0:01:26 > 0:01:27Thank you.
0:01:32 > 0:01:33Two percent.
0:01:36 > 0:01:38- Thank you.- Thank you, sir.
0:01:38 > 0:01:41Oh, Goldie, why don't you give that income tax return a rest?
0:01:41 > 0:01:43I ain't doing this for my own amazement.
0:01:43 > 0:01:45These things can ask more questions than the third degree.
0:01:45 > 0:01:47You should know.
0:01:47 > 0:01:49Listen to what it says.
0:01:49 > 0:01:52Single person, not living with husband or wife,
0:01:52 > 0:01:5725% plus 2% for each dependent of line four.
0:01:57 > 0:02:01But not more than 500 plus 100 for each dependent.
0:02:01 > 0:02:03A single person, married person...
0:02:03 > 0:02:05By the time a guy figures one of these things out,
0:02:05 > 0:02:06he's too old to get married!
0:02:08 > 0:02:10Hey, bud, that's my food you're...
0:02:18 > 0:02:19He kicked me.
0:02:19 > 0:02:20Well, kick him back.
0:02:21 > 0:02:24Say, how do you suppose he got out of the baggage car?
0:02:24 > 0:02:27- I don't know. Why don't you ask him? - How did you get out the baggage?
0:02:35 > 0:02:37You're a funny looking guy, ain't you?
0:02:37 > 0:02:39So getting back to the point before this mutt butted in,
0:02:39 > 0:02:41what's getting married got to do with the income tax?
0:02:41 > 0:02:44Well, a married man gets a larger personal exemption.
0:02:44 > 0:02:45No kidding?
0:02:46 > 0:02:48Hey, that ain't a bad deal.
0:02:48 > 0:02:50That way you pay less tax and you get home-cooking besides.
0:02:50 > 0:02:53Many brave men have tried marriage and survived.
0:02:53 > 0:02:56OK, you talked me into it.
0:02:59 > 0:03:01You're not serious!
0:03:01 > 0:03:02Huh? Sure, sure I am.
0:03:02 > 0:03:04Ain't it about time I owned a wife?
0:03:04 > 0:03:08You mean you'd get married just to cut down your income tax?
0:03:08 > 0:03:11Oh, that ain't all wives can do.
0:03:11 > 0:03:13I could write a letter to the lonely hearts club.
0:03:13 > 0:03:15They're not that lonely!
0:03:16 > 0:03:17Hey, what are you looking at anyway?
0:03:17 > 0:03:18You.
0:03:18 > 0:03:19Why?
0:03:19 > 0:03:22You've got Diogenes.
0:03:22 > 0:03:24Who, me? I ain't never had a sick day in my life!
0:03:24 > 0:03:27No! He's Diogenes.
0:03:27 > 0:03:28He belongs to me.
0:03:28 > 0:03:30Oh, you lost him, eh?
0:03:30 > 0:03:32Offering any reward?
0:03:32 > 0:03:35Oh, Goldie, pleasure of her company is reward enough.
0:03:35 > 0:03:36Hello.
0:03:36 > 0:03:37Hello.
0:03:37 > 0:03:39My name's Annie Marshall, what's yours?
0:03:39 > 0:03:42Mine's Tom Lawrence.
0:03:42 > 0:03:44Is the man with the funny face your friend?
0:03:44 > 0:03:46Indeed he's my friend.
0:03:46 > 0:03:48This is Mr Locke, Mr Goldie Locke.
0:03:48 > 0:03:50Goldilocks!
0:03:50 > 0:03:53So you're the one who ate up all the porridge?
0:03:53 > 0:03:55I didn't do it, I was framed!
0:03:55 > 0:03:57Well, Annie, glad to have metten up with you.
0:03:57 > 0:03:58Glad to have metten up with you, too.
0:03:58 > 0:04:00Oh, "metten up with you"?
0:04:00 > 0:04:03It's a good thing Goldie isn't around you all the time, young lady.
0:04:03 > 0:04:08Well, I wish you were around all the time.
0:04:08 > 0:04:09Instead of Miss Keyes and Loomis.
0:04:09 > 0:04:11I hate them.
0:04:11 > 0:04:13You won't tell her I said that, will you?
0:04:13 > 0:04:16No, of course not, but who are Miss Keyes and Loomis?
0:04:17 > 0:04:21Miss Keyes is my nurse and Loomis is the butler at my house.
0:04:21 > 0:04:24A nurse and a butler? I suppose you've got a yacht, too?
0:04:24 > 0:04:26I don't like it, it makes me seasick.
0:04:26 > 0:04:30Why don't you come and stay at my house?
0:04:30 > 0:04:33Then I wouldn't be a prisoner any more.
0:04:33 > 0:04:34A prisoner?
0:04:34 > 0:04:36Diogenes is a prisoner too.
0:04:36 > 0:04:38We never go any place or do anything.
0:04:38 > 0:04:41Miss Keys or Loomis is always watching.
0:04:41 > 0:04:43And they yell at me and squeeze my arm
0:04:43 > 0:04:45and they never let anybody come and play with me.
0:04:45 > 0:04:48That's what used to happen to me in reform school.
0:04:48 > 0:04:49What about your mother and father?
0:04:49 > 0:04:51Why don't they do something about it?
0:04:51 > 0:04:54I guess you're right, guess I'll have to get a mother and father someday.
0:04:54 > 0:04:55Come, Annie.
0:04:57 > 0:04:59What has she been telling you?
0:04:59 > 0:05:01I didn't say anything, Miss Keyes, honest I didn't!
0:05:01 > 0:05:05The child has a vivid imagination. She's always making up stories.
0:05:05 > 0:05:07Now I don't know what to believe.
0:05:07 > 0:05:11I don't care particularly what you believe, it's none of your business!
0:05:11 > 0:05:12Come, Annie.
0:05:15 > 0:05:17What do you make of that, Goldie?
0:05:17 > 0:05:20Oh, gee, we're on a vacation. You said all we was going to do
0:05:20 > 0:05:23when we got to San Francisco was swing on the Golden Gate.
0:05:23 > 0:05:25She just likes to tell them fish stories, that's all.
0:05:25 > 0:05:26You think so?
0:05:26 > 0:05:29Boss, try and forget you're The Falcon for a while,
0:05:29 > 0:05:30will you, please?
0:05:30 > 0:05:33I like Annie, she's a nice kid, but why look for trouble?
0:05:33 > 0:05:34We're in no shape.
0:05:41 > 0:05:44Brother, she sure is!
0:05:44 > 0:05:47Boss, if she can't cut down my income tax, nobody can!
0:06:06 > 0:06:10All right, all right, so I made a mistake. Anybody can make a mistake.
0:06:10 > 0:06:13Oh, I don't blame you for trying, she was very easy on the eyes.
0:06:13 > 0:06:15Yeah, that's what you think!
0:06:15 > 0:06:16I think it's rather becoming.
0:06:16 > 0:06:19How was I supposed to know she had a husband already?
0:06:19 > 0:06:21Always look at the third finger, left-hand.
0:06:21 > 0:06:22I did, but she had gloves on.
0:06:22 > 0:06:24Boxing gloves?
0:06:24 > 0:06:26- Well, she's not the only dame... - Mr Lawrence!
0:06:28 > 0:06:31- Miss Keys, it's awful, something's happened to her!- Is she ill?
0:06:31 > 0:06:34I don't know, I can't wake her up!
0:06:34 > 0:06:35We better take a look.
0:06:35 > 0:06:36Here we go again!
0:06:50 > 0:06:52Excuse me.
0:06:52 > 0:06:54There, but she won't wake up.
0:06:56 > 0:06:57Do you know these people?
0:06:57 > 0:06:59Why, er, yes, slightly.
0:06:59 > 0:07:00The woman's dead.
0:07:00 > 0:07:01Oh!
0:07:01 > 0:07:02Croaked, huh?
0:07:02 > 0:07:04Must have been a heart attack.
0:07:04 > 0:07:06I'm no doctor, but I don't see any marks or anything.
0:07:06 > 0:07:08Is she really dead, Mr Lawrence.
0:07:08 > 0:07:11I'm afraid she is. But don't you worry.
0:07:11 > 0:07:13We're taking care of you. We'll take you out of here right now.
0:07:13 > 0:07:15You mean, you're going to be my new nursemaid?
0:07:15 > 0:07:19Oh, sure, and Goldie is going to be nursemaid for Diogenes.
0:07:19 > 0:07:21We'll see you get home grand style.
0:07:21 > 0:07:24You don't suspect foul play, do you?
0:07:24 > 0:07:26We don't suspect anything, we're on a vacation.
0:07:28 > 0:07:31Conductor, I think you better wire ahead to the authorities.
0:07:31 > 0:07:32Come on, Annie.
0:07:35 > 0:07:38All right, folks, you might as well go back to bed now.
0:07:40 > 0:07:41Double bunk!
0:07:41 > 0:07:44A midget couldn't take his pants off in there without a shoehorn!
0:07:44 > 0:07:46Please, be quiet.
0:07:46 > 0:07:49Well, young man, are you getting undressed out there?
0:07:49 > 0:07:51What do you think I'm doing? A bubble dance?
0:07:51 > 0:07:53SHE HUFFS
0:07:53 > 0:07:55HE HUFFS
0:07:55 > 0:07:56Having trouble?
0:07:56 > 0:07:59Trouble? Did you have to give Annie my birth?
0:07:59 > 0:08:01Couldn't leave her in that compartment alone.
0:08:01 > 0:08:04- But this is murder, boss. - That's what I thought.
0:08:04 > 0:08:06What do you mean that's what you thought?
0:08:06 > 0:08:07Murder.
0:08:07 > 0:08:09Carla Keyes didn't die naturally.
0:08:09 > 0:08:11Boss, you're not forgetting about our vacation, are you?
0:08:11 > 0:08:15No, no, no, this time we'll leave it to the police.
0:08:15 > 0:08:17We'll just take Annie home and that's as far as we go.
0:08:17 > 0:08:20Great, that'll give me a chance to find a wife.
0:08:20 > 0:08:22Haven't you had enough of a lesson?
0:08:22 > 0:08:23Well, I got one good eye.
0:08:45 > 0:08:49Uh-oh, I always heard San Francisco was a good town for sightseeing.
0:08:49 > 0:08:51Goldie, remember, third finger, left hand.
0:08:51 > 0:08:55Oh, sure, boy, am I going to have a good time trying to cut down my income tax here?
0:08:55 > 0:08:58Look, I think you better check on our reservations at the hotel.
0:08:58 > 0:08:59OK. Boss.
0:08:59 > 0:09:00Your cab, sir.
0:09:00 > 0:09:02Thank you.
0:09:04 > 0:09:06- Thanks.- Come on, Annie.
0:09:07 > 0:09:08What's the matter?
0:09:08 > 0:09:11Mr DeForrest usually meets me here.
0:09:11 > 0:09:12Who's Mr DeForrest?
0:09:12 > 0:09:13My Guardian.
0:09:13 > 0:09:16Oh, well, nevermind, we'll get you home. Come on.
0:09:20 > 0:09:23Annie, you'll have to give the directions to the driver.
0:09:23 > 0:09:25I don't know anything about San Francisco.
0:09:25 > 0:09:27You don't? All right.
0:09:27 > 0:09:29I'll tell him just where to go.
0:09:29 > 0:09:30Fine.
0:09:30 > 0:09:32Go out to 27th and Sea Cliff.
0:09:32 > 0:09:35I'll show you the house when we get there.
0:09:49 > 0:09:54I saw him get into a cab with the little girl. I'm sure of it. What?
0:09:54 > 0:10:02Yes. I have the cab's license number. It's BEH over PCH 1989.
0:10:02 > 0:10:051989.
0:10:05 > 0:10:07You think she's being kidnapped?
0:10:07 > 0:10:10I see. Give me your name and address in case we need you as a witness.
0:10:10 > 0:10:14My name is Dudley. Dr Carl Dudley.
0:10:14 > 0:10:17You can reach me at the Medical Institute.
0:10:17 > 0:10:20Tell me, Annie, why were you on that train?
0:10:20 > 0:10:22I'm on my way home from school for my vacation.
0:10:22 > 0:10:25And Miss Keyes was to have charge of you?
0:10:25 > 0:10:29Mm-hm. I didn't think I was going to like my vacation.
0:10:29 > 0:10:32Miss Keyes hasn't been your nurse very long, has she?
0:10:32 > 0:10:36POLICE SIREN
0:10:43 > 0:10:45- All right, mister, get out. - Me?
0:10:45 > 0:10:47- Yeah, you, you're wanted down headquarters.- On what charge?
0:10:47 > 0:10:50- Suspicion of kidnapping.- Kidnapping? I was just taking the child home.
0:10:50 > 0:10:52Where do you live, little girl?
0:10:52 > 0:10:54I live on Nob Hill.
0:10:54 > 0:10:56So you were just taking her home, were you?
0:10:56 > 0:10:58Well, you're three miles past Nob Hill district already.
0:10:58 > 0:11:01- Annie, why did you do this?- Don't try to dump it in her lap. Come on.
0:11:01 > 0:11:05But you've got to believe him. He isn't kidnapping me. He's a nice man.
0:11:05 > 0:11:07They always are, honey.
0:11:07 > 0:11:09- All right, bud, let's go. - But look, I...- Save it!
0:11:09 > 0:11:13I got orders to bring you in while we check you, that's what I'm doing.
0:11:13 > 0:11:14Follow us, cabbie.
0:11:16 > 0:11:17Get in the car.
0:11:32 > 0:11:33- Carl Morris is on his way in. - Thanks.
0:11:39 > 0:11:42Mr Lawrence, a writ of habeus corpus has been presented.
0:11:42 > 0:11:45A judge has signed an order for your release on 10,000 bail.
0:11:45 > 0:11:47- That's fine.- These are your effects.
0:11:47 > 0:11:49Would you sign your property receipt, please?
0:11:49 > 0:11:52Report back in three days. We'll know then whether the charges will be pressed or dropped.
0:11:52 > 0:11:55I was just about to tell you that I haven't 10,000 on me.
0:11:55 > 0:11:57- It's already been posted. - It's already been posted?
0:11:57 > 0:12:01You'll find the young lady right over the there.
0:12:02 > 0:12:03Darling.
0:12:10 > 0:12:13Oh, I've been so upset about you.
0:12:13 > 0:12:16I must say, you're a very charming rescue party.
0:12:16 > 0:12:18Everything's quite all right, darling.
0:12:18 > 0:12:20I had my attorneys arrange everything.
0:12:20 > 0:12:22They said you had nothing to worry about.
0:12:24 > 0:12:28I told them we were good friends. I hope you don't mind.
0:12:28 > 0:12:31Not in the least.
0:12:38 > 0:12:41I suppose you're wondering, Mr Lawrence...
0:12:41 > 0:12:44I'm Doreen Temple.
0:12:44 > 0:12:45Doreen Temple?
0:12:48 > 0:12:52- Erm, tell me, why did you...? - Go to all this trouble?
0:12:52 > 0:12:55If I told you that, I'd no longer be a woman of mystery
0:12:55 > 0:12:58and I'd like to be, just a little while.
0:12:58 > 0:13:00By all means.
0:13:00 > 0:13:04- Then how about dinner for a famished lady?- With explanations on the side?
0:13:04 > 0:13:07All the lurid details. I promise you.
0:13:07 > 0:13:09Lead on, Miss Temple.
0:13:17 > 0:13:20- Good evening.- Good evening.- Two.
0:13:30 > 0:13:34- How about a martini?- Love one. - Two martinis, very dry.
0:13:34 > 0:13:36- We'll order later.- Yes, Sir.
0:13:40 > 0:13:43This is much more like it.
0:13:43 > 0:13:46No wonder you appreciate it, after what you went through.
0:13:47 > 0:13:49There is one thing I would appreciate
0:13:49 > 0:13:53and that's an explanation of...
0:13:53 > 0:13:55- My actions tonight?- Mm-hm.
0:13:55 > 0:13:57That's very simple.
0:13:57 > 0:14:00I was, er, may I have a light?
0:14:01 > 0:14:02Oh, yes, of course.
0:14:12 > 0:14:15I was on a train last night.
0:14:15 > 0:14:19I can't imagine how I missed seeing you.
0:14:19 > 0:14:21I saw most of what happened.
0:14:21 > 0:14:23You see, I recognised you as The Falcon
0:14:23 > 0:14:25from your newspaper pictures.
0:14:25 > 0:14:26Am I that notorious?
0:14:26 > 0:14:28Let's say famous.
0:14:28 > 0:14:32I knew, of course, you had no intention of kidnapping that child
0:14:32 > 0:14:35so when I saw that ridiculous story in the newspapers tonight
0:14:35 > 0:14:37I simply had to do something about it.
0:14:37 > 0:14:40Bailing out prisoners must be a rather expensive hobby.
0:14:42 > 0:14:43I've never done it before.
0:14:47 > 0:14:48But I rather like it.
0:14:50 > 0:14:52I see.
0:14:54 > 0:14:56Doreen, I have a proposal to make to you.
0:14:56 > 0:14:57Already?
0:14:57 > 0:14:59Oh, no, this is quite different.
0:14:59 > 0:15:01I'll buy all your dinners, lunches and what have you
0:15:01 > 0:15:04if you agree to show me the rest of San Francisco.
0:15:04 > 0:15:05Why not?
0:15:05 > 0:15:07Now first up will be a party tonight.
0:15:07 > 0:15:10I'll phone my friends and tell them I'm bringing you along.
0:15:18 > 0:15:19Good evening, two?
0:15:19 > 0:15:21No, thanks, we're just looking around.
0:15:32 > 0:15:34Mr Lawrence?
0:15:34 > 0:15:38- Yes?- You're wanted down at headquarters.- What, again?
0:15:38 > 0:15:40But I've just come from there.
0:15:40 > 0:15:41Seems there was a murder on a train.
0:15:41 > 0:15:44Are they trying to involve me in that, too?
0:15:44 > 0:15:45I wouldn't know, Mr Lawrence.
0:15:48 > 0:15:52Oh, waiter, would you please give my apologies to the lady who was with me?
0:15:52 > 0:15:54- Tell her I'll be back as soon as possible.- Yes, sir.
0:15:54 > 0:15:58Er... Thank you.
0:16:55 > 0:16:56Good morning.
0:17:04 > 0:17:06I said, "good morning".
0:17:11 > 0:17:15I had to talk to you in less public surroundings.
0:17:15 > 0:17:17I'm sorry Rickey was so forceful about it.
0:17:17 > 0:17:18You're sorry?
0:17:18 > 0:17:21That makes everything perfectly all right, doesn't it?
0:17:21 > 0:17:25Well I hoped, in your case, you'd be more reasonable.
0:17:25 > 0:17:28You should know by now we're playing for high stakes.
0:17:28 > 0:17:30All I know is I'm getting out of...
0:17:35 > 0:17:40They won't stop you. After you've told me who killed Carla Keyes.
0:17:40 > 0:17:43The nurse? So she was killed?
0:17:43 > 0:17:46With the utmost finesse, according to the corner's report.
0:17:46 > 0:17:50A pinpoint penetration between the third and fourth ribs with a hat pin.
0:17:50 > 0:17:54- Why are you so interested?- If you don't mind, I'll ask the questions.
0:17:54 > 0:17:55Who killed her?
0:17:55 > 0:17:57I'm sorry to disappoint you, but I don't know.
0:17:57 > 0:17:59I'd advise you to co-operate for your own good.
0:18:01 > 0:18:05You're a very charming person, but I'm losing patience.
0:18:05 > 0:18:09Have you stopped to consider there must be quite a few people within the sound of my voice?
0:18:09 > 0:18:11Oh, please. Give me credit. I'm prepared for that.
0:18:11 > 0:18:15I'd hoped in your case it wouldn't be necessary.
0:18:15 > 0:18:18All I want to know is a man's name.
0:18:18 > 0:18:20But I've told you, I don't know!
0:18:20 > 0:18:23- It was Vantine, wasn't it? Peter Vantine?- Vantine?
0:18:23 > 0:18:24I've never heard of him.
0:18:24 > 0:18:26Rickey.
0:18:56 > 0:18:57I'm going to let you go now
0:18:57 > 0:18:59but I want you to take Vantine a message.
0:18:59 > 0:19:03If either of you are seen at the Citadel, you'll be killed.
0:19:03 > 0:19:04Cit, Citadel?
0:19:05 > 0:19:07Take him out the side way.
0:19:07 > 0:19:09Ride him around.
0:19:09 > 0:19:10He wants to see San Francisco.
0:19:42 > 0:19:44CAR HORN BEEPS
0:20:12 > 0:20:14794.
0:20:18 > 0:20:20Just a moment, sister.
0:20:20 > 0:20:23Haven't we metten up some place before?
0:20:23 > 0:20:26Certainly not. I never go slumming.
0:20:26 > 0:20:27Oh, excuse me.
0:20:30 > 0:20:31My, my.
0:20:35 > 0:20:37Just a moment, Tootsie.
0:20:37 > 0:20:38Well, for goodness sakes!
0:20:38 > 0:20:39Happy Hallowe'en.
0:20:39 > 0:20:40Fresh!
0:20:41 > 0:20:44Falcon! For the love of Pete, we're you been all night?
0:20:44 > 0:20:46- I might say a lady was responsible. - A lady?
0:20:46 > 0:20:49Where have you been? I tried to reach you from the police station.
0:20:49 > 0:20:52I've been looking at some prospects for that wife job I've got open.
0:20:52 > 0:20:54What's this in the paper about you snatching that kid?
0:20:54 > 0:20:57I'll explain about that later. I want to get cleaned up and then we're going visiting.
0:20:57 > 0:21:01- Yeah? Where we heading? - To Nob Hill to find a little vixen by the name of Annie Marshall.
0:21:01 > 0:21:04Annie Marshall? Look, boss, why can't we just forget the whole thing
0:21:04 > 0:21:06- and stay here and take it easy? - We're going to Nob Hill.
0:21:06 > 0:21:10Instead of a Falcon, why couldn't I have teamed up with a homing pigeon?
0:21:19 > 0:21:20Sure swanky, ain't it?
0:21:20 > 0:21:23Maybe she wasn't kidding about owning that yacht.
0:21:23 > 0:21:24KNOCK ON DOOR
0:21:24 > 0:21:26You wait here, Goldie.
0:21:26 > 0:21:28- If I'm not out very soon, come and get me.- Right, boss.
0:21:30 > 0:21:33- Good evening. - Did you wish to see someone, sir?
0:21:33 > 0:21:35Yes, Annie Marshall.
0:21:35 > 0:21:36Do you have an appointment?
0:21:36 > 0:21:39An appointment? To see a child?
0:21:39 > 0:21:40Quite right, sir.
0:21:40 > 0:21:43I've a lot of questions to ask Annie and I haven't much time to waste.
0:21:43 > 0:21:46- I'm sorry, sir. - Loomis, what is it, Loomis?
0:21:46 > 0:21:48This man wishes to see your sister, Miss Marshall.
0:21:48 > 0:21:50My name is Lawrence, Tom Lawrence.
0:21:50 > 0:21:52The man who was arrested?
0:21:52 > 0:21:54Shall I call the police, Miss?
0:21:54 > 0:21:56I don't think that will be necessary, Loomis.
0:21:57 > 0:21:58This way, Mr Lawrence.
0:21:58 > 0:21:59Thank you.
0:22:04 > 0:22:06I was surprised to hear your name, I thought you were in custody.
0:22:06 > 0:22:10It would be hard for them to make a kidnapping charge stick, too many witnesses.
0:22:10 > 0:22:12I was merely trying to take your sister home.
0:22:12 > 0:22:14Well then, why did you come here?
0:22:14 > 0:22:17I wanted to find out about a woman called Doreen Temple.
0:22:17 > 0:22:19I've never heard of her.
0:22:19 > 0:22:21Then do you know a man by the name of Peter Vantine?
0:22:21 > 0:22:24No, I don't think so. Who are they?
0:22:24 > 0:22:26I'm not sure yet.
0:22:26 > 0:22:30But I have met Miss Temple and a couple of her playmates.
0:22:30 > 0:22:32It was a rather rough introduction.
0:22:32 > 0:22:35Did you notify the police?
0:22:35 > 0:22:36I'm hardly in a position to ask their help.
0:22:36 > 0:22:38Well, how can we help?
0:22:38 > 0:22:44I, erm, thought there might be some connection between what happened to me and your situation.
0:22:44 > 0:22:47What do you mean, "our situation"?
0:22:47 > 0:22:50Oh, Annie told me about you being kept a prisoner here.
0:22:50 > 0:22:51Prisoner?
0:22:51 > 0:22:54Oh dear, that child, I'm awfully sorry, Mr Lawrence,
0:22:54 > 0:22:56but Annie's always telling fibs like that.
0:22:56 > 0:22:59Children have such active imaginations, you know.
0:22:59 > 0:23:01Yes, of course.
0:23:01 > 0:23:04Then perhaps you can help me with some information about the nurse,
0:23:04 > 0:23:05Carla Keyes?
0:23:05 > 0:23:09Well, she'd only been with us a few months. She never spoke of herself.
0:23:09 > 0:23:10I see.
0:23:11 > 0:23:13Would you mind if I saw her room?
0:23:13 > 0:23:18I'm sorry but the police ordered us not to let anyone in that room.
0:23:18 > 0:23:20Did they? When did they do that?
0:23:21 > 0:23:23When they brought my sister home.
0:23:23 > 0:23:25I see.
0:23:25 > 0:23:27Could I speak to Annie?
0:23:27 > 0:23:30Oh, I'm afraid that's impossible too.
0:23:30 > 0:23:32- You see, she's asleep. - Oh no, I'm not!
0:23:33 > 0:23:35Hello, Mr Lawrence.
0:23:35 > 0:23:36Hello, Annie.
0:23:36 > 0:23:38Young lady, you're supposed to be asleep.
0:23:38 > 0:23:42I know, but Diogenes heard you talking and ran away.
0:23:42 > 0:23:44And I had to catch him.
0:23:44 > 0:23:47Why did you tell Mr Lawrence that you're a prisoner here?
0:23:47 > 0:23:49I didn't mean to.
0:23:49 > 0:23:53- It just slipped out.- Annie, honey, that was a fib, wasn't it?
0:23:53 > 0:23:57You wouldn't want Mr Lawrence to think a whole lot of nasty things about us, would you?
0:23:57 > 0:23:59No, I wouldn't.
0:24:00 > 0:24:05I, I didn't mean any harm, Mr Lawrence. I was only playing.
0:24:05 > 0:24:08Are you mad at me?
0:24:08 > 0:24:11Well, er, I don't stay mad very long.
0:24:11 > 0:24:16I'm glad, because Diogenes says he likes you too.
0:24:16 > 0:24:18Oh, Diogenes said that, did he?
0:24:18 > 0:24:21Mm-hm. Diogenes tells me lots of stories.
0:24:21 > 0:24:23Once he told me a story about a great big old tomcat.
0:24:23 > 0:24:24Annie!
0:24:24 > 0:24:26There she goes again!
0:24:26 > 0:24:29Annie, perhaps you better go back to bed before you tell any more fibs.
0:24:29 > 0:24:31SHE SIGHS
0:24:31 > 0:24:35I guess I got to go back to bed, Mr Lawrence. Good night.
0:24:38 > 0:24:39But wait a minute.
0:24:43 > 0:24:44Yes, sir?
0:24:44 > 0:24:47You wouldn't dream of going to sleep without a bedtime story, would you?
0:24:47 > 0:24:49- Oh, boy!- I'm sorry but I can't let you.
0:24:49 > 0:24:52- Oh, nonsense, Miss Marshall, it's more trouble at all.- Oh, please!
0:24:52 > 0:24:55Every child likes a bedtime story. Come on, young lady.
0:24:55 > 0:24:56Show me where your room is.
0:24:56 > 0:24:57Upstairs. Carry me piggyback.
0:24:57 > 0:24:59Uh-oh.
0:24:59 > 0:25:01- Carry me piggyback. - Well, piggyback it shall be.
0:25:01 > 0:25:04- I really shouldn't let you, Mr Lawrence.- If we must do this,
0:25:04 > 0:25:08- do you mind sitting still?- Well nobody sits still on a horse.- I see!
0:25:08 > 0:25:10Shall we go first?
0:25:10 > 0:25:14Giddy-up, horsey, come on, fast! Faster, faster!
0:25:14 > 0:25:16Come on, giddy-up!
0:25:16 > 0:25:18Boy, this is fun!
0:25:18 > 0:25:21Giddy-up, faster, horsey, faster!
0:25:22 > 0:25:24Faster, horsey!
0:25:24 > 0:25:26Faster. Woah, boy, woah.
0:25:26 > 0:25:27Is this it?
0:25:30 > 0:25:35- Mmm, is this room all yours?- Uh-huh, I live here.- Nice, isn't it?- Uh-huh.
0:25:35 > 0:25:37What story are you going to tell me?
0:25:37 > 0:25:39Story? Oh, yes.
0:25:39 > 0:25:41I think a good one for you would be about the little boy
0:25:41 > 0:25:43who cried wolf all the time.
0:25:43 > 0:25:45Must have been one of Joan's boyfriends.
0:25:45 > 0:25:46She says they're all wolves.
0:25:46 > 0:25:49Anne Marshall, you get right into bed.
0:25:49 > 0:25:50What did I say?
0:25:50 > 0:25:54Probably something you shouldn't have said. Come on. Here you go.
0:25:55 > 0:25:58- Into bed.- SHE LAUGHS - I'll tuck her in!
0:25:58 > 0:26:00I'm sorry.
0:26:00 > 0:26:02That's very nice perfume.
0:26:02 > 0:26:04Why, thank you.
0:26:05 > 0:26:07THEY LAUGH
0:26:07 > 0:26:10Young lady, haven't you had enough excitement for one night?
0:26:10 > 0:26:12Don't you ever want to go to sleep?
0:26:12 > 0:26:15Give the Sandman a chance to come and pay you a visit.
0:26:15 > 0:26:18There now, you keep all tucked up and nice and warm.
0:26:18 > 0:26:21THEY GIGGLE
0:26:21 > 0:26:26Well, young lady, are you going to be a good little girl and go to sleep or must I spank you?
0:26:26 > 0:26:28I'll get Annie's things ready for the morning.
0:26:28 > 0:26:31Please make it short, Mr Lawrence, she mustn't stay up late.
0:26:31 > 0:26:33It'll be practically a synopsis.
0:26:37 > 0:26:38Well?
0:26:39 > 0:26:44Oh, yes, yes, of course, the story.
0:26:44 > 0:26:48- Well, it appears that some years ago...- Once upon a time.
0:26:49 > 0:26:52Once upon a time, there was a little boy,
0:26:52 > 0:26:56he was a shepherd and he used to look after his sheep.
0:26:56 > 0:26:59Oh, you're not going to tell me the one about the little boy
0:26:59 > 0:27:02who yelled wolf so many times nobody believed him, are you?
0:27:02 > 0:27:04As a matter-of-fact, I was.
0:27:05 > 0:27:09- SHE SIGHS - No?- No, it's too corny.- Oh.
0:27:10 > 0:27:13But, look, I did want to talk to you.
0:27:13 > 0:27:14That'll be wonderful.
0:27:14 > 0:27:17Were you telling the truth about being a prisoner in your own house?
0:27:19 > 0:27:26I...I would, it... Please tell me about the wolf, Mr Lawrence.
0:27:26 > 0:27:29Oh, look, Annie, try to understand. This is very important.
0:27:29 > 0:27:33Were you telling the truth on the train or weren't you?
0:27:33 > 0:27:36I... I was telling a fib. I'm not really held prisoner.
0:27:36 > 0:27:41Annie, I never believed there was such a thing as a problem child
0:27:41 > 0:27:42but I believe it now.
0:27:44 > 0:27:46What, is the story finished already?
0:27:46 > 0:27:50Well, you said she mustn't stay up too late. Good night, Annie.
0:27:50 > 0:27:53- Good night, Mr Lawrence.- I'm sorry we couldn't be of more help.
0:27:53 > 0:27:55Oh, it's all right. Good night, Miss Marshall.
0:27:55 > 0:27:56Good night, Mr Lawrence.
0:28:20 > 0:28:22You will pardon me, Miss Joan,
0:28:22 > 0:28:25but I don't believe it advisable for you to go out so late.
0:28:48 > 0:28:51DOG BARKS
0:28:57 > 0:28:59DOG BARKS AGAIN
0:28:59 > 0:29:00Nice doggy!
0:29:03 > 0:29:04Hello, Annie.
0:29:06 > 0:29:07Oh, it's you!
0:29:07 > 0:29:10DOG BARKS Be quiet, Diogenes.
0:29:10 > 0:29:12I thought you went home.
0:29:12 > 0:29:15I did, but I came back and brought Goldie Lockes to see you.
0:29:15 > 0:29:17- Oh, hello, Goldilocks.- Hi, Annie.
0:29:17 > 0:29:19Glad to have metten up with you again.
0:29:19 > 0:29:21Annie learns English easy.
0:29:21 > 0:29:22SHE LAUGHS
0:29:22 > 0:29:25Why did you come back, Mr Lawrence?
0:29:26 > 0:29:28We want to play detectives with you.
0:29:28 > 0:29:30Oh, that's wonderful.
0:29:30 > 0:29:31How do we play it?
0:29:31 > 0:29:34You take us to Nurse Keyes room, we'll start from there.
0:29:34 > 0:29:35I'm afraid.
0:29:35 > 0:29:39- Of what?- We have to go right past Loomis' room. I hate Loomis.
0:29:39 > 0:29:42You were telling the truth on the train when you said that?
0:29:42 > 0:29:43Yes, Mr Lawrence.
0:29:43 > 0:29:45Why did you give the cab driver the wrong address?
0:29:45 > 0:29:48I don't like my house anymore.
0:29:48 > 0:29:53You were so nice and kind, I wanted to be with you as long as I could.
0:29:53 > 0:29:56I like you an awful lot, Mr Lawrence.
0:29:56 > 0:29:58Don't you like Joan?
0:29:58 > 0:30:01- Of course I do, you want to know something?- Mm-hm.
0:30:01 > 0:30:05She's afraid of Loomis too. And she didn't like Miss Keyes either.
0:30:05 > 0:30:07I see.
0:30:07 > 0:30:08Now shall we play detectives?
0:30:08 > 0:30:10Mm-hm. Is that the same as cops and robbers?
0:30:10 > 0:30:13Last time I played cops and robbers, the cops won!
0:30:13 > 0:30:14SHE LAUGHS
0:30:14 > 0:30:16LAWRENCE SHUSHES THEM
0:30:27 > 0:30:29Oh, no, that's Loomis' room.
0:30:42 > 0:30:44Now what do we do?
0:30:44 > 0:30:46What do you think detectives do?
0:30:46 > 0:30:47Look for clues!
0:30:47 > 0:30:49Annie catches on quick.
0:30:49 > 0:30:51Come on, Goldie, you take that side.
0:30:51 > 0:30:52What are clues?
0:30:52 > 0:30:58Annie, clues, are things folks leave around so that detectives can catch them. Look under the bed.
0:31:22 > 0:31:27"To my dear wife Carla, with love, Abel".
0:31:27 > 0:31:29Goldie, come here, would you?
0:31:29 > 0:31:30Yes, boss.
0:31:36 > 0:31:38Over here, quick.
0:31:58 > 0:32:00GUNSHOT
0:32:00 > 0:32:02ANNIE SCREAMS
0:32:05 > 0:32:06KNOCKING ON DOOR
0:32:06 > 0:32:07Open up!
0:32:07 > 0:32:09- Boss, we better get out of here.- OK.
0:32:09 > 0:32:12KNOCKING CONTINUES
0:32:16 > 0:32:18Go back to your bed and stay there.
0:32:18 > 0:32:21KNOCKING GOES ON
0:32:35 > 0:32:36What's happened?
0:32:43 > 0:32:46I bet that joint's crawling with cops by now.
0:32:46 > 0:32:47I wouldn't be surprised.
0:32:47 > 0:32:48Did you get anything?
0:32:48 > 0:32:51I'm not sure, we'll see, just wait while I phone.
0:32:52 > 0:32:54Hello, operator?
0:32:54 > 0:32:58Er, can you connect me with the local office of the Maritime Commission? Thank you.
0:33:06 > 0:33:09I see. Thank you very much.
0:33:09 > 0:33:11What's the dope, boss?
0:33:11 > 0:33:14The insignia on Abel Keyes' cap is used by the Star Costal Lines.
0:33:14 > 0:33:16Judging by his uniform, he's a first mate.
0:33:16 > 0:33:18- So what?- So what?
0:33:18 > 0:33:19You saw the inscription,
0:33:19 > 0:33:22he's the husband of the nurse who was murdered on the train.
0:33:22 > 0:33:24Do you think he killed her because he was jealous of the butler?
0:33:24 > 0:33:27Knocked him off tonight to finish the job, do you think...?
0:33:27 > 0:33:28Look, Goldie.
0:33:28 > 0:33:31I can think much better when you don't.
0:33:31 > 0:33:32OK, I can take a hint.
0:33:32 > 0:33:34KNOCK ON DOOR
0:33:37 > 0:33:41- Mr Lawrence?- Yes.- May I speak to you on an important matter?
0:33:41 > 0:33:43- Of course, come in.- Thank you.
0:33:43 > 0:33:44Don't move.
0:33:44 > 0:33:46You, too.
0:33:46 > 0:33:48Where's Doreen Temple?
0:33:48 > 0:33:51Now that, my friend, is something I'd like to know myself.
0:33:51 > 0:33:52Where did you get that?
0:33:53 > 0:33:54Does this interest you, too?
0:33:54 > 0:33:58I begin to see why Doreen Temple employs The Falcon.
0:33:58 > 0:34:02She's taking no chances. Give it to me, please.
0:34:02 > 0:34:05Oh, now, wait a minute. I went to a lot of trouble to get this.
0:34:05 > 0:34:07And Doreen must value it very highly.
0:34:07 > 0:34:09Hand it over.
0:34:09 > 0:34:10OK.
0:34:14 > 0:34:16Nice work, boss!
0:34:16 > 0:34:18What do we do with him now that he's here?
0:34:18 > 0:34:20Make him talk if we can.
0:34:20 > 0:34:25PV... Vantine, that's who he is.
0:34:25 > 0:34:27Don't shoot!
0:34:27 > 0:34:30Please, don't shoot.
0:34:30 > 0:34:31Why shouldn't I? You would have shot me.
0:34:31 > 0:34:37No, no, I am not a criminal. You must listen to me, Mr Lawrence.
0:34:37 > 0:34:39I know Doreen Temple wants me out of the way
0:34:39 > 0:34:42and she would pay you very well for killing me.
0:34:42 > 0:34:44But you're a practical man, are you not?
0:34:46 > 0:34:47At times, yes.
0:34:47 > 0:34:50I will pay you more than she.
0:34:50 > 0:34:51How much more?
0:34:51 > 0:34:5515,000. Yes, 15,000. I give you that much.
0:34:55 > 0:34:5915 grand? But you must be kidding, your life ain't worth that much.
0:34:59 > 0:35:00All right, where's the money?
0:35:00 > 0:35:03I'll get it... From Doreen Temple.
0:35:03 > 0:35:06From Doreen Temple? Oh, you don't stop at anything, do you?
0:35:06 > 0:35:08I want what's rightfully mine.
0:35:09 > 0:35:12You must listen to me. I will explain.
0:35:12 > 0:35:15I was an importer in South America, Doreen Temple was there too.
0:35:15 > 0:35:19- This mug makes them up better than little Annie.- I'm telling the truth.
0:35:19 > 0:35:23There was a business transaction. She tricked me. She tricks everybody. She will trick you too.
0:35:23 > 0:35:26- She and Duke Monette.- Duke Monette?
0:35:26 > 0:35:28- Where does he cut in on this? - You, you know him?
0:35:28 > 0:35:32- No, I don't want to.- I remember Duke Monette.- Yeah, during prohibition.
0:35:32 > 0:35:34Right, he lead of the most vicious gang around at the time.
0:35:34 > 0:35:35But I thought he was dead.
0:35:35 > 0:35:39No. Doreen brought him out of the country.
0:35:39 > 0:35:41The Duke was in love with her then.
0:35:41 > 0:35:44She learned from him what she knows.
0:35:44 > 0:35:49You have to tell me where I can find her, Mr Lawrence.
0:35:49 > 0:35:50We have to trust each other.
0:35:56 > 0:35:59Boss, I wouldn't trust him as far as I could throw Rhode Island.
0:35:59 > 0:36:01I know, Goldie, I know.
0:36:01 > 0:36:03When will you let me know your decision, Mr Lawrence?
0:36:03 > 0:36:06Call me up tomorrow, I'll tell you then. Here.
0:36:08 > 0:36:09Thank you.
0:36:09 > 0:36:10Good night, Mr Lawrence.
0:36:10 > 0:36:12Good night.
0:36:12 > 0:36:16Boss, how are you going to bring this Vantine to this Doreen dame
0:36:16 > 0:36:18when you don't even know where she is yourself?
0:36:18 > 0:36:21I think the charming Doreen will show up pretty fast when she hears about that photograph.
0:36:21 > 0:36:24- She doesn't even know we got it yet. - She will tomorrow, Goldie,
0:36:24 > 0:36:27- we're going to do some advertising in the morning.- Advertising?
0:36:27 > 0:36:30At the office of Star Costal Lines.
0:36:30 > 0:36:33Look, boss, we land in town and you get tossed into the hoosegow.
0:36:33 > 0:36:34Well...
0:36:34 > 0:36:36Then a couple of Doreen's pals beat you up.
0:36:36 > 0:36:39- Go on.- What I want to know is, what's going to happen to us next?
0:36:39 > 0:36:42You just got through saying it all happened to me.
0:36:42 > 0:36:44Yeah. That's right.
0:36:44 > 0:36:46What am I worrying about?
0:37:04 > 0:37:06How do you do?
0:37:06 > 0:37:10I'd like some information about one of your employees. Abel Keyes.
0:37:10 > 0:37:12Er, I'm sorry, sir.
0:37:12 > 0:37:15I can't give out any information about any of our employees.
0:37:15 > 0:37:17Oh. Who can?
0:37:17 > 0:37:21Well, uh... Mr DeForrest is the general manager.
0:37:21 > 0:37:25- Then if you don't mind, I'll see him.- He's busy right now.
0:37:25 > 0:37:28Would you mind announcing me? My name is Lawrence, Tom Lawrence.
0:37:28 > 0:37:29I'll see.
0:37:33 > 0:37:34Mr DeForrest?
0:37:34 > 0:37:35Yes?
0:37:35 > 0:37:37There's a Mr Lawrence out here to see you.
0:37:37 > 0:37:39Mr Lawrence?
0:37:39 > 0:37:41Lawrence, why, he's the man I was just telling you about.
0:37:41 > 0:37:43He was at the house when Loomis...
0:37:43 > 0:37:44What could he want with me?
0:37:44 > 0:37:47Well, I don't know. But I'd rather he didn't see me here.
0:37:47 > 0:37:48Let him in.
0:37:48 > 0:37:52Yes, sir. He'll see you.
0:37:52 > 0:37:53Thank you.
0:38:03 > 0:38:07- Mr Lawrence?- Yes.- I'm Mr DeForrest. - How do you do?- Sit down.- Thank you.
0:38:07 > 0:38:12- What can I do for you?- I'd like some information about Abel Keyes.
0:38:12 > 0:38:14We have hundreds of employees here.
0:38:14 > 0:38:16I couldn't possibly keep track of all of them.
0:38:16 > 0:38:19I see... But this is very important.
0:38:19 > 0:38:22You might almost say it's a matter of life and death.
0:38:22 > 0:38:25Very well.
0:38:25 > 0:38:26Let's see.
0:38:35 > 0:38:37He's aboard the SS Citadel.
0:38:37 > 0:38:39She's still at sea.
0:38:41 > 0:38:44- The Citadel?- Yes, she's one of our larger ships.
0:38:44 > 0:38:45And when does she make port?
0:38:45 > 0:38:48Well, that depends upon time, tide and circumstance.
0:38:50 > 0:38:52He says his name is Lawrence.
0:38:52 > 0:38:56He's asking a lot of questions about Abel Keyes.
0:38:56 > 0:38:58All right, Doreen.
0:38:58 > 0:38:59I'll send him over to your place.
0:39:04 > 0:39:07Well, this has been a very enlightening session, Mr DeForrest.
0:39:07 > 0:39:14- I've learnt exactly nothing. Thanks a lot.- Not at all.
0:39:20 > 0:39:23Oh, you can come out now, Miss Marshall.
0:39:31 > 0:39:34- Hello.- How did you know I was here?
0:39:34 > 0:39:38I felt your irresistible presence and remembered your perfume.
0:39:38 > 0:39:41You have no right to spy on me and I won't stand for it.
0:39:41 > 0:39:45I told you not to come here. When will you learn this is a business office?
0:39:45 > 0:39:49It happens to be my business office, Mr DeForrest, and don't forget that.
0:39:49 > 0:39:52- Yours?- Not that it concerns you but I own the Star Coastal Lines.
0:39:52 > 0:39:56That's quite right, Mr Lawrence, I'm Miss Marshall's business manager.
0:39:56 > 0:39:58See that you were never that in the future.
0:39:58 > 0:40:02Why were you hiding from me a moment ago?
0:40:02 > 0:40:04Because I don't trust you.
0:40:04 > 0:40:07Give me a chance and I'll grow on you.
0:40:07 > 0:40:10For example, would a quiet lunch for two interest you?
0:40:19 > 0:40:20All right.
0:40:25 > 0:40:31Oh, Mr Lawrence... I ran across Abel Keyes' home address on our files.
0:40:31 > 0:40:32Thank you.
0:40:36 > 0:40:39- Miss Marshall, this is Mr Locke. - How do you do?
0:40:39 > 0:40:41Pleased to have metten up with you.
0:40:41 > 0:40:43- Will you excuse us for a moment? - Certainly.- Goldie...
0:40:47 > 0:40:50- Say, who's the tomato? - Oh, she owns the shipping company.
0:40:50 > 0:40:54- Yeah? For a sailor she ain't bad looking.- Take it easy, Goldie.
0:40:54 > 0:40:57Find out when the Citadel docks, then go to one of the newspaper offices
0:40:57 > 0:41:01and get me all the press clippings you can find on Duke Monette,
0:41:01 > 0:41:03- especially those with photographs. - Right.
0:41:05 > 0:41:06- I'm sorry.- That's all right.
0:41:11 > 0:41:12Where to, Mister?
0:41:12 > 0:41:16Erm...2125 Coleman Street.
0:41:16 > 0:41:18There's no restaurant on Coleman Street.
0:41:18 > 0:41:22- I have a call to make, do you mind?- Of course not.
0:41:22 > 0:41:25One might say it's in the nature of a business call.
0:41:25 > 0:41:28I don't know what connection Star Coastal Lines have
0:41:28 > 0:41:31with what happened to me, but I intend to find out,
0:41:31 > 0:41:34and it's comforting to have the owner along, for protection.
0:41:34 > 0:41:37- Of all the nonsense... - Frankly, I hope it is just nonsense.
0:41:37 > 0:41:40Frankly, I'd rather not have lunch with you. Please let me out.
0:41:40 > 0:41:44But you've already accepted my invitation, and I insist on holding you to it.
0:41:44 > 0:41:47Forcibly? This is kidnapping, Mr Lawrence.
0:41:47 > 0:41:51Oh, please, call me Tom, and now that I have kidnapped the entire Marshall family
0:41:51 > 0:41:53I should be considered an old friend.
0:42:13 > 0:42:15- I could call for help, you know? - Why don't you?
0:42:15 > 0:42:19Because I'm looking forward to the pleasure of proving what an idiot you are.
0:42:34 > 0:42:37Come in, Tom. So nice to see you again.
0:42:37 > 0:42:39I wish I could say the same.
0:42:39 > 0:42:42I was looking for some...
0:42:42 > 0:42:47- You heard what she said. Go on inside. Both of you.- Oh...
0:42:53 > 0:42:57- I'm afraid we can't stay very long. - Oh, I'm so sorry.
0:42:57 > 0:43:01Still, I'm glad you came, though I didn't expect Miss Marshall.
0:43:01 > 0:43:05- I'm not here through choice.- So you know each other?- Unfortunately, yes.
0:43:05 > 0:43:10- Then it must be aware that Miss Marshall is the owner of the Citadel?- Naturally.
0:43:10 > 0:43:15But I scarcely think she'd attempt to interfere with the unloading of the cargo.
0:43:15 > 0:43:21- Meaning that you think I might? - Mmm-hmm. You and Vantine. - That cargo must be very valuable.
0:43:21 > 0:43:24Why else do you think he's going to such lengths to defraud me?
0:43:24 > 0:43:28I was under the impression that you were trying to defraud him.
0:43:28 > 0:43:33After all the plans I've made and the risks I've taken, no-one is going to stand in my way.
0:43:33 > 0:43:36You're forgetting one thing, Doreen. Vantine is around
0:43:36 > 0:43:40and if anything should happen to me, he'll know what to tell the police.
0:43:40 > 0:43:45Exactly. So I took the liberty of sending word to Vantine that you were waiting for him here.
0:43:45 > 0:43:47He's on his way over now.
0:43:49 > 0:43:54- You think of everything, don't you? - I can't afford to make mistakes in my business.
0:44:00 > 0:44:01Vantine's coming.
0:44:01 > 0:44:04All right, you two. Over against the wall.
0:44:26 > 0:44:31- Is Mr Lawrence here?- Yes. He's waiting to see you.- Thank you.
0:44:33 > 0:44:36- Doreen. - You're most elusive, Mr Vantine.
0:44:36 > 0:44:39I'd almost given up hope of getting in touch with you again.
0:44:54 > 0:44:58Sorry, officer, it's really nothing. We thought we heard a fire engine.
0:44:58 > 0:45:02- We always run to fires.- Do you, now? Most folks run away from them.
0:45:02 > 0:45:03Er, taxi.
0:45:17 > 0:45:19- Tom, I apologise. - So do I. That makes us even.
0:45:19 > 0:45:22That policeman, why didn't you tell him?
0:45:22 > 0:45:26- We're not ready for the police yet. - What about Mr Vantine?
0:45:26 > 0:45:30- They won't dare harm him while I'm loose.- Well, then I'll be safe, too.
0:45:30 > 0:45:34Yes, but I want you to stay home for the present and not see anyone.
0:45:34 > 0:45:35Anyone?
0:45:38 > 0:45:39Hmm.
0:45:41 > 0:45:45I'm kind to dumb animals. I treat women like they was almost my equal.
0:45:45 > 0:45:48I'm a one-woman man. Easy-going, steady-going.
0:45:48 > 0:45:51What do you say, sister, what do you say?
0:45:53 > 0:45:57- Well, you're very kind, but I've been married three times.- Three times?
0:45:57 > 0:46:01- Three husbands and they all died. - All died?- Buried all three of them.
0:46:01 > 0:46:03All three?
0:46:03 > 0:46:06I remember the funeral of the last one, looking down his coffin
0:46:06 > 0:46:08to say my last goodbyes to him.
0:46:08 > 0:46:10He looked better then than you do right now.
0:46:13 > 0:46:15Why, you husband burrier!
0:46:17 > 0:46:19What's going on around here?
0:46:19 > 0:46:22This marriage business is more complicated than the income tax.
0:46:22 > 0:46:26- What about those newspaper clippings on Duke Monette? - They're in the room.
0:46:36 > 0:46:40You know, Goldie, one should never overlook newspapers as a source of information.
0:46:42 > 0:46:45Of course, there are newspapers and newspapers.
0:46:45 > 0:46:49- Some are...- Well, you may be right and then again you may be wrong.
0:46:49 > 0:46:52- It depends whether you can read or not.- Come on out.
0:46:53 > 0:46:56- Well, well, well.- Mr DeForrest.
0:46:56 > 0:46:58I...I'm afraid this is an awkward situation.
0:46:58 > 0:47:01I guess I'm not very good at this sort of thing.
0:47:01 > 0:47:03You sure seem to be doing all right.
0:47:03 > 0:47:05You can put the gun away, I'm not armed.
0:47:05 > 0:47:09All right, is this a social call or were you looking for something?
0:47:09 > 0:47:11Frankly, I was looking forward Joan.
0:47:11 > 0:47:16See, I'm worried about her, with that kidnapping attempt and then those murders.
0:47:16 > 0:47:20Joan hasn't been at her home since she left my office with you.
0:47:20 > 0:47:22I wondered if I'd been wise, letting her leave with you.
0:47:22 > 0:47:24She's at home now, I just left her there.
0:47:24 > 0:47:27Oh, well, I'm greatly relieved.
0:47:27 > 0:47:30You see, the girl's father was a very good friend of mine.
0:47:30 > 0:47:34Before he died he asked me to take care of them, it's a big responsibility.
0:47:36 > 0:47:40I'm not a very good detective, I found nothing that makes you seem guilty.
0:47:40 > 0:47:45- I'm glad of that.- I hope you'll excuse me if I seem suspicious, I thought I was doing the right thing.
0:47:45 > 0:47:49Sure, boss, excuse him. If they'd have been my kids I'd have probably done the same thing.
0:47:49 > 0:47:53- Of course, yes.- Thank you. if you don't mind, I'll be getting along.
0:47:53 > 0:47:56- I guess I'm lucky you didn't shoot me. Good day, Mr Lawrence.- So long.
0:47:56 > 0:48:01- And from now on, please try to believe that we're on your side. - Thank you, I'll remember.
0:48:04 > 0:48:08- Where did you put those clippings? - Under the blotter.- Fine.
0:48:08 > 0:48:12- Sure nice of that guy to take care of them kids like that. - Yes, isn't it?
0:48:12 > 0:48:16Say, I wouldn't mind having a couple of kids like that myself.
0:48:18 > 0:48:20I see you couldn't find a picture of Monette.
0:48:22 > 0:48:24"SS Citadel."
0:48:28 > 0:48:32I almost forgot, Duke Monette had quite a rum fleet during prohibition.
0:48:35 > 0:48:40You know, Goldie, the pieces of this jigsaw puzzle are beginning to fall into place.
0:48:40 > 0:48:44- I think we better pay Star Coastal Lines another visit. - You mean you suspect DeForrest?
0:48:44 > 0:48:49No, but I suspect the cargo of one of his ships. Did you find out when the Citadel docks?
0:48:49 > 0:48:54Sure, it gets in today but, boss, you don't get me on no boat. Even taking a bath, I get seasick.
0:49:18 > 0:49:23- Goldie.- Another vacation like this and I'll end up in the hospital.
0:49:23 > 0:49:26- Did you notice the first mate? - No, I just hope he don't notice me.
0:49:26 > 0:49:29Doesn't look anything like that photograph of Abel Keyes.
0:49:29 > 0:49:33- Well, they say nothing changes people like travel. - Go and find out who he is.
0:49:33 > 0:49:35Boss, suppose he wants to see my union card.
0:49:39 > 0:49:41Excuse me, Mister. You're the union card...
0:49:41 > 0:49:44- I mean, you're the first mate, ain't you?- That's right.
0:49:44 > 0:49:47I was told to see about a job on your ship. You're Abel Keyes, aren't you?
0:49:47 > 0:49:51- Yeah, I'm Keyes, and we've got a full crew. - Thanks anyway. Some other time.
0:49:59 > 0:50:01Reckons he's Abel Keyes.
0:50:01 > 0:50:02Yes, and they claim this is hemp.
0:50:02 > 0:50:06Doreen and Vantine aren't getting mixed up in murder for a cargo like this.
0:50:06 > 0:50:10- That ain't hemp, that's the stuff they make ropes out. - It's hemp, all right.
0:50:23 > 0:50:26- This is more like it.- What's that stuff?- Now we're getting somewhere.
0:50:26 > 0:50:30- Unless I'm mistaken, that's raw silk.- Raw silk? I don't get it.
0:50:30 > 0:50:32Keep an eye on this. I want to talk to DeForrest.
0:50:34 > 0:50:36Thank you.
0:50:38 > 0:50:40- Mr DeForrest.- Yes.
0:50:42 > 0:50:45- Oh, Lawrence, what's the idea? - Oh, I'm making a private investigation.
0:50:45 > 0:50:48- Can you tell me what this is? - Oh, it's raw silk.
0:50:48 > 0:50:52- Why is it entering the country labelled hemp?- What do you mean?
0:50:52 > 0:50:56- Where did you get this?- I just helped bring some of it off your ship.
0:50:56 > 0:50:59This cargo's got to be held up until we can get an official check-up.
0:50:59 > 0:51:02- Come with me. - I'd sooner stay out of it.
0:51:02 > 0:51:04As you like. Thanks for telling me.
0:51:10 > 0:51:15- Have it all loaded back on the ship at once.- If you say so, Mr DeForrest.
0:51:15 > 0:51:18All right, men, get that stuff back on board, all of it.
0:51:18 > 0:51:19Get it loaded down there.
0:51:23 > 0:51:27But, boss, every time we go to the Marshall house we get into more trouble.
0:51:27 > 0:51:30- Things are just beginning to make sense, Goldie.- Yeah?
0:51:30 > 0:51:33Don't be surprised if Joan Marshall leads us to Duke Monette.
0:51:33 > 0:51:37No kidding? How does this Monette guy tie up with the Marshall kids?
0:51:37 > 0:51:40That's what I've got to find out. There it is, driver.
0:51:55 > 0:51:59- Mr Lawrence! And Goldilocks! - Hello, Annie.- Hi, Annie.
0:51:59 > 0:52:01- I've been lonesome for you. Come on in.- Thanks.
0:52:03 > 0:52:07Er, Annie, I'm in a hurry, I must see your sister at once.
0:52:07 > 0:52:10- You can't, she's not here.- Oh. Do you know where I can find her?
0:52:10 > 0:52:15Sure I know, but she doesn't know that I know. She's gone to see her secret lover.
0:52:19 > 0:52:20- Her what?- Here we go again!
0:52:22 > 0:52:27- Annie, is this another one of your stories?- No, honest it isn't.
0:52:27 > 0:52:29Then how do you know about this secret lover?
0:52:29 > 0:52:33I was playing detective and I found where she hides her little red book.
0:52:33 > 0:52:35What's that got to do with a secret lover?
0:52:35 > 0:52:39- Every time she calls him up, she writes in the book before she goes to meet him.- Oh.
0:52:39 > 0:52:42- Do you know where it is? - I'll get it.
0:52:43 > 0:52:45It was here a minute ago.
0:52:58 > 0:53:03- Diogenes, I've told you never to steal my things. Here, Mr Lawrence. - Thank you.
0:53:03 > 0:53:08- Is Diogenes always such a bad dog? - Sometimes he's just awful.
0:53:08 > 0:53:10Telegraph Hill, hmm?
0:53:10 > 0:53:14Annie, you're a better detective than any little girl I know.
0:53:14 > 0:53:16And he knows plenty and they ain't so little.
0:53:16 > 0:53:20Buy her all the ice cream she can hold. I'm going to Telegraph Hill.
0:53:20 > 0:53:24Sit down. You know, you're a smart kid. How old are you?
0:53:24 > 0:53:27I'll be 18, 11 years from next August.
0:53:28 > 0:53:33Annie, you're going to make some guy a very swell wife when you grow up.
0:53:33 > 0:53:38I know it, Goldilocks, but when I marry Mr Lawrence he's got to stop running after other girls.
0:54:10 > 0:54:12HE CLEARS HIS THROAT
0:54:12 > 0:54:17- Why...Mr Lawrence. - Oh, are we back to that? It was Tom.
0:54:17 > 0:54:21- How did you know I was here? - You don't object to my seeing the sights, do you?
0:54:21 > 0:54:23This is a historic landmark, and very beautiful.
0:54:23 > 0:54:28Stop it, we both know you've been trying to get something on me ever since you came here.
0:54:28 > 0:54:30Why should you resent that if you've nothing to hide?
0:54:32 > 0:54:35I wouldn't be interrupting anything, would I?
0:54:35 > 0:54:36That's a habit of yours, isn't it?
0:54:36 > 0:54:41- Such as the wealthy Marshall heiress meeting with a former gangster? - Why, you...
0:54:56 > 0:54:59- Sorry to keep you waiting, dear. - It's all right.
0:54:59 > 0:55:01What did you want to see me about?
0:55:05 > 0:55:07- Hello, Mr Lawrence. - Hello, Duke.- Duke?
0:55:07 > 0:55:12Monette is the last name, in case you've forgotten your former identity.
0:55:12 > 0:55:15What makes you think I'm this Duke Monette you speak of?
0:55:17 > 0:55:21These clippings prove the Citadel used to be the flagship of your rum-running fleet.
0:55:23 > 0:55:25They don't prove I'm Duke Monette.
0:55:25 > 0:55:28Oh, why don't you quit stalling? I'm trying to help you.
0:55:28 > 0:55:32Doreen Temple admitted you were in on that silk deal.
0:55:32 > 0:55:35- Oh, but you promised... - Joan, I know what you're thinking but it isn't true.
0:55:35 > 0:55:41They forced me into it, threatened to expose me to the police, even more. They held you and Ann over my head.
0:55:41 > 0:55:47You have a very persuasive manner, Duke. If I didn't know so much about you, I'd almost believe you.
0:55:47 > 0:55:52Mr Lawrence, I'll ask you to keep this confidence. You see, Joan and Ann are my daughters.
0:55:52 > 0:55:55I had an idea you were covering up something of that sort.
0:55:55 > 0:55:59I never wanted it revealed that my girls were the daughters of a former criminal.
0:55:59 > 0:56:03- You can understand that, Mr Lawrence? - How did Doreen find out?
0:56:03 > 0:56:07She and I were once very friendly. She knows all there is to know about me.
0:56:07 > 0:56:10When she tried to get me to go back to the old life, I broke with her.
0:56:10 > 0:56:16- You must realise Doreen won't quit just because that cargo's tied up. - What can she do?
0:56:16 > 0:56:18She can do what you taught her to do in the old days.
0:56:18 > 0:56:21She and her playmates will hijack that boat tonight, cargo and all.
0:56:23 > 0:56:27If you're really on the level about having reformed, this is your chance to prove it.
0:56:29 > 0:56:32- Will you help me stop them? - It'll be a pleasure.- Good.
0:56:32 > 0:56:34Meet me in the dock tonight at eight o'clock.
0:57:06 > 0:57:09All right, men, step it up, we've got to get out of here in a hurry.
0:57:18 > 0:57:19Mr Lawrence.
0:57:19 > 0:57:20Oh, there you are.
0:57:22 > 0:57:25- Have you seen any of them? - Yes, they're all on board. Come on.
0:57:35 > 0:57:36Vantine.
0:57:38 > 0:57:41- They're getting up steam. - Better hurry.
0:57:46 > 0:57:49Hold it, where do you think you're going? Mr DeForrest, sorry.
0:57:49 > 0:57:51That's all right, Davis.
0:57:53 > 0:57:55I thought you didn't know about Abel Keyes.
0:57:55 > 0:57:58- Of course I did, but I couldn't tell you that, could I?- I see.
0:58:00 > 0:58:04- The cabin's down this way. - We've got a job to do in the engine room, first.
0:58:09 > 0:58:13- Rather rough on him, isn't it? - The only way to deal with these men.
0:58:13 > 0:58:17But he's the engineer, this thing will blow up with no-one to watch that pressure gauge.
0:58:19 > 0:58:23We'll send someone down when we get things under control.
0:58:34 > 0:58:38- There's been a change of plans. - All right, Ricky, get his gun.
0:58:41 > 0:58:44- For Joan's sake, I thought you'd changed.- Get in there.
0:58:48 > 0:58:51I thought you might like to say a last goodbye to Mr Lawrence.
0:58:51 > 0:58:55- That would be a pleasure, Duke. - From now on, I leave him to you.
0:58:55 > 0:58:58And we'll be on our way with no-one left behind to stop us.
0:58:58 > 0:59:00I'll be waiting to hear how you make out.
0:59:00 > 0:59:02Don't let him get away. He's led all of you into a trap.
0:59:02 > 0:59:05I don't have to tell you Mr Lawrence is a smooth talker.
0:59:05 > 0:59:07I've had several samples of it.
0:59:10 > 0:59:14Listen, the boilers are right below this cabin. They'll blow sky high any minute.
0:59:14 > 0:59:16Before we came here, Duke slugged the engineer.
0:59:16 > 0:59:19- Aren't you overdoing it a bit, Tom? - Don't be a fool, stop him.
0:59:21 > 0:59:22Ricky.
0:59:32 > 0:59:35- Is there anything to what Lawrence says?- Of course not.
0:59:35 > 0:59:40Tell me the truth, Doreen, and I'll prove it - was that nurse on the train working for you?
0:59:40 > 0:59:42Yes.
0:59:42 > 0:59:45Then use your head. Vantine had just come from South America.
0:59:45 > 0:59:50He couldn't have known Carla Keyes would be on that train. Neither could you.
0:59:50 > 0:59:53But Duke knew when his daughter was coming home from school.
0:59:53 > 0:59:56You didn't meet Annie at the train as you usually did. Why?
0:59:56 > 0:59:58Because you knew Carla was dead, you killed her.
0:59:58 > 1:00:01You can't talk your way out of this, Lawrence.
1:00:01 > 1:00:03I think we'll hear what he has to say.
1:00:03 > 1:00:05It's the only possible explanation.
1:00:05 > 1:00:09You were on the train, you got rid of the nurse because she was holding your daughter,
1:00:09 > 1:00:11keeping us trapped, so that you couldn't make a move.
1:00:11 > 1:00:16And what about that butler? He was being paid by you, too, to watch Joan the same way.
1:00:17 > 1:00:18Yes.
1:00:21 > 1:00:22And he was killed.
1:00:25 > 1:00:26So was Vantine.
1:00:29 > 1:00:32- By someone.- Yes, the same someone who slugged the engineer.
1:00:32 > 1:00:36Now there's nobody left to check the steam pressure, this ship will blow up any minute.
1:00:39 > 1:00:42Gave up the old rackets but not the old way of solving problems.
1:00:42 > 1:00:45He was out to get all of you, one by one, everyone who knew about his past.
1:00:47 > 1:00:49Rickey, call the engine room and check.
1:00:54 > 1:00:55Drop it!
1:00:57 > 1:00:58Get over there.
1:01:04 > 1:01:06I never thought you'd turn on me, Duke.
1:01:06 > 1:01:10What did you expect? Nobody ever crossed me and got away with it.
1:01:10 > 1:01:14- Duke, Joan and Annie are coming aboard.- Not smart enough, Lawrence. - Doreen, look.
1:01:21 > 1:01:26- Duke, you don't seem to understand. Your own children...- Keep back.
1:01:27 > 1:01:28You wouldn't shoot me.
1:01:42 > 1:01:43Keep back.
1:01:43 > 1:01:45- I like Doreen a lot.- Keep back!
1:02:00 > 1:02:05- Get back over there. - What's happened?- Don't ask questions. Get them out of here.
1:02:21 > 1:02:23Why is everyone so serious?
1:02:26 > 1:02:31Oh, we have a lot on our minds. Haven't we, Goldie?
1:02:31 > 1:02:35Oh, Annie. There's something I'd like to talk to you about.
1:02:35 > 1:02:38If it's about cutting down your income tax, you're too late.
1:02:38 > 1:02:40I'm going to marry Mr Lawrence.
1:02:40 > 1:02:42How do you like that, Diogenes?
1:02:42 > 1:02:45He snatched her right out from under my nose!
1:02:45 > 1:02:46THEY LAUGH
1:02:51 > 1:02:54Subtitles by Red Bee Media Ltd