0:00:02 > 0:00:09This programme contains some strong language.
0:00:39 > 0:00:41SQUEALING AND LAUGHTER
0:00:51 > 0:00:53Come on, Glorious!
0:00:53 > 0:00:57THEY SHOUT/SQUEAL
0:01:07 > 0:01:10- How about Rupert the Evil? How does he fit into it?- Oh, he always wins.
0:01:10 > 0:01:13He will never beat Wilfred!
0:01:13 > 0:01:15Wilfred the Great!
0:01:17 > 0:01:21Princess Celia! Fat men dancing! Thin men dancing!
0:01:21 > 0:01:24That is what we call them because that is what they do!
0:01:24 > 0:01:28- En garde! I take you on.- En garde!
0:01:28 > 0:01:31- SHE SCREAMS - It is victory for me!
0:01:31 > 0:01:34Victory, victory, victory! Come on, Glorious.
0:01:48 > 0:01:50THEY LAUGH
0:02:27 > 0:02:29CHURCH BELLS CHIME
0:02:29 > 0:02:32SIREN WAILS
0:02:34 > 0:02:37SIREN WAILS
0:02:38 > 0:02:41CHURCH BELLS CHIME
0:03:13 > 0:03:16BUZZER
0:03:16 > 0:03:20- "Yes?"- Hello. It's Michael here. Michael Walton.
0:03:20 > 0:03:24- Is Mr Page there? - "Which one do you want?"
0:03:24 > 0:03:27- Both, if possible. - DOOR BUZZES
0:03:30 > 0:03:32Come up, Michael.
0:03:36 > 0:03:39- HE KNOCKS ON DOOR - Come in.
0:03:43 > 0:03:46I am Walter, this is Oliver.
0:03:47 > 0:03:51- And you are our cousin Michael. - Yes.
0:03:52 > 0:03:57- That's me.- I believe we met once when you were six months old.
0:03:57 > 0:04:00I am sure he remembers it vividly!
0:04:02 > 0:04:05Have some cake.
0:04:05 > 0:04:08CHURCH BELLS CHIME
0:04:09 > 0:04:12Delicious cake.
0:04:14 > 0:04:21- Is that the two of you? - It is indeed. As I am sure you've guessed, I am the baby.
0:04:25 > 0:04:31- You do have a lot of radios. - They're from our childhood. Would you like to hear one?
0:04:33 > 0:04:35It'll take a moment to warm up.
0:04:35 > 0:04:37What do you want to ask both of us, Michael?
0:04:37 > 0:04:40Right, yes, erm...
0:04:40 > 0:04:42I've just got one question, really.
0:04:42 > 0:04:45I'm interested in history. Family history in particular.
0:04:45 > 0:04:48And you're the only ones left from that time.
0:04:49 > 0:04:50Yes.
0:04:52 > 0:04:55- My grandmother. - Yes, Celia. Of course.
0:04:57 > 0:04:59I just wondered...
0:04:59 > 0:05:02What happened to her sister, Anne?
0:05:02 > 0:05:06- She was an actress. - She was indeed. She made some films.
0:05:06 > 0:05:09She played the best friend or the school teacher, those sort of parts.
0:05:09 > 0:05:13That's her up there. Anne was the eldest.
0:05:13 > 0:05:16She was adopted, of course.
0:05:16 > 0:05:20As frequently seems to happen, they were desperate for children.
0:05:20 > 0:05:22But they didn't think they could have any,
0:05:22 > 0:05:24- and so they adopted one. - RADIO CRACKLES
0:05:24 > 0:05:27And then, lo and behold,
0:05:27 > 0:05:30along came the babies anyway.
0:05:30 > 0:05:35- They were all very close.- You didn't think it would work, did you?
0:05:35 > 0:05:38Let's see if we can find something more appropriate.
0:05:39 > 0:05:41What happened to her?
0:05:44 > 0:05:51- Tell me.- It's not always a good place to go, Michael - the past.
0:05:51 > 0:05:54This is a little bit better. CRACKLING MUSIC
0:05:54 > 0:05:57Let's see if we can get a clearer signal.
0:05:59 > 0:06:02CHARLESTON-STYLE JAZZ MUSIC
0:06:09 > 0:06:13'It had been a fantastic summer, that summer of '39.
0:06:13 > 0:06:18'The most glorious summer most people could remember for a very long time.
0:06:18 > 0:06:24'The year before, it had seemed war with Germany had been averted,
0:06:24 > 0:06:28'the policy of appeasing Hitler, reasoning with him,
0:06:28 > 0:06:30'really had worked.
0:06:30 > 0:06:34'And even now, it seemed it might still work.
0:06:34 > 0:06:38'Your grandmother and Anne and Ralph
0:06:38 > 0:06:41'had grown up in a most beautiful house
0:06:41 > 0:06:44'with an even more beautiful garden.
0:06:45 > 0:06:48'It was a very exciting time.
0:06:48 > 0:06:50'Ralph was doing well at the Foreign Office
0:06:50 > 0:06:54'and Anne had a part she was very pleased about in a new movie.
0:06:55 > 0:06:59'It was your great-grandfather's birthday,
0:06:59 > 0:07:02'and they had prepared the most wonderful table for him,
0:07:02 > 0:07:05'or rather Anne had,
0:07:05 > 0:07:08'because she was in charge of most things.'
0:07:08 > 0:07:11THEY LAUGH
0:07:14 > 0:07:19The fat men on the march. It's one of your very best tables, Anne.
0:07:19 > 0:07:21SHE LAUGHS
0:07:21 > 0:07:25I like your friend. The other one's a little dotty, isn't he?
0:07:26 > 0:07:29Maybe a little, but he can be great fun.
0:07:31 > 0:07:34Anne, he is beautiful.
0:07:35 > 0:07:38Why all the knights? What are they up to?
0:07:38 > 0:07:43Ah. It's... It's something we started as children.
0:07:43 > 0:07:47- Perhaps if I behave myself, I'll get to take one of these home. - They're absolutely everywhere!
0:07:47 > 0:07:51Do you want to see?
0:07:54 > 0:07:57It's all her fault! Anne started it, and then we all did them.
0:07:57 > 0:08:00We call them "fat men dancing".
0:08:00 > 0:08:04- This reminds me of someone I used to work with. - THEY LAUGH
0:08:04 > 0:08:09And now there's no escaping them. Oh, that's George.
0:08:09 > 0:08:13His sister, Sonia, disappeared a few days ago, so he's a little upset.
0:08:14 > 0:08:18- Were you allowed to put them everywhere? Nobody said no? - Almost everywhere.
0:08:18 > 0:08:21- We were not allowed in those. - This is the shell line.
0:08:21 > 0:08:27- We were not allowed to cross it. - Those buildings were stuffed with Papa's papers he used for his books.
0:08:27 > 0:08:31- I bet you did cross it, though. You must have.- No. We never needed to.
0:08:31 > 0:08:34We never have. Even now. There were so many other places to play.
0:08:34 > 0:08:37Do you want to see where it all started?
0:08:37 > 0:08:41We have time to go, don't we, Anne? Please? Say yes.
0:08:42 > 0:08:44Yes. If we're quick.
0:08:48 > 0:08:50Oh!
0:08:51 > 0:08:54- Mr Speaker! - ECHOING
0:08:54 > 0:08:58Marvellous place to come to rehearse one's speeches!
0:08:58 > 0:09:01Point of order, Mr Speaker!
0:09:02 > 0:09:05The Honourable Member must retract that immediately!
0:09:05 > 0:09:11- THEY LAUGH - Both the first part and the third part.
0:09:13 > 0:09:18So this is where it all comes from, the stories we made up about chubby men doing heroic things!
0:09:18 > 0:09:22They were all deeply flawed, our knights, overweight and lazy.
0:09:22 > 0:09:28- We liked them like that. - But they could be very brave when we wanted them to be.
0:09:28 > 0:09:31They slaughtered anyone who dared attack them!
0:09:33 > 0:09:36Your father made terrific speeches in the House of Commons.
0:09:36 > 0:09:38It's a pity he speaks so less often now.
0:09:38 > 0:09:41Well, his health has always been delicate.
0:09:41 > 0:09:46- That's why he takes more of a back seat now.- Yes, I've heard a lot about your papa.
0:09:46 > 0:09:48Heard he's the most charming man in England.
0:09:49 > 0:09:53Which makes me rather nervous. What if he doesn't like me?
0:10:05 > 0:10:07Hello.
0:10:09 > 0:10:13- Happy birthday.- Oh, my, my, my!
0:10:13 > 0:10:15What a glorious homecoming!
0:10:15 > 0:10:20Anne, you've surpassed yourself, absolutely surpassed yourself! You all have.
0:10:20 > 0:10:22Henry, you've met, of course.
0:10:22 > 0:10:27This is Joseph Balcombe, a colleague of Henry's. Joseph, these are my children.
0:10:27 > 0:10:32- It is a delightful surprise to find it is your father's birthday. - Happy birthday, Papa.- Thank you.
0:10:32 > 0:10:37- Need I ask, your mother is still getting ready?- Naturally. But she did all the flowers, of course.- Hector!
0:10:37 > 0:10:42- Very good to see you! - Happy birthday.- Thank you. And you must be Lawrence.- I am.
0:10:42 > 0:10:45- It's a pleasure to meet you, sir. And happy birthday.- Thank you.
0:10:45 > 0:10:49- You certainly live up to Anne's description of you.- Papa!
0:10:49 > 0:10:51There is no easy reply to that.
0:10:51 > 0:10:56Did he say he is one of the cleverest people in the Foreign Office
0:10:56 > 0:10:59and I had better watch out? Because that is the truth.
0:11:00 > 0:11:03DISTANT CHATTERING AND LAUGHTER
0:11:05 > 0:11:10Why are you here in these parts, Mr Balcombe?
0:11:10 > 0:11:15A little fishing. I was determined to get in some fishing somehow.
0:11:15 > 0:11:20- How very sensible.- And coming here to such an ancient place, it's...
0:11:20 > 0:11:23Well, it's quite possible to think that all is right with the world.
0:11:23 > 0:11:28But it isn't, is it? We're not sleepwalking towards disaster anymore, are we?
0:11:28 > 0:11:32- We're welcoming it with open arms. - I've certainly been known to do that in my time.
0:11:32 > 0:11:37- Precisely in what way are we doing that?- I will tell you absolutely precisely.
0:11:37 > 0:11:42We're not content with letting Hitler march into Czechoslovakia and Austria.
0:11:42 > 0:11:46Now we're saying, "That's all right, old chap. Take some more countries."
0:11:46 > 0:11:51- Are we saying that?- Yes, we are. Hitler is intent on taking over Europe and we are letting him do it
0:11:51 > 0:11:55so long as he doesn't bother us. It can't be allowed to go on.
0:11:55 > 0:12:00Forgive a statement of the obvious, or what I think is obvious, but evil has to be stood up to.
0:12:00 > 0:12:06- But one has to be in a position to do that. One has to have the means. - We've got the bloody means!
0:12:06 > 0:12:10Even if we have let Germany re-arm, we mustn't exaggerate how strong she is!
0:12:10 > 0:12:14Under this current government of Mr Chamberlain, who is my own leader,
0:12:14 > 0:12:17we are behaving as if we have to avoid war at absolutely all costs.
0:12:17 > 0:12:21So every day we do something that makes the situation worse.
0:12:21 > 0:12:25Do you really think that is true? What did you have in mind?
0:12:25 > 0:12:29To give you one example, I've heard rumours, I've yet to find out if they're true,
0:12:29 > 0:12:33the most extraordinary rumours that we are trying to interest the Nazis
0:12:33 > 0:12:38in accepting a gigantic secret loan, which we will negotiate for them
0:12:38 > 0:12:43on international markets, so they can turn their armament industry back to peaceful means.
0:12:43 > 0:12:46We are actually planning to give them money!
0:12:46 > 0:12:48That does sound truly bizarre, Hector.
0:12:48 > 0:12:53Alexander fought in the war and got wounded, so I don't criticise him,
0:12:53 > 0:12:57but not enough other people are speaking out. It's up to young MPs like me
0:12:57 > 0:13:00to get rid of the leadership which is leading us to our doom.
0:13:00 > 0:13:06- That is...quite a claim, Mr Haldane. - Yes, and I'm aware it isn't a popular thing to say.
0:13:06 > 0:13:12The present leadership will stand no opposition or criticism. They view Mr Churchill as dangerous
0:13:12 > 0:13:18because he would stand up to Hitler. He doesn't care at all about giving offence to the Nazis.
0:13:18 > 0:13:21So I feel I have to do everything in my power
0:13:21 > 0:13:24to make sure Mr Churchill is not ignored.
0:13:24 > 0:13:27Come on Thursday.
0:13:27 > 0:13:30The house will be empty in the afternoon.
0:13:33 > 0:13:36- Can you come?- Yes. - SHE LAUGHS
0:13:36 > 0:13:38I'll still be at Cranmore, I can come.
0:13:44 > 0:13:46Excuse me.
0:13:55 > 0:13:59A very pleasant evening. Thank you.
0:14:06 > 0:14:09Who is that man?
0:14:09 > 0:14:11A strange, strange man.
0:14:23 > 0:14:25Thank you for such a wonderful birthday.
0:14:27 > 0:14:30- It wasn't spoilt by Hector?- No.
0:14:32 > 0:14:34I'm used to his fiery outbursts.
0:14:35 > 0:14:38And there is always the possibility he could be right.
0:14:40 > 0:14:44Will you read to me, darling? I love it when you read to me.
0:14:44 > 0:14:47What would you like me to read?
0:14:47 > 0:14:50It doesn't matter. Some Keats, anything.
0:14:50 > 0:14:53CHARLESTON-TYPE MUSIC PLAYS
0:14:55 > 0:14:58LAUGHTER
0:15:02 > 0:15:05"My heart aches,
0:15:05 > 0:15:08"and a drowsy numbness pains my sense,
0:15:08 > 0:15:11"as though of hemlock I had drunk,
0:15:11 > 0:15:14"or emptied some dull opiate..."
0:15:16 > 0:15:20BIRDS CHIRP / CAT MEOWS
0:15:24 > 0:15:26CAT MEOWS
0:15:36 > 0:15:38CAT MEOWS
0:15:39 > 0:15:42CAT MEOWS
0:15:48 > 0:15:52Oh, Sonia. How did you get in there?
0:16:02 > 0:16:04CAT MEOWS
0:16:08 > 0:16:11You've made me break the rules, Sonia.
0:16:12 > 0:16:15What've you been doing in here, anyway?
0:16:15 > 0:16:17Reading Papa's manuscript about Napoleon?
0:16:17 > 0:16:20SHE LAUGHS
0:16:29 > 0:16:32What are these doing here?
0:16:32 > 0:16:35Been having a good listen, have you?
0:16:36 > 0:16:39SHE CHUCKLES
0:16:39 > 0:16:42- FOOTSTEPS - Hello?
0:16:56 > 0:16:58Mama?
0:16:58 > 0:17:01- I found Sonia.- That's splendid.
0:17:02 > 0:17:06So much needs doing.
0:17:06 > 0:17:10- You didn't see anyone pass by here just now?- No, dear.
0:17:11 > 0:17:13It must have been one of the servants.
0:17:13 > 0:17:18- Look who I've found.- Ah!
0:17:18 > 0:17:20Hello!
0:17:20 > 0:17:22She got into one of the sheds.
0:17:22 > 0:17:26She didn't realise it was forbidden territory. I thought you knew that.
0:17:26 > 0:17:28Grumpy old girl. So good you're back.
0:17:28 > 0:17:31Look what I found there, too. Foxtrots.
0:17:31 > 0:17:34- One of your favourites, Papa! - She's been dancing in there, too!
0:17:34 > 0:17:38How odd. I don't think I ever put gramophone records in there.
0:17:38 > 0:17:41- I wonder how that happened. - Let's see if it still plays.
0:17:47 > 0:17:51- "Did you receive the letter?" - "Yes, I did receive that. I believe I did."
0:17:51 > 0:17:58"I thought we dealt with the matter you raised with me before and we were allowing time for reflection."
0:17:58 > 0:18:02- "You ought to address..." - "Various factors have to be taken into consideration..."
0:18:02 > 0:18:06That's no foxtrot. I'd like to see Papa dancing to that!
0:18:06 > 0:18:09That's very strange. I think this must be Joseph's doing.
0:18:10 > 0:18:14Mr Balcombe asked if he could store some government overflow with us.
0:18:14 > 0:18:19- They're drowning in paper, apparently.- The government needs to store things here?
0:18:19 > 0:18:25It seemed a harmless thing to do. The reason he gave is interesting, and quite funny, and rather rude.
0:18:25 > 0:18:28He said there were so few places where one can trust the servants won't go,
0:18:28 > 0:18:33- but knowing our servants, that wasn't a worry here. - He didn't say that, did he?
0:18:33 > 0:18:37They hardly manage to clean the house, let alone the outbuildings!
0:18:37 > 0:18:42- People didn't count on Sonia and Anne.- Why are they storing records that are labelled as foxtrots?
0:18:42 > 0:18:44Which clearly are not.
0:18:44 > 0:18:48That's probably their idea of maximum security.
0:18:48 > 0:18:50"Let's call everything after a dance.
0:18:50 > 0:18:54- "That'll fool everybody, nobody will see through that!" - HE LAUGHS
0:18:54 > 0:18:58I know after Munich, they've been recording many government calls
0:18:58 > 0:19:04because people's note-taking has been so inadequate. But I had no idea we had some here. It's rather exciting.
0:19:05 > 0:19:08Are you sure there's nobody here?
0:19:08 > 0:19:10There shouldn't be.
0:19:10 > 0:19:13Not even the servants.
0:19:15 > 0:19:17They've all gone to the fete.
0:19:19 > 0:19:21Do we have to have George watching?
0:19:24 > 0:19:27- That's Sonia. - HE CHUCKLES
0:19:27 > 0:19:29Do we have to have her watching?
0:19:29 > 0:19:32She likes to watch people make love.
0:19:35 > 0:19:38How many people has she watched?
0:19:38 > 0:19:41Oh, I've asked, but she's not telling.
0:19:55 > 0:19:59- CAR DOOR SLAMS - It's the way we always come, Aunt Elizabeth.
0:19:59 > 0:20:02Well, there appear to be no servants.
0:20:02 > 0:20:05There's no-one to take my coat.
0:20:05 > 0:20:08- Shall I take it? - Oh, that's all right, my dear.
0:20:08 > 0:20:13Aunt Elizabeth! What a surprise! I thought you were arriving tomorrow.
0:20:13 > 0:20:16There's been a slight change of plan.
0:20:16 > 0:20:18Which I hope is not inconvenient.
0:20:19 > 0:20:23It has been a quite extraordinarily busy fortnight.
0:20:23 > 0:20:29First, the ball at Blenheim Palace, which I must admit was spectacular!
0:20:29 > 0:20:32People said it put Versailles to shame.
0:20:32 > 0:20:34Then there was the one at Holland House,
0:20:34 > 0:20:39which was an awful crush, and full of politicians and film stars.
0:20:39 > 0:20:43- No offence, my dear.- It sounds exhausting, Aunt Elizabeth.
0:20:44 > 0:20:46Actually, it was rather invigorating.
0:20:47 > 0:20:50You're looking very well, my dear.
0:20:50 > 0:20:52Positively glowing.
0:20:54 > 0:20:56It must be the country air.
0:20:56 > 0:20:58SHE LAUGHS
0:20:58 > 0:21:02DISTANT CHATTERING AND LAUGHTER
0:21:02 > 0:21:05I'll see you in London.
0:21:05 > 0:21:08- Promise?- Of course.
0:21:13 > 0:21:17Even though so much is happening, nothing is going to stop me seeing you.
0:21:47 > 0:21:52- You don't mind me doing the crossword here, do you? - Of course not, Gilbert.
0:21:54 > 0:21:57We won't work today. It's always the bit players who get delayed.
0:21:57 > 0:22:01Come on, Gilbert, no moaning today.
0:22:02 > 0:22:06I'm really looking forward to our scene next week. You are coming up for the weekend,
0:22:06 > 0:22:12- for the picnic, so we can rehearse? - I'm honoured to be invited, and of course I'm coming.
0:22:12 > 0:22:15But I don't feel the need to rehearse. It's the same old part for me.
0:22:15 > 0:22:19- KNOCK AT DOOR - I was a jolly old gentleman at 22. - Phone call, Miss Keyes.
0:22:23 > 0:22:27- Hello?- "It's Lawrence."- Hello.
0:22:27 > 0:22:30- "Have you heard the news?"- No. What?
0:22:30 > 0:22:33- "Hector is dead."- What?
0:22:35 > 0:22:40- What happened? That's terrible. - "I think he killed himself."
0:22:40 > 0:22:43- Oh, my God.- "It's in the newspaper."
0:22:43 > 0:22:47- I haven't seen the newspaper. - "He must have killed himself or..."
0:22:47 > 0:22:53- Or what?- "No, I... I can't talk on the telephone.
0:22:53 > 0:22:56"I'm going to Scotland to see his parents. I'll find out more.
0:22:56 > 0:22:59- "As soon as I'm back..." - How long are you going for?
0:22:59 > 0:23:04- "Not long. When I'm back, I have to see you."- I have to see you, too.
0:23:06 > 0:23:08HE HANGS UP
0:23:14 > 0:23:18There you are! I thought you'd been called and gone without me.
0:23:19 > 0:23:23- What's the matter? - Somebody I know has died.
0:23:31 > 0:23:33Oh, yes. Hector Haldane.
0:23:33 > 0:23:36Always thought he had a marvellous name.
0:23:36 > 0:23:41He was one of the young Members of Parliament speaking out against appeasing Herr Hitler.
0:23:41 > 0:23:45I read one of his speeches once. Passionate stuff.
0:23:46 > 0:23:50He's been calling for a change at the top for a new prime minister.
0:23:52 > 0:23:54How sad.
0:23:54 > 0:23:57He was a man of potential.
0:23:59 > 0:24:02I saw him only two weeks ago.
0:24:10 > 0:24:13There you are, my dear! We thought you weren't coming.
0:24:13 > 0:24:16Oh, I'm sorry I'm late. It's a long journey from the studio.
0:24:16 > 0:24:20And now you've got a thrilling evening, meeting our new vicar.
0:24:20 > 0:24:23- Have you heard the news?- We have.
0:24:23 > 0:24:26Poor Hector. It's terrible news.
0:24:26 > 0:24:28He was so full of life.
0:24:29 > 0:24:32CHURCH BELL CHIMES
0:24:32 > 0:24:34Sir Alexander.
0:24:34 > 0:24:38I'm glad to see some things don't change.
0:24:39 > 0:24:42The family still matters here, clearly.
0:24:47 > 0:24:51You should've put a coat on, Celia. No wonder you're cold.
0:24:51 > 0:24:55- Of course you're shocked, my dear. Do you know what happened?- No.
0:24:55 > 0:24:58Lawrence didn't tell me very much.
0:24:58 > 0:25:01He said he thought Hector had killed himself.
0:25:02 > 0:25:04It's possible. He was excitable.
0:25:06 > 0:25:08But there was something very touching about him.
0:25:10 > 0:25:12And very brave.
0:25:18 > 0:25:21I'm so honoured you were able to come this evening.
0:25:21 > 0:25:24We're delighted to be getting our own private performance.
0:25:24 > 0:25:27And we are all here.
0:25:27 > 0:25:31- You've already met Kathleen, my sister. Her boy is in the choir. - Oh, yes.
0:25:31 > 0:25:36I do hope you approve. I'm conducting the choir myself tonight.
0:25:36 > 0:25:40It's an anthem that reaches back almost as far as your family.
0:25:43 > 0:25:47Let us hope he is an improvement on the last one.
0:25:51 > 0:25:53Are we allowed to wave at Walter?
0:25:55 > 0:25:58You're still looking so pale, my dear.
0:26:00 > 0:26:02Yes.
0:26:03 > 0:26:07I was just thinking about Mr Balcombe. What does he do, Papa?
0:26:07 > 0:26:09He works at the Home Office doing various things.
0:26:09 > 0:26:13- He's in the Secret Service. It's obvious.- Is he?
0:26:13 > 0:26:16Would he have taken an interest in Hector?
0:26:16 > 0:26:19Very possibly, but I don't think he can have bumped him off.
0:26:19 > 0:26:22Bumped him off? Oh, Anne, your love of the dramatic!
0:26:22 > 0:26:25No, I didn't mean that, of course.
0:26:25 > 0:26:27Mind you, he is rather spooky.
0:26:27 > 0:26:30He seems a little odd, I admit, but he shares my love of fishing.
0:26:30 > 0:26:34It's just... Hector seemed worried about him.
0:26:34 > 0:26:37You can't just get rid of Members of Parliament like that.
0:26:37 > 0:26:40CHOIR SING IN LATIN
0:26:45 > 0:26:50Both the first part... and the third part.
0:26:50 > 0:26:52Forgive a statement of the obvious,
0:26:52 > 0:26:55but evil has to be stood up to.
0:26:59 > 0:27:04I'll ask Mr Balcombe to move all the stuff he's got stored in our sheds.
0:27:04 > 0:27:09It's not right we have things around the house and we don't know what they are.
0:27:10 > 0:27:13He can do it very soon. He's coming to the picnic.
0:27:13 > 0:27:18We'll feed him up and then get him to take everything away.
0:27:20 > 0:27:23What a splendid estate you have here!
0:27:23 > 0:27:27It's no wonder you're so proud of it, Sir Alexander.
0:27:27 > 0:27:32- I remember hearing you speak at a meeting about the wonders of nature. - It's marvellous someone remembers.
0:27:32 > 0:27:36- It was inspiring. - BABY CRIES
0:27:42 > 0:27:44I know I've seen you in the theatre many times.
0:27:44 > 0:27:48One or two performances really stood out.
0:27:50 > 0:27:53- Your porter in Macbeth, for instance.- Oh, yes.
0:27:53 > 0:27:55Drunken porter, as I remember.
0:27:55 > 0:27:59- Especially towards the end of the week. - THEY LAUGH
0:27:59 > 0:28:03Come on, everybody. We've got to walk off all this food.
0:28:03 > 0:28:07- Let's go to the mossy island.- Why do we have to? I can't move!- Come on!
0:28:09 > 0:28:11We can't take the baby to the mossy island.
0:28:11 > 0:28:14It's all right. I'll stay here and look after him.
0:28:14 > 0:28:18Don't worry, Aunt Elizabeth, I'll stay. Learn my lines.
0:28:18 > 0:28:21We'll both sit and look after him together.
0:28:25 > 0:28:28FLIES BUZZ
0:28:34 > 0:28:37BABY BABBLES
0:28:38 > 0:28:42I think I might stretch my legs after all, if you don't mind.
0:28:42 > 0:28:46I'll lose all use of them if I don't get out of this ridiculous chair at once.
0:28:58 > 0:29:01FLIES BUZZ
0:29:17 > 0:29:21- 'Are you sure there's nobody here?' - 'There shouldn't be.'
0:29:46 > 0:29:48Oliver?
0:29:52 > 0:29:55They must have come back for him.
0:29:58 > 0:30:00Oliver?
0:30:02 > 0:30:04Oliver!
0:30:08 > 0:30:11Hello!
0:30:13 > 0:30:15Papa!
0:30:15 > 0:30:18Have you got Oliver with you?
0:30:19 > 0:30:20Papa!
0:30:23 > 0:30:28Walter! Didn't you hear me? Have they got Oliver with them?
0:30:28 > 0:30:30No. You've got Oliver.
0:30:30 > 0:30:35No. No, he's gone. Somebody must've come back for him when I wasn't looking.
0:30:35 > 0:30:37He's not on the mossy island. I've just been there.
0:30:39 > 0:30:42- TWIG SNAPS - Hello? Who's that?
0:30:44 > 0:30:49Walter, go back and get them all, right now. Go on.
0:30:49 > 0:30:52Go and get them all right now. Quick!
0:31:06 > 0:31:08BABY CRIES
0:31:08 > 0:31:11Oliver!
0:31:14 > 0:31:16BABY CRIES
0:31:18 > 0:31:21CRYING CONTINUES
0:31:25 > 0:31:27- Oliver! - ECHOING
0:31:29 > 0:31:33- BABY CRIES - Who's got Oliver?
0:31:42 > 0:31:44BABY CRIES
0:31:48 > 0:31:51BABY CRIES
0:31:52 > 0:31:55BABY CRIES
0:32:03 > 0:32:06- GASPS - Walter! What are you doing here?
0:32:06 > 0:32:11- I told you to go and find them all! - I've done that. They're all coming back. I came to help.
0:32:11 > 0:32:15- Are you playing a game, Walter? - No, I'm not playing a game.
0:32:15 > 0:32:18Did you move Oliver? Did somebody tell you to play a game?
0:32:18 > 0:32:20I told you, I am not playing a game.
0:32:22 > 0:32:25Tell me where Oliver is. Tell me where he is!
0:32:25 > 0:32:27Anne!
0:32:28 > 0:32:34- There she is.- Have you got Oliver? - We haven't.
0:32:34 > 0:32:38He's gone! I was there, I was just there,
0:32:38 > 0:32:42- I turned round and he was gone. The pushchair and everything just vanished!- Calm down.
0:32:42 > 0:32:46- He can't have gone far. - They took the pushchair! - Oh, my God!- I found his shoe.
0:32:46 > 0:32:50- If we all fan out, we can cover a lot of ground.- I'm so sorry!
0:32:50 > 0:32:52I'm so sorry!
0:32:52 > 0:32:56ALL: Oliver! Oliver! Oliver! Oliver!
0:32:56 > 0:32:59- Oliver! - I think we should take this path.
0:32:59 > 0:33:02But I've looked here. Of course I have.
0:33:02 > 0:33:05- We're following the path! - I've been down this path.
0:33:05 > 0:33:08Everything's all right. Everything's going to be all right.
0:33:08 > 0:33:12He's not anywhere here. I've looked here, of course I have!
0:33:12 > 0:33:17- THEY SHOUT Oliver!- Oliver!
0:33:17 > 0:33:18Oliver!
0:33:22 > 0:33:25Oliver!
0:33:26 > 0:33:28BABY COOS
0:33:28 > 0:33:31Oh, my God! Oh, thank God!
0:33:31 > 0:33:35- We've found him, everybody! - BABY CRIES
0:33:35 > 0:33:40Here he is, safe and sound. The panic's over. Yes.
0:33:40 > 0:33:43- Come here.- I'm sorry!
0:33:43 > 0:33:48- BABY CRIES - How on earth did he get there? - I don't know.
0:33:48 > 0:33:51I really don't know. I...
0:33:51 > 0:33:55I must have fallen asleep for a few seconds and...he was gone.
0:33:55 > 0:33:58- Somebody moved him. - Somebody moved him?
0:33:58 > 0:34:02Maybe you were concentrating so much on your lines, darling,
0:34:02 > 0:34:05- you walked with him without realising.- I didn't walk with him!
0:34:05 > 0:34:08- I didn't move him! - Are you sure about that?
0:34:08 > 0:34:11- You said you fell asleep. - I didn't walk with him.
0:34:11 > 0:34:14I didn't move him, and yes, I'm absolutely certain of that.
0:34:18 > 0:34:20I did not move him!
0:34:22 > 0:34:27He did have a hell of a lot packed away in our sheds.
0:34:27 > 0:34:30I hear they've got the Duke of Wellington to put several tons
0:34:30 > 0:34:33of confidential material in his basement.
0:34:33 > 0:34:35They're so worried about Communist infiltration,
0:34:35 > 0:34:41- they'd rather put it in a duke's wine cellar.- What excuse did you give to make him take it all away?
0:34:41 > 0:34:45- I said in winter the sheds all leak. - I didn't move the baby. You ought to believe me.
0:34:45 > 0:34:50- I do believe you.- Then who moved him? - It was Walter.- Walter?
0:34:50 > 0:34:54- Why would he do that? - Maybe it was the boy. Who knows?
0:34:54 > 0:34:58- Perhaps he had some wine when we weren't looking. - Or somebody asked him to move him.
0:34:58 > 0:35:03- Why would they do that, darling? - To make me seem unreliable, a bit dotty.
0:35:03 > 0:35:06He knows I'm friends with Lawrence and with Hector.
0:35:06 > 0:35:13I think we should let Mr Balcombe disappear with all his boxes and just not invite him again, ever.
0:35:13 > 0:35:17We want to be sure we get rid of him, which I'm sure we can do.
0:35:17 > 0:35:20We've lost a terrific chance to do a lot of snooping.
0:35:23 > 0:35:27- So, I think that is everything. - Including all the foxtrots?
0:35:27 > 0:35:30I believe so, yes.
0:35:31 > 0:35:35And there's nothing left behind in here, is there?
0:35:35 > 0:35:38- In the house? - I don't think so, Joseph.
0:35:38 > 0:35:42- No.- No. I don't know of anything.
0:35:50 > 0:35:53- KNOCK AT DOOR - Come in.
0:35:55 > 0:35:57I just wanted to see how you are.
0:35:59 > 0:36:02- I'm absolutely fine. There's nothing wrong with me.- Of course not.
0:36:04 > 0:36:06Anyway, the spooky man has gone at last.
0:36:06 > 0:36:09- Papa says we're returning to London tomorrow morning.- Really?
0:36:09 > 0:36:14Yes. Because parliament may be about to be recalled. It's a bit of a crisis, apparently.
0:36:15 > 0:36:18But I think it's terrific we're going.
0:36:18 > 0:36:21Nowadays I can't stand it down here after a couple of weeks.
0:36:24 > 0:36:27No disrespect to Sonia.
0:36:28 > 0:36:33You'll forgive me, won't you? I really miss Horatio.
0:36:34 > 0:36:36CAT MEOWS
0:36:38 > 0:36:42Oh, Sir Alexander! I wasn't expecting you! The house is not aired!
0:36:42 > 0:36:47We had no idea you were coming back today. Mrs Hardiman is not back till the end of the week!
0:36:47 > 0:36:51- Hello, darling! - No need to alarm yourself, Betty. We live in unpredictable times.
0:36:51 > 0:36:56- We can manage without Mrs Hardiman. - There is an awful racket from next door, sir.
0:36:56 > 0:37:02- They're getting ready for a party. There's been banging all day long. - I'm sure it will all be fine.
0:37:02 > 0:37:06- As long as they don't throw anything into our garden. - And remember to invite us.
0:37:06 > 0:37:09DISTANT DANCE MUSIC PLAYS
0:37:17 > 0:37:19It doesn't seem to be our home at all, does it?
0:37:19 > 0:37:21The house all wrapped up like this.
0:37:21 > 0:37:25- No.- The FO will be abuzz.
0:37:25 > 0:37:28DANCE MUSIC PLAYS
0:37:28 > 0:37:33Glorious...I know it's a very sensitive subject,
0:37:33 > 0:37:37but with my new job, I have access to all sorts of things,
0:37:37 > 0:37:40and I know who to ask to find out even more.
0:37:40 > 0:37:44So...only if you wish it, of course,
0:37:44 > 0:37:47but I could find out who your real parents were.
0:37:47 > 0:37:50- You could?- So what do you think?
0:37:57 > 0:38:03I don't know if I want to know. For some reason, it's never really worried me who my real parents are.
0:38:05 > 0:38:07I don't think about it much anymore.
0:38:09 > 0:38:11It's a big decision.
0:38:17 > 0:38:21DANCE MUSIC PLAYS
0:38:23 > 0:38:28Oh, Betty. There used to be another gramophone, an old wind-up one. Whatever happened to that?
0:38:28 > 0:38:32Oh, that old thing, Miss? I put it away in the lumber room.
0:38:43 > 0:38:48"We're clear which sectors are being concentrating on and which remain still to be enquired into?"
0:38:48 > 0:38:51"I think we're all agreed which areas are the highest..."
0:38:51 > 0:38:55"...reports that we've had back so far are to be studied at the next meeting."
0:38:55 > 0:39:02"The individual reports we'll be looking into are number 10, 15 and 22. 37 is still being..."
0:39:09 > 0:39:14"Nothing more to say! I told you! You keep ringing me! You've got to stop this!"
0:39:14 > 0:39:18- "We're just reminding you, Mr Haldane, of the information..." - Hector?
0:39:18 > 0:39:23"That information is private! Do you understand? It's private! People do all sorts of things!
0:39:23 > 0:39:29"And if I have, I have! I want you to stop calling me and my parents, you tried to call my parents!"
0:39:29 > 0:39:34"We wanted you to realise we meant what we said, and it is best for you to listen to us."
0:39:34 > 0:39:39"I cannot believe this is happening to me! I want you to stop calling my parents! Do you hear me?"
0:39:39 > 0:39:45"DO YOU HEAR ME? You have to agree to that! My father is ill!
0:39:45 > 0:39:47"He cannot stand it! You have no right..."
0:39:47 > 0:39:51- CLATTERING - I'm so sorry, Miss. I had no idea you were in here.
0:39:51 > 0:39:57- I didn't realise you wanted to listen to something in here! - Don't worry, Betty. It's my fault.
0:39:58 > 0:40:02I had to listen to something for the film I'm playing a part in.
0:40:09 > 0:40:12- Going out, Papa?- Hello, darling.
0:40:12 > 0:40:17Yes. To the club, where the atmosphere will be feverish, I'm sure.
0:40:17 > 0:40:21I need to talk to you, when you have a moment.
0:40:21 > 0:40:24Not now, darling. There have been developments.
0:40:24 > 0:40:26The world goes on moving faster and faster
0:40:26 > 0:40:29and I am not at all sure we can stop that.
0:40:30 > 0:40:33- More gramophone records, I see.- Yes.
0:40:33 > 0:40:36I thought you gave everything back to Mr Balcombe.
0:40:37 > 0:40:42- What is that?- This is a real foxtrot, for once.- Is it?
0:40:43 > 0:40:48Good. We don't want to give Mr Balcombe an excuse to return.
0:40:48 > 0:40:50No, that would not be good.
0:40:55 > 0:40:59We'll talk... when this crisis is over.
0:40:59 > 0:41:02DANCE MUSIC PLAYS
0:41:02 > 0:41:06I love them having a party next door as the balloon's going up.
0:41:06 > 0:41:08Is the balloon going up?
0:41:08 > 0:41:11Now? I should have been listening to the wireless more.
0:41:11 > 0:41:14It may or may not be going up.
0:41:14 > 0:41:17Should we be held to our promise to Poland?
0:41:17 > 0:41:20Do we really want to go to war for them?
0:41:20 > 0:41:22And can this be happening all over again?
0:41:22 > 0:41:25That's what's going on.
0:41:25 > 0:41:28They're all travelling back from their country estates as we speak.
0:41:28 > 0:41:35It's as bad as that. There's nothing you can do, Glorious. You go on making your movie. Cheer people up.
0:41:35 > 0:41:41- I can't just do that, I have to do something more. - No, this is good advice.
0:41:41 > 0:41:45It's an absolutely splendid thing to cheer people up.
0:41:48 > 0:41:52They're not going to do our scene today. They've told us to go.
0:41:52 > 0:41:55Not today? I don't believe it!
0:41:55 > 0:41:58- We will never be needed. - The weather's not right, apparently.
0:41:58 > 0:42:02I've managed to get my father's chauffeur to come and pick us up.
0:42:03 > 0:42:06Will you come home with me, Gilbert?
0:42:06 > 0:42:08Who could resist such an invitation?
0:42:08 > 0:42:13I want to play you something, in private. It's this gramophone record.
0:42:13 > 0:42:18- You're so much better informed about everything than I am.- Flattery as well! Today is looking up!
0:42:18 > 0:42:21We have to pick up my brother and sister. They've been to a ball.
0:42:23 > 0:42:28- It's not too far.- This is the way to travel for a poor boy like me.
0:42:32 > 0:42:36Always dreamt I'd have a car like this as an actor. Hasn't happened yet.
0:42:36 > 0:42:40Never got above the title. Not even once.
0:42:42 > 0:42:44Time for some riotous living,
0:42:44 > 0:42:47for no one has any idea what's going to happen tomorrow.
0:42:50 > 0:42:53So, what's the tune you want to play me?
0:42:53 > 0:42:56It's not a tune, it's a conversation.
0:43:06 > 0:43:12It's a recording of a meeting. I found it among things Mr Balcombe was storing with us in Norfolk.
0:43:12 > 0:43:17There was another record, as well, of Hector screaming, really upset.
0:43:17 > 0:43:21- The man who killed himself? Where is it? I'd like to hear that. - It's broken. It got smashed.- Ah.
0:43:21 > 0:43:26- I know since the baby and the pushchair, you don't trust what I say.- When did I say that?
0:43:26 > 0:43:31It's my fault I haven't read more about the political situation. I've been too bound up with my work.
0:43:31 > 0:43:35But it's conceivable that the Secret Service are listening in and recording
0:43:35 > 0:43:42- the conversations of those that are opposed to the government. That is possible?- Extremely possible.- Yes.
0:43:42 > 0:43:47And that spying and these recordings could be used to put pressure on people, couldn't they?
0:43:47 > 0:43:51- To blackmail them into silence if necessary. - That is possible, if risky.
0:43:51 > 0:43:55- Yes. They wouldn't wish that to become public under any circumstances.- Of course not.
0:43:55 > 0:44:00Imagine what supporters of Churchill would do with it. It'd bring down the present leadership,
0:44:00 > 0:44:05Churchill would become Prime Minister and that would lead to a bolder approach to Germany.
0:44:06 > 0:44:09Blackmail. Well, I never.
0:44:09 > 0:44:14Although it's...possible, of course, that elements in the Secret Service
0:44:14 > 0:44:18are taking things further than the Prime Minister intended. Is that what's on there?
0:44:18 > 0:44:22Oh, no, no. It's merely a boring meeting.
0:44:22 > 0:44:25But I thought perhaps you would know who the people were.
0:44:25 > 0:44:27Why would they record a boring meeting?
0:44:27 > 0:44:31Perhaps because somebody couldn't be there and they didn't want notes taken?
0:44:31 > 0:44:34- Yes.- That's just a slightly drunken actor's guess.
0:44:34 > 0:44:38But now, if war comes, none of this matters.
0:44:38 > 0:44:41On the contrary, my dear, it will matter all the more.
0:44:41 > 0:44:44Some of these people don't want a war.
0:44:44 > 0:44:49They certainly don't want Churchill as Prime Minister. They want this country to be left alone.
0:44:49 > 0:44:54They don't care what's happening in Europe as long as this lovely place is not disturbed.
0:44:54 > 0:44:59They'll probably want to make peace as soon as they can, maybe at any price,
0:44:59 > 0:45:02and give Hitler all sorts of things in return.
0:45:03 > 0:45:08But we shouldn't worry about that because we will be looking down at everybody from a cinema screen
0:45:08 > 0:45:12dressed in ludicrous Victorian dress.
0:45:12 > 0:45:15That is, if we ever get our call.
0:45:53 > 0:45:57Hello! Hello, down there!
0:45:59 > 0:46:05- There you are!- You're so early. You're much too early.
0:46:05 > 0:46:08It is nearly three o'clock in the afternoon, Celia.
0:46:08 > 0:46:10You missed something gorgeous.
0:46:10 > 0:46:13There were exotic birds and fountains of gold water.
0:46:13 > 0:46:18And Aunt Elizabeth is still here. Like me, she hasn't slept all night.
0:46:21 > 0:46:26- So you've been up all night, Aunt Elizabeth?- Yes. Still to go to bed!
0:46:26 > 0:46:31SHE LAUGHS I stayed up with the young people. Haven't done that for years.
0:46:31 > 0:46:37What amazing times we live in! I was meant to go hours ago, but I never did.
0:46:37 > 0:46:40HE CHUCKLES Oh, Mr Williams! Just the person I want to see.
0:46:40 > 0:46:43- I am? - You must come over here, come on,
0:46:43 > 0:46:46and hear what I've got to tell you.
0:46:48 > 0:46:52I've been tidying up my house, or rather the servants have,
0:46:52 > 0:46:54in case we have to run like mice,
0:46:54 > 0:46:56and you'll never guess what they have unearthed.
0:46:56 > 0:46:59My whole collection of theatre programmes,
0:46:59 > 0:47:01- many of them featuring you.- No!
0:47:01 > 0:47:06Mm! You in Richard II and in The Last Days of Pompeii.
0:47:06 > 0:47:10- That's marvellous! I'd love to see them.- Would you?- Yes.
0:47:10 > 0:47:15Well, you'll have to come with me now, because if this irritating war breaks out,
0:47:15 > 0:47:20the whole thing will get scattered. You don't mind coming to my little house by St Paul's after tea?
0:47:20 > 0:47:23- Not at all. That'd be thrilling. - Gilbert.
0:47:23 > 0:47:28- My career in theatre programmes. I never kept anything. I was superstitious.- Gilbert.
0:47:28 > 0:47:31- Milk?- Thank you. Hm? - We had an appointment.
0:47:33 > 0:47:38Yes. Give me what you want me to listen to, dear,
0:47:38 > 0:47:42the record, and I'll listen to it when I get home, I promise.
0:47:42 > 0:47:45I'd have loved to have seen The Last Days of Pompeii.
0:47:47 > 0:47:51- What? I didn't say anything. - RALPH LAUGHS
0:48:00 > 0:48:02Where is he?
0:48:02 > 0:48:04Where the hell is Mr Williams?
0:48:13 > 0:48:15I'm late.
0:48:17 > 0:48:19I'm late.
0:48:19 > 0:48:22Well, come on! Come on, Gilbert!
0:48:24 > 0:48:27- Where have you been?- Anne...
0:48:29 > 0:48:32We have to go straight away, I'm afraid. No time for rehearsal.
0:48:32 > 0:48:36It's clouding over, we're losing light. We need to film as soon as we can. Mark it.
0:48:36 > 0:48:41House of Cheyney, scene 105, take 1.
0:48:43 > 0:48:49- Action!- Uncle, I know you said not to take the job at the big house.
0:48:50 > 0:48:55But the master has been so kind to me, and it is a fine opportunity.
0:48:55 > 0:48:59There will be other opportunities.
0:48:59 > 0:49:04I know you have your eye on him. But he is engaged to another
0:49:04 > 0:49:10and, however much you hope, that situation will not change.
0:49:10 > 0:49:12You should listen to me, Jenny.
0:49:12 > 0:49:16Cut. Cut! Excuse me. Everyone, I have an announcement to make.
0:49:16 > 0:49:19Apparently...
0:49:20 > 0:49:23I'm not quite sure how to put it. We're now at war.
0:49:23 > 0:49:26We're at war with Germany.
0:49:26 > 0:49:29So it's happened.
0:49:29 > 0:49:32I know this news is very shocking, but we still have a job to do.
0:49:32 > 0:49:35I've asked for a wireless to be sent up.
0:49:35 > 0:49:38When it arrives, we can gather round it, take an early tea break.
0:49:38 > 0:49:42But for now, we'll pick up from where we were. Roll up.
0:49:42 > 0:49:47- Action!- Do you understand, Anne? - Oh, yes, I think so.
0:49:47 > 0:49:49Which bit do you think I don't understand?
0:49:49 > 0:49:51That we're at war, or what "action" means?
0:49:51 > 0:49:54Come on, for God's sake! Action!
0:49:54 > 0:49:57- Thank you. - CAR DRIVES AWAY
0:49:59 > 0:50:02You're not waiting for me, are you?
0:50:02 > 0:50:05I'm sorry. It was a very long day.
0:50:05 > 0:50:08- We've been watching the door. - Mama's gone to bed early.
0:50:09 > 0:50:14- But we thought we should all be together.- We thought today of all days you might read to us.
0:50:14 > 0:50:19"Thy love is better than high birth to me,
0:50:19 > 0:50:24"richer than wealth, prouder than garments' cost,
0:50:24 > 0:50:28"of more delight than hawks or horses be.
0:50:28 > 0:50:33"And having thee, of all men's pride I boast..."
0:50:40 > 0:50:43- HE VOMITS - Goodness, Mick!
0:50:43 > 0:50:46What did you do last night?
0:51:43 > 0:51:47Sorry, miss, this is no place for you.
0:51:47 > 0:51:49Come along.
0:51:50 > 0:51:52You step outside.
0:52:09 > 0:52:11I was just taking him his tea.
0:52:11 > 0:52:14I was only a couple of minutes late.
0:52:14 > 0:52:16He wasn't in his dressing room.
0:52:16 > 0:52:18That's when I found him.
0:52:18 > 0:52:23They say it looks like he shot himself. They said I shouldn't ask but...that's how it looks.
0:52:23 > 0:52:26- Did you see a note? - I didn't see much.
0:52:26 > 0:52:29- So you didn't see a note? - I couldn't really look at anything.
0:52:29 > 0:52:33I was only a tiny bit late and...there he was.
0:52:34 > 0:52:39I can't get through to them on location. I've called and called. His scene is very soon.
0:52:39 > 0:52:42It would be terrible if they were expecting him.
0:52:45 > 0:52:49- "WOMAN: Yes?"- Can I speak to Lawrence Newbolt, please?
0:52:49 > 0:52:51"Putting you through.
0:52:53 > 0:52:59"I'm sorry, I made a mistake. I was misinformed. Mr Newbolt is not here. He's gone to Paris."
0:52:59 > 0:53:03To Paris? But he was in Scotland.
0:53:03 > 0:53:07"He was in Scotland, and now he's in Paris. He went this morning."
0:53:07 > 0:53:10This morning?
0:53:10 > 0:53:13- When will he be back? - "That is classified, of course."
0:53:13 > 0:53:16THUNDER RUMBLES
0:53:27 > 0:53:30KNOCK AT DOOR
0:53:30 > 0:53:36Darling, I've just seen the dreadful news in the evening newspaper about Mr Williams. I'm so sorry.
0:53:41 > 0:53:45- You must be so upset.- Yes.
0:53:47 > 0:53:50It was horrible.
0:53:50 > 0:53:54- I really was very fond of him. - Does anybody know what happened?
0:53:54 > 0:53:57They say he shot himself.
0:53:57 > 0:53:59That's what it looks like.
0:54:02 > 0:54:06But there wasn't a note. I waited for hours to see if they would find a note from him,
0:54:06 > 0:54:10- a message. And they didn't. - He may not have written one.
0:54:11 > 0:54:16It's an extraordinarily emotional time right now. For me, too.
0:54:20 > 0:54:24It seems it was so recent, the last war.
0:54:26 > 0:54:31And having been there myself, darling, having fought in that delightful show,
0:54:31 > 0:54:35I can tell you, I dream about it nearly every night.
0:54:37 > 0:54:40I know a lot of people are very confused.
0:54:41 > 0:54:44And I don't want to seem hysterical or overdramatic...
0:54:44 > 0:54:49You're an actress. Some of that is required.
0:54:49 > 0:54:51- SHE LAUGHS - Yes, that's true.
0:54:51 > 0:54:53And you are so bright and original,
0:54:53 > 0:54:58full of your stories and drawings, always, never lost that.
0:54:58 > 0:55:00Your comic knights and their adventures.
0:55:00 > 0:55:05- Yes, and so I don't want it to seem as though I'm imagining things. - I understand.
0:55:05 > 0:55:10And Gilbert may have killed himself, after all. But what if he didn't?
0:55:11 > 0:55:15What if something else is going on? I mean, first Hector and then him.
0:55:15 > 0:55:18Why would they concern themselves with Gilbert?
0:55:18 > 0:55:22It doesn't seem likely, darling, that they're linked.
0:55:22 > 0:55:24I love you.
0:55:26 > 0:55:29No one knows what each day will bring at the moment,
0:55:29 > 0:55:31and that's very disconcerting.
0:55:31 > 0:55:33It applies to me, as well.
0:55:33 > 0:55:36One thing is certain.
0:55:36 > 0:55:40We won't let Mr Balcombe anywhere near us.
0:55:40 > 0:55:43Whatever he's up to,
0:55:43 > 0:55:45I will keep you safe.
0:55:47 > 0:55:49Some things I'm still good at, darling.
0:55:52 > 0:55:56I just heard the news. It's awful.
0:55:57 > 0:56:01It is amazing how much has changed in a day.
0:56:01 > 0:56:07It's incredible what you see. Coming through the park just now I thought I saw this huge silver beast.
0:56:07 > 0:56:11- A silver beast?- It was, in fact, a barrage balloon being inflated,
0:56:11 > 0:56:13but it was moving by itself along the ground.
0:56:15 > 0:56:20And they say two million people are being evacuated today.
0:56:20 > 0:56:23And lots and lots of people are having their pets put down.
0:56:23 > 0:56:26- Their pets?- Mm.- Really?
0:56:26 > 0:56:30- How awful! - Because they're leaving and there's nobody to look after them,
0:56:30 > 0:56:35- or because they feel it's being responsible. - I may be going to America.
0:56:35 > 0:56:40- To America? When are you going? - Maybe very soon.
0:56:41 > 0:56:45Things keeps changing, but at the moment the government suggests I should go there
0:56:45 > 0:56:51and try and raise funds for the war effort. Don't worry. Remember what I said.
0:56:51 > 0:56:57PLANE ENGINES WHIRR So can you go down to Norfolk to look after Aunt Elizabeth?
0:56:57 > 0:57:01She's staying down there. You know she hates to be alone.
0:57:01 > 0:57:04Your mother will join you when she can. Won't you, darling?
0:57:04 > 0:57:07I just need to leave this garden in the best state I can.
0:57:07 > 0:57:10- It would be good if you could go to Norfolk, darling.- Yes.
0:57:10 > 0:57:14They just want me at the studio for one more day to do some sound.
0:57:18 > 0:57:20Miss Keyes!
0:57:22 > 0:57:26These were in your dressing room. I don't know if you meant to leave them behind.
0:57:26 > 0:57:29I think the cigarette case is Mr Williams'.
0:57:29 > 0:57:31I didn't know who else to give it to.
0:57:31 > 0:57:36- I didn't see this in my dressing room when I left.- It was in a cupboard right at the back.
0:57:36 > 0:57:38It will be a shock seeing him again, Anne.
0:57:38 > 0:57:42I know you'll find it distressing seeing Mr Williams springing back to life.
0:57:42 > 0:57:46Yes, of course it's strange... so soon after.
0:57:46 > 0:57:50Yes, that's why I thought we'd get it out of the way, get it done while we still can.
0:57:50 > 0:57:53Who knows where we'll be next week?
0:57:54 > 0:57:57You just need to do your first line again. There was some noise on it.
0:57:59 > 0:58:02"Uncle, I know you said I shouldn't take the job at the big house..."
0:58:04 > 0:58:06You look radiant up there, Anne, don't you think?
0:58:06 > 0:58:09"..and it is a fine opportunity."
0:58:09 > 0:58:13"There will be other opportunities. I know you have..."
0:58:13 > 0:58:16Gilbert is a bit detached, isn't he? You can see it.
0:58:16 > 0:58:18He wasn't quite there.
0:58:18 > 0:58:22Obviously already decided what he was going to do.
0:58:24 > 0:58:30Uncle, I know you think I shouldn't have taken the job...big house.
0:58:30 > 0:58:32Is that... That was a bit off, I'm afraid.
0:58:33 > 0:58:37Maybe you should watch the whole scene, get in the mood.
0:58:37 > 0:58:39Perhaps we should have done that first.
0:58:39 > 0:58:43FILM PLAYS BACKWARDS
0:58:46 > 0:58:49"I know you have your eye on him.
0:58:49 > 0:58:52"But he is engaged to another, and however much you hope,
0:58:52 > 0:58:55"that situation will not change.
0:58:57 > 0:59:00"You should listen to it again, Anne."
0:59:00 > 0:59:03What... What the hell is he doing?
0:59:03 > 0:59:05He's saying the wrong line.
0:59:07 > 0:59:11It's utterly wrong! Rewind. Rewind that. I need to watch that back.
0:59:11 > 0:59:15FILM REWINDS IN SLOW MOTION
0:59:19 > 0:59:21"You should listen to it again, Anne."
0:59:21 > 0:59:25Did you hear that? "You should listen to it again, Anne."
0:59:25 > 0:59:28Rewind again, please.
0:59:28 > 0:59:33FILM REWINDS The real line is, "You should listen to me, Jenny."
0:59:33 > 0:59:37He called you Anne instead of Jenny and totally rewrote the line.
0:59:38 > 0:59:40"You should listen to it again, Anne.
0:59:43 > 0:59:45"Anne.
0:59:47 > 0:59:49"Listen."
0:59:57 > 0:59:59RATTLING
1:00:04 > 1:00:08- Ah, you're here, Miss Anne. - I'm late, Lucy, I know.
1:00:12 > 1:00:17There you are! I've been waiting to have my tea until you arrived.
1:00:17 > 1:00:22There's some slightly miserable-looking walnut cake, but the sandwiches look promising.
1:00:22 > 1:00:25It's been a long journey. I'm just going to change.
1:00:29 > 1:00:35"So we're exploring the objectives that we set out and agreed upon at the last meeting
1:00:35 > 1:00:38"and how we might achieve them in practice.
1:00:38 > 1:00:41"And the third objective remains, I think you'll agree,
1:00:41 > 1:00:46"as important as ever and shouldn't be forgotten...
1:00:48 > 1:00:52"And I think it will simplify matters if we combine the next two
1:00:52 > 1:00:56- "under the same heading and treat them together..."- Oh, Gilbert.
1:00:57 > 1:01:02"BALCOMBE: We should make sure the scheme for applying the greatest pressure on these individuals
1:01:02 > 1:01:05- "is coordinated in one place." - Balcombe.
1:01:05 > 1:01:10"The operation that was mounted on the first two individuals has been successful
1:01:10 > 1:01:13"and they will be troubling us no more.
1:01:13 > 1:01:19"And the third one, on Hector Haldane, is, I think, about to be achieved.
1:01:19 > 1:01:23"But we do now need to give this operation a name
1:01:23 > 1:01:26"to ease communication amongst us."
1:01:26 > 1:01:29"RALPH: Oh, I can give you a name. You want a name?
1:01:29 > 1:01:33"I've got the perfect name. Let's call it Thin Men Dancing.
1:01:35 > 1:01:40- "We won't forget that in a hurry, a name like that."- "Thin Men Dancing? That certainly is eccentric.
1:01:40 > 1:01:43- "Where did that come from? Anyway, why not?"- Ralph?
1:01:43 > 1:01:46"No chance of confusion there!"
1:01:47 > 1:01:49Ralph?
1:01:50 > 1:01:52No!
1:01:55 > 1:01:59I've got the perfect name. Let's call it Thin Men Dancing.
1:01:59 > 1:02:04And let us see... how much dancing they need to do!
1:02:07 > 1:02:10SHE SOBS
1:02:14 > 1:02:17I did knock, Miss. I didn't think you could hear me.
1:02:18 > 1:02:20Her Ladyship's wondering if you're ready for tea.
1:02:27 > 1:02:30Beatrice Townsend rang me yesterday.
1:02:30 > 1:02:35She said at least there is one silver lining to this war, one won't have to wake up every Friday morning
1:02:35 > 1:02:38wondering if one has got the guest list right for the weekend.
1:02:39 > 1:02:45But I expect the competition between her and Emerald Cunard will begin again very soon.
1:02:45 > 1:02:48They won't let a small thing like a war stop their entertaining.
1:02:50 > 1:02:52And nor should they. Don't you agree?
1:02:52 > 1:02:57- I agree it will take more than a war to stop them.- And we mustn't let it stop us, either.
1:02:57 > 1:03:01We must stick together down here, my dear, or we will go absolutely mad.
1:03:01 > 1:03:07We will do everything together. Listen to the wireless, play mah-jong, go to church,
1:03:07 > 1:03:11- do everything like twin sisters. - Yes, Aunt Elizabeth.
1:03:11 > 1:03:17Don't look so thoughtful, my dear. But, of course, you have had such a horrid shock.
1:03:18 > 1:03:22Poor Mr Williams. I hope it wasn't seeing his whole career spread out
1:03:22 > 1:03:26in the programmes from my collection that made him so desperate.
1:03:26 > 1:03:30Having one's life summed up can be very dispiriting.
1:03:31 > 1:03:35This little war makes everything uncertain.
1:03:36 > 1:03:41"RADIO: This is the National Programme from London. First news, copyright reserved.
1:03:41 > 1:03:47- "The Foreign Office." - Can I have extension 182, Lawrence Newbolt, please?
1:03:47 > 1:03:50"One moment."
1:03:52 > 1:03:57- Anne.- "I'm sorry, there is no reply from extension 182."
1:03:58 > 1:04:01NEWS PLAYS OVER RADIO
1:04:01 > 1:04:04You've broken the rules already, my dear, moving the gramophone!
1:04:04 > 1:04:07We're going to do everything together, remember?
1:04:08 > 1:04:12Come in here and let's listen to what the world is getting up to
1:04:12 > 1:04:14and if we should take it seriously.
1:04:18 > 1:04:22I can usually only enjoy the countryside in very small doses.
1:04:23 > 1:04:26But it is very peaceful here.
1:04:27 > 1:04:29The war seems such a long way off.
1:04:30 > 1:04:33Although, since no bombs are dropping anywhere,
1:04:33 > 1:04:35maybe London is this quiet.
1:04:40 > 1:04:43Do you know what's happening with Papa?
1:04:43 > 1:04:46- Have you heard from him? - No, I haven't.
1:04:46 > 1:04:49But then he dislikes using the telephone almost as much as I do.
1:04:53 > 1:04:55We don't seem to be alone.
1:04:57 > 1:05:00Anyone we know?
1:05:03 > 1:05:05Apparently not.
1:05:16 > 1:05:21Just have to change my shoes, dear, after that country walk.
1:05:21 > 1:05:23You've got my other shoes, haven't you?
1:05:23 > 1:05:26- Let me help you. - Oh, thank you, my dear.
1:05:31 > 1:05:35I'm so glad you're here to keep me company, my dear.
1:05:35 > 1:05:38Thank you.
1:05:43 > 1:05:48And now I am going to spoil it all and ask you just to scrape the shoes.
1:05:48 > 1:05:51Because if I put those shoes into the bag like that,
1:05:51 > 1:05:54they'll make these shoes all muddy on the way back.
1:05:55 > 1:05:58There's a scraper round the corner.
1:06:00 > 1:06:02TWIG SNAPS
1:06:12 > 1:06:15There you are, my dear. I was just telling the vicar,
1:06:15 > 1:06:18we must do some fundraising for the restoration.
1:06:18 > 1:06:20After all, it was our family that built this church.
1:06:20 > 1:06:23And what a good job they made of it.
1:06:23 > 1:06:27Hopefully we'll still be looking after it in another thousand years.
1:06:27 > 1:06:30It must be marvellous to end up being part of such a family.
1:06:30 > 1:06:33"To end up"? I haven't just joined, you know?
1:06:33 > 1:06:36Of course. A slip of the tongue.
1:06:36 > 1:06:40I meant such an old, established family. The sense of history.
1:06:41 > 1:06:43It must be such a good feeling.
1:06:43 > 1:06:46CHOIR SING IN LATIN
1:07:36 > 1:07:39SHE COUGHS
1:07:41 > 1:07:44I just have to get rid of this.
1:07:44 > 1:07:47SHE COUGHS
1:08:05 > 1:08:09JAZZ MUSIC PLAYS
1:08:09 > 1:08:12LAUGHTER
1:08:26 > 1:08:30- Of course, it won't start. - CAR ENGINE STARTS
1:08:51 > 1:08:54Miss Anne, that car ain't safe to drive.
1:08:54 > 1:08:59- I have to go to London urgently. I got a message from work. - That car ain't safe, Miss Anne.
1:08:59 > 1:09:03I've got to go. Get out of the way, Lucy!
1:09:05 > 1:09:07Miss Anne, don't go!
1:09:07 > 1:09:09Miss Anne!
1:09:09 > 1:09:11Don't go!
1:09:25 > 1:09:28Come on. You're not going to give out on me.
1:09:37 > 1:09:40What the hell does he want?
1:09:43 > 1:09:46HORN HONKS
1:09:48 > 1:09:50HORN HONKS
1:10:04 > 1:10:07Bloody farmers!
1:10:26 > 1:10:30The road ahead is closed. There's a military exercise taking place.
1:10:30 > 1:10:34- You'll have to find another route through.- I'm going to London. How do I get there?
1:10:34 > 1:10:40- By another route.- Yes. Thank you for that. Just thought you might help.
1:10:40 > 1:10:44Where is that lorry that passed me? You seem to have allowed him through with no problem.
1:10:44 > 1:10:47Could you switch your engine off, please?
1:10:49 > 1:10:54- Can I see your identity card? - My identity card?
1:10:54 > 1:10:57- I don't have one. - You don't have one?
1:10:57 > 1:11:00From yesterday everyone needs to carry an identity card. It's the law.
1:11:01 > 1:11:07- There are no exceptions. I'm afraid I'll have to detain you. - Detain me? Why?
1:11:07 > 1:11:11I've been down here. I came straight from the film studio. That's why I don't have one.
1:11:11 > 1:11:16- I need to get to London. - If you don't have a card, you're not going anywhere.
1:11:16 > 1:11:19I am the daughter of a Member of Parliament, Sir Alexander Keyes.
1:11:19 > 1:11:23- If you telephone him, or allow me... - Step out of the vehicle.
1:11:26 > 1:11:29Move over to that side of the vehicle, please.
1:11:34 > 1:11:37Get into the vehicle.
1:11:43 > 1:11:46I think you might at least tell me where I'm going.
1:12:06 > 1:12:09FOOTSTEPS APPROACH
1:12:11 > 1:12:15Can I ask you to come this way now? Come on, quickly!
1:12:15 > 1:12:17We've had a lot of people like you today,
1:12:17 > 1:12:21taking no notice of the regulations. So this is what happens.
1:12:40 > 1:12:42Hello again.
1:12:46 > 1:12:50I don't suppose you're going to tell me how long I am going to be held here.
1:12:50 > 1:12:54I wouldn't complain if I were you, Miss.
1:12:54 > 1:12:57We have the power now to detain anyone indefinitely.
1:12:58 > 1:13:01- Did you know that?- No, I didn't know.
1:13:02 > 1:13:04Habeas corpus.
1:13:06 > 1:13:10- Do you know what habeas corpus is, Miss?- Of course... Of course I do.
1:13:12 > 1:13:14Well, it doesn't exist anymore. It's gone.
1:13:15 > 1:13:18We can keep you as long as we want, wherever we want.
1:13:18 > 1:13:24Don't need to ask a judge, don't need to ask anybody. Don't even need to tell anyone where you've gone.
1:13:29 > 1:13:33INDISTINCT CHATTER
1:13:42 > 1:13:44LAUGHTER
1:13:54 > 1:13:59- Glorious! What are you doing? What has happened to you? - Thank God you're here!
1:13:59 > 1:14:05Papa got a call from these soldiers saying you'd been detained! They called the Houses of Parliament.
1:14:05 > 1:14:08Aunt Elizabeth telephoned to say you rushed out coughing
1:14:08 > 1:14:12like you were about to die in the middle of choir practice. The vicar was heartbroken.
1:14:12 > 1:14:18- Why did you do that, Glorious? - I had to...get away.
1:14:21 > 1:14:24I've got a bit of a confession to make.
1:14:24 > 1:14:26Although it won't come as a great surprise.
1:14:27 > 1:14:30I'm terribly in love.
1:14:31 > 1:14:36I'm so in love with Lawrence, I couldn't bear to be away from him, shut away in the country.
1:14:36 > 1:14:39I had this incredible urge to see him.
1:14:39 > 1:14:43How wonderful, darling! That's fantastic!
1:14:43 > 1:14:45That is pretty romantic, Glorious, yes.
1:14:45 > 1:14:50And we've got news. There's a party tonight at the Foreign Office and we've helped arrange it.
1:14:50 > 1:14:55Nothing can stop parties happening, especially not this one. It's all the ambassadors.
1:14:55 > 1:15:00- Lawrence is going to be there, too. Isn't that good timing?- He is?
1:15:00 > 1:15:03And now you've been detained, you've got to come, too.
1:15:06 > 1:15:10- Dawson will drive your car back. - I thought it was dangerous to drive.
1:15:10 > 1:15:14Apparently it is! That's why you shouldn't be driving it.
1:15:15 > 1:15:19But Dawson's expendable, isn't he? Lots more where you came from, aren't there?
1:15:19 > 1:15:23I get to drive the Rolls, which is terrific. Come on, Glorious.
1:15:23 > 1:15:26We're hosts to tonight's party, remember. Lots to do!
1:15:26 > 1:15:30Yes, including a hot bath for you, darling. You look a real country girl like that!
1:15:35 > 1:15:38You'll have time to have a really good wallow before you see him.
1:15:42 > 1:15:44You see, everything's gone now.
1:15:44 > 1:15:47It's all in storage.
1:15:47 > 1:15:53And with the whole town blacked out, isn't it strange, darling? Like being in another place completely.
1:15:53 > 1:15:56- On the moon or something! - You look so lovely.
1:15:56 > 1:15:59Why, thank you!
1:16:00 > 1:16:04I am the hostess of this party, in a way, so I'm just a tiny bit nervous.
1:16:04 > 1:16:08It's part of my new job. I'm attached to the Court of St James now!
1:16:08 > 1:16:10So I'm going to need to go a little early.
1:16:10 > 1:16:13That's fine. I'll escort Anne. We'll go together.
1:16:14 > 1:16:16All right.
1:16:16 > 1:16:20- I must volunteer, too. I have to do something for the war effort. - No, Glorious.
1:16:20 > 1:16:26- You don't have to do that. You're an actress. That's what you keep doing. - Ah! But talking of volunteering...
1:16:30 > 1:16:32A lot of our childhood things down here.
1:16:34 > 1:16:37I'm not sure what's going to happen to them.
1:16:37 > 1:16:39CAT MEOWS
1:16:43 > 1:16:46Do you recognise him? It's Bombardier.
1:16:46 > 1:16:49Yes, of course. Aunt Elizabeth's cat.
1:16:49 > 1:16:51So, darling, this is a little bit nasty,
1:16:51 > 1:16:56but Aunt Elizabeth wants him put down because she's shut up her house and left London.
1:16:56 > 1:17:00I was going to take him to the vet, but now you're here, could you do it?
1:17:01 > 1:17:05I'm needed at work, you see. And I can't ask one of the servants to do it.
1:17:06 > 1:17:09And I would be so upset taking him anyway!
1:17:09 > 1:17:13- Will you do it? - Well, if that's what has to be done.
1:17:20 > 1:17:22You look so good, Glorious.
1:17:22 > 1:17:29- Here you are! So far, no disasters. - They haven't started throwing things? Give them time!
1:17:29 > 1:17:33Argentina has been extremely talkative. And, of course, America.
1:17:33 > 1:17:36Mr Kennedy goes on about how much stronger Germany is than us
1:17:36 > 1:17:39and how everything is over for us and we'd better realise it!
1:17:39 > 1:17:44Darling, you must go downstairs to the other party. That's altogether more fun.
1:17:55 > 1:18:00Now, I have a series of flags here, these little flags,
1:18:00 > 1:18:03and somewhere on the map of the world over here
1:18:03 > 1:18:05is some treasure! CHILDREN GASP
1:18:05 > 1:18:09So you stick your flag wherever you think the treasure is,
1:18:09 > 1:18:12and whoever is the nearest will get a rather marvellous prize!
1:18:12 > 1:18:16CHILDREN GASP AND LAUGH So come on, everybody, take a flag.
1:18:16 > 1:18:18EXCITED SHOUTING
1:18:18 > 1:18:21Darling! There you are!
1:18:26 > 1:18:31- It's terrific to see you.- You're not angry with me for leaving Norfolk?
1:18:31 > 1:18:35Of course not. I understand. Would you take this and organise the treasure hunt?
1:18:35 > 1:18:38- Children, Ralph here will now be in charge!- Gladly.
1:18:38 > 1:18:41Just don't forget to tell me where the treasure is.
1:18:41 > 1:18:45It's all the children of the ambassadors in London. Poor things.
1:18:45 > 1:18:48They don't know if they'll be travelling back to their countries.
1:18:48 > 1:18:51- They don't know what's happening. - A bit like us.
1:18:51 > 1:18:54A bit like us, yes.
1:18:54 > 1:18:58I should never have sent you to the country with Aunt Elizabeth.
1:18:58 > 1:19:02How could I have done that? You belong here, with all of us.
1:19:02 > 1:19:04Fantastic.
1:19:04 > 1:19:10- Now you must go and get yourself some jelly.- Some jelly? Why?
1:19:19 > 1:19:21- Oh, Lawrence!- Hello, darling.
1:19:23 > 1:19:26Oh, I didn't know whether I'd ever see you again.
1:19:26 > 1:19:31- I didn't know whether you'd really be here.- Yes, they suddenly sent me to France. Don't cry.
1:19:31 > 1:19:34I'm not cry... I'm not crying.
1:19:35 > 1:19:39It's just, for a moment, everything seemed all right, and I know it isn't.
1:19:39 > 1:19:42Now then, when we've got all our flags pinned up,
1:19:42 > 1:19:47- I think we should have a bit of a sing-song.- Sing-song?- What about a song from each of your countries?
1:19:47 > 1:19:49- Like the sound of that?- ALL: Yes!
1:19:49 > 1:19:53- Something terrible is going on. - I know.
1:19:53 > 1:19:56- Ralph is involved. - Yes, I know that, too.
1:19:56 > 1:20:00You know? Do you think he realises the full extent of what they're doing?
1:20:00 > 1:20:06- Maybe he doesn't.- I don't know the answer.- He's my brother. I can't believe he would...
1:20:07 > 1:20:13- I want to believe he couldn't.- What I've found out is that there's a group of them in the Secret Service
1:20:13 > 1:20:18and a motley collection of other people, including some very determined aristocrats,
1:20:18 > 1:20:21who are trying to bring this war to an end before it's even started.
1:20:21 > 1:20:24They think we have no chance. They want to do a deal with Hitler.
1:20:24 > 1:20:27I think they killed my friend Gilbert.
1:20:27 > 1:20:30- They blackmailed Hector... - And they are very dangerous.
1:20:30 > 1:20:35# Be there at our waking, your faith, ah, we pray
1:20:35 > 1:20:41# Your bliss in our hearts, Lord, at the break of the day
1:20:41 > 1:20:44They drove Hector to kill himself.
1:20:44 > 1:20:49- I've got a recording of a meeting. - Can you give it to me? - I don't have it here.
1:20:50 > 1:20:53I really have to have it. Proof is invaluable.
1:20:53 > 1:20:58I must get it tomorrow. We'll meet in the morning. Some place where I won't be followed.
1:20:58 > 1:21:02SHE SINGS IN FRENCH
1:21:06 > 1:21:09I know. The vets.
1:21:10 > 1:21:14- The vet?- Yes. I have to take a cat to be put down. We could meet there.
1:21:14 > 1:21:17Yes, that sounds rather perfect.
1:21:23 > 1:21:27It's all right. It's all right. We are in love.
1:21:28 > 1:21:32- Are we?- That's what I told him, and that's what he's going to see.
1:21:36 > 1:21:40Not in front of the children, Glorious!
1:21:40 > 1:21:42Come along.
1:21:46 > 1:21:49If we use your idea, I'd better get the address of a vet.
1:21:49 > 1:21:55- We can't use one near the house. It has to be out of the way, in the suburbs. You understand?- Yes.
1:21:55 > 1:22:01- I'll do that now, use the great resources of the building. - No, don't go.- I won't be a moment.
1:22:01 > 1:22:06ALL: # He whistled and he sang till the green woods rang
1:22:06 > 1:22:11# And he won the heart of a lady
1:22:15 > 1:22:21Now we've started the singing, we'll have to do every single country! Not my most brilliant idea.
1:22:24 > 1:22:28Come with me, Glorious. I've got something to show you.
1:22:28 > 1:22:32- Come with you where? - Follow me. It's important. I think you should come, as well.
1:22:38 > 1:22:42- It's such a big basement. Where are we going? - You've only seen a corner of it.
1:22:50 > 1:22:52TYPEWRITER CLICKS
1:22:54 > 1:22:56Right. Come on in. This is Miss Semel.
1:22:56 > 1:22:59- She's working late.- She is.
1:22:59 > 1:23:03Now, we have two things for you, Anne.
1:23:03 > 1:23:06- Your identity card... - That was quick.
1:23:06 > 1:23:09Splendid. I asked Ralph to arrange it, and that is quick.
1:23:09 > 1:23:12Rather a long walk to get to it, though.
1:23:12 > 1:23:16That's perfect. There you are. You have your card. You're officially you.
1:23:17 > 1:23:21I'd better get back to the ambassadors. I've spent too much time with the children.
1:23:21 > 1:23:24They're so much more interesting.
1:23:24 > 1:23:28- I'll come with you. - Just a moment.- What is it?
1:23:28 > 1:23:35- Why are you running away?- I'm not running away. Why would I do that?
1:23:36 > 1:23:41I don't know. I found out the other thing,
1:23:41 > 1:23:43the one we talked about.
1:23:43 > 1:23:48It seems a rather appropriate moment to do it, to go with the card. If you want.
1:23:48 > 1:23:50You mean about my parents?
1:23:51 > 1:23:54Do you want to hear or do you want to run off?
1:23:55 > 1:23:57All right. Why not?
1:23:57 > 1:24:00- Good night, Miss Semel.- Good night.
1:24:02 > 1:24:04I think you will be pleased.
1:24:05 > 1:24:10It explains your theatrical bent. Well, I think it does.
1:24:11 > 1:24:14They were a Romany family.
1:24:14 > 1:24:16Your parents were gypsies.
1:24:24 > 1:24:29There are no pictures, sadly. One of them must've been blonde, mustn't they?
1:24:29 > 1:24:31Maybe they had Russian blood.
1:24:33 > 1:24:38Thank you. You're right. I do like the idea.
1:24:40 > 1:24:42I see nothing wrong in coming from gypsies.
1:24:44 > 1:24:46I think I'll go back to the party now.
1:25:00 > 1:25:03Hello?
1:25:14 > 1:25:16Walter! How are you here?
1:25:16 > 1:25:20- You were in church this morning! - You're here, and you were in the church.
1:25:20 > 1:25:24Why are you here? I didn't realise you were the son of an ambassador.
1:25:24 > 1:25:30- They thought I might be able to contribute to the party. - I'm sure you will be. Excuse me.
1:25:35 > 1:25:37Anne!
1:25:38 > 1:25:41- Don't you realise? - Don't I realise what?
1:25:43 > 1:25:45They don't love you.
1:26:02 > 1:26:05Lawrence! Thank God it's you.
1:26:05 > 1:26:09What is this? I wasn't that long.
1:26:10 > 1:26:13- Here, have some more.- Oh, thank you.
1:26:16 > 1:26:18I have an address for you.
1:26:18 > 1:26:21- You can find out anything here. - Yes, I've just discovered that.
1:26:21 > 1:26:25We'll meet there. Put the evidence you have into an envelope
1:26:25 > 1:26:28- and address it to someone other than me.- Right. Who?
1:26:28 > 1:26:32- Doesn't matter. Anyone. Winston Churchill. - SHE LAUGHS
1:26:32 > 1:26:35- Will they follow me there?- No.
1:26:35 > 1:26:37Keep an eye out, but I don't think so.
1:26:37 > 1:26:41They won't follow you into the vet. They're far too squeamish.
1:26:44 > 1:26:47- There you are, darling.- I'm off to take Bombardier to the vet for...
1:26:47 > 1:26:51- Well, you know what for. - Yes. What things have come to.
1:26:51 > 1:26:53There may be lot of people there, so I could be a while.
1:26:53 > 1:26:56By the way, Anne,
1:26:56 > 1:27:01if it's not too much to ask, I think you should take Horatio, too. He needs to be done as well.
1:27:01 > 1:27:06- Take our cat? Why? - Because if I'm going to the US next week, we'll be shutting up the house.
1:27:07 > 1:27:11I'll take Bombardier because Aunt Elizabeth has asked for that to happen.
1:27:11 > 1:27:17- I'll find another home for Horatio. I'm sure I can. - No, darling, we can't do that.
1:27:17 > 1:27:21- A lot of other people are having to do this.- They can be told it's not necessary yet.
1:27:21 > 1:27:24I find myself having to tell them that it is.
1:27:27 > 1:27:31Anyway, we'll get Dawson to see to it. Don't worry yourself.
1:27:31 > 1:27:35Come and sit with me and help me. I need your help.
1:27:36 > 1:27:39No, I'm the only one who's not doing anything at the moment,
1:27:39 > 1:27:42so I should do it, if that's what's required.
1:27:42 > 1:27:47I will take the cats to be put to sleep and then I will come back and help you.
1:27:57 > 1:27:59There's no school anymore.
1:27:59 > 1:28:03These children haven't been evacuated, so they're running wild.
1:28:05 > 1:28:09We'll find Lawrence, but I won't let anything happen to you.
1:28:14 > 1:28:17I'll find a way.
1:28:20 > 1:28:23DOGS BARK
1:28:27 > 1:28:29DOGS BARK
1:28:35 > 1:28:38Excuse me. Have you filled out your form?
1:28:40 > 1:28:44My form? What form? No. I've only just arrived.
1:28:44 > 1:28:49- Are you here to have your pets put down?- I'm...meeting someone first. I have to see him.
1:28:49 > 1:28:54You can't join the queue until you've filled out a consent form. All those people have, so must you.
1:28:54 > 1:28:58Sit out there and fill out a form. WOMAN SOBS
1:28:59 > 1:29:03Excuse me. Has anyone been asking for Miss Keyes?
1:29:03 > 1:29:05No, Miss.
1:29:07 > 1:29:10- DOG WHINES - Mrs Evans?
1:29:22 > 1:29:25I...I haven't quite finished filling it out.
1:29:25 > 1:29:29- I haven't signed it because I'm merely... - That'll do. Not everybody signs them.
1:29:29 > 1:29:36- As long as it's filled out.- Has anybody asked for me? I was meeting with someone here, and until then...
1:29:36 > 1:29:39- You may come in, Miss...- Miss Keyes.
1:29:39 > 1:29:41Miss Keyes.
1:29:41 > 1:29:44But I...haven't joined the queue.
1:29:44 > 1:29:47I don't want to queue-jump. I've only just done the form.
1:29:47 > 1:29:50Please, come in here, Miss Keyes.
1:29:50 > 1:29:52And bring your cats with you, of course.
1:29:52 > 1:29:55DOG BARKS
1:29:59 > 1:30:02We're being inundated at the moment.
1:30:02 > 1:30:06I think because we have the space to deal with large animals as well,
1:30:06 > 1:30:08which you don't get in the centre of town.
1:30:08 > 1:30:11But it is amazing how quickly one gets used to such things.
1:30:11 > 1:30:16- Why have I jumped the queue? - You seemed to us to be a little agitated.
1:30:16 > 1:30:20Agitated? There are people crying out there.
1:30:20 > 1:30:25- I think I'm quite calm in comparison.- We like people to be certain about what they're doing,
1:30:25 > 1:30:28and you seemed rather upset and nervous.
1:30:28 > 1:30:35- Believe me, I can tell. - Well...maybe I just need a little time, to sit and consider,
1:30:35 > 1:30:39- and until I meet my friend, I really won't...- I thought so.
1:30:39 > 1:30:43We have a little room, just through there, precisely for that purpose,
1:30:43 > 1:30:47for people to make sure. It's best you use it.
1:30:57 > 1:31:00CAT MEOWS
1:32:38 > 1:32:41SHE GASPS
1:32:54 > 1:32:57SHE GASPS
1:33:00 > 1:33:02SHE WIMPERS
1:33:11 > 1:33:13Miss Keyes?
1:33:13 > 1:33:16Miss Keyes?
1:33:30 > 1:33:33SHE SOBS
1:33:41 > 1:33:44You're a sweet little thing.
1:33:44 > 1:33:47You're next. Shame, really, cos you're so sweet.
1:33:48 > 1:33:50Yes. There's four left.
1:33:50 > 1:33:53- Have the others gone home? - The others have gone home.
1:33:54 > 1:33:57It's such a shame.
1:34:00 > 1:34:03I've changed my mind.
1:34:03 > 1:34:08I'm not ready to do this. Thank you for giving me time to reconsider.
1:34:08 > 1:34:11We must call you a taxi. Miss Keyes?
1:34:11 > 1:34:15- You can't manage like that. - Miss Keyes!
1:34:23 > 1:34:26You're not safe with me now.
1:34:26 > 1:34:31- CATS MEOW - Go. Go on. Go.
1:34:57 > 1:35:00SHE GASPS
1:35:09 > 1:35:11Hello.
1:35:11 > 1:35:13Can you do something for me?
1:35:17 > 1:35:20I... I need you to post this.
1:35:20 > 1:35:24I'll...I'll give you some money.
1:35:24 > 1:35:26It needs a stamp.
1:35:26 > 1:35:29You'll get a stamp for it?
1:35:31 > 1:35:34It's really urgent.
1:36:00 > 1:36:02Anne!
1:36:04 > 1:36:07Anne! Where are you?
1:36:09 > 1:36:11Here she is.
1:36:12 > 1:36:16I thought some homemade lemonade might do the trick.
1:36:16 > 1:36:18I knew she was upset.
1:36:18 > 1:36:20People do find it upsetting.
1:36:21 > 1:36:24I'll just leave it here, shall I?
1:36:30 > 1:36:33Why are you here?
1:36:33 > 1:36:36They found your number on the form
1:36:36 > 1:36:39and phoned me to say you were distraught,
1:36:39 > 1:36:44and when I got here, you'd run out with the cats onto the common.
1:36:44 > 1:36:48Why did you come right out here, darling, to this place?
1:36:50 > 1:36:52I don't know.
1:36:53 > 1:36:56I couldn't bear to do it near home.
1:36:58 > 1:37:01- I let them go.- You let them go?
1:37:03 > 1:37:05Well, why not?
1:37:06 > 1:37:12It's terrible. Look what's happened in just a few days.
1:37:12 > 1:37:15It's like a vision of hell, isn't it?
1:37:15 > 1:37:20Animals going onto a fire in a quiet English suburb.
1:37:22 > 1:37:24The world's gone mad.
1:37:26 > 1:37:30People are finding out what war really means.
1:37:34 > 1:37:37Maybe we need something stronger than lemonade.
1:37:38 > 1:37:41Here, darling.
1:37:57 > 1:38:01Are you aware... of what they are doing?
1:38:03 > 1:38:05They're doing something awful.
1:38:05 > 1:38:08Who, darling?
1:38:11 > 1:38:14Are you doing it, too?
1:38:22 > 1:38:26DISTANT CHURCH BELLS CHIME
1:38:30 > 1:38:33Darling, you're back with us.
1:38:34 > 1:38:39This noise doesn't help, does it? It's just somebody's wedding.
1:38:40 > 1:38:45- You're in Aunt Elizabeth's house. - I thought her house was all shut up.
1:38:45 > 1:38:49Our home is being used for other things. This is Mrs Knight.
1:38:51 > 1:38:53She will look after you.
1:38:59 > 1:39:02CHURCH BELL CHIMES
1:39:19 > 1:39:23RALPH: Let's call it Thin Men Dancing!
1:39:37 > 1:39:39Where are you going?
1:39:45 > 1:39:49Don't you realise? We want people to feel defeated,
1:39:49 > 1:39:51to feel there is no hope.
1:39:51 > 1:39:54That way we can do our deal with Germany.
1:39:59 > 1:40:05- SHE SCREAMS - Get out! Get away from here! Get out!
1:40:05 > 1:40:09- Just leave for a moment.- Yes, leave the room.- Leave her alone.
1:40:21 > 1:40:24What's happening to me?
1:40:29 > 1:40:32This is just so you can rest, darling.
1:40:32 > 1:40:36You've been ill. You must get better.
1:40:36 > 1:40:39Are they poisoning me?
1:40:39 > 1:40:42Poisoning you?
1:40:42 > 1:40:44Of course not, darling.
1:40:44 > 1:40:49I can still remember when I held you for the first time.
1:40:49 > 1:40:53When you arrived to be with us, a bundle.
1:40:56 > 1:40:59You came in a taxi with a nurse.
1:40:59 > 1:41:04And when I held you and felt you heavy in my arms...
1:41:05 > 1:41:09..it was the most beautiful present.
1:41:12 > 1:41:14I could never let harm come to that.
1:41:16 > 1:41:19So you loved me then?
1:41:19 > 1:41:23Then? I love you!
1:41:24 > 1:41:27CHURCH BELLS CHIME
1:41:38 > 1:41:40I thought you'd never wake up.
1:41:40 > 1:41:42I wish I hadn't.
1:41:43 > 1:41:46You're not eating your food, I see.
1:41:47 > 1:41:52Your father... asked me to pay you a visit.
1:41:52 > 1:41:55My father?
1:41:55 > 1:41:58- I don't believe you.- Of course.
1:41:58 > 1:42:03He and I are working together. Have been for a long time.
1:42:03 > 1:42:06Your father is a very influential person.
1:42:06 > 1:42:10Charmingly absent-minded, but very, very influential.
1:42:10 > 1:42:14He hides his true seriousness, my dear, except from those of us who really know him.
1:42:18 > 1:42:21This recording of our meeting, the one you tried to post,
1:42:21 > 1:42:24was made for him, of course.
1:42:26 > 1:42:29I am sure you knew that, my dear.
1:42:30 > 1:42:36All the records were for him. Why else would they have been stored at your house?
1:42:36 > 1:42:38It's a little hot, isn't it?
1:42:49 > 1:42:53We are using your house in London for a series of meetings.
1:42:53 > 1:42:58Your father is chairing those meetings.
1:42:58 > 1:43:01That is why you are here.
1:43:01 > 1:43:03How simple it is,
1:43:03 > 1:43:05and how very important.
1:43:08 > 1:43:11Are you going to kill me?
1:43:11 > 1:43:14My dear, what sort of question is that?
1:43:15 > 1:43:19Even for an actress. Really! The adopted daughter of my old friend?
1:43:19 > 1:43:21What could have given you such an idea?
1:43:35 > 1:43:38INTERFERENCE ON RADIO
1:43:57 > 1:44:00- What happened to her? - You think we know?
1:44:00 > 1:44:03Yes, I think you do.
1:44:04 > 1:44:07CHURCH BELLS CHIME
1:44:07 > 1:44:10You are a little feverish, aren't you, darling, I think?
1:44:10 > 1:44:13Hot and cold flushes.
1:44:14 > 1:44:18- You've got a temperature. - Mr Balcombe was here.
1:44:19 > 1:44:21You're mistaken, darling. Mr Balcombe was not here.
1:44:23 > 1:44:28- I would never let him come back. - We don't need to see that spooky man ever again.
1:44:32 > 1:44:35So quiet, isn't it? No children, no pets.
1:44:37 > 1:44:39It's the most peculiar thing, the silence out there.
1:44:41 > 1:44:47Except for the horrid bells. They're talking about stopping the bells ringing until the end of the war.
1:44:47 > 1:44:51Talk about a silver lining! That would be simply marvellous.
1:44:54 > 1:44:57Now we need to find you something delightful to eat.
1:44:57 > 1:44:59I am not eating anything
1:44:59 > 1:45:04until you stop putting something else in it.
1:45:18 > 1:45:22Mr Balcombe was here. I didn't dream it.
1:45:23 > 1:45:28- He had Lawrence killed. - You're feverish, darling.
1:45:28 > 1:45:32You let that man come back and see me. How could you do that?
1:45:41 > 1:45:45This war is a terrible thing, my dear.
1:45:47 > 1:45:50As you know, I hate exaggeration,
1:45:50 > 1:45:53but everything we believe in,
1:45:53 > 1:45:58everything I believe in, democracy, culture,
1:45:58 > 1:46:05will be destroyed if we get involved in this ruinous war.
1:46:05 > 1:46:09I certainly don't sympathise with the Nazi ideology.
1:46:09 > 1:46:12In fact, I rather despise it.
1:46:12 > 1:46:16But there is absolutely no chance of us winning this war.
1:46:19 > 1:46:24We will be completely destroyed unless we make peace.
1:46:25 > 1:46:31And we are working to arrange that peace very hard.
1:46:32 > 1:46:35Nothing must disturb that.
1:46:37 > 1:46:43Ralph understands this. Celia understands it in her own way.
1:46:43 > 1:46:46But somehow I knew...
1:46:47 > 1:46:49..you wouldn't.
1:46:51 > 1:46:54So we have to keep you here.
1:46:55 > 1:46:59- To do what with?- To keep you safe.
1:47:01 > 1:47:04I couldn't share certain things with you,
1:47:04 > 1:47:07what I need to do for this country.
1:47:09 > 1:47:11Maybe there are two sorts of love.
1:47:14 > 1:47:16I don't want to be made to choose.
1:47:34 > 1:47:36Mama?
1:47:38 > 1:47:41- Mama! - SHE BANGS ON WINDOW
1:47:41 > 1:47:43Mama!
1:47:46 > 1:47:48DISTANT VOICES
1:47:48 > 1:47:50SHE YELLS
1:47:51 > 1:47:53INDISTINCT CHATTER
1:47:53 > 1:47:58You've turned into a proper hostess when I wasn't looking. Ralph can go.
1:47:58 > 1:48:02- He already...- Someone has to be here. We must monitor the situation.
1:48:02 > 1:48:06Nobody would ever listen to Anne. She's got no evidence. But it is best we do this.
1:48:06 > 1:48:09We can handle her. It's simple. We bring Mrs Knight back.
1:48:09 > 1:48:14It's the best solution. Mrs Knight will get something down her that will keep her sedated for days.
1:48:14 > 1:48:18And we can have an outing with the ambassadors' children.
1:48:18 > 1:48:23You fucking bastards! You are nothing to do with me!
1:48:33 > 1:48:37You will not bring that ghastly woman back here!
1:48:37 > 1:48:43You think I'm going to let that bitch look after me? I will not let that fucking woman terrorise me!
1:48:44 > 1:48:49Why are you looking like that? I don't see why you should be surprised.
1:48:49 > 1:48:51I'm not frightened of you!
1:48:53 > 1:48:58Remember, I am the child of gypsies! It was bound to come out sooner or later, what I'm really like!
1:48:58 > 1:49:01That's what you think, isn't it? Well, here it is!
1:49:04 > 1:49:09- Darling...- Don't you fucking "darling" me, you bastard!
1:49:09 > 1:49:12You are nothing to do with me!
1:49:12 > 1:49:14This is not the way, Glorious.
1:49:16 > 1:49:18Will you just leave me alone with her?
1:49:22 > 1:49:24DOOR CLOSES
1:49:29 > 1:49:31Why don't you ever do what you're told?
1:49:32 > 1:49:36Why do you insist that you always know best?
1:49:36 > 1:49:39Because, in the end, what you never realised was you knew nothing!
1:49:39 > 1:49:41Nothing that really mattered!
1:49:43 > 1:49:46But you would not listen to me, would you?
1:49:46 > 1:49:49I told you to get on with your life.
1:49:49 > 1:49:53And now look at you. Look at you!
1:49:55 > 1:49:58We just have to stop giving you water, Glorious,
1:49:58 > 1:50:01and it's all over.
1:50:05 > 1:50:08- What do we do now? - DOOR LOCK TURNS
1:50:08 > 1:50:10We leave her!
1:50:11 > 1:50:14SHE GRUNTS
1:50:36 > 1:50:38It would depend on the condition.
1:50:38 > 1:50:41THEY LAUGH
1:50:41 > 1:50:44INDISTINCT CHATTER
1:50:51 > 1:50:54I'll never let you go away again.
1:51:14 > 1:51:16SHE GASPS
1:51:18 > 1:51:20Bombardier!
1:51:21 > 1:51:25You can't get in, and I can't get out.
1:51:32 > 1:51:34SHE SOBS
1:51:37 > 1:51:39DISTANT AIR-RAID SIREN
1:52:07 > 1:52:08THUDDING
1:52:13 > 1:52:15Anyone there?
1:52:15 > 1:52:18DISTANT CHILDREN'S VOICES
1:52:23 > 1:52:26CHILDREN SHOUT AND SQUEAL
1:52:50 > 1:52:53Mama, did you open the door?
1:52:55 > 1:52:57Thank you, Mama.
1:53:00 > 1:53:01Go.
1:53:23 > 1:53:26- Walter.- Anne! What are you doing?
1:53:28 > 1:53:33- I need to get away from here. - Come this way. I'll find you a taxi.
1:53:33 > 1:53:35I will.
1:53:39 > 1:53:41Who are those children?
1:53:41 > 1:53:45- I thought all the children had been evacuated from around here. - They have.
1:54:06 > 1:54:09There they are. You can join your family, Anne.
1:54:24 > 1:54:27We're just giving the ambassadors' children a little outing.
1:54:27 > 1:54:31- Come and help. - Come and join us, Anne.
1:54:32 > 1:54:36Anne! Come here, darling.
1:54:39 > 1:54:42Come to me.
1:55:20 > 1:55:23CHURCH BELL CHIMES
1:55:24 > 1:55:27CHURCH BELL CHIMES
1:55:27 > 1:55:32- And none of us saw her again. - None of us.
1:55:32 > 1:55:36She died, I believe, in Canada about 20 years ago.
1:55:36 > 1:55:38We're the only ones left.
1:55:45 > 1:55:49No words of condemnation for me?
1:55:53 > 1:55:56No. You were... You were very young, after all.
1:55:56 > 1:56:02I was a baby! And it was such a long time ago, nobody remembers.
1:56:04 > 1:56:08I just did what they wanted.
1:56:08 > 1:56:13I did what Mr Balcombe and the family wanted.
1:56:17 > 1:56:22They said she needed to be taught a lesson.
1:56:30 > 1:56:33I was only doing what was expected.
1:56:35 > 1:56:38It was a very strange time back then.
1:56:41 > 1:56:44I even tried to warn her.
1:56:47 > 1:56:49They've all gone now.
1:56:50 > 1:56:52Can't trouble us.
1:56:52 > 1:56:55Can't trouble Walter.
1:56:57 > 1:57:00Yes. I must go.
1:57:00 > 1:57:03There is just one thing, a little favour.
1:57:03 > 1:57:06Another one?
1:57:07 > 1:57:10My mother arranged to meet me round here.
1:57:10 > 1:57:14She would have been waiting a little while now. It's very close by.
1:57:14 > 1:57:18If you could just come and say hello, I know she'd appreciate it.
1:57:18 > 1:57:22Please. Will you come?
1:57:22 > 1:57:25CHURCH BELL CHIMES
1:57:37 > 1:57:40PIGEONS FLUTTER
1:58:10 > 1:58:14Dear God! It's impossible!
1:58:34 > 1:58:38Walter, Oliver... This is my mother.
1:58:40 > 1:58:43And this...is Anne Keyes.
1:58:45 > 1:58:47It's good to meet you again, gentlemen.
1:58:47 > 1:58:50It's so very good.
1:58:50 > 1:58:53Anne.
1:58:53 > 1:58:56I had no idea, no idea at all.
1:58:56 > 1:59:00No idea that I was still here?
1:59:00 > 1:59:02No, I know you didn't.
1:59:04 > 1:59:08- You knew all along.- You knew!
1:59:09 > 1:59:11We wanted to hear it from your own lips.
1:59:11 > 1:59:15I just wanted to say hello again.
1:59:16 > 1:59:19Since we are family.
1:59:54 > 1:59:58Subtitles by Red Bee Media Ltd
1:59:58 > 2:00:02E-mail subtitling@bbc.co.uk
2:00:02 > 2:00:02.