0:01:09 > 0:01:13- I say, are you sure we've got everything?- I think so, sir.
0:01:13 > 0:01:18- Hot water bottle in case it's cold? - Yes, sir.- Sun lotion in case it's hot?- Yes, sir.
0:01:18 > 0:01:24- And pills?- In the small case with your other medicine, sir. TELEPHONE RINGS
0:01:25 > 0:01:27Hello?
0:01:27 > 0:01:29Yes, this is Mr Hayward speaking.
0:01:29 > 0:01:35I'm not making ANY statements. I don't know anything about Simon Templar!
0:01:35 > 0:01:38He said he'd be here at 11.30. We shall never make it.
0:01:38 > 0:01:43- What does yours say? - Half a minute, sir.- There he is. - DOOR BUZZES
0:01:43 > 0:01:46- Get all those things.- Very good.
0:01:46 > 0:01:48- Mr Hayward?- Yes.
0:01:48 > 0:01:52- We just wanted a word with you about The Saint.- I don't know anything.
0:01:52 > 0:01:58- But he's staying here, isn't he? - I told you I don't know anything about him!- Are you going abroad?
0:01:58 > 0:02:01If you don't go away, I'll call the police!
0:02:04 > 0:02:08- Well, that's finished it. - Hello, Monty.- How did you get in?
0:02:08 > 0:02:14- The ordinary way - up the fire escape.- I nearly had a heart attack thinking you weren't coming.- Relax.
0:02:14 > 0:02:19- You said you'd be here at 11.30. - Listen. Right on time. - CLOCK CHIMES
0:02:19 > 0:02:23- How will you get out without them seeing you?- They'll follow you.- Oh.
0:02:23 > 0:02:27- Then we'll meet on the boat?- Yes. - There will be more of them at Dover.
0:02:27 > 0:02:32Stop worrying and leave all that to me. It's time you got started.
0:02:32 > 0:02:38- Remember, this is a holiday - we're not going to get mixed up in anything.- Understood. Get a move on.
0:02:46 > 0:02:48Hello, Simon here. It's all set.
0:02:48 > 0:02:51Bring the car round right away.
0:02:58 > 0:03:00SHIP'S WHISTLE BLOWS
0:03:05 > 0:03:08- Hi, Frank.- Oh, hello.
0:03:08 > 0:03:10- What do you know?- What about?
0:03:10 > 0:03:17- The Saint, for instance.- He's going on a vacation.- My editor doesn't believe it.- Who does?
0:03:17 > 0:03:22- If he's catching this boat, he's onto something.- Sure, but what is it?- Look.
0:03:22 > 0:03:24- Hi.- Hello.- Oh, hello.
0:03:24 > 0:03:28- Are you boys down here on something special?- No, no.
0:03:32 > 0:03:36- Have you seen him? Has he got on board?- Who's "he"?
0:03:36 > 0:03:40- The Saint - he's catching this boat. - Oh, is he?
0:03:40 > 0:03:45- Yes, I know he is and I'm here to get the story. - She's here to get the story(!)
0:03:45 > 0:03:49- Look, there he is!- Where?- Past that bunch of sailors.- Let's go!
0:03:49 > 0:03:52Forget it. They'll be back.
0:03:57 > 0:04:00- Monty!- Oh, hello.
0:04:00 > 0:04:05- You're just the man I want to see. - Sorry, I'm catching this boat. - Tell me where Simon Templar is.
0:04:05 > 0:04:09- He's not coming here... I mean, how should- I- know?
0:04:09 > 0:04:11- You should know.- Why?
0:04:11 > 0:04:15- My paper want the story and I must get it.- There isn't any story!
0:04:16 > 0:04:19- Excuse me, I must go!- But, listen...
0:04:23 > 0:04:26- Did you see him?- Uh...no.
0:04:26 > 0:04:30That's funny, neither did we. I wonder what happened to him.
0:04:30 > 0:04:33I guess he said Dover and went to Folkestone.
0:04:36 > 0:04:39- FRENCH ACCENT:- You look very distressed, my friend.
0:04:39 > 0:04:43That's right, Monty. Never speak to strangers on boats.
0:04:43 > 0:04:46Well, I'll be... Thank heavens you made it!
0:04:46 > 0:04:49Well, our holiday begins right here.
0:04:49 > 0:04:53- Who's the guy with him? - Monty Hayward, the double-crosser!
0:05:22 > 0:05:26No, madame. Mr Templar left this hotel some days ago.
0:05:41 > 0:05:46- Can I get a taxi to the Hotel Regina? - Round the corner, miss.- Thank you.
0:05:52 > 0:05:55- Mr Templar? Yes, he's here. Room 14. - SHE RINGS BELL
0:05:55 > 0:05:59- Oh, never mind. Can I have a room, please?- Certainly.
0:05:59 > 0:06:01Number 17.
0:06:01 > 0:06:04Are you a friend of Mr Templar's?
0:06:04 > 0:06:07- Well, yes, in a way. - Mm-hm... number 17.
0:06:48 > 0:06:52- Go back, go back, quickly!- What's the matter?- That girl over there...
0:06:52 > 0:06:55Take it easy, Monty. What girl?
0:06:55 > 0:06:58- The newspaper woman I was telling you about.- Where?- By the stairs.
0:07:00 > 0:07:02Is she a friend of yours?
0:07:02 > 0:07:05No... Well, at least I know her.
0:07:05 > 0:07:11- She thinks you're up to something. - You have to convince her I'm not. - Me?!- Yes.- How?- Any how.
0:07:11 > 0:07:14Fascinate her. Sweep her off her feet.
0:07:14 > 0:07:16Well, I... I'll try.
0:07:16 > 0:07:18A whisky and soda, please.
0:07:24 > 0:07:26Why, Mary!
0:07:26 > 0:07:31- Well, I am glad to see you?- Are you? I can't tell you how glad I am to see you.- Shall we sit down?
0:07:31 > 0:07:34Yes, let's.
0:07:34 > 0:07:40- I was sorry we weren't able to finish our conversation at Dover.- What was that about?- Simon Templar, remember
0:07:40 > 0:07:43- You didn't know anything about him. - That was quite true.
0:07:43 > 0:07:49- A second later, you met him on the boat.- Yes, that was a sort of coincidence.- Oh, I see.
0:07:49 > 0:07:53- I thought you'd come here together. - Oh, good heavens, no!
0:07:53 > 0:07:54That's funny.
0:07:54 > 0:08:00- The management of this hotel are under the impression that's he's in room 14.- Oh.
0:08:03 > 0:08:06All right, he was here but he's gone.
0:08:06 > 0:08:09Now, you really must believe me.
0:08:13 > 0:08:15- May I join you?- Please do.
0:08:17 > 0:08:23- Well, if Monty isn't going to introduce us, my name is... - Simon Templar. Mary Langdon.
0:08:23 > 0:08:25- You aren't a detective?- No.
0:08:25 > 0:08:29- She's worse - she's a newspaper woman.- Not the one you...?
0:08:29 > 0:08:34- Oh, I see.- She has an absurd idea that we're here for some sinister reason.
0:08:34 > 0:08:40- I merely want a better story than the one about the holiday. - Miss Langdon...- Mary will do.
0:08:40 > 0:08:45- Mary, by all means, but there's still no story.- Please be honest.
0:08:45 > 0:08:50So much depends on this one. If I don't get a story, well...
0:08:50 > 0:08:53- I'm through. - Well, I'm terribly sorry,
0:08:53 > 0:09:00- but we're here on a vacation. Why don't you just enjoy yourself? - Can't you rake up some trouble?
0:09:00 > 0:09:06- I don't mean anything drastic... - We won't get involved in trouble just to provide you with copy!
0:09:06 > 0:09:12Monty - manners, please. I think Mary's going to help us enjoy our stay here.
0:09:12 > 0:09:16- I think she's going to help quite a bit.- I'll do my best.
0:09:23 > 0:09:26I'll see you in a moment.
0:09:30 > 0:09:34- Hello, Valerie. How are you? - I beg your pardon?
0:09:34 > 0:09:38- Templar - Simon Templar.- I'm afraid you're mistaking me for someone else.
0:09:38 > 0:09:43But surely not. Capri - you remember? Spring 1937.
0:09:43 > 0:09:46I've never been to Capri in my life.
0:09:51 > 0:09:54Well, apparently some people can resist his fatal charm.
0:09:54 > 0:09:58- Jealous?- That's not jealous, that's merely observation.
0:09:58 > 0:10:02- She gave him the cold shoulder. - Why didn't you bring her over?
0:10:02 > 0:10:07- I tried.- It's a pity. Three's a crowd.- Am I supposed to be with you or Mr Templar?
0:10:07 > 0:10:09- Simon will do.- Simon, by all means.
0:10:18 > 0:10:21- Excuse me.- Simon!
0:10:21 > 0:10:26- There you are - he won't take no for an answer. - It looks as though I'm with you.
0:10:36 > 0:10:42- Gregory, I'm frightened.- How did Templar find out?- How did the others find out? Go now, please.
0:10:46 > 0:10:47Valerie.
0:11:03 > 0:11:06Get the police and bring the car out.
0:11:34 > 0:11:40- I say, what is all this? Talking to beautiful strangers, spying on people...- Having a vacation?!
0:11:40 > 0:11:42- You realise who that was?- No, who?
0:11:42 > 0:11:46- Hauser.- Rudolph?! What on earth's he doing here?
0:11:46 > 0:11:49- I wonder...- Aren't you going to find out?- No, he's not!
0:11:49 > 0:11:53- We've got to get out of here quick. - He's left in a hurry.- Good riddance.
0:11:53 > 0:11:59- What do we do?- Nothing, unless you'd care for a walk. It's a lovely night.- For a murder?- Just exercise.
0:11:59 > 0:12:02- I'm feeling pretty fresh. - I believe you.
0:12:03 > 0:12:08- Who is this Mr Hauser?- He's got irons in many fires - usually big ones.
0:12:08 > 0:12:13- What can he be after here?- You can bet your life it's worthwhile.
0:12:13 > 0:12:15You take this.
0:12:23 > 0:12:27All right, get him and take him to my place.
0:12:28 > 0:12:30Step on it, Marco.
0:12:46 > 0:12:50It's lovely here - the night, the moon, everything.
0:12:50 > 0:12:54- Glad you came?- Yes, very.- How long are you going to stay?- It depends.
0:12:54 > 0:12:57- Hello, what's that?- What? Where?
0:12:57 > 0:13:00- Shh, listen.- Someone running.
0:13:06 > 0:13:09Nothing to do with us, let's go.
0:13:09 > 0:13:12- I don't think we can stand for this. - You keep out of it!
0:13:12 > 0:13:15- It's much too one-sided. - You promised...- See you.
0:14:00 > 0:14:02Let's get out of this.
0:14:02 > 0:14:07- POLICE WHISTLES BLAST - Monty, stay and draw their fire. - Fire?- Head them off in that wood.
0:14:07 > 0:14:10I don't see why I should be the one...
0:14:27 > 0:14:29In there, that's the one.
0:14:30 > 0:14:33Quietly, now.
0:14:33 > 0:14:35Close the curtains.
0:14:41 > 0:14:45- Well, we made it.- Is he badly hurt? - Only a bit stunned.
0:14:45 > 0:14:48This seems to be the cause of the excitement.
0:14:48 > 0:14:52- As we've got so far...- Exactly.
0:15:00 > 0:15:06- This looks like an interesting gadget.- Can you open it? - We'll get rid of this first.
0:15:14 > 0:15:19- What funny things men take on holiday.- You're determined on that story.- You've started one.
0:15:19 > 0:15:22I've got my public to think of.
0:15:22 > 0:15:26- He doesn't look much like running away.- But it'll make him awkward to carry around.
0:15:31 > 0:15:34Come on, let's get some light on this thing.
0:15:38 > 0:15:43- Would you fix us a drink? There's some scotch over there.- Yes.
0:15:43 > 0:15:46- I hope it won't be empty. - It won't be.
0:15:46 > 0:15:51- The man who built this was a craftsman.- After you've satisfied your curiosity,
0:15:51 > 0:15:54- you'll hand it to the police? - Oh, of course(!)
0:15:54 > 0:15:56KNOCK ON DOOR
0:15:58 > 0:16:01Open the door. Go on.
0:16:05 > 0:16:08- Oh, it's you! Been having fun?- FUN?! ..This is all your fault.
0:16:08 > 0:16:14- Calm down.- But you left me with a lot of police chasing me in the night.- Take this.
0:16:14 > 0:16:18- What's that?- A man's vanity case. This is what the boys were after.
0:16:18 > 0:16:24- It's probably full of emeralds. - Don't open it - it's nothing to do with us! What did you do with him?
0:16:24 > 0:16:30- He's in there recovering. - You can't keep him there with all those thugs about and police.
0:16:30 > 0:16:33- Well, I'll be...- Now what?
0:16:33 > 0:16:37- Those thugs WERE police, that's all. - We've beaten up three policemen?
0:16:37 > 0:16:39I think it's highly probable.
0:16:39 > 0:16:45- What's the matter?- I'm leaving. - Leaving?- We come here for a quiet holiday and we've beaten up police,
0:16:45 > 0:16:50kidnapped a stranger and stolen a box of whatever it is. I refuse to be involved any further!
0:16:50 > 0:16:54- Is he really going? - Yes, as far as the bar.
0:16:54 > 0:16:59You realise we stand an excellent chance of going to jail for a couple of years?
0:16:59 > 0:17:03Well, you can't expect to have your fun for nothing.
0:17:05 > 0:17:08Are you giving up?
0:17:08 > 0:17:11Little Grumpy - he may be able to save us a lot of trouble.
0:17:13 > 0:17:16- Odd. I thought we shut that window. - We did.
0:17:18 > 0:17:20Simon!
0:17:23 > 0:17:27- You better get out of here. - I'm all right.- Please, take a drink.
0:17:49 > 0:17:55- We seem to have stepped into something.- Yes, and we're stepping rapidly out again. It's too hot.
0:17:55 > 0:18:00- What do we do with that?- That goes with us.- No, it doesn't.
0:18:00 > 0:18:04- Well, if it isn't my old friend Rudolph.- That's right.
0:18:04 > 0:18:08- You'll forgive my coming in unannounced.- Nice to see you again.
0:18:08 > 0:18:14- Sorry - Mr Hauser, Miss Mary Langdon.- How do you do?- How do you do?- What can we do for you?
0:18:14 > 0:18:18- I just called in to pick up that box.- You're quite sure it's yours?
0:18:18 > 0:18:21Quite.
0:18:21 > 0:18:26- You wouldn't mind telling me what's in it?- You're hardly in a position to be inquisitive.
0:18:26 > 0:18:29- I don't see why not.- After all, we found the box.- Found it?
0:18:29 > 0:18:33- HE CHUCKLES - That's delightful.
0:18:33 > 0:18:36It would be rather difficult to explain that to the police.
0:18:36 > 0:18:42- Don't tell me you're on the side of the police nowadays? - When it's convenient.
0:18:42 > 0:18:46Well, you've got something to explain too, haven't you? In there.
0:18:46 > 0:18:50- That's your affair, not mine. - I shouldn't if I were you.
0:18:50 > 0:18:52You disappoint me, Templar.
0:18:52 > 0:18:56You used to be...so observant.
0:19:00 > 0:19:07It's really awfully nice of you to recover this for me. My thanks to both of you.
0:19:16 > 0:19:18I'm all right.
0:19:18 > 0:19:20Stay here till you hear from me.
0:19:40 > 0:19:42CAR HORN SOUNDS
0:19:44 > 0:19:47HORN TOOTS
0:20:46 > 0:20:48Right, bring him in.
0:21:09 > 0:21:12Tell me how to open that box.
0:21:51 > 0:21:54Let's finish this unpleasant business.
0:21:54 > 0:21:56Are you going to open it or not?
0:21:58 > 0:22:02You're pretty stubborn, aren't you? All right, my friend,
0:22:02 > 0:22:05I'll open it myself. ..Get me that axe.
0:22:12 > 0:22:13No! No!
0:22:13 > 0:22:15Well?
0:22:15 > 0:22:17I'll open it.
0:22:17 > 0:22:18I see.
0:22:18 > 0:22:23Wouldn't do either of us any good if it was destroyed, would it?
0:22:23 > 0:22:25Let him go.
0:22:29 > 0:22:31Go on, go on - don't be a fool.
0:22:43 > 0:22:46What does it mean?
0:22:46 > 0:22:48I don't know.
0:22:48 > 0:22:51- What does it mean?!- Just a minute!
0:22:54 > 0:22:58It distresses me, Rudolph, to find you sinking to this sort of thing.
0:22:58 > 0:23:00It's so mediaeval.
0:23:00 > 0:23:02Now, put them up.
0:23:03 > 0:23:05Higher.
0:23:05 > 0:23:08- You get around pretty rapidly, don't you?- I can keep up with you.
0:23:08 > 0:23:13Templar, I owe you an apology. I underrated your determination.
0:23:13 > 0:23:17I shouldn't take another chance like that, if I were you.
0:23:17 > 0:23:21Get up against that wall and keep your hands up!
0:23:21 > 0:23:23You two - over there.
0:23:27 > 0:23:31- Do you mind me using your phone? - No, please, make yourself at home.
0:23:31 > 0:23:34Who are you working for?
0:23:34 > 0:23:36For myself.
0:23:36 > 0:23:40- Get me the Hotel Regina, please. - This is all rather absurd, Templar.
0:23:40 > 0:23:44You've no means of getting away from here. But if you return that box,
0:23:44 > 0:23:47- I'll guarantee... - That box belongs to me!
0:23:47 > 0:23:50Hotel Regina? Mary Langdon, please.
0:23:50 > 0:23:55..If it's so valuable, I will need cast iron proof of ownership before I give it to anyone.
0:23:55 > 0:23:57Hello, Mary. How are you?
0:23:57 > 0:23:59Now, listen carefully -
0:23:59 > 0:24:02Rudolph very kindly offered me his car.
0:24:02 > 0:24:08Tell Monty to check out of the hotel and meet me at the crossroads near St Gallen...
0:24:10 > 0:24:14Yes, I'm all right, thanks. Get the fastest car you can find.
0:25:26 > 0:25:29Reckless young idiot. No, no, wait.
0:25:29 > 0:25:32He'll still make the St Gallen crossroads. Quick, open the gate.
0:26:04 > 0:26:07If I know Templar, he won't be long.
0:26:07 > 0:26:10How right you are, Rudolph. Drop those guns.
0:26:10 > 0:26:12Here.
0:26:20 > 0:26:21Thanks.
0:26:21 > 0:26:23Now you can turn round.
0:26:23 > 0:26:29- You're still trying to keep up with me?- I'm way ahead of you. - I seem to be running a hire service.
0:26:29 > 0:26:34- I hope you've nothing very pressing to do.- Templar, you're becoming rather a nuisance.
0:26:34 > 0:26:39- And what do you intend doing about it?- I was just wondering
0:26:39 > 0:26:43- whether we couldn't come to some arrangement.- What have you in mind?
0:26:43 > 0:26:46Suppose we agreed to split the profits?
0:26:46 > 0:26:48Say 60-40.
0:26:48 > 0:26:54Aren't you being modest? I'm sure you've never taken as little as 40 before.
0:26:54 > 0:26:57Hmm. That wasn't quite what I meant.
0:26:57 > 0:27:02No, I think I'll go on working in my own humble way, if you don't mind.
0:27:02 > 0:27:05- I shan't renew my offer.- Naturally. - CAR ENGINE >
0:27:09 > 0:27:12Well, thanks for a most amusing evening, Rudolph.
0:27:12 > 0:27:17- We must get together again sometime. - Don't worry about that. We will.
0:27:17 > 0:27:19But not as soon as you think.
0:27:19 > 0:27:22GUNSHOT AND AIR HISSES
0:27:27 > 0:27:31It seems that even The Saint slips up occasionally.
0:27:31 > 0:27:35- What is here the trouble?- This man held us up, as you can see.- So?
0:27:35 > 0:27:41- Give me please this gun at once. - You fathead, don't you see...? Silence. I know you.
0:27:41 > 0:27:44This man is calling himself The Saint.
0:27:44 > 0:27:48- But actually he is a desperate criminal.- I can well believe that.
0:27:48 > 0:27:52- He's just stolen a small box from me. There it is.- A pack of lies...
0:27:52 > 0:27:56- Hold your tongue! - You half-baked idiot.
0:27:58 > 0:28:04I'm really greatly indebted to you, officer. You handled this magnificently.
0:28:04 > 0:28:07Well, I...I remove the prisoner.
0:28:09 > 0:28:15- Get in the car, you.- (Make them come. Tell them the ownership of the box will be settled at the station.)
0:28:15 > 0:28:18It is settled to my satisfaction. Get in!
0:28:27 > 0:28:32- Take these blessed things off, Monty!- Not till I get you out of trouble.- Get the tyre changed.
0:28:32 > 0:28:35I think I did that rather well.
0:28:35 > 0:28:38I think you're a stinker.
0:28:38 > 0:28:42- So, you were in this too?- I had no idea he was going back on us.
0:28:42 > 0:28:47- I thought he was going to get the box.- We don't want anything more to do with it.- I agree.- You do?
0:28:47 > 0:28:50- What's the good of an empty box? - Empty?
0:28:50 > 0:28:53- I emptied it.- Oh, Lord!
0:28:53 > 0:28:56- What's in it?- If you unlock these, we'll have a look.- Give me the key.
0:28:56 > 0:29:01- Rudolph's got a box full of nothing? - He forgot that when you shut a combination lock,
0:29:01 > 0:29:06you have to twiddle the wheel to keep it shut. Hold your breath...
0:29:10 > 0:29:13- Well, I'll be jiggered. - What's the idea?
0:29:13 > 0:29:19- I don't know. We'll see when we get to a hotel. Stop at the first one you see.- I want these things off.
0:29:19 > 0:29:20Get a move on!
0:29:22 > 0:29:24- Voila, monsieur.- Thanks.
0:29:30 > 0:29:32Come on, let's take a look at it.
0:29:40 > 0:29:44MUSIC BOX PLAYS TUNELESS MELODY
0:29:44 > 0:29:46Well, what do you make of that?
0:29:46 > 0:29:52It's ghastly. When I think of all we've been through for that ridiculous little gadget!
0:29:52 > 0:29:55- All right, but listen. - BOX PLAYS REPETITIVE MELODY
0:29:55 > 0:30:00- You aren't enjoying it, are you? - No, but I think it may grow on one.
0:30:00 > 0:30:03It's dark and horrible.
0:30:05 > 0:30:09- TUNE STOPS - That's quite a surprise.
0:30:09 > 0:30:14- Well, perhaps we can go to bed now that we all know we've made fools of ourselves.- But have we,
0:30:14 > 0:30:18- or have only two of us?- Three. I'm as much in the dark as you two are.
0:30:18 > 0:30:23I must have a little sleep before I start worrying about it.
0:30:28 > 0:30:31- Goodnight, Simon.- Goodnight.
0:30:37 > 0:30:39BOX PLAYS REPETITIVE TUNE
0:30:42 > 0:30:44MUSIC STOPS
0:30:49 > 0:30:51REPETITIVE TUNE ECHOES
0:31:00 > 0:31:02BELL RINGS
0:31:47 > 0:31:50- Monty, are you awake?- No.
0:31:50 > 0:31:53Well, come out here quickly!
0:31:55 > 0:31:57Mary, wake up and come on out.
0:31:57 > 0:32:01What on earth is it? What's happened?
0:32:01 > 0:32:04- Wha...?- Look. What do you make of that?
0:32:04 > 0:32:08- It's notepaper.- Of course it is, you fool.- What's happening?- Look.
0:32:08 > 0:32:10Those holes were made by this.
0:32:12 > 0:32:18- What do they mean?- I don't know, but I'll stake my life they mean something.
0:32:18 > 0:32:20TELEPHONE RINGS
0:32:23 > 0:32:24Hello?
0:32:24 > 0:32:26Who?
0:32:26 > 0:32:28If you don't mind coming up.
0:32:28 > 0:32:30All right.
0:32:35 > 0:32:38- Who was that? - The girl we saw at the inn.
0:32:38 > 0:32:44- Monty, you look after this. - I'm going to have a bath. - Take it with you. Take this -
0:32:44 > 0:32:48- you may not be alone.- I don't know how to use these things!
0:32:48 > 0:32:52Remember, no-one's to go into the bathroom except over your dead body.
0:32:52 > 0:32:53Dead body?!
0:32:53 > 0:32:56Mary, do you mind going into your room?
0:32:58 > 0:33:02- What does SHE want? - The box, I imagine. - I thought she didn't know you.
0:33:02 > 0:33:06Perhaps it suits her now to remember.
0:33:08 > 0:33:10KNOCK ON DOOR
0:33:11 > 0:33:14- KNOCK ON DOOR - Come in.
0:33:19 > 0:33:23- I'm not disturbing you?- Not at all. Do sit down.- Thank you, no.
0:33:23 > 0:33:29- I came to apologise for last night at the hotel. I recognised you, of course.- Of course.
0:33:32 > 0:33:34Oh, excuse me.
0:33:40 > 0:33:43Did you come here just to apologise?
0:33:43 > 0:33:48Not exactly. I'd like to know just what you're trying to do.
0:33:48 > 0:33:51- In what connection? - Let's stop pretending, shall we?
0:33:51 > 0:33:56- Who paid you to come here?- Is that really any concern of yours?- Yes.
0:33:56 > 0:34:02- You come blundering into my affairs, ruining all my plans. I'm entitled to know why.- Just a moment,
0:34:02 > 0:34:06- what plans have I ruined? - I'm not here to be cross-examined.
0:34:06 > 0:34:10- What I want is the box you stole from the castle.- Very curious -
0:34:10 > 0:34:16- do you know you are the third person to claim it?- I know nothing about the others. It belongs to me.
0:34:16 > 0:34:18Well, I wish I could help you.
0:34:18 > 0:34:23- You're not going to give it to me? - Well, I haven't got it.
0:34:23 > 0:34:26- Then, who has?- Oh...
0:34:26 > 0:34:28Someone you've never even heard of.
0:34:28 > 0:34:34If you think you can get it away from here, you're very mistaken. Make one move to take it out of this hotel,
0:34:34 > 0:34:37and your life won't be worth that. CLICKS HER FINGERS
0:34:37 > 0:34:40Thanks for the warning.
0:34:40 > 0:34:42Allow me.
0:34:52 > 0:34:57- You're going to be quite the gangster, aren't you? - BANGING >
0:35:03 > 0:35:05Sorry.
0:35:05 > 0:35:10- I should think so! I don't know why you locked my door. I'm not interested in your women.- Calm down.
0:35:10 > 0:35:15- I'm in a spot.- I hope you have to marry her.- We've got to get this out of here, and people want to stop us.
0:35:15 > 0:35:19- Better leave it here. It's not worth any more trouble.- I'm not so sure.
0:35:19 > 0:35:24- I've got it. I'll mail it to someplace across the border.- Good, then we can forget all about it.
0:35:24 > 0:35:28No, I'll address it to myself and we can pick it up again later.
0:35:29 > 0:35:32This will do nicely.
0:35:32 > 0:35:35You two hurry up and get dressed.
0:35:35 > 0:35:37- Good morning.- Good morning, sir.
0:35:37 > 0:35:42- Could you have this mailed for me as soon as possible?- Very good, sir.
0:35:45 > 0:35:49Never mind. I think I'll mail it myself. How near is the post office?
0:35:49 > 0:35:53- If you go down to the corner, it's directly across the road.- Thank you.
0:36:47 > 0:36:51- He's got it with him, all right. - Shall I go after him?- No.
0:36:51 > 0:36:54Wait here till we see what the game is.
0:37:00 > 0:37:06- I'm so sorry.- Pardon, monsieur. Can I assist you?- Thank you. Would you take me to the post office?
0:37:06 > 0:37:09Why, certainly, monsieur! Permit me. This way.
0:37:18 > 0:37:23- Attend to this gentleman, please. - Thank you. ..I want to mail this, please.
0:37:48 > 0:37:50- Templar's on the train.- Good.
0:37:58 > 0:38:00Send this telegram.
0:38:03 > 0:38:05TRAIN WHISTLE HOOTS
0:38:20 > 0:38:26- They're in the next coach forward. Templar's up the front, the woman's down this end.- Uh-huh. Right.
0:38:26 > 0:38:31Give them time to settle down. Keep your eyes open. We can hope they make a move.
0:38:51 > 0:38:54- Hello!- May I have a word with you?
0:38:54 > 0:38:57Why, certainly. Won't you come in?
0:38:59 > 0:39:02- Oh, I'm so sorry. Miss Langdon - Miss Musetti.- How d'you do?
0:39:04 > 0:39:09- Oh, and Mr Hayward.- Can I see you alone? would you mind coming to my compartment?
0:39:09 > 0:39:11Why, not at all.
0:39:21 > 0:39:22Well?
0:39:22 > 0:39:24D'you mind closing the door?
0:39:37 > 0:39:42- So you didn't listen to the warning I gave you?- That's right. And as you see, I'm still alive.
0:39:42 > 0:39:47I'm giving you one more word of advice. Don't go on with this.
0:39:47 > 0:39:49Who are you afraid for? Me or the box?
0:39:49 > 0:39:51The box has been taken care of.
0:40:21 > 0:40:23Go on, inside!
0:40:32 > 0:40:34Get back against that wall.
0:40:37 > 0:40:39No...the other way round.
0:40:41 > 0:40:43Bring him in.
0:40:43 > 0:40:47- Put him over there beside the other one.- Get over there.
0:40:49 > 0:40:51That's right.
0:40:51 > 0:40:53Now get busy.
0:40:59 > 0:41:01TRAIN WHISTLE HOOTS
0:41:51 > 0:41:53All right, get on with it.
0:42:19 > 0:42:21- Get Simon.- Simon!
0:42:30 > 0:42:32Darling! Darling...
0:42:33 > 0:42:37I'm sorry... I let you down.
0:42:37 > 0:42:39No, no, don't...
0:42:39 > 0:42:41Was it Rudolph?
0:42:42 > 0:42:44Yes.
0:42:44 > 0:42:48- How did it happen?- I don't know! - He staggered in. - We're coming to a station.
0:42:48 > 0:42:52- We must get him to a hospital.- No. No, I'll take him to my apartment.
0:42:52 > 0:42:57- All right. I'll find someone to help. - Rudolph can't get away with this! If we call the police...
0:42:57 > 0:43:02- The police in this place are in his pocket.- Suppose he's got the box?- He may find it's not much use.
0:43:02 > 0:43:04TRAIN WHISTLE HOOTS
0:43:15 > 0:43:17- Got my wire?- Yes, sir.
0:43:18 > 0:43:19There's your man.
0:43:21 > 0:43:23You are under arrest.
0:43:24 > 0:43:26- What for?- Murder.
0:43:26 > 0:43:30- Oh, is that all(?)- Will you swear the charge at the station later, sir?
0:43:30 > 0:43:36- Certainly.- And who am I supposed to have murdered?- The man you carried last night into the Hotel Regina.
0:43:36 > 0:43:40- They've arrested Simon! - Arrested him?!- Yes.
0:43:43 > 0:43:48- We needn't waste any more time, officer. I can prove the case conclusively.- I'm sure you can(!)
0:43:48 > 0:43:52Not one of your more successful murders, Templar.
0:43:52 > 0:43:56- I may be able to show you a better one soon.- That is enough. Come on.
0:44:12 > 0:44:16Now we've disposed of Templar, we'll do the same with the evidence.
0:44:23 > 0:44:25What the devil's this?
0:44:27 > 0:44:29"M Hayward."
0:44:31 > 0:44:33A very pretty joke.
0:44:36 > 0:44:38Wait a minute.
0:44:41 > 0:44:43Ah, Mr Hayward. Mr Hayward...
0:44:43 > 0:44:46- can I give you a lift? - Er...no, no, thank you very much.
0:44:46 > 0:44:51Now, I can't help feeling there's been some slight misunderstanding.
0:44:51 > 0:44:53I don't want to talk to you. Let go!
0:44:53 > 0:44:56Don't alarm yourself. I think if you and I got together,
0:44:56 > 0:45:02- we could settle this to everybody's satisfaction.- It has nothing to do with me. I wanted no part of it.
0:45:02 > 0:45:04Now, you're too modest, Mr Hayward.
0:45:04 > 0:45:09Your impersonation of a policeman last night - quite brilliant!
0:45:09 > 0:45:11Monty!
0:45:26 > 0:45:32- You have an Englishman here named Simon Templar. I must see him at once.- Who are you, mademoiselle?
0:45:32 > 0:45:36- I... I'm his wife.- You have your papers, your passport?
0:45:38 > 0:45:41Why, no, I-I think I've left them beh... DOOR OPENS
0:45:43 > 0:45:45What is it?
0:45:45 > 0:45:47HE WHISPERS
0:45:50 > 0:45:54You say you are the wife of the prisoner? Yes, that's right.
0:45:54 > 0:45:57When did you see him last? Why, on the train.
0:45:57 > 0:46:02And you were also with him at the Hotel Regina? Yes, of course. Can I see him?
0:46:02 > 0:46:06Certainly! It is VERY simple. This way, please.
0:46:06 > 0:46:07Thank you.
0:46:20 > 0:46:25Thank you. You're very kind. Not at all. The most simple arrest we have ever made.
0:46:25 > 0:46:27DOOR THUDS
0:46:27 > 0:46:30- Does he mean I'm arrested too? - That seems to be the idea.
0:46:30 > 0:46:34- What happened to Valerie? - We took Gregory to her flat.
0:46:34 > 0:46:40- I heard her say something about leaving at once for England.- Yes... - You sound as if you expected that.
0:46:40 > 0:46:44- I did. It's a pity.- Why?- Well, they may make a mess of things.
0:46:44 > 0:46:49- By the way, where's Monty?- Rudolph's got him.- What about the bag?
0:46:49 > 0:46:54- What bag?- Monty's little travelling bag. Did he have it with him? - Yes, I believe he did.
0:46:54 > 0:46:56Ah, that's a bad break.
0:46:56 > 0:46:58The box was in that bag.
0:46:58 > 0:47:03- The box!- I mailed Monty's pill box as a blind and put the real one in his bag.
0:47:06 > 0:47:09- Then we're sunk.- Up to our necks. - LOCK RATTLES
0:47:09 > 0:47:12There is a phone call for you. You may take it here.
0:47:12 > 0:47:15Oh. Thanks. Excuse me.
0:47:22 > 0:47:25Hello...? Oh, yes!
0:47:25 > 0:47:30I just wanted you to know that your friend Mr Hayward is my...guest for the time being.
0:47:30 > 0:47:36That's very kind of you, Rudolph. But after all, you've got everything you want now, haven't you?
0:47:36 > 0:47:38RUDOLPH INAUDIBLE
0:47:38 > 0:47:41Really? Oh, I AM sorry.
0:47:41 > 0:47:46Listen, Templar, you know you're beaten. Hand it over and I may get you out.
0:47:46 > 0:47:48Remember me to Monty, won't you?
0:47:55 > 0:47:58Thanks very much.
0:48:00 > 0:48:06- A bit of luck. Rudolph doesn't yet know he's got the box.- Good!- We've got to get out of here quickly.
0:48:06 > 0:48:11- I've got a car outside, if we can get to it. - Well, what are we waiting for?
0:48:14 > 0:48:18Your friend Templar doesn't seem very concerned about you, Mr Hayward.
0:48:18 > 0:48:23- I hope, for your own sake, you're not going to be difficult.- I've TOLD you, I don't know where it is!
0:48:23 > 0:48:28- Curious that this should have your name on it, isn't it?- Well, I don't know how it got in the mail!
0:48:28 > 0:48:31I've been looking for that everywhere.
0:48:32 > 0:48:36No, I can't believe that you're as stupid as you pretend.
0:48:36 > 0:48:41- You're been in on this with Templar from the start, haven't you?- No, I haven't! As a matter of fact,
0:48:41 > 0:48:46- I told him over and over to have nothing to do with it!- You still don't know what he did with it?
0:48:46 > 0:48:50- No, I don't. But if I did, I wouldn't tell you!- So I suspected.
0:48:50 > 0:48:53Sit down, Mr Hayward.
0:49:01 > 0:49:05- Sit down!- Look, you're not going to torture me, are you?- It's up to you
0:49:05 > 0:49:10- how much...persuasion we have to use.- I can't tell you where it is if I don't know where it is!
0:49:10 > 0:49:16Now, this "simple" pose is very amusing, Mr Hayward, but it doesn't get us anywhere.
0:49:16 > 0:49:21I suppose, like anyone else, you're prepared to sell to the highest bidder?
0:49:21 > 0:49:26- Don't be ridiculous! How can I sell it if I haven't got it?!- Until you can remember where that box is,
0:49:26 > 0:49:30I'm afraid you'll have to stay here and your friend Templar in jail.
0:49:30 > 0:49:36- Perhaps they'll hang him.- Look here, it's no use threatening me. You can't get blood out of an orange...
0:49:36 > 0:49:38- a stone... Well, you can't! - Take him next door.
0:49:38 > 0:49:44- You can't hang a man for something he didn't do! I'm not as stupid as you think.- That's impossible.
0:49:49 > 0:49:52- FIRE!- FIRE! - THEY THUMP DOOR
0:49:52 > 0:49:53FIRE!
0:49:56 > 0:49:58MORE YELLS AND THUMPS
0:50:00 > 0:50:03Monsieur le capitain! Vite, vite!
0:50:03 > 0:50:05< THEY SHOUT AND BANG
0:50:32 > 0:50:34Come on, quick!
0:50:52 > 0:50:57- Ah, good afternoon. Don't be nervous. This is purely a social visit.- We've had one of those.
0:50:57 > 0:50:59- Where's your gun?- Well, search me.
0:50:59 > 0:51:04- You've got a nasty, suspicious mind, haven't you, Marco?- Cut that stuff! What do you want?
0:51:04 > 0:51:09- If Mr Hauser's at home, I'd like a word with him.- Come inside.- Thanks.
0:51:19 > 0:51:24- You don't mind me butting in like this?- On the contrary, I'm always pleased to see YOU.
0:51:27 > 0:51:31Our police department must be going to pieces. What's on your mind?
0:51:31 > 0:51:37Well, I've been thinking you've been giving me quite a bit of fun lately, Rudolph. I'd like to repay it.
0:51:37 > 0:51:41- I'm not sure that I like the sound of this.- Oh, you will.
0:51:41 > 0:51:45You see, I thought it'd be a nice gesture if I were to give up the box.
0:51:46 > 0:51:48I must be getting hard of hearing.
0:51:50 > 0:51:54- I could've sworn you said "give up" the box.- I did.
0:51:54 > 0:51:59I'm going to tell you exactly where it is. But, of course, there'll be one or two small conditions.
0:51:59 > 0:52:02I felt sure there would be.
0:52:02 > 0:52:07The first is that you let Monty Hayward leave here at once.
0:52:07 > 0:52:11- Well, that might be arranged...after you've told me.- Oh, no. Before.
0:52:11 > 0:52:14You agree, I'd be an awful fool to rely on YOUR word.
0:52:15 > 0:52:18Thank you. So, what?
0:52:18 > 0:52:21So I'll tell you exactly one hour after he's left.
0:52:21 > 0:52:23- Anything else?- Yes.
0:52:23 > 0:52:29You'll telephone the police and explain that you've made a mistake in having us arrested.
0:52:29 > 0:52:32- I might even do that. - In my hearing, of course.
0:52:32 > 0:52:35You think of everything, don't you?
0:52:35 > 0:52:41Purely as a matter of interest, Templar, why this sudden capitulation?
0:52:41 > 0:52:46Well, does that matter, so long as you've won? By the way,
0:52:46 > 0:52:51- the sooner you let Monty go, the sooner you'll get your information. - All right.
0:52:51 > 0:52:53Turn Hayward loose.
0:52:58 > 0:53:00Will you join me in a drink
0:53:00 > 0:53:01while we wait?
0:53:01 > 0:53:06No, thanks. I find other people's drinks sometimes disagree with me.
0:53:07 > 0:53:10Anyone would think you didn't trust me(!)
0:53:10 > 0:53:13You won't forget to telephone, will you?
0:53:14 > 0:53:20You know, it mightn't be a bad idea if you and I were to form ourselves into a limited company!
0:53:20 > 0:53:23The difficulty would be deciding on a chairman(!)
0:53:25 > 0:53:30- Look, do you have to drive so fast? You're making me nervous.- Calm yourself. We haven't started yet,
0:53:30 > 0:53:36- and we've got to get across the frontier as soon as possible.- What about Simon?- He'll meet us in Paris.
0:53:36 > 0:53:41- I suppose you've still got the box all right?- What box?- The musical box.
0:53:41 > 0:53:46- Why should I have it? - Because, my dear Monty, it was in your bag all the time.
0:53:46 > 0:53:49In my bag?!
0:53:49 > 0:53:52D'you mean I had this at the castle?!
0:53:52 > 0:53:55- Certainly.- I say, can't you go a little faster?
0:53:59 > 0:54:02Well, I hate to hurry you - time's up.
0:54:02 > 0:54:04So it is.
0:54:04 > 0:54:07- Well, I'll be seeing you again some time.- Wait a minute.
0:54:07 > 0:54:09Where is it?
0:54:09 > 0:54:10Oh, the box?
0:54:10 > 0:54:12It's in Monty's bag.
0:54:15 > 0:54:21- It's been there all the time. And by now, it ought to be on its way out of the country.- Listen, Templar,
0:54:21 > 0:54:25- you can't pull a thing like that on me.- I've kept MY word, haven't I?
0:54:25 > 0:54:28You forget that you're my prisoner here.
0:54:28 > 0:54:34If it comes to that, aren't you forgetting a few things too? The murder, rifling mailbags,
0:54:34 > 0:54:36wounding Gregory - and bribing the police.
0:54:36 > 0:54:40No, it's all in affidavits, Rudolph, and they'll be well taken care of.
0:54:43 > 0:54:44Ah.
0:54:44 > 0:54:47Looks a little like game to you, doesn't it?
0:54:47 > 0:54:51Well, if you'll excuse me, I've got one or two things to do.
0:54:51 > 0:54:54Next time, perhaps it'll be your turn.
0:54:57 > 0:54:59DOOR SHUTS
0:55:11 > 0:55:13Here he comes now, boys.
0:55:13 > 0:55:17And, say, just look who's with him!
0:55:21 > 0:55:26- Morning, Mr Templar.- Morning. - We can't wait for that story. - Sorry, boys, nothing doing.
0:55:26 > 0:55:31- Listen...!- What's the story? - You wouldn't keep a story like this to yourself, Mary.
0:55:31 > 0:55:35- YOU heard him. let me pass. - Come on, tell your uncle. - D'you really want it?- You're a pal!
0:55:35 > 0:55:39- Yeah, dish it out, sister. - You'd better get tomorrow's gazette.
0:55:39 > 0:55:45- Well, at least one feels safe here! - Why, hello, Teal! What are you doing here?- I'm taking you into custody.
0:55:45 > 0:55:50- Same old Teal, same old joke. - It's not a joke this time, Templar.
0:55:50 > 0:55:55- The pair o' you had best come along, too.- You can't arrest me!- You're coming quietly?- This is an outrage!
0:55:55 > 0:55:57- Take them all.- Come along.
0:55:57 > 0:56:03- Look here! I refuse to be arrested! - Come off it. The inspector isn't in the mood.- There's our story!
0:56:07 > 0:56:12- I don't know who you are, sir, but I refuse to submit to this!- Quiet! - Thanks for the reception, Charles.
0:56:12 > 0:56:17- Nice to see you.- I'll introduce my friends. Miss Langdon and Mr Hayward - Mr Leighton.
0:56:17 > 0:56:22How d'you do? I'm most awfully sorry we had to do this, but we wanted to be sure you got here safely.
0:56:22 > 0:56:27- Have you got the box?- I think you'll find it's in order.
0:56:27 > 0:56:28Good.
0:56:29 > 0:56:33All right, Teal, thank you for looking after them. You won't charge them?
0:56:33 > 0:56:39Until he telephoned me from Paris, I thought we might have to! But he's really been quite helpful.
0:56:39 > 0:56:41Humph!
0:56:42 > 0:56:46It's just a question of time, Templar.
0:56:46 > 0:56:48Yes, well, don't be so cheerful(!)
0:56:55 > 0:56:59Oh, by the by, I've taken the liberty of making an appointment for you all this afternoon.
0:56:59 > 0:57:02The War Office is anxious to thank you.
0:57:02 > 0:57:05- So am I.- It's that woman again! - That's right.
0:57:05 > 0:57:10- The way you held on to that box was quite remarkable, Mr Hayward. - What? Oh, that!
0:57:10 > 0:57:14- Oh, er, that was nothing! - May I ask you a question?
0:57:14 > 0:57:19< Certainly. What exactly does that gadget do? < These holes...
0:57:19 > 0:57:24..join up to give an electric circuit which should give us the best sound detector in the world.
0:57:24 > 0:57:30..I see. May I use your telephone? < By all means. Thank you.
0:57:30 > 0:57:32Temple Bar 0056.
0:57:33 > 0:57:35The news editor.
0:57:36 > 0:57:40I'm sorry. I'm afraid this is a story you'll have to go without.
0:57:40 > 0:57:45- You mean I've got the story of a lifetime and I can't print it?! - That's the way it goes, Mary.
0:57:45 > 0:57:50- Now, I'm taking Miss Langdon out to lunch. Valerie too, if she will.- I'd love to!
0:57:50 > 0:57:53- Good! I'll see you this evening at the club.- All right.
0:57:53 > 0:57:57- I don't want lunch! I'm not hungry! - We'll start with oysters, Chablis...
0:57:57 > 0:58:00Wait - I'm hungry too! Nobody ever thinks of ME!