0:00:10 > 0:00:16This film contains some violent scenes.
0:00:16 > 0:00:22This film contains very strong language.
0:00:57 > 0:01:00PHONE RINGS
0:01:09 > 0:01:12Come on, Spicer.
0:01:12 > 0:01:15Pick up the phone, you drunkard, curse on you.
0:01:17 > 0:01:20You old drunk. Get off the fucking sofa, you old cow.
0:01:21 > 0:01:25Come on, Spicer. I need the boys.
0:01:25 > 0:01:27I'm in a bit of trouble here.
0:01:30 > 0:01:32Fuck.
0:01:33 > 0:01:35Hello?
0:01:36 > 0:01:37Hello?
0:01:37 > 0:01:42He's got two lads on his tail. Let's get out of here.
0:01:53 > 0:01:55Come on.
0:01:57 > 0:01:59GRUMBLES THREATS
0:02:04 > 0:02:06YELLS
0:03:01 > 0:03:03Kite should never have taken on Colleoni.
0:03:03 > 0:03:07Without Kite, this mob's finished.
0:03:07 > 0:03:10- I say we lay low. - If we lay low, they'll stamp on us.
0:03:10 > 0:03:13I say we hit back. Dallow?
0:03:14 > 0:03:16No-one gets near Colleoni.
0:03:16 > 0:03:18Then we carve his cronies.
0:03:18 > 0:03:20Start with the cunt what stuck Kite.
0:03:20 > 0:03:23What do you say, Spicer?
0:03:23 > 0:03:26Pinkie, did you get a look at him?
0:03:31 > 0:03:34Listen, Mr Colleoni.
0:03:34 > 0:03:36It was an accident.
0:03:36 > 0:03:38It's true.
0:03:38 > 0:03:40Mr Colleoni?
0:04:19 > 0:04:22WHISTLES "I DO LIKE TO BE BESIDE THE SEASIDE"
0:04:46 > 0:04:49If you purchase some,
0:04:49 > 0:04:51you better be ready to use it.
0:05:08 > 0:05:11The young have captured this ancient island and taken command
0:05:11 > 0:05:13in a country where youth has always before
0:05:13 > 0:05:17been kept properly in its place.
0:05:17 > 0:05:20Suddenly, the young own the town.
0:05:21 > 0:05:23Hello, Ida.
0:05:23 > 0:05:27- Port and lemon. - You were young once, you old ghost.
0:05:27 > 0:05:29One minute they want the vote
0:05:29 > 0:05:31and the next minute the feckless little gobshites
0:05:31 > 0:05:33are tearing up the south coast.
0:05:33 > 0:05:36Bring back the birch, that's what I say.
0:05:36 > 0:05:38You want to take care.
0:05:38 > 0:05:42First Hastings then Margate. Brighton'll be bleeding next.
0:05:45 > 0:05:48Give us a moment, sweetheart.
0:05:49 > 0:05:51Right you are, Ida.
0:06:01 > 0:06:05Fancy a dance, girl?
0:06:05 > 0:06:06Hello, Fred.
0:06:06 > 0:06:08Usual?
0:06:08 > 0:06:11Yes. Just a quickie.
0:06:11 > 0:06:12Port and lemon.
0:06:14 > 0:06:16Not having one yourself?
0:06:16 > 0:06:19No. I've had enough. Don't want to be sleepy.
0:06:21 > 0:06:22What is it this time?
0:06:25 > 0:06:28I'm in dutch, you know.
0:06:29 > 0:06:34- How much?- 90 or 80. - I haven't got it.
0:06:36 > 0:06:37Fancy some lunch?
0:06:37 > 0:06:42- What was it? Dogs or gee-gees? - It's complicated.
0:06:42 > 0:06:45It's that bad, is it?
0:06:45 > 0:06:48Come for a bite, please.
0:06:48 > 0:06:50Old times.
0:06:54 > 0:06:57You don't look well.
0:06:57 > 0:06:59- You're not sick, are you? - Come to lunch, please.
0:06:59 > 0:07:02- I need the company. - Why don't you have a bite here?
0:07:02 > 0:07:05Bill can make you a sandwich. You can make a sandwich.
0:07:05 > 0:07:08- I can make him a sandwich. - No, thanks.
0:07:12 > 0:07:14Best be getting on.
0:07:16 > 0:07:18Thanks anyway.
0:07:34 > 0:07:36CHATTER
0:07:54 > 0:07:57Ready? One, two, three.
0:07:57 > 0:07:58Yes.
0:08:01 > 0:08:03Do you want a cigarette?
0:08:03 > 0:08:05I don't smoke.
0:08:05 > 0:08:06Fuck off then.
0:08:10 > 0:08:11Give us a stick of rock.
0:08:43 > 0:08:45Cigarette?
0:08:45 > 0:08:46No, thanks.
0:08:49 > 0:08:50You down for the day, are you?
0:08:50 > 0:08:54- On a break from Snow's. - That's nice.
0:08:55 > 0:08:59- Are you gonna sit on your own all day?- I got to get back in a minute.
0:08:59 > 0:09:00You fancy a stroll?
0:09:00 > 0:09:05- We can pop up the prom and I'll buy you an ice-cream. - I can't be late back from lunch.
0:09:07 > 0:09:09- I'm Fred, by the way. - Rose.
0:09:12 > 0:09:14Fancy a drink?
0:09:14 > 0:09:15You're very kind but I better get back.
0:09:15 > 0:09:18Never mind. I'll walk you. I know Snow's.
0:09:18 > 0:09:20There you are, Fred.
0:09:22 > 0:09:23This is my new friend Rose.
0:09:23 > 0:09:26I'm pleased to meet you. Where are we going?
0:09:26 > 0:09:29- We're going for something to eat. - I've got to get back.
0:09:29 > 0:09:32- I know a good place.- Does it do sundaes? She loves sundaes.
0:09:32 > 0:09:35The best sundaes.
0:09:36 > 0:09:39Forget it. Rose likes splits best.
0:09:39 > 0:09:40Let's go, Fred.
0:09:40 > 0:09:42- I said let's move it. - Say cheese!
0:09:43 > 0:09:46Lovely. You have been Pom-Pommed.
0:09:48 > 0:09:51Whatever you do, don't lose the slip.
0:09:51 > 0:09:55No slip, no photo. Pomp-Poms, just there.
0:11:00 > 0:11:01HE YELLS
0:11:57 > 0:11:59We was only supposed to carve him.
0:11:59 > 0:12:03Just enough to let Colleoni know we ain't finished.
0:12:03 > 0:12:05- He knows. - You're a runner, Pinkie.
0:12:05 > 0:12:07You don't do nothing without our say-so.
0:12:07 > 0:12:10If we meant to kill him, we'd have done it ourselves.
0:12:10 > 0:12:12Spicer, did the bird get a good look?
0:12:12 > 0:12:15She got more than a good look. She got a bloody photograph!
0:12:15 > 0:12:18- That ain't the kid's fault. - Whose fault is it?
0:12:18 > 0:12:23Lousy seaside snap wouldn't matter if it wasn't accessory to murder.
0:12:23 > 0:12:26Christ al-fucking-mighty. We could hang for this.
0:12:26 > 0:12:28- We better get hold of that photo. - Oh, well done.
0:12:28 > 0:12:32- Before anyone else does. - Brilliant.
0:12:32 > 0:12:35Pinkie, you'll get hold of the photograph, won't you?
0:12:38 > 0:12:40- Why me? - You're a pickpocket.
0:12:40 > 0:12:42Don't be soft, I ain't got the slip.
0:12:42 > 0:12:44No slip, no photo. Everyone knows that.
0:12:44 > 0:12:46So snatch the slip.
0:13:30 > 0:13:32CHATTER
0:13:57 > 0:13:59THUDS
0:14:05 > 0:14:08- Can I help you, sir? - I wanna order.
0:14:08 > 0:14:09You're late for lunch.
0:14:09 > 0:14:11I don't want lunch. I want a cup of tea.
0:14:11 > 0:14:14Would you mind sitting at one of the tables laid for tea?
0:14:16 > 0:14:18This table suits me.
0:14:18 > 0:14:21I think it does. It's right next to the door you'll be leaving through
0:14:21 > 0:14:22as soon as you've finished.
0:14:22 > 0:14:26- And a plate of biscuits. - Rose.
0:14:26 > 0:14:30- Sorry to keep you waiting, sir. - That's all right.
0:14:35 > 0:14:37Miss Arnold just gave me a lecture.
0:14:37 > 0:14:39I wouldn't mind but it wasn't my fault
0:14:39 > 0:14:41I was late back from lunch.
0:14:43 > 0:14:45A man on the pier.
0:14:45 > 0:14:47Sorry, I get nervous and I talk too much.
0:14:48 > 0:14:50Out for a stroll?
0:14:50 > 0:14:52- Sorry? - You and your boyfriend?
0:14:52 > 0:14:55I never seen him before my life.
0:14:55 > 0:15:00I was on my lunch break and a friend of his turned up and he ran off.
0:15:00 > 0:15:02Why would someone do that?
0:15:02 > 0:15:05Some fellas don't know how to treat a girl.
0:15:05 > 0:15:08You're like me. Old-fashioned.
0:15:08 > 0:15:10Am I?
0:15:10 > 0:15:12You and me got a bit in common.
0:15:12 > 0:15:14You're the kind of girl I like.
0:15:16 > 0:15:18I like a girl who's friendly.
0:15:20 > 0:15:22Some of them freeze you.
0:15:22 > 0:15:24They freeze me.
0:15:26 > 0:15:29You're sensitive. That's what that is.
0:15:29 > 0:15:31Like me.
0:15:31 > 0:15:34You and me should go out one evening.
0:15:34 > 0:15:36Go to the pictures.
0:15:39 > 0:15:41- What's your name? - Rose.
0:15:41 > 0:15:43- CLEARS THROAT - Rose.
0:15:44 > 0:15:47- I'm Pinkie. - Pleased to meet you.
0:15:50 > 0:15:54- Your tea... - We've been talking and I had an appointment at 4:30.
0:15:54 > 0:15:57- Sorry, you should have stopped me. - That's all right.
0:15:57 > 0:15:59I liked it.
0:15:59 > 0:16:02It's only ten to anyway. What time do you get off?
0:16:02 > 0:16:07We don't close until half-past six. Except on Sundays.
0:16:07 > 0:16:09What about tonight?
0:16:09 > 0:16:11- Quarter to eight? - Oh.
0:16:12 > 0:16:15- Unless you got other plans. - No.
0:16:15 > 0:16:16Tonight then.
0:16:16 > 0:16:18Pavilion Gardens.
0:16:20 > 0:16:22You and me got things in common.
0:16:23 > 0:16:25Rose.
0:16:25 > 0:16:26Pinkie.
0:16:48 > 0:16:50Thank you, Pinkie.
0:16:50 > 0:16:52Stick it on your wall and pray.
0:16:54 > 0:16:56You're a Roman, ain't you?
0:16:59 > 0:17:01This?
0:17:01 > 0:17:03Told you we have things in common.
0:17:14 > 0:17:16I'm a Roman too.
0:17:17 > 0:17:19I used to be in the choir.
0:17:19 > 0:17:21Do you go to Mass?
0:17:25 > 0:17:28- But you believe though. - Course I do.
0:17:28 > 0:17:30It's the only thing that makes any sense.
0:17:31 > 0:17:33Them atheists got it all wrong.
0:17:35 > 0:17:37Course there's a hell.
0:17:37 > 0:17:39Flames. Damnation.
0:17:41 > 0:17:42And torment.
0:17:42 > 0:17:45And a heaven too, Pinkie.
0:17:46 > 0:17:48Heaven?
0:17:51 > 0:17:52Maybe.
0:18:08 > 0:18:12MUSIC: "I'll Never Stop Loving You" by Doris Day
0:18:36 > 0:18:38Want to dance?
0:18:40 > 0:18:42Yes, Pinkie.
0:18:44 > 0:18:46Come on then.
0:19:44 > 0:19:47You ever been in love?
0:19:47 > 0:19:50Oh, yes.
0:19:50 > 0:19:52You would say that.
0:19:54 > 0:19:57You're green.
0:19:57 > 0:19:59You don't know what people do.
0:20:03 > 0:20:06You can keep doing that.
0:20:06 > 0:20:08If you like it.
0:20:12 > 0:20:14Don't be soft.
0:20:27 > 0:20:29Did I do something wrong?
0:20:31 > 0:20:34- Let's go. - It's him.
0:20:34 > 0:20:37- Who? - The man on the pier, the one I told you about.
0:20:39 > 0:20:42You sure? Maybe it looks like him.
0:20:42 > 0:20:44It is him.
0:20:45 > 0:20:47I never forget a face.
0:20:50 > 0:20:53"Police... appeal for witnesses."
0:20:53 > 0:20:57One minute he was sitting on the pier just here and now...
0:20:59 > 0:21:01- What now? - I almost forgot.
0:21:01 > 0:21:03A man from Pom-Poms took a photo.
0:21:03 > 0:21:07All three of us. Me and Hale and the other man.
0:21:07 > 0:21:09I've still got the slip.
0:21:11 > 0:21:13- I don't understand. - You lost it?
0:21:13 > 0:21:16- It was in my coat pocket. - You must have dropped it.
0:21:16 > 0:21:18- I put it right here. - It must have fallen out.
0:21:18 > 0:21:19- I buttoned it. - Never mind.
0:21:19 > 0:21:22- There'll be a picture in the window. - Never mind!
0:21:28 > 0:21:32He was frightened, Fred Hale.
0:21:32 > 0:21:33So what?
0:21:33 > 0:21:36He probably owed the other bloke money.
0:21:36 > 0:21:38It happens all the time.
0:21:38 > 0:21:41Chances are the other geezer was a bookie.
0:21:41 > 0:21:44Did he look like a bookie to you? The other fellow?
0:21:45 > 0:21:47I wouldn't know.
0:21:47 > 0:21:50You probably didn't get a good look at him then.
0:21:50 > 0:21:52Oh, yes, I got a memory for faces.
0:22:01 > 0:22:02I like you.
0:22:04 > 0:22:07So I'm going to warn you.
0:22:07 > 0:22:11This bloke, Hale, I heard he was mixed up in stuff.
0:22:12 > 0:22:16- What stuff? - Never mind what stuff.
0:22:16 > 0:22:19You heard of Peggy Baron, right?
0:22:19 > 0:22:22You must have, it was in all the papers.
0:22:22 > 0:22:25She got herself mixed up with a mob.
0:22:25 > 0:22:29- They come after her. - What happened to her?
0:22:32 > 0:22:34She wouldn't keep her mouth shut.
0:22:34 > 0:22:37So they splashed acid in her face.
0:22:37 > 0:22:38She lost an eye.
0:22:41 > 0:22:43Acid?
0:22:46 > 0:22:49Sulphuric acid.
0:22:53 > 0:22:55It burns.
0:22:57 > 0:22:59Smell it.
0:22:59 > 0:23:02I'm only pulling your leg. It's nice. It's just spirit.
0:23:02 > 0:23:05I had to warn you, that's all.
0:23:05 > 0:23:08You and me are friends.
0:23:08 > 0:23:11Well, I wouldn't want a friend with her face burned off, would I?
0:23:16 > 0:23:20You tell me if anyone asks any questions. Anyone.
0:23:20 > 0:23:23You get me on the blower straight off.
0:23:23 > 0:23:25Brighton 33945.
0:23:26 > 0:23:30You have to swear to me, you'll keep your mouth shut.
0:23:36 > 0:23:38I swear.
0:23:50 > 0:23:52Spot of bother?
0:23:54 > 0:23:56No bother.
0:24:04 > 0:24:06She's safe.
0:24:07 > 0:24:09No bet she's safe.
0:24:32 > 0:24:34She loves me.
0:24:36 > 0:24:38She loves me not.
0:24:41 > 0:24:42What do you want?
0:24:42 > 0:24:45Don't you talk to me like that.
0:24:45 > 0:24:48You're just a kid. I run this mob now.
0:24:48 > 0:24:50I got experience. I put in the years.
0:24:50 > 0:24:54- It's a lot of years. - Maybe. But I got nous.
0:24:56 > 0:24:59- RADIO:- "Brighton police today intensified their hunt
0:24:59 > 0:25:01for the killer of ex-naval officer Frederick Hale
0:25:01 > 0:25:03with a county-wide appeal."
0:25:03 > 0:25:06"The body of Mr Hale, who died with severe head injuries,
0:25:06 > 0:25:10was found beneath Palace Pier in Brighton yesterday morning."
0:25:10 > 0:25:12"Youth riots in Clacton -"
0:25:12 > 0:25:13Pinkie.
0:25:13 > 0:25:15- If that girl talks - - She won't talk.
0:25:18 > 0:25:20Not if she knows what's good for her.
0:25:25 > 0:25:26Enjoy it.
0:25:36 > 0:25:37Rose.
0:25:37 > 0:25:39I want to have a word with you.
0:25:44 > 0:25:47That man you met.
0:25:47 > 0:25:48What man?
0:25:48 > 0:25:51The bloke on the pier. The one who tried to pick you up.
0:25:51 > 0:25:54Don't be shy. You were late for afternoon tea.
0:25:54 > 0:25:57- I remember. - What did he look like?
0:26:01 > 0:26:03Ordinary.
0:26:03 > 0:26:05- Skinny fellow? - Not especially.
0:26:05 > 0:26:07- Tattoos. - I can't remember.
0:26:07 > 0:26:09Is this him?
0:26:11 > 0:26:13I wasn't wearing my glasses.
0:26:15 > 0:26:17His name was Fred Hale.
0:26:17 > 0:26:19He was a friend of mine.
0:26:19 > 0:26:20A friend?
0:26:20 > 0:26:23Yeah. Gentleman friend.
0:26:23 > 0:26:25Nothing serious.
0:26:25 > 0:26:27But I was fond of him.
0:26:27 > 0:26:29Poor old Fred.
0:26:32 > 0:26:35I'm sorry, Miss Arnold.
0:26:36 > 0:26:40What's the matter? You don't look well, sweetheart.
0:26:40 > 0:26:42Nothing. Nothing's the matter. I just -
0:26:43 > 0:26:46I'm sorry to hear about your friend.
0:26:46 > 0:26:49My father's not been well and I haven't been eating properly.
0:26:49 > 0:26:51I should really get back to work.
0:26:51 > 0:26:55- You go have a lie-down in my office. - I should get back to afternoon tea.
0:26:55 > 0:26:57I said have a lie down in my office.
0:27:05 > 0:27:07HORSE RACING ON RADIO
0:27:10 > 0:27:11I'm here to collect.
0:27:11 > 0:27:13You?
0:27:15 > 0:27:17Excuse me.
0:27:17 > 0:27:20This is a top-notch business, it needs top-notch protection.
0:27:20 > 0:27:22You lot's glory days are over.
0:27:23 > 0:27:27Kite's mob. They couldn't even protect Kite.
0:27:32 > 0:27:34I can't pay you both.
0:27:34 > 0:27:39I would have been stabbed in the heart if I hadn't paid Colleoni.
0:27:39 > 0:27:42Look around you. Colleoni is running things now.
0:27:42 > 0:27:45Bigger and better than Kite ever could.
0:27:47 > 0:27:49Take my advice, kid.
0:27:49 > 0:27:51Clear out of Brighton.
0:27:56 > 0:28:02Christ al-fucking-mighty. You're in the shit now.
0:28:02 > 0:28:03I've got protection!
0:28:03 > 0:28:06Look at him, Dallow. He's got protection.
0:28:09 > 0:28:11That's so you know who's protecting you.
0:28:27 > 0:28:28Expenses.
0:28:31 > 0:28:33- Where next? - Home.
0:28:33 > 0:28:35We lay low until we're in the clear for Hale.
0:28:35 > 0:28:38- Spicer's orders. - Spicer's milky.
0:28:38 > 0:28:40We lay low and they'll bury us alive.
0:28:40 > 0:28:42There's betting shops opening all over town.
0:28:42 > 0:28:45- Colleoni's betting shops. - It's our town, isn't it?
0:28:46 > 0:28:48Colleoni's boys.
0:28:48 > 0:28:50That squealer Corkery.
0:28:54 > 0:28:56Fuck.
0:28:57 > 0:28:59You know better than Spicer, Cubitt.
0:28:59 > 0:29:02I don't know about you, but I could do with the exercise.
0:29:02 > 0:29:04Leave it to me.
0:29:04 > 0:29:06No, I ain't running.
0:29:47 > 0:29:49Get out the way.
0:29:52 > 0:29:54PHONE RINGS
0:29:55 > 0:29:58- Hello. - Pinkie? - Who wants him?
0:30:14 > 0:30:16Who is this?
0:30:16 > 0:30:17It's Rose.
0:30:17 > 0:30:19There's no Pinkie here.
0:30:19 > 0:30:21Is this Brighton 33945?
0:30:21 > 0:30:23You've got the wrong number.
0:31:41 > 0:31:43There appears to have been some mistake.
0:31:43 > 0:31:48Mr Colleoni is expecting someone... older.
0:31:49 > 0:31:52His boys tried to nab me.
0:31:52 > 0:31:55If talking is what he wants, he might as well talk to me.
0:31:55 > 0:31:58- I doubt Mr Colleoni - - He can talk to me.
0:32:13 > 0:32:15Who sent you?
0:32:15 > 0:32:17You did.
0:32:20 > 0:32:23I mean who's running your mob, if Kite's dead.
0:32:23 > 0:32:25I am.
0:32:29 > 0:32:31Something funny?
0:32:31 > 0:32:34- What happened to Hale? - What happened to Kite?
0:32:34 > 0:32:36There's a difference.
0:32:36 > 0:32:39- I don't see no difference. - You don't see much.
0:32:40 > 0:32:43Kite was an accident.
0:32:43 > 0:32:45People make mistakes.
0:32:48 > 0:32:49Now.
0:32:49 > 0:32:52As it stands, bogies have turned a blind eye
0:32:52 > 0:32:56to our little... contretemps.
0:32:56 > 0:32:59But if I give the signal...
0:33:06 > 0:33:08Gambling is a legitimate business now.
0:33:11 > 0:33:13I keep it clean.
0:33:13 > 0:33:15And tidy.
0:33:15 > 0:33:18- They like it that way. - Then you better stop trespassing.
0:33:20 > 0:33:22It ain't healthy.
0:33:26 > 0:33:27I like you.
0:33:29 > 0:33:33You're a promising young man.
0:33:34 > 0:33:36That's why I'm talking to you like a father.
0:33:39 > 0:33:42You need a job, you come to me.
0:33:42 > 0:33:45You can't damage a business like ours.
0:33:45 > 0:33:46I could damage you.
0:33:54 > 0:33:57Mr Corkery has been complaining.
0:33:57 > 0:33:59You don't do that again. Not here.
0:34:01 > 0:34:04Brighton's on the move.
0:34:05 > 0:34:07She's not what she used to be.
0:34:09 > 0:34:15And you, whoever you think you are, you won't last.
0:34:20 > 0:34:22I haven't even started.
0:34:40 > 0:34:42What do you want?
0:34:43 > 0:34:46Hello. Got a warrant?
0:35:04 > 0:35:05Bogies.
0:35:06 > 0:35:08Doing Colleoni's job for him.
0:35:12 > 0:35:17Are you seriously telling me you are running Kite's gang now?
0:35:19 > 0:35:23What good is a young lad like you up against the Colleoni mob?
0:35:23 > 0:35:25How much is he paying you?
0:35:25 > 0:35:27Right.
0:35:29 > 0:35:31Let's talk about Hale.
0:35:33 > 0:35:35I'm looking into things.
0:35:35 > 0:35:37Motives.
0:35:37 > 0:35:38Bully for you.
0:35:39 > 0:35:42Kite was like a father to you.
0:35:44 > 0:35:47- You got nothing on me. - Yet.
0:35:48 > 0:35:52But sooner or later, someone is going to talk.
0:35:55 > 0:35:59And when they do, I'm going to put a rope
0:35:59 > 0:36:01around your scrawny little neck.
0:36:02 > 0:36:05And drop you through a trapdoor.
0:36:06 > 0:36:09And bury you in fucking lime.
0:36:45 > 0:36:48He came to me for help.
0:36:50 > 0:36:53A girl feels sorry for a geezer.
0:36:53 > 0:36:55Don't have to get mixed up in things.
0:36:55 > 0:36:57Someone's got to.
0:36:57 > 0:37:00It's the least you can do for anyone is ask questions.
0:37:00 > 0:37:02I'd do the same for you.
0:37:02 > 0:37:04Would you?
0:37:06 > 0:37:08Course I would.
0:37:08 > 0:37:12Who is this Kite fellow that you say Fred got into a fight with?
0:37:12 > 0:37:15Who was Kite?
0:37:24 > 0:37:26I telephoned you just like you said.
0:37:26 > 0:37:28To tell you someone was asking questions.
0:37:28 > 0:37:30The man who answered sounded just like -
0:37:30 > 0:37:33Come on, we're going for a walk.
0:37:38 > 0:37:41You're saying that of one of Kite's boys killed my Fred.
0:37:41 > 0:37:43I don't know that, Ida.
0:37:43 > 0:37:45Neither do you.
0:37:45 > 0:37:49All you can do is walk away that's what I'm saying.
0:37:49 > 0:37:52Walk away, Ida, for Christ's sake.
0:37:52 > 0:37:54You're frightened.
0:37:54 > 0:37:57- I ain't frightened of a kid. - Kid?
0:37:58 > 0:38:00What kid?
0:38:01 > 0:38:04- Who's been asking questions? - Ida Arnold who runs Snow's.
0:38:04 > 0:38:07She said Fred was a gentleman friend.
0:38:07 > 0:38:09What did you tell her?
0:38:09 > 0:38:12I told her I never saw him before.
0:38:12 > 0:38:14I don't think I should go back to Snow's.
0:38:14 > 0:38:16Of course you go back.
0:38:16 > 0:38:19If you quit now, it'll look bad.
0:38:19 > 0:38:21Besides, Fred Hale died natural.
0:38:21 > 0:38:25You said he was mixed up with the mob.
0:38:25 > 0:38:26Come on.
0:38:29 > 0:38:31Stop blabbing your mouth off.
0:38:31 > 0:38:35If you keep blabbing your mouth off, geezers will come after you.
0:38:35 > 0:38:39I'm trying to help you. Why can't you understand that?
0:38:39 > 0:38:40I do.
0:38:40 > 0:38:42If it weren't for you...
0:38:42 > 0:38:44I trust you, honestly. I do.
0:38:51 > 0:38:53I wouldn't trust anyone that far.
0:38:57 > 0:38:58Scared?
0:39:04 > 0:39:05Not when I'm with you.
0:39:32 > 0:39:34(JEERING OUTSIDE)
0:39:44 > 0:39:48- (RADIO)- "After youth riots up and down the south-east coast of England
0:39:48 > 0:39:52"residents are warned police anticipate a weekend of violence
0:39:52 > 0:39:56"as scooter riding Mods clash with rival gang the Rockers."
0:40:01 > 0:40:03Spot of bother, Spicer?
0:40:05 > 0:40:08You're clearing out.
0:40:08 > 0:40:09I thought the filth had got you.
0:40:09 > 0:40:12- I thought - - You thought what?
0:40:12 > 0:40:14I didn't know what to think.
0:40:17 > 0:40:19Why didn't you bring me Rose's message?
0:40:19 > 0:40:22I came looking for you as soon as she called.
0:40:22 > 0:40:26I saw two plainclothes coppers pick you up outside the Cosmopolitan.
0:40:26 > 0:40:28You're too old for this life.
0:40:28 > 0:40:32- This life? - This racket.
0:40:32 > 0:40:35You get nervous. You drink too much.
0:40:36 > 0:40:38And then you mess things up.
0:40:38 > 0:40:41First with the photo.
0:40:41 > 0:40:42Then on the blower to Rose.
0:40:42 > 0:40:44Now she thinks we're pals.
0:40:44 > 0:40:48You should have dealt with her. I told you time and time again.
0:40:48 > 0:40:49- No bitch is safe. - Not with you about.
0:40:52 > 0:40:54It ain't my fault.
0:40:55 > 0:40:57I can't take the strain.
0:41:01 > 0:41:03That's why I thought I'd go on holiday.
0:41:05 > 0:41:08Just go somewhere.
0:41:08 > 0:41:10Retire.
0:41:10 > 0:41:12You're not going anywhere.
0:41:12 > 0:41:14You're staying here where I can keep an eye on you.
0:41:14 > 0:41:16You've got me wrong, Pinkie.
0:41:16 > 0:41:19If I was going to rat on you, I'd have done it by now.
0:41:21 > 0:41:24You don't want to be threatening me.
0:41:24 > 0:41:26What do you want, Spicer?
0:41:26 > 0:41:29You want to run this mob, you got to buy me out.
0:41:34 > 0:41:35Or?
0:41:35 > 0:41:38- I talk. - You talk, we'll hang.
0:41:39 > 0:41:42I never touched Fred Hale, Pinkie.
0:41:47 > 0:41:50There's a little pub up north.
0:41:50 > 0:41:52In Nottingham.
0:41:53 > 0:41:55The Blue Anchor.
0:41:56 > 0:41:58I've looked into it.
0:41:58 > 0:42:00She serves a lovely pint.
0:42:00 > 0:42:03All I need is my cut.
0:42:03 > 0:42:06I worked my whole life for this racket.
0:42:06 > 0:42:08I deserve a slice of it.
0:42:10 > 0:42:12You can trust me, Pinkie.
0:42:14 > 0:42:17You got to trust me.
0:42:17 > 0:42:19Way I see it, you got no choice.
0:42:23 > 0:42:25You're right.
0:42:25 > 0:42:27I've got no choice.
0:42:30 > 0:42:33I want to talk to Mr Colleoni.
0:42:33 > 0:42:35Tell him it's Mr Brown.
0:42:40 > 0:42:43I've been thinking things over.
0:42:43 > 0:42:45I want to accept your offer of a joint operation.
0:42:50 > 0:42:53Certain people are a liability.
0:42:54 > 0:42:56To all of us.
0:42:57 > 0:43:00You have your boys wait under the Palace Pier.
0:43:00 > 0:43:02I'll give the signal.
0:43:02 > 0:43:04Hand him a stick of rock.
0:43:04 > 0:43:06Something to remember Brighton by.
0:43:06 > 0:43:08(HE LAUGHS AND PUTS RECEIVER DOWN)
0:43:08 > 0:43:09Mr Colleoni?
0:45:31 > 0:45:33(JEERING)
0:45:54 > 0:45:56I wouldn't trust Dallow or Cubitt with this.
0:45:56 > 0:45:58They're too tasty.
0:45:58 > 0:46:01I might as well tell you, I'm making peace with Colleoni.
0:46:01 > 0:46:03I'm all for peace. I always have been.
0:46:03 > 0:46:06That's what I'm going to arrange. A peace that lasts.
0:46:14 > 0:46:18You can't get me out of Brighton a moment too soon.
0:46:49 > 0:46:51(JEERING)
0:47:26 > 0:47:29First we'll meet Colleoni's boys. Then you get your cut.
0:47:29 > 0:47:32Very generous. It'd be an honour.
0:47:32 > 0:47:34I always said Kite was right to take you on.
0:47:34 > 0:47:37You ought to see that pub. You'd be welcome.
0:47:37 > 0:47:39Nottingham's a fine town.
0:47:39 > 0:47:41The air is fine and you couldn't ask for a better bitter
0:47:41 > 0:47:43than you get at the Blue Anchor.
0:47:43 > 0:47:46Forgot, you don't drink. Still, you'd always be welcome.
0:47:46 > 0:47:49Well, this is it.
0:47:49 > 0:47:51Goodbye, Spicer.
0:47:51 > 0:47:54What I about Colleoni, aren't you and I going to...?
0:48:18 > 0:48:20Here.
0:48:20 > 0:48:22A little souvenir to remember Brighton by.
0:48:23 > 0:48:24Pinkie!
0:48:32 > 0:48:34(YELLS)
0:48:37 > 0:48:38Help me.
0:48:38 > 0:48:39It's him.
0:48:39 > 0:48:41Not me. It's him.
0:48:43 > 0:48:44It's him!
0:49:19 > 0:49:21They're everywhere.
0:49:21 > 0:49:23(PRAYS RAPIDLY)
0:49:41 > 0:49:43I offered him a partnership.
0:49:43 > 0:49:45Fair and square.
0:49:45 > 0:49:48I brung him Frank Spicer and he done him in just as we agreed.
0:49:48 > 0:49:51Only he tried to do me in too.
0:49:51 > 0:49:53Just when the bogies had their hands full.
0:49:53 > 0:49:56- (IDA)- Rose! - You better go before she finds you.
0:49:56 > 0:49:59There isn't time to pray.
0:49:59 > 0:50:01Not properly.
0:50:01 > 0:50:05- Not when they mean to murder you. - I won't let them get you.
0:50:06 > 0:50:08You can trust me.
0:50:08 > 0:50:10Pinkie.
0:50:12 > 0:50:14Cross my heart and hope to die.
0:50:16 > 0:50:18Rose?
0:50:19 > 0:50:22I was just looking for the mop.
0:50:22 > 0:50:24In the dark?
0:50:27 > 0:50:29You stay away from us, you old bitch.
0:50:34 > 0:50:36(SIRENS)
0:50:51 > 0:50:54Fuck me. What happened to Spicer?
0:50:54 > 0:50:56It was Colleoni.
0:50:56 > 0:50:58They waited until the fighting started
0:50:58 > 0:51:00and then they got Spicer on the front.
0:51:01 > 0:51:04They nearly got me too.
0:51:04 > 0:51:06But Spicer's in his room.
0:51:06 > 0:51:08I heard him just now.
0:51:32 > 0:51:35Come back for your precious booze?
0:51:35 > 0:51:37I thought you were dead.
0:51:37 > 0:51:40You must have heard me when you come in.
0:51:42 > 0:51:46You weren't going to clear out without saying goodbye, were you?
0:51:47 > 0:51:49Without letting me know you're alive.
0:51:50 > 0:51:52I got away.
0:52:01 > 0:52:04Don't forget your going-away present.
0:52:22 > 0:52:25I came as soon as I could.
0:52:25 > 0:52:27I'm so sorry.
0:52:27 > 0:52:29Never thought I'd live in fear of anything.
0:52:29 > 0:52:31Except the atom bomb.
0:52:31 > 0:52:33Certainly not a bunch of kids.
0:52:33 > 0:52:36One kid.
0:52:36 > 0:52:39You had a fright, Ida.
0:52:39 > 0:52:41Still...
0:52:43 > 0:52:46- It's all over now. - It's not over.
0:52:51 > 0:52:54It's not over by a long chalk.
0:53:25 > 0:53:27You let me in this flat, Rose Wilson.
0:53:32 > 0:53:35What happened that day on the pier?
0:53:37 > 0:53:39Come on. You can talk to me.
0:53:39 > 0:53:41There's no need to be scared.
0:53:41 > 0:53:43I'm not scared.
0:53:44 > 0:53:47Course you're not, you're sweet on him.
0:53:47 > 0:53:49- You poor fool. - What do you know?
0:53:50 > 0:53:52- You're throwing your life away. - (THUMPING)
0:53:52 > 0:53:54- (MAN)- Rose?
0:53:55 > 0:53:57You gotta go.
0:53:59 > 0:54:02Listen, I threw Fred Hale to the wolves.
0:54:02 > 0:54:04I'm not going to do the same thing to you.
0:54:04 > 0:54:08- Please. - Come on. You can talk to me.
0:54:08 > 0:54:11- I can't. - (THUMPING)- Rose?
0:54:11 > 0:54:14There'll be other boys. Believe me. I should know.
0:54:14 > 0:54:17It's a good old world out there if you don't weaken.
0:54:17 > 0:54:19- Rose! - Please go.
0:54:21 > 0:54:23Your boy is a murderer.
0:54:24 > 0:54:27Don't have any proof yet but I think you do.
0:54:27 > 0:54:29I got nothing.
0:54:29 > 0:54:32I think you know more than you're letting on.
0:54:33 > 0:54:34Either you talk to the police
0:54:34 > 0:54:37or you're an accessory after the fact. Do you understand?
0:54:37 > 0:54:40It means if they hang him, they'll hang you.
0:54:40 > 0:54:43- Pinkie's not a murderer. - Pinkie?
0:54:43 > 0:54:45So that's his name.
0:54:45 > 0:54:48You tell that to the police if you want to keep your job.
0:54:48 > 0:54:51- I don't. - Of course you do, you silly girl.
0:54:51 > 0:54:54- Stuff your job. - (THUMPING)- Rose!
0:54:56 > 0:54:59You don't care what happens to me.
0:54:59 > 0:55:01And you think he does?
0:55:02 > 0:55:04Pinkie.
0:55:59 > 0:56:02(RECITES "HAIL MARY")
0:56:31 > 0:56:33- (RADIO)- "Riots up and down the south east coast
0:56:33 > 0:56:36"would make it impossible to repeal capital punishment
0:56:36 > 0:56:38"in this country at this time.
0:56:38 > 0:56:41"In such a state of lawlessness, the opposition leader went on to say,
0:56:41 > 0:56:45"the death penalty represents our last line of defence."
0:56:45 > 0:56:49- It won't wash. Not with the filth. - It'll wash.
0:56:50 > 0:56:53Inflammation of the throat is what happens when you drown.
0:56:56 > 0:57:01Two tanks of booze in his bloodstream and a suicide note in his pocket.
0:57:01 > 0:57:03No-one can say any different.
0:57:03 > 0:57:04Not even you.
0:57:07 > 0:57:08I want out.
0:57:14 > 0:57:17You took a stiff for a drive down the coast.
0:57:17 > 0:57:20That makes you an accessory.
0:57:20 > 0:57:22Both of you.
0:57:45 > 0:57:47You told me he was killed.
0:57:50 > 0:57:52Not here.
0:57:52 > 0:57:54Wait till we're alone.
0:57:54 > 0:57:56By Colleoni's mob.
0:57:58 > 0:57:59So what?
0:57:59 > 0:58:01What's got you?
0:58:04 > 0:58:06I said, what's got you?
0:58:06 > 0:58:08I want you to tell me the truth.
0:58:26 > 0:58:29Do it, if you're going to do it.
0:58:29 > 0:58:31Do what?
0:58:33 > 0:58:34You know what.
0:58:41 > 0:58:43There's two men dead.
0:58:43 > 0:58:45Somehow you're mixed up in it.
0:58:47 > 0:58:50If you could only trust me.
0:59:08 > 0:59:10Why won't you trust me?
0:59:19 > 0:59:21Let go of me. I'll scream!
0:59:21 > 0:59:24- You're a good girl. - I don't want to be good!
0:59:32 > 0:59:33You're good.
0:59:33 > 0:59:35And I'm bad.
0:59:35 > 0:59:37We're made for each other.
0:59:37 > 0:59:40- Do you mean it, Pinkie? - Of course I do.
0:59:41 > 0:59:45- We're made for each other? - I said so, didn't I?
0:59:45 > 0:59:47Do you know what this means?
0:59:49 > 0:59:50It means you'll never fink on me.
0:59:50 > 0:59:53It means I'll never let you down.
0:59:53 > 0:59:55Never, never, never.
1:00:27 > 1:00:29What do you get out of this?
1:00:32 > 1:00:33A life.
1:00:41 > 1:00:43Be careful, Pinkie.
1:00:48 > 1:00:49He gets moods.
1:01:13 > 1:01:14I thought maybe...
1:01:15 > 1:01:17..50 quid might be of use to you.
1:01:17 > 1:01:19We don't want your money.
1:01:19 > 1:01:22Take it or leave it.
1:01:22 > 1:01:23You get out of here.
1:01:23 > 1:01:25We don't want no truck with you never.
1:01:28 > 1:01:29100.
1:01:38 > 1:01:41I couldn't let Rose go.
1:01:41 > 1:01:42Not to a complete stranger.
1:01:44 > 1:01:46Not for 100 Guineas.
1:01:46 > 1:01:48125.
1:01:54 > 1:01:57How do I know you'd treat her right?
1:01:58 > 1:02:00150.
1:02:04 > 1:02:07- She's too young. - Not with your consent.
1:02:10 > 1:02:13- 200. - You've had my final offer.
1:02:13 > 1:02:15You can't do nothing without my say-so.
1:02:15 > 1:02:17Well, I'm not all that keen.
1:02:17 > 1:02:20- 175. - I'll be seeing you.
1:02:20 > 1:02:21150.
1:02:34 > 1:02:36You'll have to sign this.
1:02:36 > 1:02:38It's the letter of consent.
1:02:38 > 1:02:40Give me that.
1:03:22 > 1:03:23You going to pull out?
1:03:24 > 1:03:28Am I the only one in this outfit with any brains?
1:03:28 > 1:03:31Rose Wilson has hands on the lever of the trapdoor.
1:03:31 > 1:03:33One word from her and we'll swing.
1:03:33 > 1:03:36But you're a gent, though.
1:03:36 > 1:03:39Others would have done things differently, but not you.
1:03:39 > 1:03:42That girl's only alive because you've got heart.
1:03:45 > 1:03:48Don't be a mug. I'm buying time, that's all.
1:03:52 > 1:03:53Sure, Pinkie.
1:03:59 > 1:04:04Where you been? You're late.
1:04:04 > 1:04:05Excuse me.
1:04:05 > 1:04:07I was late because I went to church.
1:04:10 > 1:04:11To ask forgiveness.
1:04:13 > 1:04:15You got to understand.
1:04:16 > 1:04:20This isn't a real ceremony. Not like when the priest says it.
1:04:21 > 1:04:24This is sin, Rose.
1:04:24 > 1:04:26Mortal sin.
1:04:27 > 1:04:30It'll be no good going to a church ever again.
1:04:42 > 1:04:46Therefore, if any man can show any just cause
1:04:46 > 1:04:48why they may not be lawfully joined,
1:04:48 > 1:04:52let him now speak or forever hold his peace.
1:04:56 > 1:04:59If the witnesses would come forward for the exchange of vows.
1:05:07 > 1:05:09The ring?
1:05:13 > 1:05:15- No ring? - This ain't a church.
1:05:24 > 1:05:27Restless youth.
1:05:27 > 1:05:31The ravaged and disputed territory between the two eternities.
1:05:35 > 1:05:37That's poetry.
1:05:39 > 1:05:42Rose Wilson needs protection.
1:05:42 > 1:05:45What ever you may think I am, Ms Arnold,
1:05:45 > 1:05:47I'm a legitimate businessman.
1:05:47 > 1:05:51What ever you may think I am, Mr Colleoni,
1:05:51 > 1:05:53I'm no Brighton lady here on holiday.
1:05:53 > 1:05:56Three sheets to the wind, looking for nothing better to do
1:05:56 > 1:05:57than have my palm read
1:05:57 > 1:06:00and dabble in a spot of amateur detection.
1:06:00 > 1:06:02Pinkie Brown killed a man.
1:06:03 > 1:06:05And he's going to be punished for it.
1:06:05 > 1:06:07An eye for an eye.
1:06:07 > 1:06:09He's going to suffer.
1:06:10 > 1:06:13I don't care how much it costs.
1:06:13 > 1:06:18With all due respect, Pinkie Brown is like any other angry young man.
1:06:19 > 1:06:21Give him enough rope.
1:06:21 > 1:06:23Putting Rose Wilson in the witness box
1:06:23 > 1:06:25is the only legal way to get rid of Pinkie Brown.
1:06:25 > 1:06:27He knows it and that puts that girl in...
1:06:30 > 1:06:32..in the most grave danger.
1:06:55 > 1:06:57Can we get one of those as a souvenir?
1:06:57 > 1:06:59They don't cost much.
1:06:59 > 1:07:01Don't be soft. What's the point in that?
1:07:01 > 1:07:05If you don't want me, why don't you leave me alone?!
1:07:05 > 1:07:08- What do you want me for?! - Jesus Christ.
1:07:10 > 1:07:12I'd rather drown.
1:07:15 > 1:07:16You can have your record.
1:07:18 > 1:07:20All right?
1:07:21 > 1:07:22I said, you can have your record.
1:07:26 > 1:07:29I'm sorry. I don't know what came over me.
1:07:34 > 1:07:36What do you want me to say?
1:07:36 > 1:07:38Anything.
1:07:40 > 1:07:41Say something to me.
1:07:43 > 1:07:44All right.
1:08:04 > 1:08:06You've asked me to make a record of my voice.
1:08:09 > 1:08:10Here it is.
1:08:12 > 1:08:16What you want me to say is I love you.
1:08:18 > 1:08:20But I don't.
1:08:23 > 1:08:24I hate you.
1:08:26 > 1:08:28I hate the way you look.
1:08:28 > 1:08:31I hate the way you talk.
1:08:31 > 1:08:33I hate everything about you.
1:08:33 > 1:08:35You make me sick.
1:08:37 > 1:08:39God damn, you little bitch, why don't you just go back
1:08:39 > 1:08:42from where you came from and leave me alone forever.
1:08:51 > 1:08:53We don't even have a record player.
1:08:59 > 1:09:01Don't touch me.
1:09:01 > 1:09:03Fucking touch me and I'll carve your fucking face.
1:09:03 > 1:09:04Where is he?
1:09:05 > 1:09:07I asked for Colleoni.
1:09:07 > 1:09:10Mr Colleoni is occupied.
1:09:10 > 1:09:12Occupied.
1:09:12 > 1:09:14That's a nice word. Occupied.
1:09:14 > 1:09:15You're drunk.
1:09:15 > 1:09:17If you're looking for a job, forget it.
1:09:17 > 1:09:21What possible use could one of Pinkie's boys be to Mr Colleoni?
1:09:21 > 1:09:22If you don't mind.
1:09:24 > 1:09:26Run along, Phil.
1:09:26 > 1:09:28This is woman's work.
1:09:28 > 1:09:29I don't like this, Ida.
1:09:29 > 1:09:31You don't have to like it. Just let me get on with it.
1:09:32 > 1:09:35I'll be in the bar. If you need me, you know where I am.
1:09:43 > 1:09:44He's with me.
1:09:48 > 1:09:51I couldn't help hearing just now.
1:09:51 > 1:09:53- You know Pinkie. - Pinkie?
1:09:53 > 1:09:55Yeah.
1:09:55 > 1:09:58- Are you a friend of..? - Pinkie's, yeah.
1:09:58 > 1:10:01- Are you thirsty? - That's it. Thirsty.
1:10:01 > 1:10:03- Whisky, sweetheart? - Whisky.
1:10:03 > 1:10:07Could we have a couple of whiskies? Make that large.
1:10:30 > 1:10:33Take it or leave it.
1:10:33 > 1:10:36- I'll tidy the place up tomorrow. - Don't touch anything.
1:10:39 > 1:10:41For Christ's sake, take that hat off.
1:10:45 > 1:10:47You're staying, aren't you?
1:11:21 > 1:11:23You're scared.
1:11:25 > 1:11:27Aren't you?
1:11:27 > 1:11:28Me?
1:12:58 > 1:13:00Poor, old Spicer.
1:13:03 > 1:13:07I can't see a stick of Brighton Rock without thinking...
1:13:09 > 1:13:11Carving's different.
1:13:12 > 1:13:14Pinkie, he stops at nothing.
1:13:14 > 1:13:16Now getting married.
1:13:18 > 1:13:21- Married? Who's getting married? - Pinkie, of course.
1:13:22 > 1:13:23Who to?
1:13:23 > 1:13:26- Not the girl from Snow's? - Of course.
1:13:27 > 1:13:29The fool.
1:13:29 > 1:13:32He's no fool. He knows what's good for him.
1:13:32 > 1:13:35If she chose to say a thing or two...
1:13:37 > 1:13:39How did you know?
1:13:40 > 1:13:44I want some air. It's stuffy in here.
1:13:44 > 1:13:46Don't rush off. Have another whisky.
1:13:46 > 1:13:48It's the central heating. It's not healthy.
1:13:48 > 1:13:50Come on, sit next to me.
1:13:50 > 1:13:52I can only apologise.
1:13:54 > 1:13:56How much is it?
1:14:06 > 1:14:08Pinkie's lot. Where can I find them?
1:15:12 > 1:15:14"I love you, Pinkie."
1:15:14 > 1:15:17"I don't care what you do, I love you forever."
1:15:17 > 1:15:19"Wherever you go, I go too."
1:18:13 > 1:18:15Hi, kid.
1:18:15 > 1:18:18You got a visitor.
1:18:18 > 1:18:20- Who? - Your mum.
1:18:26 > 1:18:28You. They said my mother was here.
1:18:28 > 1:18:30I had to tell them something, didn't I?
1:18:32 > 1:18:34I'll get Pinkie.
1:18:34 > 1:18:36Get him. I want a word with him.
1:18:36 > 1:18:38I don't let no-one bother him.
1:18:38 > 1:18:40He's going to have plenty to bother him soon.
1:18:42 > 1:18:46- He killed Frank Spicer. - I know.
1:18:46 > 1:18:48I know everything.
1:18:48 > 1:18:50Do you?
1:18:50 > 1:18:51Do you know your precious Pinkie
1:18:51 > 1:18:54battered Fred Hale to death with a stone?
1:18:54 > 1:18:57He choked Frank Spicer to death with a stick of Brighton Rock.
1:18:58 > 1:19:00I need you to give evidence.
1:19:00 > 1:19:01Stay away from me.
1:19:01 > 1:19:03You're next in line.
1:19:03 > 1:19:05No.
1:19:05 > 1:19:07Spicer knew about Hale so Pinkie killed him.
1:19:07 > 1:19:09You know about Hale and Spicer,
1:19:09 > 1:19:11so what makes you think he won't kill you too?
1:19:11 > 1:19:13- He loves me. - He doesn't.
1:19:13 > 1:19:15- He married me. - Yeah.
1:19:15 > 1:19:18But only because they can't make a wife give evidence
1:19:18 > 1:19:20against her own husband.
1:19:26 > 1:19:28Sweetheart.
1:19:30 > 1:19:32I only want to help you.
1:19:32 > 1:19:34Stop saying that.
1:19:37 > 1:19:39I'll do anything.
1:19:42 > 1:19:44- Anything. - That's more like it.
1:19:44 > 1:19:46You just leave us alone.
1:19:47 > 1:19:50All right. No need to get agitated.
1:19:51 > 1:19:52You're already an accessory.
1:19:52 > 1:19:55If they take Pinkie, you think I care what happens to me?
1:20:04 > 1:20:07I hope you're on the pill, love.
1:20:09 > 1:20:12You don't want to have a murderer's baby.
1:20:28 > 1:20:30What the hell are you doing here?
1:20:31 > 1:20:33If you're bothering my girl...
1:20:33 > 1:20:37They can't force her to give evidence but she can volunteer.
1:20:37 > 1:20:38She won't.
1:20:38 > 1:20:40She'll do whatever she damn well pleases
1:20:40 > 1:20:42and there's bugger all you can do about it.
1:20:42 > 1:20:46Because if you touch one hair on that girl's head,
1:20:46 > 1:20:49there is nothing, nothing on this dear green earth
1:20:49 > 1:20:51I will not do to make you suffer.
1:21:09 > 1:21:10Her mum?
1:21:10 > 1:21:12Her mum, Pinkie.
1:21:12 > 1:21:16- Did Rose say that? - She didn't say nothing.
1:21:19 > 1:21:20We'll see.
1:21:44 > 1:21:47- Nice dress. - You like it?
1:21:48 > 1:21:50I love it.
1:21:52 > 1:21:54Give us another twirl.
1:21:59 > 1:22:01Pinkie.
1:22:01 > 1:22:03Yes, Rose?
1:22:07 > 1:22:08I've done something awful.
1:22:10 > 1:22:11Go on.
1:22:13 > 1:22:16I took ten quid from the tin.
1:22:16 > 1:22:18I'll pay it back as soon as I get a job.
1:22:24 > 1:22:26Dallow says your mum's been.
1:22:33 > 1:22:35She ain't much of a mother, Pinkie.
1:22:44 > 1:22:46Only turns up when she wants something.
1:22:53 > 1:22:56She's been talking.
1:22:56 > 1:23:00- Who to? - To the tart who runs Snow's.
1:23:02 > 1:23:03Hale's bird.
1:23:03 > 1:23:06If she's been talking, why not to the police?
1:23:06 > 1:23:08She said she'd never let me down.
1:23:08 > 1:23:10Never, never, never.
1:23:10 > 1:23:12She married you, didn't she?
1:23:12 > 1:23:16If she loves me, that'd make it easier.
1:23:16 > 1:23:18She'd do anything I say.
1:23:33 > 1:23:35I could take her Hastings way.
1:23:39 > 1:23:41To the old lighthouse.
1:23:47 > 1:23:49I trust her.
1:23:49 > 1:23:51All the way.
1:23:51 > 1:23:54I wouldn't trust anyone that far.
1:23:55 > 1:23:57Not even you.
1:24:41 > 1:24:43(BABY CRIES)
1:24:51 > 1:24:53If it was mine...
1:24:58 > 1:25:01If it was mine, I wouldn't leave it alone.
1:25:03 > 1:25:04It ain't yours.
1:25:06 > 1:25:09No, but it might be.
1:25:18 > 1:25:20Everything will be all right.
1:25:21 > 1:25:23Will it?
1:25:25 > 1:25:26I promise.
1:25:36 > 1:25:39Get dressed. I'm taking you out.
1:25:44 > 1:25:46You look worried, Pinkie.
1:25:47 > 1:25:48I'm not worried.
1:25:50 > 1:25:52I've got it all straight.
1:25:55 > 1:25:57In a box here.
1:26:18 > 1:26:20(BABY CRIES)
1:26:47 > 1:26:51What do you want to stop here for?
1:26:51 > 1:26:54It's where you brought me our first night, remember?
1:26:54 > 1:26:57Too many people here. Let's get some air.
1:26:57 > 1:27:01Let's go for a ride in the country.
1:27:01 > 1:27:04Can't we say goodbye to the pier first?
1:27:05 > 1:27:07Goodbye?
1:27:10 > 1:27:12I lied to you.
1:27:12 > 1:27:14About my mum.
1:27:14 > 1:27:17I didn't want to, Pinkie.
1:27:17 > 1:27:20She knows. Ms Arnold, about Fred Hale.
1:27:23 > 1:27:24And Frank Spicer.
1:27:26 > 1:27:28I lied because I didn't want to worry you.
1:27:28 > 1:27:32I think maybe you should worry.
1:27:33 > 1:27:35I think maybe we should leave.
1:27:35 > 1:27:37Tonight.
1:27:38 > 1:27:40Together.
1:27:42 > 1:27:44Do you believe me?
1:27:55 > 1:27:58Saw her coming, did you?
1:28:01 > 1:28:04I told you we should leave. She'll never give up.
1:28:04 > 1:28:06I saw a ferret out by the track once.
1:28:06 > 1:28:09She'd blow your cover, is that it? Is that why you confessed?
1:28:09 > 1:28:13Doesn't matter one way or another. I'd find out and you knew it.
1:28:13 > 1:28:16All the time you wondered what you had to do to cover your lie.
1:28:16 > 1:28:18I told you I didn't want you to worry.
1:28:19 > 1:28:21Get on.
1:28:21 > 1:28:23I got to pack first, Pinkie.
1:28:24 > 1:28:26We haven't got time for that.
1:28:26 > 1:28:28You said so yourself, she'll never give up.
1:28:28 > 1:28:30You saw a ferret once out by the track.
1:29:12 > 1:29:13Why are we stopping?
1:29:13 > 1:29:16You saw her on the pier. She'll never give up.
1:29:16 > 1:29:18She'll keep hounding us and hanging on.
1:29:18 > 1:29:21Waiting for us to slip up and one day it'll happen.
1:29:21 > 1:29:23We'll be finished.
1:29:23 > 1:29:25- She can't go on for ever. - Yes, she can.
1:29:25 > 1:29:28People don't change. It's like a stick of rock.
1:29:28 > 1:29:31Bite it all the way down and you still read Brighton.
1:29:34 > 1:29:35Read it.
1:29:38 > 1:29:41"I love you, Pinkie."
1:29:41 > 1:29:43"I don't care what you do."
1:29:43 > 1:29:45"I love you forever."
1:29:50 > 1:29:52"Wherever you go, I go too."
1:29:55 > 1:29:57You mean that, don't you?
1:29:57 > 1:30:00- Of course. - Every word. With all your heart.
1:30:06 > 1:30:08Do you mean it or don't you?
1:30:10 > 1:30:12Can't we wait.
1:30:12 > 1:30:15Until what? Until it's too late?
1:30:15 > 1:30:16Remember, Rose.
1:30:16 > 1:30:19What you said to me outside the cafe.
1:30:19 > 1:30:21You said you'd never let me down.
1:30:22 > 1:30:24Never, never, never.
1:30:32 > 1:30:34Double rum.
1:30:40 > 1:30:43Cubitt's been arrested on his way to the port.
1:30:43 > 1:30:47It's only a matter of time before he tells the police what he told me.
1:30:47 > 1:30:49- Where's that girl? - How should I know?
1:30:49 > 1:30:52You're the one who put the fear of God up him.
1:30:52 > 1:30:55They was fine until you showed up. He was sweet on her.
1:30:55 > 1:30:58It's your meddling that's tipped him over.
1:30:58 > 1:31:01Anything happens to that girl, I blame you.
1:31:18 > 1:31:21I put up the safety.
1:31:21 > 1:31:23All you have to do is pull the trigger.
1:31:23 > 1:31:25It isn't hard.
1:31:27 > 1:31:30Put it in your ear. That'll hold it steady.
1:31:31 > 1:31:32Go on.
1:31:34 > 1:31:35Take it.
1:31:48 > 1:31:50(ENGINE STUTTERS)
1:31:51 > 1:31:53Fuck's sake.
1:31:55 > 1:31:58You know where he's taken her and I can guess what for.
1:31:58 > 1:32:02If you want to keep out of trouble, let me into this car.
1:32:10 > 1:32:13What if I don't shoot?
1:32:13 > 1:32:15Then I shoot myself. Do you want me to do it first?
1:32:15 > 1:32:17No.
1:32:28 > 1:32:30It won't hurt, Rose.
1:32:31 > 1:32:33I promise.
1:32:43 > 1:32:45Do you love me, Pinkie?
1:32:52 > 1:32:54We wouldn't be together, would we?
1:32:56 > 1:32:58Not if they hang me.
1:32:58 > 1:33:00And you have to go on without me.
1:33:21 > 1:33:22That's it.
1:33:29 > 1:33:30There! There they are.
1:33:38 > 1:33:39Rose!
1:33:39 > 1:33:40Rose.
1:33:42 > 1:33:43Get in the car.
1:33:43 > 1:33:46It's no use. They got Cubitt.
1:33:46 > 1:33:49You come with me. Get in the car.
1:34:14 > 1:34:16(YELLS)
1:34:29 > 1:34:30(SIZZLING)
1:34:32 > 1:34:35- Pinkie. - (YELLS)
1:34:48 > 1:34:50Pinkie!
1:34:54 > 1:34:55Pinkie.
1:35:00 > 1:35:02Pinkie!
1:35:02 > 1:35:03Pinkie.
1:35:20 > 1:35:23Come on, Rose. Come on.
1:35:23 > 1:35:24Come on, Rose.
1:35:24 > 1:35:27Come on. Come away.
1:35:27 > 1:35:30Come on, sweetheart.
1:36:06 > 1:36:08What about the girl?
1:36:10 > 1:36:13Poor little kid.
1:36:14 > 1:36:18She thought he was in love with her.
1:36:18 > 1:36:21And was he? In love?
1:36:21 > 1:36:24What difference would that make?
1:36:24 > 1:36:27It would show there was some good.
1:36:27 > 1:36:29Phil.
1:36:31 > 1:36:33I think it's a bleeding miracle
1:36:33 > 1:36:37that nature should have planted love in every man jack of us.
1:36:39 > 1:36:42And every woman.
1:36:42 > 1:36:47Even though in some of us, it's as useless as an appendix.
1:36:57 > 1:36:59I'm sorry, Ida.
1:37:00 > 1:37:01No, you're right.
1:37:10 > 1:37:11Let's celebrate.
1:37:13 > 1:37:16Shall I get us a bottle of champagne?
1:37:16 > 1:37:19Yes, a bottle of champagne.
1:37:19 > 1:37:20And a room.
1:37:25 > 1:37:28Blimey. Talk about miracles.
1:37:33 > 1:37:36- It's expensive. - It's all right, I'll settle it.
1:37:36 > 1:37:38- A man likes to - - Trust me, Phil...
1:37:39 > 1:37:41I know what a man likes.
1:38:17 > 1:38:19I don't care what anyone says.
1:38:23 > 1:38:25You don't know a thing about love.
1:38:26 > 1:38:29How can you persist in this delusion?
1:38:29 > 1:38:31After what he tried to do to you.
1:38:37 > 1:38:39(I should have pulled the trigger.)
1:38:43 > 1:38:45I don't want your absolution.
1:38:49 > 1:38:51I want to be with Pinkie.
1:38:52 > 1:38:55What is going on over here?
1:38:55 > 1:38:56Get back to your beds.
1:39:01 > 1:39:04You believe in all that crap?
1:39:05 > 1:39:07Of course I do.
1:39:07 > 1:39:10Of course there's an hell.
1:39:10 > 1:39:12What about heaven?
1:39:13 > 1:39:15Saints. Miracles.
1:39:18 > 1:39:20Miracles?
1:39:24 > 1:39:26Maybe.
1:40:53 > 1:40:56(PINKIE) "You've asked me to make a record of my voice."
1:40:58 > 1:41:00"Here it is."
1:41:01 > 1:41:05"What you want me to say is I love you."
1:41:09 > 1:41:14(RECORD SKIPS) "I love you. I love you."
1:41:14 > 1:41:16(REPEATS) "I love you."
1:41:16 > 1:41:18"I love you."
1:41:19 > 1:41:21"I love you."
1:41:21 > 1:41:23"I love you."
1:41:55 > 1:41:59MUSIC - "There's A Storm A-Coming" by Richard Hawley
1:41:59 > 1:42:05# There's a storm a-coming
1:42:05 > 1:42:08# You'd better run
1:42:08 > 1:42:12# There's a storm a-coming
1:42:12 > 1:42:15# Goodbye to the sun
1:42:15 > 1:42:20# There's a ship that's sailing
1:42:20 > 1:42:24# Out in the night
1:42:24 > 1:42:28# There's a heart that's breaking
1:42:28 > 1:42:31# I think it's mine
1:42:31 > 1:42:34# There's a storm a-coming
1:42:37 > 1:42:39# You'd better
1:42:39 > 1:42:42# Run, boy, run... #
1:42:43 > 1:42:46Subtitles by Red Bee Media Ltd
1:42:46 > 1:42:49E-mail subtitling@bbc.co.uk