0:01:11 > 0:01:14Right out, please.
0:01:14 > 0:01:16Step lively, please.
0:01:18 > 0:01:19Going up?
0:01:29 > 0:01:30SNORING
0:02:07 > 0:02:08HE WOLF-WHISTLES
0:02:16 > 0:02:19Well, you said to get an office with a view.
0:02:19 > 0:02:22So this is the way you spend your first day in the brokerage business.
0:02:22 > 0:02:24Darling, I'm just getting acclimated.
0:02:24 > 0:02:27You can't become a successful broker in five minutes, you know.
0:02:27 > 0:02:29Whee-ee!
0:02:29 > 0:02:30Shh.
0:02:30 > 0:02:34You'll wake Mr Locke, your associate.
0:02:37 > 0:02:39Oh, really, you're hopeless. Why don't you admit
0:02:39 > 0:02:42that you're bored already, that you haven't the least inclination
0:02:42 > 0:02:45to settle down to a respectable business? Here, I've spent
0:02:45 > 0:02:48the whole day dashing about, trying to get nice, rich clients for you,
0:02:48 > 0:02:50and I come here, and what do I find?
0:02:50 > 0:02:52Me...
0:02:52 > 0:02:54..and my spinach juice.
0:02:54 > 0:02:55Have some?
0:02:55 > 0:02:57Thanks. I tried it once.
0:02:58 > 0:03:00After all, Gay, you've spent your whole life thus far
0:03:00 > 0:03:02chasing adventure around the world,
0:03:02 > 0:03:05and you've been clever enough to keep a whole skin.
0:03:05 > 0:03:08Surely you're clever enough to sell a few stocks and bonds.
0:03:08 > 0:03:12Darling, that's what I love about you - your supreme confidence in me.
0:03:12 > 0:03:14It gives me the courage to go on.
0:03:14 > 0:03:17And you want me to marry you. Why?
0:03:17 > 0:03:18I'm crazy about you.
0:03:18 > 0:03:21You're not crazy enough to settle down to a little honest work
0:03:21 > 0:03:24- for the first time in your life. - Darling, I'm even that crazy.
0:03:24 > 0:03:25When shall we get married?
0:03:25 > 0:03:28I'll give you until September to get two things out of your system -
0:03:28 > 0:03:30other women, and crime solutions.
0:03:30 > 0:03:32What month is this?
0:03:32 > 0:03:34June, but don't evade the issue.
0:03:34 > 0:03:38I'm not. Crime solutions - I've lost all interest,
0:03:38 > 0:03:42and as to other women, I've already thrown away my address book.
0:03:42 > 0:03:45Darling, in three months, I'll have a seat on the Stock Exchange.
0:03:45 > 0:03:46You wait and see.
0:03:52 > 0:03:54Oh, you're impossible...
0:03:55 > 0:03:57..but I'll sign one more armistice.
0:03:57 > 0:04:00Oh, about tonight. We're going to Maxine Wood's charity ball.
0:04:00 > 0:04:02Vera Gardiner's sponsoring it.
0:04:02 > 0:04:04Who's Maxine Wood?
0:04:04 > 0:04:08Darling, she's only the most famous party-giver in the world.
0:04:08 > 0:04:10Oh, her. I know a little French restaurant downtown
0:04:10 > 0:04:13where the wine is divine.
0:04:13 > 0:04:15So you don't want to go?
0:04:15 > 0:04:17I want to go down there and drink the same wine
0:04:17 > 0:04:19that I drank when I first saw you.
0:04:19 > 0:04:22Darling, you might let me win just one round.
0:04:22 > 0:04:24Well, I thought it would be nice - just the two of us.
0:04:24 > 0:04:27Of course, if you prefer to have a crowd around
0:04:27 > 0:04:29while I am telling you how much I love you...
0:04:31 > 0:04:34All right, Gay. You win, as usual.
0:04:36 > 0:04:38See you at eight.
0:04:40 > 0:04:41Eight.
0:04:42 > 0:04:44SNORING
0:04:52 > 0:04:54Huh?
0:04:54 > 0:04:56Good afternoon, Miss Benford. Come right in.
0:04:56 > 0:04:58Oh, you're all much too busy(!)
0:04:58 > 0:05:02Some other time. Thank you very much(!)
0:05:02 > 0:05:04DOOR CLOSES
0:05:07 > 0:05:09Your number one girlfriend just stuck her head in the door
0:05:09 > 0:05:12and made a nasty crack. She ducked before I got clear awake.
0:05:12 > 0:05:14We can hardly expect her to wait that long.
0:05:14 > 0:05:16Huh?
0:05:16 > 0:05:18It's five o'clock.
0:05:18 > 0:05:20It's 4.43.
0:05:20 > 0:05:23All right. We'll stay 17 minutes over time tomorrow.
0:05:23 > 0:05:26I've been in that office since ten this morning.
0:05:26 > 0:05:27Well, what about me?
0:05:27 > 0:05:30I ain't even got a window to look out of.
0:05:30 > 0:05:32Well, you can have my chair tomorrow at lunch hour.
0:05:32 > 0:05:34Come on. Let's call it a day.
0:05:34 > 0:05:35OK, boss.
0:05:37 > 0:05:41You know, for me, this is like being born twice.
0:05:43 > 0:05:45When I walked up here this morning, who was I?
0:05:45 > 0:05:48Just a guy the cops called Goldy Locke.
0:05:48 > 0:05:51When I go out of here this afternoon, I'm in Wall Street.
0:05:51 > 0:05:54Jonathan G Locke, just like I was christened.
0:05:54 > 0:05:57If my old lady could see me now,
0:05:57 > 0:05:59would her eyes bulge!
0:05:59 > 0:06:02Yes, well, talking about bulges, I'm afraid your tailor...
0:06:04 > 0:06:05Uh-oh.
0:06:08 > 0:06:12We're in the brokerage business, Goldy.
0:06:13 > 0:06:16Tough day at the office, Jerry. You can fix me a large spinach juice.
0:06:16 > 0:06:18Someone waiting to see you, boss.
0:06:18 > 0:06:21- Oh, well, see who it is, Goldy. - Very pretty girl, boss.
0:06:21 > 0:06:23Never mind.
0:06:24 > 0:06:26That guy ought to live in a harem.
0:06:26 > 0:06:27He do!
0:06:42 > 0:06:44What are we looking for?
0:06:44 > 0:06:45Shh.
0:06:45 > 0:06:47SHE GASPS: Oh!
0:06:47 > 0:06:49- Anything in particular?- Why, yes.
0:06:49 > 0:06:52The...the button that opens a secret passage.
0:06:52 > 0:06:53Ah.
0:06:53 > 0:06:56You're Mr Laurence, aren't you? I've heard so much about you,
0:06:56 > 0:06:59it's like meeting your favourite author, only the things
0:06:59 > 0:07:01- really happen to you.- Look, sister. He's took the pledge.
0:07:01 > 0:07:03No more crimes. No more dames.
0:07:03 > 0:07:06That must be your Dr Watson, your faithful and loyal colleague.
0:07:06 > 0:07:08All characters like you
0:07:08 > 0:07:11have a kind of a... a stooge, don't they?
0:07:11 > 0:07:15May I present Dr Jonathon Locke, my associate?
0:07:17 > 0:07:18How do you do, Doctor?
0:07:18 > 0:07:21I'm very pleased, indeed, to meet you, I'm sure.
0:07:21 > 0:07:23He's cute. Well...
0:07:23 > 0:07:25I'm Helen Reed, secretary to Maxine Woods.
0:07:25 > 0:07:28- You've heard of her, of course.- Yes. The lady who gives all the parties.
0:07:28 > 0:07:31Yes. Well, for several weeks now, every time she gives a party,
0:07:31 > 0:07:34- some valuable jewellery is stolen. It just vanishes.- How distressing.
0:07:34 > 0:07:38Yes. Well, she's giving a war relief ball for Mrs Vera Gardiner,
0:07:38 > 0:07:40and Mrs Gardiner insists on wearing her monsoon diamond.
0:07:40 > 0:07:42It cost 100,000.
0:07:42 > 0:07:44If it's stolen, Maxine will be ruined.
0:07:44 > 0:07:46Then why doesn't she go to the police?
0:07:46 > 0:07:47But she HAS been to the police.
0:07:47 > 0:07:48They've been there before.
0:07:48 > 0:07:50You're the only one that can really help.
0:07:50 > 0:07:52Look, lady. We quit all that business.
0:07:52 > 0:07:54We're in Wall Street now. We ain't interested.
0:07:54 > 0:07:57Try Ellery Queen.
0:07:57 > 0:07:58I...
0:08:07 > 0:08:09Spinach juice. Very good for boss.
0:08:20 > 0:08:23- For once, you wasn't a sucker. - Charming little character there.
0:08:23 > 0:08:26Well, that's what you said about Mabel Dover, too,
0:08:26 > 0:08:27right before she bumped off her uncle
0:08:27 > 0:08:29for the insurance policy. Then there was...
0:08:29 > 0:08:32Helen? Uh, I mean, Elinor.
0:08:32 > 0:08:34Listen, darling, I've been thinking things over.
0:08:34 > 0:08:36I've been very selfish.
0:08:36 > 0:08:37I want to please you.
0:08:37 > 0:08:39We're going to Maxine Wood's party.
0:08:42 > 0:08:45Sure, but I changed my mind.
0:08:45 > 0:08:47What you want comes first, dear.
0:08:47 > 0:08:50Goodbye.
0:08:50 > 0:08:51Here we go again.
0:08:56 > 0:08:59SWING MUSIC
0:09:24 > 0:09:26The joint's dripping with jewels, ain't it, Grimes?
0:09:26 > 0:09:29Yeah. Let's split up and start circulating.
0:09:39 > 0:09:42Cheer up, Maxine. You've got nothing to worry about this time.
0:09:42 > 0:09:45If anything disappears tonight, I'm afraid my career has ended.
0:09:45 > 0:09:48We're safe. The Falcon's coming - the most utterly exciting man
0:09:48 > 0:09:51- you ever laid eyes on.- The who?- The Falcon. That's his nom de guerre.
0:09:51 > 0:09:53His real name is Laurence, and he's...
0:09:53 > 0:09:56Oh, there he is now. I'll bring him over.
0:09:58 > 0:10:02- Maybe so, but how long will it last? - Darling, it's over already.
0:10:02 > 0:10:04Next time, you can hit me on the head with something.
0:10:04 > 0:10:06That's a promise.
0:10:06 > 0:10:09Oh, Mr Laurence! I was so afraid you weren't coming.
0:10:09 > 0:10:11- Oh, hello.- You must think I'm a little silly
0:10:11 > 0:10:14after you found me in your apartment, but I had to see you.
0:10:14 > 0:10:17It's not nearly as lurid as it sounds. May I present Miss Reed?
0:10:17 > 0:10:19Miss Reed, Miss, er...
0:10:19 > 0:10:20Benford.
0:10:20 > 0:10:22An aunt of mine from Indiana.
0:10:22 > 0:10:24Oh, I suppose Mr Laurence told you why he's here.
0:10:24 > 0:10:26No, but I'm extremely good at guessing.
0:10:26 > 0:10:29We must keep it a secret. I want you to meet Maxine. She's very worried,
0:10:29 > 0:10:32and will be relieved you're on the alert. You don't mind?
0:10:32 > 0:10:35Oh, not at all. By all means, Gay, get on the alert.
0:10:35 > 0:10:37Let's dance. Make it look casual.
0:10:40 > 0:10:44Better not. You may get 12 women on your jury.
0:10:44 > 0:10:46- Oh, hello, Manuel.- Will you teach me how to dance?
0:10:46 > 0:10:49Teach you, Manuel?
0:10:49 > 0:10:52Isn't it exciting, not knowing what's going to happen next?
0:10:52 > 0:10:56- I have a vague idea.- Oh, really? See anything significant?
0:10:56 > 0:10:58- Did anyone make a false move? - No-one but me.
0:11:02 > 0:11:04I should be like you, Manuel -
0:11:04 > 0:11:07play the field, and let the suckers pick the favourites.
0:11:07 > 0:11:10You're as clever as you're beautiful.
0:11:38 > 0:11:39Good evening, sir.
0:11:39 > 0:11:42Pleased to meet you. Give me a ticket, sister,
0:11:42 > 0:11:44and keep the change for charity.
0:11:44 > 0:11:45A dollar doesn't quite cover it, sir.
0:11:45 > 0:11:49- No? How much?- 100 a ticket.
0:11:49 > 0:11:52100?! Gimme back the buck, sister.
0:11:52 > 0:11:55I can't finance the war personally.
0:11:55 > 0:11:57Hey, hold it.
0:11:58 > 0:12:02I think we better keep this on a strictly business basis.
0:12:02 > 0:12:03Where's our hostess?
0:12:03 > 0:12:07- You mean Mrs Gardiner?- Yes. - She's dancing right behind you.
0:12:07 > 0:12:09- Look out. Here she comes. - Oh, I'm so sorry.
0:12:09 > 0:12:12Oh, oh! Oh, isn't this marvellous?
0:12:12 > 0:12:15You know, I'm charging 50 a dance for the ambulance fund.
0:12:15 > 0:12:19- Here's 100. Let's call it quits, madame.- Aren't you sweet?
0:12:19 > 0:12:24I've made 200 this dance. The men are all marvellously generous.
0:12:24 > 0:12:27- Mrs Gardiner, Mr Laurence.- How do you do, young man?- Quite well.
0:12:27 > 0:12:31Oh, do you mind if I steal your partner for this dance?
0:12:31 > 0:12:36Sort of lend-lease, for democracy, you know.
0:12:38 > 0:12:42- Mr Laurence, I am so nervous. - So am I.
0:12:42 > 0:12:45- I suppose you want it now. - I beg your pardon.
0:12:45 > 0:12:48It slips off very easily, but we mustn't let anyone see us.
0:12:48 > 0:12:49Oh, no, of course not.
0:12:49 > 0:12:52You take my hand firmly and hold the ring,
0:12:52 > 0:12:55and I'll draw my hand away, and you put it in your pocket.
0:12:55 > 0:12:57Well, just as you say.
0:12:59 > 0:13:02Oh, my, what a relief. Do you think anyone saw us?
0:13:02 > 0:13:03No, I don't think so.
0:13:03 > 0:13:06I'll wait five minutes, and then I'll discover it's gone.
0:13:06 > 0:13:08That's fine.
0:13:09 > 0:13:11Now I must go and greet my other guests.
0:13:11 > 0:13:14Do be careful. The place is full of detectives.
0:13:14 > 0:13:16Yes, I'll be careful.
0:13:16 > 0:13:20CROWD CHATTERS
0:13:24 > 0:13:27- Let's hear something loud and hot, professor.- Here it comes.
0:13:27 > 0:13:2914, boys.
0:13:30 > 0:13:32LIVELY MUSIC
0:13:36 > 0:13:38- MANUEL:- The boarding house...
0:13:38 > 0:13:40Do you mind if I cut in? I think this is our dance.
0:13:40 > 0:13:42Oh, of course. Mr...
0:13:42 > 0:13:47- ..Laurence.- Yes. Mr Retana. - How do you do?- Excuse me, Manuel.
0:13:47 > 0:13:49Oh, Mr Laurence. Pardon me. This is Miss Wood.
0:13:49 > 0:13:51I thought you might like a few words with her.
0:13:51 > 0:13:53- You don't mind, do you? - Oh, not at all.
0:13:54 > 0:13:57That's my cousin from Nebraska. She's having a wonderful time.
0:13:57 > 0:13:59Oh, how nice.
0:13:59 > 0:14:00Dance?
0:14:13 > 0:14:15As I remember it, you're always involved in mysteries
0:14:15 > 0:14:18- and with beautiful women. - Oh, that's purely a coincidence.
0:14:18 > 0:14:20As a matter of fact, I'm giving up that hobby.
0:14:20 > 0:14:21What, women or mystery?
0:14:21 > 0:14:26- Eh?- WOMEN OR MYSTERY?- Oh, both.
0:14:26 > 0:14:29You evidently found my secretary a very persistent young woman.
0:14:29 > 0:14:31That's putting it mildly.
0:14:31 > 0:14:34- What?- Oh, let's do something about this.
0:14:34 > 0:14:38- Hey, maestro.- Yes, sir?- Do you mind playing something soft and smooth?
0:14:38 > 0:14:40Sure. Thank you. Hold it, boys.
0:14:40 > 0:14:42- I'm getting old.- Oh, don't say that.
0:14:42 > 0:14:44GUNSHOT
0:14:45 > 0:14:47What was that?
0:15:01 > 0:15:02Stop, or I'll let you have it!
0:15:02 > 0:15:05- FOOTSTEPS - Stop, or I'll shoot!
0:15:07 > 0:15:08OK. I'm stopped.
0:15:08 > 0:15:09Come on up here.
0:15:09 > 0:15:11All right. Outside, please.
0:15:11 > 0:15:14I'm from headquarters. I'll take charge here.
0:15:15 > 0:15:16Suicide?
0:15:16 > 0:15:19Yeah. Shot herself right through the heart, walked over there,
0:15:19 > 0:15:22dropped the gun, but came back again because she liked it better here.
0:15:22 > 0:15:26Poor Mrs Gardiner. Who in the world would want to kill her?
0:15:26 > 0:15:28Elemental, ma'am. The diamond, ain't got it on her.
0:15:28 > 0:15:29Oh, would you mind?
0:15:33 > 0:15:36- Sorry. Not my brand. - Think nothing of it.
0:15:36 > 0:15:39- Come around when I'm police commissioner.- Right, get in there.
0:15:42 > 0:15:45- Why, it's Dr Locke! - You know this man?
0:15:45 > 0:15:47Well, I know...
0:15:47 > 0:15:49I know him. He works for me.
0:15:49 > 0:15:52- Yeah, then what's he doing out on that ledge?- He's a fresh-air fiend.
0:15:52 > 0:15:54He's not the only fresh thing around here.
0:15:54 > 0:15:57I'm coming up the fire escape, all of a sudden, I hear a shot.
0:15:57 > 0:15:59- I got to warn you, anything you say'll be used against you.- So what?
0:15:59 > 0:16:02I figure to save 100 bucks by crashing the party,
0:16:02 > 0:16:03so I come up the fire escape...
0:16:03 > 0:16:05Some other time. Take him down headquarters.
0:16:05 > 0:16:08- Get going.- Hey, wait a minute! You bulls can't pin this on me!
0:16:08 > 0:16:11- All we can do is to try.- Go on, Goldy. Humour him.- What's the...?
0:16:11 > 0:16:14- This is murder!- You said it. - Get out.
0:16:16 > 0:16:18- Darling, I've got to go down... - Have we met before?
0:16:18 > 0:16:21Oh, listen. This is serious. I have to go down to police headquarters.
0:16:21 > 0:16:23- Some spinach juice. - Police headquarters? Why?
0:16:23 > 0:16:25- What kind of juice?- Spinach.
0:16:25 > 0:16:27They found Goldy out on the fire escape.
0:16:27 > 0:16:29- Spinach?- Listen, haven't you got any spinach?
0:16:29 > 0:16:33- I guess they do in the kitchen. - Well, just get some and squeeze it.
0:16:33 > 0:16:35Yes, er, squeeze it.
0:16:36 > 0:16:39They found Goldy on the fire escape when Mrs Gardiner was shot.
0:16:39 > 0:16:42Gay, if you're mixed up in this, and I suspect... How could I be?
0:16:42 > 0:16:44What was that Locke person doing on the fire escape?
0:16:44 > 0:16:47- That's what I'm going to find out. I've got to do that.- Well...
0:16:47 > 0:16:51That's a good girl. Now, you take a cab. I'll see you in about an hour.
0:16:51 > 0:16:54Why do I put up with this? Why?
0:16:54 > 0:16:56CRACKLING
0:16:58 > 0:17:00Well, it seems pretty obvious
0:17:00 > 0:17:02the murderer got away with the diamond. You found nothing on Goldy,
0:17:02 > 0:17:06- so why hold him?- I'm not holding him for murder.
0:17:06 > 0:17:08Nobody could invent an alibi that screwy.
0:17:08 > 0:17:09Then what's the charge against him?
0:17:09 > 0:17:12I'm holding him as a material witness.
0:17:12 > 0:17:14He's the only one who can identify the murderer.
0:17:16 > 0:17:20- May I offer a suggestion?- Why not? You've been offering them for years.
0:17:21 > 0:17:24Inasmuch as Goldy is the only living witness,
0:17:24 > 0:17:26wouldn't it be very much to the murderer's advantage
0:17:26 > 0:17:30to try to dispose of him if it were made possible?
0:17:30 > 0:17:34I got an idea. I'm going to release Goldy and have him tailed.
0:17:34 > 0:17:37There's just a chance that the murderer may try to get to him.
0:17:37 > 0:17:39You never miss a trick, Mike.
0:17:39 > 0:17:41Yeah. What were you going to suggest?
0:17:41 > 0:17:44- Oh, I... I forget.- Bring him in.
0:17:45 > 0:17:47I think I'll go along with you, Bates.
0:17:49 > 0:17:51Stick around, Herman. We want a sketch of the murderer.
0:17:51 > 0:17:53Very well.
0:17:56 > 0:17:58I've changed my mind, Bates.
0:17:58 > 0:18:00- I think I'll try one of these. - Oh, slumming, huh?
0:18:05 > 0:18:07Everything fixed, chief?
0:18:07 > 0:18:09All fixed, Goldy. You're as free as a bird.
0:18:09 > 0:18:12Yeah, stool pigeon. Spring him, Elmer.
0:18:15 > 0:18:17- We'll be seeing you, Goldy. - You should live so long.
0:18:17 > 0:18:19So should you.
0:18:19 > 0:18:21Didn't you tell this flatfoot off?
0:18:21 > 0:18:24- Yeah, they believe your story.- Oh, getting smart, huh?- Come on, Goldy.
0:18:24 > 0:18:27- They want a description of the murderer.- Well, not from me.
0:18:27 > 0:18:31- I ain't gonna leave myself open for a slug in the back. - That's the point letting you out.
0:18:31 > 0:18:34- Hey, Elmer. Don't close that gate. - Come on, Goldy. Don't you trust me?
0:18:34 > 0:18:37- Yeah, like your girlfriend - with limits.- Oh, go on.
0:18:40 > 0:18:43All right, Locke. I'm releasing you, but first I want a description
0:18:43 > 0:18:46- of the man you saw that night. - Oh, no. No.- Goldy...
0:18:48 > 0:18:51- All right. You'll get it. - Take it, Herman.
0:18:51 > 0:18:53What was the contour of the face?
0:18:57 > 0:18:58The contour?
0:18:58 > 0:18:59White.
0:18:59 > 0:19:02- Not the colour, the contour! - Break it down, buddy.
0:19:02 > 0:19:05The shape of the face - thin, full, square, oval?
0:19:05 > 0:19:06Kind of flat and full.
0:19:06 > 0:19:09Go on. Just give the description. I'll follow you.
0:19:09 > 0:19:12Well, he was about 45, maybe. Full head of hair,
0:19:12 > 0:19:15parted on the right side. His eyes were too close together,
0:19:15 > 0:19:18with glasses. He had a bent nose, small chin.
0:19:18 > 0:19:20- Smooth-shaven?- I don't know. I didn't kiss him.
0:19:22 > 0:19:25No, he means, er, did he have a beard or a moustache?
0:19:25 > 0:19:27Oh, no. No muff.
0:19:27 > 0:19:31Go on. I'll try to contain myself.
0:19:31 > 0:19:33Well, he had a broad forehead,
0:19:33 > 0:19:35narrow shoulders, thick neck,
0:19:35 > 0:19:37and lines in his cheeks.
0:19:37 > 0:19:40He was about six foot tall, and weighed around 150.
0:19:40 > 0:19:42Oh, yeah. He had a stogy in his mouth.
0:19:42 > 0:19:45There's the dope. See what you can do with it.
0:19:45 > 0:19:49- OK, Goldy. Thanks. - Well, we're on our way, Goldy.
0:19:49 > 0:19:51I hope the killer didn't get a good look at me.
0:19:51 > 0:19:54You seemed to have got a pretty good look at him.
0:19:54 > 0:19:55Oh, you know me.
0:19:55 > 0:19:57Never remember a name, always forget a face.
0:19:59 > 0:20:01Put a tail on him, boys.
0:20:01 > 0:20:02Right.
0:20:03 > 0:20:05Let's have a look at the murderer, Herman.
0:20:20 > 0:20:22Now, tell me what the murderer really looked like.
0:20:22 > 0:20:24Let's get away from here.
0:20:24 > 0:20:26MAN: Extra! Broker held for questioning!
0:20:26 > 0:20:31- Looks like somebody else is mixed up in this.- You're a broker, remember?
0:20:38 > 0:20:40I'm cooked!
0:20:42 > 0:20:45Never say die, Goldy.
0:20:45 > 0:20:47CAR HORN HONKS
0:20:47 > 0:20:48Well, hello again.
0:20:48 > 0:20:51Hello. Did they release you, Doctor?
0:20:51 > 0:20:55- I just got the death penalty is all. - Says the cutest things, doesn't he?
0:20:55 > 0:20:57Oh, he's a bit unstrung.
0:20:57 > 0:21:00- Maybe you better drive.- I'd love to.
0:21:05 > 0:21:08Maxine sent me down to ask you to call on her tonight.
0:21:08 > 0:21:09We better circle around a bit first.
0:21:09 > 0:21:11Hey, I got a hunch we're being tagged.
0:21:11 > 0:21:14- Naturally.- Step on it, sister.
0:21:14 > 0:21:15A couple of Mike's men.
0:21:15 > 0:21:18Oh, in that case, I don't mind a couple of dicks around.
0:21:18 > 0:21:20What's he talking about?
0:21:20 > 0:21:22Mike's using him as bait to trap the killer.
0:21:22 > 0:21:24Wouldn't the murderer be too smart to contact the doctor
0:21:24 > 0:21:27- if he knew detectives were trailing him?- "Contact", she calls it!
0:21:27 > 0:21:29You're learning fast, Miss Reed.
0:21:29 > 0:21:31You want to see if you can lose those men?
0:21:31 > 0:21:33Do I? Hang on.
0:21:33 > 0:21:34TYRES SQUEAL
0:21:35 > 0:21:37Now up the next street, Miss Reed,
0:21:37 > 0:21:41then turn around as fast as you can in the first alley.
0:21:41 > 0:21:42Here we go!
0:21:50 > 0:21:51Switch your lights, Miss Reed.
0:21:51 > 0:21:54- Call me Helen. It saves time. - OK, Helen. Get set.
0:21:57 > 0:21:59Let's go.
0:22:12 > 0:22:15- Nice work, Helen.- Yeah, beautiful!
0:22:16 > 0:22:19- You stay here, Goldy. - You're gonna leave me alone?
0:22:19 > 0:22:22You're safe. How can the murderer know you're here?
0:22:22 > 0:22:24Yeah, he couldn't know that, could he?
0:22:24 > 0:22:28- We'll give him a shot at us later. - "Us"? What do you mean "us"?
0:22:28 > 0:22:30I'm in this too, Goldy.
0:22:32 > 0:22:34Mrs Gardiner's ring.
0:22:36 > 0:22:39- But how did you get it? - She gave it to me.
0:22:39 > 0:22:43- Oh, but I don't understand. - I think I'm just beginning to.
0:22:43 > 0:22:46Gee, this is certainly baffling, Mr Laurence.
0:22:46 > 0:22:49Call me Gay. It saves time.
0:23:18 > 0:23:19Something for you, sir?
0:23:19 > 0:23:22- Nope. I'm waiting for a guy. - Just killing time, eh?
0:23:22 > 0:23:25Yeah, or vice versa.
0:23:31 > 0:23:33DINGING
0:23:49 > 0:23:51DINGING
0:23:57 > 0:23:58Not bad, huh?
0:23:58 > 0:24:00Very good.
0:24:00 > 0:24:02Looks like I'm gonna get the payoff.
0:24:02 > 0:24:04You're a cinch.
0:24:08 > 0:24:10CHIMING
0:24:14 > 0:24:16Right on the button!
0:24:18 > 0:24:20Keep your trap shut and start walking.
0:24:27 > 0:24:30How well did you know Mrs Gardiner?
0:24:30 > 0:24:32Oh, I'd arranged several parties for her.
0:24:32 > 0:24:33What about her financial status? >
0:24:33 > 0:24:36- BOTH: She was very wealthy. - She had gobs of money.
0:24:37 > 0:24:41Oh, there's no sugar. Fetch it like a dear.
0:24:41 > 0:24:43On the contrary. I think we shall find out
0:24:43 > 0:24:47that she was having money troubles, probably badly in debt.
0:24:47 > 0:24:49Oh, that's impossible, Mr Laurence.
0:24:49 > 0:24:52Impoverished women don't hang on to 100,000 diamonds.
0:24:52 > 0:24:55That's true, not for long.
0:24:55 > 0:24:59She must have been cooperating with a gang of jewel thieves.
0:25:00 > 0:25:02Jewel thieves?
0:25:02 > 0:25:04Yes. Well, put yourself in her place.
0:25:04 > 0:25:07You need cash. You have a diamond.
0:25:07 > 0:25:10Then one day, you get a telephone call. "Hello, Miss Wood,"
0:25:10 > 0:25:12a voice says. "Don't worry about your debts.
0:25:12 > 0:25:15"All you do is to claim the insurance on that ring you lost."
0:25:15 > 0:25:17"I didn't lose my ring," you say.
0:25:17 > 0:25:18"Oh, yes, you did," says the voice.
0:25:18 > 0:25:20"You lost your ring tomorrow night."
0:25:20 > 0:25:22- Sugar?- Uh, no, thanks.
0:25:22 > 0:25:25But if the ring was insured, she wouldn't want to deal with thieves.
0:25:25 > 0:25:29- She would throw it in a river, or... - Or collect both ways,
0:25:29 > 0:25:32from the insurance company and the bonus from the jewel thieves.
0:25:32 > 0:25:36- Then why did she give the ring to you?- Mistaken identity.
0:25:37 > 0:25:39You remember Miss Benford tossing me this?
0:25:39 > 0:25:42HELEN: Well, yes. The silver carnation.
0:25:42 > 0:25:44She might have unwittingly removed the mark of identification
0:25:44 > 0:25:47from the intended jewel thief and pinned it on me.
0:25:47 > 0:25:49But Miss Benford was dancing with Manuel Retana.
0:25:49 > 0:25:53Yes. What about this Retana? Was he ever present at other party,
0:25:53 > 0:25:55- when jewellery was stolen? - I suppose he was.
0:25:55 > 0:25:58- He's very much in the social swing. - But he is rich and respectable.
0:25:58 > 0:26:01- He owns diamond mines in South Africa.- Interesting, if true.
0:26:01 > 0:26:03Oh, but this is incredible. Even if Mr Retana was an accomplice,
0:26:03 > 0:26:06he was dancing with Miss Benford when the murder was committed.
0:26:06 > 0:26:09Yes. We've got nothing on him.
0:26:09 > 0:26:13I just think that Retana and whoever it was killed Mrs Gardiner
0:26:13 > 0:26:15must have been working with somebody higher up,
0:26:15 > 0:26:18somebody with a pretty good brain for this kind of thing.
0:26:18 > 0:26:22But why murder the poor woman if the diamond was taken by arrangement?
0:26:22 > 0:26:25I can't answer that, not yet.
0:26:25 > 0:26:28- Are you going on with the case, Mr Laurence?- Should I?
0:26:30 > 0:26:31I wish you would.
0:26:31 > 0:26:35All this is hardly helpful to my reputation as a party-giver.
0:26:35 > 0:26:38Well, then, perhaps I better see you tomorrow. Should we say for lunch?
0:26:38 > 0:26:40< Of course.
0:26:40 > 0:26:42You know, I have a great deal more confidence in you
0:26:42 > 0:26:43than in the police.
0:26:43 > 0:26:45Would you mind dropping me at my apartment?
0:26:45 > 0:26:47I shall be delighted.
0:26:47 > 0:26:49Good night, Miss Wood.
0:26:49 > 0:26:52Maxine to my friends.
0:26:52 > 0:26:54Gay to mine.
0:26:55 > 0:26:58Anytime you're ready, Mr Laurence.
0:27:07 > 0:27:10Does every woman want you to call her by her first name
0:27:10 > 0:27:13- five minutes after you've met her? - Why should anybody have two names?
0:27:13 > 0:27:16- Well, you certainly don't encourage it.- It's a theory I have. - I'll be different.
0:27:16 > 0:27:20You go back to calling me Miss Reed, and I'll call you Mr Laurence.
0:27:20 > 0:27:22Where's the doctor?
0:27:23 > 0:27:25Get in quick.
0:27:25 > 0:27:28Maybe he got tired of waiting and... and went home or something.
0:27:28 > 0:27:30- Or something.- I live on Mordon Street in the village.
0:27:30 > 0:27:33- I haven't got time to take you there.- Where are we going?
0:27:33 > 0:27:36- My apartment.- Oh, Gay! Ha!
0:27:46 > 0:27:48Right. Down the steps, through the hall to the apartment,
0:27:48 > 0:27:50and I don't want to kill you for making a mistake.
0:28:07 > 0:28:10- Look, pal, I don't know from nothing...- Sit down.
0:28:10 > 0:28:12- Thanks.- Over there.
0:28:17 > 0:28:19Now get on that phone and call your boss.
0:28:19 > 0:28:20What'll I say?
0:28:20 > 0:28:22Tell him to wrap up that diamond,
0:28:22 > 0:28:25put it in an envelope, and mail it to you, general delivery. You'll pick it up tomorrow.
0:28:25 > 0:28:28- That ain't smart. - Guess you don't understand.
0:28:28 > 0:28:30Maybe I ought to tell you I can handle this
0:28:30 > 0:28:32whether you're alive or not. Get on that phone.
0:28:32 > 0:28:34OK, pal.
0:28:43 > 0:28:45GUNSHOT
0:28:49 > 0:28:50WOMAN SCREAMS
0:28:50 > 0:28:52There he is!
0:28:52 > 0:28:53Robbers!
0:28:53 > 0:28:55Murderers! Gangsters!
0:28:55 > 0:28:58Help! Come on! Gangsters!
0:28:58 > 0:29:00- He has a gun.- Open up! Get back!
0:29:00 > 0:29:02I run a respectable...
0:29:04 > 0:29:07Get 'em up.
0:29:07 > 0:29:09Well, if it ain't little Goldy Locke.
0:29:09 > 0:29:11Word was out to keep our eyes peeled for you.
0:29:11 > 0:29:14I'm sitting by the desk, gonna phone The Falcon, when I hear a shot.
0:29:14 > 0:29:17Ah, save it, Goldy. Keep it for Waldeck.
0:29:20 > 0:29:22Maybe he has a date with his girl.
0:29:22 > 0:29:24- He doesn't have a girl. - You should give him a few lessons.
0:29:30 > 0:29:32We figured you'd get here eventually.
0:29:32 > 0:29:34Don't bother taking off your coat and hat.
0:29:35 > 0:29:38- What's wrong now, Bates?- They got Goldy down at headquarters.
0:29:38 > 0:29:41- That's a relief. What for?- They found him beside a dead body.
0:29:41 > 0:29:44Now look. We've gone all over that situation once, remember?
0:29:44 > 0:29:47- This is another situation and another body.- Again?
0:29:47 > 0:29:50- This time, he said he was making a phone call.- Who's the dead man?
0:29:50 > 0:29:53- How did you know it was a man?- Law of averages.- Waldeck kind of wonders
0:29:53 > 0:29:55if maybe you didn't knock this guy off to save Goldy's neck.
0:29:55 > 0:29:58- He also wonders where you got the diamond.- What diamond?
0:29:58 > 0:29:59Oh, don't be coy, Laurence.
0:29:59 > 0:30:01Goldy ain't good at keeping secrets.
0:30:01 > 0:30:03I think I should go down and see Waldeck.
0:30:03 > 0:30:05Ain't that a coincidence?
0:30:05 > 0:30:07- He sent us here to personally invite you down.- Oh, Gay...
0:30:07 > 0:30:09Now, be brave, darling. Don't get hysterical.
0:30:09 > 0:30:12(Can you faint?)
0:30:12 > 0:30:14Goodbye.
0:30:15 > 0:30:17She's fainted, Bates.
0:30:17 > 0:30:19Hold her while I get some smelling salts.
0:30:26 > 0:30:28Boy, oh, boy. She sure stayed kissed.
0:30:28 > 0:30:30What a guy. He ought to be in moving pictures.
0:30:30 > 0:30:34He'll be too old when he gets out. Go in there and keep an eye on him.
0:30:39 > 0:30:42Bates, he got away.
0:30:42 > 0:30:43This is gonna cost us.
0:30:45 > 0:30:47Ouch!
0:30:47 > 0:30:49Did I do all right, Jerry?
0:30:49 > 0:30:50Very good. Hot stuff.
0:30:50 > 0:30:52Looked like the real McCoy.
0:30:52 > 0:30:54SHE SIGHS
0:30:54 > 0:30:56It was...almost.
0:30:56 > 0:30:59Could be. Happen all the time with my boss.
0:31:06 > 0:31:08GENTLE BANGING
0:31:18 > 0:31:19Hello, darling.
0:31:19 > 0:31:22- I didn't hear the front doorbell. - I didn't ring it.
0:31:22 > 0:31:24- Well, now what?- Now I'm going to tell you how much I love you.
0:31:24 > 0:31:26- Don't you dare come near me! - what's the matter?
0:31:26 > 0:31:29Matter? You take me to a party
0:31:29 > 0:31:31and then dance with every female in the place but me.
0:31:31 > 0:31:33I sit around like Miss Muffet on my tuffet,
0:31:33 > 0:31:34while you prance off to solve a murder
0:31:34 > 0:31:36that doesn't concern you in the least,
0:31:36 > 0:31:38and then you hop through my bedroom window
0:31:38 > 0:31:40at 1 o'clock in the morning and ask me, what's the matter.
0:31:40 > 0:31:42Ask me, what's the matter!
0:31:42 > 0:31:45- Not so loud. - I'll scream my head off!
0:31:45 > 0:31:47Why don't you go back to your life of crime
0:31:47 > 0:31:49and leave me alone?
0:31:49 > 0:31:51Very well.
0:31:51 > 0:31:53I'll give myself up.
0:31:53 > 0:31:54Give yourself up?
0:31:54 > 0:31:57I'm wanted for murder.
0:31:57 > 0:31:59Oh, Gay! Not really?
0:31:59 > 0:32:01I just gave two detectives the slip.
0:32:01 > 0:32:04Oh, but, darling, that's stupid. They can't possibly blame you.
0:32:04 > 0:32:07- Why, you were in the room dancing. - This is another murder.
0:32:07 > 0:32:09PHONE RINGS
0:32:09 > 0:32:13Uh, I think that's for me. Hello.
0:32:13 > 0:32:16- Hello. Is Miss Benford in?- Uh, yes, this is The Falcon.
0:32:16 > 0:32:19Oh, hello, Gay. Are you all right? Did you throw them off your trail?
0:32:19 > 0:32:23Yes, Jerry. I'm OK. I managed to get away all right.
0:32:23 > 0:32:25Oh, I get it. Coward.
0:32:25 > 0:32:29Yes, Jerry. No, Jerry. I'm not coming home tonight.
0:32:29 > 0:32:32I'm gonna pick myself out a nice bench in Central Park.
0:32:32 > 0:32:34You can bring me my spinach juice in the morning.
0:32:34 > 0:32:36It's Jerry.
0:32:36 > 0:32:39Uh, where are you now?
0:32:39 > 0:32:40I'm still at your apartment.
0:32:40 > 0:32:44Oh, darling, next time you kiss me like that and I faint,
0:32:44 > 0:32:47please let me down gently. I'm still sore where that flatfoot dropped me.
0:33:01 > 0:33:04Lady, could you spare me a dollar-and-a-half for steak and mushrooms?
0:33:04 > 0:33:07Well, the escaped convict. Going to a masquerade?
0:33:07 > 0:33:09I just traded clothes with a tramp.
0:33:09 > 0:33:11For two cents, I'd call a cop and turn you in.
0:33:11 > 0:33:14- Oh, darling, I thought you'd stand by me.- I'm tired of standing by.
0:33:14 > 0:33:15The line is too long.
0:33:15 > 0:33:17Oh, that girl in my apartment...
0:33:17 > 0:33:19Oh, do spare me the details.
0:33:19 > 0:33:22I heard enough on the telephone. Now, go away.
0:33:22 > 0:33:25Listen. Meet me in Central Park tonight, I'll explain everything.
0:33:25 > 0:33:26- I have a date tonight.- With whom?
0:33:26 > 0:33:29If it's any of your business, which it definitely isn't,
0:33:29 > 0:33:31I'm going to the Swan Club with Manuel Retana.
0:33:31 > 0:33:34- Retana?- He was good enough to take me home last night.
0:33:34 > 0:33:36Now, you keep away from Retana. He's dynamite.
0:33:36 > 0:33:38Oh, don't worry, darling.
0:33:38 > 0:33:40I won't swoon in his arms.
0:33:40 > 0:33:43- He's a crook, Elinor.- I thought I made it clear to you last night
0:33:43 > 0:33:45that we're through. Now, follow me one more step,
0:33:45 > 0:33:47I'll call a policeman, have you arrested.
0:33:47 > 0:33:50- Is this mug bothering you, lady? - Why, er...- Move on, fella.
0:33:50 > 0:33:53- Thank you, officer.- OK, lady.
0:33:53 > 0:33:55Get going, buddy, and don't let me catch you panhandling
0:33:55 > 0:33:57around here again.
0:33:57 > 0:33:58No, officer.
0:33:58 > 0:34:00Now, buy yourself a cigar.
0:34:20 > 0:34:21Hello.
0:34:21 > 0:34:23Oh, you again.
0:34:23 > 0:34:25Haven't you got a home?
0:34:25 > 0:34:27I'm waiting for further instructions.
0:34:27 > 0:34:29Now Dr Locke is no longer with us, you'll need an assistant.
0:34:29 > 0:34:31I've got as many brains as he has,
0:34:31 > 0:34:34and I don't get caught for every murder in town.
0:34:34 > 0:34:39Meet me at Tony's cafe on 42nd Street just off 9th Avenue.
0:34:39 > 0:34:42I'll be there in a rear booth at seven tonight.
0:34:42 > 0:34:44And be sure you're not followed.
0:34:44 > 0:34:46OK, boss.
0:34:48 > 0:34:50What a girl.
0:35:02 > 0:35:05I hardly recognised you in that outfit.
0:35:05 > 0:35:07Well, that's the general idea.
0:35:07 > 0:35:09I borrowed Jerry's car.
0:35:09 > 0:35:12- I was afraid they might be on the lookout for yours.- Smart girl.
0:35:12 > 0:35:14You know, all other pretty girls are just pretty.
0:35:14 > 0:35:16Why did you hang up on me last night?
0:35:16 > 0:35:19- Someone after you? - I barely escaped with my life.
0:35:19 > 0:35:22- Honest?- Elinor took over just as I asked where you were.
0:35:22 > 0:35:25- Oh, goodness.- Whatever did you say to her, anyway?
0:35:25 > 0:35:28Plenty. Well, I guess that sort of fixes you with her.
0:35:28 > 0:35:31- We'll settle that later. - Oh, that's all settled, Gay.
0:35:31 > 0:35:33- You take my word for it.- We'll see.
0:35:33 > 0:35:36Tell me, where does Manuel Retana live?
0:35:36 > 0:35:40- Greenwich village, but he's never there. Practically lives in nightclubs.- I know,
0:35:40 > 0:35:43but we're just going to visit his rooms.
0:35:45 > 0:35:46Break in?
0:35:46 > 0:35:48In a manner of speaking.
0:35:48 > 0:35:50Tonight's my night for back doors,
0:35:50 > 0:35:53so you go out and drive the car down the alley. I'll be there.
0:35:53 > 0:35:56- OK.- And, er, don't attract any more attention
0:35:56 > 0:35:59than your loveliness normally invites.
0:36:09 > 0:36:11Oh! Shh!
0:36:43 > 0:36:46I can feel my heart beating in my knees.
0:36:52 > 0:36:53CRASH
0:37:00 > 0:37:01Are you scared?
0:37:01 > 0:37:03No.
0:37:12 > 0:37:14(Be quiet, dear.)
0:37:37 > 0:37:39What are we looking for?
0:37:39 > 0:37:41Oh, rags and old iron.
0:37:41 > 0:37:43Maybe a shooting iron.
0:38:14 > 0:38:16"You ran with him.
0:38:16 > 0:38:20"Noel. Santa Cruz, California, 1932."
0:38:21 > 0:38:23I wonder who Noel is.
0:38:23 > 0:38:24Why?
0:38:31 > 0:38:35- Are you reasoning something out, or something?- Yes.
0:38:35 > 0:38:37I'm wondering if I lived here
0:38:37 > 0:38:41where I'd hide something if I were clever and had something to hide.
0:38:45 > 0:38:47Elementary, Miss Watson.
0:38:52 > 0:38:54(No.)
0:38:54 > 0:38:56DOOR OPENS
0:39:04 > 0:39:07- We could climb up to the roof.- Quiet.
0:39:07 > 0:39:09It's what we've been waiting for.
0:39:46 > 0:39:49Who do you suppose he's calling?
0:39:49 > 0:39:50I have an idea.
0:39:50 > 0:39:52I suspect Noel, the man by the fish.
0:39:52 > 0:39:54- Do you?- No.
0:39:54 > 0:39:55Will you shut up?
0:39:55 > 0:39:57Suppose he should come out here.
0:39:57 > 0:40:00- He won't. He's got a date. - Oh. Why can't we go?
0:40:12 > 0:40:14You wait here.
0:40:14 > 0:40:15You're not gonna leave me?
0:40:15 > 0:40:17Yes. I'm going to take a peek behind that panel.
0:40:17 > 0:40:19Oh, but you can't.
0:40:19 > 0:40:20All right. Then you go.
0:40:20 > 0:40:22Oh, no.
0:40:22 > 0:40:24Here. Hold this.
0:40:56 > 0:40:58All right. Up you go.
0:41:00 > 0:41:02What did you find there?
0:41:02 > 0:41:04A lethal weapon.
0:41:04 > 0:41:06Then he did kill Mrs Gardiner!
0:41:06 > 0:41:08No man could kill a woman in another room
0:41:08 > 0:41:11while he was dancing the rumba with my fiancee.
0:41:11 > 0:41:13You mean, your ex-fiancee.
0:41:13 > 0:41:16Oh. Why do you keep reminding me?
0:41:16 > 0:41:18Serves you right. You should settle down to one woman.
0:41:20 > 0:41:21Whom do you suggest?
0:41:21 > 0:41:25Oh, there are a lot of nice girls, if you could be really faithful.
0:41:25 > 0:41:26Where to now?
0:41:26 > 0:41:29The city morgue.
0:41:29 > 0:41:30< MAN CHUCKLES
0:41:39 > 0:41:41This is the morgue, isn't it?
0:41:41 > 0:41:42Oh, yeah. Sure.
0:41:42 > 0:41:45There was a man brought in here tonight. I think he was murdered
0:41:45 > 0:41:46in an apartment on 23rd Street.
0:41:46 > 0:41:49Oh, oh, him. Yeah. He's around.
0:41:49 > 0:41:51My uncle's been missing for years.
0:41:51 > 0:41:54- Do you mind if I take a look at the body?- Oh, no, no. That's all right.
0:41:54 > 0:41:57We've got lots of bodies around heres.
0:42:14 > 0:42:16Waiting for somebody, miss?
0:42:16 > 0:42:17Yes.
0:42:19 > 0:42:20My sister.
0:42:20 > 0:42:22She's been missing for several days.
0:42:22 > 0:42:24They just brought a girl in.
0:42:24 > 0:42:25Drowned in the East River.
0:42:25 > 0:42:29We - my brother and I - thought that it might be she.
0:42:29 > 0:42:31Oh, now, that's too bad.
0:42:31 > 0:42:33Did you know the poor stiff?
0:42:33 > 0:42:36No. That wasn't my uncle. I hoped perhaps it might be.
0:42:36 > 0:42:37Thank you.
0:42:56 > 0:43:00She was just a kid, a chorus girl,
0:43:00 > 0:43:02but a good girl,
0:43:02 > 0:43:04and then she met Manuel.
0:43:06 > 0:43:08- You know the kind.- Yeah. Them rats.
0:43:09 > 0:43:12Well, when he left her stranded,
0:43:12 > 0:43:15there was just nothing left in life for her.
0:43:15 > 0:43:17She kept saying how empty
0:43:17 > 0:43:19and meaningless it was.
0:43:19 > 0:43:22I told her she had to go on
0:43:22 > 0:43:25for the sake of the one to come,
0:43:25 > 0:43:26the little one.
0:43:26 > 0:43:27You mean...?
0:43:31 > 0:43:33Oh, was it her, Bruce?
0:43:33 > 0:43:35Uh, no.
0:43:35 > 0:43:37- Oh, thank goodness!- Oh. Well, then maybe she's OK.
0:43:37 > 0:43:39Oh, I hope so, officer. Good night.
0:43:39 > 0:43:40Good night.
0:43:48 > 0:43:50You're certainly a wonderful liar.
0:43:50 > 0:43:52I almost began to believe it myself.
0:43:52 > 0:43:54Who did you see in there?
0:43:54 > 0:43:55Noel.
0:43:55 > 0:43:56The man by the fish?
0:43:56 > 0:44:00- Then he's the man they found with Dr Locke?- Yes.
0:44:00 > 0:44:01What are we gonna do now?
0:44:01 > 0:44:03We're gonna drive to police headquarters.
0:44:03 > 0:44:06Police headquarters? Are you gonna give yourself up?
0:44:06 > 0:44:09- No. You are.- Me?- Well, I...
0:44:09 > 0:44:11I have some fingerprints to check up on,
0:44:11 > 0:44:14but you're going into headquarters with this gun and confess.
0:44:14 > 0:44:16- Are you crazy?- Now, be quiet. Be quiet.
0:44:16 > 0:44:19I have got to think up a nice story for Waldeck.
0:44:20 > 0:44:23I wonder how Goldy's getting on?
0:44:23 > 0:44:25I'm sitting by the desk.
0:44:25 > 0:44:27I'm gonna telephone The Falcon
0:44:27 > 0:44:28when all of a sudden I hear a shot.
0:44:28 > 0:44:31- Why didn't you call him?- He was right outside the window, wasn't he?
0:44:31 > 0:44:33Look, Goldy. You know me. I got a heart.
0:44:33 > 0:44:35Yeah, Michael. I know you have,
0:44:35 > 0:44:37and I only wish you had a brain to go with it.
0:44:37 > 0:44:39You saw Weber kill Mrs Gardiner!
0:44:39 > 0:44:41You found out where he lived and went in to make a deal!
0:44:41 > 0:44:44Falcon waited outside. Weber wouldn't play ball. Falcon shot him!
0:44:44 > 0:44:47You grabbed the diamond and tossed it out the window to The Falcon.
0:44:47 > 0:44:48That's the story, isn't it?
0:44:48 > 0:44:50I'm sitting by the desk...
0:44:50 > 0:44:52Yeah, yeah, and you heard a shot.
0:44:52 > 0:44:53GUNSHOT
0:44:54 > 0:44:57Now, take it easy, miss. You got nothing to worry about.
0:44:57 > 0:45:01- Release that man in there. He's innocent of murder.- Which murder?
0:45:01 > 0:45:05The Weber murder. He didn't do it because I did.
0:45:05 > 0:45:07- Oh, you did, did you? - I shot him with this gun.
0:45:07 > 0:45:10He came back from South Africa and tried to blackmail me.
0:45:10 > 0:45:12We were married 15 years ago.
0:45:12 > 0:45:14- Yeah?- I shot him right through the window.
0:45:14 > 0:45:16I am giving myself up because I cannot stand by
0:45:16 > 0:45:19and see an innocent man pay the penalty for a crime I committed
0:45:19 > 0:45:20and have no regrets.
0:45:20 > 0:45:22There is the gun. It's the weapon that killed Weber.
0:45:22 > 0:45:24Do with me as you will.
0:45:24 > 0:45:26- Check on it.- Right.
0:45:26 > 0:45:28Well, young lady, what's your name?
0:45:28 > 0:45:31- Helen Drumaine. - Oh, it is, is it, huh?
0:45:31 > 0:45:34- Have a seat, Miss Reed. - Well, anyway, it's my middle name.
0:45:34 > 0:45:37Tell us where you found this gun, and left Mr Laurence.
0:45:37 > 0:45:39When I left him he was...
0:45:39 > 0:45:42- To whom do you refer?- All right!
0:45:42 > 0:45:44When did you first meet this Weber before you married him
0:45:44 > 0:45:46when you were 11 years old?
0:45:46 > 0:45:48- Well, you see, it was sort of a... - Ah, forget it. Forget it.
0:45:48 > 0:45:50Hey, Goldy. Come in here.
0:45:57 > 0:46:00- Goldy, you ever seen this young lady before?- No.- She knows you.
0:46:00 > 0:46:02- Must have been some other guy.- Saw his picture in the paper,
0:46:02 > 0:46:05- remembered his face. How could anyone forget it?- That ain't funny.
0:46:05 > 0:46:08- Will you two quit clowning and give me the story?- Checks perfect, Mike.
0:46:08 > 0:46:11- Then it is the gun!- Yeah. Want to use the phone and tell The Falcon?
0:46:11 > 0:46:14Don't worry about Mr Laurence. The owner of the gun's at the Swan Club.
0:46:14 > 0:46:18- His name is Manuel Retana, and he's there with a woman.- Pick up Retana.
0:46:18 > 0:46:21- Right.- Goldy. If there's anything to this, it puts you in the clear.
0:46:21 > 0:46:23It don't put me nowhere while this guy Retana's loose.
0:46:23 > 0:46:25I'm staying on me constitutional rights, see?
0:46:25 > 0:46:28So if you don't mind, I'll just sit here and talk shop
0:46:28 > 0:46:29till you bring Retana in.
0:46:29 > 0:46:33- Go tell The Falcon I want to see him. - You're planning to have me followed.
0:46:33 > 0:46:35Not unless you insist. Now, go on.
0:46:35 > 0:46:38We'll meet in spite of you.
0:46:38 > 0:46:41- That dame is twisted in the head. - But you're all right, eh?
0:46:41 > 0:46:44You ain't hung nothing on me yet.
0:46:52 > 0:46:55Swan Club? Miss Benford, please.
0:46:55 > 0:46:59Angelo, I think I'm losing a beautiful woman.
0:46:59 > 0:47:00Ah, that's just like a peacock
0:47:00 > 0:47:03losing one tail feather. Plenty more, no?
0:47:03 > 0:47:04Thanks, Angelo.
0:47:07 > 0:47:10Then we found out she didn't have that at all.
0:47:10 > 0:47:12- Call for you, Miss Benford. - Thank you.
0:47:14 > 0:47:15Excuse me. Hello.
0:47:15 > 0:47:18Hello, darling. Now, don't hang up,
0:47:18 > 0:47:21and above all, don't get excited.
0:47:21 > 0:47:24I think the police will be in there to pick up Retana.
0:47:24 > 0:47:27Excuse yourself from the table and go home. I'll see you there.
0:47:27 > 0:47:30Tell Retana that this is your chauffeur.
0:47:30 > 0:47:32Yes, Oscar.
0:47:33 > 0:47:35Oh, she is?
0:47:36 > 0:47:38Well, in that case, I better come straight home.
0:47:40 > 0:47:42All right, Oscar.
0:47:45 > 0:47:47Is something wrong?
0:47:47 > 0:47:48Yes. My aunt is very ill.
0:47:48 > 0:47:52- Is that funny?- Oh, very funny. You see, I haven't got an aunt.
0:47:52 > 0:47:54I don't get it.
0:47:54 > 0:47:56That was Mr Laurence,
0:47:56 > 0:47:58and I think it only fair to warn you that he's trying to frame you.
0:47:58 > 0:48:02Frame me? Why?
0:48:02 > 0:48:05Well, you see, you're encroaching on what he thinks is his territory.
0:48:05 > 0:48:07He refused to believe that our engagement is broken.
0:48:08 > 0:48:10So?
0:48:10 > 0:48:11I think we better leave.
0:48:11 > 0:48:13There's no telling what lengths he'll go to.
0:48:13 > 0:48:17He even tried to scare me by saying the police are after you.
0:48:21 > 0:48:23- A bit of a screwball, isn't he? - Oh, quite a bit.
0:48:23 > 0:48:25Uh, where is he now?
0:48:25 > 0:48:27He's going home to change clothes,
0:48:27 > 0:48:29and then he plans on meeting me.
0:48:29 > 0:48:31Wait here. I'll get our coats.
0:48:37 > 0:48:40- Everything check?- It was the gun that killed Noel all right.
0:48:40 > 0:48:43- The police are on their way over to pick up Retana.- That's fine.
0:48:43 > 0:48:45I was grilled, and I broke down,
0:48:45 > 0:48:47- and they know that I was with you. - Oh, that's OK,
0:48:47 > 0:48:49- just so the gun checks.- Oh.
0:48:49 > 0:48:51Well, the case is breaking, all right.
0:48:51 > 0:48:53Darling, you've been absolutely marvellous.
0:48:53 > 0:48:56- I don't know what I'd have done without you. - Am I getting a brush-off?- No.
0:48:56 > 0:49:00- I just have to change clothes and see someone.- Oh. A woman, naturally.
0:49:00 > 0:49:01Naturally.
0:49:01 > 0:49:03Do they all fall for you?
0:49:03 > 0:49:06All but the clever ones like you.
0:49:06 > 0:49:11Now, you buy yourself a soda and take in a movie. I'll see you later.
0:49:14 > 0:49:17I hate men!
0:49:23 > 0:49:27Now, look, Jerry. This is reaching a bit too far for a gag.
0:49:27 > 0:49:29Get your hands up, Laurence.
0:49:29 > 0:49:32Ah, Retana.
0:49:32 > 0:49:35I thought my fiancee was a better actress.
0:49:35 > 0:49:37She was kind enough to inform me
0:49:37 > 0:49:39- that the police were coming. - That was nice of her(!)
0:49:39 > 0:49:41I'll take the diamond.
0:49:41 > 0:49:44Oh, you surely don't imagine that I carry it on me, do you?
0:49:44 > 0:49:47You wouldn't want to be found dead with it on you.
0:49:47 > 0:49:49Come on, Laurence. This is it.
0:49:49 > 0:49:50OK.
0:49:50 > 0:49:54Hold it. Just take off the coat
0:49:54 > 0:49:56and toss it over.
0:49:58 > 0:50:01Tell me. Why did you kill Weber? You were friends, weren't you?
0:50:01 > 0:50:02Yes.
0:50:04 > 0:50:07But he had ideas about getting the diamond, too.
0:50:10 > 0:50:13That should have been a warning to you.
0:50:15 > 0:50:18Now, can you think of one good reason why I shouldn't kill you?
0:50:18 > 0:50:20I shall most assuredly try.
0:50:20 > 0:50:23For instance, wouldn't it be very much to your advantage
0:50:23 > 0:50:26to have the police chase me while you're making your escape?
0:50:26 > 0:50:28It's too late for that.
0:50:28 > 0:50:30You have already switched the hunt to me.
0:50:30 > 0:50:32I was careful to notice there were no detectives
0:50:32 > 0:50:34when I entered the building.
0:50:35 > 0:50:36Come out, Mike!
0:50:37 > 0:50:39GUNSHOT
0:50:59 > 0:51:01Am I shot?
0:51:01 > 0:51:03No. You weren't hit.
0:51:03 > 0:51:06You're a crazy little fool, but you saved my life, darling.
0:51:14 > 0:51:16Take care of her, Jerry.
0:51:16 > 0:51:18I have to hurry and change my clothes.
0:51:18 > 0:51:22I change, too. Very much in sweat sitting here.
0:51:22 > 0:51:24GOLDY SNORES
0:51:24 > 0:51:28- Get your grimy paws off me, you baboon!- Don't say that, lady.
0:51:28 > 0:51:29Are you this moron's superior officer?
0:51:29 > 0:51:32- Don't say that, lady! - Shut up, both of you.
0:51:32 > 0:51:35Goldy. Goldy, tell this germ who I am.
0:51:35 > 0:51:37Hey, Michael, this dame...
0:51:37 > 0:51:39I said shut up! Where's Retana?
0:51:39 > 0:51:42Well, chief, it's like this. I crash the club. They tell me Retana
0:51:42 > 0:51:44has took it on the lam, but he leaves this dame...
0:51:44 > 0:51:47Fine talk. Listen. A detective is a servant of the people.
0:51:47 > 0:51:50Well, I ankles up to her table, I tells her she's under arrest,
0:51:50 > 0:51:53she says, "Don't be ridiculous." I insist, she brings a plate down,
0:51:53 > 0:51:56- which staggers me...- It was the heaviest thing I could find.
0:51:56 > 0:51:58Well, I'm groggy, but I got the dame here before she could duck.
0:51:58 > 0:52:01After I sat down in a chair, he overtook me.
0:52:01 > 0:52:03So I bring her in. Oh, she's in cahoots, all right.
0:52:03 > 0:52:05Very exciting.
0:52:05 > 0:52:08- You hit Bates on the head with a plate. Why? >- Why not?
0:52:08 > 0:52:10What's your name? > Elinor Benford, as this man
0:52:10 > 0:52:13- can verify, and furthermore...- What were you doing with Retana?
0:52:13 > 0:52:15I was simply sitting there, waiting for Manuel
0:52:15 > 0:52:18- when this... this creature... - Don't say that, lady!
0:52:18 > 0:52:22This creature came crashing in. How was I to know he was a detective?
0:52:22 > 0:52:25- What made you think he wasn't one? - A certain man told me that he was.
0:52:25 > 0:52:28- You mean, told you he wasn't. - No. Was.
0:52:28 > 0:52:31- I guess I'm just dumb. I don't get it.- Yeah.
0:52:31 > 0:52:34I think I do. That person, no doubt, thinks this is a very funny gag.
0:52:34 > 0:52:38- Michael, this dame was the number... - Will you quit calling me a dame?
0:52:38 > 0:52:41All right, all right. Now, let's take it easy.
0:52:41 > 0:52:43- How well do you know Retana? - May I use your phone?
0:52:43 > 0:52:46- Who do you want to call? - A Mr Laurence, if you must know.
0:52:46 > 0:52:49The Falcon, huh? Go ahead.
0:53:01 > 0:53:03PHONE RINGS
0:53:05 > 0:53:09- Hello?- Again, or yet?
0:53:09 > 0:53:11Oh, Miss Benford.
0:53:11 > 0:53:14Oh. Give me that. Now, wait, darling.
0:53:14 > 0:53:16It's just a very strange coincidence.
0:53:16 > 0:53:19ELINOR YELLS INDISTINCTLY
0:53:24 > 0:53:25Now, Elinor, please.
0:53:25 > 0:53:27Ladies don't talk like that.
0:53:27 > 0:53:28ELINOR CONTINUES YELLING
0:53:32 > 0:53:33But I...
0:53:33 > 0:53:36'You'll never get away with it! I'm fed up with your stupid pranks!'
0:53:36 > 0:53:38Well, where are you?
0:53:38 > 0:53:40As if you didn't know, you top-hatted termite!
0:53:40 > 0:53:42Maybe this is your idea of comedy, I'm not laughing.
0:53:42 > 0:53:45But, darling, I tried to warn you.
0:53:45 > 0:53:47All right. Put Mike on the wire.
0:53:47 > 0:53:50You're developing into a major catastrophe.
0:53:52 > 0:53:54- Oh, hello, Mike.- Listen, Falcon.
0:53:54 > 0:53:57It's a serious offence to obstruct justice.
0:53:57 > 0:53:58I'll have you jugged on sight.
0:53:58 > 0:54:01Now, Mike. Just as I was about to solve the whole complication...
0:54:01 > 0:54:03Nothing complicated to solve!
0:54:03 > 0:54:07Weber killed Mrs Gardiner. Retana knocked off Weber.
0:54:07 > 0:54:09We've a dragnet out for him now. He'll be picked up any minute.
0:54:09 > 0:54:11It's an open-and-shut case.
0:54:11 > 0:54:15Very well, Mike. I'll pick up the leader of this gang alone.
0:54:15 > 0:54:17What newspaper shall I turn the culprit over to,
0:54:17 > 0:54:19The Examiner, or The Record?
0:54:19 > 0:54:22All right, Mike.
0:54:22 > 0:54:25Meet me at 72nd and Central Park West as soon as you can get there.
0:54:25 > 0:54:27Oh, and Mike?
0:54:27 > 0:54:28Miss Benford's OK, and I love her,
0:54:28 > 0:54:32but will you do me a favour and lock her up until we get back?
0:54:32 > 0:54:33OK. Swell.
0:54:33 > 0:54:36Now are you satisfied?
0:54:36 > 0:54:38Lock her up, Bates.
0:54:38 > 0:54:41Why, that skunk! What did he say to you? I demand to know what he said.
0:54:41 > 0:54:43Come on, lady! You ran your bluff.
0:54:43 > 0:54:47Goldy, get me a lawyer! Get me a habeas corpus! Get me a judge!
0:54:47 > 0:54:51Some dame, huh? Highbrow. The Falcon's nuts about her.
0:54:51 > 0:54:54- Yeah. That's what he said.- Then why did you send her to the cooler?
0:54:54 > 0:54:57He wants her on ice till we pick up the brains of this job.
0:54:57 > 0:55:01- Want to come along? - Nope. I'll sit this one out.
0:55:01 > 0:55:02Thanks a million.
0:55:08 > 0:55:12- You better keep out of sight until I call you.- Now, look here, Falcon.
0:55:12 > 0:55:14I already served my apprenticeship as a stooge
0:55:14 > 0:55:16- to get where I am today.- You want to take it from here, Mike?
0:55:16 > 0:55:19Take what from here? Ain't I got a right to know what's going on?
0:55:19 > 0:55:21You will get your credit, all right.
0:55:21 > 0:55:23Just wait here in the hallway.
0:55:32 > 0:55:34- MAXINE:- Who is it?
0:55:34 > 0:55:35Gay.
0:55:35 > 0:55:36Oh.
0:55:41 > 0:55:43I'm afraid I'm a little late for our luncheon appointment.
0:55:43 > 0:55:47I understand. I've read the papers.
0:55:47 > 0:55:49- Come in, won't you?- Thank you.
0:55:54 > 0:55:55Come and sit down.
0:55:58 > 0:55:59Cigarette?
0:55:59 > 0:56:00Thanks.
0:56:11 > 0:56:13What's wrong?
0:56:13 > 0:56:15I'm frightened, Gay, desperately frightened.
0:56:15 > 0:56:17Why?
0:56:17 > 0:56:20- My life has been threatened. - By whom?
0:56:20 > 0:56:23I don't know. I got a mysterious phone call last night after you left
0:56:23 > 0:56:26and another tonight.
0:56:26 > 0:56:28- Did you recognise the voice? - No. Whoever it was
0:56:28 > 0:56:31knows that I asked you to handle the case. They threatened to kill me
0:56:31 > 0:56:32unless I got you to drop it.
0:56:34 > 0:56:36I suspect that when we find the man behind the voice,
0:56:36 > 0:56:39we'll find the brain behind this ring.
0:56:39 > 0:56:42They're vicious, Gay. He'll kill me before you get him!
0:56:42 > 0:56:44Why didn't you ask for police protection?
0:56:44 > 0:56:47How could I? I knew you'd try and come here,
0:56:47 > 0:56:50and if the police were around, they'd arrest you.
0:56:50 > 0:56:51Well, I'm in the clear now.
0:56:53 > 0:56:56I'd feel so much safer if you were around.
0:56:56 > 0:56:59Look. Mike Waldeck is outside. Do you mind if I bring him in?
0:56:59 > 0:57:01Of course not.
0:57:01 > 0:57:05Then we shall both be here in case anything happens.
0:57:05 > 0:57:08I think I'll go to bed now. Good night.
0:57:08 > 0:57:10Good night, and don't worry.
0:57:22 > 0:57:25I just wondered if you were going to spend the rest of the night here.
0:57:25 > 0:57:28- Well, so I am. Won't you come in? - She got a friend?
0:57:28 > 0:57:31- No, but she needs a couple. - Who?- Maxine Wood.
0:57:31 > 0:57:34We were gonna pick up the brains of this gang, remember?
0:57:34 > 0:57:38I'm expecting Miss Wood to have a visitor. Come on.
0:57:40 > 0:57:43- Now, listen, Falcon...- Not a word. Just sit down and wait.
0:57:43 > 0:57:45- If this is one of your tricks...- Shh!
0:58:24 > 0:58:25THUD
0:58:29 > 0:58:30MAN: Well, Maxine. >
0:58:31 > 0:58:34I told you I'd take care of you. >
0:58:34 > 0:58:35I'm keeping my word. >
0:58:35 > 0:58:37- MAXINE:- You wouldn't dare. >
0:58:37 > 0:58:38Wouldn't I? >
0:58:38 > 0:58:41That's what someone else thought. >
0:58:41 > 0:58:44You won't get away with it this time.
0:58:44 > 0:58:47Don't worry. They won't get me alive. >
0:58:47 > 0:58:48Wait, wait.
0:58:48 > 0:58:51Too bad you didn't string along with me.
0:58:51 > 0:58:55We could have accomplished things together,
0:58:55 > 0:58:57- but now...- You murdering devil!
0:58:57 > 0:58:59MAXINE SCREAMS
0:58:59 > 0:59:02Back away from that bed! Don't try anything, you!
0:59:04 > 0:59:06Retana.
0:59:06 > 0:59:07So you were looking for the brain.
0:59:07 > 0:59:10I told you when we picked this bird up the case'd be shut.
0:59:10 > 0:59:11Stupid of me.
0:59:20 > 0:59:22Looks like he's kept his word.
0:59:22 > 0:59:25I don't think we're taking him alive.
0:59:25 > 0:59:26A hypo needle.
0:59:26 > 0:59:30He jabbed himself with a quick-acting poison when he knew he was cornered.
0:59:34 > 0:59:35Just relax, Maxine.
0:59:35 > 0:59:37I'm all right. Thank you.
0:59:39 > 0:59:40Look out for that glass.
0:59:42 > 0:59:46- Mike pick up that tube with your handkerchief. There's fingerprints on it.- Fingerprints?
0:59:46 > 0:59:48Yes, and they're not Retana's.
0:59:48 > 0:59:50I've been wondering how you'd accomplish it, Miss Wood.
0:59:50 > 0:59:52Very bright idea.
0:59:52 > 0:59:55When he lunged at you, you were ready for him with a hypo needle.
0:59:55 > 0:59:57Mike, I'm afraid you'll ave to arrest Miss Wood for murder.
0:59:57 > 1:00:00You'll pardon me if I seem to butt into my own affairs,
1:00:00 > 1:00:02- but I'd like to know why! - Miss Wood had to eliminate Retana
1:00:02 > 1:00:05- or be exposed. - What do you mean, exposed?
1:00:05 > 1:00:08If you checked the prints of the late Noel Weber, you'd discover
1:00:08 > 1:00:11- he recently emerged from San Quentin.- So what?
1:00:11 > 1:00:13Where he served eight years for operating
1:00:13 > 1:00:16with a jewel ring headed by his wife, who escaped.
1:00:16 > 1:00:17She's Mrs Weber!
1:00:17 > 1:00:19Brilliant, isn't he?
1:00:19 > 1:00:21Right, Mike.
1:00:21 > 1:00:25When Weber was detained by the authorities, his wife came east
1:00:25 > 1:00:27and built up a fancy reputation for herself as a party giver
1:00:27 > 1:00:31- with jewellery disappearances on the side.- Yeah? Yeah?
1:00:31 > 1:00:34Then Weber's released, comes back to wifey, and together, they decide
1:00:34 > 1:00:37to double-cross Retana on this monsoon diamond deal,
1:00:37 > 1:00:40and live happily ever after on the proceeds.
1:00:40 > 1:00:42- Which Retana found out! - Right again, Mike.
1:00:42 > 1:00:45So he killed one and was about to complete the job...
1:00:45 > 1:00:47- ..when I apprehended him!- Exactly.
1:00:47 > 1:00:48Get your coat.
1:00:50 > 1:00:54In fact, if it hadn't been for one small slip made by Miss Wood,
1:00:54 > 1:00:56you wouldn't have solved this thing so easily.
1:00:56 > 1:00:58Just out of morbid curiosity,
1:00:58 > 1:01:00- do you mind telling me where? - Not at all.
1:01:00 > 1:01:03When you sent Miss Reed to bring me over to this apartment,
1:01:03 > 1:01:06we very carefully threw everyone off our trail,
1:01:06 > 1:01:09and I left Goldy outside for about 15 minutes
1:01:09 > 1:01:10during which time Weber picked him up.
1:01:10 > 1:01:13Now, you know, Weber didn't just happen to be there.
1:01:13 > 1:01:14Who cares? Where's the diamond?
1:01:14 > 1:01:17- In his pocket.- You are shrewd. - Thank you.
1:01:17 > 1:01:20If you'd mind your own business, Mr Laurence,
1:01:20 > 1:01:23- my profession would be quite a good one.- I'm going to take your tip.
1:01:23 > 1:01:26- From now on, Mike is on his own. - Poor fella.
1:01:26 > 1:01:28All right, all right. Let's go.
1:01:29 > 1:01:32Turn this dame over to Elmer and have him release Miss Benford.
1:01:32 > 1:01:34Yes, sir. This way, lady.
1:01:39 > 1:01:41- Did you bring him in?- No.
1:01:41 > 1:01:42Oh. So you bungle a job, huh?
1:01:42 > 1:01:45I'm gonna stay right here till I see Retana walk in.
1:01:45 > 1:01:49OK. Go out and tell the cop to lock you up until Retana walks in.
1:01:49 > 1:01:52- Where's The Falcon?- Outside.
1:01:52 > 1:01:53Right here!
1:01:57 > 1:02:00Well, good luck, Miss Wood.
1:02:00 > 1:02:02I'd advise you to plead guilty
1:02:02 > 1:02:05and, er, just keep smiling at the jury.
1:02:06 > 1:02:09Hello, darling. Nice of you to wait up for me.
1:02:09 > 1:02:11I hope they keep you in here forever.
1:02:11 > 1:02:12I hope they throw the key away!
1:02:12 > 1:02:14- I hope they... - Wishful thinking, my dear.
1:02:14 > 1:02:17I'm in the clear. How about you?
1:02:17 > 1:02:19I'll gladly spend the rest of my days here
1:02:19 > 1:02:21if I can just get my fingernails into you for one minute!
1:02:21 > 1:02:23Very jealous woman.
1:02:23 > 1:02:26I think I can get you off, if you promise to marry me.
1:02:26 > 1:02:29Get out of here. I know when I'm well off!
1:02:29 > 1:02:31Spring her, Elmer.
1:02:36 > 1:02:38Now, listen to me.
1:02:38 > 1:02:41I tried to warn you against hobnobbing with a murderer.
1:02:41 > 1:02:44I had you locked up here for your own protection,
1:02:44 > 1:02:46and this is the thanks I get for it.
1:02:47 > 1:02:50Gay! Retana almost shot me,
1:02:50 > 1:02:53and it wasn't your fault that he didn't. I owe a considerable
1:02:53 > 1:02:56debt of gratitude to a very nice young lady for saving my life.
1:02:56 > 1:02:59I think I shall marry her. Goodbye.
1:03:01 > 1:03:04Gay, darling, I didn't know.
1:03:04 > 1:03:08Oh, forgive me. I've been such an awful fool.
1:03:08 > 1:03:09Oh, darling.
1:03:10 > 1:03:12Darling, we can be married immediately.
1:03:12 > 1:03:15I promise to give up crime and other women.
1:03:15 > 1:03:16MAN: Hello, Mr Falcon.
1:03:18 > 1:03:20- Are you The Falcon?- Yes.
1:03:20 > 1:03:23You must help me. He's innocent, I tell you. My brother's innocent!
1:03:23 > 1:03:26He didn't do it! Don't let them take him away!
1:03:28 > 1:03:30Oh, excuse me, darling. I'll be right back.
1:03:33 > 1:03:37If you're not doing anything tonight, how about a game of gin rummy?
1:03:37 > 1:03:39Subtitles by Red Bee Media Ltd