The Fugitive

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0:01:46 > 0:01:48The following photoplay is timeless.

0:01:48 > 0:01:50The story is a true story.

0:01:50 > 0:01:56It is also a very old story that is first told in the Bible.

0:01:56 > 0:01:58It is timeless and topical.

0:01:58 > 0:02:01It is still being played in many parts of the world.

0:02:01 > 0:02:06This picture was made in our neighbouring republic of Mexico

0:02:06 > 0:02:09at the kind invitation of the Mexican government

0:02:09 > 0:02:14and motion picture industry. But the locale is not Mexico,

0:02:14 > 0:02:17nor is it supposed to be confused with Mexico.

0:02:17 > 0:02:23It is merely a small state, a thousand miles north or south of the Panama Canal

0:02:23 > 0:02:25Who knows?

0:03:23 > 0:03:25HINGES CREAK

0:05:07 > 0:05:09Who are you?

0:05:10 > 0:05:12Why are you here?

0:05:15 > 0:05:18I belong here.

0:05:20 > 0:05:22No.

0:05:25 > 0:05:27No.

0:05:28 > 0:05:32I know all the men in this village.

0:05:37 > 0:05:40Are you from the...police?

0:05:40 > 0:05:42I'm hiding from the police.

0:05:44 > 0:05:46Oh...

0:05:46 > 0:05:48You're a criminal.

0:05:48 > 0:05:51Did you steal?

0:05:51 > 0:05:53Or did you kill somebody?

0:05:53 > 0:05:55No.

0:05:59 > 0:06:01I'm a priest.

0:06:01 > 0:06:03This was my church.

0:06:07 > 0:06:09Please.

0:06:16 > 0:06:18What's your name?

0:06:18 > 0:06:22Maria Dolores.

0:06:22 > 0:06:24And your baby's name?

0:06:24 > 0:06:26My name. Maria Dolores.

0:06:26 > 0:06:28And your husband?

0:06:31 > 0:06:33I have no husband, Father.

0:06:36 > 0:06:39This one has not been baptised.

0:06:41 > 0:06:43Could you give her a name, Father?

0:06:43 > 0:06:47So when she grows up to be married in a church

0:06:47 > 0:06:50she can be called by name.

0:06:52 > 0:06:55Will there be churches again, Father?

0:06:55 > 0:06:57We must hope so.

0:06:57 > 0:07:00In the village they have no hope.

0:07:00 > 0:07:04They say the priests have all left us,

0:07:04 > 0:07:07that the Church is dead.

0:07:07 > 0:07:11In the village are many babies that have not been baptised.

0:07:11 > 0:07:15Is that why you have been sent here, Father?

0:07:19 > 0:07:21Perhaps.

0:07:22 > 0:07:24But you are not afraid.

0:07:24 > 0:07:27Yes. I am afraid.

0:07:48 > 0:07:52Go and summon the others. Tell them to bring their babies.

0:07:52 > 0:07:56They would not come for me, Father.

0:07:56 > 0:07:58The men, yes.

0:07:58 > 0:08:01The women, no.

0:08:06 > 0:08:09Perhaps they will come for me.

0:08:29 > 0:08:31BELL CLANGS

0:08:47 > 0:08:49BELL CLANGS

0:09:05 > 0:09:07BELL CLANGS

0:09:07 > 0:09:09SHE MOUTHS

0:10:25 > 0:10:29# Agua bendita

0:10:29 > 0:10:32# Agua bendita

0:10:32 > 0:10:36# Sol de la gloria

0:10:36 > 0:10:38# Sol de la gloria

0:10:38 > 0:10:42# Dulce promesa

0:10:42 > 0:10:43# Dulce promesa

0:10:43 > 0:10:50# Promesa

0:10:50 > 0:10:56# Lava mi culpa

0:10:56 > 0:10:59# Lava mi culpa

0:10:59 > 0:11:02# Cuida mi alma

0:11:02 > 0:11:04# Cuida mi alma

0:11:04 > 0:11:06# Dame la luna

0:11:06 > 0:11:08# Dame la luna

0:11:08 > 0:11:10# Y la devocion

0:11:10 > 0:11:13# Y la devocion

0:11:17 > 0:11:19# Con este alma

0:11:19 > 0:11:23# Con este alma

0:11:23 > 0:11:25# Le salvaremos

0:11:25 > 0:11:27# Le salvaremos

0:11:27 > 0:11:30# Con tu esperanza

0:11:30 > 0:11:32# Con tu esperanza

0:11:33 > 0:11:37# Y tu caridad

0:11:37 > 0:11:40# Agua bendita

0:11:40 > 0:11:43# Agua bendita

0:11:43 > 0:11:47# Cuerda del cielo

0:11:47 > 0:11:49# Salva nuestra

0:11:49 > 0:11:54# Salvanos, nuestra, nuestra

0:11:56 > 0:12:01- # Felicidad - # Felicidad

0:12:11 > 0:12:17CHORUS: # Agua bendita

0:12:17 > 0:12:23# Cuerda del cielo

0:12:23 > 0:12:28# Agua bendita... #

0:12:40 > 0:12:43Maria Dolores, I baptise thee...

0:12:45 > 0:12:47FOGHORN BLARES

0:13:36 > 0:13:39FOGHORN BLARES

0:13:54 > 0:13:56FOGHORN BLARES

0:16:10 > 0:16:13Atteeention!

0:16:19 > 0:16:21Detail...

0:16:21 > 0:16:23diiis-mount!

0:16:27 > 0:16:30Diiis-missed!

0:16:50 > 0:16:52Where's the chief of police?

0:16:52 > 0:16:54I wouldn't know.

0:16:59 > 0:17:01You...get out of here!

0:17:01 > 0:17:04All right. Bring these people in.

0:17:11 > 0:17:14- Drunk and disorderly. - Fine five pesos.

0:17:14 > 0:17:20- Drunk and disorderly.- Five pesos. - Alcohol in his possession.- 20 pesos.

0:17:20 > 0:17:22Your excellency, I have no money.

0:17:23 > 0:17:25I am not "your excellency"!

0:17:25 > 0:17:27Won't you people ever learn?

0:17:27 > 0:17:29I'm an Indian like you are.

0:17:29 > 0:17:31Like you. And like you.

0:17:31 > 0:17:33And I'm proud of it.

0:17:33 > 0:17:36Stand up straight.

0:17:36 > 0:17:39Let him work it off cleaning out the cells.

0:17:44 > 0:17:46Wearing a holy medal under his shirt.

0:18:01 > 0:18:0360 days in the bull pen.

0:18:05 > 0:18:07What of the rest?

0:18:07 > 0:18:09All drunk.

0:18:09 > 0:18:13- Dismiss them.- OK. Come on, outside. Come on. Hurry up.

0:18:13 > 0:18:16Everybody outside. Hurry up.

0:18:16 > 0:18:18CHEERING

0:18:26 > 0:18:28Thank you for doing my work.

0:18:28 > 0:18:32Somebody's got to carry on. Well, where were you?

0:18:32 > 0:18:34With the governor.

0:18:34 > 0:18:36He's in splendid health.

0:18:36 > 0:18:39You don't look very happy.

0:18:39 > 0:18:43The governor and I are friends. We understand each other.

0:18:43 > 0:18:45He asked a few questions about you.

0:18:45 > 0:18:47About me? What about me?

0:18:47 > 0:18:51Well, he had a copy of your report on his desk.

0:18:51 > 0:18:54You know how he feels about the clergy.

0:18:54 > 0:18:58I feel the same way. We shot the last priest six months ago.

0:18:58 > 0:19:02- The governor doesn't think so. - Well, he's wrong!

0:19:02 > 0:19:05The last priest was shot six months ago.

0:19:05 > 0:19:09Do you wish to argue with the governor? That's stupid.

0:19:09 > 0:19:13He gets information we don't get. There's no doubt about it.

0:19:13 > 0:19:17What's the name of this priest?

0:19:17 > 0:19:21What's his village? What's his parish? Where was he born?

0:19:21 > 0:19:26That's the trouble. Nobody knows anything when it comes to these traitors.

0:19:26 > 0:19:30Nobody talks. No-one knows their name.

0:19:30 > 0:19:33They go from village to village. People hide them.

0:19:33 > 0:19:38Superstitious fools. They'd do anything to hide a priest.

0:19:38 > 0:19:41How can we find a man without a photograph?

0:19:41 > 0:19:43The governor says we have got one.

0:19:51 > 0:19:55You can tell he's a priest by the collar, that's all.

0:19:55 > 0:19:57The picture's the best we have.

0:19:57 > 0:20:00They look alike. I've shot him a dozen times.

0:20:17 > 0:20:20We must have him before the rains come.

0:20:20 > 0:20:23I know how to get this man before the rains come.

0:20:23 > 0:20:26Do you know what I'll do? Take hostages.

0:20:26 > 0:20:29Take a hostage from every village.

0:20:29 > 0:20:31And if the people don't report him,

0:20:31 > 0:20:34if they don't turn him in, shoot the hostages.

0:20:34 > 0:20:37Then take more. It'll cost lives, yes,

0:20:37 > 0:20:40but we've got to drive these people out of the country.

0:21:17 > 0:21:19HE PLAYS GUITARRILLO

0:21:22 > 0:21:24# Pobrecito guajirito

0:21:24 > 0:21:26# Pobrecito guajirito

0:21:26 > 0:21:33# Que se queda sin cena

0:21:36 > 0:21:38# Por en tarde enamorado

0:21:38 > 0:21:40# Lo teniamos encerrado

0:21:40 > 0:21:44# Y lo vamos a matar

0:21:47 > 0:21:49# La vecina de Gonchuto

0:21:49 > 0:21:51# Dice que le gusta mucho

0:21:51 > 0:21:55# Porque es muy facil amar

0:21:59 > 0:22:01# Pues cantaba siendo nueva

0:22:01 > 0:22:03# A las cuatro de la gaviota

0:22:03 > 0:22:08# Que teniamos amado? #

0:22:40 > 0:22:42WHOOPING

0:22:50 > 0:22:52GIRL SCREAMS

0:22:59 > 0:23:01SCREAMING

0:25:27 > 0:25:29HE LAUGHS

0:25:34 > 0:25:36BABY CRIES

0:26:22 > 0:26:24What are you doing here?

0:26:24 > 0:26:28Why did you leave your village?

0:26:28 > 0:26:30My father made me leave...

0:26:32 > 0:26:34..after you left.

0:26:37 > 0:26:39I meant to come back.

0:26:39 > 0:26:42I had work to do.

0:26:42 > 0:26:46We're making a better world, Maria Dolores... For him, too.

0:26:46 > 0:26:50It's a girl... Like me.

0:26:52 > 0:26:54What's her name?

0:26:54 > 0:26:56My name.

0:26:56 > 0:26:59Maria Dolores.

0:27:12 > 0:27:14How do you live?

0:27:14 > 0:27:16Do you work?

0:27:23 > 0:27:26I work...in the canteen.

0:27:27 > 0:27:30Ah, Lieutenant.

0:27:30 > 0:27:34Ay, you, what are you doing here? Get out of here!

0:27:34 > 0:27:36BABY CRIES

0:27:54 > 0:27:57I've got them all corralled in the plaza.

0:28:22 > 0:28:25Are you the head man of the village?

0:28:25 > 0:28:29- Si, senor.- You know what we're here for, don't you?

0:28:29 > 0:28:31We're looking for the priest.

0:28:31 > 0:28:33Do you know what a priest is?

0:28:33 > 0:28:36A traitor to the state.

0:28:36 > 0:28:40Anyone who hides him is a traitor, too.

0:28:40 > 0:28:43I know he's here. This was his village.

0:28:43 > 0:28:46Up there was his church.

0:28:46 > 0:28:48This is a very rich village.

0:28:48 > 0:28:50It has lots of wax candles.

0:28:50 > 0:28:54They were burned last night. There was water in the font.

0:28:56 > 0:28:59Where's the priest? Point him out.

0:28:59 > 0:29:02You superstitious fools.

0:29:02 > 0:29:05Do you still believe what the priests told you?

0:29:05 > 0:29:09All they wanted was money. What did they give you?

0:29:09 > 0:29:13Anything to eat? Did they feed your children? No!

0:29:13 > 0:29:15They filled you full of lies.

0:29:15 > 0:29:19They talked about heaven, and said to be meek and humble.

0:29:19 > 0:29:22Everything would be fine when you die.

0:29:22 > 0:29:24They want you to die, not live.

0:29:24 > 0:29:29They preach against the revolution because we want you to live, not die.

0:29:29 > 0:29:32Where's the priest? Point him out.

0:29:34 > 0:29:37There's a reward of £1,000 pesos. Point him out!

0:29:39 > 0:29:41Why don't you trust me?

0:29:41 > 0:29:45I'll find this priest. Do you know why?

0:29:45 > 0:29:50We're taking hostages. Give up the priest, or we'll shoot them.

0:29:50 > 0:29:52Can't you see I'm one of you?

0:29:52 > 0:29:55I'm doing this for your own good.

0:29:55 > 0:29:57This priest is a coward.

0:29:57 > 0:30:01If he was half the man you think, he'd give himself up to save you.

0:30:01 > 0:30:04Is it worth hiding a man like this?

0:30:04 > 0:30:06Why don't you trust me? Give him up.

0:30:06 > 0:30:09I don't want to see any of you die.

0:30:09 > 0:30:14You're my own people. Can't you understand I want to give you everything?

0:30:18 > 0:30:20All right.

0:30:20 > 0:30:22I'll take you.

0:30:22 > 0:30:25No! No!

0:30:25 > 0:30:27No.

0:30:27 > 0:30:29No.

0:30:29 > 0:30:33Your excellency, take me.

0:30:33 > 0:30:35Why should I take you?

0:30:37 > 0:30:41He has a family. They need him. I'm no good. Take me.

0:30:41 > 0:30:45If you're no good as a man, you're no good as a hostage.

0:31:30 > 0:31:32What will you do now, Father?

0:31:33 > 0:31:36I'll go to Puerto Grande.

0:31:36 > 0:31:38Sell the mule.

0:31:40 > 0:31:42Take a boat. Get out of the country.

0:31:47 > 0:31:50It's better that I go, Maria Dolores.

0:31:52 > 0:31:55I haven't been a good priest.

0:31:57 > 0:32:00I don't understand, Father.

0:32:01 > 0:32:04I'm afraid I don't understand myself.

0:32:10 > 0:32:13Be careful of the police, Father.

0:34:24 > 0:34:27Oh, what a fine mule.

0:34:27 > 0:34:30A beautiful mule.

0:34:30 > 0:34:32You must be rich.

0:34:32 > 0:34:35Have you come a long way?

0:34:35 > 0:34:39- How far is it to Puerto Grande? - Two or three days.

0:34:39 > 0:34:43With a mule like that, maybe one day.

0:34:43 > 0:34:45Why do you want to go to Puerto Grande?

0:34:45 > 0:34:47I have business there.

0:34:52 > 0:34:54What a beautiful bag.

0:34:55 > 0:34:58What do you have in the bag?

0:34:58 > 0:35:00Jewels? Money?

0:35:04 > 0:35:06A pistol, maybe.

0:35:06 > 0:35:09Who is that man?

0:35:09 > 0:35:11El Gringo. A very brave man.

0:35:11 > 0:35:15He held up a gringo bank - stole 100, killed two or three people.

0:35:15 > 0:35:19- Very brave.- Who put that up there?

0:35:19 > 0:35:21Why, the police. That's their business.

0:35:21 > 0:35:24How long ago were they here?

0:35:24 > 0:35:28Oh, two or three days. Don't worry. They won't come back.

0:35:28 > 0:35:30Do you think I'm worried?

0:35:32 > 0:35:34Why do you ask about the police?

0:35:39 > 0:35:42I'm sorry if I offended you about the police.

0:35:42 > 0:35:46Don't go. Stay. It's better. The river - it's nice.

0:35:46 > 0:35:48It's too hot to travel!

0:36:34 > 0:36:37Ah, you went so fast, you almost lost me.

0:36:37 > 0:36:41- What do you want?- I'm going to Puerto Grande on business.

0:36:41 > 0:36:45It's more safe to travel together. Me, I can protect you.

0:36:45 > 0:36:48You wouldn't refuse me, would you, sir?

0:36:48 > 0:36:52- Why did you call me sir? - I can see you are an educated man.

0:36:52 > 0:36:57But you're tired. There's a place we can stop and you can sleep.

0:36:57 > 0:37:01- I'm in a hurry.- Why? It's not good. It's dangerous to travel at night.

0:37:01 > 0:37:05Gringos, wild animals, snakes - they eat you up.

0:37:05 > 0:37:09- They never touch me because I am a poor man.- I am a poor man.

0:37:09 > 0:37:14Oh, no, you have a mule, costly clothes, a rich bag full of money.

0:37:14 > 0:37:16But you have no gun to protect you.

0:37:27 > 0:37:29Oh, you have a light.

0:37:29 > 0:37:31Isn't it beautiful?

0:37:33 > 0:37:35A wax candle.

0:37:35 > 0:37:37They cost a lot... real wax.

0:37:37 > 0:37:41It's the kind they used to have in the churches.

0:37:41 > 0:37:43I haven't seen one since the old days.

0:37:51 > 0:37:54That makes everything fine.

0:37:58 > 0:38:01It's nice to be comfortable.

0:38:01 > 0:38:03It must be wonderful to be rich.

0:38:05 > 0:38:08Go ahead, sleep. You're tired.

0:38:08 > 0:38:10I will watch.

0:38:10 > 0:38:12I'm never tired.

0:38:14 > 0:38:16Why are you going to the city?

0:38:16 > 0:38:20I'm keeping you company. I'm protecting you.

0:38:21 > 0:38:23I'm your guide.

0:38:23 > 0:38:26You said you had business there.

0:38:26 > 0:38:30Me?! When did I say that? Why should I tell you lies?

0:38:32 > 0:38:36I'm giving up my time to help you, to guide you.

0:38:36 > 0:38:38You would get lost.

0:38:38 > 0:38:42You don't trust me, just because I'm trying to do you a good turn!

0:38:46 > 0:38:50Because I'm trying to be a good Christian you don't trust me.

0:38:54 > 0:38:56You don't trust me.

0:39:39 > 0:39:42Ah, good wine. I never had wine like that before.

0:39:44 > 0:39:47What a lovely taste.

0:39:47 > 0:39:52It's against the law to have wine. See, I'm protecting you.

0:39:52 > 0:39:55What's the matter?

0:39:55 > 0:39:57It wasn't consecrated, was it?

0:39:57 > 0:39:59The wine wasn't blessed...

0:39:59 > 0:40:01was it, Father?

0:40:01 > 0:40:06- Why do you call me "father"?- Don't be afraid. I'm a good Christian.

0:40:06 > 0:40:09You're wrong.

0:40:09 > 0:40:12I can find out easily, can't I?

0:40:12 > 0:40:15All I have to say is, "Hear my confession, Father."

0:40:18 > 0:40:21Bless me, Father, for I have sinned.

0:40:21 > 0:40:25You cannot refuse a man in mortal sin, can you, Father?

0:40:25 > 0:40:27The light! Don't!

0:40:27 > 0:40:29Don't! Father!

0:40:29 > 0:40:31Father!

0:40:31 > 0:40:33Father!

0:40:59 > 0:41:01FOGHORN BLARES

0:41:43 > 0:41:45One third class.

0:41:45 > 0:41:47FOGHORN BLARES

0:41:52 > 0:41:54Well?

0:41:54 > 0:41:58- My change. I have six pesos coming. - What change?

0:41:58 > 0:42:00Do you accuse me of being a thief?

0:42:00 > 0:42:02Move on. Move on!

0:42:06 > 0:42:08HE BLOWS WHISTLE

0:42:37 > 0:42:40FOGHORN BLARES

0:42:48 > 0:42:50< Father?

0:42:58 > 0:43:00< Father!

0:43:05 > 0:43:07Please, Father.

0:43:19 > 0:43:21Why do you call me "father"?

0:43:21 > 0:43:23Don't you know me, Father?

0:43:23 > 0:43:25I'm Luis.

0:43:25 > 0:43:28You gave me first communion.

0:43:28 > 0:43:30My mother, she...she is dying.

0:43:30 > 0:43:32HORN BLARES

0:43:47 > 0:43:50SHIP'S BELL RINGS

0:44:06 > 0:44:08FOGHORN BLARES

0:45:34 > 0:45:36INCIDENTAL MUSIC DROWNS SPEECH

0:46:33 > 0:46:35I have no wine for the Mass.

0:46:37 > 0:46:40Is there any in the house?

0:46:40 > 0:46:42It's forbidden, Father.

0:46:43 > 0:46:45I can't say Mass without wine.

0:47:13 > 0:47:15It would be better if I went with him.

0:47:19 > 0:47:21ANIMATED CONVERSATION

0:47:31 > 0:47:33ORGAN-GRINDER PLAYS

0:47:49 > 0:47:51ORGAN DROWNS SPEECH

0:47:51 > 0:47:56HE MOUTHS

0:48:09 > 0:48:11ORGAN-GRINDER STOPS PLAYING

0:48:21 > 0:48:23MUSIC FROM RECORD PLAYER

0:48:47 > 0:48:49BELL RINGS

0:48:49 > 0:48:53He's a very big man. He's a cousin of the governor.

0:48:53 > 0:48:55He can get you brandy.

0:48:55 > 0:48:58- I don't want brandy. - What do you want?

0:48:58 > 0:49:01- I told you - wine. - Wine is hard to get.

0:49:01 > 0:49:03It's got to be wine.

0:49:06 > 0:49:08So, you want some brandy, do you?

0:49:08 > 0:49:10It's against the law.

0:49:10 > 0:49:12Not brandy. I don't want brandy.

0:49:12 > 0:49:17Isn't beer good enough for you? I could have you arrested.

0:49:17 > 0:49:22- I wouldn't have troubled you if this man hadn't told me. - Hey! Just a minute.

0:49:22 > 0:49:24Come here.

0:49:24 > 0:49:27I'm not a hard man. Sit down. Sit down.

0:49:27 > 0:49:29To the contrary,

0:49:29 > 0:49:31I always try to oblige my friends...

0:49:31 > 0:49:34when it is in my power and does no harm.

0:49:34 > 0:49:36I have a position.

0:49:36 > 0:49:40You understand? This drink comes to me legally.

0:49:40 > 0:49:43- Of course. - I charge what they cost me.

0:49:43 > 0:49:46- Of course. - Otherwise I would be a ruined man.

0:49:46 > 0:49:49Of course, your excellency.

0:49:49 > 0:49:51Are you a talker?

0:49:51 > 0:49:54He's my cousin. Not directly, by marriage.

0:49:54 > 0:49:57His wife is related to my uncle's sister.

0:49:57 > 0:50:01I don't mind you're telling the right people, understand?

0:50:15 > 0:50:19- Here. This is good stuff. - That's brandy, excellency.

0:50:19 > 0:50:23- Very good brandy.- But I don't want brandy. I want wine.

0:50:23 > 0:50:26In these days you take what you get.

0:50:27 > 0:50:30I think I'd rather have my 20 pesos back.

0:50:30 > 0:50:32- How much?- 20 pesos.

0:50:35 > 0:50:37Ugh!

0:50:40 > 0:50:42How about two bottles of brandy?

0:50:42 > 0:50:45One brandy and one wine, excellency, please.

0:50:45 > 0:50:50- It's the finest brandy. - I'm a wine drinker. I long for wine.

0:50:50 > 0:50:52How about a bottle of gin?

0:50:52 > 0:50:54Oh, no. Wine, excellency, please.

0:51:09 > 0:51:14I was saving this for the chief of police. He's a great lover of wine.

0:51:14 > 0:51:18- Take it or leave it. - Thank you, excellency. Thank you.

0:51:19 > 0:51:22Will you honour us by having a drink with us?

0:51:22 > 0:51:26I don't mind. It's a hot night. I'll fix you up.

0:51:29 > 0:51:31Ah, here we are. Here we are.

0:51:34 > 0:51:36Ah, no. Wait, wait.

0:51:36 > 0:51:38It's too hot for brandy.

0:51:38 > 0:51:42I haven't had a glass of wine in a long time.

0:51:43 > 0:51:47Come here. You don't mind if we sample it, do you?

0:51:47 > 0:51:49Of course he don't mind.

0:51:49 > 0:51:53He wants wine. You don't care where you drink it, eh, cousin?

0:51:55 > 0:51:59- Ah, here we are. - If you'll excuse me, I think I'll have brandy.

0:51:59 > 0:52:01THEY BOTH LAUGH

0:52:01 > 0:52:06What did I tell you? Brandy is what he wanted all the time. I knew it.

0:52:07 > 0:52:10Here's to a great man, our governor.

0:52:11 > 0:52:13Very good.

0:52:13 > 0:52:15To my cousin, on my mother's side.

0:52:17 > 0:52:22HE SINGS: "Largo Al Factotum, The Barber Of Seville" by Rossini

0:52:22 > 0:52:23# Figaro

0:52:23 > 0:52:25# Figaro

0:52:25 > 0:52:27# Figaro, figaro, figaro... #

0:52:27 > 0:52:29Shut up!

0:52:29 > 0:52:31# Figaro...! #

0:52:31 > 0:52:35Care for another drink, excellency?

0:52:35 > 0:52:36# If you cheat

0:52:36 > 0:52:39# If you cheat

0:52:39 > 0:52:41# I'll try the wine now

0:52:41 > 0:52:44# It's smoother than the brandy. #

0:52:44 > 0:52:46Excellency, here you are.

0:52:46 > 0:52:48Please.

0:52:48 > 0:52:50Cousin, what's wrong?

0:52:50 > 0:52:52I'll take some of that wine home.

0:52:52 > 0:52:54- What for?- For my friend.

0:52:54 > 0:52:56Oh, you have a friend?

0:52:56 > 0:52:58Once I had a friend myself.

0:52:58 > 0:53:00My mother.

0:53:00 > 0:53:03Sit down here, I'll tell you all about it.

0:53:03 > 0:53:06Although now she's dead, you know.

0:53:06 > 0:53:08Oh? With your permission?

0:53:08 > 0:53:11Thank you. Thank you very much.

0:53:13 > 0:53:15I think I'll try another one.

0:53:15 > 0:53:19In fact, in the future I'll drink nothing else but wine.

0:53:19 > 0:53:21How about yourself?

0:53:21 > 0:53:24No, thank you. The brandy is much better.

0:53:24 > 0:53:26That's right.

0:53:26 > 0:53:28That's right! I'll try both.

0:53:28 > 0:53:29# Oh-oh

0:53:29 > 0:53:36# Oh, oh, oh, try both. #

0:53:36 > 0:53:38WOMAN LAUGHS

0:53:44 > 0:53:46Come in, come in.

0:53:46 > 0:53:50Ah, never mind. We are having a little private party.

0:53:50 > 0:53:53Care for a little drink? What have you got?

0:53:53 > 0:53:57Wine and brandy. Try both. Very smooth.

0:53:57 > 0:54:00What the gringos call a cocktail, I believe.

0:54:01 > 0:54:03< Well, I don't mind.

0:54:05 > 0:54:07This gentleman isn't drinking.

0:54:07 > 0:54:09Oh, here, here.

0:54:09 > 0:54:12Here, have a sip.

0:54:12 > 0:54:14Have a sip.

0:54:14 > 0:54:16That's the thing.

0:54:16 > 0:54:18That'll cheer you up.

0:54:18 > 0:54:20Another one.

0:54:20 > 0:54:22Like a real man.

0:54:23 > 0:54:25HE COUGHS

0:54:26 > 0:54:28< ORGAN MUSIC

0:54:31 > 0:54:34< GOVERNOR'S COUSIN: We want singing!

0:54:35 > 0:54:38< GOVERNOR'S COUSIN SINGS

0:54:38 > 0:54:40< # Figaro!

0:54:40 > 0:54:42< # Figaro. #

0:54:42 > 0:54:45CACOPHONY OF MUSIC AND SINGING

0:54:59 > 0:55:01HE COUGHS

0:55:16 > 0:55:18Brandy, eh?

0:55:18 > 0:55:20Let's go.

0:55:25 > 0:55:28Take him to the bull pen.

0:55:28 > 0:55:30Attention!

0:55:32 > 0:55:34- Another one?- Brandy, sir.

0:55:34 > 0:55:36Brandy? I see no brandy.

0:55:36 > 0:55:40- You can smell it. - I can smell your breath.

0:55:40 > 0:55:42Take his name, Sergeant.

0:55:42 > 0:55:44Get up!

0:55:47 > 0:55:49Bull pen.

0:55:58 > 0:56:00Haven't I seen you before?

0:56:20 > 0:56:22Get up!

0:56:28 > 0:56:30SHRIEKING AND WAILING

0:56:35 > 0:56:37SHRIEKING CONTINUES

0:57:20 > 0:57:23MARTIAL DRUM BEAT

0:58:01 > 0:58:03What are you doing here, Father?

0:58:03 > 0:58:06Who caught you? Who gets the reward?

0:58:06 > 0:58:10- The man who caught me, I suppose. - Who? Who!- The police.

0:58:10 > 0:58:13Traitors! So that's why they got me drunk.

0:58:13 > 0:58:15Don't believe a soul these days.

0:58:15 > 0:58:18Father, you're an educated man. Advise me.

0:58:18 > 0:58:21- Where are they taking him? - Forget him.

0:58:21 > 0:58:23I'm poor. I have much to worry about.

0:58:23 > 0:58:28- It's your duty to help me. - Tell them now. They'll give you something.

0:58:28 > 0:58:32Something! Why shouldn't I get it all, Father? It's mine.

0:58:32 > 0:58:35Help me, advise me.

0:58:35 > 0:58:37Hey, you. Come here.

0:58:39 > 0:58:41The captain wants to see you.

0:58:41 > 0:58:46- Where are they taking HIM? - Through the town. It impresses the people.

0:58:46 > 0:58:48Stay away from that man.

0:58:48 > 0:58:51Brandy, eh?

0:58:53 > 0:58:55Very, very serious.

0:58:55 > 0:58:57Against the law, you know.

0:58:58 > 0:59:01Where's the evidence?

0:59:03 > 0:59:05Oh, yes.

0:59:05 > 0:59:08The lieutenant broke the bottle. Too bad.

0:59:08 > 0:59:10Ask him where he got it.

0:59:10 > 0:59:12At the Hotel Splendide.

0:59:12 > 0:59:15A poor man like this? At the Splendide?

0:59:16 > 0:59:19You got it from a stranger, didn't you?

0:59:19 > 0:59:21Yes.

0:59:21 > 0:59:23You don't know his name, do you?

0:59:23 > 0:59:25No.

0:59:25 > 0:59:27< HE CLICKS HEELS

0:59:29 > 0:59:31He work all his time?

0:59:31 > 0:59:33He's all right.

0:59:40 > 0:59:42Dismissed.

0:59:48 > 0:59:50All right, fella. All right.

1:00:09 > 1:00:11Father, here I am.

1:00:11 > 1:00:13TINKLE OF COINS

1:00:16 > 1:00:18Father!

1:00:18 > 1:00:20Father!

1:00:39 > 1:00:41Father!

1:00:46 > 1:00:48Father!

1:00:58 > 1:01:00DOG BARKS

1:01:06 > 1:01:08Father!

1:01:08 > 1:01:10Father!

1:01:10 > 1:01:13Did you see the priest? I mean, a man.

1:01:13 > 1:01:16I was a rich man. I had a million pesos.

1:01:16 > 1:01:18Why did I trust him?

1:01:18 > 1:01:20Father!

1:02:07 > 1:02:10MAN SINGS SONG

1:02:12 > 1:02:19# Ya me voy porque tu ya no me quires

1:02:19 > 1:02:25# Como yo te quiro

1:02:29 > 1:02:38# Adios, chaparita...

1:02:48 > 1:02:53# Yo me voy para tierras muy lejanas

1:02:55 > 1:03:01# Y ya nunca volvere

1:03:05 > 1:03:13# Adios, mi vida

1:03:15 > 1:03:27# La causa de mi dolores

1:03:27 > 1:03:33# La vere entre

1:03:33 > 1:03:38# Las flores

1:03:38 > 1:03:45# Y al cantarte mis dolores

1:03:45 > 1:03:51# Mi carino, pues...

1:03:51 > 1:03:58# Adios. #

1:04:33 > 1:04:36It's OK, sister. Give the change to...

1:04:56 > 1:04:58Good night, Father.

1:05:20 > 1:05:22Please.

1:05:23 > 1:05:27Father, we thought you had gone.

1:05:27 > 1:05:30We thought you had left this land.

1:05:30 > 1:05:32It was not to be.

1:05:34 > 1:05:36You must get over the mountains.

1:05:36 > 1:05:39That's the only way now.

1:05:40 > 1:05:42I'll go with you.

1:05:42 > 1:05:44We must start right away.

1:05:46 > 1:05:48If I could sleep...

1:05:48 > 1:05:50I'll get you some food.

1:05:50 > 1:05:52But we must start right away.

1:05:53 > 1:05:55Please.

1:06:19 > 1:06:22I'm going with you because I know the way.

1:06:22 > 1:06:25Besides, we will be in less danger.

1:06:25 > 1:06:30They will think I'm your wife and Maria Dolores your baby.

1:06:37 > 1:06:40I hope you're not offended, Father.

1:06:42 > 1:06:44Are you?

1:06:46 > 1:06:48You're not angry, Father?

1:07:07 > 1:07:09BABY CRIES

1:07:16 > 1:07:18Ssshh.

1:07:29 > 1:07:31COCK CROWS

1:07:41 > 1:07:45DOG BARKS

1:07:48 > 1:07:50HORSES APPROACH

1:07:54 > 1:07:56Father!

1:07:56 > 1:07:59HORSES PASS BY

1:08:04 > 1:08:06< WHOOPING

1:08:37 > 1:08:39What's in there?

1:08:39 > 1:08:41My baby. Please! She's asleep.

1:08:49 > 1:08:51Keep watch for New Boots, will you?

1:08:53 > 1:08:57What have you got under here? A priest, maybe?

1:08:58 > 1:09:00Maybe a sergeant.

1:09:00 > 1:09:03Maybe a drink for a sergeant, huh?

1:09:29 > 1:09:31BABY CRIES

1:09:39 > 1:09:42Viejo!

1:09:42 > 1:09:46How about a little cup, eh?

1:09:59 > 1:10:01MAN PLAYS GUITAR

1:10:07 > 1:10:09Hey, what have you got in there?

1:10:11 > 1:10:14A kiss for a sergeant maybe, huh?

1:10:21 > 1:10:23Perhaps.

1:10:33 > 1:10:36Awful noisy out here. Let's go inside.

1:10:37 > 1:10:39Come on. What are you afraid of?

1:10:40 > 1:10:43Don't you want me to dance for you?

1:10:43 > 1:10:45Dance?

1:10:45 > 1:10:47Sure. Why not?

1:10:48 > 1:10:50I can't dance in this dress.

1:10:50 > 1:10:52OK.

1:10:54 > 1:10:56Go ahead.

1:11:08 > 1:11:10Father! Father!

1:11:10 > 1:11:12It's the police.

1:11:12 > 1:11:14You must get away.

1:11:14 > 1:11:16Out through the cornfield.

1:11:16 > 1:11:19Get across the river and wait for me.

1:11:27 > 1:11:29BABY CRIES

1:11:35 > 1:11:37Ssshh!

1:11:38 > 1:11:40Sssshhh.

1:12:10 > 1:12:12GUITAR INTRO

1:12:34 > 1:12:36# Baila come si fuera en una guerra

1:12:36 > 1:12:38# Y no me quiso llorar

1:12:38 > 1:12:41# Y no me quiso llorar

1:12:41 > 1:12:44# Baila como si fuera en una guerra

1:12:44 > 1:12:46# Y diga a su companera Vamonos a madrugar... #

1:12:47 > 1:12:50Yeee-haa!

1:12:51 > 1:12:53WHOOPING

1:12:54 > 1:12:57# ..el caballos que estan en el camino... #

1:13:44 > 1:13:46What kind of men are you?

1:13:46 > 1:13:49Are you swine to be enticed by a girl who shows her legs?

1:13:49 > 1:13:52I'll have your stripes, Sergeant.

1:13:52 > 1:13:56And you. With your fancy dress and fair legs! What are you?

1:14:00 > 1:14:02What are you?

1:14:02 > 1:14:04Tell me.

1:14:19 > 1:14:21I don't know, Juan Raphael.

1:14:22 > 1:14:24What kind of a woman am I?

1:14:31 > 1:14:34Did I hurt you, Maria Dolores?

1:14:41 > 1:14:44No, Juan Raphael.

1:14:45 > 1:14:47No.

1:14:48 > 1:14:51GUNSHOTS

1:14:52 > 1:14:55They've found the priest. Let's go.

1:14:55 > 1:14:57HE BLOWS WHISTLE

1:15:04 > 1:15:06BABY CRIES

1:15:06 > 1:15:08Maria, quiet!

1:15:18 > 1:15:20Go on, Father. Beat it.

1:15:21 > 1:15:23POLICE WHISTLE

1:15:27 > 1:15:29GUNSHOTS

1:16:03 > 1:16:05BABY CRIES

1:16:09 > 1:16:12WHOOPING

1:16:18 > 1:16:20Get on the other side of that road.

1:16:20 > 1:16:22Get the priest!

1:17:03 > 1:17:05See anything?

1:17:49 > 1:17:51WHOOPING

1:19:42 > 1:19:44Five years.

1:19:44 > 1:19:46It's a long time.

1:19:46 > 1:19:48I know from experience.

1:19:48 > 1:19:50You've shown great courage, Father.

1:19:50 > 1:19:52Oh, no.

1:19:52 > 1:19:55No, it wasn't courage, Doctor.

1:19:55 > 1:19:57It was only pride.

1:19:57 > 1:19:59Yes, I see it now.

1:19:59 > 1:20:01It was pride.

1:20:02 > 1:20:07The first year, well, the whole thing seemed fantastic.

1:20:07 > 1:20:12I couldn't believe there was any real reason to leave the country.

1:20:12 > 1:20:15Things like that have happened before.

1:20:15 > 1:20:19I thought I'd stay a month and see if things got better.

1:20:19 > 1:20:22And another month. And another month.

1:20:22 > 1:20:24- You know how time goes by.- Yes.

1:20:26 > 1:20:28Then I began to lose grace.

1:20:29 > 1:20:31I began to have pride.

1:20:33 > 1:20:35I began to think I was a brave man.

1:20:36 > 1:20:39Who knows? A martyr.

1:20:40 > 1:20:44I suddenly realised I was the only priest left in the country.

1:20:44 > 1:20:47Those who weren't shot had left.

1:20:47 > 1:20:50I can't blame them. They were quite right to go.

1:20:50 > 1:20:56But in my growing pride, I couldn't understand that.

1:20:56 > 1:21:00- Dangerous.- Don't be so hard on yourself, Father.

1:21:00 > 1:21:02A man is entitled to a little pride.

1:21:04 > 1:21:06Not in my profession.

1:21:06 > 1:21:10I was building a fine lie and wearing it like a proud cloak.

1:21:13 > 1:21:15The strange thing is that,

1:21:15 > 1:21:18all the time,

1:21:18 > 1:21:21I knew in here I wasn't cut out to be a martyr.

1:21:21 > 1:21:23When the real test came,

1:21:23 > 1:21:25I couldn't measure up.

1:21:25 > 1:21:27I didn't have the courage.

1:21:27 > 1:21:29I was afraid to give myself up.

1:21:33 > 1:21:35I let men die for me.

1:21:35 > 1:21:37Innocent people.

1:21:37 > 1:21:40Doctor, it's time for Father's nap.

1:21:40 > 1:21:42Thank you.

1:21:49 > 1:21:51Thank you, Doctor.

1:22:13 > 1:22:15WINDOW OPENS

1:22:23 > 1:22:27Father, don't be frightened, Father. I'm your friend.

1:22:27 > 1:22:29I'm here on an errand of mercy.

1:22:29 > 1:22:33- Have you brought the police with you?- The police?

1:22:33 > 1:22:36No, I'm here to do good. Believe me, Father.

1:22:36 > 1:22:38I want to make up for my sins.

1:22:38 > 1:22:40I have two mules outside.

1:22:40 > 1:22:44Hurry, Father. The man is dying.

1:22:44 > 1:22:46What man?

1:22:46 > 1:22:50The gringo. The Americano. The man the police want.

1:22:50 > 1:22:52He robbed a bank.

1:22:52 > 1:22:54You know the man I mean.

1:22:54 > 1:22:58He's dying, Father. He wants you to come.

1:22:58 > 1:23:01You cannot refuse a man who is dying, Father.

1:23:01 > 1:23:04He has so much to confess.

1:23:04 > 1:23:06He's never betrayed his friends.

1:23:06 > 1:23:09Neither have I.

1:23:09 > 1:23:11Neither have I!

1:23:11 > 1:23:13You don't trust me.

1:23:13 > 1:23:15Go away. Do you think I'm a fool?

1:23:15 > 1:23:18The man is dying. He wants a priest.

1:23:18 > 1:23:20You're lying.

1:23:20 > 1:23:23No. No.

1:23:23 > 1:23:25I'll prove it.

1:23:39 > 1:23:41No, the other side.

1:23:52 > 1:23:55- Will he still be alive? - Yes! Yes, yes, Father.

1:24:00 > 1:24:03Father, did you call?

1:24:07 > 1:24:09Father?

1:24:42 > 1:24:44Beat it, Father.

1:24:44 > 1:24:48When did you last receive the sacraments?

1:24:48 > 1:24:50Ten...

1:24:50 > 1:24:5215 years, I guess.

1:24:53 > 1:24:56Beat it, Father.

1:24:56 > 1:24:58Don't you want to confess?

1:25:01 > 1:25:03No.

1:25:03 > 1:25:05No.

1:25:05 > 1:25:07You did when you wrote this.

1:25:09 > 1:25:12I...I didn't write that, Father.

1:25:13 > 1:25:15Beat it.

1:25:15 > 1:25:18Get out of here. Don't be a sap.

1:25:19 > 1:25:21- Remember...- Get away.

1:25:21 > 1:25:23You're dying.

1:25:23 > 1:25:28You're given this chance to confess. You won't have another.

1:25:33 > 1:25:35- Father...- Yes?

1:25:35 > 1:25:37Father,

1:25:37 > 1:25:41I can't get...get my gun

1:25:41 > 1:25:43under my shoulder.

1:25:44 > 1:25:47Get my gun, Father, you're going to need it.

1:25:49 > 1:25:51You have no gun.

1:25:52 > 1:25:54Lie still, it's not there.

1:25:54 > 1:25:56Listen to me.

1:25:56 > 1:25:58You believed once.

1:25:58 > 1:26:00Try and understand.

1:26:00 > 1:26:05This is your chance. Like the last moment. Like the thief on the cross.

1:26:05 > 1:26:09You've sinned but that only belongs to this life.

1:26:09 > 1:26:11Forget about me, Father.

1:26:11 > 1:26:13Skip it. Skip it! Take care...

1:26:22 > 1:26:24Uggh!

1:26:28 > 1:26:30Oh, merciful father,

1:26:30 > 1:26:33the souls of the departed

1:26:33 > 1:26:37through the mercy of God, rest in peace.

1:26:37 > 1:26:39Amen.

1:26:43 > 1:26:50# Promesa

1:26:51 > 1:26:54# Lava mi culpa

1:26:54 > 1:26:58# Lava mi culpa

1:26:58 > 1:27:01# Cuida mi alma

1:27:01 > 1:27:04# Cuida mi alma

1:27:04 > 1:27:06# Dame la luna

1:27:06 > 1:27:07# Dame la luna

1:27:07 > 1:27:10# Y la devocion

1:27:10 > 1:27:15# Y la devocion

1:27:18 > 1:27:21# Con este alma

1:27:21 > 1:27:23# Con este alma

1:27:23 > 1:27:26# Le salvaremos

1:27:26 > 1:27:27# Le salvaremos. #

1:27:27 > 1:27:29Have you finished?

1:27:29 > 1:27:31Yes, I've finished.

1:27:52 > 1:27:55You've been tried and found guilty.

1:27:55 > 1:28:00- Couldn't I have been present at my own trial? - It wouldn't have mattered.

1:28:00 > 1:28:02- I...- In the morning.

1:28:02 > 1:28:04I brought you a lamp.

1:28:09 > 1:28:12It's hard to be alone on a night like this.

1:28:12 > 1:28:14I'd rather be alone.

1:28:14 > 1:28:17I have so much to think about.

1:28:20 > 1:28:23May I ask you a question, Lieutenant?

1:28:23 > 1:28:25When did you lose your faith?

1:28:25 > 1:28:27When I found a better one.

1:28:27 > 1:28:29Look, Priest,

1:28:29 > 1:28:32I have nothing against you as a man.

1:28:32 > 1:28:34Oh, I know that.

1:28:34 > 1:28:36I'm the sort of man you lock up every day

1:28:36 > 1:28:39and give money to.

1:28:39 > 1:28:41I hate your arguments.

1:28:41 > 1:28:43If you see somebody in pain,

1:28:43 > 1:28:46you say, "Perhaps pain is a good thing."

1:28:46 > 1:28:50Now you're shivering in your boots because you're afraid of pain.

1:28:50 > 1:28:53But I'm not a saint.

1:28:53 > 1:28:55I'm not even a brave man.

1:28:56 > 1:28:58I'm a coward.

1:28:59 > 1:29:03The priesthood is large. It's tremendous.

1:29:03 > 1:29:05I was always too small for it.

1:29:05 > 1:29:07THUNDER CLAPS

1:29:16 > 1:29:18Do you know what's very strange?

1:29:19 > 1:29:22I'm beginning not to be afraid.

1:29:24 > 1:29:26Even you believe in God.

1:29:26 > 1:29:30- That's not true.- Of course you believe. That's why you're afraid.

1:29:30 > 1:29:35- You want to kill God but you can't do it.- That's a lot of nonsense.

1:29:35 > 1:29:37Don't tell me you're not afraid.

1:29:37 > 1:29:40- Listen, do you want to die?- No.

1:29:40 > 1:29:42I can help. I'll go to the governor.

1:29:42 > 1:29:47Renounce your faith. Tell the people you've been telling them lies.

1:29:47 > 1:29:49I'm sorry, Lieutenant.

1:30:01 > 1:30:04In the village

1:30:04 > 1:30:06there's an Indian woman,

1:30:07 > 1:30:09Maria Dolores.

1:30:09 > 1:30:11Yes, a good woman.

1:30:12 > 1:30:15You baptised her child, didn't you?

1:30:15 > 1:30:17Yes.

1:30:20 > 1:30:22Can I get you some brandy?

1:30:22 > 1:30:24It'll make it easier in the morning.

1:30:24 > 1:30:27That's very kind of you but no thanks.

1:30:27 > 1:30:29It'll make you forget.

1:30:29 > 1:30:31No.

1:30:31 > 1:30:33I want to live my death.

1:30:58 > 1:31:00Father!

1:31:03 > 1:31:05Father!

1:31:08 > 1:31:10CHORAL SINGING

1:32:28 > 1:32:30BUGLE PLAYS REVEILLE

1:32:54 > 1:32:56Ready.

1:33:04 > 1:33:06Get going.

1:33:19 > 1:33:21Well? That's the last one, eh?

1:33:23 > 1:33:26If you want me, I'll be in the Hotel Splendide.

1:33:34 > 1:33:36Squad, ho!

1:33:37 > 1:33:39About face!

1:33:56 > 1:33:58Are you all right?

1:33:58 > 1:34:00Yes, thank you.

1:34:10 > 1:34:13Forward, huh!

1:34:46 > 1:34:49Your blessing, Father. Your blessing.

1:34:49 > 1:34:52- You can't sell a blessing. - Forward!

1:34:52 > 1:34:55Go home and pray. Give the money to the poor.

1:34:55 > 1:34:57March!

1:35:29 > 1:35:31MUTTERED PRAYERS

1:35:46 > 1:35:48GUNSHOT

1:35:55 > 1:35:57GUNSHOT

1:36:14 > 1:36:16KNOCK ON DOOR

1:36:20 > 1:36:22KNOCK ON DOOR

1:36:38 > 1:36:40I am the new priest.

1:36:40 > 1:36:42I am Father Serra.

1:37:02 > 1:37:08Subtitles by Lisa Bloomer and Patrick McDonnell, ITFC, for BBC Subtitling - 2000

1:37:08 > 1:37:13E-mail us at subtitling@bbc.co.uk