0:00:09 > 0:00:12# There's a moment when you realise
0:00:12 > 0:00:15# That something's changed
0:00:16 > 0:00:21# And all the bits and pieces start to fit
0:00:21 > 0:00:23# It's so fab!
0:00:23 > 0:00:28# When nothing that you know will ever be the same
0:00:28 > 0:00:31# Ring the bell PHONE RINGS
0:00:31 > 0:00:32# That's my cue
0:00:32 > 0:00:36# Gotta try something new
0:00:36 > 0:00:40# Gonna shine
0:00:40 > 0:00:43# And make the moment mine
0:00:43 > 0:00:47# Now my time has arrived
0:00:50 > 0:00:53# Gonna shine so bright
0:00:53 > 0:00:56# The sun will run and hide
0:00:56 > 0:01:02# And I'll be the only star that lights the sky
0:01:02 > 0:01:05# I'm gonna shine
0:01:05 > 0:01:07# Yeah
0:01:08 > 0:01:10Listen up, fellas.
0:01:10 > 0:01:15# Now there's nothing in this universe to hold me back
0:01:15 > 0:01:17Bye, Gab.
0:01:17 > 0:01:21# No endless night can keep me in the dark
0:01:23 > 0:01:29# And I just might give my dear old dad a heart attack
0:01:30 > 0:01:31- # But he'll live - # He'll live
0:01:31 > 0:01:33- # And he'll see - # He'll see
0:01:33 > 0:01:37# What his girl is meant to be
0:01:37 > 0:01:40# Gonna shine
0:01:40 > 0:01:43# And leave the past behind
0:01:43 > 0:01:48# Gonna try to fly so high
0:01:50 > 0:01:54# Gonna climb
0:01:54 > 0:01:57# And make the prize all mine
0:01:57 > 0:02:02# Then I'll write my name in letters across the sky
0:02:03 > 0:02:05# I'm gonna shine
0:02:05 > 0:02:10# And if my present luminescent state is second rate
0:02:10 > 0:02:14# I'll turn it up a notch past nine
0:02:14 > 0:02:17# And watch the world go blind
0:02:17 > 0:02:20# Got a diva dazzle that you just can't touch
0:02:20 > 0:02:24# Like an angel in Armani I'm too fabulous
0:02:24 > 0:02:27# They'll be lining up for blocks Once I bop to the top
0:02:27 > 0:02:30# With a poochie in my Gucci I just can't be stopped
0:02:30 > 0:02:34# I'm gonna shine
0:02:34 > 0:02:37# And make the moment mine
0:02:37 > 0:02:42# Now my time has arrived
0:02:44 > 0:02:47# Gonna shine so bright
0:02:47 > 0:02:51# The sun will run and hide
0:02:51 > 0:02:57# And I'll be the only star that lights the sky
0:02:57 > 0:02:59# I'm gonna shine! #
0:02:59 > 0:03:01APPLAUSE
0:03:04 > 0:03:06- WOMAN:- There she is. Wonderful!
0:03:06 > 0:03:08Hi!
0:03:08 > 0:03:10- I know, I know. WOMAN:- I loved it.
0:03:10 > 0:03:13Excuse us. There's our little superstar!
0:03:15 > 0:03:18Princess, watch out for law enforcement.
0:03:18 > 0:03:21They are gonna come after you for stealing the show!
0:03:21 > 0:03:24Honey, on a scale of one to ten, you were an entirely different scale.
0:03:24 > 0:03:27And you know my aversion to scales.
0:03:27 > 0:03:29Sharpay!
0:03:29 > 0:03:31Yes, I know. And thank you.
0:03:31 > 0:03:33We'd like to introduce you to Jerry Taylor.
0:03:33 > 0:03:35He's a friend, visiting for the week.
0:03:35 > 0:03:37May I just say how wonderful you were?
0:03:37 > 0:03:40As many times as you'd like!
0:03:40 > 0:03:43I really see a unique talent here. I mean, a true gift.
0:03:43 > 0:03:46And your kind, true words are a gift as well.
0:03:46 > 0:03:48It was so nice to meet you.
0:03:48 > 0:03:50If you'll excuse me, my friends are waiting.
0:03:50 > 0:03:52I'm a casting agent from New York.
0:03:52 > 0:03:56And will keep waiting until I tell you how much I love your suit.
0:03:56 > 0:03:59I'm about to start casting for a new musical on Broadway.
0:03:59 > 0:04:02Broadway? As in "Broadway?"
0:04:02 > 0:04:07Yeah. And I think that there is a perfect part.
0:04:07 > 0:04:09I would be happy to arrange an audition
0:04:09 > 0:04:11if you find yourself in the Big Apple soon.
0:04:11 > 0:04:14That would be... I would be...
0:04:14 > 0:04:15It would be, like...
0:04:15 > 0:04:18The show is going to star Amber Lee Adams.
0:04:18 > 0:04:19- No. - Yeah.
0:04:19 > 0:04:21Stop. Seriously, stop.
0:04:21 > 0:04:23Who's Amber Lee Adams?
0:04:23 > 0:04:26She's only the most amazing performer ever!
0:04:26 > 0:04:28We have so much in common.
0:04:28 > 0:04:31I won't keep you. It was so nice to meet you, Sharpay.
0:04:31 > 0:04:33Congratulations again.
0:04:33 > 0:04:36Who knows, maybe we'll see you in New York. OK?
0:04:36 > 0:04:38- Congrats!- Bye.- Toodles!
0:04:38 > 0:04:40Yes! Yes! Yes!
0:04:40 > 0:04:42- No! - No?
0:04:42 > 0:04:45- No! - No? I don't understand!
0:04:45 > 0:04:47What language is that?
0:04:47 > 0:04:49No, I don't think going to New York is a good idea.
0:04:49 > 0:04:52See, there you go, believing everything you think.
0:04:52 > 0:04:55Do you believe you're ready for such a monumental step?
0:04:55 > 0:04:58Daddy, the main reason I buy such expensive shoes
0:04:58 > 0:04:59is to take monumental steps.
0:04:59 > 0:05:03When you graduated a year ago, do you remember what you said to me?
0:05:03 > 0:05:06- "How come no-one makes a cap and gown in hot pink?"- No.
0:05:06 > 0:05:09- "How come you get a car and driver and I don't?"- No.
0:05:09 > 0:05:12"Good luck finding anyone to fill the talentless void
0:05:12 > 0:05:15- of boring that will exist in these hallways once I graduate"?- No.
0:05:15 > 0:05:19Yes, but you also said that you needed a year to find yourself,
0:05:19 > 0:05:21to figure out what came next.
0:05:21 > 0:05:23That year's almost up, and you haven't found it.
0:05:23 > 0:05:26It's a small town. There's only so many places to look.
0:05:26 > 0:05:29Besides, I did find something. A show I wanna be in.
0:05:29 > 0:05:31This is more than just a show.
0:05:31 > 0:05:34You're talking about going it alone in the big city.
0:05:34 > 0:05:37Right! To star on Broadway with Amber Lee Adams.
0:05:37 > 0:05:39Could you deny the world that opportunity?
0:05:39 > 0:05:42I'm sorry, princess. But nothing you've shown me
0:05:42 > 0:05:45convinces me you're ready for something like this.
0:05:47 > 0:05:51OK, ladies. Team Sharpay. Mission - New York.
0:05:51 > 0:05:53Daddy says I'm not ready. What does that mean?
0:05:53 > 0:05:57You pout, throw a tantrum, and he buys you a new Burberry bag
0:05:57 > 0:05:59- to make you feel better? - That's good, but no.
0:05:59 > 0:06:01It means we show him I'm determined.
0:06:01 > 0:06:05And when I make up my mind - and no-one is better with make-up -
0:06:05 > 0:06:07my mind looks amazing.
0:06:07 > 0:06:09OK, here's your assignments.
0:06:09 > 0:06:13I texted Bridget, who tweeted Bethany, who Facebooked Kara,
0:06:13 > 0:06:15who has an ex-friend she caught with her boyfriend,
0:06:15 > 0:06:18who she dumped, so now Kara's her friend again,
0:06:18 > 0:06:21who knows of a New York apartment available in a luxury townhouse.
0:06:21 > 0:06:24That is, like, the best house you can get in terms of towns.
0:06:24 > 0:06:26- Sounds perfect. - It gets better.
0:06:26 > 0:06:28- It can't. - But it does.
0:06:28 > 0:06:31It is equal distance from both Chanel and Wicked.
0:06:31 > 0:06:33SQUEALS
0:06:33 > 0:06:35OK. Now, on to travel plans.
0:06:35 > 0:06:40That's right. Albuquerque to New York. One adult and one dog.
0:06:42 > 0:06:45Excuse me? Coach?
0:06:45 > 0:06:47LAUGHS
0:06:47 > 0:06:49Hi, I'm calling for Sharpay Evans.
0:06:49 > 0:06:52Mr Taylor wanted to set up an audition with her for a new musical.
0:06:52 > 0:06:54Two weeks from today is perfect.
0:06:54 > 0:06:56THEY SQUEAL
0:06:56 > 0:06:58Now, new outfits.
0:07:00 > 0:07:02And this would be for opening night.
0:07:03 > 0:07:07The beading actually doubles the reflection of paparazzi flashbulbs!
0:07:07 > 0:07:08You can wear anything.
0:07:08 > 0:07:12You should have your own reality show called I Can Wear Anything.
0:07:12 > 0:07:13Where you wear anything.
0:07:13 > 0:07:17All right. I'm ready to show Daddy what we've accomplished.
0:07:17 > 0:07:19Ladies, and people I don't know...
0:07:21 > 0:07:23..New York is calling.
0:07:23 > 0:07:26And this is one call that is not going to voice mail.
0:07:27 > 0:07:30So, by way of review, this is my shoe closet,
0:07:30 > 0:07:32that is my bedroom,
0:07:32 > 0:07:35these are my new clothes and where I'll wear them,
0:07:35 > 0:07:37and then I'm a star! See?
0:07:38 > 0:07:40I'm just not totally convinced.
0:07:40 > 0:07:44Daddy, you said I haven't shown you anything to let you know I'm ready for this.
0:07:44 > 0:07:47But, look, I took matters into my own hands,
0:07:47 > 0:07:49and without even chipping my manicure.
0:07:49 > 0:07:52Sweetheart, it's not as easy as putting pictures on boards.
0:07:52 > 0:07:54But I've worked everything out!
0:07:54 > 0:07:57And used this pointer.
0:07:57 > 0:08:00- I don't know. - Please, Daddy.
0:08:00 > 0:08:03Alone, in New York?
0:08:03 > 0:08:06You know, my dear college friend, Michelle,
0:08:06 > 0:08:08has a son that goes to NYU.
0:08:08 > 0:08:10I've met him. He's a very nice boy.
0:08:10 > 0:08:14I could ask her to make sure that he keeps his eye on you.
0:08:14 > 0:08:16Are you sure you're ready to take this on?
0:08:16 > 0:08:19I know I can do this. I know it like I know purple washes me out
0:08:19 > 0:08:23and that my eyes are the exact same distance apart to be a supermodel.
0:08:23 > 0:08:26What I don't know is whether you believe in me.
0:08:28 > 0:08:30Mom seems to.
0:08:35 > 0:08:37SIGHS
0:08:39 > 0:08:40OK, you have my blessing.
0:08:40 > 0:08:42SQUEALS Thank you, Daddy!
0:08:42 > 0:08:45I'll call my friend Michelle and have her talk to her son.
0:08:45 > 0:08:47Thanks, Mom.
0:08:48 > 0:08:50There's just one condition.
0:08:50 > 0:08:52Fine. I love a good conditioner.
0:08:52 > 0:08:56You have one month. I'll fly you to New York, I'll pay for your penthouse,
0:08:56 > 0:08:58but you have to get yourself in that show
0:08:58 > 0:09:01and prove to me you can take care of yourself. One month.
0:09:01 > 0:09:03- Deal? - So deal!
0:09:03 > 0:09:06But if it doesn't work out, you come back here and work for me.
0:09:06 > 0:09:08At the country club.
0:09:08 > 0:09:10W...Work?
0:09:10 > 0:09:12A job. That's the deal.
0:09:12 > 0:09:16Prove yourself or come back in a month and work for me.
0:09:16 > 0:09:18Fine. Prove myself it is!
0:09:29 > 0:09:31Look!
0:09:33 > 0:09:35Look, Boi, look!
0:09:53 > 0:09:55- Sharpay? - In the flesh and pastels!
0:09:55 > 0:09:58- We've been awaiting your arrival. - Then the wait's over!
0:09:58 > 0:10:01We spoke on the phone. I'm Marjorie Grande, manager for the building.
0:10:01 > 0:10:04- My pleasure. - Please, follow me to the penthouse.
0:10:04 > 0:10:06Ooh!
0:10:34 > 0:10:36I hope this is to your liking.
0:10:36 > 0:10:39No. It's to my loving! Boi, you've gotta see this.
0:10:44 > 0:10:47- That's a dog. - Try to get him to believe that.
0:10:47 > 0:10:50I'm sorry. There are no dogs in the building.
0:10:50 > 0:10:52Sure there are. See?
0:10:52 > 0:10:55The members of the co-op board have a strict no dog policy.
0:10:56 > 0:10:59Well...
0:10:59 > 0:11:01My father heads our country club board,
0:11:01 > 0:11:03so I'm sure that gives me some kind of board immunity.
0:11:03 > 0:11:06Miss Sharpay, this building is pleased to have you.
0:11:06 > 0:11:08This dog...
0:11:08 > 0:11:10Not so pleased.
0:11:10 > 0:11:13Miss Grande, ma'am.
0:11:13 > 0:11:15If he goes, I go.
0:11:31 > 0:11:33Er, what are you doing?
0:11:33 > 0:11:36Filming you. Just keep doing what you're doing.
0:11:36 > 0:11:40Do you always just film totally stunning people on the street that you don't know?
0:11:40 > 0:11:42Only when I think the subject is interesting.
0:11:42 > 0:11:48And you look baffled and scared and really pink.
0:11:49 > 0:11:51So, yeah, interesting.
0:11:53 > 0:11:55Are you paparazzi?
0:11:55 > 0:11:58I'm a film student at NYU, working on a short film.
0:11:58 > 0:12:02The assignment is to capture one unique New York story.
0:12:02 > 0:12:04Maybe you're it.
0:12:04 > 0:12:06So, you decided to film me without my permission,
0:12:06 > 0:12:09- just for a school assignment? - Yep.
0:12:09 > 0:12:10How dare you!
0:12:10 > 0:12:12And my left side is better for close-ups.
0:12:14 > 0:12:16I'm Peyton.
0:12:19 > 0:12:24Sharpay Evans. Actress, heiress, soon to be Broadway legend.
0:12:24 > 0:12:26- Wait! - About 105.
0:12:26 > 0:12:28- But it's really not polite to ask. - No -
0:12:28 > 0:12:30I should know my own weight, OK?
0:12:30 > 0:12:35No, I'm Peyton Leverett. Our moms went to college together.
0:12:35 > 0:12:36This is crazy!
0:12:36 > 0:12:39I was on my way up to your apartment to make sure you were OK.
0:12:39 > 0:12:42- And here you are. - Right, they told me to expect you.
0:12:42 > 0:12:45Well, glad we could finally meet. Oh, and this is Boi.
0:12:45 > 0:12:47Well, nice to meet you, Boi.
0:12:48 > 0:12:51So, why are you out here? Is everything OK?
0:12:51 > 0:12:52Not really.
0:12:52 > 0:12:56When I rented this apartment online, it never said they don't allow dogs.
0:12:56 > 0:12:59And now they won't let us live here. Yeah, well, it's their loss!
0:12:59 > 0:13:01Do you have someplace else to go?
0:13:01 > 0:13:04OK, it's my loss and their loss!
0:13:04 > 0:13:06Actually, the only place I have to go is home.
0:13:06 > 0:13:08And trust me, that is not an option!
0:13:09 > 0:13:12There's an empty studio in my building, if you're interested.
0:13:12 > 0:13:16I'm friends with the building manager. I'm sure I can make a call.
0:13:16 > 0:13:17And...
0:13:17 > 0:13:20Well, I'm sure I can make a call and arrange something.
0:13:20 > 0:13:22Maybe get you to see it.
0:13:22 > 0:13:26Well, since I don't seem to have any other options.
0:13:28 > 0:13:30Bellman!
0:13:36 > 0:13:38Oh, yeah, right.
0:13:41 > 0:13:43Seriously?
0:13:51 > 0:13:54Careful with those! This is all I have to get by on
0:13:54 > 0:13:57until the truck arrives with the bulk of my things.
0:14:07 > 0:14:10SCREAMS
0:14:10 > 0:14:11Oh! That's good.
0:14:11 > 0:14:13OK, now, go outside, and then come back in
0:14:13 > 0:14:17and give me even more of that it's the end of the world look. OK?
0:14:19 > 0:14:21- Hey, Peyton. - Hey, Peyton!
0:14:21 > 0:14:23- What's up? - Off to acting class.
0:14:23 > 0:14:26"Maggie, the cat is alive. I'm alive!"
0:14:26 > 0:14:28Singing lesson.
0:14:28 > 0:14:30SINGS
0:14:31 > 0:14:34Cool, guys. OK. Hey, this is Sharpay and Boi.
0:14:34 > 0:14:37BOTH: Hi, Sharpay. Hi, Boi!
0:14:37 > 0:14:39Anyways, gotta go. See ya, Peyton.
0:14:39 > 0:14:41- Nice meeting you, Sharpay. - Later, guys.
0:14:41 > 0:14:46OK. Really, you're going to love this place. OK? Up you go.
0:14:50 > 0:14:53Sorry. It's a pre-war building.
0:14:53 > 0:14:56And during the war, they didn't fight for an elevator?
0:14:56 > 0:14:58Listen, the building has two things going for it.
0:14:58 > 0:15:01It's got something available, and I live here.
0:15:07 > 0:15:11Fine. But if I break a heel, or a sweat, you're responsible.
0:15:11 > 0:15:13Get my bags.
0:15:22 > 0:15:24See? That wasn't so bad.
0:15:24 > 0:15:26Yeah.
0:15:26 > 0:15:30Down the hall. The one with the police tape and chalk outline.
0:15:30 > 0:15:31Really?
0:15:31 > 0:15:33Kidding.
0:15:49 > 0:15:51- You said this was a studio. - It is.
0:15:51 > 0:15:56No way! MGM was a studio! This?
0:15:56 > 0:15:58This is a roach motel with no room service.
0:15:58 > 0:16:01Yeah, a studio apartment. Sure, from certain angles, it's a bit small.
0:16:01 > 0:16:04A two-carat engagement ring is a bit small!
0:16:04 > 0:16:06This is a doll house!
0:16:06 > 0:16:08- So what do you think? - Forget it!
0:16:08 > 0:16:11I'd need an entirely separate apartment just for my lipsticks.
0:16:11 > 0:16:13And where am I supposed to sleep?
0:16:21 > 0:16:24- What is that? - It's your bed.
0:16:24 > 0:16:27That is not a bed. It's a closet with a tongue.
0:16:27 > 0:16:28You can't be serious!
0:16:28 > 0:16:30There is one really good thing about it.
0:16:30 > 0:16:32Yeah, sure.
0:16:38 > 0:16:40See? This is my place!
0:16:40 > 0:16:42Looking better, huh?
0:16:42 > 0:16:44Am I missing something? Oh, right.
0:16:44 > 0:16:47Space! Luxury! Maid service!
0:16:47 > 0:16:49Let me guess. You're used to being spoiled.
0:16:49 > 0:16:52I'm not used to it. I just expect it.
0:16:52 > 0:16:55You know, half this building is filled with performers
0:16:55 > 0:16:57who came here with the same ambitions you did.
0:16:57 > 0:16:59What makes you so much better than them?
0:16:59 > 0:17:03Money, breeding, talent, great hair, perfect jaw line, chic taste.
0:17:03 > 0:17:05How much time do you have?
0:17:05 > 0:17:08All right, fine. I tried to help you out like my mom asked,
0:17:08 > 0:17:11but whatever. I'll find someone else to film.
0:17:11 > 0:17:13The only problem is if I call my father
0:17:13 > 0:17:15and tell him how I messed up on the other apartment
0:17:15 > 0:17:19and how I have nowhere to go but here, and I ask for his help,
0:17:19 > 0:17:21he'll make me come home and...
0:17:21 > 0:17:22W... W...
0:17:22 > 0:17:24- Work! - So?
0:17:24 > 0:17:26So? Then I'll never get my big break.
0:17:26 > 0:17:29Promise you won't call your mother and tell her.
0:17:29 > 0:17:31Then she'll call my mom who will tell my dad,
0:17:31 > 0:17:34and I don't think he believes I can make this happen.
0:17:34 > 0:17:36He only gave me one month to prove it.
0:17:36 > 0:17:38Then you've got one month to prove him wrong.
0:17:38 > 0:17:40Why did I do this?
0:17:40 > 0:17:43I want my canopy bed and my housekeeper.
0:17:43 > 0:17:46And a shower that doesn't share a room with a kitchen.
0:17:49 > 0:17:50- Come on. - Where to?
0:17:50 > 0:17:52- Do you trust me? - You suggested this place.
0:17:52 > 0:17:55Yeah. Point taken. Come anyway. Come on.
0:17:57 > 0:18:01I hope you're taking me to a better apartment than what you showed me.
0:18:01 > 0:18:04Let me tell you, if that's it? No way! Absolutely no!
0:18:04 > 0:18:06Just come on. Just don't ask any questions.
0:18:06 > 0:18:09I need luxury! Are you kidding me?
0:18:09 > 0:18:13That was like a green, dark hole that I never wanna be in ever again.
0:18:13 > 0:18:15All right, here you go.
0:18:15 > 0:18:17Butchy!
0:18:18 > 0:18:20- Come on. - Where are you taking me?
0:18:20 > 0:18:22- You'll see. Come on. - Why are we here?
0:18:22 > 0:18:25All right. You're gonna have to close your eyes.
0:18:25 > 0:18:27- Close my eyes? - Yeah, close your eyes.
0:18:27 > 0:18:29- Why? - Because! Just do it.
0:18:29 > 0:18:32- All right, now. Keep them closed. - Well, what if I hit into something?
0:18:32 > 0:18:34You won't. I got you.
0:18:34 > 0:18:36All right, all right. Keep them closed.
0:18:36 > 0:18:38All right.
0:18:38 > 0:18:40- All right, you got them closed? - Yes, I do.
0:18:40 > 0:18:43All right, all right. Perfect. All right. Now, stay here, keep them closed.
0:18:43 > 0:18:46Keep them closed. All righty.
0:18:46 > 0:18:48Keep them closed.
0:18:48 > 0:18:50All right. Open them. Hit it, Butchy!
0:19:00 > 0:19:02Wow.
0:19:08 > 0:19:10I know.
0:19:10 > 0:19:15When I left Indiana to go to school here, I didn't know a soul either,
0:19:15 > 0:19:18and I was just as overwhelmed as you.
0:19:18 > 0:19:21But I had two things, my dream and my camera.
0:19:21 > 0:19:24And look at me now.
0:19:24 > 0:19:27You still only have your dream and your camera.
0:19:27 > 0:19:29Yes, but I met you, didn't I?
0:19:29 > 0:19:31So, something's working out.
0:19:31 > 0:19:34Well, whenever people meet me, things get better.
0:19:36 > 0:19:39Look, you just have to adapt to your surroundings.
0:19:39 > 0:19:42And remember that for now this is all just temporary.
0:19:44 > 0:19:48Right. Like prom dresses and first boyfriends.
0:19:50 > 0:19:53Look, anything you have to do will be worth it to get your dream.
0:19:56 > 0:19:58OK.
0:19:58 > 0:20:01I'm gonna meet with that casting director, get the part,
0:20:01 > 0:20:03- be a star and have a palace! - There you go.
0:20:03 > 0:20:05That's the self-indulgent, self-entitled,
0:20:05 > 0:20:08optimistic pink hurricane I've been seeing through my lens.
0:20:08 > 0:20:10I like how perceptive you are.
0:20:11 > 0:20:14OK, New York. Bring it on.
0:20:14 > 0:20:18# "Walking On Sunshine" - Alyson Michalka and Amanda Michalka
0:20:23 > 0:20:26# I used to think maybe you loved me
0:20:26 > 0:20:29# Now, baby, I'm sure
0:20:31 > 0:20:34# And I just can't wait till the day
0:20:34 > 0:20:37# When you knock on my door
0:20:40 > 0:20:43# Now every time I go for the mailbox
0:20:43 > 0:20:45# Gotta hold myself down
0:20:48 > 0:20:51# Cos I just can't wait till you write me
0:20:51 > 0:20:54# You're coming around
0:20:55 > 0:20:58# I'm walking on sunshine
0:20:58 > 0:21:00# Whoa
0:21:00 > 0:21:02# I'm walking on sunshine
0:21:02 > 0:21:04# Whoa
0:21:04 > 0:21:08# I'm walking on sunshine, whoa
0:21:08 > 0:21:10# And don't it feel good!
0:21:10 > 0:21:11# Hey!
0:21:11 > 0:21:14# All right now And don't it feel good!
0:21:14 > 0:21:15# Hey!
0:21:15 > 0:21:18# All right now, yeah
0:21:18 > 0:21:19Hi!
0:21:21 > 0:21:23# I know that it's true
0:21:23 > 0:21:25SHRIEKS
0:21:26 > 0:21:28Turn it off. Turn it off!
0:21:29 > 0:21:32# Just waiting for you
0:21:32 > 0:21:34# Just waiting for you
0:21:34 > 0:21:38# Now I don't want you back for the weekend
0:21:38 > 0:21:40# Not back for a day
0:21:40 > 0:21:43# No, no, no
0:21:45 > 0:21:46What?
0:21:46 > 0:21:49# I want you to stay
0:21:50 > 0:21:53# I'm walking on sunshine
0:21:53 > 0:21:54# Whoa
0:21:54 > 0:21:57# I'm walking on sunshine
0:21:57 > 0:21:59# Whoa
0:21:59 > 0:22:01# I'm walking on sunshine
0:22:01 > 0:22:03# Whoa
0:22:03 > 0:22:06# And don't it feel good! Hey!
0:22:06 > 0:22:09# All right now And don't it feel good! #
0:22:09 > 0:22:12Oh, yeah!
0:22:12 > 0:22:15Looking good. So pink.
0:22:16 > 0:22:18You're good.
0:22:24 > 0:22:27- Do you wanna try some? - No, I don't want any!
0:22:29 > 0:22:31Lay down. Lay down.
0:22:34 > 0:22:36Night, Boi!
0:22:44 > 0:22:46SHRIEKS
0:22:48 > 0:22:50MUFFLED: Boi?
0:22:50 > 0:22:51Get help!
0:22:51 > 0:22:53BANGING
0:22:57 > 0:22:59- Knock, knock. > - Come in!
0:23:02 > 0:23:04Wow!
0:23:04 > 0:23:06And wow.
0:23:08 > 0:23:11Are you on your way to meet with the casting director?
0:23:11 > 0:23:14No, I'm on my way to change theatre history.
0:23:14 > 0:23:17You think this is a good outfit for changing history?
0:23:19 > 0:23:22Perfect! Mind if I tag along and film?
0:23:22 > 0:23:24Not that you could ever mind me, right?
0:23:24 > 0:23:26I think you should. After all,
0:23:26 > 0:23:30not many people can say they were there to film the creation of a legend.
0:23:37 > 0:23:39Sharpay! You made it after all!
0:23:39 > 0:23:41Destiny called, and I get great reception!
0:23:41 > 0:23:45Well, your timing is perfect. What's tomorrow like for you?
0:23:45 > 0:23:47The first day of the rest of my fame.
0:23:47 > 0:23:50Well, all right. I'll set up your audition for 3:00.
0:23:50 > 0:23:53I'll e-mail you the musical number that we'd like you to prepare.
0:23:53 > 0:23:55And could you make sure that he's well groomed
0:23:55 > 0:23:58and, you know, takes care of any business beforehand.
0:23:58 > 0:24:00- What? - What?
0:24:00 > 0:24:02- He?- Yes. - Him?- Him.
0:24:02 > 0:24:04- He?- Yes! - Wait, what?
0:24:05 > 0:24:09It's your dog that we want to audition. He was amazing!
0:24:09 > 0:24:10Oh.
0:24:10 > 0:24:12What?
0:24:12 > 0:24:14I mean...
0:24:14 > 0:24:17I sent you all the information in response to your e-mail.
0:24:17 > 0:24:20I mean, didn't the title of the musical give you any indication?
0:24:20 > 0:24:22- A Girl's Best Friend? - A Girl's Best Friend!
0:24:22 > 0:24:24- And I'm here for the girl! - You're here for the girl?
0:24:24 > 0:24:26Well, I'm never the best friend!
0:24:26 > 0:24:29Oh, no. No, no. We wanted Boi.
0:24:29 > 0:24:31- As the girl? - No, as the best friend.
0:24:31 > 0:24:33Wait, wait. You want Boi as the best friend of the girl?
0:24:33 > 0:24:37- Not me as the girl with the best friend?- Exactly.
0:24:37 > 0:24:40Oh, Sharpay, I am so sorry for the confusion.
0:24:40 > 0:24:44If you don't want Boi to audition, I would totally understand.
0:24:46 > 0:24:50Sharpay. Sharpay! Hey, stop.
0:24:50 > 0:24:53- MAN:- Hey, don't touch the car! - Look, slow down.
0:24:53 > 0:24:55Even New Yorkers can't keep up with you.
0:24:55 > 0:24:58- It's not even me they wanted! - To be fair, the role is for a dog.
0:24:58 > 0:25:01If they wanted you, I could understand you being upset.
0:25:01 > 0:25:05Why did I come all this way? Leave my friends, family, a dry, self-hydrating climate?
0:25:05 > 0:25:09To follow your dream! Or at least that's what I thought.
0:25:09 > 0:25:11Nothing is turning out the way I planned it!
0:25:11 > 0:25:13Plan A. Live in a penthouse and star on Broadway.
0:25:13 > 0:25:17Plan B. I don't have a Plan B! What do I tell my father now?
0:25:17 > 0:25:20That you came to a very special city to be someone very special, which you are.
0:25:20 > 0:25:23Oh, I'm not so special. I'm just like everyone else.
0:25:23 > 0:25:25- Maybe a little better. - Look at it this way.
0:25:25 > 0:25:29Boi is your dog, and he has an opportunity, so be happy for him.
0:25:32 > 0:25:34You're right.
0:25:34 > 0:25:37I'm being, you know, what's the word? When you do something for yourself
0:25:37 > 0:25:40even though it's not so good for other people?
0:25:40 > 0:25:42- Selfish? - No!
0:25:42 > 0:25:43Oh, yeah.
0:25:43 > 0:25:47Look, Sharpay, you can't give up. OK?
0:25:47 > 0:25:50And, anyway, you're officially the star of my film.
0:25:51 > 0:25:53- I am? - Yeah, you are.
0:25:53 > 0:25:56Oh. So now it's all about you?
0:25:56 > 0:25:58Only because I need you here.
0:25:59 > 0:26:01Fine. I'll star in your movie.
0:26:01 > 0:26:03OK. Good, good!
0:26:07 > 0:26:09OK, change of strategy.
0:26:09 > 0:26:12I didn't know you had a strategy, but I like the way you think.
0:26:12 > 0:26:16If Boi becomes a success, everyone will see me as well.
0:26:16 > 0:26:19After all, I am his entourage.
0:26:19 > 0:26:21I am the one who's holding his leash.
0:26:21 > 0:26:23His fame will ultimately lead to my fame.
0:26:23 > 0:26:25That's what I came here for, right?
0:26:25 > 0:26:28Still a little selfish, but heading in the right direction.
0:26:28 > 0:26:31We're gonna do this. It's like I tell the housekeepers.
0:26:31 > 0:26:34If you can't see the bright side, polish the dull side.
0:26:34 > 0:26:37- Yeah, not quite what I was... - They want Boi to audition?
0:26:37 > 0:26:39It's Boi they will get!
0:26:42 > 0:26:46# When a sign of the times is the times are extremely tough
0:26:46 > 0:26:48BOI WHINES Shh!
0:26:48 > 0:26:51# When you look at the world and the world that you see is
0:26:51 > 0:26:53BARKS Yes, rough.
0:26:53 > 0:26:56# When you feel like a long lost pup
0:26:56 > 0:27:00# And you need some cheering up
0:27:00 > 0:27:08# Sit back, relax and watch us do our stuff
0:27:09 > 0:27:11Two, three, four.
0:27:15 > 0:27:17# We're gonna sit and shake your hand
0:27:17 > 0:27:19# That's how it starts
0:27:21 > 0:27:25# We're gonna nose our nosy way into your hearts
0:27:27 > 0:27:32# We'll sing and bark In two-part harmony
0:27:32 > 0:27:38# You're gonna love us That's our guarantee
0:27:38 > 0:27:44# We'll bow together on the count of three
0:27:44 > 0:27:46# Me and my Boi
0:27:46 > 0:27:48# My Boi and me
0:27:48 > 0:27:53# We make the perfect pair
0:27:53 > 0:27:58# We've got that savoir faire
0:27:59 > 0:28:02# Me and my Boi
0:28:02 > 0:28:04# Me and my Boi
0:28:04 > 0:28:07# Me and my Boi...
0:28:07 > 0:28:14# My Boi and me! #
0:28:23 > 0:28:26- Wait!- That's the best audition I've ever seen!
0:28:28 > 0:28:31- I'm Gill Samms, the director. - Neal Roberts, writer.
0:28:31 > 0:28:33- That was amazing! - Chills. Feel my hand.
0:28:33 > 0:28:35I won't feel your hand, but I believe you.
0:28:35 > 0:28:38I won't feel your hand either, but I believe you, too.
0:28:38 > 0:28:40- That is one special dog. - We've done special here.
0:28:40 > 0:28:42Special has been done, people!
0:28:42 > 0:28:46Boi was meant for Broadway. We both were.
0:28:47 > 0:28:49So, when do we start?
0:28:49 > 0:28:51Well, there's one more waiting.
0:28:51 > 0:28:53- One more!- One more, people!
0:28:55 > 0:28:58Could you take a seat in the front row, please?
0:28:58 > 0:28:59There.
0:28:59 > 0:29:01Now.
0:29:40 > 0:29:42Roger Elliston.
0:29:44 > 0:29:46The third.
0:29:46 > 0:29:48And his dog, Countess.
0:29:48 > 0:29:50FYI, I'm Roger.
0:29:51 > 0:29:54As you can see by our extensive resume,
0:29:54 > 0:29:58hand printed on carbonless, environmental friendly rice paper,
0:29:58 > 0:30:01Countess has numerous major Broadway credits under her paws,
0:30:01 > 0:30:06including The Collar Purple, Three Puppy Opera,
0:30:06 > 0:30:08and the original Broadway cast production
0:30:08 > 0:30:13of A Wagging Tail of Two Cities, a musical opera in German.
0:30:13 > 0:30:15- Major pedigree.- I'm impressed.
0:30:15 > 0:30:18This is us impressed.
0:30:18 > 0:30:22Plus, she can bark a high C with sustained vibrato.
0:30:22 > 0:30:25Sure, but only dogs can hear it.
0:30:25 > 0:30:27LAUGHS
0:30:46 > 0:30:49All right. Let's see what Countess can do.
0:30:52 > 0:30:54# Oh
0:30:54 > 0:30:59# When a sign of the times is that times are extremely tough
0:31:00 > 0:31:05# When you look at the world and the world that you see is rough
0:31:06 > 0:31:09# When you feel like a long lost pup
0:31:09 > 0:31:13# And you need some cheering up
0:31:13 > 0:31:20# Sit back, relax and watch us do our stuff
0:31:27 > 0:31:29# We're gonna sit and shake your hand
0:31:29 > 0:31:32# That's how it starts
0:31:33 > 0:31:37# We're gonna nose our nosy way into your hearts
0:31:38 > 0:31:44# We'll sing and bark In two part harmony
0:31:44 > 0:31:49# You're gonna love us That's our guarantee
0:31:49 > 0:31:55# We'll bow together on the count of three
0:31:55 > 0:31:57# Me and my girl
0:31:57 > 0:31:58# My girl and me
0:31:58 > 0:32:03# We make the perfect pair
0:32:03 > 0:32:08# We've got that savoir faire
0:32:09 > 0:32:12# Me and my girl
0:32:12 > 0:32:15# Me and my girl
0:32:15 > 0:32:18# Me and my girl
0:32:18 > 0:32:24# My girl and me #
0:32:32 > 0:32:34That's the best audition I've ever seen!
0:32:34 > 0:32:37- Amazing! I weeped! - Wept.
0:32:37 > 0:32:40- I wept!- I wept! - And not just regular weeping.
0:32:40 > 0:32:42Theatre weeping!
0:32:43 > 0:32:47- Amber Lee, what do you think? - Yes. Amber Lee, thoughts?
0:32:49 > 0:32:52Wow.
0:32:52 > 0:32:54We are so meant to be BFFs!
0:32:54 > 0:32:56Wow!
0:32:56 > 0:32:58"Wow" is a word, right? Right.
0:32:58 > 0:33:00Wow!
0:33:00 > 0:33:02I just hope that the palpable chemistry
0:33:02 > 0:33:05surging between you and I right now like nuclear fusion
0:33:05 > 0:33:07won't in any way influence your decision
0:33:07 > 0:33:11towards our clearly superior audition.
0:33:11 > 0:33:13How old are you?
0:33:13 > 0:33:1412.
0:33:14 > 0:33:16I think I'm good.
0:33:16 > 0:33:19And you, also!
0:33:19 > 0:33:21Your dog.
0:33:21 > 0:33:23Wow! Wow.
0:33:23 > 0:33:25I know, right? BOI YAPS
0:33:25 > 0:33:27He's just saying hi.
0:33:27 > 0:33:30Sharpay Evans of the New Mexico Evans. I'm a mega fan.
0:33:30 > 0:33:31- Oh, you are not! - So am!
0:33:31 > 0:33:34I am gonna tweet about you right now.
0:33:34 > 0:33:36Shut up! I follow your tweets.
0:33:36 > 0:33:37Hmm?
0:33:37 > 0:33:39CELLPHONE CHIMES
0:33:39 > 0:33:41She did! She tweeted!
0:33:41 > 0:33:45OK, I don't know how we're gonna decide. You're amazing!
0:33:45 > 0:33:48All this and a grade school diploma.
0:33:48 > 0:33:52And you, amazing! Wow.
0:33:52 > 0:33:57I would be excited to work with either one of you and your dogs.
0:33:57 > 0:34:02And can I just say, this is the opportunity of a lifetime for me.
0:34:02 > 0:34:06Because Broadway - Broadway's not like film or television,
0:34:06 > 0:34:09because with Broadway,
0:34:09 > 0:34:11real people are watching.
0:34:12 > 0:34:14- Wow.- Me, too.
0:34:14 > 0:34:18I am just so excited to be performing on the Great White Way!
0:34:18 > 0:34:20Not that I don't love all colours.
0:34:20 > 0:34:23Well, I know both these talented dogs want to work with you.
0:34:23 > 0:34:26- But only one can be in the show. - How are we gonna decide?
0:34:26 > 0:34:29Wait. How about we work with both dogs during rehearsals?
0:34:29 > 0:34:34Wait! How about we work with both dogs during rehearsals!
0:34:34 > 0:34:36That way I could see which one I work best with.
0:34:36 > 0:34:40- That sounds like a solution. - We have a solution, people!
0:34:43 > 0:34:46Can I just say how totally great I think you are?
0:34:46 > 0:34:48You do and I'll never wash my ears again.
0:34:48 > 0:34:51You know what I think? Of course you don't cos I just thought of it,
0:34:51 > 0:34:53- but I think they loved you! - I like the way you think!
0:34:53 > 0:34:57You're such a good singer. I would know. My album went triple platinum.
0:34:57 > 0:35:00- Well, I've done quite a bit of theatre.- It totally shows.
0:35:00 > 0:35:02I'm gonna have my assistant give you my phone number.
0:35:02 > 0:35:07If there's anything that you need, let me know. We girls gotta stick together, right?
0:35:07 > 0:35:09- Here. - Wow.
0:35:09 > 0:35:11I mean, this is actually your number!
0:35:11 > 0:35:14It looks like any ordinary number, but it's not. It's yours!
0:35:14 > 0:35:16- Oh, hey, may the best dog win! - Thanks!
0:35:20 > 0:35:22Yes! Yes! Yes!
0:35:24 > 0:35:26- Can you believe it? - You were great!
0:35:26 > 0:35:29- Boi was great. - This new strategy just might work.
0:35:29 > 0:35:31Amber Lee really likes you, too.
0:35:31 > 0:35:35Is she awesome or what? She inspires me. There. I said it.
0:35:35 > 0:35:38Quelle inspired. We are so gonna get that part.
0:35:38 > 0:35:41- How do you know? - Easy. I don't do rejection.
0:35:42 > 0:35:44Sharpay! I just wanted to wish you both luck.
0:35:44 > 0:35:46Oh! That's so nice of you.
0:35:46 > 0:35:49And suggest that you give up now, while you still have your dignity.
0:35:49 > 0:35:52Distant though it already might be.
0:35:52 > 0:35:54Sorry, which Smurf are you again?
0:35:54 > 0:35:56True, you have talent.
0:35:56 > 0:35:58But you lack both the experience and the finesse
0:35:58 > 0:36:00to ever achieve the Holy Grail of possibility.
0:36:00 > 0:36:04- Yeah, but Boi is cuter. - Countess is a theatrical ninja.
0:36:04 > 0:36:05SNORES
0:36:05 > 0:36:08I'm sorry. For a minute there you just bored me to death.
0:36:08 > 0:36:11I have a foolproof strategy of getting what I want.
0:36:11 > 0:36:14See it, want it, have a fit, get it.
0:36:14 > 0:36:17- Yeah, well, this playdate's over. - I hope you enjoy rejection.
0:36:17 > 0:36:20- We're gonna get that part. - We're gonna destroy you.
0:36:20 > 0:36:22- Bring it on. - Oh, it's brought.
0:36:26 > 0:36:28ROMANTIC MUSIC
0:36:38 > 0:36:40All right, Boi. This foot.
0:36:40 > 0:36:41That foot.
0:36:41 > 0:36:43Good boy!
0:36:43 > 0:36:44Yeah!
0:36:44 > 0:36:46OK, let's try our next one.
0:36:46 > 0:36:48Stay.
0:36:48 > 0:36:50Catch your tail. Catch your tail!
0:36:50 > 0:36:54Good! Yeah, good.
0:36:54 > 0:36:56Sit. Stay.
0:36:56 > 0:37:00We are so going to take them on. I won't let some Hobbit get in my way.
0:37:03 > 0:37:05And, look. All Boi can do is think about
0:37:05 > 0:37:08how horrible that other little mangy dog was.
0:37:08 > 0:37:10ROMANTIC MUSIC
0:37:16 > 0:37:19If you want success so badly, then you will get it.
0:37:19 > 0:37:21All you need is one shot to make it happen.
0:37:21 > 0:37:23Yeah, and this is my shot.
0:37:23 > 0:37:26It's like my grandmother says. "God only got one book published,
0:37:26 > 0:37:28"and look how well it did for him."
0:37:28 > 0:37:31Doing this is all I've ever dreamed about,
0:37:31 > 0:37:34especially since I already have everything else.
0:37:34 > 0:37:38- Well, there's still humility. - What's wrong with being confident?
0:37:38 > 0:37:40Confidence is when you know you're good.
0:37:40 > 0:37:43Arrogance is when you think others know you're good.
0:37:43 > 0:37:46I want everyone to know I'm as good as I think everyone thinks I am
0:37:46 > 0:37:48without them knowing I know they think it.
0:37:48 > 0:37:50And do you have to film everything?
0:37:50 > 0:37:52Yep, cos this is my shot.
0:37:52 > 0:37:55If my professor loves my film, he talks about it.
0:37:55 > 0:37:58Then there's a buzz, then it gets in a festival,
0:37:58 > 0:38:01then it gets distribution, then I'm signing a studio deal,
0:38:01 > 0:38:03then I'm getting an Oscar.
0:38:03 > 0:38:06I knew I wanted to be an actress the first time I produced and performed
0:38:06 > 0:38:08the entire production of Snow White.
0:38:08 > 0:38:11Full dance, musical numbers, handmade costumes.
0:38:11 > 0:38:13I made my brother play all the dwarfs.
0:38:13 > 0:38:16Everyone in that pre-school worshipped me.
0:38:17 > 0:38:20I just want to wake up every morning and be onstage.
0:38:22 > 0:38:24- GILL:- Good morning! Good morning, everyone.
0:38:24 > 0:38:26And welcome to the first rehearsal...
0:38:26 > 0:38:27Of the new Broadway musical.
0:38:27 > 0:38:29..A Girl's Best Friend!
0:38:33 > 0:38:35And you are all amazing.
0:38:35 > 0:38:37- No, you are!- Him or me?
0:38:37 > 0:38:39- You!- No, you!
0:38:39 > 0:38:42Me? OK! And heading our superb cast,
0:38:42 > 0:38:45we are thrilled to welcome one of the biggest stars around,
0:38:45 > 0:38:47Amber Lee Adams!
0:38:47 > 0:38:49Oh, stop!
0:38:49 > 0:38:51- Yes!- Guys, come on.
0:38:51 > 0:38:55Can I just say that this,
0:38:55 > 0:38:58this is the opportunity of a lifetime for me.
0:38:58 > 0:39:02Because Broadway's not like film or television,
0:39:02 > 0:39:04because with Broadway,
0:39:04 > 0:39:07people can see if you write your lines on your hands!
0:39:07 > 0:39:09LAUGHTER
0:39:09 > 0:39:11All right. Let's rehearse.
0:39:11 > 0:39:13I want everybody downstairs with piano,
0:39:13 > 0:39:15rehearsing the music for the opening number.
0:39:15 > 0:39:19Amber Lee and Judith, I want you onstage so we can block that first scene.
0:39:19 > 0:39:22- Let's go!- Let's go, people! - All right. Let's start with Boi.
0:39:22 > 0:39:24Let's go!
0:39:24 > 0:39:26TENSE MUSIC
0:39:35 > 0:39:37ROMANTIC MUSIC
0:39:54 > 0:39:57What a perfect goodbye party.
0:39:57 > 0:39:59Thank you, Mom!
0:39:59 > 0:40:03I can't believe my little girl is going out into the world on her own for the first time.
0:40:03 > 0:40:08I have to, Mom. And who knows, maybe I'll find fame and fortune!
0:40:08 > 0:40:10- Actually, reverse that. - LAUGHTER
0:40:12 > 0:40:14- Why is that funny?- Well...
0:40:14 > 0:40:16Because you'd rather have the...
0:40:17 > 0:40:19I'll explain later. Just keep going.
0:40:21 > 0:40:24- SIGHS - There's only one thing that breaks my heart.
0:40:24 > 0:40:26Leaving Shelby behind.
0:40:26 > 0:40:29Pick it up! Go, go!
0:40:29 > 0:40:31A star is about to be born!
0:40:32 > 0:40:35- Shelby!- Oh!
0:40:35 > 0:40:38What's in this envelope? This very wet envelope.
0:40:38 > 0:40:40LAUGHTER
0:40:40 > 0:40:43- Again, I don't get that.- Keep going.
0:40:44 > 0:40:45Gasp!
0:40:45 > 0:40:48Actually, that's a stage direction.
0:40:48 > 0:40:52- You gasp, you don't say "gasp". - Simple mistake. Keep going.
0:40:52 > 0:40:54GASPS
0:40:54 > 0:40:56Shelby! Trying to run away with my boarding pass
0:40:56 > 0:41:00won't change the fact that I'm leaving at 8:00am.
0:41:00 > 0:41:026:00am.
0:41:02 > 0:41:04LAUGHS
0:41:07 > 0:41:10Oh, Shelby. This is the first time we'll be apart.
0:41:10 > 0:41:13I wish I could just pack you up in a widdle doggie bag.
0:41:13 > 0:41:18OK. Let's get Countess in there and continue.
0:41:18 > 0:41:22Don't worry, sweetheart. Shelby and I will both be here when you get back.
0:41:27 > 0:41:29You're killing me.
0:41:31 > 0:41:33Oh!
0:41:33 > 0:41:35That is adorable!
0:41:35 > 0:41:38You're right, Shelby! Why not go with me?
0:41:38 > 0:41:41Any place that doesn't want you, I don't wanna be.
0:41:41 > 0:41:44Let's see what New York has in store for us together!
0:41:47 > 0:41:48Good.
0:41:48 > 0:41:52Let's talk about the scene a bit, and we'll do it again.
0:41:52 > 0:41:54And both dogs, great work!
0:42:22 > 0:42:25Oh, Shelby! Trying to run away with my boarding pass
0:42:25 > 0:42:28won't change the fact that I'm leaving at 8:00am.
0:42:29 > 0:42:326:00am.
0:42:37 > 0:42:39What's going on? The dog.
0:42:39 > 0:42:42What is this? Somebody, please.
0:42:42 > 0:42:44The dog is licking me.
0:42:44 > 0:42:47All right, all right. Get me the other dog!
0:42:47 > 0:42:49Sorry. What can you do?
0:42:56 > 0:42:59There's only one thing that breaks my heart.
0:42:59 > 0:43:01Leaving Shelby behind.
0:43:01 > 0:43:03OK, go, go!
0:43:05 > 0:43:07BLOWS DOG WHISTLE
0:43:15 > 0:43:18- Why is she twirling? - What is she doing?
0:43:19 > 0:43:21- Gill?- Roger!
0:43:21 > 0:43:24Figure out what's going on with the dog. It's not helping me.
0:43:24 > 0:43:27- Not helping, people! - Meanwhile, get the other dog!
0:43:28 > 0:43:30Sorry. What can you do?
0:43:33 > 0:43:36There's only one thing that breaks my heart.
0:43:36 > 0:43:37Leaving Shelby behind.
0:43:37 > 0:43:39OK, go!
0:43:40 > 0:43:42Oh, hey!
0:43:45 > 0:43:47CAT SCREECHES
0:43:49 > 0:43:51CRASH
0:43:54 > 0:43:56How is this helping? Really.
0:43:56 > 0:43:59Am I the only one bothered by this? Gill?
0:43:59 > 0:44:01OK, everybody, that's ten!
0:44:07 > 0:44:10I'll admit you're good. But we're better. Give up!
0:44:10 > 0:44:11Give up?
0:44:11 > 0:44:14Not until there's a Broadway marquee with a picture of my dog so big
0:44:14 > 0:44:16you can walk by and smell his puppy breath!
0:44:16 > 0:44:19I have to take the dogs for a nap. Union rules.
0:44:25 > 0:44:28- You break first. - No, you break first.
0:44:40 > 0:44:42Oh!
0:44:43 > 0:44:46- Pretty cute, huh? - Yeah! Yes, they are!
0:44:46 > 0:44:49I just wanted to tell you something.
0:44:51 > 0:44:54This is my show. I'm America's sweetheart.
0:44:54 > 0:44:58They're paying to see me, not you two overbred fur balls.
0:44:58 > 0:45:01So, until I can figure out a way to get rid of you...
0:45:02 > 0:45:05..you'd better watch your step,
0:45:05 > 0:45:07otherwise you'll find out the real meaning
0:45:07 > 0:45:09of going home in a doggie bag.
0:45:22 > 0:45:25This film is cutting together really well.
0:45:25 > 0:45:27Do I look amazing?
0:45:27 > 0:45:30- The camera loves you.- I know!
0:45:30 > 0:45:33COMPUTER PINGS Oh, no! My dad's video chatting me.
0:45:33 > 0:45:35He thinks I live in a penthouse.
0:45:35 > 0:45:38I can't let him see that I live in a tiny studio in a filthy tenement.
0:45:38 > 0:45:40With a boy in my room!
0:45:40 > 0:45:42A boy that has no money, lives in a tinier studio,
0:45:42 > 0:45:45and has never heard maid service! No offence.
0:45:45 > 0:45:47What of that could possibly offend me?
0:45:47 > 0:45:49Oh, my! Oh, my! I don't know. Hyperventilating!
0:45:49 > 0:45:51- What do I do? What do I do? - Come on.
0:45:53 > 0:45:55Come on.
0:45:55 > 0:45:57Hurry!
0:45:57 > 0:46:00- All right, scoot over. OK, go. - OK, I gotta get this.
0:46:00 > 0:46:01Hi, Daddy!
0:46:01 > 0:46:04Hey, princess! How's my little girl?
0:46:04 > 0:46:07Overpaying for everything and yelling at total strangers.
0:46:07 > 0:46:09You're practically a native. Hey, where are you?
0:46:09 > 0:46:11That view is spectacular.
0:46:11 > 0:46:15Well, there's hardly a penthouse in the city that doesn't have a spectacular view!
0:46:15 > 0:46:17So, you the toast of Broadway?
0:46:17 > 0:46:20Daddy, you know how I feel about carb references.
0:46:20 > 0:46:22Just a little concerned, sweetie.
0:46:22 > 0:46:25The last time no-one's heard from you for this long
0:46:25 > 0:46:28was when you found out your gold card wasn't made of gold.
0:46:28 > 0:46:30- I've been busy with rehearsals. - Outstanding!
0:46:30 > 0:46:33- You got into the show? - It doesn't quite work like that.
0:46:33 > 0:46:36It's complicated. But I know it's gonna work out.
0:46:36 > 0:46:39Sharpay, is there something you're not telling me?
0:46:39 > 0:46:41You remember the deal, right? If things aren't working out...
0:46:41 > 0:46:44I know, I have one month to get in the show, and then...
0:46:44 > 0:46:47Two weeks, sweetie. You have two weeks left.
0:46:48 > 0:46:50You're sure everything's OK?
0:46:50 > 0:46:52It's fine, Daddy.
0:46:52 > 0:46:55Well, OK.
0:46:55 > 0:46:57- We miss you, angel. - Miss you, too.
0:46:57 > 0:46:59I love you!
0:47:03 > 0:47:08Boi has to get that role. I can't go home. Not as a failure.
0:47:08 > 0:47:12I need some sort of subtle, visibly crushing advantage over Roger.
0:47:12 > 0:47:14Look, why not just trust Boi is talented,
0:47:14 > 0:47:17that you've trained him well, and let fate take it from there.
0:47:17 > 0:47:19Fate? Fate gave a girl in my graduating class one long eyebrow.
0:47:19 > 0:47:22I can't trust fate.
0:47:22 > 0:47:25Some matters you just have to take into your own hands.
0:47:25 > 0:47:29What do you mean you forgot my bottled water?
0:47:29 > 0:47:32Well, I was going to get those magazines
0:47:32 > 0:47:34that you said you wanted from across town,
0:47:34 > 0:47:36and I got hit by a bike messenger. So I went to the hospital
0:47:36 > 0:47:38for, like, one second to get these stitches.
0:47:38 > 0:47:41- And meanwhile, I had no water! - I will get it for you right now.
0:47:41 > 0:47:43Now I've had to drink tap!
0:47:43 > 0:47:46- I am so sorry. - "I am so sorry."
0:47:46 > 0:47:47I will do better.
0:47:47 > 0:47:50Forget it, OK? Aside from catching some shade
0:47:50 > 0:47:52from the shadow cast by your madam's apple,
0:47:52 > 0:47:55- you're of no use to me. You're...- WHINES- ...fired!
0:47:58 > 0:48:00God!
0:48:09 > 0:48:12KNOCKS ON DOOR: Amber Lee?
0:48:12 > 0:48:15Oh, wow! You look so cute, Sharpie!
0:48:15 > 0:48:18- Sharpay. - You changed it.
0:48:18 > 0:48:21I like that even better. So, tell me, what's on your mind?
0:48:21 > 0:48:24I just saw your assistant leave in tears.
0:48:24 > 0:48:27She's not my assistant. She quit.
0:48:27 > 0:48:29No wonder she was crying.
0:48:29 > 0:48:32Yeah, I don't think she even really cared.
0:48:32 > 0:48:34Next time I should probably just hire a best friend instead.
0:48:38 > 0:48:40Wait! Are you thinking what I'm thinking?
0:48:40 > 0:48:42What are you thinking that I should be thinking?
0:48:42 > 0:48:44I could help you out until you replace her.
0:48:44 > 0:48:46That is what I was thinking about thinking.
0:48:46 > 0:48:50Of course this can't affect your decision of which dog gets the role.
0:48:50 > 0:48:51Oh, it won't.
0:48:51 > 0:48:55I couldn't live with myself if I thought I did anything unfair.
0:48:55 > 0:48:59You have my word. Hey, I know! How about dinner?
0:48:59 > 0:49:02- That sounds awesome! - Right?
0:49:02 > 0:49:04Get me a reservation for two at someplace fantastic.
0:49:04 > 0:49:07Then call my agent, have her meet me.
0:49:07 > 0:49:10Right. Sure.
0:49:12 > 0:49:14Oh. I won't forget this.
0:49:14 > 0:49:18And I promise, it won't be because you're helping me
0:49:18 > 0:49:22if I happen to take a little extra liking to Girl.
0:49:22 > 0:49:24- Boi. - You changed it.
0:49:24 > 0:49:26I like that even better.
0:49:26 > 0:49:28Oh, and can you take my mic down to the sound guy
0:49:28 > 0:49:31- and tell him the wire hurts my scalp.- OK.
0:49:31 > 0:49:33You're the best.
0:49:36 > 0:49:38Amber Lee says the wire is hurting her scalp.
0:49:38 > 0:49:41Personally, I think she's using the wrong shampoo,
0:49:41 > 0:49:45but she's the star, and you know, I don't wanna say - You're hot.
0:49:45 > 0:49:46Excuse me?
0:49:46 > 0:49:48You're hot.
0:49:48 > 0:49:52OK. Even though theatre lighting highlights my natural skin tones,
0:49:52 > 0:49:55thank you for noticing, that's a little rude, don't you think?
0:49:55 > 0:49:57No. Your mic's hot.
0:49:57 > 0:50:00It means it's on. You see that little switch?
0:50:00 > 0:50:02When it's flipped over like that, it means it's on
0:50:02 > 0:50:06and it's going through the entire theatre.
0:50:06 > 0:50:08Well, you could have led with that part, thank you.
0:50:08 > 0:50:11Amber Lee's got a great scalp!
0:50:16 > 0:50:17"You're hot."
0:50:17 > 0:50:20Then she asked me to help her out after her assistant quit.
0:50:20 > 0:50:22And after I suggested it.
0:50:22 > 0:50:24Are you sure this is wise?
0:50:24 > 0:50:27I'm sorry. Let me re-phrase that. This isn't wise.
0:50:27 > 0:50:30It's perfect. Amber Lee will see that she and I are exactly alike,
0:50:30 > 0:50:33we'll become BFFs, she'll make sure Boi gets the role,
0:50:33 > 0:50:35then his fame becomes my fame!
0:50:35 > 0:50:37This is the advantage I've been waiting for!
0:50:37 > 0:50:39Isn't it more like taking advantage?
0:50:39 > 0:50:41My father thought I couldn't do this in a month.
0:50:41 > 0:50:44It's turning out better than I imagined.
0:50:44 > 0:50:46CELLPHONE RINGS
0:50:53 > 0:50:56Hello?
0:50:56 > 0:50:58Sure. Be right over.
0:51:05 > 0:51:07Hello?
0:51:08 > 0:51:10Oh, thank goodness. In here, quickly.
0:51:19 > 0:51:21I just... I can't reach that.
0:51:22 > 0:51:25Can't reach it?
0:51:26 > 0:51:30OK, it was a little bit of a test.
0:51:32 > 0:51:34Only a true friend would come all the way down here at this hour
0:51:34 > 0:51:36and help me with something like that.
0:51:39 > 0:51:41- So, I passed? - Yes.
0:51:41 > 0:51:45- But, seriously, the purse. - OK.
0:51:57 > 0:51:59Thank you.
0:52:03 > 0:52:06All right, here's your bag.
0:52:06 > 0:52:08Here's your other bag.
0:52:08 > 0:52:10Oh, and don't forget your photo shoot.
0:52:10 > 0:52:12Oh, you're a lifesaver. You must be at that photo shoot
0:52:12 > 0:52:15to make sure I look as fabulous as you always do.
0:52:15 > 0:52:18- Are you serious? - Serious? You're now also my stylist.
0:52:18 > 0:52:21You have to tell me all your secrets. OK, gotta go.
0:52:30 > 0:52:32"Life is so strange."
0:52:32 > 0:52:35"Shelby and I travel halfway across the country
0:52:35 > 0:52:39to find fame and fortune, and instead, we find love."
0:52:41 > 0:52:43Hey! How about dinner?
0:52:43 > 0:52:46Split some egg rolls at Wok This Way?
0:52:46 > 0:52:49Can't. I have to highlight script changes for Amber Lee,
0:52:49 > 0:52:53then highlight her hair. Highlight of my night!
0:52:53 > 0:52:54OK.
0:52:54 > 0:52:57But I miss spending time with you.
0:52:57 > 0:52:59And you did promise to shoot some more stuff for my film.
0:52:59 > 0:53:02You know, what I'm doing is important, too.
0:53:02 > 0:53:03Oh.
0:53:03 > 0:53:06For a minute there, you sounded like Amber Lee.
0:53:12 > 0:53:17"Good to see you. Good to see you. Good to see you. Good to see you."
0:53:18 > 0:53:22Bad news. My maid quit.
0:53:22 > 0:53:23So, here's a list of chores.
0:53:23 > 0:53:25Chores?
0:53:25 > 0:53:32And I want to talk to you about Boi.
0:53:32 > 0:53:34But you have to promise it'll stay between us.
0:53:34 > 0:53:36OK.
0:53:36 > 0:53:43I think I'm going to ask the director to give Boi the part.
0:53:44 > 0:53:46- Are you serious? - Almost positive!
0:53:46 > 0:53:49You won't be sorry.
0:53:49 > 0:53:51Trust me. I know.
0:53:58 > 0:54:00# "Galop Infernal" - Jacques Offenbach
0:54:25 > 0:54:27Oh! Oh, no.
0:54:42 > 0:54:45There are some changes for the blocking in the dog scene,
0:54:45 > 0:54:47top of act two.
0:54:47 > 0:54:49Countess can learn these in no time.
0:54:49 > 0:54:51She's got a memory like a digital hard drive.
0:54:51 > 0:54:53- No bark and all mega bite. - Funny.
0:54:53 > 0:54:55I need to find Sharpay and make sure she gets them.
0:54:55 > 0:54:57Boi is doing the first run through tomorrow.
0:54:57 > 0:54:59I'd be more than happy to deliver them to her.
0:54:59 > 0:55:02- Great. - Thank you.
0:55:02 > 0:55:04Thank you.
0:55:08 > 0:55:10Sharpay?
0:55:13 > 0:55:15Sharpay?
0:55:19 > 0:55:21That's unfortunate.
0:55:21 > 0:55:24And I've been here ever since.
0:55:24 > 0:55:27Life is so strange.
0:55:27 > 0:55:29Shelby and I travel halfway across the country
0:55:29 > 0:55:33to find fame and fortune, and instead, we find love.
0:55:33 > 0:55:36Lenore, I have something to ask you.
0:55:36 > 0:55:38We have something to ask you.
0:55:38 > 0:55:40BOI YAPS
0:55:40 > 0:55:44He's supposed to come from the other side of the stage with the ring box!
0:55:44 > 0:55:46Sorry. We changed that blocking. What happened?
0:55:46 > 0:55:48What is wrong with this dog?
0:55:57 > 0:56:00And is he OK? It's not his fault.
0:56:00 > 0:56:02He's just a little dog!
0:56:02 > 0:56:05He's just so sweet.
0:56:05 > 0:56:08- OK, everybody. Let's break for a few.- That's ten, people.
0:56:10 > 0:56:13- I don't know what happened. - We sent out the script changes.
0:56:13 > 0:56:18- Boi didn't do them. - But I didn't get any script change.
0:56:28 > 0:56:30I looked everywhere last night to give them to you.
0:56:30 > 0:56:33I guess working for Amber Lee has its drawbacks.
0:56:33 > 0:56:36- You did this on purpose. - That's a complete -
0:56:36 > 0:56:37Yeah.
0:56:37 > 0:56:40You're threatened because you know Amber Lee is gonna choose Boi.
0:56:40 > 0:56:41Not after today she won't.
0:56:41 > 0:56:45OK. Countess doesn't have half the personality that Boi has.
0:56:45 > 0:56:48And Boi doesn't have half the talent that Countess has.
0:56:48 > 0:56:50Isn't that right, girl?
0:56:51 > 0:56:53- Countess? - Boi?
0:56:54 > 0:56:58- Countess?- Boi? - Countess?- Boi?
0:56:58 > 0:56:59- Countess? - Boi?
0:56:59 > 0:57:02- Has anyone seen Boi? - No, sorry.
0:57:02 > 0:57:04Countess?
0:57:04 > 0:57:05Boi?
0:57:05 > 0:57:07- Countess? - Boi?
0:57:07 > 0:57:10- Anyone seen Countess? - Nope.
0:57:10 > 0:57:11Countess?
0:57:11 > 0:57:13Boi?
0:57:13 > 0:57:14- Countess? - Boi?
0:57:14 > 0:57:15Countess?
0:57:15 > 0:57:17Boi?
0:57:17 > 0:57:19- Countess? - Boi?
0:57:25 > 0:57:27CELLPHONE RINGS
0:57:28 > 0:57:31- Hello? - Boi and Countess are gone!
0:57:31 > 0:57:33- Gone! What? - We have to find them!
0:57:33 > 0:57:36- Where are you now? - "Leaving the theatre."
0:57:36 > 0:57:38We'll look here. Can you look near the apartment?
0:57:38 > 0:57:42- Yeah, of course. Keep me posted. I'll call you if they show up.- OK.
0:57:42 > 0:57:45- What if they were dog napped? - Do you think we pushed them too hard?
0:57:45 > 0:57:48- I don't know. - Countess is uber sensitive.
0:57:48 > 0:57:50She cries watching dog food commercials!
0:57:50 > 0:57:53I just hope they're not huddled in a corner somewhere.
0:57:53 > 0:57:55Afraid, lost, at each other's throats!
0:57:55 > 0:57:57# You know you love me
0:57:57 > 0:57:58# I know you care
0:57:58 > 0:58:02# Just shout whenever And I'll be there
0:58:02 > 0:58:04# You are my love
0:58:04 > 0:58:05# You are my heart
0:58:05 > 0:58:09# And we will never, ever, ever be apart
0:58:09 > 0:58:11# Are we an item?
0:58:11 > 0:58:13# Girl, quit playin'
0:58:13 > 0:58:17# "We're just friends" What are you sayin'?
0:58:17 > 0:58:20# Said, "There's another" And looked right in my eyes
0:58:20 > 0:58:23# My first love broke my heart for the first time
0:58:23 > 0:58:28# And I was like I thought you'd always be mine, mine
0:58:28 > 0:58:30# Baby, baby, baby, oh
0:58:30 > 0:58:34# Like baby, baby, baby, no
0:58:34 > 0:58:38# Like baby, baby, baby, oh
0:58:38 > 0:58:41# I thought you'd always be mine
0:58:41 > 0:58:43# I'm goin' down, down, down
0:58:43 > 0:58:46# And I just can't believe my first love won't be around
0:58:46 > 0:58:50# And I'm like baby, baby, baby, oh
0:58:50 > 0:58:52# Like baby, baby... #
0:58:52 > 0:58:54What if we never see them again?
0:58:54 > 0:58:56They're smart dogs.
0:58:56 > 0:58:58Smarter than we are.
0:58:58 > 0:59:00They'll be OK.
0:59:00 > 0:59:03CELLPHONE RINGS
0:59:03 > 0:59:07Oh, no. It's my dad. I just... I can't deal with him right now.
0:59:09 > 0:59:11BOI BARKS
0:59:13 > 0:59:15- Countess! - Boi!
0:59:16 > 0:59:18Hi!
0:59:19 > 0:59:21I missed you!
0:59:21 > 0:59:23You're back!
0:59:26 > 0:59:28It's amazing. They came back to the apartment.
0:59:28 > 0:59:32Thanks, Peyton. Oh, and Sharpay, it's still on.
0:59:32 > 0:59:34Bring it.
0:59:37 > 0:59:40You're back! Yeah!
0:59:40 > 0:59:42You bad, bad boy, Boi.
0:59:42 > 0:59:44- I'm just glad you're OK. - He and Countess had an adventure.
0:59:44 > 0:59:48She probably coaxed him into joining a doggy gang or something.
0:59:48 > 0:59:51We'd better check him over for tattoos.
0:59:51 > 0:59:54Are you so lost in what you're doing that you haven't noticed?
0:59:54 > 0:59:56Noticed what?
0:59:56 > 0:59:58Boi and Countess are in love.
0:59:58 > 1:00:01- With what? - Each other.
1:00:01 > 1:00:02No way!
1:00:05 > 1:00:07You're right.
1:00:07 > 1:00:09He's dilated.
1:00:09 > 1:00:11He's got puppy dog eyes.
1:00:11 > 1:00:14How could I have not noticed puppy love?
1:00:14 > 1:00:17Well, there's a lot you haven't noticed.
1:00:17 > 1:00:19Like lately, you've had no time for me.
1:00:19 > 1:00:21You know, I was counting on you to help me finish my film.
1:00:21 > 1:00:25I said I would, and I will. Things have become complicated.
1:00:25 > 1:00:26It's not that complicated.
1:00:26 > 1:00:28Amber Lee is using you and you're letting her.
1:00:28 > 1:00:31- You don't know what you're talking about.- I don't?- No!
1:00:31 > 1:00:34Where's the Sharpay that was determined not to go back home
1:00:34 > 1:00:36because she didn't want to work for anyone?
1:00:36 > 1:00:39- Why don't you tell me? - Working for someone, that's where.
1:00:39 > 1:00:42- So at least be honest as to why. - I know what I'm doing.
1:00:42 > 1:00:44You've sold your soul to get Boi in that show,
1:00:44 > 1:00:46rather than trust in the dog that you raised.
1:00:46 > 1:00:48You've stopped trusting that your own talents
1:00:48 > 1:00:51- would get you where you need to go. - And maybe you're jealous
1:00:51 > 1:00:54because I'm on my way up with a new famous friend,
1:00:54 > 1:00:58and you're just a student making a film about someone else's life instead of your own.
1:01:02 > 1:01:04You don't have to be in my movie anymore.
1:01:04 > 1:01:07I get it. You have more important things to do.
1:01:07 > 1:01:08Fine!
1:01:10 > 1:01:11One question?
1:01:11 > 1:01:15What happened to that hot pink whirlwind of confidence and ambition
1:01:15 > 1:01:18I saw through my lens that first day you got here?
1:01:18 > 1:01:20I mean, that girl knew she was special.
1:01:20 > 1:01:23That girl knew she didn't have to do any of this to succeed.
1:01:23 > 1:01:25What happened to her, huh?
1:01:31 > 1:01:33CELLPHONE RINGS
1:01:34 > 1:01:35Hello.
1:01:43 > 1:01:46Oh, and Sharpay, can you remember to invite as many people
1:01:46 > 1:01:49from my fan club as possible to opening night dress rehearsal?
1:01:49 > 1:01:51I want the theatre filled with people
1:01:51 > 1:01:54who love me as much as you do!
1:01:55 > 1:01:57Sure.
1:01:57 > 1:02:00You know what would be great after all this work?
1:02:00 > 1:02:02A long, luxurious spa bath.
1:02:02 > 1:02:05Sounds amazing!
1:02:05 > 1:02:08- Thank you. - Run one for me, will you?
1:02:08 > 1:02:11And then you can finish these. You're the best!
1:02:33 > 1:02:36- This is a big change. - Huge change!
1:02:36 > 1:02:39- I don't think you're hearing me! - New Jersey can hear you!
1:02:39 > 1:02:42The name of the show is A Girl's Best Friend.
1:02:42 > 1:02:44I didn't tell you to change the title.
1:02:44 > 1:02:46But you want the best friend written out!
1:02:46 > 1:02:49Oh. Right. Change the title!
1:02:49 > 1:02:52How are we supposed to get rid of one of our main characters
1:02:52 > 1:02:55a day before our dress rehearsal in front of an audience?
1:02:55 > 1:02:57The audience is coming to see me.
1:02:57 > 1:03:01You change that dog's part to a bark and play dead, or I don't go on.
1:03:01 > 1:03:05- Let's be reasonable here.- I'm a star! I don't have to be reasonable!
1:03:05 > 1:03:07Look, those mangy mutts are bothering me
1:03:07 > 1:03:10almost as much as their disposable owners.
1:03:10 > 1:03:12I actually had to have one of them clean my toilet
1:03:12 > 1:03:15just to keep her away.
1:03:15 > 1:03:18- She thinks she's an actress. - LAUGHS
1:03:18 > 1:03:20She acts all right.
1:03:20 > 1:03:22She acts just like every other obsessed fan.
1:03:41 > 1:03:42Wait.
1:03:45 > 1:03:47Everything you said...
1:03:48 > 1:03:50You were...
1:03:50 > 1:03:53Right?
1:03:53 > 1:03:55Yes.
1:03:56 > 1:03:59Thank you.
1:03:59 > 1:04:01You must think I'm a total fool.
1:04:01 > 1:04:03No.
1:04:03 > 1:04:05Not total.
1:04:06 > 1:04:08Maybe my dad was right.
1:04:08 > 1:04:11Maybe I'm not ready for this.
1:04:13 > 1:04:16Maybe I should just go home and w...w...
1:04:16 > 1:04:17..work for him.
1:04:19 > 1:04:23I mean, did I really think I was just gonna come to Broadway and be a star?
1:04:23 > 1:04:25Yes.
1:04:25 > 1:04:27Because that's exactly how you think.
1:04:27 > 1:04:29It's perfect.
1:04:29 > 1:04:31Perfect is so hard.
1:04:32 > 1:04:35And it doesn't prepare you for disappointment.
1:04:36 > 1:04:39Well, if it helps, you still look adorable,
1:04:39 > 1:04:41even when you're disappointed.
1:04:43 > 1:04:45Yeah, that doesn't help.
1:04:47 > 1:04:49Look, Sharpay,
1:04:49 > 1:04:54there is not a marquee big enough or lights bright enough
1:04:54 > 1:04:56to contain the fame you're gonna have.
1:04:58 > 1:05:01Yeah, but not the way I've been doing it.
1:05:02 > 1:05:06Like you said, the Sharpay you know isn't the Sharpay that has become
1:05:06 > 1:05:09the Sharpay that is this Sharpay.
1:05:09 > 1:05:11Did all the Sharpays follow that?
1:05:14 > 1:05:17I sacrificed integrity for opportunity.
1:05:17 > 1:05:20I let someone insecure distract me.
1:05:20 > 1:05:22I cleaned a bathroom!
1:05:23 > 1:05:25But worst of all,
1:05:25 > 1:05:28I disappointed someone I care about.
1:05:30 > 1:05:32I forgot what was really important to me.
1:05:34 > 1:05:36I lost track of what I want.
1:05:39 > 1:05:43And other than maid service and a canopy bed,
1:05:43 > 1:05:45what is it that you want?
1:05:47 > 1:05:49A fair fight.
1:05:49 > 1:05:52A lifetime in the spotlight.
1:05:54 > 1:05:57And maybe you'll still let me be in your movie.
1:06:02 > 1:06:04I guess.
1:06:15 > 1:06:17CARS HONK HORNS
1:06:35 > 1:06:38OK, I can't say I approve of dating beneath your station in life,
1:06:38 > 1:06:39but fine. Go.
1:07:01 > 1:07:06Hey, I got your text. What's CQMTWILGT mean?
1:07:06 > 1:07:09"Come quick. Major trouble. Wow, I look great today." Duh.
1:07:09 > 1:07:12I really should have gotten that.
1:07:12 > 1:07:14Amber Lee Adams isn't what you think.
1:07:14 > 1:07:17A self absorbed, two-faced panther who would eat her young alive
1:07:17 > 1:07:20on a reality show rather than allow anyone to steal her spotlight?
1:07:20 > 1:07:22OK, she's what you think.
1:07:22 > 1:07:25I don't care if her parents had to tie beef jerky around her neck
1:07:25 > 1:07:28just to get the family dog to play with her,
1:07:28 > 1:07:31- as long as Countess is at her side. - That's what I'm trying to tell you.
1:07:31 > 1:07:33She wants the part of the dog written out completely!
1:07:33 > 1:07:36- That's not fair! - Too far.
1:07:36 > 1:07:38Well, I am 12, remember?
1:07:38 > 1:07:41Roger, we've been fighting the wrong battle, each other.
1:07:41 > 1:07:44We need to form an alliance and work against a common enemy.
1:07:44 > 1:07:46- Zits? - Amber Lee.
1:07:46 > 1:07:48Trust me, the zit battle is one you won't win.
1:07:48 > 1:07:52- But what can we do? - Tonight is the dress rehearsal.
1:07:52 > 1:07:55The audience will be filled with members of Amber Lee Adams' fan club.
1:07:55 > 1:07:57I know, I saw the tweet.
1:07:58 > 1:08:00Fine. Yes, I follow her, too.
1:08:01 > 1:08:04OK, we need to show people exactly who Amber Lee really is.
1:08:04 > 1:08:08It's time someone taught her how to behave in the theatre.
1:08:08 > 1:08:12I like the way you think. It's manipulative, but for a good cause.
1:08:12 > 1:08:13Tell me what you need me to do.
1:08:18 > 1:08:20- Hey, Amber Lee, I - - Where have you been?
1:08:20 > 1:08:22I have been trying to reach you all day.
1:08:22 > 1:08:26Oh. Erm, sorry, my phone must have been turned off.
1:08:26 > 1:08:28Without asking me first?
1:08:29 > 1:08:31I just wanted to say good luck.
1:08:31 > 1:08:33I know you chose Countess for this performance tonight,
1:08:33 > 1:08:37- and I'm fine with that. - It was nothing personal.
1:08:37 > 1:08:40But your phone was shut off, so I couldn't talk to you about it.
1:08:40 > 1:08:42I guess that won't happen again, will it?
1:08:44 > 1:08:47We're good.
1:08:47 > 1:08:48Hug? OK.
1:09:06 > 1:09:08Hello, everyone. I'm Gill, the director.
1:09:08 > 1:09:11And I'm Neal, the under-appreciated writer.
1:09:11 > 1:09:13LAUGHTER
1:09:13 > 1:09:16We are thrilled that you're here for our first performance in front of an audience.
1:09:16 > 1:09:19Does everyone here know how to applaud?
1:09:23 > 1:09:26"OK, how about the balcony up there?"
1:09:26 > 1:09:28- OK, now. - "Can you hear us? You're good!"
1:09:31 > 1:09:33SHRIEKS
1:09:33 > 1:09:36Will somebody please control these wannabe werewolves?
1:09:36 > 1:09:37Hello? People?
1:09:37 > 1:09:40See, this is exactly why I didn't want to do a show with dogs!
1:09:40 > 1:09:43I'm the star, not them!
1:09:43 > 1:09:44"Stage people?"
1:09:44 > 1:09:47"Could somebody please put these rats with rabies out of my misery?"
1:09:47 > 1:09:49"Anyone!"
1:09:49 > 1:09:51Finally, you idiot! What took so long?
1:09:51 > 1:09:54Now, hurry up and get these flea bitten fur bags out of here!
1:09:54 > 1:09:56- There are people waiting to see me! - OK, go now.
1:09:56 > 1:09:58You think all those boring freaks with no lives
1:09:58 > 1:10:00came to worship two no-name mutts?
1:10:00 > 1:10:04I don't think so! I'm the one they love! Me!
1:10:04 > 1:10:05They came to see...
1:10:12 > 1:10:14AUDIENCE BOOS
1:10:22 > 1:10:24I knew I forgot to tell you something.
1:10:24 > 1:10:27Careful, your mic's on.
1:10:28 > 1:10:30You did this to me.
1:10:30 > 1:10:31You ruined me!
1:10:31 > 1:10:33News flash! You ruined you!
1:10:33 > 1:10:35Oh, what do you know? You're a nobody!
1:10:35 > 1:10:38The only reason you wanted to be my friend is so I'd choose your dog!
1:10:38 > 1:10:41No, no. At first, I idolised you,
1:10:41 > 1:10:44even more than myself, which isn't easy.
1:10:44 > 1:10:46But you're not at all what I thought you were.
1:10:47 > 1:10:49You and I...
1:10:49 > 1:10:51are exactly alike.
1:10:51 > 1:10:53Except I don't enjoy letting people down.
1:10:53 > 1:10:56I don't use people to feel better about myself.
1:10:56 > 1:10:58And I definitely don't wear yellow and orange in the same week,
1:10:58 > 1:11:00let alone the same outfit, OK?
1:11:00 > 1:11:05Maybe I did think you and I were alike, but not anymore.
1:11:05 > 1:11:09In fact, I'd be embarrassed if someone thought I was like you.
1:11:14 > 1:11:15Well, I quit!
1:11:16 > 1:11:19And without me, there's no show.
1:11:19 > 1:11:22Now neither one of your furry little friends will have their shot
1:11:22 > 1:11:24and neither will you.
1:11:24 > 1:11:26Blame her!
1:11:34 > 1:11:36I'm sorry. Someone had to say it.
1:11:38 > 1:11:41I'll go talk some sense into her.
1:11:41 > 1:11:46You, out of this theatre right now.
1:11:51 > 1:11:53Wait, Sharpay.
1:11:53 > 1:11:55If you go, then I'll go, too.
1:11:55 > 1:11:56No.
1:11:56 > 1:11:59You wanted this as badly as I did.
1:11:59 > 1:12:01This mess was my idea.
1:12:01 > 1:12:04You win.
1:12:04 > 1:12:05That's not what it feels like.
1:12:15 > 1:12:18KNOCKING ON DOOR
1:12:20 > 1:12:23- Hey. Can I come in? - Sure.
1:12:26 > 1:12:29So, you're really leaving, huh?
1:12:29 > 1:12:32Yeah. I'm packing my carry on stuff first.
1:12:35 > 1:12:37I wish you weren't going.
1:12:37 > 1:12:39Me, too.
1:12:42 > 1:12:45Have you thought about what you're gonna do now?
1:12:45 > 1:12:48Move home where there's enough room for my pores to open,
1:12:48 > 1:12:52spend months in the spa getting this layer of New York grime off my skin,
1:12:52 > 1:12:53and mostly...
1:12:54 > 1:12:56..miss you.
1:12:56 > 1:12:59Look, I know exactly how to help that.
1:12:59 > 1:13:00Don't go.
1:13:00 > 1:13:03I already talked to my dad.
1:13:03 > 1:13:06I guess I'm gonna start...w...
1:13:06 > 1:13:08- ..w... - You don't have to say it.
1:13:08 > 1:13:10Thank you.
1:13:12 > 1:13:14What about your dream of being a star?
1:13:14 > 1:13:16It's still there.
1:13:16 > 1:13:18It's just a little bit more of a dream than a reality.
1:13:22 > 1:13:24- You know what today is? - What?
1:13:25 > 1:13:27I got here exactly one month ago.
1:13:27 > 1:13:30My time was up tonight anyway.
1:13:30 > 1:13:33Well, so then you still have... eight hours.
1:13:39 > 1:13:42This isn't how my movie's supposed to end.
1:13:43 > 1:13:46I guess it is.
1:13:46 > 1:13:48CELLPHONE RINGS
1:13:50 > 1:13:52This is Sharpay.
1:13:52 > 1:13:53Uh huh.
1:13:53 > 1:13:55Sure. No, no. I'll be there.
1:13:58 > 1:14:00That was the stage manager.
1:14:00 > 1:14:03They want me to come to the theatre and clear out Boi's things.
1:14:03 > 1:14:05I can go with you if you want.
1:14:06 > 1:14:07I want.
1:14:10 > 1:14:12And, so, Amber Lee has quit.
1:14:12 > 1:14:14- Gone. - Kaput.
1:14:14 > 1:14:18The producers feel, without a star, we can't open.
1:14:18 > 1:14:23The time it would take to find someone who could learn the role and do it well might take weeks,
1:14:23 > 1:14:25and it would cost too much to keep the production going.
1:14:25 > 1:14:31But we want you all to know, it was great almost working with you.
1:14:39 > 1:14:41- I'm gonna meet you outside. - All right.
1:14:49 > 1:14:53- GILL:- Thank you for your hard work.
1:14:53 > 1:14:55We are so, so sorry, people.
1:15:02 > 1:15:06Wait! Wait, it's not over. It's not over.
1:15:06 > 1:15:07Look, it doesn't have to be.
1:15:07 > 1:15:11There is someone who knows the part by heart and who is amazing.
1:15:11 > 1:15:14All right, maybe she's not a star yet, but she will be.
1:15:14 > 1:15:16This show will make her one.
1:15:16 > 1:15:17Just watch.
1:15:21 > 1:15:25"Boi, keep your voice down. Peyton, start shooting the rehearsal."
1:15:25 > 1:15:27"Boi, go mark. Go mark."
1:15:27 > 1:15:28"Good!"
1:15:28 > 1:15:31"OK, stay. Stay."
1:15:32 > 1:15:33" BOI BARKS"
1:15:33 > 1:15:36"I love when you use that accent, but shh. We're not supposed to be here."
1:15:36 > 1:15:39"OK, now let's do the scene where the character Lenore
1:15:39 > 1:15:43thinks she's lost everything and you come over to console her. Come on."
1:15:43 > 1:15:45"Shelby, what is going on?"
1:15:45 > 1:15:47"I feel invisible here."
1:15:47 > 1:15:50"Nothing is working out the way I planned it."
1:15:50 > 1:15:54# I got something inside of me
1:15:54 > 1:15:58# Something that needs to be heard
1:16:00 > 1:16:04# Deep down a voice is guiding me
1:16:04 > 1:16:07# Hidden emotions have stirred
1:16:11 > 1:16:15# Why have I let others lead the way
1:16:15 > 1:16:19# When all along I know what it is
1:16:19 > 1:16:23# I want to say
1:16:23 > 1:16:26# Whatever it is I'll do it
1:16:26 > 1:16:29# I'm the answer to your prayers
1:16:29 > 1:16:31# Whatever you want Stop looking
1:16:31 > 1:16:34# Nobody else compares
1:16:34 > 1:16:37# Whatever you've seen before
1:16:37 > 1:16:41# I'll give you so much more
1:16:41 > 1:16:43# You'll be totally impressed
1:16:43 > 1:16:46# I'm New York's best kept secret
1:16:59 > 1:17:03# I thought I had a perfect plan
1:17:03 > 1:17:06# Where I would wind up on top
1:17:11 > 1:17:15# One day I'm thinking, "Yes, I can"
1:17:15 > 1:17:18# Next thing you know, I'm a flop
1:17:22 > 1:17:26# Why did I ever play this silly game?
1:17:26 > 1:17:30# I got to shake up the rules
1:17:30 > 1:17:32# And stake my claim
1:17:32 > 1:17:35# Whatever it is I'll do it
1:17:35 > 1:17:38# I'm the answer to your prayers
1:17:38 > 1:17:41# Whatever you want Stop looking
1:17:41 > 1:17:43# Nobody else compares
1:17:43 > 1:17:46# Whatever you've seen before
1:17:46 > 1:17:50# I'll give you so much more
1:17:50 > 1:17:52# You'll be totally impressed
1:17:52 > 1:17:55# I'm New York's best kept secret
1:17:55 > 1:17:58# What if I missed my window?
1:17:58 > 1:18:01# What if I blew my shot?
1:18:01 > 1:18:04# What if the only chance I was going to get
1:18:04 > 1:18:06# I already got?
1:18:06 > 1:18:09# I'm not ready to turn the page
1:18:09 > 1:18:12# Until I'm on stage in a show
1:18:12 > 1:18:16# No, nobody move I've got something to prove
1:18:16 > 1:18:21# Don't you know?
1:18:21 > 1:18:24# Whatever it is I'll do it
1:18:24 > 1:18:26# I'm the answer to your prayers
1:18:26 > 1:18:29# Whatever you want Stop looking
1:18:29 > 1:18:32# Nobody else compares
1:18:32 > 1:18:36# Whatever you've seen before
1:18:36 > 1:18:42# I'll give you so much more
1:18:43 > 1:18:47# You'll be totally impressed
1:18:47 > 1:18:52# I'm New York's best kept secret
1:18:54 > 1:18:56# Mm-mm
1:19:00 > 1:19:03# Mm-mm-mm. #
1:19:13 > 1:19:14> Well, did I tell you?
1:19:18 > 1:19:20- Amazing! - Amazing! You're amazing!
1:19:20 > 1:19:22You have more depth, range and tone in one note
1:19:22 > 1:19:25than Amber Lee had in her entire surgically reshaped body.
1:19:25 > 1:19:29- We'll promote you as "The girl who we're promoting." - The producers will love it.
1:19:29 > 1:19:32- What are you saying? - We need you to save the show.
1:19:35 > 1:19:37- Seriously? - We know it's a risk.
1:19:37 > 1:19:39- A gamble. - A risk. Did I do "risk" already?
1:19:39 > 1:19:41- You did. And, true, we did fire you. - He fired you.
1:19:41 > 1:19:44- But now I'm un-firing you. - Can we do that?- Just did.
1:19:44 > 1:19:46- Good for us! - We need you.
1:19:46 > 1:19:48What do you say?
1:19:48 > 1:19:51I... I guess we could take the costumes in a few sizes
1:19:51 > 1:19:54and get everyone used to hearing the songs sung on key,
1:19:54 > 1:19:56but there's one condition.
1:19:59 > 1:20:01Boi and Countess split the role of Shelby the dog equally.
1:20:07 > 1:20:09- Done! - We've a lot of work to do, people!
1:20:09 > 1:20:11- Are we crazy? - Crazy for theatre!
1:20:11 > 1:20:13- Let's rehearse! - Let's rehearse, people!
1:20:14 > 1:20:16Where are those wonderful dogs?
1:20:18 > 1:20:20- Thank you. - This is it.
1:20:20 > 1:20:22The chance you've been waiting for.
1:20:25 > 1:20:27- What if I'm not ready for this? - Oh, you're ready.
1:20:27 > 1:20:30"Ready" isn't as ready as you are.
1:20:30 > 1:20:32- What if I'm horrible? - Won't happen.
1:20:32 > 1:20:34- What if I forget my lines? - Impossible.
1:20:34 > 1:20:36- What if I - - Everything in your life so far
1:20:36 > 1:20:38has been leading you to this moment.
1:20:38 > 1:20:41Your moment. Embrace it.
1:20:45 > 1:20:46I'm scared.
1:20:48 > 1:20:49Finally.
1:21:00 > 1:21:02Let's rehearse, people!
1:21:07 > 1:21:09GIRLS SQUEAL
1:21:11 > 1:21:12WOMAN: Over here!
1:21:12 > 1:21:16- MAN:- Mr Pinto, Mr Pinto, over here. Mr Pinto, look this way.
1:21:16 > 1:21:19CHATTER
1:21:29 > 1:21:31CONVERSATION MUTED
1:21:40 > 1:21:42APPLAUSE
1:21:52 > 1:21:54MUSIC STARTS
1:22:06 > 1:22:09# I've got a feeling inside of me
1:22:09 > 1:22:13# Running all through my veins
1:22:13 > 1:22:16# It's like electrical energy
1:22:16 > 1:22:20# A world about to change
1:22:20 > 1:22:23# It's an open road
1:22:23 > 1:22:26# So here I go
1:22:26 > 1:22:27# The rest of my life
1:22:27 > 1:22:29# Is starting tonight
1:22:29 > 1:22:33# Feels like I'm finally on my way
1:22:33 > 1:22:35# I'm looking ahead
1:22:35 > 1:22:36# Can't tell where it ends
1:22:36 > 1:22:40# But I'm gonna take a leap of faith
1:22:40 > 1:22:44# And I'm gonna hold on tight
1:22:44 > 1:22:47# And ride this ride
1:22:47 > 1:22:50# The rest of my life
1:22:52 > 1:22:54# I'm gonna go for it all out
1:22:54 > 1:22:58# I know there's no guarantee
1:22:59 > 1:23:02# But I've been given a chance and now
1:23:02 > 1:23:04# What's next is up to me
1:23:05 > 1:23:08# I'm gonna set my sights
1:23:08 > 1:23:11# So light those lights
1:23:11 > 1:23:12# The rest of my life
1:23:12 > 1:23:15# Is starting tonight
1:23:15 > 1:23:18# Feels like I'm finally on my way
1:23:18 > 1:23:20# I'm looking ahead
1:23:20 > 1:23:22# Can't tell where it ends
1:23:22 > 1:23:25# But I'm gonna take a leap of faith
1:23:25 > 1:23:29# And I'm gonna hold on tight
1:23:29 > 1:23:32# And ride this ride
1:23:32 > 1:23:36# The rest of my life
1:23:37 > 1:23:40# If all the world's a stage
1:23:40 > 1:23:44# I'm here to take my place
1:23:44 > 1:23:48# I know I'll always find a way to shine
1:23:51 > 1:23:53# The rest of my life
1:23:53 > 1:23:56# Is starting tonight
1:23:56 > 1:23:58# Feels like I'm finally on my way
1:23:58 > 1:24:00# I'm looking ahead
1:24:00 > 1:24:01# Can't tell where it ends
1:24:01 > 1:24:07# But I'm gonna take a leap of faith
1:24:07 > 1:24:08# The rest of my life
1:24:08 > 1:24:11# Is starting tonight
1:24:11 > 1:24:14# Feels like I'm finally on my way
1:24:14 > 1:24:16# It starts with a dream
1:24:16 > 1:24:17# Of who I could be
1:24:17 > 1:24:21# Wherever it takes me I can't wait
1:24:21 > 1:24:25# So I'm gonna hold on tight
1:24:25 > 1:24:28# And ride this ride
1:24:28 > 1:24:33# The rest of my life
1:24:35 > 1:24:39# The rest of my life
1:24:40 > 1:24:48# The rest of my life. #
1:24:48 > 1:24:51APPLAUSE AND CHEERING
1:25:00 > 1:25:02IMS Subtitles
1:25:06 > 1:25:08What a night, huh, Boi?
1:25:08 > 1:25:11And I told you, I look amazing in black and white.
1:25:11 > 1:25:13KNOCKING
1:25:15 > 1:25:17# It's hard to believe
1:25:17 > 1:25:19# That I couldn't see
1:25:19 > 1:25:23BOTH: # You were always there beside me. #
1:25:23 > 1:25:25Ryan! SQUEALS:
1:25:25 > 1:25:27THEY DO VOCAL EXERCISES
1:25:31 > 1:25:33LAUGHS: SQUEALS:
1:25:33 > 1:25:35- Oh, my gosh. - You're back?
1:25:35 > 1:25:39I'm on a break from my tour. I had to come into the city and see you
1:25:39 > 1:25:41and say, "Oh, my gosh, you're a star."
1:25:41 > 1:25:43- Go ahead. - Oh, my gosh, you're a star.
1:25:43 > 1:25:46- I know. - It's crazy.
1:25:46 > 1:25:49Seems like yesterday were putting on our plays for Mom and Dad.
1:25:49 > 1:25:51Forcing the staff to write us fan letters.
1:25:51 > 1:25:55When we started senior year, remember what we said we wanted?
1:25:55 > 1:25:57To be famous and marry royalty.
1:25:57 > 1:25:59To have jazz dance steps named after us.
1:25:59 > 1:26:00To be the first natural blonde to carry off periwinkle.
1:26:00 > 1:26:04- And star in shows for more than 100 people.- And now look.
1:26:04 > 1:26:06You're touring the country starring in a musical.
1:26:06 > 1:26:09You and Boi are on Broadway every night.
1:26:09 > 1:26:11- Is it everything you imagined? - It's even better.
1:26:11 > 1:26:13I've been a prom queen, a homecoming queen,
1:26:13 > 1:26:15a beauty queen and a drama queen.
1:26:15 > 1:26:17But being the Queen of Broadway tops it all.
1:26:17 > 1:26:19It must.
1:26:19 > 1:26:21And your place - it is so cute.
1:26:21 > 1:26:24I know, I love it.
1:26:24 > 1:26:25It's home.
1:26:25 > 1:26:27- PEYTON:- Hey, Sharpay. - Boi!
1:26:27 > 1:26:29Boi!
1:26:29 > 1:26:31Boi! Boi!
1:26:31 > 1:26:34Sorry, he likes to visit the neighbours. Boi!
1:26:37 > 1:26:39Whoa!
1:26:40 > 1:26:43Sharpay? Hey!
1:26:43 > 1:26:46Sharpay?!
1:26:46 > 1:26:49- Hello? - KNOCKS:
1:26:49 > 1:26:51Anyone?
1:26:52 > 1:26:53Help!