Passchendaele

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0:00:07 > 0:00:15This film contains violent, graphic scenes and strong language.

0:01:49 > 0:01:50MAN WHISTLES

0:02:15 > 0:02:18GUNFIRE

0:02:20 > 0:02:23- Everybody good? - Yeah.- Oh, Jesus!

0:02:23 > 0:02:26- Jesus! Jesus! Jesus! Jesus! - Hey! Hey! Hey!

0:02:26 > 0:02:29Keep your head down. Look at me. Look at me.

0:02:29 > 0:02:32You're going to be OK.

0:02:32 > 0:02:35Where's he from?

0:02:35 > 0:02:3613th skirt.

0:02:36 > 0:02:39I thought the Black Watch were up around Hill 60 or somewhere.

0:02:39 > 0:02:43- What the hell's he doing here? - Must've lost his head.

0:02:43 > 0:02:44Must've lost his head...

0:02:51 > 0:02:55- They in there, Sarge? - They would seem to be.

0:02:55 > 0:02:57Who the hell would put a gun nest in a church?

0:02:57 > 0:03:00Up round "Wipers" they put one in a bar. Think about that.

0:03:00 > 0:03:01All right, listen up.

0:03:01 > 0:03:04Highway, you and Skinner, you work your way up that side.

0:03:04 > 0:03:07Peters, you come with me. We cover. We lead.

0:03:07 > 0:03:08Everybody ready?

0:03:11 > 0:03:13OK.

0:03:16 > 0:03:18Let's go.

0:03:33 > 0:03:35Skinner! Drag him out of there!

0:03:37 > 0:03:39God damn it! Stay here.

0:03:39 > 0:03:41Keep your head down.

0:03:41 > 0:03:42No, please don't. No...

0:03:49 > 0:03:50You're going to be all right, Highway.

0:03:50 > 0:03:53You're going to be fine, Skinner. Give me your dressing.

0:03:53 > 0:03:55- Ah, Sarge.- Stay down!

0:03:55 > 0:03:57Get your head down!

0:03:57 > 0:03:59My foot...

0:03:59 > 0:04:02- This is kind of funny, eh? - For God's sake, Skinner...

0:04:06 > 0:04:07Momma, Momma.

0:04:15 > 0:04:17You're going to be OK.

0:04:17 > 0:04:19I'm going to get you out of here.

0:04:24 > 0:04:26HE SPEAKS GERMAN

0:04:36 > 0:04:38Leave your rifle. Get in behind me.

0:04:43 > 0:04:46- I'm going home. - What the hell are you doing?- Halt!

0:04:46 > 0:04:48Get your hands up!

0:04:48 > 0:04:51Wait! He's not doing anything. He's just clearing his pack.

0:04:51 > 0:04:53GERMAN SOLDIERS SPEAK

0:04:53 > 0:04:54No, no! Wait! Wait! Kamerad!

0:04:54 > 0:04:56- Kamerad!- I'm going home!- No!

0:05:13 > 0:05:14EXPLOSION

0:05:54 > 0:05:55Kamerad?

0:06:21 > 0:06:23Let's go, double line!

0:06:23 > 0:06:25Bombers over here, gunners on the flanks!

0:06:29 > 0:06:31Hey, we got a live one here!

0:06:33 > 0:06:36- Where's Highway?- He went that way.

0:06:58 > 0:07:01Sh... It's all right now.

0:07:01 > 0:07:04You're all right now, Sergeant.

0:07:04 > 0:07:08You're back home. You're safe.

0:07:18 > 0:07:22You know, they have these birds of prey over there.

0:07:22 > 0:07:25They call them kestrels.

0:07:25 > 0:07:28And every time I look at you it's like I've got one

0:07:28 > 0:07:30banging around right in here.

0:07:31 > 0:07:34You're a patient, Sergeant. It's a common feeling.

0:07:34 > 0:07:36Not to me, it isn't.

0:07:36 > 0:07:38I don't even know your first name.

0:07:38 > 0:07:41I'm not allowed to tell you that.

0:07:41 > 0:07:43I know.

0:07:44 > 0:07:45You should go back to sleep.

0:07:45 > 0:07:48I don't sleep.

0:07:48 > 0:07:50Then how can you have these nightmares?

0:07:50 > 0:07:53I don't know.

0:07:53 > 0:07:55Good night, Sergeant.

0:07:55 > 0:07:57Good night, Kestrel.

0:09:09 > 0:09:11What?

0:09:11 > 0:09:13I think I should take this opportunity

0:09:13 > 0:09:15to underscore the elusive relationship

0:09:15 > 0:09:17between desire and social order.

0:09:17 > 0:09:18You're crazy, aren't you?

0:09:18 > 0:09:20Crazy for you.

0:09:20 > 0:09:21What?

0:09:30 > 0:09:33David? David?

0:09:33 > 0:09:36- It's McKinnon.- Yeah, yeah.

0:09:36 > 0:09:37HE GASPS

0:09:37 > 0:09:39Oh, no! No, David.

0:09:41 > 0:09:44- It's OK.- David? David?

0:09:44 > 0:09:46- Just breathe.- You in yet?

0:09:47 > 0:09:49David?

0:09:58 > 0:10:03Are you OK? Let's go.

0:10:30 > 0:10:32Hello, there, Mr Harper.

0:10:44 > 0:10:47- Hello?- We're in here.

0:10:51 > 0:10:54- David?- Mr McKinnon.

0:10:54 > 0:10:57You didn't show up for work this morning. That's the third time this month.

0:10:57 > 0:11:00Sarah, here, tells me you had an attack...

0:11:00 > 0:11:02of your asthma things.

0:11:03 > 0:11:05That's the truth, sir. I did.

0:11:05 > 0:11:06But now you're all right?

0:11:06 > 0:11:08I went down to the river. Sometimes the humidity helps.

0:11:08 > 0:11:12Humidity. Good one. That's good.

0:11:15 > 0:11:17I don't know how to put this,

0:11:17 > 0:11:20but this job, I know it's only a local newspaper

0:11:20 > 0:11:23and I know it's not going to change the outcome of the war or anything,

0:11:23 > 0:11:25but it's a good job, and your father...

0:11:26 > 0:11:28Well, you both understand

0:11:28 > 0:11:31that I'm doing this for your father, don't you?

0:11:36 > 0:11:38Well, I'll just see myself out.

0:11:41 > 0:11:44I expect to see you in the morning.

0:11:48 > 0:11:50I can't keep lying for you.

0:11:50 > 0:11:52I'm not asking you to.

0:11:52 > 0:11:53Were you with Cassie?

0:11:53 > 0:11:55What if I was?

0:11:57 > 0:12:00Friends don't get friends in trouble, David.

0:12:00 > 0:12:02What would you know about friends?

0:12:02 > 0:12:05All you've got is me and you don't even like me.

0:12:05 > 0:12:07Why do you talk like that?

0:12:07 > 0:12:10If there's anyone that doesn't like you, it's you, not me.

0:12:10 > 0:12:14Is that supposed to pass for insight?

0:12:14 > 0:12:18By the way, her dad hates me, too.

0:12:41 > 0:12:43- Good evening.- Good evening, George.

0:12:48 > 0:12:49Still no news?

0:12:49 > 0:12:51Still missing in action.

0:12:51 > 0:12:55It's not easy, I can tell you that much.

0:12:55 > 0:12:59But I'm the Mayor. I can't be seen to falter.

0:12:59 > 0:13:03And our son has a good head on his shoulders, so we remain hopeful.

0:13:13 > 0:13:15Are you crazy?

0:13:15 > 0:13:17I'm here to talk to your father.

0:13:17 > 0:13:21Oh, hello. This is your friend.

0:13:21 > 0:13:23- David, isn't it?- Yes, sir.

0:13:23 > 0:13:25I wonder if I could have a word with you.

0:13:25 > 0:13:27By all means. Come on in.

0:13:27 > 0:13:29No, sir... I don't want to intrude.

0:13:29 > 0:13:30Don't be silly. Come on.

0:13:37 > 0:13:39Hello, everybody.

0:13:39 > 0:13:41I'd like to introduce you to David, uh...

0:13:41 > 0:13:44- Good Lord, I've forgotten your last name.- It's Mann, sir.

0:13:44 > 0:13:46- David Mann. - Very honoured to meet you.

0:13:46 > 0:13:48It appears that young David

0:13:48 > 0:13:52has conceived of a passion for my daughter.

0:13:52 > 0:13:54- Daddy, please!- A passion, is it?

0:13:54 > 0:13:58- Well, then I'd be guessing you'd still be a student. - And you'd be wide of the mark.

0:13:58 > 0:14:00David counts himself among the ranks of the working men.

0:14:00 > 0:14:02I work for a newspaper.

0:14:02 > 0:14:04But he's not a scribe. He sets type.

0:14:04 > 0:14:06- He's a typesetter.- Phillip!

0:14:06 > 0:14:08But you must be 18 years old and you're not in uniform.

0:14:08 > 0:14:10Why is that?

0:14:10 > 0:14:13It's a medical thing, sir. He's doing what he can.

0:14:13 > 0:14:15Yes, well, he'll have to do better than that

0:14:15 > 0:14:17if he wants to earn the respect of your father.

0:14:17 > 0:14:21That's what I intend to do, sir, and I'm open to suggestions.

0:14:21 > 0:14:25For God's sake, son. We're at war. Use your imagination.

0:14:33 > 0:14:35I'm sorry.

0:14:35 > 0:14:38I don't know, I'm not sure what I'm supposed to say.

0:14:38 > 0:14:42There's no formula here, Sergeant. We're just talking.

0:14:42 > 0:14:45You, uh, want to tell me about your nightmares?

0:14:49 > 0:14:53They consistently feature the image of a Canadian soldier and a cross.

0:14:53 > 0:14:56Why is that, you imagine?

0:14:56 > 0:15:01I don't sleep, so I don't really know how to answer that.

0:15:01 > 0:15:03In 1915, in retreat outside Ypres,

0:15:03 > 0:15:06German soldiers nailed a Canadian NCO to a barn door.

0:15:06 > 0:15:08You were there, were you not?

0:15:08 > 0:15:12Yes, sir, I did take part in that retreat but...

0:15:12 > 0:15:14if they had time to stop and nail a guy to a door,

0:15:14 > 0:15:18they're even better than I already know them to be.

0:15:18 > 0:15:19Are you saying it didn't happen?

0:15:19 > 0:15:23I'm saying artillery throws soldiers into positions you can't even imagine.

0:15:23 > 0:15:25A man in a trench...

0:15:25 > 0:15:29he's going to see what he needs to see.

0:15:31 > 0:15:34Michael, you are a decorated soldier.

0:15:34 > 0:15:36Yeah. Yeah, I am.

0:15:38 > 0:15:42And I received that medal for sticking a 17-inch piece of steel into a boy's forehead.

0:15:42 > 0:15:45As soon as you were well enough to walk, you went AWOL.

0:15:45 > 0:15:49I went AWOL because I received a medal for sticking a piece of steel into a boy's forehead!

0:15:49 > 0:15:52- This is insubordinate.- Understand your situation here, Sergeant.

0:15:52 > 0:15:55We are trying to determine your status of discharge.

0:15:55 > 0:15:57Your physical wounds have, for the most part, healed.

0:15:57 > 0:16:01Dr Walker would like to give you a clean bill of health,

0:16:01 > 0:16:03in which case you'd be sent back to the battlefield,

0:16:03 > 0:16:06stand trial for desertion and more than likely be executed.

0:16:06 > 0:16:09I'm going to end up back there one way or another.

0:16:12 > 0:16:15- Michael, I'm trying to save your life.- I know that.

0:16:15 > 0:16:20And I appreciate it, I do, but this...

0:16:26 > 0:16:27Go on.

0:16:28 > 0:16:31The house we grew up in...

0:16:33 > 0:16:34..it was at the bottom of this hill,

0:16:34 > 0:16:37and every time one of my brothers, uh...

0:16:37 > 0:16:40- Died?- Yeah.

0:16:42 > 0:16:46The telegraph guy, he'd bring the notification down the hill

0:16:46 > 0:16:48and my mother never got any other news.

0:16:50 > 0:16:53After all, three of my younger brothers one, two, three

0:16:53 > 0:16:56and then me - AWOL...

0:16:56 > 0:17:00And they don't say "Absent Without Leave",

0:17:00 > 0:17:03they say "Missing In Action", which to her meant I was dead.

0:17:06 > 0:17:12So when that telegraph guy came down the fourth time, it broke her heart.

0:17:14 > 0:17:16She...she died of a broken heart.

0:17:22 > 0:17:26Nurse Mann, would you please escort the sergeant back to the ward.

0:17:36 > 0:17:40Major Nigel Bernard, Canadian Army Medical Corps,

0:17:40 > 0:17:43re: patient T3-31, Sergeant Michael Dunne.

0:17:43 > 0:17:46Physically, the patient nears repair.

0:17:46 > 0:17:49Diagnosis remains, however, neurasthenia,

0:17:49 > 0:17:52Dr Walker's dissent noted.

0:17:52 > 0:17:55In light of his service record, the recommendation

0:17:55 > 0:17:57is that the soldier be reassigned to the home front,

0:17:57 > 0:18:00possibly in recruitment, in support of our ongoing effort.

0:18:11 > 0:18:13I came to wish you luck.

0:18:13 > 0:18:16It's not likely I'll see you again, is it?

0:18:18 > 0:18:20I don't want to leave.

0:18:20 > 0:18:24No, that's... That's not accurate.

0:18:24 > 0:18:25I don't want to leave you.

0:18:25 > 0:18:27I'm not what you think I am.

0:18:27 > 0:18:29You don't know what I think you are.

0:18:29 > 0:18:31You talk in your sleep.

0:18:31 > 0:18:33I don't sleep. How can I talk?

0:18:33 > 0:18:36You don't even know my first name.

0:18:36 > 0:18:38No, I don't. No.

0:18:38 > 0:18:42And that's a hell of a thing, that is.

0:18:49 > 0:18:51Goodbye, Nurse Mann.

0:18:51 > 0:18:53Bye.

0:18:56 > 0:18:58It's Sarah.

0:18:58 > 0:19:02- What?- Her name is Sarah.

0:19:04 > 0:19:05Thanks.

0:19:11 > 0:19:14Rigor, Sergeant. Rigor is our shibboleth.

0:19:14 > 0:19:18No slight intended to my immediate predecessor,

0:19:18 > 0:19:20but the sails on this ship are slack.

0:19:20 > 0:19:23The home front is awash in saboteurs and provocateurs.

0:19:23 > 0:19:27Odd those words sound French, what? Allies and all.

0:19:27 > 0:19:31Be that as it may, our immediate concern is recruitment.

0:19:31 > 0:19:33Minimum age - 18.

0:19:33 > 0:19:34Infantry, Service and Medical Corps.

0:19:34 > 0:19:36Minimum height - five foot three inches,

0:19:36 > 0:19:37chest - 33 and one half inches.

0:19:37 > 0:19:39Gunners... Carmichael, remove this.

0:19:39 > 0:19:41Ah, yes, sir!

0:19:45 > 0:19:47Capital asset, Carmichael.

0:19:47 > 0:19:49Gunners, minimum height - five foot seven inches,

0:19:49 > 0:19:53chest - 34 and one half inches, give or take, you understand.

0:19:53 > 0:19:55Preference given to unmarried men.

0:19:55 > 0:19:57The blind and the deaf are to be avoided,

0:19:57 > 0:19:59and asthmatics are strictly ne touche pas,

0:19:59 > 0:20:02given the problems associated with gas.

0:20:02 > 0:20:05And on that note, may I say, in confidence...

0:20:08 > 0:20:12I have seen acts of depravity, Dunne.

0:20:12 > 0:20:17Kroonstad. Human depravity. But gas?

0:20:17 > 0:20:18Even the Boer would not sink so low.

0:20:18 > 0:20:20We use gas, sir.

0:20:20 > 0:20:23Of course, we do.

0:20:24 > 0:20:27Cut from the same cloth, you and I.

0:20:28 > 0:20:30A rarefying experience, combat.

0:20:30 > 0:20:32Something Carmichael will never encounter.

0:20:32 > 0:20:34Blind as a bat, feet like a fried egg.

0:20:34 > 0:20:36- Isn't that right, Carmichael? - More than right, sir.

0:20:36 > 0:20:40You saw action in South Africa, sir?

0:20:45 > 0:20:47I've studied your dossier, Sergeant.

0:20:47 > 0:20:49But you can rest easy.

0:20:49 > 0:20:52I have my eye on you.

0:21:24 > 0:21:27Ladies and gentlemen, I present to you

0:21:27 > 0:21:29a Distinguished Conduct Medal winner,

0:21:29 > 0:21:31a proud member of Calgary's own 10th Battalion,

0:21:31 > 0:21:33Second Brigade, First Canadian Division.

0:21:33 > 0:21:35Please rise for Sergeant Michael Dunne!

0:21:41 > 0:21:44I thought he'd be bigger.

0:21:44 > 0:21:48- In what sense?- In the sense that he'd be bigger.- Please, please.

0:21:48 > 0:21:50You're embarrassing the good sergeant.

0:21:50 > 0:21:53Would all of those women who are present please resume your seats?

0:21:56 > 0:21:59Thank you.

0:21:59 > 0:22:03And all those men too old to serve, would you also resume your seats?

0:22:07 > 0:22:10And all the boys who are not yet of age to serve,

0:22:10 > 0:22:11would you take your seats as well?

0:22:18 > 0:22:24And now, I ask you to look at the men who stand amongst you...

0:22:28 > 0:22:29..and explain to Sergeant Dunne

0:22:29 > 0:22:34why they are not doing their part for their King,

0:22:34 > 0:22:36their country and their God!

0:22:45 > 0:22:47Kamerad.

0:22:53 > 0:22:56Eyes wide open.

0:23:00 > 0:23:03Next.

0:23:03 > 0:23:05Name?

0:23:05 > 0:23:07David Mann.

0:23:09 > 0:23:11What's your marital status, David?

0:23:11 > 0:23:13- Single.- And you're of legal age?

0:23:13 > 0:23:16- Look, I applied before. - Yeah, I see that.

0:23:16 > 0:23:18According to this, you were rejected because you have asthma.

0:23:18 > 0:23:21Do you now have medical clearance on that asthma?

0:23:21 > 0:23:22I wouldn't be here, would I?

0:23:22 > 0:23:24And this isn't Germany.

0:23:24 > 0:23:26I don't carry documents with me.

0:23:26 > 0:23:28You're in uniform, but you aren't at the front.

0:23:28 > 0:23:30- Do you have anything to document that?- As a matter of fact, I do.

0:23:30 > 0:23:34They diagnosed me as neurasthenic, which means "shell shock",

0:23:34 > 0:23:37which means I'm mentally incompetent, and this is the paper that proves it.

0:23:40 > 0:23:41Haven't you ever heard of patriotism?

0:23:48 > 0:23:50Do you have a relative who's a nurse?

0:23:50 > 0:23:54- A sister or something? And you live out on Stewart Avenue?- Maybe.

0:23:54 > 0:23:58OK, as long as I'm sitting at this desk,

0:23:58 > 0:24:00you will not be going to this war.

0:24:01 > 0:24:02Next.

0:24:07 > 0:24:08Name.

0:24:17 > 0:24:19How's it feel, war hero?

0:24:29 > 0:24:31You only got one arm.

0:24:31 > 0:24:33Sad, ain't it?

0:24:33 > 0:24:34How 'bout we get drunk?

0:24:35 > 0:24:38Mikey, Mikey, Mikey!

0:24:38 > 0:24:39Forget about the nurse!

0:24:39 > 0:24:41There's a gaggle of women, all free and clear,

0:24:41 > 0:24:43ready and willing to hike up their skirts.

0:24:43 > 0:24:45- You want to know why? - Cos you give them money.

0:24:45 > 0:24:46No, because I let them know

0:24:46 > 0:24:48they're in the presence of a real life war hero.

0:24:48 > 0:24:50- When did you become a war hero? - When I lost my arm.

0:24:50 > 0:24:51You lost your arm in a lumber mill.

0:24:51 > 0:24:54Which the ladies don't know, which is what I love about this war.

0:24:54 > 0:24:58Got a postcard from Highway.

0:24:58 > 0:25:01Seems like the Redskin's back on his feet,

0:25:01 > 0:25:04and by the sounds of it, he's cutting a swath right through London.

0:25:04 > 0:25:08- That's what I hear. - Hey, John.- Michael Dunne.

0:25:08 > 0:25:10Lord God, it's good to see you in one piece.

0:25:10 > 0:25:14- Oh, more or less. - On the house, my friend. Your call.

0:25:14 > 0:25:17I'll have whatever you got underneath the counter.

0:25:17 > 0:25:19I'll be back in a second.

0:25:19 > 0:25:21Hey, Royster. To Dunne.

0:25:23 > 0:25:24Well, well, well...

0:25:24 > 0:25:28You two are so... Jesus-ly rhetorical.

0:25:28 > 0:25:30This man who just left,

0:25:30 > 0:25:33this man would not allow me to serve, and why?

0:25:33 > 0:25:37He's been over there. He's run Fritz through with a bayonet.

0:25:37 > 0:25:40- Johnny, what's this kid doing in here?- Time to go, son.

0:25:40 > 0:25:44- Do I smell Kraut? - You calling me a Kraut, boy?

0:25:44 > 0:25:48- You calling me a boy, Kraut? - I'm just a one-armed man.

0:25:48 > 0:25:49What are you trying to do here, kid?

0:25:49 > 0:25:54Mister, I'm just trying to save my soul...

0:25:59 > 0:26:03Hey, leave the boy alone!

0:26:03 > 0:26:04Let it go, Roy.

0:26:08 > 0:26:09What, are you nuts?

0:26:11 > 0:26:15He would have killed you. You know that?

0:26:20 > 0:26:22You come with me.

0:26:42 > 0:26:44Thank you for bringing him home.

0:26:44 > 0:26:45You don't have to thank me.

0:26:45 > 0:26:48It's, uh, a good excuse to see you again.

0:26:48 > 0:26:52- Well, thank you anyway.- OK.

0:26:55 > 0:26:56Hey...

0:27:02 > 0:27:04..do you think maybe I could accompany you to a dance or...

0:27:04 > 0:27:07I don't dance with soldiers.

0:27:07 > 0:27:08I could lose the uniform.

0:27:08 > 0:27:11I don't dance with naked soldiers.

0:27:11 > 0:27:13I'm trying to flirt.

0:27:13 > 0:27:17- And I'm not making it easy, am I? - No.

0:27:17 > 0:27:19What if I asked your father for permission?

0:27:19 > 0:27:22That would be difficult.

0:27:22 > 0:27:25He doesn't like suitors?

0:27:25 > 0:27:28No. My father's dead, Sergeant.

0:27:28 > 0:27:31He was killed on Vimy Ridge.

0:27:32 > 0:27:34Ah, Jesus.

0:27:35 > 0:27:38I'm sorry.

0:27:38 > 0:27:42I'm really sorry.

0:27:43 > 0:27:47- Good night.- Good night.

0:28:21 > 0:28:23Ah, Christ, that's harsh.

0:28:28 > 0:28:33- Lot of rum over there, I guess. - Yeah, but they water it down.

0:28:33 > 0:28:38- Plentiful though, no?- If there's a show on.- Battle, you mean?- Mm-hm.

0:28:38 > 0:28:43Christ, that word's got a ring.

0:28:43 > 0:28:46It's like...

0:28:46 > 0:28:50It must be like top of the world.

0:28:50 > 0:28:53And all the shit these Krauts get up to!

0:28:53 > 0:28:55They crucified one of our guys, for God's sake!

0:28:55 > 0:28:57That never happened.

0:28:57 > 0:29:03- Still.- No, it's a good story. It just never happened.- Still...

0:29:03 > 0:29:05You know...

0:29:05 > 0:29:07I follow it.

0:29:07 > 0:29:14Lot of people, they take it, leave it. But me?

0:29:14 > 0:29:17Every day come five o'clock I got a paper in my hand,

0:29:17 > 0:29:19nose right to the print.

0:29:19 > 0:29:23Every step you two take, you and Highway,

0:29:23 > 0:29:25I'm right there with it.

0:29:25 > 0:29:29And it ain't just the liquor talking, but I am.

0:29:30 > 0:29:33- You're what?- OK, Mikey.

0:29:33 > 0:29:37- I am.- OK, you're what?

0:29:37 > 0:29:42Proud. I'm proud of you.

0:29:42 > 0:29:46And I'll tell you something else - if I didn't have this stump,

0:29:46 > 0:29:49I'd be right there between you and Highway on the firing step,

0:29:49 > 0:29:51right in the middle of it.

0:29:51 > 0:29:54That'd be me.

0:30:06 > 0:30:09SNORING

0:30:19 > 0:30:21I know you don't dance with soldiers,

0:30:21 > 0:30:23but do you think maybe you could go ride with one?

0:31:19 > 0:31:20Did you carve this?

0:31:20 > 0:31:24No. No, it was whiskey carved that.

0:31:24 > 0:31:28I ran a mining camp up near Rocky Mountain House.

0:31:28 > 0:31:31The gold ran dry about the same time the war started up, so...

0:31:31 > 0:31:36I figured I'd go sign up and... go get killed.

0:31:36 > 0:31:38Can I ask you something, Sergeant?

0:31:38 > 0:31:44Do you think maybe you could call me, uh, you could call me Michael?

0:31:45 > 0:31:50- Were you at Vimy Ridge? - I did attend that fight, yeah.

0:31:50 > 0:31:53What was it like?

0:31:58 > 0:31:59It was cold.

0:32:05 > 0:32:07But we took that ridge and we held it.

0:32:07 > 0:32:09Nobody else did that.

0:32:09 > 0:32:11The British couldn't do it, the French couldn't do it.

0:32:11 > 0:32:12It was just us, the Canadian Corps.

0:32:12 > 0:32:15You should be proud of your father.

0:32:18 > 0:32:19I am.

0:32:19 > 0:32:21And it's not common, by the way.

0:32:23 > 0:32:24What isn't?

0:32:24 > 0:32:26This feeling.

0:32:35 > 0:32:37Would you do something for me?

0:32:37 > 0:32:42I think I'd do just about anything for you.

0:32:42 > 0:32:44Tell me about this.

0:32:44 > 0:32:46Paint me a picture of it.

0:32:46 > 0:32:48I'm not a painter.

0:32:48 > 0:32:50I'm not all that particular.

0:32:50 > 0:32:52OK.

0:32:53 > 0:32:55Um...

0:33:01 > 0:33:04In this picture, there is a river and, there's a horse,

0:33:04 > 0:33:07and there's a man sitting that horse,

0:33:07 > 0:33:10and together they ford that river.

0:33:10 > 0:33:14And all these things are in the foothills.

0:33:17 > 0:33:18And the man rides to a place

0:33:18 > 0:33:20he thought he knew like the back of his hand.

0:33:20 > 0:33:22There's something about this day that's different.

0:33:24 > 0:33:25Why this day?

0:33:27 > 0:33:30There's a woman with him.

0:33:30 > 0:33:32Is this woman frightened?

0:33:32 > 0:33:34You'd have to ask her.

0:33:37 > 0:33:38What about him?

0:33:38 > 0:33:43Well, see, that's the thing.

0:33:43 > 0:33:48He doesn't have a word for this, for what he feels.

0:33:50 > 0:33:51All day long he searches for it,

0:33:51 > 0:33:53and it's not till he's sitting next to the woman,

0:33:53 > 0:33:57- and they're looking over a river, he can finally put a name to it. - You should stop.

0:34:04 > 0:34:08In a heartbeat, I could fall so hard...

0:34:11 > 0:34:14..but I'm-I'm not...

0:34:16 > 0:34:19..I'm broken...somewhere.

0:34:19 > 0:34:21Quite broken.

0:34:24 > 0:34:27So, I'd start to think you were stupid for loving me.

0:34:27 > 0:34:30Then I'd begin to resent you, and eventually, I would hate you.

0:34:44 > 0:34:51- I should go.- Really, I'd... I really rather you didn't.

0:34:51 > 0:34:53I know.

0:34:56 > 0:34:57I'm, uh...

0:34:57 > 0:35:03I'm just going to going to sit here for a bit.

0:35:03 > 0:35:06You can keep that horse.

0:35:22 > 0:35:24'The soldier in the modern battlefield

0:35:24 > 0:35:26'is beset with many challenges,'

0:35:26 > 0:35:28most notably artillery.

0:35:28 > 0:35:32Tissue damage results from shell fragments,

0:35:32 > 0:35:33which are irregular in shape.

0:35:33 > 0:35:37Wounds are therefore jagged or, at best, unpredictable.

0:35:37 > 0:35:39In the soft parts,

0:35:39 > 0:35:43wounds show deep and extensive attritions

0:35:43 > 0:35:47and are marked by extensive effusion of blood and/or serum.

0:35:47 > 0:35:51Invariably, shell fragments will introduce...

0:35:51 > 0:35:55"..foreign matter into the wound, making infection inevitable."

0:35:55 > 0:35:58Your father wrote this?! Jesus.

0:35:58 > 0:36:00Pretty scary, eh?

0:36:00 > 0:36:05- Are you scared? - No. Are you?- No.

0:36:05 > 0:36:08Do you want to introduce some foreign matter into me?

0:36:10 > 0:36:12Why should we wait?

0:36:22 > 0:36:26'Contused wounds are vast erosions,

0:36:26 > 0:36:30'large lesions forming a cul-de-sac...

0:36:30 > 0:36:34'They are abrasions with torn surfaces

0:36:34 > 0:36:36'and quivering and herniated muscles.'

0:36:36 > 0:36:38They are doomed to suppuration

0:36:38 > 0:36:41and are threatened by grave complications

0:36:41 > 0:36:43such as gangrene and tetanus.

0:36:43 > 0:36:46In summary, artillery shells

0:36:46 > 0:36:48'will splinter,

0:36:48 > 0:36:51'amputate, decapitate, bisect,

0:36:51 > 0:36:54'quarter, or otherwise grossly mutilate

0:36:54 > 0:36:57'the human frame. In the worst of cases,'

0:36:57 > 0:36:59a direct explosion will obliterate the man.

0:36:59 > 0:37:06The soldier will simply disappear. Thank you.

0:37:16 > 0:37:18- Sergeant, you have anything to add to this subject?- No.

0:37:18 > 0:37:21No, that's pretty much what it does.

0:37:21 > 0:37:25So you agree artillery represents the greatest challenge to an individual on the battlefield?

0:37:39 > 0:37:41Sergeant, do you agree?

0:37:44 > 0:37:48No, sir. I'm sorry, I don't. Um...

0:37:48 > 0:37:53The single greatest challenge to an individual on the battlefield

0:37:53 > 0:37:54is trying to keep his matches dry.

0:37:59 > 0:38:01"Keep your matches dry?"

0:38:01 > 0:38:03One of the wittier phrases Dr Walker singles out as having

0:38:03 > 0:38:05turned his lecture into a farce.

0:38:05 > 0:38:06Sir, I didn't mean.

0:38:06 > 0:38:08- Did I give you permission to speak? - No, sir, you did not.

0:38:08 > 0:38:11- These are the drawings of your machine?- They are.

0:38:11 > 0:38:15- You had a diagnosis, did you not? - Yes, sir. Neurasthenia.

0:38:15 > 0:38:17And I think, we both know what that means.

0:38:17 > 0:38:19Your draftsmanship is impressive.

0:38:19 > 0:38:21You're holding them upside down.

0:38:21 > 0:38:23So I am!

0:38:25 > 0:38:27I'm not saying that you're a coward, Sergeant.

0:38:27 > 0:38:30I'm simply saying that I have been keeping a very close eye on you,

0:38:30 > 0:38:32and what I see disturbs me.

0:38:32 > 0:38:36You'll notice I've left out certain mechanical secrets

0:38:36 > 0:38:40that can only be revealed upon payment of one million dollars.

0:38:40 > 0:38:41A lovely round figure.

0:38:41 > 0:38:45And what exactly will this invention of yours accomplish?

0:38:45 > 0:38:49- It will bring the war to an end in 48 hours.- Delightful.

0:38:49 > 0:38:51And how exactly will it achieve that?

0:38:51 > 0:38:53With this machine,

0:38:53 > 0:38:58an individual can circle the globe in exactly 15 minutes.

0:38:58 > 0:39:03Sparkling! We'll be in touch.

0:39:03 > 0:39:05Thank you. Thank you...

0:39:05 > 0:39:06No, I thank you!

0:39:06 > 0:39:08- Thank you, very much.- No! Thank you!

0:39:10 > 0:39:13The very ground we are standing on is shifting.

0:39:13 > 0:39:17Civilization hangs in the balance so I offer a word of warning -

0:39:17 > 0:39:19do not plough a foreign field.

0:39:19 > 0:39:22Sir, I'm sorry, but I just don't see what this has to do with dry matches.

0:39:22 > 0:39:24For God's sake, man!

0:39:24 > 0:39:25We are talking about our nation's security,

0:39:25 > 0:39:28which means we are talking about a certain lady named Sarah Mann,

0:39:28 > 0:39:32on whose attendance, I am reliably informed, you have been dancing.

0:39:32 > 0:39:35More specifically, we are talking about her father.

0:39:35 > 0:39:38Her father was a soldier who fought on the same ridge I did.

0:39:38 > 0:39:40The only difference I'm aware of is that he died and I didn't.

0:39:40 > 0:39:42The only difference you're aware of?

0:39:42 > 0:39:44Carmichael!

0:39:47 > 0:39:49"Martin Mann was born in Ingolstadt, Bavaria.

0:39:49 > 0:39:52"He returned to his native land in 1915,

0:39:52 > 0:39:56"and was assigned to the Second Bavarian Reserve Regiment."

0:39:56 > 0:39:57He fought for the enemy.

0:39:57 > 0:40:00The blood is tainted, Sergeant.

0:40:00 > 0:40:03Ottawa mandates that we must root out the Hun in sheep's clothing,

0:40:03 > 0:40:05and root him out we will.

0:40:05 > 0:40:06Like a pig.

0:40:11 > 0:40:14- With regret our mandate is uncompromising.- You regret nothing.

0:40:14 > 0:40:16I don't expect a woman to comprehend this,

0:40:16 > 0:40:19but our country is rife with saboteurs.

0:40:19 > 0:40:22When did nursing wounded soldiers become a threat to the homeland?

0:40:22 > 0:40:24If I'm so dangerous, why don't you lock me up?

0:40:24 > 0:40:26At the moment internment is not under consideration.

0:40:26 > 0:40:30Listen to him! Listen to the sound of his voice!

0:40:30 > 0:40:32How long has he been living in this country?

0:40:32 > 0:40:34My duration of residency is hardly the point.

0:40:34 > 0:40:37- I've lived here my entire life! I'm a Canadian!- Technically, yes.

0:40:37 > 0:40:39But here's the sticky wicket.

0:40:39 > 0:40:43Whereas I was born under the sun of the British Empire,

0:40:43 > 0:40:47you, Miss Mann, were born under the cloud of Germany.

0:41:46 > 0:41:50We could move. Start over. Or I could try to find another job.

0:41:50 > 0:41:51Doing what?

0:41:53 > 0:41:55I don't know. Cleaning maybe?

0:41:55 > 0:41:59Cleaning... This is our home.

0:41:59 > 0:42:01These are our neighbours.

0:42:01 > 0:42:04You can't hate a dead man, David.

0:42:04 > 0:42:08And where is that writ, oh, sister of mine?

0:42:08 > 0:42:10Don't talk like that. You sound ridiculous.

0:42:10 > 0:42:13I don't hate our father. He shames me.

0:42:13 > 0:42:15There's a difference.

0:42:15 > 0:42:18If I could kill him, I would.

0:42:18 > 0:42:21He can only be killed once.

0:42:21 > 0:42:23Well, I'm not just going to sit here.

0:42:23 > 0:42:26- Where are you going? - What does it matter?

0:43:03 > 0:43:05- Sarah?- I'm in here.

0:43:11 > 0:43:13Where's your brother?

0:43:13 > 0:43:16I don't know. He may have gone to Cassie's.

0:43:16 > 0:43:20Or maybe our mother's grave. He does that quite often.

0:43:20 > 0:43:22I'll take that horse and go find him.

0:43:22 > 0:43:24I don't think you should stay here.

0:43:24 > 0:43:27I want you to go to my place.

0:43:27 > 0:43:29Why are you doing this?

0:43:29 > 0:43:32Cos I fought on the same ridge your father died on.

0:43:32 > 0:43:34It might have been me that killed him.

0:43:34 > 0:43:36I know it probably wasn't, but it might have been.

0:43:39 > 0:43:41Use that door. It's 213 Stephen Avenue.

0:43:41 > 0:43:44- I'll come find you.- Thank you.

0:43:52 > 0:43:54You mind if I have a word with you?

0:44:00 > 0:44:02My nose...

0:44:11 > 0:44:14Schmidt! Dead German!

0:44:17 > 0:44:21Lutz! Dead German!

0:44:27 > 0:44:32"Mutti... Ich liebe dich."

0:44:32 > 0:44:34Will you stop that now?

0:44:36 > 0:44:41Ah, come on, kid. Don't make me chase you.

0:44:41 > 0:44:44God damn it!

0:44:58 > 0:44:59Yah! Yah!

0:45:03 > 0:45:05Nyah!

0:45:05 > 0:45:06Oh, shit!

0:45:19 > 0:45:23- Idiot! The hell's wrong with you? - Why don't you just kill me?

0:45:23 > 0:45:25I don't want to kill you, I just want to talk to you.

0:45:25 > 0:45:26You should have signed me up!

0:45:26 > 0:45:28Oh, God, you want to go to war that badly?

0:45:30 > 0:45:33Where do you think I already am?

0:45:33 > 0:45:36Jesus! Look around you!

0:45:36 > 0:45:38Everything you can see, everything you can imagine,

0:45:38 > 0:45:40the entire god damned universe is at war!

0:45:40 > 0:45:44And if that ever stopped, oh boy, that would be the end of history!

0:45:44 > 0:45:48I don't know what you're talking about.

0:45:48 > 0:45:51All I know is that you got to draw a line somewhere.

0:45:51 > 0:45:53And I draw the line at my father.

0:45:53 > 0:45:56- You think it's that simple? - You don't?- No.

0:45:58 > 0:46:02No, I don't.

0:46:02 > 0:46:05Lines are tricky...

0:46:05 > 0:46:07There's so god damned many of them.

0:46:07 > 0:46:09There's front line, sap line, behind the line,

0:46:09 > 0:46:11lines you don't even know about,

0:46:11 > 0:46:14lines you can't see till you cross them.

0:46:14 > 0:46:17But once you do, you're not fit. You understand?

0:46:17 > 0:46:19You're not fit for this world.

0:46:19 > 0:46:22You live over there. You got men underneath you.

0:46:28 > 0:46:31What the hell am I doing?

0:46:35 > 0:46:36Christ didn't die for our sins.

0:46:36 > 0:46:38He just laid down the template, that's all.

0:46:41 > 0:46:45- I don't understand you. - If I have my way, you never will.

0:46:45 > 0:46:47You're looking for romance, kid.

0:46:47 > 0:46:49You're not going to find it in a trench. Get up.

0:46:49 > 0:46:50I'm going to go find that horse.

0:47:05 > 0:47:08- Sergeant.- Hi.- Hi.

0:47:08 > 0:47:12I found your brother, and he's going to stay with a friend of mine,

0:47:12 > 0:47:14I'm just on the corner.

0:47:32 > 0:47:35Uh, you can have the bed. It hasn't been slept in.

0:47:42 > 0:47:44This could get a little rocky.

0:47:44 > 0:47:45You saw the morphine.

0:47:48 > 0:47:51When I was 23, I robbed a bank in Fort McLeod.

0:47:51 > 0:47:53- I don't do it every day. - I don't rob banks every day.

0:47:55 > 0:47:59After my father left, um, I had trouble sleeping.

0:47:59 > 0:48:03And there was this ready supply at the hospital.

0:48:03 > 0:48:05I can't explain it.

0:48:05 > 0:48:07You don't have to.

0:50:17 > 0:50:19I've tried everything I can to do my part but...

0:50:19 > 0:50:21But you were frustrated.

0:50:21 > 0:50:23No, I understand that.

0:50:23 > 0:50:26And I commend you, son. I commend your selflessness.

0:50:26 > 0:50:31It would seem my daughter has indeed picked herself a fine young man.

0:50:35 > 0:50:38Present this letter to the recruiting officer and your way should be clear.

0:50:38 > 0:50:40And with that, you have my blessing on your union.

0:50:40 > 0:50:44Oh, Daddy!

0:50:44 > 0:50:46It tore my father in half,

0:50:46 > 0:50:51this war. It just made our lives...

0:50:51 > 0:50:53impossible.

0:50:53 > 0:50:55So, I forced him to make a decision.

0:50:55 > 0:50:58It was them or us.

0:50:58 > 0:51:03I really didn't think he'd leave,

0:51:03 > 0:51:08or that I was sending him to be killed.

0:51:08 > 0:51:13Which seems to be killing my brother.

0:51:13 > 0:51:16All this. For what?

0:51:21 > 0:51:26I killed a kid. I killed a lot of men,

0:51:26 > 0:51:30but I killed this one kid.

0:51:30 > 0:51:34He had these blue eyes.

0:51:37 > 0:51:39They were like water.

0:51:43 > 0:51:45And I didn't have to kill him. I wasn't scared or...

0:51:51 > 0:51:52I just killed him.

0:52:02 > 0:52:05I'm going to have to answer for that...

0:52:06 > 0:52:10..one way or another.

0:52:12 > 0:52:14Congratulations, son!

0:52:14 > 0:52:17- You've proven yourself a true patriot.- Excuse me, sir.

0:52:17 > 0:52:20But I can't imagine Sergeant Dunne rejecting a candidate without cause.

0:52:20 > 0:52:23And this form identifies the cause as asthma.

0:52:23 > 0:52:24Do you have asthma, son?

0:52:24 > 0:52:26- Not me, sir.- There you have it. Fit as a fiddle.

0:52:26 > 0:52:28- But sir...- Shut up, Carmichael!

0:52:28 > 0:52:30In your encounters with Sergeant Dunne

0:52:30 > 0:52:32he bore no signs of ill health, did he?

0:52:32 > 0:52:34And yet he is not in the field.

0:52:34 > 0:52:35Why is that, do you imagine?

0:52:35 > 0:52:37He told me he had neurasthenia.

0:52:40 > 0:52:44The military is a curious and beautiful beast.

0:52:44 > 0:52:48Neurasthenia is our way of saying that Sergeant Dunne is a coward.

0:52:50 > 0:52:55I've always thought that, way down, somewhere,

0:52:55 > 0:52:56it was all about sacrifice.

0:52:56 > 0:52:59Why? I don't know. And now there's you.

0:52:59 > 0:53:03If I asked you, would you kiss me?

0:53:03 > 0:53:05Ask me.

0:53:11 > 0:53:14There's only one rule...

0:53:16 > 0:53:18..don't die.

0:53:54 > 0:53:58- What are you doing? - I'm going.- Where?

0:53:58 > 0:54:04- Where do you think?- Oh, God, David! Please don't. No. No.

0:54:04 > 0:54:08- I won't have this. You're a boy. - I'm not a boy!- You have asthma!

0:54:08 > 0:54:09- I'm not a cripple! - God, they can't let you...

0:54:09 > 0:54:12David, please, talk to Sergeant Dunne. He'll tell you not to go.

0:54:12 > 0:54:15- Really?- Yes, he would explain to them, they would let you out.

0:54:15 > 0:54:17What makes you think they'd listen to him?

0:54:17 > 0:54:19You think he's some kind of hero?

0:54:19 > 0:54:23Is he missing an arm? A leg? Is he blind?

0:54:23 > 0:54:26- Why isn't he still over there? - I don't know.

0:54:26 > 0:54:29He's got neurasthenia! You know what that means in the army?

0:54:29 > 0:54:32- It means the man's a coward. - No. No, he's not!- No, he's not?

0:54:32 > 0:54:37Who do you think signed me up?

0:54:37 > 0:54:39He's the reason I'm going to war.

0:54:53 > 0:54:56(WHISPERS) Oh, my God...

0:54:56 > 0:54:59Gentlemen, I'm honoured to have you in my home to observe this solemn

0:54:59 > 0:55:01and hopeful occasion.

0:55:01 > 0:55:05- I turn it over to you, Major.- Gentlemen...

0:55:05 > 0:55:07The eastbound train carries our valiant youth

0:55:07 > 0:55:09on the long road to glory.

0:55:09 > 0:55:12- May God go with them. To the boys. - ALL: To the boys!

0:55:12 > 0:55:15- To the men.- ALL: To the men!

0:55:15 > 0:55:16Hear-hear.

0:55:31 > 0:55:34This is how you raise an army?

0:55:34 > 0:55:37You rake the very bottom and find the weak, the young, the sick

0:55:37 > 0:55:38and you send them?

0:55:38 > 0:55:41My brother is just a boy! He's not well. He's not fit!

0:55:41 > 0:55:43Why do you want him?

0:55:46 > 0:55:50Oh, you have nothing to say? Nothing at all?

0:55:51 > 0:55:54This isn't out of the blue, Sergeant.

0:55:54 > 0:55:56I'm not out of the blue.

0:55:56 > 0:55:58I'm right here, right now and I'm asking you -

0:55:58 > 0:56:01who will be there to watch over my brother?

0:56:34 > 0:56:37You know, you can take any one of them -

0:56:37 > 0:56:41artillery, gas, wire, rain, rats, the fucking bayonet...

0:56:41 > 0:56:42Not one of these can you control.

0:56:42 > 0:56:44The matches you can control.

0:56:44 > 0:56:46You can have some effect upon them.

0:56:46 > 0:56:48If you're in the middle of a barrage,

0:56:48 > 0:56:50and you think a smoke might steady you up,

0:56:50 > 0:56:53and you reach for those matches and they're wet...

0:56:53 > 0:56:55well, sir, your whole world buckles.

0:56:55 > 0:57:00It feels like it's coming apart at the seams.

0:57:00 > 0:57:02And that's not farce.

0:57:02 > 0:57:05That is not farce.

0:57:09 > 0:57:11I need you to sign this.

0:57:21 > 0:57:22McRae?

0:57:22 > 0:57:26It's my mother's maiden name.

0:57:26 > 0:57:30I'm going back and you're going to assign me to the Fighting 10th.

0:57:32 > 0:57:35You're going to try and protect that boy?

0:57:41 > 0:57:43You really are neurasthenic, aren't you?

0:57:43 > 0:57:48Cut from the same cloth, you and I.

0:57:50 > 0:57:52You know I'll track you down.

0:57:52 > 0:57:54Be my guest.

0:59:02 > 0:59:05Miss Mann?

0:59:05 > 0:59:08Come in.

0:59:08 > 0:59:10Oh, hello, Cassie.

0:59:10 > 0:59:12How could anyone do this?

0:59:14 > 0:59:19- I don't know.- Why are you packing?

0:59:20 > 0:59:23I can't find a job, so I can't afford the upkeep.

0:59:23 > 0:59:25I could talk to my father.

0:59:25 > 0:59:26I mean, you're almost family.

0:59:26 > 0:59:28How is that, do you imagine?

0:59:30 > 0:59:33- You haven't heard from David?- No.

0:59:33 > 0:59:35I haven't heard from him either,

0:59:35 > 0:59:38which is strange, considering we're engaged.

0:59:38 > 0:59:41- You're engaged?- That's the whole reason he joined up.

0:59:41 > 0:59:44Cos my father has his ways and David had to prove himself.

0:59:44 > 0:59:46Is that why Dunne signed him up?

0:59:46 > 0:59:49You mean that Sergeant? God, no. He had nothing to do with it.

0:59:51 > 0:59:52I don't understand.

0:59:52 > 0:59:55He wasn't going to sign David up come hell or high water.

0:59:55 > 0:59:58I had to get my father to write this medical thing saying...

0:59:58 > 1:00:00- So, it wasn't Sergeant Dunne?- No.

1:00:00 > 1:00:02It was the other one. The British one.

1:00:02 > 1:00:04Oh, my God!

1:00:05 > 1:00:08I'm sorry, I...I don't...

1:00:08 > 1:00:11What have you done?

1:00:11 > 1:00:15- What do you mean?- Your father doesn't want David to come home.

1:00:15 > 1:00:16He wants him to stay over there

1:00:16 > 1:00:19with a white cross to mark his spot for the rest of time.

1:00:20 > 1:00:22What are you saying?

1:00:41 > 1:00:44'Dearest Sarah, I'm not sure if you'll get this.

1:00:44 > 1:00:47'I don't know if I'm all that good at painting these pictures,

1:00:47 > 1:00:49'but I am trying.

1:00:49 > 1:00:53'In this picture there is a river and there is a horse

1:00:53 > 1:00:55'and there is a man sitting that horse,

1:00:55 > 1:00:58'and all these things are in the Foothills.

1:00:58 > 1:01:04'And when this man closes his eyes he can see a woman kissing him

1:01:04 > 1:01:08'as like as to smother him.

1:01:08 > 1:01:10'And this man knows that kings may die

1:01:10 > 1:01:11'and countries may crumble,

1:01:11 > 1:01:14'but if people look close enough,

1:01:14 > 1:01:16'they just might, as I have, Sarah,

1:01:16 > 1:01:20'they just might find something to believe in.

1:01:20 > 1:01:24'I have to go now, but before I do,

1:01:24 > 1:01:28'remember that rule - don't die.'

1:02:15 > 1:02:17Hyah!

1:02:17 > 1:02:21Go on. Hyah! Hyah!

1:02:32 > 1:02:35Let him go! Let him go!

1:03:19 > 1:03:21OK, sound off!

1:03:21 > 1:03:23What's in the bag, Lieutenant?

1:03:23 > 1:03:25In a minute. Sound off!

1:03:25 > 1:03:26Highway.

1:03:26 > 1:03:27- Gale.- Golding.

1:03:27 > 1:03:29- Hitchel.- Hart.- Miles.

1:03:29 > 1:03:30Johnson.

1:03:30 > 1:03:33- Mann.- McRae.

1:03:33 > 1:03:36Here we go! A little gift from the CO.

1:03:36 > 1:03:37A Last Supper kind of thing.

1:03:37 > 1:03:40Let's get yourselves together, gentlemen!

1:03:40 > 1:03:43Get that bird plucked. I need to check in with HQ

1:03:45 > 1:03:50- Nice form. Had practise with that? - Just around the house.

1:03:50 > 1:03:53You want me to give you a hand with that?

1:03:53 > 1:03:57For the last god damned time - I don't need your help.

1:04:00 > 1:04:02Hey, MPs.

1:04:02 > 1:04:05- The RSM's with them. - Form up!

1:04:11 > 1:04:13McRae!

1:04:37 > 1:04:39HQ.

1:04:43 > 1:04:46Private McRae, sir.

1:04:49 > 1:04:51Last time I met you, your name was Michael Dunne.

1:04:51 > 1:04:54April 22nd, Kitchener's Wood.

1:04:54 > 1:04:57820 men went in. 174 came out.

1:04:57 > 1:05:00Lieutenant Hanson, Second Field Artillery.

1:05:00 > 1:05:01Immediate response.

1:05:01 > 1:05:03We were getting mauled, Major Bingham.

1:05:03 > 1:05:05Dunne here had a bullet in his thigh.

1:05:05 > 1:05:07Crawled across a field of corpses to get us support.

1:05:07 > 1:05:09Should have been a VC.

1:05:09 > 1:05:12Unacceptable. I want a "yes" within an hour.

1:05:14 > 1:05:16- Mr Watchman.- Sir.

1:05:16 > 1:05:19You mind having that conversation with Lieutenant Maxwell?

1:05:19 > 1:05:20Outside, if you could?

1:05:20 > 1:05:23Yes, sir.

1:05:23 > 1:05:25Major, you want to step forward?

1:05:33 > 1:05:35Turns out you falsified some records.

1:05:35 > 1:05:38Somewhat aggressively, according to Dobson-Hughes, here.

1:05:38 > 1:05:40And he wants your head, so...what do I do?

1:05:40 > 1:05:43- You have to turn him in, Colonel. - I wasn't asking you, Major.

1:05:43 > 1:05:45What do I do with you, Dunne?

1:05:46 > 1:05:48I suppose he's right, sir.

1:05:48 > 1:05:51All right, then. That's what I'll do.

1:05:51 > 1:05:53But I'm not going to turn you in to the military police.

1:05:53 > 1:05:55I'm going to turn you into a platoon leader.

1:05:55 > 1:05:57And you will hold your tongue, Major.

1:05:57 > 1:05:59Maxwell will come back to HQ with us, and Dunne...

1:05:59 > 1:06:02you're going to take over Number 2 platoon.

1:06:05 > 1:06:07This party we call Passchendaele

1:06:07 > 1:06:10started three months ago, but it's been raining ever since,

1:06:10 > 1:06:12so the battlefield's like a bowl of stew.

1:06:12 > 1:06:15And the whole thing's stalled, so the job of breaking out

1:06:15 > 1:06:17falls to the only outfit in this entire circus

1:06:17 > 1:06:19that seems capable of getting anything done, and that's us -

1:06:19 > 1:06:21the Canadian Corps.

1:06:24 > 1:06:27You know they got a name for us? The enemy?

1:06:27 > 1:06:30They call us "storm troopers." Major Bingham?

1:06:30 > 1:06:33The assault has two thrusts.

1:06:33 > 1:06:35On the right, brigades from 2nd Division

1:06:35 > 1:06:37will clear the village of Passchendaele.

1:06:37 > 1:06:39On the left, the Little Black Devils

1:06:39 > 1:06:41and the 7th Battalion, with us in support,

1:06:41 > 1:06:44will attack along the Mosselmarkt-Meetcheele Road.

1:06:44 > 1:06:46This is the assault front. this is our support line.

1:06:46 > 1:06:49and this is battalion headquarters. And we have three objectives -

1:06:49 > 1:06:51Venture Farm,

1:06:51 > 1:06:53Vindictive Crossroads

1:06:53 > 1:06:56and Hill 52. That's where we stop and dig in.

1:06:56 > 1:06:58There are your battle orders.

1:07:00 > 1:07:02You got any questions?

1:07:02 > 1:07:03No, sir.

1:07:03 > 1:07:06Well, I got one.

1:07:06 > 1:07:08You were free and clear of this freak show.

1:07:08 > 1:07:09Why'd you come back?

1:07:12 > 1:07:13For love, sir.

1:07:16 > 1:07:17That's a sorry bastard reason.

1:07:17 > 1:07:19Good luck, Dunne.

1:07:22 > 1:07:24With respect, sir,

1:07:24 > 1:07:27I feel compelled to lodge a formal complaint!

1:07:27 > 1:07:30This is no time for personal vendettas, Major.

1:07:30 > 1:07:32In case you haven't noticed, we're neck deep in hell

1:07:32 > 1:07:34and Currie's projecting 16,000 casualties.

1:07:34 > 1:07:37The General's never wrong, so I need soldiers.

1:07:37 > 1:07:39Now I'm not sure I count you as one.

1:07:39 > 1:07:44But I'm going to keep you close. It might improve your chances.

1:07:44 > 1:07:47I bow to your superior judgment, sir.

1:07:56 > 1:07:58Not sure what I should say to the men.

1:07:58 > 1:08:02- You know, sir, I didn't ask for this.- I know.

1:08:02 > 1:08:04It's funny, though. You come all this way...

1:08:04 > 1:08:06You got a light?

1:08:10 > 1:08:12We need a stretcher bearer here!

1:08:34 > 1:08:37- I need a doctor! - We all need a doctor.

1:08:37 > 1:08:41Here. Put him down here, soldier.

1:09:04 > 1:09:05Oh, my God.

1:09:10 > 1:09:12We have to take his jacket off.

1:09:16 > 1:09:18What are you doing here?

1:09:18 > 1:09:22It's what I'm good at. And where else was I going to go?

1:09:22 > 1:09:24Anywhere but here, Sarah. Jesus.

1:09:24 > 1:09:27- I volunteered out of Regina.- How? - Royster helped me.

1:09:27 > 1:09:31- How'd you get here?- It took me a month to catch up to you.

1:09:31 > 1:09:33It's OK. You'll be fine.

1:09:33 > 1:09:37- How's David?- He's OK. He's with me. We're keeping our heads down.

1:09:37 > 1:09:38Oh, God.

1:09:38 > 1:09:40They're going to make you leave.

1:09:40 > 1:09:42My shift is over soon.

1:09:42 > 1:09:46OK. Piccadilly and King's Cross. I'll meet you there.

1:09:46 > 1:09:47You can go now, soldier.

1:09:50 > 1:09:53Clear the truck! We've got enough for everyone here!

1:09:53 > 1:09:56WAILING

1:09:56 > 1:09:58GROANS

1:10:00 > 1:10:03Make way! Coming through!

1:10:03 > 1:10:08- Fall in!- Yes, sir!

1:10:47 > 1:10:49- Are you worried?- Yeah.

1:10:49 > 1:10:53Don't be. We're just a support company.

1:10:53 > 1:10:55We won't even see action.

1:10:55 > 1:10:56What about David?

1:10:56 > 1:11:00If I could get you to him I would, it's not safe past here.

1:11:00 > 1:11:02But I promise you this, I will bring your brother home.

1:11:02 > 1:11:04Look what I made you come back to!

1:11:04 > 1:11:06It wasn't you, Sarah.

1:11:06 > 1:11:08I was going to end up back here one way or another.

1:12:57 > 1:13:03- DISTANT:- All companies A through F, battle muster, we're heading in! - Men, fall in!

1:13:03 > 1:13:05I have to go.

1:13:11 > 1:13:14Can you give this to David?

1:13:16 > 1:13:17And remember the rule.

1:13:17 > 1:13:20You're going to see me again.

1:15:00 > 1:15:02- All right, this is it. - This is what?

1:15:02 > 1:15:05- This is our trench.- Where?

1:15:05 > 1:15:09- Right here.- Here?

1:15:09 > 1:15:11String out. Two to a crater, let's go!

1:15:35 > 1:15:39- Shit. You got any matches? - I gave them all to you.

1:15:39 > 1:15:43- What?- I gave them all to you. - Yeah, but don't you have a reserve?

1:15:43 > 1:15:45Well, they're reserve matches.

1:15:45 > 1:15:48- Those will do.- OK.

1:15:48 > 1:15:51Uh, they're wet too, though.

1:15:54 > 1:15:57I just don't understand you can say you don't like Sudbury

1:15:57 > 1:15:59when you've never even been there.

1:15:59 > 1:16:02I don't have to go there. I'm a Skin. Skins just know.

1:16:02 > 1:16:04Fuck you and the stolen horse you rode in on.

1:16:08 > 1:16:12PLAYS HARMONICA

1:16:28 > 1:16:31- SQUEAKING - Oh! God damn it!

1:16:31 > 1:16:32Fuck!

1:16:35 > 1:16:38- This is insane!- Yeah.

1:16:38 > 1:16:39It's what you signed up for.

1:16:39 > 1:16:43No...sir. Wrong. I signed up to kill Germans.

1:16:43 > 1:16:48No, you didn't. You signed up to kill your father.

1:16:48 > 1:16:53Hey, I've been carrying this around since Calgary.

1:16:53 > 1:16:55Your sister wanted me to give it to you.

1:17:01 > 1:17:03What the hell's wrong with me?

1:17:07 > 1:17:09I haven't even written her.

1:17:10 > 1:17:13And my own sister?

1:17:13 > 1:17:16What if something happened to me? How would I atone for that?

1:17:16 > 1:17:18If that's what you're looking for,

1:17:18 > 1:17:21you've really come to the wrong place.

1:17:21 > 1:17:23How can you say that?

1:17:23 > 1:17:26Come on, David. Look around you. You see any poets in this shit?

1:17:26 > 1:17:27We're all in a slaughter yard

1:17:27 > 1:17:29and there isn't a single guy here who knows why.

1:17:29 > 1:17:33No. No. You wouldn't be here if you believed that.

1:17:35 > 1:17:38I'm only here because of your sister.

1:17:38 > 1:17:41Listen to me.

1:17:41 > 1:17:44Forests burn cos they have to.

1:17:44 > 1:17:47And oceans, they go up and down cos they have to.

1:17:47 > 1:17:49I don't think we're that different.

1:17:49 > 1:17:52If you want to get through this, you've got to start seeing it for what it is -

1:17:52 > 1:17:56it's something we do all the time cos we're good at it.

1:17:56 > 1:17:59And we're good at it cos we're used to it.

1:17:59 > 1:18:03And we're used to it cos we do it all the time.

1:18:08 > 1:18:11You better hang on to something.

1:18:11 > 1:18:14The guns are coming.

1:18:21 > 1:18:23- Everyone synchronized? - ALL: Yes, sir.

1:18:23 > 1:18:26Our assault starts...now.

1:18:28 > 1:18:30EXPLOSIONS Fire!

1:18:30 > 1:18:31Fire!

1:18:31 > 1:18:32Fire!

1:18:32 > 1:18:35Fire!

1:18:43 > 1:18:44Fire!

1:18:44 > 1:18:46Fire!

1:18:46 > 1:18:48Bore 800!

1:18:48 > 1:18:52- Come on! Come on!- Bore 800!

1:18:52 > 1:18:54Bore 800!

1:18:54 > 1:18:58- Fire!- Fire!

1:19:00 > 1:19:01Forward posts reporting.

1:19:01 > 1:19:037th and Devils in No Man's Land, sir.

1:19:03 > 1:19:05Fifty yards, light resistance.

1:19:05 > 1:19:07German counter-fire reported, sir.

1:19:07 > 1:19:08Get me Divisional Headquarters.

1:19:08 > 1:19:11I want to know if they've heard anything further...

1:19:15 > 1:19:18- Make sure the lines are OK. - Is everyone all right?

1:19:18 > 1:19:20Light? Somebody bring me a light.

1:19:28 > 1:19:33Look at all this fucking mud, eh!

1:19:35 > 1:19:37We got a real problem.

1:19:37 > 1:19:38- No matches?- Oui.

1:19:40 > 1:19:44- How does it look, you think? Are we going in?- I don't know.

1:19:44 > 1:19:46It's too early to tell.

1:19:46 > 1:19:48Keep your head down, kid.

1:19:50 > 1:19:51Oh, shit. Fuck.

1:19:51 > 1:19:55GASPS

1:19:57 > 1:19:58- Field dressing!- Fire crew!

1:19:58 > 1:20:01- Mr Watchman.- Where's the fire crew!

1:20:01 > 1:20:04- Stretcher!- One second, sir.

1:20:04 > 1:20:07Dobson-Hughes, you're acting 2IC.

1:20:07 > 1:20:09Eyes here. Eyes here!

1:20:15 > 1:20:18Come here. It's all right. It's all right. You're OK.

1:20:18 > 1:20:20Objectives consolidated, both flanks.

1:20:20 > 1:20:22Field of fire 200 yards.

1:20:22 > 1:20:24Venture and Vindictive have fallen.

1:20:24 > 1:20:26So far, so good.

1:20:26 > 1:20:30So far, so good?

1:20:30 > 1:20:32So far, so good, yeah?

1:20:32 > 1:20:36We'll get you out of here soon.

1:20:40 > 1:20:43You're OK. OK.

1:20:43 > 1:20:47- You're all right.- Yeah.

1:20:47 > 1:20:49OK.

1:20:56 > 1:20:58Flare sighted, SOS.

1:20:58 > 1:21:01Devil's left flank under counter-attack, sir.

1:21:01 > 1:21:02Get me 8th Battalion.

1:21:04 > 1:21:06Line's down, sir.

1:21:12 > 1:21:14- Something's wrong.- What?

1:21:17 > 1:21:20Second flare sighted. Left flank, 8th.

1:21:20 > 1:21:233rd SOS flare sighted, left flank.

1:21:23 > 1:21:25The 8th is taking a beating, sir.

1:21:25 > 1:21:27- Is your company ready?- Yes, sir.

1:21:27 > 1:21:30All right, Major. In you go. Give 'em hell.

1:21:33 > 1:21:35There's a runner headed this way.

1:21:35 > 1:21:39Shit. All right, this is it, boys!

1:21:39 > 1:21:41We're going in! Check your gear!

1:21:43 > 1:21:46You don't need this,

1:21:46 > 1:21:48and you don't need this,

1:21:48 > 1:21:50and you don't need this coat.

1:21:51 > 1:21:52Where are you going?

1:21:52 > 1:21:56Don't leave me. Jesus, please, don't leave me.

1:21:59 > 1:22:02It's OK. I'm right here.

1:22:04 > 1:22:08The Devils are being hammered, sir. There's a crack in the line.

1:22:15 > 1:22:17Reload! God damn it!

1:22:17 > 1:22:19Where's the fucking relief?

1:22:25 > 1:22:29If you can get past the mud, the country's quite beautiful, no?

1:22:29 > 1:22:31Would you kindly shut up?

1:22:31 > 1:22:35- Hey, is that a hawk? - No, it's a kestrel.

1:22:35 > 1:22:38- What the hell's a kestrel? - It's a hawk.

1:22:42 > 1:22:44We need some relief!

1:22:44 > 1:22:46Aaah!

1:22:53 > 1:22:56- Incoming! - Here comes the relief!- It's here!

1:22:56 > 1:22:58Relief's here!

1:23:00 > 1:23:02It's coming, boy! It's coming!

1:23:02 > 1:23:04Company commander. Where is he?

1:23:04 > 1:23:06Dead. All dead. Everyone with a stripe is down.

1:23:06 > 1:23:11- Where the hell are you going? - I've had the shit kicked out of me for eight straight hours, sir!

1:23:11 > 1:23:13- You will not leave this position! - Sorry.

1:23:13 > 1:23:15- Hey!- Hey! Hey! Come on!

1:23:15 > 1:23:19You can't leave us strung out here! You're 800. We're just a company. 60 guys.

1:23:19 > 1:23:24- You want me to stay, you're going to have to shoot me.- Beat it!

1:23:28 > 1:23:29Where are you going?

1:23:29 > 1:23:33- What the hell's going on? - Don't leave!

1:23:33 > 1:23:35Get back here!

1:23:35 > 1:23:37HQ. Little Black Devils pulling out.

1:23:37 > 1:23:40Situation critical. Stress. Critical.

1:23:58 > 1:24:00The Alleymen are regrouping.

1:24:00 > 1:24:03- I see them. - They're going to counterattack.

1:24:03 > 1:24:05We don't have enough guys! Fuck!

1:24:15 > 1:24:17We got what we got.

1:24:17 > 1:24:19Two to a crater!

1:24:19 > 1:24:22Horne, Miles, to my right! Lewis gunners on the flanks!

1:24:22 > 1:24:25- Let's move.- Go! Go!

1:24:25 > 1:24:26Two down there.

1:24:29 > 1:24:31- Get her down. Get her down. - Let's go!

1:24:31 > 1:24:33- Nothing from 'A' Company? - Still down, sir.

1:24:33 > 1:24:37- British Third Brigade is stalled. Fusiliers are being routed. - Rout them all to hell.

1:24:37 > 1:24:39Black Devils have pulled out. Our flank will be open, sir.

1:24:39 > 1:24:44- And our whole fucking line will collapse. Follow me. I want to talk to the Devils.- Yes, sir.

1:25:03 > 1:25:05Hey.

1:25:07 > 1:25:09Enemy target marker!

1:25:09 > 1:25:11Hold it!

1:25:11 > 1:25:12That's a second marker!

1:25:15 > 1:25:17Hey.

1:25:22 > 1:25:24Thanks.

1:25:24 > 1:25:25Bring on the hell.

1:25:27 > 1:25:29Here come the guns!

1:25:47 > 1:25:51- What are you doing? - My gun's stuck! Fuck!

1:25:51 > 1:25:53Horne?

1:25:53 > 1:25:55Christ!

1:26:07 > 1:26:10Steady! Hold it!

1:26:10 > 1:26:11Hold it!

1:26:18 > 1:26:20Can't shoot me.

1:26:25 > 1:26:27- Too fucking many of them! - Hold it!

1:26:27 > 1:26:31- They're awfully close, Sergeant. - Steady!

1:26:31 > 1:26:33Mon tabernac!

1:26:35 > 1:26:38Steady! Steady!

1:26:38 > 1:26:39You fuck, fucking, fuckers.

1:26:39 > 1:26:41Come on, come on.

1:26:44 > 1:26:46Come on, come on.

1:26:46 > 1:26:49NOW!

1:27:19 > 1:27:21Fuck! Fuck! Fuck! Fuck!

1:27:23 > 1:27:25They're fucking on top of us!

1:27:27 > 1:27:30Hey, we're up! We're up!

1:27:30 > 1:27:31Allez, allez, allez!

1:27:38 > 1:27:40I sent you a support company - 60 men.

1:27:40 > 1:27:43You pulled out a whole fucking battalion? Jesus Christ!

1:27:43 > 1:27:46Sir. 60 men? It's impossible.

1:27:46 > 1:27:49They'll be overrun. Then we'll be overrun. We have to withdraw!

1:27:49 > 1:27:51We don't withdraw a fucking inch!

1:27:51 > 1:27:55We don't give ground, we don't lose an objective and we don't give up a single gun!

1:27:55 > 1:27:58But, Colonel, if the enemy breaks through, we'll be in danger!

1:28:03 > 1:28:06Lieutenant Hanson, you're acting 2IC.

1:28:06 > 1:28:07Let's go.

1:28:11 > 1:28:13Here we go.

1:28:48 > 1:28:50Come on!

1:29:34 > 1:29:37God damn it! The whole battalion!

1:29:37 > 1:29:39- 'When do you want this order for, sir?'- NOW!

1:29:39 > 1:29:42Every last one of them! Get them in there now!

1:29:42 > 1:29:45All eyes here! They're piling up out there.

1:29:45 > 1:29:48So all personnel not immediately engaged report outside for triage.

1:30:07 > 1:30:11Shoot!

1:30:11 > 1:30:13God damn it!

1:30:16 > 1:30:18Shoot the god damn rifle!

1:30:28 > 1:30:30Form up!

1:30:30 > 1:30:33Form up! Let's move!

1:30:33 > 1:30:36Hold the line! Hold that line!

1:30:41 > 1:30:44They're turning. Up and down the line.

1:30:44 > 1:30:46Yeah, they'll be back. Load up.

1:30:46 > 1:30:49Reload! Reload!

1:30:49 > 1:30:50Reload!

1:31:06 > 1:31:08- Sound off! Miles?- Dead.

1:31:08 > 1:31:10- Cahill?- Dead.

1:31:10 > 1:31:11- Horne?- Really dead.

1:31:11 > 1:31:13Mann?

1:31:16 > 1:31:19David Mann?

1:31:27 > 1:31:29David Mann?

1:31:29 > 1:31:31- Nein, nein.- Deutsch?

1:31:31 > 1:31:35Nein Deutsch. N-n-n-talk Deutsch.

1:31:35 > 1:31:36Artillerie!

1:31:48 > 1:31:49Jeez!

1:32:02 > 1:32:05What are you doing, Mikey?

1:32:10 > 1:32:13- Cover fire!- Covering fire!

1:32:16 > 1:32:19Come on. Come on.

1:37:09 > 1:37:12Get your asses moving!

1:37:14 > 1:37:16Set him down. Set him down.

1:37:16 > 1:37:18You're OK.

1:37:18 > 1:37:20You made it. You're OK.

1:37:20 > 1:37:21Hey, they're forming up!

1:37:21 > 1:37:25- Give me some morphine. - Don't we get any fucking relief?

1:37:25 > 1:37:26Sarge, here.

1:37:26 > 1:37:29- You need some water. - Anybody got ammunition?

1:37:29 > 1:37:32- I'm out.- Spent.- Ah, here they come again! We need some relief! Damn it!

1:37:32 > 1:37:35It's battalion! They're here!

1:37:35 > 1:37:37- Here come the relief!- The whole god damn battalion's here!

1:37:37 > 1:37:39Stretcher-bearers! Both these men!

1:38:01 > 1:38:04Battalion's in line, sir, and the line is holding.

1:38:04 > 1:38:05Objectives are secure.

1:38:05 > 1:38:08Aid posts reporting still more wounded en route,

1:38:08 > 1:38:10so let's make room for 'em.

1:38:10 > 1:38:13We did it, by the way. We took Passchendaele.

1:38:39 > 1:38:41Nurse, I need an assessment over there.

1:38:53 > 1:38:55He's OK.

1:38:55 > 1:38:56David's OK.

1:39:00 > 1:39:03Look at you.

1:39:03 > 1:39:07Yeah, look at me, all broken up like this.

1:39:07 > 1:39:13- I think maybe you're forgetting the rule.- Mm-hm.

1:39:15 > 1:39:19No, I'm just trying to finish that picture.

1:39:19 > 1:39:23But I don't think I'm all that good at these pictures, so...

1:39:23 > 1:39:26maybe, maybe this man could just write to her?

1:39:28 > 1:39:30And will he?

1:39:30 > 1:39:33Yes, Sarah. He will.

1:39:33 > 1:39:36He'll sit at this little table,

1:39:36 > 1:39:39and what he'll write is,

1:39:41 > 1:39:43"In this picture, there is a river

1:39:43 > 1:39:45"and there is a horse...

1:39:47 > 1:39:49"..and there is a man sitting that horse,

1:39:49 > 1:39:53"and together, they ford that river."

1:39:57 > 1:40:01"And all these things are in the foothills."

1:40:03 > 1:40:05I think you're forgetting the rule.

1:40:05 > 1:40:10No, I'm going to cross that river.

1:40:10 > 1:40:12Michael, don't...

1:40:12 > 1:40:15Cos I have you.

1:40:21 > 1:40:24Mike.

1:42:56 > 1:43:01# After the guns are silent

1:43:01 > 1:43:05# After your wounds have healed

1:43:05 > 1:43:09# After those crosses

1:43:09 > 1:43:14# Have been planted in all those fields

1:43:14 > 1:43:18# After that long boat ride

1:43:18 > 1:43:24# All the way across the sea

1:43:24 > 1:43:28# And after this train

1:43:28 > 1:43:32# Carries me

1:43:33 > 1:43:37# I will love you

1:43:37 > 1:43:42# After the war

1:43:42 > 1:43:44# Love you

1:43:44 > 1:43:46# For always

1:43:46 > 1:43:51# Forever more

1:43:51 > 1:43:57# I will love you

1:43:57 > 1:44:00# After the war

1:44:00 > 1:44:02# Forever

1:44:02 > 1:44:04# For always

1:44:04 > 1:44:08# And more

1:44:10 > 1:44:15# I will love you

1:44:15 > 1:44:19# After the war

1:44:19 > 1:44:22# I love you

1:44:22 > 1:44:25# For always

1:44:25 > 1:44:29# Forever more

1:44:29 > 1:44:33# I will love you

1:44:34 > 1:44:38# After the war

1:44:38 > 1:44:40# Forever

1:44:40 > 1:44:43# For always

1:44:43 > 1:44:50# And more. #

1:44:50 > 1:44:53Subtitles by Red Bee Media Ltd