0:00:20 > 0:00:28This programme contains very strong language.
0:00:34 > 0:00:38'I always believed it was the things you don't choose
0:00:38 > 0:00:40'that makes you who you are.
0:00:41 > 0:00:43'Your city.
0:00:43 > 0:00:45'Your neighbourhood.
0:00:47 > 0:00:49'Your family.
0:00:51 > 0:00:55'People here take pride in these things,
0:00:55 > 0:00:58'like it was something they'd accomplished.
0:01:00 > 0:01:04'The bodies around their souls,
0:01:04 > 0:01:08'the cities wrapped around those.
0:01:31 > 0:01:33'I lived on this block my whole life.
0:01:35 > 0:01:38'Most of these people have.
0:01:38 > 0:01:42'When your job is to find people who are missing,
0:01:42 > 0:01:45'it helps to know where they started.
0:01:46 > 0:01:49'I find the people who started in the cracks,...
0:01:49 > 0:01:52'and then fell through.
0:01:57 > 0:01:59'This city can be hard.
0:02:01 > 0:02:05'When I was young, I asked my priest how you could get to heaven
0:02:05 > 0:02:09'and still protect yourself from all the evil in the world.'
0:02:10 > 0:02:14'He told me what God said to his children.
0:02:15 > 0:02:17'"You are sheep among wolves."
0:02:20 > 0:02:23'"Be wise as serpents,...
0:02:23 > 0:02:26'"yet innocent as doves."'
0:02:47 > 0:02:50The things is, she always had a smile on her face.
0:02:50 > 0:02:54That was her. She was always smiling.
0:02:55 > 0:02:59I mean, who would take my little girl? She never hurt anybody...
0:02:59 > 0:03:02Whoever you are, if you have her...
0:03:03 > 0:03:05..you just let her go.
0:03:05 > 0:03:08Now, we won't charge you.
0:03:09 > 0:03:11'If you're out there, let her come home.
0:03:12 > 0:03:15'All right? Let her come home.'
0:03:15 > 0:03:17HE SIGHS
0:03:18 > 0:03:20Fuckin' cops.
0:03:20 > 0:03:25- 'She's a sweetheart...' - It's just unbelievable.
0:03:25 > 0:03:29The whole force standing outside the house, gathered on the sidewalk,
0:03:29 > 0:03:31with their arms crossed.
0:03:31 > 0:03:34I mean, are the kidnappers comin' back?
0:03:34 > 0:03:37'Amanda McCready was taken from her home between 8.00 and 8.30
0:03:37 > 0:03:40'Wednesday night. She's four years old,
0:03:40 > 0:03:45'has blonde hair and green eyes, weighs 35 pounds, and...'
0:03:45 > 0:03:48- You know I love you, right? - Yeah, I know.
0:03:48 > 0:03:52'..and a wary citizenry have been left with so little to cling to.
0:03:52 > 0:03:55'A blanket, a back door and a doll named Mirabelle.'
0:03:55 > 0:03:57The neighbourhood's coming together.
0:03:57 > 0:04:01We're gonna have a rally. Everyone's gonna have a vigil tonight.
0:04:01 > 0:04:03Erm... The neighbourhood's all alert.
0:04:03 > 0:04:08everyone's alert of what's going on and everything, the surroundings.
0:04:08 > 0:04:11We got flyers up, posters up. We have all that stuff up,
0:04:11 > 0:04:14so everybody's well aware and looking for Amanda.
0:04:14 > 0:04:17In related news, the Boston police captain
0:04:17 > 0:04:19responsible for preventing crimes against children
0:04:19 > 0:04:23spoke a few words a moment ago, words of comfort.
0:04:23 > 0:04:26I know the pain of losing a daughter."
0:04:26 > 0:04:30"We will not fail. We will pursue every avenue...
0:04:30 > 0:04:32Do you know the mother?
0:04:33 > 0:04:35A little bit.
0:04:35 > 0:04:38I was a freshman, she was a senior.
0:04:38 > 0:04:40She was blowing Michael, the postman.
0:04:40 > 0:04:44He was still 14 and innocent, and milking cows up Vermont.
0:04:44 > 0:04:46I don't know about innocent.
0:04:46 > 0:04:49Amanda may be carrying a little girl of her own.
0:04:49 > 0:04:52Mirabelle was last seen with Amanda. It's her favourite doll.
0:04:54 > 0:04:56This is horrible.
0:04:56 > 0:04:58Not if you're Channel Nine.
0:04:58 > 0:05:00Turn it off.
0:05:04 > 0:05:05Good night.
0:05:07 > 0:05:09DOOR BUZZER
0:05:09 > 0:05:12DOOR BUZZER
0:05:13 > 0:05:15Angie, get the door.
0:05:15 > 0:05:18- I'm in the bathroom. - DOOR BUZZER
0:05:20 > 0:05:23It's seven o'clock! Seven in the fuckin' morning!
0:05:23 > 0:05:25What?!
0:05:25 > 0:05:28Are you Patrick Kenzie?
0:05:28 > 0:05:29Er, yeah.
0:05:29 > 0:05:33Bea and Lionel McCready. Our niece was kidnapped three days ago.
0:05:33 > 0:05:37Please, come on in. Come on in. I have to apologise.
0:05:37 > 0:05:40There's been some trouble with kids, ding-dong-ditch,
0:05:40 > 0:05:43running away. That's the reason for the language.
0:05:43 > 0:05:46- We can come back later? - No, make yourself comfortable.
0:05:46 > 0:05:49I'm sorry about the mess. We've been, er...
0:05:49 > 0:05:52I had a late case, a lot of cases. We've been working a lot.
0:05:52 > 0:05:56We were working on a case last night, you know, so we just...
0:05:56 > 0:05:58Please sit down, though.
0:06:00 > 0:06:05Or, er... My associate will be in in a minute. She's in the other room.
0:06:05 > 0:06:08How can we help you?
0:06:08 > 0:06:12Do you know people in the hood who don't talk to police?
0:06:12 > 0:06:14Yeah. One or two.
0:06:14 > 0:06:18We want to hire you to augment the investigation of Amanda.
0:06:18 > 0:06:21- Is that right? - You know how in JonBenet Ramsey,
0:06:21 > 0:06:24the family hired investigators?
0:06:24 > 0:06:26Are the police OK with you hiring outside help?
0:06:26 > 0:06:29They need to worry about finding my niece.
0:06:29 > 0:06:32Hi. I'm Angie Gennaro. I work with Patrick.
0:06:32 > 0:06:34I'm Bea McCready. This is my husband, Lionel.
0:06:34 > 0:06:38They want to hire us to, er, augment... the investigation.
0:06:38 > 0:06:41They should talk to Precision Investigators.
0:06:41 > 0:06:44- Who? What? - Well, let's hear them out, Ange.
0:06:44 > 0:06:46Well, aren't you missing persons detectives?
0:06:46 > 0:06:48Yeah, that's what your ad says.
0:06:48 > 0:06:51Yeah, we are missing persons detectives. I'm sorry.
0:06:51 > 0:06:55I think what Angie means to say is, just for the sake of disclosure,
0:06:55 > 0:06:58up to this point, our experience has been primarily,
0:06:58 > 0:07:02you know, finding, erm, missing persons who've gone missing,
0:07:02 > 0:07:05that had stopped payments on their jet-ski...
0:07:05 > 0:07:09Every police officer in this state is looking for your niece right now.
0:07:09 > 0:07:11I'm not sure how much help we could be.
0:07:11 > 0:07:14- You're not gonna do any harm. - All right, look.
0:07:14 > 0:07:17I got a pension comin' up with Edison, so that's collateral if...
0:07:17 > 0:07:20- No, it's not that. - Why is this so hard?
0:07:20 > 0:07:23The cops and Lionel don't want me comin' here.
0:07:23 > 0:07:25- Now you don't want the job? - It's not that -
0:07:25 > 0:07:29- We consult privately before we make decisions like these.- We do.
0:07:29 > 0:07:31Helene puts her to bed.
0:07:31 > 0:07:34She goes to Dottie's, maybe gone half-hour, watches TV.
0:07:34 > 0:07:36Then she comes home and Amanda is gone.
0:07:36 > 0:07:40She was watching Wife Swap. It's her favourite show.
0:07:40 > 0:07:42- You live upstairs? - Yeah. When our folks died,
0:07:42 > 0:07:47they left us a unit, my sister a unit. Basically, we got no choice.
0:07:47 > 0:07:49With the acoustics in the apartment...
0:07:49 > 0:07:52Just come over to the house, talk to Helene.
0:07:52 > 0:07:54Lionel, talk to Helene?!
0:07:54 > 0:07:58- Look, she don't show it, but she's hurtin'.- Please, please.
0:07:58 > 0:08:01Look, I was no saint. All right? I had my own problems.
0:08:01 > 0:08:04I took a hard bust at 22. Bea straightened me out.
0:08:04 > 0:08:07My sister Helene has not had that.
0:08:07 > 0:08:12Talkin' to the mother's the least we could do. We'll come right over.
0:08:12 > 0:08:14- Thanks a lot. - Pleasure.
0:08:14 > 0:08:19- It's the brown three-decker by the park.- It'd be hard to miss today.
0:08:19 > 0:08:21GENERAL BUSTLE
0:08:38 > 0:08:43Look at this. Jesus! It's like a fuckin' block party here.
0:08:45 > 0:08:49Four Cape Verdians got killed here last year,
0:08:49 > 0:08:51no-one gave a shit.
0:08:56 > 0:08:59We have a good life, right?
0:08:59 > 0:09:01Is that a trick question?
0:09:03 > 0:09:06I don't want to find a little kid in a dumpster.
0:09:06 > 0:09:09Maybe she's not in a dumpster, babe.
0:09:09 > 0:09:11I don't want to find a little kid
0:09:11 > 0:09:14after they've been abused for three days.
0:09:17 > 0:09:19Yeah, nobody does.
0:09:23 > 0:09:28All right. Listen, we'll just go and talk to 'em.
0:09:28 > 0:09:31You don't wanna do it after that, I won't argue with you.
0:09:31 > 0:09:33OK.
0:09:33 > 0:09:35GENERAL STREET NOISE
0:09:40 > 0:09:42KNOCK AT DOOR
0:09:42 > 0:09:45Hi. Please, come on in.
0:09:47 > 0:09:51Helene, this is Patrick Kenzie and Angela Gennaro.
0:09:51 > 0:09:53Hi.
0:09:53 > 0:09:55I remember you from high school.
0:09:56 > 0:09:59I see you're still a little conceited, huh?
0:09:59 > 0:10:02- Would you excuse us, Dottie? - Dottie's my best friend.
0:10:02 > 0:10:04She can be in my house if she wants.
0:10:04 > 0:10:09We don't wanna get in your hair. We'll just ask you a few questions.
0:10:09 > 0:10:12- Everyone wants their part now. - I know.
0:10:12 > 0:10:14I already talked to the cops 40 times.
0:10:14 > 0:10:17- Sorry to take up your time. - We're not the cops.
0:10:17 > 0:10:20Beatrice asked us to come over here and see if we could help out.
0:10:20 > 0:10:24Why don't Bea mind her business? It's my kid.
0:10:24 > 0:10:27- Cos everyone's gotta have their moment.- Right.
0:10:27 > 0:10:30Beatrice hired them to find Amanda with her own money.
0:10:30 > 0:10:32So, show them the goddamn courtesy and respect...
0:10:32 > 0:10:36- She's in grievin', prick. - She can grieve how she wants!
0:10:36 > 0:10:38- You don't live here! - Don't you fucking yell at her!
0:10:38 > 0:10:42- You ain't her father! - Fuck you, Lionel!
0:10:42 > 0:10:46- Go fuck yourself, cocksucker. - Get the fuck outta here.
0:10:46 > 0:10:49I'm sorry. I'm sorry.
0:10:49 > 0:10:52- Maybe we should go. - I understand. I'm sorry.
0:10:52 > 0:10:54Maybe we should go?
0:10:55 > 0:10:58Can we all just have a few words in the hallway, please?
0:11:00 > 0:11:02Excuse us, Helene.
0:11:12 > 0:11:15- Helene's got emotional problems. - It's not that.
0:11:15 > 0:11:17- What is it, then? - She's a cunt!
0:11:17 > 0:11:20- Don't use that word! - God help me, it's true.
0:11:27 > 0:11:30This is a child.
0:11:30 > 0:11:33- QUIVERING: - And I don't know where she is.
0:11:47 > 0:11:49Well...
0:11:52 > 0:11:55We can't do any harm, right?
0:12:01 > 0:12:04It's all right, Bea. It's all right, Bea. Huh?
0:12:04 > 0:12:06Thank you.
0:12:09 > 0:12:11Well, she's, er, quiet.
0:12:11 > 0:12:14She tries very hard to be a good girl.
0:12:15 > 0:12:17What about Helene? People she hangs out with?
0:12:17 > 0:12:20She got a lot of people come by the house?
0:12:20 > 0:12:25- I don't know. She's at the Fillmore all the time.- The Fillmore Lounge?
0:12:26 > 0:12:28Yeah, she drinks every day.
0:12:28 > 0:12:32She's got the gene. You know, the disease. Our parents had it, too.
0:12:32 > 0:12:36- She use drugs? - I think she does a little coke.
0:12:36 > 0:12:39How much is "a little"?
0:12:39 > 0:12:43I don't know. A few times a week, maybe.
0:12:43 > 0:12:46- I mean, how much is a lot? - A few times a week's a lot.
0:12:47 > 0:12:50Then she does a lot. I don't know anything about that.
0:12:50 > 0:12:54I put the plug in the jug myself. I got 23 years' sobriety, so I'm good.
0:12:57 > 0:13:00Congratulations.
0:13:01 > 0:13:03You mind if we see her room?
0:13:19 > 0:13:22- They kidnapped the furniture, too? - Patrick.
0:13:38 > 0:13:40VOICE OVER POLICE RADIO
0:13:42 > 0:13:44Solved it yet?
0:13:44 > 0:13:48Captain. Patrick Kenzie. This is my associate, Angie Gennaro.
0:13:48 > 0:13:50Mmm-hmm.
0:13:50 > 0:13:53I see Beatrice went on and hired someone.
0:13:53 > 0:13:55So, it wasn't your recommendation?
0:13:55 > 0:13:57It was not.
0:13:57 > 0:14:00She would mortgage her home to every snake doctor
0:14:00 > 0:14:03taking credit cards if she thought it would help.
0:14:03 > 0:14:06My job's hard enough without inviting the circus in here.
0:14:06 > 0:14:09Captain, this isn't about the money for us.
0:14:11 > 0:14:14You ever investigated an abduction before?
0:14:14 > 0:14:18She was hopin' we could help with the neighbourhood aspect, the people.
0:14:18 > 0:14:20How old are you?
0:14:21 > 0:14:24- I'm 31. - He just looks young.
0:14:29 > 0:14:32A four-year-old child is on the street.
0:14:32 > 0:14:35It's 76 hours and counting.
0:14:35 > 0:14:38The prospects for where she might be are looking grim.
0:14:38 > 0:14:43You understand? Half of all children in these cases are killed flat out.
0:14:43 > 0:14:45If we don't catch the abductor by day one,
0:14:45 > 0:14:48only about ten per cent are ever solved.
0:14:48 > 0:14:50This is day three.
0:14:52 > 0:14:55He may look young,...
0:14:55 > 0:14:59but if he wants to work this case, he'd better not act it.
0:14:59 > 0:15:02Well, he's been hired by a woman who's the victim of a crime.
0:15:02 > 0:15:05He's entitled, as her representative, to be cooperated with
0:15:05 > 0:15:09by the Boston Police Department. So he expects to be.
0:15:11 > 0:15:13And he will be.
0:15:14 > 0:15:19He and his... better half will be contacted by two of my senior men,
0:15:19 > 0:15:23at their convenience, and be permitted to observe.
0:15:26 > 0:15:28We're just trying to help, Captain.
0:15:31 > 0:15:34Look, I don't care who does it.
0:15:34 > 0:15:36I just want it done.
0:15:39 > 0:15:41Good afternoon.
0:15:43 > 0:15:45Ready to start?
0:15:45 > 0:15:48GUITAR SOLO INTRO
0:15:50 > 0:15:54SOFT ROCK MUSIC
0:15:55 > 0:15:58All I'm saying is, we heard Helene comes here.
0:15:58 > 0:16:01We're not asking for the combination to the safe.
0:16:01 > 0:16:04Listen, I ain't sayin' a fuckin' word. I already talked to the cops.
0:16:05 > 0:16:07All right.
0:16:07 > 0:16:09- Dave, right? - Big Dave!
0:16:09 > 0:16:12Big Dave, all right.
0:16:12 > 0:16:15I'm Medium Patrick. Nice to meet you.
0:16:15 > 0:16:18You're fuckin' light in the ass to be talkin' shit.
0:16:18 > 0:16:20Jesus, man, I'm just playin'!
0:16:20 > 0:16:23Listen, buy a couple of fuckin' drinks or screw.
0:16:23 > 0:16:26OK, we'll take a couple of tonics.
0:16:27 > 0:16:29SIGHS: Christ.
0:16:30 > 0:16:33Steve Penteroudakis! The Grecian Formula!
0:16:33 > 0:16:35Oh, shit. What are you doin' here?
0:16:35 > 0:16:37Look at this little motherfucker.
0:16:37 > 0:16:40Gyro, beers and Keno.
0:16:40 > 0:16:42Two in the afternoon. What up?
0:16:42 > 0:16:46Listen, I've been fuckin' everywhere puttin' up posters, man.
0:16:46 > 0:16:49You know? Every project hallway.
0:16:49 > 0:16:51All over City Point. Everywhere.
0:16:51 > 0:16:54It's a tragedy. She used to come and sit at the bar.
0:16:54 > 0:16:57- She was our mascot. - Helene brought Amanda in?
0:16:57 > 0:17:01Mostly in the afternoons. I mean, it's no place for a child at night.
0:17:01 > 0:17:03- Really? - Oh, yeah.
0:17:03 > 0:17:06Hot tempers. Lot of drugs. Trust me.
0:17:06 > 0:17:08So, how often is Helene in here?
0:17:08 > 0:17:11Five nights a week. C'mon, guys, please.
0:17:11 > 0:17:15She's a coke ho, OK? She's fuckin' doing lines just about every night.
0:17:15 > 0:17:17Trust me, it's not a real shocker.
0:17:17 > 0:17:19She's that bad, huh?
0:17:19 > 0:17:21Huh? Oh, she's fuckin' terrible!
0:17:21 > 0:17:25Listen. Remember when the kid got kidnapped? You saw her on the news?
0:17:25 > 0:17:29She's sayin', "Oh, I was at my neighbour's house for a half-hour."
0:17:29 > 0:17:32Bullshit! She was in here for, like, two hours, bumpin' rails.
0:17:32 > 0:17:34- Oh, yeah. - What time did she come in?
0:17:34 > 0:17:37- Eight o'clock. - Are you sure it was that night?
0:17:37 > 0:17:41Fuckin' positive, cos she was in the shitter bangin' down rails with Ray.
0:17:41 > 0:17:44- I was bangin' on the fuckin' door. - Skinny Ray?
0:17:44 > 0:17:48Yeah. Ray Likanski. He's in there duckin' me like a faggot.
0:17:48 > 0:17:50He thought I didn't know he was in there...
0:17:50 > 0:17:52Hey, Stevie?
0:17:53 > 0:17:56- What the fuck you doin'? - Nothin'.
0:17:56 > 0:17:59- What's up, Lenny?- Don't talk about people you don't know.
0:17:59 > 0:18:02These are my friends, I've known them years!
0:18:02 > 0:18:05- What's up, guy? - You said you weren't a cop, guy.
0:18:05 > 0:18:07- I'm not a cop. - Then why don't you fuck off?
0:18:07 > 0:18:11- Why don't you mind your business? - He's gonna be a smartass?
0:18:11 > 0:18:14You're awfully worried about people's asses, Dave.
0:18:14 > 0:18:17You probably got a fuckin' ass like a Skippy jar.
0:18:17 > 0:18:21What are you doin' here? Dave can't make a martini worth a shit.
0:18:21 > 0:18:24Trying to help Helene find her daughter.
0:18:24 > 0:18:27Don't be runnin' your mouth like you're better than me.
0:18:27 > 0:18:30- I'm not the fuckin' one. - All right, just cool it.
0:18:30 > 0:18:34- Cool it? Listen to this douche bag. - Bet she fucks the asshole in half.
0:18:34 > 0:18:37What the fuck is the matter with you guys?!
0:18:37 > 0:18:39You, you punk-fuckin' jackass.
0:18:47 > 0:18:50We're leavin', alL right? CLICK
0:18:52 > 0:18:55You know, Dave, I think it's your good looks.
0:18:57 > 0:19:01Cos there is some fine pussy in here tonight.
0:19:09 > 0:19:11Open that door.
0:19:13 > 0:19:16- Open the door, Mike.- Now! DOOR UNLOCKS
0:19:27 > 0:19:29If ya ever wanna get fucked, let me know.
0:19:29 > 0:19:32CRASHING
0:19:32 > 0:19:34How's that, motherfucker? HE SPITS
0:19:34 > 0:19:37Now you know. Keep your fuckin' mouths closed.
0:19:38 > 0:19:40- You wanna say some shit, Fat Dave? - Fuck you!
0:19:40 > 0:19:43Fuck you! Make me a martini, you fat bastard!
0:19:43 > 0:19:47- Get the fuck out!- Make me a fuckin' martini, you fat fuckin' retard!
0:19:47 > 0:19:49Fuckin' unbelievable!
0:19:52 > 0:19:54Ow...
0:20:02 > 0:20:04SIRENS WAIL
0:20:24 > 0:20:26- Can I help you? - Detective Bressant?
0:20:26 > 0:20:29- That's right. - Patrick Kenzie. You just called me?
0:20:29 > 0:20:33Oh, sorry. Sergeant Detective Remy Bressant.
0:20:33 > 0:20:35How you doin'?
0:20:35 > 0:20:38- Should we, er,... sit down? - Something wrong?
0:20:38 > 0:20:42- No. It's just...- I think Nick was expecting an older couple, maybe.
0:20:42 > 0:20:45Well, life's full of surprises.
0:20:45 > 0:20:49Corwin Earle, molester. Recently work released.
0:20:49 > 0:20:51Went AWOL around the time Amanda disappeared.
0:20:51 > 0:20:54Known associates, Leon Trett,
0:20:54 > 0:20:58and his handsome wife, Roberta.
0:20:58 > 0:21:02The Tretts were released six and eight months ago respectively.
0:21:02 > 0:21:05They have drug habits. We think Corwin's with 'em.
0:21:05 > 0:21:09Jailhouse snitch claims that Corwin confided in him
0:21:09 > 0:21:13and told him, when he got out, he was gonna move in with his family.
0:21:13 > 0:21:17The three of 'em have some kind of Addams Family deal goin' on.
0:21:17 > 0:21:21Corwin's plan is to keep a kid in the house to have sex with.
0:21:21 > 0:21:24- Sounds promising. - Not for Amanda it doesn't.
0:21:24 > 0:21:27- You think he has Amanda? - There's lots of holes in the theory.
0:21:27 > 0:21:32Corwin likes little boys, you know? He likes 'em seven or eight or nine.
0:21:33 > 0:21:36So, that's it? No other leads, three days in?
0:21:36 > 0:21:40No, we got more. We got six psychics tellin' us to look in six states,
0:21:40 > 0:21:44Lionel and Bea with airtight alibis, we've interviewed neighbours
0:21:44 > 0:21:47and we got a finger blaster who cut off his ankle bracelet.
0:21:47 > 0:21:50- Take it easy. - No! Who the fuck is this guy?!
0:21:51 > 0:21:55Jack Doyle extended you a courtesy. You got something to contribute,
0:21:55 > 0:21:59be my guest. Otherwise, you can go back to your Harry Potter book.
0:22:01 > 0:22:04Isn't it usually somebody who knows the victim?
0:22:04 > 0:22:09There's plenty of people in Helene's life that are capable of doin' this.
0:22:10 > 0:22:13So you've probably talked to Ray Likanski?
0:22:13 > 0:22:15- Who? - Ray Likanski.
0:22:15 > 0:22:20Skinny Ray, they call him. 6'2", about 160 pounds, does blow.
0:22:20 > 0:22:23Helene's boyfriend. No?
0:22:23 > 0:22:25Never heard of him.
0:22:25 > 0:22:28Well, with all due respect, we can contribute on that point.
0:22:28 > 0:22:31- Really? How? - The night Amanda went missing,
0:22:31 > 0:22:34Ray was at the Fillmore Lounge doing coke between eight and ten.
0:22:34 > 0:22:36Fascinating(!)
0:22:37 > 0:22:38With Helene McCready.
0:22:38 > 0:22:41You're shittin' me?
0:22:42 > 0:22:45- She did bullshit us. - I'm gonna tear her a new asshole.
0:22:45 > 0:22:48We'll meet you down there.
0:22:50 > 0:22:53So, what kind of name is Bressant?
0:22:53 > 0:22:55It's the kind they give you in Louisiana.
0:22:55 > 0:22:57I thought you were from here?
0:22:57 > 0:23:00Well, it all depends on how you look at it.
0:23:00 > 0:23:05I mean, you might think that you're more from here than me, for example,
0:23:05 > 0:23:09but I've been living here longer than you've been alive.
0:23:09 > 0:23:12- So, who's right? - I'll mull it over.
0:23:12 > 0:23:16- What's up, sucker? - Bubba! Good to see you, man.
0:23:16 > 0:23:19- Everything good? - Yeah. What's up? How're you doin'?
0:23:19 > 0:23:22Have you seen those people?
0:23:22 > 0:23:26Drug addict, drug addict, fuckin'... paedophile.
0:23:26 > 0:23:29What makes you think I know people like this?
0:23:30 > 0:23:32I know you don't pay your rent doin' people's taxes.
0:23:32 > 0:23:36I don't pay it sellin' penny rocks to child molesters neither.
0:23:36 > 0:23:40They're not all child molesters. Just, er...
0:23:40 > 0:23:43Just one, Corwin Earle. The others, he hangs out with.
0:23:43 > 0:23:46- SCOFFS: - What are you two, crime dogs?
0:23:46 > 0:23:48We got hired to find that little girl.
0:23:48 > 0:23:52The mother was at the Fillmore all night when the kid was taken.
0:23:52 > 0:23:54- With Skinny Ray. - He's a fuckin' bitch!
0:23:54 > 0:23:57- I thought Ray was your boy? - Work for me?
0:23:57 > 0:24:00He's a fuckin' cokehead! He works for the Haitian.
0:24:00 > 0:24:04- Ray works for Cheese? - Yeah. Cheese, Ray, Chris Mullen,
0:24:04 > 0:24:07- the whole trash-picker crew. - Did you sell to Helene?
0:24:07 > 0:24:11There's reasons why there ain't Plexiglas between us right now.
0:24:11 > 0:24:15I don't fuck with skeezers like Helene, or coconuts like Cheese.
0:24:15 > 0:24:18You know better. I'm king of the motherfuckin' jungle!
0:24:18 > 0:24:21I'll let you know if I hear anything, though.
0:24:21 > 0:24:22- Thanks. - Peace.
0:24:22 > 0:24:25How well do you know Cheese Jean Baptiste?
0:24:25 > 0:24:29How well do you know Cheese Jean Baptiste?
0:24:29 > 0:24:31- Who? - C'mon, sweetheart.
0:24:31 > 0:24:34Cheese. Jean Baptiste.
0:24:36 > 0:24:42- Oh, sounds familiar.- No, no. It don't sound familiar, Helene.
0:24:42 > 0:24:49He's a violent, sociopathic, Haitian criminal named Cheese.
0:24:50 > 0:24:52Either you know him or you don't.
0:24:54 > 0:24:58- Who is he? - BEA:- He's a drug lord, isn't he?
0:24:58 > 0:25:02- LIONEL:- Helene, who is he? - He's just a guy, Lionel.
0:25:02 > 0:25:06- Thank you.- He is, among other things, Mrs McCready, a drug dealer.
0:25:06 > 0:25:08- What other things? - I don't know!
0:25:08 > 0:25:12- Why don't you answer him? - Why don't you suck a nigger's dick?
0:25:12 > 0:25:16Listen! Don't disrespect my wife or make racial remarks in my kitchen!
0:25:16 > 0:25:19- Who is he?- It's my kitchen. - You know what I mean!
0:25:19 > 0:25:21Hey, take it easy. He's a drug dealer,
0:25:21 > 0:25:25- a pimp, a pornographer, all right? - You associate with a pimp?
0:25:25 > 0:25:28- BEA: A pornographer?! - And we think he rolled Pokey Jackson
0:25:28 > 0:25:31in a carpet and shot him in the head. There's that, too.
0:25:31 > 0:25:34- REMY:- What do you do for him?
0:25:34 > 0:25:38I just mule. Occasionally, not making a habit out of it.
0:25:38 > 0:25:42- Lionel, what does that mean? - She's a drug runner, Bea.
0:25:42 > 0:25:45- She carries drugs. Isn't that right? - Oh, my God! A few times!
0:25:45 > 0:25:50- Where?- Providence... Does it fuckin' matter?
0:25:50 > 0:25:54Do you think I'm fuckin' around here? Of course it matters!
0:25:58 > 0:26:02You better answer his question. For what?
0:26:02 > 0:26:06For fuck's sake, Lionel. What do you think? Money, taste...
0:26:06 > 0:26:09- Of drugs? - No, heart stickers for my locker(!)
0:26:09 > 0:26:11- What drugs? - Cocaine and heroin.
0:26:11 > 0:26:14- No, I would've seen the track marks. - Not if you snort it.
0:26:14 > 0:26:16- Right, Sugar? - Yeah.
0:26:16 > 0:26:18Less addictive that way.
0:26:20 > 0:26:22Piece of work.
0:26:24 > 0:26:27What the fuck is that? Where you goin'?
0:26:28 > 0:26:31OPENS CAN
0:26:32 > 0:26:36Oh, yeah. I keep thinking about this thing I heard.
0:26:37 > 0:26:39- You know where I'm going with this? - No.
0:26:39 > 0:26:43- Did you know I used to work DCU? - I give a fuck?
0:26:43 > 0:26:45- LAUGHS:- OK.
0:26:45 > 0:26:48I still know some of those guys real well.
0:26:49 > 0:26:53Anyway, I heard someone ripped Cheese off on a New Hampshire run.
0:26:53 > 0:26:56- Did you hear anything about that? - No.
0:26:56 > 0:26:59- Care to take a polygraph? - I already took one.
0:26:59 > 0:27:02Different questions this time.
0:27:02 > 0:27:04C'mon!
0:27:04 > 0:27:06It's all right.
0:27:06 > 0:27:10We don't care about a couple of hopheads beatin' each other.
0:27:10 > 0:27:13We care about your child.
0:27:13 > 0:27:16So, come on. How much?
0:27:19 > 0:27:21Do you give a fuck about your kid?
0:27:22 > 0:27:24Of course I do.
0:27:24 > 0:27:26We know you took the money.
0:27:26 > 0:27:29So just tell us how much you took.
0:27:29 > 0:27:31How much?
0:27:34 > 0:27:36How much?!
0:27:37 > 0:27:39HOW MUCH?!
0:27:40 > 0:27:43130.
0:27:43 > 0:27:45HE SIGHS
0:27:45 > 0:27:48REMY WHISTLES, CLEARS THROAT
0:27:48 > 0:27:51130,000?
0:27:51 > 0:27:53Yes, Bea!
0:27:53 > 0:27:55How'd you do it?
0:27:59 > 0:28:03- Me and Ray had to do this run up Nashua, right?- Yeah.
0:28:03 > 0:28:05We drop four keys on these bikers.
0:28:05 > 0:28:08When we walked through the motel with the money,
0:28:08 > 0:28:11these cops just swooped in and went right for the bikers.
0:28:11 > 0:28:14And Amanda was with us, so, erm,...
0:28:14 > 0:28:18we just pretended to be a family, got in the car and took off.
0:28:18 > 0:28:22- You took Amanda?- What am I gonna do, leave her in the car, Bea?
0:28:23 > 0:28:26I don't got no day care.
0:28:26 > 0:28:28It's really hard bein' a mother.
0:28:28 > 0:28:31It's hard raisin' a family, you know?
0:28:31 > 0:28:33All on my own.
0:28:33 > 0:28:37But God made you barren, so you wouldn't fuckin' know so...
0:28:37 > 0:28:40- You are an abomination. - Hey, hey! Right here, right here.
0:28:40 > 0:28:43What happened next?
0:28:43 > 0:28:45We was driving back.
0:28:45 > 0:28:47And Ray...
0:28:47 > 0:28:51Fuckin' Ray was, "Everyone's gonna think the cops got the money."
0:28:51 > 0:28:53You told Cheese the cops got it?
0:28:53 > 0:28:55But you and Ray kept the money?
0:28:56 > 0:28:59This whole fuckin' thing is Ray's fault!
0:28:59 > 0:29:01Where's the money now, Helene?
0:29:03 > 0:29:07- It's with Ray. - And where's Ray?
0:29:08 > 0:29:10Chelsea.
0:29:10 > 0:29:14Let's go. C'mon. She rides with you. I don't want her in my car.
0:29:26 > 0:29:28KIDS SHOUT
0:29:30 > 0:29:33TYRES SCREECH C'mon, move the bike!
0:29:33 > 0:29:35- Go fuck your mother! - What?
0:29:35 > 0:29:37Beat it, sucker!
0:29:42 > 0:29:46- Helene, you went with Scott Flaherty, didn't you?- How do you know?
0:29:46 > 0:29:49I was at St Mark's. I was a freshman, you were a senior. Remember?
0:29:49 > 0:29:51No.
0:29:51 > 0:29:53Whatever happened to Scott?
0:29:53 > 0:29:57Ah, he stabbed a foreign exchange student in the chest.
0:29:57 > 0:29:59He got life in Walpole.
0:29:59 > 0:30:01He's a faggot now.
0:30:02 > 0:30:04He was a faggot in high school.
0:30:04 > 0:30:06- LAUGHING:- Oh, man!
0:30:06 > 0:30:08- You're terrible. - SHE CHUCKLES
0:30:08 > 0:30:12- He was cute. - Well, he'd wear them tight shorts.
0:30:12 > 0:30:14Oh, who's a faggot now?
0:30:14 > 0:30:17You're datin' a faggot!
0:30:19 > 0:30:21So, how did the money end up in Chelsea?
0:30:21 > 0:30:24I thought you and Ray went home after.
0:30:24 > 0:30:27No, we dropped off Amanda and went back to Ray's.
0:30:27 > 0:30:30Then retarded Ray left his baby rock at my place.
0:30:30 > 0:30:33I'm like, "I'm gonna drop this motherfucker."
0:30:33 > 0:30:35"I don't care if he got a big dick."
0:30:35 > 0:30:39So, we went back to the apartment and Ray was hollerin'.
0:30:39 > 0:30:41He was gonna wake Amanda. She needs her sleep.
0:30:41 > 0:30:46You know? So, we went back to Ray's, or Ray's mother's, whatever.
0:30:46 > 0:30:49I don't know where she went, but she left her fuckin' cats
0:30:49 > 0:30:52and it smells like cock.
0:30:52 > 0:30:55And Cheese never contacted you?
0:30:55 > 0:30:59No. We didn't hear from Cheese, and Ray said, "Don't say shit."
0:30:59 > 0:31:02It wasn't worth it, for Amanda's sake, to say what happened?
0:31:02 > 0:31:05Cheese has your kid!
0:31:05 > 0:31:08God fuckin' knows what he's doing to her.
0:31:08 > 0:31:12What am I gonna do? Call Cheese and be like, "You got my daughter?"
0:31:12 > 0:31:15- "Cos I just ripped you off..." - Yeah!
0:31:15 > 0:31:17- Helene, sit back. - Oh, my God!
0:31:17 > 0:31:21I'm gonna call the cops, too, and be like, "Oh, just so you know,
0:31:21 > 0:31:25"I run coke and heroin, in case that's relevant"?
0:31:25 > 0:31:28- All right, calm down. Calm down. - You make me sick.
0:31:29 > 0:31:32What makes you think Ray hasn't spent the money?
0:31:32 > 0:31:34Nigger, please. I hid it.
0:31:34 > 0:31:35Pull over.
0:32:00 > 0:32:03Looks like somebody talked with Ray before they shot him.
0:32:03 > 0:32:05Looks like he held out pretty good.
0:32:05 > 0:32:08- He didn't have it. - Hmm?
0:32:08 > 0:32:12He couldn't say where the money was cos he didn't know. Helene hid it.
0:32:12 > 0:32:16- HE SCOFFS - Ray made poor relationship choices.
0:32:16 > 0:32:20- I guess they didn't believe him. - Poor prick.
0:32:20 > 0:32:24- DOOR OPENS - I am not waitin' in the fuckin' car.
0:32:38 > 0:32:41- Where's the money? - I don't give a fuck about the money!
0:32:42 > 0:32:45- Helene... - I just want my daughter home!
0:32:45 > 0:32:49I know. I... I know. I'm sorry. It's very upsetting about Ray, but, er...
0:32:50 > 0:32:52- Where's the money? - Right there.- Where?
0:32:52 > 0:32:55I buried it when Ray was passed out.
0:32:55 > 0:33:00What was that book, "Everything you need is in your own backyard"?
0:33:00 > 0:33:03- A French book. - That wasn't a book.
0:33:03 > 0:33:06- That was a book. - No, it was a cartoon.
0:33:06 > 0:33:09- It was a cartoon. Right, Helene? - Fuck you both!
0:33:09 > 0:33:12- Should we get the FBI? - That's the worst thing we could do.
0:33:12 > 0:33:16I don't want Cheese to kill Amanda after he sees a bag of paper.
0:33:16 > 0:33:18- It's kidnapping. - I don't see a note.
0:33:18 > 0:33:21- You see a note? - Nope. No note.
0:33:21 > 0:33:23This is a missing children's case.
0:33:23 > 0:33:27Kidnapping has nothing to do with it. Fastest way to get Amanda home
0:33:27 > 0:33:30is to swap the money for her and walk away. Plain and simple.
0:33:30 > 0:33:34- Do you know Cheese? - I knew his brother better, Jude.
0:33:34 > 0:33:37He was a sweet kid. Cheese went another way.
0:33:38 > 0:33:42- He wouldn't hurt her, right? - Ask Ray.
0:33:42 > 0:33:46All he cares about is his money. If he gets it back, he won't hurt her.
0:33:46 > 0:33:49Just keep your mouth shut, OK? We'll get her back. It'll be fine.
0:33:49 > 0:33:52- You're gonna talk to him? - Yeah.
0:33:52 > 0:33:56Well, tell him I'm sorry. He knows me. Just tell him I apologise.
0:33:56 > 0:33:59- HE LAUGHS - I'm sure that'll fix everything(!)
0:33:59 > 0:34:02- Take her home. We'll take care of this.- We'll meet you over there.
0:34:02 > 0:34:05- I'm hungry. - I'll get you something.
0:34:05 > 0:34:09No, her. That's what she said to me before I put her to bed.
0:34:09 > 0:34:13She said, "I'm hungry." They fed her, right? She's not still hungry?
0:34:14 > 0:34:16I don't know.
0:35:00 > 0:35:04- SOBS:- I know I fucked up!
0:35:04 > 0:35:09I just want my daughter back. I swear I won't do no drugs no more.
0:35:09 > 0:35:12I won't even go out. I'll be fuckin' straight. Cross my heart.
0:35:13 > 0:35:16It's all right. We're gonna find her.
0:35:16 > 0:35:18You have to. You promise?
0:35:19 > 0:35:22Yeah. I'm gonna try.
0:35:22 > 0:35:24I will.
0:35:24 > 0:35:25Promise.
0:35:25 > 0:35:28You have to promise me.
0:35:28 > 0:35:30I promise.
0:35:52 > 0:35:54- Where are you going? - To talk to Cheese.
0:35:54 > 0:35:57- No, you're not. Get back in the car. - That's a mistake.
0:35:57 > 0:36:00- He won't talk to a badge. - No. No way!
0:36:00 > 0:36:04You want her back or not? I know him. If there's a deal to be had, we...
0:36:04 > 0:36:06We're handling this. Get back in the car.
0:36:06 > 0:36:09Guys, you negotiate a ransom for a little girl,
0:36:09 > 0:36:12then it is the FBI, cos it's kidnapping.
0:36:12 > 0:36:16All you'll do is scare him. The more you do, the worse it is for her.
0:36:21 > 0:36:22All right, go ahead.
0:36:23 > 0:36:27Just... relax, sit tight. I know him. I'll take care of it.
0:36:27 > 0:36:29Good luck.
0:36:30 > 0:36:33HE SNORTS
0:36:35 > 0:36:37It's been a long time.
0:36:39 > 0:36:41Nah, I quit.
0:36:48 > 0:36:50I'm gonna talk some private shit.
0:36:52 > 0:36:55Hey... don't get too far.
0:36:55 > 0:36:58You know I'll be right here.
0:36:58 > 0:37:00Bitches love the Cheddar.
0:37:06 > 0:37:10- How you been, Chris? - Better than you.
0:37:11 > 0:37:14- Yeah. Good to hear it. - Fuck you!
0:37:14 > 0:37:19All right, be cool. It's been too long not to see a fool.
0:37:20 > 0:37:24I grant you audience.
0:37:24 > 0:37:27- Go.- We found what you were looking for in Chelsea.
0:37:30 > 0:37:32What I care about Chelsea?
0:37:32 > 0:37:35Cos one of the idiots that robbed you lived there.
0:37:35 > 0:37:37What idiot?
0:37:37 > 0:37:41The one that you and Chris beat with a pipe and shot in the chest.
0:37:43 > 0:37:47I don't know about nobody gettin' killed.
0:37:47 > 0:37:51But if somebody robbed me and end up dead,
0:37:51 > 0:37:55well, you know, life... is a mo'fucker.
0:37:56 > 0:37:58Cheese, we got your money.
0:37:58 > 0:38:01It was buried in Ray's back yard.
0:38:02 > 0:38:06We wanna give it back to you in exchange for Amanda McCready.
0:38:06 > 0:38:09The two police outside are the only others who know.
0:38:09 > 0:38:11No-one gives a fuck about what you did.
0:38:11 > 0:38:13Man, I didn't even like Ray.
0:38:13 > 0:38:16You get your money, a mother gets her daughter back
0:38:16 > 0:38:19and we say we found the kid in the bushes.
0:38:19 > 0:38:23It's either this, real quiet, or it's a thousand fuckin' cops
0:38:23 > 0:38:26kickin' your door in, puttin' their fat knees in your neck.
0:38:29 > 0:38:31Hold up.
0:38:32 > 0:38:35Whoa. Whoa! COCKS GUN
0:38:35 > 0:38:37What the fuck is this?!
0:38:39 > 0:38:42- Lift up your shirt. - C'mon, man.
0:38:42 > 0:38:44Motherfucker, you heard me.
0:38:44 > 0:38:47Lift up your shirt.
0:38:47 > 0:38:51- It ain't like that, Cheese. - But see, I ain't down with you.
0:38:51 > 0:38:53Lift up your shirt!
0:38:59 > 0:39:03You too, baby. Ain't no gender immunity. Let me see some tit.
0:39:08 > 0:39:10Don't never come in my spot like that.
0:39:10 > 0:39:14Ma boss, moi.
0:39:14 > 0:39:15You got my money?
0:39:15 > 0:39:19You leave that shit in the mailbox on your ass way out. You feel me?
0:39:19 > 0:39:23Some other motherfuckers let fools rob on 'em. I don't play scrimmage.
0:39:23 > 0:39:25But I don't fuck with no kids.
0:39:28 > 0:39:31And if that girl only hope is you,
0:39:31 > 0:39:33well, I pray for her.
0:39:33 > 0:39:36Cos she's gone, baby.
0:39:36 > 0:39:38Gone.
0:39:47 > 0:39:52Cheese, if you ever disrespect her again, I'll pull your fucking card.
0:39:52 > 0:39:54OK?
0:39:59 > 0:40:01So you're saying you didn't do it? Fine.
0:40:01 > 0:40:05We'll take your money and we'll be on our way.
0:40:05 > 0:40:07But if it turns out you're lying,
0:40:07 > 0:40:10I'm gonna spend all that money to fuck you up.
0:40:10 > 0:40:14I'm gonna bribe cops to go after you, pay guys to go after your crew
0:40:14 > 0:40:17and I'll tell everyone I know you're a CI and a rat.
0:40:17 > 0:40:20And I know a lot of people.
0:40:20 > 0:40:22And you'll wish you'd listened to me,
0:40:22 > 0:40:26cos your shitty crime syndicate headquarters is gonna get raided,
0:40:26 > 0:40:28your doped-up bitches will be sent back to Laos
0:40:28 > 0:40:32and this retard will testify against you for a reduced sentence
0:40:32 > 0:40:35while you get corn-holed in your cell by a gang of crackers.
0:40:37 > 0:40:38Cos from what I heard,
0:40:38 > 0:40:42the guys that get sent up to Concord for killing kids,
0:40:42 > 0:40:45life a motherfucker.
0:40:55 > 0:40:58If I see you again, I'm gonna get discourteous on you.
0:41:10 > 0:41:12And get that sausage off my lawn.
0:41:13 > 0:41:16- What happened? - He said he didn't know anything,
0:41:16 > 0:41:18but you can put his money in his mailbox.
0:41:18 > 0:41:21- That's what he told you? - That's it.
0:41:21 > 0:41:23Nothing else?
0:41:23 > 0:41:26Yeah. He said that he wanted you two off his lawn.
0:41:27 > 0:41:29I thought you knew this guy?
0:41:29 > 0:41:32Half the guys he knows are degenerates.
0:41:32 > 0:41:34- You know what the other half are? - What?
0:41:34 > 0:41:37Cops. But don't hold it against me.
0:41:37 > 0:41:39No, no.
0:41:39 > 0:41:41I won't hold it against you.
0:41:42 > 0:41:45Know what I'll hold against you?
0:41:45 > 0:41:47We had one chance to make this deal.
0:41:48 > 0:41:51You said you knew him, and you fucked it up.
0:41:52 > 0:41:55Now I gotta get a warrant, start surveillance,
0:41:55 > 0:42:00hope to Christ we get lucky. You know, if Amanda dies cos of this...
0:42:00 > 0:42:04- HE SIGHS - I'm gonna have to hold it against you.
0:42:04 > 0:42:07You'll hold it against yourself for a long, long time.
0:42:29 > 0:42:31HE SIGHS
0:42:32 > 0:42:35Hopefully, I didn't fuck this up.
0:42:40 > 0:42:42PHONE RINGS
0:42:44 > 0:42:46- Yeah? - Cheese called in.
0:42:46 > 0:42:50- He'll take the deal with Amanda, but he wants to go tonight.- Great.
0:42:50 > 0:42:53It is and it isn't. They record calls at the station.
0:42:53 > 0:42:57- "Jack got a hold of the transcript." - What does that mean?
0:42:57 > 0:43:00It means our badges are forfeited at this point.
0:43:00 > 0:43:02He wants you both down here now.
0:43:02 > 0:43:06Cheese said he left something in the mailbox to prove he's got Amanda.
0:43:26 > 0:43:30This is a transcript of a recorded call that came in this morning.
0:43:33 > 0:43:36Care to read the highlighted portion?
0:43:37 > 0:43:40Aloud.
0:43:40 > 0:43:42Er...
0:43:42 > 0:43:45"Caller... CLEARS THROAT
0:43:45 > 0:43:47'..Bitch, you better have my money.'"
0:43:49 > 0:43:51"Detective Bressant, 'Who is this?'"
0:43:51 > 0:43:56"Caller, 'You know who the fuck this is, fool.' Creole curse words."
0:43:56 > 0:44:00"'If you want that girl back, you need to meet me up Quincy tonight.'"
0:44:00 > 0:44:03"'Fuck around, I'll throw her in the lake.'"
0:44:03 > 0:44:07The lake he refers to is the water in the abandoned quarry.
0:44:07 > 0:44:11Detective Bressant goes on to make an unauthorised ransom arrangement
0:44:11 > 0:44:18to exchange Amanda for 130,000 tonight in just that location.
0:44:18 > 0:44:20After some discussion,
0:44:20 > 0:44:23Detective Bressant was kind enough to produce this.
0:44:23 > 0:44:26Do you recognise it?
0:44:26 > 0:44:28You have involved me in an illegal activity
0:44:28 > 0:44:32without my knowledge or consent, and I don't fuckin' appreciate it.
0:44:32 > 0:44:35- You don't have to be part of it. - The hell I don't!
0:44:35 > 0:44:39If I delay this, I further endanger the life of that child.
0:44:39 > 0:44:42Is that something you expect me to do?
0:44:42 > 0:44:44No, Sir.
0:44:44 > 0:44:48- I'll accept responsibility. - You'll accept nothing!
0:44:48 > 0:44:51Don't come in here trying to get noble, boy.
0:44:53 > 0:44:56Let me see that note.
0:45:01 > 0:45:03My God.
0:45:06 > 0:45:09He wants to separate us. The note instructs you guys to be here
0:45:09 > 0:45:13waiting for Amanda, me and Nick to be at the clearing with the money.
0:45:13 > 0:45:15Once Amanda's turned over to you,
0:45:15 > 0:45:18you call us on the radio and we turn over the cash.
0:45:19 > 0:45:22- Who is he likely to bring with him? - Chris Mullen.
0:45:22 > 0:45:25- He was at the club when we made the offer.- What do you know about him?
0:45:25 > 0:45:28He probably killed Ray for Cheese.
0:45:28 > 0:45:31- If I had to guess. - All right.
0:45:31 > 0:45:33- Nobody else knows about this. - I don't know.
0:45:33 > 0:45:35Yes?
0:45:35 > 0:45:39Is keeping it quiet better for Amanda or is it better for us?
0:45:40 > 0:45:43Do you have any children, Miss Gennaro?
0:45:43 > 0:45:45No, Sir.
0:45:46 > 0:45:48My only child was murdered.
0:45:48 > 0:45:51She was 12. Did you hear about it?
0:45:52 > 0:45:55What you probably didn't hear, Miss Gennaro,
0:45:55 > 0:45:59is what that feels like. What I have to deal with.
0:45:59 > 0:46:01Knowing that...
0:46:01 > 0:46:06my little girl likely died crying out for me to come and save her.
0:46:06 > 0:46:08And I never did.
0:46:08 > 0:46:12My little girl died afraid and alone...
0:46:12 > 0:46:15in a shallow ditch bank by the side of the road,
0:46:15 > 0:46:18not... ten minutes from our house.
0:46:21 > 0:46:24I know what it feels like to lose a child.
0:46:26 > 0:46:29Now, damn it, you force my hand
0:46:29 > 0:46:31and then question the way I handle it?
0:46:31 > 0:46:34No one's questioning you, Sir.
0:46:34 > 0:46:37I honour my child with this division,
0:46:37 > 0:46:40so that no parent has to go through what I've known.
0:46:41 > 0:46:43This child...
0:46:46 > 0:46:49..is all I care about.
0:46:49 > 0:46:51I'm gonna bring her home.
0:47:06 > 0:47:08Why would he bring us all the way up here?
0:47:10 > 0:47:13I don't know. It's big, dark, easy to get away.
0:47:13 > 0:47:14No.
0:47:16 > 0:47:19They're gonna kill her.
0:47:41 > 0:47:45This asshole could have found some level fuckin' ground somewhere.
0:47:45 > 0:47:49This is where we part ways. You guys'll be on top of that cliff.
0:47:49 > 0:47:52We'll be right across from you. Radio us when you have him.
0:47:54 > 0:47:57- We will. - Well, good luck.
0:48:03 > 0:48:05INSECTS CHIRP
0:48:38 > 0:48:40How they gonna get Amanda up here?
0:48:40 > 0:48:43GUNFIRE RADIO: 'Ambush! Ambush!
0:48:43 > 0:48:46'It's fucking Cheese!
0:48:46 > 0:48:48'Where is he?' GRUNTING AND GROANING
0:48:48 > 0:48:52INDISTINCT SHOUTING OVER RADIO/ GUNFIRE CONTINUES
0:48:57 > 0:48:59- Sure you heard something? - Over there!
0:48:59 > 0:49:02- Where? - I heard a splash down there.
0:49:02 > 0:49:05Somebody took Cheese out, then all hell broke loose.
0:49:05 > 0:49:07- Where's Amanda? - Something went in the water.
0:49:07 > 0:49:09- Are you sure? - Yes.
0:49:09 > 0:49:12- Where? - There! Right there.- Oh, my God.
0:49:13 > 0:49:15Oh, no.
0:49:26 > 0:49:28Jesus Christ!
0:49:30 > 0:49:32SHE GASPS
0:50:26 > 0:50:28DOOR OPENS
0:50:38 > 0:50:40Hey.
0:50:40 > 0:50:42Hi.
0:50:42 > 0:50:44How's the leg?
0:50:44 > 0:50:46It'll be fine.
0:50:48 > 0:50:50They find anything?
0:50:52 > 0:50:54They got divers in there now.
0:50:55 > 0:50:58She could still be alive.
0:50:59 > 0:51:02Maybe she's hiding. She could be stuck.
0:51:03 > 0:51:05Right?
0:51:06 > 0:51:08I don't think so.
0:51:19 > 0:51:21Hmm.
0:51:22 > 0:51:24SHE SNIFFS
0:51:24 > 0:51:26TV PLAYS
0:51:26 > 0:51:28Hey.
0:51:31 > 0:51:33SHE SIGHS
0:51:33 > 0:51:37- DOYLE ON TV:- 'This quarry is extremely deep and treacherous,
0:51:37 > 0:51:41'and all too often... she keeps that which she takes in.'
0:51:41 > 0:51:44- REPORTER 1: A sad end to that story. REPORTER 2:- It sure is.
0:51:44 > 0:51:49- Ron is next with sports. The Bruins in action tonight?- Yes, they are.
0:51:49 > 0:51:51RON CONTINUES COMMENTARY
0:51:53 > 0:51:57PATRICK: 'And like that... she was gone.
0:51:59 > 0:52:03'We gave our statements, Nick and Remy the same.
0:52:03 > 0:52:07'All of us spared any blame for Amanda's death.
0:52:07 > 0:52:10'Jack Doyle resigned on the condition that he,
0:52:10 > 0:52:12'and he alone, be held accountable.'
0:52:12 > 0:52:15- ON TV:- 'The legendary captain of a unit dedicated to children
0:52:15 > 0:52:18'stepped down today in the aftermath of controversy...'
0:52:18 > 0:52:22'He was granted the dignity of early retirement,
0:52:22 > 0:52:25'but the humiliation of half a pension.
0:52:28 > 0:52:32'It was an ignominious end to an illustrious career.
0:52:32 > 0:52:37'Chris's run lasted a day and a half, until, from what they could tell,
0:52:37 > 0:52:40'he ran into someone who wanted the money more than he did.'
0:52:40 > 0:52:43'..Chris Mullen was gunned down in an apparent robbery.
0:52:43 > 0:52:46'The Police Commissioner defended the rising tide of crime
0:52:46 > 0:52:49'as a statistical aberration...'
0:52:55 > 0:52:58'Enough time went by, and they called off the search.
0:52:58 > 0:53:01'They issued Helene a death certificate.
0:53:15 > 0:53:18'The frame and the casket were donated by the funeral home...
0:53:21 > 0:53:24'..but had to be returned at the end of the afternoon.'
0:53:27 > 0:53:30You know I love you, right?
0:53:30 > 0:53:32Yeah.
0:53:32 > 0:53:34I just wanna be alone for a while.
0:53:41 > 0:53:45'I don't know if she blamed me, or if she blamed herself.'
0:53:45 > 0:53:47CLOSES DOOR QUIETLY
0:53:49 > 0:53:52'But when she didn't think I was home,
0:53:52 > 0:53:54'or if she thought I couldn't hear...
0:53:54 > 0:53:57'she would cry.
0:54:04 > 0:54:09'I couldn't stop running it over and over and over in my mind.
0:54:09 > 0:54:11'The vague and distant suspicion
0:54:11 > 0:54:14'that we never understood what happened that night,
0:54:14 > 0:54:16'what our role was.
0:54:18 > 0:54:21'Or maybe it was just that, like hundreds of other children
0:54:21 > 0:54:25'who disappear each year and never return...
0:54:26 > 0:54:30'..Amanda was even more haunting for never being found.
0:54:33 > 0:54:37'What they did find was another big story.
0:54:37 > 0:54:40'And I couldn't help but find it strange.
0:54:40 > 0:54:45'Not two months later, and not far away...
0:54:45 > 0:54:48'another child went missing.'
0:54:48 > 0:54:52- WOMAN ON TV:- 'A bicycle left roadside, a tyre left spinning...'
0:54:52 > 0:54:56Late breaking news on that story. Little Johnny Pietro is also wearing
0:54:56 > 0:54:58what this reporter believes may be a sign.
0:54:58 > 0:55:01Johnny is wearing a medallion of St Christopher...
0:55:02 > 0:55:05'Johnny Pietro and his medallion.
0:55:05 > 0:55:09'What I didn't find strange, was that, this time,
0:55:09 > 0:55:11no relatives came knockin' on our door.'
0:55:14 > 0:55:16- Hey, Patrick. - Hey.
0:55:16 > 0:55:19- I need you to come on a ride with me.- Where?
0:55:19 > 0:55:22- To Everett. - What? No parties in Lynn?
0:55:22 > 0:55:25That ain't funny. You got your toast with you, right?
0:55:25 > 0:55:28- My what? - Your gun, dummy.
0:55:28 > 0:55:30Er, yeah.
0:55:30 > 0:55:32URBAN MUSIC ON RADIO
0:55:39 > 0:55:43This ain't no strip club in... in Lynn, Patrick.
0:55:43 > 0:55:46Got somethin' better for you, buddy.
0:55:53 > 0:55:54TURNS RADIO OFF
0:55:59 > 0:56:02You asked me to find some people. I think I found 'em.
0:56:02 > 0:56:06- What are you gettin' me into?- Don't give a fuck about Corwin Earle now?
0:56:06 > 0:56:10Yo, cos the fat bitch and the old dude are in there.
0:56:10 > 0:56:13My man didn't know about the diddler.
0:56:13 > 0:56:16Come in with me, we'll find out if this motherfucker's in there.
0:56:18 > 0:56:23You know what? If you don't wanna come in, don't come in. Fuck it.
0:56:27 > 0:56:29Let's go.
0:56:48 > 0:56:50BANGS ON DOOR
0:56:50 > 0:56:53DOOR UNLOCKS
0:56:54 > 0:56:56- Guess who. - Jerome Miller?
0:56:56 > 0:57:00- No, it's the coke fairy. Open up. - I got the money right here.
0:57:00 > 0:57:03You think you're gonna hand me money on a fuckin' porch?
0:57:03 > 0:57:05Open the door.
0:57:05 > 0:57:08- Who's he? - Your father. Open the fuckin' door!
0:57:10 > 0:57:12UNLOCKS DOOR
0:57:13 > 0:57:16- Look out. - OK, man. Chill, chill.
0:57:16 > 0:57:18MUSIC BLARES WITHIN
0:57:25 > 0:57:30- What, are you guys startin' a band? - Startin' a band...
0:57:34 > 0:57:38It's a taste. Cocaine for the old man.
0:57:38 > 0:57:40Fuckin' Christ!
0:57:41 > 0:57:43Want me to change a roll of quarters for you?
0:57:44 > 0:57:47APPROACHING FOOTSTEPS
0:57:47 > 0:57:51- I told you to tell me when it got here!- It just got here.
0:57:51 > 0:57:53- You already did some! - It was a taste bag!
0:57:53 > 0:57:55Sorry, love.
0:57:57 > 0:57:59Here, count this fuckin' mess.
0:58:02 > 0:58:04- SHE SNORTS - Where's the rest, man?
0:58:04 > 0:58:07- Huh?- Soon as he's finished countin' that fuckin' mess.
0:58:10 > 0:58:13RATTLES DOOR
0:58:16 > 0:58:18KICKS DOOR
0:58:18 > 0:58:22- Mr Miller, do you mind? - No, I don't mind.
0:58:22 > 0:58:24- Excuse me. - You're excused.
0:58:24 > 0:58:27- Please don't snoop around. - Relax, handsome.- Excuse me!
0:58:27 > 0:58:30Where the fuck do you think you're goin'?
0:58:30 > 0:58:32Mr Miller, I'm warning you!
0:58:33 > 0:58:35Stop!
0:58:39 > 0:58:41Patrick, shoot this bitch.
0:58:46 > 0:58:48You fat, busted cunt.
0:58:49 > 0:58:51You put a gun on me, you better use it.
0:58:51 > 0:58:54Just give us our fuckin' wizza!
0:58:57 > 0:59:00You don't wanna shoot her, Patrick?
0:59:05 > 0:59:09- Who's this guy? - Corwin, go back to your room!
0:59:09 > 0:59:11It's not a party?
0:59:13 > 0:59:16Nope. It's not a party.
0:59:17 > 0:59:20- How much money is there, Patrick? - Enough.
0:59:24 > 0:59:26Want this?
0:59:28 > 0:59:30HE SPITS
0:59:34 > 0:59:37What are you doin'? Pick up the fuckin' money.
0:59:41 > 0:59:45- At least two guns in the house. Roberta's carrying hers.- What else?
0:59:45 > 0:59:47- They're high. - On what?- Cocaine.
0:59:47 > 0:59:49Your friend tell you that, too?
0:59:49 > 0:59:52- Squad'll be here in five minutes. - You're not waiting?
0:59:52 > 0:59:55Did you tell me you saw Corwin Earle
0:59:55 > 0:59:57with a St Christopher medallion on his wrist?
0:59:57 > 1:00:01- I definitely saw him. - We're not waiting. - COCKS GUN
1:00:01 > 1:00:03Stay here. And don't fuck around, all right?
1:00:03 > 1:00:05Good job.
1:00:16 > 1:00:18GUNFIRE
1:00:47 > 1:00:50SQUELCHING GRUNTS: Oh, fuck!
1:00:53 > 1:00:55HE MOANS
1:00:59 > 1:01:02Hello? Shots are fired. An officer down... Shots...
1:01:02 > 1:01:06Listen to me! A police officer has been shot at 33 German Road.
1:01:06 > 1:01:08GUNFIRE
1:01:12 > 1:01:14SINGLE GUNSHOT
1:01:14 > 1:01:16HE PANTS
1:01:24 > 1:01:26HE PANTS
1:01:29 > 1:01:31HEEXCLAIMS
1:01:31 > 1:01:34CLATTERING
1:01:34 > 1:01:36THUD
1:01:38 > 1:01:41HE GASPS
1:01:51 > 1:01:53CLATTERING
1:01:53 > 1:01:55- Get away from him! - FIRES GUN
1:01:57 > 1:02:00- Get away! - GASPS
1:02:08 > 1:02:10HE PANTS
1:02:42 > 1:02:44DOOR CREAKS
1:02:44 > 1:02:46(GASPS)
1:02:49 > 1:02:51It was an accident.
1:02:54 > 1:02:56QUIVERS
1:03:01 > 1:03:03It was an accident.
1:03:29 > 1:03:31VOMITS
1:03:32 > 1:03:34GASPS AND QUIVERS
1:03:35 > 1:03:37PANTS
1:03:40 > 1:03:42Wait!
1:03:43 > 1:03:45FIRES GUN
1:04:09 > 1:04:11INAUDIBLE
1:04:50 > 1:04:52Hey.
1:04:55 > 1:04:57Are you OK?
1:04:58 > 1:05:01They told me what happened.
1:05:05 > 1:05:08I'm proud of you.
1:05:10 > 1:05:13That man killed a child.
1:05:14 > 1:05:16He had no right to live.
1:05:19 > 1:05:22- You're proud of me? - Of course I am.
1:05:24 > 1:05:27You did what you had to do.
1:05:30 > 1:05:32Let's go home.
1:05:36 > 1:05:39I need to stay here awhile.
1:05:43 > 1:05:45See you at home.
1:05:45 > 1:05:47Yeah.
1:05:52 > 1:05:55NOISE FROM TRAFFIC
1:06:07 > 1:06:09It's fucked up, right?
1:06:11 > 1:06:14HE SIGHS They tell you anything about Nick?
1:06:14 > 1:06:17They said he could be OK.
1:06:18 > 1:06:20I don't know.
1:06:22 > 1:06:25Did they say how old that little boy was?
1:06:25 > 1:06:27Seven.
1:06:29 > 1:06:31Second grade.
1:06:31 > 1:06:33You should be proud of yourself.
1:06:33 > 1:06:36Most guys would have stayed outside.
1:06:38 > 1:06:40I don't know.
1:06:40 > 1:06:42What don't you know?
1:06:42 > 1:06:46My priest says, "Shame is God telling you what you did was wrong."
1:06:47 > 1:06:50Fuck him.
1:06:51 > 1:06:53Murder's a sin.
1:06:53 > 1:06:56It depends on who you do it to.
1:06:56 > 1:06:59That's not how it works. It is what it is.
1:07:11 > 1:07:14I planted evidence on a guy once.
1:07:17 > 1:07:21Back in '95. We were paying 100 an eight ball to snitches.
1:07:21 > 1:07:24We got a call from our pal, Ray Likanski.
1:07:24 > 1:07:26He couldn't find enough guys to rat out.
1:07:26 > 1:07:31He tells us there's a guy pumpin' up at a club in Columbia Point.
1:07:31 > 1:07:33We go in, me and Nicky.
1:07:33 > 1:07:37Fifteen years ago, when Nicky went in, it was no joke.
1:07:37 > 1:07:41So it's a stash house, right? The old lady's beat to shit,
1:07:41 > 1:07:44the husband's mean, cracked out, tries to give us trouble.
1:07:44 > 1:07:47Nicky lays him down.
1:07:47 > 1:07:50We're doin' an inventory, but we messed up. There's no dope.
1:07:50 > 1:07:52And I go in the back room...
1:07:52 > 1:07:55Now, this place was a shithole, mind you,
1:07:55 > 1:07:58rats and roaches all over the place.
1:07:58 > 1:08:02But the kid's room in the back?
1:08:03 > 1:08:06It was spotless.
1:08:06 > 1:08:08No, I mean, he swept it, mopped it.
1:08:08 > 1:08:11It was immaculate.
1:08:11 > 1:08:16The boy was on the bed, holding onto his PlayStation for dear life.
1:08:16 > 1:08:19There was no expression on his face.
1:08:20 > 1:08:22Tears streaming down.
1:08:22 > 1:08:26He wants to tell me he just learned his multiplication tables.
1:08:27 > 1:08:30- And his...- I mean, the father's got him in this crack den,
1:08:30 > 1:08:33subsisting on Twinkies and ass-whippings.
1:08:33 > 1:08:36And this little boy,
1:08:36 > 1:08:40he just wants someone to tell him that he's doing a good job.
1:08:40 > 1:08:43Are you worried what's Catholic?
1:08:43 > 1:08:46I mean, kids forgive.
1:08:46 > 1:08:49Kids... don't judge.
1:08:49 > 1:08:54Kids turn the other cheek. And what do they get for it?
1:08:55 > 1:08:59So I went back out, put an ounce of heroin on the living-room floor
1:08:59 > 1:09:02and I sent the father on a ride. Seven to nine.
1:09:05 > 1:09:08- That was the right thing? - Fuckin' A!
1:09:10 > 1:09:13You gotta take a side!
1:09:14 > 1:09:17You molest a child...
1:09:17 > 1:09:19you beat a child...
1:09:19 > 1:09:22you're not on my side. If you see me coming, you best run,
1:09:22 > 1:09:25because I am gonna lay you the fuck down!
1:09:28 > 1:09:31Easy.
1:09:35 > 1:09:37It don't feel easy.
1:09:37 > 1:09:41Is the kid better off without his father?
1:09:41 > 1:09:42Yeah.
1:09:43 > 1:09:45But, OK, he could be out there now,
1:09:45 > 1:09:50pumpin' with a gun in his waistband. It's a war, man.
1:09:52 > 1:09:54Are we winning?
1:09:55 > 1:09:57No.
1:10:02 > 1:10:04Would you do it again?
1:10:04 > 1:10:06Clip Corwin Earle?
1:10:08 > 1:10:10No.
1:10:11 > 1:10:13Does that make it right?
1:10:16 > 1:10:19- Hmm? - I don't know.
1:10:19 > 1:10:23It doesn't make it wrong, though, does it?
1:10:29 > 1:10:31HE SIGHS
1:10:31 > 1:10:33PUTS KEYS IN BOWL
1:10:34 > 1:10:36LOCKS DOOR
1:10:38 > 1:10:40- Hey. - Hey.
1:10:41 > 1:10:43How's Remy?
1:10:45 > 1:10:48He lied to me.
1:10:48 > 1:10:50What did Remy say about Ray in Roxbury?
1:10:50 > 1:10:52"Never heard of him."
1:10:52 > 1:10:55Now he says Ray's been snitchin' for him for 15 years.
1:10:55 > 1:10:57Called him his old pal.
1:10:57 > 1:11:01- Said he couldn't find enough people to snitch out.- Patrick.
1:11:01 > 1:11:06Ray's the reason Amanda got taken, and Remy lies about knowin' him.
1:11:10 > 1:11:12- Let it go. - Why would he lie?
1:11:12 > 1:11:15- What does he have to hide? - Amanda's dead.
1:11:15 > 1:11:17Let it go.
1:11:21 > 1:11:23HE SIGHS
1:11:25 > 1:11:27Babe?
1:11:28 > 1:11:30Nick died.
1:11:51 > 1:11:53Mr Kenzie?
1:11:53 > 1:11:55Nice fuckin' job on Corwin Earle.
1:12:00 > 1:12:03PRIEST CHANTS FUNERAL LITURGY
1:12:44 > 1:12:46Sorry about Nick.
1:12:46 > 1:12:48Yeah, thanks.
1:12:49 > 1:12:53I was thinking about our conversation the other night.
1:12:53 > 1:12:55I said some things I shouldn't have.
1:12:55 > 1:12:58You know, too much rum.
1:12:58 > 1:13:00Like what?
1:13:01 > 1:13:04Don't fuck with me, Patrick. Not today.
1:13:05 > 1:13:07No, I wouldn't fuck with you.
1:13:08 > 1:13:11Oh, you wanna play it like that, huh?
1:13:11 > 1:13:13OK.
1:13:13 > 1:13:17Forget about the other night and we can be friends.
1:13:18 > 1:13:20What if I don't?
1:13:20 > 1:13:24That's not an "if" you want to bring into your life.
1:13:27 > 1:13:29GENERAL CHATTERING
1:13:29 > 1:13:31Excuse me.
1:13:32 > 1:13:36- Devin? - Hey! How you doin'?
1:13:36 > 1:13:39- All right. How you been? - Can't complain.
1:13:39 > 1:13:42- Can I talk to you? - Yeah.
1:13:42 > 1:13:44- Not here. - Huh.
1:13:44 > 1:13:48If it's like that, you're gonna have to buy me lunch.
1:13:48 > 1:13:52- How's the Chart House? Half-hour? - Sounds about right.
1:13:53 > 1:13:57- Hey, Remy worked narcotics with you, right?- DCU, yeah. What's up?
1:13:57 > 1:14:02- Why'd he leave?- He had a habit of just rubbin' people the wrong way.
1:14:02 > 1:14:05- Like what? What did he do? - Like marry a prostitute, for one.
1:14:06 > 1:14:09- Come on! - You don't do that if you're a cop.
1:14:09 > 1:14:12You don't do that if you're a plumber! HE LAUGHS
1:14:12 > 1:14:15- So, what happened? - He says he loves her.
1:14:15 > 1:14:19- Tells Mike Snell to go fuck himself and asks for a transfer.- To Doyle?
1:14:19 > 1:14:23Doyle brought Remy from Louisiana back in '72.
1:14:23 > 1:14:28- You don't think that Remy's dirty, though, do ya?- What's "dirty"?
1:14:29 > 1:14:32I know he planted evidence once.
1:14:32 > 1:14:34Oh, you do?
1:14:34 > 1:14:38- Yeah. Why?- Look, man, CSI is killin' us out here.
1:14:38 > 1:14:42Every other juror, all they want to know is where the micro fibres are.
1:14:42 > 1:14:45Certain people are workers. They don't wanna plant it, but...
1:14:45 > 1:14:47They don't mind it?
1:14:49 > 1:14:51So, tell me somethin',
1:14:51 > 1:14:54what you fuckin' with him for?
1:14:54 > 1:14:59He lied to me. I can't think of one reason big enough for him to lie
1:14:59 > 1:15:01that's small enough not to matter.
1:15:06 > 1:15:09All right, look. I know one thing,
1:15:09 > 1:15:12but it's third party, so you gotta play it like that.
1:15:12 > 1:15:16- Helene and Ray took Cheese's money back in June, right?- Yeah?
1:15:16 > 1:15:19One week later, Remy goes to a cop in DCU
1:15:19 > 1:15:23- asking if anybody knew who robbed Cheese.- So what?
1:15:23 > 1:15:25So, my informant tells me,
1:15:25 > 1:15:28Cheese didn't know he got robbed until two weeks later.
1:15:28 > 1:15:33So, Remy knew Cheese got robbed before Cheese did? How?
1:15:34 > 1:15:37Let me tell you. You better think long and hard
1:15:37 > 1:15:40before you start investigating the police.
1:15:40 > 1:15:45You try and take the food out of their mouths, they will fuck you up.
1:15:47 > 1:15:49Thanks for the steak.
1:15:49 > 1:15:51All right.
1:16:04 > 1:16:06Hey.
1:16:07 > 1:16:09I got it.
1:16:09 > 1:16:13- PHONE: 'We need to talk to you, Lionel.- About what?
1:16:13 > 1:16:15'The acoustics in your apartment.
1:16:15 > 1:16:19- 'What? - We live in a three decker, too.
1:16:19 > 1:16:21'I got nothin' to talk about.
1:16:21 > 1:16:24'That's fine. We can talk to the State Police.
1:16:25 > 1:16:27- 'Meet me at Murphy's Law.' - HANGS UP
1:16:45 > 1:16:47- LIONEL:- If I don't go, he'll call the States.
1:16:47 > 1:16:50- REMY:- He's putting a move on ya. Don't go down there.
1:16:50 > 1:16:54- This is an oath we took. - I started this!
1:16:54 > 1:16:57This has to be protected. Listen to me!
1:16:57 > 1:16:59You leave that house, you're an enemy to me.
1:16:59 > 1:17:03- Trust me, all right? - No, trust me! Where I come from!
1:17:04 > 1:17:07You die with your secrets!
1:17:31 > 1:17:33'How long have you known Remy?'
1:17:33 > 1:17:35Detective Bressant?
1:17:35 > 1:17:40- Just in... Met him through the investigation of Amanda.- That's it?
1:17:40 > 1:17:42Yeah.
1:17:44 > 1:17:48How long have you known Remy?
1:17:48 > 1:17:50- What is this? - They got the Internet now.
1:17:51 > 1:17:54You know how it is, everybody knows everybody.
1:17:54 > 1:17:58No. Everybody don't know everybody. Why are you lyin'?
1:17:58 > 1:18:02- I'm not.- You bragged about taking a hard bust.
1:18:02 > 1:18:05- No, I didn't. - Bullshit. You're hidin' something.
1:18:05 > 1:18:08You better fuckin' tell it, cos you asked us for help,
1:18:08 > 1:18:11and we killed ourselves tryin' to save Amanda.
1:18:11 > 1:18:15I know you ain't bein' 100 per cent with me, and it's pissin' me off.
1:18:15 > 1:18:19- So you better interrupt me... - OK, fine. Don't have a heart attack.
1:18:21 > 1:18:23I haven't been honest with you.
1:18:23 > 1:18:26It's not something I'm proud of, you know?
1:18:26 > 1:18:31I got in a bar fight back in the day. Other guy cracked his skull.
1:18:31 > 1:18:35I must have said, "I'll kill ya," so they had me up for attempted.
1:18:35 > 1:18:37It's my word against this guy's.
1:18:37 > 1:18:41- Witness testified to my version. The jury believed him.- Cos he was a cop.
1:18:41 > 1:18:44- Yeah. He testified for me. - So you knew Detective Bressant.
1:18:44 > 1:18:47- We weren't best friends. - But you lied!- Why call Remy?
1:18:47 > 1:18:51- He's a cop. - That's not why you called him.
1:18:51 > 1:18:55- Come on...- It's a small place. You heard 'em arguing. They were loud.
1:18:55 > 1:18:59So, you called Remy, and you and him took Amanda to blackmail your sister.
1:18:59 > 1:19:02LAUGHS INCREDULOUSLY
1:19:02 > 1:19:06- Why would I do that? - I don't know, Lionel.
1:19:06 > 1:19:10Maybe because after all the "I put the fuckin' plug in the jug"
1:19:10 > 1:19:14and the "count your blessings", you're just like everybody else.
1:19:14 > 1:19:17You saw a bag of money. You wanted it and thought you'd get away with it.
1:19:17 > 1:19:22But Bea called the media, then she called us, and then you were fucked.
1:19:22 > 1:19:24The case is closed, Patrick.
1:19:24 > 1:19:26A coke-dealin' Haitian is easy to frame.
1:19:26 > 1:19:28- Lionel? - Excuse me?- Look at me!
1:19:28 > 1:19:31- You took your niece. - Pardon me?
1:19:31 > 1:19:34- Tell me what happened. - Can I get some service?!
1:19:34 > 1:19:35Yeah.
1:19:38 > 1:19:41HE SIGHS
1:19:41 > 1:19:44What?
1:19:44 > 1:19:47- Three shots of Cutty and a TallBoy. - Yeah.
1:19:47 > 1:19:49Thank you.
1:19:50 > 1:19:53- Just give me a second. - HE SIGHS
1:20:22 > 1:20:2423 years is something, right?
1:20:37 > 1:20:39Go.
1:20:42 > 1:20:46I come up to check on Amanda. She was alone, as usual.
1:20:47 > 1:20:50'I was reading to her when Helene and Ray come home.'
1:20:50 > 1:20:54- 'They didn't know I was there.' - Stop yellin'. My daughter's asleep!
1:20:56 > 1:20:59They talked about how they'd robbed a dealer.
1:20:59 > 1:21:04- You know what he'll do if he finds out?- What the fuck's he gonna do?!
1:21:04 > 1:21:07Then they were talkin' about leaving the state.
1:21:07 > 1:21:09So I called Remy and told him.
1:21:09 > 1:21:11..a drug run up to Nashua...
1:21:11 > 1:21:13And then what?
1:21:17 > 1:21:19We took her.
1:21:21 > 1:21:23'Remy laid out this plan.'
1:21:23 > 1:21:28We take her, force Helene and Ray to cough up the cash and put her back.
1:21:28 > 1:21:32Amanda gets to spend a weekend in the country, Helene learns a lesson.
1:21:32 > 1:21:34And fuck it, everybody gets paid on top.
1:21:34 > 1:21:37I got no problem taking money from Cheese.
1:21:37 > 1:21:41They were gonna handle the cops, but Bea? She went nuts.
1:21:41 > 1:21:45- 'Called the papers, hired you.' - Lionel don't want me comin' here...
1:21:45 > 1:21:50Once you found the money, they had Amanda and the money.
1:21:50 > 1:21:53They decided to set up a fake exchange for you to witness.
1:21:53 > 1:21:56'They got Chris Mullen to set up Cheese
1:21:56 > 1:22:01at the quarry for 15K and... a chance to be the boss.
1:22:03 > 1:22:06'Cheese figured it out. Even though it was too late,
1:22:06 > 1:22:09- he started shooting, panickin'.' - GUNFIRE
1:22:13 > 1:22:15'And she just fell. I mean, she just...'
1:22:15 > 1:22:18She fell in.
1:22:18 > 1:22:20She's gone.
1:22:20 > 1:22:22It was an accident. Just an accident.
1:22:22 > 1:22:24She was your sister's kid, Lionel.
1:22:26 > 1:22:29- Your sister's child. - You think I don't miss her?
1:22:29 > 1:22:32She was more my kid than Helene's.
1:22:33 > 1:22:37Last summer, Helene and Dottie took Amanda to the beach.
1:22:37 > 1:22:39A real hot day.
1:22:39 > 1:22:42Amanda fell asleep.
1:22:42 > 1:22:45They left her in the car, while they go in the dunes and smoke a doobie.
1:22:45 > 1:22:48Two hours!
1:22:49 > 1:22:52Amanda literally roasted.
1:22:53 > 1:22:55She was three.
1:22:57 > 1:22:59Later on...
1:22:59 > 1:23:02I was holding her, trying to help her get to sleep.
1:23:02 > 1:23:04My little Amanda.
1:23:05 > 1:23:07She was so hot.
1:23:08 > 1:23:12She felt like something just... come out of the oven.
1:23:13 > 1:23:15Like a fuckin' pot roast.
1:23:17 > 1:23:19So, don't feel too sorry for my sister,
1:23:19 > 1:23:23because she never gave a shit about anyone but herself.
1:23:24 > 1:23:27- DOOR BANGS OPEN - Bartender? Open the safe, now!
1:23:29 > 1:23:33Everybody needs to shut up and stay calm. On the floor.
1:23:33 > 1:23:35- On the floor! Hands on your head. - WOMAN:- Oh, God!
1:23:35 > 1:23:37Stay calm, this'll be over in a minute.
1:23:37 > 1:23:40You know whose bar this is, shithead? SMACK!
1:23:40 > 1:23:43Or you can get wise. It's up to you.
1:23:45 > 1:23:47What did you say?
1:23:47 > 1:23:49You're a talker, huh?
1:23:49 > 1:23:53- Keep yapping, motherfucker. - WOMAN:- Don't antagonise him.
1:23:53 > 1:23:56- Just keep yapping away. - I didn't say nothin'.
1:23:56 > 1:24:00- You should keep your mouth shut. - Shut the fuck up!
1:24:00 > 1:24:02- Keep talkin' trash. - I didn't say nothin'.
1:24:02 > 1:24:04- Close your eyes. - Aw, fuck!
1:24:04 > 1:24:07Remy Bressant! Amanda was taken by Remy Bressant!
1:24:07 > 1:24:10Oh! Amanda McCready was taken by Remy Bressant!
1:24:10 > 1:24:13- Wait! - Who told you that name?- Damn it!
1:24:13 > 1:24:18- Remy Bressant! Amanda was taken... - I told him we took her for ransom!
1:24:18 > 1:24:22Remy. Please. I told him we took her for ransom. I did it.
1:24:22 > 1:24:24Remy, please.
1:24:24 > 1:24:26- QUIVERING:- Please.
1:24:28 > 1:24:31GUNSHOTS
1:24:35 > 1:24:37GLASSES SMASH
1:24:37 > 1:24:39GRUNTING, GROANING
1:24:41 > 1:24:43COCKS GUN
1:24:43 > 1:24:47- Are you all right? - PANTS: Stay with him.
1:25:11 > 1:25:13BANG WITHIN
1:25:46 > 1:25:48Drop your gun!
1:25:50 > 1:25:52Put it down!
1:25:54 > 1:25:56DROPS GUN
1:25:56 > 1:26:00That bartender... wasn't fuckin' around.
1:26:08 > 1:26:11What did you do?
1:26:11 > 1:26:13Did you get her killed?
1:26:15 > 1:26:17Say "yes".
1:26:21 > 1:26:23Say "yes"!
1:26:23 > 1:26:26Say "yes"!
1:26:26 > 1:26:28What are you gonna do, shoot me?
1:26:28 > 1:26:30Yeah, yeah, yeah.
1:26:43 > 1:26:46She was a child.
1:26:47 > 1:26:49I love children.
1:27:24 > 1:27:28Why would I expose a conspiracy that I was a part of?
1:27:29 > 1:27:33I mean, did Lionel contradict anything I've said?
1:27:34 > 1:27:37Did the witnesses at the bar contradict anything I've said?
1:27:37 > 1:27:41A police officer was killed today. That's not looked on lightly.
1:27:41 > 1:27:43Is corruption looked on lightly?
1:27:43 > 1:27:46- Is a child getting killed looked on lightly?- Hold on.
1:27:46 > 1:27:48You charge people money as a detective.
1:27:48 > 1:27:52Now, you're at the quarry the other night. Right?
1:27:52 > 1:27:55And you have no idea that this is a set-up?
1:27:55 > 1:27:57You're baffled.
1:27:57 > 1:27:59Right?
1:27:59 > 1:28:03No. Because, strange as it might seem,
1:28:03 > 1:28:07I believe the police when they tell me somethin'.
1:28:07 > 1:28:11- You're a fresh prick.- Because I had Amanda's blanket put in my mailbox,
1:28:11 > 1:28:15- and because I read a transcript of the call Cheese put in.- A 911 call?
1:28:15 > 1:28:20No. It was a call Cheese made to the station, to Remy Brassant,
1:28:20 > 1:28:23or that Chris Mullen made pretending to be Cheese,
1:28:23 > 1:28:26but it was recorded! There was a call!
1:28:26 > 1:28:30We don't record incoming calls, and we don't do transcripts.
1:28:32 > 1:28:35So, did you hear a tape?
1:28:36 > 1:28:38- No, I didn't hear a tape. - OK.
1:28:38 > 1:28:40Did you see a transcript?
1:28:45 > 1:28:47No. I must have remembered it wrong.
1:28:57 > 1:29:00Kids forgive. What do they get for it?
1:29:00 > 1:29:03Amanda literally roasted.
1:29:12 > 1:29:15You think I don't miss her? She was more my kid than Helene's.
1:29:15 > 1:29:17I love children.
1:29:21 > 1:29:26This is the kind of thing that, if you do, you want to be sure.
1:29:28 > 1:29:30Are you sure?
1:29:30 > 1:29:32No.
1:29:35 > 1:29:37Are you comin'?
1:29:37 > 1:29:39No.
1:29:50 > 1:29:53'Doyle brought Remy from Louisiana in '72.'
1:29:53 > 1:29:55'Read the highlighted portion.'
1:29:55 > 1:29:57GUNSHOTS
1:30:06 > 1:30:08Takin' a trip?
1:30:08 > 1:30:10Patrick Kenzie.
1:30:12 > 1:30:14To what do I owe the pleasure?
1:30:14 > 1:30:17Remy Bressant died last night.
1:30:17 > 1:30:20I was told.
1:30:20 > 1:30:22It's a shame.
1:30:22 > 1:30:25Yeah, it's hard to understand...
1:30:25 > 1:30:28- because he seemed like a good man. - He was.
1:30:29 > 1:30:32We don't know why people do what they do.
1:30:32 > 1:30:35Everybody looks out his own window.
1:30:35 > 1:30:37And everyone's got their reasons.
1:30:39 > 1:30:41DOOR OPENS
1:30:47 > 1:30:49- Hey. - Hi.
1:30:49 > 1:30:52- How are you?- Good. - INDISTINCT SHOUTING
1:30:52 > 1:30:54SHOUTING CONTINUES
1:30:54 > 1:30:57- Something hit the water! - Ambush! Ambush!
1:30:57 > 1:31:00- Something went in! - GUNFIRE
1:31:01 > 1:31:04- LIONEL:- 'Panickin'. Amanda got scared and she started runnin.
1:31:04 > 1:31:07'And she just fell. I mean, she just fell in.'
1:31:12 > 1:31:16TV: "..Chris Mullen was gunned down last night in an apparent robbery."
1:31:16 > 1:31:18You go back inside with Franny. I'll come in soon
1:31:18 > 1:31:21- and make you a sandwich. - OK.- That's my girl.
1:31:21 > 1:31:23- REMY:- 'Don't go down there.'
1:31:23 > 1:31:28- I'll take care of it. - Fuck up and it's Amanda's life.
1:31:28 > 1:31:30- 'I got things to protect, too.' - 'If you go,
1:31:30 > 1:31:33'you are an enemy to me, a danger to Amanda.'
1:31:33 > 1:31:36I told him we took her for ransom. I did it. Remy, please.
1:31:36 > 1:31:38'GUNSHOT'
1:31:41 > 1:31:43So now you know.
1:31:43 > 1:31:47- LIONEL:- 'My sister's on crack and talkin' about leaving the state.'
1:31:47 > 1:31:51- I'm scared for my niece.- We have to do something. We'll figure it out.
1:31:51 > 1:31:54She's an addict, drug mule.
1:31:54 > 1:31:57The child'll be dead or on the street in ten years.
1:31:57 > 1:32:00- What about the uncle?- He'll tell no-one, not even his wife.
1:32:00 > 1:32:03He'll never see her again.
1:32:03 > 1:32:07It's worth it to him, knowing she'll have a better life.
1:32:07 > 1:32:10We'll do one last good thing before we hang it up.
1:32:11 > 1:32:16- How many children have we seen destroyed?- Enough.
1:32:18 > 1:32:21Does it make you feel better?
1:32:21 > 1:32:24Telling yourself you did it for the right reasons?
1:32:24 > 1:32:28That you took her to be saved? From her own mother?
1:32:30 > 1:32:33We're just trying to give a little girl a life.
1:32:34 > 1:32:37It wasn't your life to give. Helene's her mother.
1:32:37 > 1:32:40If you thought she was a bad mother, go to social services.
1:32:40 > 1:32:43She's her mother, and that's where she belongs.
1:32:46 > 1:32:50You turn around, you go back to your fuckin' car
1:32:50 > 1:32:53and you wait 30 years.
1:32:53 > 1:32:56You don't know what the world is made of yet.
1:32:57 > 1:33:00I'm calling the police. They'll be here in ten.
1:33:00 > 1:33:02Thought you would've done that by now.
1:33:05 > 1:33:07You know why you haven't?
1:33:09 > 1:33:13Because you think this might be an irreparable mistake.
1:33:13 > 1:33:18Because, deep inside, you know it doesn't matter what the rules say.
1:33:18 > 1:33:21When you ask yourself, "Is she better off here or there?",
1:33:21 > 1:33:25you know the answer, and you always will.
1:33:27 > 1:33:29You...
1:33:29 > 1:33:32You could do a right thing here,
1:33:32 > 1:33:35a good thing.
1:33:35 > 1:33:39Men live their whole lives without this chance. You walk away from it,
1:33:39 > 1:33:42you may not regret it when you get home, or not regret it for a year,
1:33:42 > 1:33:47but when you get to where I am, I promise you, you will.
1:33:47 > 1:33:52I'll be dead, you'll be old, but she...
1:33:52 > 1:33:57She'll be draggin' around tattered, damaged children of her own,
1:33:57 > 1:34:01and you'll be the one who has to tell them you're sorry.
1:34:01 > 1:34:04You know what? Maybe that'll happen.
1:34:04 > 1:34:07And if it does, I'll tell 'em I'm sorry
1:34:07 > 1:34:09and I'll live with it.
1:34:09 > 1:34:12But what's never gonna happen, and what I won't do,
1:34:12 > 1:34:15is apologise to a grown woman who comes to me and says,
1:34:15 > 1:34:19"I was kidnapped when I was a girl and my aunt hired you to find me.
1:34:19 > 1:34:23"And you did. You found me with some strange family.
1:34:23 > 1:34:25"But you broke your promise and left me there.
1:34:25 > 1:34:29"Why? Why didn't you bring me home?
1:34:29 > 1:34:33"Because all the snacks, the outfits and the family trips don't matter.
1:34:34 > 1:34:37"They stole me.
1:34:37 > 1:34:40"It wasn't my family.
1:34:40 > 1:34:43"And you knew about it, and you knew better, and you did nothin'."
1:34:45 > 1:34:50Maybe that grown woman will forgive me, but I'll never forgive myself.
1:34:53 > 1:34:56I did what I did...
1:34:56 > 1:34:59for the sake of the child.
1:35:00 > 1:35:03All right. For me, too.
1:35:05 > 1:35:08But now I'm asking you...
1:35:09 > 1:35:11..for the sake of the child.
1:35:13 > 1:35:15I'm begging you.
1:35:20 > 1:35:22You think about it.
1:35:31 > 1:35:33She's happy.
1:35:34 > 1:35:37- What? - She's happy here.
1:35:37 > 1:35:39I saw her.
1:35:41 > 1:35:43Angie, don't do this.
1:35:43 > 1:35:45The police will send her back.
1:35:45 > 1:35:48I'm not sending her anywhere. Helene's her mother!
1:35:49 > 1:35:54- She's better off here.- Why? Cos he's got money and makes her sandwiches?
1:35:55 > 1:35:58- Because he loves her. - Helene loves her, too!
1:35:58 > 1:36:02- Helene doesn't treat her that way. - Maybe she'll change.
1:36:02 > 1:36:05She won't change. People don't change. Helene is arsenic.
1:36:05 > 1:36:08Angie, I know that this is hard.
1:36:08 > 1:36:10Look at me. I know it's hard.
1:36:11 > 1:36:13But I need you to stand by me.
1:36:13 > 1:36:17I need you to say we'll make the right decision and make it all OK.
1:36:17 > 1:36:20Everything will be OK, because we're gonna leave her here,
1:36:20 > 1:36:23and, every now and then, we're gonna talk about her,
1:36:23 > 1:36:25about what grade she's in.
1:36:25 > 1:36:29- SOBBING:- And that'll be OK, because we'll know what school she's in,
1:36:29 > 1:36:32that she's happy, and she's got parties,
1:36:32 > 1:36:35and she smiles every day, and she has sleepovers.
1:36:37 > 1:36:42Baby, I'm sorry. But you can't ask me to do something that I can't do.
1:36:45 > 1:36:48And you can't ask me to live with it.
1:36:49 > 1:36:54Patrick, for me... please.
1:36:57 > 1:36:59I will hate you for doing this.
1:37:00 > 1:37:03And I don't want to.
1:37:59 > 1:38:02INAUDIBLE
1:38:26 > 1:38:30- ON TV:- "..once an icon of justice and a model for crusaders,
1:38:30 > 1:38:33Jack Doyle is behind bars tonight. Evelyn?"
1:38:33 > 1:38:37Social Services, as demanded by law, will take time to examine Amanda
1:38:37 > 1:38:40before returning her to home, and a mother
1:38:40 > 1:38:45who never gave up hope that she would see her daughter again. SIRENS
1:38:50 > 1:38:53REPORTERS FIRE QUESTIONS
1:38:59 > 1:39:02- WOMAN:- Amanda, how do you feel to see your mom?
1:39:02 > 1:39:05- You'll have her in your arms. - Helene, how are you feeling?
1:39:05 > 1:39:08- Oh, my sweetheart. - Give us your feelings.
1:39:08 > 1:39:12Helene, the whole world wants to know what you're feeling right now.
1:39:12 > 1:39:17How are you, sweetheart? Er, my heart is brimmin'. I dunno.
1:39:17 > 1:39:20Just God bless to everyone and, erm...
1:39:20 > 1:39:25Thank you to all... to all the policemen and the firemen.
1:39:25 > 1:39:28I feel like 9/11 right now.
1:39:28 > 1:39:32'Oh, I swear to God. Just, erm...'
1:39:32 > 1:39:35'Any comments for parents in your situation?
1:39:35 > 1:39:37'Never let your kids out of your sight.
1:39:37 > 1:39:40'Don't trust 'em to no-one.
1:39:40 > 1:39:42'Just keep them in your arms.
1:39:42 > 1:39:45'As much as they're in your heart, keep 'em in your arms.'
1:39:45 > 1:39:50'How about that? Great end to that story. Good news for everybody...'
1:40:14 > 1:40:16Sorry. I had to get some stuff.
1:40:16 > 1:40:18It's all right.
1:40:21 > 1:40:23Wanna talk for a minute?
1:40:26 > 1:40:29There's nothing to say.
1:41:29 > 1:41:32Sorry for being rude. I gotta go in two minutes.
1:41:32 > 1:41:34Yeah, do your thing.
1:41:35 > 1:41:37TV IS ON
1:41:42 > 1:41:44Think he'll like me?
1:41:44 > 1:41:46- Who? - My date.
1:41:46 > 1:41:48Oh, how could he not?
1:41:48 > 1:41:51- LAUGHS:- Oh, you're sweet.
1:41:51 > 1:41:53He seen me on American Victim.
1:41:53 > 1:41:56He wrote me letters. I was like, whatever.
1:41:56 > 1:42:00But then he seen my Meredith Viera. He drove down here from Providence.
1:42:00 > 1:42:03That's romantic, right?
1:42:03 > 1:42:07- How's your girlfriend?- She's at the North Shore with her sister.
1:42:07 > 1:42:11Hope she's got better family than I do. Those dirty motherfuckers.
1:42:15 > 1:42:18If she don't get smart, I'll take ya out.
1:42:20 > 1:42:24- How's Bea?- Fuck Bea! I banned her from the apartment.
1:42:24 > 1:42:28She sold her unit, moved out to fancy-pants Melrose.
1:42:28 > 1:42:31Don't think she don't hate you for Lionel going to jail.
1:42:31 > 1:42:35- Probably why she never paid my bill. - You should fuckin' sue!
1:42:35 > 1:42:38- How about you, Helene? - Hmm?
1:42:38 > 1:42:40You hate me?
1:42:40 > 1:42:45Fuck, no! Brother or not, he took my kid. Fuck him! She coulda been hurt.
1:42:45 > 1:42:49- What about Amanda? - What about Amanda?
1:42:51 > 1:42:54- Who's gonna watch her? - Dottie.
1:42:54 > 1:42:56Yeah? Dottie know that?
1:42:56 > 1:42:59- She will in five minutes! - Great.
1:42:59 > 1:43:01Fuck, I'm gonna be late, too.
1:43:01 > 1:43:03Unless you don't mind sitting for her?
1:43:06 > 1:43:09- Yeah, sure. - For real?
1:43:10 > 1:43:12Yeah, it's fine.
1:43:12 > 1:43:14She likes you.
1:43:16 > 1:43:17Bye, sweetheart.
1:43:18 > 1:43:21You're a godsend, Patrick.
1:43:22 > 1:43:24Bye!
1:43:40 > 1:43:42Is that, er, Mirabelle?
1:43:44 > 1:43:46Annabelle.
1:43:58 > 1:44:00MUSIC: "Through the Dark" by Alexi Murdoch
1:44:35 > 1:44:38# Somewhere...
1:44:41 > 1:44:44# Reaching for me now
1:44:50 > 1:44:56# Through...the dark
1:44:56 > 1:44:59# Reaching for me now... #
1:45:05 > 1:45:08HARMONISES
1:45:08 > 1:45:10IMS Subtitles