0:01:11 > 0:01:17This story didn't happen in Italy. It only started there - Naples, Italy -
0:01:17 > 0:01:22in one of those big, quiet, peaceful villas overlooking the bay.
0:01:22 > 0:01:28RADIO: 'And the Senator claims that he has been "misquoted".
0:01:28 > 0:01:35'And here's a Society item from the New York plunderworld for our shortwave listeners.
0:01:35 > 0:01:39'It's called "Where do old gangsters go to die?",
0:01:39 > 0:01:46'or "Guess what upper crust crumb just bought a plushy villa overlooking the Bay of Naples".
0:01:46 > 0:01:54'None other than the old boss, one-time gambling kingpin and vice Tsar of New York, Nick Ferraro!
0:01:54 > 0:02:01'Nick has been in Italy for four years, since immigration authorities sent him back to his native Naples.
0:02:01 > 0:02:09'But I'm giving odds that Ferraro is still head of the gambling and vice set-ups in the United States.
0:02:09 > 0:02:12'He should be netting a cool 2m a year...'
0:02:12 > 0:02:15Chiudi questa radio.
0:02:16 > 0:02:21A cool two million bucks a year! It should be, if I was getting it.
0:02:22 > 0:02:25Get me Corley in Mexico. Dove sta?
0:02:25 > 0:02:30Call Jose Morro. Telefoni al sud di Mexico.
0:02:31 > 0:02:36XFO, XFO, XFO. Questo e IJQ che chiama.
0:02:36 > 0:02:40XFO, XFO, questo e IJQ. Per piacere, rispondete.
0:02:40 > 0:02:45'IJQ, this is XFO standing by for you.' Eccolo qui.
0:02:45 > 0:02:52Morro's Lodge is an elegant Mexican resort in Lower California, accessible only by plane or boat.
0:02:52 > 0:02:57It was the kind of place Ferraro would pick for what he had in mind.
0:02:57 > 0:03:03Deal's all set at this end. Just finishing up the details. Go ahead.
0:03:03 > 0:03:06'Have you found the other one? Go ahead.'
0:03:06 > 0:03:13We have him salted in Palm Springs. I'm flying up to meet Arnold in Beverly Hills tomorrow night.
0:03:13 > 0:03:16The other one WILL be here. Go ahead.
0:03:16 > 0:03:19'OK, I'll see you soon. Go ahead.'
0:03:19 > 0:03:21Right. Signing off. XFO clear.
0:03:21 > 0:03:24Ferraro? Yeah.
0:03:24 > 0:03:27He's getting impatient.
0:03:27 > 0:03:32- It isn't easy to get back into the US once you are deported.- I- know.
0:03:32 > 0:03:37Who is this "other one"? A man will arrive at Morro's Lodge.
0:03:37 > 0:03:45You will keep him here till the Tropic comes into the bay with Nick Ferraro, then you'll take him aboard.
0:03:45 > 0:03:51This is Ferraro. He's a big man. Perhaps his easy life in Italy has made him soft.
0:03:51 > 0:03:56He's around 195, but solid. Still young? 35.
0:03:56 > 0:04:03This man you're sending down, does he know all about it? No, not everything.
0:04:03 > 0:04:05That's how the story started.
0:04:05 > 0:04:13Somewhere in California, there was a man. Height six-something, weight 195, age 35.
0:04:13 > 0:04:15BIG BAND MUSIC PLAYS
0:04:15 > 0:04:20- Good evening, Mr Dan. - How's it going, Sam?
0:04:20 > 0:04:25- Nothing to it. - Just let me have a glass of milk.
0:04:30 > 0:04:35Do you suppose we can do without that radio?
0:04:38 > 0:04:42Where you been? I ain't seen you since the last rain.
0:04:42 > 0:04:49- Palm Springs.- Hustling the millionaires?- I went to cure a cold, wound up doing 30 days.
0:04:49 > 0:04:53- For what?- For nothing.
0:04:53 > 0:04:55- I don't get it.- Well, I got it.
0:04:56 > 0:04:59Somebody is putting the salt on me.
0:05:11 > 0:05:14You can cuff it.
0:05:14 > 0:05:17- Does it show that much?- Only to me.
0:05:20 > 0:05:22Got anything in mind?
0:05:22 > 0:05:29- Yes, I have. I'm going to go home and go to bed where I can't get into trouble.- You think not?
0:05:29 > 0:05:32I'll see you all of a sudden, Sammy.
0:05:52 > 0:05:54You need a fourth?
0:05:54 > 0:05:57- Hello, Danny.- Who are you?
0:05:57 > 0:05:59I don't know you guys.
0:06:03 > 0:06:05Ollie Chester wants the dough.
0:06:07 > 0:06:09What dough?
0:06:09 > 0:06:15You bet 200 across on a pig called Lagging Boy. That's just what he was.
0:06:15 > 0:06:18Ollie wants the 600.
0:06:18 > 0:06:20I made a bet with Ollie?
0:06:20 > 0:06:27- He called it in.- SOMEBODY called it in. I never bet on a race in my life that wasn't fixed.
0:06:27 > 0:06:35- When did it run?- Thursday. - Last Thursday, I was digging a road for the law in Cochelo Valley.
0:06:38 > 0:06:42It would be smarter just to come up with it.
0:06:49 > 0:06:56Don't you think it would be nice if you boys cleaned up this mess before you got out of here?
0:07:00 > 0:07:02Just come up with it.
0:07:26 > 0:07:28PHONE RINGS Hello.
0:07:28 > 0:07:33- Milner's here. - You know not to mess up his face?
0:07:33 > 0:07:36OK. But don't rough him up too much.
0:07:42 > 0:07:44OK, boys, that's enough.
0:07:47 > 0:07:50Charlie, get my money.
0:07:58 > 0:08:00PHONE RINGS
0:08:34 > 0:08:36Hello.
0:08:38 > 0:08:40Yeah, this is Milner.
0:08:40 > 0:08:43No, I'm not busy, Corley.
0:08:43 > 0:08:50No, I was just getting ready to take my tie off, wondering whether I should hang myself with it.
0:08:50 > 0:08:55Yeah, I can come over. ..Sure. Right away.
0:09:21 > 0:09:24Second light to the left.
0:09:39 > 0:09:43- Nice to see you, Milner. - Hello, Corley.
0:09:44 > 0:09:46What'll you have to drink?
0:09:46 > 0:09:49Oh, that's right. You don't drink.
0:09:49 > 0:09:52How about a soft one?
0:09:52 > 0:09:54Ginger ale will be just fine.
0:09:57 > 0:10:02You look like a shot of something in it might help you a little.
0:10:02 > 0:10:05Just the ginger ale is fine, thanks.
0:10:05 > 0:10:07You got a dime on you?
0:10:08 > 0:10:10Thanks.
0:10:18 > 0:10:21- Still sore?- You tell me why.
0:10:21 > 0:10:29Every once in a while, a good man, like a good horse, gets into a slump. Just can't scratch the pad.
0:10:29 > 0:10:32I knew you would understand.
0:10:32 > 0:10:39You blew a bundle in Reno. In Vegas, they nicked you for six grand. In Palm Springs, they tapped you out.
0:10:39 > 0:10:47- Tonight Chester had me spanked for nothing.- Think this part of the world isn't lucky for you any more?
0:10:47 > 0:10:49- Do you?- Somebody does.
0:10:49 > 0:10:52- Like who?- Fellow named Arnold.
0:10:52 > 0:10:55Who? And where is he?
0:10:55 > 0:10:57Right here.
0:10:58 > 0:11:01My proposition's a very simple one.
0:11:01 > 0:11:03Well, I'm a very simple guy.
0:11:03 > 0:11:06The deal entails two important items.
0:11:06 > 0:11:12One you'll find extremely interesting, the other you may object to.
0:11:12 > 0:11:15First, you'll make yourself 50,000.
0:11:19 > 0:11:23And what's the one I'm going to object to?
0:11:23 > 0:11:25You'll have to leave the country.
0:11:27 > 0:11:29For how long?
0:11:29 > 0:11:32Say a year?
0:11:32 > 0:11:37Well, it just so happens I've given up my home here.
0:11:37 > 0:11:39See? Already your luck's turning.
0:11:39 > 0:11:43- Where does it change? - Mexico.
0:11:43 > 0:11:48You take a plane to Tucson, cross the border on a bus to Nogales.
0:11:48 > 0:11:52Hernandez at the airfield there will give you your next step.
0:11:52 > 0:11:59- Aren't you playing this a little close to the vest? - You may change your mind en route.
0:11:59 > 0:12:05Are you sure that privilege is open to me? After Nogales, what happens?
0:12:05 > 0:12:07Nothing.
0:12:07 > 0:12:12There'll be fishing, hunting, swimming. You'll be very comfortable.
0:12:12 > 0:12:19- For that I get 50 grand? - What's better than that? - I'm just trying to understand it.
0:12:21 > 0:12:24Here's 5,000.
0:12:24 > 0:12:29You'll get ten more when you get where you're going.
0:12:29 > 0:12:34- It goes to 50. That's all I can tell you.- That's quite a bit.
0:12:34 > 0:12:38- You lost your wallet. - Well, an old friend!
0:12:38 > 0:12:41Airplane tickets. Credentials.
0:12:42 > 0:12:47You really believe in breaking a man down, don't you?
0:12:47 > 0:12:51Just bending him a little, Milner, that's all.
0:13:05 > 0:13:09I'm looking for a man named Hernandez.
0:13:09 > 0:13:12I'm a man named Hernandez, senor.
0:13:12 > 0:13:17I'm a man named Dan Milner. It's supposed to mean something to you.
0:13:17 > 0:13:22- Pardon, senor?- If it should come to you, I'll be in the cafe.
0:13:22 > 0:13:29- Is it all right if I leave this? - Si, senor. You wish a seat on the plane to Mejico City?
0:13:29 > 0:13:33Who knows? Let's stick around and see, huh?
0:13:38 > 0:13:40MUSIC PLAYS
0:13:43 > 0:13:46What'll it be?
0:13:46 > 0:13:49- You got anything to eat?- Chilli.
0:13:49 > 0:13:51And beans.
0:13:51 > 0:13:53And beans.
0:13:55 > 0:13:59# Five little miles from San Berdoo
0:13:59 > 0:14:02# I woke up humming and thought of you
0:14:02 > 0:14:06# I looked out the window what a view
0:14:06 > 0:14:09# Five little miles from San Berdoo
0:14:09 > 0:14:13# Four little miles from San Berdoo
0:14:13 > 0:14:17# The porter shouted, "We're almost due"
0:14:17 > 0:14:19# I saw familiar spots we knew
0:14:19 > 0:14:23# Four little miles from San Berdoo
0:14:23 > 0:14:27# Three little miles from San Berdoo
0:14:27 > 0:14:29# My bag was packed and ready
0:14:31 > 0:14:34# I said to myself, "Steady...
0:14:34 > 0:14:37# "Two more miles and you're in heaven"
0:14:37 > 0:14:40# One little mile from San Berdoo
0:14:40 > 0:14:44# My heart was skipping a beat or two
0:14:44 > 0:14:47# Oh, what a thrill when I saw you
0:14:47 > 0:14:52# Waiting at the station down in San Be...
0:14:52 > 0:14:55# San Bernardino, man!
0:14:55 > 0:14:58# ..Berdoo! #
0:14:58 > 0:15:03Ah, that was swell. Canto esto muy bonito, senorita.
0:15:03 > 0:15:07- Gracias, gracias. - Your Spanish is pretty good.- Es nada.
0:15:07 > 0:15:13- Hey, I loved that break. Will you try that again? - PIANO PLAYS
0:15:14 > 0:15:22- How about a drink?- Not for me, but I'd like to buy her one. What's she drinking?- Champagne, 18 a bottle.
0:15:22 > 0:15:24- Thought she might be alone.- She is.
0:15:25 > 0:15:30- You said 18? And the chilli, there's 20.- Save your dough.
0:15:30 > 0:15:37- You tell me a better way to spend it.- She's just waiting for a plane she chartered.
0:15:37 > 0:15:40Just the bottle, then.
0:15:53 > 0:15:56HE PLAYS PIANO WITH ONE FINGER
0:15:56 > 0:15:58Do you mind if I join you?
0:15:58 > 0:16:03- It seems you have.- You sing pretty good. I thought I'd buy you a drink.
0:16:03 > 0:16:06- I'm drinking champagne.- I'm ahead.
0:16:06 > 0:16:0918 a bottle.
0:16:16 > 0:16:19Not for me.
0:16:19 > 0:16:24- Champagne's not your drink? - Only on big occasions.- This isn't?
0:16:24 > 0:16:29Can't be. You're waiting for a chartered plane.
0:16:29 > 0:16:34Are you in the oil business or just spending your alimony all at once?
0:16:34 > 0:16:40- I'm a spoiled child of the rich. - How do you do! I'm a spoiled child of the poor.
0:16:40 > 0:16:43Senorita! It is here, senorita.
0:16:43 > 0:16:49- Are you sure it's the right one?- Si. The pilot is my friend. - Just a minute.
0:16:49 > 0:16:52Gracias, muchas gracias.
0:16:52 > 0:16:55You're sure you want to go now?
0:16:55 > 0:17:00- Mm-hm.- You chartered the plane, didn't you? He can wait.
0:17:00 > 0:17:03- But- I- can't.
0:17:03 > 0:17:05Wait a minute!
0:17:05 > 0:17:08You forgot your bottle.
0:17:08 > 0:17:12You keep it. It may have a little resale value.
0:17:29 > 0:17:36- Mr Milner?- Yes.- Your plane is waiting. It was very late. That's why...- Nobody minds.
0:17:36 > 0:17:44- Where's this plane taking me?- You are joking, senor?- I don't think so. - It's the Morro's Lodge plane, senor.
0:17:46 > 0:17:49Mr Milner?
0:17:49 > 0:17:52- Yes. And you? - Tex Kearns.
0:17:52 > 0:17:57The pilot. Your bag's on the plane. Sorry I'm so late. These winds...
0:17:57 > 0:18:00I know. Things are tough all over.
0:18:00 > 0:18:07Anyhow, you'll get to see Morro's Lodge from the air in the morning sun. Quite a sight.
0:18:09 > 0:18:12- You hop in. I'll be right with you. - Thanks.
0:18:20 > 0:18:22Well...hello again.
0:18:22 > 0:18:28- May we join you in your plane?- Did I say I chartered it?- Didn't you?
0:18:28 > 0:18:33- Didn't you say something about being poor?- That was for real.
0:18:33 > 0:18:38- Morro's isn't the place for you, then.- Somebody bought me a ticket.
0:18:38 > 0:18:43And you? Are you for real? You sing like you do it for a living.
0:18:43 > 0:18:46Thanks. I'd rather sing than clip coupons,
0:18:46 > 0:18:53- but I have 1m, so no-one takes me seriously. - With 1m, it doesn't matter.
0:18:54 > 0:18:58Will you fasten your seat belts, please?
0:19:18 > 0:19:21Don't you have a name?
0:19:21 > 0:19:26- I figured you already knew it. - Should I?- No, I guess not.
0:19:26 > 0:19:33- I was just shooting the moon. It's Milner, Dan. - Mine's Brent, Lenore.
0:19:33 > 0:19:37- What did you expect to hit? - You never can tell.
0:19:37 > 0:19:43- What's Morro's like?- I couldn't tell you. This is my first visit.
0:19:43 > 0:19:46I spend most of my time on the Continent - Europe.
0:20:39 > 0:20:42LATIN AMERICAN MUSIC PLAYS
0:21:25 > 0:21:28- Yes, sir?- Ginger ale, please.
0:21:30 > 0:21:33I'm Jose Morro.
0:21:34 > 0:21:36Hello. Won't you sit down?
0:21:36 > 0:21:42- Did you find your cabin completely acceptable?- Well, I found it.
0:21:43 > 0:21:48- Is there anything I can do for you? - I was sort of hoping you'd ask that.
0:21:48 > 0:21:51I recently came into some money.
0:21:51 > 0:21:56This nice new 1,000 bill is part of it. I'm told there'll be more.
0:21:56 > 0:22:04- What do you wish to buy with this? - Whatever it's worth. A helping hand? Information? ..About her.
0:22:10 > 0:22:14Well, hello, Liz! Where did you come from?
0:22:16 > 0:22:19Sorry, wrong name. Wrong woman.
0:22:20 > 0:22:27- She is beautiful AND interesting. - Beautiful is always interesting. - She has an impeccable background.
0:22:27 > 0:22:32- What's that?- Boston, New York, Rome, Paris, St Moritz.
0:22:32 > 0:22:38- I understand you are from California. - Yes, Ramona, LA, Glendale...Thanks.
0:22:38 > 0:22:40I'm afraid this is rather difficult.
0:22:40 > 0:22:48- Your reservation was arranged by Mr Arnold and I'm not the man to question him.- No, neither was I.
0:22:48 > 0:22:53- In the interests of my clientele, I am curious...- About my character.
0:22:53 > 0:22:56Forgive me. I'm a hotel keeper.
0:22:56 > 0:23:01Not at all. I welcome it. I'm a professional gambler.
0:23:01 > 0:23:06- Who isn't?- I'm not here on business. I came down for a sun bath.
0:23:06 > 0:23:10- Don't take too much the first day. - No.
0:23:10 > 0:23:15I just thought it would be nicer if we understood each other.
0:23:15 > 0:23:18We'll keep it very nice.
0:23:18 > 0:23:23Morro! How about some gin rummy? Sorry, Mr Winton, but I have no time.
0:23:23 > 0:23:27- How about you?- Don't play. - He doesn't play gin rummy!
0:23:27 > 0:23:33- What's your card game? - I don't play at all. - Excuse me, please.
0:23:33 > 0:23:36Give me a glass of beer.
0:23:36 > 0:23:39ORCHESTRA PLAYS "Jealousy"
0:23:50 > 0:23:52You're Milner, aren't you?
0:23:52 > 0:23:57- Yeah.- I'm Winton - Pipps and Winton, investment brokers.
0:23:57 > 0:24:02- I bury my money in the ground. - Seems I've heard of you, Milner.
0:24:02 > 0:24:09- Well, must be another Milner. - That's your best guess.- You came down on a plane with Lenore Brent.
0:24:09 > 0:24:16- You know her?- I met her at St Moritz. I guess that's where it got started with Cardigan.
0:24:16 > 0:24:23- You haven't heard about the thing with Mark Cardigan?- I've never even heard of him!- I know you're kidding.
0:24:23 > 0:24:30- I'm not.- You're probably wondering what a man like myself is doing in an odd place like this.
0:24:30 > 0:24:38- No.- Well, I'm hiding from business and it is rather an inaccessible place down here.- Yes, but why odd?
0:24:38 > 0:24:43It isn't the place, it's the people. Now, you see that man over there?
0:24:47 > 0:24:52He's Martin Krafft - a writer, but all he does is play chess.
0:24:52 > 0:24:58- That's odd?- He doesn't play anybody. - Maybe he hates to lose. - Never thought of that.
0:25:01 > 0:25:03What's with that little blonde?
0:25:03 > 0:25:06She is pretty, isn't she?
0:25:06 > 0:25:08Scared to death.
0:25:08 > 0:25:13- Of the kid with her?- No. That's her husband - so she said.
0:25:13 > 0:25:18It's just that there's something in the air. You know what I mean?
0:25:18 > 0:25:25- Excuse me. I always take a nap before dinner.- You sleep with your eyes open or shut?
0:25:31 > 0:25:34It's worth trying anyhow.
0:25:37 > 0:25:39Can I order you something?
0:25:39 > 0:25:41What?
0:25:41 > 0:25:44My, we're so nervous. What's wrong?
0:25:44 > 0:25:49- Nothing. I'm all right.- It might help to talk about it.- No, please.
0:25:49 > 0:25:54I've got a problem, too. Maybe we could help each other.
0:25:54 > 0:25:59- We should never have come down here. - All right, why shouldn't you?
0:26:01 > 0:26:04I'm all right now. Thanks.
0:26:17 > 0:26:24Mr Krafft...I'm Dan Milner. I play a pretty fair game. Do you suppose that's why Arnold sent me down?
0:26:24 > 0:26:30I cannot always comprehend the use to which Americans put their language.
0:26:30 > 0:26:34I'm having the same trouble with you.
0:26:38 > 0:26:40Hi.
0:26:41 > 0:26:49- Leaving?- My bungalow costs 75 a day. I thought I'd spend some time in it.- I thought we might dance.
0:26:49 > 0:26:53- How's your friend?- What? - The guitar player. He knows you.
0:26:53 > 0:27:01- He thought so. Maybe he does. I sing at the drop of a hat.- Even if you have to supply the hat.- Exactly.
0:27:01 > 0:27:06- Will that dance offer still be good in an hour?- You could try me.- Fine.
0:27:14 > 0:27:21- I'm sorry.- I should look where I'm going. You're new around here, aren't you? I'm Mark Cardigan.
0:27:21 > 0:27:28- Dan Milner.- How are you? Milner, do you like to hunt? I'm looking for just one man who likes to hunt.
0:27:28 > 0:27:36- Yeah, I like to hunt all right. - You do? Well, I've hunted 'em in Wyoming, Idaho, Canada and Alaska,
0:27:36 > 0:27:42- and they were big, but down here, they've got the daddies of 'em all. - Deer?
0:27:42 > 0:27:47A 12-point buck eluded me for a week. Yesterday I nailed him.
0:27:47 > 0:27:53- Let's try for his brother.- Got a grudge against the family?- Mark!
0:27:53 > 0:27:55Mark!
0:27:55 > 0:27:59I've got a little Winchester you can use.
0:27:59 > 0:28:04- The kinda shooting you get... - You're being paged.- Yeah.
0:28:04 > 0:28:06I'll talk to you later.
0:28:09 > 0:28:11- Hello, Mark.- Hello, my darling.
0:28:11 > 0:28:15Not here. Later when we're alone.
0:28:15 > 0:28:22- Mark, why didn't you write to me? I wouldn't have blackmailed you. - Nothing matters now you're here.
0:28:22 > 0:28:29Tell me all about yourself. This is a wonderful place. You should see the buck I killed yesterday.
0:28:29 > 0:28:36- You'll see the pictures. Morro's making a scrapbook of what I kill. - Yes, he mentioned it.
0:28:36 > 0:28:44- He said that given the time, you might rid the world of all animal life.- I'm like the plague!
0:28:44 > 0:28:52I know you were trying to needle me, but you can't. You're the only one who ever loved me for my REAL self.
0:28:52 > 0:28:54Look! What does that remind you of?
0:28:54 > 0:29:00- The ocean.- Don't you remember Miami and the first time we ever met...?
0:29:01 > 0:29:03All right, all right.
0:29:03 > 0:29:10It was...St Moritz. You skied then, but that night you sang to the accompaniment of the zither.
0:29:10 > 0:29:15- That's better.- I've forgotten a lot, but I'll never forget you.
0:29:15 > 0:29:19Let's open a bottle and celebrate your coming.
0:29:19 > 0:29:24Senor Cardigan is the greatest of all cinema actors.
0:29:24 > 0:29:30Only today he favoured me with his autograph upon an American 10 bill.
0:29:30 > 0:29:33Naturally now I can't spend it.
0:29:33 > 0:29:41- That's tough.- Yes.- What are you going to do with that bottle? - Excuse me. I have to put it on ice.
0:29:56 > 0:30:04- I'm warning you. He will make us trouble. I know the type. - I don't think so.
0:30:04 > 0:30:06Within 24 hours...
0:30:06 > 0:30:09CONVERSATION BECOMES INAUDIBLE
0:30:11 > 0:30:15You stick to your chess. I'll take care of him.
0:30:30 > 0:30:33Mr Morro, please.
0:30:33 > 0:30:35- 'Yes?'- Hello, Morro.
0:30:35 > 0:30:40This is Milner. I may go social. Who has the cabin next to mine?
0:30:40 > 0:30:47- A Mr Thompson is your neighbour, sir. - Do you know anything about Thompson or his friend Krafft?
0:30:47 > 0:30:54Mr Thompson is, I believe, a public relations man. Mr Krafft is a writer.
0:30:54 > 0:30:59- Is everything all right?- I'll let you know. Which is Krafft's cabin?
0:30:59 > 0:31:03- Mr Krafft is in cabin one.- Thank you.
0:32:02 > 0:32:05What IS it you want?
0:32:05 > 0:32:12- I'd like to have a little chat with you and your friend Thompson. - You are crazy man!
0:32:13 > 0:32:18- I don't know you and I can't help you.- Do you know Thompson?
0:32:18 > 0:32:21- No.- Now I think we can do business.
0:32:21 > 0:32:26I don't like this any better than you do. What happens and when?
0:32:26 > 0:32:34I don't know why you are here or why I am here. One needs patience when dealing with certain men.
0:32:34 > 0:32:36I'm all out of patience.
0:32:46 > 0:32:51OK, so you've got the difference. I wonder if you're prepared to use it.
0:32:51 > 0:32:59- I see no reason why I should.- You're wrong. I want information and I'm beginning not to care how I get it.
0:33:08 > 0:33:11Why don't you cool off?
0:33:12 > 0:33:16- That could be a mistake. - I don't think so.
0:33:16 > 0:33:21My job is to keep you and Krafft here. That's all I know.
0:33:21 > 0:33:26Within 24 hours, somebody will come in. They'll tell you why you're here.
0:33:26 > 0:33:29The more I hear, the less I like.
0:33:29 > 0:33:34- In fact, the less I believe. - Oh, you can believe this.
0:33:35 > 0:33:3710,000.
0:33:37 > 0:33:44- If you don't mind, my friend Mr Krafft and I were about to play some chess.- One more question.
0:33:45 > 0:33:53- Why was I tabbed for this?- Maybe because you never got in bad trouble. - You mean with the Federal Police?
0:33:53 > 0:33:57I doubt if they'd give you 50,000 for a misdemeanour.
0:33:57 > 0:34:00Look, Milner, I'm ignorant.
0:34:00 > 0:34:02Happy to be that way.
0:34:07 > 0:34:09Just how ignorant are you?
0:34:09 > 0:34:14That Brent girl, for instance. Is she in this?
0:34:14 > 0:34:21This is no time to get mixed up with a woman, especially someone else's woman.
0:34:57 > 0:35:02XFO calling Tropic. XFO calling Tropic. Come in, please.
0:35:02 > 0:35:05'This is Tropic. Go ahead.'
0:35:05 > 0:35:07Nick, what's keeping you? Go ahead.
0:35:07 > 0:35:12'We're in a bad storm. You'll get it soon. What's wrong?'
0:35:12 > 0:35:16Milner's getting jumpy. He may try to leave.
0:35:16 > 0:35:19'Don't let him. Keep him there.'
0:35:19 > 0:35:24Right. Better contact me in code from now on. XFO over and out.'
0:35:41 > 0:35:43Hi.
0:35:44 > 0:35:47Will you open this for me?
0:35:54 > 0:36:01- Thanks. I hear Cardigan caught a fish.- I devoted half the morning to watching him do it.
0:36:01 > 0:36:06- He and Morro are photographing it now.- You don't like fish?- Mm-hm.
0:36:06 > 0:36:14- On a plate with sauce and white wine.- Somebody's got to kill 'em. - Mark's fish are stuffed, not eaten.
0:36:14 > 0:36:18- I was the best back my college ever had.- Look at that.
0:36:18 > 0:36:21Your husband can't do this.
0:36:22 > 0:36:29I'm a little out of practice. I used to be able to do 20 of those for a pretty little thing like you.
0:36:29 > 0:36:33- Love comes to Wall Street. - Don't be so cynical.
0:36:33 > 0:36:38Here, put some oil on my back, will you?
0:36:48 > 0:36:51Go on!
0:36:56 > 0:36:58That's nice. You've got good hands.
0:36:58 > 0:37:03- You like it nice.- Uh-huh. I always had everything nice.
0:37:03 > 0:37:08My grandfather had millions, but you'd like him in spite of it.
0:37:08 > 0:37:15- I could like him FOR it. - He gave me 1m, so he could say every guy I met was after my money.
0:37:15 > 0:37:20- Were they?- He'd have loved you for that snide crack.
0:37:20 > 0:37:25Are you going to the movie tonight? It's Mark's latest.
0:37:25 > 0:37:27Why not?
0:37:29 > 0:37:31That was real nice.
0:37:31 > 0:37:38- You should have been a masseur instead.- Instead of what? - Instead of whatever it is you do.
0:37:38 > 0:37:43I make a little bet on the horses sometimes, but I play cards mostly.
0:37:43 > 0:37:48- I've an old maid aunt who does the same thing.- I make a living at it.
0:37:48 > 0:37:53Sounds like a well-spent life. Morro implied you were a gambler.
0:37:53 > 0:37:56The way I do it, it isn't gambling.
0:37:56 > 0:37:59- You cheat?- You don't have to cheat.
0:37:59 > 0:38:06- We ought to get along fine. I'm a gambler myself.- Oh? How high do you like to play?
0:38:06 > 0:38:10If I told you, you wouldn't believe me.
0:38:19 > 0:38:23DRAMATIC MUSIC PLAYS
0:38:55 > 0:38:57CLAPPING >
0:39:00 > 0:39:02'Sir Godfrey!'
0:39:02 > 0:39:08Lady Gwendoline! Nought is between us. I take thee now with honour.
0:39:25 > 0:39:29- A thrilling performance! - Thank you, my dear.
0:39:29 > 0:39:32- Your best picture ever.- Thank you.
0:39:32 > 0:39:36- My wife thinks you're wonderful. - Thank her for me.
0:39:36 > 0:39:41That was a very fine movie. They ought to forget social matters.
0:39:41 > 0:39:47People don't go to the movies to see how miserable the world is, but to be happy!
0:39:47 > 0:39:52- What did you think of it?- It had a message no pigeon would carry.
0:39:52 > 0:39:59- In my studio, all messages are handled by Western Union. - Don't take his opinion on anything.
0:39:59 > 0:40:04- He's an intellectual. I have an idea for a movie...- Excuse me.
0:40:04 > 0:40:08I'm an investment broker. A lot of hidden romance...
0:40:08 > 0:40:11What did you think of the picture?
0:40:11 > 0:40:18- It was a little long, about 1½ hours.- She hates everything I do. - She likes YOU.
0:40:18 > 0:40:25- I don't understand that. - If she liked me, I wouldn't try to understand.- Esteban!
0:40:25 > 0:40:30- Scotch o liso, por favor.- I don't understand.- Scotch and soda.- Oh!
0:40:30 > 0:40:34- Look...er...- Milner. - That's right, Milner.
0:40:34 > 0:40:41- What about tomorrow morning? - What about it?- The hunting! I'll root you out about five.- Five?!
0:40:41 > 0:40:48- He shoots them as they crawl out of bed.- If you'd use that needle to sew with, you'd be much happier.
0:40:48 > 0:40:55- OK?- It's all right with me, but Morro says there's a storm brewing. - A chubasco - a hurricane.- Oh-h!
0:40:55 > 0:40:58Don't look so dismal, darling.
0:40:58 > 0:41:05You can dig a hurricane shelter and shoot from that, then you won't have to spend the day with me.
0:41:06 > 0:41:11- Now what did I do? - You looked dismal.- Dismal?
0:41:22 > 0:41:27- Hello, Harry.- I give away everything but secrets, Liz.
0:41:27 > 0:41:33- I know.- I never thought that Liz Brady would turn out to be a phoney.
0:41:33 > 0:41:35It's nice to know I'm right.
0:41:35 > 0:41:40Liz Brady went to Europe with a USO troupe. She never came back.
0:41:40 > 0:41:45That's too bad. She was a real nice kid. She sang nice too.
0:41:45 > 0:41:48- Lenore Brent sings.- Really?- Uh-huh.
0:41:48 > 0:41:52- Would you?- Sure. - That'd be like old times.
0:41:53 > 0:41:58Harry, I'm sorry about yesterday. I hated myself all day.
0:41:58 > 0:42:06- Forget it, kid. You had your reasons. Mind if I ask how you came into all the dough?- All what dough?
0:42:06 > 0:42:13- If I don't hook my man in two weeks, I'll be hitting you up for a job. - You'll probably get it.
0:42:13 > 0:42:16Come on, baby.
0:42:16 > 0:42:23- What'll you have?- Nothing, thanks. - Why don't you drink? - I might forget what I'm doing.
0:42:29 > 0:42:32# You'll know
0:42:32 > 0:42:36# When it happens, you'll know
0:42:36 > 0:42:39# You'll need no-one to tell you
0:42:39 > 0:42:44# When it happens, you'll know
0:42:45 > 0:42:49# And though...
0:42:49 > 0:42:53# You've been fooled in the past
0:42:53 > 0:42:58# When you meet with your real love
0:42:58 > 0:43:03# You'll surrender at last
0:43:03 > 0:43:08# Those dreams you've planned
0:43:08 > 0:43:11# All at once will come true
0:43:11 > 0:43:15# He'll take your hand
0:43:15 > 0:43:21# And there's nothing that you can do
0:43:21 > 0:43:26# You go
0:43:26 > 0:43:30# Where he wants you to go
0:43:30 > 0:43:36# You need no-one to tell you
0:43:36 > 0:43:40# When it happens
0:43:40 > 0:43:47# You'll know-ow. #
0:43:52 > 0:43:54Excuse me.
0:44:28 > 0:44:32- What's your husband doing? Playing unlucky?- Mm-hm.
0:44:32 > 0:44:38- That's what it was before, huh? - Yes, but... Well, he didn't mean to.
0:44:38 > 0:44:43- He loves to play and they practically insisted.- Who insisted?
0:44:43 > 0:44:45Winton?
0:44:45 > 0:44:47Yes.
0:44:47 > 0:44:51- He's been so nice to both of us. - Especially you.- Maybe.
0:44:51 > 0:44:59Anyway, I told Milt to go ahead and play. It is our honeymoon, and we don't have much money.
0:44:59 > 0:45:04- Go on.- He just lost more than we had and we wrote a cheque.
0:45:04 > 0:45:11- I know it's terrible, but Mr Winton made it all so easy. - Winton has the bad cheque?- Uh-huh.
0:45:11 > 0:45:18- I think he has an idea that you could get it back.- We couldn't ask him for it.- I said YOU.
0:45:18 > 0:45:21Forget it.
0:45:25 > 0:45:29Cards are shuffled. Everybody, ante up.
0:45:29 > 0:45:36Money loves money. If you're going to win the whole scam, you might as well win me too.
0:45:36 > 0:45:38Deal me in.
0:45:38 > 0:45:41- Cut?- Take your best shot.
0:45:41 > 0:45:46- How do you stand?- Not so good. - Too bad. Maybe I'll bring you luck.
0:45:46 > 0:45:49I wish something would.
0:45:54 > 0:45:57Jack's the bet at open. ..You open?
0:46:00 > 0:46:05- If I didn't know better, I'd think this wasn't on the square.- Open?
0:46:10 > 0:46:12Give him something to shoot for!
0:46:12 > 0:46:15- You've got the best hand.- And you?
0:46:15 > 0:46:20- I'll stay. - Stay. - I'm in.
0:46:21 > 0:46:24All right, and 50 more.
0:46:24 > 0:46:28Well, we're going to have to play this pretty shrewd.
0:46:28 > 0:46:30- And back 50.- That's me out.
0:46:30 > 0:46:31Stay.
0:46:31 > 0:46:34- Little too steep for me.- And you?
0:46:35 > 0:46:37And...
0:46:37 > 0:46:39once more.
0:46:39 > 0:46:45- Do you mind if I back him a little? - It's only money.- Thanks.
0:46:47 > 0:46:50- Cards?- May I take the cut now?
0:46:50 > 0:46:52- Certainly.- Thank you.
0:46:55 > 0:46:58- How many?- Three.
0:47:02 > 0:47:04None for the dealer.
0:47:06 > 0:47:09- We bet 100.- Without looking?
0:47:09 > 0:47:11It's more fun that way.
0:47:12 > 0:47:15All right. And up.
0:47:17 > 0:47:21Well, if you're betting leather, Mr Winton, we call.
0:47:23 > 0:47:28- But there's 1,000 inside my leather. - And 1,000 inside MY leather.
0:47:32 > 0:47:35Kings four.
0:47:35 > 0:47:37Well!
0:47:37 > 0:47:42- Do you think we ought to look? - Do you?- It's your hand.
0:47:44 > 0:47:45Ace.
0:47:46 > 0:47:48Ace.
0:47:53 > 0:47:55Three aces. >
0:47:55 > 0:47:57Queen. >
0:48:00 > 0:48:05Four aces. Well, what do you know? I brought you luck.
0:48:05 > 0:48:07Now don't crowd it.
0:48:07 > 0:48:10Four aces!
0:48:10 > 0:48:12That's incredible!
0:48:14 > 0:48:19All right, he got even. Now get him out of there.
0:48:25 > 0:48:27Morro.
0:48:28 > 0:48:30I'd like to have a word with you.
0:48:30 > 0:48:34Certainly. Come into my office, please.
0:48:38 > 0:48:43Morro, have you any idea when Tex will be flying up to Nogales?
0:48:43 > 0:48:50- Considering weather conditions, perhaps tomorrow.- I was wondering when to expect the man
0:48:50 > 0:48:57- that Arnold is sending down to do business with me.- Business? Forgive me...- You're just a hotel keeper.
0:48:57 > 0:49:00'Morro's Lodge, Lusk calling. Over.'
0:49:00 > 0:49:04Come in Mr Lusk. This is Morro's Lodge. Over.
0:49:04 > 0:49:11'Request landing instructions. Your field. Over.' What's your position, Mr Lusk? Over.
0:49:11 > 0:49:17'125 miles southeast of Santa Rosalia and 8,000 feet over Mexico. Over.'
0:49:17 > 0:49:22Correction. You're 8,000 feet over the Gulf of California.
0:49:22 > 0:49:26Tell him to go back to Santa Rosalia. Go back to Santa Rosalia.
0:49:26 > 0:49:31You can't land here. We're expecting a big storm tonight. Over.
0:49:31 > 0:49:38- 'I'm short of gas and out of Scotch. I'll find your field. Over and out.' - Who is this clown?
0:49:38 > 0:49:43- A lunatic in a private plane. Sounds drunk.- Flying tonight, he has to be.
0:49:43 > 0:49:48Morro's Lodge calling Mr Lusk Come in, Mr Lusk! Over.
0:49:48 > 0:49:51Calling Mr Lusk! Come in, Mr Lusk! Over.
0:49:53 > 0:49:58I guess he's broken contact, Mr Morro. I ought to go to the field.
0:50:11 > 0:50:13Can I come in?
0:50:13 > 0:50:15Why not?
0:50:15 > 0:50:23- I saw your light and I didn't think you were the kind who slept with it on.- I'm starting that tonight.- Why?
0:50:23 > 0:50:25Where's your friend William Tell?
0:50:25 > 0:50:30Bed, I suppose. He still intends getting up at five.
0:50:31 > 0:50:36- Don't you dampen it first? - Oh, it's an old habit.
0:50:36 > 0:50:43- When I have nothing to do and I can't think, I iron my money.- What if you're broke?- I press my pants.
0:50:43 > 0:50:48You know, one time a dame walked into my room, just like you did.
0:50:48 > 0:50:56- She'd been out in the rain. I pressed her dress dry.- What did she do?- Poured me some coffee.
0:50:56 > 0:51:01- I think you're the strangest man I ever knew.- You don't know me.
0:51:01 > 0:51:07- What do you want me to do? Leave? - I want you to pour the coffee!
0:51:07 > 0:51:14I've never been so bored in my whole life. Maybe I ought to go home and iron my own money.
0:51:15 > 0:51:18If you didn't have so much.
0:51:18 > 0:51:23- For two cents, I'd leave tonight. - That's all the change I've got.
0:51:23 > 0:51:28Look, in the cool of the morning, the farmer'll get his cow back.
0:51:28 > 0:51:35- You've had a little beef, tomorrow you'll be rid of it. - Tomorrow his wife arrives.- Uh-oh.
0:51:35 > 0:51:37I didn't know he had a wife.
0:51:37 > 0:51:44When I first met him, she was planning a divorce. She went to Reno three months ago.
0:51:44 > 0:51:48I thought by now... Is it that funny?
0:51:48 > 0:51:56I was playing high card with this guy. I got him up to 30,000 and discovered neither of us had a dime.
0:51:56 > 0:51:59AEROPLANE APPROACHES
0:52:01 > 0:52:07- Who's that idiot? - I think it's somebody who wants to see ME real bad.
0:52:11 > 0:52:16Tell 'em to put up more flares. Pronto con las luces!
0:52:44 > 0:52:49Welcome to Morro's Lodge, Senor Lusk. For a while, we thought all was lost.
0:52:49 > 0:52:53It's still lost, senor. It's been lost for 10,000 years.
0:52:53 > 0:52:58You see how it is. Fools get away with the impossible.
0:52:58 > 0:53:02That's because they're the only ones who try it.
0:53:33 > 0:53:38Where have you been? I looked for you all day.
0:53:38 > 0:53:42I stayed in bed. Nimrod went hunting again.
0:53:43 > 0:53:48- I'm afraid I was a little out of my precinct last night.- With me?
0:53:48 > 0:53:50Yeah, with you.
0:53:50 > 0:53:53Do you want me to forget it?
0:53:53 > 0:53:58- I want you to forget it. - It's forgotten.- I lost my...
0:53:58 > 0:54:01- It's forgotten, isn't it?- Fine.
0:54:01 > 0:54:05- Where is Mr Cardigan? - How should I know?
0:54:08 > 0:54:10I'm sorry.
0:54:10 > 0:54:14Were you in love with me last night?
0:54:14 > 0:54:16Yeah.
0:54:16 > 0:54:21But tonight you're not. I guess that's the way I affect people.
0:54:21 > 0:54:28- Maybe it's just that you affect the wrong people. - Shall we forget it again?
0:54:28 > 0:54:31I have to.
0:54:33 > 0:54:37Well, there she is, right on schedule.
0:54:37 > 0:54:42Splendid, but I wish you'd do one other little thing for me. Anything.
0:54:42 > 0:54:49- Be quite a surprise for Cardigan. - Surprise?- She asked Morro not to tell Mark she was coming.
0:54:49 > 0:54:54But he told me. The idiot's bringing her over here!
0:54:55 > 0:54:59I'd like you to meet our newest arrival - Mrs Cardigan.
0:54:59 > 0:55:03- This is Miss Brent and Mr Milner. - How do you do?
0:55:03 > 0:55:10- I seem to have heard of you. - I met your husband in Europe. - He meets so many women.
0:55:10 > 0:55:13- That's the price of fame. - Well, it's a living.
0:55:13 > 0:55:19- Would you like to dance?- I'd hate it, but under the circumstances. - Forgive us.
0:55:20 > 0:55:24I don't want to dance. Take me out of here.
0:55:29 > 0:55:34- It's a good thing you're so rich. - Is that supposed to mean something?
0:55:34 > 0:55:40Any rich dames I've met have a terror of talking about their dough.
0:55:40 > 0:55:44- Maybe they feel guilty. - Maybe you don't.
0:55:44 > 0:55:48Maybe the fact that Cardigan's married doesn't worry you.
0:55:48 > 0:55:53If I was a phoney, you'd still have no right to that rock in your hand.
0:55:53 > 0:56:00Excuse me, senorita. Senor Cardigan wish that you come to his cabin. You too, senor.
0:56:01 > 0:56:06- Now comes the showdown.- No. When that happens, he won't invite me.
0:56:06 > 0:56:10Let's go see what he wants.
0:56:10 > 0:56:12HE WHISTLES TO HIMSELF
0:56:14 > 0:56:17KNOCK AT DOOR
0:56:20 > 0:56:24Come on in, my friends. Get a load of this.
0:56:24 > 0:56:29You never tasted duck like this one a-la-Cardigan,
0:56:29 > 0:56:36- soaked in sherry with only salt and sage and pepper.- Butchered by the chef himself.- Shot, my pet.
0:56:36 > 0:56:40Mix yourselves a drink while I put this on.
0:56:44 > 0:56:47It's a pretty weapon.
0:56:47 > 0:56:54- A gift from his fan club.- Darling, would you set the table for three? - I'll set it for four.
0:56:54 > 0:56:58- Got somebody else coming?- YOU have. - Who?
0:56:58 > 0:57:01- A Mrs Helen Cardigan.- Fine.
0:57:01 > 0:57:03Who?
0:57:04 > 0:57:08- Who?- Your wife. Surely you remember her?
0:57:08 > 0:57:10Oh.
0:57:10 > 0:57:12Here?
0:57:12 > 0:57:14- She here?- She here.
0:57:14 > 0:57:17KNOCK AT DOOR
0:57:19 > 0:57:21Isn't somebody going to answer it?
0:57:27 > 0:57:34- Come right in.- I'm looking for Cardigan.- Gerald, this is a real surprise! Come on in.
0:57:34 > 0:57:41- I did wire you five times.- Oh, were they from you?- If you'd opened them, you might have found out.
0:57:41 > 0:57:48- Lenore, meet my personal manager Gerald Hobson. This is Lenore Brent and Dan...- Milner.
0:57:48 > 0:57:53- How do you do?- I suppose you know Helen is here.- Yes, she didn't...
0:57:53 > 0:57:58- ..get the divorce? No. Lucky for you. The papers've had a field day.- Why?
0:57:58 > 0:58:06- It seems the male half of America's most happily married couple has made a fool of himself with a dame.- Me.
0:58:06 > 0:58:13- Who is happily married?- Very few, but you're a victim of your own publicity and you're getting older.
0:58:13 > 0:58:21- So is my ten-year-old nephew.- Your contract won't be renewed if this is still going on.- Maybe I should go.
0:58:21 > 0:58:28- Nothing is private in Hollywood. - I know. You just work there. - Gerald, I owe you a lot,
0:58:28 > 0:58:35but I'm not a kid trying to get a break. It's time I lived my own life. Helen and I are incompatible.
0:58:35 > 0:58:41- I have a right to my happiness, too. - How happy will you be without a contract?
0:58:41 > 0:58:49- I brought Helen here. You're going to be reconciled. People take marriage seriously.- I do too, but...- What?
0:58:49 > 0:58:54Yeah, but what? Tell him about us. Tell him how this is different.
0:58:54 > 0:59:01Yes, Gerald, this is different. I know you won't believe me, but I've never been in love before.
0:59:01 > 0:59:04What's happening here?
0:59:04 > 0:59:11- Are you looking for a settlement? - Cardigan's in no position to refuse one.- Obviously.
0:59:13 > 0:59:17May I go now, or would you like it from me too?
0:59:24 > 0:59:28And it was going to be such a beautiful dinner!
0:59:29 > 0:59:34# I'm a rambling wreck from Georgia Tech... #
0:59:34 > 0:59:36Really!
0:59:36 > 0:59:40I'm a social outcast. Nobody's speaking to me.
0:59:40 > 0:59:48- What would you like to talk about? - Myself, naturally.- That's just what I wanted to talk about.
0:59:48 > 0:59:52- Why don't we get out of here? - I'm scared to walk.- Lean on me.
0:59:52 > 0:59:58- Let's go over to your drink and shake it up.- You're making sense.
0:59:58 > 1:00:03- # For he's a rambling wreck from Georgia Tech... #- He sure is.
1:00:09 > 1:00:12You don't have to hold me up, buddy.
1:00:12 > 1:00:19- I was the greatest scatback that ever lost to Notre Dame. - You drink like a B girl.
1:00:19 > 1:00:23- What did you say? - You drink like a B girl.
1:00:23 > 1:00:26I'll pull the blinds.
1:00:26 > 1:00:32- I didn't think you were buying it.- I would have, but I was expecting you. - You weren't expecting me.
1:00:32 > 1:00:40- Well, somebody. It turned out to be you.- Wrong. Your man hasn't shown. - Everybody's so cagey.- Wrong again.
1:00:40 > 1:00:46I'm not being cagey. Maybe I'm being a bit simple, but I'm going to gamble with you.
1:00:46 > 1:00:53- I only gamble on sure things. - You don't even know why you're here! I do.- Keep dealing.
1:00:53 > 1:00:56- I'm a cop.- What kind?
1:00:56 > 1:01:03- Federal. Immigration service. - I'm losing interest. - I think you'd like to get clear.
1:01:03 > 1:01:10- You can, in return for a little cooperation.- Get clear of what? - What would Arnold want with you?
1:01:10 > 1:01:15- Does that not make you wonder? - It makes me sleepy.
1:01:15 > 1:01:22- A man wants into the States. He doesn't care how he does it. - Anybody I know?
1:01:22 > 1:01:29- Everybody knows him. Get it?- No. - You're the patsy. A boat will sail into the bay here.
1:01:29 > 1:01:36- When it leaves, you'll be on it, but "Milner" will go back to the States. - He'll be recognised if he's so big.
1:01:36 > 1:01:44Krafft may be a writer and he looks like a chess player, but in 1935 he was admitted as a plastic surgeon.
1:01:44 > 1:01:49- In 1940, he was deported. - That's a very interesting story.
1:01:49 > 1:01:57- You still don't get it?- No. You were a drunk, now you're a cop...- OK, play it your way.- I'm on a vacation!
1:01:57 > 1:02:02I hope you enjoy it. It may be the longest one you ever take.
1:02:20 > 1:02:24Hey, if you'd lock your door, you wouldn't lose things.
1:02:31 > 1:02:34Nor find them.
1:02:34 > 1:02:38That's probably the nicest thing you've said to me.
1:02:38 > 1:02:43Instead of walking out to sea, I came here.
1:02:43 > 1:02:47- Do you still have our champagne? - Is it a big occasion?
1:03:04 > 1:03:08Are you going to apologise for this one?
1:03:08 > 1:03:09No.
1:03:09 > 1:03:12This could be goodbye.
1:03:21 > 1:03:24You're leaving?
1:03:24 > 1:03:31- I'm not sure.- You're in trouble. I think I've known it from the beginning.
1:03:31 > 1:03:37- Everybody's in trouble.- I don't suppose you want to talk about it... - Tomorrow.
1:03:37 > 1:03:45- You make it sound like it's for ever.- Did Thompson see you leaving the Lodge?- Who's Thompson?
1:03:45 > 1:03:52Wait a few minutes before you walk out of here. I don't want us to be seen together.
1:03:58 > 1:04:03Don't look so trapped, Mark. Surely you didn't intend to marry her?
1:04:03 > 1:04:10- I don't intend to hurt or embarrass her either.- You hurt and embarrassed me.- Reno was your idea.
1:04:10 > 1:04:14- Did you really believe I'd divorce you?- Why not?- Oh, Mark!
1:04:14 > 1:04:20- You're not going to tell me you're in love with me.- All right, I won't.
1:04:20 > 1:04:27But we've developed a tolerance for each other. At Reno, I decided that was the next best thing...
1:04:27 > 1:04:31- for both of us. - I've never settled for second best.
1:04:31 > 1:04:35And don't be so sure I'm not in love.
1:04:45 > 1:04:47May I help you, Mr Milner?
1:04:47 > 1:04:50You might.
1:04:50 > 1:04:53Can you tell me where Thompson is?
1:04:53 > 1:04:57Yes. He's playing poker with some of the other guests.
1:04:57 > 1:04:59Thanks.
1:05:05 > 1:05:10Thought I was supposed to treat you like typhoid Mary.
1:05:10 > 1:05:17- I think things are under control. - Were you looking for a gun back in the cabin?- I know where it is.
1:05:17 > 1:05:20Are you too proud to ask for help?
1:05:20 > 1:05:28- Mr Milner? I haven't had a chance to thank you for what you've done for us.- Well, you have now.
1:05:28 > 1:05:35- We're leaving in the morning. If you ever get to Indian Springs, that's Ohio, look us up.- I will.
1:05:35 > 1:05:42Mr Milner, I'd like to ask you something...do something. Milton says it's all right.
1:05:45 > 1:05:48Goodbye and thank you.
1:05:48 > 1:05:51Goodbye and thank YOU.
1:05:51 > 1:05:53Goodbye, Mr Winton.
1:05:53 > 1:05:56Yeah, goodbye.
1:05:56 > 1:06:00Well, how about a nice big kiss from you now?
1:06:00 > 1:06:07I forgive you and for those four aces, too, if you'll give me a return shot, say gin rummy?
1:06:07 > 1:06:14- Later.- Why not now?- He needs time to limber up his fingers. - Limber up his fingers!
1:06:18 > 1:06:20Come on, let's get outta here.
1:06:36 > 1:06:39Kill that light.
1:06:39 > 1:06:43Very embarrassing situation. For both of us.
1:06:43 > 1:06:49I'm fascinated by radios. I think they're here to stay. You may not be.
1:06:49 > 1:06:53RADIO BEEPS Sit down.
1:06:58 > 1:07:01Come in, Tropic.
1:07:01 > 1:07:03Come in, Tropic. Over.
1:07:10 > 1:07:13Check-in one hour. Over and out.
1:07:22 > 1:07:26I suppose you understood that. Time of arrival.
1:07:26 > 1:07:31You're a little out of your precinct, aren't you, even for a Federal man?
1:07:31 > 1:07:35Down here, you're just a private citizen like me.
1:07:35 > 1:07:38Not like you. Let's not be bitter.
1:07:38 > 1:07:46It's just a game, somebody wins, somebody loses. Are we right about who's coming in?
1:07:46 > 1:07:52Suppose you tell me? Your big boss is on a boat, only he can't get into the States.
1:07:52 > 1:07:55He'll trade places with someone. Go on.
1:07:55 > 1:08:00Milner's a lone wolf, without friends or relatives.
1:08:00 > 1:08:05He's kept under cover all his life. A guy like that'll never be missed.
1:08:05 > 1:08:12You're making quite a speech. On the boat, Dr Krafft does some plastic surgery on your man's face.
1:08:12 > 1:08:18He takes Milner's name and identity and the real Milner disappears.
1:08:18 > 1:08:22- Why worry about Milner? - I'm sorry I asked.
1:08:22 > 1:08:26Too bad we'll both die for something so rotten.
1:08:56 > 1:09:04I've never been in that direction. I've been the other way, but I'd like to be going that way...
1:09:04 > 1:09:06tomorrow...now.
1:09:06 > 1:09:08Why? What's out there?
1:09:08 > 1:09:11Islands. Samoa and Tahiti.
1:09:11 > 1:09:14- Bikini?- You're such a wise guy.
1:09:14 > 1:09:18You're not going to find a thing except yourself.
1:09:18 > 1:09:21I'd even like finding that.
1:09:22 > 1:09:25Come on, let's walk on the beach.
1:09:37 > 1:09:40SHE HUMS TO HERSELF
1:09:45 > 1:09:47Sing it.
1:09:47 > 1:09:52What's the matter? Are you going sentimental?
1:09:52 > 1:09:59- I remember the first time I saw you, you were singing.- Is this supposed to be the last time?- Maybe.
1:10:02 > 1:10:06# Five little miles from San Berdoo
1:10:06 > 1:10:10# I woke up humming and thought of you
1:10:10 > 1:10:13- # I look... #- Stay here.
1:10:49 > 1:10:52Is he dead?
1:10:52 > 1:10:57When we get back, see about getting yourself out of here - tonight.
1:10:57 > 1:11:00- Why?- Because he was murdered.
1:11:00 > 1:11:07- He was no two-bottle boy on a binge, he was a government cop. - Stop trying to scare me.
1:11:07 > 1:11:14- I happen to be a little scared myself.- Why should I miss the fun? - You can't buy your way out of this.
1:11:16 > 1:11:22I don't want to see you get hurt. Go back to your cabin and stay there.
1:12:04 > 1:12:07Easy does it!
1:12:07 > 1:12:10Come on out, boys.
1:12:13 > 1:12:16You live carefully.
1:12:16 > 1:12:20- Who's this one? - A man have to have a name for you?
1:12:20 > 1:12:26- OK, so you're a man. - Who are you waiting for? - You.- Then you don't need the gun.
1:12:26 > 1:12:34- It keeps me occupied.- There's a man waiting for you on a boat out there. - I know. He hasn't got a name either.
1:12:34 > 1:12:42- No matter where you get it, money can buy just so much.- There are some things it doesn't buy - like murder.
1:12:42 > 1:12:47You only had to get on that boat and sail away. Could've been a nice trip.
1:12:47 > 1:12:55I wouldn't care for it. When Milner goes home, it'll be me. Your money is in that drawer, less expenses.
1:12:55 > 1:13:03- There isn't time. Put the gun down. The man behind you has a bigger one. - Have him introduce himself.
1:13:08 > 1:13:10We've met before.
1:13:10 > 1:13:15Lusk knew about me, Thompson. I'm no good to you any more.
1:13:15 > 1:13:19You need to find a different place, different boy.
1:13:19 > 1:13:24- Maybe, but you're still going to the boat.- Dan!
1:13:29 > 1:13:31Dan?
1:13:31 > 1:13:34Get rid of her...out there.
1:13:43 > 1:13:48- I told you not to come around here any more.- I brought you a gun.
1:13:48 > 1:13:53- Give it to Cardigan. He likes guns. - What's the matter with you?
1:13:53 > 1:13:58- It'd take a long time to say. - All right, I stole the gun for you.
1:13:58 > 1:14:02- Just take it. - Will you get outta here?
1:14:02 > 1:14:07I spent six months and lot of money to try and get Mark Cardigan.
1:14:07 > 1:14:10I was ready to kiss it all goodbye for you.
1:14:10 > 1:14:13- Big mistake.- Wasn't it though?
1:14:13 > 1:14:18- Thanks for straightening me out. You do it so nicely.- It was nothing.
1:14:18 > 1:14:26- Take this. I can't sneak it back. - Give it to Cardigan.- It...- He knows how to use them. He'd like that one.
1:14:26 > 1:14:29Give it to Cardigan.
1:14:42 > 1:14:47There are a lot of places in the world. They all have women in them.
1:14:47 > 1:14:51- The government's got a few places that don't.- All clear. >
1:14:51 > 1:14:54You heard the man.
1:15:12 > 1:15:14I see. Thank you.
1:15:16 > 1:15:21- That was Morro. Lusk was murdered. - What?- The plane's out of commission
1:15:21 > 1:15:28- and there's a boat in the bay that shouldn't be here. Neither should we. - Well!- I'll lock the door.
1:15:28 > 1:15:30- Mark, do something!- Like what?
1:15:30 > 1:15:36- They're taking Dan out to that boat. - Who are they?- Maybe he's leaving.
1:15:36 > 1:15:41- I wasn't talking to you. Mark, he's in trouble.- We are to stay indoors.
1:15:41 > 1:15:46- Let me think.- That's a first. I do your thinking for you.
1:15:46 > 1:15:52- Do you want to go out there for me? - I have a wife.- Shut up. - You have one, too.
1:15:52 > 1:15:59- "Now might I do such bitter business the earth would quake to look upon."- Hamlet!
1:15:59 > 1:16:01This is no time for histrionics.
1:16:04 > 1:16:08"What fools you mortals be."
1:16:27 > 1:16:30< Shine the light over here!
1:16:36 > 1:16:39Take the light. Give me that rifle.
1:16:39 > 1:16:41There he is!
1:16:42 > 1:16:45Hold the light on him!
1:16:52 > 1:16:54You lost him.
1:16:54 > 1:16:57Here. Give me the light.
1:17:15 > 1:17:18(Hey, Milner! It's me, Cardigan.)
1:17:22 > 1:17:25Here. Take this. Follow me.
1:17:39 > 1:17:46Stay with me. This is my private hunting ground. I know it like an owl knows his tree.
1:17:55 > 1:17:56Oh!
1:17:58 > 1:18:01What do you know? I'm really wounded!
1:18:01 > 1:18:03It's OK.
1:18:09 > 1:18:14Do you mind telling me who I'm shooting at and why?
1:18:14 > 1:18:19If this was a movie, you could ask 'em, but their guns are loaded.
1:18:19 > 1:18:24All my life I've suspected myself of being a phoney.
1:18:24 > 1:18:29Half of it, I've been acting. 100 lives and 100 stories, all phoney.
1:18:29 > 1:18:36- This is the only time the guns were loaded with anything but blanks. - How does it feel?- Just fine.
1:18:36 > 1:18:38- Is that why you're here?- Partly.
1:18:38 > 1:18:43- What's the rest of it?- She asked me to come.- Are you in love with her?
1:18:43 > 1:18:51- My wife tells me I've never been in love with anything except myself. - Who has?- People have.
1:18:54 > 1:19:02- Can I go out there and bring him ashore?- Who?- The guy on the boat. - You know him?- Must be Nick Ferraro.
1:19:02 > 1:19:04- Ferraro?- It figures.
1:19:04 > 1:19:09- What has Ferraro got against you? - He likes me. He wants to be me.
1:19:09 > 1:19:12Lusk knew. That's why he's dead.
1:19:12 > 1:19:16- Where does that leave us? - In a lot of trouble.
1:19:16 > 1:19:23Until somebody knocks him off, it's going to be the short, unhappy life of Dan Milner. I'm too young to die.
1:19:23 > 1:19:31- I'm too well known.- If you get killed, I'll get you a first-rate funeral at Mann's Chinese Theatre.
1:19:31 > 1:19:35I've already had it. My last picture died there.
1:19:35 > 1:19:40Good luck, Bucko. I'll keep Thompson and company busy.
1:20:44 > 1:20:46Take me to Ferraro.
1:20:46 > 1:20:50- No comprendo, senor. - The captain - capitan.
1:22:05 > 1:22:07Come on!
1:23:16 > 1:23:18See if you can cover him from above.
1:23:26 > 1:23:29We'll never smoke him out from here.
1:23:29 > 1:23:31How about flanking him?
1:23:31 > 1:23:36OK, get around behind him on that cliff. I'll cover.
1:23:46 > 1:23:53Look, mister, you're covered from all sides. Either come out with your hands up, or we'll blast you out.
1:24:02 > 1:24:05Make up your mind. Are you coming out?
1:24:53 > 1:24:55Hold it.
1:24:55 > 1:24:57Drop that gun.
1:24:57 > 1:24:59Drop it!
1:25:01 > 1:25:03Very good. Take him topside.
1:25:03 > 1:25:06Get goin'.
1:25:09 > 1:25:12You take that side.
1:25:56 > 1:26:01Deceased, or as you say in plain terms, gone to heaven.
1:26:14 > 1:26:16Do you know me?
1:26:16 > 1:26:19Yeah, I'd know that face anywhere.
1:26:19 > 1:26:27- I don't blame you for wanting a new one.- You judge everyone by his face?- That and smell. How about you?
1:26:27 > 1:26:30I have several methods.
1:26:30 > 1:26:34For example, if a man fights me fairly, I respect him.
1:26:34 > 1:26:41On the other hand, when a man makes a deal with me, takes my money and then double-crosses me,
1:26:41 > 1:26:45that's something else. I hate welchers.
1:26:45 > 1:26:51In Chicago, I gave everyone a fair shake if they played square with me.
1:26:51 > 1:26:56They all had good funerals, but that one where you was real sore.
1:26:56 > 1:27:03I dumped part of him in an alley in Cicero and another part over on the East Side.
1:27:03 > 1:27:05He got two funerals.
1:27:05 > 1:27:14The point is, Milner, if you want to fight me in the open, clean and fair, I'll fight back clean.
1:27:14 > 1:27:16Like this!
1:27:19 > 1:27:27- If you want to fight below the belt like a welcher, if you want to fight dirty,- I- can do it that way, too.
1:27:34 > 1:27:38Some guys have to learn the hard way.
1:27:50 > 1:27:53All right, boys, take him.
1:28:03 > 1:28:06Be careful of his face.
1:28:27 > 1:28:30Pick him up.
1:28:32 > 1:28:35Take off his shirt.
1:28:38 > 1:28:40Stand him over there.
1:28:58 > 1:29:01NICK: What's the matter with you?
1:29:01 > 1:29:06Your friend shot a hole in the main steam line. The engine room's full of steam.
1:29:14 > 1:29:23Why not let the Yankee Boy Scout fix it? They're all handymen, these Americans.
1:29:23 > 1:29:28..Wrap this roll of tape round it, Milner. Maybe you can stop the leak.
1:29:31 > 1:29:34Let him work up a good sweat.
1:29:35 > 1:29:38Take him below.
1:30:41 > 1:30:44Are you still alive, Thompson?
1:30:44 > 1:30:46- GUNSHOT - So am I.
1:30:46 > 1:30:51Talk to me, Thompson. Milner's gone to get Ferraro.
1:30:54 > 1:30:57It's a pretty night out, isn't it?
1:30:58 > 1:31:01But pretty soon it'll be dark.
1:31:01 > 1:31:05Come and get me. There's no sense in losing sleep.
1:31:05 > 1:31:10Are you coming? Oh, come on! I've been known to miss.
1:31:13 > 1:31:15Do it again.
1:32:10 > 1:32:13Are you coming?
1:32:39 > 1:32:42All right, Thompson.
1:32:45 > 1:32:48Turn around.
1:32:51 > 1:32:58- How come you didn't finish me off? - Maybe I got confused and forgot which side your heart was on.
1:32:58 > 1:33:02Or perhaps you don't have one. Start walking!
1:33:06 > 1:33:08Yes?
1:33:08 > 1:33:14..We'll go into this later. Let's find some smaller place. Yes, sir.
1:33:16 > 1:33:23DOOR CLOSES If you're going to kill Milner, why not get it over with?
1:33:23 > 1:33:25But what about our original plan?
1:33:25 > 1:33:33Too risky. If we bump into trouble with the Feds or the Mexican police, that mouth of his could finish it.
1:33:33 > 1:33:40But his face could give you a new start, Ferraro. Why don't we keep his face, then,
1:33:40 > 1:33:45pump him full of lead, stow him below someplace,
1:33:45 > 1:33:49and when we're out of this, go ahead with the operation?
1:33:49 > 1:33:56It might work. But I don't know. In death, the muscles generally tighten.
1:33:56 > 1:34:02The features can become grotesque. It's not easy for me to do this job.
1:34:02 > 1:34:09Then write the whole idea off. I tell you, this guy's dangerous. I want him out of the way.
1:34:09 > 1:34:15Senor Morro, this is not a problem for MY men. I want protection for my guests!
1:34:15 > 1:34:18Only one man has been killed.
1:34:18 > 1:34:23Wrong! I have accounted for two more and taken a prisoner of war.
1:34:23 > 1:34:31- Place him under guard.- A la carcel con el. Voy a interrogarle mas tarde. - Take his gun.- ..I must report this.
1:34:31 > 1:34:33Use my telephone. Gracias.
1:34:33 > 1:34:41- Morro, we must seize the yacht. - What for?- Milner's out there alone facing tremendous odds.
1:34:41 > 1:34:46- Mark! I want to talk to you. - Too late for talk. The time has come to act.
1:34:46 > 1:34:48Act! When did you ever stop?
1:34:48 > 1:34:56- Let the police handle it.- Alas, why must I be plagued by yammering magpies on the eve of battle?
1:34:56 > 1:35:01Listen, Mark, if you go through with this madness, you've lost me.
1:35:01 > 1:35:08- Fortunes of war. I thought I'd already lost you. The idea still has merit.- How can you say that?
1:35:08 > 1:35:10My dear, you don't understand me.
1:35:10 > 1:35:19Do you think I want to go on living in a make-believe world, fighting in Sherwood Forest on stage six? No.
1:35:19 > 1:35:24You go back to Hollywood, while I go on to real-life triumphs
1:35:24 > 1:35:26or a glorious death.
1:35:26 > 1:35:28Unhand me!
1:35:29 > 1:35:32Mark! You're wounded.
1:35:32 > 1:35:37'Tis not so deep as a well, nor so wide as a church door.
1:35:37 > 1:35:42- Where's Dan?- He is the object of a sea expedition.- Take me with you.
1:35:42 > 1:35:50- This is man's work. Women are for weeping.- I love Dan. You've got to take me.- Oh, very well.
1:35:50 > 1:35:58- Come with me. ..Hold these. ..I want you properly equipped. Get what you need in there.- Thanks.
1:35:58 > 1:36:00Mark!
1:36:00 > 1:36:06- Mark! Mark!- Get in there. - I refuse to share your bungalow with another woman.
1:36:06 > 1:36:14- If that woman is released before I get back, lady, by yonder moon, I swear...!- You might not return.
1:36:14 > 1:36:20- If I'm not here by Wednesday, chop that door down. - Mark, let me out! MARK!
1:36:22 > 1:36:24A fine example you're setting(!)
1:36:24 > 1:36:32- One of your fellow Americans needs help and you stand there gaping. - Wonderful.- Thank you.
1:36:32 > 1:36:37- ..Catch that.- I don't know... - Fall in line! ..Oh...no!
1:36:38 > 1:36:42- Count me in. - What are your qualifications, sir?
1:36:42 > 1:36:47This is the first chance I've had to get away from my wife.
1:36:47 > 1:36:50I know what you mean, old-timer.
1:36:52 > 1:36:54FALL IN!
1:36:54 > 1:36:57Halt!
1:36:59 > 1:37:05- Explain to them that survivors will get parts in my next picture. - Si, se los espetare.
1:37:05 > 1:37:08Too flabby. Replace him.
1:37:09 > 1:37:17- What about that one?- My wife's brother. He serves with me on condition he's not exposed to danger.
1:37:17 > 1:37:22- Tell him to volunteer.- I cannot. I promised my wife...- Lieutenant!
1:37:22 > 1:37:26Tell that rascal to fall in. He's drafted.
1:37:26 > 1:37:31El amigo cree que es el General Eisenhower. Vaya atras. Si, mi teniente.
1:37:31 > 1:37:34Carlos, conscripcion para los gringos.
1:37:34 > 1:37:38Since I'm in command, you'll act as gunbearer.
1:37:38 > 1:37:44Now, soldiers, march away and how thou pleasest God, dispose the day!
1:37:46 > 1:37:52I'll do this my own way. But I could silence him AND keep him alive.
1:37:52 > 1:37:54Are you worried about your fee?!
1:37:54 > 1:37:59I have been giving it some thought. We may have the solution right here.
1:38:04 > 1:38:08This is a very unusual anaesthetic. It was developed by the Nazis.
1:38:08 > 1:38:11< I had intended to use it on you.
1:38:11 > 1:38:14I said surgery was out!
1:38:14 > 1:38:21This drug is a good anaesthetic, if used properly. The correct amount is one and one half cubic centimetres.
1:38:21 > 1:38:28But in overdose quantities, this drug is VERY damaging. For example, an injection of...
1:38:28 > 1:38:34say, seven cubic centimetres, then certain brain tissues are destroyed.
1:38:34 > 1:38:38The patient never regains his memory and death follows within a year.
1:38:43 > 1:38:48I don't like fooling with drugs. Something's liable to go wrong.
1:38:48 > 1:38:50There's that chance with anything.
1:38:50 > 1:38:53Not with this.
1:38:53 > 1:38:58Here's one anaesthetic where death follows right now.
1:38:58 > 1:39:00..Bring Milner up!
1:39:02 > 1:39:05Ahoy! Stand by to be commandeered.
1:39:08 > 1:39:10A prisa! A prisa!
1:39:10 > 1:39:12Smartly, lads!
1:39:12 > 1:39:17- Senor, this boat is not yet ready. - Gangway! This is a war emergency.
1:39:17 > 1:39:25- What are you waiting for?- He is afraid of the water.- There's enough wood in his head to make him float.
1:39:25 > 1:39:32Dice que estas valiente como una madera y tu cabeza es hecho de palo. Entra el barco!
1:39:32 > 1:39:36You mutinous scoundrel, up front with me!
1:39:36 > 1:39:38Adelante. Vamos. Entra.
1:39:40 > 1:39:43Full speed ahead!
1:39:43 > 1:39:49- There are too many in this boat, senor.- Start that engine! Full speed ahead.
1:40:01 > 1:40:08Now would I give a thousand furlongs of sea for an acre of barren ground.
1:40:18 > 1:40:22Este hombre es un idiota! Nos va ahogar a todos.
1:40:22 > 1:40:26Don't stand there jabbering, abandon ship!
1:40:41 > 1:40:45A ship! A ship! My kingdom for a ship.
1:40:45 > 1:40:51- Senor, this boat here, she is ready. - Remind me to have you cited for valour.
1:40:51 > 1:40:56- Launch this craft immediately. - En agua con el barco!
1:40:56 > 1:41:00Si, el barco el lancho!
1:41:11 > 1:41:19Look at him. I hate him and his kind for trying to keep me out of their country when I've got business there.
1:41:19 > 1:41:23No welcher tells Ferraro where he can go.
1:41:48 > 1:41:51Wake up, little boy!
1:41:51 > 1:41:54Wake up! I want you to see it coming.
1:41:57 > 1:42:00WAKE UP!
1:42:00 > 1:42:04Nick! Get it over with. We don't have time to fool around.
1:42:04 > 1:42:07I want him to be fully conscious.
1:42:08 > 1:42:11I don't like to shoot a corpse.
1:42:11 > 1:42:16I want to see the expression on his face when he knows it's coming.
1:42:17 > 1:42:19WAKE UP!
1:42:47 > 1:42:49DOOR OPENS
1:42:49 > 1:42:52There's a boat approaching with police.
1:42:52 > 1:42:58How far is that boat? It'll be alongside in a minute. Nick?
1:42:58 > 1:43:02- I'll throw him overboard. - You got to weight him first.
1:43:02 > 1:43:05 Captain, shall we open fire?
1:43:05 > 1:43:09No. That'd start trouble. Have a look.
1:43:09 > 1:43:15Let me give him the injection. How fast does it work?
1:43:15 > 1:43:23It'll work immediately. When he comes to, he won't remember a thing. His brain will be gone completely.
1:43:23 > 1:43:28Are you positive there's no chance of failure? > < Absolutely positive.
1:43:28 > 1:43:30Go ahead.
1:43:48 > 1:43:52Falter not. Put your backs into it. Row!
1:43:52 > 1:44:00- Tell them to turn off that light.- I have yet to shun the welcome glare of a spotlight or run from applause.
1:44:00 > 1:44:06Applause?! I'm thinking of bullets. Only pigs wait for slaughter.
1:44:06 > 1:44:09Who are you calling a pig? Apologise!
1:44:09 > 1:44:17Senor Cardigan, you are not a pig. You are what a pig becomes - it is eaten between two pieces of bread.
1:44:17 > 1:44:23- Tell them to shut that light off! - Very well, my craven friends. ..Ahoy!
1:44:23 > 1:44:26- Turn off that spotlight. - Keep that beam on 'em.
1:44:26 > 1:44:29Why don't you shoot it out?
1:44:29 > 1:44:33For once, you make sense. ..Hand me my trusty rifle.
1:44:43 > 1:44:45Hold still, everyone.
1:44:45 > 1:44:48You can praise me later.
1:44:49 > 1:44:51Ah, right in the cross hairs.
1:44:51 > 1:44:54Out, damn spot! Out, I say!
1:45:04 > 1:45:07I'll attend to you later.
1:45:08 > 1:45:11Steady, you fools!
1:45:11 > 1:45:13Hold still!
1:45:13 > 1:45:18Aboard that boat, identify yourself.
1:45:59 > 1:46:02Hold his wrist to distend the vein.
1:46:22 > 1:46:24Hurry up!
1:46:33 > 1:46:37You in that boat, keep your distance!
1:46:45 > 1:46:50This is a perfect target under those lights. Kill the lights.
1:46:55 > 1:46:57What happened to the lights?
1:46:57 > 1:47:02Find me a light...a match. I think there's some in the bar.
1:47:02 > 1:47:07Hold him still! If I can feel the vein, I won't need a light.
1:47:10 > 1:47:13I can see his arm from here. Hurry!
1:47:13 > 1:47:15I've got it.
1:47:26 > 1:47:28Doctor...
1:47:38 > 1:47:43Pull that ladder up any further and I'll be forced to kill you.
1:47:49 > 1:47:54- You can't board my ship without a search warrant.- I'm coming aboard.
1:47:54 > 1:48:02If you shoot me, you'll have some explaining to do to the Mexican police and the United States.
1:48:05 > 1:48:09I must rid all the seas of pirates.
1:48:22 > 1:48:25Adelante! >
1:48:31 > 1:48:32Look out!
1:49:24 > 1:49:26Ouch!
1:50:19 > 1:50:24Death hath not struck so fat a deer today!
1:50:32 > 1:50:36Come on, come on! Let's get this thing in the water.
1:51:08 > 1:51:12All right, you rifraff, reach for the heavens!
1:51:12 > 1:51:15Come on!
1:51:20 > 1:51:22Don't move!
1:51:54 > 1:51:57Stand still, all of you!
1:52:05 > 1:52:07Hold it, Ferraro.
1:52:41 > 1:52:44Muy bien hecho, Cardigan!
1:52:44 > 1:52:45Arriba!
1:52:45 > 1:52:47Adelante!
1:52:56 > 1:52:58This place is dangerous.
1:52:58 > 1:53:03The time right deadly. The drinks are on me, my Bucko.
1:53:06 > 1:53:11- Mark, will you please sit down? - All right, my dear.
1:53:11 > 1:53:18- Weren't you terribly outnumbered, Mr Cardigan?- Who counts the odds when duty calls? Five to one.
1:53:18 > 1:53:21The resistance was heavy, naturally.
1:53:21 > 1:53:28A less determined man might have turned back, but there was never any doubt of the outcome for me.
1:53:28 > 1:53:33- Mr Cardigan, what did you use to kill Ferraro?- Well, I...
1:53:34 > 1:53:37A man named Milner.
1:53:40 > 1:53:43Did you run out of money?
1:53:43 > 1:53:48Fresh out. That's why I'm pressing my pants. What's the champagne for?
1:53:48 > 1:53:52- This could be that big occasion. - Hey, why not?
1:53:52 > 1:53:59- You turned out to be quite a hero. They tell me you killed Ferraro. How did it feel?- He didn't say.
1:53:59 > 1:54:03Let me do that. You better stick to money.
1:54:03 > 1:54:07I've got a few things I want to say about myself.
1:54:07 > 1:54:15- At least you never talk about other people.- My grandfather was never a Boston millionaire.- Aw!
1:54:15 > 1:54:17He's been a barber for 40 years.
1:54:17 > 1:54:22And still not a millionaire? What about Cardigan?
1:54:22 > 1:54:26I never was in love with Mark Cardigan.
1:54:26 > 1:54:31- Could you be in love with ANYTHING besides money?- I might. And you?
1:54:31 > 1:54:36You could be handy to have around the house if a man went broke.