0:00:00 > 0:00:06This film contains some scenes of a sexual nature.
0:00:14 > 0:00:16BELL TOLLING
0:00:16 > 0:00:19PIGEONS COOING
0:00:22 > 0:00:24Ha ha ha ha ha!
0:00:25 > 0:00:27Oh...
0:00:28 > 0:00:30Ha! Ha ha ha ha!
0:00:51 > 0:00:53Oh...
0:00:56 > 0:00:58(Take off your clothes.)
0:00:58 > 0:00:59What?
0:01:04 > 0:01:06I said, take off your clothes.
0:01:17 > 0:01:19But you saw everything last night.
0:01:20 > 0:01:23Mm, but I need to check something.
0:01:23 > 0:01:24Shh.
0:01:27 > 0:01:28Only for three seconds.
0:01:48 > 0:01:49The bastard.
0:01:49 > 0:01:51How does he do it?
0:01:51 > 0:01:521
0:01:52 > 0:01:532
0:01:53 > 0:01:553.
0:02:10 > 0:02:11I've got to go.
0:02:14 > 0:02:18Don't you ever spend the night at the woman's place?
0:02:21 > 0:02:22Never.
0:02:25 > 0:02:27What about when a woman's at your place?
0:02:31 > 0:02:34I tell her I get insomnia...
0:02:34 > 0:02:36anything.
0:02:37 > 0:02:39Besides, I have a very narrow bed.
0:02:42 > 0:02:45Are you afraid of women, Doctor?
0:02:49 > 0:02:50Of course.
0:02:54 > 0:02:56I really like you, Tomas.
0:02:56 > 0:02:59You are the complete opposite of kitsch.
0:03:00 > 0:03:01In the kingdom of kitsch,
0:03:01 > 0:03:04you would be...
0:03:04 > 0:03:06a monster.
0:03:08 > 0:03:09No, wait.
0:03:09 > 0:03:12Sabina, I've got to go.
0:03:12 > 0:03:13Ah!
0:03:13 > 0:03:15Ha ha ha!
0:03:22 > 0:03:24Oh...
0:03:24 > 0:03:25Oh...oh...
0:03:28 > 0:03:30No, wait. Wait.
0:03:41 > 0:03:43Ha ha!
0:03:43 > 0:03:45Now. What am I?
0:03:47 > 0:03:48Ha ha ha ha!
0:03:48 > 0:03:50Grrr...a monster.
0:05:17 > 0:05:19Room 6.
0:05:36 > 0:05:42HUMMING WITH BAND
0:05:54 > 0:05:56Here we go.
0:05:58 > 0:06:02DRILLING
0:06:02 > 0:06:06HUMMING
0:06:28 > 0:06:34WHISTLING
0:07:49 > 0:07:51SPLASH!
0:08:28 > 0:08:31SPEAKING CZECH
0:09:10 > 0:09:15Groaning
0:09:15 > 0:09:18Oh...
0:10:50 > 0:10:52HE MOUTHS
0:10:53 > 0:10:55HE MOUTHS
0:10:55 > 0:10:56Oh, cognac.
0:11:15 > 0:11:17Can you charge it to my room?
0:11:17 > 0:11:18Yes, of course.
0:11:20 > 0:11:22Oh, that's funny.
0:11:24 > 0:11:26You're in Room 6.
0:11:26 > 0:11:28So?
0:11:28 > 0:11:32And my shift finishes at 6:00.
0:11:35 > 0:11:38And at 6:00, I have to be back in Prague.
0:11:40 > 0:11:43Well...
0:11:45 > 0:11:47..around 6:00.
0:11:47 > 0:11:49BELL TOLLS
0:12:12 > 0:12:14Oh, I'll be back. Wait.
0:12:14 > 0:12:16Wait.
0:12:22 > 0:12:26SINGING
0:12:30 > 0:12:32# Lo lo lo
0:12:32 > 0:12:37# Lo lo lo lo lo... #
0:13:02 > 0:13:04You know, this is my bench.
0:13:05 > 0:13:06Your bench?
0:13:06 > 0:13:10Yes, I come here every day to read, to this same bench.
0:13:10 > 0:13:12Isn't that funny?
0:13:13 > 0:13:16Yes.
0:13:18 > 0:13:20What are you reading?
0:13:20 > 0:13:21Anna Karenina, by Tolstoy.
0:13:23 > 0:13:25Oh, yes,
0:13:25 > 0:13:27that Anna Karenina.
0:13:27 > 0:13:28Yeah.
0:13:32 > 0:13:36I would have come earlier, but...my mother...
0:13:36 > 0:13:38You live with your mother?
0:13:48 > 0:13:51Well, I've checked out of my room.
0:13:51 > 0:13:52Are you leaving?
0:13:52 > 0:13:54Yes, it's getting late.
0:13:56 > 0:13:59I just came for an operation.
0:13:59 > 0:14:01A colleague of mine was supposed to come,
0:14:01 > 0:14:04but he injured himself, so...
0:14:12 > 0:14:14Well...
0:14:15 > 0:14:17..maybe I'll come back sometime.
0:14:18 > 0:14:20Why would you come back here?
0:14:20 > 0:14:22It's so boring.
0:14:26 > 0:14:30Nobody here reads. Nobody here discusses anything.
0:14:30 > 0:14:31You know what I mean?
0:14:33 > 0:14:34Yes.
0:14:35 > 0:14:36Yes, I do.
0:14:40 > 0:14:41Well.
0:14:42 > 0:14:45STARTS ENGINE
0:14:47 > 0:14:49Nice to meet you.
0:14:49 > 0:14:50Good-bye.
0:14:58 > 0:15:02BELLS TOLLING
0:15:17 > 0:15:18Tomas.
0:15:22 > 0:15:23Tomas.
0:16:12 > 0:16:14Are you only searching for pleasure?
0:16:17 > 0:16:20Or is every woman a new land
0:16:20 > 0:16:23whose secrets you want to discover?
0:16:30 > 0:16:33You want to know what she's going to say when she makes love?
0:16:35 > 0:16:39Or how she will smile?
0:16:39 > 0:16:41How she will whisper?
0:16:41 > 0:16:42Groan...scream?
0:16:48 > 0:16:53Maybe the very smallest... unimaginable details...
0:16:57 > 0:17:00Tiny things that make one woman
0:17:00 > 0:17:02totally unlike any other.
0:17:03 > 0:17:05What's my detail, Doctor?
0:17:12 > 0:17:13Your hat, Sabina.
0:17:36 > 0:17:37The hat...
0:17:42 > 0:17:44..comes from my grandfather's...
0:17:44 > 0:17:46grandfather.
0:17:50 > 0:17:54He lived a long, long time ago.
0:18:04 > 0:18:06A long time ago.
0:18:14 > 0:18:15Tomas.
0:18:17 > 0:18:19What are you looking at?
0:18:21 > 0:18:23Your eyes.
0:18:41 > 0:18:43KNOCK ON DOOR
0:18:47 > 0:18:48KNOCK ON DOOR
0:19:03 > 0:19:05- Hello. - Hello.
0:19:08 > 0:19:09So...
0:19:09 > 0:19:11you are in Prague.
0:19:11 > 0:19:13I just arrived.
0:19:15 > 0:19:18I have friends to see. I'm here on some business.
0:19:18 > 0:19:20Mm-hmm.
0:19:22 > 0:19:25I'm looking for another job.
0:19:25 > 0:19:27Ha...
0:19:28 > 0:19:29Why don't you come in?
0:19:30 > 0:19:31Are you alone?
0:19:31 > 0:19:33Yeah.
0:19:55 > 0:19:57Take off your clothes.
0:20:01 > 0:20:03Achoo!
0:20:04 > 0:20:05Achoo!
0:20:05 > 0:20:07Excuse me.
0:20:09 > 0:20:12I must have caught a cold on the train.
0:20:12 > 0:20:14Perhaps I better take a look at you.
0:20:14 > 0:20:16Come here.
0:20:35 > 0:20:37My hands cold?
0:20:39 > 0:20:42I'm very ticklish.
0:20:42 > 0:20:43Does it hurt there?
0:20:47 > 0:20:48Look up.
0:20:48 > 0:20:49Down.
0:20:49 > 0:20:51Left.
0:20:51 > 0:20:53Right.
0:20:53 > 0:20:54Ha ha...
0:20:59 > 0:21:00Don't worry.
0:21:02 > 0:21:03I'm a doctor.
0:21:07 > 0:21:08A bit higher.
0:21:10 > 0:21:11That's it.
0:21:14 > 0:21:16Breathe.
0:21:16 > 0:21:19BREATHES DEEPLY
0:21:19 > 0:21:26Again.
0:21:26 > 0:21:27Cough.
0:21:29 > 0:21:31That's fine.
0:21:35 > 0:21:37Up we go.
0:21:48 > 0:21:50Everything looks fine.
0:21:52 > 0:21:53Fine.
0:22:03 > 0:22:04Open your mouth.
0:22:07 > 0:22:08Tongue.
0:22:09 > 0:22:12Ah! Mmm...
0:22:12 > 0:22:13Ooh!
0:22:13 > 0:22:14Mmm! Mm!
0:22:27 > 0:22:29Ah!
0:22:55 > 0:22:57Aah!
0:22:58 > 0:23:00Aah!
0:23:00 > 0:23:01Aah!
0:23:01 > 0:23:03Aah!
0:23:03 > 0:23:09RING
0:24:33 > 0:24:34Hi.
0:24:57 > 0:24:59Tomas?
0:24:59 > 0:25:02They called from Geneva. They are still offering you that job.
0:25:02 > 0:25:05Why should I go to Geneva? Everything's fine here.
0:25:05 > 0:25:07Well...I hope so.
0:25:09 > 0:25:11You think the Russians won't interfere?
0:25:11 > 0:25:13Think about what happened in Hungary.
0:25:13 > 0:25:16They couldn't. The world wouldn't allow it.
0:25:16 > 0:25:19Besides, we have socialism with a human face.
0:25:19 > 0:25:22Who could be against it?
0:25:22 > 0:25:24Ah, my patient is here.
0:25:24 > 0:25:27Which one? Pigs are not allowed.
0:25:27 > 0:25:29I told him to wait in the truck.
0:25:29 > 0:25:31But we will make an exception.
0:25:34 > 0:25:38Hello, Doctor. You are not angry with me because I brought Mephisto?
0:25:38 > 0:25:41Look, Doctor, a gift for you.
0:25:41 > 0:25:42Wonderful.
0:25:42 > 0:25:44Oh, thank you! Hmm.
0:25:44 > 0:25:46So...Pavel.
0:25:46 > 0:25:48Ha ha!
0:25:48 > 0:25:50We operated a month ago.
0:25:50 > 0:25:51Yeah.
0:25:51 > 0:25:53- Any pains? - No.
0:25:53 > 0:25:55Dizziness? Headaches?
0:25:55 > 0:25:56No.
0:25:56 > 0:25:59Good. You can get back to your farm.
0:25:59 > 0:26:03We just need a small procedure to replace the bone flap.
0:26:14 > 0:26:17What time shall I expect your visit tonight?
0:26:19 > 0:26:20Ah...
0:26:22 > 0:26:24I'm sorry, I can't make it tonight.
0:26:24 > 0:26:26Too bad.
0:26:26 > 0:26:30Um...how about tomorrow afternoon?
0:26:30 > 0:26:31Tomorrow night.
0:26:34 > 0:26:37So what I heard was right.
0:26:37 > 0:26:38Somebody has moved into your place.
0:26:38 > 0:26:40No.
0:26:40 > 0:26:43I have my spies. Good-bye, Doctor.
0:26:57 > 0:26:59Ah...
0:27:37 > 0:27:39It's not here.
0:27:39 > 0:27:42You must have come without your sock.
0:27:42 > 0:27:43How could I have come without it?
0:27:43 > 0:27:45I wouldn't wear only one sock.
0:27:45 > 0:27:50You've been absent-minded lately, always in a hurry.
0:27:50 > 0:27:53Always looking at your watch.
0:27:57 > 0:27:59I'll lend you one of my stockings.
0:28:26 > 0:28:27You want me to put this on?
0:28:27 > 0:28:29It's cold out, Doctor.
0:28:32 > 0:28:33Mm-hmm.
0:28:56 > 0:28:58You think I'm doing something silly.
0:29:00 > 0:29:03Maybe. How can I know?
0:29:05 > 0:29:07What are we talking about?
0:29:09 > 0:29:10Tereza.
0:29:16 > 0:29:18If I had two lives...
0:29:18 > 0:29:21with one, I'd have her stay at my place.
0:29:21 > 0:29:23With the other, I'd kick her out.
0:29:23 > 0:29:26Then I'd compare and see which was best.
0:29:27 > 0:29:31But we only live once.
0:29:32 > 0:29:34Life's so light...
0:29:34 > 0:29:38like an outline we can't ever...
0:29:38 > 0:29:40fill in...
0:29:40 > 0:29:42or correct...
0:29:42 > 0:29:44make any better.
0:29:44 > 0:29:45It's frightening.
0:29:45 > 0:29:49She's looking for something to do here in Prague, and I...
0:29:51 > 0:29:53Now...
0:29:53 > 0:29:57you want me to help her?
0:29:57 > 0:30:01She is not qualified for anything, but she takes beautiful pictures.
0:30:01 > 0:30:03I was wondering if you might...
0:30:04 > 0:30:07You mean...
0:30:07 > 0:30:08you want me to help you.
0:30:39 > 0:30:40Come on in, Tereza.
0:30:45 > 0:30:47Let's have some tea.
0:30:47 > 0:30:49Yes. Why don't you fix it?
0:30:51 > 0:30:52Yeah, sure.
0:30:56 > 0:30:57Hee hee!
0:31:11 > 0:31:13It's very messy around here.
0:31:13 > 0:31:16I always try not to get too attached to a place,
0:31:16 > 0:31:17to objects.
0:31:23 > 0:31:24Or to people.
0:31:24 > 0:31:26Hmm.
0:31:29 > 0:31:31Tereza, come over here.
0:31:34 > 0:31:37I want to show you some pictures.
0:31:40 > 0:31:42You know Man Ray?
0:31:42 > 0:31:44No.
0:31:46 > 0:31:48I like...
0:31:48 > 0:31:51I like this one very much.
0:31:52 > 0:31:54Mmm.
0:31:59 > 0:32:03This is Lee Miller.
0:32:03 > 0:32:05She's so...
0:32:06 > 0:32:08She's so beautiful.
0:32:11 > 0:32:13Tomas says you're a photographer.
0:32:13 > 0:32:16Well, I like to take pictures, but...
0:32:16 > 0:32:19Take pictures of what's going on in the streets.
0:32:19 > 0:32:20I'll help get them published.
0:32:20 > 0:32:22Thanks, Sabina.
0:32:22 > 0:32:26I love those pictures.
0:32:26 > 0:32:29They were trying something different.
0:32:30 > 0:32:33Searching for a new beauty.
0:32:35 > 0:32:36Yes.
0:32:39 > 0:32:40Something higher.
0:32:43 > 0:32:45Here's the tea I made.
0:33:06 > 0:33:07Aaah. Aaah.
0:33:12 > 0:33:14What is it? Tereza?
0:33:21 > 0:33:23Oh, I had a dream.
0:33:33 > 0:33:34I was at her place.
0:33:36 > 0:33:38Sabina's.
0:33:38 > 0:33:40In her studio...
0:33:40 > 0:33:42and you were making love to her.
0:33:45 > 0:33:47In that big bed of hers.
0:33:51 > 0:33:54You made me stand by a wall
0:33:54 > 0:33:55and not move at all.
0:33:57 > 0:33:59You made me watch.
0:34:08 > 0:34:12And I had such pain from seeing you
0:34:12 > 0:34:16that I started to pierce needles under my fingernails
0:34:16 > 0:34:18to stop the pain in my heart.
0:34:19 > 0:34:21It hurt so much.
0:34:24 > 0:34:26Why did you do it to me?
0:34:31 > 0:34:33It was just a dream.
0:34:40 > 0:34:42Try to sleep.
0:34:42 > 0:34:44Try to sleep.
0:34:44 > 0:34:45I can't sleep.
0:34:45 > 0:34:46Yes, you can. Come here.
0:34:48 > 0:34:49I can't fall asleep.
0:34:55 > 0:34:56You can sleep.
0:34:56 > 0:34:57Sleep in my arms.
0:35:03 > 0:35:05Like a baby bird.
0:35:10 > 0:35:12Like a broom...
0:35:12 > 0:35:15among brooms...
0:35:15 > 0:35:18in a broom closet.
0:35:26 > 0:35:28Like a tiny parrot.
0:35:33 > 0:35:35Like a whistle.
0:35:37 > 0:35:39Like a little song.
0:35:43 > 0:35:47A song sung by a forest...
0:35:47 > 0:35:49within a forest...
0:35:52 > 0:35:56..a thousand years ago.
0:36:01 > 0:36:09"HEY JUDE" SUNG IN CZECH
0:36:59 > 0:37:01Oh!
0:37:04 > 0:37:08ANNOUNCER TALKING IN CZECH
0:37:16 > 0:37:20BAND PLAYS "THAT'LL BE THE DAY"
0:37:23 > 0:37:26Look! They are here! Tereza's pictures!
0:37:26 > 0:37:28Two full pages!
0:37:28 > 0:37:30Thanks, Sabina!
0:37:30 > 0:37:31Congratulations!
0:37:32 > 0:37:34They're really great!
0:37:35 > 0:37:37Tereza, this is my colleague Jiri,
0:37:37 > 0:37:38and this is the chief.
0:37:38 > 0:37:40- I'm pleased. - Hello.
0:37:41 > 0:37:46Wonderful! You've really captured a new spirit here.
0:37:48 > 0:37:50You can see how everything is changing.
0:37:50 > 0:37:53Not everything. Look over there.
0:37:53 > 0:37:55Our comrades with the Russians.
0:37:57 > 0:37:59Some people never change.
0:37:59 > 0:38:02Some people are always scoundrels.
0:38:03 > 0:38:04How can you tell?
0:38:04 > 0:38:08Does it show in a man's face?
0:38:09 > 0:38:10Can we judge by a man's face
0:38:10 > 0:38:12if he is a scoundrel or not?
0:38:12 > 0:38:14Let's look at them and see.
0:38:19 > 0:38:20Scoundrel.
0:38:20 > 0:38:23- Scoundrel. - Scoundrel.
0:38:23 > 0:38:25Scoundrel.
0:38:25 > 0:38:26Scoundrel.
0:38:27 > 0:38:29- Scoundrel. - Scoundrel.
0:38:29 > 0:38:31- Definitely. - No doubt.
0:38:33 > 0:38:35We know you.
0:38:35 > 0:38:37Scoundrels.
0:38:41 > 0:38:42What would you say about Tomas?
0:38:44 > 0:38:45Hmmm.
0:38:45 > 0:38:47He's definitely scoundrel.
0:38:47 > 0:38:48Why?
0:38:49 > 0:38:50Why?
0:38:52 > 0:38:53Is it the mouth?
0:38:55 > 0:38:57The sly eyes?
0:38:57 > 0:38:59No, it's carefully hidden...
0:38:59 > 0:39:00in the brain.
0:39:00 > 0:39:04Such things are hidden in all of our brains.
0:39:04 > 0:39:06So what makes the difference?
0:39:06 > 0:39:09Maybe only one millionth part.
0:39:09 > 0:39:11Maybe there is no difference.
0:39:11 > 0:39:14These men don't even know if they're scoundrels or not.
0:39:25 > 0:39:28Are you serious?
0:39:28 > 0:39:32More than 100,000 people were imprisoned, tortured,
0:39:32 > 0:39:33executed in their regime.
0:39:33 > 0:39:36And now, these men cry out
0:39:36 > 0:39:39that they didn't know anything...
0:39:39 > 0:39:44that they were misled or manipulated.
0:39:44 > 0:39:47That they were...innocent.
0:39:47 > 0:39:48Not innocent,
0:39:48 > 0:39:50but, um...
0:39:50 > 0:39:52unaware, perhaps.
0:39:52 > 0:39:55They had to know what they were doing.
0:39:55 > 0:39:57Otherwise, it's unthinkable.
0:39:57 > 0:40:00It doesn't matter whether they knew or not.
0:40:00 > 0:40:06BAND PLAYS: "The Internationale"
0:40:08 > 0:40:11- Boo! - Boo! - Boo!
0:40:23 > 0:40:27THEY SING IN RUSSIAN
0:40:29 > 0:40:32I've been thinking about Oedipus.
0:40:32 > 0:40:33Good King Oedipus.
0:40:33 > 0:40:36Is sleeping with your mother the same sort of crime?
0:40:39 > 0:40:42When Oedipus realized that he had killed his father
0:40:42 > 0:40:45unknowingly...
0:40:45 > 0:40:47unknowingly killed his father...
0:40:47 > 0:40:50and was sleeping with his mother...
0:40:50 > 0:40:52and that because of his crimes
0:40:52 > 0:40:56plagues were ravaging his city,
0:40:56 > 0:40:59he couldn't bear the sight of what he'd done.
0:40:59 > 0:41:02He plucked out his own eyes and left.
0:41:03 > 0:41:05He did not feel innocent.
0:41:05 > 0:41:08He felt he had to punish himself.
0:41:08 > 0:41:10But...
0:41:10 > 0:41:12our leaders, unlike Oedipus,
0:41:12 > 0:41:14they felt they were innocent.
0:41:15 > 0:41:20And when the atrocities of the Stalinist period became known,
0:41:20 > 0:41:22they cried, "We didn't know!
0:41:22 > 0:41:25"We weren't aware of what was going on. Our conscience is clear."
0:41:25 > 0:41:28But the important difference is...
0:41:33 > 0:41:36they stayed in power.
0:41:36 > 0:41:41And they should have plucked their eyes out.
0:41:42 > 0:41:44All I'm saying is that
0:41:44 > 0:41:47morality has changed since Oedipus.
0:41:47 > 0:41:50MUSIC BECOMES JAZZIER
0:42:26 > 0:42:27Come on.
0:42:28 > 0:42:29Yes!
0:42:30 > 0:42:32Why don't you write it down?
0:42:32 > 0:42:33I'm not a writer.
0:42:33 > 0:42:38It will be published. Our politics are in it.
0:42:38 > 0:42:41I don't really care about politics.
0:42:45 > 0:42:47What do you care about?
0:43:12 > 0:43:14Is something bothering you?
0:43:14 > 0:43:15No, why?
0:43:21 > 0:43:23What's wrong?
0:43:23 > 0:43:25Nothing.
0:43:25 > 0:43:26No...
0:43:26 > 0:43:30When I watched you dancing with another man...
0:43:32 > 0:43:35I thought to myself, "He could be her lover."
0:43:37 > 0:43:39You are jealous.
0:43:41 > 0:43:42No, I'm not jealous.
0:43:42 > 0:43:44You are.
0:43:45 > 0:43:46I'm not.
0:43:46 > 0:43:48I'm not jealous, Tereza.
0:43:48 > 0:43:49He's jealous.
0:43:49 > 0:43:51No, he isn't. Who's he?
0:43:51 > 0:43:52He's jealous.
0:43:52 > 0:43:54I'm not jealous.
0:43:54 > 0:43:56He's jealous, he's jealous
0:43:56 > 0:43:58Whatever you say, Tereza.
0:43:58 > 0:43:59You're jealous.
0:43:59 > 0:44:01I'm not.
0:44:01 > 0:44:02Yes, you are.
0:44:02 > 0:44:03You're jealous.
0:44:03 > 0:44:04I'm not jealous.
0:44:04 > 0:44:05You're jealous.
0:44:05 > 0:44:08Doo be doo be doo be doo!
0:44:08 > 0:44:10No!
0:44:10 > 0:44:12You are!
0:44:12 > 0:44:13I'm not.
0:44:13 > 0:44:14You are!
0:44:14 > 0:44:15Let go!
0:44:15 > 0:44:18I won't let go! You're jealous!
0:44:18 > 0:44:19You are!
0:44:19 > 0:44:20I'm not!
0:44:21 > 0:44:23No! No! No!
0:44:23 > 0:44:27No! No! No! Ha ha ha ha!
0:44:27 > 0:44:28Will you marry me?
0:44:28 > 0:44:30What? No!
0:44:30 > 0:44:32No!
0:44:32 > 0:44:33Yes!
0:44:33 > 0:44:35- No. - Yes.
0:44:35 > 0:44:37- No. - Yes.
0:44:37 > 0:44:38Yes? Ha!
0:44:38 > 0:44:40Be my witness?
0:44:40 > 0:44:41Of course!
0:44:41 > 0:44:45I'll have to buy Mephisto a black tie.
0:44:45 > 0:44:47Did you hear, Mephisto? A black tie.
0:44:50 > 0:44:51My dear fiances,
0:44:51 > 0:44:53I am welcoming you
0:44:53 > 0:44:56from the deep bottom of my heart
0:44:56 > 0:44:59on this very special day
0:44:59 > 0:45:04when you freely decided to be legally man and wife.
0:45:06 > 0:45:10I suppose that both of you know your duties
0:45:10 > 0:45:13in supporting each other,
0:45:13 > 0:45:16and I am sure both of you know
0:45:16 > 0:45:18your own medical records?
0:45:19 > 0:45:21I have to tell you this.
0:45:21 > 0:45:26Don't think a life is a walk on a sunny meadow.
0:45:26 > 0:45:30Life isn't a walk on a sunny meadow,
0:45:30 > 0:45:34and life isn't a walk on a rose garden.
0:45:34 > 0:45:40Our socialist country has done much for you.
0:45:40 > 0:45:43Now it's up to you.
0:45:43 > 0:45:46SQUEALING
0:45:46 > 0:45:48Shh!
0:45:51 > 0:45:53I make you laugh?
0:45:53 > 0:45:55No...no.
0:45:55 > 0:45:56SQUEALING
0:45:56 > 0:45:59Shh!
0:45:59 > 0:46:00You are laughing at me?
0:46:02 > 0:46:04I'm sorry. I'm sorry.
0:46:04 > 0:46:07SQUEALING
0:46:07 > 0:46:09I refuse to go on.
0:46:09 > 0:46:12In this country, is nothing sacred anymore?
0:46:14 > 0:46:18If you can't be serious, you don't deserve to be married!
0:46:18 > 0:46:22SINGING IN CZECH
0:46:59 > 0:47:01Mmm!
0:47:02 > 0:47:04Let's take one, Tomas.
0:47:04 > 0:47:06It will make us happy.
0:47:06 > 0:47:08Choose one.
0:47:11 > 0:47:13This one.
0:47:13 > 0:47:14Hey!
0:47:16 > 0:47:18My nephew from the country's here!
0:47:20 > 0:47:22Uncle!
0:47:22 > 0:47:23Hey!
0:47:29 > 0:47:32SPEAKING IN CZECH
0:47:32 > 0:47:35Let's call him Tolstoy.
0:47:35 > 0:47:37When I first met you,
0:47:37 > 0:47:40you were reading Tolstoy.
0:47:42 > 0:47:43It can't be Tolstoy.
0:47:43 > 0:47:45It's a girl.
0:47:45 > 0:47:47It's a girl!
0:47:47 > 0:47:49How about Anna Karenina?
0:47:52 > 0:47:55It doesn't look at all like Anna Karenina.
0:47:55 > 0:47:57Look. It's a man's face.
0:47:57 > 0:48:00It looks more like Anna's husband.
0:48:02 > 0:48:04Let's call her Karenin.
0:48:26 > 0:48:28Karenin.
0:48:28 > 0:48:30Come on, Karenin. Let's go home.
0:48:38 > 0:48:40Heh heh heh...
0:48:46 > 0:48:49I like it very much.
0:48:49 > 0:48:50King Oedipus.
0:48:51 > 0:48:54It's a very good idea.
0:48:54 > 0:48:58And with those changes, we can publish next week.
0:48:58 > 0:49:01Eva, will you type this, please?
0:49:10 > 0:49:13Now we can publish a piece like this.
0:49:13 > 0:49:16It's fantastic. Think about it.
0:49:16 > 0:49:19Complete rehabilitation of the people who were prosecuted.
0:49:19 > 0:49:22Complete freedom of speech, of the press,
0:49:22 > 0:49:24emancipation from the Russians.
0:49:24 > 0:49:26That's all we wanted.
0:49:26 > 0:49:31And you think the Russians will let us emancipate?
0:49:31 > 0:49:33What can they do?
0:49:33 > 0:49:35Nothing, Doctor.
0:49:35 > 0:49:37Nothing, nothing, nothing!
0:49:40 > 0:49:41Keep on writing.
0:49:41 > 0:49:44Thanks, but surgery's easier.
0:51:36 > 0:51:39DOG CRIES
0:52:23 > 0:52:25Take me to them.
0:52:26 > 0:52:28Oh, you're awake.
0:52:33 > 0:52:35Take me to them.
0:52:35 > 0:52:36To whom?
0:52:37 > 0:52:39To the other women.
0:52:44 > 0:52:48Take me to them when you make love to them.
0:52:48 > 0:52:49I'll undress them for you.
0:52:51 > 0:52:53I'd like to.
0:52:55 > 0:52:56Really.
0:52:59 > 0:53:02I'll give them a bath and bring them to you.
0:53:02 > 0:53:05I'll do anything you like.
0:53:06 > 0:53:09Other women's bodies will be our playthings.
0:53:14 > 0:53:16Tereza, what are you talking about?
0:53:19 > 0:53:21I know you see other women.
0:53:21 > 0:53:22I know it!
0:53:22 > 0:53:24You can't hide it from me.
0:53:33 > 0:53:35Every day, I try to tell myself,
0:53:35 > 0:53:38"Well, it's nothing."
0:53:40 > 0:53:43"It's not important.
0:53:43 > 0:53:46"He's just playing around. He can't resist it.
0:53:46 > 0:53:49"But he loves me. I'm sure about that.
0:53:49 > 0:53:52"He loves me."
0:53:52 > 0:53:54"He loves me!"
0:53:58 > 0:54:00But I can't stand it.
0:54:00 > 0:54:01I tried hard.
0:54:01 > 0:54:03I just can't.
0:54:03 > 0:54:06Take me to them. Don't leave me alone!
0:54:06 > 0:54:08Tereza, calm down.
0:54:08 > 0:54:10Stop talking. Try to sleep.
0:54:10 > 0:54:11You need some sleep now.
0:54:11 > 0:54:14I don't want to sleep.
0:54:18 > 0:54:20You're tired of me.
0:54:20 > 0:54:23I know that.
0:54:24 > 0:54:27PHONE RINGS
0:54:27 > 0:54:29I can see it in your eyes.
0:54:34 > 0:54:38DOG BARKS
0:54:38 > 0:54:40RINGING
0:54:43 > 0:54:45Hello.
0:54:45 > 0:54:48Yes.
0:54:48 > 0:54:49What?
0:54:49 > 0:54:50Tereza!
0:54:50 > 0:54:53ENGINE ROARS
0:55:04 > 0:55:05Here they come!
0:55:08 > 0:55:09DOG BARKS
0:55:12 > 0:55:14Tereza, stay there.
0:55:14 > 0:55:15Karenin!
0:57:03 > 0:57:05Tomas.
0:57:05 > 0:57:06Tomas.
0:57:10 > 0:57:12I'm going to Switzerland.
0:57:12 > 0:57:13What?
0:57:13 > 0:57:15To Geneva.
0:57:15 > 0:57:17Good luck.
0:57:17 > 0:57:19Good luck.
0:57:19 > 0:57:20Be careful.
0:57:28 > 0:57:30MACHINE GUN FIRE
0:57:48 > 0:57:52SINGING
0:58:35 > 0:58:40BELLS TOLLING
0:58:45 > 0:58:50VIOLIN PLAYING
0:59:06 > 0:59:09SINGING
0:59:44 > 0:59:47CRASH
1:00:16 > 1:00:19SIRENS
1:00:39 > 1:00:41EXPLOSION
1:00:44 > 1:00:50EXPLOSIONS
1:01:00 > 1:01:02What country are you from?
1:01:02 > 1:01:03The Netherlands.
1:01:03 > 1:01:05Good. Take these.
1:01:10 > 1:01:12Have them published, please.
1:01:14 > 1:01:16Tereza!
1:01:33 > 1:01:34Tereza!
1:01:34 > 1:01:36Idi!
1:01:37 > 1:01:40Idi!
1:01:40 > 1:01:41Idi!
1:01:45 > 1:01:48Have you gone mad?
1:01:54 > 1:01:57Don't you realize that we love you?
1:02:02 > 1:02:05That we always loved you?
1:02:05 > 1:02:08That we came to protect you?
1:02:10 > 1:02:11To protect?
1:02:13 > 1:02:15To protect us from what?
1:02:19 > 1:02:21Did you give your pictures to foreigners?
1:02:24 > 1:02:26Yes, I did.
1:02:26 > 1:02:29You could be shot for that!
1:02:39 > 1:02:43They are identifying people from our photographs.
1:02:43 > 1:02:46SPEAKING CZECH
1:02:49 > 1:02:51Is it your camera?
1:02:51 > 1:02:54- No. - I'm sure it's yours.
1:02:54 > 1:02:55Who is this man?
1:02:57 > 1:03:00Who is this man?
1:03:02 > 1:03:04- Never seen him before. - It's you!
1:03:04 > 1:03:07- No. - It's you!
1:03:07 > 1:03:08It's you.
1:03:14 > 1:03:15No.
1:03:22 > 1:03:24No.
1:03:25 > 1:03:26No.
1:03:46 > 1:03:48CROWD CHANTING
1:03:48 > 1:03:49No!
1:03:49 > 1:03:50No! No!
1:03:50 > 1:03:51No!
1:05:48 > 1:05:50Good luck.
1:05:50 > 1:05:51You, too.
1:06:14 > 1:06:18The invasion of our country
1:06:18 > 1:06:22constitutes a clear act of aggression
1:06:22 > 1:06:24against an independent country.
1:06:24 > 1:06:28Our Czech people had the right and the duty
1:06:28 > 1:06:32to fight against the aggressor.
1:06:32 > 1:06:35People who don't have the courage to fight
1:06:35 > 1:06:37with arms in their hands
1:06:37 > 1:06:39do not deserve freedom.
1:06:39 > 1:06:42So why did you emigrate?
1:06:42 > 1:06:44Go back and fight.
1:06:44 > 1:06:47It's easy to tell other people to fight.
1:06:53 > 1:06:55One day, everybody will be asked,
1:06:55 > 1:06:59"What did you do against the communist regime?"
1:07:09 > 1:07:10Excuse me.
1:07:11 > 1:07:13Excuse me.
1:07:13 > 1:07:15I wanted to ask you something.
1:07:16 > 1:07:18Well, what do you want to ask?
1:07:18 > 1:07:21Why did you do that back there?
1:07:21 > 1:07:24Why do you want to know? Who are you?
1:07:24 > 1:07:26My name is Franz.
1:07:27 > 1:07:29I came to that meeting to listen.
1:07:31 > 1:07:35No, no, I'm not from the police. I'm a professor at the university.
1:07:42 > 1:07:45I have nothing in common with these people.
1:07:45 > 1:07:48The only things holding them together are defeats
1:07:48 > 1:07:50and the reproaches they address to one another.
1:07:50 > 1:07:53It's hard to be in exile.
1:07:53 > 1:07:56People feel abandoned. They feel a lack of understanding.
1:07:56 > 1:07:59They feel at a loss, lonely.
1:07:59 > 1:08:02Your country's occupied. Are you indifferent to that?
1:08:02 > 1:08:05I can't stand pointing fingers and raised fists.
1:08:05 > 1:08:07So what do you want to do?
1:08:14 > 1:08:16I want to go to lunch. I'm hungry.
1:08:19 > 1:08:22MUSIC PLAYS FAINTLY
1:08:26 > 1:08:28Ha ha ha!
1:08:31 > 1:08:34When I was a student in Paris,
1:08:34 > 1:08:37I liked the demonstrations, the marches, the crowds, the shouting.
1:08:37 > 1:08:40I liked to be part of it.
1:08:40 > 1:08:43The whole world looked like a grand march
1:08:43 > 1:08:45ever onward to a better world.
1:08:46 > 1:08:49Me, too. I marched every year.
1:08:49 > 1:08:50Really?
1:08:50 > 1:08:53Yes, but I was forced to march.
1:08:53 > 1:08:54Everybody was.
1:08:54 > 1:08:57The May Day parade the girls dressed the same.
1:08:57 > 1:09:01Everybody smiling, everybody throwing flowers.
1:09:01 > 1:09:02Mmm.
1:09:05 > 1:09:07I could never keep in step.
1:09:07 > 1:09:10The girls behind me would step on my heels.
1:09:10 > 1:09:12Ha ha ha!
1:09:21 > 1:09:23What happened to your country is a tragedy.
1:09:23 > 1:09:25You think so?
1:09:25 > 1:09:28Of course. There was hope.
1:09:28 > 1:09:30They killed it.
1:09:30 > 1:09:33You're not going to become boring, are you?
1:09:37 > 1:09:39Waiter?
1:09:44 > 1:09:46- Can you stop that noise? - Noise?
1:09:48 > 1:09:51Yes, what you call music.
1:09:51 > 1:09:53I'll have to ask the manager.
1:09:55 > 1:09:58Everywhere music's turning into noise.
1:10:00 > 1:10:02Look.
1:10:02 > 1:10:05These plastic flowers...
1:10:05 > 1:10:07they even put them in water.
1:10:07 > 1:10:08Ha ha ha!
1:10:08 > 1:10:11And look out there.
1:10:12 > 1:10:14Those buildings,
1:10:14 > 1:10:17the uglification of the world.
1:10:17 > 1:10:21The only place we can find beauty
1:10:21 > 1:10:23is if its persecutors have overlooked it.
1:10:27 > 1:10:29It's a planetary process...
1:10:31 > 1:10:33..and I can't stand it.
1:10:36 > 1:10:38Is anything wrong?
1:10:38 > 1:10:41Wrong? No. Everything is fine.
1:10:43 > 1:10:45Well, it's just that noise.
1:10:45 > 1:10:47Could you stop it?
1:10:47 > 1:10:50It sounds like dirty water.
1:10:50 > 1:10:51I'm sorry, sir.
1:10:51 > 1:10:54The other customers do like this noise.
1:10:55 > 1:10:58How can they eat food and listen to shit?
1:11:03 > 1:11:04Well, in that case,
1:11:04 > 1:11:09we'll look for a place with better taste.
1:11:12 > 1:11:15Thank you.
1:11:23 > 1:11:24Well...
1:11:24 > 1:11:27I hope you didn't mind leaving that place.
1:11:27 > 1:11:29Just the opposite.
1:11:29 > 1:11:30I like to leave places.
1:11:33 > 1:11:34I like to leave.
1:11:36 > 1:11:37So...
1:11:39 > 1:11:41I hope you're not having a bad time.
1:11:41 > 1:11:43Oh, not at all, no.
1:11:43 > 1:11:46I have a train to catch in an hour.
1:11:46 > 1:11:48You travel by train?
1:11:49 > 1:11:51Always.
1:11:51 > 1:11:53I love trains.
1:11:53 > 1:11:54They are so erotic.
1:12:25 > 1:12:28By the way, my wife owns an art gallery.
1:12:28 > 1:12:29Maybe she could help you.
1:12:30 > 1:12:32Oh, you are married?
1:12:34 > 1:12:35Yes.
1:12:44 > 1:12:47Watch out!
1:12:47 > 1:12:49Be careful.
1:13:58 > 1:14:04WHIMPERS
1:14:08 > 1:14:09Ahem.
1:14:12 > 1:14:14Well, welcome to Geneva.
1:14:19 > 1:14:21Well, that's good work,
1:14:21 > 1:14:24but it's too late.
1:14:24 > 1:14:25Russians in Prague,
1:14:25 > 1:14:27We've seen these everywhere.
1:14:27 > 1:14:29The events are too remote now.
1:14:29 > 1:14:32It's over.
1:14:32 > 1:14:34But there, nothing is over.
1:14:34 > 1:14:38Everybody. Everybody still demands that the Russians leave.
1:14:38 > 1:14:43There are strikes all over the country, and protests,
1:14:43 > 1:14:47but here, nobody seems to care anymore.
1:14:48 > 1:14:51Here's the story about the nudists in France.
1:14:51 > 1:14:52Oh, thank you.
1:14:53 > 1:14:57Wait. Just have a look, superb photographs of Prague.
1:14:57 > 1:14:59It's a pity we're just getting them now.
1:14:59 > 1:15:02TELEPHONE RINGS
1:15:02 > 1:15:04Have a look at mine.
1:15:04 > 1:15:06They have nothing to do with yours.
1:15:19 > 1:15:20Not at all.
1:15:20 > 1:15:22They are the same.
1:15:23 > 1:15:25Nothing's wrong with the body.
1:15:25 > 1:15:28It's normal...
1:15:28 > 1:15:30and everything normal is beautiful.
1:15:33 > 1:15:36You have a terrific sense of the female body.
1:15:38 > 1:15:41These provocative poses.
1:15:41 > 1:15:44You'd be a top-notch fashion photographer.
1:15:44 > 1:15:45You ought to get a model,
1:15:45 > 1:15:48make a portfolio for agencies.
1:15:48 > 1:15:52I'll introduce you to the editor of our garden section.
1:15:52 > 1:15:54Yeah, sure.
1:15:54 > 1:15:57They always need shots of cactuses and roses.
1:15:57 > 1:15:59Cactuses?
1:16:00 > 1:16:01No.
1:16:01 > 1:16:03You're too kind, really,
1:16:03 > 1:16:07but I'd rather be a waitress or stay home.
1:16:07 > 1:16:11But will you be fulfilled sitting at home?
1:16:11 > 1:16:13GROWLING
1:16:15 > 1:16:18DOG BARKS
1:16:19 > 1:16:21What am I going to do,
1:16:21 > 1:16:25take pictures of naked women?
1:16:30 > 1:16:33Why does everybody want to see pictures of naked women?
1:16:35 > 1:16:37Are they that interesting?
1:16:37 > 1:16:39Hmm?
1:16:55 > 1:16:57Blah!
1:16:59 > 1:17:01See you later.
1:17:01 > 1:17:04Are you working this afternoon?
1:17:04 > 1:17:07Yes, I'll be back late. Will you be all right?
1:17:07 > 1:17:08Yes, I suppose so.
1:17:13 > 1:17:14Good.
1:18:21 > 1:18:23Come with me to Amsterdam in two days.
1:18:23 > 1:18:26I've seen Amsterdam.
1:18:26 > 1:18:27You have?
1:18:28 > 1:18:32A friend of mine sent me a post card from there.
1:18:32 > 1:18:35It's taped up over my toilet.
1:18:35 > 1:18:36Haven't you noticed?
1:18:41 > 1:18:43Tell me, Franz...
1:18:43 > 1:18:46why do you always take me to another city?
1:18:46 > 1:18:49Why won't you make love to me in Geneva?
1:18:49 > 1:18:50I told you.
1:18:50 > 1:18:51Tell me again.
1:18:52 > 1:18:55Because I couldn't go to bed with my wife.
1:18:55 > 1:18:58You couldn't go from one bed to another?
1:18:58 > 1:19:00- That's right. - Why?
1:19:02 > 1:19:05I feel it would be humiliating to my wife,
1:19:05 > 1:19:07to me, and to you.
1:19:09 > 1:19:13It might seem ridiculous, but that's the way it is.
1:19:14 > 1:19:16I have to go.
1:19:19 > 1:19:21Say you'll come with me.
1:19:24 > 1:19:25I'll come with you.
1:20:29 > 1:20:30It's good to see you.
1:20:38 > 1:20:39How are you?
1:20:40 > 1:20:41Fine.
1:20:43 > 1:20:44I'm fine.
1:20:47 > 1:20:49- Did Tereza come with you? - Of course.
1:20:49 > 1:20:52Good. How is she?
1:20:52 > 1:20:54She's...so-so. She's OK.
1:20:54 > 1:20:56She's looking for a job.
1:20:59 > 1:21:01Good. I'd like to see her sometime.
1:21:01 > 1:21:04Of course. What about you?
1:21:04 > 1:21:05Fine.
1:21:05 > 1:21:07I'm fine.
1:21:07 > 1:21:08Good.
1:21:08 > 1:21:09I met another man.
1:21:12 > 1:21:14He's the best man I've ever met.
1:21:14 > 1:21:16Ha ha ha! Oh.
1:21:18 > 1:21:20He's bright, handsome, good...
1:21:24 > 1:21:26And he's crazy about me.
1:21:26 > 1:21:27Good.
1:21:27 > 1:21:28And he's married.
1:21:28 > 1:21:29Good.
1:21:31 > 1:21:33There's only one thing.
1:21:37 > 1:21:38He doesn't like my hat.
1:21:45 > 1:21:46Your hat.
1:21:49 > 1:21:52Your hat makes me want to cry, Sabina.
1:22:05 > 1:22:06So...
1:22:08 > 1:22:09I'll call you.
1:22:10 > 1:22:11I'll see you soon.
1:23:01 > 1:23:04CAMERA SHUTTER CLICKS
3:00:02 > 3:00:04Naked women.
3:00:11 > 3:00:14PHONE RINGS
3:00:14 > 3:00:16Yes?
3:00:16 > 3:00:17Oh, it's you!
3:00:18 > 3:00:20Yes.
3:00:20 > 3:00:21What?
3:00:21 > 3:00:25Some woman said that I should do some...
3:00:26 > 3:00:28..some nude shots.
3:00:28 > 3:00:30Nude shots?
3:00:30 > 3:00:32Yeah, nude shots.
3:00:36 > 3:00:38For that,
3:00:38 > 3:00:41we'd better have a drink first.
3:00:47 > 3:00:49Take a glass.
3:01:26 > 3:01:30GULPING
3:01:43 > 3:01:45How is Tomas?
3:01:45 > 3:01:47Fine.
3:01:49 > 3:01:51Haven't you seen him?
3:01:51 > 3:01:53No.
3:02:45 > 3:02:50CAMERA CLICKS
3:04:16 > 3:04:17Look at me.
3:04:29 > 3:04:30Look up.
3:04:30 > 3:04:31Look up.
3:04:41 > 3:04:45THUNDER
3:04:45 > 3:04:47RAIN PATTERING
3:04:47 > 3:04:51CAMERA CLICKING
3:06:14 > 3:06:16Take off your clothes.
3:06:20 > 3:06:22What?
3:06:22 > 3:06:24Now it's my turn.
3:06:25 > 3:06:28I don't like to be naked.
3:06:28 > 3:06:30I...
3:06:30 > 3:06:32Take off your clothes.
3:06:33 > 3:06:35Wait.
3:06:56 > 3:06:58Ah! Oh!
3:06:58 > 3:07:01Ha...
3:07:01 > 3:07:02Ah!
3:07:08 > 3:07:11Ha ha ha...
3:07:15 > 3:07:18Ah! No! No!
3:07:18 > 3:07:19CLICK
3:07:36 > 3:07:37CLICK
3:08:34 > 3:08:36Look at me, Tereza.
3:08:58 > 3:09:01BREATHING DEEPLY
3:09:50 > 3:09:52Ha ha ha ha...
3:09:52 > 3:09:54Ha ha ha ha...
3:09:57 > 3:10:00Ha ha ha ha!
3:10:00 > 3:10:03Ha ha ha ha!
3:10:13 > 3:10:15DOOR OPENS
3:10:15 > 3:10:18Ah!
3:10:18 > 3:10:19Ha ha ha ha!
3:10:19 > 3:10:20Ha ha ha ha ha!
3:10:23 > 3:10:25Tereza, meet Franz.
3:10:28 > 3:10:30Ah!
3:10:30 > 3:10:32She's a friend from Prague,
3:10:32 > 3:10:33another crazy chick.
3:10:33 > 3:10:34Ha ha!
3:10:34 > 3:10:36She's modelling for me.
3:10:36 > 3:10:40Or I am for her, or something.
3:10:40 > 3:10:42I've left her.
3:10:46 > 3:10:47What?
3:10:48 > 3:10:51I've left my wife.
3:10:53 > 3:10:55I've left my wife.
3:10:56 > 3:10:58What did she say?
3:11:00 > 3:11:02"Don't forget your tuxedo."
3:11:02 > 3:11:05She even helped me pack.
3:11:05 > 3:11:06We're still friends, I think.
3:11:06 > 3:11:10I have to go home to get some more things,
3:11:10 > 3:11:12my books, my tuxedo...
3:11:12 > 3:11:15and I want to make sure she's all right.
3:11:15 > 3:11:17We didn't argue.
3:11:17 > 3:11:20I know you agree.
3:11:20 > 3:11:25We have to live in a glass house with no secrets.
3:11:25 > 3:11:29We couldn't live in lies anymore. We have to live in truth.
3:11:29 > 3:11:35Sabina, would you mind if I stayed here for a while?
3:11:35 > 3:11:38If it's no imposition.
3:11:39 > 3:11:41Until I get my bearings.
3:11:46 > 3:11:50If it's all right, I'll... I'll come back tomorrow...
3:11:50 > 3:11:52and, uh...
3:12:06 > 3:12:08Oh...
3:12:08 > 3:12:11Oh, God.
3:12:11 > 3:12:13Ha ha ha...
3:12:13 > 3:12:15Ha ha...
3:12:47 > 3:12:49Goodbye, Tereza.
3:12:49 > 3:12:51See you again, I'm sure.
3:13:10 > 3:13:12Listen, Tereza...
3:13:22 > 3:13:25I want you to leave now.
3:13:25 > 3:13:28I have things I must do.
3:13:48 > 3:13:49Sabina?
3:15:05 > 3:15:08Maybe I should have stayed.
3:15:09 > 3:15:11Stop running.
3:15:13 > 3:15:15Stop leaving.
3:15:19 > 3:15:21Franz was such a good man.
3:15:21 > 3:15:22So...
3:15:25 > 3:15:27..what are you going to do now?
3:15:27 > 3:15:29Leave.
3:15:29 > 3:15:31Ha ha ha ha...
3:15:33 > 3:15:34Ah, Sabina.
3:15:35 > 3:15:42I don't know. I'll go to... Paris, maybe.
3:15:45 > 3:15:47Or to America.
3:15:48 > 3:15:50Come to me.
3:15:59 > 3:16:02You want to see America?
3:16:04 > 3:16:06Hmm?
3:16:08 > 3:16:09Sometime.
3:16:24 > 3:16:28Maybe I'm seeing you for the last time.
3:16:34 > 3:16:36Maybe.
3:16:51 > 3:16:53Karenin.
3:17:11 > 3:17:14"Tomas, I know
3:17:14 > 3:17:18"I'm supposed to help you, but I can't.
3:17:18 > 3:17:21"instead of being your support,
3:17:21 > 3:17:25"I'm your weight.
3:17:25 > 3:17:28"Life is very heavy to me,
3:17:28 > 3:17:30"and it is so light to you."
3:17:34 > 3:17:36"I can't bear this lightness, this freedom.
3:17:36 > 3:17:39"I'm not strong enough.
3:17:39 > 3:17:42"In Prague,
3:17:42 > 3:17:44"I only needed you for love.
3:17:44 > 3:17:46"In Switzerland,
3:17:46 > 3:17:51"I was dependent on you for everything.
3:17:51 > 3:17:55"What would happen if you abandoned me?"
3:17:56 > 3:17:59"I'm weak.
3:17:59 > 3:18:03"I'm going back to the country of the weak.
3:18:03 > 3:18:06"Goodbye."
3:18:14 > 3:18:17"I'm sorry, but I've taken Karenin."
3:18:19 > 3:18:21KNOCK ON DOOR
3:18:33 > 3:18:34And your camera.
3:19:03 > 3:19:04Ah, cognac?
3:21:22 > 3:21:24POUNDS ON HOOD
3:21:35 > 3:21:40HELICOPTER WHIRRS ABOVE
3:22:32 > 3:22:37TRUMPETS PLAY DOLEFULLY
3:23:35 > 3:23:37KNOCK ON DOOR
3:23:37 > 3:23:40WHIMPERING
3:24:13 > 3:24:15Are you all right?
3:24:17 > 3:24:19Yes, fine.
3:24:19 > 3:24:23And Karenin?
3:24:23 > 3:24:24Fine, too.
3:24:28 > 3:24:31What are you going to do here?
3:24:33 > 3:24:35I'll find something.
3:25:48 > 3:25:51Oh, Tomas.
3:25:51 > 3:25:52Tomas.
3:25:54 > 3:25:56Tomas.
3:25:56 > 3:25:58Tomas.
3:26:00 > 3:26:02Oh...
3:26:02 > 3:26:04Oh!
3:26:04 > 3:26:07Oh...
3:26:07 > 3:26:10Oh...
3:26:17 > 3:26:21I really don't like to do this. I shouldn't have to do this.
3:26:21 > 3:26:26You remember the article you wrote about King Oedipus?
3:26:26 > 3:26:30How communist leaders should have put out their eyes?
3:26:30 > 3:26:32Yes, I'd almost forgotten.
3:26:34 > 3:26:36Well, they haven't.
3:26:38 > 3:26:41They've prepared this little letter...
3:26:41 > 3:26:43sort of retraction.
3:26:43 > 3:26:46Say you got it wrong, you really didn't understand...
3:26:46 > 3:26:48You sign. That's all.
3:26:51 > 3:26:56Don't misunderstand. They're not asking for a public declaration.
3:26:56 > 3:26:59They're just prudent bureaucrats.
3:26:59 > 3:27:01They've given me their word.
3:27:01 > 3:27:04They won't publish anything.
3:27:05 > 3:27:09I need you, Tomas.
3:27:11 > 3:27:13I hope I can keep you.
3:27:13 > 3:27:17You're not a writer, saviour of the country.
3:27:17 > 3:27:20You're a doctor. A scientist.
3:27:22 > 3:27:25This article's so terribly important to you?
3:27:27 > 3:27:29It couldn't be less important.
3:27:53 > 3:27:56- Hi, Tomas. - Hi.
3:28:02 > 3:28:05Tomas.
3:28:05 > 3:28:07Hello, Jiri!
3:28:07 > 3:28:10It's nice to see you back. How are you?
3:28:10 > 3:28:12Thanks, fine.
3:28:12 > 3:28:17So...are you going to sign the...thing?
3:28:17 > 3:28:19What thing?
3:28:19 > 3:28:22Mmm...your, um...
3:28:22 > 3:28:24retraction.
3:28:26 > 3:28:29What do you know about my retraction?
3:28:30 > 3:28:32Have you read it?
3:28:32 > 3:28:34No.
3:28:34 > 3:28:38But you know how things work.
3:28:40 > 3:28:43Who told you I had agreed to go along with it?
3:28:50 > 3:28:51See you.
3:28:51 > 3:28:53Ha ha ha ha...
3:29:13 > 3:29:17I suppose a lot of them have signed these letters.
3:29:17 > 3:29:19They're kept on file.
3:29:19 > 3:29:22They know they can be published at any moment,
3:29:22 > 3:29:26so they keep quiet, see?
3:29:26 > 3:29:29They can't say anything anymore.
3:29:29 > 3:29:30They accept everything.
3:29:33 > 3:29:37Cowardice slowly becomes a rule of life.
3:29:39 > 3:29:41Yes, I have the feeling
3:29:41 > 3:29:44that everyone would be very happy to see me sign.
3:29:44 > 3:29:47Everyone... everyone but me.
3:30:31 > 3:30:34So...what can I do for you?
3:30:36 > 3:30:40There is nothing you can do for me, Doctor.
3:30:40 > 3:30:45I represent the Ministry of the Interior.
3:30:48 > 3:30:52Everybody at the Ministry regrets seeing you here.
3:30:52 > 3:30:56You are one of our best brain specialists.
3:30:56 > 3:30:57Just between us,
3:30:57 > 3:31:00maybe I shouldn't say it,
3:31:00 > 3:31:03we don't all agree with the drastic tactics
3:31:03 > 3:31:08that are removing our top specialists from their posts.
3:31:10 > 3:31:13One can only be sorry about all this.
3:31:15 > 3:31:17May I?
3:31:17 > 3:31:18Please.
3:31:21 > 3:31:24You had a very good position in Geneva,
3:31:24 > 3:31:26and you came back to our country.
3:31:26 > 3:31:29We very much appreciate your having returned,
3:31:29 > 3:31:32but your place is at the operating table.
3:31:32 > 3:31:34I couldn't agree more.
3:31:34 > 3:31:36Everybody agrees.
3:31:36 > 3:31:39Then... tell me, Doctor...
3:31:39 > 3:31:42do you really think
3:31:42 > 3:31:45that communists should pluck out their own eyes?
3:31:47 > 3:31:50You, who have healed so many people?
3:31:50 > 3:31:52That wasn't what I meant.
3:31:52 > 3:31:54But that's how everyone understood it.
3:31:54 > 3:31:57And we can only regret it.
3:31:57 > 3:32:00How can you let people think
3:32:00 > 3:32:03that you, a doctor,
3:32:03 > 3:32:07want to deprive human beings of their right to see?
3:32:09 > 3:32:11Maybe someone inspired this article?
3:32:11 > 3:32:13No, no-one.
3:32:13 > 3:32:14Did you know the publishers?
3:32:14 > 3:32:16No.
3:32:16 > 3:32:21- You never spoke? - Once, they asked me over to discuss the article.
3:32:21 > 3:32:23Who was it you talked to?
3:32:23 > 3:32:24One of the editors.
3:32:24 > 3:32:26What was his name?
3:32:38 > 3:32:41I don't remember.
3:32:41 > 3:32:43I've no idea.
3:32:47 > 3:32:49What did he look like?
3:32:49 > 3:32:51I can't remember.
3:32:51 > 3:32:54Tell me the truth, Doctor.
3:32:57 > 3:32:58He was tall...
3:32:58 > 3:33:02with...short, blond hair.
3:33:09 > 3:33:11A little stooped, hmm?
3:33:12 > 3:33:14Perhaps.
3:33:14 > 3:33:17And how did he react?
3:33:17 > 3:33:19What did he say exactly?
3:33:19 > 3:33:22He asked me to make some changes.
3:33:22 > 3:33:24So...
3:33:24 > 3:33:30you might have been manipulated, Doctor.
3:33:31 > 3:33:33Used.
3:33:33 > 3:33:35Whether you meant to or not,
3:33:35 > 3:33:37your article contributed to
3:33:37 > 3:33:39the anti-communist hysteria.
3:33:41 > 3:33:45Nobody requires a doctor to understand politics.
3:33:51 > 3:33:56Of course, we can't allow a politically suspicious man
3:33:56 > 3:33:59to operate on brains.
3:34:03 > 3:34:07We have here another declaration.
3:34:09 > 3:34:12I would advise you to sign.
3:34:20 > 3:34:22"This temporary error..."
3:34:23 > 3:34:27"..due to bad influences from so-called intellectuals..."
3:34:29 > 3:34:32"..doesn't in any way put in doubt
3:34:32 > 3:34:35"my faithfulness to the Communist Party
3:34:35 > 3:34:38"or my admiration for the Soviet Union."
3:34:38 > 3:34:41Of course, Doctor, it's only a proposition,
3:34:41 > 3:34:43a first draft.
3:34:43 > 3:34:46If there is something you want to change...
3:34:46 > 3:34:47after all, it's your statement.
3:34:51 > 3:34:53Just a paper to keep in their files.
3:34:53 > 3:34:54It's nothing.
3:34:54 > 3:34:56Just in case someone reproaches them
3:34:56 > 3:34:59for letting you work here.
3:36:18 > 3:36:20Good evening, Excellency.
3:36:28 > 3:36:31Why do they call him Excellency?
3:36:31 > 3:36:34He was an ambassador in Vienna...before.
3:36:34 > 3:36:35Oh.
3:36:49 > 3:36:52Give me a cognac.
3:36:55 > 3:36:56Ah. Ha.
3:36:56 > 3:36:59- Are you 18? - Yes.
3:36:59 > 3:37:03May I see your identification card?
3:37:07 > 3:37:08Haaa.
3:37:08 > 3:37:10Ugh! Drunk.
3:37:11 > 3:37:13Give me a drink.
3:37:17 > 3:37:18Give me a drink.
3:37:20 > 3:37:23All right.
3:37:23 > 3:37:25You have beautiful legs!
3:37:27 > 3:37:29I watched you in the street.
3:37:39 > 3:37:41Ugh.
3:37:53 > 3:37:56Ow!
3:37:56 > 3:37:58Stay here. I want to look at you.
3:37:58 > 3:38:00I love you!
3:38:00 > 3:38:03Ohhh!
3:38:03 > 3:38:05Tsk, tsk, tsk.
3:38:26 > 3:38:27Madame.
3:38:27 > 3:38:31You have no right to serve alcohol to minors.
3:38:31 > 3:38:33That was lemonade.
3:38:33 > 3:38:36Do you think I did not see
3:38:36 > 3:38:38what else you put into his lemonade?
3:38:38 > 3:38:41What are you talking about?
3:38:41 > 3:38:44I've been watching you for some time now.
3:38:44 > 3:38:47Then be grateful you're watching a beauty,
3:38:47 > 3:38:49and keep your mouth shut.
3:38:49 > 3:38:51You stay out of this.
3:38:51 > 3:38:54What business is it of yours?
3:38:56 > 3:38:59And what business is it of yours, my friend?
3:39:03 > 3:39:05Well...
3:39:19 > 3:39:20Thanks.
3:39:22 > 3:39:23Don't mention it.
3:39:23 > 3:39:26That man comes here all the time.
3:39:26 > 3:39:28He's...
3:39:28 > 3:39:30He's terribly unpleasant.
3:39:30 > 3:39:34Promise me you won't think about him anymore.
3:39:35 > 3:39:37I promise.
3:39:39 > 3:39:41I like hearing you make me promises.
3:39:43 > 3:39:47What is a beautiful girl like you doing in this terrible part of Prague?
3:39:47 > 3:39:49What are you doing here?
3:39:49 > 3:39:53I'm living here. I'm an engineer.
3:39:53 > 3:39:56I just stopped here by chance.
3:40:04 > 3:40:06I live very near here.
3:40:50 > 3:40:52TAPPING
3:40:52 > 3:40:54You're a doctor, aren't you?
3:40:54 > 3:40:56Yes.
3:40:56 > 3:40:57May I see you for a moment?
3:40:57 > 3:40:59I have windows to do.
3:40:59 > 3:41:01Oh, don't worry about it.
3:41:01 > 3:41:03Come.
3:41:03 > 3:41:04Come in.
3:41:08 > 3:41:11Don't worry about the window.
3:41:11 > 3:41:14I'll tell them all the work has been done.
3:41:16 > 3:41:18A glass of wine?
3:41:20 > 3:41:22Thank you. That would be very nice.
3:41:22 > 3:41:24Sit down.
3:41:32 > 3:41:34I've heard so much about you.
3:41:34 > 3:41:37When I saw you, I said to myself,
3:41:37 > 3:41:40"What a coincidence."
3:41:40 > 3:41:42"He's the one who can help me."
3:41:42 > 3:41:45Of course, I'll pay for the consultation.
3:41:47 > 3:41:50I've had a pain in my back
3:41:50 > 3:41:53for a few months,
3:41:53 > 3:41:56and I would like to get your opinion about it.
3:42:10 > 3:42:12Take off your clothes.
3:42:35 > 3:42:37Everything?
3:42:37 > 3:42:39Everything.
3:43:37 > 3:43:40It's, uh...
3:43:40 > 3:43:41here.
3:44:04 > 3:44:06SNIFFING
3:44:15 > 3:44:17SOBBING
3:44:20 > 3:44:22What's the matter?
3:44:24 > 3:44:26Tell me what's wrong.
3:44:26 > 3:44:27What's wrong?
3:44:29 > 3:44:31What's wrong?
3:44:31 > 3:44:33You forgot to wash your hair.
3:44:33 > 3:44:35What are you talking about, Tereza?
3:44:37 > 3:44:40Your hair smells of a...
3:44:41 > 3:44:43What?
3:44:43 > 3:44:45Of another woman's sex!
3:44:51 > 3:44:55I thought you had come back here for me.
3:44:55 > 3:44:57I did come back here for you, Tereza.
3:44:57 > 3:45:02Then why do you keep seeing other women?
3:45:02 > 3:45:05- I don't know what to say to you. - I know, I know.
3:45:05 > 3:45:09You've explained it a thousand times.
3:45:09 > 3:45:10A thousand times.
3:45:11 > 3:45:13There is love and there is sex,
3:45:13 > 3:45:17and sex is entertainment, like football.
3:45:17 > 3:45:18I know it's light.
3:45:21 > 3:45:23I wish I could believe you, but...
3:45:23 > 3:45:27How can someone make love without being in love?
3:45:27 > 3:45:28I just don't know.
3:45:32 > 3:45:33Let me try.
3:45:35 > 3:45:37Oh, no.
3:45:38 > 3:45:40You'd reject me if I tried.
3:45:44 > 3:45:47I wish I could be like you...
3:45:48 > 3:45:50..insensitive...
3:45:52 > 3:45:54..strong...
3:45:56 > 3:45:57Strong.
3:46:01 > 3:46:04VOICES ARGUING IN CZECH
3:46:45 > 3:46:46Oh, hello.
3:46:46 > 3:46:48I just tried...
3:46:48 > 3:46:49Come in.
3:46:53 > 3:46:55It's a very simple place.
3:46:55 > 3:46:59- I hope you don't mind. - No, not at all.
3:46:59 > 3:47:02All these books are yours?
3:47:02 > 3:47:04Yes.
3:47:04 > 3:47:06What do you want to drink?
3:47:06 > 3:47:08- Anything. - Wine?
3:47:08 > 3:47:09No. Coffee?
3:47:09 > 3:47:12OK. I'll go fix some.
3:47:45 > 3:47:48Shall I take your coat?
3:47:48 > 3:47:49Yes.
3:47:55 > 3:47:57Sit down.
3:47:57 > 3:47:58Thank you.
3:48:09 > 3:48:10I'm very glad you came here.
3:48:16 > 3:48:18I didn't want to come here.
3:48:20 > 3:48:22Of course not.
3:48:36 > 3:48:38CREAKING
3:48:41 > 3:48:42CREAKING
3:48:42 > 3:48:45There is somebody here,
3:48:45 > 3:48:47behind that curtain.
3:48:51 > 3:48:52You're being silly.
3:48:52 > 3:48:55Draw aside the curtain.
3:48:55 > 3:48:57I told you, you're being silly.
3:48:57 > 3:49:02So why don't you draw aside the curtain, please?
3:49:24 > 3:49:27Look. Nothing.
3:49:27 > 3:49:29And over here.
3:50:20 > 3:50:22I can feel that you want it.
3:50:55 > 3:50:57What are you looking at?
3:52:03 > 3:52:05But be careful.
3:52:06 > 3:52:09It was very well set up,
3:52:09 > 3:52:12a young, provocative drunkard,
3:52:12 > 3:52:15then the other one,
3:52:15 > 3:52:18the one who attacked you.
3:52:18 > 3:52:21Then the third one, who gained your confidence
3:52:21 > 3:52:27just because he took your side.
3:52:27 > 3:52:29The engineer?
3:52:29 > 3:52:32The so-called engineer.
3:52:34 > 3:52:37Why do you look afraid?
3:52:37 > 3:52:39You have nothing to be afraid of.
3:52:39 > 3:52:40But I went to see him...
3:52:42 > 3:52:44..at his place,
3:52:44 > 3:52:48with my dog and a friend.
3:52:48 > 3:52:50He offered us some...some coffee.
3:52:50 > 3:52:54How do you know it was his place?
3:52:54 > 3:52:58They have a lot of places they can use.
3:53:02 > 3:53:04Pretty cheap place for an engineer.
3:53:06 > 3:53:08You know what they do
3:53:08 > 3:53:11with foreign diplomats?
3:53:11 > 3:53:13A beautiful girl,
3:53:13 > 3:53:14an apartment,
3:53:14 > 3:53:16a hidden camera.
3:53:17 > 3:53:20Then they blackmail the poor man.
3:53:22 > 3:53:25And he does what he is told to do.
3:53:31 > 3:53:34That's Vienna in '61.
3:53:34 > 3:53:37That's me there,
3:53:37 > 3:53:39just behind Kennedy and Khrushchev.
3:53:39 > 3:53:43I'm in the back. You can hardly see me.
3:53:43 > 3:53:46Are you sure he was from the police?
3:53:46 > 3:53:48I'm not sure of anything.
3:53:48 > 3:53:52Anybody can be from the police.
3:53:52 > 3:53:54LAUGHTER
3:53:54 > 3:53:57Maybe your engineer is a real engineer.
3:53:57 > 3:53:59Ah!
3:54:00 > 3:54:02Who knows?
3:54:06 > 3:54:07They know.
3:54:11 > 3:54:14And now they have what they wanted.
3:54:20 > 3:54:23Now you are afraid.
3:54:36 > 3:54:40CRYING SOFTLY
3:55:24 > 3:55:26Tomas.
3:55:33 > 3:55:37I don't want to stay here. I want to go away,
3:55:37 > 3:55:40to leave.
3:55:40 > 3:55:41To leave?
3:55:43 > 3:55:44Again?
3:55:51 > 3:55:53We left here once.
3:55:53 > 3:55:56We were in Switzerland. Then we left Switzerland.
3:55:56 > 3:55:59Now you want to leave again. Why?
3:55:59 > 3:56:00I don't understand.
3:56:00 > 3:56:02Prague has grown so ugly.
3:56:02 > 3:56:04CRYING
3:56:04 > 3:56:06No.
3:56:07 > 3:56:10I know there's another reason.
3:56:10 > 3:56:14FOOTSTEPS
3:56:14 > 3:56:15Oh...
3:56:18 > 3:56:20Please tell me.
3:56:22 > 3:56:26I want to leave. I want to leave.
3:56:30 > 3:56:32They've taken our passports.
3:56:35 > 3:56:38There's nowhere we can go.
3:56:38 > 3:56:40We can't go anywhere.
3:56:44 > 3:56:47Maybe we can.
3:56:57 > 3:57:01HUMMING
3:57:14 > 3:57:15Ha ha ha!
3:57:15 > 3:57:17SNORTS
3:57:17 > 3:57:20Mephisto is big now. Huh? Look, look.
3:57:20 > 3:57:21Look, Karenin.
3:57:21 > 3:57:23Mephisto's here.
3:57:33 > 3:57:34Ah!
3:57:34 > 3:57:36Phooey.
3:57:36 > 3:57:39Ha ha ha ha ha!
3:57:39 > 3:57:41COW MOOING
3:57:47 > 3:57:49Karenin prefers Mephisto to dogs.
3:57:49 > 3:57:53She thinks other dogs are silly.
3:57:53 > 3:57:54SNORT
3:57:54 > 3:57:56Ha ha...
3:57:59 > 3:58:02Do you know why I love Mephisto?
3:58:02 > 3:58:04Because he's very bright,
3:58:04 > 3:58:06but at the same time,
3:58:06 > 3:58:09he doesn't know anything.
3:58:10 > 3:58:12After all, he doesn't know
3:58:12 > 3:58:15that life is impossible here now.
3:58:16 > 3:58:19Nothing left here.
3:58:19 > 3:58:21The church is gone.
3:58:22 > 3:58:25No place to drink beer now.
3:58:30 > 3:58:33It's good... very good.
3:58:34 > 3:58:36SLURP
3:58:36 > 3:58:39If you two ever change your mind...
3:58:42 > 3:58:45..it won't be easy to leave.
3:58:45 > 3:58:47We'll never leave.
3:59:23 > 3:59:25DOG BARKS
4:00:07 > 4:00:09Yah!
4:00:09 > 4:00:11Ha ha ha!
4:00:11 > 4:00:15Can I help you?
4:00:15 > 4:00:16Uh!
4:00:19 > 4:00:21Ha ha ha!
4:00:21 > 4:00:23Aah!
4:00:23 > 4:00:24Ah!
4:00:26 > 4:00:29MOOING
4:00:35 > 4:00:36COWBELLS RINGING
4:00:36 > 4:00:37Look at Karenin.
4:00:37 > 4:00:40I don't like the way she's running.
4:00:40 > 4:00:42Yes, you're right.
4:00:43 > 4:00:46WHISTLES
4:00:46 > 4:00:48Karenin, come on.
4:00:48 > 4:00:50Come on. Come on, girl.
4:00:50 > 4:00:51Come on.
4:00:51 > 4:00:53Come on.
4:00:53 > 4:00:56Let's have a look at her.
4:00:56 > 4:00:58WHIMPERING
4:00:59 > 4:01:01What is that?
4:01:04 > 4:01:06It's from the vet.
4:01:06 > 4:01:08It's the result of the tests.
4:01:08 > 4:01:10What did they say?
4:01:12 > 4:01:13Cancer.
4:01:19 > 4:01:22Oh, look at that. Look at it.
4:01:22 > 4:01:25Oh, it smells so good. Look.
4:01:25 > 4:01:27Come on, Karenin.
4:01:27 > 4:01:29Look, Tereza loves it, too.
4:01:29 > 4:01:31Oh, look at that.
4:01:31 > 4:01:32Oh, oh...
4:01:32 > 4:01:34Grr.
4:01:39 > 4:01:42Mm...mmm...
4:01:42 > 4:01:43mmm...
4:01:43 > 4:01:45Oh, she's smiling.
4:01:45 > 4:01:46Oh, Karenin,
4:01:46 > 4:01:50it's so good to see you eat again.
4:01:59 > 4:02:02I was forced to love my mother.
4:02:05 > 4:02:07But not to love this dog.
4:02:09 > 4:02:12You know, Tomas...
4:02:15 > 4:02:18..maybe...maybe I love her more
4:02:18 > 4:02:20than I love you.
4:02:21 > 4:02:23Not more.
4:02:24 > 4:02:27I mean in a better way.
4:02:27 > 4:02:29I'm not jealous of her.
4:02:31 > 4:02:35I don't want her to be different.
4:02:38 > 4:02:41I don't ask her for anything back.
4:02:46 > 4:02:49I don't think we should wait.
4:02:49 > 4:02:52DOG WHIMPERS
4:02:52 > 4:02:57If we do, she'll have to go through terrible pain.
4:03:01 > 4:03:02Yeah.
4:03:02 > 4:03:05You should do it yourself.
4:03:05 > 4:03:07Yeah.
4:03:55 > 4:03:57Look.
4:03:57 > 4:03:59She's smiling.
4:03:59 > 4:04:02She's smiling.
4:04:14 > 4:04:18Just hold her and talk to her.
4:04:25 > 4:04:28Don't be scared.
4:04:28 > 4:04:30Don't be scared, Karenin.
4:04:32 > 4:04:34You won't feel any pain there.
4:04:34 > 4:04:36It'll be beautiful there.
4:04:37 > 4:04:40You'll have cows to chase.
4:04:40 > 4:04:42DOG WHIMPERS
4:04:42 > 4:04:44And Mephisto will be there.
4:04:44 > 4:04:46Mephisto will be there.
4:04:46 > 4:04:49Don't be scared.
4:04:53 > 4:04:55Don't be scared.
4:04:55 > 4:04:58Don't be scared.
4:05:00 > 4:05:02Don't be scared.
4:06:42 > 4:06:46Aaah!
4:06:46 > 4:06:48SPEAKING CZECH
4:06:48 > 4:06:50Tomas!
4:06:50 > 4:06:52Tomas!
4:06:52 > 4:06:54Aah...
4:06:54 > 4:06:57- What happened? - Shoulder.
4:06:57 > 4:07:00Now, lie down. Lie down.
4:07:00 > 4:07:01Arrrr...
4:07:01 > 4:07:03Not this way. Come on!
4:07:03 > 4:07:05Turn around.
4:07:07 > 4:07:09All right, let go.
4:07:09 > 4:07:11Let go!
4:07:11 > 4:07:13Hold that arm.
4:07:13 > 4:07:14Errr...
4:07:14 > 4:07:16You've dislocated your shoulder,
4:07:16 > 4:07:20and I'm going to put it back for you.
4:07:20 > 4:07:22It's going to hurt.
4:07:22 > 4:07:24Yaaah!
4:07:24 > 4:07:26You ready?
4:07:26 > 4:07:29Aaggghh!
4:07:29 > 4:07:30And again.
4:07:30 > 4:07:32Oorrrhh!
4:07:32 > 4:07:35One more time. Come on.
4:07:35 > 4:07:36Ah!
4:07:43 > 4:07:45Whew.
4:07:46 > 4:07:48Do you feel better?
4:08:05 > 4:08:08Your wife is damn beautiful today.
4:08:08 > 4:08:11You dumb idiot. Tereza is always pretty.
4:08:11 > 4:08:13Yes, I know,
4:08:13 > 4:08:15but especially today.
4:08:15 > 4:08:17Seeing you in this dress
4:08:17 > 4:08:20makes me want to dance with you.
4:08:20 > 4:08:22Yes! Let's all go and dance!
4:08:22 > 4:08:24Sure, but where?
4:08:24 > 4:08:26I know where.
4:08:26 > 4:08:28We can go to Milos' Tavern.
4:08:28 > 4:08:30It's 40 kilometres away.
4:08:30 > 4:08:31I'll drive.
4:08:31 > 4:08:33I'll drink.
4:08:33 > 4:08:36And we'll take you and Mephisto,
4:08:36 > 4:08:37the dancing pig.
4:08:37 > 4:08:39SNORTS
4:08:39 > 4:08:41And all the women will faint
4:08:41 > 4:08:45when they get an eyeful of those two pigs
4:08:45 > 4:08:48walking in together. Ha ha ha!
4:08:48 > 4:08:50Yai!
4:08:55 > 4:08:56Let's go!
4:08:56 > 4:08:59THUNDER
4:08:59 > 4:09:04SINGING IN CZECH
4:09:20 > 4:09:25PIANIST AND VIOLINIST PLAY: "Sentimental Journey"
4:09:52 > 4:09:55PIG SQUEALS
4:09:55 > 4:09:58Ha ha ha ha!
4:09:58 > 4:10:00YELLING IN CZECH
4:10:00 > 4:10:02Shh!
4:10:02 > 4:10:04Shh!
4:10:04 > 4:10:06No pigs allowed.
4:10:06 > 4:10:08Ah, come on!
4:10:08 > 4:10:10He's wearing a tie!
4:10:10 > 4:10:14No. Everyone who comes here must order a drink.
4:10:14 > 4:10:16Only one?
4:10:16 > 4:10:18Did you hear that, Mephisto?
4:10:18 > 4:10:19Ha ha ha ha!
4:10:19 > 4:10:21Wine for everybody
4:10:21 > 4:10:23and beer for him...
4:10:23 > 4:10:24SNORTS
4:10:24 > 4:10:28A large one. Make it a pilsner.
4:10:28 > 4:10:30When Mephisto drink wine,
4:10:30 > 4:10:33he goes crazy.
4:10:33 > 4:10:34Ha ha ha ha!
4:10:34 > 4:10:36Ha ha ha!
4:10:49 > 4:10:53APPLAUSE AS SONG ENDS
4:10:55 > 4:10:57There's no girls for me...
4:10:59 > 4:11:01..cept you, Tereza.
4:11:01 > 4:11:04MUSICIANS PLAY
4:11:20 > 4:11:22Tomas...
4:11:22 > 4:11:24No, no, I can't drink.
4:11:24 > 4:11:25Ah...
4:11:25 > 4:11:27I must not. I'm driving.
4:11:27 > 4:11:30Ho ho ho! Driving.
4:11:30 > 4:11:31Listen.
4:11:33 > 4:11:35Why not spend the night here,
4:11:35 > 4:11:38you and Tereza.
4:11:38 > 4:11:41You take the truck tomorrow.
4:11:43 > 4:11:44Ah.
4:11:51 > 4:11:53MEPHISTO SQUEALS
4:11:55 > 4:11:57Hey!
4:11:57 > 4:12:00SPEAKING CZECH
4:12:00 > 4:12:01Ha ha ha!
4:12:01 > 4:12:04BURPING
4:12:06 > 4:12:08Ya-ha!
4:12:25 > 4:12:28SEAGULLS CALLING
4:13:14 > 4:13:15Nice.
4:13:29 > 4:13:30WHISTLING
4:13:36 > 4:13:38Excuse me.
4:13:45 > 4:13:47Hey, Sam.
4:13:47 > 4:13:51I got a special delivery here for you, from Europe.
4:13:51 > 4:13:54I'll see you, Sabina.
4:13:54 > 4:13:55See you.
4:14:19 > 4:14:22BELL RINGS IN DISTANCE
4:14:22 > 4:14:24What is it?
4:14:25 > 4:14:27Bad news?
4:14:30 > 4:14:32Some friends died.
4:14:37 > 4:14:39They were coming back
4:14:39 > 4:14:44from spending the night in some small hotel there,
4:14:44 > 4:14:46gone there to dance, and they...
4:14:46 > 4:14:51It was raining, and...
4:14:51 > 4:14:53the brakes on their truck didn't work.
4:14:56 > 4:14:58They were killed instantly.
4:15:02 > 4:15:04I was...
4:15:09 > 4:15:12I was their closest friend.
4:15:12 > 4:15:14Sorry. Damn shame.
4:15:17 > 4:15:20Come to our place for dinner tonight,
4:15:20 > 4:15:22if you feel up to it.
4:15:46 > 4:15:50MUSICIANS PLAY TANGO
4:17:47 > 4:17:48Tomas...
4:17:53 > 4:17:55What are you thinking?
4:18:00 > 4:18:03I'm thinking how happy I am.