The Deadly Companions

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0:00:17 > 0:00:23# I dream of not a ray of sun

0:00:23 > 0:00:25# A moment

0:00:25 > 0:00:27# And then the empty dawn

0:00:27 > 0:00:35# Awakens the lonely heart broken

0:00:37 > 0:00:40# A warm embrace

0:00:40 > 0:00:42# A fleeting smile

0:00:42 > 0:00:44# A whisper

0:00:44 > 0:00:48# And then the dream has gone

0:00:48 > 0:00:55# With most of the words left unspoken

0:00:57 > 0:01:04# Each lonely day when I awaken

0:01:04 > 0:01:10# I could not face the empty dawn

0:01:10 > 0:01:12# For I know

0:01:12 > 0:01:18# That my heart has been forsaken

0:01:19 > 0:01:24# A dream of love was all I knew

0:01:24 > 0:01:30# That moment before the empty dawn

0:01:30 > 0:01:39# Awakened my lonely heart broken... #

0:01:45 > 0:01:47DOOR CREAKS

0:01:56 > 0:01:58Tequila.

0:02:00 > 0:02:03- Is he having a dance? - Five-ace card player.

0:02:08 > 0:02:11STRUGGLES FOR BREATH

0:02:21 > 0:02:25Five dollars he doesn't last another minute.

0:02:27 > 0:02:33- Cut him down. - You stay out of this, Yank. We'll cut him down when he quits kicking.

0:02:37 > 0:02:39Ugh!

0:02:42 > 0:02:44Billy... Get in, boy!

0:02:47 > 0:02:49LAUGHTER

0:02:56 > 0:02:58GUNSHOT

0:03:02 > 0:03:04LAUGHTER CONTINUES

0:03:05 > 0:03:07Where have you been, Billy?

0:03:11 > 0:03:13GUNSHOTS

0:03:20 > 0:03:25- You'd better ride with us. - There ain't no Yellowleg Yankee boy goin' with us!

0:03:25 > 0:03:29I hear they got a new bank and an old marshal over at Gila City.

0:03:31 > 0:03:35- That beats cheatin' at cards, don't it?- Let's go.

0:03:57 > 0:03:59The town looks quiet.

0:03:59 > 0:04:02Yeah, I bet the marshal's asleep.

0:04:02 > 0:04:06Ever shoot a man in his sleep, Yellowlegs? You bein' a Yankee?

0:04:06 > 0:04:11He ain't very sociable, is he? Been with us a week and ain't lost his temper once.

0:04:11 > 0:04:17- I never did trust a man who didn't lose his temper. Let's go. - We ain't takin' the bank today.

0:04:17 > 0:04:21- Are you givin' the orders now? - Looks that way, don't it?

0:04:24 > 0:04:27- Billy, get him in the back. - No, Turkey, that ain't my style.

0:04:27 > 0:04:29Come on, he's askin' for it, boy.

0:04:29 > 0:04:33Any man that'd turn his back on you is just a dag blam fool.

0:04:33 > 0:04:36I kinda like him.

0:04:36 > 0:04:38I never knowed a Yankee before.

0:04:40 > 0:04:43PLAYS MOURNFUL TUNE

0:04:50 > 0:04:52Hey, Mead! THEY CHANT TAUNTINGLY

0:04:58 > 0:05:00CONTINUES PLAYING TUNE

0:05:01 > 0:05:04CHILDREN LAUGHING

0:05:06 > 0:05:08Your horse needs a shoe.

0:05:08 > 0:05:11There's a blacksmith's shop.

0:05:11 > 0:05:15- How long do you figure that money's gonna keep?- Till I tell you when.

0:05:15 > 0:05:19- I'm kinda anxious to get my hands on it.- Take care of your horse first.

0:05:19 > 0:05:23I was figurin' on havin' a couple of drinks with you fellas.

0:05:46 > 0:05:49I sure hope this town has some pretty girls in it.

0:05:49 > 0:05:54When you get this far out in the brush, they're all pretty.

0:05:55 > 0:05:58Billy, take the horses round to the livery stables.

0:05:59 > 0:06:01Uh...

0:06:03 > 0:06:05Are you talkin' to me?

0:06:06 > 0:06:08Your name's Billy, ain't it?

0:06:09 > 0:06:12I'll take the horses for you, mister.

0:06:14 > 0:06:16Well, you look like an honest man.

0:06:23 > 0:06:27You know, some folks is just born lucky, I guess.

0:06:27 > 0:06:30Doggone it, you know, don't push yours!

0:06:39 > 0:06:41What's going on here?

0:06:41 > 0:06:43These don't look too pretty to me.

0:06:43 > 0:06:46I told you, you ain't been out here long enough.

0:06:48 > 0:06:49Hey!

0:06:52 > 0:06:56Hey, hey, wait a minute. Put that thing back up.

0:06:56 > 0:06:59- That'll have to wait, gents. - Wait? Wait for what?

0:06:59 > 0:07:06Church is about to start. The parson don't like to look at it during his sermon.

0:07:07 > 0:07:12- This ain't Sunday, is it?- That's a matter of opinion in Gila City.

0:07:12 > 0:07:18We haven't seen a calendar in two years. Some folks hold it's Monday, but these folks hold it's Sunday.

0:07:18 > 0:07:23- Are you gents lookin' for a drink? - I'm lookin' right at it. What's in that bottle?

0:07:23 > 0:07:27- Best we've got. Even the Mayor drinks it.- That'll have to do.

0:07:28 > 0:07:33- Tell me somethin'. How about the bank?- The bank's open. They're Monday folks.

0:07:33 > 0:07:36The bar's closed when the parson walks in.

0:07:42 > 0:07:44Howdy, mister!

0:07:44 > 0:07:46Hello, boy.

0:07:46 > 0:07:49Hey, that's what I call pretty.

0:08:03 > 0:08:07- Who's she, the redhead?- Works over at the dance hall across the street.

0:08:07 > 0:08:12Imagine comin' in here like she was respectable and bringin' her woods colt with her!

0:08:12 > 0:08:16- Imagine!- She wouldn't know his father if she saw him again.

0:08:16 > 0:08:20- Poor boy.- I imagine it's as close as she ever was to a parson.

0:08:20 > 0:08:24And her holding a prayer book like she was respectable!

0:08:24 > 0:08:27If they're going to heaven, let's you and me not go!

0:08:29 > 0:08:32Gents, the bar is closed.

0:08:42 > 0:08:44Number 23.

0:08:47 > 0:08:50# Rock of ages, cleft for me

0:08:50 > 0:08:54# Let me hide myself in thee

0:08:54 > 0:08:58# Let the water and the blood

0:08:58 > 0:09:01# From thy wounded side which flowed

0:09:01 > 0:09:04# Be of sin the double cure

0:09:04 > 0:09:08# Save from wrath and make me pure

0:09:08 > 0:09:11# Could my tears forever flow

0:09:11 > 0:09:15# Could my zeal no languor know

0:09:15 > 0:09:18# All for sin could not atone... #

0:09:18 > 0:09:24- What are y'all drinkin'? - No drinkin'. The bar's closed on account of the church meeting.

0:09:24 > 0:09:27- Whisky. - I told them the bar's...

0:09:27 > 0:09:29Billy, show 'em those six-shooters!

0:09:29 > 0:09:32See how fast you can take the cork out of that bottle.

0:09:32 > 0:09:38I wanna tell you somethin'. He's fast with them six-shooters. This boy's a real comin' boy.

0:09:38 > 0:09:40I taught him everythin' I know.

0:09:43 > 0:09:49- What's the matter?- You'll have to stand and look at that bottle all the way through the sermon.

0:09:49 > 0:09:54# Let me hide myself in thee... #

0:09:57 > 0:10:00Lord, I see you sent us some new faces today.

0:10:00 > 0:10:02Male...

0:10:02 > 0:10:05and female.

0:10:06 > 0:10:08Lord, I thank you,

0:10:08 > 0:10:11and folks, I welcome you.

0:10:13 > 0:10:16And I'll be dishin' out the gospels in a minute.

0:10:16 > 0:10:19But first, I've got to say a word to you gents with your hats on.

0:10:22 > 0:10:27This here is a preach-house, gents, and you'll take your hats off to the Lord.

0:10:37 > 0:10:41Mister, I never met a man who wouldn't take off his hat to the Lord.

0:10:41 > 0:10:43Let's get it off.

0:10:44 > 0:10:47You get on with your preachin'.

0:10:54 > 0:10:59- He's touchy about that hat. - I've never seen nothin' like it. He don't even take it off to sleep.

0:11:00 > 0:11:03We'll have a moment of silent prayer.

0:11:17 > 0:11:19Yes...

0:11:19 > 0:11:23All that money just sittin' out there across the street.

0:11:23 > 0:11:28I've never known a man so hungry for money. I think you're studyin' up to be a miser.

0:11:28 > 0:11:31Studyin' up to buy us an army. Don't you remember?

0:11:31 > 0:11:34- Still dreamin' about that? - It ain't such a dream.

0:11:34 > 0:11:39We could set up our own republic on this country. It's wide open. Nobody can stop us.

0:11:39 > 0:11:45Take that bank money and the Comancheros will sell us 100, maybe 200 slave Indians.

0:11:45 > 0:11:47We put uniforms on 'em.

0:11:47 > 0:11:49Yeah, fix us up an army.

0:11:49 > 0:11:51And I could drill 'em.

0:11:52 > 0:11:56# When Johnny comes marching home again, hooray, hooray

0:11:56 > 0:11:59# When Johnny comes marching home again... #

0:12:00 > 0:12:02Left face, right face...

0:12:03 > 0:12:05# Johnny comes marching... #

0:12:08 > 0:12:10Mm-hm.

0:12:10 > 0:12:12Raise this arm.

0:12:12 > 0:12:14Raise it. Higher.

0:12:15 > 0:12:18Mm-hm. All right.

0:12:18 > 0:12:22- Has it always pained you that way? - Almost always.

0:12:23 > 0:12:25That ball ought to come out of there.

0:12:25 > 0:12:27That's what I'm here for.

0:12:31 > 0:12:34- Have you ever been in Springfield, Ohio?- No.

0:12:35 > 0:12:39I'll swear I've seen you someplace before.

0:12:39 > 0:12:40Here...

0:12:40 > 0:12:43How long will this lay me up?

0:12:44 > 0:12:50- It's pretty close to the collarbone. A thing like that won't heal overnight, you know.- What, a week?

0:12:50 > 0:12:53More like a month.

0:12:53 > 0:12:57Well, I got a little business to attend to.

0:12:57 > 0:12:59I don't think it can wait that long.

0:12:59 > 0:13:01Then stop wasting my time.

0:13:11 > 0:13:13Wait a minute.

0:13:14 > 0:13:17Missoura. That's where it was.

0:13:17 > 0:13:20A fella just about your size, Yellowleg sergeant.

0:13:20 > 0:13:25Somebody had tried to scalp him. A liquored-up Johnny Reb with a Bowie knife.

0:13:25 > 0:13:30He cut the sergeant up pretty badly before he was scared off by something.

0:13:31 > 0:13:35You know, if you take off your hat, you could make me out a liar.

0:13:39 > 0:13:41It's you, all right.

0:13:47 > 0:13:52You certainly went out of your way to look me up, didn't you? Take off the hat.

0:13:53 > 0:13:56I've kind of got used to keeping it on.

0:13:56 > 0:14:02Why? You haven't got anything to hide but a few battle scars. A lot of the boys came out with worse than that.

0:14:02 > 0:14:06- What did you do after the war ended? - What would YOU do?

0:14:06 > 0:14:09- I'd go after that Reb. - Well, I found him.

0:14:15 > 0:14:17Is that Reb in town?

0:14:22 > 0:14:25Well, what are you waiting for?

0:14:25 > 0:14:27I'm waiting to get him alone.

0:14:28 > 0:14:31You see, I want him to know who I am.

0:14:31 > 0:14:34I want him to know he's gonna get what he gave me.

0:14:34 > 0:14:36Are you sure you found the right man?

0:14:36 > 0:14:41Yeah, I'm sure. I left my teeth marks in his scalping hand.

0:14:41 > 0:14:44And I'm askin' you, my friends...

0:14:44 > 0:14:50Any man, woman or child that reckons that he wants to go to hell,

0:14:50 > 0:14:55I say let that man, woman or child stand up and be counted!

0:15:01 > 0:15:02What?

0:15:02 > 0:15:04Start countin', Parson. Get up, Turk.

0:15:07 > 0:15:12You white-livered coyote, you're saying you intend to go to that place?

0:15:12 > 0:15:15I sure do, Parson. I'll tell you somethin' else.

0:15:15 > 0:15:20Any man that don't get on his feet right now and join me is goin' there pronto!

0:15:21 > 0:15:23GUNSHOTS AND SCREAMING

0:15:33 > 0:15:37Well, nice to meet you, ma'am. My name's Billy. Billy Keplinger.

0:15:37 > 0:15:39Get out!

0:15:39 > 0:15:41GASPS AND SCREAMS

0:15:46 > 0:15:48Come on, Turkey!

0:15:57 > 0:15:59Sure is a pretty girl.

0:16:02 > 0:16:06Ma'am, I want to thank you for your fortitude.

0:16:07 > 0:16:10We'll all close with a prayer now

0:16:10 > 0:16:14for those poor, misguided men.

0:16:14 > 0:16:18All that money just sittin' there, waitin' on a Yellowlegged Yankee.

0:16:18 > 0:16:22I never saw a man so patient about robbin' a bank!

0:16:22 > 0:16:24Oh, church meeting's over.

0:16:25 > 0:16:27You have a nice afternoon.

0:16:28 > 0:16:30Thank you again, ma'am.

0:16:49 > 0:16:51STARTS PLAYING MOURNFUL TUNE

0:16:54 > 0:16:58Let me know when that Yankee's patience runs out.

0:17:01 > 0:17:04If his patience ever does wear out.

0:17:13 > 0:17:17That pretty redhead that just went in holds that today is Sunday.

0:17:17 > 0:17:20What do you lovely creatures feel about that?

0:17:20 > 0:17:23I think it's Monday.

0:17:23 > 0:17:25- Get your horse.- Huh?

0:17:25 > 0:17:27Get it.

0:17:27 > 0:17:29Billy!

0:17:33 > 0:17:36Hey, Billy! Yellowleg's ready.

0:17:42 > 0:17:44GUNSHOTS

0:17:45 > 0:17:48SHOUTING AND GUNSHOTS

0:18:01 > 0:18:04Somethin' wrong with that Yankee's shootin' arm.

0:18:36 > 0:18:39Somebody get the doc.

0:18:43 > 0:18:45He's dead.

0:18:50 > 0:18:53It was them outlaws, Kit. They did some wild shootin'.

0:18:59 > 0:19:00No.

0:19:02 > 0:19:04It was me.

0:19:23 > 0:19:26- 'Is she the dance hall woman? - That's her.

0:19:26 > 0:19:31'Imagine comin' in here like she was respectable, bringin' her woods colt with her!

0:19:31 > 0:19:35- 'Imagine!- She wouldn't know his father if she saw him again.

0:19:35 > 0:19:39- 'Poor boy.- I imagine it's as close as she ever was to a parson.

0:19:39 > 0:19:43'And her holding the prayer book like she was respectable!'

0:20:07 > 0:20:10That Yellowleg sure has been tryin' to get hisself drunk.

0:20:10 > 0:20:13He ain't quite makin' it though.

0:20:13 > 0:20:15Some men are like that. Give me two.

0:20:15 > 0:20:18The boy's leanin' awful hard on him.

0:20:18 > 0:20:23You reckon the Mayor will be able to talk that redhead into changin' her mind?

0:20:23 > 0:20:25Ain't nothin' gonna change her mind.

0:20:25 > 0:20:30She got Doc Acton to take care of the body and rented herself a wagon. She's goin' tonight.

0:20:30 > 0:20:33Goin' alone if she has to.

0:20:53 > 0:20:56We've come to change your mind, Kit.

0:20:56 > 0:20:59We've decided to have a nice funeral for the boy in Gila City.

0:20:59 > 0:21:02The whole town will come. As Mayor, I'll see to it.

0:21:02 > 0:21:07Mead will be buried in Siringo next to his father.

0:21:07 > 0:21:10Now, Kit...

0:21:11 > 0:21:14Bury him here? You think I haven't heard all the whispering?

0:21:14 > 0:21:20- You and your gossiping little wives with their pinched little faces and their noses in the air!- Miss Kit...

0:21:20 > 0:21:24"That dance hall woman with her freckle-faced woods colt.

0:21:24 > 0:21:27"No telling who the father might be!"

0:21:28 > 0:21:32They smell brimstone every time I walk by.

0:21:32 > 0:21:34They hated us both, me and the boy.

0:21:34 > 0:21:36Well, he's dead now

0:21:36 > 0:21:40and you can tell your wives that there was no sinning

0:21:40 > 0:21:43and there'll be no funeral.

0:21:43 > 0:21:45I'm taking him to Siringo.

0:21:45 > 0:21:51You can't do that. It's smack in the middle of Apache country and there ain't nobody willing to go with you.

0:21:51 > 0:21:55Besides, there's not much of it left but the weeds.

0:21:55 > 0:21:58I've tried, Kit. I've asked everybody.

0:22:00 > 0:22:03I'm not asking anybody to go with me.

0:22:05 > 0:22:10Poor Kit. She's trying mighty hard to make folk believe about the boy's pa.

0:22:10 > 0:22:14- Are you a single man?- Married. - I didn't know that, Cal.

0:22:14 > 0:22:16Well, almost married.

0:22:16 > 0:22:20Me and Emma. She wouldn't let me go with Kit. Not that way.

0:22:20 > 0:22:23Not to mention the Apaches.

0:22:29 > 0:22:32I ain't never seen a town so full of cowards.

0:22:33 > 0:22:37I ain't never seen a town so scared of Indians.

0:22:37 > 0:22:39TURK CHUCKLES

0:22:39 > 0:22:41You can take three.

0:23:03 > 0:23:05Kit?

0:23:06 > 0:23:09I hate to think what all that sun will do to your face.

0:23:09 > 0:23:11Will you take this?

0:23:11 > 0:23:13No, thanks, Cal.

0:23:13 > 0:23:17Take it. I've got no use for it. I can't sell it.

0:23:17 > 0:23:19Imported all the way from St Louis.

0:23:37 > 0:23:39Get down from there!

0:23:41 > 0:23:44I said get down!

0:23:44 > 0:23:47- Somebody's got to drive this for you.- Not you.

0:23:47 > 0:23:49I'm askin' to.

0:23:49 > 0:23:51I said get down!

0:23:54 > 0:23:56Need any help, ma'am?

0:23:59 > 0:24:03- Get out of here, Billy. - I didn't mean to butt in...

0:24:04 > 0:24:06Your place.

0:24:09 > 0:24:11Get down.

0:24:46 > 0:24:49I bet she don't get 20 miles before she turns around.

0:24:50 > 0:24:5250 dollars.

0:24:55 > 0:24:57And a call.

0:24:57 > 0:24:59What have you got?

0:25:02 > 0:25:05You lose to four aces.

0:25:10 > 0:25:14- We're leaving town.- You're a little premature, Yellowleg.

0:25:14 > 0:25:16Get your horses.

0:25:16 > 0:25:23Billy and me like this town. We're stickin' around. You'd better leave alone cos we ain't leavin'.

0:25:28 > 0:25:31It wasn't me that shot that boy.

0:25:31 > 0:25:33Get up. Get up!

0:25:33 > 0:25:36Looks like you and me is gonna go to Siringo.

0:25:36 > 0:25:38Billy, you and I ain't leavin' here.

0:25:42 > 0:25:44I'm just backin' him up.

0:25:44 > 0:25:48Yeah, I kinda like the idea of going to Siringo with that redhead.

0:26:18 > 0:26:20Come on. What's the matter?

0:26:21 > 0:26:22Come on!

0:26:26 > 0:26:31I guess you don't mind the Yellowleg orderin' you around, but I don't like it.

0:26:32 > 0:26:36But if I could handle that six-shooter like you, Billy boy...

0:26:36 > 0:26:40His back's pointin' right at ya. What's the matter? Scared?

0:26:40 > 0:26:43Scared he might hear your gun comin' out of the holster?

0:26:45 > 0:26:48That ain't no fit way to kill a man.

0:26:48 > 0:26:50Not even a Yankee.

0:27:19 > 0:27:21There she is.

0:27:39 > 0:27:41Yah! Yah!

0:27:56 > 0:28:01- Good morning, ma'am.- You'll kill your horse pushin' him like that.

0:28:01 > 0:28:05- Will you let me drive that wagon for you?- I don't want YOUR help!

0:28:05 > 0:28:10Well, I'd be mighty proud to ride in that wagon with you, ma'am.

0:28:10 > 0:28:12Leave me alone!

0:28:17 > 0:28:19Both of you.

0:28:21 > 0:28:25Well, now, you know it ain't exactly safe out here for a woman?

0:28:25 > 0:28:28Well, it ain't exactly safe for you either.

0:28:29 > 0:28:32Any of you. Now git!

0:28:32 > 0:28:36Why don't you leave this woman be and let's head back?

0:28:40 > 0:28:41Yaah!

0:28:48 > 0:28:52Listen, that bank is probably just now opening up.

0:28:52 > 0:28:54Yeah, it probably is, probably is.

0:28:54 > 0:28:58We'll follow along and see she gets through.

0:29:00 > 0:29:02Turkey, that's a woman!

0:29:34 > 0:29:36Come on, let's go.

0:29:54 > 0:29:58Your dress is kinda wet. I guess you're gonna have to dry it out.

0:29:58 > 0:30:01It shouldn't take long in this heat.

0:30:21 > 0:30:25I never did see a dance-hall girl so touchy about gettin' kissed.

0:30:26 > 0:30:28You stay away from me.

0:30:28 > 0:30:31What will you do with that rock? Use it on me?

0:30:31 > 0:30:33Or a shotgun if I have to!

0:30:33 > 0:30:37Well, ma'am, I always did go for high stakes.

0:31:03 > 0:31:04Apaches.

0:31:04 > 0:31:07They scalped him.

0:31:08 > 0:31:11Yeah. It looks like they did.

0:31:16 > 0:31:18Come on, let's get back to that wagon.

0:31:37 > 0:31:39Hey, the coffee's ready!

0:31:49 > 0:31:55It's plain to see that woman don't want us round here, so why don't we accommodate her by leaving?

0:32:04 > 0:32:06Did you desert?

0:32:09 > 0:32:12- Hmm? - Did you desert the Rebel Army?

0:32:12 > 0:32:15I don't remember telling you I was in the army.

0:32:15 > 0:32:18I figured you for a deserter.

0:32:18 > 0:32:21How did you guess?

0:32:21 > 0:32:25Maybe I ought to take her a cup of coffee before it gets cold.

0:32:25 > 0:32:27Leave her alone.

0:32:29 > 0:32:31Are you... Are you talkin' to me?

0:32:33 > 0:32:37Hey, Billy, I think Yellowleg's kinda taken a shine to that woman.

0:32:37 > 0:32:41- And we thought he was feelin' sorry about that boy.- Shut up!

0:32:41 > 0:32:44- Touchy too.- Yeah.

0:32:44 > 0:32:47Like he is about that hat he keeps wearin'.

0:32:47 > 0:32:50- You know what I think he's got under it?- What's that?

0:32:50 > 0:32:52Money.

0:32:52 > 0:32:55Well, there's one way we could find out.

0:32:55 > 0:32:58We can ask him...

0:32:58 > 0:33:00Take your hat off, Yellowlegs.

0:33:00 > 0:33:03He's scared of you, Billy.

0:33:04 > 0:33:06Yellowlegs...

0:33:07 > 0:33:10Take your hat off or I'll shoot it off.

0:33:13 > 0:33:16You try it and I'll kill you.

0:33:18 > 0:33:20BILLY LAUGHS

0:33:20 > 0:33:24Yellowlegs, there's something about you I just gotta like.

0:33:43 > 0:33:49Better mind your thinkin', kid. Yellowleg has done got his claim staked out.

0:33:52 > 0:33:57We could go back to that bank. That posse would never follow us out here, not to Siringo.

0:34:02 > 0:34:07We could set up our own little republic like that Edward fella did down in Texas.

0:34:07 > 0:34:09You know, the republic of Freedonia?

0:34:09 > 0:34:15All this land out here, just a-waitin'. Think how you'd look in a gold braid uniform!

0:34:15 > 0:34:18You're the kind of trigger-happy young fella I can use.

0:34:18 > 0:34:20I'd make you my military aide.

0:34:20 > 0:34:25Then we'd start makin' up a lot of laws, but not one of them would apply to us.

0:34:25 > 0:34:29- They don't now. They never did. - There's money in a thing like this.

0:34:29 > 0:34:35If it's run right. But we've got to start first with that bank back in Gila City.

0:34:35 > 0:34:39Turkey, don't you ever shut up? You nag like an old woman!

0:34:39 > 0:34:42It's sure quiet out here, isn't it?

0:34:45 > 0:34:48I don't blame you for feelin' the way you do,

0:34:48 > 0:34:53but right now, it might be a good idea if you could make out like we were getting along.

0:34:57 > 0:35:01Are you always that stubborn or just hard to figure out?

0:35:05 > 0:35:06Lady...

0:35:06 > 0:35:08I'm just tryin' to help.

0:35:12 > 0:35:14Who are you trying to help?

0:35:15 > 0:35:20Riding shotgun on this wagon isn't going to buy you a clean conscience!

0:35:24 > 0:35:29I'm beginning to wonder if you ever figured on going to Siringo at all.

0:35:30 > 0:35:32What are you trying to say?

0:35:32 > 0:35:35I mean, right here is as good as Siringo for the boy.

0:35:37 > 0:35:40You don't have to prove anything to me.

0:35:40 > 0:35:42Damn you!

0:35:45 > 0:35:48- Look at 'em fightin'!- Yeah.

0:35:52 > 0:35:56You don't know me well enough to hate me that much.

0:35:58 > 0:36:02Hating is a subject I know a little something about.

0:36:02 > 0:36:05You've got to be careful it don't bite you back.

0:36:05 > 0:36:09I know somebody who spent five years looking for a man he hated.

0:36:09 > 0:36:13Hating and wanting revenge was all that kept him alive.

0:36:14 > 0:36:18He spent all them years tracking that other man down,

0:36:18 > 0:36:22and when he caught up with him, it was the worst day in his life.

0:36:24 > 0:36:26He'd get his revenge all right,

0:36:26 > 0:36:30but then he'd lose the one thing he had to live for.

0:36:34 > 0:36:36GUNSHOT

0:36:58 > 0:37:02- What was that for? - I was just checking my aim.

0:37:02 > 0:37:05Nothing like letting the Apaches know where we are!

0:37:07 > 0:37:11That ain't no fit way to kill a man, not even a Yankee.

0:37:14 > 0:37:17You go on up ahead and find us a place to camp.

0:37:17 > 0:37:21- There might be some Apaches out there.- Then you go find out.

0:37:27 > 0:37:29You know, you could get the sun here.

0:37:29 > 0:37:31I'll get used to it.

0:37:31 > 0:37:36We'll be leaving you in Siringo. You can find your own way back.

0:37:54 > 0:37:56DISTANT HOWLS

0:38:23 > 0:38:25Come on.

0:39:57 > 0:40:01Turk, what are you doin' out here? This ain't your guard.

0:40:04 > 0:40:06I want to show you somethin'.

0:40:09 > 0:40:13I've been carryin' this around with me for a long while.

0:40:13 > 0:40:16- What's that? - It's a genuine general's cap.

0:40:16 > 0:40:20I stole it over at San Antonio. I never did show it to anybody before.

0:40:27 > 0:40:32A man sure really looks like something wearin' one of these, don't he, boy?

0:40:32 > 0:40:33Huh?

0:40:33 > 0:40:37If you're waitin' for me to salute you, you're gonna wait a long time.

0:40:40 > 0:40:43Here, I want to show you something else.

0:40:46 > 0:40:48Here... Come here.

0:40:48 > 0:40:50See that part right there?

0:40:54 > 0:40:58It's not on a regular map. A valley. Not many people know it's there.

0:40:58 > 0:41:04We're gonna buy ourselves some slave Indians. We're gonna put uniforms on and we're gonna fill 'em good.

0:41:04 > 0:41:09We'll be able to burn a fire path through this country from Tucson to Tucumcari.

0:41:09 > 0:41:12What do you say, boy? Huh?

0:41:13 > 0:41:15What do you say to that, huh?

0:41:15 > 0:41:17Fine, Turk, fine.

0:41:21 > 0:41:23Um...

0:41:23 > 0:41:25Take over my guard for me, will you?

0:41:57 > 0:42:00I never travelled with a lady before.

0:42:00 > 0:42:02It kinda appeals to me.

0:42:02 > 0:42:06- Get out of my way. - Maybe I will and maybe I won't.

0:42:06 > 0:42:09I'm telling you to leave me alone.

0:42:09 > 0:42:12I don't wanna... I don't wanna trouble you, Kit.

0:42:13 > 0:42:16I just wanna be sociable.

0:42:17 > 0:42:21And I never wear my guns when I make a social call.

0:42:28 > 0:42:31I always did like pretty things and...

0:42:31 > 0:42:35You're just about the prettiest I've ever seen.

0:42:38 > 0:42:40HE LAUGHS

0:43:50 > 0:43:52Saddle up.

0:43:53 > 0:43:55Come on, get out of here.

0:43:57 > 0:44:03- I'm goin' with you, Billy. - You ain't goin' no place.- Huh? - You're stayin' right here.

0:44:04 > 0:44:09- He wouldn't stand a chance in Apache country alone.- That's his lookout.

0:45:12 > 0:45:13COYOTE HOWLS

0:46:07 > 0:46:08Turk!

0:46:10 > 0:46:12He's gone.

0:46:33 > 0:46:39- They'll be going back to Gila City, both of them. I'll drive you back if you want.- No, thanks.

0:46:40 > 0:46:42You still going to Siringo?

0:46:42 > 0:46:47- You think you can stop me? - Lady, I wouldn't even try.

0:47:25 > 0:47:28Aaaiee!

0:48:14 > 0:48:16I, uh...

0:48:16 > 0:48:19I'm sorry about losing the horse.

0:48:21 > 0:48:26- Well, you don't have to talk to me, you know!- It ain't worth the effort.

0:48:28 > 0:48:35Five years is a long time to turn your back on, especially for a woman like me. That's what you think.

0:48:35 > 0:48:40- Lady, I quit thinking when I turned my horse around.- Stop calling me Lady! My name is Kit.

0:48:40 > 0:48:45- I don't know you well enough! - Don't think you're fooling me.

0:48:45 > 0:48:49You're not half as mad at me as you are at yourself.

0:48:50 > 0:48:53Gonna talk all the way to Siringo?

0:48:54 > 0:48:55Ha!

0:49:07 > 0:49:10GUNFIRE AND WAR CRIES

0:49:16 > 0:49:18Grab that shotgun! Come on!

0:49:29 > 0:49:31GUNFIRE CONTINUES

0:50:12 > 0:50:17Must have ambushed that stage down at the border.

0:50:32 > 0:50:34YELLING AND WHOOPING

0:50:46 > 0:50:49I sure wish I could take a bath.

0:50:50 > 0:50:52Well, nothing's stopping you.

0:51:09 > 0:51:10Come on.

0:51:13 > 0:51:15Want some more?

0:51:23 > 0:51:28You know...I can hardly remember what my husband looked like.

0:51:28 > 0:51:34We were only married a few weeks. We were on our way to Gila City when he was...

0:51:36 > 0:51:38..he was killed in Siringo.

0:51:45 > 0:51:49When Mead was born, they wouldn't believe me.

0:51:51 > 0:51:54Gila City put a brand on both of us.

0:51:55 > 0:51:59With their...jokes and their...talk

0:52:00 > 0:52:02and their ugly little smiles.

0:52:12 > 0:52:14Getting dark.

0:52:19 > 0:52:22We've got to have another horse.

0:52:22 > 0:52:26Them Apaches can't be far off. They've got plenty of horses.

0:52:26 > 0:52:30You wait right here until I get back.

0:54:26 > 0:54:28SHOUTS AND CONFUSION

0:54:29 > 0:54:31CONTINUES FIRING

0:54:49 > 0:54:50Whoa.

0:54:57 > 0:54:58Kit!

0:55:00 > 0:55:02Pack up. We're moving out.

0:55:10 > 0:55:12Whoa.

0:55:15 > 0:55:17That's far enough.

0:55:17 > 0:55:21I don't think I can stay awake another minute.

0:55:21 > 0:55:23You'll have to.

0:55:24 > 0:55:26Start digging.

0:55:27 > 0:55:30- What?! - We're going to bury the wagon.

0:55:30 > 0:55:37Our trail's got to look Indian. If we're lucky, those Apaches are still trying to find their stagecoach.

0:56:09 > 0:56:11Getting tired?

0:56:13 > 0:56:16I didn't ask for any help.

0:56:18 > 0:56:22I wasn't offering any. I just asked if you were getting tired.

0:56:47 > 0:56:49Is Yellowleg a name?

0:56:51 > 0:56:53Well, it'll do.

0:56:56 > 0:56:59- Where are you from?- Ohio.

0:57:01 > 0:57:03Is it pretty back there?

0:57:03 > 0:57:05Used to be.

0:57:33 > 0:57:35What are you doing?

0:57:44 > 0:57:47Do and I'll kill you.

0:58:17 > 0:58:19What is it?

0:58:22 > 0:58:24Apache.

0:58:29 > 0:58:32- How could he miss?- He didn't.

0:58:32 > 0:58:34Well, why didn't he kill us?

0:58:34 > 0:58:38He's got a little score to settle up with me first.

0:58:41 > 0:58:43Start packing up.

0:59:54 > 1:00:00- Can't forgive me for making you give up those five years, can you? - I'll pick up his trail again.

1:00:00 > 1:00:02Hardly seemed worth the trouble.

1:00:02 > 1:00:04HORSE STIRS

1:00:06 > 1:00:08There you go.

1:00:12 > 1:00:14RATTLESNAKE HISSES

1:00:47 > 1:00:50He broke it.

1:00:55 > 1:00:57SINGLE SHOT

1:01:23 > 1:01:27What is he waiting for? Why doesn't he kill us?

1:01:27 > 1:01:30He will when he's ready.

1:01:35 > 1:01:39- Why don't you kill us and get it over with?! Come on!- Stop it!

1:01:39 > 1:01:43- Leave me alone!- Shut up!- Why do you let him torture us?- Shut up!

1:03:33 > 1:03:37Our Apache friend's been awful quiet. Maybe he got bit by a snake.

1:03:47 > 1:03:53- Do you think it's much further? - What?- Siringo.

1:03:54 > 1:03:57- Siringo what?- Do you think...?

1:04:26 > 1:04:28Strange.

1:04:29 > 1:04:33I feel I know you better than any man I've ever known.

1:04:35 > 1:04:37Yet I hardly know you at all.

1:04:45 > 1:04:50- What are you trying to do? - You're hurting me! - What did you expect to find?

1:04:53 > 1:04:57I was only trying to make you more comfortable.

1:04:57 > 1:04:59I'm sorry.

1:05:06 > 1:05:08HORSE WHINNIES

1:05:24 > 1:05:26Sorry...

1:05:29 > 1:05:34There's...some things about me you don't understand.

1:05:36 > 1:05:41You killed the only person I loved in this whole world.

1:05:41 > 1:05:44That's all I need to know about YOU.

1:06:37 > 1:06:40Next time I'll be waiting for him.

1:06:56 > 1:06:58Inside.

1:06:58 > 1:07:00Go on.

1:07:26 > 1:07:28This'll do.

1:07:38 > 1:07:39Here.

1:07:39 > 1:07:43You've got enough buckshot in there to stop an army.

1:07:43 > 1:07:48He ought to be on top of the bluff by sundown, so I'll wait for him.

1:07:49 > 1:07:53If I'm not back by morning, you're on your own.

1:07:53 > 1:07:55Wait.

1:08:00 > 1:08:03I...just wanted to say...

1:08:10 > 1:08:13..thank you.

1:08:44 > 1:08:46RUMBLE OF THUNDER

1:09:05 > 1:09:07THUNDER GROWS LOUDER

1:09:30 > 1:09:32- Aaaiee!- Ungh!

1:09:35 > 1:09:37Aaargh!

1:11:42 > 1:11:44Where is it? By the mission?

1:11:46 > 1:11:48What was your husband's name?

1:11:48 > 1:11:53Mead Tildon. My son was named after him.

1:13:01 > 1:13:04I couldn't find it.

1:13:10 > 1:13:12It's there.

1:13:13 > 1:13:18No, there ain't nobody named Tildon buried there.

1:13:24 > 1:13:28You're just the same as all the rest of them.

1:13:41 > 1:13:43Here it is.

1:14:01 > 1:14:03It must be one of the others.

1:15:28 > 1:15:30Kit!

1:15:32 > 1:15:35Kit! I found it!

1:15:42 > 1:15:44I found it.

1:15:44 > 1:15:46Yellowleg.

1:15:49 > 1:15:53- Where's Turk? - Right behind you.

1:15:53 > 1:16:00When Billy gets hold of an idea, he just won't let go of it. Especially a red-headed woman.

1:16:10 > 1:16:15Well, there's no need to keep the lady out here in the sunshine.

1:16:15 > 1:16:19Let's step inside and talk things over.

1:16:44 > 1:16:47Sorry I can't offer you folks a drink.

1:16:47 > 1:16:51- What did you do with the money? - Money? What money?

1:16:57 > 1:17:04- Only one thing would bring him down here - keeping ahead of a posse.- I never saw folks so scared of Injuns.

1:17:07 > 1:17:09I tell you, she sure is pretty.

1:17:13 > 1:17:16Turkey, go get that money.

1:17:18 > 1:17:22- Are you crazy?- Go on. Do what I told you to do.

1:17:35 > 1:17:40- You know, I...I just ain't got the heart to kill him.- Huh?

1:17:40 > 1:17:43How would you like to have your gun back?

1:17:43 > 1:17:47- You want me to do it? - I'll be much obliged.

1:17:57 > 1:18:01- Just the minute he walks back through this door.- What about her?

1:18:06 > 1:18:10We'll decide that later. You and me.

1:18:13 > 1:18:18Well, I'm going for a little walk. I'll be around.

1:18:20 > 1:18:22The lady's got to admit I got guts.

1:18:36 > 1:18:39You'd better get out of here.

1:18:39 > 1:18:44- You can't! - I've waited five years. The waiting is over. Now keep out of it.

1:18:44 > 1:18:48What happened to Mead was an accident. I know that now,

1:18:48 > 1:18:52even though I thought that I could never forgive you for it.

1:18:52 > 1:18:56But I could never love a man who was a cold-blooded killer.

1:18:58 > 1:19:00Love?

1:19:02 > 1:19:04You don't even know me.

1:19:04 > 1:19:07I'm a face under a hat.

1:19:08 > 1:19:12Ever wonder why I won't take this off?

1:19:21 > 1:19:26- Want to talk about love? - I've seen you with your hat off.

1:20:04 > 1:20:07What about MY scars?

1:20:13 > 1:20:19Do you know how many men I've let kiss me just because their filthy money gave them the right?

1:20:22 > 1:20:25Men with dirty shirts,

1:20:25 > 1:20:29smelly arms, money in their pockets.

1:20:32 > 1:20:35Can those scars be forgotten?

1:20:36 > 1:20:39Can I ask you to love a...

1:20:40 > 1:20:42..a woman like that?

1:20:52 > 1:20:56Now don't that make a pretty picture?

1:20:57 > 1:20:59Where's Billy?

1:21:03 > 1:21:06- Out of the way.- Don't do it!

1:22:02 > 1:22:06All this shooting and he ain't even touched him yet.

1:22:06 > 1:22:08Turkey...

1:22:10 > 1:22:13Billy! Are you crazy?!

1:22:28 > 1:22:31All right, Yellowleg. This is it.

1:22:32 > 1:22:37- You and me.- Move out, Billy. Move out. I ain't got time for you.

1:22:37 > 1:22:44There ain't but two horses in this town. You know only two people are gonna ride out of here alive.

1:23:10 > 1:23:14You turned on me, Billy. And I raised him from a puppy.

1:23:17 > 1:23:19I'm not giving him this money.

1:23:19 > 1:23:21No...

1:23:28 > 1:23:31Get me some slave Indians... I'll train them myself.

1:23:33 > 1:23:35Take all this money...

1:23:35 > 1:23:38FOOTSTEPS APPROACH

1:23:38 > 1:23:42Yellowleg, Yellowleg, listen to me. We can make ourselves a deal.

1:23:44 > 1:23:49I don't want that Billy with me. I want you! Look at you. I put you in that uniform.

1:23:51 > 1:23:53Now come on, listen to reason.

1:23:53 > 1:23:57Why can't a Yankee join up with a Rebel?

1:23:59 > 1:24:05We could do it together. Look at all this money here. Look. I'll give it all to you.

1:24:11 > 1:24:17I'll make a general out of you. General Yellowleg. Think of how you'd look in one of these caps...

1:24:43 > 1:24:47Listen, Yellowleg, like I told you up there...

1:24:47 > 1:24:53- You're gonna be in my army. I'll make a general out of you with gold braid.- Remember that?

1:24:55 > 1:24:58You know where you left it, don't you?

1:24:58 > 1:25:01- Chickamauga.- Look at it.

1:25:01 > 1:25:07- No... Oh, Yellowleg, listen to me, I don't want that Billy...- Look at me!

1:25:08 > 1:25:14Yellowleg, I'll make a general out of you. You'll look good in that gold braid. Listen to me...

1:25:17 > 1:25:19- Oh...- Don't!

1:25:24 > 1:25:27Get out of here!

1:25:29 > 1:25:32Don't do it!

1:25:41 > 1:25:42Aah!

1:25:51 > 1:25:53(TURK) Billy!

1:25:58 > 1:26:00Billy!

1:26:00 > 1:26:04You tell Yellowleg it's a fact I got soldiers!

1:26:25 > 1:26:27HORSES APPROACH

1:26:45 > 1:26:49Hi. We're trailing a couple of bank robbers. You got one of them.

1:26:49 > 1:26:57- Where's the other?- Inside. Looks like they figured you didn't have guts enough to come here.

1:26:57 > 1:27:03- You know how people are. If it's their money, the gates of hell wouldn't stop them.- Sure.

1:27:03 > 1:27:07Parson, we're going to need a few of the right kind of words from you.

1:27:07 > 1:27:13- We're burying a boy alongside of his dad.- I'll say the right words.

1:27:43 > 1:27:50- This is a convoy.- Yes, sir. - Gentlemen, you're going to make great officers in my army.

1:27:50 > 1:27:56I'll soon have your uniforms for you. Gold braid. And then we'll start training...

1:27:56 > 1:28:03Thank you, sir. Well, Captain, if you'll say, "Forward, yo!" to these ranks, we'll go.

1:28:03 > 1:28:05Forward, yo!

1:28:05 > 1:28:09# When Johnny comes marching home again, hurrah, hurrah

1:28:09 > 1:28:13# When Johnny comes marching home again, hurrah, hurrah... #

1:28:13 > 1:28:15Fill up those ranks!

1:28:15 > 1:28:18Forward march! Follow me, men!

1:28:26 > 1:28:30We'll get us an army, we know what to do.

1:28:30 > 1:28:33We buy some slave Indians...

1:28:40 > 1:28:43# Each day when I awaken

1:28:43 > 1:28:48# No more I face the empty dawn

1:28:48 > 1:28:54# For I know that my heart is not forsaken

1:28:55 > 1:29:00# The dream of love that once I knew

1:29:00 > 1:29:06# Now lingers beyond the empty dawn

1:29:06 > 1:29:13# No more is my lonely heart broken... #