There is not!
0:10:08 > 0:10:10We shall see.
0:10:14 > 0:10:16A practical joker, eh?
0:10:16 > 0:10:20Playing jokes on the law! Come along with me, the both of you!
0:10:20 > 0:10:25- There was a young lady and you're evading the truth.- My friend... I'm denying nothing.
0:10:34 > 0:10:39Ladies and gentlemen, for your kind attention, I will give you my impression of Jerry Halliday.
0:10:57 > 0:10:59- Is it him?- It is!
0:11:00 > 0:11:03Come on, Jerry. Give us a dance, will you?
0:11:06 > 0:11:08Come on, Jerry. You can do it!
0:11:09 > 0:11:11A bit of music for Jerry.
0:11:11 > 0:11:15Come on, Jerry. SWING MUSIC PLAYS
0:11:15 > 0:11:16Now...
0:11:16 > 0:11:18come here.
0:11:18 > 0:11:20# Bad news, go away
0:11:20 > 0:11:22# Call round some day
0:11:22 > 0:11:23# In March or May
0:11:23 > 0:11:26# I can't be bothered now
0:11:26 > 0:11:27# My bonds and shares
0:11:27 > 0:11:29# May fall downstairs
0:11:29 > 0:11:31# Who cares? Who cares?
0:11:31 > 0:11:33# I'm dancing and I can't be bothered now
0:11:34 > 0:11:36# I walk among the stars
0:11:36 > 0:11:38# On earthly things I frown
0:11:38 > 0:11:41# I'm throwing off the bars that held me down
0:11:41 > 0:11:43# I'll pay the piper
0:11:43 > 0:11:45# When times get riper
0:11:45 > 0:11:47# Just now, I shan't
0:11:47 > 0:11:51# Because, you see, I'm dancing and I can't be bothered now... #
0:12:25 > 0:12:27I say there!
0:12:34 > 0:12:36Eat my roses, will you?
0:12:37 > 0:12:40Make me work twice as hard, will you?
0:12:40 > 0:12:44Take that! And that! And that!
0:12:44 > 0:12:48- Beg your pardon, your lordship. - What is it?- Milk, m'lord.- Milk?! - What am I - a baby or a cow?
0:12:48 > 0:12:50Take it away!
0:12:50 > 0:12:52FANFARE BLARES
0:12:59 > 0:13:02HE BURSTS INTO A JAZZ TUNE
0:13:12 > 0:13:15- Reggie!- Yes, Uncle John?
0:13:15 > 0:13:17- Stop that noise!- Right-ho!
0:13:17 > 0:13:20And stop saying "Right-ho".
0:13:20 > 0:13:21Right-ho!
0:13:23 > 0:13:26- Take it away.- Beg your pardon, my lord. Lady Caroline's orders.
0:13:26 > 0:13:29I'm not to move until you've drunk the last drop.
0:13:31 > 0:13:34- Father!- Hello, my dear.
0:13:34 > 0:13:36- Could you do me a favour?- What?
0:13:36 > 0:13:40Marry that saxophone-playing pest and take him away from here.
0:13:40 > 0:13:42I won't marry Reggie and you know the reason.
0:13:42 > 0:13:46All right, then. But next time you slip to London, let me go with you.
0:13:46 > 0:13:49- I'd like to take a look at him. - So would I!
0:13:49 > 0:13:51See him, your American?
0:13:51 > 0:13:54How could I with Keggs following me and fighting in the street?
0:13:54 > 0:13:57I wish you'd be sensible and forget him.
0:13:57 > 0:14:01Being apart a year hasn't made me forget him. That proves I love him.
0:14:02 > 0:14:05REGGIE PLAYS A FANFARE
0:14:05 > 0:14:07Stop that nonsense. Look!
0:14:08 > 0:14:10Uh-oh. Stormy weather approaching.
0:14:12 > 0:14:15John, read this, please.
0:14:15 > 0:14:18You know I can't read without glasses.
0:14:18 > 0:14:21- What the devil is it? - It may interest you to know
0:14:21 > 0:14:23Keggs spent last night in prison.
0:14:25 > 0:14:26Keggs!
0:14:26 > 0:14:28Keggs, come here.
0:14:32 > 0:14:34Oh, Keggs!
0:14:34 > 0:14:38- So you hit a policeman, eh? - No, m'lord, I kicked him.
0:14:38 > 0:14:41Caroline, you can put up with a kicking steward, I can not.
0:14:41 > 0:14:46- You're sacked for being drunk and disorderly in public. - Keggs was not drunk and disorderly.
0:14:46 > 0:14:48- I suppose you were an eyewitness. - Yes.
0:14:48 > 0:14:50Then you were in London yesterday.
0:14:50 > 0:14:54- I'm appalled!- I went there to meet a man and Keggs followed.
0:14:54 > 0:14:59I jumped into a cab to avoid him and that's where he had a struggle with the man in the cab.
0:14:59 > 0:15:01You met your American!
0:15:01 > 0:15:04I'd never seen the man before. It just happened I got into his cab.
0:15:04 > 0:15:06As if you'd get in a cab with a stranger!
0:15:06 > 0:15:08You're putting us off the scent!
0:15:08 > 0:15:12From now on, you'll remain in the grounds and be watched at all times.
0:15:12 > 0:15:15Those are your father's orders. Are they not, John?
0:15:15 > 0:15:17I suppose.
0:15:18 > 0:15:19Bah!
0:15:49 > 0:15:51Good morning, children.
0:15:51 > 0:15:54- Hi, Jerry.- Morning, Jerry. - Ah! Fan mail!
0:15:54 > 0:15:57- Yes.- I'm through with that.
0:15:58 > 0:16:01Now, listen, Jerry. You can't quit even temporarily.
0:16:01 > 0:16:06I am going to hide away in the country where no-one has heard of Halliday the butterfly man,
0:16:06 > 0:16:09beneath whose feet women's hearts
0:16:09 > 0:16:11are crushed as grapes in a wine press.
0:16:11 > 0:16:13You wrote that.
0:16:14 > 0:16:16Isn't this CUTE?!
0:16:16 > 0:16:20"And if you come then, no-one will suspect your presence.
0:16:20 > 0:16:22"I love you, Alyce M."
0:16:22 > 0:16:24Ha, ha, ha!
0:16:26 > 0:16:28That's the girl in the cab.
0:16:28 > 0:16:30- What cab?- She was in trouble.
0:16:30 > 0:16:34Tottney Castle. I wonder where that place is.
0:16:35 > 0:16:38It's got a coat of arms - a bona fide castle.
0:16:38 > 0:16:40Oh, that's where Napoleon came from.
0:16:40 > 0:16:42Napoleon?
0:16:42 > 0:16:44Yes, Napoleon BonaFIDE.
0:16:46 > 0:16:49- Father backed your first show, remember?- Yeah. Yeah.
0:16:49 > 0:16:53Here it is. "Tottley Castle. Present owner is Lord Marshmoreton,
0:16:53 > 0:16:56"his sister Lady Caroline and daughter Lady Alyce.
0:16:56 > 0:16:59"Since the 1400s, Tottley has been the seat of the Earl..."
0:16:59 > 0:17:03Oh, George, you must lose that Brooklyn accent. You mean "oil".
0:17:03 > 0:17:07I mean "earl". Oil and earl are two different things.
0:17:07 > 0:17:10Your daddy doesn't go to bed oily, does he?
0:17:10 > 0:17:12He did when he worked for the gas station.
0:17:12 > 0:17:14Listen, Gracie.
0:17:14 > 0:17:17In England there are several titles for the nobility -
0:17:17 > 0:17:18lords, dukes, earls...
0:17:18 > 0:17:20Oh, that's my daddy!
0:17:20 > 0:17:24If he ever gets his dukes on the Earl Company's money, Lord help 'em!
0:17:24 > 0:17:27- I made that up myself.- You did? - Yeah!
0:17:27 > 0:17:30- Where's the car?- Downstairs.
0:17:30 > 0:17:33Say, have you any idea what a publicity story this will make?
0:17:33 > 0:17:37Can't you see the headlines? Pretty peeress putty in Halliday's hands.
0:17:37 > 0:17:39"I love you, Alyce M."
0:17:39 > 0:17:44I mean, it's incredible. How can she say that when she doesn't know me!
0:17:44 > 0:17:45Everybody reads my stuff.
0:17:46 > 0:17:49Thursday is visitors' day. What's today?
0:17:49 > 0:17:50I don't know.
0:17:50 > 0:17:54You can tell if you look at that newspaper on your desk.
0:17:55 > 0:17:58Oh, this is no help, George. It's yesterday's paper.
0:18:00 > 0:18:04- Her father...- Backed my first show. - Yes.
0:18:06 > 0:18:09REGGIE PLAYS A GENTLE, SOMBRE TUNE
0:18:12 > 0:18:14- Hurry, Thomas.- Yes, Mr Keggs.
0:18:14 > 0:18:18They'll be here any moment. We shall be over-run by proletariats.
0:18:18 > 0:18:20Yes, Mr Keggs.
0:18:20 > 0:18:23Why they would pay a shilling to be led about like dumb animals
0:18:23 > 0:18:27gaping into the interiors of their betters, I'll never understand.
0:18:28 > 0:18:30It makes them feel envious of us.
0:18:30 > 0:18:32Keggs, I'm expecting madrigal singers.
0:18:32 > 0:18:35- Show them into the ballroom. - Yes, m'lady.
0:18:35 > 0:18:37- Oh, dear. Is it Thursday? - I fear so, m'lady.
0:18:37 > 0:18:41- Well, open the doors and windows after they've gone.- Yes, m'lady.
0:18:41 > 0:18:43HE PLAYS A RAGTIME TUNE
0:18:48 > 0:18:50# Hey, hey, a mother of three
0:18:50 > 0:18:53# Ho, ho, a mother of three Hey, hey... #
0:18:53 > 0:18:55HE FALLS SILENT
0:18:55 > 0:18:58HE PLAYS A GENTLE, SOMBRE TUNE
0:19:02 > 0:19:04Keep in line, please.
0:19:04 > 0:19:08Try to keep in line and hand me a shilling as you pass. Thank you.
0:19:15 > 0:19:18- Good old Tottney Castle. - Isn't it beautiful?
0:19:18 > 0:19:21It's almost pretty enough to be a filling station.
0:19:21 > 0:19:24Filling station? This castle is over 300 years old.
0:19:24 > 0:19:26Oliver Cromwell went through here in 1628.
0:19:26 > 0:19:28Well, that's fast in those days.
0:19:28 > 0:19:31- I mean he went through the castle. - Couldn't stop the car, huh?
0:19:31 > 0:19:33BOTH: No, he couldn't stop the car!
0:19:40 > 0:19:42Admission is one shilling.
0:19:42 > 0:19:46Oh, well, we usually get more than that but we'll go in.
0:19:46 > 0:19:49I don't pay the people, they pay me.
0:19:49 > 0:19:52- Oh. Well, then, give me my money back.- You didn't give me any money.
0:19:52 > 0:19:54Well, that's not my fault.
0:19:54 > 0:19:56- Here's your money.- Thank you.
0:19:58 > 0:20:01- How much did he give you? - Two shillings.
0:20:01 > 0:20:04- And how much is the admission? - One shilling.
0:20:04 > 0:20:06Well, then, give me my change.
0:20:06 > 0:20:11Oh, I beg your pardon, madam, I was a little confused for a moment.
0:20:20 > 0:20:24- Thank YOU!- Don't mention it. - Hey! Not so fast, sir.
0:20:24 > 0:20:27Oh, hello there, how are you?
0:20:27 > 0:20:29I'm sorry about your hat, old man.
0:20:29 > 0:20:31This castle is not open to you.
0:20:31 > 0:20:36- I thought it was open to anyone who paid a shilling.- To you, not on payment of £1 million.
0:20:36 > 0:20:38Thomas, Henry.
0:20:38 > 0:20:41Eject him! ..Come, Albert.
0:20:46 > 0:20:48Outside the rope.
0:20:48 > 0:20:53Oh, George, imagine meeting a deep-sea diver here. of all places!
0:20:53 > 0:20:55- Deep-sea diver?- Yes.- That's armour.
0:20:55 > 0:20:59Mr Armour must be somewhere in his underwear, he's not in his suit.
0:20:59 > 0:21:01Probably slipped out for a smoke.
0:21:01 > 0:21:02- Oh.- Oh.
0:21:04 > 0:21:06We are now in the main hall.
0:21:06 > 0:21:08Bang! Bang!
0:21:14 > 0:21:16You notice what that sign says?
0:21:16 > 0:21:19"Do not finger art..." Well, I don't blame Art.
0:21:19 > 0:21:21If I were Art, I'd object too!
0:21:24 > 0:21:26I don't get it.
0:21:27 > 0:21:31Next, I would like to point out this portrait of a very famous countess,
0:21:31 > 0:21:33mother of five daughters,
0:21:33 > 0:21:35- whose husband was... - I know, an accountant.
0:21:37 > 0:21:39- Oh!- Go right ahead.- Thank you.
0:21:39 > 0:21:41I'm happy to relate that his lordship
0:21:41 > 0:21:45- gave more than £5,000 for that portrait.- 5,000lb of what?
0:21:49 > 0:21:51BOY WHISTLES
0:21:54 > 0:21:58Told you I was your friend, didn't I? Now I'll prove it.
0:21:58 > 0:22:00- Good boy.- Don't muss my hair!
0:22:02 > 0:22:05- Got a cigarette? - Sorry, this is the last one.
0:22:05 > 0:22:06No.
0:22:07 > 0:22:09See them?
0:22:09 > 0:22:11They're the madrigal singers.
0:22:11 > 0:22:15You can slip in with them and I'll take you to see Lady Alyce.
0:22:15 > 0:22:16Good.
0:22:16 > 0:22:18You've got here just in time.
0:22:18 > 0:22:22If I've ever seen an impatient woman, she's one.
0:22:25 > 0:22:28Now, this balcony is an historical spot
0:22:28 > 0:22:31known in family tradition as Leonard's Leap.
0:22:31 > 0:22:36In the year 1787, a young Scottish nobleman, Lord Leonard Strathbungo,
0:22:36 > 0:22:41hurled himself from that balcony to avoid compromising the beautiful Countess Of Marshmoreton.
0:22:41 > 0:22:44This was a feat of bravery and daring which,
0:22:44 > 0:22:46in the whole history of the castle,
0:22:46 > 0:22:49- has never been duplicated. Thank you.- Thank you.
0:22:50 > 0:22:55- Did he break his neck?- George, maybe he didn't like his neck.- Maybe.
0:22:55 > 0:22:59Now those of you who may wish, will be conducted by the footmen to inspect the model dairy.
0:22:59 > 0:23:01Why?
0:23:01 > 0:23:03I am happy to relate
0:23:03 > 0:23:08that his lordship is the owner of no fewer than 15 hundred cows.
0:23:08 > 0:23:12- Does he herd sheep?- Oh, George, you can't say, "Does he heard sheep?"
0:23:12 > 0:23:15You mean, "Does he hear sheep?" or "Has he heard sheep?"
0:23:15 > 0:23:18- But you can't say... - ALL: "Does he heard sheep?" NO.
0:23:18 > 0:23:21Well, now we will return by way of the ballroom.
0:23:21 > 0:23:24George, isn't he a silly man!
0:23:42 > 0:23:44Now, let's all start together.
0:23:44 > 0:23:47Right-ho. And let's try and finish together.
0:23:52 > 0:23:55# There was a jolly British tar who met a milkmaid bonny
0:23:55 > 0:24:00# He said, How beautiful you are, with a hey and a nonny
0:24:00 > 0:24:02# With a hey and a nonny
0:24:02 > 0:24:06# Such golden hair I ne'er did see with lips to shame a cherry
0:24:06 > 0:24:09# Oh, buxom milkmaid, marry me
0:24:09 > 0:24:11# With a down-a-derry
0:24:11 > 0:24:14# With a down-a-down-a-derry
0:24:16 > 0:24:18# Our hearts could rhyme, said she
0:24:18 > 0:24:20# Tis flattered I'm, said she
0:24:20 > 0:24:23# But oh, ah, me You see, you see, you see, you see
0:24:23 > 0:24:26- # I happen to be - I happen to be the mother of three
0:24:26 > 0:24:31# A wife already and mother of three Of three, of three, of three, of three, of three
0:24:31 > 0:24:33# The mother of three... #
0:24:37 > 0:24:39# The jolly tar, he laughed a lot
0:24:39 > 0:24:41# Tis for the best, my bonny
0:24:41 > 0:24:45# That you won't be my better half With a hey and a nonny
0:24:45 > 0:24:47# With a hey and a nonny
0:24:47 > 0:24:51# I near forgot on seeing you That I've a wife in Kerry
0:24:51 > 0:24:54# In Spain and also Timbuktu
0:24:54 > 0:24:58- # With a down-a-derry - With a down-a-down-a-derry... #
0:25:00 > 0:25:04# ...You've got me thinking twice Goodbye to shoes and rice
0:25:04 > 0:25:06# For, ah, me You see, you see
0:25:06 > 0:25:10- # Now, you see, I happen to be - I happen to be the husband of three
0:25:10 > 0:25:12# A-spliced already and husband of three
0:25:12 > 0:25:14# A-spliced already and husband of three
0:25:14 > 0:25:17- # Of three - Of three, of three, of three
0:25:17 > 0:25:21# Of three, of three, of three Of three, of three, of three
0:25:21 > 0:25:24# A husband o-o-o-o-o-o-f
0:25:24 > 0:25:27# Three
0:25:27 > 0:25:30# Ah-ah-ah-ah-ah
0:25:30 > 0:25:33# Ah-ah-ah-ah-ah
0:25:33 > 0:25:36# Ah! # BOY WHISTLES
0:25:39 > 0:25:43- After him and turn him out.- Very well, m'lady. ..Thomas! ..Henry!
0:25:53 > 0:25:55Sit down. Hurry up!
0:25:58 > 0:26:00Now...
0:26:00 > 0:26:01close your eyes.
0:26:04 > 0:26:07- Now count.- Count?
0:26:07 > 0:26:11You're surprising her, ain't you? It'll be more romantic.
0:26:11 > 0:26:15She can creep softly in and plant a kiss on your brow.
0:26:17 > 0:26:19All right.
0:26:19 > 0:26:21Count.
0:26:21 > 0:26:24One, two, three,
0:26:24 > 0:26:27- four...- Louder.
0:26:27 > 0:26:29Five, six...
0:26:29 > 0:26:33- Give it a bit more. - Eleven, twelve...
0:26:33 > 0:26:35thirteen...
0:26:35 > 0:26:39eighteen, nineteen, twenty,
0:26:39 > 0:26:40twenty-one,
0:26:40 > 0:26:43twenty-two, twenty-three, twenty-four,
0:26:43 > 0:26:45twenty-five, twenty-six,
0:26:45 > 0:26:47twenty-seven, twenty-eight,
0:26:47 > 0:26:50twenty-seven. I said that before. Twen...
0:26:57 > 0:27:00I got here just as quickly as I could.
0:27:00 > 0:27:02You did?
0:27:02 > 0:27:03Yes.
0:27:03 > 0:27:05You're feeling quite well?
0:27:05 > 0:27:08Well, I'm not used to all this excitement.
0:27:08 > 0:27:11Oh, one of our gardeners got sunstroke yesterday.
0:27:11 > 0:27:13Is that so?
0:27:13 > 0:27:17Yes, um...he stood out in the sun too long without his hat on.
0:27:17 > 0:27:20That made HIM all funny in the head.
0:27:20 > 0:27:21Yes.
0:27:23 > 0:27:26Um...now what happens? What can I do to help you?
0:27:26 > 0:27:28Help?
0:27:28 > 0:27:31- Well, you're in distress, aren't you?- In a way, yes.
0:27:31 > 0:27:33They're keeping you prisoner.
0:27:33 > 0:27:38- Yes.- Well, I wouldn't have dreamed it possible in this day and age!
0:27:38 > 0:27:42- Locking a girl up like a prisoner to keep her away from... - The man she loves.
0:27:45 > 0:27:47How did you know?
0:27:47 > 0:27:51Um...you're quite sure about this being-in-love thing?
0:27:51 > 0:27:56- I mean, it isn't just a quick schoolgirl crush?- Oh, no.
0:27:57 > 0:27:59It's the real thing?
0:28:00 > 0:28:04Oh, well, really, I...find it quite embarrassing.
0:28:05 > 0:28:08Don't be shy. Not with me.
0:28:08 > 0:28:12I mean, I want you to just, well, tell me everything.
0:28:12 > 0:28:17But I couldn't possibly! I've only met you once.
0:28:19 > 0:28:23I'll tell you what, let's pretend I'm an old friend of the family,
0:28:23 > 0:28:25an uncle or something like that,
0:28:25 > 0:28:31and, well, you're talking about a third person who isn't here. How's that?
0:28:31 > 0:28:34It might make it easier.
0:28:35 > 0:28:36Now...
0:28:38 > 0:28:41All right. Here we go.
0:28:41 > 0:28:46Um...you do really, shall we say, um...
0:28:47 > 0:28:49- ..care for this man?- I love him.
0:28:55 > 0:28:57Why?
0:28:57 > 0:28:59Well, in the first place, he's...
0:28:59 > 0:29:02the most charming man in the world.
0:29:05 > 0:29:07And...in the second place,
0:29:07 > 0:29:10he's divinely handsome.
0:29:12 > 0:29:14You're crazy!
0:29:14 > 0:29:17Well, I beg your pardon, I think so.
0:29:17 > 0:29:21Well, all right. We won't argue that point any further.
0:29:22 > 0:29:24Go on.
0:29:24 > 0:29:26Um...American?
0:29:26 > 0:29:28Yes.
0:29:28 > 0:29:32Um...you'd say, "He's got what it takes."
0:29:34 > 0:29:38- Listen, you know, I can stand so much and then... - KNOCK AT DOOR
0:29:38 > 0:29:40Alyce! Alyce!
0:29:40 > 0:29:42- It's Aunt Caroline.- Alyce?- Yes?
0:29:42 > 0:29:44I want to speak to you.
0:29:44 > 0:29:47Just a moment. ..Get out of here. Aunt Caroline will find you.
0:29:47 > 0:29:51- The balcony.- Alyce? - But don't go near the edge.
0:29:56 > 0:30:00- Where's that man?- What man? - It's no good staring like that.
0:30:00 > 0:30:02That man was seen coming upstairs. You're hiding him.
0:30:02 > 0:30:04Psst!
0:30:08 > 0:30:12- The balcony!- Don't be silly, Aunt Caroline. The balcony?!
0:30:16 > 0:30:19Well, it appears I was mistaken. I'm sorry.
0:30:23 > 0:30:24- He did it.- Did what?
0:30:24 > 0:30:26The leap!
0:30:26 > 0:30:29- Leonard, I mean. - Well, of course he did.
0:30:29 > 0:30:33Aunt Caroline, has any man been known to do it since Leonard?
0:30:33 > 0:30:35Certainly not!
0:30:36 > 0:30:38Oh, what courage!
0:30:38 > 0:30:40Leonard, you mean?
0:30:40 > 0:30:43- Yes, Leonard, of course.- Oh.
0:30:55 > 0:30:58- Keep the motor running. - Did you see her, Jerry?- Yes, yes.
0:30:58 > 0:31:00Good. Now we can go to Paris.
0:31:00 > 0:31:03"Don't lose courage. I'll be waiting to help you.
0:31:03 > 0:31:05"What do I do next?" Thanks.
0:31:05 > 0:31:07Say, you, gardener?
0:31:07 > 0:31:10Look, where can one stay around here?
0:31:10 > 0:31:12There's several cottages down the road.
0:31:12 > 0:31:14Can you keep your mouth shut?
0:31:15 > 0:31:21Look, I want you to give this note to Lady Alyce, first chance. And here's £1 for your trouble.
0:31:30 > 0:31:34- Did you tell his lordship I wish to see him?- Yes, m'lady.
0:31:34 > 0:31:37- Where is he, then?- He's coming now.
0:31:37 > 0:31:40- He was taking his bath.- Very well.
0:31:41 > 0:31:44REGGIE PIPES A JOLLY TUNE
0:31:56 > 0:31:57Stop that infernal noise!
0:31:57 > 0:32:00- Yes, stop it, Reggie.- Right-ho!
0:32:00 > 0:32:03BAGPIPES WHEEZE
0:32:04 > 0:32:06Well, what is it? What is it?
0:32:06 > 0:32:09- I want to speak to you, John. - Nice time to choose!
0:32:09 > 0:32:13- Keggs, repeat to his lordship what you just told me.- Very good.
0:32:13 > 0:32:16I have been informed by the cook, who was informed by the footman,
0:32:16 > 0:32:20who was informed by the scullery maid, who had it from the milkman...
0:32:20 > 0:32:22- You forgot the first maid.- Shut up!
0:32:22 > 0:32:26Oh, go ahead, man. What did the syndicate tell you?
0:32:26 > 0:32:30That three Americans now occupy Leonard's Manor, m'lord.
0:32:30 > 0:32:34Alyce's American and his friends. They're just down the road!
0:32:35 > 0:32:39- Well, John?- What do you mean, "Well, John?" What do you expect me to do?
0:32:39 > 0:32:41You will go and horsewhip him immediately.
0:32:41 > 0:32:45Oh, but I couldn't possibly. Why, I-I hardly know the person.
0:32:45 > 0:32:48You'll do it directly you've had breakfast.
0:32:48 > 0:32:50Oh, all right, I'll think it over.
0:32:54 > 0:33:00Well, now you've rented this bungalow, what am I expected to do? Sit and watch you being a hermit?
0:33:00 > 0:33:02Where's your sense of romance?
0:33:02 > 0:33:04Did you hear what she said? Leonard lived here.
0:33:04 > 0:33:07Oh, have some sense, Jerry. Come on!
0:33:07 > 0:33:10- Oh, I can't go now. She needs me. She's in trouble.- Oh, Jerry!
0:33:10 > 0:33:14Don't be pessimistic. She may still be in trouble when you get back.
0:33:19 > 0:33:22- Don't unpack, Mr Halliday, he's on his way over!- Who?
0:33:22 > 0:33:25His lordship! He's coming to chase you out of the place!
0:33:25 > 0:33:27Chase me out of the place?
0:33:27 > 0:33:31Please, sir. You'd better hurry. If you don't go, he'll horsewhip you.
0:33:31 > 0:33:34How old-fashioned! Horsewhipping in this day and age,
0:33:34 > 0:33:38when they can run over him! What will they think of next?
0:33:38 > 0:33:40Please, sir. Hurry! Hurry!
0:33:40 > 0:33:44Relax, my dear boy, I'm not leaving. I like it here.
0:33:44 > 0:33:48- I'm filled with the spirit of Leonard.- Please, change your mind.
0:33:48 > 0:33:51- You can't defy him!- It's time someone defied the old wolf.
0:33:55 > 0:33:58That's him! He'll kill me if he finds me here!
0:34:03 > 0:34:06You'd better take Gracie into the next room.
0:34:06 > 0:34:08- I want to see what happens. - You'll hear.
0:34:11 > 0:34:13Oh!
0:34:28 > 0:34:30Enter.
0:34:37 > 0:34:40Oh! I was expecting someone else.
0:34:40 > 0:34:43However, peasantry is always welcome across my threshold.
0:34:43 > 0:34:46Take a stool and sit down, sir.
0:34:46 > 0:34:49- THUD! - As a matter of fact, I....
0:34:53 > 0:34:55..I was expecting your boss.
0:34:55 > 0:34:59And it would have been a most unpleasant time he'd have spent.
0:34:59 > 0:35:05Pray tell, who does he think he is, ordering me out of the county and horsewhipping me?
0:35:05 > 0:35:06I'd like to see him try it!
0:35:06 > 0:35:10What do I care if he's the earl of yon neighbouring castle?
0:35:10 > 0:35:12An earl? So what?
0:35:13 > 0:35:16And how did he become an earl?
0:35:16 > 0:35:21Because some ancestor did common people out of their lands, the old pirate!
0:35:21 > 0:35:23Want to know what else I think?
0:35:23 > 0:35:27Why, he's nothing but a... a high-binder.
0:35:31 > 0:35:33- Have you finished?- Yes.
0:35:33 > 0:35:35- I think that's all.- Good.
0:35:37 > 0:35:42- Come out, you young scoundrel! Come out!- No, lord. Please, lord.
0:35:42 > 0:35:46Please, sire. Go on, get out. Yes, m'lord. No, m'lord.
0:35:57 > 0:36:01- You're Lord Marshmoreton.- I am.
0:36:01 > 0:36:02Oh!
0:36:02 > 0:36:05Oh! Oh, isn't it awful? Isn't it terrible?
0:36:05 > 0:36:09- What's awful? What's terrible? - I can't hear a thing.
0:36:15 > 0:36:18- What's this?- The answer to the letter you gave me.
0:36:18 > 0:36:22- You mean that you gave my note to Lady Alyce?- Of course I did.
0:36:22 > 0:36:26You tipped me most liberally. There's her answer.
0:36:27 > 0:36:30- Oh, then you're on my side. - Of course I am.
0:36:30 > 0:36:32- Alyce loves you.- What?
0:36:32 > 0:36:36And I respect her judgment. She loves you, that's enough for me.
0:36:36 > 0:36:41I don't think the Marshmoretons are fenced off from the rest of the world by some sort of nobility.
0:36:41 > 0:36:44My sister does, but she's an ass.
0:36:44 > 0:36:45Isn't she?
0:36:45 > 0:36:47I mean, is she?
0:36:47 > 0:36:49Course she is! Always has been.
0:36:49 > 0:36:53Why, she wants her step-son, Reggie, to marry Alyce.
0:36:53 > 0:36:55Over my dead body, sir.
0:36:55 > 0:36:59Well, she didn't specify that, but she'd be glad if it was arranged.
0:36:59 > 0:37:04Look... We're going to take her to a fair this afternoon.
0:37:04 > 0:37:09- Caroline expects him to propose to her on the chute de chutes. - Well, I'll be darned!
0:37:10 > 0:37:12Is that all you're going to say?
0:37:13 > 0:37:15No, sir, it is not.
0:37:15 > 0:37:17Well, if I were a man in your position,
0:37:17 > 0:37:19I'd go myself and take her from him.
0:37:19 > 0:37:21That's just what I shall do, sir.
0:37:21 > 0:37:23Good boy!
0:37:23 > 0:37:24Well...
0:37:24 > 0:37:27I must be getting back to my roses.
0:37:28 > 0:37:30Oh, by the way,
0:37:30 > 0:37:33if you should happen to run into my sister,
0:37:33 > 0:37:37- tell her I horsewhipped you within an inch of your life.- Right-ho.
0:37:39 > 0:37:42JERRY HUMS A CHEERFUL TUNE
0:37:42 > 0:37:43Still alive, huh?
0:37:43 > 0:37:47- Alive? I've just begun to live. - Just begun to live?
0:37:47 > 0:37:51- Why, I've just begun to live. - Oh, he's just begun to live.
0:37:51 > 0:37:53- # Oh, I've just begun to live - I've just begun to live
0:37:53 > 0:37:56# Yes, I've just begun to live I've just begun to live
0:37:56 > 0:37:59# Oh, I've just begun to live I've just begun to live... #
0:40:42 > 0:40:47Step up, ladies and gents! This way! The tunnel of love!
0:40:47 > 0:40:49All for the price of half a shilling.
0:40:49 > 0:40:54Now, I've no doubt many are shy. You'd like to pop the question but don't know how.
0:40:54 > 0:40:59Give your girl sixpence for the tunnel of love and achieve your wish.
0:40:59 > 0:41:03Get your money back if she don't fling her arms round your neck and say yes.
0:41:03 > 0:41:07When she says nothing, say, "Will you be mine?" How can she help,
0:41:07 > 0:41:12but say the word that keeps the clergyman out of the poor house? Money will be returned
0:41:12 > 0:41:16to all men who don't click in the first five minutes.
0:41:16 > 0:41:21Step up! This way for the tunnel of love. Buy your tickets and hurry in.
0:41:21 > 0:41:26- Oh, come on, George.- No, that's for children. I don't like them - never did, never will.
0:41:26 > 0:41:29- Jerry, don't get me a ticket. - Why not?- I've got a weak heart.
0:41:29 > 0:41:33Don't be silly! If Jerry pays, how can that affect your heart?
0:41:33 > 0:41:36- Come on.- No, no. Not me. I don't get pleasure out of this.
0:41:36 > 0:41:41Come along, George. It's lots of fun having fun, even if you don't enjoy it.
0:41:41 > 0:41:42Heel!
0:42:15 > 0:42:17Ah!
0:42:38 > 0:42:40- Good afternoon.- Good afternoon.
0:42:40 > 0:42:43I've, um...been hoping that I'd meet you again.
0:42:43 > 0:42:46- Oh, you have? - Yes, to thank you about yesterday.
0:42:46 > 0:42:48Did you hurt yourself?
0:42:48 > 0:42:52Oh, no, no. No. Just skinned my hands a little.
0:42:52 > 0:42:54It's nothing at all.
0:42:54 > 0:42:59- It's a lot of fun, isn't it?- It's all right.- What do they call it?
0:42:59 > 0:43:00The tunnel of love.
0:43:04 > 0:43:05Oh.
0:43:07 > 0:43:10I say, I'm with the lady in the car ahead.
0:43:10 > 0:43:12My, my! You must be a magician!
0:43:12 > 0:43:16No, but really, aren't you with the gentleman in the car ahead?
0:43:17 > 0:43:18Oh! So I am!
0:43:19 > 0:43:24Well, if we're in the car ahead, who can the people be in this car?
0:43:24 > 0:43:27Yes, that's right. There must be some mix-up.
0:43:27 > 0:43:31- Shall I strike a match?- Why hit a match? It isn't his fault.
0:43:31 > 0:43:34Although I always say...
0:43:34 > 0:43:37How do? ..Although I always say...
0:43:38 > 0:43:41Say! You're pretty!
0:43:41 > 0:43:44You know, I was about to say the very same thing.
0:43:44 > 0:43:49Why don't you say it? If you think you're pretty, you have as much right to say it as I have.
0:43:49 > 0:43:51I say, do you live here.
0:43:51 > 0:43:54No! Where I live we sit in chairs.
0:43:54 > 0:43:57I must admit something else.
0:43:57 > 0:43:58I, um...
0:43:58 > 0:44:00It's lovely weather, isn't it?
0:44:00 > 0:44:04- Yes. Shame we can't see it.- Rather. - ..How do?
0:44:04 > 0:44:08Oh, by the way, did you see the newspapers this morning?
0:44:08 > 0:44:10No. Did you see them?
0:44:10 > 0:44:11No.
0:44:11 > 0:44:14But I wished it was yesterday.
0:44:14 > 0:44:17Although I didn't see the papers yesterday.
0:44:17 > 0:44:20- Did you see the papers yesterday morning?- No.
0:44:20 > 0:44:23I never see the papers.
0:44:23 > 0:44:26- But they're nice to talk about. - Yes. They're so true to life.
0:44:26 > 0:44:29Oh, well, aren't we all!
0:44:29 > 0:44:30How do?
0:44:31 > 0:44:36- I say, everybody knows you, don't they?- Yes.
0:44:36 > 0:44:39By the way, I, um... I saw your father this morning.
0:44:39 > 0:44:42- Oh, yes?- Yes, he called at my house.
0:44:42 > 0:44:47- I thought he was a grand person. - Oh, yes.- And truthful, I suppose?
0:44:47 > 0:44:49What do you mean?
0:44:49 > 0:44:51I mean you can rely upon what he tells you.
0:44:51 > 0:44:55He wouldn't just have fun, like a practical joke or anything.
0:44:55 > 0:44:56Of course not.
0:44:56 > 0:45:00- What did he tell you?- About you. - What about me?
0:45:00 > 0:45:05He told me about you having fallen in love with...
0:45:05 > 0:45:07Oh! Well, I'm not ashamed of it.
0:45:07 > 0:45:09Course not!
0:45:09 > 0:45:11You can't help falling in love.
0:45:13 > 0:45:14I know that.
0:45:15 > 0:45:18It's like being hit by a thunderbolt.
0:45:18 > 0:45:20That's right.
0:45:21 > 0:45:25I know some people laugh at the idea of falling in love at first sight.
0:45:25 > 0:45:28- They're wrong. - I'm glad you think so
0:45:28 > 0:45:31because I did, head over heels.
0:45:32 > 0:45:33Alyce...
0:45:33 > 0:45:35SLAP!
0:45:38 > 0:45:40How do?
0:45:54 > 0:45:56You look nice and happy. What's happened to you?
0:45:56 > 0:45:59George, that was fun! Let's go down the moving stairs!
0:45:59 > 0:46:01Oh, oh, no. Come here.
0:46:03 > 0:46:06"The safest way - take the lift." Inside.
0:46:17 > 0:46:20GRACIE LAUGHS
0:46:24 > 0:46:26The safe way?
0:46:28 > 0:46:32# What made good Queen Bess such a great success?
0:46:32 > 0:46:36# What made Wellington do what he did at Waterloo?
0:46:37 > 0:46:40# What makes every Englishman a fighter through and through?
0:46:40 > 0:46:44# It isn't roast beef or ale, or home, or mother
0:46:44 > 0:46:48# It's just a little thing they sing to one another
0:46:49 > 0:46:52# Stiff upper lip, stout fella
0:46:52 > 0:46:54# Carry on, old bean
0:46:54 > 0:46:56# Chin up
0:46:56 > 0:46:58# Keep muddling through
0:46:58 > 0:47:01# Stiff upper lip, stout fella
0:47:01 > 0:47:03# Dash it all, I mean
0:47:03 > 0:47:05# Pip-pip to old man trouble
0:47:05 > 0:47:07# And a toodle-oo too
0:47:07 > 0:47:10# Carry on through thick and thin
0:47:10 > 0:47:13# If you feel you're in the right
0:47:13 > 0:47:15# Does the fighting spirit win?
0:47:15 > 0:47:18# Oh, quite, quite, quite quite, quite
0:47:18 > 0:47:20# Stiff upper lip, stout fella
0:47:20 > 0:47:22# When you're in a stew
0:47:22 > 0:47:25# Sober or blotto this is the motto
0:47:25 > 0:47:27# Keep muddling through... #
0:54:44 > 0:54:47HE SINGS
0:54:49 > 0:54:52I'm sorry, m'lady. So sorry.
0:54:52 > 0:54:58I thought it was clearly understood, Keggs, that I would not tolerate another of these outbursts.
0:54:58 > 0:55:01Yes, m'lady. I fight the urge constantly, m'lady
0:55:01 > 0:55:04but this time it seemed to get the better of me.
0:55:04 > 0:55:09A man of character, Keggs, should learn to control his passions.
0:55:09 > 0:55:11Yes, m'lady. Thank you, m'lady.
0:55:23 > 0:55:26- Father!- Just a minute, dear. I'm looking for a snail.
0:55:26 > 0:55:28It's behind this bush somewhere.
0:55:28 > 0:55:30Go round there and cut off its retreat.
0:55:30 > 0:55:32I'll teach him to eat the flowers.
0:55:32 > 0:55:35Father, do stop talking about snails. I want to ask something.
0:55:35 > 0:55:39Do you think it shows a very weak character, changing one's mind?
0:55:39 > 0:55:43- About?- About, um...for instance, um...falling in love.
0:55:43 > 0:55:45Oh, hello, what's this you're telling me?
0:55:45 > 0:55:49You've changed your mind about that ski-jumping fellow?
0:55:49 > 0:55:52I just found, suddenly, that I don't love him.
0:55:52 > 0:55:56- I suppose that delights you.- Not at all. I'm sorry, I liked the chap.
0:55:56 > 0:56:01- But you've never met him.- Of course I've met him. I called at his house yesterday to deliver that note.
0:56:01 > 0:56:03- Oh, that's not the man. - Not the man?
0:56:03 > 0:56:06No, that's the American I met in London in a cab.
0:56:06 > 0:56:10Well, whoever he is, I told him you were potty about him.
0:56:10 > 0:56:13- I gave him my blessing. - You told him I was...?
0:56:14 > 0:56:15Oh!
0:56:15 > 0:56:18- Then that's why.- Why what? - Why he kissed me.
0:56:18 > 0:56:23- Naturally. - Father, you don't understand. I slapped him.- Naturally.
0:56:23 > 0:56:25- He's a stranger. - But he's not a stranger.
0:56:25 > 0:56:28That is, in a way he is, and he isn't.
0:56:28 > 0:56:33I realised in a flash that I love him. I can't help myself.
0:56:33 > 0:56:35- I know you think I'm crazy. - Love him?
0:56:35 > 0:56:39- But you said you didn't.- I didn't say I didn't, I said I did.
0:56:39 > 0:56:43- But now he won't want anything to do with me any more.- Why?
0:56:43 > 0:56:45Because you slapped him? What rot!
0:56:45 > 0:56:49Why, your mother used to slap me frequently before we got engaged.
0:56:49 > 0:56:52You think I minded? Course I didn't!
0:56:52 > 0:56:54Showed she was beginning to take an interest in me.
0:56:54 > 0:56:59Every time I kissed her, she slapped me. Every time she slapped me, she apologised.
0:56:59 > 0:57:02And every time she apologised, I kissed her again
0:57:02 > 0:57:05and before long, there we were in a private suite
0:57:05 > 0:57:07shaking the confetti out of our hair.
0:57:07 > 0:57:11- Do you think I ought to apologise? - Well, he might kiss you again!
0:57:11 > 0:57:14Suppose he didn't. I mean, suppose he didn't forgive me?
0:57:14 > 0:57:20- He'll forgive you. Everything will end happily and I shall come along and dance at your wedding.- Father!
0:57:20 > 0:57:23You go along and do your apologising.
0:57:23 > 0:57:25I've got to get this snail.
0:57:33 > 0:57:35- Hello, Keggs.- M'lady.
0:57:38 > 0:57:40Come here, you.
0:57:42 > 0:57:44I want a few words with you in private.
0:57:44 > 0:57:48Eavesdropping is a low habit his lordship will not tolerate
0:57:48 > 0:57:52and so, young idiot Albert, I'm forced to give you the sack.
0:57:52 > 0:57:54Please, Mr Keggs, let me off this once.
0:57:54 > 0:57:59Well, I'm soft-hearted and would hate to ruin a lad's prospects.
0:57:59 > 0:58:01- Promise you won't do it again? - Word of honour.
0:58:01 > 0:58:03Very well.
0:58:03 > 0:58:05Thank you, Mr Keggs.
0:58:05 > 0:58:06Oh, by the way,
0:58:06 > 0:58:11- do you happen to have that ticket? The one marked "Mr X"?- Yes.
0:58:11 > 0:58:15- Would you mind exchanging it for the one marked "Mr Reggie"?- No chance.
0:58:15 > 0:58:16Just as you please.
0:58:16 > 0:58:20But, on second thoughts, I'll have to discharge you after all.
0:58:20 > 0:58:24Pity it is too, being dismissed without a character,
0:58:24 > 0:58:26breaking your poor old mother's heart.
0:58:26 > 0:58:30It's men like you what lead half the crimes in the country! Here.
0:58:31 > 0:58:34- Thank you.- Thank you.
0:58:36 > 0:58:39HE HUMS A CHEERFUL TUNE
0:58:45 > 0:58:47What are you so cheerful about?
0:58:47 > 0:58:49We're going to Paris!
0:58:49 > 0:58:51What are you so cheerful about?
0:58:51 > 0:58:52We're going to Paris.
0:58:52 > 0:58:55I suppose you'd like to stay here
0:58:55 > 0:58:58and play Leonard so you can save Lady Alyce again, huh?
0:58:58 > 0:59:03- I never want to see her again. - She's here.- Who?
0:59:03 > 0:59:06- The girl who slapped you.- Where?
0:59:06 > 0:59:07On the jaw.
0:59:07 > 0:59:09She's coming up the lane.
0:59:15 > 0:59:17Let's go outside.
0:59:17 > 0:59:24- The man is in love. He wants to be by himself with the girl he loves. - George, I didn't know you liked me!
0:59:24 > 0:59:27- This is so sudden. Come on.- Oh.
0:59:27 > 0:59:28Hello.
0:59:28 > 0:59:31- How do you do?- May I come in?
0:59:34 > 0:59:36Is there something I can do for you?
0:59:44 > 0:59:49- I suppose it seems very odd, my coming here like this.- Not at all.
0:59:49 > 0:59:51Neighbourly. Won't you have a seat?
0:59:51 > 0:59:55Um...no, thank you. I can only stay a moment.
0:59:55 > 0:59:57I'd feel safer if you were sitting.
0:59:57 > 1:00:01- I just wanted to speak to you. - You've come just in time.
1:00:01 > 1:00:05- I'm leaving for Paris immediately. - You're never coming back?
1:00:05 > 1:00:07You can always buy a punching bag.
1:00:07 > 1:00:10But that's what I came to speak to you about.
1:00:10 > 1:00:13I, um...came to say that I'm sorry I slapped you.
1:00:13 > 1:00:17You see, Father's just explained everything to me
1:00:17 > 1:00:19and I understand how it happened.
1:00:19 > 1:00:22Oh, I see. You father explained to you why you slapped me.
1:00:22 > 1:00:24No, no!
1:00:25 > 1:00:27Things are frightfully mixed up.
1:00:27 > 1:00:29Father made a mistake about you.
1:00:29 > 1:00:32Then after he spoke to you yesterday, well,
1:00:32 > 1:00:36- you naturally thought you were somebody else.- Naturally.
1:00:36 > 1:00:39I didn't know, of course. I thought you were being yourself.
1:00:39 > 1:00:42Then Father explained he thought you were the other man
1:00:42 > 1:00:45and how were you to know I didn't mean you? Do you understand?
1:00:45 > 1:00:49- Perfectly. - And you see why I slapped you?
1:00:49 > 1:00:51Let me get this straight.
1:00:51 > 1:00:55- Whom did you slap? Me or the other fella?- Why, you!
1:00:55 > 1:00:58- Who's the other fella?- Jeffrey.
1:00:58 > 1:01:00Jeffrey? Who's he?
1:01:00 > 1:01:03An American I met in Switzerland about a year ago.
1:01:03 > 1:01:05Oh.
1:01:05 > 1:01:07They don't want me to marry him.
1:01:07 > 1:01:10That's why they locked me up to keep me from seeing him.
1:01:10 > 1:01:13Oh, I see. Your father thought I was he.
1:01:13 > 1:01:15Naturally, I thought he meant me.
1:01:15 > 1:01:17I see.
1:01:17 > 1:01:21Well, I'm afraid I've made an awful fool of myself.
1:01:21 > 1:01:22No. No, you haven't.
1:01:22 > 1:01:26- And this chap, um...Egbert? - Jeffrey.- Jeffrey.
1:01:26 > 1:01:28- He's the man you love?- No.
1:01:28 > 1:01:30No.
1:01:30 > 1:01:32What do you mean, "No"?
1:01:32 > 1:01:36Look, I-I suddenly realised that...that I didn't love Jeffrey.
1:01:36 > 1:01:39All that had just been a schoolgirl crush
1:01:39 > 1:01:41and the reason that was so clear was, well...
1:01:41 > 1:01:44I suddenly realised that...that...
1:01:45 > 1:01:47I love somebody.
1:01:47 > 1:01:49A third man?
1:01:49 > 1:01:50No.
1:01:52 > 1:01:56Will you please stop saying no and talk sense?
1:01:58 > 1:02:01You're just about the stupidest man I ever met.
1:02:06 > 1:02:09How I fell in love with you, I'll never understand!
1:02:18 > 1:02:21- Did I hear correctly? Did you just say...?- Yes.
1:02:21 > 1:02:24- Well, are you sure it's me?- Yes.
1:02:25 > 1:02:29Well, when did you first feel this, what you just said, coming on?
1:02:29 > 1:02:33- Yesterday, in a flash, right after I slapped you.- Whoa!
1:02:33 > 1:02:35Then slapping me made you love me.
1:02:35 > 1:02:36Yes.
1:02:36 > 1:02:38Darling, slap me again.
1:02:39 > 1:02:42# If I should suddenly start to sing
1:02:42 > 1:02:44# Or stand on my head or anything
1:02:44 > 1:02:46# Don't think that I've lost my senses
1:02:46 > 1:02:50# It's just that my happiness finally commences
1:02:51 > 1:02:54# The long, long ages of dull despair
1:02:54 > 1:02:56# Are turning into thin air
1:02:56 > 1:02:59# And it seems that suddenly I've
1:02:59 > 1:03:04# Become the happiest man alive
1:03:04 > 1:03:07# Things are looking up
1:03:07 > 1:03:10# I've been looking the landscape over
1:03:10 > 1:03:14# And it's covered with four-leaf clover
1:03:14 > 1:03:16# Oh, things are looking up
1:03:16 > 1:03:19# Since love looked up at me
1:03:21 > 1:03:23# Bitter was my cup
1:03:23 > 1:03:27# But no more will I be the mourner
1:03:27 > 1:03:30# For I've certainly turned the corner
1:03:30 > 1:03:33# Oh, things are looking up
1:03:33 > 1:03:36# Since love looked up at me
1:03:38 > 1:03:40# See the sunbeams
1:03:40 > 1:03:41# Everyone beams
1:03:41 > 1:03:44# Just because of you
1:03:44 > 1:03:46# Love's in session
1:03:46 > 1:03:48# And my depression
1:03:48 > 1:03:51# Is unmistakably through
1:03:51 > 1:03:54# Things are looking up
1:03:54 > 1:03:57# It's a great little world we live in
1:03:57 > 1:03:59# Oh, I'm happy as a pup
1:03:59 > 1:04:03# Since love looked up at me... #
1:05:56 > 1:05:58When am I going to see you again?
1:05:58 > 1:06:00I do wish you could come to the ball tonight.
1:06:00 > 1:06:03To see you, I'd risk Aunt Caroline's bloodhounds.
1:06:03 > 1:06:08Father will help you get in. Besides, there'll be so many people, I'm sure no-one would notice you.
1:06:08 > 1:06:10I'll be there.
1:06:10 > 1:06:11Bye!
1:06:25 > 1:06:28MADRIGAL SINGERS SING IN CHORUS
1:06:39 > 1:06:43Beg your pardon, sir. A lady and gentleman have just arrived.
1:06:43 > 1:06:47- The lady said I was to mention the tunnel of love.- Oh, yes!
1:06:47 > 1:06:49Right-ho.
1:07:08 > 1:07:12Uncle John? Let me introduce Miss Allan, Mr Burns.
1:07:12 > 1:07:17- My Uncle, Lord Marshmoreton.- How do you do?- Swell crowd here tonight.
1:07:17 > 1:07:20- Must be taking in a lot of shillings.- Gracie, we're guests.
1:07:20 > 1:07:23- I know.- Mother, these are my friends, Miss Allan, Mr Burns.
1:07:23 > 1:07:27- How do you do?- How do? - Well, come along.
1:07:27 > 1:07:29Now, you wait here
1:07:29 > 1:07:32and I'll go and get that surprise I told you about at the fair.
1:07:32 > 1:07:36Miss Allan, is he coming here tonight, your friend, Mr Halliday?
1:07:36 > 1:07:40Oh, sure he's not coming here. You know why?
1:07:40 > 1:07:43He wasn't invited. That's why, Lord Marshmallow.
1:07:43 > 1:07:47- Gracie, it's Marshmoreton, not Marshmallow.- That's what I said!
1:07:47 > 1:07:51- Marshmallow.- Look, Gracie, Marshmallows are soft and mushy.
1:07:51 > 1:07:55Please, George! You don't know the gentleman well enough to say that!
1:07:55 > 1:07:58- I'm sorry. Would you explain that, please?- Certainly.
1:07:58 > 1:08:01Miss Allan, have you seen a toasted marshmallow?
1:08:01 > 1:08:05No, but I'm dying to see you that way. I'll bet you're a scream!
1:08:11 > 1:08:13Well, here we go.
1:08:13 > 1:08:16TROMBONES PLAY A SWING TUNE
1:08:23 > 1:08:27John, I insist you make Reggie stop that noise.
1:08:27 > 1:08:29Noise? It's dance music.
1:08:29 > 1:08:31- Swing!- Swing?
1:08:31 > 1:08:35- In Tottley Castle?- It's time the old place was brightened up a bit.
1:08:35 > 1:08:40Oh! ..Oh, how do you do? I'm so glad to see you.
1:08:42 > 1:08:44Oh, you're grand!
1:08:44 > 1:08:48- Really? Well, thanks.- Yes. Oh, you're a beautiful dancer.
1:08:48 > 1:08:50- Thank you.- Thank you.
1:08:50 > 1:08:53- If it weren't for two things, you'd be a TERRIFIC dancer.- What's that?
1:08:53 > 1:08:55Your feet!
1:08:55 > 1:08:56Pardon me.
1:09:12 > 1:09:15Makes my heart glad to see your ladyship so happy tonight.
1:09:21 > 1:09:22Why, Albert!
1:09:24 > 1:09:28- Your ladyship... - ALBERT SOBS
1:09:29 > 1:09:32Oh, goodness gracious, Albert. What's the matter?
1:09:33 > 1:09:35Your ladyship...
1:09:35 > 1:09:37Oh! I can't tell you!
1:09:38 > 1:09:41Oh, course you can.
1:09:41 > 1:09:43I won't give you away to Keggs.
1:09:43 > 1:09:46- Have you been eating green apples again?- No.
1:09:46 > 1:09:49No, it's not that, it's my heart!
1:09:49 > 1:09:51Your heart?
1:09:51 > 1:09:53- Are you in love?- No.
1:09:53 > 1:09:57But you are with someone not worthy of your attention.
1:09:57 > 1:09:59Oh!
1:10:01 > 1:10:03And I helped bring you together!
1:10:03 > 1:10:06That's what hurts! Oh!
1:10:06 > 1:10:07What do you mean?
1:10:07 > 1:10:10That American. That Halliday!
1:10:10 > 1:10:13Look what he went and wrote about you!
1:10:16 > 1:10:19Nice, young, respectable fellow I thought he was.
1:10:19 > 1:10:24I heard your ladyship was keen on him and did all I could to help.
1:10:24 > 1:10:28I should have busted his bloomin' head in when I first seen him, that's what!
1:10:28 > 1:10:30And I've a good mind to do it!
1:10:30 > 1:10:34There, there, Albert. You won't have to. Don't cry any more.
1:10:39 > 1:10:41Good evening, Mr Keggs!
1:10:41 > 1:10:44You're uncommonly gay, young Albert. Any reason?
1:10:44 > 1:10:46Wouldn't you like to know?
1:10:46 > 1:10:50- Did I hear there was £10 in the pot?- Yes. What of it?
1:10:50 > 1:10:53You wouldn't know what to do with all that money, Mr Keggs.
1:10:56 > 1:11:00- Find Father and tell him not to admit Mr Halliday.- Yes, m'lady.
1:11:03 > 1:11:08- And tell him I never want to see the gentleman again.- Yes, m'lady.
1:11:11 > 1:11:13JERRY WHISTLES "A FOGGY DAY"
1:11:45 > 1:11:48# I was a stranger in the city
1:11:49 > 1:11:52# Out of town were the people I knew
1:11:52 > 1:11:55# I had that feeling of self-pity
1:11:55 > 1:11:58# What to do, what to do What to do?
1:11:58 > 1:12:01# The outlook was decidedly blue
1:12:01 > 1:12:05# But as I walked through the foggy streets alone
1:12:05 > 1:12:11# It turned out to be the luckiest day I've known
1:12:12 > 1:12:14# A foggy day
1:12:14 > 1:12:17# In London town
1:12:18 > 1:12:20# Had me low
1:12:20 > 1:12:23# And had me down
1:12:24 > 1:12:29# I viewed the morning with alarm
1:12:29 > 1:12:34# The British Museum had lost its charm
1:12:34 > 1:12:37# How long, I wondered
1:12:37 > 1:12:40# Could this thing last?
1:12:40 > 1:12:46# But the age of miracles hadn't passed
1:12:46 > 1:12:51# For suddenly, I saw you there
1:12:51 > 1:12:54# And through foggy London town
1:12:54 > 1:12:57# The sun was shining
1:12:57 > 1:12:59# Everywhere... #
1:13:23 > 1:13:26# ..How long, I wondered
1:13:26 > 1:13:29# Could this thing last?
1:13:29 > 1:13:35# But the age of miracles hadn't passed
1:13:35 > 1:13:41# For suddenly, I saw you there
1:13:41 > 1:13:43# And through foggy London town
1:13:43 > 1:13:46# The sun was shining
1:13:46 > 1:13:50# Everywhere. #
1:13:54 > 1:13:58- Excuse me, your lordship, are you watching for a Mr Halliday?- Sh!
1:13:58 > 1:14:01- Yes.- Lady Alyce told me to tell you he was not to be admitted.
1:14:01 > 1:14:04- What? - She never wants to see him again.
1:14:04 > 1:14:06Thank you, m'lord.
1:14:07 > 1:14:10Yoiks, yoiks, yoiks!
1:14:14 > 1:14:16Sorry, sir, you're not to be admitted.
1:14:16 > 1:14:18Oh, I see.
1:14:29 > 1:14:31Good evening, Mr Halliday.
1:14:31 > 1:14:33Good evening, Keggs.
1:14:33 > 1:14:37- It is indeed a pleasure to see you, sir.- A pleasure to see you too.
1:14:37 > 1:14:41Nothing would please me more than to assist you, Mr Halliday.
1:14:41 > 1:14:45- Do you feel all right?- Why, on a romantic night like this? Yes, sir.
1:14:45 > 1:14:48Keggs, just what's on your mind?
1:14:48 > 1:14:51Um...you, um...wish to see Lady Alyce, of course.
1:14:51 > 1:14:54- I do.- Very well. I'm happy to relate
1:14:54 > 1:14:58that I'm now in a position to extend to you a helping hand.
1:14:58 > 1:15:02You didn't exactly give me that impression the last time.
1:15:02 > 1:15:05No. Since then there's been a readjustment of matters close to me.
1:15:05 > 1:15:07As a result of which,
1:15:07 > 1:15:11Lady Alyce's wishes and yours are very close to my heart.
1:15:11 > 1:15:15Keggs, I have always felt that beneath that macabre exterior,
1:15:15 > 1:15:17there lies a heart of gold.
1:15:17 > 1:15:21Thank you, sir. Do you mind slipping in through the music room door?
1:15:24 > 1:15:28# The man who only lives for making money
1:15:28 > 1:15:30# Lives a life that isn't necessarily sunny
1:15:30 > 1:15:33# Likewise the man who works for fame
1:15:33 > 1:15:38# There's no guarantee that time won't erase his name
1:15:38 > 1:15:40# The fact is
1:15:40 > 1:15:43# The only work that really brings enjoyment
1:15:43 > 1:15:46# Is the kind that is for girl and boy meant
1:15:46 > 1:15:49# Fall in love You won't regret it
1:15:49 > 1:15:53# That's the best work of all If you can get it
1:15:55 > 1:15:58# Holding hands at midnight
1:15:58 > 1:16:00# 'Neath a starry sky
1:16:00 > 1:16:02# Whoa
1:16:02 > 1:16:04# Nice work if you can get it
1:16:04 > 1:16:07# And you can get it if you try
1:16:08 > 1:16:11# Strolling with the one girl
1:16:11 > 1:16:13# Sighing sigh after sigh
1:16:13 > 1:16:14# Boy, it is
1:16:14 > 1:16:16# Nice work if you can get it
1:16:16 > 1:16:20# And you can get it if you try If you try
1:16:20 > 1:16:23# Just imagine someone
1:16:23 > 1:16:26# Waiting at the cottage door
1:16:26 > 1:16:29# Where two hearts become one
1:16:29 > 1:16:33# Who could ask for anything more? Zip-doo-doo
1:16:33 > 1:16:35# Loving one who loves you
1:16:35 > 1:16:39# And then taking that vow
1:16:39 > 1:16:41# Nice work if you can get it
1:16:41 > 1:16:43# And if you get it
1:16:43 > 1:16:46# Won't you tell me how?
1:16:48 > 1:16:51# Holding hands at midnight
1:16:51 > 1:16:55- # 'Neath a starry sky... # - Charlie's pretending he's a singer!
1:16:55 > 1:16:58- A little louder, Gracie. Everybody didn't hear you.- All right.
1:16:58 > 1:17:00Jerry's pretending he's... Ow!
1:17:00 > 1:17:02# ..Strolling with the one girl
1:17:02 > 1:17:05# Sighing sigh after sigh
1:17:05 > 1:17:07# Nice work if you can get it
1:17:07 > 1:17:10# And you can get it if you try
1:17:10 > 1:17:14- # Oh-oh - Just imagine someone
1:17:14 > 1:17:17- # Waiting at the cottage door - At the cottage door
1:17:17 > 1:17:19# Where two hearts become one
1:17:23 > 1:17:25# Loving one who loves you
1:17:25 > 1:17:28# And then taking that vow
1:17:28 > 1:17:31# It's nice work if you can get it
1:17:31 > 1:17:33# And if you get it
1:17:33 > 1:17:35# Won't. You. Tell. Me
1:17:35 > 1:17:39# Ho-o-o-o-w? #
1:17:45 > 1:17:46Alyce.
1:17:49 > 1:17:51I got in.
1:17:51 > 1:17:53So I see.
1:17:53 > 1:17:56Yes, but it was very difficult. Why didn't you come to help me?
1:17:56 > 1:17:58Oh, I just thought I wouldn't.
1:17:58 > 1:18:02- You just thought...?- I changed my mind.- I don't understand.
1:18:02 > 1:18:06Well, I was a little too tired to come down, I'm awfully lazy,
1:18:06 > 1:18:09and, um... it did seem a lot of trouble.
1:18:09 > 1:18:13- What's happened? What's caused this sudden change in you?- Change?
1:18:13 > 1:18:17- Why, yes. This afternoon...- Surely you didn't take that seriously!
1:18:17 > 1:18:21Imagine, man of the world like you! Do you believe everything a girl tells you?
1:18:21 > 1:18:24Yes, when it's a girl like you.
1:18:24 > 1:18:25How simple you are.
1:18:25 > 1:18:28I can't believe this is you.
1:18:28 > 1:18:30Yes, it is.
1:18:30 > 1:18:35And when you're leaving, you'll find the front door much more convenient than my balcony.
1:18:35 > 1:18:36You might fall and break your neck
1:18:36 > 1:18:39and if that happened...
1:18:39 > 1:18:41I wouldn't even notice it.
1:18:54 > 1:18:56No, it's you.
1:18:56 > 1:18:59Yes, it is. At least I think it is. I'm not quite sure.
1:19:01 > 1:19:04Albert, have you ever been in an earthquake?
1:19:04 > 1:19:09- No.- Well, I've just been in one. It's a very interesting experience.
1:19:09 > 1:19:13Going great, then all of a sudden, the bottom drops out of the world.
1:19:13 > 1:19:16Albert, my boy, we were misinformed.
1:19:16 > 1:19:19- Huh?- I mean regarding the state of Lady Alyce's feelings.
1:19:19 > 1:19:23You were mistaken, Father was mistaken, I was mistaken.
1:19:23 > 1:19:25Now I find she was mistaken.
1:19:25 > 1:19:27She does not love me.
1:19:27 > 1:19:31- Did she say so? - She did and in no uncertain terms.
1:19:31 > 1:19:33Shall I tell you something, mister?
1:19:33 > 1:19:36Yes, my boy. Make it funny - I need a laugh.
1:19:36 > 1:19:40You aren't the first to have this happen. She does it to all boys.
1:19:41 > 1:19:43Well, that's some consolation.
1:19:43 > 1:19:45Toodle-oo.
1:19:45 > 1:19:47Albert?
1:19:49 > 1:19:53Well, my little man. I've got some good news for you.
1:19:53 > 1:19:57- Thank you, Mr Keggs.- I'm going to give you back your original ticket.
1:19:57 > 1:20:02- That's fair enough, isn't it?- But I don't want Mr Halliday!- You do.
1:20:02 > 1:20:06Or would you like me to remember that I caught you eavesdropping?
1:20:10 > 1:20:13- Thank you.- Thank you.
1:20:32 > 1:20:33Ahem!
1:20:33 > 1:20:37- Well, um...now how are you getting along?- Oh, just wonderful.
1:20:37 > 1:20:39- Reggie made up his mind.- Good.
1:20:39 > 1:20:43- I don't know if she'll have me. - Why don't you ask her?
1:20:43 > 1:20:45You always ask a girl first.
1:20:45 > 1:20:48- I don't know how to do these things gracefully.- Maybe I can help.
1:20:48 > 1:20:51Just sit right down. Right there.
1:20:51 > 1:20:53That's it.
1:20:53 > 1:20:55Now, I sit on your lap like this.
1:20:55 > 1:20:57Gracie, you sit right there.
1:20:57 > 1:20:59- Oh, isn't this fun?- This is fun.
1:20:59 > 1:21:02Well, now, just carry on from there.
1:21:05 > 1:21:08Well, um... now that that's over with,
1:21:08 > 1:21:10- will you marry me?- Yes.
1:21:12 > 1:21:14Did you say marry YOU?
1:21:14 > 1:21:15Yes.
1:21:15 > 1:21:17Well, certainly.
1:21:17 > 1:21:19Well, um...
1:21:19 > 1:21:21Thank you.
1:21:21 > 1:21:23Thank you.
1:21:30 > 1:21:31George!
1:21:31 > 1:21:36- Yes?- We've just become engaged. What do we do now?- A little kiss?
1:21:36 > 1:21:38Oh, I'd be glad to.
1:21:48 > 1:21:51Would you play this, please? It's a request.
1:21:51 > 1:21:53Certainly, Albert.
1:22:00 > 1:22:03ORCHESTRA PLAYS A GENTLE TUNE
1:22:08 > 1:22:09# Ah... #
1:22:22 > 1:22:24Good evening, sir.
1:22:36 > 1:22:39HE SINGS IN ITALIAN
1:22:48 > 1:22:51HIS VOICE GETS LOUDER AND DEEPER
1:22:58 > 1:23:01HE SINGS DRAMATICALLY
1:23:20 > 1:23:23SINGING PAUSES
1:23:28 > 1:23:31MUSIC AND SINGING BUILD TO A CRESCENDO
1:24:06 > 1:24:09ORCHESTRA PLAYS SEDATE MUSIC
1:24:12 > 1:24:14Good evening, sir.
1:24:20 > 1:24:22I asked you not to let him in.
1:24:22 > 1:24:26You change your mind so often, I thought I'd make it up for you.
1:24:26 > 1:24:28I believe you're moonstruck.
1:24:28 > 1:24:32Your poor mother always got very eccentric around a full moon.
1:24:32 > 1:24:36Used to write poetry about elves and gnomes and things.
1:24:36 > 1:24:40Father, would you mind if we didn't dance any more?
1:24:40 > 1:24:42I've got a headache. I'm going to my room.
1:24:50 > 1:24:52Stop it.
1:24:53 > 1:24:55- Who me?- Yes, you.
1:24:55 > 1:24:59Letting the girl you love walk past you with no effort to stop her.
1:24:59 > 1:25:01The spirit of Leonard! Pah!
1:25:01 > 1:25:05Well, I couldn't make a flying tackle, could I? I don't love her!
1:25:05 > 1:25:11Nonsense! Of course you love her. I suppose she said she doesn't love you. My dear boy!
1:25:11 > 1:25:14Her mother told me that a hundred times!
1:25:14 > 1:25:15And you married her?
1:25:15 > 1:25:19Well, you see, I, um... Of course I married her.
1:25:19 > 1:25:21At St George's, Hanover Square.
1:25:21 > 1:25:24In a dashed tight pair of trousers, I remember.
1:25:24 > 1:25:28If it isn't too personal, how did you convince her?
1:25:28 > 1:25:32By being firm, dash it! Firm! Resolute! Ruthless!
1:25:32 > 1:25:34- Oh, hello.- Hello, John.
1:25:34 > 1:25:37Alyce is just like her mother -
1:25:37 > 1:25:39always changing her mind.
1:25:39 > 1:25:43First the ski-jumper, then you. In my case it was a skating instructor.
1:25:43 > 1:25:46He was the most conceited, arrogant, supercilious...
1:25:46 > 1:25:51Oh, I'm sorry. ..What I'm driving at is Alyce needs a lesson,
1:25:51 > 1:25:55just as her mother did, and I gave it to her. I dashed to her room
1:25:55 > 1:25:59and I said, "Emmeline, I mean business."
1:25:59 > 1:26:01Oh, I see.
1:26:01 > 1:26:03You'll find her in the sitting room now.
1:26:03 > 1:26:09Though you may not imagine it, my boy, I had a reputation of being quite a fellow with the ladies.
1:26:09 > 1:26:12I can tell you an episode with a tobacconist's assistant that, um...
1:26:12 > 1:26:15Well, that's neither here nor there. Go to her.
1:26:15 > 1:26:18And I'm glad I've not been too subtle.
1:26:18 > 1:26:22Oh, um...do you think Lady Caroline will approve of this?
1:26:22 > 1:26:26Never you mind about Caroline. You do your part, I'll take care of her.
1:26:26 > 1:26:28Right-ho.
1:26:30 > 1:26:31Oh, Thomas?
1:26:31 > 1:26:34- Yes, m'lord.- Find Lady Caroline.
1:26:34 > 1:26:38- Tell her to see me in the library. It's important.- Very good, m'lord.
1:26:39 > 1:26:43- KNOCK AT DOOR Who's there?- Opportunity.
1:26:43 > 1:26:45And it only knocks once.
1:26:45 > 1:26:48- What are you doing here? - I shall need time to explain.
1:26:48 > 1:26:51And also a little privacy.
1:26:52 > 1:26:54Palma, stay here.
1:26:54 > 1:26:55Palma, go.
1:26:56 > 1:26:58- Go!- Oh!
1:27:06 > 1:27:10- This is much better. You and I, here alone.- Get out of here.
1:27:10 > 1:27:12Oh, no.
1:27:12 > 1:27:13I mean business!
1:27:14 > 1:27:17I demand that you leave immediately.
1:27:17 > 1:27:20I'm not the kind of fellow to be led on and then pushed aside,
1:27:20 > 1:27:25just another one of those fish you've caught, reeled up and then given a slap.
1:27:25 > 1:27:29This time, the fish jumps out of the water and bites YOU!
1:27:29 > 1:27:32Are you mad?
1:27:32 > 1:27:36Yes. About you. I'm like the Northwest Mounted Police.
1:27:36 > 1:27:38I always get my girl.
1:27:39 > 1:27:43- Get out of here.- Oh, anger makes you even more beautiful, Alyce.
1:27:43 > 1:27:47- I imagine you'll be interesting, after I get to know you.- Oh!
1:27:47 > 1:27:50What do you expect to accomplish by this?
1:27:50 > 1:27:53You're the sort of girl who has to have her mind made up for her.
1:27:53 > 1:27:56And I am going to bend you to my will.
1:27:56 > 1:28:00I see. It ought to make a good story for the papers.
1:28:00 > 1:28:02You...you wine press!
1:28:03 > 1:28:08- Wine press?- Beneath whose feet, women's hearts are crushed like grapes in a wine press.
1:28:08 > 1:28:11- Where did you get that?- I read it. - In a newspaper?- Yes.- Oh!
1:28:12 > 1:28:16And despite the fact that it might spoil your publicity,
1:28:16 > 1:28:19I'm not going to be number 28.
1:28:22 > 1:28:26Oh...this is the reason you changed your mind about me.
1:28:26 > 1:28:28Yes.
1:28:28 > 1:28:31Well, it's entirely untrue and not one of these women exists,
1:28:31 > 1:28:34- except in his horrible imagination. - Whose?
1:28:34 > 1:28:37That wine-press agent of mine! The idiot!
1:28:39 > 1:28:43Oh, Alyce. I can't tell you how sorry I am you've been in this.
1:28:43 > 1:28:45Number 28!
1:28:45 > 1:28:48Well, I wouldn't have minded being number 28,
1:28:48 > 1:28:51if it weren't for the other 27.
1:28:54 > 1:28:59- I beg your pardon, m'lady.- What is it?- Something very odd in Lady Alyce's room.- Quite. I understand.
1:28:59 > 1:29:02You can go, Palma. Well, go, go, go!
1:29:03 > 1:29:05You see.
1:29:05 > 1:29:09- In half an hour, it'll be all over the house.- What ARE we to do?
1:29:09 > 1:29:11There's never been a scandal in Tottney Castle.
1:29:11 > 1:29:18If I remember correctly, 150 years ago, Lord Leonard was seen slipping into Lady Marshmoreton's room.
1:29:18 > 1:29:20It had quite slipped my memory.
1:29:20 > 1:29:22Oh!
1:29:22 > 1:29:25Don't you recollect, John? They subsequently married.
1:29:25 > 1:29:31Do you seriously suggest Alyce should marry that awful bounder Halliday?
1:29:31 > 1:29:33Of course! There's nothing else to do,
1:29:33 > 1:29:36otherwise we'll be centuries living down this scandal.
1:29:36 > 1:29:38Come, John. We will act.
1:29:38 > 1:29:41Now, how will we break the good news to Aunt Caroline?
1:29:41 > 1:29:44- Father ought to tell her after we tell him.- Father!
1:29:44 > 1:29:48Yes, he doesn't believe in letting boy scouts do all the good deeds,
1:29:48 > 1:29:51- this is his chance.- Good old Father! - KNOCK AT DOOR
1:29:51 > 1:29:53Alyce! Open the door, please.
1:29:53 > 1:29:56- She mustn't find you. It'll ruin everything.- But we're to be married.
1:29:56 > 1:29:59Yes, but if she finds you, she won't understand and we'll never marry.
1:29:59 > 1:30:01Alyce! Open the door, please.
1:30:01 > 1:30:05- W-Well, what can I do? Hide? - You can't, they'll find you.- Alyce!
1:30:05 > 1:30:07Alyce!
1:30:07 > 1:30:10- What shall I do?- Do it again.
1:30:11 > 1:30:14- Do what again? - The leap. Leonard's Leap.
1:30:14 > 1:30:15- Leap?- Yes!
1:30:15 > 1:30:18Oh. Oh!
1:30:18 > 1:30:19Of course, the leap.
1:30:19 > 1:30:23But isn't there some other way that we could...
1:30:23 > 1:30:24Hurry! Hurry!
1:30:26 > 1:30:29- This one out here?- Yes, that one.
1:30:29 > 1:30:31KNOCKING CONTINUES
1:30:35 > 1:30:37Oh, you mean over here?
1:30:37 > 1:30:38Yes! Hurry!
1:30:48 > 1:30:49Wait!
1:30:56 > 1:30:59- He's done it again.- What a man!
1:30:59 > 1:31:00Young man, come back.
1:31:06 > 1:31:07- Are you all right?- Come back.
1:31:07 > 1:31:10- Into the house.- Me?
1:31:10 > 1:31:14You ought to be ashamed of yourself, Alyce! The scandal! Consider us.
1:31:14 > 1:31:16(OK. I'll come inside.)
1:31:16 > 1:31:21You know, you only go on a honeymoon once. Wouldn't you like Paris for a few days, then Venice,
1:31:21 > 1:31:26- then home to your own love nest?- Oh, George, I didn't think you cared.
1:31:26 > 1:31:30- Goodbye, Reggie.- Wait a minute, you can't leave Reggie like this.
1:31:30 > 1:31:33Don't be silly! We can't take him on our honeymoon. Goodbye!
1:31:33 > 1:31:35Goodbye.
1:31:35 > 1:31:37Goodbye.
1:31:37 > 1:31:39Ha! Goodb...
1:31:47 > 1:31:51- My boy, we win.- We do?- You'll marry Alyce.- I am?- Tonight.- You mean it?
1:31:54 > 1:31:57Come on, you Tottley Wildcats. Give!
1:31:58 > 1:32:01BAND PLAYS SWING MUSIC
1:34:18 > 1:34:21BAND PLAYS MILITARY FANFARE
1:34:22 > 1:34:24BAND PLAYS SWING MUSIC
1:34:52 > 1:34:54BAND STOPS PLAYING
1:35:15 > 1:35:18BAND PLAYS "NICE WORK IF YOU CAN GET IT"
1:35:34 > 1:35:38BAND PLAYS "WHO COULD ASK FOR ANYTHING MORE"
1:35:43 > 1:35:47BAND PLAYS "NICE WORK IF YOU CAN GET IT"