0:01:04 > 0:01:08After three-quarters, it's Daisy by one length.
0:01:08 > 0:01:11And French is second by a point...
0:01:11 > 0:01:14Come on, Daisy! Come on, Daisy, baby!
0:01:14 > 0:01:18That's the girl! Come on Daisy, you're doing great, Daisy!
0:01:18 > 0:01:21Come on! Come on, sweetheart!
0:01:21 > 0:01:23RACE COMMENTARY CONTINUES
0:01:25 > 0:01:28Oh, you wonderful horse! You wonderful animal!
0:01:28 > 0:01:30Come on! Atta-girl!
0:01:30 > 0:01:31Atta-girl!
0:01:31 > 0:01:33You bum!
0:01:35 > 0:01:38- Your programme?- My wife's. - My error.
0:01:42 > 0:01:45How is the smart money betting on the next race?
0:01:45 > 0:01:49I wouldn't know about that, but I'm taking number five, I like the odds.
0:01:49 > 0:01:51- Do you have a cigarette?- Yeah.
0:01:53 > 0:01:54Thanks.
0:01:54 > 0:01:58- Thanks!- Do either of you detectives happen to have a match?
0:01:58 > 0:02:00Yeah.
0:02:00 > 0:02:03- Oh, a wise guy, huh?- Oh, lay off him.
0:02:03 > 0:02:06- I'm Inspector McBride of headquarters.- Is that so?
0:02:06 > 0:02:10I remember seeing a report on you, and I never forget a face.
0:02:10 > 0:02:12You're Tom Lawrence, the Falcon.
0:02:12 > 0:02:14Yeah, the report says,
0:02:14 > 0:02:18"Amateur detective, specialising in murder cases."
0:02:18 > 0:02:20I'm sorry to disappoint you but I'm here on a vacation.
0:02:20 > 0:02:24For the time being, no more crime detection. Especially murder cases.
0:02:24 > 0:02:27Maybe you could help us out. We're looking for somebody you know,
0:02:27 > 0:02:30Louie Buchanan, he jumped parole back East.
0:02:30 > 0:02:33Louie was a big-time gambler, why don't you watch the 100 windows?
0:02:33 > 0:02:37I had an idea you might have seen him. It seems he was mixed up with you once.
0:02:37 > 0:02:41Yes, that mix-up sent him to the pen. You said you had a good memory.
0:02:41 > 0:02:43I'm the one who gave the evidence.
0:02:43 > 0:02:47- I'll take your word for that. - Thank you, Inspector. If you'll excuse me...
0:02:47 > 0:02:49Say, where did you get the tip on number five?
0:02:49 > 0:02:51Oh, that's practically a sure thing.
0:02:51 > 0:02:56Alice Cabe. I once knew a beautiful redhead by that name.
0:02:56 > 0:03:00Say, he must know something. You mind if I take a flyer?
0:03:00 > 0:03:03- Why ask me?- Why?
0:03:03 > 0:03:07- You're going to lend me the two bucks!- Oh.
0:03:17 > 0:03:19- Second seat, sir.- Thank you.
0:03:22 > 0:03:25- How are you, Mr Buchanan?- Fine.
0:03:25 > 0:03:27That was a pretty short 20 years, wasn't it?
0:03:27 > 0:03:31Yes. I was a very good boy, they paroled me.
0:03:31 > 0:03:35It's quite a jump from the penitentiary to the ponies!
0:03:35 > 0:03:39Look, chum, you've been in my hair before. Don't get into it again.
0:03:39 > 0:03:42- What's worrying you, Louie? - You are, Doc.
0:03:42 > 0:03:46You see too much, you think too much and you breathe too much.
0:03:46 > 0:03:49- And bet too much on the wrong horses!- You're kidding!
0:03:49 > 0:03:51- You must be loaded with luck!- Me?
0:03:51 > 0:03:54Sure, you're still alive, ain't you?
0:03:54 > 0:03:57I saw your last picture! Gee, you were swell!
0:03:57 > 0:04:00- I'm glad you liked it!- Sign my programme, please, Miss D'Allio.
0:04:00 > 0:04:03- Oh, let me take those for you. - Oh thank you.
0:04:03 > 0:04:05- What's your name?- Douglas.
0:04:05 > 0:04:07All right, Douglas.
0:04:07 > 0:04:09- There you are.- Mine too!
0:04:09 > 0:04:11Well, no more until after the race, non?
0:04:11 > 0:04:15- Sure, we won't bother you again. - That's all right, children.
0:04:15 > 0:04:18- And thank you very much.- No, thank YOU! So long, we'll be seeing you!
0:04:18 > 0:04:20Goodbye!
0:04:25 > 0:04:27- My glasses!- Are these yours?
0:04:27 > 0:04:30Oh, thank you!
0:04:30 > 0:04:32I don't think we've met, have we?
0:04:32 > 0:04:37- There always has to be a first time. I'm Tom Lawrence.- Lawrence.
0:04:37 > 0:04:38TRUMPET FANFARE
0:04:38 > 0:04:44- That's my birth date, number 11! - I beg your pardon?- From numerology!
0:04:44 > 0:04:48There are 11 letters in your name - that's the horse I picked. Everything's 11 today.
0:04:48 > 0:04:53- Why don't you bet it?- Thanks, but I have a different system. I'll stick with number five.
0:04:53 > 0:04:55Your attention, ladies and gentlemen. In the next race...
0:04:55 > 0:04:59Here, look at number 11. See if you don't get the right vibrations.
0:04:59 > 0:05:03I'm afraid there are too many other distracting vibrations around here.
0:05:03 > 0:05:05The horses are nearing the starting gate.
0:05:05 > 0:05:09- I'm going to make another bet. - You'd better hurry.
0:05:09 > 0:05:10Don't worry, I'll make it!
0:05:17 > 0:05:20- Do me a favour, will you? - I'd be glad to.
0:05:20 > 0:05:22D'you mind pretending you know me?
0:05:22 > 0:05:24Not a bit!
0:05:24 > 0:05:26Wait - you don't know me that well!
0:05:26 > 0:05:28Oh.
0:05:28 > 0:05:32Excuse me, Lawrence. Your name wouldn't be Peggy Callahan?
0:05:32 > 0:05:34Sorry, you've made a mistake.
0:05:34 > 0:05:39I should have introduced you, Inspector. This is my cousin, Gladys Lapolis from Minneapolis.
0:05:39 > 0:05:41You mean it's Louie Buchanan's girlfriend?
0:05:41 > 0:05:44I've a memory for faces. I've seen hers in a police bulletin.
0:05:44 > 0:05:47Those police photographs would fit almost anyone you meet!
0:05:47 > 0:05:50- Never mind the stall.- Skip it.
0:05:50 > 0:05:52COMMENTATOR: The horses are in the gate.
0:05:54 > 0:05:56Number 5's breaking out of the gate.
0:05:56 > 0:05:57Number 5.
0:05:57 > 0:06:01Hey, that'd better be a good tip you gave me.
0:06:09 > 0:06:11Peggy.
0:06:12 > 0:06:13Then it is Peggy, huh?
0:06:13 > 0:06:17- How did you know?- Oh, it's a good Irish name, Peggy Callahan.
0:06:17 > 0:06:20Seems to go with freckles and that stubborn Irish chin.
0:06:20 > 0:06:22They're not freckles, that's a Californian tan.
0:06:22 > 0:06:26- I have seen you in Louie's gambling place, haven't I?- Probably.
0:06:26 > 0:06:27I was a hoofer in the floor show.
0:06:27 > 0:06:31You know the routine, big bright smile to make the losers happy.
0:06:31 > 0:06:35Louie asked me to meet him here, but I'm not his girlfriend, and never was.
0:06:35 > 0:06:37Trouble was trying to get him to believe it!
0:06:37 > 0:06:40Why didn't you quit and find a job somewhere else?
0:06:40 > 0:06:43- You don't know Louie!- Don't I?
0:06:45 > 0:06:48Indian Rock is going to the front...
0:06:48 > 0:06:50Moonstone is third...
0:07:02 > 0:07:04Indian Rock by a half-length.
0:07:04 > 0:07:07Number 11, Patsy's boy!
0:07:08 > 0:07:14At three-quarters, Alice Gay moving to the front. Indian Rock is second.
0:07:16 > 0:07:18Turning for home, Alice Gay in front.
0:07:20 > 0:07:23And here comes Patsy's Boy!
0:07:23 > 0:07:27- Alice Gay and Patsy's Boy on the outside.- What did I tell you?
0:07:27 > 0:07:29Alice Gay and Patsy's boy.
0:07:29 > 0:07:31Come on, Patsy's Boy!
0:07:31 > 0:07:34Patsy's Boy on the outside coming off the bend.
0:07:36 > 0:07:38Now what do you think of numerology?
0:07:38 > 0:07:41I guess it's all right if you have a good jockey!
0:07:41 > 0:07:43Why, this...this isn't my bag!
0:07:45 > 0:07:47My tickets! They're gone!
0:07:47 > 0:07:49There was a girl here, she must have taken the wrong purse.
0:07:49 > 0:07:52- But how could she make a mistake like that?- I don't know.
0:07:52 > 0:07:53Maybe I'd better find out.
0:07:53 > 0:07:55- Oh, please.- Excuse me.
0:08:01 > 0:08:04Hey, just a minute!
0:08:04 > 0:08:06- Hey, want to catch that car, Mister? - Yeah!- Pile in!
0:08:17 > 0:08:21- Who's the tomato?- I beg your pardon? What are you chasing this dame for?
0:08:21 > 0:08:24- Are you a copper?- No, not exactly.
0:08:24 > 0:08:26Oh, I get it! One of those amateur snoopers.
0:08:30 > 0:08:33Those lady drivers, they'll kill you!
0:08:33 > 0:08:35I agree with you! Do you mind taking it slower?
0:08:35 > 0:08:42Relax, brother. When I'm not driving the cement mixer, I work in pictures. First class, number one stunt driver.
0:08:42 > 0:08:45My name's Billie. What alias do you travel under?
0:08:45 > 0:08:49- Lawrence. Tom Lawrence from the obituary columns.- Lawrence, huh?
0:08:49 > 0:08:52Not that keyhole creeper they call the Falcon?
0:08:52 > 0:08:55You're looking at him - instead of the traffic!
0:08:55 > 0:08:57The Falcon! Gee whiz!
0:08:59 > 0:09:04Look, do you mind pulling up somewhere? Up the next telephone pole if you like, but pull up!
0:09:04 > 0:09:06And let that car get away? Not on your life!
0:09:06 > 0:09:10Just hang on and shut your eyes, that's what I do on the close ones!
0:09:22 > 0:09:24Thanks.
0:09:24 > 0:09:26SHE WHISTLES
0:09:26 > 0:09:28That'll be 3.90.
0:09:28 > 0:09:32Oh. Here you are, keep the change.
0:09:37 > 0:09:39Just a minute. Where are you going?
0:09:39 > 0:09:41I want to see that young lady who just drove in here.
0:09:41 > 0:09:45This is a motion pictures studio. No visitors allowed on the lot.
0:09:45 > 0:09:48- Surely you would make an exception in this case...- No exceptions.
0:09:48 > 0:09:50I wouldn't bother you, but this is important.
0:09:50 > 0:09:52Oh sure, it's always important.
0:09:52 > 0:09:56- But nobody gets through here without a pass.- Well, thanks anyway.
0:10:00 > 0:10:05- You're not going to let that stop you? I thought you said you were the Falcon.- You think I can't get in?
0:10:05 > 0:10:09I can help you. This is an independent studio. They rent space to a lot of different producers.
0:10:09 > 0:10:14- Say you're a technical adviser on a murder mystery.- Thanks, but I can work this out.
0:10:14 > 0:10:17- Can I give you a hand? - Oh, thank you, sir.
0:10:17 > 0:10:21- I should have stuck to playing the violin.- This is a lovely instrument.
0:10:23 > 0:10:26- Don't go away, will you? - Don't worry, I won't.
0:10:26 > 0:10:28Hey you, where do you think you're going?
0:10:28 > 0:10:31I'm a musician, I work here. I have a pass.
0:10:31 > 0:10:33- Where is it?- I'll find it, I'll show it to you.
0:10:35 > 0:10:38That's funny, and I had it with me last night but...
0:10:38 > 0:10:44Sometimes my wife, she takes some things out and... doesn't always put them back.
0:10:49 > 0:10:50WHISTLE
0:10:52 > 0:10:55- Do you have to follow me? - I told you I worked in pictures.
0:10:55 > 0:10:58I can show you around this lot blindfolded.
0:10:58 > 0:11:01But all I want to do is to find that girl.
0:11:01 > 0:11:04- Maybe I can help. Did she murder her boyfriend?- Just took the wrong purse.
0:11:04 > 0:11:07Oh, an embezzler, huh?
0:11:07 > 0:11:10Hey! Though you said you weren't sightseeing?
0:11:10 > 0:11:12Look, do me a favour. See if you can find her car.
0:11:12 > 0:11:14Well, I'll try.
0:11:17 > 0:11:20SHOT FOLLOWED BY SCREAM
0:11:26 > 0:11:28Excuse me. Are they making a picture in there?
0:11:28 > 0:11:31- Sure, why?- I thought I heard the noise of a shot and a man screaming.
0:11:31 > 0:11:35So what? They're probably shooting a scene. You know, for the pictures.
0:11:35 > 0:11:37Any chance of getting in?
0:11:37 > 0:11:41- Wait until the light goes off and barge in.- I see.
0:11:41 > 0:11:42Must be a long scene!
0:11:42 > 0:11:44OK, let's take a look.
0:11:44 > 0:11:46Be quiet, see!
0:11:55 > 0:11:59You must have been hearing things, mister, there's nobody here.
0:11:59 > 0:12:02- But that red light was on.- Somebody probably left it on by mistake.
0:12:53 > 0:12:54DOOR CLOSES
0:13:21 > 0:13:26So I walked onstage and he said, "I want you to wear a fur piece." So here I am for a fur piece.
0:13:28 > 0:13:29This is the worst job I ever had!
0:13:29 > 0:13:33Dance, dance, so tired of dancing I never want to see another dance floor!
0:13:33 > 0:13:39- Thanks a lot.- What for?
0:13:36 > 0:13:39Oh skip it! What's the matter with you, anyway?
0:13:41 > 0:13:42SHE HUMS
0:13:47 > 0:13:49Yes, of course.
0:13:49 > 0:13:52Well, as soon as they're ready.
0:13:52 > 0:13:54No, stage five.
0:13:54 > 0:13:57You didn't happen to be on stage five a few minutes ago, did you?
0:13:57 > 0:14:02- Where did you come from? - That doesn't answer my question. You just came in, didn't you?
0:14:02 > 0:14:04I'm sorry, I'm terribly busy.
0:14:06 > 0:14:09Mm, cute.
0:14:09 > 0:14:13I'm trying to get these costumes finished, and you're not helping.
0:14:13 > 0:14:17- You're not supposed to be here.- I've been trying to get out for some time
0:14:17 > 0:14:21but there doesn't seem to be anything in the hallway except girls running around in their...
0:14:21 > 0:14:25- running around!- I see what you mean! - KNOCK ON DOOR
0:14:25 > 0:14:28- Pardon me.- Come in!
0:14:28 > 0:14:30Roxanne, will you look at this!
0:14:30 > 0:14:35- The fitter didn't get your idea at all!- I'll say he didn't!
0:14:35 > 0:14:39Hold still now till I pin it up. Now, that ought to fix it.
0:14:39 > 0:14:43- Hey! I've been looking for you! - I've been looking for you! There has been a murder!
0:14:43 > 0:14:46Yes? The next time you try... There's been a what?
0:14:46 > 0:14:50- A murder. A murder?! Where? - On that stage over there. One of the actors.
0:14:50 > 0:14:54OK, but if you try to get away I know how to use this!
0:14:54 > 0:14:56Well, we can't go in while the light's on.
0:14:56 > 0:14:58It was left on for a good reason.
0:14:58 > 0:15:01Not a bad idea, if you want a private murder!
0:15:01 > 0:15:02Well, you'd better be right!
0:15:06 > 0:15:08All right, where's the body?
0:15:08 > 0:15:09It's right through here.
0:15:29 > 0:15:31Hold it! Cut!
0:15:31 > 0:15:37If it's not too much trouble, would you mind telling me what you're doing and how you got in here?
0:15:37 > 0:15:39How did you get in here? This place was empty!
0:15:39 > 0:15:42I'm sorry, Mr Hoffman, but this man said there was a murder here!
0:15:42 > 0:15:44There was! The body was lying there!
0:15:44 > 0:15:49Imbecile, idiot! How could there be? We moved in here from the stage 10 minutes ago.
0:15:49 > 0:15:51Did anybody see a body in here?
0:15:51 > 0:15:53Yes, there were two corpses, playing gin rummy!
0:15:53 > 0:15:55He's got us mixed up with a morgue!
0:15:55 > 0:15:58You made a mistake, Sahib, this is a motion picture studio!
0:15:58 > 0:16:02It's entirely within the realm of expectation to see things which do not seem normal.
0:16:02 > 0:16:06- He ought to know a dead body when he sees one!- Just a minute.
0:16:06 > 0:16:12He was your height and appearance, but you're not the same man. Where did you get that costume?
0:16:12 > 0:16:14I'm doubling the fight scenes for Ted Myles!
0:16:14 > 0:16:18And Myles left two hours ago! He finished for the day, and went home.
0:16:18 > 0:16:21Mr Hoffman, what's the delay this time?
0:16:21 > 0:16:27- I might as well know the worst.- Can I help it if people come in spoiling my scenes, looking for murderers?
0:16:27 > 0:16:30- How do you expect me to direct this picture?- A murder? Where?
0:16:30 > 0:16:34- Right where you are standing, but no-one believes it.- I believe it!
0:16:34 > 0:16:37I told you, somebody's trying to sabotage this picture!
0:16:37 > 0:16:40Five years on Broadway, and this happens to my first picture!
0:16:40 > 0:16:43Breakdowns, delays, accidents, and now murders!
0:16:43 > 0:16:46Will the lines stretch out to the crack of doom?
0:16:46 > 0:16:49Here I am, five days behind schedule, and he quotes Shakespeare!
0:16:49 > 0:16:52- Who put this horse shoe up here? - Why?
0:16:52 > 0:16:57- What are you fussing about now? What's wrong?- Look, it's upside down, all the luck will run out!
0:16:57 > 0:17:02- We cannot change it now, it's already in some of my best scenes! - All right, leave it!
0:17:02 > 0:17:03Come on, let's get out of here.
0:17:03 > 0:17:07Places, everybody! Quiet, let's go! Hold it, start reloading!
0:17:07 > 0:17:10Reloading, reloading! Always reloading when I'm ready to start!
0:17:10 > 0:17:12Excuse me.
0:17:12 > 0:17:17I really don't think you should leave this lying around, especially since you know that horse won.
0:17:17 > 0:17:20I don't have the slightest idea what you're talking about.
0:17:20 > 0:17:25- Let's say you took the wrong purse by mistake.- I've never seen it before.
0:17:25 > 0:17:28- Peggy, I know perfectly well that... - You are confused, aren't you?
0:17:28 > 0:17:30My name isn't Peggy.
0:17:30 > 0:17:33- Lorraine...- Be right with you!
0:17:33 > 0:17:34Get her!
0:17:34 > 0:17:37What's wrong with you? That's Lorraine Evans.
0:17:37 > 0:17:40- I'm afraid you're beginning to doubt me.- Beginning to?!
0:17:40 > 0:17:42Come on, out, both of you!
0:17:42 > 0:17:45Meeting you has been an experience I'll never forget!
0:17:45 > 0:17:47How do you like it, Mr Hoffman?
0:17:47 > 0:17:49Terrible! It's too plain, too simple.
0:17:49 > 0:17:52This girl has no talent, nothing.
0:17:52 > 0:17:55With my camera I can only get the personality from the dress.
0:17:55 > 0:17:57Do something about it.
0:17:57 > 0:17:59Oh, Monsieur Lawrence!
0:18:01 > 0:18:03Oh, you found it!
0:18:03 > 0:18:07- All the winning tickets, too! - Oh my darling, you are so wonderful!
0:18:07 > 0:18:10Hmm. How did you know where to find me?
0:18:10 > 0:18:13Oh I... I didn't. You see, I...
0:18:13 > 0:18:16I had an appointment with the producer, Mr Dwyer.
0:18:16 > 0:18:19He promised to star me in his picture, then cast unknowns.
0:18:19 > 0:18:22He does that to me, Lili D'Allio, when he knew I wanted that part!
0:18:22 > 0:18:27- A tragedy of the motion picture business!- I'll make him wish he'd kept his promise! He's inside, non?
0:18:27 > 0:18:29He's inside, yes.
0:18:29 > 0:18:31All right, you two, follow me!
0:18:47 > 0:18:52- Are you sure it wasn't a wax dummy? It could have been a stand-in for a corpse!- It was a body all right!
0:18:52 > 0:18:55And it didn't walk off by itself, must be around here somewhere!
0:18:55 > 0:18:57This is where we get off.
0:19:08 > 0:19:11Say, what are you coming down here for?
0:19:11 > 0:19:13I have to start looking somewhere.
0:19:17 > 0:19:19Not a bad place for a murder!
0:19:19 > 0:19:20Yeah.
0:19:27 > 0:19:29Disappointed?
0:19:37 > 0:19:41What am I looking for? If I found anything, I'd drop dead!
0:19:45 > 0:19:47We seem to have company.
0:19:47 > 0:19:50I hope it isn't his ghost!
0:20:00 > 0:20:02- Oh, there he is now.- Who?
0:20:02 > 0:20:04Over there! The guy with the cap.
0:20:05 > 0:20:09- It's you.- Me?- Yeah.
0:20:11 > 0:20:12Oh!
0:20:14 > 0:20:16CRASH! Oh, they got me!
0:20:16 > 0:20:20While looking for the bullet hole, don't step on the broken glass.
0:20:24 > 0:20:27I'll bet you think I was scared back there!
0:20:27 > 0:20:30I knew it was a light bulb all the time.
0:20:43 > 0:20:45No sir, you can't kid me.
0:20:45 > 0:20:48I know the difference between the sound of a light bulb
0:20:48 > 0:20:51and a bullet when I hear one!
0:20:51 > 0:20:53Excuse me.
0:20:53 > 0:20:55SHE SCREAMS
0:20:55 > 0:20:59- What are you yelling about?- Him there! A body! I'll call the police.
0:20:59 > 0:21:04Operator! Operator! Somebody's cut the wires!
0:21:04 > 0:21:05That's a prop phone!
0:21:05 > 0:21:07Oh.
0:21:09 > 0:21:13- It's Ted Myles!- It's the same body I found before. But there's something missing.
0:21:13 > 0:21:18- He had a ring clutched in his hand. - Gee, a handsome guy like that getting knocked off.
0:21:18 > 0:21:19There ought to be a law!
0:21:19 > 0:21:22I'll take it up at the next session. Who did you say he was?
0:21:22 > 0:21:27- Ted Myles. He was married to Roxanna. You saw her, the dress designer. - Yes, I was in her office.
0:21:27 > 0:21:31- Hmm, you get around, don't you? - Just how good an actor was he?
0:21:31 > 0:21:34Actor? Playboy, you mean! Tried to break into pictures for fun.
0:21:34 > 0:21:36He sure didn't need the dough! He was rolling in it.
0:21:36 > 0:21:40- Which is the usual motive for murder.- Motive for murder?!- Yeah.
0:21:40 > 0:21:44- You mean Roxanna killed him for his bankroll?- It's been done!
0:21:44 > 0:21:47That's right! I read something about them having a fight and separating!
0:21:49 > 0:21:52Well, genius, what's the first move?
0:21:52 > 0:21:55- Find a phone and call the police! - And let them grab all the gravy?
0:21:55 > 0:22:00- What's the matter with you solving it?- Listen, I'm on a vacation.
0:22:00 > 0:22:01- A vacation!- Yeah.
0:22:01 > 0:22:05I'm not interested in finding out who killed Myles or anyone else!
0:22:07 > 0:22:11Hey, look! There she is now, destroying the evidence!
0:22:14 > 0:22:16A murderess if I ever saw one!
0:22:16 > 0:22:20Just to show you how wrong you are, we'll get her on the phone.
0:22:25 > 0:22:29Hello, operator? Get me the Sunset Studios, would you please?
0:22:29 > 0:22:32There isn't a book here, I'm sorry. You will? Thank you.
0:22:34 > 0:22:36Do you always wear that hat?
0:22:36 > 0:22:37Yeah, what's the matter with it?
0:22:37 > 0:22:40Lady's wardrobe.
0:22:41 > 0:22:43PHONE RINGS
0:22:46 > 0:22:49Hello, Roxanna? This is one of the watchmen.
0:22:49 > 0:22:54There's been an accident. Will you come down to the prop room basement? Yeah. Your husband. OK.
0:22:58 > 0:23:01You see? A perfectly normal reaction, nothing guilty about it.
0:23:04 > 0:23:08Yeah? What's she doing now? Checking to see if he paid his life insurance?
0:23:08 > 0:23:13Probably figured she'd beat the rap on her good looks - nothing but men on the jury!
0:23:18 > 0:23:23- Why did you call me off the set? - Something's happened to Ted.- Where is he?- Basement of the prop room.
0:23:33 > 0:23:37- He's dead, isn't he?- I'm sure he is.
0:23:38 > 0:23:40I don't want to look at him.
0:23:40 > 0:23:45We have to be more emotional for the police, they might not understand the lack of tears.
0:23:45 > 0:23:48Why should I pretend to you? You know I hated him!
0:23:48 > 0:23:52I dreamed of the day I'd be rid of him, and he knew it. He knew I wanted to marry you.
0:23:52 > 0:23:56I don't know how you direct this scene, but is this the right time to walk in?
0:23:56 > 0:23:59- What are you trying to say?- Nothing, but you thought I was exaggerating
0:23:59 > 0:24:04- when I said someone had been murdered.- No use covering up! You two murdered him for his bankroll!
0:24:04 > 0:24:09- Don't jump to conclusions. - That's what you said.- I was merely suggesting the possibility.
0:24:09 > 0:24:13- Don't you dare say that!- All right, Mr Hoffman, I'll take care of him!
0:24:13 > 0:24:16- You're going to jail this time! - I'm afraid you're wrong.
0:24:16 > 0:24:21I don't think you noticed, but that's the body of the actor I didn't find and who wasn't murdered!
0:24:21 > 0:24:24Why, it's Myles! Hey, you're not going anywhere!
0:24:24 > 0:24:28- We've got to find out about this! - Sorry, we have a taxi waiting.
0:24:31 > 0:24:35- You should have kept your meter running.- Oh, I did!- You did?!
0:24:35 > 0:24:38You told me to wait for you, remember? Come on, hurry up! Come on!
0:24:43 > 0:24:45Where to?
0:24:45 > 0:24:47Chateau Marseilles.
0:24:47 > 0:24:50You know, I really should congratulate myself.
0:24:50 > 0:24:54I was tempted to work on the case, but I didn't let myself get involved.
0:24:54 > 0:24:58You could have solved it in nothing flat. What would you have done first?
0:24:58 > 0:25:03Oh, I don't know. Found out where Myles lived, probably, and then searched through his effects.
0:25:03 > 0:25:05- His what?- His apartment.
0:25:05 > 0:25:08- Oh.- But don't get me started!
0:25:08 > 0:25:11Who, me? I wouldn't think of it!
0:25:17 > 0:25:21- Hey, this isn't my apartment! - It's Ted Myles's.
0:25:21 > 0:25:25I thought I'd show you where he lived in case you wanted to solve the murder!
0:25:25 > 0:25:28There'll be a taxicab murder if you're not careful!
0:25:28 > 0:25:32OK. But it's a shame not to take a look while the clues are still hot!
0:25:32 > 0:25:37- But you probably couldn't get into his apartment anyway.- OK!
0:25:42 > 0:25:45- You don't mind, do you? - Oh no, of course not!
0:25:45 > 0:25:47Yes, they just called me.
0:25:47 > 0:25:49Ted Myles, shot. Murdered.
0:25:49 > 0:25:53Not over an hour ago.
0:25:53 > 0:25:55Isn't it terrible?
0:25:55 > 0:25:56Ah! Oh, don't do that!
0:25:56 > 0:25:59I'll call you right back. Oh dear, I'm so upset.
0:25:59 > 0:26:03One of my tenants has been murdered in cold blood. Can you imagine that?
0:26:03 > 0:26:06Ted Myles was his name. Only this morning he was around...
0:26:06 > 0:26:12- I know. That's why I'm here. I'd like to check his apartment.- Oh, no trouble. I'll get you the key.
0:26:12 > 0:26:15No trouble at all. Well, you fellows sure don't waste any time!
0:26:15 > 0:26:20It's a relief to know if you're going to be murdered that the police will be right here on the job!
0:26:20 > 0:26:22Oh, you wanted the key, yes?
0:26:22 > 0:26:25- Is that it in your hand?- Oh!
0:26:25 > 0:26:28Oh I'm sorry, but I'm just so upset, I don't know half what I'm doing.
0:26:28 > 0:26:31- Really?- Yes. Have you got any clues yet?
0:26:31 > 0:26:36I'm safe in saying that headquarters expects to make an arrest within 24 hours.
0:26:36 > 0:26:39I won't spread it around! No, sir!
0:26:39 > 0:26:41Where is his apartment?
0:26:41 > 0:26:43Oh, sorry! I forgot to tell you, didn't I?
0:26:43 > 0:26:45Apartment B, right down the hall.
0:26:45 > 0:26:47Thank you.
0:26:47 > 0:26:51Oh dear, Ted Myles murdered! What will Miss Scott think about that?
0:26:51 > 0:26:54I hope she didn't have her radio on...
0:26:54 > 0:26:57Won't you get into trouble, passing yourself off as a copper?
0:26:57 > 0:26:59I didn't, he merely took it for granted.
0:26:59 > 0:27:02Serves him right for jumping to conclusions!
0:27:12 > 0:27:16- Say...- What's the matter? You're not losing your nerve, are you?
0:27:16 > 0:27:18No, of course not.
0:27:18 > 0:27:21It's like stepping over his grave or something.
0:27:21 > 0:27:25Oh, I used to feel that way. You did? Yeah. You'll get over it.
0:27:25 > 0:27:29- I will?- Yes, it will take a few years, but you'll get over it.
0:27:29 > 0:27:31- A few years?!- Mm-hm.
0:27:33 > 0:27:35Oh, I wish we hadn't come in here.
0:27:35 > 0:27:38Seeing his things around kind of gets you.
0:27:38 > 0:27:42He probably stood here this morning trying to pick out the right necktie.
0:27:42 > 0:27:46And worrying about tragic things like a broken shoelace.
0:27:46 > 0:27:47Oh, well.
0:27:47 > 0:27:54What's to be will be I suppose. If it's going to happen, it's going to happen, there's no two ways about it.
0:27:54 > 0:27:57I'm a fatalist myself.
0:27:57 > 0:28:00You just can't figure these things.
0:28:00 > 0:28:02- Billie...- Yeah?
0:28:02 > 0:28:04We may want to get back in here.
0:28:04 > 0:28:08- Do you know any place we can have a duplicate key made?- Over on Melrose.
0:28:08 > 0:28:09Be a good girl, there's the key.
0:28:09 > 0:28:14- Get back as soon as you can. - I'm on my way back already!- Fine.
0:28:42 > 0:28:48"Agrees to sell 25% interest in a motion picture entitled Magic Melody
0:28:48 > 0:28:52"for the purchase price of 50,000, signed Martin S Dwyer."
0:28:55 > 0:28:57DOOR BELL BUZZES
0:29:06 > 0:29:11- Oh!- Why did you ring? You knew Ted Myles was dead.
0:29:11 > 0:29:13Yes, I know.
0:29:13 > 0:29:16I thought I heard someone talking in here.
0:29:17 > 0:29:21Who is it this time? Peggy Callahan or the actress Lorraine Evans?
0:29:21 > 0:29:24I'm sorry about that. Really I am.
0:29:24 > 0:29:26I took that other purse by mistake.
0:29:26 > 0:29:30- I couldn't admit at the studio that I knew you!- Why not?
0:29:30 > 0:29:32I'm using another name in pictures.
0:29:32 > 0:29:37If they find out who I am and where I'm from, it'll spoil my chance for a career!
0:29:37 > 0:29:40That doesn't explain why you came to this apartment.
0:29:40 > 0:29:44I heard about Ted and, well, there was a photograph I'd given him.
0:29:44 > 0:29:49I was afraid the police reporters would find it and try to make something important of it.
0:29:49 > 0:29:50But it really wasn't important?
0:29:50 > 0:29:52He was a good friend, that's all!
0:29:52 > 0:29:58He helped me break away from Louie, then when I came out here he talked Mr Dwyer into making a test of me.
0:29:58 > 0:30:03Of course, you know Ted Myles put up part of the money for that picture?
0:30:03 > 0:30:05Why, no.
0:30:05 > 0:30:08- No, I didn't. - Just like old Irish colleens.
0:30:08 > 0:30:11Pretty hair, pretty eyes, and a touch of Irish blarney.
0:30:13 > 0:30:16Very thoughtful of you to explain everything so clearly.
0:30:16 > 0:30:19How do I know you're not covering up because of the murder?
0:30:22 > 0:30:23- Mr Lawrence!- Stay where you are!
0:30:23 > 0:30:27- I wanted your friend Louie to think he'd hit me.- Did you see him?
0:30:27 > 0:30:30- No, but it was Louie, wasn't it? - I... I don't know.
0:30:30 > 0:30:35I must compliment you on the way you manoeuvred me in front of that window. Perfect target.
0:30:35 > 0:30:38You must speak to Louie about that. I can't see how he missed.
0:30:38 > 0:30:40I didn't know he was out there.
0:30:42 > 0:30:45- Hiya, folks. - Well, well, quite a coincidence.
0:30:45 > 0:30:47- We were just talking about you. - Yeah, I know.
0:30:47 > 0:30:49You're slipping, aren't you?
0:30:49 > 0:30:51What, this? Oh, don't be silly, chum.
0:30:51 > 0:30:54I intended to miss you. That was just a reminder.
0:30:54 > 0:30:56Like the one you gave Myles?
0:30:56 > 0:31:00I didn't kill Myles. Not that he didn't have it coming to him.
0:31:00 > 0:31:03I told him I didn't like anyone fooling around with my girl.
0:31:03 > 0:31:04That goes double for you, chum.
0:31:04 > 0:31:06What do you mean, your girl?
0:31:06 > 0:31:08Who do you think you are, watching every move I make,
0:31:08 > 0:31:11calling me five times a day telling me what I can do?
0:31:11 > 0:31:13I'm no working for you any more, so leave me alone.
0:31:13 > 0:31:15It's OK, baby. I'm the patient type.
0:31:15 > 0:31:20You'll be back as soon as you get this Hollywood bug out of your head.
0:31:20 > 0:31:21- PHONE RINGS - Hold it.
0:31:21 > 0:31:23The manager knows I'm here.
0:31:23 > 0:31:25Yeah.
0:31:25 > 0:31:28OK, answer it. But be careful what you say.
0:31:30 > 0:31:32- Hello? - Hello, this is the manager speaking.
0:31:32 > 0:31:37- I have two gentlemen here who claim they're detectives. - Keep them out of here.
0:31:37 > 0:31:39They're impostors.
0:31:42 > 0:31:43No, you can't go in.
0:31:43 > 0:31:46Now if you'd care to wait here, I'll check with the police.
0:31:46 > 0:31:50- We're the police. Take us to that apartment.- You heard him.
0:31:50 > 0:31:52Yes, sir.
0:31:52 > 0:31:55I'm sorry you have to leave. There's really no hurry.
0:31:55 > 0:31:58Louie, do me a favour - stay away from the studio.
0:31:58 > 0:32:01What are you worried about? They'll never finish that picture.
0:32:01 > 0:32:04- I don't think we'd better be found here either.- No. I'll get my things.
0:32:04 > 0:32:07- Oh, my picture!- Hurry!
0:32:07 > 0:32:09- There he is.- Well, Lawrence...
0:32:09 > 0:32:12- Lieutenant McBride, isn't it? - Inspector McBride.
0:32:12 > 0:32:17- What are you doing, impersonating an officer?- That was the manager's mistake. I just didn't deny it.
0:32:17 > 0:32:19- Is there a law against that? - If there isn't, we'll make one.
0:32:19 > 0:32:25I wouldn't be surprised if you murdered Ted Myles. You just can't trust a living soul.
0:32:25 > 0:32:28- Do you mind if we look around? - Not at all.
0:32:28 > 0:32:30Thanks very much.
0:32:30 > 0:32:32- I've got it!- You've got what?
0:32:32 > 0:32:34- Uh-oh!- Come on, let's have it.
0:32:34 > 0:32:40- It's a key, isn't it?- Yes. And if it fits that door, you'd better start thinking up a lot of pretty answers.
0:32:43 > 0:32:47- It fits.- What's happened? What do you know about this murder?- Not a thing.
0:32:47 > 0:32:51- Are you going to let them take the credit? You found the body. - He did what?
0:32:51 > 0:32:54- Look, go and pour yourself a drink. - But I don't drink.
0:32:54 > 0:32:56- Then just look at it.- Oh...
0:32:56 > 0:32:57Well, what about this body?
0:32:57 > 0:33:00Yes, I was at the studio but it was quite accidental.
0:33:00 > 0:33:06So, you were at the studio when a murder's committed? You find a body and don't even call the police!
0:33:06 > 0:33:09- Oh, I can explain that, inspector. - Hey, look - a bullet hole!
0:33:09 > 0:33:13- A bullet hole?- Yeah! Right there.
0:33:13 > 0:33:16- How did this happen? - Oh, I didn't tell you, did I?
0:33:16 > 0:33:22Louie Buchanan took a shot at me. You should have got here earlier. He was here when you phoned.
0:33:22 > 0:33:25Now we are getting somewhere. A guy takes a shot at you,
0:33:25 > 0:33:31a guy we've been trying to locate for two weeks, and you're in here having a cosy little chat with him.
0:33:31 > 0:33:35- Who killed Myles?- I'll take care of this, Higgins.- OK, Mack. Er...Chief.
0:33:35 > 0:33:38Lawrence, you're going to show me where you found that body. You too.
0:33:38 > 0:33:40I hope I'm not causing you any trouble.
0:33:40 > 0:33:45There's only one thing troubles me - the wrong people are always getting murdered.
0:33:45 > 0:33:47Come on. Here you are, Shorty.
0:33:47 > 0:33:49Thank you. Oh, dear...
0:33:49 > 0:33:52- PHONE RINGS - Mr Dwyer's office?
0:33:52 > 0:33:55Yes, that's all been taken care of.
0:33:55 > 0:33:58- Sorry to keep you waiting, Mr Dawson.- That's all right.
0:33:58 > 0:34:01- Here's the script. Your part starts on page 38.- Thanks a lot. Bye.
0:34:01 > 0:34:03Bye. Mr Dwyer's office?
0:34:03 > 0:34:06He can't talk to you now. It's impossible for you to talk to him today.
0:34:06 > 0:34:11- Marjorie, I must see Mr Dwyer to get an OK on these sketches.- Sorry Lou, Mr Dwyer's in conference.
0:34:11 > 0:34:13OK, I'll wait.
0:34:13 > 0:34:15Mr Dwyer's office?
0:34:15 > 0:34:17We've got a picture of where it happened.
0:34:17 > 0:34:20If we had a picture of the murder we could all go home.
0:34:20 > 0:34:22What am I to do? How can I go on?
0:34:22 > 0:34:26Every scene Myles was in, every foot of film will have to be re-taken.
0:34:26 > 0:34:27Somebody's trying to ruin me.
0:34:27 > 0:34:32When sorrows come, they come not single spies but in battalions.
0:34:32 > 0:34:37Tell me, Mr Dwyer, Myles must have had quite a lot of money, investments?
0:34:37 > 0:34:40I let him buy an interest in the picture I'm making.
0:34:40 > 0:34:46- But he came to me this morning saying he needed cash at once. The whole 50,000.- 50,000?
0:34:46 > 0:34:49Myles was being threatened. He'd gambled out east and lost heavily.
0:34:49 > 0:34:54He thought he was being swindled and stopped payment on the cheque. The gamblers followed him to the coast.
0:34:54 > 0:34:57Sounds like our friend Louie. He owned a gambling house.
0:34:57 > 0:34:59- You gave him the money? - I didn't have it.
0:34:59 > 0:35:03But I gave him a ring so he could pay the man who was threatening him.
0:35:03 > 0:35:0450,000 for a sparkler?
0:35:04 > 0:35:06This wasn't an ordinary ring.
0:35:06 > 0:35:10The ruby was one of the sacred gems of India from the temple of Jaina.
0:35:10 > 0:35:13Originally it was the eye of an ancient idol.
0:35:13 > 0:35:17- I wore the ring myself as a good luck charm.- That solves the whole case.
0:35:17 > 0:35:20Louie bumped him off not realising he was ready to pay up.
0:35:20 > 0:35:23Just get it down, I'll take care of the rest.
0:35:23 > 0:35:24INTERCOM BUZZES
0:35:24 > 0:35:26- Hello?- "Mr Johnson to see you."
0:35:26 > 0:35:28Right, tell him to wait.
0:35:31 > 0:35:33Hang off, thou cat, thou burr.
0:35:35 > 0:35:36Vile thing.
0:35:36 > 0:35:38Shakespeare's broke loose again.
0:35:38 > 0:35:42Who let this wretched black beast in here?
0:35:42 > 0:35:44Haven't we had enough bad luck already?
0:35:44 > 0:35:49I'm sorry, Mr Dwyer. I wanted to tell you, we've searched the lot but we can't find the murder gun.
0:35:49 > 0:35:53Maybe you're looking in the wrong place. You found the body twice, didn't you?
0:35:53 > 0:35:56Found it twice? Hey, what are you holding out on me?
0:35:56 > 0:36:00I thought you knew that. I found Myles murdered but when I went back the body was gone.
0:36:00 > 0:36:03So I hunted around until I found it again.
0:36:03 > 0:36:07- Simple as that, eh?- Yeah.- You're coming with me. I want everybody on the set. Myles's wife, all of you.
0:36:07 > 0:36:10- Did I do something wrong?- Oh, no.
0:36:10 > 0:36:14- Can't this wait until the company's through shooting?- No, it can't.
0:36:14 > 0:36:16Got me tongue tied by authority.
0:36:18 > 0:36:23- Come on Lorraine, we're waiting. Hurry up.- How do I look?- Great. We're ready, Mr Hoffman.
0:36:23 > 0:36:28- Well, it's about time. - All right girls, places. Snap it up, let's go! Roll 'em...
0:36:28 > 0:36:30Hit the playback.
0:36:30 > 0:36:33Quiet. All right everybody, this is a take.
0:37:38 > 0:37:40Cut!
0:37:40 > 0:37:42Pardon me, Mr Dwyer.
0:37:42 > 0:37:43- How did you like it?- Acceptable.
0:37:43 > 0:37:48As the illustrious bard would have it, an unlessoned girl, unschooled, unpractised.
0:37:48 > 0:37:51Happy in this, she is not yet so old but she may learn.
0:37:51 > 0:37:55The inspector said he wanted to see you.
0:37:55 > 0:37:58Quiet, please! These gentlemen want to ask you a few questions.
0:37:58 > 0:38:03We're checking up on the murder. Everybody on this set's going to tell me where he was.
0:38:03 > 0:38:06Why don't you ask Lili? She predicted the murder.
0:38:06 > 0:38:08How about that?
0:38:08 > 0:38:11Oh, if they had only listened to me.
0:38:11 > 0:38:15- There were signs, strange, evil signs.- Death warnings?
0:38:15 > 0:38:19The signs of numerology controls even the planets, which hold the secret of the future.
0:38:19 > 0:38:22Its laws control the universe.
0:38:22 > 0:38:28We are mere mortals governed by the planets, just as the moon controls the rise and fall of the tide.
0:38:28 > 0:38:31This is getting us nowhere. I have scenes to make.
0:38:31 > 0:38:34- My whole company's waiting. - You seem nervous, Mr Hoffman.
0:38:34 > 0:38:37Can tell us where you were before the company moved to this stage?
0:38:37 > 0:38:39I don't have to account for what I do.
0:38:39 > 0:38:41I'm afraid you do, Hoffman.
0:38:41 > 0:38:46- I stopped by the miniature department to see a prop I'm using in the picture.- Can we check on that?
0:38:46 > 0:38:50Dismiss the company. I am through shooting for today.
0:38:50 > 0:38:52Alex, please, we're behind schedule. It's no use.
0:38:52 > 0:38:54This interruption, it's too much.
0:38:54 > 0:38:57- Are you letting him get away with this?- We'll all go to Miniature.
0:38:57 > 0:38:59I think that's a very good idea.
0:39:03 > 0:39:04You too, please.
0:39:12 > 0:39:15- Marvin...- Yes, Mr Dwyer? Want to look at the train?
0:39:15 > 0:39:18Has anybody else been in here looking at it?
0:39:18 > 0:39:20Why, yes. Mr Hoffman.
0:39:20 > 0:39:22Oh, yeah? What time was that?
0:39:22 > 0:39:24Well, I couldn't say exactly.
0:39:24 > 0:39:29- Haven't you got a clock around this joint?- Yes, but I've been too busy to look at it.
0:39:29 > 0:39:33- It looks like Hoffman's got his alibi all figured out.- Has he?
0:39:35 > 0:39:39- Gee, exciting, ain't it? - It is, isn't it?
0:39:40 > 0:39:42- Where's the foreman?- Over there.
0:39:42 > 0:39:45- Thanks.- Can I help you?- Yeah.
0:39:45 > 0:39:46Did you make this today?
0:39:46 > 0:39:49Eh, no, sir. We were turning these out.
0:39:49 > 0:39:50Gee, busy around here, aren't you?
0:39:50 > 0:39:53Yes, ma'am.
0:39:53 > 0:39:55Heavy, aren't they?
0:39:55 > 0:39:57Hey, what do you think you're doing?
0:39:57 > 0:40:00- How clumsy of me. I'm sorry, I was just...- Now what?
0:40:00 > 0:40:04A cursed fatal hand that hath contrived this woeful tragedy.
0:40:04 > 0:40:06How did it happen?
0:40:06 > 0:40:09I picked it up, it was heavy and it slipped out of my hands, just like that.
0:40:17 > 0:40:19I think you'll find that's the gun that killed Myles.
0:40:22 > 0:40:24You couldn't have put it there, could you?
0:40:24 > 0:40:27Sure, he dunked it in the plaster while it was gooey, then waited...
0:40:27 > 0:40:30He wouldn't kill anybody. He's a detective.
0:40:30 > 0:40:32That doesn't prove anything. I mean, he's an amateur.
0:40:32 > 0:40:36Sorry to disappoint you, Inspector, but Hoffman tried to conceal that gun.
0:40:36 > 0:40:39That's a lie. I've already proved I went to the miniature department.
0:40:39 > 0:40:43But you stopped here first while the plaster was wet.
0:40:43 > 0:40:46Otherwise, how did you get that plaster on your shoes?
0:40:46 > 0:40:51Come to think of it, he did come in here. While I was casting the two figures.
0:40:51 > 0:40:53And dropped the gun in the mould while you weren't looking.
0:40:53 > 0:40:56I don't suppose there is any use denying it.
0:40:56 > 0:40:58I tried to hide the gun. But I didn't kill Myles.
0:40:58 > 0:41:01Alec, they can arrest you for this.
0:41:01 > 0:41:03Oh, they can do what they please.
0:41:03 > 0:41:07He's too willing, Inspector. I guess he's covering up for someone.
0:41:07 > 0:41:11- Listen, why don't you let the chief do his own guesswork?- My own what?
0:41:11 > 0:41:16- Cuff him!- You can't take him! The company goes on location first thing in the morning.
0:41:16 > 0:41:20- You can't. My picture's only half-finished.- That's your problem, find yourself another director.
0:41:20 > 0:41:24- This is a murder case.- Yeah, this happens to be a murder case.
0:41:36 > 0:41:39Better check on that make-up, girls.
0:41:39 > 0:41:41Hey, Saunders, are we going or aren't we?
0:41:41 > 0:41:43We got orders to stand by, that's all I know.
0:41:43 > 0:41:46- You're getting paid, aren't you? - Is this outfit all right?
0:41:46 > 0:41:48Yeah, that's swell. Morning, Saunders.
0:41:48 > 0:41:50Morning, Roxanna.
0:41:51 > 0:41:54- Morning. - Morning. I see you got my message.
0:41:54 > 0:41:59It was more like a riot call, wasn't it? Do you movie people always get up this early?
0:41:59 > 0:42:02They say that's where something got its name - from sunrise to sunset.
0:42:02 > 0:42:04- Coffee? - Yes, if you want me to keep awake.
0:42:04 > 0:42:07I don't usually get up until around noon.
0:42:07 > 0:42:09- Sugar and cream?- Black.
0:42:09 > 0:42:11This is worse than a hangover.
0:42:11 > 0:42:17You're probably wondering why I called you. It's about Alec. You know, Mr Hoffman, the director.
0:42:17 > 0:42:21Oh, I don't think they'll be able to hold him very long on that sort of evidence.
0:42:21 > 0:42:24Well, they are holding him. At least, they did last night.
0:42:24 > 0:42:27He's innocent and I want you to help him.
0:42:27 > 0:42:30Means a lot to you, doesn't it?
0:42:30 > 0:42:34It means a lot to Alec. I know he's hard to get along with, temperamental,
0:42:34 > 0:42:39but if you'd seen the brilliant scenes he's been getting, in spite of the accidents and troubles...
0:42:39 > 0:42:43If he can finish this picture, it'll start his career all over again.
0:42:43 > 0:42:47Well, the only way I could help would be to find out who really killed Myles.
0:42:47 > 0:42:52It might turn out to be Alec, or perhaps even a very attractive dress designer.
0:42:52 > 0:42:55This coffee is excellent.
0:42:55 > 0:43:00- Surely you don't think I killed him? - It wouldn't be the first time a guilty person has appealed for help.
0:43:00 > 0:43:04It's a clever move sometimes, you know, to throw off suspicion.
0:43:04 > 0:43:10As a matter of fact, I'm fairly sure Hoffman is shielding someone, and you're very friendly with him.
0:43:10 > 0:43:15- What's the trouble?- It's been called off.- What you mean, called off?- All I know is Mr Dwyer cancelled the call.
0:43:15 > 0:43:18He tried to find another director but gave up.
0:43:18 > 0:43:20You mean you aren't going to finish the picture?
0:43:20 > 0:43:22That's what he says. Frankly, I don't blame him, either.
0:43:22 > 0:43:25I know, but...
0:43:25 > 0:43:29Poor kid. I feel sorry for her.
0:43:29 > 0:43:31I want to talk to Dwyer. Will you go with me?
0:43:31 > 0:43:33Sure, anywhere you say.
0:43:34 > 0:43:38Do you realise what it's costing me to make this picture?
0:43:38 > 0:43:43Look at those figures. 50,000 over the budget and everything going wrong.
0:43:43 > 0:43:45I can't understand it.
0:43:45 > 0:43:48Somebody's been trying to stop me from making this picture.
0:43:48 > 0:43:51I'll say this for them, they're doing a good job.
0:43:51 > 0:43:55You'll never find out by stopping production. The only way is to keep the picture going.
0:43:55 > 0:43:59And that would give Mr Lawrence a chance to find out who's guilty.
0:43:59 > 0:44:04The best detective in the world can't help me unless he shows me how to shoot a picture without a director.
0:44:04 > 0:44:06It was just an idea.
0:44:06 > 0:44:08I'd better think of another one.
0:44:08 > 0:44:11Past hope, past cure, past help.
0:44:11 > 0:44:15I am a man whom fortune hath cruelly scratched. BUZZER
0:44:15 > 0:44:18- Hello. - Inspector McBride is coming in.
0:44:18 > 0:44:20Thank you for letting me know(!)
0:44:20 > 0:44:24Sorry to butt in, Dwyer, but we've got a gun of yours.
0:44:24 > 0:44:26- How did you find it? - Registration numbers.
0:44:26 > 0:44:29That's the gun that killed Myles.
0:44:29 > 0:44:34Oh, no, you don't. That was the gun I reported stolen two weeks ago.
0:44:34 > 0:44:36Check on that.
0:44:36 > 0:44:41Now, by two-headed Janus, nature hath framed strange fellows in her time.
0:44:41 > 0:44:44Shakespeare. Did you ever read Shakespeare, Inspector?
0:44:44 > 0:44:47- No, I read detective magazines.- Oh.
0:44:47 > 0:44:53Higgins. I want to check on a report of a stolen gun. Yeah.
0:44:53 > 0:44:55Martin Dwyer. The 17th. >
0:44:58 > 0:45:00- Here you are. - Thank you.
0:45:00 > 0:45:03Oh. Well, thanks.
0:45:03 > 0:45:06You muffed that one, Chief. The gun was reported stolen, like he said.
0:45:06 > 0:45:08Mr Dwyer?
0:45:08 > 0:45:10Mr Dwyer, he's back, he's here!
0:45:10 > 0:45:13- Who, the dead man? - No, the director, Hoffman. He's out on bail.
0:45:13 > 0:45:15Now we can go on with the picture.
0:45:15 > 0:45:17- What you say, Mr Dwyer? - You bet we'll go on!
0:45:17 > 0:45:20Blow wind, come rack, at least we'll die with harness on our back.
0:45:20 > 0:45:24- What did you say, Mr Dwyer? - Tell those extras we're not cancelling.
0:45:24 > 0:45:27Round up the crew and get those trucks to location.
0:45:27 > 0:45:31Oh, and tell Johnson and two or three studio police they're going along.
0:45:31 > 0:45:34- Your props drop ready? - Right.- Right.
0:45:39 > 0:45:44Maybe we shouldn't go. This might be risking somebody else's life. What if there's another murder?
0:45:44 > 0:45:47Search, seek, and know how this murder comes.
0:45:47 > 0:45:49Romeo And Juliet, Act V, Scene III.
0:45:49 > 0:45:51Aye, sir, let chance be on our side.
0:45:54 > 0:45:56Don't wait up for us.
0:46:20 > 0:46:23Pop, is this where the Hoffman company's working?
0:46:23 > 0:46:26- Yeah, but you can't go in.- Oh, stop your kiddin', Pop.
0:46:27 > 0:46:31- Hold it! Cut, cut, cut, cut! - What's the matter, sir?
0:46:31 > 0:46:33Do I have to watch everything?
0:46:33 > 0:46:37A fashionable estate in the summertime, and look at that heavy overcoat.
0:46:37 > 0:46:40Sorry, sir. Will somebody move that fur coat? Let's go again.
0:46:40 > 0:46:44- Sound reloading. - Reloading, reloading again.
0:46:44 > 0:46:46Reloading. Always reloading!
0:46:46 > 0:46:47Take two minutes, gang.
0:46:55 > 0:46:57- Good morning.- Good morning.
0:46:57 > 0:47:01- I didn't know you were a movie fan. - I don't see any reason why I shouldn't use my own pool.
0:47:01 > 0:47:07Your pool? That's very generous, letting them come up here after being cut out of the picture.
0:47:08 > 0:47:10The arrangements were already made.
0:47:10 > 0:47:13It was too much bother to change them.
0:47:13 > 0:47:15Are you nervous about something?
0:47:15 > 0:47:17Why should I be?
0:47:17 > 0:47:20You always seem to carry something interesting with you.
0:47:20 > 0:47:23Winning race tickets or a card like this one.
0:47:23 > 0:47:25Atlas Bail Bond Company, hmm?
0:47:25 > 0:47:28I was wondering who arranged Hoffman's release.
0:47:28 > 0:47:30That's very clever, Mr Lawrence.
0:47:30 > 0:47:32Alec is a friend of mine. He directed me in several pictures.
0:47:32 > 0:47:34What about Roxanna? I thought she was...
0:47:34 > 0:47:38Alec prefers to let on that he and Roxanna are in love.
0:47:38 > 0:47:42Well, actually, she's very sweet but she's not for Alec.
0:47:42 > 0:47:44Hi, kids. Want a hot dog?
0:47:44 > 0:47:46For breakfast? No, thanks.
0:47:46 > 0:47:49- You'll excuse me. - Oh, it's a pleasure.
0:47:49 > 0:47:53Do you have to come popping in at the wrong moments? She was about to tell me something.
0:47:53 > 0:47:56Yeah, well let her find her own boyfriends.
0:47:56 > 0:47:57Oh, the jealous type.
0:47:57 > 0:47:59- That's why you followed me.- Nuh-uh.
0:47:59 > 0:48:01I followed your boyfriends.
0:48:03 > 0:48:05- Inspector.- Yeah?
0:48:05 > 0:48:10Isn't it unusual to release a suspect in a murder case? Or have you decided Hoffman isn't guilty?
0:48:10 > 0:48:13Oh, he admits he hid the gun, but the DA's getting particular.
0:48:13 > 0:48:18- He wants a motive. - And that doesn't mean we think he's innocent, or anybody else round here.
0:48:18 > 0:48:21- Let's have it quiet! - All right, places, please.
0:48:21 > 0:48:26Try and remember, you pick up the pistol and point camera-right as you read the line.
0:48:26 > 0:48:29- Where is the pistol? - I gave it to Lorraine.
0:48:29 > 0:48:32I put it over... I put it right there in the box!
0:48:32 > 0:48:35Well, where is it? Pistols don't walk!
0:48:35 > 0:48:38- Find it!- Yes, sir. Find that pistol!
0:48:38 > 0:48:39Sound reloading.
0:48:40 > 0:48:42Here it is.
0:48:42 > 0:48:45Oh, that's fine. All right, roll 'em!
0:48:45 > 0:48:47Quiet. Speed.
0:48:47 > 0:48:49Action!
0:48:49 > 0:48:52You see him coming in.
0:48:52 > 0:48:53You're afraid.
0:48:54 > 0:48:57No! No! No! Cut!
0:48:57 > 0:49:01These amateurs they give me. No soul, no emotion!
0:49:01 > 0:49:05- And you call yourself an actress? - If you don't stop riding me, I'll...
0:49:05 > 0:49:06That's it, that's it!
0:49:06 > 0:49:08That's exactly what I want!
0:49:08 > 0:49:11You hate this man. You understand? You hate him!
0:49:11 > 0:49:14Now, see if you can get it right this time.
0:49:16 > 0:49:19- Turn the camera.- Quiet. Speed.
0:49:19 > 0:49:21Action.
0:49:27 > 0:49:30Please, stop that scene. Stop it.
0:49:30 > 0:49:32WOMAN SCREAMS
0:49:32 > 0:49:33Alec!
0:49:34 > 0:49:36Get back, please.
0:49:36 > 0:49:38- He's hurt pretty badly. - Somebody call a doctor.
0:49:38 > 0:49:40We'd better get him inside.
0:49:40 > 0:49:45- It wasn't this gun. It couldn't have been! I fired it past the camera. - Oh, yeah?
0:49:45 > 0:49:48Maybe somebody took a pot-shot at him from an airplane(!)
0:49:48 > 0:49:52Miss D'Allio. You wanted to stop this scene. You must have known that gun was loaded.
0:49:52 > 0:49:55Of course I knew. The signs were against him.
0:49:55 > 0:49:56Signs, signs!
0:49:56 > 0:50:01Numerology can tell you anything. What horse to bet on, when you're going to be used as a target.
0:50:01 > 0:50:04If it finds out who the killer is, let me know.
0:50:04 > 0:50:06Did anyone see which way she fired that gun?
0:50:06 > 0:50:10Well, that should be simple enough. Develop that film and find out.
0:50:10 > 0:50:13- It's a good idea. We'll have the lab rush it through.- Fine.
0:50:16 > 0:50:17- How is he? - Not so good.
0:50:17 > 0:50:19- May I see him now? - No, and neither can you.
0:50:19 > 0:50:23He's still not out of danger. And when he is, I'm going to go in.
0:50:23 > 0:50:27- I'm not having anybody in there framing alibis. - You said it, Chief.
0:50:27 > 0:50:31So just be good little girls, go sit down and enjoy your luncheon. Come on.
0:50:31 > 0:50:37While you're trying to guess who to pin this on, how about that squidgy-looking Hindu actor, huh?
0:50:37 > 0:50:40Who else would have grabbed that ring with the sacred ruby?
0:50:40 > 0:50:43I read all about those babies in the Sunday supplement.
0:50:43 > 0:50:46If the ruby was stuck in the forehead of one of those ancient idols,
0:50:46 > 0:50:50he probably sneaked all the way over from India to get it back.
0:50:50 > 0:50:54You know, the avenging curse of his ancestors because their temples were defiled?
0:50:54 > 0:50:56Ah, just a minute. I got my own theory.
0:50:56 > 0:50:58The gown designer, Roxanna.
0:50:58 > 0:51:00Roxanna?
0:51:00 > 0:51:06- That's what I said. - What makes you think that? - Oh, she had a motive. Didn't you?
0:51:06 > 0:51:11Sure she did. Myles was loaded with dough and when he gave her the air she teamed up with the director.
0:51:11 > 0:51:14She knew that we were getting ready to rake Hoffman over the coals
0:51:14 > 0:51:19- and she wanted to give him a permanent case of lockjaw, so he couldn't talk.- She didn't kill Myles.
0:51:19 > 0:51:22But Dwyer might have.
0:51:22 > 0:51:25I'm still not satisfied that gun was stolen from him.
0:51:25 > 0:51:28Ah, it all boils down to a cinch. Anybody could have done it.
0:51:28 > 0:51:32If the nominations are not closed, I'd like to propose a candidate.
0:51:32 > 0:51:34Aren't you overlooking Miss D'Allio?
0:51:34 > 0:51:37She made a number of threats when she wasn't cast in the picture.
0:51:37 > 0:51:40Myles's murder might have been dictated by numerology.
0:51:40 > 0:51:43If you look it up, you'll find she arranged for Hoffman's bail.
0:51:43 > 0:51:45I told you I thought he was protecting someone.
0:51:45 > 0:51:48- She might have thought he'd talk. - Why don't you leave Alec alone?
0:51:48 > 0:51:52- Or haven't you realised yet that you're wasting your time? - We needn't discuss that.
0:51:52 > 0:51:55We will discuss it. I warned you and I'm warning you again.
0:51:55 > 0:51:58You did, didn't you? If you must know, Alec and I are going to be married.
0:51:58 > 0:52:02That surprises you, doesn't it? We should have let you know, but we didn't want to hurt you.
0:52:02 > 0:52:05Is that why you got him out of jail?
0:52:05 > 0:52:07- Or is it because you put him there? - Why, you, you...
0:52:07 > 0:52:11- You gave him that gun to protect yourself. - You gave him the gun?
0:52:11 > 0:52:13It was put in my car by...
0:52:13 > 0:52:16someone who was trying to have me blamed for the murder.
0:52:16 > 0:52:20I couldn't afford to be involved, so I went to Alec. He took the gun and told me not to tell anyone.
0:52:20 > 0:52:23Compounding a felony and accessory after the fact.
0:52:23 > 0:52:25You'd better come along. We'll find out about this.
0:52:25 > 0:52:29- Inspector, don't you think... - No, never mind. Not now, not now.
0:52:38 > 0:52:40The police are up there now, questioning everybody.
0:52:40 > 0:52:43Look, I don't want the cops messing around on this.
0:52:43 > 0:52:45Is this a private get-together, or can anyone join in?
0:52:45 > 0:52:49Get his gun, Peggy. It's usually in his right pocket.
0:52:49 > 0:52:50Toss it over there.
0:52:50 > 0:52:53- That's right.- Now, do you mind?
0:52:53 > 0:52:56- Oh, sure.- Thank you. - We can talk on even terms now.- Yes.
0:52:56 > 0:52:59What's the handle for? Picking out your next victim?
0:52:59 > 0:53:03- I didn't know there was a bullet in that gun.- Didn't you? I thought you hated Hoffman.
0:53:03 > 0:53:07- You're not that good an actress, are you?- I despised him. Who wouldn't?
0:53:07 > 0:53:10Ask anybody on this set, they were all ready to kill him.
0:53:10 > 0:53:14Louie, I'm going to keep out of it and let you talk directly to the police.
0:53:14 > 0:53:18- You want to get your hands on that killer, don't you?- Yeah.- Give me some time and I'll prove who it is.
0:53:18 > 0:53:21I'm afraid that wouldn't work. You're just stalling.
0:53:21 > 0:53:25- I'll tell you tomorrow. Meet you anyplace you want to. - Yeah, with a gun in each hand.
0:53:25 > 0:53:29- Oh...- Are you going to go peacefully or would you rather... - Take his gun, Louie.
0:53:29 > 0:53:32So you are working together. You had me guessing.
0:53:32 > 0:53:35He said he'd tell us who the killer was.
0:53:35 > 0:53:38I'll phone Peggy tomorrow and let you know where to meet me.
0:53:38 > 0:53:40Thanks, Peg. See you later.
0:53:40 > 0:53:45- And that's the guy you just couldn't get rid of?- At least he can tell us who did the shooting.
0:53:45 > 0:53:48- You didn't believe that, did you? - Of course I did.
0:53:48 > 0:53:51Louie may have his faults but he'll never go back on his word.
0:53:51 > 0:53:56I can't make up my mind whether you're charmingly frank or if it's that Irish blarney again.
0:54:02 > 0:54:04WHISTLE
0:54:04 > 0:54:07- Say, I've been looking all over for you.- No!
0:54:07 > 0:54:10- I was beginning to think I'd lost you.- That's too much to hope for.
0:54:10 > 0:54:13- I'll bet you think I just wanted to butt in.- No, no, no, no.
0:54:13 > 0:54:18I've got a surprise for you. Wait till you see what's happened at the pool.
0:54:19 > 0:54:21It's beyond me.
0:54:21 > 0:54:23I can't understand it.
0:54:23 > 0:54:25The whole day's work ruined.
0:54:25 > 0:54:27Every inch of film exposed to the light.
0:54:27 > 0:54:29You were supposed to get this to the lab. What happened?
0:54:29 > 0:54:33- I told you, I didn't see who did it. - Higgins, take him in.
0:54:33 > 0:54:36- What's the charge?- Suspicion of murder, one of those crackpots.
0:54:36 > 0:54:39Crippled up at home two years ago and tried to blame the studio.
0:54:39 > 0:54:42Bumps himself on the noggin and claims he's been slugged.
0:54:44 > 0:54:46- Very convenient, wasn't it? - What do you mean?
0:54:46 > 0:54:50You said you didn't shoot at Hoffman. That film would have given us the answer.
0:55:03 > 0:55:06- I wonder if Louie read the morning papers.- He didn't say.
0:55:06 > 0:55:08Don't worry, he'll keep his word.
0:55:08 > 0:55:13- Where did he tell you he'd meet us? - The last place the police will ever think of looking for him.
0:55:29 > 0:55:33- Do you really think Louie'll show up?- Of course I do.
0:55:33 > 0:55:36I see what you meant about it being the last place the police would look for Louie.
0:55:36 > 0:55:39It's about the last place they'd look for anyone.
0:55:39 > 0:55:41- Cosy spot, though.- It sure is.
0:55:43 > 0:55:47- It looks as though we're early for the football game. - Oh, just a few months.
0:55:47 > 0:55:52- While we're waiting, perhaps you wouldn't mind telling me a thing or two.- Sure, what is it?
0:55:52 > 0:55:56- What's all this mystery about Louie Buchanan?- There's no particular mystery.
0:55:56 > 0:55:58Louie's a big gambler and he had a run of luck.
0:55:58 > 0:56:03He put some of the money in Dwyer's picture and then came out here to see what was going wrong.
0:56:03 > 0:56:08- Funding your picture when he wanted to keep you in that floor show? - That's how I got into pictures.
0:56:08 > 0:56:12Ted Myles came to the club back east, and talked Louie into investing in the picture.
0:56:12 > 0:56:15Then I met Ted, he helped me get the part.
0:56:15 > 0:56:20Oh, brother, you should have heard Louie sound off when he heard about it. You'd think that he...
0:56:20 > 0:56:21MARCH PLAYS
0:56:26 > 0:56:27Oh, come on.
0:56:34 > 0:56:37- Taxi, mister?- No, thank you.
0:56:37 > 0:56:40Oh, I'm sorry if the radio interrupted your romantic love scene.
0:56:40 > 0:56:44- What did I tell you about a taxi-cab murder?- Look!
0:57:01 > 0:57:03It's the same ring.
0:57:05 > 0:57:07Is he dead?
0:57:07 > 0:57:08Poisoned, by the look of it.
0:57:08 > 0:57:11What did I tell you? The curse of the Maharajahs.
0:57:11 > 0:57:14Two dead corpses, both with the same sacred ruby ring.
0:57:14 > 0:57:17- What in blazes is going on here? - Chief, it's mass murder.
0:57:17 > 0:57:20- Only one, this time. Your friend, Louie. - Somebody's start confessin'.
0:57:20 > 0:57:22Put that away.
0:57:22 > 0:57:24Cousin from Minneapolis, huh?
0:57:24 > 0:57:27You can't fool me when I've seen a police photograph.
0:57:27 > 0:57:30I knew you were Louie's girlfriend, and I knew you'd lead us to him.
0:57:30 > 0:57:34You were all three working together, but it's the old story - crooks fall out.
0:57:34 > 0:57:38- One has to get himself murdered. - Yeah?
0:57:38 > 0:57:40Take a look at this ring.
0:57:40 > 0:57:45It might make you change your mind. The princes of ancient India used that method to poison their friends.
0:57:45 > 0:57:49They gave them a ring, waited until they were foolish enough to wear it, and that was the end of them.
0:57:49 > 0:57:53And then they put the victim's slaves to work building a new pyramid.
0:57:53 > 0:57:55The poison is fused in the middle.
0:57:55 > 0:58:00It's absorbed by the skin, gets into the bloodstream and the wearer mysteriously dies.
0:58:00 > 0:58:01You seem to know a lot about it.
0:58:01 > 0:58:04I'm taking you in, all of you. Higgins, call the wagon.
0:58:04 > 0:58:06All right, come on, get on.
0:58:08 > 0:58:09- Cigarette?- Sure.
0:58:10 > 0:58:12No.
0:58:12 > 0:58:14- Inspector?- No, thanks.
0:58:14 > 0:58:18Get a load of this. I found it in Louie's pocket. It's a list of names.
0:58:18 > 0:58:24Everybody who owed him money - Myles, Lili, Hoffman, Hedges, and three others I never heard of.
0:58:24 > 0:58:28Yeah, killed Myles, shot Hoffman, and the others were next in line if they didn't pay off.
0:58:28 > 0:58:32- Hang on to it. It's important. - You don't know how important it is.
0:58:32 > 0:58:36Those names have one thing in common. They were investors in Dwyer's picture.
0:58:36 > 0:58:40Myles, Lili, Hoffman? Say, maybe that's right.
0:58:40 > 0:58:44But the guilty man's name doesn't appear on that list. Dwyer himself.
0:58:44 > 0:58:49Sure. The producer sabotages his own company, knocks off his leading man,
0:58:49 > 0:58:52takes a shot at his director, so he can run himself into bankruptcy.
0:58:52 > 0:58:54That's exactly what I say he was trying to do.
0:58:54 > 0:58:57It's one of the oldest rackets in show business.
0:58:57 > 0:58:59How many times can you sell a 25% interest?
0:58:59 > 0:59:02- That's what Ted Myles owned. - And Louie had the same amount.
0:59:02 > 0:59:05Yes, and apparently Hoffman, Lili and everybody else on that list.
0:59:05 > 0:59:09The picture's oversold right there, let alone any other investors.
0:59:09 > 0:59:15- Dwyer couldn't afford to let it finish. He'd have had to account for the profits.- We can check on that.
0:59:15 > 0:59:19Now help, ye charming spells and periapts.
0:59:19 > 0:59:23And ye choice spirits that admonish me and give me signs of future accidents.
0:59:23 > 0:59:25CAR APPROACHES
0:59:35 > 0:59:39In the gross and scope of my opinion, this bodes some strange eruption to our state.
0:59:48 > 0:59:52- Just a minute, Dwyer. We've got some questions we'd like to ask you.- Sit down, please.
0:59:52 > 0:59:56No, thanks. Mr Lawrence thinks you sold too many shares in the picture.
0:59:56 > 0:59:58Quarter shares, to at least eight investors.
0:59:58 > 1:00:00Now, that doesn't quite add up.
1:00:00 > 1:00:02Or should I say, it adds up to 200%?
1:00:02 > 1:00:06I may be a bad businessman, but not as bad as that. I'd go bankrupt at that rate.
1:00:06 > 1:00:09Which I believe is exactly what you intended doing.
1:00:09 > 1:00:13Going bankrupt, as you call it, and walking off with the profits. There was only one thing wrong.
1:00:13 > 1:00:17Myles and Louie Buchanan found out about it, so you had to kill them.
1:00:17 > 1:00:22It was very nicely planned, too, particularly reporting that gun of yours stolen days before the murder.
1:00:22 > 1:00:25- Whatever gave you that idea? - A broken mirror.
1:00:25 > 1:00:29The one you had Peggy smash. You're too superstitious to allow anything
1:00:29 > 1:00:33like that to get into your first picture, unless you wanted that picture to have trouble.
1:00:33 > 1:00:36I gave Hoffman a free hand, anything he wanted.
1:00:36 > 1:00:39But you did everything you could to make sure the picture failed.
1:00:39 > 1:00:42A cast of unknowns, a hot-tempered director.
1:00:42 > 1:00:47Your Broadway successes were all dramas and yet you started in pictures with a musical.
1:00:47 > 1:00:49But you were getting a good picture, and you couldn't allow that.
1:00:49 > 1:00:55- I'm still not sure. If Dwyer is guilty, how did Louie get hold of this ring?- The same way Myles did.
1:00:55 > 1:01:00They demanded the return of their investments and Dwyer gave them his old standby, the ring.
1:01:00 > 1:01:02But Myles didn't get a chance to wear it.
1:01:02 > 1:01:05This all sounds very exciting, but my books are open.
1:01:05 > 1:01:09I sold only one interest, to Myles, and that was a friendly gesture.
1:01:09 > 1:01:12Louie thought there were other investors. We can find out about them.
1:01:12 > 1:01:15Lili D'Allio, Hoffman, and the other names on that list.
1:01:15 > 1:01:18I suggest you place Dwyer under arrest until you can find out.
1:01:18 > 1:01:20I'm afraid that won't be possible.
1:01:20 > 1:01:22I'll ask you not to move.
1:01:22 > 1:01:24No, nobody move!
1:01:24 > 1:01:25GUNSHOT
1:01:27 > 1:01:31- Let's go.- Yeah, let's get out of this shooting gallery.
1:01:35 > 1:01:37- Did Dwyer go out? - Haven't seen him.
1:01:37 > 1:01:41- Don't let anybody out. Phone all the gates. - Right.
1:01:50 > 1:01:53WOMAN SCREAMS
1:01:53 > 1:01:55No, there ISN'T any man in here!
1:01:57 > 1:01:59Hey, slow down.
1:01:59 > 1:02:02Why don't you go and look down, um, that way?
1:02:02 > 1:02:07Say, do you think I'm going to find him all by myself? CLANKING
1:02:22 > 1:02:24Oh, don't look now.
1:02:24 > 1:02:29- I just a felt a shiver run up my spine.- You'd better get out of here. Use that side door.
1:03:36 > 1:03:38SCREAM
1:03:47 > 1:03:51We've got a Chinese part lined up for you next week, Mohammed.
1:03:51 > 1:03:54- Sorry, I'm set to play an Eskimo.- OK.
1:03:54 > 1:03:57This is what you call safety in numbers, no?
1:03:57 > 1:04:00Lawrence, the next time you want a little vacation, let me know.
1:04:00 > 1:04:03- No more murder cases.- Not until the next time!- This time I mean it.
1:04:03 > 1:04:07If a man were shot right here, I wouldn't turn to see his body fall.
1:04:07 > 1:04:09BANG
1:04:10 > 1:04:12Put that away!
1:04:17 > 1:04:19Sorry.
1:04:22 > 1:04:24Subtitles by Red Bee Media Ltd - 2007