Last Chance Harvey

Download Subtitles

Transcript

0:00:02 > 0:00:03PIANO MUSIC PLAYS

0:00:32 > 0:00:34HUMMING

0:00:42 > 0:00:45SIGHS

0:00:50 > 0:00:52- Morning, Paddy. - Morning, Kate.

0:00:52 > 0:00:56Looking lovelier than ever. If I was only a younger man...

0:00:56 > 0:00:58Oh, shut up!

0:01:06 > 0:01:12Mum, it's me, your daughter.

0:01:19 > 0:01:21- Post. - Have a cup of tea with me.

0:01:21 > 0:01:24Can't. I'm running late. Sorry.

0:01:26 > 0:01:27KNOCKS ON GLASS

0:01:29 > 0:01:31PIANO MUSIC PLAYS

0:01:33 > 0:01:36- He's at it again. - Who? At what?

0:01:36 > 0:01:42The new neighbour, barbecuing or something.

0:01:42 > 0:01:45I've heard he's from Poland.

0:01:45 > 0:01:48Oh, well, you know, maybe Polish people like to barbecue a lot.

0:01:48 > 0:01:50I can't find your -

0:01:50 > 0:01:52- oh, here it is. - Where do you put this?

0:01:52 > 0:01:55It's my toothbrush thingy. Just stop fiddling.

0:01:55 > 0:01:57Prescription.

0:01:57 > 0:01:59Now listen, you do not have to keep taking these.

0:01:59 > 0:02:01- The doctor said. - I like to.

0:02:01 > 0:02:02Makes me feel better.

0:02:02 > 0:02:05All right, well, listen. I'm off. I'll, um -

0:02:05 > 0:02:07See you later, or call you later.

0:02:07 > 0:02:09You got that date thing tonight?

0:02:09 > 0:02:11GROANS

0:02:11 > 0:02:14I don't know. Maybe.

0:02:14 > 0:02:18Time and tide, Kate, as your father liked to say.

0:02:18 > 0:02:20Was that from his terrace in the south of France?

0:02:23 > 0:02:25Sorry. That was mean.

0:02:25 > 0:02:27- SIGHS - Hug me.

0:02:28 > 0:02:31Hug me!

0:02:33 > 0:02:34Bye, Mum.

0:02:34 > 0:02:36I am a cow.

0:02:38 > 0:02:39PIANO NOTES PLAY

0:02:39 > 0:02:40Put my score up first.

0:02:40 > 0:02:42- They don't want to hear it, Harvey.- But I want to see it.

0:02:42 > 0:02:44- Put it up. - I'm backed up already.

0:02:44 > 0:02:47Johnnie, you were the one that was late. Just put it up.

0:02:50 > 0:02:52ORCHESTRAL MUSIC PLAYING

0:03:04 > 0:03:08- KEYBOARD CLACKS - OK?

0:03:08 > 0:03:11Listen, Harvey, Marvin wants me to present my ideas while you're away.

0:03:11 > 0:03:13Huh?

0:03:15 > 0:03:21Look, I'm not doing myself any favours here, Harvey, but I'd watch your back.

0:03:21 > 0:03:22HARVEY: Marvin. Hey, Marvin.

0:03:22 > 0:03:24Hey, Harvey. Shouldn't you be in London?

0:03:24 > 0:03:26Yeah. I'm heading there now. What's going on?

0:03:26 > 0:03:29Johnnie said something about you wanting him to present on Monday?

0:03:29 > 0:03:30Oh, yeah. No, no.

0:03:30 > 0:03:33I was just thinking that, with you being in London, you should stay a while.

0:03:33 > 0:03:35- What?- There's no need to rush back.

0:03:35 > 0:03:37- Enjoy your daughter's wedding. - What?

0:03:37 > 0:03:38Well, Johnnie can do it.

0:03:38 > 0:03:40I mean, he can pitch the Samuelson account.

0:03:40 > 0:03:42No. I'm coming back. Those are my connections.

0:03:42 > 0:03:44- They have been for years. - I know. I'm just...

0:03:44 > 0:03:46They've got new people there, you know?

0:03:46 > 0:03:47I think they might want something different.

0:03:47 > 0:03:50I really want to come back. I should be there in person.

0:03:50 > 0:03:51In person?

0:03:51 > 0:03:53Yeah. I want to stand behind my music.

0:03:53 > 0:03:55But nobody cares, Harvey.

0:03:55 > 0:03:57They're demos. They're already pressed.

0:03:57 > 0:03:58Nobody gives a shit. They don't need to see you.

0:03:58 > 0:04:00They don't need to see me.

0:04:00 > 0:04:04I'm back Monday, Marvin. I'm coming back.

0:04:06 > 0:04:08Well, you better land this one, Harvey.

0:04:08 > 0:04:11- What does that mean? - It means what it means.

0:04:11 > 0:04:14Say it.

0:04:16 > 0:04:19There are no more chances, Harvey.

0:04:19 > 0:04:21KEYS JINGLE

0:04:21 > 0:04:23CAR DOOR OPENS

0:04:23 > 0:04:25Enjoy London.

0:04:27 > 0:04:29ENGINE STARTS

0:05:05 > 0:05:09- Are you on a holiday? - No. Business.

0:05:11 > 0:05:12You?

0:05:12 > 0:05:15Oh, my daughter's getting married.

0:05:15 > 0:05:16Congratulations.

0:05:16 > 0:05:18Yeah, thanks. Well, kind of.

0:05:18 > 0:05:22She's American, he's American, and they're still getting married in London.

0:05:22 > 0:05:26I told her we have a perfectly good wedding system here.

0:05:30 > 0:05:33I mean, they both work in London. That's why they're...

0:05:33 > 0:05:36- There you are, Sir. - Oh, thanks. Thanks very much.

0:05:36 > 0:05:38- Can I just give you this? - Yes.

0:05:38 > 0:05:42- Thank you. - Thank you.

0:05:42 > 0:05:44SIGHS Does flying make you nervous?

0:05:44 > 0:05:47No. I do it all the time.

0:05:47 > 0:05:52Oh. I don't like it. I have to fortify myself.

0:05:53 > 0:05:56You know that old joke, one guy says to the other -

0:05:56 > 0:05:59Tell you what, I have got meetings in the morning, when we land,

0:05:59 > 0:06:01so I think I'm gonna try and get some sleep.

0:06:01 > 0:06:03- Sure. - Sorry, I just...

0:06:03 > 0:06:06I'll be useless if I don't get some sleep.

0:06:06 > 0:06:07No, no. Go ahead. Go ahead.

0:06:17 > 0:06:20- Morning, Aggie. - Morning, darling.

0:06:20 > 0:06:22- All right? - Mm-hmm.

0:06:22 > 0:06:25"A filmy layer on the surface of a liquid."

0:06:25 > 0:06:27Scum.

0:06:27 > 0:06:29- LAUGHS - Scum!

0:06:29 > 0:06:32"Manicure tool," four and four.

0:06:32 > 0:06:33Oh, come on, Aggie.

0:06:33 > 0:06:36- What? I'm just testing you. - Nail file!

0:06:36 > 0:06:37LAUGHS

0:06:37 > 0:06:39Sorry, sorry.

0:06:39 > 0:06:42Morning. Morning.

0:06:42 > 0:06:45Oh, thank God you're my boss, Kate.

0:06:45 > 0:06:48- Morning, Aggie. - Morning, darling.

0:06:48 > 0:06:50So, we still on for tonight?

0:06:50 > 0:06:54- Matt's definitely bringing Simon. - No, no, no. I'm scared.

0:06:54 > 0:06:56Oh, now, don't be scared! He's gorgeous!

0:06:56 > 0:06:59He's a big, strong, confident, gorgeous fella.

0:06:59 > 0:07:01You'll love him. He's beautiful.

0:07:01 > 0:07:04Right. Look, I'll come, but only if you two swear blind

0:07:04 > 0:07:06you will not leave me on my own with him.

0:07:06 > 0:07:09Oh, no, no. Promise. Absolutely.

0:07:09 > 0:07:11- Can I trust her? - No.

0:07:11 > 0:07:13Of course you can trust me. We'll drive you home.

0:07:13 > 0:07:16We'll drive both of you home, depending on what home you're going to!

0:07:16 > 0:07:18- Oh, shut up. - Yeah. He's got his own business.

0:07:18 > 0:07:20- Really? - Yeah.

0:07:20 > 0:07:21What kind of business?

0:07:21 > 0:07:24I don't know exactly. I think it's stationery.

0:07:24 > 0:07:27Oh. I've always loved stationery.

0:07:33 > 0:07:36So not a business trip, then.

0:07:36 > 0:07:38No. Unless you count three grandchildren as work.

0:07:38 > 0:07:40- Some might. - That's true.

0:07:40 > 0:07:42Thank you very much for your time. You're all done.

0:07:42 > 0:07:44- Thank you. - Safe trip home.

0:07:44 > 0:07:46Thank you. Bye-bye.

0:07:52 > 0:07:54Excuse me. I wonder if I could trouble you for two minutes of your time.

0:07:54 > 0:07:56- Won't take a second. - No.

0:07:56 > 0:07:58I'm tired, you know?

0:07:58 > 0:08:00Yes, I do.

0:08:08 > 0:08:10Where to, Sir?

0:08:10 > 0:08:12Hi, Susie. It's your dad.

0:08:12 > 0:08:17Uh, I made it, uh, and I'm in a taxi on the way to the hotel.

0:08:17 > 0:08:19Uh, I guess all you guys are already there.

0:08:19 > 0:08:23Anyways, I really look forward to seeing you and everybody else.

0:08:23 > 0:08:25I can't wait. Love you. Bye-bye.

0:08:29 > 0:08:31Hi, it's Harvey Shine here.

0:08:31 > 0:08:35Just want to confirm that Mike is going to be in the mix Monday.

0:08:35 > 0:08:38And I'm reachable by my cellphone.

0:08:38 > 0:08:41You probably have the number on file, but just in case,

0:08:41 > 0:08:44it's 917-384-5368.

0:08:44 > 0:08:50You may need an international code, so, you know, I think you have to dial 044,

0:08:50 > 0:08:52or maybe, uh, not sure.

0:08:52 > 0:08:57It could be 011. You can try 44 then 1 and then 917.

0:08:57 > 0:09:01Whatever it is, whether it's 044 or 44 or 011,

0:09:01 > 0:09:03after that, you may have to put a 1 be-

0:09:03 > 0:09:05BEEP Hello?

0:09:18 > 0:09:20Hi.

0:09:20 > 0:09:22I'm with the wedding party. There should be a room for me.

0:09:22 > 0:09:23Harvey Shine.

0:09:27 > 0:09:29Yes. We have a double room for you.

0:09:29 > 0:09:32Good. Is everyone else checked in?

0:09:32 > 0:09:34I'm not sure, Sir.

0:09:34 > 0:09:37My daughter - Susan Shine?

0:09:37 > 0:09:41She may already be going by the name Wright - Susan Wright.

0:09:41 > 0:09:44W-R-I-G-H-T.

0:09:44 > 0:09:47No, sir. No one of that name.

0:09:47 > 0:09:49Sir, Room 522.

0:10:01 > 0:10:04WINDOW CLICKING

0:10:13 > 0:10:15Oh, boy.

0:10:15 > 0:10:17CELLPHONE RINGING

0:10:19 > 0:10:21Hello?

0:10:21 > 0:10:24Hi, Susie.

0:10:24 > 0:10:28I'm here. Where are you? Where is everybody?

0:10:28 > 0:10:30Oh. I didn't realize.

0:10:30 > 0:10:34I thought the plan was for everybody to stay together.

0:10:34 > 0:10:37No. I just wasn't sure. I -

0:10:37 > 0:10:41No. I just - I didn't know I was gonna be here by myself.

0:10:41 > 0:10:42I thought that -

0:10:42 > 0:10:47Anyway, so, your mom, she rented a house for all of you, huh?

0:10:47 > 0:10:50Oh, come on. I'm a big boy.

0:10:50 > 0:10:52I'm happy here. It's very cosy.

0:10:52 > 0:10:56Yes, I have the address.

0:10:56 > 0:10:59Yeah. I love you, too. I'll see you there.

0:11:01 > 0:11:04CELLPHONE RINGING

0:11:05 > 0:11:08Hello, Mum.

0:11:08 > 0:11:09What are you wearing?

0:11:09 > 0:11:11- Purple dungarees. - Oh, you're not.

0:11:11 > 0:11:15No, not really. I'm wearing a miniskirt and a boob tube.

0:11:15 > 0:11:17- They're totally back in. - Oh, you're just being silly.

0:11:17 > 0:11:19LAUGHS

0:11:19 > 0:11:21Now, don't be nervous. Just be yourself.

0:11:21 > 0:11:23Yes, thanks for the advice.

0:11:23 > 0:11:26Oh, listen. I've been thinking about Greece.

0:11:26 > 0:11:29Yeah. OK. Well, can we talk about that later?

0:11:29 > 0:11:31All right. Bye!

0:11:31 > 0:11:33Bye.

0:11:43 > 0:11:45- Kate.- Ah.

0:11:45 > 0:11:47Sorry, sorry, sorry. I'm so sorry.

0:11:47 > 0:11:50- Don't tell me, your mother... - Yeah.

0:11:50 > 0:11:51Is that mine?

0:11:51 > 0:11:54Cheers. Thank God. Oh.

0:11:55 > 0:11:57She's, um -

0:11:57 > 0:12:00She's just on about some Pole living next to her who's barbecuing a lot.

0:12:00 > 0:12:03- Oh, very suspicious. - Well, that's what she thinks.

0:12:03 > 0:12:04Well, they're here.

0:12:04 > 0:12:06- OK.- He's at the bar.

0:12:06 > 0:12:08Very nice fella. Very chatty.

0:12:08 > 0:12:09- OK. - I like him. I like him.

0:12:09 > 0:12:11- There's Matt. - Hey.

0:12:11 > 0:12:12Hi, Matt.

0:12:12 > 0:12:14- How are you? - I'm well. How are you?

0:12:14 > 0:12:17- I'm good, too. - Kate, this is Simon.

0:12:17 > 0:12:18- How do you do? - Hi. Nice to meet you.

0:12:18 > 0:12:19So you're in stationery?

0:12:20 > 0:12:22Um, I'm IT. Computing.

0:12:22 > 0:12:24- You told me it was stationery. - Oh!

0:12:24 > 0:12:26- No, I didn't. - Yes, you did, love.

0:12:26 > 0:12:28Well, there's a bit of stationery involved.

0:12:28 > 0:12:30Mainly computing, though.

0:12:30 > 0:12:33- So not stationery. - Let's sit down.

0:12:33 > 0:12:34It doesn't matter.

0:12:34 > 0:12:35Sorry, Matt. It's just that I...

0:12:35 > 0:12:38- Cheers. - Cheers.

0:12:38 > 0:12:39Cheers, lads.

0:12:42 > 0:12:43Hmm.

0:12:45 > 0:12:46Shit.

0:13:04 > 0:13:08Yeah, I just - I just got off the plane last night.

0:13:33 > 0:13:34PEOPLE TALKING

0:13:37 > 0:13:39- Hey, Harvey! - Hey. Scott.

0:13:39 > 0:13:41- Harvey, you made it. - Scott, how are you, man?

0:13:41 > 0:13:42Hey, whoa. What's up?

0:13:42 > 0:13:46This is Susan's father - Harvey - Harvey Shine.

0:13:46 > 0:13:48This is Josh Hillman and my best man - Pete Turner.

0:13:48 > 0:13:50- How you guys doing? - Good. How you doing, Harvey?

0:13:50 > 0:13:53- Great. - Yeah, it's great to see you.

0:13:53 > 0:13:56Yeah, you too. How you holding up?

0:13:56 > 0:13:58Great, great. Can't wait to marry Susie, really.

0:13:58 > 0:14:01- Is she here? - Oh, she's in there.

0:14:01 > 0:14:03She'll be thrilled you're here.

0:14:03 > 0:14:04- I'll just go and find her. - Yeah.

0:14:04 > 0:14:05CELLPHONE RINGS Ooh. I got to take this.

0:14:05 > 0:14:07Grab that phone.

0:14:07 > 0:14:08Hello?

0:14:08 > 0:14:09Yeah, it's Harvey.

0:14:09 > 0:14:11No, no, no, no, that's not right.

0:14:11 > 0:14:13I need this. I need Mike.

0:14:13 > 0:14:14No. I told him two weeks ago. I booked him.

0:14:14 > 0:14:15What?

0:14:15 > 0:14:17No, but I -

0:14:17 > 0:14:20Look, just tell him to call me, OK? It's -

0:14:20 > 0:14:22I booked him!

0:14:22 > 0:14:24Uh, I'll talk to you later.

0:14:24 > 0:14:27I'm sorry. It's always something.

0:14:27 > 0:14:28Sure. Yeah.

0:14:28 > 0:14:31So, what's your field, Harvey?

0:14:31 > 0:14:33Well, I'm in the music business.

0:14:33 > 0:14:34Oh, wow. Doing what?

0:14:34 > 0:14:39You know, TV, background, commercials.

0:14:39 > 0:14:42- Cool. What kind of stuff? - Commercials.

0:14:42 > 0:14:45- Sounds profitable. - Yeah, it can be.

0:14:45 > 0:14:49So, you guys - you work for Scott?

0:14:49 > 0:14:50We work with Scott.

0:14:50 > 0:14:54- And what is that, oil? - Futures. Yeah, it's -

0:14:54 > 0:14:56Well, that can be profitable.

0:14:56 > 0:14:58Has its moments.

0:14:58 > 0:15:02Yeah, OK. I think I should just look for my daughter.

0:15:02 > 0:15:05Absolutely. Hey, nice to meet you. We'll see you in there.

0:15:05 > 0:15:06- Talk to you later. - Yeah, sure.

0:15:06 > 0:15:07He's got to be younger than me. CELLPHONE RINGING

0:15:07 > 0:15:09Well, look, he's young. He'll have plenty of energy.

0:15:09 > 0:15:11LAUGHS

0:15:11 > 0:15:13- He's lovely. Big hands on him. - You'll just say anything.

0:15:13 > 0:15:15No, it's not - don't answer that phone call.

0:15:15 > 0:15:16I've got to answer it.

0:15:16 > 0:15:18Kate, it's your mum. You know it's your mum.

0:15:18 > 0:15:19I know. She's on her own. Come on.

0:15:19 > 0:15:21Yeah, and so are you.

0:15:21 > 0:15:24She is, like, human contraception, honest to God.

0:15:24 > 0:15:26- She's ruining your sex life. - Shut up.

0:15:26 > 0:15:28You go. You go.

0:15:28 > 0:15:29Hello, Mum?

0:15:29 > 0:15:32Yeah. Can I ring you back?

0:15:32 > 0:15:34Yeah, cos I'm out. OK, bye.

0:15:46 > 0:15:47SIGHS

0:15:55 > 0:15:59Hi.

0:15:59 > 0:16:00I'll see you guys.

0:16:00 > 0:16:01Hi!

0:16:01 > 0:16:03Wow. Let me look. Let me look.

0:16:03 > 0:16:04Whoa.

0:16:05 > 0:16:07You look beautiful.

0:16:08 > 0:16:11Thank you.

0:16:11 > 0:16:14- You look... - Like a bad lounge act.

0:16:14 > 0:16:16No, you don't. You look very, very nice.

0:16:16 > 0:16:20No. They told me that everyone was going to wear white here.

0:16:20 > 0:16:23LAUGHS But I was misinformed.

0:16:23 > 0:16:26It looks good. I like it.

0:16:26 > 0:16:28Thank you.

0:16:30 > 0:16:33- How was your flight? - Fine.

0:16:34 > 0:16:37So, uh, that's your guy?

0:16:37 > 0:16:39Yeah.

0:16:39 > 0:16:41It's a long way to come to see two American kids get married.

0:16:41 > 0:16:43Sorry for the inconvenience.

0:16:43 > 0:16:47No. That's just a bad joke cos I'm jet-lagged. I'm sorry.

0:16:48 > 0:16:49Have you seen Mom?

0:16:49 > 0:16:53- No. Is she here with Brian? - Yep. They're over by our table.

0:16:53 > 0:16:55Oh.

0:16:55 > 0:17:00So, is the house your mother rented for almost everyone nice?

0:17:00 > 0:17:01- Dad. - What?

0:17:01 > 0:17:03No. I just got to get it out of my system.

0:17:03 > 0:17:05I'm sorry. It really is good to see you.

0:17:07 > 0:17:09Give me a hug.

0:17:11 > 0:17:12- Hey, look who I've got. - Hi.

0:17:12 > 0:17:15Oh, my gosh. Hello.

0:17:15 > 0:17:16We'll talk later. Go ahead.

0:17:16 > 0:17:18Hi. Bye.

0:17:18 > 0:17:19- Hey. - Hi.

0:17:19 > 0:17:21I'm Matt. This is...

0:17:24 > 0:17:25- Sorry. We've got to go. - No.

0:17:25 > 0:17:27Babysitter just rang.

0:17:27 > 0:17:29Wee bit of trouble at home but nothing serious.

0:17:29 > 0:17:30- Nothing serious. - Nothing serious at all.

0:17:30 > 0:17:32But you stay. You stay.

0:17:32 > 0:17:33All right.

0:17:33 > 0:17:36You enjoy yourself, you miserable cow, and turn that phone off.

0:17:36 > 0:17:39- You working tomorrow? - Yes, half day.

0:17:39 > 0:17:41I can't believe you give yourself Sundays.

0:17:41 > 0:17:43- I'll see you Tuesday. - OK.

0:17:43 > 0:17:44- Have fun. - Thanks.

0:17:44 > 0:17:47- Bye. - Bye.

0:17:47 > 0:17:49Looks like we've been set up.

0:17:49 > 0:17:52Yes. Sorry.

0:17:52 > 0:17:55No, it's not your fault. I mean, I'm fine with it.

0:17:55 > 0:17:57I mean, I'm happy to meet new people.

0:17:57 > 0:18:00Yes. Yes. Yes. So am I.

0:18:00 > 0:18:02Why don't you sit down?

0:18:06 > 0:18:08So, you're Oonagh's boss.

0:18:08 > 0:18:10Yes.

0:18:10 > 0:18:11I'm saying "yes" a lot.

0:18:11 > 0:18:14- Uh, yeah. - LAUGHS

0:18:14 > 0:18:16Sorry.

0:18:16 > 0:18:18Would you like another drink?

0:18:18 > 0:18:20Uh, sure. I'll get them.

0:18:20 > 0:18:22No, no, no, it's fine. What would you like?

0:18:22 > 0:18:26Can I have a, uh - can I have a glass of white wine?

0:18:26 > 0:18:28- Anything dry. - Dry.

0:18:28 > 0:18:29Thanks.

0:18:36 > 0:18:40- Hey, Mel. - You all right?

0:18:40 > 0:18:43- Andy. - Nice to see you.

0:18:43 > 0:18:45Gwen.

0:18:45 > 0:18:47CELLPHONE RINGING

0:18:54 > 0:18:57Mum, can you stop - stop -

0:18:58 > 0:19:00Hang on.

0:19:00 > 0:19:01Hang on. I can't hear you.

0:19:01 > 0:19:03Just hang on a sec. Hang on.

0:19:03 > 0:19:05CROWD CHATTING

0:19:11 > 0:19:12Man: That's true.

0:19:12 > 0:19:15That's exactly what happens nowadays, you know?

0:19:18 > 0:19:20Hi.

0:19:20 > 0:19:21Hey.

0:19:21 > 0:19:23- Harvey. - Jean.

0:19:23 > 0:19:25- Harvey, good to see you. - You too.

0:19:25 > 0:19:27- You're looking good. - Hi.

0:19:27 > 0:19:31So our little girl's getting married.

0:19:31 > 0:19:34CHUCKLES

0:19:34 > 0:19:38Harvey, you remember the Watsons. Barry and, of course, Jill.

0:19:38 > 0:19:39- Jill: Hi. - Barry.

0:19:39 > 0:19:40Harvey.

0:19:40 > 0:19:44Boy, I haven't seen you guys since Jean and I, uh -

0:19:44 > 0:19:45You look well.

0:19:45 > 0:19:48Thank you. You look weller.

0:19:48 > 0:19:49- BOTH CHUCKLE - Thank you.

0:19:49 > 0:19:51- Barry, you too. - Thanks, Harvey.

0:19:51 > 0:19:53It's good to see you. How's your son?

0:19:53 > 0:19:55- Daughter. - Betsy's fine.

0:19:55 > 0:19:57Right.

0:20:07 > 0:20:10CELLPHONE RINGING

0:20:12 > 0:20:15Sorry. I got to take this.

0:20:15 > 0:20:17Can you hold on, please?

0:20:17 > 0:20:19Sorry.

0:20:27 > 0:20:29It's gonna take two hours max, no longer.

0:20:29 > 0:20:31Have you told him it was for me?

0:20:31 > 0:20:33Look, we have to go back. He'll tell you.

0:20:33 > 0:20:35Just have him call me, OK?

0:20:35 > 0:20:37All right. I really got to go.

0:20:37 > 0:20:38OK, bye.

0:20:38 > 0:20:41CROWD LAUGHING, CHATTING

0:20:47 > 0:20:48Hi.

0:20:48 > 0:20:50Kate, sorry. I bumped into these guys.

0:20:50 > 0:20:52Couldn't shake them. Everyone, this is Kate.

0:20:52 > 0:20:55- That's OK. - Andrew, Melissa, and Gwyn.

0:20:55 > 0:20:56- Gwen. - Gwen, sorry.

0:20:56 > 0:20:58Sorry. I hope we're not barging in on you.

0:20:58 > 0:20:59No, no. Not at all. No.

0:20:59 > 0:21:02So, how do you two know each other?

0:21:02 > 0:21:04Um, we don't, actually.

0:21:04 > 0:21:09We've got some friends in common - Oonagh and Matt.

0:21:09 > 0:21:13And Matt came. And Kate works with Oonagh.

0:21:13 > 0:21:15- They had to rush home. - Bumped into each other.

0:21:15 > 0:21:16Yes.

0:21:16 > 0:21:18- Are you on a blind date? - Yeah.

0:21:18 > 0:21:20No. It's not a blind date.

0:21:22 > 0:21:25Shall we just leave you to it? Shall we leave you?

0:21:25 > 0:21:27No, no, no, no, no.

0:21:27 > 0:21:30I mean - ALL LAUGH

0:21:31 > 0:21:33SIGHS

0:21:39 > 0:21:41Jeanie, did you move me, my sweetheart?

0:21:41 > 0:21:44- No, darling. - Dad, I moved you.

0:21:44 > 0:21:46I thought it might be easier if you needed to get up.

0:21:46 > 0:21:47Oh, sure. OK.

0:21:47 > 0:21:48GLASS TINKLES

0:21:48 > 0:21:51Shall we have a quick toast just to get things started?

0:21:51 > 0:21:55I'm going to save my big speech for tomorrow.

0:21:55 > 0:21:56ALL LAUGH

0:21:56 > 0:21:59Dear Susan and dear Scott,

0:21:59 > 0:22:00I just want to take us all back

0:22:00 > 0:22:05to that wonderful holiday that we had in Rome together

0:22:05 > 0:22:08and wish you salute, eh?

0:22:08 > 0:22:11All: Salute!

0:22:11 > 0:22:13Because Jean and I love you both so much,

0:22:13 > 0:22:17and we're so happy that Scott is gonna be part of our clan now.

0:22:17 > 0:22:21And so, I say, many, many, many happy, happy years ahead.

0:22:21 > 0:22:23Salute. All: Salute!

0:22:26 > 0:22:27Uh, my turn.

0:22:27 > 0:22:29CELLPHONE VIBRATING

0:22:31 > 0:22:35I thought it was off. Sorry.

0:22:38 > 0:22:41Um...

0:22:44 > 0:22:46To a great couple.

0:22:46 > 0:22:48- Cheers. - Cheers.

0:22:48 > 0:22:52- And cheers again! - Cheers again.

0:22:52 > 0:22:55- Let's eat! - Yes! Good idea.

0:22:58 > 0:23:00both laugh

0:23:00 > 0:23:02Actually, I'm sorry. Maybe I should call you Dad.

0:23:02 > 0:23:05ALL: Aww!

0:23:21 > 0:23:23NO AUDIBLE DIALOGUE

0:23:46 > 0:23:47Harvey.

0:23:47 > 0:23:49Hello, Jean.

0:23:50 > 0:23:52Could I have a glass of water, please?

0:23:52 > 0:23:55No ice.

0:23:58 > 0:24:00Thank you.

0:24:04 > 0:24:06Are you OK?

0:24:06 > 0:24:08I'm excellent.

0:24:08 > 0:24:10Go a little easy, OK, Harvey?

0:24:13 > 0:24:15Why?

0:24:15 > 0:24:19Are you afraid I'm going to embarrass you again?

0:24:19 > 0:24:21No, I'm -

0:24:21 > 0:24:23I'm afraid you're gonna embarrass yourself, Harvey.

0:24:23 > 0:24:25SIGHS

0:24:25 > 0:24:27We're here for Susan. This is her weekend.

0:24:27 > 0:24:29It's Scott and Susan's weekend.

0:24:30 > 0:24:32LAUGHS

0:24:32 > 0:24:34You're good. You're still good.

0:24:34 > 0:24:36I mean, you've always known

0:24:36 > 0:24:38how to make me feel like a piece of shit in 30 seconds.

0:24:38 > 0:24:40Well, you gave me a lot of practice.

0:24:40 > 0:24:43Why'd you marry me?

0:24:48 > 0:24:52I was - I was very young,

0:24:52 > 0:24:54and you were lots of fun.

0:24:54 > 0:24:57And how's Brian? Is he fun?

0:24:57 > 0:25:01He thinks I'm fun.

0:25:03 > 0:25:07Harvey, go home now. Get some sleep, hmm?

0:25:07 > 0:25:10Come back, and see your daughter get married.

0:25:10 > 0:25:13Our baby girl's getting married.

0:25:30 > 0:25:33SIGHS

0:25:35 > 0:25:37- Hey. - Hey.

0:25:37 > 0:25:39- Susie. - Dad.

0:25:39 > 0:25:41SIGHS

0:25:41 > 0:25:43- You OK? - Yeah, I'm great.

0:25:43 > 0:25:45- How you doing, huh? - I'm good.

0:25:45 > 0:25:46- You enjoying yourself? - Mm-hmm.

0:25:46 > 0:25:52That Scott seems like a very good guy.

0:25:52 > 0:25:53He is.

0:25:53 > 0:25:56I'm sorry I haven't had a chance to talk to you.

0:25:56 > 0:25:58No no, don't you worry about me. I'm fine.

0:25:58 > 0:26:01This is about you and Scott. This is your weekend.

0:26:01 > 0:26:02- Huh? - Yeah.

0:26:02 > 0:26:05So, how's work?

0:26:05 > 0:26:08Oh, it's all right. It's, uh

0:26:08 > 0:26:09It's just different.

0:26:09 > 0:26:11It's sound design now. It's not music any more.

0:26:11 > 0:26:14It's a business, so it's computers and digital,

0:26:14 > 0:26:17and you just hit a button, and it's a triangle chime.

0:26:17 > 0:26:19LAUGHS But it's what it is.

0:26:19 > 0:26:21Are you still writing your own stuff?

0:26:21 > 0:26:25Well, when I get home, I play a little.

0:26:26 > 0:26:29CROWD LAUGHS

0:26:30 > 0:26:32So, listen, um...

0:26:36 > 0:26:39I'm really sorry to tell you this,

0:26:39 > 0:26:42but I have to get back to New York

0:26:42 > 0:26:46cos I have a really important account waiting.

0:26:46 > 0:26:48It's very serious.

0:26:48 > 0:26:53So I won't be at the reception in the evening, but I will be at your ceremony.

0:26:53 > 0:26:57That's where you're getting married.

0:26:57 > 0:26:59I wouldn't miss that.

0:26:59 > 0:27:01OK.

0:27:01 > 0:27:04Uh, Dad...

0:27:06 > 0:27:09I've been thinking,

0:27:09 > 0:27:12and Brian's been a really big part of my life

0:27:12 > 0:27:15for the past few years...

0:27:15 > 0:27:17and...

0:27:21 > 0:27:24I'm gonna ask him to give me away tomorrow.

0:27:24 > 0:27:27I'm sorry.

0:27:40 > 0:27:42SIGHS

0:27:42 > 0:27:43OK.

0:27:43 > 0:27:46I want you to go be with your friends, and I want you to have a good time,

0:27:46 > 0:27:48- and I'm gonna see you tomorrow. - OK.

0:27:59 > 0:28:00SIGHS

0:28:03 > 0:28:05ALL LAUGH

0:28:05 > 0:28:07No, but seriously, I mean, the thing is...

0:28:17 > 0:28:20Excuse... sorry.

0:28:26 > 0:28:27BREATHES DEEPLY

0:28:58 > 0:29:01Right here's good, friend. Thanks. I want to walk.

0:29:02 > 0:29:06Excuse me, could you take me to Wilton Green?

0:29:15 > 0:29:20By the powers vested in me, I now pronounce you husband and wife.

0:29:20 > 0:29:25You may kiss the bride.

0:29:59 > 0:30:01To Heathrow.

0:30:03 > 0:30:05Spirits? Champagne?

0:30:06 > 0:30:08OK. Excellent.

0:30:14 > 0:30:15HORNS HONKING

0:30:20 > 0:30:21Can we go another way?

0:30:21 > 0:30:23You're having a laugh, ain't you?

0:30:23 > 0:30:25It'll be bad everywhere.

0:30:32 > 0:30:34BOTH ARGUING

0:30:44 > 0:30:46Sorry.

0:30:46 > 0:30:49I'm sorry. I have the 1:30 to JFK.

0:30:49 > 0:30:50I'm sorry, Sir. I'm dealing with a passenger.

0:30:50 > 0:30:53- I want to go straight to the gate. - I will answer all your questions,

0:30:53 > 0:30:56- but you will have to wait. - OK. Ma'am, excuse me.

0:30:56 > 0:30:58- I'm on the 1:30 flight to JFK. - Sir- Sir, there is a queue.

0:30:58 > 0:31:00I appreciate that, but I'm on the 1:30 flight to JFK.

0:31:00 > 0:31:02That flight's now closed.

0:31:02 > 0:31:03No, no, no, the plane doesn't take off for 40 minutes.

0:31:03 > 0:31:05Sir, the gate is already closed.

0:31:05 > 0:31:07But all I have is hand luggage. Please, just let me through.

0:31:07 > 0:31:09- Sir, that is not hand luggage. - What, this?

0:31:09 > 0:31:13- Now will you let me on, please? - No, Sir.

0:31:13 > 0:31:15When's the next flight?

0:31:15 > 0:31:17SIGHS

0:31:17 > 0:31:19The earliest I can get you on for sure is tomorrow morning.

0:31:19 > 0:31:22- Tomorrow?! - Sir, you're gonna have to stay calm.

0:31:22 > 0:31:25Marvin, it's Harvey. Listen, the traffic was crazy.

0:31:25 > 0:31:27I'm gonna have to reschedule slightly.

0:31:27 > 0:31:29Come on, Harvey. The traffic?

0:31:29 > 0:31:30- Jesus. Come on. - Frank can set up.

0:31:30 > 0:31:32I'll e-mail them the cue numbers,

0:31:32 > 0:31:33and then I'll be there at lunchtime at the latest.

0:31:33 > 0:31:35I'll come straight from the airport.

0:31:35 > 0:31:38Look, just stay in London, will you? Just enjoy your daughter's wedding.

0:31:38 > 0:31:39No, no, Marvin, it's fine.

0:31:39 > 0:31:41- There's no problem. - Harvey.

0:31:41 > 0:31:45Frank knows exactly what to do, and Mike is gonna be right there to help.

0:31:45 > 0:31:48- Harvey, we've got to talk. - No, no, no. No, listen.

0:31:48 > 0:31:52I'll be there at lunchtime, Marvin. It's OK. It's all set up.

0:31:52 > 0:31:53- Harvey? - Yeah? What?

0:31:53 > 0:31:56- It's over. - What?

0:31:56 > 0:31:58- What do you mean? - It's out of my hands.

0:31:58 > 0:32:01There's people I got to answer to. I'm letting you go.

0:32:01 > 0:32:05We'll talk when you get back.

0:32:20 > 0:32:21Hi.

0:32:21 > 0:32:23Can I have a Johnnie Walker,

0:32:23 > 0:32:25and if you have a Black Label, neat?

0:32:33 > 0:32:34Thanks.

0:32:39 > 0:32:40Another, please.

0:32:43 > 0:32:45It's OK. Thank you.

0:32:50 > 0:32:53Aw, shit! WOMAN MURMURS

0:32:53 > 0:32:56Sorry. Vulgar American.

0:33:07 > 0:33:09How you doing?

0:33:11 > 0:33:12I'm sorry, by the way.

0:33:12 > 0:33:15For what?

0:33:15 > 0:33:17Weren't you the gal who tried to ask me some questions,

0:33:17 > 0:33:20and you were just doing your job, and I was rude?

0:33:20 > 0:33:22I'm sorry.

0:33:22 > 0:33:26I don't remember, really, but you probably were.

0:33:26 > 0:33:29Most people are.

0:33:29 > 0:33:32Hmm.

0:33:32 > 0:33:34Good book?

0:33:34 > 0:33:36Would be if I could finish it.

0:33:36 > 0:33:37Ooh!

0:33:38 > 0:33:41LAUGHS

0:33:44 > 0:33:46- That'll help. - What?

0:33:46 > 0:33:48I said, "That'll help."

0:33:48 > 0:33:50- What? This? - Mm.

0:33:50 > 0:33:52Oh, yes it will, and it is.

0:33:52 > 0:33:53Right.

0:33:55 > 0:33:59It'll help as much as that trashy novel and a glass of Chardonnay.

0:33:59 > 0:34:01SIGHS

0:34:08 > 0:34:10Sorry.

0:34:10 > 0:34:12I'm sorry.

0:34:15 > 0:34:16I'm sorry. That was out of line.

0:34:16 > 0:34:18Go away! Stop apologizing.

0:34:18 > 0:34:21It's just that I've had a really shitty day.

0:34:21 > 0:34:22Join the club.

0:34:22 > 0:34:25Oh no, yours may have been shitty, but mine was shittier.

0:34:25 > 0:34:29Mine was major shitty, you know? Huh?

0:34:33 > 0:34:35How shitty?

0:34:39 > 0:34:42I missed the plane, I lost my job,

0:34:42 > 0:34:44and my daughter, who's getting married today,

0:34:44 > 0:34:50decided that she wanted her stepfather rather than me to give her away, OK?

0:34:50 > 0:34:51And that took it to major shitty.

0:34:54 > 0:34:57Fair enough. You win.

0:35:00 > 0:35:03What do you say, let me make it up to both of us,

0:35:03 > 0:35:04and I'll buy you lunch?

0:35:06 > 0:35:08Or tea. How about tea, if it's teatime?

0:35:08 > 0:35:12Thanks very much, but I don't know you, and you don't know me, so-

0:35:12 > 0:35:14That's exactly why we should have tea together.

0:35:14 > 0:35:17It's very sweet of you, but thank you. No.

0:35:19 > 0:35:21- Well, you've got your book. - Mm.

0:35:23 > 0:35:25CELLPHONE RINGING

0:35:25 > 0:35:28If that's for me, I'm in the shower.

0:35:33 > 0:35:36Aren't you gonna answer it?

0:35:36 > 0:35:39No.

0:35:41 > 0:35:44Should I take that as a hopeful sign?

0:35:44 > 0:35:48If it is, you can give me a little wider smile.

0:35:51 > 0:35:53SIGHS

0:36:15 > 0:36:17Thank you.

0:36:17 > 0:36:19See?

0:36:19 > 0:36:20We're having lunch together.

0:36:20 > 0:36:23No, we're having lunch next to each other.

0:36:23 > 0:36:25Ah.

0:36:25 > 0:36:28By the way, Harvey - Harvey Shine.

0:36:30 > 0:36:32Kate Walker.

0:36:32 > 0:36:33So, why aren't you at the wedding?

0:36:33 > 0:36:34VACUUM WHIRRING

0:36:36 > 0:36:39I knew there was something that was missing.

0:36:39 > 0:36:41I had to get back for work.

0:36:41 > 0:36:43What, for the job you just lost?

0:36:43 > 0:36:45CHUCKLES Yes, exactly.

0:36:45 > 0:36:50Did you enjoy it, the job?

0:36:50 > 0:36:52Yes. No.

0:36:52 > 0:36:53Yes, originally.

0:36:53 > 0:36:54What was it?

0:36:56 > 0:36:57I write jingles.

0:36:59 > 0:37:02- Wow. - That's a normal response.

0:37:02 > 0:37:06Did you always want to write jingles, or was-

0:37:06 > 0:37:08was there something more?

0:37:08 > 0:37:10LAUGHS

0:37:10 > 0:37:11What?

0:37:11 > 0:37:13No no, I love it.

0:37:13 > 0:37:16You cut right through it. I like that.

0:37:16 > 0:37:19- I'll take that as a compliment. - You should.

0:37:23 > 0:37:27I would have given anything...

0:37:27 > 0:37:29to have been a jazz pianist.

0:37:29 > 0:37:32Were you good?

0:37:35 > 0:37:36No. Not good enough.

0:37:39 > 0:37:43Sorry. I... can be a bit nosy.

0:37:44 > 0:37:47Yeah, and I like it.

0:37:47 > 0:37:49- Do you believe me? - Mm.

0:37:52 > 0:37:55I have to tell you that is a relief to find someone

0:37:55 > 0:37:59who actually says what they're feeling and what they're thinking.

0:37:59 > 0:38:02Especially in a place that's supposed to be -

0:38:02 > 0:38:06you know - Britain, English, reserved.

0:38:06 > 0:38:09Oh, no no. Haven't you heard? We're a nation changed.

0:38:09 > 0:38:14Ever since Diana died, we're all sort of flowing out of us like water.

0:38:14 > 0:38:16You guys showed us the way, actually.

0:38:16 > 0:38:18No more stiff upper lip for us.

0:38:18 > 0:38:19And what is that, exactly?

0:38:19 > 0:38:21- What? - "Stiff upper lip."

0:38:23 > 0:38:25I'm not sure, it's kind of...

0:38:27 > 0:38:28that whole clenched thing.

0:38:28 > 0:38:30- Clenched? - I think so, you know.

0:38:30 > 0:38:33See, when you cry, your lips wobble,

0:38:33 > 0:38:35and when you're being strong, they don't.

0:38:35 > 0:38:38Like this.

0:38:38 > 0:38:40No, that's sort of more like a bulldog.

0:38:40 > 0:38:43No, don't do that. You look like you've got no teeth at all.

0:38:43 > 0:38:47It's my first attempt at a stiff upper lip.

0:38:47 > 0:38:48- Who does... - I don't really kn...

0:38:48 > 0:38:50I think it's the sort of tension in your jaw.

0:38:50 > 0:38:52Who does that?

0:38:52 > 0:38:53- Aristocrats. - The aristocrats?

0:38:53 > 0:38:55Posh people.

0:39:02 > 0:39:05- Thank you. I enjoyed that. - Me too. Where are you going?

0:39:05 > 0:39:08- I'm just going to a class, actually.- What kind of class?

0:39:08 > 0:39:09- Writing. - Ah.

0:39:09 > 0:39:11It's just a thing, twice a week, I do.

0:39:11 > 0:39:13I've got to get the Heathrow Express, actually, so...

0:39:13 > 0:39:15- I see. - What about you?

0:39:15 > 0:39:18I don't know. I guess I'll stay in a hotel near here.

0:39:18 > 0:39:20- I have a flight in the morning. - Oh, so it's - yeah.

0:39:20 > 0:39:22- OK. - Bye-bye, then.

0:39:22 > 0:39:23- Bye. - Good luck.

0:39:23 > 0:39:25CELLPHONE RINGING There's your phone again.

0:39:25 > 0:39:26BOTH CHUCKLE

0:39:30 > 0:39:32Hello?

0:39:32 > 0:39:33Yes.

0:40:09 > 0:40:11HARVEY: Sorry. I'm sorry.

0:40:12 > 0:40:13Sorry.

0:40:18 > 0:40:21Hi.

0:40:21 > 0:40:22Sorry.

0:40:22 > 0:40:25The thought of staying at a hotel near the runway unnerved me.

0:40:25 > 0:40:26CHUCKLES

0:40:26 > 0:40:29- Do you mind? - No, no, no.

0:40:29 > 0:40:31Excuse me.

0:40:34 > 0:40:36- How are you? - I'm fine.

0:40:36 > 0:40:38You ran.

0:40:38 > 0:40:42Well, I wish you'd been on the car four cars down.

0:40:43 > 0:40:46So...

0:40:46 > 0:40:50- You OK? - Yes, I'm fine.

0:40:50 > 0:40:54- Where we going? - Um, Paddington.

0:40:54 > 0:40:55Oh.

0:41:03 > 0:41:05So, here's the taxi rank.

0:41:05 > 0:41:08I suppose it's bye-bye again.

0:41:08 > 0:41:10Oh. CHUCKLES

0:41:10 > 0:41:12They'll take you to wherever you want to go - any hotel.

0:41:12 > 0:41:15You mean instead of me walking you to your class?

0:41:18 > 0:41:20Carry your books. I'll throw that in.

0:41:23 > 0:41:24Sure.

0:41:25 > 0:41:27Is that a "yes"?

0:41:27 > 0:41:28Yes.

0:41:28 > 0:41:30Why not?

0:41:31 > 0:41:33In which case, we um - we have to go -

0:41:33 > 0:41:35we have to go back this way.

0:41:35 > 0:41:38You mind if I just drop these off?

0:41:38 > 0:41:39Sure.

0:41:56 > 0:41:58LAUGHS

0:42:05 > 0:42:08It's like "Yours is a glorious country, Honeychurch!"

0:42:10 > 0:42:12Know that? Line from a book. "Room with a View."

0:42:12 > 0:42:14Ah. EM. Forster.

0:42:14 > 0:42:16- Mm-hmm. Have you read it? - No.

0:42:16 > 0:42:18LAUGHS

0:42:18 > 0:42:21- Do you think less of me? - No no, not at all.

0:42:21 > 0:42:24It's just - I think we're just very different.

0:42:24 > 0:42:25Probably.

0:42:25 > 0:42:28- Is that bad? - No.

0:42:28 > 0:42:30I don't think so either.

0:42:30 > 0:42:32- CELLPHONE RINGING - Hang on. Sorry.

0:42:34 > 0:42:36- Oh, sorry. I should get this. - Go ahead.

0:42:36 > 0:42:38Hello, Mum? Hello.

0:42:38 > 0:42:40Sorry. I've been busy.

0:42:40 > 0:42:42Yeah.

0:42:42 > 0:42:45No. I'm out, actually.

0:42:45 > 0:42:48Yes, yes, with someone.

0:42:48 > 0:42:50No, with someone else.

0:42:50 > 0:42:52Yes, a man.

0:42:55 > 0:42:56Oh, you did, did you?

0:42:59 > 0:43:01What, an actual body?

0:43:04 > 0:43:08OK, listen.

0:43:08 > 0:43:10Listen, I'll come in early tomorrow morning,

0:43:10 > 0:43:12and we'll check it out together, all right?

0:43:12 > 0:43:14All right. All right.

0:43:14 > 0:43:16Bye-bye. Bye.

0:43:16 > 0:43:17Yeah, I love you, too. Bye. Bye.

0:43:17 > 0:43:20- Sorry. My mum. - She worries about you?

0:43:20 > 0:43:22- Mm-hmm. - Yeah.

0:43:22 > 0:43:24Well, about herself, actually.

0:43:24 > 0:43:26She's convinced she's living next to Poland's answer to,

0:43:26 > 0:43:29- I don't know, Jack the Ripper. - Oh.

0:43:29 > 0:43:30Do you live with her?

0:43:30 > 0:43:32Oh no. No no no. God, no.

0:43:32 > 0:43:34- LAUGHS - Near, not with.

0:43:34 > 0:43:36She's all right. She means well.

0:43:36 > 0:43:39She just had a really rough ride of it is all.

0:43:39 > 0:43:40Why?

0:43:40 > 0:43:44Oh, well, my dad ran off to France with his secretary,

0:43:44 > 0:43:48and then, about four years ago, she got cancer, but she's completely recovered.

0:43:48 > 0:43:49She's fine. She just doesn't want to admit it.

0:43:49 > 0:43:51You know.

0:43:51 > 0:43:53So...

0:43:53 > 0:43:56she's bored is what I think it is,

0:43:56 > 0:43:59so she's made my "situation",

0:43:59 > 0:44:03which is what she calls me being single, her major distraction.

0:44:03 > 0:44:05It's like a sort of hobby for her, if you like.

0:44:05 > 0:44:07I see.

0:44:08 > 0:44:10Sorry.

0:44:10 > 0:44:12- What? - No. I was just-

0:44:12 > 0:44:15- I was just talking too much. - No, no, you're not.

0:44:15 > 0:44:17- No, I am. - No, you're not.

0:44:19 > 0:44:22Anyway, we're here. This is my class.

0:44:25 > 0:44:27SIGHS So, how long is your class?

0:44:27 > 0:44:28An hour.

0:44:29 > 0:44:32I can - I can wait.

0:44:34 > 0:44:36Well, it's getting cold. You don't want to wait, do you?

0:44:36 > 0:44:39Not that cold.

0:44:39 > 0:44:42CLOCK CHIMING

0:44:42 > 0:44:43OK.

0:44:43 > 0:44:45Careful.

0:44:47 > 0:44:49I might get the wrong impression.

0:45:01 > 0:45:03DOORBELL RINGS

0:45:08 > 0:45:10DOORBELL RINGS

0:46:11 > 0:46:14So, uh, how did it go?

0:46:14 > 0:46:16Well, the usual.

0:46:16 > 0:46:20Lovely, mild-mannered Mike gave us the latest instalment

0:46:20 > 0:46:22from his psychosexual thriller.

0:46:23 > 0:46:25He's 86.

0:46:26 > 0:46:27Shall we keep walking?

0:46:29 > 0:46:30OK.

0:46:30 > 0:46:33It's nice. It's nice today.

0:46:35 > 0:46:39Do you ever wish you could just live a different life just for a day

0:46:39 > 0:46:40just to see what it would be like?

0:46:40 > 0:46:42Do you have an idea what yours would be?

0:46:42 > 0:46:44Mine?

0:46:45 > 0:46:49I think it would take place in Spain- definitely-

0:46:49 > 0:46:52in a little house, inland.

0:46:52 > 0:46:54- And what would you do? - Write a book.

0:46:55 > 0:46:58I mean, you know, not "Middlemarch" or anything.

0:46:58 > 0:47:00- George Eliot. - Yeah. Have you read it?

0:47:00 > 0:47:02No.

0:47:02 > 0:47:03So, your book-

0:47:03 > 0:47:08Would be just a really good holiday read,

0:47:08 > 0:47:10you know, for the beach or a plane.

0:47:10 > 0:47:11I've got one of those inside me.

0:47:11 > 0:47:13- And this house that you'd live in... - Cabana.

0:47:13 > 0:47:14- Cabana. - Yeah. Please.

0:47:14 > 0:47:16Sorry... that you'd write in,

0:47:16 > 0:47:18would it have a view?

0:47:18 > 0:47:21Yes, across the plains,

0:47:21 > 0:47:25with a little stream running around it to bathe in.

0:47:25 > 0:47:26- Bathe in? - Mm-hmm.

0:47:26 > 0:47:28- No showers? - No.

0:47:32 > 0:47:33Rustic.

0:47:33 > 0:47:37OK, OK, OK. I'll adjust.

0:47:37 > 0:47:40I'm there, only if you're receiving guests, that is.

0:47:44 > 0:47:46Sure.

0:47:46 > 0:47:49You may visit, Harvey Shine.

0:47:49 > 0:47:51Well, thank you, Kate Walker.

0:47:51 > 0:47:52ROCKABILLY MUSIC PLAYS

0:47:52 > 0:47:54# I'm a guy that likes his fun #

0:47:54 > 0:47:56# When I fight, you'd better run #

0:47:56 > 0:47:59# I'm a mean, mean, mean son of a gun #

0:47:59 > 0:48:01# I'm going down to the middle of town #

0:48:01 > 0:48:03# I'm gonna shoot that first man down #

0:48:03 > 0:48:06# I'm a mean, mean son of a gun #

0:48:06 > 0:48:10# My skin's hard as leather, I'm as tough as any man #

0:48:10 > 0:48:14# When I have to shave myself, I use an old tin can #

0:48:14 > 0:48:17# I wash my face in boiling wax, scrub myself with a gunnysack #

0:48:17 > 0:48:21# I'm a mean, mean, mean son of a gun #

0:48:21 > 0:48:24# I'm mean, I'm mean, I'm mean #

0:48:24 > 0:48:28# I'm a mean, mean, mean son of a gun... #

0:48:30 > 0:48:32NO AUDIBLE DIALOGUE

0:48:59 > 0:49:01- Can I ask you something? - Sure.

0:49:01 > 0:49:05What happened between you and your daughter?

0:49:05 > 0:49:07Uh, I don't know.

0:49:07 > 0:49:09SIGHS

0:49:13 > 0:49:15Somewhere along the way, I just lost her.

0:49:15 > 0:49:18I woke up one morning, and I-

0:49:20 > 0:49:23I realized...

0:49:23 > 0:49:26that I didn't belong in that house.

0:49:30 > 0:49:32You know, I always had this feeling in my stomach...

0:49:32 > 0:49:34SIGHS

0:49:34 > 0:49:37that they were a bit embarrassed by me.

0:49:46 > 0:49:51I mean, if you see them now with Brian, my daughter's stepfather,

0:49:51 > 0:49:54you know, they just- it just makes more sense.

0:49:54 > 0:49:56I mean, they really look right together.

0:49:59 > 0:50:02And I was not a great father.

0:50:16 > 0:50:18Is the wedding reception still going on?

0:50:18 > 0:50:19I don't know.

0:50:21 > 0:50:24Am I still on New York time? What time is it?

0:50:24 > 0:50:27About 7:00. Where is it on?

0:50:27 > 0:50:29Grosvenor House.

0:50:29 > 0:50:31Well, you have to go.

0:50:31 > 0:50:32- No, no, no, no, no. - Yes, you do.

0:50:32 > 0:50:33No.

0:50:33 > 0:50:35No, Harvey. It's ridiculous you're not there.

0:50:35 > 0:50:37- You have to go. - They really don't want me.

0:50:37 > 0:50:40Harvey, she's your daughter, and you're her father. You have to go.

0:50:43 > 0:50:46Harvey, I really mean it. It's absolutely unforgivable.

0:50:46 > 0:50:47You have to go.

0:50:49 > 0:50:52- Come on. - I'm thinking.

0:50:52 > 0:50:53You come with me.

0:50:53 > 0:50:55No. I...

0:50:55 > 0:50:58I can't go to a wedding reception in...

0:50:58 > 0:51:01bloody green polyester.

0:51:01 > 0:51:03Are you trying to get me to buy you a new dress?

0:51:03 > 0:51:05- Is that what this is all about? - No.

0:51:05 > 0:51:07- It is! Yes, it is! - No, it's not.

0:51:07 > 0:51:09- I'm not coming. - Come as my bodyguard.

0:51:09 > 0:51:11- No. No. - Come as my friend?

0:51:11 > 0:51:14BIG BEN CHIMING

0:51:24 > 0:51:25OK.

0:51:27 > 0:51:32I am not spending more than £200 on that frock.

0:51:33 > 0:51:35- Is it a deal? - Yes. Yes.

0:51:35 > 0:51:37# I'm a guy that likes his fun #

0:51:37 > 0:51:39# And when I fight, you'd better run #

0:51:39 > 0:51:43# I'm a mean, mean, mean son of a gun #

0:51:43 > 0:51:45# I'm going down in the middle of town #

0:51:45 > 0:51:47# I'm going to shoot the first man down #

0:51:47 > 0:51:50# I'm a mean, mean, mean son of a gun #

0:51:50 > 0:51:54# My skin is hard as leather, I'm as tough as any man #

0:51:54 > 0:51:58# When I have to shave myself, I use an old tin can #

0:51:58 > 0:52:02# I wash my face in boiling wax, and scrub myself with a gunnysack #

0:52:02 > 0:52:05# I'm a mean, mean, mean son of a gun #

0:52:05 > 0:52:09# I'm mean, I'm mean, I'm mean #

0:52:09 > 0:52:12# I'm a mean, mean, mean son of a gun #

0:52:12 > 0:52:16# I'm a mean, mean, mean son of a gun. #

0:52:16 > 0:52:19Oh.

0:52:19 > 0:52:21Where was it?

0:52:21 > 0:52:23Hello.

0:52:30 > 0:52:31ELEVATOR BELL DINGS

0:52:31 > 0:52:33SIGHS

0:52:33 > 0:52:35DOORS OPEN

0:52:38 > 0:52:40PEOPLE CHATTING

0:53:04 > 0:53:07- My ex-wife just clocked you. - Did she?

0:53:07 > 0:53:09Huh? Oh.

0:53:09 > 0:53:10- You should go say hi. - OK.

0:53:12 > 0:53:14Here comes my daughter.

0:53:14 > 0:53:17- Hi. - Hi.

0:53:17 > 0:53:19- I didn't go. - I'm glad.

0:53:20 > 0:53:23Uh, this is, uh, Kate.

0:53:23 > 0:53:24- Oh, hello. - A friend.

0:53:24 > 0:53:26How do you do? Congratulations.

0:53:26 > 0:53:28You look fantastic.

0:53:28 > 0:53:29Thank you.

0:53:29 > 0:53:31I'm so sorry I've gate-crashed, actually.

0:53:31 > 0:53:33- No, she... - But it was your father.

0:53:33 > 0:53:35He insisted.

0:53:35 > 0:53:37No no. It's fine. I'm sure there's room.

0:53:37 > 0:53:40No, no, no, no. We'll just fit in wherever.

0:53:40 > 0:53:42- Excuse me. - Mm-hmm?

0:53:42 > 0:53:45- Could you find them a seat? - Sure.

0:53:45 > 0:53:48Ladies and gentlemen, could I have your attention, please?

0:53:48 > 0:53:50It's time now for the best-man speech.

0:53:50 > 0:53:53Oh. Except we seem to be missing the bride.

0:53:53 > 0:53:56You may have seen her - dark hair, white dress.

0:53:56 > 0:53:58Oh, there she is. OK, ladies and gentlemen.

0:53:58 > 0:54:02Without further ado, our best man, Pete Turner.

0:54:05 > 0:54:07- Pete: Thank you, Josh. - Hi.

0:54:07 > 0:54:10And thank you, Jean and Brian, for such a beautiful occasion and for...

0:54:10 > 0:54:12You do know this is the children's table.

0:54:12 > 0:54:15Yes.

0:54:15 > 0:54:17I'm gonna need to take you back to the early '90s,

0:54:17 > 0:54:20when a tall, far-too-cheerful Chicago man...

0:54:20 > 0:54:23- Hello. - ..walked into my room at Duke...

0:54:23 > 0:54:26- Bit of a chatterbox. - Mm.

0:54:26 > 0:54:27SIGHS

0:54:27 > 0:54:30And finally, I'd like to propose a toast to Susan

0:54:30 > 0:54:32for making my friend Scott complete.

0:54:32 > 0:54:34All: To Susan!

0:54:35 > 0:54:37Cheers.

0:54:46 > 0:54:50Ladies and gentlemen, it's now time for the father of the bride

0:54:50 > 0:54:51to say a few words.

0:54:51 > 0:54:53Tonight, that enviable task

0:54:53 > 0:54:58will fall to the ever-charming, ever-distinguished Brian,

0:54:58 > 0:55:00ladies and gentlemen.

0:55:06 > 0:55:11Well, that was quite some speech, Peter-

0:55:11 > 0:55:13quite something to follow.

0:55:13 > 0:55:17- But I will try. - GLASS TINKLES

0:55:17 > 0:55:20- Brian. - Yes, Harvey?

0:55:20 > 0:55:22Excuse me for interrupting.

0:55:22 > 0:55:25I think he said "father of the bride."

0:55:25 > 0:55:28Ah, yes.

0:55:29 > 0:55:31May I?

0:55:32 > 0:55:34Go- go ahead, Harvey.

0:55:40 > 0:55:42Hi, everybody.

0:55:42 > 0:55:44Um...

0:55:44 > 0:55:47I think there's something

0:55:47 > 0:55:52that Jean and I learned from our failed marriage,

0:55:52 > 0:55:58and that is that it's the children of divorce that suffer the most,

0:55:58 > 0:56:03and the child of Jean and Harvey Shine has had her share

0:56:03 > 0:56:06of pain and disappointment, but-

0:56:06 > 0:56:11and this is a tribute to you, Susan - it has served her well

0:56:11 > 0:56:15because she's somehow separated herself

0:56:15 > 0:56:19from the fracture of her birth family

0:56:19 > 0:56:26to become a strong and determined and independent woman.

0:56:26 > 0:56:28And yet...

0:56:28 > 0:56:32you've kept your sensitivity and your vulnerability

0:56:32 > 0:56:35and your loveliness...

0:56:35 > 0:56:38and you look quite beautiful tonight.

0:56:47 > 0:56:49Um...

0:56:50 > 0:56:51SIGHS

0:56:51 > 0:56:53- Scott? - Hey.

0:56:53 > 0:56:56You're a lucky guy, and I'm a lucky guy

0:56:56 > 0:56:59because I'm looking forward to you being my son.

0:57:01 > 0:57:04You are my son-in-law. LAUGHS

0:57:04 > 0:57:06I've never had a son.

0:57:06 > 0:57:07OK.

0:57:07 > 0:57:10Well, no pressure, but, Jean,

0:57:10 > 0:57:14I look forward to grandparenting with you,

0:57:14 > 0:57:16but that's no pressure, Scott.

0:57:16 > 0:57:17CROWD CHUCKLES

0:57:20 > 0:57:22I toast you, Scott.

0:57:23 > 0:57:26I toast your wife...

0:57:28 > 0:57:30my daughter.

0:57:30 > 0:57:34I toast our family.

0:57:34 > 0:57:38And if I can just linger a moment longer,

0:57:38 > 0:57:43I'd like to hand this back to you, Brian, with a note of gratitude.

0:57:45 > 0:57:49Thanks for being there.

0:57:54 > 0:58:00I would like to ask you all to please stand up and join Harvey and I

0:58:00 > 0:58:04in a toast to the bride and the groom - to Susan and to Scott.

0:58:06 > 0:58:08Susan and Scott!

0:58:17 > 0:58:23# Baby, I'm yours #

0:58:23 > 0:58:26# And I'll be yours #

0:58:26 > 0:58:34# Until the stars fall from the sky #

0:58:34 > 0:58:41# Yours until the rivers all run dry #

0:58:41 > 0:58:47# In other words, until I die #

0:58:47 > 0:58:50# Baby, I'm yours #

0:58:50 > 0:58:52Harvey. Harvey.

0:58:52 > 0:59:01# And I'll be yours until the sun no longer shines #

0:59:04 > 0:59:07- Hi. - Hi.

0:59:07 > 0:59:09- Don't cry. - I won't.

0:59:11 > 0:59:13Oh, Susan.

0:59:13 > 0:59:15Oh, thanks for coming back, Dad.

0:59:18 > 0:59:19Thanks for having me back.

0:59:23 > 0:59:28# Do my best to keep you satisfied #

0:59:28 > 0:59:31# Nothing in the world can drive me away #

0:59:31 > 0:59:33Huh? Ready?

0:59:33 > 0:59:35Whoo!

0:59:35 > 0:59:36LAUGHTER

0:59:36 > 0:59:38DISCO MUSIC PLAYS

0:59:50 > 0:59:55# Hold it #

0:59:55 > 0:59:58# Don't let go #

0:59:58 > 1:00:03# Baby #

1:00:03 > 1:00:07# Not too slow #

1:00:21 > 1:00:26# Higher #

1:00:26 > 1:00:29# Make me know #

1:00:29 > 1:00:33# Move it faster #

1:00:33 > 1:00:36# Don't let go #

1:00:49 > 1:00:54# Don't let go, don't let go, don't let go #

1:01:14 > 1:01:15JAZZ PIANO BALLAD PLAYS

1:02:45 > 1:02:48BALLAD ENDS

1:02:48 > 1:02:51Is that one of yours?

1:02:51 > 1:02:52Yes.

1:02:52 > 1:02:54It's lovely.

1:02:54 > 1:02:55INHALES SHARPLY

1:02:58 > 1:03:00Don't go.

1:03:01 > 1:03:03OK.

1:03:08 > 1:03:10- We have to hurry. - Why?

1:03:10 > 1:03:13Because I'm gonna dance your socks off.

1:03:13 > 1:03:17DANCE MUSIC PLAYS

1:03:45 > 1:03:47Bye! Bye! Bye!

1:03:51 > 1:03:53OK! Oh, the bouquet!

1:03:53 > 1:03:56Three, two, one!

1:03:56 > 1:03:59CROWD CHEERS Yay!

1:04:03 > 1:04:04Have a great time.

1:04:04 > 1:04:07- Hey! - Oh, sorry! Bye-bye!

1:04:07 > 1:04:08Bye!

1:04:08 > 1:04:11- Good luck. - Thank you, and thank you.

1:04:15 > 1:04:18CROWD: Bye!

1:04:22 > 1:04:24Bye.

1:04:26 > 1:04:28ENGINE STARTS

1:04:37 > 1:04:41- You all right? - Yes. Yes, I am.

1:04:41 > 1:04:45- Do you want to get out of here? - Sure.

1:04:47 > 1:04:48Excuse me.

1:04:52 > 1:04:54- Oh, really? - Yes.

1:04:54 > 1:04:56- Why? - "Why"?

1:04:56 > 1:04:58Well, you did about five different dances.

1:04:58 > 1:05:00No, no. I mean, why is it called "cutting a rug"?

1:05:03 > 1:05:05I love these fountains.

1:05:05 > 1:05:07Children play in them in the summer.

1:05:07 > 1:05:10- They sort of sit on them. - CHUCKLES

1:05:10 > 1:05:12They sit their little bottoms down, and then they get tickled by the water.

1:05:12 > 1:05:14They love it.

1:05:20 > 1:05:23I don't think I've stayed up all night...

1:05:23 > 1:05:25since I was a student.

1:05:33 > 1:05:35You got sad.

1:05:35 > 1:05:37Why?

1:05:44 > 1:05:46I was pregnant once.

1:05:46 > 1:05:48Didn't have it. I mean...

1:05:51 > 1:05:53I didn't think twice about it.

1:05:53 > 1:05:55That's what smart girls did.

1:05:55 > 1:05:57Yeah.

1:06:01 > 1:06:02I do...

1:06:05 > 1:06:07I do sometimes wonder, you know, wh -

1:06:08 > 1:06:12whether they would be funny or clever or...

1:06:16 > 1:06:18Oh, I don't know...

1:06:18 > 1:06:20neurotic.

1:06:22 > 1:06:24Stupid, really.

1:06:25 > 1:06:28I don't know why I told you that.

1:06:34 > 1:06:35Meet me here tomorrow, OK?

1:06:37 > 1:06:38What?

1:06:38 > 1:06:42Right here, right in this spot, noon.

1:06:42 > 1:06:43OK?

1:06:43 > 1:06:47What about your flight?

1:06:50 > 1:06:52I don't have to go.

1:06:55 > 1:06:57Why?

1:07:01 > 1:07:04Oh, shut up, Harvey.

1:07:06 > 1:07:08Stop it.

1:07:14 > 1:07:18You think that now. You wait till tomorrow.

1:07:18 > 1:07:20Today is tomorrow.

1:07:22 > 1:07:23Harvey.

1:07:26 > 1:07:29We don't know anything about each other.

1:07:29 > 1:07:31- CHUCKLES - You're, you know...

1:07:31 > 1:07:33- Old. - No, I wasn't gonna say that.

1:07:33 > 1:07:35Well, OK, you're a bit older.

1:07:35 > 1:07:37I'm...

1:07:37 > 1:07:38SIGHS

1:07:38 > 1:07:41I can be mean.

1:07:41 > 1:07:44So can I.

1:07:44 > 1:07:48No. Truly cantankerous.

1:07:51 > 1:07:53Cantankerous, I've never been.

1:07:53 > 1:07:54LAUGHS

1:07:58 > 1:08:01I should be going.

1:08:03 > 1:08:05I'm very serious.

1:08:05 > 1:08:08I'll be here waiting at noon, OK?

1:08:11 > 1:08:12SIGHS

1:08:13 > 1:08:15OK?

1:08:41 > 1:08:43Harvey Shine.

1:08:51 > 1:08:53Tell me what time!

1:08:53 > 1:08:55Noon!

1:08:55 > 1:08:56I can't hear you!

1:08:56 > 1:08:59Noon!

1:08:59 > 1:09:02LAUGHS

1:09:36 > 1:09:37Top o' the morning to you, Sir.

1:09:37 > 1:09:40I'm afraid they're both out of order, Mr Shine.

1:09:40 > 1:09:41If you wouldn't mind using the stairs.

1:09:41 > 1:09:43I wouldn't mind at all.

1:09:43 > 1:09:45HUMMING

1:09:47 > 1:09:49WHISTLING

1:09:58 > 1:10:00Whew!

1:10:05 > 1:10:08GRUNTING

1:10:08 > 1:10:09PANTING

1:10:09 > 1:10:12FOOTSTEPS APPROACH

1:10:15 > 1:10:17- Are you OK, Sir? - Huh?

1:10:18 > 1:10:20What's the problem? Are you OK?

1:10:20 > 1:10:21- Uh. - Can you-

1:10:21 > 1:10:25I'm gonna bring you a doctor. Just wait here, please.

1:10:25 > 1:10:26Shit.

1:10:26 > 1:10:29Hey.

1:10:29 > 1:10:33Hey!

1:10:38 > 1:10:39- Morning, James. - Morning, Kate.

1:10:39 > 1:10:40- You all right? - Ooh!

1:10:40 > 1:10:44Actually, can I have, um, can I have some grapes?

1:10:44 > 1:10:45I've got some lovely seedless grapes today.

1:10:45 > 1:10:48All right, then. Give us a little bunch - three quid's worth.

1:10:48 > 1:10:49- Okey-doke. - That'll do me.

1:10:49 > 1:10:50Thank you.

1:10:50 > 1:10:53Clutching his chest? Yeah?

1:10:53 > 1:10:55All right.

1:11:06 > 1:11:09Sir, you said that you've been drinking more coffee than usual.

1:11:09 > 1:11:11- Yes, but I have to be somewhere. - And you're under stress.

1:11:11 > 1:11:13- You haven't been sleeping well. - Yes, but I already told the nurse.

1:11:13 > 1:11:16Please, I've been up all night, I'm under stress, but I have an appointment.

1:11:16 > 1:11:18OK, sir, try and calm down. I just need you to stay tonight.

1:11:18 > 1:11:19I have to be somewhere.

1:11:30 > 1:11:33It looks to me like arrhythmia, which is an irregular heartbeat.

1:11:33 > 1:11:35Yes. I told the nurse it's called SVTs.

1:11:35 > 1:11:39I've had it since I was a kid, and I left my medication in New York,

1:11:39 > 1:11:41so if you can just make me out a prescription for Digoxin.

1:11:41 > 1:11:44Digoxin, yeah. That's right. We can do that, no problem.

1:11:44 > 1:11:46First, I just need to rule out all other possibilities.

1:11:46 > 1:11:48No, no. It's arrhythmia. Please, Doctor.

1:11:48 > 1:11:50- I have an appointment. - I'm 99% sure it is arrhythmia.

1:12:21 > 1:12:24Nurse, can you do a 12-lead ECG and send for tests troponin?

1:12:24 > 1:12:26You can't keep me here.

1:12:26 > 1:12:28No. You cannot keep me here.

1:12:28 > 1:12:30Also a thyroid function, please. Thank you.

1:12:30 > 1:12:33And can you arrange a monitor bed for him for tonight?

1:12:46 > 1:12:48OK, Mama. It's me. Done. I've got to get to work.

1:12:51 > 1:12:53Why don't you stay and have some lunch?

1:12:53 > 1:12:54I can't. I've got to go.

1:12:54 > 1:12:56Not to pry or anything,

1:12:56 > 1:13:00but why is there a large smoked ham under the stairs?

1:13:00 > 1:13:01Oh, that. Yes.

1:13:01 > 1:13:04It's, um... The neighbour gave it to me.

1:13:04 > 1:13:06The Polish neighbour?

1:13:08 > 1:13:10So, probably not a mass murderer.

1:13:10 > 1:13:12Probably not.

1:13:12 > 1:13:13CHUCKLES

1:13:13 > 1:13:16Are you sure you're going to be all right?

1:13:16 > 1:13:19Yeah. Of course I will. I'll be fine.

1:13:19 > 1:13:21Men. Who needs them?

1:13:21 > 1:13:23Remember, we've got Greece to look forward to.

1:13:23 > 1:13:25Yeah.

1:13:28 > 1:13:31Got lipstick on your face. See you.

1:13:31 > 1:13:34- Morning, Kate. - Morning, Paddy.

1:13:34 > 1:13:37- Lovely as ever. - Thank you.

1:13:51 > 1:13:54Right.

1:13:54 > 1:13:56OK, thanks a lot. I appreciate it.

1:13:56 > 1:13:58Thank you.

1:14:02 > 1:14:05PHONE RINGING

1:14:05 > 1:14:07SIGHS

1:14:07 > 1:14:08'Hello. PSA. Heathrow branch.'

1:14:08 > 1:14:11Hello. Is there a Kate Walker there?

1:14:11 > 1:14:14- It's Harvey. - Hold on.

1:14:14 > 1:14:17Kate, it's for you. Some guy called Harvey.

1:14:22 > 1:14:25I'm sorry, she's, uh, not here.

1:14:25 > 1:14:27Please, this is important.

1:14:29 > 1:14:31Kate!

1:14:31 > 1:14:35I'm sorry. She's busy.

1:14:35 > 1:14:38She won't come.

1:14:38 > 1:14:40OK, thanks.

1:14:44 > 1:14:47Sir, if I can get you to sign here.

1:14:47 > 1:14:48Sure.

1:14:50 > 1:14:52- CELLPHONE RINGING - Thank you.

1:14:56 > 1:14:57Hello?

1:14:57 > 1:15:00Hey, Harvey. It's Marvin. Where are you?

1:15:00 > 1:15:02I'm still in London, Marvin.

1:15:02 > 1:15:05Well, you get yourself back here, my friend.

1:15:05 > 1:15:08I got some great news. You were right.

1:15:08 > 1:15:11The Samuelson account, none of the kids could handle it.

1:15:11 > 1:15:12They couldn't nail it.

1:15:12 > 1:15:15They ended up picking one of your old tunes.

1:15:15 > 1:15:17They want you to come back and update it.

1:15:17 > 1:15:21We need you back, Harvey. Your old room's here waiting for you.

1:15:23 > 1:15:24Harvey?

1:15:24 > 1:15:27- Oh, well, that's great, Marvin. - Yeah. Yeah. It's great.

1:15:27 > 1:15:29Look, I know when to eat humble pie.

1:15:29 > 1:15:32So, hey, when can you get back here?

1:15:32 > 1:15:33Harvey?

1:15:35 > 1:15:36I'm not coming back.

1:15:36 > 1:15:38What?

1:15:38 > 1:15:40I quit.

1:15:40 > 1:15:42What do you mean you quit, Harvey?

1:15:42 > 1:15:44Look, man, you need us.

1:15:44 > 1:15:47No. You know, I don't.

1:15:47 > 1:15:50As you said, it's my last chance. Look, I got to go.

1:15:54 > 1:15:56Taxi!

1:15:57 > 1:16:00Taxi, Heathrow. I'm in a hurry.

1:16:23 > 1:16:24- Hi. - Hi.

1:16:24 > 1:16:26I'm looking for Kate Walker. Kate.

1:16:26 > 1:16:27Who wants to know?

1:16:29 > 1:16:30A friend.

1:16:30 > 1:16:34Oonagh, there's a man out here asking for Kate.

1:16:34 > 1:16:36- He says "a friend." - Yes.

1:16:36 > 1:16:39- Friend? - Well, more than a friend.

1:16:39 > 1:16:42- More than a friend? - Yes.

1:16:42 > 1:16:46- Are you the American? - Yes, that's right.

1:16:46 > 1:16:49She likes you. I can tell.

1:16:49 > 1:16:53Don't you go messing her around, now. Don't you hurt her.

1:16:53 > 1:16:55Oh, I won't. I wouldn't.

1:16:55 > 1:16:59She's not here. She's left for the day.

1:16:59 > 1:17:02You might still find her at her class.

1:17:02 > 1:17:04In fact, it starts about now.

1:17:04 > 1:17:06It's down at the South Bank. Called the National.

1:17:06 > 1:17:08- Yes, I know. - Oh, you know, do you?

1:17:08 > 1:17:10- Yes. - Go on. Go and get her.

1:17:12 > 1:17:15See you, Harvey.

1:17:15 > 1:17:21"The blood oozes from his wound like dark chocolate on a warm summer's day.

1:17:21 > 1:17:24He could still smell her on his glove -

1:17:24 > 1:17:27that deep, penetrating smell of sex.

1:17:27 > 1:17:32It was silent, but with the faint sound of dripping sweat.

1:17:32 > 1:17:35Salt was the taste that he remembered most -

1:17:35 > 1:17:39so salubrious, so sensual,

1:17:39 > 1:17:41so sexy."

1:17:42 > 1:17:45APPLAUSE Oh, thank you.

1:17:51 > 1:17:54Here you go.

1:18:10 > 1:18:12LAUGHS

1:18:22 > 1:18:25CLOCK CHIMING

1:18:28 > 1:18:30- Hey. - Hi.

1:18:30 > 1:18:31You still here, still in London?

1:18:31 > 1:18:33Sure.

1:18:35 > 1:18:37- Can I explain? - No no.

1:18:37 > 1:18:40- You don't need to explain, Harvey. - I want to.

1:18:40 > 1:18:41- No, honestly. I don't need to... - Kate, please.

1:18:41 > 1:18:44- I was in a hospital. - Oh, God. Why?

1:18:44 > 1:18:46No. It's nothing. I left my pills in New York.

1:18:46 > 1:18:48I have this irregular heartbeat.

1:18:48 > 1:18:50- I had it since I was a kid. - Arrhythmia.

1:18:50 > 1:18:55- How do you know what it is? - Cos my father has it.

1:18:55 > 1:18:57Well, young men get it, too.

1:18:57 > 1:18:59LAUGHS

1:18:59 > 1:19:02Aw, Kate, I'm so sorry I wasn't there.

1:19:02 > 1:19:04- Oh, it's fine, Harvey. - No.

1:19:04 > 1:19:07I had a lovely time, Harvey, and I like you - I really do.

1:19:07 > 1:19:09Thank you.

1:19:09 > 1:19:12But, you know, I don't really do fountains at noon either.

1:19:12 > 1:19:13I mean, I live in-

1:19:13 > 1:19:15Well, I live in Wilton Green, and you live in wherever you...

1:19:15 > 1:19:17- I live in White Plains. - Exactly.

1:19:17 > 1:19:22And Monday morning, life kicks in, and we're not teenagers.

1:19:22 > 1:19:25Got a life and our jobs and our family and everything, and I had a lovely time.

1:19:25 > 1:19:28- I won't forget it. Thank you. But... - What?

1:19:28 > 1:19:31- Well, it's not, you know, real life.- It is.

1:19:31 > 1:19:32- No, it isn't, Harvey. - It is.

1:19:32 > 1:19:37- No, it's not, Harvey. - No. It is real life.

1:19:37 > 1:19:39- It's real life for me. - No, no. I know. I know.

1:19:39 > 1:19:43But it's not just about you, is it? It's about me, as well.

1:19:43 > 1:19:46You don't know anything about me. Look at me. I mean, it's pathetic.

1:19:46 > 1:19:48I actually expected you not to show.

1:19:48 > 1:19:52In fact, I think I actually almost wanted you not to show

1:19:52 > 1:19:54because it's just sort of easier that way.

1:19:54 > 1:19:56You know, you just dive in there.

1:19:56 > 1:19:59You just whoosh anywhere. It's the deep end,

1:19:59 > 1:20:03and I'm not a bloody swimming pool, Harvey, and I'm not-

1:20:03 > 1:20:05I'm not gonna do it. I'm not gonna do it.

1:20:05 > 1:20:06I'm not gonna do it because it'll hurt.

1:20:06 > 1:20:08Sometime or other, there will be-

1:20:08 > 1:20:12you know, it's not working, or I need my space, or whatever it is,

1:20:12 > 1:20:14and it will end, and it will hurt, and I won't do it.

1:20:14 > 1:20:15I won't do it, and I won't...

1:20:15 > 1:20:17SOBBING

1:20:43 > 1:20:46BICYCLE BELLS JINGLING

1:21:17 > 1:21:20You see, what I think it is, is-

1:21:20 > 1:21:23is I think I'm more comfortable with being disappointed.

1:21:26 > 1:21:30I think I'm angry with you for trying to take that away.

1:21:35 > 1:21:37CELLPHONE RINGING

1:21:48 > 1:21:51Mum, I love you, but not now.

1:21:56 > 1:21:59Should I take that as a hopeful sign?

1:22:05 > 1:22:08If you give me just a little wider smile.

1:22:08 > 1:22:12- LAUGHS - Oh, shut up, Harvey.

1:22:18 > 1:22:22So how's this going to work, Mr Shine?

1:22:22 > 1:22:26I have absolutely no idea.

1:22:29 > 1:22:31But it will.

1:22:34 > 1:22:37I promise you that.

1:22:40 > 1:22:41Shall we walk?

1:22:46 > 1:22:48Yes.

1:23:06 > 1:23:09- You OK? - Uh, yeah.

1:23:13 > 1:23:15Hang on a sec.

1:23:18 > 1:23:19Oh. SIGHS

1:23:23 > 1:23:26That's better.

1:23:26 > 1:23:28I think you're my kind of girl.

1:23:28 > 1:23:29CHUCKLES

1:23:33 > 1:23:35Why don't you ask me those questions?

1:23:35 > 1:23:36Which ones?

1:23:36 > 1:23:39You know, at the airport, when I avoided you.

1:23:39 > 1:23:40- Oh, the questionnaire. - Yes.

1:23:40 > 1:23:44Oh, OK. Name?

1:23:44 > 1:23:45Harvey Shine.

1:23:45 > 1:23:48Place of residence?

1:23:48 > 1:23:50I'm in transition.

1:24:20 > 1:24:23# Where is this better place? #

1:24:23 > 1:24:27- # And where are these better times?- #

1:24:27 > 1:24:30DOORBELL RINGS

1:24:30 > 1:24:34# And we can't find #

1:24:37 > 1:24:39- Hi. - Hello.

1:24:39 > 1:24:43I wanted to say thank you for the ham,

1:24:43 > 1:24:47and sorry for taking so long to say thank you.

1:24:47 > 1:24:49You're welcome.

1:24:49 > 1:24:51- It's smoked. - Yes.

1:24:52 > 1:24:55- Please, come in. - Oh, no. I can't. I shouldn't.

1:24:55 > 1:24:58- I have to... - Please.

1:25:01 > 1:25:03Perhaps, um...

1:25:03 > 1:25:07Perhaps you could just show me how to cut it.

1:25:07 > 1:25:10Absolutely. Please, come in.

1:25:12 > 1:25:17# I've got my foot down, it's too slow #

1:25:21 > 1:25:25# I've got my foot down, it's too slow #

1:25:29 > 1:25:32# Look how much fun we had #

1:25:32 > 1:25:36# Now it's all turning bad #

1:25:36 > 1:25:40# I've got my foot down, it's too slow #

1:25:40 > 1:25:43# You should know. #