0:01:14 > 0:01:16WHISTLING
0:01:23 > 0:01:24HORN HONKS
0:01:30 > 0:01:32Hey, mister, spare a cigarette?
0:01:32 > 0:01:35All right.
0:01:37 > 0:01:38Light?
0:01:38 > 0:01:40Thanks.
0:01:42 > 0:01:44All right, my man.
0:01:44 > 0:01:45Something wrong?
0:01:45 > 0:01:47This man just stole your watch, sir.
0:01:47 > 0:01:49Come on, out with it.
0:01:49 > 0:01:51You must be mistaken, Constable.
0:01:51 > 0:01:53Thanks anyway. Good night.
0:01:56 > 0:01:59My apologies, sir. I'm terribly sorry,
0:01:59 > 0:02:01but I could have sworn that I...
0:02:01 > 0:02:03Good night, sir.
0:02:03 > 0:02:05Good evening, Mr Templar. Two, wasn't it?
0:02:05 > 0:02:06That's right.
0:02:06 > 0:02:08Your usual table.
0:02:11 > 0:02:12Dry martini?
0:02:12 > 0:02:14Yes, please. Thank you.
0:02:17 > 0:02:18Here, you!
0:02:18 > 0:02:20Not YOU, madam.
0:02:22 > 0:02:25Oh, hello. Have we met before somewhere?
0:02:25 > 0:02:27I'll swap you this gold ticker
0:02:27 > 0:02:28for that old Ingersoll you got.
0:02:28 > 0:02:31You mean you'll trade that beautiful watch for this?
0:02:31 > 0:02:33It's got my old lady's picture in it.
0:02:33 > 0:02:35Looks like you out-fumbled me, pal.
0:02:35 > 0:02:36Let that be a lesson to you.
0:02:36 > 0:02:39How come that bobby didn't catch you lifting MY turnip, buddy?
0:02:39 > 0:02:40It's a gift.
0:02:40 > 0:02:42Tell me, what part of the States do you come from?
0:02:42 > 0:02:43Sing-Sing?
0:02:43 > 0:02:45Nah, San Quentin.
0:02:45 > 0:02:47It's more exclusive, they tell me.
0:02:47 > 0:02:49So you're a pickpocket, eh?
0:02:49 > 0:02:50Not by trade, I ain't.
0:02:50 > 0:02:52I'm practising to go straight.
0:02:52 > 0:02:54But I get too hungry.
0:02:54 > 0:02:56Bring this gentleman a filet mignon.
0:02:56 > 0:02:58And how will you have it?
0:02:58 > 0:03:00Any way I get it, pal.
0:03:00 > 0:03:02Underdone. And a half of Chamboustin '23.
0:03:02 > 0:03:04I'll take a half, too.
0:03:04 > 0:03:06You're an all-right guy, buddy.
0:03:06 > 0:03:08Are you a thief?
0:03:08 > 0:03:08Not by trade.
0:03:08 > 0:03:12My name is Templar. Simon Templar.
0:03:12 > 0:03:14I'm Dugan.
0:03:14 > 0:03:17How did you make your living, Dugan?
0:03:17 > 0:03:21Well, I wasn't no... saint.
0:03:22 > 0:03:23Where?
0:03:23 > 0:03:26'Frisco. I couldn't quite tab your mug until you just said your name.
0:03:26 > 0:03:28You seem to have a good memory.
0:03:28 > 0:03:30I can be just as good at forgetting.
0:03:30 > 0:03:32You say you want to go straight. Do you want a job?
0:03:32 > 0:03:35You just hired yourself somethin', mister.
0:03:35 > 0:03:36But no confidence games, now,
0:03:36 > 0:03:38because I've read them all in a book.
0:03:38 > 0:03:39Don't worry, boss.
0:03:39 > 0:03:41I know when I'm outsmarted.
0:03:41 > 0:03:43Besides, I can't read.
0:03:43 > 0:03:44Hello, Simon.
0:03:44 > 0:03:47Amigo! How are you? Good to see you.
0:03:47 > 0:03:48Oh, he's all right.
0:03:48 > 0:03:49He's just started working for me.
0:03:49 > 0:03:52This is Mr Dugan. Mr Blake.
0:03:52 > 0:03:53How are ya?
0:03:53 > 0:03:55Sorry I'm not on time, Simon,
0:03:55 > 0:03:57but I live rather an uncertain life in these days.
0:03:57 > 0:03:59Life's only interesting when it's uncertain.
0:03:59 > 0:04:01And how do YOU find life since your return?
0:04:01 > 0:04:02Dull, frankly.
0:04:02 > 0:04:05Then you haven't had your ear to the ground.
0:04:05 > 0:04:07Interesting?
0:04:07 > 0:04:08Very.
0:04:08 > 0:04:10But a bit too tricky for me alone.
0:04:10 > 0:04:12That's where YOU come in.
0:04:12 > 0:04:14Tell me.
0:04:14 > 0:04:17Ever hear of a man called Bruno Lang?
0:04:17 > 0:04:19Lang? No.
0:04:19 > 0:04:20You're lucky.
0:04:20 > 0:04:22However, I rather want you to meet him.
0:04:22 > 0:04:23Yes?
0:04:23 > 0:04:25I think it starts with him.
0:04:25 > 0:04:28We'll find him at the Morgans' this weekend.
0:04:31 > 0:04:33DANCE BAND IS PLAYING
0:04:36 > 0:04:38And how are the cards treating you, Mr Lang?
0:04:38 > 0:04:41I can usually deal with them.
0:04:44 > 0:04:45Yours, Blake.
0:04:45 > 0:04:48Oh, I'm sorry. It must be the music.
0:04:48 > 0:04:51Hello, darling. Are you winning?
0:04:51 > 0:04:54Now, don't be a backseat driver, Penny.
0:04:54 > 0:04:56Be an angel, Mr Templar, and take her away, will you?
0:04:56 > 0:04:59If you'll risk being trampled underfoot, Miss Parker.
0:04:59 > 0:05:00I'll take a chance.
0:05:05 > 0:05:06Penny, you promised ME!
0:05:06 > 0:05:07Oh, so I did.
0:05:07 > 0:05:09Well, you have the next one.
0:05:09 > 0:05:11Confidentially, this is my birthday.
0:05:11 > 0:05:12Oh, I see.
0:05:12 > 0:05:14You don't mind, do you? Thank you.
0:05:14 > 0:05:16Why wasn't I told before that you were here?
0:05:16 > 0:05:18I've only been back two days.
0:05:18 > 0:05:19I've been to New York on a holiday trip.
0:05:19 > 0:05:20Your first visit to the States?
0:05:20 > 0:05:22Yes, I loved it. Have you been there?
0:05:22 > 0:05:23Quite some time ago.
0:05:23 > 0:05:26My niece and Mr Templar seem to be enjoying themselves.
0:05:26 > 0:05:28You know, that Mr Templar's the most amazing man.
0:05:28 > 0:05:30He's always off on some wild-goose chase
0:05:30 > 0:05:33before any woman has a chance to shackle him.
0:05:33 > 0:05:34Oh, well. Lost again.
0:05:34 > 0:05:37I think the law of averages is absolute nonsense.
0:05:37 > 0:05:40It's getting on. I really must be going.
0:05:40 > 0:05:42You're really a very deceptive person, Mr Lang.
0:05:42 > 0:05:43You're an excellent bridge player.
0:05:43 > 0:05:44Merely luck, that's all.
0:05:44 > 0:05:46Good night, and thank you.
0:05:46 > 0:05:47Good night. Good night.
0:05:47 > 0:05:49You know, Mr Blake,
0:05:49 > 0:05:51he's almost too lucky, if you know what I mean.
0:05:51 > 0:05:52You know him well?
0:05:52 > 0:05:54Not as well as I'd like to.
0:05:54 > 0:05:55No, quite.
0:05:56 > 0:05:58Breaking up the party already?
0:05:58 > 0:05:59I'm afraid I must be going.
0:05:59 > 0:06:01So you can't take it.
0:06:01 > 0:06:02You know, Mr Templar,
0:06:02 > 0:06:04two weeks in New York and Penny's absolutely unintelligible.
0:06:04 > 0:06:07I'll see you to your car, Mr Templar.
0:06:07 > 0:06:08Now, Penny... It's all right.
0:06:08 > 0:06:10Mr Templar knows I'm trying to lure him.
0:06:10 > 0:06:12Good night.
0:06:12 > 0:06:13Good night.
0:06:13 > 0:06:16Goodbye, John. Goodbye, Bruno. Drop over again.
0:06:16 > 0:06:20Yes. ..Hello.
0:06:20 > 0:06:24I've had a visitor. What is it?
0:06:25 > 0:06:27The Saint?
0:06:27 > 0:06:28I seem to have heard of a chap who calls himself the Saint.
0:06:28 > 0:06:30The Saint? Here in London?
0:06:30 > 0:06:31Let me see.
0:06:31 > 0:06:32That's his card, all right.
0:06:32 > 0:06:34All New York was buzzing about him.
0:06:34 > 0:06:36He cleaned up the toughest gang ever seen around Manhattan.
0:06:36 > 0:06:38Single-handed, too, so they tell me.
0:06:38 > 0:06:39Cigarette?
0:06:39 > 0:06:41BRUNO: Who is he? What's his name?
0:06:41 > 0:06:43I don't know.
0:06:43 > 0:06:45Have you ever heard of this Saint, Mr Templar?
0:06:45 > 0:06:48I'm afraid I haven't attended Sunday School for many years.
0:06:48 > 0:06:50LANG: Has anybody ever seen him? What's he like?
0:06:50 > 0:06:52It's anybody's guess.
0:06:52 > 0:06:53He's supposed to be tall and handsome,
0:06:53 > 0:06:56and he's supposed to have a cross-shaped scar...
0:06:57 > 0:06:59Go on.
0:07:00 > 0:07:02A cross-shaped scar on his right wrist.
0:07:02 > 0:07:04MR MORGAN: I don't know why a man who tracks down criminals
0:07:04 > 0:07:05should want to threaten YOU, Bruno.
0:07:05 > 0:07:06Probably some fanatic.
0:07:06 > 0:07:08Won't we tell the police?
0:07:08 > 0:07:09I don't think that'll be necessary.
0:07:09 > 0:07:12I've managed to take good care of myself for a long time...
0:07:12 > 0:07:14with saints AND sinners.
0:07:14 > 0:07:17Goodbye. Perhaps we shall meet again, Mr Templar.
0:07:17 > 0:07:19Perhaps.
0:07:19 > 0:07:20All right.
0:07:28 > 0:07:31Strange about that card business.
0:07:31 > 0:07:33Very strange.
0:07:37 > 0:07:39I could almost hear you thinking.
0:07:39 > 0:07:42How long did you say it was since you were in New York?
0:07:42 > 0:07:43I didn't say, did I?
0:07:43 > 0:07:45I believe you put it as quite some time.
0:07:45 > 0:07:47Well, five minutes can be quite some time.
0:07:47 > 0:07:49Such as when a person's staring in the wrong end
0:07:49 > 0:07:51of a pistol.
0:07:52 > 0:07:53That's rather a good example.
0:07:53 > 0:07:55Of course you wouldn't know.
0:07:55 > 0:07:58You see, I try to avoid looking into muzzles of guns.
0:07:58 > 0:08:00Well, you can confess everything at our lunch in London.
0:08:00 > 0:08:02All right. Good night, Miss Parker.
0:08:02 > 0:08:04Good night.
0:08:07 > 0:08:09Don't forget to call me.
0:08:09 > 0:08:10No, I won't.
0:08:10 > 0:08:12And don't lie awake reading detective stories.
0:08:12 > 0:08:16I find books on saints far more interesting.
0:08:59 > 0:09:01GATE OPENS
0:10:16 > 0:10:18GATE SQUEAKS
0:11:34 > 0:11:36GATE SQUEAKS
0:12:11 > 0:12:13GUNSHOT
0:12:13 > 0:12:15That's the first time I ever heard a bullet.
0:12:15 > 0:12:17The one you DON'T hear is the bad one.
0:12:17 > 0:12:20All right, you can slow down to 60 or 70 now.
0:12:20 > 0:12:22Now I know you're the Saint.
0:12:22 > 0:12:24I was almost a saint two minutes ago.
0:12:24 > 0:12:26Tell me, how did you get here and why?
0:12:26 > 0:12:28I followed you in my car.
0:12:28 > 0:12:31I was never so thrilled or so scared in all my life.
0:12:31 > 0:12:33You might have roused the whole countryside shooting like that!
0:12:33 > 0:12:34Fool!
0:12:35 > 0:12:37Well, did you get away with it?
0:12:37 > 0:12:39Get away with what?
0:12:39 > 0:12:40What were you after?
0:12:40 > 0:12:42Scotch and soda.
0:12:42 > 0:12:44That's what I get for rescuing you.
0:12:44 > 0:12:46Not at all. I'm very grateful to you.
0:12:46 > 0:12:48If it hadn't been for you, I'd have had a ten-mile walk
0:12:48 > 0:12:49to the nearest railroad station.
0:12:49 > 0:12:52At the rate you were going, you'd have made it in about ten minutes.
0:12:52 > 0:12:54You turn left at that next road.
0:12:54 > 0:12:55We're not going to London?
0:12:55 > 0:12:56No.
0:13:00 > 0:13:02Where are we heading for, Saint?
0:13:02 > 0:13:05If you're talking to me, I'm taking you back to your car.
0:13:05 > 0:13:08That's not fair. It's not even sporting.
0:13:08 > 0:13:10It's plain good sense.
0:13:10 > 0:13:12What if I should expose you?
0:13:12 > 0:13:15They don't hang people for stealing a scotch and soda.
0:13:15 > 0:13:18No, and they don't shoot at them for it, either.
0:13:18 > 0:13:22Someday over lunch I'll tell you all about it.
0:13:23 > 0:13:25TYRES SCREECH
0:13:25 > 0:13:27I'm hungry now.
0:13:28 > 0:13:30Hey, what goes on here?
0:13:30 > 0:13:35Either I go along or you still walk to London.
0:13:35 > 0:13:38I wonder if you realise how beautiful you look in the moonlight.
0:13:38 > 0:13:42Yes, and don't try to change the subject.
0:13:42 > 0:13:45All right. If I walk back to London,
0:13:45 > 0:13:47will you promise to drive straight back to your aunt's?
0:13:47 > 0:13:49Certainly not!
0:13:49 > 0:13:51I shall follow you and jeer at you all the way.
0:13:51 > 0:13:53You're as cruel as you're lovely,
0:13:53 > 0:13:55but if you want it that way, it's all right with me.
0:13:57 > 0:13:58If you think...
0:13:58 > 0:14:02AGONISING SCREAM
0:14:02 > 0:14:03What was that?
0:14:03 > 0:14:05Listen.
0:14:05 > 0:14:06SCREAMING
0:14:08 > 0:14:10FOOTSTEPS
0:14:16 > 0:14:17You're not going to leave me?!
0:14:17 > 0:14:20FOOTSTEPS
0:14:39 > 0:14:42FOREIGN ACCENT: Don't-don't let them get me!
0:14:42 > 0:14:43Please!
0:14:48 > 0:14:50Who is he? Is he hurt?
0:14:50 > 0:14:51Yes.
0:14:53 > 0:14:54Now, keep...
0:14:54 > 0:14:55FOOTSTEPS >
0:15:01 > 0:15:03Uh-h!
0:15:08 > 0:15:09Look out, Simon!
0:15:11 > 0:15:12Bend him over!
0:15:16 > 0:15:17How am I doing?
0:15:17 > 0:15:18Nice work, Penny.
0:15:18 > 0:15:21Confidentially, I taught Dempsey all he knew.
0:15:21 > 0:15:22You know, this is getting monotonous.
0:15:22 > 0:15:24What? You saving my life.
0:15:24 > 0:15:25Yes, isn't it?!
0:15:25 > 0:15:26How do you feel?
0:15:26 > 0:15:27Fine, I'm getting used to it.
0:15:27 > 0:15:29POLICEMAN'S WHISTLE
0:15:29 > 0:15:31Let's get away from here.
0:15:32 > 0:15:33WHISTLE
0:15:40 > 0:15:44MG 5996...
0:15:53 > 0:15:55Is he still out?
0:15:55 > 0:15:57Cold.
0:15:57 > 0:15:58How are you?
0:15:58 > 0:16:00Cold.
0:16:00 > 0:16:02Well, move over.
0:16:05 > 0:16:06Of course, Sergeant.
0:16:06 > 0:16:08If it's your duty to report the incident, do so by all means.
0:16:08 > 0:16:10Afraid it is, sir. Very well.
0:16:10 > 0:16:13But there doesn't appear to be any need for any further investigation.
0:16:13 > 0:16:15Max here apparently blundered into a roadside romance.
0:16:15 > 0:16:18Perhaps, sir. Have a cigar, Sergeant.
0:16:18 > 0:16:19Thank you, sir.
0:16:21 > 0:16:24- Good night, sir. - Good night, Sergeant.
0:16:38 > 0:16:40You fools!
0:16:40 > 0:16:43I can understand anything except stupidity.
0:16:43 > 0:16:46A cheap romancer rifles my safe.
0:16:46 > 0:16:48A mere girl gives you the slip.
0:16:48 > 0:16:51Even a broken old man gets the better of you.
0:16:51 > 0:16:53Get out.
0:16:58 > 0:16:59Get out!
0:17:02 > 0:17:04Elmsworth 8496.
0:17:08 > 0:17:10RINGING
0:17:12 > 0:17:13FOREIGN ACCENT: Hello?
0:17:13 > 0:17:16Kussella? This is Lang.
0:17:16 > 0:17:18Duni's escaped.
0:17:18 > 0:17:19Escaped?!
0:17:19 > 0:17:23Yes. He's on his way to London.
0:17:23 > 0:17:25How did he manage that?
0:17:25 > 0:17:27I think it was engineered by a fellow
0:17:27 > 0:17:29who calls himself the Saint.
0:17:29 > 0:17:32He also goes by the name of Simon Templar.
0:17:53 > 0:17:55This is about the first time I've seen dawn breaking
0:17:55 > 0:17:56without a hangover.
0:17:56 > 0:17:58I can't help wishing that man I knocked out has one.
0:18:18 > 0:18:20If the milkman comes back, just say he's drunk.
0:18:20 > 0:18:21I'll send Dugan down to relieve you.
0:18:21 > 0:18:25Don't worry about Dugan. Just hurry.
0:18:29 > 0:18:31Dugan!
0:18:36 > 0:18:38Dugan?
0:18:41 > 0:18:44OK, boss, OK.
0:18:44 > 0:18:46Stayin' out all night, tsk-tsk!
0:18:46 > 0:18:49Morning, Dugan. How are you getting on?
0:18:49 > 0:18:51OK, boss, but I don't exactly like your pyjamas.
0:18:51 > 0:18:53I'm sorry about that.
0:18:53 > 0:18:55I'll get you a nightgown.
0:18:55 > 0:18:58Dugan, go down to the car, take out my bag,
0:18:58 > 0:19:01and ask the young lady to come inside.
0:19:02 > 0:19:03Young lady(!)
0:19:08 > 0:19:11The boss wants you to go in...
0:19:11 > 0:19:12inside.
0:19:12 > 0:19:14Thanks.
0:19:14 > 0:19:15MAN: Don't let them get me.
0:19:15 > 0:19:17Holy smoke! >
0:19:17 > 0:19:18What goes on?!
0:19:25 > 0:19:27Where to now, Saint?
0:19:27 > 0:19:28I'll take him to a hospital.
0:19:28 > 0:19:30Dugan, this is Miss Parker.
0:19:30 > 0:19:31How do you do? How are ya?
0:19:31 > 0:19:32Take care of her while I'm away.
0:19:32 > 0:19:34Oh, no, you don't! You can't leave me out of this now!
0:19:34 > 0:19:35I'm sorry.
0:19:35 > 0:19:37Let me go with you!
0:19:37 > 0:19:39You can't do this to me. I insist on coming with you!
0:19:39 > 0:19:41What goes on, boss?
0:19:41 > 0:19:43It's a long, uninteresting story, Dugan.
0:19:43 > 0:19:44It don't look so uninteresting to me.
0:19:44 > 0:19:45Now listen, if anybody calls,
0:19:45 > 0:19:48just tell them I'm in bed and not to be disturbed.
0:19:48 > 0:19:50Meaning some dick from Scotland Yard?
0:19:50 > 0:19:52Very possibly Inspector Teal himself...
0:19:52 > 0:19:55about a little adventure on the Surrey road.
0:19:55 > 0:19:56I always miss out on the fun.
0:19:56 > 0:19:59I think we're in for a bit of excitement yet, Dugan,
0:19:59 > 0:20:00so don't feel too badly about it.
0:20:00 > 0:20:01What about that in there?
0:20:01 > 0:20:02Keep it out of sight.
0:20:02 > 0:20:03She always says the wrong thing.
0:20:03 > 0:20:04PENNY: Oh, no, I don't!
0:20:04 > 0:20:07She mentions she's in the thick of a deep, dark plot.
0:20:07 > 0:20:08Is she?
0:20:08 > 0:20:11I'll tell you all about it when I see you.
0:20:11 > 0:20:13OK, boss. No hurry.
0:20:24 > 0:20:27MUTTERING: I can't sign it.
0:20:27 > 0:20:29Don't let them get me!
0:20:29 > 0:20:32This chap looks as though he'd been through a concrete mixer, Simon.
0:20:32 > 0:20:33How bad is it, Jim?
0:20:33 > 0:20:35Nervous shock and bruises.
0:20:35 > 0:20:36Ought to stay in bed for a time.
0:20:36 > 0:20:39Then I won't have a death on my hands, eh?
0:20:39 > 0:20:40I think not.
0:20:40 > 0:20:42You'll need a nurse, though.
0:20:43 > 0:20:44By the way, who is he?
0:20:44 > 0:20:48I don't know. He fell out of the sky right into my lap.
0:20:48 > 0:20:49You know, Simon,
0:20:49 > 0:20:50one of these days your curiosity
0:20:50 > 0:20:51will bring me to YOUR bedside.
0:20:51 > 0:20:53Then I'll be in good hands.
0:20:53 > 0:20:54Good night.
0:20:54 > 0:20:56Goodbye, Jim.
0:21:02 > 0:21:04Easy, old fellow.
0:21:04 > 0:21:06No, I can't stand it anymore. I can't!
0:21:06 > 0:21:09I'm your friend. You're all right now.
0:21:09 > 0:21:11Where am I?
0:21:11 > 0:21:14How did I get here?
0:21:14 > 0:21:16You were running a losing race out on a country road
0:21:16 > 0:21:18when I found you.
0:21:18 > 0:21:20I remember now.
0:21:20 > 0:21:22Who are you?
0:21:22 > 0:21:26Templar is my name. Simon Templar.
0:21:26 > 0:21:28You know my mission here?
0:21:28 > 0:21:30Only that it has to do with a lot of money,
0:21:30 > 0:21:33and that you were tortured into signing an order of some kind.
0:21:33 > 0:21:34How did you know this?
0:21:34 > 0:21:36You were delirious.
0:21:36 > 0:21:38I must get in touch with my Embassy.
0:21:38 > 0:21:41Not yet, old man. Doctor's orders.
0:21:41 > 0:21:42Now, if you'll only trust me,
0:21:42 > 0:21:44I'll do what I can to help you.
0:21:44 > 0:21:47You saved my life.
0:21:47 > 0:21:49Well, you can put it that way.
0:21:49 > 0:21:51Perhaps you can save my honour.
0:21:51 > 0:21:53I'll try.
0:21:53 > 0:21:56I am Count Duni.
0:21:56 > 0:21:59My country sent me here to supervise the printing of new currency.
0:21:59 > 0:22:01A very large amount.
0:22:01 > 0:22:03A week ago, I was forced into a limousine
0:22:03 > 0:22:05and knocked unconscious.
0:22:05 > 0:22:07And then I found myself a prisoner.
0:22:07 > 0:22:08Where?
0:22:08 > 0:22:10I don't know, but...
0:22:10 > 0:22:12here in London, I think.
0:22:12 > 0:22:15A man named Kussella.
0:22:15 > 0:22:17Kussella?
0:22:17 > 0:22:19I was forced to sign an order for
0:22:19 > 0:22:21the printing and delivery of an additional amount.
0:22:21 > 0:22:23It was over a million pounds.
0:22:23 > 0:22:25They plan to put the money in circulation quickly
0:22:25 > 0:22:28while the original order went through as planned.
0:22:28 > 0:22:29I see.
0:22:29 > 0:22:31But it still isn't too late, perhaps.
0:22:31 > 0:22:33If you can get to my Embassy...
0:22:33 > 0:22:35but why hasn't your Embassy been trying to get to you?
0:22:35 > 0:22:36I expect they have.
0:22:36 > 0:22:37And another thing, how did you get
0:22:37 > 0:22:39to where I found you in the country?
0:22:39 > 0:22:41I can't remember.
0:22:41 > 0:22:44It was a nightmare. They tortured me.
0:22:44 > 0:22:47I...
0:22:47 > 0:22:50You tell them at my Embassy.
0:22:50 > 0:22:52Yes, all right. I will.
0:22:54 > 0:22:56I'll get somebody to look after you.
0:22:56 > 0:22:57Thank you.
0:23:07 > 0:23:09FOOTSTEPS
0:23:14 > 0:23:15How's your friend?
0:23:15 > 0:23:17He's doing as well as can be expected.
0:23:17 > 0:23:19But will you drop in on him occasionally?
0:23:19 > 0:23:20I will.
0:23:20 > 0:23:22Thanks, Mother Buckley.
0:23:22 > 0:23:24You know, someday you're going to be the patron saint
0:23:24 > 0:23:26of all questionable characters.
0:23:26 > 0:23:29You'll go down in history as Saint Lizzie.
0:23:29 > 0:23:32May you be forgiven your blasphemies.
0:23:32 > 0:23:34I shall have to put him in the register.
0:23:34 > 0:23:35What's his name?
0:23:35 > 0:23:36Name?
0:23:36 > 0:23:38Just for the register.
0:23:38 > 0:23:41Well, let's call him Claud Teal.
0:23:46 > 0:23:48What?
0:23:48 > 0:23:50Well, yes, it is a woman, dear,
0:23:50 > 0:23:51but it's business.
0:23:51 > 0:23:54Hardly that, dear.
0:23:54 > 0:23:56She's in the morgue.
0:23:58 > 0:24:00All right, dear. All right.
0:24:00 > 0:24:01Aye, immediately after.
0:24:01 > 0:24:03All right, my dear.
0:24:03 > 0:24:05Yes, my dear.
0:24:06 > 0:24:07That was your wife.
0:24:07 > 0:24:09Congratulations, Wilkins.
0:24:09 > 0:24:11Keep it up.
0:24:11 > 0:24:13Someday you may be clever enough to become a detective.
0:24:13 > 0:24:14Yes, sir.
0:24:14 > 0:24:16Of course I was clever enough not to get married.
0:24:16 > 0:24:18That's a shame, Wilkins.
0:24:18 > 0:24:19You LOOK married.
0:24:21 > 0:24:23Now, may I ask what a constable's report
0:24:23 > 0:24:26of a fight on a country road has got to do with me?
0:24:26 > 0:24:27The car got away.
0:24:27 > 0:24:28So I observe.
0:24:28 > 0:24:31We checked on the licence, and the car belongs to Simon Templar.
0:24:31 > 0:24:34Simon Templar?
0:24:34 > 0:24:37So he's back with us again.
0:24:37 > 0:24:39What do you think of it, Wilkins?
0:24:39 > 0:24:41As you said, just a fight.
0:24:41 > 0:24:43Probably there's nothing to it.
0:24:43 > 0:24:44What do you mean, nothing to it?
0:24:44 > 0:24:46There's always something to it
0:24:46 > 0:24:47when Templar has his finger in it.
0:24:47 > 0:24:49Come on, let's go to the morgue.
0:24:49 > 0:24:52And we'll pay our friend the Saint a little social call.
0:24:53 > 0:24:54PENNY: Hello, darling.
0:24:56 > 0:24:57No, Aunt Edith.
0:24:57 > 0:24:59No, dear.
0:24:59 > 0:25:01I'm perfectly all right.
0:25:03 > 0:25:06No, darling, you don't have to ransom me.
0:25:06 > 0:25:08Well, my dear, what's happened? Where have you been?
0:25:08 > 0:25:10Look, darling, I'll be home this evening.
0:25:10 > 0:25:12I'm having a lovely time.
0:25:12 > 0:25:14Are you sure you're all right?
0:25:14 > 0:25:15Yes.
0:25:15 > 0:25:17All right.
0:25:17 > 0:25:19All right, darling.
0:25:19 > 0:25:21Goodbye.
0:25:22 > 0:25:24What's the beef?
0:25:24 > 0:25:26She says I'm to go straight home,
0:25:26 > 0:25:28and what do I mean by running off like that?
0:25:28 > 0:25:30My old woman was like that.
0:25:30 > 0:25:31I didn't come home one week,
0:25:31 > 0:25:34so she calls the law and has a dragnet out for me.
0:25:34 > 0:25:36Where were you?
0:25:36 > 0:25:39I was hiding from the bulls.
0:25:46 > 0:25:47Dugan?
0:25:47 > 0:25:49Are we hiding from the bulls now?
0:25:49 > 0:25:53What, you didn't leave no dead bodies layin' around last night, did ya?
0:25:53 > 0:25:55Good heavens, no.
0:25:55 > 0:25:57But I'm afraid he stole something.
0:25:57 > 0:25:58In fact, I'm sure of it.
0:25:58 > 0:26:00He ain't no thief.
0:26:00 > 0:26:02I know.
0:26:02 > 0:26:05He's more like a sort of Robin Hood.
0:26:05 > 0:26:07Yeah? Who's this guy Hood?
0:26:07 > 0:26:10Robin Hood?
0:26:10 > 0:26:11Well, he was a sort of legend,
0:26:11 > 0:26:13a sort of English Jesse James.
0:26:13 > 0:26:16Well, Jesse done all right.
0:26:16 > 0:26:20Dugan? What's the Saint after?
0:26:20 > 0:26:21Didn't he tell ya?
0:26:21 > 0:26:24He started to, but everything happened so fast...
0:26:24 > 0:26:27Aw, come on, Dugan. What's it all about?
0:26:27 > 0:26:30Well, he didn't tell me, neither.
0:26:31 > 0:26:33You're a great help.
0:26:33 > 0:26:35Me? I figure to do just like I'm told,
0:26:35 > 0:26:38and then maybe muscle in on the fireworks later on.
0:26:38 > 0:26:39DOOR BUZZER
0:26:39 > 0:26:41Maybe here's some fireworks now.
0:26:41 > 0:26:42Let's go and see!
0:26:42 > 0:26:44Hey, I can see you ain't much experienced.
0:26:44 > 0:26:47Any frill that knows her stuff would lay low and cover the door
0:26:47 > 0:26:49while I answered it, see?
0:26:49 > 0:26:51But I haven't got a gun, Dugan.
0:26:51 > 0:26:52Here.
0:26:52 > 0:26:53BUZZER
0:26:53 > 0:26:54Is it loaded?
0:26:54 > 0:26:56Yeah, and it ain't no water pistol,
0:26:56 > 0:26:59so watch out where you squirt that lead.
0:26:59 > 0:27:00OK, Dugan.
0:27:00 > 0:27:01Don't shoot unless the party covers me,
0:27:01 > 0:27:05then shoot in the air, see?
0:27:05 > 0:27:06OK, Dugan.
0:27:06 > 0:27:07I'm gonna be in the same room,
0:27:07 > 0:27:09and I don't want you aiming at nobody in it.
0:27:09 > 0:27:10BUZZER
0:27:12 > 0:27:13OK, Dugan.
0:27:18 > 0:27:19Yeah?
0:27:19 > 0:27:21Mr Templar in?
0:27:21 > 0:27:23You wouldn't be a dick from Scotland Yard, would ya?
0:27:23 > 0:27:25Were you expecting a visitor from the Yard?
0:27:25 > 0:27:28Who, me? Nah.
0:27:28 > 0:27:30I think Mr Templar will see me.
0:27:30 > 0:27:31What's the name, buddy?
0:27:31 > 0:27:34Just tell him it's about a lot of new money.
0:27:34 > 0:27:35I can't tell him right now, buddy,
0:27:35 > 0:27:37cos he ain't here.
0:27:37 > 0:27:39Are you sure of that?
0:27:39 > 0:27:41See, not knowing your name kinda clouds up my memory,
0:27:41 > 0:27:43if you get what I mean.
0:27:43 > 0:27:44Never mind about that now.
0:27:44 > 0:27:46When Mr Templar gets back,
0:27:46 > 0:27:48tell him I'll phone him at 2 o'clock.
0:27:48 > 0:27:50Who'll phone him?
0:27:50 > 0:27:53Just try to remember that message.
0:28:05 > 0:28:07OK, sister, we're in the clear.
0:28:09 > 0:28:10Miss Parker?
0:28:18 > 0:28:20What about our own private party?
0:28:20 > 0:28:23Well, here's something you really will appreciate.
0:28:29 > 0:28:31Simon, you're a genius.
0:28:31 > 0:28:33No, that's your hunch.
0:28:33 > 0:28:34Bruno Lang's property?
0:28:34 > 0:28:35Yes, in a safe.
0:28:35 > 0:28:38And, as you know, I simply can't resist safes.
0:28:38 > 0:28:40They're a weakness of mine.
0:28:40 > 0:28:42But, of course, it's only a beginning.
0:28:42 > 0:28:45Yes, but it may lead to what we're after.
0:28:45 > 0:28:47Exactly. Well, I must be off.
0:28:48 > 0:28:50Oh, Simon. Just one other thing.
0:28:50 > 0:28:54Don't underestimate an inspector named Teal of Scotland Yard.
0:28:54 > 0:28:59I don't. He's writing my official biography.
0:29:25 > 0:29:27TEAL: How long will it take Mr Templar to finish his bath?
0:29:27 > 0:29:28DUGAN: I don't know how bad he needed it,
0:29:28 > 0:29:30so I can't tell you, buddy.
0:29:30 > 0:29:31Very well.
0:29:31 > 0:29:33Perhaps you can tell me this...
0:29:33 > 0:29:35what time did Templar come home last night?
0:29:35 > 0:29:37It was my night off.
0:29:37 > 0:29:40How long have you been Templar's valet?
0:29:40 > 0:29:42Oh, right up to now.
0:29:49 > 0:29:51How do I know he's in the bathroom?
0:29:51 > 0:29:53Because he's taking a bath.
0:29:53 > 0:29:55That's where the bathtub is at, see?
0:29:59 > 0:30:02Well, if it isn't my old friend Teal! Glad to see you.
0:30:02 > 0:30:03Are you?
0:30:03 > 0:30:04Certainly, why shouldn't I be?
0:30:04 > 0:30:05Good morning, Dugan. Bring my coffee in here, will you,
0:30:05 > 0:30:07and get a cup for the Inspector.
0:30:07 > 0:30:09No, thanks, I've had my breakfast.
0:30:09 > 0:30:11I wasn't up late last night.
0:30:15 > 0:30:17Looking for a chair, Teal?
0:30:17 > 0:30:20No, thanks. I prefer to stand.
0:30:25 > 0:30:26Can he cook, too?
0:30:28 > 0:30:30Look, flatfoot, I cooked for 1,200 men
0:30:30 > 0:30:32three times a day for five years.
0:30:32 > 0:30:35Oh, that must have been Sing-Sing.
0:30:35 > 0:30:38San Quentin, and there was no complaints.
0:30:42 > 0:30:45Well, Inspector... Ah!
0:30:45 > 0:30:47looks like a glorious morning outside.
0:30:47 > 0:30:52What was it like on the Surrey road at 2.26 o'clock?
0:30:52 > 0:30:55Ooh, very lovely, just like a Whistler canvas.
0:30:55 > 0:30:58I never knew that Whistler painted a picture of
0:30:58 > 0:31:01an unconscious man on a country road.
0:31:01 > 0:31:02Oh, yes, thanks.
0:31:02 > 0:31:05You know, Teal, I think you better have that coffee.
0:31:05 > 0:31:07You're dreaming.
0:31:07 > 0:31:08Who was the woman with you?
0:31:10 > 0:31:11The lady? Oh, she was delightful.
0:31:11 > 0:31:13I wish I could remember her name.
0:31:13 > 0:31:16Perhaps I can jog your memory.
0:31:16 > 0:31:20It couldn't have been Miss Penelope Parker?
0:31:20 > 0:31:21Penelope who?
0:31:21 > 0:31:23Parker, I said.
0:31:23 > 0:31:27Parker? Sounds familiar.
0:31:27 > 0:31:29Keep trying.
0:31:29 > 0:31:31Parker...
0:31:31 > 0:31:34Oh, of course, John Morgan's niece.
0:31:34 > 0:31:35Sugar?
0:31:35 > 0:31:36Two lumps.
0:31:38 > 0:31:40Teal, you're not implying that...
0:31:40 > 0:31:42No! You were at the Morgans'.
0:31:42 > 0:31:45You left there. The girl left there.
0:31:45 > 0:31:47They found her car.
0:31:47 > 0:31:49A constable found a man lying unconscious in the road.
0:31:49 > 0:31:52He took the number of your car as you left.
0:31:52 > 0:31:53There was a woman with you.
0:31:53 > 0:31:55That's all.
0:31:56 > 0:31:57Sounds rather intriguing.
0:31:57 > 0:32:00What happened then?
0:32:00 > 0:32:02Suppose you carry on from there.
0:32:02 > 0:32:03All right.
0:32:03 > 0:32:05I murdered the girl.
0:32:05 > 0:32:07How does that fit in?
0:32:07 > 0:32:09I don't know.
0:32:11 > 0:32:14You mind if I have a look around?
0:32:14 > 0:32:15No, go ahead.
0:32:20 > 0:32:22Where's the flatfoot?
0:32:22 > 0:32:24We're in a jam, Dugan. Teal's in there.
0:32:24 > 0:32:25Now, listen, here's the story.
0:32:25 > 0:32:26Shoot. >
0:32:26 > 0:32:27I wasn't here at all last night.
0:32:27 > 0:32:29You're telling me.
0:32:29 > 0:32:30No, but Miss Parker...
0:32:30 > 0:32:32But, boss, I want...
0:32:35 > 0:32:37Well, Teal?
0:32:37 > 0:32:39No hard feelings, I hope.
0:32:39 > 0:32:42Of course not, drop in anytime you like, old boy.
0:32:42 > 0:32:43This is open house.
0:32:43 > 0:32:45TELEPHONE RINGS
0:32:47 > 0:32:50I'll answer that, if you don't mind.
0:32:54 > 0:32:56Hello.
0:32:56 > 0:32:58Oh, hello.
0:32:58 > 0:33:01Hello, dear.
0:33:01 > 0:33:06Oh, I'm sorry, dear. I told Wilkins to tell you.
0:33:06 > 0:33:07Oh, all right, dear.
0:33:07 > 0:33:09Yes, dear.
0:33:09 > 0:33:11Yes, of course.
0:33:11 > 0:33:12All right, dear.
0:33:12 > 0:33:14All right, dear.
0:33:16 > 0:33:17The missus.
0:33:17 > 0:33:19Well, as I said before,
0:33:19 > 0:33:20no hard feelings, Templar?
0:33:20 > 0:33:21Not at all. Not at all.
0:33:21 > 0:33:23My dear fellow, it was a pleasure.
0:33:23 > 0:33:26Yes, I'll bet it was.
0:33:33 > 0:33:35Have you heard of a prison called Dartmoor?
0:33:35 > 0:33:36So what?
0:33:36 > 0:33:38They need a cook.
0:33:47 > 0:33:49Nice work, Dugan. Where is she?
0:33:49 > 0:33:50That dame? She ain't here.
0:33:50 > 0:33:51That's what I tried to tell you.
0:33:51 > 0:33:53Well, where did she go?
0:33:53 > 0:33:55I don't know. She left right after a guy came here.
0:33:55 > 0:33:57A guy? What was his name?
0:33:57 > 0:33:59He didn't say. He's going to phone you at 2 o'clock.
0:33:59 > 0:34:00Something about a pile of dough.
0:34:16 > 0:34:17I get out here.
0:34:17 > 0:34:18Stay here a minute.
0:34:18 > 0:34:21We seem to have someone on our tail.
0:34:21 > 0:34:22Right.
0:34:25 > 0:34:26Fare, Miss, please.
0:34:26 > 0:34:28Oh.
0:34:28 > 0:34:29Yes, sir?
0:34:29 > 0:34:31Tin of Longdon Cut, please.
0:34:31 > 0:34:35And when you get it, take a look at that girl walking by.
0:34:35 > 0:34:36Who is she?
0:34:36 > 0:34:38She followed me from Templar's place.
0:34:41 > 0:34:42There she is.
0:34:49 > 0:34:50There you are, sir.
0:34:50 > 0:34:51Thank you.
0:34:51 > 0:34:53Very amateurish.
0:34:53 > 0:34:57I'm rather disappointed in our friend Templar.
0:34:57 > 0:34:59Perhaps she might be of use to us.
0:34:59 > 0:35:00Here she comes again.
0:35:00 > 0:35:03Looks as if she's picketing the place.
0:35:03 > 0:35:05I'll walk through the hotel next door
0:35:05 > 0:35:06and come in the back entrance.
0:35:06 > 0:35:08Keep your eye on her and see what happens.
0:35:20 > 0:35:21Yes, Miss?
0:35:21 > 0:35:23Oh, 20 Speedway, please.
0:35:23 > 0:35:26Have you a telephone around here I could use?
0:35:26 > 0:35:28Why, yes, it's really a private one,
0:35:28 > 0:35:29but that's all right.
0:35:29 > 0:35:31It's around here through this door
0:35:31 > 0:35:33into the little storeroom.
0:35:33 > 0:35:34Thanks so much.
0:35:34 > 0:35:36That will be another tuppence, please.
0:35:53 > 0:35:56Park View 4251.
0:35:56 > 0:35:57TELEPHONE RINGING
0:35:58 > 0:35:59Hello?
0:35:59 > 0:36:02Oh, the Saint. When did you get back?
0:36:02 > 0:36:03Now, look here, Aladdin,
0:36:03 > 0:36:06is it a phobia of some kind that prompts you
0:36:06 > 0:36:08to pull disappearing acts on people?
0:36:08 > 0:36:10Where are you?
0:36:10 > 0:36:1322 Vandemeer Street. I shadowed a man.
0:36:13 > 0:36:14He's in the hotel next door.
0:36:14 > 0:36:16She's tracked somebody down, Dugan.
0:36:16 > 0:36:18Some doll, huh?!
0:36:18 > 0:36:19Yes, darling, it's wonderful.
0:36:19 > 0:36:21I'm proud of you, but be careful, though.
0:36:21 > 0:36:24He's very sinister-looking,
0:36:24 > 0:36:27but rather intriguing.
0:36:30 > 0:36:33Kussella is the name, Mr Templar.
0:36:33 > 0:36:34I'll be expecting you.
0:36:34 > 0:36:37I believe the lady gave you the address,
0:36:37 > 0:36:39and come alone.
0:36:39 > 0:36:40Hello?
0:36:41 > 0:36:43They've got her, Dugan.
0:36:43 > 0:36:44Well, what are we waiting for?
0:36:44 > 0:36:46You're waiting for me. I'll be back.
0:36:46 > 0:36:47I never get to go nowhere!
0:36:47 > 0:36:49All right, you can come, too,
0:36:49 > 0:36:51but stay out of sight.
0:36:51 > 0:36:52Oh, boy. Oh, boy.
0:36:53 > 0:36:55Will you sit down?
0:36:58 > 0:36:59Cigarette?
0:36:59 > 0:37:01No, thank you.
0:37:04 > 0:37:06TYRES SCREECH
0:37:12 > 0:37:14Yes, sir, what can I do for you?
0:37:14 > 0:37:15I'm Simon Templar.
0:37:15 > 0:37:17Oh, yes, this way, sir.
0:37:20 > 0:37:22All right, I'll send him right over.
0:37:22 > 0:37:24The money is ready for delivery.
0:37:24 > 0:37:25On your way, Tim.
0:37:25 > 0:37:27How about that dame in there?
0:37:27 > 0:37:29I'll take care of her the very best
0:37:29 > 0:37:31after I talk to Templar.
0:37:31 > 0:37:32Now, off you go. You know what to do.
0:37:32 > 0:37:34See you later.
0:37:38 > 0:37:41He ain't got a halo!
0:37:41 > 0:37:43I didn't think that was very funny.
0:37:43 > 0:37:45You're Kussella, I take it.
0:37:46 > 0:37:50I presume the Count spoke of me often.
0:37:50 > 0:37:52Yes, he wasn't very complimentary, I'm afraid.
0:37:52 > 0:37:54Oh, he was so obstinate,
0:37:54 > 0:37:57all courage, no brains.
0:37:57 > 0:38:00Now, I have heard that you are a man of imagination.
0:38:00 > 0:38:02Well?
0:38:02 > 0:38:05I hope we shall not be forced to deal with Miss Parker
0:38:05 > 0:38:07as it became necessary to deal with the Count.
0:38:07 > 0:38:08No, you won't have to.
0:38:08 > 0:38:10I thought not.
0:38:10 > 0:38:15I was going to suggest an exchange of prisoners.
0:38:15 > 0:38:17Have I any choice in the matter?
0:38:17 > 0:38:19I'm afraid not.
0:38:19 > 0:38:20Then I agree.
0:38:20 > 0:38:24So, we understand each other.
0:38:24 > 0:38:27Now where is Count Duni?
0:38:27 > 0:38:30How will you guarantee your end of the bargain?
0:38:30 > 0:38:32Not that I don't trust you.
0:38:32 > 0:38:33Just a routine question.
0:38:33 > 0:38:36I have no interest in the girl.
0:38:36 > 0:38:38I'll take you to Count Duni on this condition...
0:38:38 > 0:38:40that Miss Parker goes with us.
0:38:40 > 0:38:42That is asking a great deal.
0:38:42 > 0:38:44Not as long as you have the bad taste
0:38:44 > 0:38:46to prefer Count Duni to Miss Parker.
0:38:46 > 0:38:47All right, fair enough.
0:38:47 > 0:38:51But first, let me give you a little warning...
0:38:51 > 0:38:53not that I don't trust you.
0:38:53 > 0:38:56I have no scruples about shooting men
0:38:56 > 0:38:57or women,
0:38:57 > 0:39:01or, er...saints.
0:39:01 > 0:39:03That's one thing I WILL take your word for, Kussella.
0:39:03 > 0:39:05Wait here.
0:39:19 > 0:39:21WHISTLING
0:39:29 > 0:39:31All in good time.
0:39:35 > 0:39:37Beautiful day, isn't it?
0:39:37 > 0:39:39Yeah, ain't it? Give me a can of that tobacco up there.
0:39:39 > 0:39:41Uh, yes.
0:39:42 > 0:39:44Now you can look, buddy.
0:39:46 > 0:39:48Is this a hold-up?
0:39:48 > 0:39:50Come on, don't give me no eyewash.
0:39:50 > 0:39:51But I haven't much money.
0:39:51 > 0:39:54Who has? I just want you to show me the way upstairs.
0:39:54 > 0:39:55There must be some mistake.
0:39:55 > 0:39:57You want to make another mistake, just keep on talking back to me.
0:39:57 > 0:39:59Oh, very well, then. This way.
0:39:59 > 0:40:01Now let's go real quiet, huh?
0:40:01 > 0:40:04Like a couple of little mice.
0:40:13 > 0:40:14Up there.
0:40:14 > 0:40:15OK.
0:40:15 > 0:40:16Ah, Boy Scout.
0:40:16 > 0:40:19Thanks, pal, I didn't have no gat.
0:40:19 > 0:40:21The dame borrowed mine.
0:40:21 > 0:40:23Come on, now, move over there.
0:40:23 > 0:40:25Get over there.
0:40:25 > 0:40:26HE KNOCKS HIM OUT >
0:40:27 > 0:40:30A lady to see you.
0:40:30 > 0:40:31Simon!
0:40:31 > 0:40:32How do you feel, Penny?
0:40:32 > 0:40:34Terrible. I botched the whole works.
0:40:34 > 0:40:36Oh, that's all right.
0:40:36 > 0:40:37You'll learn with experience.
0:40:37 > 0:40:39I ransomed you.
0:40:39 > 0:40:40How much am I worth?
0:40:40 > 0:40:42Oh, about a million pounds.
0:40:42 > 0:40:45I want you to remember that what I warned you about
0:40:45 > 0:40:47will apply to anything remotely resembling a double-cross.
0:40:47 > 0:40:49The girl will get it first.
0:40:49 > 0:40:51You hear that, Penny?
0:40:51 > 0:40:54If I appear to be at all docile and unheroic,
0:40:54 > 0:40:55remember, it's for your sake.
0:40:55 > 0:40:58I wish I could kick myself.
0:40:58 > 0:40:59Perhaps I can oblige later.
0:40:59 > 0:41:01< If you please...
0:41:04 > 0:41:05Go first, Mr Templar.
0:41:05 > 0:41:08We'll keep Miss Parker between us.
0:41:09 > 0:41:12You think of everything, Kussella.
0:41:19 > 0:41:20Which way, Kussella?
0:41:20 > 0:41:22To your left.
0:41:22 > 0:41:24Through the back door, to my car.
0:41:26 > 0:41:28DUGAN KNOCKS HIM OUT
0:41:28 > 0:41:29It's locked.
0:41:29 > 0:41:30Well, kick it down.
0:41:32 > 0:41:34Dugan, how in the world?
0:41:34 > 0:41:36Aw, just something the boss cooked up.
0:41:36 > 0:41:38Nice timing, Dugan. Remind me to give you a raise.
0:41:38 > 0:41:40My own mother wouldn't be as welcome as you are right this minute.
0:41:40 > 0:41:41I don't think your old woman could have swung.
0:41:41 > 0:41:43Let's get out of here.
0:41:43 > 0:41:44I haven't got any more valets.
0:41:52 > 0:41:55GRUNTS
0:42:08 > 0:42:11Am I glad to get out in the air again?!
0:42:11 > 0:42:14I'm sorry, Simon, I thought I was being awfully clever.
0:42:14 > 0:42:15Oh, that's all right.
0:42:15 > 0:42:17We don't have to be clever with a valet like Dugan.
0:42:17 > 0:42:18Aw, it ain't nothin'.
0:42:18 > 0:42:20And, besides, we've learned a great deal that we didn't know before,
0:42:20 > 0:42:22so you have helped the cause after all.
0:42:22 > 0:42:23I was still pretty bad in there.
0:42:23 > 0:42:25Forget it.
0:42:25 > 0:42:26We're glad to have you back, aren't we, Dugan?
0:42:26 > 0:42:29Anything to break up the monopoly is what I say.
0:42:29 > 0:42:30What do we tackle next?
0:42:30 > 0:42:31You, Dugan... Yeah?
0:42:31 > 0:42:34Go back home and hang on the telephone and wait for orders.
0:42:34 > 0:42:36I'd rather hang from the end of a rope!
0:42:36 > 0:42:37And me?
0:42:37 > 0:42:39You're detailed to look after Count Duni.
0:42:45 > 0:42:46Murder or suicide?
0:42:46 > 0:42:48Don't be in such a hurry, Wilkins,
0:42:48 > 0:42:50you're like a newspaper reporter.
0:42:50 > 0:42:52That man was in no physical condition
0:42:52 > 0:42:54to drive a knife into his own heart.
0:42:54 > 0:42:55Then it's murder.
0:42:55 > 0:42:58You'll be an inspector yet.
0:42:58 > 0:42:59What for?
0:42:59 > 0:43:01Mrs Buckley to see you, sir.
0:43:01 > 0:43:02Oh. ..Carry on.
0:43:06 > 0:43:08Are you the proprietress of this hotel?
0:43:08 > 0:43:10Yes, I am, sir.
0:43:10 > 0:43:11Who's that in the bedroom there?
0:43:11 > 0:43:13A Mr Claud Teal, sir.
0:43:13 > 0:43:14But THIS is Mr Teal!
0:43:17 > 0:43:19Did he sign the register himself?
0:43:19 > 0:43:21Oh, no, another gentleman brought him in.
0:43:21 > 0:43:25< Who? Well, a friend of poor Mr Teal's.
0:43:26 > 0:43:29Mrs Buckley, I want you to try and answer very clearly.
0:43:29 > 0:43:32Well, I'm a little upset and excited.
0:43:32 > 0:43:34Oh, so sorry.
0:43:34 > 0:43:35Now, calm yourself, Mrs Buckley.
0:43:35 > 0:43:37Murder's no place for hysterics.
0:43:37 > 0:43:40Murder? Murder? Oh, no!
0:43:40 > 0:43:42Sit down, sit down, sit down.
0:43:42 > 0:43:44I just want you to try and help me, Mrs Buckley.
0:43:44 > 0:43:46I wonder if... What?
0:43:46 > 0:43:49If you've got an aspirin.
0:43:50 > 0:43:55Mrs Buckley, I just want you to answer one simple question.
0:43:55 > 0:43:56Oh, my poor hotel!
0:43:56 > 0:44:00What was the name of the man who brought him here?
0:44:00 > 0:44:02Poor Mr Teal!
0:44:02 > 0:44:03Madam, I am Mr Teal,
0:44:03 > 0:44:06and that man in there was Count Stephan Duni.
0:44:06 > 0:44:07And not only that...
0:44:07 > 0:44:10But how can you and he both be..?
0:44:10 > 0:44:11It's so confusing.
0:44:11 > 0:44:14Please, Mrs Buckley, will you describe the gentleman
0:44:14 > 0:44:20who brought Mr Teal... HIM into the hotel, and when was it?
0:44:20 > 0:44:22Well, he was a fine-looking man with a nice smile,
0:44:22 > 0:44:24rather medium or tall.
0:44:24 > 0:44:27Very like my brother Ted who went to Australia.
0:44:27 > 0:44:28Light or dark, Mrs Buckley?
0:44:28 > 0:44:30Ted took after his father,
0:44:30 > 0:44:32as fine a looking man as ever walked into a public house.
0:44:32 > 0:44:33When, Mrs Buckley?
0:44:33 > 0:44:37When and at what hour did this gentleman bring in Mr Teal?
0:44:37 > 0:44:39But I thought you said YOU were Mr Teal!
0:44:39 > 0:44:41Well, I mean...
0:44:41 > 0:44:43What time did the two gentlemen arrive?
0:44:43 > 0:44:44Well, I'd done my kitchen.
0:44:44 > 0:44:46It must have been a bit after 6.00.
0:44:46 > 0:44:49Thank you, Mrs Buckley. Thank you very much.
0:44:49 > 0:44:52And now you can go downstairs and get your aspirin.
0:44:53 > 0:44:55Send up some for me, too.
0:44:55 > 0:44:56Poor Mr Teal!
0:45:02 > 0:45:04Teal? What are YOU doing here?
0:45:04 > 0:45:05I'm investigating my own murder.
0:45:05 > 0:45:08Murder? Why...!
0:45:08 > 0:45:09Well, what's up, Teal?
0:45:09 > 0:45:12That's just what I'm trying to find out.
0:45:12 > 0:45:15Mrs Buckley, have you ever seen this gentleman before?
0:45:20 > 0:45:23Oh, he's rather like a cinema actor I've seen.
0:45:23 > 0:45:24Thank you, madame.
0:45:24 > 0:45:26And that's a sweet girl you've got with you.
0:45:26 > 0:45:28Ah, that'll do. That'll do.
0:45:28 > 0:45:30This is not a tea party.
0:45:30 > 0:45:32It's a murder.
0:45:32 > 0:45:34Uh...Count Duni?
0:45:34 > 0:45:37Ah, so you know the man!
0:45:37 > 0:45:39I brought him here.
0:45:39 > 0:45:41Ah, now we are getting somewhere.
0:45:41 > 0:45:45Oh, excuse me. Miss Parker, Inspector Teal.
0:45:45 > 0:45:48I thought you said you weren't with Miss Parker last night.
0:45:48 > 0:45:50You only thought I said that. Actually, I didn't.
0:45:50 > 0:45:51Were you with Mr Templar last night?
0:45:51 > 0:45:55All right, I was with him, so what?
0:45:55 > 0:45:56This morning, too?
0:45:56 > 0:45:59Well, part of the time, I, er...
0:45:59 > 0:46:01Teal, if you're wondering whether I had time
0:46:01 > 0:46:05to get away from Miss Parker and commit a murder, I did.
0:46:05 > 0:46:07Did have time, or did commit a murder?
0:46:07 > 0:46:09He certainly did nothing of the sort!
0:46:09 > 0:46:12Sh-h! Teal is full of very clever questions. We must give him a chance.
0:46:12 > 0:46:14Now, I want a direct answer this time, Templar.
0:46:14 > 0:46:16Did you kill that man?
0:46:17 > 0:46:18No.
0:46:22 > 0:46:25Why did you bring him here?
0:46:25 > 0:46:28Because he was being chased by some cut-throat.
0:46:28 > 0:46:29Why shouldn't we bring him here?
0:46:29 > 0:46:32I'll come to you in a minute if you'll be patient.
0:46:32 > 0:46:34Why didn't you take him to the hospital?
0:46:34 > 0:46:37Well, I wanted to protect him until I could talk to him.
0:46:37 > 0:46:38Who is he?
0:46:38 > 0:46:40What's he involved in?
0:46:40 > 0:46:41I can't say.
0:46:41 > 0:46:44Better for you if you could.
0:46:44 > 0:46:47I'm sorry, Teal, but I'll have to run that risk.
0:46:47 > 0:46:50Well, I'll have to take you to the Yard.
0:46:50 > 0:46:52It's a murder, and you're mixed up in it.
0:46:52 > 0:46:54That's all I have to go on, isn't it?
0:46:54 > 0:46:56How did you find out about this?
0:46:56 > 0:46:59Phone call. Anonymous.
0:46:59 > 0:47:00That's something.
0:47:00 > 0:47:03Not enough to let YOU out.
0:47:03 > 0:47:06Hadn't I better identify him?
0:47:06 > 0:47:08Yeah, certainly.
0:47:09 > 0:47:11All right, Brown.
0:47:17 > 0:47:19This business is bigger than I am, Teal.
0:47:19 > 0:47:22If you take me in, you'll be giving
0:47:22 > 0:47:24the murderers a chance to get away.
0:47:24 > 0:47:26Not exactly.
0:47:26 > 0:47:31If you're under arrest, it will put them off their guard.
0:47:31 > 0:47:33Oh, I see. How did you know?
0:47:33 > 0:47:36The plant was a little too obvious.
0:47:36 > 0:47:40I think I shall have to take you in, Templar.
0:47:40 > 0:47:43It looks like my best move.
0:47:43 > 0:47:46Unless we could both trail the same fox.
0:47:48 > 0:47:49Could it be arranged?
0:47:49 > 0:47:52Well, there's always a chance of escaping.
0:47:52 > 0:47:55Of course, I'd be looking for you, officially.
0:47:57 > 0:47:59How about your job?
0:47:59 > 0:48:02The wife's always talking about a farm.
0:48:02 > 0:48:03You won't shoot me?
0:48:03 > 0:48:06I didn't sign for a gun.
0:48:06 > 0:48:08Thanks, Teal.
0:48:08 > 0:48:10Just give me 12 hours.
0:48:13 > 0:48:15You can go now.
0:48:15 > 0:48:16What about him?
0:48:16 > 0:48:18Well, he's coming to the Yard with us.
0:48:20 > 0:48:21The car.
0:48:28 > 0:48:31You stay here. I'll be back.
0:48:31 > 0:48:32Come on.
0:48:46 > 0:48:47GLASS BREAKING
0:48:50 > 0:48:51Now look what you've done!
0:48:51 > 0:48:53But the prisoner!
0:49:05 > 0:49:08Look, I'm too young and you're too beautiful to be killed.
0:49:08 > 0:49:10And besides, I'm not being followed.
0:49:10 > 0:49:11Really? Yes.
0:49:11 > 0:49:13Well, how do you like that?
0:49:13 > 0:49:14I like it fine.
0:49:14 > 0:49:15They let you go?
0:49:15 > 0:49:17Teal is a truly great detective.
0:49:17 > 0:49:19Don't try and build up your escape.
0:49:19 > 0:49:20I know you're good.
0:49:20 > 0:49:21How do you feel?
0:49:21 > 0:49:23Well, I could use a drink, I think.
0:49:23 > 0:49:24Before or after?
0:49:24 > 0:49:26Before or after what?
0:49:26 > 0:49:29After our return to the tobacco shop.
0:49:29 > 0:49:30Well, let's make it before.
0:49:30 > 0:49:31There may not be an after.
0:49:33 > 0:49:34Well, here we are.
0:49:34 > 0:49:37A jug of wine, a loaf of bread,
0:49:37 > 0:49:41and thou beside me in the wilderness.
0:49:41 > 0:49:43Um...how does it go on?
0:49:43 > 0:49:45Nobody ever knows.
0:49:45 > 0:49:49However, here's the jug of wine.
0:49:49 > 0:49:52The number you asked for is on the line, Mr Templar.
0:49:52 > 0:49:53Oh, thanks, Joe.
0:49:53 > 0:49:55Put it through right away, will you?
0:49:55 > 0:49:58You know, adventure makes you look even more beautiful.
0:49:59 > 0:50:03That's pretty good. You'll do even better after the drink.
0:50:03 > 0:50:06Who did it? Kussella?
0:50:06 > 0:50:10No, Kussella wouldn't bargain for a dead man.
0:50:10 > 0:50:11Bargain?
0:50:11 > 0:50:13Oh, I forgot to tell you.
0:50:13 > 0:50:16Well, not now, but some night in front of a fireplace.
0:50:16 > 0:50:17Hello, Mother Buckley?
0:50:17 > 0:50:19This is Simon.
0:50:19 > 0:50:20Listen, you were perfect.
0:50:20 > 0:50:26Now I want you to tell me the story you didn't tell Mr Teal.
0:50:26 > 0:50:30Well, I kept popping in to see if the poor fellow was all right.
0:50:30 > 0:50:32Eh? ..No.
0:50:32 > 0:50:35Yes, he did make one telephone call.
0:50:35 > 0:50:37He rang up some embassy,
0:50:37 > 0:50:39and talked to someone called Stengler.
0:50:39 > 0:50:41Stengler.
0:50:41 > 0:50:44Well, how should I know how to spell it?
0:50:44 > 0:50:45I only heard it.
0:50:45 > 0:50:47All right.
0:50:47 > 0:50:48Goodbye.
0:50:51 > 0:50:53Stengler, eh?
0:50:54 > 0:50:57Is it the drink, or did you get a clue?
0:50:57 > 0:50:58We're shifting our attack.
0:50:58 > 0:51:00Where to?
0:51:00 > 0:51:02All in good time, Watson. Come on.
0:51:02 > 0:51:03Oh, hey, wait for me!
0:51:09 > 0:51:11Hello, Kussella, Stengler speaking.
0:51:11 > 0:51:12Where have you been?
0:51:13 > 0:51:15Duni called me.
0:51:15 > 0:51:18I couldn't reach you, and I had to act quickly.
0:51:18 > 0:51:20It's all taken care of.
0:51:20 > 0:51:23I sent Tim over to the hotel.
0:51:23 > 0:51:26All the evidence points to our friend Templar.
0:51:26 > 0:51:30It may interest you to know that the Saint has been here and left.
0:51:30 > 0:51:32He has also been to the hotel and left.
0:51:32 > 0:51:34He escaped the police?
0:51:34 > 0:51:36Yes.
0:51:36 > 0:51:38Yes, of course.
0:51:38 > 0:51:40We will meet as planned.
0:51:40 > 0:51:42I shall act at once.
0:51:42 > 0:51:43BUZZER
0:51:43 > 0:51:44Yes.
0:51:44 > 0:51:46A Mr Teal from Scotland Yard, sir.
0:51:46 > 0:51:48'I'll see him.'
0:51:52 > 0:51:55Come in, Mr Teal.
0:51:56 > 0:51:59Mr Stengler? < Yes?
0:52:00 > 0:52:02Please, sit down.
0:52:02 > 0:52:03Thank you.
0:52:03 > 0:52:05I'm afraid we had a bit of bad luck.
0:52:05 > 0:52:06Our prisoner escaped.
0:52:06 > 0:52:08I'm sorry to hear that.
0:52:08 > 0:52:10Well, he won't get far.
0:52:10 > 0:52:12I understand that you're in charge here
0:52:12 > 0:52:14during the Ambassador's absence.
0:52:14 > 0:52:17Yes. The Ambassador is on an important mission in Paris.
0:52:17 > 0:52:21It's most unfortunate, Count Duni's tragic death at this particular time.
0:52:22 > 0:52:24Yes, I know how you must feel.
0:52:24 > 0:52:28Tell me, did Count Duni get in touch with you at all recently?
0:52:28 > 0:52:31He called me shortly before I was notified of his death.
0:52:32 > 0:52:35Did he say anything that might cause you
0:52:35 > 0:52:37to think that something was wrong?
0:52:37 > 0:52:39No, I believe not.
0:52:39 > 0:52:42He seemed quite himself at the time, as I remember.
0:52:44 > 0:52:47Oh. ..Do you think it possible that Count Duni
0:52:47 > 0:52:50could have been involved in some underhanded scheme
0:52:50 > 0:52:52with this man Templar?
0:52:52 > 0:52:56Well, I hesitate to express an opinion, sir,
0:52:56 > 0:53:01but I suppose that phase of it must be considered.
0:53:01 > 0:53:03Yes.
0:53:03 > 0:53:05Has anything occurred here at the Embassy
0:53:05 > 0:53:08that would cast suspicion on Count Duni's actions
0:53:08 > 0:53:09during this past week?
0:53:09 > 0:53:12No, nothing that I know of, Mr Teal.
0:53:12 > 0:53:15However, I would suggest that you get in touch
0:53:15 > 0:53:17with the Ambassador when he returns.
0:53:17 > 0:53:18Thank you, Mr Stengler.
0:53:18 > 0:53:22I won't take up any more of your time.
0:53:24 > 0:53:27I'm sorry that I can't be of more assistance to you, Mr Teal.
0:53:27 > 0:53:28I think I'm on the right track.
0:53:28 > 0:53:30All I've got to do now is to find Templar.
0:53:30 > 0:53:32He must be as clever as he is ruthless.
0:53:32 > 0:53:35He's far more clever than you think, Mr Stengler.
0:53:40 > 0:53:42BUZZER
0:53:42 > 0:53:43Yes?
0:53:43 > 0:53:45A gentleman on the telephone, sir.
0:53:45 > 0:53:46He says HE is Mr Teal from Scotland Yard.
0:53:46 > 0:53:48'What?!'
0:53:48 > 0:53:49I told him Mr Teal had just left,
0:53:49 > 0:53:51and he said I was crazy, sir.
0:53:51 > 0:53:53Tell him I'm out.
0:53:59 > 0:54:01The Saint!
0:54:03 > 0:54:05Get here at once, and stay with him all the time.
0:54:05 > 0:54:10Yeah. Yeah. I'm practically there, boss.
0:54:17 > 0:54:20Well, here we are again.
0:54:20 > 0:54:22Now remember...
0:54:22 > 0:54:24just sit tight, keep the engine running,
0:54:24 > 0:54:25and be ready to make a quick getaway.
0:54:25 > 0:54:27Are you nervous?
0:54:27 > 0:54:28About you, that's all.
0:54:28 > 0:54:31I'm much too lucky to be worried about.
0:54:33 > 0:54:34Simon...
0:54:36 > 0:54:37Yes?
0:54:37 > 0:54:38Stay lucky.
0:55:21 > 0:55:23CREAKING
0:55:47 > 0:55:49CREAKING
0:56:10 > 0:56:12Darling, are you hurt?
0:56:12 > 0:56:14Well, I don't know.
0:56:14 > 0:56:15I think I'm unconscious.
0:56:15 > 0:56:17I didn't know it was you!
0:56:17 > 0:56:18Well, I hope you didn't.
0:56:18 > 0:56:19Boy, what a wallop.
0:56:19 > 0:56:20You missed your vocation.
0:56:20 > 0:56:22You certainly can take it.
0:56:22 > 0:56:24Let's look at you. Can you get up?
0:56:24 > 0:56:26Well, I'll try.
0:56:28 > 0:56:29There you are.
0:56:29 > 0:56:31I never do anything right.
0:56:31 > 0:56:33I get worse and worse.
0:56:33 > 0:56:34Oh, that's all right.
0:56:34 > 0:56:36I'll soon fix you up.
0:56:36 > 0:56:39Looks as if the birds have flown.
0:56:39 > 0:56:41Does your jaw still hurt?
0:56:41 > 0:56:43Not as much as my pride.
0:56:43 > 0:56:45Well, drink this and you'll feel better.
0:56:45 > 0:56:46Thank you.
0:56:46 > 0:56:48Any ideas?
0:56:48 > 0:56:50We'll see if Dugan has one.
0:56:50 > 0:56:52Where is he?
0:56:52 > 0:56:53On Stengler's trail, I hope.
0:56:56 > 0:57:00Hello, Joe? This is Templar. Any message?
0:57:00 > 0:57:02A Mr Dugan left you this number to call him at once.
0:57:05 > 0:57:10Abbotsford 56. Thanks, Joe.
0:57:10 > 0:57:11What's the news?
0:57:11 > 0:57:13I think Dugan's on to something.
0:57:14 > 0:57:18Abbotsford 56, please.
0:57:18 > 0:57:20Hello, Dugan?
0:57:20 > 0:57:22I followed your Mr Stengler.
0:57:22 > 0:57:24I got him and your pal Lang.
0:57:24 > 0:57:27I'm out here in the long grass.
0:57:27 > 0:57:28Yeah, at Lang's house.
0:57:28 > 0:57:32I got a piece of change here big enough to buy South America.
0:57:32 > 0:57:34So come on out while I'm on the up and up.
0:57:34 > 0:57:36Nice work, Dugan. We're on our way.
0:57:36 > 0:57:37Where to?
0:57:37 > 0:57:39Bruno Lang's.
0:57:41 > 0:57:43I can't say that I blame you guys.
0:57:43 > 0:57:46That kind of dough is what you could call a temptation.
0:57:46 > 0:57:49With a stack of chips that high,
0:57:49 > 0:57:51I wouldn't worry about nothing from here on.
0:57:52 > 0:57:54You won't.
0:57:58 > 0:57:59I thought you'd be here first, Kussella.
0:57:59 > 0:58:00First?
0:58:00 > 0:58:02Mr Templar, the Saint, is on his way here.
0:58:02 > 0:58:03Really?
0:58:03 > 0:58:05We've got to get out of here in a hurry!
0:58:05 > 0:58:06Why? Don't be a fool.
0:58:06 > 0:58:08You calling ME a fool?
0:58:08 > 0:58:11Your stupidity cost us almost a cool million.
0:58:11 > 0:58:13You make me sick, all of you.
0:58:13 > 0:58:14This Saint amuses himself with you.
0:58:14 > 0:58:16Now he's no longer dealing with dolts,
0:58:16 > 0:58:17he's dealing with me.
0:58:17 > 0:58:19Are we going to sit here and just wait for him?
0:58:19 > 0:58:21Exactly. But why?
0:58:21 > 0:58:24He has a little document that I want him to return to me.
0:58:24 > 0:58:26But I... Kussella, you...!
0:58:26 > 0:58:28Pour yourself a drink.
0:58:31 > 0:58:33We're crowding a lot of life into one spin of the clock.
0:58:33 > 0:58:35And one death.
0:58:35 > 0:58:36You couldn't help that, Simon.
0:58:36 > 0:58:38I can square it now.
0:58:38 > 0:58:40Is life always so exciting with you?
0:58:40 > 0:58:41Unfortunately, it isn't.
0:58:41 > 0:58:43Don't you ever fall in love?
0:58:43 > 0:58:44Oh, always.
0:58:44 > 0:58:46Well, you needn't be so callous.
0:58:46 > 0:58:47What about?
0:58:47 > 0:58:48Well, females you've loved.
0:58:48 > 0:58:50I haven't really loved them.
0:58:50 > 0:58:53You're a bit of an enigma, Simon.
0:58:53 > 0:58:55So they say.
0:58:58 > 0:58:59Confounded road hogs.
0:58:59 > 0:59:02There goes the younger generation.
0:59:02 > 0:59:05They make me glad I'm not a father.
0:59:05 > 0:59:07Sometimes I think you ought to get married, Wilkins.
0:59:07 > 0:59:09Why, while I've got a career?
0:59:09 > 0:59:10It might soften you.
0:59:10 > 0:59:12Looks like you're getting soft about this Saint.
0:59:12 > 0:59:14That's just instinct.
0:59:14 > 0:59:16If he's making fools of us...
0:59:16 > 0:59:18I mean YOU... what do you do then?
0:59:18 > 0:59:19We take him in.
0:59:19 > 0:59:21He might be hard to find.
0:59:21 > 0:59:23Ah, we'll find him in the end.
0:59:23 > 0:59:26Would it be asking too much if I enquired where we're going?
0:59:26 > 0:59:28Not at all, Wilkins.
0:59:28 > 0:59:30You remember a report you handed me
0:59:30 > 0:59:32about an incident on a country road?
0:59:32 > 0:59:34Well, then we ARE after the Saint!
0:59:34 > 0:59:36We're just doing a little investigating on our own.
0:59:42 > 0:59:43You stay where you are, young lady,
0:59:43 > 0:59:44and no arguments this time.
0:59:44 > 0:59:46There's a gun in the back. Do you mind handing it to me?
0:59:46 > 0:59:47Can't I even go in with you?
0:59:47 > 0:59:50By all means, come in, Miss Parker.
0:59:50 > 0:59:53This is my party, I should like to have you with us.
0:59:53 > 0:59:54Do you mind, Templar?
0:59:54 > 0:59:55If you insist.
0:59:55 > 0:59:56Shall we go in, then?
0:59:56 > 0:59:58Never mind the gun.
0:59:58 > 1:00:02I take it that my man Dugan is no longer playing host at this party.
1:00:02 > 1:00:03That's right.
1:00:03 > 1:00:06Dugan dozed off shortly after he called you.
1:00:06 > 1:00:08Come along.
1:00:18 > 1:00:21Your nerves are all shot, Stengler.
1:00:21 > 1:00:22Cool down.
1:00:22 > 1:00:24We are getting in over our heads, Kussella.
1:00:24 > 1:00:28Everything has backfired on us since that Saint stepped into the picture.
1:00:28 > 1:00:29I have an idea that he will be
1:00:29 > 1:00:31stepping OUT of the picture at any moment now.
1:00:31 > 1:00:33And for good.
1:00:33 > 1:00:34DOOR OPENING
1:00:35 > 1:00:37Good evening, gentlemen.
1:00:37 > 1:00:38Now that we're finally together,
1:00:38 > 1:00:40perhaps we come to an understanding.
1:00:40 > 1:00:42Sit down, Templar.
1:00:42 > 1:00:44Take that chair, Miss Parker. Thank you.
1:00:44 > 1:00:46Now, then, let's begin with this understanding.
1:00:46 > 1:00:49Well, it's quite simple, I just want a fair cut of that money.
1:00:49 > 1:00:51I have to live, too, you know.
1:00:51 > 1:00:52Do you?
1:00:52 > 1:00:53Yes, I think so.
1:00:53 > 1:00:57I took out a sort of life insurance policy
1:00:57 > 1:01:00in the form of a certain little document.
1:01:00 > 1:01:02Now you wouldn't want me to die, would you, Mr Lang?
1:01:02 > 1:01:03Not yet.
1:01:03 > 1:01:05I trust you weren't foolish enough
1:01:05 > 1:01:08to turn that document over to your friend Blake?
1:01:08 > 1:01:09Congratulations.
1:01:09 > 1:01:13I see that I've finally met the brains of the organisation.
1:01:13 > 1:01:16You know, Templar, if a man lives long enough,
1:01:16 > 1:01:19he's sure to run up against someone smarter than himself.
1:01:19 > 1:01:22In some professions, he doesn't live much longer than that.
1:01:22 > 1:01:25Your modesty overwhelms me, Mr Lang.
1:01:25 > 1:01:27I know you're after me.
1:01:27 > 1:01:29I know you're after this money.
1:01:29 > 1:01:31But I also know you wouldn't be stupid enough
1:01:31 > 1:01:33to have that document on you.
1:01:33 > 1:01:35I give you one hour in which to return it.
1:01:35 > 1:01:37And if I don't?
1:01:37 > 1:01:41We're fortunate in having Miss Parker with us.
1:01:41 > 1:01:42Max, take the girl out of here.
1:01:42 > 1:01:44Get your hands off of me!
1:01:44 > 1:01:45Don't try it, Saint!
1:01:45 > 1:01:47Get her out.
1:01:48 > 1:01:49I'll be back, Lang.
1:01:49 > 1:01:51Good, I'll see you to your car.
1:01:51 > 1:01:52I'd better come with you.
1:01:52 > 1:01:55Oh, no, you stay here and protect Stengler from his shadow.
1:01:57 > 1:02:01He is a fool to let a man like Templar go free.
1:02:01 > 1:02:02About as crazy as a fox.
1:02:02 > 1:02:06The Saint is as free as a canary, and he knows it.
1:02:08 > 1:02:10Just a minute, Templar.
1:02:17 > 1:02:19You think of everything, don't you?
1:02:19 > 1:02:20In this business, you think of everything,
1:02:20 > 1:02:22or you don't think at all.
1:02:22 > 1:02:24I'm asking only one thing, Lang.
1:02:24 > 1:02:27No rough stuff with the girl and Dugan.
1:02:27 > 1:02:28That will depend on you,
1:02:28 > 1:02:31so be careful, and don't let any of the boys
1:02:31 > 1:02:33from Scotland Yard pick you up.
1:02:33 > 1:02:34Now you can get in.
1:02:38 > 1:02:41I'll see you in half an hour or less.
1:02:41 > 1:02:42< And don't think up anything clever.
1:02:42 > 1:02:44< It's only fair to tell you the girl won't get away
1:02:44 > 1:02:46< until we're safely out of the country.
1:02:51 > 1:02:52Ugh!
1:03:08 > 1:03:11You're hurting my wrists, you big gorilla!
1:03:11 > 1:03:13Is that the way to treat a lady?
1:03:18 > 1:03:21How would YOU know?
1:03:21 > 1:03:23I dare you to untie me,
1:03:23 > 1:03:25so's I can turn the other cheek.
1:03:26 > 1:03:27A-a-h!
1:03:28 > 1:03:29Here's that man again.
1:03:29 > 1:03:31We'll have to work fast. Release her.
1:03:31 > 1:03:33How do you keep doing it, Saint?
1:03:33 > 1:03:34Just luck. I hope it holds.
1:03:34 > 1:03:37All right, Dugan, you take care of the big fellow,
1:03:37 > 1:03:39then lock them both up in here.
1:03:39 > 1:03:40It'll be a pleasure, boss.
1:03:41 > 1:03:44I tell you, Lang is a fool.
1:03:44 > 1:03:45Try telling him that when he comes back.
1:03:45 > 1:03:47I'm sick of this whole business.
1:03:47 > 1:03:50I'm getting out of this while there's still a chance.
1:03:50 > 1:03:52I'm through taking orders from a madman.
1:03:52 > 1:03:54Over there, Stengler.
1:03:54 > 1:03:57I'm afraid you made your decision a little too late.
1:03:57 > 1:03:59Where is our brains, Templar?
1:03:59 > 1:04:01He met with an accident.
1:04:01 > 1:04:04All right, boss, the Marines are here.
1:04:04 > 1:04:06Dugan, put those valises in my car,
1:04:06 > 1:04:07and then bring it around here.
1:04:07 > 1:04:09I'm going to start a trophy room with all these gats.
1:04:09 > 1:04:11Penny, you go with Dugan.
1:04:11 > 1:04:14And if you see a man in the back of the car, don't faint.
1:04:14 > 1:04:17I won't. I'm getting used to it.
1:04:17 > 1:04:19Hey, women and children first.
1:04:21 > 1:04:22Come on.
1:04:23 > 1:04:25And you're going with us, gentlemen. Come on.
1:04:28 > 1:04:30GUNSHOT
1:04:41 > 1:04:42Here he comes.
1:04:49 > 1:04:51What went wrong, Simon?
1:04:51 > 1:04:53I don't know. Did you fix up Max?
1:04:53 > 1:04:55Plenty. You must have pulled your punch on that chauffeur fellow.
1:04:55 > 1:04:56I must be slipping.
1:04:56 > 1:04:58Anyway, it's been a lovely night's work.
1:04:58 > 1:05:00It will be if we can get away with it.
1:05:02 > 1:05:03Tim!
1:05:03 > 1:05:05Get some brandy quick!
1:05:11 > 1:05:15I've...got... the halo, Tim.
1:05:15 > 1:05:17I couldn't see, boss.
1:05:17 > 1:05:18I know.
1:05:20 > 1:05:23You...keep it, Stengler,
1:05:23 > 1:05:27because now... you'll have to hang
1:05:27 > 1:05:30all by yourself.
1:05:33 > 1:05:35DOOR OPENS >
1:05:39 > 1:05:41I am a police officer, and I must warn you...
1:05:41 > 1:05:42You're the police?
1:05:42 > 1:05:43Teal of Scotland Yard.
1:05:43 > 1:05:45I'm Paul Stengler of Count Duni's Embassy.
1:05:45 > 1:05:46I know.
1:05:46 > 1:05:48It was Templar. He must have followed me.
1:05:48 > 1:05:50I came here on official business.
1:05:50 > 1:05:51Keep calm, sir. Keep calm.
1:05:51 > 1:05:52He stole a million pounds of my government's money.
1:05:52 > 1:05:54And shot that man.
1:05:54 > 1:05:55Where's Mr Lang?
1:05:55 > 1:05:57Kidnapped by Templar. Possibly dead.
1:05:57 > 1:05:58He'd have killed me, too, but...
1:05:58 > 1:05:59but he didn't.
1:05:59 > 1:06:00Who's this?
1:06:00 > 1:06:02A servant of Mr Lang's. You must do something.
1:06:02 > 1:06:03Who's the body?
1:06:03 > 1:06:05A friend of Bruno Lang's.
1:06:05 > 1:06:06He tried to stop Templar, and Templar...
1:06:06 > 1:06:07Yeah, I can see.
1:06:07 > 1:06:08Well, we'll go to the Yard,
1:06:08 > 1:06:10and see if we can round up Mr Templar.
1:06:10 > 1:06:11You better come along, too.
1:06:11 > 1:06:12But, Mr Teal...!
1:06:12 > 1:06:13Oh, we'll talk on the way. It'll save time.
1:06:13 > 1:06:14We may land him yet.
1:06:14 > 1:06:16But I must report to my Embassy at once, Mr Teal.
1:06:16 > 1:06:19Well, you can telephone from my office, sir.
1:06:19 > 1:06:21I may need some more information on this case.
1:06:21 > 1:06:22Sergeant, stay here.
1:06:22 > 1:06:24Put in a call to the nearest police doctor,
1:06:24 > 1:06:26and keep this chap here with you.
1:06:26 > 1:06:27Come on.
1:06:31 > 1:06:32Well, what does this make you?
1:06:32 > 1:06:33A farmer.
1:06:33 > 1:06:34Looks like you got yourself into something.
1:06:34 > 1:06:36And so has Mr Templar.
1:06:45 > 1:06:46Hello.
1:06:47 > 1:06:49Put the cuffs on him.
1:06:49 > 1:06:51I missed you.
1:06:51 > 1:06:53You also missed one of the gang.
1:06:53 > 1:06:56Well, I left Lang's house rather hurriedly.
1:06:56 > 1:07:00Oh, Teal, you've met Sir Richard Blake of the Intelligence.
1:07:00 > 1:07:01Yes, how do you do, sir?
1:07:01 > 1:07:03How do you do?
1:07:03 > 1:07:04Now supposing we get this straight.
1:07:04 > 1:07:06It was my doing, Teal.
1:07:06 > 1:07:07Just a hunch about Lang,
1:07:07 > 1:07:09and Templar here made it come true.
1:07:09 > 1:07:10I didn't drag you into it for fear
1:07:10 > 1:07:12that it might explode in our faces.
1:07:12 > 1:07:14What are the charges against Lang?
1:07:14 > 1:07:15Just about everything in the book.
1:07:15 > 1:07:17We wanted him for espionage,
1:07:17 > 1:07:19and you can have him for murder, along with Stengler here.
1:07:19 > 1:07:22And this stolen money goes back to Count Duni's government.
1:07:22 > 1:07:24Blake, you can put it on your records
1:07:24 > 1:07:26that the credit goes to Mr Teal.
1:07:26 > 1:07:28Teal and I have been working hand in glove.
1:07:28 > 1:07:31Yes, and a couple of times I almost lost my glove.
1:07:31 > 1:07:32Now don't be modest.
1:07:32 > 1:07:34What about Lang?
1:07:34 > 1:07:35Flatfoot or no flatfoot,
1:07:35 > 1:07:37you're an all right guy.
1:07:37 > 1:07:40Coming from you, Dugan, I consider that a great compliment.
1:07:40 > 1:07:41DOOR OPENS
1:07:45 > 1:07:47Teal, this is Mr Lang.
1:07:47 > 1:07:49Take good care of him.
1:07:49 > 1:07:50How do you do?
1:07:50 > 1:07:52I owe you an apology.
1:07:52 > 1:07:53I underestimated your...
1:07:53 > 1:07:55Luck.
1:07:55 > 1:07:57No, I seem to have met the man I told you about,
1:07:57 > 1:07:58the one that's smarter than myself.
1:07:58 > 1:08:00Then you've led a full life, Lang.
1:08:00 > 1:08:01Not quite.
1:08:01 > 1:08:05But I shall be interested to see how Stengler takes it.
1:08:05 > 1:08:07PHONE RINGS
1:08:08 > 1:08:10Hello?
1:08:10 > 1:08:12Oh, it's for you, Teal.
1:08:12 > 1:08:13Hello.
1:08:13 > 1:08:14H-Hello.
1:08:14 > 1:08:15Oh, it's my wife.
1:08:15 > 1:08:18Wilkins, take care of Lang and Stengler.
1:08:18 > 1:08:19Very good, sir. >
1:08:19 > 1:08:21Y-yes, m'dear?
1:08:21 > 1:08:23Yes.
1:08:23 > 1:08:25Oh, I'll be back soon.
1:08:25 > 1:08:26Yes, m'dear.
1:08:26 > 1:08:28A very understanding fellow, Teal.
1:08:28 > 1:08:31I doubt if his wife appreciates him.
1:08:31 > 1:08:34Where do we go from here, Saint?
1:08:34 > 1:08:36Back to your Aunt Edith...
1:08:36 > 1:08:39before I find myself in Mr Teal's predicament.
1:08:39 > 1:08:40TEAL: Yes, dear.
1:08:40 > 1:08:42Yes, dear.
1:08:43 > 1:08:45I thought she had him.
1:08:45 > 1:08:47Smart guy, ain't he?
1:08:47 > 1:08:48Yes, dear.
1:08:51 > 1:08:53Subtitles by the National Captioning Institute inc.
1:08:53 > 1:08:55E-mail: subtitling@bbc.co.uk