0:00:02 > 0:00:10This programme contains very strong language and scenes of a sexual nature
0:00:10 > 0:00:13(MAN'S VOICE) 'I was eating a tomato at teatime a few weeks ago
0:00:13 > 0:00:16'and I suddenly realised that Mommy is not dead at all,
0:00:16 > 0:00:18'just very, very mysterious.'
0:00:22 > 0:00:25'Papa spoke languages, climbed mountains.'
0:00:25 > 0:00:27'He was an adventurer.'
0:00:29 > 0:00:33'But Mommy was such a gifted person socially.'
0:00:33 > 0:00:38'She was a master of the understatement, an adventuress.'
0:00:44 > 0:00:49'He was cold and dark and she was warm and light.'
0:00:53 > 0:00:55'And I was "Little Tony".'
0:00:55 > 0:00:58Bye. Your mommy loves you.
0:00:58 > 0:01:01'I was the steam when hot meets cold.'
0:01:04 > 0:01:06Midge? Well, hello.
0:01:06 > 0:01:09The reason that I called, darling, is that Aschwin,
0:01:09 > 0:01:11Prince Aschwin Lippe,
0:01:11 > 0:01:13his brother is Prince Bernhard,
0:01:13 > 0:01:17well, Aschwin thought it would be lovely to meet at the Stork Club.
0:01:17 > 0:01:21He so wants to know you and Joost and asked if I could...
0:01:21 > 0:01:25Well, of course. Shall we say... 10.30?
0:01:25 > 0:01:28Is that too Continental?
0:01:29 > 0:01:32(LAUGHS)
0:01:33 > 0:01:37Be as catty as you want but Tony can hear every word you're saying.
0:01:37 > 0:01:41Can you imagine the world he's growing up into?
0:01:41 > 0:01:44Brooks and I will see you tonight.
0:01:47 > 0:01:49Brooks...
0:01:49 > 0:01:51..darling.
0:01:54 > 0:01:57I gather that you're making commitments for me.
0:01:59 > 0:02:03Sans permission, sans consultation.
0:02:06 > 0:02:10Prince Aschwin de Lippe, please.
0:02:10 > 0:02:13You may say Barbara Baekeland is calling.
0:02:13 > 0:02:16Don't get difficult, not tonight, darling.
0:02:16 > 0:02:19Please, forgive the intrusion and the damnably short notice
0:02:19 > 0:02:22but we are having supper with Midge and Joost van den Heuvel
0:02:22 > 0:02:26and they would so like the pleasure of your company.
0:02:26 > 0:02:28They'll be delighted.
0:02:28 > 0:02:30As will I.
0:02:30 > 0:02:33As will Brooks.
0:02:35 > 0:02:37Thank you, darling.
0:02:37 > 0:02:41'People say now that I must have hated them because of what...
0:02:41 > 0:02:43'..transpired...'
0:02:44 > 0:02:47We won't be back too late, I promise.
0:02:47 > 0:02:51'..but everything that happened, happened because of love.'
0:02:52 > 0:02:54Do I...
0:02:54 > 0:02:56Do I look like a monkey to you?
0:02:58 > 0:03:02Then, why on Earth should I get dressed up in a fucking monkey suit
0:03:01 > 0:03:06- just to eat?- You don't have to wear your tux. And no need to be vulgar.
0:03:06 > 0:03:09- In front of the B-O-Y? - Just wear your uniform.
0:03:09 > 0:03:13- I will not.- You look so handsome, so dashing, in your uniform.
0:03:13 > 0:03:15The war is over, had you not heard?
0:03:15 > 0:03:18You have a right. You won the war.
0:03:18 > 0:03:21I mean, you volunteered so you have a right to wear your uniform.
0:03:22 > 0:03:26Your father looked so handsome, so dashing.
0:03:25 > 0:03:27So dashing...
0:03:29 > 0:03:33Is the little paragon coming or do you plan on leaving him here alone?
0:03:33 > 0:03:35Nini will be here at 9.00.
0:03:35 > 0:03:39In that case, I'm glad that I shall be dining out.
0:03:43 > 0:03:46(BABY MURMURS)
0:03:48 > 0:03:50Tone... Tony, Tony...
0:03:50 > 0:03:53Mother, do you think we should call him "Antony"?
0:03:53 > 0:03:55"Antony" will be his full name,
0:03:55 > 0:03:57his formal name, his name to the world.
0:03:57 > 0:04:02And "Tony" will be his name as a child... and among intimates.
0:04:02 > 0:04:08When I refer to him, when I am asked if I have a photograph, do I say...?
0:04:08 > 0:04:10You say "This is Tony".
0:04:10 > 0:04:14And they will say, "What an angel!"
0:04:14 > 0:04:17Oh, yes... An angel.
0:04:17 > 0:04:22What an angel. What an angel you are.
0:04:22 > 0:04:25- We may be out late. - "Shall".
0:04:26 > 0:04:29Oh, yes... Your mommy loves you.
0:04:35 > 0:04:37Barbara.
0:04:38 > 0:04:42Good night, Tony, you are in good hands.
0:04:42 > 0:04:44Enjoy the Stork Club.
0:04:44 > 0:04:47And you may stay out as late as you wish.
0:04:48 > 0:04:50Fuck...
0:04:58 > 0:04:59(BALLROOM MUSIC)
0:05:02 > 0:05:04Thank you.
0:05:04 > 0:05:06Good evening.
0:05:06 > 0:05:10So we were coming downtown...
0:05:10 > 0:05:12Mr and Mrs Baekeland. Right this way, ma'am.
0:05:15 > 0:05:17(MAN) She's gorgeous.
0:05:28 > 0:05:29Hello.
0:05:29 > 0:05:31Wonderful to see you.
0:05:31 > 0:05:33How do you do?
0:05:37 > 0:05:40- I'm Barbara. - Simone.- How do you do?
0:05:42 > 0:05:47Why, it was with Dieter that Brooks went on his great adventure in Peru,
0:05:47 > 0:05:49in the Villa...?
0:05:49 > 0:05:53Darling, you know I'm not at my best with geography.
0:05:54 > 0:05:57Brooks, help me. Villa...?
0:05:57 > 0:06:01Darling, don't press. Maybe your husband don't feel like at dinner.
0:06:01 > 0:06:04Brooks, please, if you don't feel like performing...
0:06:04 > 0:06:06- Vilcabamba. - Ah.
0:06:06 > 0:06:09Dieter and I we went to the Vilcabamba in Peru.
0:06:09 > 0:06:13So tell us, man, what was your "little adventure"?
0:06:13 > 0:06:15It was nothing.
0:06:16 > 0:06:19- Well, I lie. It was something. - (ALL CHUCKLE)
0:06:19 > 0:06:23- (LAUGHS)- I was intrigued by a 400-year-old mystery -
0:06:23 > 0:06:25what became of Manco Inca.
0:06:25 > 0:06:29- I wanted to find the ruins of the lost city.- This is actually true.
0:06:29 > 0:06:34- Give him a dirt road and he'll go up it.- (ALL LAUGH)- That's very good.
0:06:48 > 0:06:51- Would you, Simone? - Oh, I don't know.
0:06:51 > 0:06:56- Your husband asked you a question. - This seems... unfair.
0:06:56 > 0:06:59This seems... tedious.
0:06:59 > 0:07:02- Hmm... But would you? - Yes, would you?
0:07:02 > 0:07:07Would I eat a pound of human flesh for 10 million?
0:07:07 > 0:07:09No, I would not.
0:07:12 > 0:07:14I have eaten horse flesh, you know?
0:07:14 > 0:07:18There is a difference between eating the cheval and eating the chevalier.
0:07:18 > 0:07:22Brooks, for 10 million would you sleep with Simone?
0:07:24 > 0:07:28- For 10 million would you - ? - Don't, Barbara. Please...
0:07:28 > 0:07:30..don't be tedious.
0:07:31 > 0:07:34Would you go home with the first person you met
0:07:34 > 0:07:37- going through a nightclub door? - Yes, I would.
0:07:39 > 0:07:42So... shall we get on with our drinks?
0:07:42 > 0:07:46Brooks, Barbara, have you ever been to the Engadin?
0:07:46 > 0:07:49Oh, I was practically born in Gstaad!
0:07:49 > 0:07:52She practically loves the ski instructors.
0:07:52 > 0:07:54(LAUGHS)
0:08:04 > 0:08:06Thank you for coming this evening.
0:08:06 > 0:08:08Bye.
0:08:09 > 0:08:13- Barbara.- You said you'd go home with the first person you met
0:08:13 > 0:08:18- going through a door...- No... - So I thought I might go home
0:08:18 > 0:08:21with the first person... Hello!
0:08:21 > 0:08:24Hello, I'm awfully thirsty. Would you buy me a drink?
0:08:24 > 0:08:26Aschwin... Simone...
0:08:26 > 0:08:29- Barbara. - Brooks...
0:08:31 > 0:08:34Lovely to see you all.
0:08:36 > 0:08:38(LAUGHS)
0:08:57 > 0:08:59Nini.
0:08:59 > 0:09:02- Oh, I'm sorry. I'm sorry. - Quite all right.
0:09:04 > 0:09:07- I must have... - You fell asleep. Quite natural.
0:09:07 > 0:09:10It's late. It got late, you fell asleep.
0:09:12 > 0:09:15- I trust your evening was...? - Oh, we had a fine time.
0:09:15 > 0:09:18I can hold down the fort.
0:09:18 > 0:09:21- Where's Barbara? - She's returning separately.
0:09:21 > 0:09:24- May I get your coat? - I'll just go.
0:09:23 > 0:09:26- And was the Prince there? - Excuse me?
0:09:26 > 0:09:30- The Prince. The Prince of Amsterdam. - Ah.- Was he there?
0:09:30 > 0:09:34I think you're thinking of Prince Bernhard of the Netherlands.
0:09:34 > 0:09:38He was Count Lippe-Biesterfeld, of course, before he married Juliana.
0:09:38 > 0:09:41The man with whom we dined Aschwin Lippe
0:09:41 > 0:09:43is just Aschwin Lippe - younger brother.
0:09:43 > 0:09:46- A prince in title but not in any way...- Oh...
0:09:46 > 0:09:48- Because Barbara said... - "Barbara said"(!)
0:09:57 > 0:09:59Decent man nonetheless.
0:09:59 > 0:10:01I see.
0:10:01 > 0:10:04Good man.
0:10:04 > 0:10:05(CAR ENGINE)
0:10:05 > 0:10:07(CAR DOOR OPENS / CLOSES)
0:10:11 > 0:10:13(FOOTSTEPS)
0:10:31 > 0:10:32(BABY COUGHS)
0:10:48 > 0:10:51Oh, yes. Oh, yes...
0:10:51 > 0:10:53Hey, kid...
0:10:53 > 0:10:55Oh, what a life.
0:10:55 > 0:10:59Thirsty? Hmm? Thirsty boy?
0:10:59 > 0:11:02Tony a thirsty boy?
0:11:02 > 0:11:09'Papa used to say "For 2 the court fee and 10 for a wedding band,
0:11:08 > 0:11:13I made your mommy into Mrs Brooks Baekeland"...'
0:11:13 > 0:11:15S'il vous plait!
0:11:15 > 0:11:19'..and myself for the next 30 years into "Barbara's husband".'
0:11:51 > 0:11:55Oh! You are an angel.
0:11:55 > 0:11:58- Where's Papa? - He went to visit Duran.
0:11:59 > 0:12:01What shall we do today?
0:12:01 > 0:12:03Ah... Well...
0:12:03 > 0:12:10Tonight we're going to L'Hippo with Marcel and his wife Teeny.
0:12:09 > 0:12:14- Remember them?- (SPEAKS FRENCH) - En Anglais, s'il vous plait.
0:12:14 > 0:12:17- Doesn't sound like much fun for a kid.- You don't have to come.
0:12:17 > 0:12:19- But when you leave me alone... - Tony.
0:12:19 > 0:12:22I feel no bigger than a lima bean.
0:12:22 > 0:12:25Oh... You won't be alone. You'll be with Clothilde.
0:12:25 > 0:12:29Maybe since I'll be with boring Clothilde we can balance it out
0:12:29 > 0:12:31with something more fun during the day?
0:12:31 > 0:12:33Ah... I see where this is going.
0:12:33 > 0:12:37- Your mother needs time to paint. - I'd like to go on the Ferris wheel.
0:12:37 > 0:12:41- And for lunch I'd like some ice cream.- Ah!
0:12:41 > 0:12:44- But you had ice cream for breakfast. - (CHUCKLES)
0:12:48 > 0:12:52- Please don't tell Papa. - I won't. It will be our secret.
0:12:52 > 0:12:56- As will the aspirins you're going to fetch from...- The bathroom
0:12:56 > 0:12:58next to the sink.
0:12:59 > 0:13:02Your mother has a shocking hangover.
0:13:05 > 0:13:07Mommy...
0:13:08 > 0:13:10I shall cure you.
0:13:21 > 0:13:22- Ha! - Oh!
0:13:37 > 0:13:39OK! OK, OK.
0:13:39 > 0:13:44- I concede, I resign. - Well, sir, I'm pretty expert.
0:13:43 > 0:13:47So there's no embarrassment in losing if that's a concern.
0:13:50 > 0:13:53- Do you love me? - Of course.
0:13:53 > 0:13:57Will you still love me when my hair is gray and my tits are sagging?
0:13:57 > 0:13:59Well, of course.
0:14:01 > 0:14:04- Do you remember the dog? - What dog?
0:14:04 > 0:14:08- Which dog? - The one we had in Italy.
0:14:08 > 0:14:10Giotto.
0:14:10 > 0:14:13I remember when Giotto died.
0:14:13 > 0:14:16- He was old.- No, he wasn't. - In dog years.
0:14:17 > 0:14:20- We still have his collar. - I know.
0:14:20 > 0:14:23- Somewhere... - I know where.
0:14:23 > 0:14:27Leo was famous. Not like you're famous of course.
0:14:27 > 0:14:30Well, I'm not...
0:14:29 > 0:14:32For heaven's sake. You won the Premio Nadal.
0:14:32 > 0:14:36You know Picasso, you know Camus, you know Malraux, you know Dali.
0:14:36 > 0:14:38Pilar knows them. I just write.
0:14:38 > 0:14:41What I'm saying, Carlos, is that Leo's fame, like yours,
0:14:41 > 0:14:45was a function of achievement, it came from what he did.
0:14:45 > 0:14:49So Leo's stroke of genius was the notion that the formaldehyde
0:14:49 > 0:14:51might stabilize the phenol, give it strength.
0:14:51 > 0:14:56But they never mixed. Leo thought "Try putting it under pressure".
0:14:56 > 0:15:00Poof! Long-chain molecules, Bakelite, plastic.
0:15:01 > 0:15:04The telephone, bracelets, radios, records,
0:15:04 > 0:15:08coffins, submarines, the housing for the atom bomb -
0:15:08 > 0:15:10the world as we know it today.
0:15:10 > 0:15:14- That was your father? - No, that was my grandfather.
0:15:14 > 0:15:18My father is a crapule, my grandfather decidedly was not.
0:15:19 > 0:15:21- What does Papa do? - How do you mean?
0:15:21 > 0:15:25- Well, Francois at the... - Ecole?
0:15:25 > 0:15:32- Francois asked me...- You can tell him, "My father writes".
0:15:31 > 0:15:34"My father explores."
0:15:34 > 0:15:38"My father has a very refined knowledge of mathematics."
0:15:38 > 0:15:40Oh.
0:15:40 > 0:15:44And you can tell him that your mother was almost a movie star.
0:15:47 > 0:15:50Do you find my wife attractive?
0:15:50 > 0:15:52Most men do.
0:15:52 > 0:15:54But what she doesn't...
0:15:54 > 0:15:57What Barbara doesn't realise...
0:15:57 > 0:16:00..is that women find me...
0:16:01 > 0:16:04..you know...
0:16:05 > 0:16:07..attractive.
0:16:08 > 0:16:12Some people's fathers, some people's mothers,
0:16:12 > 0:16:17they have to go to an office or a factory or a store I guess every day.
0:16:17 > 0:16:19But we are fortunate...
0:16:20 > 0:16:24..because what we do is what we love.
0:16:24 > 0:16:25What does Francois's father do?
0:16:27 > 0:16:30- He works. - Ah, well, we worked.
0:16:30 > 0:16:34I mean, Father worked, Nini worked. There was no other way.
0:16:34 > 0:16:39I kind of had to raise myself and then I worked too at Filene's.
0:16:39 > 0:16:41Then when I could I left.
0:16:42 > 0:16:44I just left.
0:16:45 > 0:16:49Nini wanted what was best for me - only what was best for me.
0:16:49 > 0:16:52"Find the mon," she'd say.
0:16:51 > 0:16:56She meant "man" I guess and she meant "money".
0:16:58 > 0:17:01The rich, they don't have pet names for money.
0:17:01 > 0:17:04Did you know Leonardo da Vinci wrote backwards?
0:17:04 > 0:17:06So you could only read it in a mirror.
0:17:11 > 0:17:14- (WOMAN SPEAKS IN SPANISH) - (MAN REPLIES IN SPANISH)
0:17:27 > 0:17:30- Entrez. - Hi.
0:17:29 > 0:17:31Carlos!
0:17:32 > 0:17:36Pilar! My, you're looking swell!
0:17:35 > 0:17:40Gracias. Mrs Baekeland, permit me to introduce Monsieur Souvestre.
0:17:40 > 0:17:44Jean-Pierre, I am so happy to meet you.
0:17:44 > 0:17:46Please, come in.
0:17:49 > 0:17:52I have been dying to ask you about Marcel Proust,
0:17:52 > 0:17:55your biography of whom I have yet to read
0:17:55 > 0:17:58as my French reading skills are not what they will be.
0:17:58 > 0:18:01It is not necessary to apologise for that.
0:18:01 > 0:18:04Brooks, of course, reads the language like a native.
0:18:04 > 0:18:07And our Tony is mastering it every day at the Ecole Bilingue.
0:18:07 > 0:18:11But for pour moi I must confess it's been a struggle.
0:18:11 > 0:18:14- Understood.- What was I saying? Oh... yes...
0:18:14 > 0:18:19Jean-Pierre, was Proust truly a homosexual?
0:18:19 > 0:18:21(SPEAKS FRENCH)
0:18:24 > 0:18:28- So you met Carlos here in Paris? - I was at the Sorbonne,
0:18:29 > 0:18:33the adoring graduate student writing about his work.
0:18:33 > 0:18:38But then... we woke up one morning and none of that seemed to matter.
0:18:38 > 0:18:40I think I knew he was serious
0:18:40 > 0:18:44when he introduced me to Marcel and Teeny Duchamp.
0:18:44 > 0:18:48Oh! I ran into them today at L'Equipe.
0:18:48 > 0:18:52They said they might stop over... later. (SPEAKS FRENCH)
0:18:52 > 0:18:55You may be assured they were only being polite.
0:18:59 > 0:19:00I don't want to be impolite
0:19:00 > 0:19:04but Monsieur Souvestre has an early day tomorrow.
0:19:03 > 0:19:06He's off to Vittel.
0:19:06 > 0:19:10It is regrettable but what Mrs Duran says is the truth.
0:19:09 > 0:19:14Un petit cafe for the road? And you've yet to meet Tony.
0:19:14 > 0:19:16Excusez-moi.
0:19:16 > 0:19:18(SIGHS / SPEAKS FRENCH)
0:19:24 > 0:19:26(SPEAKS FRENCH)
0:19:28 > 0:19:32Did I get it right? Did I get the order right?
0:19:32 > 0:19:35The younger is presented to the older, the less distinguished.
0:19:35 > 0:19:39Exception is a gentleman is always presented to a lady. Exception to
0:19:39 > 0:19:43the exception, unless the man is a president a cardinal or a sovereign.
0:19:43 > 0:19:46So, then, it's right.
0:19:46 > 0:19:48Well, everyone, this is Tony.
0:19:48 > 0:19:50Say hello.
0:19:50 > 0:19:52(SPEAKS SPANISH)
0:19:52 > 0:19:54(REPLIES IN SPANISH)
0:19:54 > 0:19:56(SPEAKS FRENCH)
0:19:58 > 0:20:00Told you his French is better than mine.
0:20:00 > 0:20:03Perhaps you'd like to read something.
0:20:04 > 0:20:07Perhaps Tony would prefer to get his sleep.
0:20:07 > 0:20:10Especially as Monsieur Souvestre has an early start.
0:20:10 > 0:20:12(Please...)
0:20:11 > 0:20:13For me.
0:20:32 > 0:20:35Thank you, Tony. It was gracious of you to volunteer.
0:20:35 > 0:20:37You are welcome, senora.
0:20:37 > 0:20:41Your mother's a bit tired, as are we, as I'm sure are you.
0:20:41 > 0:20:44- Erm... - Then, we call it an evening.
0:20:44 > 0:20:47As your friend Monsieur Duchamp says...
0:20:47 > 0:20:50(SPEAKS FRENCH)
0:20:50 > 0:20:53- Your husband or your son will translate.- Don't you dare.
0:20:53 > 0:20:57Don't you dare condescend to me. Fucking French!
0:20:57 > 0:21:00They tell you how to raise your child and then they stare at your ass.
0:21:00 > 0:21:03Yes! I know the word!
0:21:03 > 0:21:07It's sick. This society is sick!
0:21:07 > 0:21:09Excuse me. Move!
0:21:19 > 0:21:23I shall be leaving too. Tell Tony his father says good night.
0:21:23 > 0:21:26(SPEAKS SPANISH)
0:21:28 > 0:21:30(SPEAKS FRENCH)
0:21:56 > 0:21:59(DOOR CREAKS)
0:22:00 > 0:22:04(FOOTSTEPS)
0:22:04 > 0:22:06What are you doing in my hotel room?
0:22:13 > 0:22:15You bribed the concierge, didn't you?
0:22:15 > 0:22:17Mmm...
0:23:13 > 0:23:15(SPITS)
0:23:34 > 0:23:36(PANTING)
0:23:39 > 0:23:41Uh...
0:24:01 > 0:24:03Hello?
0:24:03 > 0:24:06Hello?
0:24:13 > 0:24:15Mommy? >
0:24:17 > 0:24:19Mommy?
0:24:35 > 0:24:37- Bonjour, Mama. - Bonjour.
0:24:45 > 0:24:48- Who's that boy? - Francois.
0:24:49 > 0:24:51From the ecole.
0:24:51 > 0:24:53From the Ecole Bilingue?
0:24:54 > 0:24:56I know where he's from.
0:24:59 > 0:25:03When you left and then when Mommy left, I didn't want to be alone
0:25:03 > 0:25:06so I called Francois and he came over.
0:25:06 > 0:25:09We listened to the radio. It was Boulez -
0:25:09 > 0:25:12one of those poems by Rene Char which Boulez set to music.
0:25:12 > 0:25:14I rather like Boulez, don't you, Mommy?
0:25:14 > 0:25:17I know that some consider him atonal and all that
0:25:17 > 0:25:21but I think they just don't know how to listen or what to listen for.
0:25:21 > 0:25:24Your friend leaves.
0:25:26 > 0:25:27Now.
0:25:31 > 0:25:33Get him a towel.
0:26:10 > 0:26:13(MELODIC ACOUSTIC GUITAR)
0:26:30 > 0:26:34That wasn't bad, you know? Tony?
0:26:34 > 0:26:36Do you have a cigarette for me?
0:26:38 > 0:26:40Black.
0:26:40 > 0:26:42I like black tobacco.
0:26:42 > 0:26:44But sometimes I yearn for the brown.
0:27:16 > 0:27:18- You know how they are. - What?
0:27:18 > 0:27:23- Fussing, always making a fuss. - Not all women.- Damn near all.
0:27:23 > 0:27:26Always telling us, you know?
0:27:27 > 0:27:30Always telling us where to put our cocks,
0:27:30 > 0:27:35where not to... and so forth.
0:27:36 > 0:27:39I don't need to tell you, you've seen, you know.
0:27:39 > 0:27:42So, what are you saying?
0:27:43 > 0:27:47You'll soon be... Hell, you're on your own.
0:27:47 > 0:27:52I just wanted to give you a piece of... what fathers tell sons.
0:27:54 > 0:27:56Well, thanks.
0:27:56 > 0:27:59I mean, your mother was an actress...
0:28:00 > 0:28:04..in some ways, is an actress, will mostly likely be...
0:28:04 > 0:28:06Mommy can be histrionic but she's not...
0:28:06 > 0:28:09Don't defend her. You needn't defend her.
0:28:08 > 0:28:11You love her as do I but for the moment
0:28:11 > 0:28:14we're sitting here, Brooks and Antony, two men.
0:28:18 > 0:28:22Had she been on time, we'd never have had this discussion.
0:28:34 > 0:28:36Do you think she gets stoned?
0:28:36 > 0:28:39Well, she's Spanish.
0:28:40 > 0:28:42Worth a pull?
0:28:43 > 0:28:45After you, pal.
0:28:51 > 0:28:53(SPEAKS SPANISH)
0:28:53 > 0:28:55Si.
0:28:55 > 0:28:57Gracias.
0:29:03 > 0:29:05(CHUCKLES)
0:29:05 > 0:29:07Taught by experts.
0:29:10 > 0:29:12You know what this place needs?
0:29:14 > 0:29:17Some music.
0:29:17 > 0:29:20- I have one. - Excuse me?
0:29:29 > 0:29:31(MOTOWN MUSIC)
0:29:39 > 0:29:45# Once upon a time A long, long time ago
0:29:45 > 0:29:50# Wherever you lead me I would surely follow
0:29:50 > 0:29:54# Girl you put me through Some pain and misery
0:29:54 > 0:29:59# And now you stand here On my doorstep
0:29:59 > 0:30:03# Telling me how much you need me
0:30:06 > 0:30:09# Ain't nobody home
0:30:09 > 0:30:11# Girl...!
0:30:10 > 0:30:14# Ain't nobody home
0:30:15 > 0:30:19# How many times I begged for you to come home
0:30:19 > 0:30:24# But you laughed at me And said, 'Let me alone'
0:30:25 > 0:30:29# Ain't nobody home... Girl! #
0:30:29 > 0:30:31- I don't know. - What's she like?
0:30:31 > 0:30:35- I don't know. She's Spanish. - Well, with a name like Blanca...
0:30:35 > 0:30:38- Blanca what? - I don't know, Blanca what.
0:30:38 > 0:30:42This is not a city, it's a port so when we hang out,
0:30:42 > 0:30:44it's typically on a first-name basis.
0:30:44 > 0:30:48And if what you're asking is, "Does she come from bonne famille?",
0:30:48 > 0:30:52you know, if that's what you're asking well...
0:30:52 > 0:30:56..aren't there enough counts and countesses in that stack
0:30:56 > 0:31:00of cartes de visite in the foyer, just the way that Nini taught you?
0:31:01 > 0:31:06The carte from Prince Bernhard on top and bills on the bottom.
0:31:06 > 0:31:11You will not speak to your mother like that. I will not stand for it.
0:31:11 > 0:31:13Oh, piss off.
0:31:21 > 0:31:24A mother knows.
0:31:24 > 0:31:30- Hmm?- When her son... when her son might like someone.
0:31:44 > 0:31:47(ENGINE REVS)
0:31:56 > 0:31:58(TYRES SCREECH)
0:32:08 > 0:32:11(TYRES SCREECH)
0:32:19 > 0:32:21(TYRES SCREECH)
0:32:26 > 0:32:29The discovery, that was 1907.
0:32:29 > 0:32:32In less than ten years my grandfather was a very wealthy man.
0:32:32 > 0:32:361924, his face on the cover of Time magazine.
0:32:36 > 0:32:391930, Coco Chanel makes all her mannequins
0:32:39 > 0:32:41wear Bakelite accessories.
0:32:41 > 0:32:45Then came the Depression which hit everyone except the Baekelands.
0:32:45 > 0:32:47We were headed the other direction -
0:32:47 > 0:32:50our triumph, and, of course, our downfall.
0:32:50 > 0:32:52How do you mean?
0:32:52 > 0:32:55Leo knew the social register
0:32:55 > 0:32:59but it wasn't what moved him, it wasn't what he prized.
0:32:59 > 0:33:02To him all that was just la parade.
0:33:02 > 0:33:04But not to George, his son, my father.
0:33:04 > 0:33:09He valued all that to a fault and in the process lost everything.
0:33:09 > 0:33:14Camarero! No-one here is drinking enough. Another round over here.
0:33:15 > 0:33:20Tony, drink while your father bores the shit out of your little friend.
0:33:26 > 0:33:29- She's not very happy. - Ah...- (CHUCKLES)
0:33:29 > 0:33:31Then, you understand.
0:33:38 > 0:33:40Well, it's been a long night.
0:33:42 > 0:33:44Bye, kiddo.
0:33:44 > 0:33:47- Night, Blanca. - Good night.
0:33:56 > 0:33:59- Are you sure that...? - Yes!
0:34:32 > 0:34:36You know, I don't think I've ever met a family like yours.
0:34:38 > 0:34:42All this excitement, all this history.
0:34:42 > 0:34:45- Well, there is that. - (CHUCKLES) Yes.
0:35:10 > 0:35:12(LAUGHS)
0:35:59 > 0:36:02You really are such a handsome boy.
0:36:13 > 0:36:16'Later Mommy said that I had brought Blanca home
0:36:16 > 0:36:19'like a kitten that had killed its first mouse
0:36:19 > 0:36:22'and laid it at your feet.'
0:36:24 > 0:36:27'"And you... and you took it."'
0:36:54 > 0:36:56(SPEAKS SPANISH)
0:37:00 > 0:37:03- Landing? When it lands? - Oh, it's been delayed.
0:37:03 > 0:37:06So... 6PM. Any time after that.
0:37:23 > 0:37:27"Paging Mr Baekeland, to the Aviaco counter, please."
0:37:26 > 0:37:31Paging, please, Mr Baekeland, to Aviaco. Your party is waiting.
0:37:36 > 0:37:38Boarding time's at...?
0:37:39 > 0:37:41Let me see.
0:37:45 > 0:37:46Yeah it's 1.30.
0:37:51 > 0:37:53Come, darling.
0:37:54 > 0:37:56Coward!
0:37:58 > 0:38:00Cobarde!
0:38:00 > 0:38:06Cobarde! That's right, that's you I'm talking about, you little puta.
0:38:06 > 0:38:09- You little whore! - (SPEAKS SPANISH)
0:38:10 > 0:38:12(SPEAKS SPANISH)
0:38:12 > 0:38:15You are truly disgusting, do you know that?
0:38:15 > 0:38:17You and your little Spanish cunt!
0:38:17 > 0:38:21- You're speaking too loudly.- I am speaking of a cunt half your age.
0:38:21 > 0:38:24She looked at Tony, looked at you, thought for about five seconds
0:38:24 > 0:38:27and said to herself, "Ha! That's where the money is"!
0:38:27 > 0:38:29Entiendes?
0:38:29 > 0:38:33You go on about your grandfather and the life of the fucking mind.
0:38:32 > 0:38:35I go away for one week and what do you do?
0:38:35 > 0:38:38Something very intellectual, very intellectual indeed.
0:38:38 > 0:38:42Oh, does he fuck you up the ass? (SHOUTS IN SPANISH)
0:38:42 > 0:38:47That's what he likes, you know? He thinks... it's very manly.
0:38:47 > 0:38:50I think... quite the opposite.
0:38:50 > 0:38:55She bats her eyes at you and says,
0:38:55 > 0:39:00"Oh, Brooks, you, you big man, you".
0:39:00 > 0:39:03And you honour the great Baekeland tradition by fucking her.
0:39:06 > 0:39:09OK... Fuck her.
0:39:09 > 0:39:13Fuck her. I understand.
0:39:13 > 0:39:15But leave me?
0:39:15 > 0:39:18Break my heart? Break Tony's?
0:39:18 > 0:39:20He never broke Tony's heart.
0:39:23 > 0:39:25And neither did I.
0:39:25 > 0:39:29Much of what you've just said is an amalgam of paranoia and spite.
0:39:29 > 0:39:32Sell yourself to yourself any way you like but in your heart you know.
0:39:32 > 0:39:35So does everyone else.
0:39:36 > 0:39:38Also...
0:39:38 > 0:39:42..you're a little old for this, don't you think?
0:40:07 > 0:40:09(SPEAKS SPANISH)
0:40:14 > 0:40:17(ENGINE STARTS)
0:40:17 > 0:40:19(SPEAKS SPANISH)
0:40:22 > 0:40:24(GUNSHOT)
0:40:41 > 0:40:44(GUNSHOTS CONTINUE)
0:40:51 > 0:40:53(ENGINE STARTS)
0:41:00 > 0:41:02(GUNSHOT)
0:41:15 > 0:41:17You are a very nice man.
0:41:19 > 0:41:23(SPEAKS SPANISH)
0:41:43 > 0:41:46(SOBS)
0:42:12 > 0:42:18'Jake was like a devil... or a magician.'
0:42:18 > 0:42:21Nothing is true. Everything is permitted.
0:42:21 > 0:42:26'He wore little bones and things on his vest,
0:42:26 > 0:42:29these certain little bones.'
0:42:34 > 0:42:36Tony! Jake!
0:42:36 > 0:42:39- You might have knocked. - I did.
0:42:44 > 0:42:47I went to the airport today to pick up Sam.
0:42:46 > 0:42:48Who should I see but your father?
0:42:48 > 0:42:52We had a word or two I can tell you that.
0:42:53 > 0:42:56You CAN tell me, you are telling me.
0:42:56 > 0:42:59- Don't get harsh with me. - I'm sorry.
0:42:59 > 0:43:02Are you defending him? Are you taking his side?
0:43:02 > 0:43:05You must have had a long drive.
0:43:05 > 0:43:08Sit down and let me pour you something to drink, OK?
0:43:25 > 0:43:29So I told Sam you'd be joining us for dinner.
0:43:29 > 0:43:31I'll see you around 9.00.
0:43:35 > 0:43:37How can you live in this shit hole?
0:43:45 > 0:43:47(BOTH LAUGH)
0:43:58 > 0:44:01'Sam was often called a walker,
0:44:01 > 0:44:06one of those homosexuals who escort wealthy women to dinner or the opera
0:44:06 > 0:44:08when their husbands are not able.'
0:44:08 > 0:44:12'But Sam's devotion to Barbara was never about the money.'
0:44:12 > 0:44:14'He liked us more when there was less of it.'
0:44:14 > 0:44:18Do you remember how it was with Maxime de la Falaise?
0:44:18 > 0:44:20There was a difficult period.
0:44:20 > 0:44:24I helped her as much as I could, a few of us we did what we could,
0:44:24 > 0:44:30and now, well... no-one remembers the sad period now, do they?
0:44:32 > 0:44:35These are the facts we have to face.
0:44:36 > 0:44:41One, we are dealing with an insecure and capricious crowd
0:44:41 > 0:44:46who given any doubt or hesitation will always follow the money.
0:44:45 > 0:44:48In this case, meaning Brooks.
0:44:52 > 0:44:56Second and this is in your favour,
0:44:55 > 0:44:59you were to any sensible observer,
0:44:59 > 0:45:03THE charm and vivacity of the couple.
0:45:03 > 0:45:06So we must make that work to your benefit.
0:45:06 > 0:45:09- I'm so glad you're here. - It's my pleasure.
0:45:10 > 0:45:13'Pop across to Cadaques for a day or two.'
0:45:13 > 0:45:16'You need to be proud not embarrassed to be seen in public.'
0:45:16 > 0:45:20'And that will give people permission to be seen with you.'
0:45:20 > 0:45:25- Hola... - 'Let us think, who are those...'
0:45:25 > 0:45:29..you know, from whom others take their cue?
0:45:29 > 0:45:32Someone like Pilar Duran would be terrific.
0:45:32 > 0:45:36And then of course we need a doyenne to seal it.
0:45:36 > 0:45:40You do of course know Teeny Duchamp?
0:45:39 > 0:45:42Teeny Matisse Duchamp?
0:45:42 > 0:45:46And I shall naturally make sure that the word gets out.
0:45:47 > 0:45:50As will others. (CHUCKLES) As WILL others!
0:45:53 > 0:45:54(LAUGHS)
0:45:54 > 0:45:58You've got to start painting again. The difference between...
0:45:58 > 0:46:02- An artist and a divorcee. - So you understand.
0:46:03 > 0:46:05That's for starters.
0:46:05 > 0:46:09- Some of it will, I've no doubt, be emotionally unpleasant.- Oh, please.
0:46:09 > 0:46:13- Where is he?- Oh, I'm sure he'll be along, Barbara.
0:46:13 > 0:46:16He's just... being Tony.
0:46:21 > 0:46:24Mommy, what I don't understand is Brooks.
0:46:24 > 0:46:28Of all the places Brooks would wanna go for the season,
0:46:28 > 0:46:32he'd choose a place near us and then not wanna see us?
0:46:32 > 0:46:36- And Blanca. Why'd she go to Mallorca when she hates me?- She doesn't.
0:46:39 > 0:46:42- And Brooks? - He doesn't hate you either.
0:46:42 > 0:46:46- Then why won't he -- I've given up trying to understand Brooks.
0:46:46 > 0:46:50Explain him, justify his ways.
0:46:50 > 0:46:54Men do... This is something you know very well.
0:46:54 > 0:46:57Men do what... what men do.
0:46:57 > 0:46:59Mommy?
0:46:59 > 0:47:03I think he's writing us a letter.
0:47:03 > 0:47:05I think he is writing us a letter
0:47:05 > 0:47:09but in another alphabet, in Baekeland writing,
0:47:09 > 0:47:12no-one else can read.
0:47:12 > 0:47:14- Cos the thing with Brooks is he - - Oh, please.
0:47:14 > 0:47:17Mommy, don't be angry.
0:47:17 > 0:47:20I'm not angry.
0:47:22 > 0:47:25I love you.
0:47:25 > 0:47:27Mommy, I love you.
0:47:31 > 0:47:33(INSTRUMENTAL GUITAR MUSIC)
0:47:44 > 0:47:46(MUSIC STOPS)
0:47:48 > 0:47:52- No, you've been fantastic.- No, no, no. You needn't...- I wanted to.
0:47:52 > 0:47:55I can't begin to tell you how much of an improvement...
0:47:55 > 0:48:01- Well, she'll be all right. - Well, she'll always be Barbara.
0:48:00 > 0:48:03(CHUCKLES) Yeah.
0:48:03 > 0:48:06And... what of you?
0:48:06 > 0:48:10- What of life in the world of Tony Baekeland?- (SPEAKS FRENCH)
0:48:13 > 0:48:15(SPEAKS FRENCH)
0:48:15 > 0:48:18(SPEAKS FRENCH) No, no, no, no!
0:48:19 > 0:48:24That isn't good enough by half. Tony takes care of Jake.
0:48:24 > 0:48:26Tony takes care of Barbara.
0:48:26 > 0:48:30Someone must take care of Tony.
0:48:49 > 0:48:52(SIGHS)
0:49:41 > 0:49:46What I would like to do ideally is to place you with a gallery.
0:49:45 > 0:49:49Or failing that, with a private dealer
0:49:49 > 0:49:52and that is something I know I can do.
0:49:59 > 0:50:02You shouldn't have done that.
0:50:05 > 0:50:09Sam... you should not have done that.
0:50:13 > 0:50:17He's your child and he will always be your child
0:50:17 > 0:50:21but he is a grown man with his own life and his own choices.
0:50:21 > 0:50:25- You don't know what you're talking about.- Tony is who Tony is.
0:50:25 > 0:50:30(PLATE SHATTERS) Tony is not who Tony is!
0:50:30 > 0:50:33(SOFT INSTRUMENTAL MUSIC)
0:51:11 > 0:51:17'Dear Papa, I don't know any other way to say this but straight out.'
0:51:18 > 0:51:23'Would you please come back to Mommy? She's so unhappy.'
0:51:24 > 0:51:28'She needs you...
0:51:28 > 0:51:31..but is too full of pride to ask.'
0:51:33 > 0:51:37'Do you remember our dog whom you named Giotto?'
0:51:37 > 0:51:40'The dog is gone but the collar remains.'
0:51:41 > 0:51:46'For all the times we've moved, I've taken it from place to place.'
0:51:45 > 0:51:48'It's never gotten lost, not even once.'
0:51:53 > 0:51:56'I do not know why you fear me.'
0:51:56 > 0:51:59'I do not fear you.'
0:52:00 > 0:52:05'Sometimes I have a bloody mind and I don't know what to do about it
0:52:05 > 0:52:09but I fight it with everything I've got.'
0:52:09 > 0:52:13'With my best love, Antony.'
0:52:45 > 0:52:47Tony!
0:52:47 > 0:52:49Tony!
0:53:15 > 0:53:17Brooks!
0:54:02 > 0:54:05(Everything is going to be all right.)
0:54:56 > 0:54:59'My mommy told me ever since I was seven,
0:54:59 > 0:55:01"Hold your head up high."'
0:55:09 > 0:55:14'A very strange thing is when your charm ceases.'
0:55:16 > 0:55:20'And for one reason or another, you become gloomy.'
0:55:24 > 0:55:26'And people cease to understand you
0:55:26 > 0:55:29when you need understanding the most.'
0:55:39 > 0:55:43'I now realize that for many years,
0:55:43 > 0:55:46I have been living a totally false life.'
0:55:53 > 0:55:56'Anyway...
0:55:56 > 0:56:00..for Mommy's sake, I've decided to make a new person of myself.'
0:57:27 > 0:57:29(LAUGHS)
0:57:32 > 0:57:35(ALL LAUGH)
0:58:18 > 0:58:21(BIRDS CHIRP)
0:58:23 > 0:58:25We'll be bored rigid without you.
0:58:27 > 0:58:31- It's harder to get people to come - - Like it was in Cadaques? I know.
0:58:31 > 0:58:34I know.
0:58:34 > 0:58:37It's time.
0:58:40 > 0:58:43It's time.
0:58:51 > 0:58:54Take care.
0:58:55 > 0:58:57(ENGINE REVS)
0:59:07 > 0:59:09I'm glad he's gone.
0:59:09 > 0:59:12(LAUGHS)
0:59:19 > 0:59:22'I'm not sure, Papa, you would wanna know this
0:59:22 > 0:59:26but she used sleeping suppositories, six or seven of them,
0:59:26 > 0:59:29so that she wouldn't change her mind - couldn't.'
0:59:29 > 0:59:33'I remember she told me that her father, my grandfather,
0:59:33 > 0:59:36had killed himself, so I fear that...
0:59:36 > 0:59:40..all this ran very deep within her.'
0:59:40 > 0:59:43'It was a miracle that I came home that night
0:59:43 > 0:59:47instead of staying out till morning, as is my custom.'
0:59:47 > 0:59:51'And a miracle that when I did come home, she was still alive.'
0:59:51 > 0:59:56'Taking care of Mommy had been your job.'
0:59:58 > 1:00:01'But when you left, Brooks,
1:00:01 > 1:00:05taking care of Mommy became my inheritance.'
1:00:07 > 1:00:10Barbara?
1:00:41 > 1:00:43(SQUEAKING)
1:01:02 > 1:01:06Hi. We just missed each other.
1:01:06 > 1:01:08(SPEAKS FRENCH)
1:01:08 > 1:01:11They told me that you had been there.
1:01:11 > 1:01:15This... must be very hard for you.
1:01:19 > 1:01:22Your music? Your writing?
1:01:22 > 1:01:26- That!- Carlos thinks very highly of you, always has.
1:01:26 > 1:01:30- And I'm sure he'll... - Have you seen Brooks?
1:01:30 > 1:01:33Carlos saw him.
1:01:35 > 1:01:40I don't think that Brooks is liking me very much these days.
1:01:43 > 1:01:46- He said I was a crapule. - Oh, please!
1:01:46 > 1:01:49To Brooks, everyone is a little shit.
1:01:49 > 1:01:53Everyone in the whole wide world. Including me, including you.
1:01:53 > 1:01:57- Including even Carlos, for God's sake!- But not Leo.
1:01:58 > 1:02:01Not the sainted grandfather.
1:02:05 > 1:02:08- What was it he said? - Who?
1:02:08 > 1:02:11Hemingway, I think. Or the other one.
1:02:11 > 1:02:15- Fitzgerald?- Hemingway or Fitzgerald. Yes. It was one of them.- Who said?
1:02:15 > 1:02:18Who said what it is I'm trying to remember!
1:02:18 > 1:02:22God! I'm turning into Nini.
1:02:23 > 1:02:26(SPEAKS FRENCH)
1:02:27 > 1:02:30I know. It was about Paris, I think. "If you're tired of Paris,
1:02:30 > 1:02:33you're tired of everything."
1:02:33 > 1:02:35I remember.
1:02:35 > 1:02:39"To say that one is tired of Paris
1:02:39 > 1:02:45is in fact to say that one is tired of life." Something like that.
1:02:45 > 1:02:50'Mommy hoped that with a new place would come better things for us
1:02:50 > 1:02:53and she was right, but not completely so.'
1:02:53 > 1:02:57'But still, Paris was a step up in the world.'
1:02:57 > 1:03:01'It was in Paris I started writing backwards in my notebook
1:03:01 > 1:03:04so that no-one could read my thoughts.'
1:03:04 > 1:03:08'But Mommy seemed to be able to read them anyway
1:03:08 > 1:03:12as if she were inside my head, looking out.'
1:03:18 > 1:03:22'My great-grandfather Leo once said, "One of the uses of money is
1:03:22 > 1:03:26that it allows us not to live with the consequences of our mistakes."'
1:03:28 > 1:03:32'But I fear that in this, Leo was wrong.'
1:03:34 > 1:03:38'Tony? Do you know what I would really love?'
1:03:40 > 1:03:44- What would you really love? - 'What do you think?'
1:03:46 > 1:03:49- This is so good. - I'm glad.
1:03:49 > 1:03:52It's exactly what I wanted.
1:03:52 > 1:03:55Well, then I'm all the more glad I was able to obtain it.
1:03:55 > 1:03:59Is there a better ice cream in the whole world?
1:04:01 > 1:04:04- Is it Thursday? - Yes, it is.
1:04:07 > 1:04:10I have dinner with Ethel tonight. Ethel de Croisset.
1:04:10 > 1:04:14- I'll make other plans.- She wouldn't mind if you tagged along.- No.
1:04:14 > 1:04:18I don't like what happens when you make other plans.
1:04:18 > 1:04:21Mommy, please.
1:04:22 > 1:04:25- The afternoon of the longest laundry? - (CHUCKLES)
1:04:25 > 1:04:28- I don't do that anymore. - Mmm. Hmm.
1:04:30 > 1:04:33What does the G stand for?
1:04:34 > 1:04:36- What, dear? - The G.
1:04:36 > 1:04:40George, like his father.
1:04:44 > 1:04:47Do my wrists, would you?
1:05:48 > 1:05:50That was lovely.
1:05:50 > 1:05:53And now...
1:05:54 > 1:05:57..I need some privacy.
1:06:00 > 1:06:03Scoot so that I can get dressed.
1:06:10 > 1:06:13I'm so sorry.
1:06:14 > 1:06:19'Mommy said I should be furious with you for stealing my girl.'
1:06:19 > 1:06:25'But I said, "Mommy, he didn't hurt me. He hurt you."'
1:06:25 > 1:06:28'Still, Papa, you should have come back.'
1:06:28 > 1:06:33'I thought that one day, you'd wake up and know that, too.'
1:06:33 > 1:06:35'But you never did.'
1:06:37 > 1:06:40'And something else I want you to know
1:06:40 > 1:06:43is Giotto's collar has disappeared
1:06:43 > 1:06:48and I will not be able to sleep until we find it.'
1:07:44 > 1:07:48Not the formal opening dinner, of course. That's me
1:07:48 > 1:07:52and 17 of his closest friends getting pissed at Regine's. Mmm.
1:07:52 > 1:07:57This is different. What I was thinking was after the vernissage,
1:07:57 > 1:08:01I would gather together a small group, you and Mishka of course,
1:08:01 > 1:08:04and Ethel de Croisset and the Durans
1:08:04 > 1:08:08and Bill and Rose Styron if they are still in town. Not buyers.
1:08:08 > 1:08:12- Not a business thing. Thank you. - People you love
1:08:12 > 1:08:15and who I know would love each other. I can't begin to tell you
1:08:15 > 1:08:21how much Tony adores London. It's brought about a sea change in him.
1:08:21 > 1:08:24Do you remember, in Paris, how down he could get?
1:08:24 > 1:08:28How pulled within himself? And then in the morning, how agitated?
1:08:28 > 1:08:31Well... that's still Tony, of course.
1:08:31 > 1:08:34But in London, he eats, he walks, he even shops.
1:08:34 > 1:08:38This morning, we stayed in bed until 11, reading the newspapers.
1:08:38 > 1:08:42- For him, that's unheard of. For me, paradise.- Oh, thank you.
1:08:42 > 1:08:45It's a pleasure.
1:08:45 > 1:08:49What do you think of a small dinner following the vernissage?
1:08:49 > 1:08:54- It sounds like a great idea.- Well, I was thinking I might have it here.
1:08:54 > 1:08:57I thought it might add a note of class to my own little works
1:08:57 > 1:09:02- which they, in no way, merits.- You can have your little dinner here.
1:09:04 > 1:09:07I don't know how to thank you.
1:09:08 > 1:09:11Tony will be thrilled.
1:09:11 > 1:09:14(SIGHS)
1:09:16 > 1:09:18(DOOR SHUTS)
1:09:18 > 1:09:21Well? Where is it?
1:09:24 > 1:09:28Where is it? Where did you put it?
1:09:28 > 1:09:32It is not my responsibility to keep track of your objects.
1:09:32 > 1:09:37- But it's not anywhere.- Missy Harnden is the soul of graciousness.
1:09:37 > 1:09:41When I mentioned that there would be a vernissage after the opening,
1:09:41 > 1:09:46she offered to host a little dinner, chez Harnden.
1:09:46 > 1:09:50- I'm so happy for you, Mommy.- I like the way you've been dressing lately.
1:09:50 > 1:09:55- Is that from Gieves?- No. Actually it's from Anderson and Sheppard.
1:09:55 > 1:09:58- Did you just walk in?- No. You might just walk into Gieves
1:09:58 > 1:10:02but you won't walk into Anderson, you get walked into Anderson.
1:10:02 > 1:10:05In my case, by Timothy Chalmers.
1:10:05 > 1:10:09Have you been seeing a lot of young Timothy Chalmers?
1:10:10 > 1:10:14I don't think he's the kind of person you want to be learning from
1:10:14 > 1:10:17if what you want to learn is how to be a man.
1:10:18 > 1:10:23- What do you mean?- I don't think Timothy likes women very much.
1:10:23 > 1:10:26Oh, he's English is all.
1:10:26 > 1:10:29He's the kind of person that does things for people
1:10:29 > 1:10:33in the way that Missy Harnden does for you.
1:10:33 > 1:10:35I hope you haven't incurred any obligation.
1:10:35 > 1:10:39Mother, we're talking about an introduction to a tailor.
1:10:39 > 1:10:44Well, I very much like this material... this fabric.
1:10:46 > 1:10:50- What would you call it? - It's a worsted, I should think.- Hmm.
1:10:50 > 1:10:54- It's much nicer than your other worsted.- Well, that's Anderson.
1:10:58 > 1:11:01This is interesting.
1:11:01 > 1:11:05Barbara... please.
1:11:05 > 1:11:10You don't seem to mind it. Part of you doesn't seem to mind it.
1:11:10 > 1:11:14I suppose I don't... mind.
1:11:14 > 1:11:17- You might even enjoy it. - I might.
1:11:17 > 1:11:20Ah, I'm finding some buttons here.
1:11:22 > 1:11:24- How many? - Five.
1:11:24 > 1:11:30- They do them with five. - That's five. That's four.
1:11:32 > 1:11:35That's three.
1:11:37 > 1:11:40Hold that thought.
1:11:44 > 1:11:46(DOOR SHUTS)
1:11:52 > 1:11:54- God. - (CLOCK CHIMES)
1:11:59 > 1:12:01(DOOR OPENS AND CLOSES)
1:12:12 > 1:12:17- I like the boxers you've chosen. - I picked them out for myself.
1:12:34 > 1:12:37How does that feel?
1:12:36 > 1:12:39I think you know.
1:13:02 > 1:13:06(FAST PANTING)
1:13:46 > 1:13:48Did you come?
1:13:48 > 1:13:51No.
1:13:55 > 1:13:58(SIGHS) We can do something about that.
1:14:23 > 1:14:26(PANTING)
1:14:31 > 1:14:33(GROANS)
1:14:38 > 1:14:41(SIGHS)
1:14:52 > 1:14:55You're the best.
1:14:55 > 1:14:58You are.
1:14:57 > 1:15:01You are the best.
1:15:01 > 1:15:04Are you sure you didn't put it anywhere?
1:15:24 > 1:15:27Why do you care so much about this thing?
1:15:29 > 1:15:33For the same reason anyone cares about anything. For its value.
1:15:33 > 1:15:38- Its sentimental value. - We are talking about a dog collar.
1:15:38 > 1:15:41We are talking about a collar that belonged to Giotto,
1:15:41 > 1:15:45- a dog I loved and a dog that died! - Inside voice, please.
1:15:45 > 1:15:49Now the dog is gone but we still have the collar and we have moved
1:15:49 > 1:15:54- and moved and moved and we have never lost it!- Oh, Tony, please.
1:15:58 > 1:16:00Go look for it.
1:16:05 > 1:16:07Go!
1:16:42 > 1:16:44Tony?
1:16:45 > 1:16:48(CLOCK CHIMES) Tony!
1:16:56 > 1:17:01Get your thumb out of your mouth. You are not a fucking baby!
1:17:01 > 1:17:04(CLOCK CONTINUES TO CHIME)
1:17:11 > 1:17:14You hid it.
1:17:14 > 1:17:17You hid it in the cupboard.
1:17:18 > 1:17:23- At the back of the cupboard with Nini's silver.- I did no such thing.
1:17:23 > 1:17:27- Then how did it get there? - Well, maybe you put it there
1:17:27 > 1:17:30for safekeeping and then you forgot.
1:17:43 > 1:17:46Everything's gonna be all right.
1:17:49 > 1:17:52Let me help you. Tony. Tony...
1:18:11 > 1:18:16After we fought this morning, you wrote something on a piece of paper.
1:18:17 > 1:18:20And I was so angry,
1:18:20 > 1:18:24that when you went out for lunch, I just had to tear it up.
1:18:24 > 1:18:28We didn't fight this morning. We stayed in and read the papers.
1:18:31 > 1:18:34You wrote it in that backwards writing.
1:18:34 > 1:18:37But I'm not stupid.
1:18:37 > 1:18:41I know that you think I'm not smart but I'm...
1:18:41 > 1:18:45..smart enough to know that if there is a piece of backward writing...
1:18:45 > 1:18:47(SNIFFLES)
1:18:47 > 1:18:51..why you just hold it up to a mirror.
1:18:52 > 1:18:56So I tore it into little pieces and I flushed it down the toilet.
1:18:56 > 1:19:01But you know how that toilet is and those pieces, they just kept...
1:19:00 > 1:19:04- They kept floating to the top.- I don't know what you're talking about.
1:19:04 > 1:19:08- When you talk nonsense, I can't... - I'm not talking...- I can't help you.
1:19:08 > 1:19:11- I am telling you! - You are spouting!
1:19:53 > 1:19:56(CHILDREN SHOUTING)
1:20:01 > 1:20:04I'm gonna call an ambulance.
1:20:20 > 1:20:22Yes.
1:20:22 > 1:20:2483.
1:20:26 > 1:20:28Cadogan Square.
1:20:30 > 1:20:32- Thank you. - (PHONE HANGS UP)
1:20:35 > 1:20:37(DIALLING)
1:20:57 > 1:21:00Yes, I'd like to place an order.
1:21:02 > 1:21:05To be delivered.
1:21:06 > 1:21:08Yes. Baekeland.
1:21:11 > 1:21:14I'm very hungry.
1:21:15 > 1:21:19Yeah, those thin rice noodles with pork, shredded pork.
1:21:21 > 1:21:24Yeah, that would be it.
1:21:24 > 1:21:26And some rice, some fried rice.
1:21:28 > 1:21:30No, the large.
1:21:41 > 1:21:45'Dear Papa, I'm hoping you receive this letter.'
1:21:52 > 1:21:55'During the time, preceding what happened
1:21:55 > 1:21:59a lot of rather strange things were happening.'
1:21:58 > 1:22:02'Earlier that afternoon, I had a telephone call
1:22:02 > 1:22:05from a friend of ours who lives in Wales.'
1:22:04 > 1:22:09'She told me I had fallen down an elevator shaft.'
1:22:09 > 1:22:13- (DOORBELL RINGS) - 'I thought this rather strange.'
1:22:13 > 1:22:16'And yet, it had a profound effect on me.'
1:22:21 > 1:22:24'I was in a dreadful state.'
1:22:25 > 1:22:29'For a long time, I didn't know where I was.'
1:22:29 > 1:22:34'Past memories kept flooding my mind and I felt like I was re-enacting
1:22:34 > 1:22:37- parts of my former life.' - '(SIREN WAILS)'
1:22:37 > 1:22:41'You know I loved and still love and adore my mommy
1:22:41 > 1:22:44- more than anyone in the world.' - Hello?
1:22:47 > 1:22:49Hello?
1:22:49 > 1:22:52Mr Baekeland?
1:22:57 > 1:23:01- You would be Mr Baekeland, sir? - Yes.
1:23:01 > 1:23:04- And this would be? - My mother.
1:23:08 > 1:23:12'I do wish we could all be together again.'
1:23:12 > 1:23:15'And another thing is
1:23:15 > 1:23:19- I have so much in my head that...' - I said steady with that.
1:23:19 > 1:23:22'..to let it out would surely kill me.'
1:23:22 > 1:23:27'Nevertheless, I feel better now...
1:23:28 > 1:23:32..and even feel that a great weight has been lifted from my shoulders.'
1:23:32 > 1:23:38- Something strange. - Yes, what a shame. Quite a shame.
1:23:38 > 1:23:44- (CHATTER)- Does anyone know who died? Is it someone famous?
1:23:44 > 1:23:48- (CHATTER) - I said go. They said to move on.
1:23:48 > 1:23:53'Yes, it is very boring here but I try to be good and not to fret.'
1:23:52 > 1:23:55(INDISTINCT CHATTER)
1:23:57 > 1:24:01'And you ask me what it's like to be in prison. Well...
1:24:01 > 1:24:04..just exactly as one would imagine.'
1:24:04 > 1:24:06(INDISTINCT CHATTER)
1:24:11 > 1:24:15'There will be a Mass given by Barbara's friends who knew her well
1:24:15 > 1:24:19and remember what was lovable and brave in her
1:24:19 > 1:24:22at St Mary's Cadogan Gardens
1:24:22 > 1:24:26at 6.30pm on November 30th.'
1:24:28 > 1:24:32'She would have been happy to know you had been there, too.'
1:25:38 > 1:25:41(INSTRUMENTAL GUITAR MUSIC)
1:25:58 > 1:26:00# Let's get out of town
1:26:00 > 1:26:04# Go swimming, swimming
1:26:04 > 1:26:06# Move your arms around
1:26:06 > 1:26:11# We're wading so far out
1:26:11 > 1:26:15# Nothing to cry about
1:26:15 > 1:26:18# Mmm-hmm
1:26:18 > 1:26:21# It barely makes a sound
1:26:26 > 1:26:29# Let's get out of here
1:26:29 > 1:26:32# Go flying, flying
1:26:32 > 1:26:35# You're so pretty, dear
1:26:35 > 1:26:37# And you're mine
1:26:37 > 1:26:39# Aren't you now?
1:26:40 > 1:26:43# Higher than a cloud
1:26:43 > 1:26:46# Mmm, mmm
1:26:46 > 1:26:50# It barely makes a sound
1:26:54 > 1:26:59# Ahh-ahh, ahh-ahh, ahh
1:27:00 > 1:27:01# Ahh-ahh, ahh
1:27:01 > 1:27:04# Ahh-ahh, ahh-ahh, ahh
1:27:06 > 1:27:08# Ahh-ahh
1:27:08 > 1:27:10# Ahh-ahh, ahh-ahh, ahh
1:27:12 > 1:27:14# Ahh-ahh, ahh
1:27:14 > 1:27:16# Ahh-ahh, ahh-ahh, ahh... #