0:01:03 > 0:01:05We dock in ten minutes.
0:01:05 > 0:01:08Bravo!
0:01:08 > 0:01:12- For you.- A toast to the United States and our safe arrival.
0:01:12 > 0:01:18- To the finest dance team in America. Your continued success.- It will be a pleasure to be in your country again.
0:01:18 > 0:01:22And your friend - I thought he was going to join us.
0:01:24 > 0:01:27Well, yes. Well, you know how men are -
0:01:27 > 0:01:32probably having trouble packing. I'll go and look for him.
0:01:37 > 0:01:42- Parece muy nerviosa. - Ella sabe?- No se.
0:01:43 > 0:01:48- We dock in ten minutes, sir.- Never mind - I'll tell him.- Yes, ma'am.
0:01:52 > 0:01:54- What's the matter?!- Look!
0:01:59 > 0:02:03Go and find the harbour officials at once! Yes, sir!
0:02:12 > 0:02:14Here it is - pier 7.
0:02:15 > 0:02:20Why can't I wait here? You haven't seen your brother for five years.
0:02:20 > 0:02:22Get over your antisocial notions, Lefty.
0:02:22 > 0:02:24Remember, you're a respectable citizen now.
0:02:24 > 0:02:26Besides, we're going to celebrate.
0:02:26 > 0:02:32- All right, but I still feel inconvenienced. - Don't go into that again.
0:02:32 > 0:02:35Where I go, YOU go.
0:02:36 > 0:02:38There are exceptions, of course.
0:02:38 > 0:02:40..Hello!
0:02:40 > 0:02:43I know - like dames, for instance.
0:02:43 > 0:02:46Didn't we meet at the Duchess of Poole's party in London?
0:02:46 > 0:02:52- Must have been some other girl. I ain't been to London. - What a pity...for the Londoners.
0:02:52 > 0:02:57- You do as I say!- I will not! - No-one allowed on board. Police orders.
0:03:03 > 0:03:07- Take it easy! - Chief, you told me to hurry!
0:03:07 > 0:03:10- Inspector Donovan... - Good evening, Inspector.
0:03:10 > 0:03:15- The great Falcon. What are you doing here?- Minding our own business.
0:03:15 > 0:03:20- What are YOU doing here? - Don't give me that! How did you find out about this?- About what?!
0:03:20 > 0:03:24The body! If there wasn't a body, we wouldn't be here! ..Ignore them.
0:03:25 > 0:03:29- Consider yourself ignored. - That doesn't hurt my feelings.
0:03:29 > 0:03:35- What's all this about a body?! - I haven't the faintest idea. - I'll be glad if we never find out.
0:03:35 > 0:03:38You're slipping, Lefty.
0:03:43 > 0:03:46It's fate. Destiny brought us together.
0:03:46 > 0:03:48- Pardon, senor.- How do you do?
0:03:49 > 0:03:53- Fascinating type.- We're here to meet your brother, remember.
0:03:53 > 0:03:58- Oh, yes!- I hope he hasn't got dames for a hobby, like you have.
0:03:58 > 0:04:00You're in for a disappointment!
0:04:00 > 0:04:04- Mr Lawrence's cabin. - Right there, sir.- Thanks.
0:04:04 > 0:04:06Excuse me.
0:04:10 > 0:04:15- I thought you were minding your own business.- I must be in the wrong cabin. I'm looking for my brother,
0:04:15 > 0:04:19- Tom Lawrence.- Wait a minute. Isn't that guy's name Lawrence?
0:04:20 > 0:04:23Are you his brother?
0:04:23 > 0:04:25I'm Gay Lawrence.
0:04:25 > 0:04:29I'm sorry, but it looks like a clear case of suicide.
0:04:29 > 0:04:32- Poison.- He left this note.
0:04:36 > 0:04:38Is that him?
0:04:43 > 0:04:47If there's anything I can do - anything at all...
0:04:47 > 0:04:51- Nothing, thanks. - I don't know what to say.
0:04:51 > 0:04:56I want to tell you how sorry I am. I only met him on the boat, but he was a good friend.
0:04:56 > 0:05:00- This is Miss Diane Medford. She found him.- I see.
0:05:02 > 0:05:05It's suicide, so you can turn the passengers loose.
0:05:05 > 0:05:11- Do you mind if I leave the arrangements to you?- No. You get off home, I'll take care of everything.
0:05:11 > 0:05:14We've been battling for years,
0:05:14 > 0:05:19- but underneath... Well, you know what I mean.- Thanks, Timothy.
0:05:27 > 0:05:31I don't know what to say. I just don't know what to say.
0:05:31 > 0:05:33Don't say anything. Follow that taxi.
0:05:36 > 0:05:39- You must be historical!- Oh, come on!
0:05:39 > 0:05:41Tail that cab! Don't argue!
0:05:43 > 0:05:47Come on, Lefty! I don't want to lose sight of that girl!
0:05:49 > 0:05:54I don't get it. You leave your brother as cold as a herring, and start chasing a dame.
0:05:54 > 0:05:57It happens that WASN'T my brother.
0:05:57 > 0:05:58Oh, right.
0:05:58 > 0:06:03- WHAT?!- I've never seen him before in my life.- Oh, that's good.
0:06:03 > 0:06:05What a relief.
0:06:05 > 0:06:07Where IS your brother?
0:06:07 > 0:06:11- That's what we're going to find out. - Why didn't you tell Donovan?
0:06:11 > 0:06:18- I thought Tom might have his reasons for disappearing. You see, Lefty, that wasn't a suicide.- No?
0:06:20 > 0:06:24- Since when have you been swiping cigar butts?- In the cabin.
0:06:24 > 0:06:28That's how it was done. The cigar reeks of poison.
0:06:28 > 0:06:34Poison? La Prima Donna? Ooh, to think I used to go for that brand.
0:06:37 > 0:06:42- The department will have to send flowers. Lawrence is taking it pretty hard.- Taking what hard?
0:06:42 > 0:06:47- His brother's death. A tragedy. - What?! He just left here, chasing a dame.- What?!
0:06:47 > 0:06:49- Follow him!- Why?
0:06:49 > 0:06:55- Because they told me I'm the boss, and the boss gives the orders. You don't mind, do you(?)- Not at all.
0:07:17 > 0:07:21- Good evening.- Good evening, Charles. - Happy to see you back.
0:07:21 > 0:07:24- Just in time for the fashion show. - Thank you.
0:07:31 > 0:07:35There ain't enough dames in the open market - you've got to come here.
0:07:35 > 0:07:37I saw a familiar pair of headlights...
0:07:37 > 0:07:41- Drive around in case Donovan is following us.- Sure.
0:07:59 > 0:08:03- Have you seen Mr Harrington?- He's over there.- Check that. Thank you.
0:08:03 > 0:08:07Look for yourself in Modern Modes or perhaps Savitsky can make a print for you.
0:08:07 > 0:08:08Certainly, Mr Harrington.
0:08:10 > 0:08:15- Paul!- Diane, darling! - Nice to see you again, Miss Medford. - Thank you.
0:08:15 > 0:08:22- You might have met me at the boat.- I couldn't afford to miss this. These are the government-approved styles.
0:08:22 > 0:08:25- I don't believe that. I know about you and Arlette.- Ridiculous!
0:08:25 > 0:08:28- I want to talk to her.- She's busy.
0:08:28 > 0:08:34This gown is typical... The use of two-colour material and the embroidered sequin motif
0:08:34 > 0:08:37give interest to this gown.
0:08:37 > 0:08:40Tell her I'll be in her office.
0:08:43 > 0:08:47- Aren't you Gay Lawrence, the one they call the Falcon?- Yes. And you?
0:08:47 > 0:08:51- Oh, you couldn't be a reporter. - Why not?- You've got a notebook!
0:08:51 > 0:08:55- I'm a fashion reporter, but I'll get a police beat one day. - I don't doubt it.
0:08:55 > 0:08:59Wherever you are, exciting things seem to happen.
0:08:59 > 0:09:02- Meeting you is all of that, Miss... - Brooks. Marcia Brooks.
0:09:02 > 0:09:05Do you expect anything to happen here tonight?
0:09:05 > 0:09:07Sorry, I didn't bring my crystal ball.
0:09:07 > 0:09:11OK, but I'm keeping an eye on you - don't think I'm not!
0:09:11 > 0:09:17- Sorry, these are the private offices. The showing is in there.- Oh, yes, of course. How silly of me.
0:09:19 > 0:09:24- May I see your invitation? - Oh, I'm with this lady.
0:09:24 > 0:09:29- You're looking lovely tonight, my dear.- Well...!
0:09:35 > 0:09:38I'm so sorry.
0:09:56 > 0:09:58And now, the Victory Dress...
0:10:01 > 0:10:04APPLAUSE
0:10:04 > 0:10:07I'm happy that you share my enthusiasm.
0:10:07 > 0:10:13It doesn't only express the spirit of the day, but it shows that we can have lovely gowns and dresses
0:10:13 > 0:10:15and comply with government regulations.
0:10:15 > 0:10:22I'm also happy to tell you that this dress has been chosen by Paul Harrington, editor of Modern Modes,
0:10:22 > 0:10:26to be featured on the cover of the next issue. APPLAUSE
0:10:35 > 0:10:38Ain't this a lovely creation?
0:10:39 > 0:10:42One of nature's loveliest.
0:10:52 > 0:10:56Take a gander at what I saw coming in here.
0:10:59 > 0:11:03- Interesting.- I'm only interested in one thing - getting out of here.
0:11:03 > 0:11:09- Carmela and Valdez!- How are you? - It is a pleasure to see you!
0:11:09 > 0:11:13I hoped you'd get here in time. We need to ask you a favour. Yes?
0:11:13 > 0:11:20- We are leaving soon for Chicago to open at the casino...- Carmela wants you to create something special.
0:11:20 > 0:11:25- Yes.- Your gowns were always lucky for us. We'll do our best.
0:11:25 > 0:11:27Excuse me. I'll be right back.
0:11:33 > 0:11:37I suppose that you came back here and parked your car right out front.
0:11:37 > 0:11:40- Of course. - We can't let Donovan find us here.
0:11:40 > 0:11:47- Suits me - let's scram.- I want to talk to the girl from the boat - Diane Medford.- I was afraid of that.
0:11:47 > 0:11:53- It's the only way to find out what happened to my brother. Hold off Donovan if he comes.- What'll I do?!
0:12:03 > 0:12:06SIREN BLARES
0:12:13 > 0:12:20- Can't you hear the sirens?! Put out those lights!- I'll have them close the blackout curtains.- No time!
0:12:20 > 0:12:23They're here - that's his car. Stay with it.
0:12:26 > 0:12:29- What's going on?!- It's a blackout!
0:12:29 > 0:12:34- Oh, OK. ..Put that out!- We'll have everything under control soon.
0:12:35 > 0:12:40- What's wrong?- Blackout. - What do you mean?! Every light in town is blazing!- What?!
0:13:15 > 0:13:20- What do you want?- We both know that wasn't my brother on the boat.
0:13:20 > 0:13:24I'm afraid you have to do a little explaining.
0:13:26 > 0:13:28That's an unusual ring you have.
0:13:32 > 0:13:34Where did that shot come from?!
0:13:36 > 0:13:38Hurry up with those lights!
0:14:05 > 0:14:09- Find the light switch. - I'm looking for it.
0:14:12 > 0:14:15What's the matter with the lights?!
0:14:29 > 0:14:32- She's dead.- Diane!
0:14:32 > 0:14:37- Who are you?- They were to marry. - And who are YOU?- I own this shop. Miss Medford worked for me.
0:14:37 > 0:14:42She had just returned from South America on business. That's who the Falcon followed.
0:14:42 > 0:14:47- I know! Search the place! Find the Falcon!- OK.- Lock the doors - nobody leaves the building.
0:14:47 > 0:14:51- Who are you?- I'm a reporter... - Not now, sister.
0:14:51 > 0:14:56- Get in there!- You can't do this to me!- This guy called the blackout.
0:14:56 > 0:14:58So, you're an air-raid warden.
0:14:58 > 0:15:02- Who did this?- That's what you're gonna tell us.- How should I know?!
0:15:02 > 0:15:08- You turned out the lights so the Falcon could sneak in here. Where is he?!- He went home after the boat.
0:15:08 > 0:15:11Yeah? Then why are YOU here?
0:15:11 > 0:15:14Um...buying a dress for my aunt.
0:15:14 > 0:15:18Isn't that just too lovely(!) Think of a better one than that!
0:15:39 > 0:15:41Hold it!
0:15:41 > 0:15:48- Gay!- Tom! What happened to you on the boat?- I was never on it. I came by clipper from the Bahamas.
0:15:48 > 0:15:56- What intrigue are you mixed up in now?!- I have unfinished business with a lady called Diane Medford.
0:15:56 > 0:16:00- You'll never finish it now.- Why not? - Just a touch of homicide.
0:16:00 > 0:16:02Too bad.
0:16:04 > 0:16:07Only yesterday, we were having cocktails.
0:16:07 > 0:16:12- The next thing you know, the boat had gone, with your belongings.- Yes.
0:16:12 > 0:16:15She was beautiful, wasn't she?
0:16:15 > 0:16:20- I told you all I know.- You'll talk when we get you downtown. - The Falcon ain't here.
0:16:20 > 0:16:25Neither is the gun, so we have to prove he WAS here. Did anyone here see him?
0:16:26 > 0:16:32- Um...- What were you going to say? - Nothing - I've heard of him, that's all.- That's a big help(!)
0:16:32 > 0:16:35He must have made a clean getaway. He never was here!
0:16:35 > 0:16:39- Let these people go, but get their names and addresses.- The models too?
0:16:39 > 0:16:43- They're accounted for, and the customers.- Let's go.
0:16:53 > 0:16:58I'm playing ball with you. I didn't tell them I'd seen the Falcon. Now, you tell me where he's gone.
0:16:58 > 0:17:02You've made a mistake. He was never here.
0:17:02 > 0:17:06- Furthermore, he don't like dames following him.- I've heard otherwise.
0:17:09 > 0:17:12Hey, where are you going?!
0:17:12 > 0:17:16You've got nothing on me. My being here is coincidental.
0:17:16 > 0:17:19- Does that mean we can't make a pitch? - No. ..You're under arrest.
0:17:19 > 0:17:23- What for? - Impersonating an air-raid warden.
0:17:25 > 0:17:31- How did you get into the country without a passport?- Remember Stinker Jones at school?- Yes.
0:17:31 > 0:17:36- He's in Government House at Nassau. - Good old Stinker! I don't think this is just another murder.
0:17:36 > 0:17:38Seems to be a pattern of some kind.
0:17:38 > 0:17:40People are leaving.
0:17:42 > 0:17:45Keep your eyes open.
0:17:46 > 0:17:50Whatever you do, don't let the police know I was here.
0:17:54 > 0:17:57CAR ENGINE STARTS
0:18:15 > 0:18:17Hey! Taxi!
0:18:19 > 0:18:24- What's wrong? - My friend's had one too many. Help me get him into the cab.
0:18:24 > 0:18:26Sure.
0:18:35 > 0:18:40- Well, Doctor?- Traumatic shock and concussion. May stay like this for a couple of days.
0:18:40 > 0:18:43But he'll come out of it OK.
0:18:43 > 0:18:47Mr Lawrence has remarkable powers of recuperation.
0:18:49 > 0:18:55- You should sleep too.- I must find out who did this.- You should call the police.- Perhaps. Good night.
0:18:55 > 0:18:56Good night.
0:18:57 > 0:19:00PHONE RINGS
0:19:00 > 0:19:04You take it. My brother's not here - no information to anyone.
0:19:04 > 0:19:09I understand. He receives many calls from young ladies. We give them the pidgin English treatment.
0:19:11 > 0:19:13Hello.
0:19:13 > 0:19:15Mr Lawrence residence, please.
0:19:15 > 0:19:20- I wanna talk to Mr Lawrence. - Oh, so sorry, but she not home.
0:19:20 > 0:19:23You call again some time, maybe.
0:19:23 > 0:19:26Thank you. Goodbye, please.
0:19:26 > 0:19:29Very effective. Who was it?
0:19:29 > 0:19:31PHONE RINGS
0:19:32 > 0:19:35Hello! Mr Lawrence residence, please.
0:19:35 > 0:19:40Slow down, you. This is Inspector Donovan. I wanna talk to Lawrence.
0:19:40 > 0:19:43If you lie to me, I'll lock you up and throw the key away.
0:19:43 > 0:19:46It's Inspector Donovan calling.
0:19:46 > 0:19:49He seems positive that your brother is here.
0:19:51 > 0:19:54Very well, Donovan. What is it?
0:19:54 > 0:19:56Oh, Falcon. That's more like it.
0:19:58 > 0:20:03I'm coming over to ask you about that homicide, and you better be there.
0:20:03 > 0:20:07I have no idea what you're talking about. I'm already in bed,
0:20:07 > 0:20:11and under the circumstances... Hello?
0:20:11 > 0:20:14- He hung up? - He's on his way over here.
0:20:14 > 0:20:16..Miss Ross!
0:20:16 > 0:20:20- Miss Ross!- Here I am. - Yes, that's the point.
0:20:20 > 0:20:26- Could you be somewhere else for ten minutes?- Leave my patient? - It's the patient I'm thinking of.
0:20:26 > 0:20:31- Could you wait in the kitchen?- Why? - No time to explain, but it's important.- Oh, is it?
0:20:31 > 0:20:34Did I tell you you're a very lovely girl?
0:20:35 > 0:20:40If I may say so, Mr Tom, you have the same technique as your brother.
0:20:40 > 0:20:43He learned it from me, years ago! DOOR BUZZER
0:20:43 > 0:20:47- The police?- Couldn't be, this soon.
0:20:47 > 0:20:49Answer it.
0:20:52 > 0:20:57- Is Mr Lawrence in?- Oh, he not home. You come back much later, please?
0:20:57 > 0:21:01- No. I'll wait.- Please! He not here!
0:21:01 > 0:21:03Come back later! Please!
0:21:11 > 0:21:15How delightful. How are you? And WHO are you?
0:21:15 > 0:21:19- Marcia Brooks, Morning Gazette. - Oh, a reporter... So charming, too!
0:21:19 > 0:21:24I think the buildings in New York are beautiful and the women are tall.
0:21:24 > 0:21:27There you are - you've had your interview. Now, excuse me.
0:21:27 > 0:21:31- I don't understand. Are you a friend of Gay Lawrence?- Definitely.
0:21:31 > 0:21:37- If YOU are, you'll come back later. - I know the Falcon was at that shop tonight when Diane was murdered.
0:21:37 > 0:21:43- If you don't let me in on this, the police will be here in five minutes. - You'll be four minutes too late -
0:21:43 > 0:21:48they're already on the way. If you play along, I'll tell you all about it.
0:21:50 > 0:21:53- So sorry...- All right, all right. Where is he?
0:21:53 > 0:21:57He in bed. He broken up because his brother is dead.
0:21:57 > 0:22:02- He in clinical condition. - We've got a remedy for that.
0:22:07 > 0:22:09Very artistic.
0:22:11 > 0:22:14I'd be sympathetic if I didn't know you'd just bumped off a dame.
0:22:14 > 0:22:19You knew she killed your brother, so you took the law into your own hands. But I've got a job to do!
0:22:21 > 0:22:26Come on! It won't do any good to dummy up - I've got a case against you.
0:22:26 > 0:22:29Haven't you got anything to say for yourself?
0:22:30 > 0:22:35- What's the matter with him?! - You're bluffing, Donovan.- Huh?!
0:22:35 > 0:22:40You'll find out when we get to the headquarters. Get dressed, unless you want booked in your pyjamas!
0:22:40 > 0:22:44- Where's his clothes?- Clothes - they all gone. Washy-washy.
0:22:44 > 0:22:48- He means his suits.- Over there. - Come on!
0:22:49 > 0:22:53I've got an alibi, Donovan. Arrest me and I'll get you off the force.
0:22:53 > 0:22:56Take it easy! I'm only doing a job.
0:22:56 > 0:23:01I've got two bodies and no suspects but you. If you didn't do it, who did? Give me a hint!
0:23:03 > 0:23:09OK, but I ain't gonna quit till I prove that you were at the scene of the crime, and committed it!
0:23:09 > 0:23:12Good night, Timothy.
0:23:22 > 0:23:28- Did it work?- It went well! - This is most exciting thing that's ever happened to fashion reporter!
0:23:28 > 0:23:30What do we do next?
0:23:30 > 0:23:33I'll tell you. We adjourn...
0:23:33 > 0:23:36until tomorrow morning.
0:23:36 > 0:23:40- I'll be here, bright and early. - Not too early and not too bright!
0:23:51 > 0:23:54- Good morning.- He not wakey up yet.
0:23:54 > 0:23:57Sleep, sleep. Just like a baby.
0:23:57 > 0:23:59Come back later, please.
0:23:59 > 0:24:01Hello!
0:24:01 > 0:24:06- Bright AND early!- I regret that I was unable to convince the young lady.
0:24:06 > 0:24:10- IMITATES JERRY:- Bossy man try to give pretty lady run-around?!
0:24:10 > 0:24:14Young lady hungry. Like cup of coffee.
0:24:14 > 0:24:15DOOR BUZZER
0:24:15 > 0:24:19Why, Mr Lefty! The newspaper said you were incarcerated.
0:24:19 > 0:24:24You know I never drink. I was pinched but I beat them. Suspended sentence.
0:24:24 > 0:24:28Hello, Lefty. > Hello. Who are you?! How did you tag me?
0:24:28 > 0:24:33You're practically one of the family. I'm Tom Lawrence. The Falcon's brother!
0:24:33 > 0:24:38The fella that wasn't killed on the boat! What a relief to get you pinned down!
0:24:38 > 0:24:40- Mr Lawrence?- Yes, Miss Ross?
0:24:40 > 0:24:46- His temperature is normal this morning. Isn't that fine? - What's she doing here?
0:24:46 > 0:24:51My brother had some bad luck last night. Someone tried to eliminate him with a 12-cylinder sedan.
0:24:51 > 0:24:54Was he hurt bad? No. He'll be fine.
0:24:54 > 0:24:57- You can see him later.- Thank you.
0:24:59 > 0:25:04I'll say one thing for the Falcon - he never chased dames till after breakfast.
0:25:04 > 0:25:09- What'll we do about the murders? - Murders? Include me out. Dames are bad enough.
0:25:09 > 0:25:15- The police have probably solved it. Donovan must have traced the gun's owner by now.- What gun?
0:25:15 > 0:25:17Gay said he saw one beside the body.
0:25:17 > 0:25:21But we were all in that room behind the police. There wasn't any gun.
0:25:21 > 0:25:23No gun?!
0:25:23 > 0:25:28- How would you like to visit the dress shop with me?- What woman wouldn't?!
0:25:28 > 0:25:33- Does that mean you suspect Arlette? - Arlette and you and everyone who was in the room.
0:25:33 > 0:25:36Harrington and the photographers and the dance team...
0:25:36 > 0:25:40- Why do you suspect me?! - Oh, run along!
0:25:41 > 0:25:43He's almost as bad as his brother,
0:25:43 > 0:25:45only worse.
0:25:46 > 0:25:49This ensemble is of rayon and wool.
0:25:49 > 0:25:52- It would look lovely on you... - Madam Arlette?
0:25:52 > 0:25:55- Pardon me.- Surely.
0:25:55 > 0:25:57Madam Arlette? My name is Lawrence.
0:25:57 > 0:26:03- And this is Miss...- We've met. Miss Brooks of the Gazette. May I help you?- We'd like to talk to you.
0:26:03 > 0:26:05- Yes?- About the incident last night.
0:26:05 > 0:26:07I've given a statement to the press.
0:26:07 > 0:26:11We understand, but if you could give us a few moments of your time...
0:26:11 > 0:26:15Of course. Come over here and sit down.
0:26:19 > 0:26:23- Surely you're not a policeman? - You might call me an investigator.
0:26:23 > 0:26:29You're very young and lovely to be the presiding genius of this business.
0:26:29 > 0:26:33- We were going to ask some questions. - Yes. Tell us about Diane Medford.
0:26:33 > 0:26:38- She was clever at gathering style ideas.- That's not what I meant.
0:26:38 > 0:26:45- What do you know about her private life?- Nothing. Other people's private lives don't interest me.
0:26:45 > 0:26:48Nor does my own, usually.
0:26:48 > 0:26:51Something should be done about that.
0:26:51 > 0:26:55I know you'll never forgive me, but I must break away.
0:26:55 > 0:26:59I just remembered an appointment I forgot to mention.
0:26:59 > 0:27:02The impulsive type, you know.
0:27:02 > 0:27:05- What were you going to say? - Madam Arlette?
0:27:05 > 0:27:09I am delighted with my fitting! The gown will be magnificent!
0:27:09 > 0:27:13- Stupendo. Only you could have created it so quickly.- Thank you.
0:27:13 > 0:27:20- Mr Lawrence, Carmela and Valdez.- I've seen your dancing in Buenos Aires. - It has been delightful meeting you,
0:27:20 > 0:27:23- but we have much to do.- Si.
0:27:23 > 0:27:25..Adios.
0:27:25 > 0:27:29Madam, you are wanted in the sitting room.
0:27:29 > 0:27:33- This is my busy morning. - Are you busy this evening?
0:27:33 > 0:27:38- Nothing that can't be rearranged. - I'll call for you at 8.30.
0:27:45 > 0:27:49- Well! Small world, isn't it?- Yes, and there's some small people in it.
0:27:58 > 0:28:00Get me the police headquarters.
0:28:03 > 0:28:06Could I speak to Inspector Donovan, please?
0:28:11 > 0:28:14I'll take that one. ..Thank you.
0:28:14 > 0:28:17What on earth do you want that for?!
0:28:17 > 0:28:21- Gave me an idea for a dress.- You can never get away from your work!
0:28:21 > 0:28:23Or vice versa!
0:28:23 > 0:28:28- This publicity ought to be good for your business.- Not with the people who buy Arlette gowns.
0:28:28 > 0:28:32It'll soon be over. The police found the gun that killed Diane Medford.
0:28:34 > 0:28:35Really?
0:28:36 > 0:28:39- Where did they find it? - I don't know.
0:28:39 > 0:28:45But it'll be a matter of hours before they trace the serial number to the owner.
0:28:46 > 0:28:50- Who do they think did it? - Don't let's worry about that now!
0:28:53 > 0:28:59- Sorry, but have you an escort?- I left him under a table last night - I want to see if he's still there.
0:28:59 > 0:29:03- Ladies without escorts are not permitted.- Who said I was a lady?
0:29:05 > 0:29:08Tom, darling! Am I late?
0:29:08 > 0:29:13- I'm glad you found some company while you were waiting for me. - Oh, yes. Quite.
0:29:13 > 0:29:18I hope I've proved amusing. Now you're here, please excuse me.
0:29:18 > 0:29:20Good night.
0:29:20 > 0:29:22I guess that makes us even.
0:29:22 > 0:29:27- Thank you for coming in. You gave her an excuse to leave. - You wanted her to go?!
0:29:27 > 0:29:32- I suppose you're going to follow her.- Naturally. Or am I?
0:29:33 > 0:29:36- I was lurking in the lobby...- Yes?
0:29:36 > 0:29:41Donovan came in. I heard him say he was tipped off that a guy was coming here tonight
0:29:41 > 0:29:45- impersonating an officer. Someone's framed you.- Arlette, no doubt.
0:29:45 > 0:29:47Let's get outta here. ..Uh-oh.
0:29:59 > 0:30:01Yours, I believe.
0:30:04 > 0:30:09- What are you doing here?- Me? I'm here to reserve a table for tomorrow night.
0:30:09 > 0:30:13I know - for your aunt(!) Have you seen Arlette?
0:30:13 > 0:30:16She was over there a moment ago.
0:30:22 > 0:30:24I'll be glad to get back home again.
0:30:24 > 0:30:27So will I, but we're not going there yet.
0:30:27 > 0:30:30We have to see a lady about a gun.
0:30:30 > 0:30:32Oh... Dames!
0:30:42 > 0:30:47Let me handle this. It's as easy as taking candy from a baby.
0:30:47 > 0:30:50Have you tried taking candy from a baby?
0:30:50 > 0:30:53Takes a bit of doing.
0:31:30 > 0:31:33Must be in there somewhere.
0:31:51 > 0:31:54We're right out here in public.
0:31:55 > 0:31:59- There can't be anything hidden here. - There's got to be.
0:32:00 > 0:32:05Don't look like that Arlette dame came back here. That's the Falcon's car. Something's going on here.
0:32:05 > 0:32:10- I'm going to search the place.- Why? - Cos we're officers of the law looking for someone!
0:32:10 > 0:32:13- You don't mind, do you?!- Not at all.
0:32:19 > 0:32:24You know, she reminds me of a dame I used to know in Canarsie.
0:32:24 > 0:32:26It's only a wax dummy.
0:32:29 > 0:32:31Lefty?
0:32:31 > 0:32:32Lefty!
0:32:34 > 0:32:37Here I am. KNOCKING >
0:32:37 > 0:32:41- They must have went in the back. - Cops!
0:32:43 > 0:32:46Them was the days...
0:32:47 > 0:32:51Wait a minute. There's something about that window...
0:32:51 > 0:32:56- Hey!- What happened to her?!- Well, she didn't go back to Canarsie!
0:33:07 > 0:33:11- THUMPING - Get down, out of sight!
0:33:21 > 0:33:23You're covered.
0:33:23 > 0:33:26Found a new friend? ..Who are you?
0:33:26 > 0:33:29I should explain. I'm Tom Lawrence, Gay's brother.
0:33:29 > 0:33:34Nice meeting you. Looking better than when I saw you on a slab in the morgue.
0:33:34 > 0:33:40- You picked the wrong man. His brother is dead and officially identified. - And you're under arrest.
0:33:40 > 0:33:46- For impersonating a corpse(?) - Compounding a felony, conspiracy, breaking and entering,
0:33:46 > 0:33:48- and resisting an officer.- Come on.
0:33:48 > 0:33:53- What are you pinching ME for? - Impersonating a window dummy. Come on.
0:33:59 > 0:34:04This is the way it stacks up - the dame on the boat gets sore at the Falcon's brother and bumps him off.
0:34:04 > 0:34:08The Falcon follows her to the dress shop and gives her the works.
0:34:08 > 0:34:10It's open...and shut.
0:34:10 > 0:34:12Open and shut. Have you arrested him?
0:34:12 > 0:34:16In due time. The guy we arrested was a phoney the Falcon dug up.
0:34:16 > 0:34:22If he makes us think his brother is still alive, the Falcon's got no motive for killing the dame.
0:34:22 > 0:34:25- How clever of you! - Oh, it's just routine.
0:34:25 > 0:34:28The phoney brother gave us a long, sad story.
0:34:28 > 0:34:32He says he got a boat from the Bahamas,
0:34:32 > 0:34:34and they stole his passport!
0:34:34 > 0:34:39- But you checked, and the story isn't true?- We're checking.
0:34:39 > 0:34:42I can spot a phoney line when I hear it.
0:34:42 > 0:34:45- Good morning, Marcia.- Good morning.
0:34:45 > 0:34:49- Goodbye. My stay has been most enjoyable.- What's the game?!
0:34:49 > 0:34:52- We've got to let him go.- Why?!
0:34:52 > 0:34:55We checked - his story's on the level.
0:34:55 > 0:34:59I thought I had it figured out! She's got it in her notebook.
0:34:59 > 0:35:05- Put this in YOUR notebook. If one of those cops of yours...- You didn't say why YOU were in the dress shop!
0:35:05 > 0:35:09- You wanna find out who plugged Diane?- Sure.- Well, so does he.
0:35:09 > 0:35:13One Falcon round here is enough. I don't want another one in my hair!
0:35:13 > 0:35:18Next time you stick your nose in, your stay here won't be enjoyable.
0:35:18 > 0:35:22- If you don't mind, I'll handle this. - Huh! What a break for crime(!)
0:35:29 > 0:35:33- What's the next step?- You know, we've neglected one suspect.
0:35:33 > 0:35:38You have access to the newspaper files. See what you can find out about Harrington's photographer.
0:35:38 > 0:35:43- Savitsky looks like the criminal type.- He may be the key to the mystery.
0:35:43 > 0:35:46I'll let you know if I find anything.
0:35:46 > 0:35:49We sure gave her the brush-off. Where to now?
0:35:49 > 0:35:53- We'd better go and see how Gay is. - That works for me.
0:35:53 > 0:35:58- Then we have checking up to do at Madam Arlette's.- Dames again...
0:36:00 > 0:36:03This is one of the most popular ones.
0:36:03 > 0:36:07It has the latest defence equipment. Thank you.
0:36:17 > 0:36:20- Have I kept you waiting?- Waiting?
0:36:20 > 0:36:25- You didn't expect me, after what happened here last night?- Oh... It was you.
0:36:25 > 0:36:28And, um, I found this.
0:36:28 > 0:36:32When I told you the police had it, you led me straight to it.
0:36:34 > 0:36:36Why didn't you give it to the police?
0:36:36 > 0:36:42I don't want you taking the blame for someone else. I know how you feel about Harrington.
0:36:42 > 0:36:45It is him you're protecting, isn't it?
0:36:45 > 0:36:49Yes. But I don't believe he did it. Someone is trying to involve him.
0:36:49 > 0:36:53- Will you come with me and talk to him?- All right.- I'll get my things.
0:37:06 > 0:37:11Mr Harrington, do you want me sophisticated, or sweet and simple?
0:37:11 > 0:37:13Just plain glamour will do.
0:37:15 > 0:37:17Come on! The pose! The pose!
0:37:20 > 0:37:22Could you take this, please?
0:37:24 > 0:37:27There's a shadow... Lean forward, Miss, um...
0:37:28 > 0:37:31- Ready?- Yes.- Hold it!
0:37:32 > 0:37:34Shoot.
0:37:34 > 0:37:39- Mr Harrington?- Yes?- Miss Arlette wants to see you. It's important. - Tell her I'll be right in.
0:37:39 > 0:37:42Use the last pose. Print it up.
0:37:48 > 0:37:52Paul. This is Mr Lawrence, who's investigating the murder.
0:37:52 > 0:37:57- I asked him to talk to you before going to the police.- Is this yours?
0:37:57 > 0:38:01- Yes. You don't think I committed the murder?- I didn't know what to think.
0:38:01 > 0:38:07I knew you and Diane quarrelled. When I heard the shot, I rushed in, and stumbled over the gun.
0:38:07 > 0:38:13- Naturally, I hid it.- Naturally? - When a woman's in love...- Don't make a romantic triangle out of this.
0:38:13 > 0:38:18You knew I was in love with Diane. Anything else was all in your mind.
0:38:18 > 0:38:23- That's not true! - Very interesting, but the fact remains this is your gun.
0:38:23 > 0:38:27- Yes, but it couldn't have been used in the murder.- Why not?
0:38:27 > 0:38:32It was in my pocket when I heard the shot. The gun must have been taken and planted by the body.
0:38:32 > 0:38:38- I don't see why I have to explain this to you.- Perhaps you'd prefer to explain to Inspector Donovan?
0:38:38 > 0:38:41Yes. As a matter of fact, I would.
0:38:50 > 0:38:52Sign that, will you?
0:38:54 > 0:38:57I have a permit for that gun.
0:38:57 > 0:39:00Does that allow you to bump off a pretty dame?
0:39:00 > 0:39:04- Evening.- Good evening. - This is Mr Moffat.
0:39:04 > 0:39:09He's one of the ballistics experts. He knows guns inside and out.
0:39:09 > 0:39:15- I know one thing about this gun - it didn't fire the bullet that killed the Medford girl.- What?!
0:39:15 > 0:39:18No similarity in the photos of the rifling marks.
0:39:19 > 0:39:21Good evening.
0:39:23 > 0:39:28- Will that be all?- Yes. You can go. ..Not so fast, sister! YOU ain't in the clear yet.
0:39:28 > 0:39:32- You're a material witness. - Paul, can't you do something?!
0:39:34 > 0:39:39- All anyone can do is find the murderer.- Leave that to me, IF you don't mind!
0:39:39 > 0:39:41Not at all, Inspector.
0:39:47 > 0:39:53- How's the patient?- He ain't come to yet, but he was mumbling about a blonde, so he'll be fine.
0:39:53 > 0:39:55Mr Lawrence, you were right!
0:39:55 > 0:40:01- Was I?!- Don't you remember? Savitsky - you told me he was the key to the mystery.- Of course...
0:40:01 > 0:40:05He's an alien, but he isn't registered. He's here illegally.
0:40:05 > 0:40:09That IS interesting! ..We'd better pay Mr Savitsky a visit.
0:40:09 > 0:40:14- We can take my car.- I'm sorry. Something might happen that's out of the fashion reporter's line.
0:40:14 > 0:40:20- You understand.- I want OUT of the fashion reporter's line! All I get out of this is the run-around.
0:40:24 > 0:40:26Wow!
0:41:01 > 0:41:04- Why don't he throw it? - He never does.
0:41:25 > 0:41:28I'm sorry, gentlemen...
0:41:28 > 0:41:34- the place is closed. What do you want?- We won't keep you. Just a few questions.
0:41:38 > 0:41:42Questions? Why do you want to ask me questions? I've done nothing.
0:41:42 > 0:41:48What is your status with the immigration authorities? We know you're a non-legal alien.
0:41:54 > 0:41:57I knew it would come some day...
0:41:57 > 0:41:59You're going to deport me.
0:41:59 > 0:42:04I didn't say that. I have information that you were mixed up in a murder.
0:42:04 > 0:42:08If you killed Diane Medford, there's nothing we can do for you.
0:42:08 > 0:42:12- But if you know anything... - I killed no-one! I know nothing!
0:42:12 > 0:42:15Cuff him and take him down to the bureau.
0:42:15 > 0:42:18- Wait! I'll tell you. - About the murder?
0:42:18 > 0:42:23Murder, yes. Mass murder - thousands of murders!
0:42:25 > 0:42:27You think I'm crazy!
0:42:29 > 0:42:32- It all started with Pearl Harbour. - What didn't?
0:42:34 > 0:42:36Go on, go on.
0:42:36 > 0:42:39Wait. It would be quicker to show you.
0:42:58 > 0:43:01You don't think he'll take a powder, do you?
0:43:16 > 0:43:18Croaked, eh?
0:43:21 > 0:43:25- Don't touch the cigar! - I bet that's what...- Of course!
0:43:25 > 0:43:30- They killed the man on the boat the same way.- Why was he gonna show us these dames?
0:43:34 > 0:43:37Just a piece of glass. But what's that?
0:43:43 > 0:43:47It's new subscribers to the magazine.
0:43:47 > 0:43:49Most seem to be in Latin America.
0:43:49 > 0:43:53- Must have been important... - DOOR RATTLES
0:43:57 > 0:44:02Do you believe the murderer always returns to the scene of the crime?
0:44:02 > 0:44:04Possibly, to see if he succeeded.
0:44:04 > 0:44:08- Are you willing to take a chance? - What kind?- Good boy. Come on!
0:44:09 > 0:44:12Get those on. Quick!
0:44:13 > 0:44:19- They'll think I'm Savitsky! - That's what I want them to think! Sit down! I'll cover you.
0:44:19 > 0:44:21You cover me, but who'll cover him?!
0:44:27 > 0:44:30Keep your hands on the table.
0:44:30 > 0:44:34You're going to answer some questions.
0:44:34 > 0:44:37You'd better talk while there's still time.
0:44:37 > 0:44:43We followed one of your agents from Buenos Aires. He was about to make a deal, but he decided too late.
0:44:43 > 0:44:46Diane Medford killed him to keep him silent.
0:44:46 > 0:44:51She was killed because she knew too much. Senor, YOU know too much.
0:44:51 > 0:44:57I am an accredited agent of the Republic of Mexico, working with the authorities here.
0:44:57 > 0:45:00I can offer you protection if you talk.
0:45:00 > 0:45:02If you do not...
0:45:02 > 0:45:05Wait! It's me - Lefty!
0:45:05 > 0:45:09- What are you doing here? - Minding my own business...
0:45:09 > 0:45:11..What AM I doing here?!
0:45:11 > 0:45:17- You're doing well. Nice to meet you again.- Senor Lawrence.- I've been doing you an injustice.
0:45:17 > 0:45:18We're working towards the same end.
0:45:18 > 0:45:22Counter espionage isn't for amateurs. This is a dangerous business.
0:45:22 > 0:45:25Dangerous for Savitsky. He's in there - dead.
0:45:30 > 0:45:34We're too late. He could have told us everything.
0:45:34 > 0:45:36- You found him like this?- Not quite. Excuse me.
0:45:36 > 0:45:38What are you doing?
0:45:38 > 0:45:42It's customary to... Hello? Homicide Bureau, please. Inspector Donovan.
0:45:42 > 0:45:47..You have no objection to this phone call if you are what you say you are.
0:45:47 > 0:45:51Inspector? I thought you'd like to know there's a dead body here
0:45:51 > 0:45:54in the studio of Modern Modes Magazine on East 56th Street.
0:45:54 > 0:45:57- Hey! - This affair is nearing its climax.
0:45:57 > 0:46:03Our mission is too important. We can't waste time on a routine police investigation. Adios.
0:46:03 > 0:46:07'You can't do this to me! I'll have you picked up!'
0:46:07 > 0:46:09Hello! Hello!
0:46:10 > 0:46:14'What's this about a dead body at Modes Magazine? Hello?
0:46:14 > 0:46:18- 'If I find out who you are...' - He's in fine voice.
0:46:18 > 0:46:19- Take that off.- Pleasure.
0:46:21 > 0:46:25The inspector will have an awful lot to say about us being here with a dead body.
0:46:25 > 0:46:30- We'd better follow the example of our Latin American friends and scram.- Now you're cooking with gas.
0:46:30 > 0:46:34Inspector Donovan's going to be mad. He has to find a new murderer.
0:46:34 > 0:46:37No - same one. Paul Harrington.
0:46:37 > 0:46:42What?! Even the ballistics expert said it wasn't his gun.
0:46:42 > 0:46:45He's guilty. Process of elimination.
0:46:45 > 0:46:48You'll be next if you smoke that.
0:46:50 > 0:46:52La Prima Donna!
0:47:01 > 0:47:05The clue's in these magazines somewhere. It's got to be!
0:47:05 > 0:47:10What makes you so sure? Maybe he was trying to sell us a subscription.
0:47:10 > 0:47:12- Good morning!- Hello, Marcia.
0:47:13 > 0:47:17- Any luck?- Harrington's moved out. Nobody knows where.
0:47:17 > 0:47:21- Coffee?- Mm-hm.- Did you get anything yet?- No, not yet.
0:47:21 > 0:47:23At least we know it was Harrington.
0:47:23 > 0:47:27But we've got to prove it. Donovan won't listen to our hunches.
0:47:27 > 0:47:29Imagine bumping a dame off cos you're jealous...
0:47:29 > 0:47:33No. He couldn't run the risk of her knowing he was mixed up in espionage.
0:47:33 > 0:47:40- He was mixed up in his seasons - a bathing-suit cover on his December issue.- That's not bad, as dames go,
0:47:40 > 0:47:42- which ain't good.- Wait a minute.
0:47:43 > 0:47:46That might be it.
0:47:46 > 0:47:49That's got to be it.
0:47:49 > 0:47:52Dice...and a clock.
0:47:52 > 0:47:53Look!
0:47:55 > 0:47:58Miss Honolulu. That's the place.
0:47:58 > 0:48:0112 - that's December, the 12th month.
0:48:01 > 0:48:067 is the day. December 7th at 7.55, when Pearl Harbour was attacked.
0:48:06 > 0:48:09- It's been in front of us the whole time.- Of course!- Yes!
0:48:09 > 0:48:13- But what's it for?!- To warn their agents in the United States.
0:48:13 > 0:48:16- Look.- April 1st.
0:48:16 > 0:48:19They scuttled German and Italian ships interned in South America.
0:48:19 > 0:48:23Right! Now, Savitsky was trying to tell us something else was about to happen.
0:48:23 > 0:48:25If we could read the key to this...
0:48:25 > 0:48:31I've got an idea! There's numbers, and there's a turkey. Maybe it's the new date for Thanksgiving this year!
0:48:31 > 0:48:35That's a pheasant. The clock says 2.30,
0:48:35 > 0:48:38and the numbers are 6 and 3 - that's June the 3rd.
0:48:38 > 0:48:42- Something will happen at 2.30 on June 3rd.- That's practically now!
0:48:42 > 0:48:45- That's today's date!- I know. We've got to find out where.
0:48:45 > 0:48:49Wait a minute! Pheasant couldn't be a town...
0:48:49 > 0:48:52It must be a hotel or inn. Get the phone book.
0:48:57 > 0:48:59- No "pheasant" here.- Are you sure?
0:48:59 > 0:49:02How do you spell pheasant?
0:49:02 > 0:49:06- F-E-Z-A-N-T. How else?- Give it to me!
0:49:09 > 0:49:12Is it there?
0:49:12 > 0:49:16- Here it is! Pheasant Inn at Bayport! - My car's out in front.
0:49:16 > 0:49:19- Can we make it by 2.30? - Well, you've gotta!
0:49:19 > 0:49:21Wait! I can't find my coat!
0:49:22 > 0:49:25WOMAN SCREAMS
0:49:25 > 0:49:29He's awake! I was taking his pulse and he kissed me.
0:49:29 > 0:49:32- Who wouldn't?!- Gee! Boss!
0:49:32 > 0:49:36- Who is she, and what's happened? - What hasn't?
0:49:39 > 0:49:43- Just a minute, you.- Ah! Nice to see you, Inspector. We're in a hurry.
0:49:43 > 0:49:46Too bad. So am I.
0:49:46 > 0:49:52I can't wait to find out why you made that phone call from Savitsky's.
0:49:52 > 0:49:58- There isn't time...- There'll be plenty of time - about ten years. ..Cuff him.- With pleasure.
0:49:58 > 0:50:00Come back here, you!
0:50:00 > 0:50:05Get the key, you idiot! ..Come back here, you!
0:50:05 > 0:50:10- I've got the key.- God help me, tomorrow you'll be walking a beat the farthest end of Canarsie.
0:50:10 > 0:50:12- The key!- Canarsie...
0:50:14 > 0:50:18Thanks. Very neat, as far as it goes.
0:50:18 > 0:50:21AN important event will take place at Bayport today.
0:50:21 > 0:50:25There's nothing there but a hotel and fishing boats.
0:50:25 > 0:50:28If only we could find that ring...
0:50:28 > 0:50:30We did. It's here someplace.
0:50:30 > 0:50:33It's just a piece of glass.
0:50:33 > 0:50:37- Whoever killed Diane took this ring. - What for?
0:50:37 > 0:50:39That's ten cents a dozen.
0:50:39 > 0:50:42Oh! It does tricks, huh?
0:50:42 > 0:50:46- Anything inside?- Not now. Where did you find it?- Harrington's,
0:50:46 > 0:50:51- with the stuff Savitsky got for us. - Let's go.- I don't know what the doctor will say.
0:50:51 > 0:50:55Go and find out. Be sure to leave your phone number with Jerry.
0:50:55 > 0:50:57Come on, let's go.
0:51:04 > 0:51:09- I've searched the place. That's the last batch. - Doesn't look very encouraging.
0:51:13 > 0:51:16Needle in a haystack...
0:51:16 > 0:51:18Here's something.
0:51:20 > 0:51:23Hey! Does it fit?
0:51:23 > 0:51:25Yes, it seems to.
0:51:26 > 0:51:31- How did you know there was a picture in it?- Cos it was found here, and Savitsky's a photographer.
0:51:31 > 0:51:35- Who is it?- A very distinguished Latin American.
0:51:35 > 0:51:38Maybe it's Diane's boyfriend.
0:51:38 > 0:51:42If I'm not mistaken, he's the key to this whole thing.
0:51:42 > 0:51:44Switch the light off, Lefty.
0:51:47 > 0:51:49What are you gonna do?
0:51:49 > 0:51:52Make an enlargement of it.
0:52:01 > 0:52:05- Can you direct us to the Pheasant Inn?- First turn on the right.
0:52:09 > 0:52:12SPEAKS GERMAN
0:52:25 > 0:52:28- Good afternoon.- Afternoon.
0:52:28 > 0:52:32- It's quiet here, for this time of year.- It's early in the season.
0:52:32 > 0:52:36- I have nice accommodation. - No, we're just driving through.
0:52:36 > 0:52:38Have a look inside. It's a famous landmark.
0:52:38 > 0:52:41We'll be back.
0:52:53 > 0:52:57It's quiet as a tomb. We must have picked the wrong place.
0:52:57 > 0:53:00Too quiet. Let's take a look around.
0:53:15 > 0:53:18- Just a minute.- What is it?
0:53:19 > 0:53:21- I've seen him before somewhere.- Yes?
0:53:21 > 0:53:24Headquarters! That's Moffat, the ballistics man!
0:53:43 > 0:53:45LOUD WHISTLE
0:54:05 > 0:54:10- Where are we now?- This must lead to the belfry. Come on.
0:54:14 > 0:54:17DOOR SLAMS
0:54:17 > 0:54:21- Was that the wind? - The wind couldn't have locked it.
0:54:25 > 0:54:27Oh!
0:54:27 > 0:54:30Miss Brooks, have you met Mr Harrington?
0:54:30 > 0:54:36Since you found your way here, you must have found out other things - too many things.
0:54:36 > 0:54:40Put that away. Everybody knows we're here, and why.
0:54:40 > 0:54:43I know a lie when I hear it. Back down!
0:54:52 > 0:54:55Moffat! Come here! Schnell!
0:54:55 > 0:54:58SHOUTS IN GERMAN
0:55:20 > 0:55:23THEY TALK GERMAN
0:55:35 > 0:55:37Would it do any good to scream?
0:55:37 > 0:55:41I don't think so - these walls must be two-feet thick.
0:55:41 > 0:55:45- I wish I knew what it was all about. - My German's rusty but I got the gist of it.
0:55:45 > 0:55:49The plane is bringing in a secret emissary representing the Inter-American Alliance.
0:55:49 > 0:55:52They're going to kill him?
0:55:52 > 0:55:58That'll be the signal for their agents to start wrecking the whole Pan-American set-up.
0:55:58 > 0:56:00Can't we get loose?
0:56:00 > 0:56:04I'm afraid we're tied with typical German efficiency.
0:56:13 > 0:56:17- A machine gun would have been more certain.- Not at this range.
0:56:17 > 0:56:19Trust me - I know my business.
0:56:19 > 0:56:23- You saw the photo. There must be no mistake.- I'll get him with one shot.
0:56:23 > 0:56:26There will be rejoicing at Berchtesgaden.
0:56:41 > 0:56:43Senor DeSola...
0:56:43 > 0:56:45SPEAKS SPANISH
0:56:53 > 0:56:56Sorry, the inn is full. All rooms are taken.
0:56:56 > 0:56:59Not to be impolite, but who says so?
0:56:59 > 0:57:04- On your way.- You are the gentleman I want to see. Does this mean anything to you?
0:57:06 > 0:57:11It means I've got to hold you till you explain where you got it. Come on.
0:57:13 > 0:57:16THEY SPEAK SPANISH
0:57:20 > 0:57:23They're coming!
0:57:34 > 0:57:36BELL CHIMES
0:57:51 > 0:57:55- GUNSHOT - Dismount the gun!
0:58:05 > 0:58:07GUNSHOT
0:58:29 > 0:58:31SPEAKS SPANISH
0:59:05 > 0:59:10Mr Tom, Miss Arlette called while you were out. She wants you to call her at her shop.
0:59:10 > 0:59:12I don't want to talk to her.
0:59:12 > 0:59:17- I don't want to talk to anyone. - Maybe you should take me to South America with you.
0:59:17 > 0:59:23- PHONE RINGS - You wouldn't like it. Too many beautiful...dames.
0:59:23 > 0:59:25Well, Tom, it's been nice knowing you.
0:59:26 > 0:59:30Some gentleman. He insists on speaking to you personally.
0:59:33 > 0:59:37- Hello?- Lawrence, get this straight.
0:59:37 > 0:59:44You saw what happened to your brother. Go back where you came from if you don't want the same medicine.
0:59:44 > 0:59:46Hello? Hello!
0:59:49 > 0:59:53- All right, if that's the way they want it.- Who was it? What happened?
0:59:53 > 0:59:56Never mind. Start unpacking. I'm staying.
0:59:56 > 0:59:59Here we go again!