They Knew What They Wanted

Download Subtitles

Transcript

0:01:35 > 0:01:37Watch it. It's mighty heavy.

0:01:37 > 0:01:39All right.

0:01:45 > 0:01:47JOE: Hey, RFD! Wait a minute.

0:01:47 > 0:01:50You going to Napa? RFD: Sure.

0:01:50 > 0:01:53Save us the trip, will you? Take the boss.

0:01:53 > 0:01:56See he gets on the right train. ..Hey, Tony!

0:01:56 > 0:01:59Where's he going, Joe? San Francisco.

0:01:59 > 0:02:01Hey, Joe!

0:02:01 > 0:02:03Look at me!

0:02:07 > 0:02:09Joe. Look at me.

0:02:11 > 0:02:14I'm the most stylish fella I ever see.

0:02:15 > 0:02:20Sono un signore. Vedi la cravatta, i pantaloni e il mio capello.

0:02:20 > 0:02:23Yeah. You're prettier than a picture.

0:02:23 > 0:02:26- For the feet. - You'd better get them on.

0:02:26 > 0:02:29What are you going to San Francisco for?

0:02:29 > 0:02:32Johnny said it's time you take the vacation.

0:02:32 > 0:02:34- He's taking a vacation. - Sure.

0:02:34 > 0:02:36Johnny - he look after Tony.

0:02:36 > 0:02:39Who's Johnny? St Giovanni, his private angel.

0:02:39 > 0:02:44- Oh. - They've been pals so long, he calls him Johnny.

0:02:44 > 0:02:47Johnny sure. He looka down from heaven and he say,

0:02:47 > 0:02:53"Hey, Tony. You got the ranch to grow the grape and Joe to boss the ranch."

0:02:53 > 0:02:55"You got a Chinee cook and a new truck."

0:02:55 > 0:02:58"What you no got, you no got to buy cash."

0:02:58 > 0:03:03You'd better get this shoe on or you won't have a vacation.

0:03:03 > 0:03:05Joe... Joe...

0:03:05 > 0:03:08Madonna mia! The shoe, she ain't fit.

0:03:08 > 0:03:10Are they on the wrong feet?

0:03:10 > 0:03:13His feet wasn't meant for shoes.

0:03:15 > 0:03:17Oh! Oy!

0:03:17 > 0:03:19- Lace 'em up on the train. - Look at me.

0:03:19 > 0:03:22I am the most stylish fella I ever see.

0:03:24 > 0:03:26Come on. The train won't wait for you.

0:03:28 > 0:03:30- Here, Boss. - Some vino, huh?

0:03:30 > 0:03:33That's for eat on the railroad train.

0:03:33 > 0:03:35Very nice lunch. Apples pie.

0:03:35 > 0:03:37Apple pie?

0:03:37 > 0:03:39Apple pie.

0:03:39 > 0:03:42- See you in a couple of weeks, Tony. - Apple pie.

0:03:42 > 0:03:44COOK: Goodbye, boss!

0:04:11 > 0:04:14E tua?

0:04:14 > 0:04:16No, non e mia.

0:04:16 > 0:04:18Signori, una scarpa.

0:04:18 > 0:04:20Chi ha perduta una scarpa?

0:04:20 > 0:04:23Una scarpa, signori?

0:04:24 > 0:04:26Ma non e nostra. No, no.

0:04:26 > 0:04:29Una scarpa! Chi l'ha perduta?

0:04:31 > 0:04:33Io! Io!

0:04:34 > 0:04:36E tua!

0:04:38 > 0:04:40Per il signore laggiu.

0:05:02 > 0:05:05Chi e quella?

0:05:05 > 0:05:07Amy.

0:05:07 > 0:05:09Amy!

0:05:20 > 0:05:24Andiamo. Tu hai perduta la testa per quella ragazza.

0:05:29 > 0:05:31Tony! Tony!

0:05:34 > 0:05:36HE WHISTLES "Oh, Come All Ye Faithful"

0:06:00 > 0:06:02Hiya, Padre.

0:06:02 > 0:06:05OK. How are you doing, Joe?

0:06:05 > 0:06:09What are you doing on this road? It don't lead nowhere.

0:06:09 > 0:06:11It's those McGintys up in the hills.

0:06:11 > 0:06:17They never go into town. That linoleum's been in the freight yard two weeks.

0:06:17 > 0:06:19I said, "Oh, well, I'll deliver it."

0:06:20 > 0:06:23- Nice seeing you, Joe.- Same here.

0:06:23 > 0:06:25- Anything I can do? - Not a thing, thanks.

0:06:25 > 0:06:30- Hold your tools or something? - That ain't dignified, Father McKee.

0:06:31 > 0:06:35How's Tony? Is he back from San Francisco yet?

0:06:35 > 0:06:39You get news faster than an Afrikaaner bugler

0:06:39 > 0:06:42and you come out oftener than once a week.

0:06:42 > 0:06:44You know doggone well he ain't back.

0:06:44 > 0:06:47I gotta make conversation, don't I?

0:06:50 > 0:06:52- Joe?- Yeah.

0:06:52 > 0:06:54Why don't you settle down?

0:06:54 > 0:06:57I hear you're going when Tony gets back.

0:06:57 > 0:07:01Why shouldn't I? My affair, ain't it?

0:07:01 > 0:07:03Get yourself a place of your own.

0:07:05 > 0:07:07Get yourself a wife, Joe.

0:07:07 > 0:07:10I'm not the marrying kind.

0:07:10 > 0:07:14Maybe things would look different to you, if you had a wife.

0:07:14 > 0:07:17Maybe the girls wouldn't look so good to you.

0:07:19 > 0:07:23Listen, Padre. I ain't one of your flock. I'm a maverick.

0:07:23 > 0:07:26I do what I want and I go where I please.

0:07:26 > 0:07:28All right.

0:07:32 > 0:07:35You wanna know why I'm leaving Tony?

0:07:35 > 0:07:39- Nobody's asking. - Maybe I'm getting too fond of him.

0:07:39 > 0:07:41I don't want to be fond of nobody.

0:07:41 > 0:07:45Stay in one place and what happens? You get attached.

0:07:45 > 0:07:50Get too friendly with people and what happens? You get attached.

0:07:50 > 0:07:53I don't owe no man nothing. Nor no woman.

0:07:53 > 0:07:55And no place.

0:07:55 > 0:07:59Just give me plenty of country to circulate around.

0:07:59 > 0:08:03Give me plenty of people to say howdy to and goodbye.

0:08:03 > 0:08:05I'm a migratory worker, that's all.

0:08:05 > 0:08:09Time comes around, I gotta get to migrating.

0:08:13 > 0:08:16Give us a lift on the gate, will you, Padre?

0:08:16 > 0:08:19Somebody's coming up from the house.

0:08:22 > 0:08:25For the love of mud! Tony!

0:08:28 > 0:08:30Ha-ha-ha!

0:08:31 > 0:08:33- Joe!- Tony!

0:08:33 > 0:08:35Why did you come back so soon for?

0:08:35 > 0:08:38I gotta big news to talk about.

0:08:38 > 0:08:40Padre! Hiya, Padre.

0:08:40 > 0:08:43- How's Tony? - How'sa Tony? How'sa Tony?

0:08:43 > 0:08:45Is very funny, you know. How'sa Tony?

0:08:45 > 0:08:48Ha! Ha! Ha!

0:08:48 > 0:08:50Tony isa gonna get married.

0:08:51 > 0:08:53Holy...!

0:08:53 > 0:08:55smoke.

0:08:55 > 0:08:57You're surprised, huh?

0:08:57 > 0:09:00Everybody's surprised, no?

0:09:00 > 0:09:02Even Tony's surprised.

0:09:02 > 0:09:04- Who is she, Tony?- Amy.

0:09:04 > 0:09:06He goes to San Francisco and meets a...

0:09:06 > 0:09:09Don't you speak so...

0:09:09 > 0:09:11My Amy nice girl.

0:09:11 > 0:09:15Couldn't you have found a nice girl round here?

0:09:15 > 0:09:18No nice girl around here, not since Joe come.

0:09:18 > 0:09:20You're magnifying me.

0:09:20 > 0:09:24We're surprised. I'd about given you up as a bachelor.

0:09:24 > 0:09:26Why?

0:09:26 > 0:09:30I figured if you wanted a wife, you'd have got one long ago.

0:09:30 > 0:09:34When I got to San Francisco, I say I got everything.

0:09:36 > 0:09:38What is the good of all this?

0:09:38 > 0:09:40I no got wife...

0:09:41 > 0:09:43to make happy.

0:09:43 > 0:09:48And I no got kids to make rich and big and strong like me.

0:09:48 > 0:09:50Some day Tony die, sure.

0:09:50 > 0:09:52Who cry for Tony?

0:09:52 > 0:09:54Joe, are you listening?

0:09:57 > 0:09:59No.

0:09:59 > 0:10:01Tony no got everything.

0:10:04 > 0:10:08But Tony...know what he want.

0:10:08 > 0:10:13I know what I want. To get out before I'm nurse to his bambinos.

0:10:13 > 0:10:16You may as well know I'm not going to marry you.

0:10:16 > 0:10:18Padre?

0:10:18 > 0:10:20Not me. Not a chance.

0:10:20 > 0:10:23Padre, Padre, what are going for to do?

0:10:23 > 0:10:27You and Amy can come up with me to Sacramento.

0:10:27 > 0:10:31I'm not going to marry you, but I'll be your best man.

0:10:31 > 0:10:34The Bishop's going to marry you.

0:10:34 > 0:10:36Bishop? Corpo di Baccho!

0:10:36 > 0:10:38The Boss?

0:10:38 > 0:10:42In the big church in Sacramento.

0:10:42 > 0:10:45The big Madonna and the people are singing.

0:10:45 > 0:10:47And the Bishop all dressed up.

0:10:47 > 0:10:50San Giovanni.

0:10:50 > 0:10:52Well, so long, Tony.

0:10:52 > 0:10:54See you later.

0:10:54 > 0:10:57So long, Padre.

0:10:57 > 0:11:00Joe, come back to the house. We got to talk.

0:11:00 > 0:11:03You can talk while I pack. I'm leaving.

0:11:03 > 0:11:05- Oh, no, no.- Oh, yes.

0:11:05 > 0:11:08Oh, no, no, no. You always leaving.

0:11:13 > 0:11:15Son of a gun.

0:11:20 > 0:11:22Come bella! So lovely.

0:11:22 > 0:11:25- All I do. Look at me. - Are you plumb crazy?

0:11:25 > 0:11:28He said it happened like Tony say.

0:11:28 > 0:11:32You told the padre about it, you ain't told the girl.

0:11:32 > 0:11:34She don't know who you are even.

0:11:34 > 0:11:37- It'll be OK when Amy get the letter. - What letter?

0:11:37 > 0:11:42- The letter for my Amy. - Sure. You'll write her a letter.

0:11:42 > 0:11:44No. YOU'RE going to writea the letter.

0:11:51 > 0:11:53- What's her name?- Amy.

0:11:53 > 0:11:55San Giovanni, my Amy.

0:11:55 > 0:11:57Amy what?

0:11:57 > 0:12:00What's the diff? Soon it's Amy Patucci.

0:12:00 > 0:12:04You don't even know her last name?

0:12:04 > 0:12:06What's the diff?

0:12:06 > 0:12:08You can't start the letter.

0:12:08 > 0:12:10- Why?- Why?

0:12:10 > 0:12:14You can't just put "My dear Miss" and leave a blank space.

0:12:15 > 0:12:18Whata you write? "My dear Miss."

0:12:18 > 0:12:20Oh, no. It's no good.

0:12:20 > 0:12:22You start for writing soft.

0:12:22 > 0:12:25My Amy, my lovely Amy, most beautiful...

0:12:25 > 0:12:27Oh, my... You can't say that.

0:12:27 > 0:12:30- Why?- You can't. She don't know who you are even.

0:12:30 > 0:12:36You gotta be formal. You gotta start out "My dear Miss last name."

0:12:36 > 0:12:39No, no, no. Joe.

0:12:39 > 0:12:42You a smart fella with the girls, huh?

0:12:42 > 0:12:46You go down to Napa night time and you meeta girl. She never seen you.

0:12:46 > 0:12:50You likea the looks and what do you say?

0:12:50 > 0:12:52You say my dear Miss last name?

0:12:52 > 0:12:54Aaah!

0:12:54 > 0:12:56You say, "Hiya, babe."

0:12:58 > 0:13:01- That's something else.- Why?

0:13:01 > 0:13:04My intentions ain't marriage, Tony.

0:13:08 > 0:13:10Maybe it's right.

0:13:10 > 0:13:13Getting married is serious business.

0:13:13 > 0:13:17It's formal like funerals or playing stud poker.

0:13:17 > 0:13:20You gotta say the right things.

0:13:20 > 0:13:24Are you going to let me handle this or just disturb my train of thought?

0:13:24 > 0:13:27You go ahead. You writea letter.

0:13:27 > 0:13:29OK.

0:13:29 > 0:13:31- My...- My...

0:13:31 > 0:13:33- dear...- dear...

0:13:33 > 0:13:35- Miss...- Miss...

0:13:38 > 0:13:40- Amy.- Amy.

0:13:41 > 0:13:43"A ranch in the Napa valley.

0:13:43 > 0:13:46"I got lots of grapes and lots of money.

0:13:46 > 0:13:49"I'm United States citizen, final papers.

0:13:49 > 0:13:53"I wish you and me could write lots of letters and get friendly.

0:13:53 > 0:13:57"Yours respectfully, Tony P... Patucci," I guess.

0:13:58 > 0:14:00"PS, I'm not married."

0:14:02 > 0:14:04I've never even seen the guy.

0:14:04 > 0:14:07"I wish you and me could get real friendly."

0:14:07 > 0:14:10- "I am United States citizen." - What's so funny?

0:14:10 > 0:14:13"PS, I am not married."

0:14:13 > 0:14:16- Get it? - You think you're real smart.

0:14:16 > 0:14:20A guy comes in. Does he get fresh? No, he writes me a letter.

0:14:20 > 0:14:24Have you got any letters? Maybe he's ignorant, but he's honest

0:14:24 > 0:14:27or he wouldn't have written me a letter.

0:14:27 > 0:14:29Why don't you answer him?

0:14:29 > 0:14:34I wouldn't expect you to know, but the well-bred answer letters.

0:14:34 > 0:14:36Mrs Patucci!

0:14:36 > 0:14:40Somebody made a very uncalled-for remark.

0:14:40 > 0:14:42Mrs Patucci!

0:14:42 > 0:14:45You want this spaghetti about your person?

0:14:45 > 0:14:47Hey!

0:14:51 > 0:14:53Nobody's marrying anybody.

0:14:53 > 0:14:56Nobody asked anybody to marry anybody.

0:14:56 > 0:14:58Mrs Patucci.

0:15:08 > 0:15:12Millie, could we borrow the typewriter tonight?

0:15:12 > 0:15:14- What for?- To write a letter.

0:15:14 > 0:15:16- Do it by hand. - I want you to write it.

0:15:16 > 0:15:18You went to business school.

0:15:18 > 0:15:22- To do business letters. - Businesslike is how I want it.

0:15:22 > 0:15:25So we gotta borrow the typewriter.

0:15:32 > 0:15:34What are you writing?

0:15:34 > 0:15:36- The stuff at the top.- What stuff?

0:15:36 > 0:15:40That stuff that goes at the top of the letter.

0:15:40 > 0:15:42You're doing it right, huh?

0:15:42 > 0:15:45I gotta say I got his letter and it was nice...

0:15:45 > 0:15:47- Who's it to?- Oh...

0:15:49 > 0:15:53Mr Tony Patucci, RFD No.2, Napa, California.

0:15:55 > 0:15:57- Who?- Patucci.

0:15:57 > 0:15:59P-A-T-U-C-C-I. Patucci.

0:16:00 > 0:16:02No cracks.

0:16:02 > 0:16:07I got his letter. I got his letter and I want to thank him, see?

0:16:08 > 0:16:10Joe! Joe!

0:16:11 > 0:16:13Joe! Joe!

0:16:15 > 0:16:17Joe! Hey!

0:16:17 > 0:16:20Joe! It's the letter!

0:16:20 > 0:16:22Joe! The letter!

0:16:22 > 0:16:24- Amy?- Amy, Amy, Amy.

0:16:24 > 0:16:27I'll be doggoned. She answered you.

0:16:27 > 0:16:30I must have wrote a first class letter.

0:16:30 > 0:16:32You read the words.

0:16:34 > 0:16:36- It's print.- Print?

0:16:38 > 0:16:40It'sa print.

0:16:40 > 0:16:42- Read the print.- Yeah.

0:16:45 > 0:16:49"116 Calliope Street, San Francisco, California.

0:16:49 > 0:16:51"June 19th."

0:16:51 > 0:16:54All I put on your letter was just a date.

0:16:54 > 0:16:56- Read the print.- Yeah.

0:16:57 > 0:17:02"Mr Tony Patucci, RFD No.2, Napa Valley, California.

0:17:02 > 0:17:07"Dear Sir, Yours of the 18th inst. received and contents noted."

0:17:11 > 0:17:13What?

0:17:13 > 0:17:17Well, the 18th inst. received and contents noted.

0:17:17 > 0:17:21- Louder! You gotta read louder! - If it don't make sense,

0:17:21 > 0:17:24- it ain't my fault!- I no understand.

0:17:24 > 0:17:26Move on.

0:17:26 > 0:17:30"After due consideration, I am pleased to state

0:17:30 > 0:17:34"that further communications from you will be well received."

0:17:35 > 0:17:37HE MUTTERS

0:17:42 > 0:17:44Tony, everything's OK!

0:17:44 > 0:17:48- How do you know? - What she says. Communications.

0:17:48 > 0:17:50- What?- More letters.

0:17:50 > 0:17:52- More letters?- Yeah.

0:17:52 > 0:17:57"Thanking you for your communication, I remain, Yours sincerely, Amy Peters."

0:17:57 > 0:18:00- Tony gotta see.- She likes you!

0:18:00 > 0:18:03- You bet she likes you! - Amy, Amy, it's OK.

0:18:04 > 0:18:07San Giovanni! Johnny, Johnny, I thank you.

0:18:09 > 0:18:13Joe? What's the matter? Is something not good?

0:18:13 > 0:18:17Oh, no, everything's fine, but you and me got things to do.

0:18:17 > 0:18:20We gotta write another communication.

0:20:09 > 0:20:11I don't want to talk about it.

0:20:11 > 0:20:16- You don't know what you're getting into.- I know what I'm getting OUT of.

0:20:16 > 0:20:20Me coming home at two every night. When was we ever out in the sun?

0:20:20 > 0:20:23We had a nice vacation last summer.

0:20:25 > 0:20:29- I'm sorry...I hate leaving you... - It ain't that.

0:20:29 > 0:20:33Millie, you can go back to your folks in Sacramento if you want.

0:20:33 > 0:20:35I got nobody to go back to.

0:20:35 > 0:20:40The old man died of drink, my old lady went away, I don't know where.

0:20:40 > 0:20:44- I guess she died.- You don't even know what he looks like!

0:20:44 > 0:20:47Am I going to wait tables all my life?!

0:20:47 > 0:20:50- What kind of a life is...? - KNOCKING AT DOOR

0:20:50 > 0:20:53- This thing... - KNOCKING CONTINUES

0:20:53 > 0:20:55Pucker up.

0:20:55 > 0:20:57All right, all right.

0:21:01 > 0:21:03Decent people go to bed at night.

0:21:09 > 0:21:14- You don't know what you're getting into. - I know what I WANT, Millie.

0:21:14 > 0:21:16I want a place of my own.

0:21:16 > 0:21:21Somebody thinking about me once in a while. Not all the time.

0:21:21 > 0:21:25But regular, like church bells ringing.

0:21:27 > 0:21:32Mr Patucci wants kids - a guy like that, that's what he wants.

0:21:32 > 0:21:34That's OK by me, Millie.

0:21:34 > 0:21:36That's OK by me.

0:22:02 > 0:22:08"In answer to your question, will I marry you, I'm pleased to reply in the affirmative."

0:22:08 > 0:22:12Don't write that "yours truly" stuff! Write "love".

0:22:12 > 0:22:15You don't even know what he looks like.

0:22:15 > 0:22:17OK.

0:22:17 > 0:22:21Please will he send his picture. But put it like a PS.

0:22:21 > 0:22:26I don't want him thinking there's any "ifs". Or that I ain't sure.

0:22:52 > 0:22:54Hold it. Easy, now. Easy.

0:22:54 > 0:22:56No, no, Joe.

0:22:56 > 0:23:00Will you sit quiet?! It ain't gonna hurt.

0:23:06 > 0:23:09HE MUTTERS

0:23:09 > 0:23:13- I haven't used one of these in years.- Sit down!

0:23:13 > 0:23:15It's just a thing for the head.

0:23:15 > 0:23:18Where'd you find this guy? Out in the hills?

0:23:18 > 0:23:24- Tony's OK. He just ain't used to having his picture took. - You're telling me.

0:23:24 > 0:23:26Keep your head against it.

0:23:30 > 0:23:32Keep your head against it!

0:23:33 > 0:23:36Listen, Tony, be good, will you?

0:23:36 > 0:23:38Just sit there.

0:23:38 > 0:23:41Think about the ranch.

0:23:41 > 0:23:43Think about all them swell grapes.

0:23:43 > 0:23:48Think about them 200 gallons of wine you drunk last year.

0:23:48 > 0:23:50OK, mister, shoot!

0:23:50 > 0:23:52No, don't shoot! No, no!

0:23:52 > 0:23:54Are you half crazy?

0:23:54 > 0:23:56What did you take so long for?

0:23:56 > 0:23:59- What were you doing? - Take him out of here!

0:23:59 > 0:24:02He's paying you good money.

0:24:02 > 0:24:05Look, I got a wife and children. I got a bad heart.

0:24:05 > 0:24:10Some things are more important than money. Get him out of here!

0:24:14 > 0:24:18Wait a minute, mister. Shoot me. ..Get up.

0:24:18 > 0:24:22He'll take my picture first. I'll show you how easy it is.

0:24:22 > 0:24:24See? I ain't scared.

0:24:30 > 0:24:34Ready? Shoot.

0:24:34 > 0:24:36OK.

0:24:36 > 0:24:38See? HE MUTTERS

0:24:38 > 0:24:40What? HE MUTTERS

0:24:41 > 0:24:44He's done! The picture's took.

0:24:44 > 0:24:46HE MUMBLES What?

0:24:46 > 0:24:48(I don't like the big explosion.)

0:24:48 > 0:24:50That ain't no explosion!

0:24:50 > 0:24:53All the time you say "shoot!" What is it?

0:24:57 > 0:24:59Oh, I get it. Sit down.

0:24:59 > 0:25:03There won't be no trouble this time, mister.

0:25:05 > 0:25:10Did you ever hear about silent pictures? These are silent pictures.

0:25:10 > 0:25:12Pose like I posed.

0:25:12 > 0:25:14You want Amy to come, don't you?

0:25:14 > 0:25:16Pose like I posed.

0:25:16 > 0:25:17Smile.

0:25:17 > 0:25:20Smile. Smile pretty, now.

0:25:20 > 0:25:22Smile. Now smile.

0:25:25 > 0:25:26Ready?

0:25:28 > 0:25:30CAMERA CLICKS

0:26:41 > 0:26:43TRAIN BLOWS

0:26:51 > 0:26:53­ Tony!

0:26:53 > 0:26:57You want Amy getting off the train and nobody to meet her?

0:26:57 > 0:26:59What's the matter?

0:26:59 > 0:27:02It's five to 12. You ain't got time for this.

0:27:02 > 0:27:08When she see this fella she marry with, she go right back in San Francisco.

0:27:08 > 0:27:10What are you talking about?

0:27:10 > 0:27:12She knows what you look like.

0:27:12 > 0:27:15- You sent her a picture, didn't you? - No.

0:27:15 > 0:27:19- I no send her Tony's picture. I sent Joe's.- What?

0:27:19 > 0:27:21What I do, Joe? What I do?

0:27:21 > 0:27:24Wait a minute. You sent her MY picture?

0:27:24 > 0:27:26Tony's scary. She won't come.

0:27:26 > 0:27:28Holy...!

0:27:31 > 0:27:34Joe... Joe...

0:27:35 > 0:27:38You go down the station and meet my Amy.

0:27:38 > 0:27:41Oh, no! I'm leaving. I'm going to pack my stuff.

0:27:41 > 0:27:44- TRAIN BLOWS - That's the train.

0:27:44 > 0:27:47- You meet my Amy, please?! - Quit grabbing me!- Joe!

0:27:47 > 0:27:53Tell her Tony make a mistake. He send the wrong picture. You tell her nice easy.

0:27:53 > 0:27:58Tell her "nice easy" she ain't marrying me, she's marrying you!

0:27:58 > 0:28:02Joe, please. Joe, please. Joe! Please! Please! Please!

0:28:02 > 0:28:04Please! Joe, Joe, Joe!

0:28:06 > 0:28:08You dumb, helpless...

0:28:11 > 0:28:13OK.

0:28:30 > 0:28:32BIRD COOS

0:28:35 > 0:28:37Go away.

0:28:37 > 0:28:39Will you go away?!

0:28:40 > 0:28:42Are you the la...

0:29:03 > 0:29:05For us.

0:29:09 > 0:29:11Oh!

0:29:24 > 0:29:27I'm kind of... Are you embarrassed?

0:29:27 > 0:29:29I...I sure am.

0:29:29 > 0:29:31That's funny. So am I.

0:29:57 > 0:30:01Mr Patucci, getting married is a serious business.

0:30:01 > 0:30:05No doubt some persons think we're treating it lightly.

0:30:05 > 0:30:10But people fall in love at first sight. I'm getting MARRIED at first sight.

0:30:10 > 0:30:15My folks knew each other for five years before they got married.

0:30:15 > 0:30:17Yet every night, every...

0:30:17 > 0:30:19- HE MOUTHS - Hmm?

0:30:22 > 0:30:26Excuse me, Mr Patucci, I thought you was about to say something.

0:30:26 > 0:30:28Uh, yeah, I was going to.

0:30:29 > 0:30:31No.

0:30:31 > 0:30:33Oh.

0:30:33 > 0:30:36Well, as I was about to remark, Tony,

0:30:36 > 0:30:40I thought it over and I don't want you to think

0:30:40 > 0:30:43I'm the type that does things like this all the time.

0:30:43 > 0:30:47Mildred - my most intimate girlfriend - she...

0:30:47 > 0:30:49- HE MOUTHS - Beg pardon?

0:30:49 > 0:30:52Oh, nothing.

0:30:52 > 0:30:54- I...I was...- You was just thinking?

0:30:54 > 0:30:58Yeah. Yeah, I was just...

0:30:58 > 0:31:00Thinking.

0:31:00 > 0:31:02I admire men that think.

0:31:02 > 0:31:05They always got such interesting things to say.

0:31:07 > 0:31:09Sooner or later...

0:31:09 > 0:31:12HE MOUTHS

0:32:02 > 0:32:04Who's that?

0:32:04 > 0:32:07You never said anything about your old man.

0:32:14 > 0:32:16- I didn't tell her.- Hm?

0:32:16 > 0:32:18Hey!

0:32:21 > 0:32:23- Where's he going?- Who?- Tony.

0:32:23 > 0:32:25Ah...

0:32:25 > 0:32:27He uh...

0:32:34 > 0:32:37Nice place. Sure?

0:32:38 > 0:32:40Sure.

0:32:42 > 0:32:45All grape, you know.

0:32:46 > 0:32:49That's the besta grape in Napa County.

0:32:53 > 0:32:5515,000 in the bank.

0:32:58 > 0:33:00What's happened to Tony?

0:33:00 > 0:33:02Will you see the house?

0:33:29 > 0:33:31That's a new curtain.

0:33:38 > 0:33:42Citizen of the United States - that's me.

0:33:44 > 0:33:48That's the President of the United States.

0:33:51 > 0:33:53UNRULY CHORDS

0:33:53 > 0:33:55Piano.

0:33:57 > 0:33:59It's new.

0:34:02 > 0:34:04Tonight, we got big festa.

0:34:04 > 0:34:07Singing and dancing, and all for Amy.

0:34:09 > 0:34:11What's happened to Tony?

0:34:13 > 0:34:15You see the kitchen?

0:34:15 > 0:34:20I'm not going one step farther without Tony. I don't understand this one bit.

0:34:20 > 0:34:23I'm Tony Patucci!

0:34:27 > 0:34:29(I'm Tony Patucci.)

0:34:30 > 0:34:34What are you talking about? I seen Tony's picture.

0:34:34 > 0:34:35What are you? Crazy?

0:34:35 > 0:34:38No, no, no. It's Tony, me.

0:34:38 > 0:34:40Tony Patucci.

0:34:40 > 0:34:42I don't understand.

0:34:42 > 0:34:45I senta you Joe's picture.

0:34:45 > 0:34:48Tony's scared you not come.

0:34:48 > 0:34:50Holy mackerel!

0:34:50 > 0:34:52What have I got into?

0:34:56 > 0:34:57No look at me like that.

0:34:58 > 0:35:01Oh...

0:35:01 > 0:35:04Please, please don't be scared.

0:35:04 > 0:35:06Tony will love you, sure.

0:35:06 > 0:35:09All I want is my Amy should smile.

0:35:09 > 0:35:13I go to the grape and the money's in the bank.

0:35:13 > 0:35:16What for, except for make my Amy fat and smile.

0:35:16 > 0:35:20Please, oh, please, no cry.

0:35:20 > 0:35:23Amy. Amy.

0:35:23 > 0:35:27You no go back in San Francisco. You stay here with Tony?

0:35:27 > 0:35:32Tonight we got festa - swell. Lots of fun. Cost plenty money.

0:35:32 > 0:35:35Tomorrow, we got the wedding.

0:35:35 > 0:35:37You stay, huh?

0:35:37 > 0:35:40You no go back, please.

0:35:42 > 0:35:44Who said I was going back?

0:35:44 > 0:35:47You got a nice place here, just like you said.

0:35:47 > 0:35:51Could have saved us a lot of grief. About the picture.

0:35:51 > 0:35:54I'd have come anyway.

0:35:54 > 0:35:57I said I'd marry you. OK, I'll marry you.

0:35:57 > 0:35:59San Giovanni!

0:36:03 > 0:36:05Ohhh!

0:36:05 > 0:36:07That's good! That's fine!

0:36:07 > 0:36:09Thank you! Thank you!

0:36:09 > 0:36:11Oh, that's good!

0:36:13 > 0:36:15ENTHUSIASTIC SINGING

0:36:20 > 0:36:22MEN SING: # La-la, la-la, la-la-la-la

0:36:22 > 0:36:23# La-la, la-la, la-la-la

0:36:23 > 0:36:25# La-la, la-la, la-la-la-la

0:36:25 > 0:36:27# La-la-la, la-la-la, la

0:36:31 > 0:36:34# Oh-oh-oh, ah-ah-ah

0:36:35 > 0:36:40How's the party, Joe? Anybody hurt yet? Not that I know of.

0:36:40 > 0:36:42I only come here for that!

0:36:42 > 0:36:44Evening, Nada!

0:36:44 > 0:36:47Are you sure there's nobody hurt yet?

0:36:47 > 0:36:49Must be an awful dull party.

0:36:49 > 0:36:52Miss Amy, meet the doc. Friend of Tony's.

0:36:52 > 0:36:55Any friend of Tony's is a friend of mine.

0:36:55 > 0:36:57Hey!

0:36:58 > 0:37:00Wave at Tony.

0:37:02 > 0:37:04Tony!

0:37:04 > 0:37:06Hi there!

0:37:06 > 0:37:08See? He's showing off.

0:37:08 > 0:37:13He'll do what the other fellas do so they know he's man enough to marry.

0:37:13 > 0:37:15Amy! Look at me! Look at me!

0:37:15 > 0:37:17Amy!

0:37:26 > 0:37:28ALL CHEER

0:37:28 > 0:37:30MUSIC RESUMES

0:37:33 > 0:37:35SINGING RESUMES

0:37:37 > 0:37:40I gotta get me something to eat.

0:37:45 > 0:37:48- Nice evening.- It is indeed.

0:37:48 > 0:37:53- About the words to that song... - It's quite unnecessary to explain. Believe me.

0:37:53 > 0:37:58What I'm really trying to say, about that mix-up this noon...

0:37:58 > 0:38:02That too is quite unnecessary to explain. Believe me.

0:38:02 > 0:38:04ALL CHEER THE END OF THE SONG

0:38:11 > 0:38:13Amy! Look at me!

0:38:13 > 0:38:16Everybody! Look at me!

0:38:24 > 0:38:29- You don't like me. - Indeed, any friend of Tony's is a friend of mine.

0:38:29 > 0:38:32You don't have to like me. Plenty others do.

0:38:32 > 0:38:34I got no doubt of that.

0:38:37 > 0:38:39Plenty others.

0:38:45 > 0:38:49You know what I'm glad I ain't? An insurance company.

0:38:54 > 0:38:57Hold them up! Hold them up!

0:39:12 > 0:39:14Look at me!

0:39:14 > 0:39:15Attaboy, Tony!

0:39:15 > 0:39:16Bravo, Tony!

0:39:16 > 0:39:18WILD CHEERING

0:39:20 > 0:39:22MUSIC RESUMES

0:39:29 > 0:39:31Certainly surprised.

0:39:32 > 0:39:34Nobody's hurt yet.

0:39:36 > 0:39:39I'm gonna kiss the bride! Doggone fool!

0:39:39 > 0:39:41I got a right to kiss the bride!

0:39:41 > 0:39:44You want to get yourself killed?!

0:39:45 > 0:39:47Well, well, well!

0:40:02 > 0:40:04MUSIC STOPS

0:40:08 > 0:40:11- He got fresh with Amy.- Is no good.

0:40:11 > 0:40:16- What do you mean?- Is no right that Joe sock him. Tony should sock him.

0:40:16 > 0:40:20- Hey...- You want my Amy to think that Tony no love her?

0:40:20 > 0:40:25- That Tony a pussycat? - If somebody's gonna get socked...

0:40:25 > 0:40:30- Tony, you're being ridiculous. - No, Tony's a big, strong fella. Look at me.

0:40:30 > 0:40:35- Don't you sock no fellas. - OK, OK. You can have the next one.

0:40:38 > 0:40:42- Better be no next one. - Hey, Tony, andiamo!

0:40:42 > 0:40:45You watcha me, Amy. Watcha me.

0:40:45 > 0:40:48MUSIC RESUMES

0:40:57 > 0:40:59# La-la, la-la, la-la-la-la

0:40:59 > 0:41:01# La-la, la-la-la-la, la-la

0:41:02 > 0:41:05# Oh-oh-oh, ah-ah-ah

0:41:15 > 0:41:16Joe...

0:41:17 > 0:41:20I appreciated what you just done.

0:41:20 > 0:41:22Forget it.

0:41:23 > 0:41:27- I'm sorry I ain't been nice to you. I apologise.- Forget it.

0:41:27 > 0:41:30I don't want you thinking I got a mean character.

0:41:32 > 0:41:35- What are they doing now, Joe? - Showing off.

0:41:41 > 0:41:42Hey!

0:41:47 > 0:41:49Hey!

0:41:49 > 0:41:51What's the matter?

0:41:51 > 0:41:55I bet you you no can do that, Tony. Come on! Let me see you!

0:42:03 > 0:42:07- Amy... Amy! - Hey, where are you going?- Amy!

0:42:11 > 0:42:13Amy!

0:42:37 > 0:42:40You don't need to worry. I'm leaving.

0:42:40 > 0:42:44I don't know what you're talking about.

0:42:44 > 0:42:45No?

0:42:45 > 0:42:47Amy!

0:42:47 > 0:42:49You'd better stay away from me.

0:42:49 > 0:42:50Amy!

0:42:50 > 0:42:53Amy, look at me. Look at me! Amy!

0:42:55 > 0:42:57Come on! Tony's up on the roof!

0:42:58 > 0:42:59Amy!

0:42:59 > 0:43:00Amy!

0:43:00 > 0:43:03Talk to me. Talk to me!

0:43:03 > 0:43:06Amy, talk to me!

0:43:07 > 0:43:08Holy...!

0:43:08 > 0:43:10Amy...!

0:43:14 > 0:43:15Tony!

0:43:21 > 0:43:22Get my bag!

0:43:29 > 0:43:31Ah, Tony... Tony...

0:43:32 > 0:43:35JOE: Stay back. Tony... Tony!

0:43:35 > 0:43:37DOCTOR: Get him in the house.

0:43:39 > 0:43:41Easy, now. Stay back.

0:43:42 > 0:43:45Watch out. Take it easy, boys.

0:43:56 > 0:43:59CROWD MUTTER AND MURMUR

0:44:32 > 0:44:35MAN: Quiet. Sshh. Here comes Joe.

0:44:38 > 0:44:43The doc says everybody's to go home. Tony's broke both his legs. He's...

0:44:43 > 0:44:50He's gonna be OK but he's serious hurt. He broke both his legs. So, everybody go home.

0:44:50 > 0:44:52Go on, now.

0:45:10 > 0:45:13Well? I gave him a shot. He'll be OK for tonight.

0:45:13 > 0:45:15Will he be able to walk?

0:45:15 > 0:45:17Well...

0:45:18 > 0:45:22I'd like to bring down a specialist from Sacramento.

0:45:22 > 0:45:26If you're any kind of a doctor, YOU could tell us.

0:45:26 > 0:45:27Now, lady...

0:45:27 > 0:45:31I'm just a plain, ordinary country doctor.

0:45:31 > 0:45:35Lady, the things I don't know you could herd like cows.

0:45:35 > 0:45:37Excuse me.

0:45:39 > 0:45:41Shall we get the specialist? OK.

0:45:41 > 0:45:44I'll go borrow the hospital's X-ray machine.

0:45:44 > 0:45:47Keep an eye on him till I get back.

0:45:50 > 0:45:52I'm sorry about tomorrow, Amy.

0:45:52 > 0:45:54We all are.

0:45:54 > 0:45:56See you later.

0:46:12 > 0:46:15Anything happens, I'll be down in my shack.

0:46:44 > 0:46:47- Where are you going? - To move him upstairs.- Later.

0:46:47 > 0:46:52- The doc said...- Leave him alone. He's in there with the padre.

0:46:52 > 0:46:55Leave him alone.

0:47:04 > 0:47:09As soon as you can walk, you can get married. And no sooner.

0:47:09 > 0:47:11Pussycat(!)

0:47:11 > 0:47:13Por diavolo!

0:47:13 > 0:47:17How can I ask the bishop to marry a healthy, young girl

0:47:17 > 0:47:20with a rambunctious hunk of wreckage like you?

0:47:20 > 0:47:26You know what the specialist said - it'll be six months till you're well.

0:47:26 > 0:47:32- Three months. - The specialist said six months. - Pah! Two months.- Oh, Tony...

0:47:32 > 0:47:36What's wrong with Tony? Tibula-fibula.

0:47:36 > 0:47:41- Huh?- The specialist say all that's wrong with Tony is a tibula-fibula.

0:47:41 > 0:47:43What are you talking about, Tony?

0:47:46 > 0:47:48Look...

0:47:50 > 0:47:52Tibula. Fibula.

0:47:52 > 0:47:54Tibula. Fibula.

0:47:56 > 0:47:58Two months.

0:47:58 > 0:48:00Is Tony.

0:48:00 > 0:48:02Is all right, huh?

0:48:14 > 0:48:16Padre...

0:48:16 > 0:48:19Padre is scared about Tony, huh?

0:48:21 > 0:48:23Padre no be scared. Tony OK.

0:48:23 > 0:48:25Sure.

0:48:27 > 0:48:30Tibula-fibula get OK too.

0:48:36 > 0:48:38Here he comes. >

0:48:38 > 0:48:40Where you been, Joe?

0:48:40 > 0:48:44Hurry up, Joe. In a minute. In a minute?

0:48:44 > 0:48:47- Where's he going? How do- I- know?

0:48:50 > 0:48:52- Anybody want...?- Sssh.

0:48:53 > 0:48:57- Is he asleep already?- Yeah. I gave him the powder the doc left.

0:48:57 > 0:48:59HORN HONKS Joe! >

0:48:59 > 0:49:01Hey, take it easy.

0:49:13 > 0:49:15- WEAKLY:- Hold my hand.

0:49:20 > 0:49:22Oh, Joe...

0:49:23 > 0:49:28Now, lay there quiet, Tony. You'll wake up tomorrow feeling real nice.

0:49:32 > 0:49:35(The boys are waiting on me.)

0:49:35 > 0:49:37Where are you going?

0:49:38 > 0:49:40Napa.

0:49:44 > 0:49:47Have a good time, Joe...

0:50:05 > 0:50:07(I'd better get going.)

0:50:22 > 0:50:24(Will you stop!)

0:50:24 > 0:50:27I...gotta get going.

0:50:27 > 0:50:30(Go ahead. What's keeping you?)

0:52:54 > 0:52:56I thought you went to town.

0:52:58 > 0:52:59Ohh...

0:53:00 > 0:53:02Oh!

0:53:04 > 0:53:06Don't touch me!

0:53:06 > 0:53:11- You hurt yourself.- I did not! I thought you went to town.

0:53:11 > 0:53:14- I didn't go. - No, you follow me instead.

0:53:14 > 0:53:16I dropped my flashlight.

0:53:18 > 0:53:21- Give it to me.- It's broke. - I can hit you with it.

0:53:21 > 0:53:25- What did I ever do to you? PLEADING:- Get away from me.

0:53:25 > 0:53:29SHE CHOKES BACK A SOB

0:53:29 > 0:53:32Go on. Go away and leave me alone.

0:53:32 > 0:53:36Go into town, see your girlfriends, like you were going to.

0:53:36 > 0:53:42Leave the valley and don't come back. That's what you want, ain't it? OK, why don't you?

0:53:44 > 0:53:47Why don't you go back to San Francisco?

0:53:50 > 0:53:52Why should I?

0:53:52 > 0:53:56Hang around here, you'll drive me crazy.

0:53:57 > 0:54:00Me, I'm driving YOU crazy?

0:54:02 > 0:54:04Don't touch m...

0:54:07 > 0:54:09Oh, Joe...

0:54:09 > 0:54:11Please...stop it.

0:54:11 > 0:54:15Think about Tony. He's your friend. He's...

0:54:16 > 0:54:20Oh, I knew it. I KNEW it!

0:54:23 > 0:54:25Joe...

0:54:53 > 0:54:56Amy!

0:54:56 > 0:54:57Joe!

0:55:01 > 0:55:02What...

0:55:03 > 0:55:10- I guess it'd do no good apologising. - Don't speak to me. Don't come near me never any more.

0:55:10 > 0:55:13We both gotta live here in the same place.

0:55:13 > 0:55:16Look... We...

0:55:16 > 0:55:18I wish I was dead.

0:55:23 > 0:55:25Ah Gee!

0:55:26 > 0:55:28Joe!

0:55:29 > 0:55:30Amy!

0:55:31 > 0:55:35Somebody!

0:55:35 > 0:55:37Ah, is Joe.

0:55:37 > 0:55:40- Morning.- Don't it feel most good? Look at me!

0:55:40 > 0:55:43Poor Joe has to work.

0:55:43 > 0:55:45- I'm leaving you.- Huh?

0:55:45 > 0:55:48You heard me. I'm pulling out.

0:55:48 > 0:55:51Oh, Joe.

0:55:51 > 0:55:58I got a right to leave on Sunday. I ain't got any right leaving during the week but this is Sunday.

0:55:58 > 0:56:01Joe, you and me is good friends.

0:56:01 > 0:56:04You no do such a thing to good friend, no.

0:56:04 > 0:56:08- Do what? - We're going to bust a ranch.

0:56:08 > 0:56:16In two months, when Tony dance on the feet, we bust a ranch. THEN Joe go away. Sure, that's fine.

0:56:16 > 0:56:17But now?

0:56:17 > 0:56:19So soon?

0:56:19 > 0:56:21I'm leaving now.

0:56:24 > 0:56:26Something's no good.

0:56:26 > 0:56:29Something's making Joe unhappy.

0:56:29 > 0:56:34Can't you understand? You and me - that was one thing. Just us.

0:56:34 > 0:56:36But now...

0:56:36 > 0:56:39- I want to get away, and that's that. - Amy.

0:56:39 > 0:56:42Well? What about her?

0:56:45 > 0:56:49Amy... Tony feel fine. How YOU feel?

0:56:49 > 0:56:51Good morning, Tony.

0:56:51 > 0:56:57- You no speak good morning with Joe? - Wonderful eggs for you this morning, Tony.

0:56:57 > 0:57:01Joe want to go away, no come back. Joe go away now.

0:57:01 > 0:57:08- We don't have to have a discussion. - I should say not. What are you waiting for? Go ahead.

0:57:08 > 0:57:11Joe and Amy mad. That's very funny.

0:57:11 > 0:57:14Yes, is very funny.

0:57:14 > 0:57:17I don't see nothing funny.

0:57:17 > 0:57:18Joe.

0:57:18 > 0:57:20Amy.

0:57:20 > 0:57:22What's the matter?

0:57:22 > 0:57:27Amy say do this and do that? You no like woman should be boss.

0:57:27 > 0:57:31Joe get mad, he say things you no like.

0:57:31 > 0:57:33Joe. Amy.

0:57:34 > 0:57:36Tony...

0:57:36 > 0:57:38He love you both.

0:57:40 > 0:57:45Tony love Joe...like his own son.

0:57:48 > 0:57:53Tony love Amy like the grape on the vine, the star in the sky.

0:57:56 > 0:57:59Oh, Joe, Amy...

0:57:59 > 0:58:04Peoples, they no should fight.

0:58:04 > 0:58:08No should say mean thing, make the face.

0:58:08 > 0:58:13God, He look down from the sky and He see the nice world He make.

0:58:13 > 0:58:16And He see you fight. And what He think?

0:58:16 > 0:58:18Huh?

0:58:18 > 0:58:20Nice work.

0:58:20 > 0:58:24Plenty rooms for everybody.

0:58:24 > 0:58:28People, they fight and make the face.

0:58:28 > 0:58:35People should love each other, like Tony love his Amy, like Tony love his Joe.

0:58:36 > 0:58:38Shake the hand.

0:58:42 > 0:58:46(Hey... Joe, Amy.)

0:58:46 > 0:58:49(Shake the hand, shake the hand.)

0:58:56 > 0:59:00Ah, that's good. That's very good!

0:59:00 > 0:59:02That's fine!

0:59:02 > 0:59:06How many egg Ah Gee fried for Tony? Half a doz?

0:59:06 > 0:59:12- I'll stick around till you can walk, Tony. No longer.- Good boy, Joe. - Till you can walk.

0:59:38 > 0:59:40TONY LAUGHS TRIUMPHANTLY

0:59:40 > 0:59:42There we are.

0:59:42 > 0:59:45- Tony go. Tony go.- Be careful.

0:59:45 > 0:59:47Tony go.

0:59:51 > 0:59:53Ay...yaaa!

0:59:53 > 0:59:57Hallelujah! Two months! It ain't possible.

0:59:57 > 1:00:01- San Giovanni!- Ho-ho-ho! Ha-ha-ha! - Take it easy, take it easy.

1:00:01 > 1:00:04Tony walk some more.

1:00:04 > 1:00:08Tony go to show Joe. Tony go to show everybody. JO-OE!

1:00:08 > 1:00:11- <- Look at me!

1:00:11 > 1:00:13- <- Joe, look!

1:00:15 > 1:00:18Ha-ha! Joe!

1:00:18 > 1:00:20Sit down there.

1:00:20 > 1:00:24The feet and the tibula and fibula is OK!

1:00:26 > 1:00:30Thanks, my friend. You've done a great job. I'm a free man.

1:00:30 > 1:00:32- <- Padre, when the wedding?

1:00:32 > 1:00:36- Say the word and plenty fast.- >

1:00:36 > 1:00:38Oh, Tony, wait a few days.

1:00:38 > 1:00:42You're doggone right we'll wait. We can't rush the Bishop.

1:00:42 > 1:00:45- We're going to Sacramento.- >

1:00:45 > 1:00:48But why I got to wait a few days?

1:00:49 > 1:00:52OK. I think if I talk to the right people,

1:00:52 > 1:00:55I can fix it up for tomorrow morning.

1:00:55 > 1:00:58Tomorrow? Padre, that's fine.

1:00:58 > 1:01:01Amy. Amy.

1:01:01 > 1:01:05Ask him to stay and eat with us, Tony. Celebrate!

1:01:05 > 1:01:07Padre, Doc and Joe...

1:01:07 > 1:01:09- What do we got?- Apple pie.

1:01:09 > 1:01:12Apple pie?!

1:01:12 > 1:01:14It's apple pie.

1:01:14 > 1:01:16Come on, Tony.

1:01:20 > 1:01:23Tomorrow's the bishop's busy day.

1:01:23 > 1:01:25How about we start real early?

1:01:25 > 1:01:28- I'll pick you up right here at sun-up.- It's good.

1:01:28 > 1:01:34Wait a minute. I don't know if I ought to recommend this marriage.

1:01:34 > 1:01:38- Huh?- That young lady doesn't eat enough.

1:01:38 > 1:01:40It's true.

1:01:40 > 1:01:45Amy, if you want to make Tony happy, you've just got to get fat.

1:01:45 > 1:01:49I'd feel more optimistic if you'd finish your pie.

1:01:49 > 1:01:51I can't eat any more!

1:01:51 > 1:01:53The padre's only kidding.

1:01:53 > 1:01:55I'm sorry.

1:01:57 > 1:02:02Excuse me for flying off, padre. On hot days like this, I guess I...

1:02:02 > 1:02:04Sure, I understand.

1:02:05 > 1:02:07Well, I must be going.

1:02:07 > 1:02:09No, no, no.

1:02:09 > 1:02:14Those McGintys up in the hills are at it again. I've got to go.

1:02:14 > 1:02:18Excuse me, Amy, for making bad jokes about a mighty sacred thing.

1:02:18 > 1:02:21I mean, a happy marriage.

1:02:25 > 1:02:30What in thunder has this world ever invented that's more desirable,

1:02:30 > 1:02:34more beautiful, more down-to-earth inspiring

1:02:34 > 1:02:38than a good, solid, happy marriage?

1:02:38 > 1:02:40And a good solid happy home.

1:02:42 > 1:02:46And just between us...don't go telling people I said it...

1:02:47 > 1:02:50..what's harder to find?

1:02:52 > 1:02:55Well, I've got to be seeing the McGintys.

1:02:57 > 1:03:00Amy, Tony...

1:03:01 > 1:03:03..you're gonna be happy.

1:03:03 > 1:03:06You're gonna live a long while.

1:03:07 > 1:03:09You shouldn't be kidded.

1:03:09 > 1:03:12You should be encouraged and nourished along.

1:03:13 > 1:03:16You ought to be watered like roses.

1:03:19 > 1:03:21I'll see you about sun-up.

1:03:23 > 1:03:25God bless you both.

1:03:27 > 1:03:29So long.

1:03:29 > 1:03:31So long, padre.

1:03:43 > 1:03:48The padre fella, he speaka so nice, even when he don't speak loud, eh?

1:03:52 > 1:03:54Excuse me.

1:03:54 > 1:03:56Amy! Amy!

1:03:56 > 1:03:59- What's going on? - Watch out for yourself, Tony.

1:03:59 > 1:04:02She's fainted. That's all. I can manage.

1:04:02 > 1:04:05Take care of yourself, Tony. Watch out.

1:04:13 > 1:04:15Something's happened.

1:04:15 > 1:04:18Quit worrying. I keep telling you...

1:04:18 > 1:04:21Forget all about it, Tony. She's fine.

1:04:21 > 1:04:24Let her rest. She'll be all right by evening.

1:04:24 > 1:04:26Phew!

1:04:27 > 1:04:31You'd better get some rest yourself.

1:04:31 > 1:04:32Joe.

1:04:52 > 1:04:56What goes on? I thought you wanted to talk to me. I do.

1:04:56 > 1:04:59I don't get all this hide-and-seek stuff.

1:05:00 > 1:05:02It's Amy.

1:05:07 > 1:05:11Well? What's the matter with her?

1:05:11 > 1:05:13You ought to know.

1:05:17 > 1:05:19Doc!

1:05:19 > 1:05:24I told her I'd tell you but I wouldn't tell nobody else.

1:05:37 > 1:05:39A guy like you, Joe,

1:05:39 > 1:05:42makes me ashamed of the whole human race.

1:05:42 > 1:05:44We're all so smart.

1:05:44 > 1:05:48We learn how to control everything except ourselves.

1:05:50 > 1:05:53I suppose I ought to be thankful.

1:05:53 > 1:05:57The world can't be any better than the people that live in it.

1:05:59 > 1:06:01At least they're not all like you.

1:06:02 > 1:06:04I don't mean nothing to Amy.

1:06:06 > 1:06:08Amy don't mean nothing to me.

1:06:09 > 1:06:12We've hardly even spoke since.

1:06:12 > 1:06:14It was just...

1:06:15 > 1:06:17Holy...!

1:06:17 > 1:06:20What am I gonna do?

1:06:20 > 1:06:22I ain't got nothing to suggest.

1:06:23 > 1:06:25Except this...

1:06:25 > 1:06:27You're not running away.

1:06:27 > 1:06:31You're sticking here till you get this settled.

1:06:33 > 1:06:38The padre's gonna be here in the morning. It had better be settled.

1:06:40 > 1:06:43Doc!

1:06:45 > 1:06:50Doc, try and think. Tell me something to do. I'll do anything.

1:06:50 > 1:06:53I'm sorry, Joe. I've got just one suggestion.

1:06:53 > 1:06:55And that's for Tony.

1:06:59 > 1:07:01What is it?

1:07:01 > 1:07:03I hope he kills you.

1:07:05 > 1:07:08As a matter of fact, he probably will.

1:07:17 > 1:07:20RADIO: "Sounds like a lot of good songs.

1:07:20 > 1:07:22"You hit it right on the nose.

1:07:22 > 1:07:27"And that's what I'm gonna do to y'all, if you don't shut up.

1:07:27 > 1:07:33"The motto of another Play Day for the children..."

1:07:34 > 1:07:37- They're such most funny fellas, huh?- Yes.

1:07:39 > 1:07:45Amy and Tony listen to the radio, sit on the sofa, holda the hand.

1:07:45 > 1:07:50That's how it'sa going to be a long, long time.

1:07:52 > 1:07:54Amy...

1:07:54 > 1:07:56..and Tony.

1:07:59 > 1:08:01HE SIGHS DEEPLY

1:08:02 > 1:08:05What Amy gonna wear for the wedding?

1:08:05 > 1:08:07I don't know.

1:08:08 > 1:08:13Amy wearing white, I bet.

1:08:13 > 1:08:15Carrying the red flower.

1:08:15 > 1:08:17Sure.

1:08:18 > 1:08:21Tony is such a most lucky fella!

1:08:24 > 1:08:26HE SIGHS DEEPLY

1:08:31 > 1:08:34San Giovanni! Why we not think before?

1:08:34 > 1:08:36- Tony got to have the festa!- Tony...!

1:08:36 > 1:08:39Tomorrow night. Ah Gee!

1:08:39 > 1:08:43- Tony, you don't need another festa. - Tony so happy, he gotta.

1:08:45 > 1:08:47Ah Gee, get Joe.

1:08:47 > 1:08:49Sure, boss.

1:08:51 > 1:08:53Oh, Amy, no worry.

1:08:53 > 1:08:56Tony no fall off the roof this time.

1:08:56 > 1:08:58Oh, no!

1:09:02 > 1:09:06- I gotta talk, and you gotta listen. - Just hold that hand.

1:09:06 > 1:09:08I'm holding it as tight as I can.

1:09:08 > 1:09:12- Maybe someday I won't be here. - No. No say such thing.

1:09:12 > 1:09:15Maybe you'll be here all by yourself.

1:09:15 > 1:09:19- And when you think about me you'll hate me.- What's the matter?

1:09:19 > 1:09:22You've got to remember every word I say.

1:09:22 > 1:09:25The two months I've lived here

1:09:25 > 1:09:28have been the happiest months I ever lived.

1:09:28 > 1:09:30- Do you hear me, Tony?- Tony hear you.

1:09:30 > 1:09:34If anything happens, it wasn't your fault, it was mine.

1:09:34 > 1:09:38Amy, nothing gonna happen.

1:09:38 > 1:09:41I came here to marry you because you were rich.

1:09:41 > 1:09:46I want to marry you now because you're the greatest guy alive.

1:09:46 > 1:09:48Tony, remember what I said.

1:09:48 > 1:09:51Oh, no, no, no!

1:09:51 > 1:09:53Nothing gonna happen!

1:09:53 > 1:09:55Amy, Amy...

1:09:57 > 1:09:59Mr Joe, he gone.

1:09:59 > 1:10:03Ah, Joe! All the time he got to go to Napa.

1:10:03 > 1:10:08No, no. Mr Joe go away. No come back. He take all his clothes!

1:10:10 > 1:10:12Joe go away.

1:10:12 > 1:10:14Yes, sir.

1:10:26 > 1:10:29Joe go away and not tell Tony goodbye.

1:10:29 > 1:10:31Maybe it's a good way to go.

1:10:31 > 1:10:33No, no, no.

1:10:33 > 1:10:38But when there's things you can't say. Not even one word...

1:10:38 > 1:10:41People should say goodbye.

1:10:42 > 1:10:45They should shake the hand.

1:10:46 > 1:10:49Tony no understand.

1:10:49 > 1:10:51Don't try to understand, Tony.

1:10:51 > 1:10:56There's good people in the world and there's the kind that go away.

1:10:57 > 1:10:59People should shake the hand.

1:11:00 > 1:11:04Just don't let him hurt you, Tony. Don't let him.

1:11:32 > 1:11:34Where'd you come from?

1:11:34 > 1:11:39- What's all this? Where are you going? - Sh! Tony's right there!

1:11:39 > 1:11:43- Where do you think you're going? - I can't stay here, can I?

1:11:43 > 1:11:45You haven't gone and told him?

1:11:46 > 1:11:51- Coward! First you sneak away. Then you sneak back. - I came back, didn't I?

1:11:51 > 1:11:54Yeah. In the middle of the night.

1:11:54 > 1:11:56Where are you going?

1:11:56 > 1:12:01How are you gonna make a living? People gotta make a living.

1:12:01 > 1:12:04What did you come back for? I don't need you.

1:12:04 > 1:12:08- You've got no place to go. - I bet you feel real bad(!)

1:12:08 > 1:12:12- You was always so noble(!) - I've come back to marry you.

1:12:13 > 1:12:15Marry me?

1:12:15 > 1:12:19I've got some money saved up. I can get a job someplace.

1:12:19 > 1:12:22You'd honest-to-goodness marry me?

1:12:22 > 1:12:26Sure. I spent the whole night thinking, Amy.

1:12:26 > 1:12:28I made up my mind.

1:12:30 > 1:12:32I've got to do what's right.

1:12:32 > 1:12:34Sure.

1:12:34 > 1:12:36You've got nothing to worry about.

1:12:36 > 1:12:39I'm doing the right thing, so...

1:12:41 > 1:12:46I'd marry you? Give up my life to a guy who brings out the worst in me?

1:12:46 > 1:12:50A few minutes I lose my head. I sink as low as you.

1:12:50 > 1:12:54I do something I'll be ashamed for till the day I die!

1:12:54 > 1:12:58I'd marry you? Do you think I've sunk where I can't get insulted?

1:13:06 > 1:13:08OK by me.

1:13:12 > 1:13:14No harm in asking.

1:13:15 > 1:13:17Well, goodbye.

1:13:21 > 1:13:23Take that downstairs for you?

1:13:23 > 1:13:25Yeah. Put it in the truck.

1:13:28 > 1:13:30Don't make any noise.

1:13:42 > 1:13:44Joe.

1:13:47 > 1:13:49Middle of the night, Joe.

1:13:49 > 1:13:51I no understand.

1:13:51 > 1:13:53What's...?

1:13:54 > 1:13:57Ah... What Tony care for understand?

1:13:57 > 1:13:59Joe, he's come back.

1:14:02 > 1:14:05Ah, Joe!

1:14:05 > 1:14:07Joe.

1:14:15 > 1:14:17Tony...

1:14:17 > 1:14:20Tony...

1:14:29 > 1:14:31Tony. Tony!

1:14:32 > 1:14:34Tony!

1:14:48 > 1:14:50My Amy go away...

1:14:52 > 1:14:54..with Joe?

1:14:54 > 1:14:57No. I wouldn't go with Joe for a million dollars!

1:14:57 > 1:15:01- Amy go away? - I can't stay here, that's all!- Why?

1:15:01 > 1:15:04I CAN'T stay here, that's all.

1:15:04 > 1:15:08Tony, I love you, but...

1:15:08 > 1:15:10Why you not stay here?

1:15:10 > 1:15:12Please, please just let me go off.

1:15:12 > 1:15:15SHE WEEPS

1:15:18 > 1:15:20Tony got to know!

1:15:20 > 1:15:22MURMUR OF VOICES

1:15:31 > 1:15:33- No! Oh.- >

1:15:40 > 1:15:42AMY WEEPS

1:16:14 > 1:16:17Tony, don't! Tony! No! Oh, Tony!

1:16:28 > 1:16:30Tony, no more! No more.

1:16:55 > 1:16:57TONY SOBS

1:17:26 > 1:17:30Can I take the truck? I'll leave it at the railroad station.

1:17:30 > 1:17:33Leave the keys with the fella down there.

1:17:35 > 1:17:40I didn't want you to know. I wanted to go and not say anything.

1:17:40 > 1:17:45You'd have thought I was crazy, but wouldn't have known what I did.

1:17:45 > 1:17:48Can't you say anything? Can't you just...

1:17:48 > 1:17:51I...gotta go, Tony.

1:17:51 > 1:17:53People ought to say goodbye.

1:17:53 > 1:17:57It's how you always said, they oughta shake hands.

1:18:02 > 1:18:04Amy!

1:18:04 > 1:18:06Amy!

1:18:09 > 1:18:13The padre's come. Please don't tell him what happened.

1:18:13 > 1:18:17- Let him think we decided I should go.- Amy, you listen.

1:18:22 > 1:18:24Good morning, Padre.

1:18:24 > 1:18:27I met Joe.

1:18:34 > 1:18:37I'm very sorry, Tony. Bottom of my heart.

1:18:37 > 1:18:42I've been counting on this Sacramento trip as much as you.

1:18:44 > 1:18:46I'm very sorry.

1:18:50 > 1:18:54Amy and Tony going in Sacramento just the same.

1:18:55 > 1:18:57- What?- You don't mean that.

1:18:57 > 1:18:59Tony mean it. Where you got to go?

1:18:59 > 1:19:02You got no money. How you gonna have the baby?

1:19:02 > 1:19:04Why should you care?

1:19:04 > 1:19:06It don't belong to you.

1:19:06 > 1:19:10What you mean? Tony want him. Tony raise him.

1:19:10 > 1:19:15Tony make him big and strong. Tony make him rich. What do you mean,

1:19:15 > 1:19:20- the little fella not belong to Tony? - You're being good, that's all.

1:19:20 > 1:19:22No, no, no. That's good sense.

1:19:22 > 1:19:25What is Tony wanting? The wife and the kid.

1:19:25 > 1:19:30What is the good of this fine house, the grape and cook, and I no got my Amy?

1:19:30 > 1:19:32But what I done! Think of what I done!

1:19:32 > 1:19:37Amy, what you done, one time you no using the head, you make a mistake.

1:19:37 > 1:19:41Tony using the head, Amy staying here.

1:19:41 > 1:19:44It's good sense.

1:19:44 > 1:19:48It's good sense the world needing.

1:19:48 > 1:19:52Everywhere, the peoples, they're not happy.

1:19:52 > 1:19:54They fight and makea the face.

1:19:54 > 1:19:56For why?

1:19:56 > 1:19:58Peoples they know what they want,

1:19:58 > 1:20:01but peoples, they're not using the head.

1:20:01 > 1:20:07Padre, Amy and me, now, we no can fixing the world, so everybody happy.

1:20:07 > 1:20:10But Amy and me, we using the head.

1:20:10 > 1:20:13We fixing ourself.

1:20:13 > 1:20:17Padre, now maybe that's a very good thing.

1:20:17 > 1:20:24Sure, maybe, they also making God feel lots more good.

1:20:26 > 1:20:28Pretty soon,

1:20:28 > 1:20:32he's sticking His face outta from the sky.

1:20:32 > 1:20:35He taking a look at His world and he saying "hm, hm".

1:20:35 > 1:20:41"Two peoples in the Napa Valley, California, they're using the head."

1:20:41 > 1:20:46What a nice day it's gonna be.

1:20:55 > 1:21:01There ain't many people in the world, Amy, that's big enough for that kind of forgiving.

1:21:01 > 1:21:06When you run across one, you can't just ignore him.

1:21:17 > 1:21:21Tony never done anything bad himself.

1:21:21 > 1:21:23So maybe it's not so hard. He can forget.

1:21:23 > 1:21:27I done something! I can't.

1:21:27 > 1:21:29Amy.

1:21:29 > 1:21:33You're the greatest guy that ever was, Tony.

1:21:33 > 1:21:36That's how you can forgive so quick.

1:21:36 > 1:21:38I ain't that great.

1:21:38 > 1:21:41I can't get forgiven!

1:21:41 > 1:21:43Not yet.

1:21:57 > 1:21:59Tony,

1:21:59 > 1:22:02circumstances being what they are,

1:22:02 > 1:22:05I'll see that Amy's taken care of.

1:22:08 > 1:22:10Just for a while.

1:22:29 > 1:22:31COCK CROWS

1:22:43 > 1:22:46Don't worry too much, Tony.

1:22:46 > 1:22:49The world always looks worse than it is.

1:22:49 > 1:22:52But sooner or later,

1:22:52 > 1:22:55as sure as we live,...

1:22:59 > 1:23:03God'll have His chance.

1:23:06 > 1:23:09Now what a nice day that's gonna be.