0:00:02 > 0:00:14This film contains some strong language.
0:03:28 > 0:03:30I haven't unpacked, so you can easily have that one if you want to.
0:03:30 > 0:03:32I just stayed there last night.
0:03:32 > 0:03:33I don't mind.
0:03:33 > 0:03:34Well, choose.
0:03:34 > 0:03:36Honestly, I really don't mind.
0:03:36 > 0:03:37It's your trip.
0:03:38 > 0:03:40I don't mind. I'll tell you what...
0:03:40 > 0:03:41Oh, come on. Just choose...
0:03:41 > 0:03:43- You stay in there. - Stop being so nice!
0:03:43 > 0:03:44It's fine, it's fine. I'll, erm...
0:03:44 > 0:03:46- Really?- Yeah.
0:03:49 > 0:03:50- Sure?- Yeah.
0:03:50 > 0:03:51OK.
0:03:51 > 0:03:53Will you be all right up there?
0:03:53 > 0:03:54Yeah.
0:04:19 > 0:04:20Baked apples.
0:04:22 > 0:04:23With the blackberries?
0:04:23 > 0:04:24Yeah. Mmm.
0:04:24 > 0:04:26I think that's a very good idea.
0:04:26 > 0:04:27OK.
0:04:27 > 0:04:30Oh, I love it when you do that.
0:04:30 > 0:04:32I think the...
0:04:32 > 0:04:35Sorry, darling. Can I just turn the oven on over here?
0:04:35 > 0:04:37There we are. Whoa!
0:04:41 > 0:04:43Not sure which one. Oh, it's this one, I think.
0:04:47 > 0:04:49I'm just going to look after my eggs.
0:04:49 > 0:04:50Yeah, sorry.
0:04:56 > 0:04:59Remember, I used to do this when you were really small?
0:04:59 > 0:05:00Yeah.
0:05:01 > 0:05:03Mum, here's your hot water bottle.
0:05:03 > 0:05:04Thank you.
0:05:04 > 0:05:05There you go.
0:05:14 > 0:05:16Turning this one out.
0:05:16 > 0:05:17- Right.- OK.
0:05:20 > 0:05:21Night, my darlings.
0:05:21 > 0:05:22Night, night. Go up, Mum.
0:05:24 > 0:05:25Let's hope Dad's here tomorrow.
0:05:28 > 0:05:31You won't be seeing him again then, or...
0:05:31 > 0:05:32No, I will, I will.
0:05:32 > 0:05:37I'll see him that night, that one night I've got before I go.
0:05:43 > 0:05:44Night, C.
0:05:46 > 0:05:47Night, night.
0:05:47 > 0:05:48Sleep well.
0:05:48 > 0:05:49And you.
0:05:53 > 0:05:54Mum?
0:05:54 > 0:05:55Darling?
0:05:58 > 0:05:59Night-night.
0:05:59 > 0:06:00Sleep well.
0:06:00 > 0:06:02You too.
0:06:02 > 0:06:03See you in the morning.
0:06:03 > 0:06:04Yeah.
0:07:24 > 0:07:26Must be quite a nice job, really.
0:07:26 > 0:07:29Coming away, family, free holiday.
0:07:29 > 0:07:30Nice bit of cooking.
0:07:30 > 0:07:31It's not very exacting.
0:07:31 > 0:07:33- Is everything all right? - Yes, delicious.
0:07:33 > 0:07:35Can I get you anything else?
0:07:35 > 0:07:37I think we're fine. Thank you.
0:07:37 > 0:07:38Good.
0:07:38 > 0:07:39Yeah.
0:07:39 > 0:07:41Have you come a long way, Rose?
0:07:41 > 0:07:46Erm, no. Well, sort of, Northamptonshire.
0:07:47 > 0:07:49Oh, that's quite far.
0:07:49 > 0:07:52Yeah, it's not Scotland, though.
0:07:52 > 0:07:54No.
0:07:54 > 0:07:55Yeah.
0:07:55 > 0:07:56Whereabouts in Northamptonshire?
0:07:56 > 0:08:01Erm, sort of, quite near Silverstone.
0:08:01 > 0:08:04That is quite far. That's almost up to Cambridge, isn't it?
0:08:04 > 0:08:06Sort of on the way.
0:08:06 > 0:08:07On the way, yeah.
0:08:07 > 0:08:10I'd say Cambridge is probably an hour or so.
0:08:10 > 0:08:13So did you have to leave very early in the morning?
0:08:13 > 0:08:16Erm, yeah, quite early.
0:08:16 > 0:08:18But it's fine. It's all part of the job.
0:08:18 > 0:08:20You're astonishingly ready for us.
0:08:20 > 0:08:22I'm amazed that you've managed to get things together
0:08:22 > 0:08:24in such a short space of time.
0:08:24 > 0:08:26It's really great, thank you.
0:08:26 > 0:08:28Well, it's a pleasure. It's what I'm here for.
0:08:28 > 0:08:30Mmm.
0:08:30 > 0:08:32It's a lovely house.
0:08:32 > 0:08:33- Yes.- Isn't it?- We love it.
0:08:33 > 0:08:35It's really, really nice.
0:08:35 > 0:08:36Have you stayed here before, or...?
0:08:36 > 0:08:38Oh, yes. For many years.
0:08:38 > 0:08:40Yeah, we've been here... Yeah.
0:08:40 > 0:08:41OK.
0:08:41 > 0:08:44Cynthia and I were here as children.
0:08:44 > 0:08:46Yeah, it's lovely.
0:08:46 > 0:08:47Lots of lovely memories.
0:08:48 > 0:08:51Did there used to be a picture on that wall, or..?
0:08:52 > 0:08:54Yes, how clever of you!
0:08:54 > 0:08:56I've just noticed the colour difference in the...
0:08:56 > 0:08:59Yes, it was rather horrible.
0:08:59 > 0:09:00Oh, right.
0:09:00 > 0:09:03And Cynthia and Edward very kindly took it down.
0:09:03 > 0:09:04Yep.
0:09:05 > 0:09:10Oh, I see. Right. Well, I'd better get back, but it won't be long.
0:09:10 > 0:09:11Great.
0:09:11 > 0:09:12Great, well, whenever you're ready.
0:09:12 > 0:09:14OK.
0:09:14 > 0:09:16- Thank you. - Thanks.
0:09:17 > 0:09:19- Do you want to finish that for me? - Mmm.
0:09:20 > 0:09:23You don't have to act so kind. You don't have to...
0:09:23 > 0:09:24What?
0:09:25 > 0:09:26I'm just...
0:09:26 > 0:09:29She's used to it. She can just go in there.
0:09:29 > 0:09:31That's what she does all the time.
0:09:31 > 0:09:33Darling, I don't think we need to whisper.
0:09:35 > 0:09:36Oh, right, yeah.
0:09:38 > 0:09:40I'm a bit stiff from that walking.
0:09:40 > 0:09:42Yes. It's good.
0:09:45 > 0:09:46It's not a gap year, C.
0:09:48 > 0:09:49Mmm.
0:09:51 > 0:09:53I really want you to understand that.
0:09:53 > 0:09:55No, I'm... It sounds great.
0:09:55 > 0:09:58I mean, of course, it's wonderful, what you're doing, it's really great.
0:09:58 > 0:09:59Just...
0:09:59 > 0:10:02Perhaps you could have done it a few years ago,
0:10:02 > 0:10:05and you wouldn't be quite so out of step with your generation.
0:10:05 > 0:10:07Cynthia, he's doing it now.
0:10:07 > 0:10:10And then you could just get on with getting a job
0:10:10 > 0:10:12and working like the rest of us.
0:10:12 > 0:10:14He's had a job.
0:10:22 > 0:10:24But I'm happy for you.
0:10:24 > 0:10:28You know, that you can be so cavalier with your future.
0:10:28 > 0:10:32It's a luxury. I think you're doing...
0:10:32 > 0:10:34Taking a wonderful, excellent choice.
0:10:37 > 0:10:39Well, in Edward's defence, I'd have to say...
0:10:39 > 0:10:42I just think, perhaps a little bit more awareness that it is a luxury,
0:10:42 > 0:10:43rather than...
0:10:43 > 0:10:45It's not a luxury, and it's anything but cavalier.
0:10:45 > 0:10:47..a natural thing to do.
0:13:18 > 0:13:20CLUNKING >
0:15:50 > 0:15:55Abstraction is a reductive process, a way of simplifying.
0:15:55 > 0:15:56Mmm.
0:15:56 > 0:15:58Distilling, really.
0:15:58 > 0:16:01So, there's no such thing as, really, abstraction, if you like.
0:16:01 > 0:16:07There's no such thing as reality, so abstraction is a way of simplifying
0:16:07 > 0:16:11and distilling the important information, so you get it home.
0:16:11 > 0:16:15You know, you get your intention clear across to the viewer.
0:16:18 > 0:16:21Well, actually, most people just want to paint the view,
0:16:21 > 0:16:25which is a starting point, but that's the way I started.
0:16:25 > 0:16:29As you get older, I suppose, you want to say something with it,
0:16:29 > 0:16:32so, it's a bit of, sort of a strange thing.
0:16:32 > 0:16:35I'm teaching very specific-focused things to do,
0:16:36 > 0:16:40and yet I'm also introducing the idea of chaos, as well.
0:16:40 > 0:16:44And that's part of this kind of wonderful, well, journey.
0:16:44 > 0:16:49Like a two-horse race, galloping off into no-man's land.
0:16:50 > 0:16:53With these two horses, I suppose.
0:16:53 > 0:16:56And one sometimes gets in front of the other,
0:16:56 > 0:16:58but the intention is the main thing.
0:16:58 > 0:17:00What do I want to do?
0:17:00 > 0:17:02But you need the tools.
0:17:02 > 0:17:05I mean, I'm giving your mum, trying to give her as many tools
0:17:05 > 0:17:08in which to work with as she possibly can.
0:17:08 > 0:17:09Mmm.
0:17:09 > 0:17:10So...
0:17:12 > 0:17:13So, did we do anything else?
0:17:32 > 0:17:34Is it light all night, all day?
0:17:34 > 0:17:39Yeah, yeah. A couple of hours it's not, and it just goes a bit duller.
0:17:39 > 0:17:40Can you sleep?
0:17:41 > 0:17:43I slept out on the ice.
0:17:43 > 0:17:44- Did you?- Yeah.
0:17:44 > 0:17:45Goodness me.
0:17:45 > 0:17:48In a sleeping bag, which was fantastic.
0:17:48 > 0:17:52I woke up with all this prism of colours
0:17:52 > 0:17:55bouncing off all the icebergs.
0:17:55 > 0:17:56- It was just amazing.- Oh, wow.
0:17:56 > 0:18:01I just thought I wanted to, kind of, you know, a bit like you,
0:18:01 > 0:18:03just go somewhere which was, erm...
0:18:04 > 0:18:07And do something that I'd never, ever do again.
0:18:07 > 0:18:10- Yes, yes. - Or might not do again.
0:18:10 > 0:18:12- A real adventure. - Yeah.
0:18:38 > 0:18:41I've got two older sisters.
0:18:41 > 0:18:42Yeah.
0:18:42 > 0:18:44Three girls.
0:18:44 > 0:18:46And you're the youngest.
0:18:46 > 0:18:47I am.
0:18:47 > 0:18:49Yeah.
0:18:49 > 0:18:51Me too.
0:18:51 > 0:18:53Yeah, it's tough. It's tough at the bottom.
0:18:58 > 0:19:03Yeah, no, they, because they always used to wind me up so much
0:19:03 > 0:19:07when I was younger, because they're actually closer in age,
0:19:07 > 0:19:11and then there's a sort of gap between me and Chloe, so it's...
0:19:11 > 0:19:12Chloe?
0:19:12 > 0:19:13Yeah.
0:19:13 > 0:19:15My girlfriend's called Chloe.
0:19:15 > 0:19:18Oh, right. It's a lovely name.
0:19:18 > 0:19:22Yeah, so they all used to, you know, wind me up...
0:19:23 > 0:19:27..and I just fell for it, every time.
0:19:27 > 0:19:30But, yeah, so, lots of cooking.
0:19:31 > 0:19:32To come.
0:19:33 > 0:19:35- For them?- For them.
0:19:37 > 0:19:39I'll get some gruel.
0:19:39 > 0:19:40And your mum and dad?
0:19:41 > 0:19:42Erm...
0:19:43 > 0:19:49My, erm, my dad died last year.
0:19:49 > 0:19:53So, erm, yes, it's just my mum.
0:19:53 > 0:19:55So it's actually four girls.
0:19:55 > 0:19:56I'm so sorry.
0:19:56 > 0:19:57Yeah, no, no, it's fine.
0:19:57 > 0:19:59- Hi.- Hi, would you...
0:19:59 > 0:20:00- Morning.- Morning.
0:20:00 > 0:20:02Are you ready for breakfast?
0:20:02 > 0:20:04I'll be up and down, so don't worry, thank you.
0:20:04 > 0:20:05- OK.- You're not dressed.
0:20:06 > 0:20:08It'll only take...
0:20:08 > 0:20:10Mum didn't sleep well at all. She feels dreadful.
0:20:10 > 0:20:13She's wondering about the picnic.
0:20:13 > 0:20:14I can't bear it.
0:20:15 > 0:20:16Rose?
0:20:16 > 0:20:17Yeah?
0:20:17 > 0:20:21I know we talked about soup and other things,
0:20:21 > 0:20:24but could we just try and keep the picnic as small as possible?
0:20:24 > 0:20:25So, simple, just one basket.
0:20:25 > 0:20:27Sure.
0:20:27 > 0:20:29I think if there's less faff and carrying stuff,
0:20:29 > 0:20:30she might be persuaded.
0:20:30 > 0:20:31Mmm.
0:20:31 > 0:20:33Oh, can you go up, Edward?
0:20:33 > 0:20:34Yeah.
0:20:34 > 0:20:35Thank you.
0:20:51 > 0:20:52Rose.
0:20:52 > 0:20:54Yeah?
0:20:54 > 0:20:56Did you find both rugs?
0:20:56 > 0:20:59Erm, no, I've only found one.
0:20:59 > 0:21:01The cream one, I couldn't find it.
0:21:01 > 0:21:05There's a check one. Oh, right, OK. I'll come and have a look.
0:21:05 > 0:21:07Sorry.
0:21:07 > 0:21:08It's all right.
0:21:11 > 0:21:12Mum, you nearly ready?
0:21:27 > 0:21:28Hello.
0:21:28 > 0:21:29Hi.
0:21:29 > 0:21:31How are you?
0:21:31 > 0:21:32Good.
0:21:32 > 0:21:34You ready?
0:21:34 > 0:21:36Hi, Christopher.
0:21:37 > 0:21:38Just get my boots on.
0:21:41 > 0:21:43Hi.
0:21:43 > 0:21:44Hi, Cynthia.
0:21:44 > 0:21:45Sorry, yeah.
0:21:46 > 0:21:48- Hi.- Good day for it, isn't it?
0:21:54 > 0:21:56Do you need a hand with anything?
0:21:56 > 0:21:57No, I think we're all right.
0:21:58 > 0:22:00Ready to go.
0:22:00 > 0:22:01I think that's it.
0:22:05 > 0:22:07Here, Edward. Torch.
0:22:08 > 0:22:10Great, thanks.
0:22:11 > 0:22:12So that's all ready.
0:22:12 > 0:22:13Yep, think so.
0:22:15 > 0:22:16Mum!
0:22:22 > 0:22:24So, what have we got?
0:22:25 > 0:22:31Just basics, you know. Sandwiches, crisps, dips.
0:22:31 > 0:22:32Caviar?
0:22:32 > 0:22:34Yeah, champagne!
0:22:48 > 0:22:50She's brushing her teeth.
0:22:58 > 0:23:00Ah!
0:23:01 > 0:23:03Hello.
0:23:03 > 0:23:04All right?
0:23:04 > 0:23:06Yes.
0:23:06 > 0:23:07Right, let's go.
0:23:07 > 0:23:09On the road.
0:23:09 > 0:23:10I'll grab that.
0:23:10 > 0:23:11Morning.
0:23:11 > 0:23:12Hi.
0:23:12 > 0:23:13All right?
0:23:13 > 0:23:14After you. Thank you.
0:23:24 > 0:23:25You look lovely in that.
0:23:25 > 0:23:27I'm worried I've forgotten something.
0:23:27 > 0:23:28Let me take that.
0:23:28 > 0:23:30Well, if we have...
0:23:30 > 0:23:32You've done all the work. It's fine.
0:23:33 > 0:23:35Yeah, as long as you've got the wine.
0:23:35 > 0:23:39Yeah, but, you know, I get the blame if something goes wrong!
0:23:39 > 0:23:41Joking. It'll be fine.
0:24:31 > 0:24:32Look after that lunch!
0:24:38 > 0:24:40Ow!
0:24:40 > 0:24:41Ow! Wait, Edward, wait.
0:24:42 > 0:24:44Wait, I'm hurt.
0:24:45 > 0:24:47Can you give me a hand?
0:24:47 > 0:24:48I think I've pulled a muscle.
0:24:50 > 0:24:51Ow!
0:24:53 > 0:24:54Oh.
0:24:54 > 0:24:56Yeah.
0:24:57 > 0:24:58Ah!
0:25:02 > 0:25:03Right, I can't go any further.
0:25:06 > 0:25:07She's in the same office as me.
0:25:07 > 0:25:09She'll carry on working for a couple of years,
0:25:09 > 0:25:12and then settle down and have babies.
0:25:12 > 0:25:14It's all rather perfect.
0:25:14 > 0:25:16It depends. Some jobs are very...
0:25:16 > 0:25:17Do you remember, Christopher?
0:25:17 > 0:25:19You go to the left.
0:25:19 > 0:25:21To the left?
0:25:21 > 0:25:22Yeah, just follow this...
0:25:22 > 0:25:23It is, isn't it?
0:25:23 > 0:25:24This path?
0:25:24 > 0:25:25Yeah, that'll take us there.
0:25:25 > 0:25:26Come on.
0:25:32 > 0:25:34It looks like it's clearing up.
0:25:34 > 0:25:35Yeah.
0:25:37 > 0:25:38No wind, I suppose.
0:25:38 > 0:25:39Mmm.
0:25:42 > 0:25:44I never really was very good at that.
0:25:44 > 0:25:47Spotting patterns in figures and things.
0:25:47 > 0:25:52No. It's a shame, just having been given the opportunity.
0:25:53 > 0:25:54It was all pretty set up.
0:25:56 > 0:25:59There's an awful lot you can't do when you're doing that kind of work.
0:26:04 > 0:26:05Not exactly nourishing.
0:26:05 > 0:26:08Pity he couldn't stick at it just for a bit longer.
0:26:11 > 0:26:13Must be a bit embarrassing for Dad.
0:26:15 > 0:26:17You don't have to be embarrassed for your dad!
0:26:21 > 0:26:23It's not going to reflect on him.
0:26:32 > 0:26:34Anyone else?
0:26:34 > 0:26:35Edward?
0:26:35 > 0:26:37- No, thank you. - I'm all right, actually.
0:26:50 > 0:26:51You look just like Dad with that on.
0:26:51 > 0:26:53You do! How weird.
0:26:53 > 0:26:55Have I got it on the wrong way round?
0:26:55 > 0:26:57No, it's the right way round.
0:26:58 > 0:26:59That's how I wear it.
0:27:01 > 0:27:05"I'll bally go and shoot those pheasants!"
0:27:08 > 0:27:10"Pull!"
0:27:11 > 0:27:12Fuck!
0:27:25 > 0:27:29There's a kind of Western fatigue about AIDS, I think,
0:27:29 > 0:27:32and...but it's still huge there.
0:27:33 > 0:27:36You know, ever since the '80s, the mid-'80s, when people
0:27:36 > 0:27:40understood what a big deal it was, I think now, in Africa, it's as
0:27:40 > 0:27:45big a deal as it ever was, but we've got a bit tired of hearing about it.
0:27:45 > 0:27:47And it's killing people all the time.
0:27:49 > 0:27:51You don't think it's a lost cause?
0:27:51 > 0:27:53No, of course it's not a lost cause.
0:27:55 > 0:27:59And you think you're going to make a difference?
0:27:59 > 0:28:01Yeah.
0:28:01 > 0:28:07If I can stop one person, one 13-year-old,
0:28:07 > 0:28:13if I can connect with just one person,
0:28:13 > 0:28:18and he understands what I'm talking about and protects himself
0:28:18 > 0:28:24against, you know, using safe sex, then I'll have done my job.
0:28:24 > 0:28:26I can't, I'm not the President of the UN,
0:28:26 > 0:28:29there's no policy-making, but at least I hope
0:28:29 > 0:28:32I'd be connecting with people, you know, on the ground.
0:28:34 > 0:28:35How else are you supposed to do it?
0:28:38 > 0:28:40Yeah.
0:28:40 > 0:28:42Is everybody finished?
0:28:42 > 0:28:44Yeah, thanks.
0:28:44 > 0:28:45Yeah, I think so.
0:28:45 > 0:28:46Can I have this apple?
0:28:46 > 0:28:48Of course you can.
0:28:48 > 0:28:50Does anyone else want this apple?
0:28:50 > 0:28:51OK.
0:28:53 > 0:28:55No more brownies? Are you sure?
0:28:55 > 0:28:56I might save some for tea, later.
0:28:57 > 0:28:58They were that good?
0:28:58 > 0:29:00They were that good.
0:29:02 > 0:29:05I think, in this sort of situation, it's best to do just quick,
0:29:05 > 0:29:07spontaneous work.
0:29:07 > 0:29:08Yeah, OK.
0:29:08 > 0:29:09OK, OK.
0:29:16 > 0:29:21Does he like you painting? Does he appreciate that aspect?
0:29:24 > 0:29:25I think so.
0:29:26 > 0:29:31I think he thinks if I like it, it's a nice thing.
0:29:31 > 0:29:34Yeah, yeah.
0:29:34 > 0:29:35Yeah.
0:29:35 > 0:29:37It's a kind of place you can go, isn't it,
0:29:37 > 0:29:39you can just kind of relax and forget everything.
0:29:39 > 0:29:42I don't think he gets the full measure of it, though, you know.
0:29:42 > 0:29:43I don't think...
0:29:44 > 0:29:48I don't think Will's very strong on imagination. He doesn't like to...
0:29:52 > 0:29:54..give himself up to things like this.
0:29:54 > 0:29:55Yeah, yeah.
0:29:57 > 0:29:59Well, I suppose he's got other things to think about.
0:29:59 > 0:30:01Do you understand that?
0:31:10 > 0:31:11Hello, darling.
0:31:13 > 0:31:14How are you?
0:31:17 > 0:31:19Where are you calling from?
0:31:20 > 0:31:21Oh.
0:31:27 > 0:31:29Well, we're really looking forward to it.
0:31:32 > 0:31:36Yes, we really are, we really are.
0:31:36 > 0:31:38Marvellous being here with the children.
0:31:40 > 0:31:46Yes, they're well, yes. Edward's full of Africa. Erm...
0:31:47 > 0:31:51We've done some things, we've been out, the weather's been lovely,
0:31:51 > 0:31:54but it would be very nice if you were here with us.
0:32:23 > 0:32:26HORN BLOWS IN DISTANCE
0:32:39 > 0:32:40I'm not going to do much blue.
0:32:43 > 0:32:47So, you see, if I got rid of those blues there,
0:32:47 > 0:32:51then the other colours become, kind of, the blues.
0:32:52 > 0:32:58So, they exist in relationship to all the other colours,
0:32:58 > 0:33:00and they take on a blueness.
0:33:00 > 0:33:02It's kind of what I'm trying to do.
0:33:06 > 0:33:12To approach it more, sort of, at a slightly more intriguing tangent.
0:33:16 > 0:33:17Understatement.
0:33:20 > 0:33:21Yeah.
0:33:26 > 0:33:27I quite like that blue.
0:33:27 > 0:33:28Mmm.
0:33:28 > 0:33:30It's kind of joyous.
0:33:47 > 0:33:50HORN BLOWS
0:34:06 > 0:34:07Hello, Rose.
0:34:07 > 0:34:08Hello.
0:34:08 > 0:34:09Bit of a breezy afternoon.
0:34:09 > 0:34:10Yeah.
0:34:10 > 0:34:12To say the least.
0:34:12 > 0:34:13Yes.
0:34:13 > 0:34:15Right.
0:34:16 > 0:34:17Oh, perfect.
0:34:17 > 0:34:18Delivery of lobsters.
0:34:18 > 0:34:21Thank you so much.
0:34:21 > 0:34:22Great, how much do I owe you?
0:34:22 > 0:34:24One of each.
0:34:24 > 0:34:25It's 35, please.
0:34:25 > 0:34:2635, OK.
0:34:26 > 0:34:28Male and a female there for you.
0:34:28 > 0:34:29Oh, really?
0:34:29 > 0:34:32And how do you tell the difference?
0:34:32 > 0:34:34Let's have a look.
0:34:34 > 0:34:36Here we go.
0:34:36 > 0:34:38I've got 40 there. Do you have any change?
0:34:38 > 0:34:40We'll sort the change out in a minute, don't worry.
0:34:40 > 0:34:41OK.
0:34:41 > 0:34:43See, that's a female.
0:34:44 > 0:34:45Turn her over.
0:34:45 > 0:34:49See the length of the shell covering her tail?
0:34:49 > 0:34:51Yeah.
0:34:51 > 0:34:54It protects her eggs, and carries her eggs down there, and see,
0:34:54 > 0:34:56they hide up under the shell, there.
0:34:58 > 0:34:59I see.
0:34:59 > 0:35:01You can carry them in here.
0:35:01 > 0:35:05With this male, the shell comes level with the body.
0:35:06 > 0:35:07That's the difference.
0:35:07 > 0:35:09That's the male, and that's the female.
0:35:09 > 0:35:10How amazing.
0:35:10 > 0:35:11Yes, incredible.
0:35:11 > 0:35:14And he seems to be a lot smaller than her, as well.
0:35:14 > 0:35:16Well, they're the same weight.
0:35:16 > 0:35:17Really?
0:35:17 > 0:35:20Slightly different shape. She looks bigger because...
0:35:20 > 0:35:21She looks wider.
0:35:21 > 0:35:22Well, it's slightly different shape,
0:35:22 > 0:35:25- because her shell is much bigger, you see, for carrying the eggs.- OK.
0:35:25 > 0:35:28That's why. But they're about the same weight.
0:36:16 > 0:36:17OK.
0:36:30 > 0:36:32Well, by the time they're cooked, they'll be bright red.
0:36:33 > 0:36:36They change colour.
0:36:36 > 0:36:37What's that noise?
0:36:39 > 0:36:41It's just air being released.
0:36:45 > 0:36:47Have you done this before?
0:36:47 > 0:36:50Not very many times, to be honest.
0:36:50 > 0:36:53I'm not that comfortable around them.
0:36:53 > 0:36:56Because I don't really hate much shellfish.
0:36:56 > 0:36:59In fact, I don't really eat it at all.
0:36:59 > 0:37:03I've had quite strange reactions in the past.
0:37:03 > 0:37:05Did you do it at Ballymaloe?
0:37:05 > 0:37:06Yeah, I did.
0:37:06 > 0:37:09Oh, God! Oh, my God!
0:37:09 > 0:37:10Scaring me!
0:37:10 > 0:37:12Sorry.
0:37:12 > 0:37:13Oh, my God.
0:37:13 > 0:37:18Yeah, we did it at Ballymaloe, and they were much worse than this.
0:37:18 > 0:37:20They were, you know,
0:37:20 > 0:37:24if we put the lid on, they'd be thrashing the lid off, and the lid
0:37:24 > 0:37:28would go flying across the room, and they were very, very awake.
0:37:29 > 0:37:30And very aggressive.
0:37:31 > 0:37:35Wow. These seem so sleepy.
0:37:35 > 0:37:38Well, you know, they've been out of water for a long time.
0:37:38 > 0:37:40Right.
0:37:40 > 0:37:43You know, in Ireland, it was literally like out the sea,
0:37:43 > 0:37:47two minutes down the road, they were in our kitchen.
0:37:48 > 0:37:50It's the same here, but it's...
0:37:50 > 0:37:52Did you always cook them like that?
0:37:53 > 0:37:56Well, this is the way that we were taught,
0:37:56 > 0:37:58because there's so many different ways.
0:37:59 > 0:38:02I mean, you know, at Ballymaloe, they were really big on,
0:38:02 > 0:38:07you know, killing things in the most humane way possible, obviously.
0:38:07 > 0:38:09Sure.
0:38:09 > 0:38:15And so the way that we learnt was to put them into tepid water,
0:38:15 > 0:38:21you know, sort of warmish, and then, as you bring the water up to a boil,
0:38:21 > 0:38:26or a simmer, they will automatically fall into a coma, basically.
0:38:26 > 0:38:29And then they'll die peacefully.
0:38:29 > 0:38:30Right.
0:38:30 > 0:38:34Rather than, you know, putting them in a thing of boiling water.
0:38:34 > 0:38:35Which is like gassing them.
0:38:35 > 0:38:37Yeah, it's like torturing them.
0:38:37 > 0:38:38Yeah.
0:38:38 > 0:38:41Which is not, you know, not fair.
0:38:41 > 0:38:43And none of it's fair, really, but...
0:38:45 > 0:38:47It's probably not a conversation you want to have,
0:38:47 > 0:38:48being a vegetarian.
0:38:50 > 0:38:52I think it'd be nice if we asked her to join us.
0:38:52 > 0:38:54I can't think of anything worse than eating with another family.
0:38:54 > 0:38:56- OK, fine.- Listen, if she's at the table...
0:38:56 > 0:38:59- She'd probably prefer to talk to her friends.- Yeah, yeah.
0:38:59 > 0:39:04- Edward, don't you have your own friends? You don't have to make friends with the cook.- Fine.
0:39:04 > 0:39:06I don't see her talking to her friends, that's all.
0:39:09 > 0:39:10She's doing the washing up.
0:39:10 > 0:39:11Yeah, on her own.
0:39:11 > 0:39:13Darling, it's a job.
0:39:13 > 0:39:14Oh, my God.
0:39:14 > 0:39:16It's a job she's taken on for two weeks.
0:39:16 > 0:39:19All we have to do is ask her to join us. We've got a massive table.
0:39:19 > 0:39:21It wouldn't be a huge thing.
0:39:21 > 0:39:23Well, then, go and do it.
0:39:23 > 0:39:27Edward, ask her to join us. Ask her, if you like to. That's fine.
0:39:27 > 0:39:28- She's a sweet girl. - It doesn't matter.
0:39:28 > 0:39:30She's very sweet.
0:39:30 > 0:39:31OK. Rose?
0:39:32 > 0:39:33Yeah?
0:39:34 > 0:39:36I think Edward's got a bit of a crush.
0:39:36 > 0:39:37Do you want a hand?
0:39:39 > 0:39:42He is so ridiculous. Burning martyr, sort of.
0:39:42 > 0:39:43Poor cook.
0:39:43 > 0:39:45Staff.
0:39:45 > 0:39:47He's just got too much empathy.
0:39:47 > 0:39:51It's so annoying, though. It's always in such a, sort of, accusatory way.
0:39:52 > 0:39:54Well...
0:39:55 > 0:39:58"Why don't we ask cook to join us?" As though we've... No, we shan't.
0:39:59 > 0:40:01That's just Edward.
0:40:03 > 0:40:04Thank you, darling.
0:40:04 > 0:40:05What's just Edward?
0:40:07 > 0:40:08Caring about people's feelings.
0:40:08 > 0:40:09- Right.- Clearing the table.
0:40:12 > 0:40:13Why are you...?
0:40:14 > 0:40:16No, I think we're all full.
0:40:16 > 0:40:17OK.
0:40:17 > 0:40:18Yes.
0:40:18 > 0:40:19I could have done that. That's...
0:40:19 > 0:40:20No problem.
0:40:23 > 0:40:27It's actually getting quite embarrassing now. I feel sorry for her.
0:40:27 > 0:40:28So what do I do now?
0:40:30 > 0:40:32We can both do it together.
0:40:32 > 0:40:33You're right!
0:40:33 > 0:40:35Would you rather I wasn't here?
0:40:35 > 0:40:36He's always trying to make himself...
0:40:36 > 0:40:38Now he's got to sort it out there, too.
0:40:38 > 0:40:41This is the whole point about helping.
0:40:41 > 0:40:44Poor girl just wants her bloody wages.
0:40:44 > 0:40:46Job's a job. It's a very straightforward thing.
0:40:46 > 0:40:48Go to the pub for a drink, or something.
0:40:48 > 0:40:49..absolutely delicious.
0:41:48 > 0:41:54My dad worked in motor racing. He was a racing driver, so, yeah.
0:41:54 > 0:41:57That's why we've ended up there, really.
0:41:57 > 0:42:03Yeah, so I think we're still very much, erm, as a family,
0:42:03 > 0:42:04we're, you know...
0:42:07 > 0:42:12I don't know. It's like we've come out of the coma.
0:42:12 > 0:42:13Sure.
0:42:13 > 0:42:17And that can be good, and it can also be bad,
0:42:17 > 0:42:21because it's the realisation, you know.
0:42:23 > 0:42:28That he's never coming back, sort of thing, and that's the...
0:42:31 > 0:42:34Yeah, I mean, that's the hardest thing, really.
0:42:35 > 0:42:39And yeah, you don't really feel anything
0:42:39 > 0:42:41after it happens for a long time.
0:42:45 > 0:42:48Because he died in an accident, so it was all very...
0:42:48 > 0:42:49You know.
0:42:49 > 0:42:50Mmm.
0:42:51 > 0:42:52You know.
0:42:53 > 0:42:56He walked out the door one day and didn't come back.
0:42:58 > 0:42:59Erm, so...
0:42:59 > 0:43:01God, yeah.
0:43:03 > 0:43:04Yeah. I can't imagine.
0:43:05 > 0:43:09Leucospermums, pincushion proteas, that sort of thing,
0:43:09 > 0:43:12mixed in with pelargoniums and what have you, you know,
0:43:12 > 0:43:16the geraniums with the very fragrant foliage from South Africa.
0:43:16 > 0:43:20And what we try to do is to stop things like the Christmas trees
0:43:20 > 0:43:21getting involved too much.
0:43:21 > 0:43:23Also what you get from here
0:43:23 > 0:43:25is you get these wonderful views out to the sea.
0:43:26 > 0:43:29Tops of the trees all showing through, that sort of thing.
0:43:29 > 0:43:33You suddenly realise, then, that you can see the sea when you come in.
0:43:35 > 0:43:38So everything up here has to survive through some pretty..
0:43:38 > 0:43:40- Hello!- Hi!
0:43:40 > 0:43:41..harsh conditions.
0:43:41 > 0:43:44But then it would naturally get that in Table Mountain.
0:43:55 > 0:43:56Shall we do the photo?
0:43:56 > 0:43:57Yeah.
0:44:07 > 0:44:10Come and stand here. Be Dad.
0:44:16 > 0:44:19Right, lovely. Ready?
0:44:21 > 0:44:23One, two, three.
0:44:26 > 0:44:29Edward, your face is in the sun.
0:44:29 > 0:44:31Sorry. I'm squinting?
0:44:31 > 0:44:32OK?
0:44:37 > 0:44:38There we go.
0:44:51 > 0:44:54..all the palm trees, date palms.
0:44:55 > 0:44:57So they've been there since about 1900.
0:45:12 > 0:45:14Right. Well, they don't mind where we sit.
0:45:16 > 0:45:17So, what do you think?
0:45:19 > 0:45:20Nice, isn't it?
0:45:20 > 0:45:23- You're so good at this, Cynthia. - Sit here?
0:45:23 > 0:45:25Yeah?
0:45:25 > 0:45:26Whatever you'd like, darling.
0:45:26 > 0:45:29Would you like this? This is good, isn't it, the middle?
0:45:30 > 0:45:34Do you want to look out the window? Let's go this one.
0:45:34 > 0:45:36Yeah, nice to have a view, isn't it?
0:45:38 > 0:45:39Are you cold?
0:45:39 > 0:45:41It's looking a bit bleak.
0:45:42 > 0:45:45All right, well, where do you want to sit?
0:45:45 > 0:45:51Where shall we sit? Anyone? This one is good, isn't it? Five, here. Great.
0:45:51 > 0:45:54Mum, why don't you go at the head,
0:45:54 > 0:46:00and then Christopher, I'll sit here, Rose and Edward on the other side.
0:46:01 > 0:46:02Is that good?
0:46:02 > 0:46:03Great.
0:46:06 > 0:46:08Or shall we be more sort of boy, girl, boy, girl?
0:46:08 > 0:46:11Maybe we should have Christopher at the head, yeah?
0:46:11 > 0:46:13That's good, isn't it? Christopher at the head.
0:46:13 > 0:46:17I mean, no, you at the head, Christopher, Edward there.
0:46:17 > 0:46:19And then we can sit here.
0:46:19 > 0:46:20Lovely?
0:46:20 > 0:46:21Mm-hmm.
0:46:21 > 0:46:22Excellent.
0:46:22 > 0:46:23Thanks.
0:46:27 > 0:46:29You don't look convinced, Mum. What is it?
0:46:36 > 0:46:37Do you want to go that one?
0:46:39 > 0:46:41All right, OK. Come on, let's move on to that one.
0:46:42 > 0:46:45We've got so much choice, we might as well get it right.
0:46:45 > 0:46:47So, fine.
0:46:51 > 0:46:52All right?
0:46:53 > 0:46:55OK.
0:46:57 > 0:47:00Now the next choice.
0:47:03 > 0:47:04So me here?
0:47:04 > 0:47:06Yeah.
0:47:09 > 0:47:10Thank you.
0:47:10 > 0:47:11There we are.
0:47:14 > 0:47:16Thank you very much.
0:47:16 > 0:47:17You're welcome.
0:47:19 > 0:47:20There we go.
0:47:20 > 0:47:21Thank you.
0:47:21 > 0:47:23OK, enjoy.
0:47:23 > 0:47:24Thank you.
0:47:29 > 0:47:31Bon appetit.
0:47:33 > 0:47:35Quite an urge to start with all the drizzling.
0:47:43 > 0:47:45Not yet, thank you.
0:47:47 > 0:47:48Pepper, Mum?
0:47:48 > 0:47:50Thank you, darling.
0:47:54 > 0:47:55This isn't done properly.
0:48:00 > 0:48:01It's still really pink.
0:48:01 > 0:48:02Really?
0:48:04 > 0:48:06It shouldn't be like that.
0:48:06 > 0:48:08No, it shouldn't be like that all.
0:48:11 > 0:48:13Wait for 25 minutes, and then... Look.
0:48:14 > 0:48:16Isn't yours bad, Mum?
0:48:16 > 0:48:17I think mine's fine.
0:48:19 > 0:48:21You don't have to say it's fine if it's not.
0:48:21 > 0:48:23I mean, we've paid, so we can easily send it back.
0:48:23 > 0:48:24It's fine.
0:48:24 > 0:48:25Mine's definitely not fine, at all.
0:48:25 > 0:48:27Well, shall we get somebody over?
0:48:27 > 0:48:29Yeah. Because, look.
0:48:29 > 0:48:33That's actually quite dangerous if you eat like that, isn't it?
0:48:33 > 0:48:35Yeah, well, if you're not happy with it.
0:48:35 > 0:48:38There's just no point in not complaining when you're in a restaurant for the one day out.
0:48:38 > 0:48:39Excuse me?
0:48:41 > 0:48:44Is everybody else's all right?
0:48:44 > 0:48:45Yeah, soup's good.
0:48:45 > 0:48:46You OK there?
0:48:46 > 0:48:49Hi. No, this isn't cooked properly in the middle.
0:48:49 > 0:48:51Oh.
0:48:51 > 0:48:52Yeah.
0:48:52 > 0:48:53Awfully sorry about that.
0:48:53 > 0:48:54That's all right.
0:48:54 > 0:48:56Would you like me to get you a new one?
0:48:56 > 0:48:58I think I'll just have something else, actually.
0:48:58 > 0:49:00Maybe I'll just have a soup.
0:49:00 > 0:49:03Because that's actually quite dangerous, I think, if you eat that.
0:49:03 > 0:49:06- Mum, don't you want to send yours back?- It's fine.
0:49:07 > 0:49:10You don't have to say it's fine. I'm sending mine back.
0:49:10 > 0:49:11I've eaten some. It's fine.
0:49:11 > 0:49:13Fine. All right.
0:49:13 > 0:49:16- There we are. Thank you very much. - Would you...?
0:49:16 > 0:49:17Soup, great, yeah.
0:49:17 > 0:49:19Do you think I could have a word with the chef?
0:49:19 > 0:49:21Because that's quite dangerous.
0:49:21 > 0:49:23Yeah, no problem. I'll just go and get him for you.
0:49:23 > 0:49:24Thanks.
0:49:27 > 0:49:30You don't have to sit quietly, and you don't have to look at me
0:49:30 > 0:49:32like I'm making a massive scene, how embarrassing.
0:49:33 > 0:49:35It's not cooked properly, it's dangerous.
0:49:37 > 0:49:38It would be nice
0:49:38 > 0:49:42if I didn't just sit here with everyone in silence around me.
0:49:42 > 0:49:43Anyway.
0:49:43 > 0:49:45Well, I think you've done the right thing.
0:49:45 > 0:49:47If you're not happy, you know,
0:49:47 > 0:49:50you have the right as the customer, so...
0:49:51 > 0:49:52Thanks, Rose.
0:49:54 > 0:49:56Unfortunately, Mum and Edward
0:49:56 > 0:50:00are just allergic to any kind of complaining.
0:50:00 > 0:50:02Well, you don't want to be ill.
0:50:02 > 0:50:03No. No.
0:50:06 > 0:50:10Mine is delicious, so thank you very much.
0:50:13 > 0:50:15I'm sure you've done the right thing.
0:50:17 > 0:50:20Right, well, thanks for that, Edward. Not a moment too soon.
0:50:20 > 0:50:22I hear there's a problem with the meal.
0:50:22 > 0:50:24It was just that it took a rather long time coming,
0:50:24 > 0:50:27and then when it came, I don't have if you've seen it,
0:50:27 > 0:50:29but it's not cooked properly in the middle.
0:50:29 > 0:50:32Well, guineafowl is actually served slightly pink, slightly underdone.
0:50:32 > 0:50:33It's not like chicken.
0:50:33 > 0:50:35- I wasn't told that when I ordered it though, was I?- OK.
0:50:35 > 0:50:37And also, it's not really terribly good for you.
0:50:37 > 0:50:40I mean, it was cold and uncooked, almost cold in the middle.
0:50:40 > 0:50:42It was cold, was it, as well? Oh, dear.
0:50:42 > 0:50:45Are you sure yours was all right, Mum? Because you don't want to get ill.
0:50:45 > 0:50:47- It's fine.- OK. Anyway, that's it. It doesn't matter.
0:50:47 > 0:50:48Can I get you something else?
0:50:48 > 0:50:50I've asked the waitress for a bowl of soup.
0:50:50 > 0:50:51- Have you?- Yeah.
0:50:51 > 0:50:54OK, well, I'll sort that out. I'm sorry about that.
0:50:54 > 0:50:55All right, never mind.
0:50:55 > 0:50:56I'll have a word with them,
0:50:56 > 0:50:58make sure they offer it properly next time. OK?
0:50:58 > 0:50:59Thanks.
0:50:59 > 0:51:00- Thank you.- Thanks.
0:51:03 > 0:51:05It's actually rather good.
0:51:12 > 0:51:15You can eat your soup, Edward. You don't need to set there being moody.
0:51:19 > 0:51:21Oh, God.
0:51:23 > 0:51:26DOOR SLAMS
0:52:25 > 0:52:26No, I'm fine.
0:52:29 > 0:52:31Where are you? I thought you'd be here by now.
0:52:39 > 0:52:41Oh, hurry up!
0:52:50 > 0:52:51Yeah.
0:52:56 > 0:52:58Good, fine. Fine.
0:52:59 > 0:53:00Yeah.
0:53:07 > 0:53:09She's all right. Shall I get her?
0:53:09 > 0:53:11OK. Bye.
0:53:11 > 0:53:13Mum?
0:53:14 > 0:53:16Mum?
0:53:16 > 0:53:18It's Dad.
0:53:25 > 0:53:26Will?
0:53:29 > 0:53:30Not great.
0:53:34 > 0:53:35Erm...
0:53:38 > 0:53:39Just a bit difficult.
0:53:39 > 0:53:42It would be much better if you were here.
0:53:56 > 0:53:58SHE SOBS
0:56:23 > 0:56:25Well, it's not real, so...
0:56:25 > 0:56:26Sure.
0:56:34 > 0:56:35Sorry.
0:56:35 > 0:56:36That's all right.
0:56:39 > 0:56:40It's not nice.
0:56:45 > 0:56:46Erm...
0:56:47 > 0:56:49Would you like cereal or toast?
0:56:51 > 0:56:53You don't have to make my breakfast.
0:56:53 > 0:56:56I'll get, I'll get...
0:56:59 > 0:57:00OK. That's my job.
0:57:00 > 0:57:01Left hand, right hand.
0:57:02 > 0:57:03I can do it.
0:57:35 > 0:57:37What are you looking for?
0:57:37 > 0:57:39Er, a spoon.
0:57:46 > 0:57:49Big one, small one.
0:57:52 > 0:57:53Thanks.
0:57:55 > 0:57:56Did you ever play the spoons?
0:58:00 > 0:58:01Not on a regular basis, no.
0:58:08 > 0:58:09So, what's the plan today?
0:58:12 > 0:58:13I have no idea.
0:58:16 > 0:58:18I'll wait and see what I'm told to do.
0:58:24 > 0:58:25Doesn't sound like fun.
0:58:27 > 0:58:28That's how it is.
0:58:29 > 0:58:31KNOCK AT DOOR
0:58:36 > 0:58:37C?
0:58:39 > 0:58:40Yeah.
0:58:40 > 0:58:41Morning.
0:58:43 > 0:58:44Morning.
0:58:44 > 0:58:45What time is it?
0:58:49 > 0:58:50It's about 8:30.
0:58:52 > 0:58:55I thought we were supposed to be on holiday.
0:58:58 > 0:59:00Sleep all right?
0:59:00 > 0:59:01Yeah.
0:59:05 > 0:59:06What do you want?
0:59:07 > 0:59:09I've brought you a cup of tea.
0:59:09 > 0:59:11Oh.
0:59:19 > 0:59:20OK.
0:59:29 > 0:59:31Do you want to go for a bike ride later?
0:59:31 > 0:59:32No.
0:59:34 > 0:59:35I've just woken up.
0:59:37 > 0:59:39You don't have to decide now.
0:59:47 > 0:59:49It was more of a feeling than a dream.
0:59:51 > 0:59:52It was about Dad.
0:59:54 > 0:59:55And I was...
0:59:55 > 0:59:59And C was there, and anyway, we were in the mountains,
0:59:59 > 1:00:03or something, and I was late.
1:00:03 > 1:00:04I was late.
1:00:05 > 1:00:06Weird.
1:00:13 > 1:00:14Where was Dad?
1:00:15 > 1:00:16He was waiting for me.
1:00:18 > 1:00:19But I was late.
1:00:25 > 1:00:26He was so angry.
1:01:06 > 1:01:08Ey-up!
1:01:08 > 1:01:09Ay-ay-ay!
1:01:11 > 1:01:14Come on, you bird! Come on!
1:01:15 > 1:01:16Get up!
1:01:16 > 1:01:19Ey-up!
1:01:19 > 1:01:21Get up, get up, get up!
1:01:21 > 1:01:23Up-up, up-up!
1:01:23 > 1:01:25Ay-ay!
1:01:25 > 1:01:26Ey-up!
1:01:26 > 1:01:28Good boy, good boy, get on, get on.
1:01:28 > 1:01:29Come on!
1:01:29 > 1:01:31OK?
1:01:31 > 1:01:33OK?
1:01:33 > 1:01:34Ey-up!
1:01:37 > 1:01:39Ay-ay!
1:01:39 > 1:01:41Ey-up!
1:01:43 > 1:01:45Good boy.
1:01:45 > 1:01:46Ay-ay!
1:01:46 > 1:01:48Ey-up!
1:01:48 > 1:01:49Get up!
1:01:49 > 1:01:51Ey-up!
1:01:51 > 1:01:53- Good boy.- Ay-ay!
1:01:53 > 1:01:54Get up, get up.
1:01:54 > 1:01:55Good boy, good boy.
1:01:56 > 1:01:58Ey-up!
1:02:01 > 1:02:03Mush, mush!
1:02:03 > 1:02:05Ey-up!
1:02:05 > 1:02:07Talking, talking!
1:02:07 > 1:02:08Ye-ye-ye. Ay-ay!
1:02:10 > 1:02:12Ay-ay!
1:02:12 > 1:02:14PHEASANT CALLS
1:02:19 > 1:02:21GUNSHOT
1:02:23 > 1:02:24GUNSHOT
1:02:29 > 1:02:31GUNSHOTS
1:02:46 > 1:02:47GUNSHOT
1:03:00 > 1:03:01Heel, heel!
1:03:02 > 1:03:04Heel, heel!
1:03:05 > 1:03:06Come by, come by.
1:03:08 > 1:03:10Come by!
1:03:12 > 1:03:14Come by! Heel.
1:03:14 > 1:03:15Heel, heel!
1:03:22 > 1:03:23Patricia?
1:03:23 > 1:03:25Hello? Hi!
1:03:25 > 1:03:27Oh, I'll just come round. One sec.
1:03:29 > 1:03:30Morning.
1:03:30 > 1:03:32Hi.
1:03:32 > 1:03:33- All well? - Hi, I'm Rose.
1:03:33 > 1:03:35Pleased to meet you. Steve.
1:03:35 > 1:03:36I'm cooking for the family.
1:03:36 > 1:03:39Ideal. I brought you a brace of birds from the shoot the other day.
1:03:39 > 1:03:42Great. I didn't know you were coming. The family have gone for a walk.
1:03:42 > 1:03:44- No, I've rather sprung it on you. - Yes, you have!
1:03:44 > 1:03:45So, I've brought you a nice brace.
1:03:45 > 1:03:47They've been hung for three or four days,
1:03:47 > 1:03:49- so they're ready to pluck, really, so...- Wow!
1:03:49 > 1:03:50They'll be super.
1:03:50 > 1:03:54OK, so, well, you might have to give me some advice,
1:03:54 > 1:03:55because I've never really...
1:03:55 > 1:03:56Right.
1:03:56 > 1:03:58Actually, I've plucked a duck once,
1:03:58 > 1:04:00but I can imagine it's quite similar.
1:04:00 > 1:04:01Very similar.
1:04:01 > 1:04:03The good thing about these, you don't have the down on them
1:04:03 > 1:04:06- like a duck, so it's slightly easier to pluck.- OK.
1:04:08 > 1:04:11Basically what you do is pull the tail feathers out.
1:04:11 > 1:04:12Yeah.
1:04:12 > 1:04:15Pull the primaries out, on the wing, OK?
1:04:15 > 1:04:18And then, basically, from there on, you just pluck it downwards.
1:04:18 > 1:04:20Yeah.
1:04:20 > 1:04:22If you pull upwards, it tends to sort of rip the skin a wee bit,
1:04:22 > 1:04:24so you have to be careful of that.
1:04:24 > 1:04:27Pull it downwards into a sack, so sit down, outside, probably,
1:04:27 > 1:04:29with a sack open, and just pull all the feathers into a sack.
1:04:29 > 1:04:30OK.
1:04:30 > 1:04:33And then you'd need to take the head off,
1:04:33 > 1:04:37take the legs off and put it in some foil, stick it in the oven.
1:04:37 > 1:04:39And what about the guts and everything?
1:04:39 > 1:04:43The guts, basically, you draw them out from the back end.
1:04:43 > 1:04:44OK.
1:04:44 > 1:04:47Take the crop off that's inside the chest, basically, you'll find it.
1:04:47 > 1:04:49It's a sort of lump, there.
1:04:49 > 1:04:50Right.
1:04:50 > 1:04:52- Probably be full of corn or food they've been eating.- Right.
1:04:52 > 1:04:54Pull that out, job done.
1:05:17 > 1:05:18That's good.
1:05:18 > 1:05:23Don't forget those white shapes behind the object, Patricia.
1:05:23 > 1:05:25Yes.
1:05:26 > 1:05:27Thank you.
1:05:27 > 1:05:29Thank you.
1:05:32 > 1:05:34There may come a point in the painting where you just need
1:05:34 > 1:05:37to let it rest, let it dry a little bit, and then get back into it.
1:05:37 > 1:05:38- Mmm.- Thanks.
1:05:41 > 1:05:43Mmm.
1:05:50 > 1:05:53It's great to get this kind of degree of chaos.
1:05:53 > 1:05:57Because chaos gives ideas which you may not have found out
1:05:57 > 1:05:59if you'd tried to control it completely.
1:05:59 > 1:06:00Oh, yeah.
1:06:02 > 1:06:05Well, that's for ever going to be the difficult part for me.
1:06:05 > 1:06:07Chaos, yes.
1:06:07 > 1:06:08- Controlling chaos.- Yes.
1:06:20 > 1:06:21That's better.
1:06:21 > 1:06:23Yeah, very good.
1:06:23 > 1:06:24- Hi.- Hi.
1:06:25 > 1:06:27How are you doing?
1:06:27 > 1:06:30Good, yeah. Your family are doing very well.
1:06:30 > 1:06:34Well, Christopher's pleased. I think that's the main thing.
1:06:35 > 1:06:39Well, it probably isn't the main thing, but...
1:06:42 > 1:06:43DOOR OPENS
1:06:43 > 1:06:44Hi.
1:06:44 > 1:06:46- Hi.
1:06:46 > 1:06:48- How are you?- Good.
1:06:50 > 1:06:52OK. Bold, now.
1:06:52 > 1:06:53Think of the whole.
1:07:26 > 1:07:28So do you think it's the artist in you, in a way,
1:07:28 > 1:07:34that needs more space than you would have if you had a family?
1:07:34 > 1:07:36Well, I don't know.
1:07:37 > 1:07:43I mean, I think it's opportunity and your own personality,
1:07:43 > 1:07:47and the job that I do would possibly have made it more difficult
1:07:47 > 1:07:50than it might otherwise have been.
1:07:50 > 1:07:51Mmm.
1:07:51 > 1:07:53I kind of regret it,
1:07:53 > 1:07:57but there's lots of children around in my life, so it's good.
1:07:57 > 1:07:59That's good.
1:07:59 > 1:08:01Yeah. Keeps me silly.
1:08:01 > 1:08:03Yeah! Well, that's...
1:08:03 > 1:08:06You've hit on something that's very important.
1:08:06 > 1:08:08Yeah, yeah.
1:08:08 > 1:08:11Yeah. I think that's one of the benefits.
1:08:11 > 1:08:14They keep you young, and they keep you...
1:08:16 > 1:08:18A bit silly.
1:08:19 > 1:08:20Yeah.
1:08:20 > 1:08:23I'm not sure Will would agree with that,
1:08:23 > 1:08:25but certainly from my perspective.
1:08:26 > 1:08:28It is such a commitment, though, isn't it?
1:08:28 > 1:08:30Yeah, it is.
1:08:30 > 1:08:33And you've got to be sure that it is something you choose,
1:08:33 > 1:08:34and that you can sustain it.
1:08:34 > 1:08:37Well, in the end, of course, you make the decision to have them,
1:08:37 > 1:08:41and you have them, and you hope you're doing the right thing,
1:08:41 > 1:08:45but then, of course, they do become young people,
1:08:45 > 1:08:49and then how could you not have them?
1:08:49 > 1:08:50Yeah.
1:08:50 > 1:08:53Do you see? It, sort of, has its own imperative somewhere.
1:08:53 > 1:08:55Yeah, and it's your family.
1:08:55 > 1:08:56Yeah.
1:08:57 > 1:09:00Certainly wouldn't be without them.
1:09:12 > 1:09:16Great. Well, it looks all, sort of, coming together.
1:09:16 > 1:09:17Yeah.
1:09:20 > 1:09:22MUFFLED CHATTER
1:09:24 > 1:09:26Good question. Um...
1:09:29 > 1:09:31So, have we got pheasant?
1:09:31 > 1:09:32Mmm.
1:09:34 > 1:09:35Yeah, local pheasant.
1:09:36 > 1:09:38Not shot by Dad, though.
1:09:41 > 1:09:42Is he a good shot?
1:09:43 > 1:09:45Mmm.
1:09:45 > 1:09:46Yeah.
1:09:46 > 1:09:47"Bloody good shot."
1:09:52 > 1:09:54"Bloody best shot of the season."
1:09:54 > 1:09:56"Urrr!"
1:10:23 > 1:10:24Have you eaten yours?
1:10:26 > 1:10:28- Or it's sunk? - It's sunk, yeah.
1:10:33 > 1:10:35Mine's sunk, as well.
1:10:37 > 1:10:39Good. We're practically brothers.
1:11:13 > 1:11:16OK, lunch is ready, if you want to come through. >
1:11:16 > 1:11:17Great.
1:11:17 > 1:11:18OK.
1:11:18 > 1:11:19OK.
1:11:24 > 1:11:25Can you manage?
1:11:27 > 1:11:30There was this one instance she described of a man
1:11:30 > 1:11:36they called the Night Dancer, and he went round people's huts
1:11:36 > 1:11:41and homes, in the middle of the night, completely naked,
1:11:41 > 1:11:46and danced outside the front door, by the window,
1:11:46 > 1:11:50and would practise witchcraft on their children.
1:11:50 > 1:11:56And they found out who this man was, and in the light of the next day
1:11:56 > 1:12:02they pulled him into the middle of the central square and beat him.
1:12:02 > 1:12:06And beat him to death.
1:12:06 > 1:12:09Eventually, and as a volunteer,
1:12:09 > 1:12:16you can't impose any Westernised model of morality.
1:12:16 > 1:12:19You simply have to stand by and watch,
1:12:19 > 1:12:26because if you interfere, they will include you in his sentence.
1:12:28 > 1:12:32And it sounds absolutely horrifying.
1:12:32 > 1:12:33Yeah.
1:12:36 > 1:12:40What about Chloe? She must be quite worried about you going away, then.
1:12:41 > 1:12:43I think she is, yeah.
1:12:44 > 1:12:47Erm, I don't know...
1:12:47 > 1:12:48Is she going to visit?
1:12:49 > 1:12:53- No, she's not allowed to come and visit.- Why is that?
1:12:53 > 1:12:56Something to do with respect.
1:12:56 > 1:12:58If you're there as a Western volunteer, then you can't be seen to...
1:12:58 > 1:13:01You're teaching about sexual reproductive health.
1:13:01 > 1:13:04You can't be seen to then be having extra-marital sex with someone,
1:13:04 > 1:13:06and importing...
1:13:06 > 1:13:08It's a respect thing, it's something about dignity,
1:13:08 > 1:13:10and if you have to lead by example...
1:13:12 > 1:13:13I've got one, I don't know,
1:13:13 > 1:13:16I'm seeing her on Wednesday for one night, that's all I've got.
1:13:16 > 1:13:20I've got one night to see her before I go away for 11 months.
1:13:20 > 1:13:22I don't know what's going to happen, and...
1:13:22 > 1:13:23So are you going to split up?
1:13:23 > 1:13:27No, we're not going to split up. I don't know what we're going to do.
1:13:27 > 1:13:29I mean, actually, frankly,
1:13:29 > 1:13:32it would have been nice to have had her here, with us, now.
1:13:32 > 1:13:34I don't really see why she couldn't have come.
1:13:34 > 1:13:36She couldn't really come here, could she?
1:13:36 > 1:13:39Because it was like a family holiday.
1:13:39 > 1:13:41Well, actually, she could have come, Cynthia,
1:13:41 > 1:13:43and you may refer to it as a family holiday,
1:13:43 > 1:13:46but she actually feels like family to me, in that I'm attached to her
1:13:46 > 1:13:50and she's someone who's significant in my life, and she could have come.
1:13:50 > 1:13:51That's not really family, is it?
1:13:52 > 1:13:54That's just someone you're attached to,
1:13:54 > 1:13:57who you've been going out with for a year and a half.
1:13:57 > 1:13:59So you think a year and half is nothing, that, you know,
1:13:59 > 1:14:02I'm going away for 11 months, and a year and a half is.
1:14:02 > 1:14:04Well, you obviously think so if you're going away for 11 months.
1:14:04 > 1:14:06Can't be the top priority in your life, can it?
1:14:07 > 1:14:09Girl's viewpoint.
1:14:14 > 1:14:16I don't understand how you can say that.
1:14:26 > 1:14:30I don't know what I'm doing, anyway. I have no idea what I am doing.
1:14:30 > 1:14:32Am I doing the right thing? I have no idea.
1:14:32 > 1:14:35I'm going away to Africa for 11 months. Why? Who knows?
1:14:35 > 1:14:37Why am I qualified to teach sexual and general health?
1:14:58 > 1:14:59Oh.
1:15:02 > 1:15:04Oh, hell.
1:15:04 > 1:15:05All right?
1:15:07 > 1:15:08I've got shot in my thing.
1:15:08 > 1:15:10Oh!
1:15:11 > 1:15:12That really hurts.
1:15:17 > 1:15:19Really, really hurts.
1:15:19 > 1:15:20Darling.
1:15:33 > 1:15:34So sorry, Christopher.
1:15:37 > 1:15:41Edward, would you go and see if she's all right, please?
1:16:04 > 1:16:05Cynthia!
1:16:11 > 1:16:12C?
1:16:17 > 1:16:19C!
1:16:40 > 1:16:41Cynthia?
1:16:44 > 1:16:45C?
1:18:04 > 1:18:07DOOR OPENS
1:18:24 > 1:18:26< Cynthia?
1:18:26 > 1:18:27< What?
1:18:28 > 1:18:30- < Cyn?- What?!
1:18:31 > 1:18:33< You don't have to be so angry!
1:18:33 > 1:18:36< Oh, shut the fuck up!
1:18:36 > 1:18:38< I'm literally sitting down there,
1:18:38 > 1:18:41< listening to Edward talk complete fucking shit!
1:18:42 > 1:18:45< And you think I say nothing, and you tell me to be quiet,
1:18:45 > 1:18:47< and why, what is he scared of?
1:18:47 > 1:18:50< Why does nothing right happen? I can be angry.
1:18:51 > 1:18:53< You should be fucking angry!
1:18:57 > 1:18:59< I am angry, of course I'm angry!
1:18:59 > 1:19:00< Why are you angry with me?
1:19:02 > 1:19:05Because... < Because you can't stop...
1:19:05 > 1:19:07< What have I done? What have I done?
1:19:07 > 1:19:09< You're so resentful!
1:19:09 > 1:19:12< I can't fucking take any more of your shit!
1:19:19 > 1:19:20HORN BLOWS
1:19:34 > 1:19:35WIND HOWLS
1:20:22 > 1:20:24PHONE RINGS
1:20:30 > 1:20:31Hello?
1:20:34 > 1:20:36Hello, Mr Lighton. How are you?
1:20:41 > 1:20:46Erm, yes, I'll just give her a shout. One second.
1:20:50 > 1:20:51Mrs Lighton?
1:20:55 > 1:20:56Mrs Lighton?
1:21:02 > 1:21:04Mrs Lighton?
1:21:04 > 1:21:06It's your husband on the phone.
1:21:11 > 1:21:12William.
1:21:20 > 1:21:21So that's it?
1:21:32 > 1:21:33I can't bear this.
1:21:41 > 1:21:43No, he'll be with Chloe.
1:21:50 > 1:21:51I can't bear it.
1:21:56 > 1:21:57Yes.
1:22:06 > 1:22:08I can't bear it, William!
1:22:25 > 1:22:27I really, really think I'm doing the wrong thing.
1:22:27 > 1:22:28Do you?
1:22:28 > 1:22:29Yeah.
1:22:40 > 1:22:41Well, what's the alternatives?
1:22:49 > 1:22:50Maybe I could write. I could write, maybe.
1:22:50 > 1:22:51Yeah.
1:22:52 > 1:22:54I write a lot.
1:22:54 > 1:22:55Yeah.
1:22:55 > 1:22:56Somehow.
1:23:00 > 1:23:01Yeah.
1:23:01 > 1:23:04It's not really what you do,
1:23:04 > 1:23:07it's more the intensity by which you do it.
1:23:09 > 1:23:13I mean, by the conviction of your reality that you believe in,
1:23:13 > 1:23:15you'll make others believe in it.
1:23:15 > 1:23:17You kind of can't make it up, really.
1:23:18 > 1:23:22And then people get convinced, and even you, oneself,
1:23:22 > 1:23:28gets convinced, but there's no one, kind of, hidden track,
1:23:28 > 1:23:31you know, that's there, waiting for you.
1:23:33 > 1:23:35It's... You've just got to step into it.
1:23:38 > 1:23:41Whatever that is, and, you know, it takes, you know,
1:23:41 > 1:23:44one does all sorts of things with painting.
1:23:44 > 1:23:46You do all the things that are not right,
1:23:46 > 1:23:49but they all contribute to the thing that will be right in the end.
1:23:49 > 1:23:50It's never lost.
1:23:51 > 1:23:55It's all accumulating, all building up in intensity.
1:23:58 > 1:24:03But it's, it's not secure, is it? It's just not solid or anchored.
1:24:07 > 1:24:09I'm just not sure.
1:24:19 > 1:24:21You're quite held, aren't you?
1:24:28 > 1:24:29You've got to toughen up.
1:25:14 > 1:25:16DOOR SLAMS
1:25:19 > 1:25:22FOOTSTEPS ON STAIRS
1:25:24 > 1:25:26DOOR SLAMS
1:25:40 > 1:25:41Ed? >
1:25:43 > 1:25:44Christopher's here. >
1:25:49 > 1:25:50Edward? Just came to say hello. >
1:26:00 > 1:26:01All right, well... >
1:26:01 > 1:26:03Would be good to meet tomorrow. >
1:26:03 > 1:26:04Yeah. >
1:26:04 > 1:26:06OK. Thank you so much for coming round. >
1:27:25 > 1:27:26Do you want a hand?
1:27:30 > 1:27:31Is it... Oh, I've cracked it, sorry.
1:27:31 > 1:27:33Do you want me to put that back?
1:27:33 > 1:27:34Don't put that pin in me.
1:27:34 > 1:27:35All right.
1:27:46 > 1:27:47Thanks.
1:27:57 > 1:27:58It's almost ready.
1:28:11 > 1:28:12Where are the others?
1:28:13 > 1:28:15I think they're upstairs.
1:28:17 > 1:28:19- Well... - Shall I go and...
1:28:22 > 1:28:23Are you ready to eat?
1:28:23 > 1:28:24Mmm, sure.
1:28:27 > 1:28:29I'll go and tell them it's ready, yeah?
1:28:29 > 1:28:30Yeah.
1:28:44 > 1:28:46Are you going or not?
1:28:46 > 1:28:47- Mmm.- I can do it.
1:28:47 > 1:28:48No, I'll go, I'll go.
1:29:16 > 1:29:17KNOCK ON DOOR
1:29:36 > 1:29:37"Hello, Mummy.
1:29:40 > 1:29:43"I've been a bad badger.
1:29:45 > 1:29:47"I've been a bad, bad badger.
1:29:49 > 1:29:50"And I'm sorry.
1:29:54 > 1:29:56"Will you forgive me?
1:29:59 > 1:30:00"Rrrr!"
1:30:00 > 1:30:02SHE LAUGHS
1:30:05 > 1:30:07"Don't worry. I'll look after you."
1:30:13 > 1:30:14Rose says supper's ready.
1:30:15 > 1:30:17All right, I'll come down.
1:30:50 > 1:30:52You're too scared, aren't you? >
1:30:52 > 1:30:55You're too scared of having to face up to your own >
1:30:55 > 1:30:57than dare to look at somebody else's! >
1:30:57 > 1:31:00You're so fucking selfish! >
1:31:00 > 1:31:02I don't remember really going mad in London, >
1:31:02 > 1:31:04bringing up children by myself. >
1:31:09 > 1:31:11I am doing my best here to make sure >
1:31:11 > 1:31:17that Edward has a wonderful trip and a wonderful send-off. >
1:31:19 > 1:31:21I'm going to bed now. >
1:31:21 > 1:31:24And if you don't phone Edward tomorrow to say goodbye, >
1:31:24 > 1:31:26he will never forgive you either. >
1:31:26 > 1:31:30And you deserve all of it! You deserve all our hatred! >
1:31:30 > 1:31:31I hate you! >
1:31:31 > 1:31:32(SHE HANGS UP) >
1:31:49 > 1:31:50Lasagne's delicious.
1:31:53 > 1:31:55Good.
1:32:02 > 1:32:03All right?
1:32:06 > 1:32:07Yeah.
1:37:16 > 1:37:21He pulled me aside one day and said, "Christopher, I've been thinking.
1:37:21 > 1:37:24"I don't think you should go to art school."
1:37:24 > 1:37:27And I thought, well, what, why?
1:37:27 > 1:37:30And he said, "I don't think you're tough enough."
1:37:30 > 1:37:31Erm...
1:37:34 > 1:37:38So I was completely devastated.
1:37:38 > 1:37:41I was quite shy anyway, at that age,
1:37:41 > 1:37:44and I just didn't know what that meant, really,
1:37:44 > 1:37:47without losing my own, you know, sense of myself,
1:37:47 > 1:37:48who I was, you know.
1:37:48 > 1:37:52I wasn't tough, Mr, kind of, leather jacket guy.
1:37:52 > 1:37:55I was, you know, Marks and Spencer's Hush Puppies.
1:37:59 > 1:38:01But I wanted to paint.
1:38:01 > 1:38:04I had something I wanted to do, I deeply wanted to do.
1:38:06 > 1:38:09And I think he thought that if I went to art school,
1:38:09 > 1:38:11that may be bashed out of me.
1:38:12 > 1:38:13And therefore...
1:38:15 > 1:38:17I should not go,
1:38:17 > 1:38:22because that precious thing that was quite vulnerable anyway.
1:38:22 > 1:38:24Well, it wasn't really vulnerable.
1:38:24 > 1:38:27It was there, but it wouldn't have survived, you know,
1:38:27 > 1:38:30the criticisms of others.
1:38:30 > 1:38:31So...
1:38:33 > 1:38:37I guess being tough is actually holding your course,
1:38:37 > 1:38:38in some way, and...
1:38:41 > 1:38:45Believing that thing inside of you that's really,
1:38:45 > 1:38:47really important to you.
1:38:47 > 1:38:50Even though it's not defined, as yet,
1:38:50 > 1:38:54and you can't reveal it to others in its full, worldly sense.
1:39:09 > 1:39:13But it takes a long time to...
1:39:16 > 1:39:19In a sense, fully come to that point.
1:39:19 > 1:39:21For a lot of people, it's quick.
1:39:21 > 1:39:23But for me it's taken a long time.
1:39:23 > 1:39:25Which I'm kind of glad,
1:39:25 > 1:39:28because it means that I know the angles a bit more.
1:39:48 > 1:39:51Now, if you were doing what I'm doing now, would you...
1:39:53 > 1:39:58Would you be wanting to do, to respond to this in lots of
1:39:58 > 1:40:04different ways at the same time, or would you stick to an idea, or a...
1:40:07 > 1:40:08A theme, I suppose I mean.
1:40:08 > 1:40:11Well, I guess it has a certain amount of energy,
1:40:11 > 1:40:15so I would start with observing it in a very general sense.
1:40:15 > 1:40:16Right.
1:40:16 > 1:40:20Not committing to, you know, little rocks and waves,
1:40:20 > 1:40:27but go for the overall colour sequences, really,
1:40:27 > 1:40:31the keynotes, and then that would produce the sort of basic mood.
1:40:31 > 1:40:33I mean, it's beautiful, because you've got that
1:40:33 > 1:40:37sort of violety-grey clouds, and that moves into the blues and the...
1:40:40 > 1:40:42And then, in opposition to that,
1:40:42 > 1:40:45you've got a slightly orangey-violety orange,
1:40:45 > 1:40:49violet coming through the orange, so there's a link there,
1:40:49 > 1:40:55and then you've got this beautiful, sort of, Royal Doulton cup
1:40:55 > 1:40:57and saucer green, you know, that sort of silvery green.
1:40:57 > 1:40:58Yes, absolutely.
1:40:58 > 1:41:00It is such a beautiful, sort of...
1:41:00 > 1:41:02erm...
1:41:04 > 1:41:08Well, it's symbolic of a place, and so...
1:41:08 > 1:41:09Yeah. Yeah, it is.
1:41:29 > 1:41:30That's my limit.
1:41:47 > 1:41:50And when was that exhibition going to be?
1:41:50 > 1:41:54Well, it's, I don't know. It's come from New York.
1:41:54 > 1:41:55Oh, yes.
1:41:55 > 1:41:56But it's early January.
1:42:00 > 1:42:03Hi, Cynthia. Christopher's here to say goodbye. Where's Ed?
1:42:03 > 1:42:05I think he's upstairs.
1:42:06 > 1:42:07Edward?
1:42:07 > 1:42:08Yeah?
1:42:08 > 1:42:11Christopher's here to say goodbye.
1:42:11 > 1:42:12Hello.
1:42:12 > 1:42:13Hello, Cynthia.
1:42:13 > 1:42:15- Goodbye.- Goodbye.
1:42:15 > 1:42:16- Thank you.- See you soon, I hope.
1:42:16 > 1:42:17Yeah.
1:42:17 > 1:42:19How much longer are you here for?
1:42:19 > 1:42:21Friday.
1:42:21 > 1:42:23Be at my hilltop cottage.
1:42:23 > 1:42:24Yeah, yeah.
1:42:25 > 1:42:26Bye-bye, Ed.
1:42:28 > 1:42:29This is it. Bon courage.
1:42:29 > 1:42:30Thank you.
1:42:32 > 1:42:34I'll write you a letter, or something.
1:42:34 > 1:42:36That would be great. Bye-bye, Patricia.
1:42:36 > 1:42:39- I'll see you out. - All right.
1:42:39 > 1:42:40Have a safe journey.
1:42:40 > 1:42:41- Bye.- Bye.
1:42:43 > 1:42:45- Bye, Christopher. - See you.
1:42:45 > 1:42:46Thank you for everything.
1:42:46 > 1:42:48Keep the good work up.
1:42:48 > 1:42:50Certainly will. I'll call you in a couple of weeks.
1:42:50 > 1:42:51Right.
1:42:51 > 1:42:52Bye.
1:43:05 > 1:43:07As I can't communicate with you much,
1:43:07 > 1:43:10I'm going to write little notes and put them in a little book.
1:43:10 > 1:43:12And then send it to me?
1:43:12 > 1:43:14Well, I was thinking of keeping it until you got back.
1:43:14 > 1:43:16Why?
1:43:16 > 1:43:19I don't know. I keep thinking I can't send anything.
1:43:19 > 1:43:21But if you write it, then you can't...
1:43:21 > 1:43:24Why don't you put them in the book and then send it to me?
1:43:24 > 1:43:25OK.
1:43:25 > 1:43:27Like a book of post-it notes.
1:43:27 > 1:43:30OK. Or maybe I could just send each post-it note.
1:43:32 > 1:43:35Yeah, OK. Yeah. Yeah.
1:43:35 > 1:43:40What, like, "Went to this exhibition"?
1:43:40 > 1:43:41Yeah.
1:43:41 > 1:43:42"Went to the theatre".
1:43:42 > 1:43:44"Went shopping".
1:43:44 > 1:43:45"Bought bananas".
1:43:45 > 1:43:46"Fed the cat".
1:43:46 > 1:43:47"Fed the cat".
1:43:47 > 1:43:48- OK.- Yeah.
1:43:48 > 1:43:50- I'll do all that. - Right.
1:43:51 > 1:43:52Yeah, be nice.
1:43:54 > 1:43:55You will get them?
1:43:56 > 1:43:58- At some point. - OK.
1:44:00 > 1:44:01OK.
1:44:15 > 1:44:17How does it look?
1:44:27 > 1:44:29Is that straight? Oh, sorry, Mum.
1:44:29 > 1:44:31Tiny bit down on the right. Tiny.
1:44:33 > 1:44:35Doesn't want to, does it?
1:44:36 > 1:44:37It's all right, though.
1:44:37 > 1:44:39- It's fine. - It doesn't, you're right.
1:44:42 > 1:44:43Feels smaller in here, with that up.
1:44:46 > 1:44:47Yes, it does.
1:44:51 > 1:44:53Still doesn't look straight.
1:44:53 > 1:44:55The ceilings in here are wonky, though, right?
1:44:56 > 1:44:57- That's right.- It's not just me.
1:44:57 > 1:44:59No.
1:45:06 > 1:45:08What are you doing, Mum?
1:45:08 > 1:45:10Just gathering.
1:45:10 > 1:45:14A few books, a few papers. Don't want to leave anything behind.
1:45:14 > 1:45:16Mmm. Oh, I've got one of your books.
1:45:16 > 1:45:17Oh, have you?
1:45:17 > 1:45:18I'll give it back to you.
1:45:18 > 1:45:19Which one?
1:45:19 > 1:45:21The Boyd.
1:45:21 > 1:45:23Oh, great. Did you enjoy it?
1:45:23 > 1:45:26I've barely started it.
1:45:26 > 1:45:28You can read it on the train.
1:45:28 > 1:45:29Yeah.
1:45:29 > 1:45:31Yeah.
1:45:31 > 1:45:32OK.
1:45:54 > 1:45:56Morning. Housekeeping.
1:45:58 > 1:45:59Hello?
1:45:59 > 1:46:01Hello? We'll be right down.
1:46:03 > 1:46:05Right. We're kind of ready. Yes.
1:46:10 > 1:46:11What have you got in here?
1:46:11 > 1:46:13- Oh, I'm so sorry. - Hello?
1:46:31 > 1:46:32OK, OK.
1:46:34 > 1:46:35Sorry.
1:46:37 > 1:46:39OK. Erm...
1:46:45 > 1:46:47- Cynthia?- Yeah?
1:46:47 > 1:46:48Could you have a check in the kitchen
1:46:48 > 1:46:50for chargers and things like that?
1:46:50 > 1:46:51Yeah.
1:46:51 > 1:46:53OK.
1:46:53 > 1:46:58Erm, OK. Quickly. It's for you.
1:47:00 > 1:47:01All clear.
1:47:01 > 1:47:03Can you make sure you put these cases to one side,
1:47:03 > 1:47:04because they're for the boat.
1:47:04 > 1:47:05Yeah.
1:47:05 > 1:47:07- Thank you.- God, that's heavy.
1:47:07 > 1:47:08OK.
1:47:08 > 1:47:11Erm, yeah, I think that's it.
1:47:13 > 1:47:15Thanks!
1:47:15 > 1:47:17Bye!
1:47:17 > 1:47:18Just grab my bag.
1:47:19 > 1:47:22- Great. - Goodbye, thank you!
1:47:22 > 1:47:23Bye, thank you!
1:47:24 > 1:47:25Bye, house.
1:48:38 > 1:48:40Subtitles by Red Bee Media Ltd
1:48:42 > 1:48:46# Don't forget about me
1:48:46 > 1:48:48# Before you fly away
1:48:51 > 1:48:55# Don't forget about me
1:48:55 > 1:48:58# While you're away
1:48:59 > 1:49:02# I know you understand
1:49:02 > 1:49:05# My heart is hidden away
1:49:07 > 1:49:11# I know you understand
1:49:11 > 1:49:13# There are many things to say
1:49:15 > 1:49:18# You're braver than me
1:49:18 > 1:49:20# You'll go far
1:49:22 > 1:49:25# You're braver than me
1:49:25 > 1:49:27# Yes you are
1:49:30 > 1:49:33# You're leaving us behind
1:49:33 > 1:49:35# There's nothing to fear
1:49:36 > 1:49:38# Don't worry about us
1:49:38 > 1:49:40# We'll still be here
1:49:42 > 1:49:44# To welcome you home
1:49:47 > 1:49:50# To welcome you home. #