0:00:15 > 0:00:18This film contains some strong language.
0:00:27 > 0:00:28BABY CRIES
0:00:37 > 0:00:39BABY CRIES
0:01:18 > 0:01:19CHILD GIGGLES
0:01:39 > 0:01:40BABY CRIES
0:03:24 > 0:03:26- Bonjour.- Bonjour.
0:08:28 > 0:08:29PHONE VIBRATES
0:08:32 > 0:08:33Oui?
0:09:08 > 0:09:09Monsieur?
0:10:58 > 0:10:59CAR HORN
0:12:18 > 0:12:19FRONT DOOR OPENS
0:13:19 > 0:13:21HE LAUGHS
0:14:14 > 0:14:15Cloudy Bay.
0:14:24 > 0:14:27Yeee-haa!
0:14:27 > 0:14:28CHILD SCREAMS
0:15:15 > 0:15:16Wow!
0:15:25 > 0:15:26CHILD LAUGHS
0:15:26 > 0:15:29Woo-hoo-hoo!
0:16:35 > 0:16:36CHILD SQUEALS
0:19:49 > 0:19:51CONVERSATION BECOMES MUFFLED
0:21:14 > 0:21:15HE CHUCKLES
0:21:47 > 0:21:49HE CHUCKLES
0:22:07 > 0:22:08LAUGHTER
0:22:43 > 0:22:44Sarah?
0:22:45 > 0:22:47Sarah!
0:23:56 > 0:23:57DOORBELL RINGS
0:24:59 > 0:25:00Oui.
0:25:12 > 0:25:13HE LAUGHS
0:26:13 > 0:26:14THEY LAUGH
0:26:53 > 0:26:54GLASS SMASHES
0:29:27 > 0:29:29POLICE SIRENS
0:32:12 > 0:32:13PHONE RINGS
0:32:28 > 0:32:29Hello.
0:37:23 > 0:37:24PHONE VIBRATES Oui?
0:37:50 > 0:37:51CHILDREN LAUGH AND SHOUT
0:39:10 > 0:39:11BABY CRIES
0:40:01 > 0:40:03DIALOGUE SILENT
0:40:41 > 0:40:42MUFFLED SPEECH
0:43:21 > 0:43:22CAR HORN
0:43:45 > 0:43:46DISTANT LAUGHTER
0:48:08 > 0:48:09Salut.
0:48:12 > 0:48:13Oui.
0:48:29 > 0:48:30OK.
0:50:59 > 0:51:00Ah!
0:53:02 > 0:53:03INDISTINCT STATION ANNOUNCEMENTS
0:53:49 > 0:53:51POLICE SIREN PASSES
0:56:08 > 0:56:09Thank you.
0:56:22 > 0:56:23Excuse me.
0:56:23 > 0:56:24May I have a room, please?
0:57:18 > 0:57:19SHE SOBS
0:57:30 > 0:57:31SHE SOBS
0:57:53 > 0:57:54RETCHING
1:00:38 > 1:00:40You won't be bothered by tourists.
1:00:40 > 1:00:42Summer or winter, it's the same here.
1:00:46 > 1:00:48MAN SPEAKS SERBIAN
1:00:48 > 1:00:50It's 100 Euros per month.
1:00:50 > 1:00:53Plus 10 per cent agency fee.
1:00:53 > 1:00:58But he doesn't want to rent it less than for six months, OK?
1:00:58 > 1:00:59OK.
1:01:24 > 1:01:25Zdravo.
1:01:25 > 1:01:26Hello.
1:03:32 > 1:03:33- Hello.- Hello.
1:03:33 > 1:03:36Do you know where I can find an enlarger?
1:03:36 > 1:03:38How much do they want to spend?
1:03:38 > 1:03:39500.
1:03:39 > 1:03:43I have an Axomat 4. It's second-hand but in very good condition.
1:03:43 > 1:03:44OK. Lens?
1:03:44 > 1:03:48- 50 and 85. But I can show it to you. - Yes, please.
1:03:54 > 1:03:55So here it is.
1:03:58 > 1:04:00- Ah, the...- It's OK.
1:04:00 > 1:04:01OK.
1:04:01 > 1:04:04- I'll take it.- OK.
1:04:04 > 1:04:05Is photography your hobby?
1:04:05 > 1:04:08No, I get paid for it.
1:04:08 > 1:04:10That's what I thought.
1:04:10 > 1:04:12Er...so, this will be...
1:04:12 > 1:04:15470 Euros, OK?
1:04:15 > 1:04:16OK.
1:04:16 > 1:04:18We accept credit cards, if you want...
1:04:18 > 1:04:19No, no, I prefer cash.
1:04:19 > 1:04:22You know, we have an amateur photographers' club here,
1:04:22 > 1:04:24and we get together twice a month,
1:04:24 > 1:04:28so it would be great if you'd come and talk about your work.
1:04:28 > 1:04:30Yeah, sure. With pleasure.
1:04:30 > 1:04:33But I'm very busy right now, you know, so...in a month or two.
1:04:33 > 1:04:34Excellent.
1:04:34 > 1:04:36Can you just tell me your name, please?
1:04:37 > 1:04:38Kremer.
1:06:20 > 1:06:22SHE SPEAKS SERBIAN
1:06:29 > 1:06:31Er...
1:06:31 > 1:06:33My husband.
1:06:33 > 1:06:34SHE SPEAKS SERBIAN
1:06:34 > 1:06:36He's outside.
1:06:36 > 1:06:37Look.
1:08:29 > 1:08:30BARTHOLOME CHUCKLES
1:08:45 > 1:08:46PAUL LAUGHS
1:08:49 > 1:08:50BARTHOLOME LAUGHS
1:09:31 > 1:09:33BARTHOLOME LAUGHS
1:09:36 > 1:09:37BARTHOLOME LAUGHS
1:10:46 > 1:10:47KNOCK AT DOOR
1:10:52 > 1:10:53Yes?
1:10:53 > 1:10:54Follow me.
1:11:15 > 1:11:17You know him?
1:11:17 > 1:11:19Yes.
1:11:19 > 1:11:20He gave us your address.
1:11:22 > 1:11:24He say he lives here. Yes?
1:11:24 > 1:11:25Yeah.
1:11:26 > 1:11:27Yeah, yes.
1:11:29 > 1:11:32POLICEMEN SPEAK SERBIAN
1:11:38 > 1:11:41OK, OK. We leave him with you.
1:11:42 > 1:11:43OK.
1:11:48 > 1:11:49Is this yours?
1:11:50 > 1:11:52Yes.
1:11:52 > 1:11:54You're French?
1:11:54 > 1:11:56Yeah.
1:11:56 > 1:11:57Do you have vehicle documents?
1:11:57 > 1:11:59HE GASPS
1:12:02 > 1:12:03HE SIGHS
1:13:03 > 1:13:04PHONE RINGS
1:13:22 > 1:13:24Yes.
1:16:08 > 1:16:09KNOCKS AT DOOR
1:16:20 > 1:16:21BARTHOLOME CHUCKLES
1:17:31 > 1:17:32BARTHOLOME LAUGHS
1:18:56 > 1:18:57OK?
1:19:23 > 1:19:24Er...
1:20:06 > 1:20:09Oh no, Greg, please, I don't want my picture in the newspaper.
1:20:09 > 1:20:12My parents thinks I work in the White House.
1:20:12 > 1:20:13THEY LAUGH
1:20:14 > 1:20:15THEY SPEAK SERBIAN
1:20:15 > 1:20:18LAUGHTER
1:20:18 > 1:20:19APPLAUSE
1:20:30 > 1:20:31OK, OK...
1:20:34 > 1:20:36We are very happy to have you here.
1:20:36 > 1:20:37APPLAUSE
1:20:40 > 1:20:42LAUGHTER
1:21:58 > 1:21:59Oui.
1:22:51 > 1:22:54I've been following your work for some time.
1:22:54 > 1:22:56I didn't contact you right away.
1:22:56 > 1:22:58When did you start publishing your portraits?
1:22:58 > 1:23:00Three months ago, more or less.
1:23:00 > 1:23:01More, wasn't it?
1:23:01 > 1:23:03Anyway, no matter.
1:23:03 > 1:23:08I was let down by a sculptor who was due to exhibit here over a month.
1:23:08 > 1:23:09I want to offer you his place.
1:23:11 > 1:23:12OK.
1:23:12 > 1:23:14Sit down, please.
1:23:14 > 1:23:17Four weeks - is that enough for you to shoot new material?
1:23:18 > 1:23:19We'll see.
1:23:21 > 1:23:24I will pay for the printing and framing.
1:23:24 > 1:23:28I think they will sell 550 a photo.
1:23:28 > 1:23:32I take 50% on profit and 35% on royalties.
1:23:33 > 1:23:37I'll start to consider it at 60/40 on sales and nothing on royalties.
1:23:39 > 1:23:41Don't you think you're a tiny demanding
1:23:41 > 1:23:43for someone who never exhibited?
1:23:43 > 1:23:46You know my thinking. You have Ivana's number. Thank you.
1:24:02 > 1:24:04PHONE RINGS
1:24:08 > 1:24:09Oui?
1:24:17 > 1:24:18Huh?
1:24:39 > 1:24:42I don't want a single photo of me in the press.
1:24:42 > 1:24:43This has got to be a joke.
1:24:43 > 1:24:44No.
1:24:44 > 1:24:46No no, no joke.
1:24:46 > 1:24:48Give ma an explanation, at least.
1:24:48 > 1:24:49It's...no reason.
1:24:49 > 1:24:52I have decided the world doesn't need to see my little face, that's all.
1:24:52 > 1:24:54The world?
1:24:54 > 1:24:56Hey, hey, hey, hey, hold your horses.
1:24:56 > 1:24:58Isn't that a little bit pretentious?
1:24:59 > 1:25:01I don't care if people think I'm pretentious.
1:25:01 > 1:25:04If they want my photos, they accept my conditions.
1:25:04 > 1:25:08Anyway, if they don't, it doesn't matter.
1:25:08 > 1:25:09OK.
1:25:10 > 1:25:12I will see what I can do.
1:25:23 > 1:25:24CAR HORNS
1:26:07 > 1:26:08DOOR SLAMS
1:27:34 > 1:27:35HE LAUGHS
1:28:05 > 1:28:06CAR HORN
1:28:10 > 1:28:11How are you?
1:28:12 > 1:28:13Hello.
1:28:17 > 1:28:18Oui.
1:29:49 > 1:29:53I hope you won't leave the paper now you've become someone.
1:29:53 > 1:29:54Now I've become someone...
1:29:59 > 1:30:00I...
1:30:42 > 1:30:43Sorry...
1:30:43 > 1:30:46Let me introduce you to the elusive Gregoire Kremer.
1:30:46 > 1:30:48- My wife, Svetlana. - Pleased to meet you.
1:30:48 > 1:30:49Excuse me, I need him.
1:30:49 > 1:30:50Sorry.
1:30:52 > 1:30:56Gregoire Kremer. Robbie Nicholl. Gallery in London.
1:30:56 > 1:30:58I love your work. To be honest, I'm awed.
1:30:58 > 1:31:00It's been a long time since I've felt anything like this.
1:31:00 > 1:31:03We'll start publicising the exhibition well in advance.
1:31:03 > 1:31:04What do you mean?
1:31:04 > 1:31:07The exhibition's coming to us in September.
1:31:07 > 1:31:11He didn't know. We signed yesterday, I couldn't reach you.
1:31:11 > 1:31:13You should know I work hand in glove with the media.
1:31:13 > 1:31:15That means a lot of interviews for you.
1:31:15 > 1:31:17Can I borrow him for a moment, please?
1:31:19 > 1:31:21What's that French agent's name?
1:31:21 > 1:31:23Maire. Francis Maire.
1:31:23 > 1:31:25Right. You know each other, apparently.
1:31:25 > 1:31:27We will go to meet him together. He can't wait.
1:31:30 > 1:31:31I'll be right there.
1:33:26 > 1:33:27EXPLOSION
1:33:41 > 1:33:42EXPLOSION
1:33:52 > 1:33:53GLASS SMASHES
1:33:53 > 1:33:54HE COUGHS
1:33:56 > 1:33:57EXPLOSION
1:34:41 > 1:34:43Excuse me, do you speak English?
1:34:47 > 1:34:49- Excuse me, do you speak English? - Yeah.
1:34:49 > 1:34:51HE LAUGHS
1:34:51 > 1:34:53I'm looking for a ship.
1:34:53 > 1:34:54Yeah. Working?
1:34:54 > 1:34:55No, no. As a tourist.
1:34:55 > 1:34:57- I'll pay for the trip. - When do you want to leave?
1:34:57 > 1:34:58Any time.
1:34:58 > 1:34:59Tonight, tomorrow...
1:34:59 > 1:35:02Are you in trouble to be in such hurry?
1:35:04 > 1:35:07No. Everything's regular, I have my passport.
1:35:07 > 1:35:09- Yeah?- Yeah.- OK.
1:35:09 > 1:35:10Ah...follow me.
1:35:12 > 1:35:13HE SPEAKS SERBIAN
1:35:20 > 1:35:22Euros.
1:35:22 > 1:35:23500 now.
1:35:24 > 1:35:25500 when you get off.
1:37:25 > 1:37:26MUFFLED SHOUTING
1:37:29 > 1:37:31SHOUTING CONTINUES
1:37:51 > 1:37:53Ah! MAN SHOUTS
1:39:31 > 1:39:32HE SCREAMS
1:39:38 > 1:39:39SHOUTING IN SERBIAN
1:40:31 > 1:40:33I won't say anything, OK?
1:40:33 > 1:40:35No problem, look...
1:40:35 > 1:40:36Look...
1:40:37 > 1:40:38Look.
1:40:38 > 1:40:39OK?
1:40:41 > 1:40:43OK?
1:40:43 > 1:40:44OK? No problem.
1:40:44 > 1:40:46I won't say anything, OK, you understand?
1:40:46 > 1:40:49I can pay, you have some money, no problem.
1:40:49 > 1:40:50MAN SHOUTS
1:40:52 > 1:40:53No!
1:40:53 > 1:40:55SHOUTING IN SERBIAN
1:41:04 > 1:41:05SHOUTING AND SCREAMING
1:41:08 > 1:41:09No!
1:41:14 > 1:41:15MUFFLED SHOUTING
1:41:18 > 1:41:19SHOUTING AND SCREAMING
1:41:20 > 1:41:21PAUL SCREAMS
1:41:37 > 1:41:38HE GASPS FOR BREATH
1:41:50 > 1:41:51HE SHOUTS
1:42:01 > 1:42:03Ah!
1:42:03 > 1:42:04Ah!
1:42:04 > 1:42:05Ahh!
1:42:09 > 1:42:10HE SHOUTS
1:42:18 > 1:42:20VOICE SHOUTS IN REPLY
1:42:49 > 1:42:50Ah!
1:42:53 > 1:42:54Ah!
1:42:55 > 1:42:56Come on!
1:43:05 > 1:43:06THEY GASP FOR BREATH
1:43:06 > 1:43:07OK...
1:43:23 > 1:43:25OK...
1:43:25 > 1:43:26You ok? You ok?
1:43:26 > 1:43:27OK?
1:43:27 > 1:43:28OK...
1:44:02 > 1:44:03Mamma mia.
1:44:57 > 1:45:00Subtitles for the deaf and hard of hearing by Red Bee Media Ltd