0:00:07 > 0:00:09WOMAN BREATHES NERVOUSLY
0:00:09 > 0:00:15This film contains some strong language and some scenes of a sexual nature.
0:00:15 > 0:00:19FOOTSTEPS
0:00:24 > 0:00:26FOOTSTEPS APPROACH
0:00:34 > 0:00:35MAN: Good.
0:00:36 > 0:00:38METAL SCRAPES
0:00:40 > 0:00:43HE SPEAKS IN GERMAN
0:00:43 > 0:00:45Come on, sweetie, smile.
0:00:45 > 0:00:47Don't be shy.
0:00:47 > 0:00:50These internet pictures are important.
0:00:50 > 0:00:5220 beautiful girls on one web page.
0:00:52 > 0:00:54Why do they pick you?
0:00:56 > 0:00:58You need a drink?
0:00:58 > 0:01:00Drink? No.
0:01:02 > 0:01:03Help you relax.
0:01:03 > 0:01:05I don't need drink for relax.
0:01:05 > 0:01:07MAN SNIGGERS
0:01:07 > 0:01:09Get undressed.
0:01:12 > 0:01:15Yes, yes, yes, yes, yes, yes.
0:01:15 > 0:01:17So turn around. Turn around.
0:01:17 > 0:01:19Smile.
0:01:19 > 0:01:20CAMERA CLICKS
0:01:28 > 0:01:30Don't move, don't move. Yes, great.
0:01:34 > 0:01:35Yeah, yeah.
0:01:42 > 0:01:43Stop, stop.
0:01:45 > 0:01:46That's good.
0:01:53 > 0:01:55Head up, head up.
0:02:09 > 0:02:12So, how much...
0:02:12 > 0:02:13Anna.
0:02:13 > 0:02:16SHE SPEAKS SLOVAK
0:02:16 > 0:02:17"How much money will I get?"
0:02:17 > 0:02:19How much money will I get?
0:02:19 > 0:02:21It depends. It depends.
0:02:21 > 0:02:23I had one girl... Come on.
0:02:23 > 0:02:25OK.
0:02:25 > 0:02:27I had one girl... Blanka...
0:02:27 > 0:02:29was rich after one day.
0:02:29 > 0:02:31Wow.
0:02:32 > 0:02:34You have something to change?
0:02:36 > 0:02:38She was smart, you know?
0:02:38 > 0:02:42Her first client was a sheik, an Arab, ja?
0:02:42 > 0:02:45She saw a big aktentasche, full of dollars.
0:02:45 > 0:02:47Sends me an SMS,
0:02:47 > 0:02:50"Come quick" and I come quick to the hotel room.
0:02:50 > 0:02:54"Hello, room service."
0:02:54 > 0:02:57And afterwards we split it, 50/50, you understand?
0:02:57 > 0:02:58Yes.
0:02:58 > 0:03:01That's good. Smile, smile, smile, smile, smile.
0:03:01 > 0:03:02CAMERA BEEPS
0:03:06 > 0:03:08OK, sit here.
0:03:08 > 0:03:09So...
0:03:09 > 0:03:12So do you choose a name already?
0:03:12 > 0:03:14Yes.
0:03:15 > 0:03:17Blanka.
0:03:17 > 0:03:19HE CHUCKLES
0:03:19 > 0:03:21We are done, Blanka.
0:03:28 > 0:03:32So when will the pictures be on internet?
0:03:32 > 0:03:34When you want, schatzi?
0:03:34 > 0:03:36Tonight.
0:03:36 > 0:03:38Tonight?
0:03:38 > 0:03:39No, schatzi, no.
0:03:39 > 0:03:42There are so many other girls waiting.
0:03:43 > 0:03:45Unless...
0:03:45 > 0:03:47you do something for me.
0:03:49 > 0:03:51Joke?
0:04:11 > 0:04:14She's cute. She can work for me too.
0:04:14 > 0:04:16My sister? Never.
0:04:16 > 0:04:18Why? She's too good for this?
0:04:18 > 0:04:21Yes. She has heart.
0:04:21 > 0:04:25- I have a heart. - No, you don't.
0:04:25 > 0:04:31MUSIC: "Helium Reprise" by Tin Hat Trio feat. Tom Waits
0:04:45 > 0:04:48# This blinding kiss
0:04:50 > 0:04:53# Breathes helium
0:04:53 > 0:04:56# Into my heart
0:04:58 > 0:05:02# And erases the embraces
0:05:02 > 0:05:05# Of all of the lovers
0:05:08 > 0:05:12# With this kiss
0:05:16 > 0:05:18# Your ruby lips
0:05:21 > 0:05:24# Speak for themselves
0:05:24 > 0:05:27# They tell nothing but lies
0:05:29 > 0:05:32# But dissolve into the wax
0:05:32 > 0:05:36# Of a flickering candle
0:05:40 > 0:05:43# In this kiss
0:05:48 > 0:05:49# And this kiss... #
0:05:49 > 0:05:52MOBILE PHONE RINGS
0:05:55 > 0:05:56Hello?
0:05:58 > 0:05:59Good news.
0:05:59 > 0:06:03- Tomorrow, 7:00PM, Hotel Steigenberger.- Rocco.
0:06:03 > 0:06:06Top manager, in town for auto show.
0:06:07 > 0:06:09Are you going to say thank you?
0:06:09 > 0:06:11- Thank you. - You see?
0:06:11 > 0:06:13You're good to me, I'm good to you.
0:06:14 > 0:06:17Tomorrow, 7:00, Hotel Steigenberger.
0:06:17 > 0:06:21Yeah? And don't be late?
0:06:21 > 0:06:23- OK. - And look elegant, nice, yeah?
0:06:23 > 0:06:26Understand? He's a top manager.
0:06:26 > 0:06:27- OK? - Top manager.
0:06:54 > 0:06:55Ciao.
0:06:59 > 0:07:01ANNA: "What is your job?"
0:07:01 > 0:07:02What is your job?
0:07:06 > 0:07:07"You are a nice man."
0:07:07 > 0:07:08You are a nice man.
0:07:15 > 0:07:16"Today"...
0:07:19 > 0:07:21"Today, I went to a fitness centre with my girlfriend."
0:07:21 > 0:07:23Today, I went to a fitness centre with...
0:08:23 > 0:08:27MOBILE PHONE RINGS
0:08:29 > 0:08:31Hello.
0:08:31 > 0:08:34ROCCO: OK, schatzi, he's waiting at the bar.
0:08:34 > 0:08:37His name is Michael Daly.
0:08:37 > 0:08:39They are booking us for two hours.
0:08:39 > 0:08:42Listen, very important, you don't take the money
0:08:42 > 0:08:45in public place. You take the money at the room.
0:08:45 > 0:08:47As soon as you have the money, you give me a call
0:08:47 > 0:08:49to say everything's OK. OK?
0:08:49 > 0:08:52So good luck, schatzi.
0:08:52 > 0:08:56I think he's even more nervous than you.
0:08:56 > 0:08:58GENERAL CHATTER
0:09:44 > 0:09:45Hey, Michael.
0:09:46 > 0:09:49There you are. I've been looking for you.
0:09:49 > 0:09:52Listen, we've come to tell you that we have reconsidered
0:09:52 > 0:09:54and we agree to your price at 400 per unit.
0:09:54 > 0:09:56Really?
0:09:56 > 0:09:58Yeah, plus delivery within 90 days.
0:10:00 > 0:10:02- So what do you say? - That's very interesting.
0:10:02 > 0:10:03I'm sorry. You catch me at a bad moment.
0:10:03 > 0:10:06All I can tell you is that you won't find anyone in Europe
0:10:06 > 0:10:08- who can match that offer. - As it happens,
0:10:08 > 0:10:10I got an offer yesterday from the Estonian suppliers
0:10:10 > 0:10:12who beat that, both in delivery dates and price.
0:10:12 > 0:10:14Estonia? OK.
0:10:14 > 0:10:17Well, you know, go ahead, do your business in the Baltics.
0:10:17 > 0:10:20See how you like it. We've done it, once.
0:10:20 > 0:10:21Never again. Worse than the Russians.
0:10:21 > 0:10:23My responsibility is cutting the costs.
0:10:23 > 0:10:25And their figures are very good.
0:10:25 > 0:10:27Speaking of good figures,
0:10:27 > 0:10:31I see they started letting in hookers here again.
0:10:31 > 0:10:32How do you know she's a hooker?
0:10:32 > 0:10:35- Come on, it's obvious. Look at her...the hair, the dress. - MOBILE PHONE RINGS
0:10:35 > 0:10:36Excuse me.
0:10:42 > 0:10:44No, Daddy can't speak right now.
0:10:44 > 0:10:46- GIRL ON PHONE: - Can I get a dog, please?
0:10:46 > 0:10:48A dog? You want a dog?
0:10:48 > 0:10:51You know Louise in my class? She got one for her birthday.
0:10:51 > 0:10:54I'd rather talk about it tomorrow when I get home.
0:10:54 > 0:10:56- I'm not very keen, Ellie. - Why not?
0:10:56 > 0:11:00Because I will be the one taking it for a walk every night.
0:11:00 > 0:11:03- Please, please?! - We...
0:11:03 > 0:11:06Don't get upset. We'll talk about it tomorrow.
0:11:06 > 0:11:09Yes, I'm coming back. I'll see you in the play.
0:11:09 > 0:11:10All right, night, night.
0:11:10 > 0:11:12- Love you. - I love you too.
0:11:22 > 0:11:24- "Blanka." - Sorry about that.
0:11:24 > 0:11:26That's her. Her name is Blanka.
0:11:26 > 0:11:30What interests me is whether she's here looking for business
0:11:30 > 0:11:33or waiting for a customer that she has already arranged to meet,
0:11:33 > 0:11:35in which case I suggest we sit here
0:11:35 > 0:11:37and wait for the dirty bugger to show up
0:11:37 > 0:11:39and then take pictures of him to blackmail him with.
0:11:41 > 0:11:44Sadly there's no reviews yet or else I could tell you how good she was...
0:11:44 > 0:11:46- Reviews? - Yeah, reviews.
0:11:46 > 0:11:48Guys who have seen girls, they write reviews
0:11:48 > 0:11:49and then post them on the site.
0:11:49 > 0:11:53I can't believe you want to share that with me in a business meeting.
0:11:53 > 0:11:54Why? It's not a crime.
0:11:54 > 0:11:57It's hardly something to be proud of either.
0:11:57 > 0:11:59I'm sorry. I didn't know that I was dealing with the moral majority here.
0:11:59 > 0:12:01Just someone with a little self-respect.
0:12:01 > 0:12:03Good luck with the rest of the fair.
0:12:16 > 0:12:18MUSIC: "Small Song" by Lhasa De Sela
0:12:18 > 0:12:22# I made a small, small song
0:12:24 > 0:12:31# I made a small, small song
0:12:33 > 0:12:38# I sang it all night long
0:12:38 > 0:12:41# All through the wind and rain
0:12:41 > 0:12:48# Until the morning came... #
0:12:50 > 0:12:53Hello, love, it's me.
0:12:55 > 0:12:57I'm sitting in a restaurant...
0:12:59 > 0:13:02..alone, wishing you were here.
0:13:08 > 0:13:12# I sang it all night long
0:13:12 > 0:13:16# And when the morning came
0:13:16 > 0:13:24# I had to start all over again
0:13:25 > 0:13:31# My song is so, so small
0:13:34 > 0:13:38# If I was right, I would be wrong
0:13:38 > 0:13:40# Don't be afraid
0:13:40 > 0:13:48# It's just a small song. #
0:13:51 > 0:13:52Hello, sweetheart. Me again.
0:13:53 > 0:13:56Look, I'm just calling to say good night.
0:13:56 > 0:13:58If you get this in the next ten minutes,
0:13:58 > 0:14:01call me back in my room because my phone will be charging.
0:14:01 > 0:14:04If not...
0:14:04 > 0:14:05sweet dreams.
0:14:05 > 0:14:07We'll speak tomorrow.
0:14:07 > 0:14:09I love you...
0:14:09 > 0:14:12more than ever. I wanted you to know that.
0:14:21 > 0:14:23PHONE RINGS
0:14:26 > 0:14:28Hi, baby. Were you in the bath?
0:14:28 > 0:14:30'As a matter of fact I was, yes.'
0:14:30 > 0:14:33- Sorry? - Oh, Michael.
0:14:33 > 0:14:37Reflecting on what a beautiful evening I just had.
0:14:37 > 0:14:38How was yours?
0:14:38 > 0:14:41Fine, thank you. It's a bit late for this, isn't it?
0:14:41 > 0:14:43Of course, I'm sorry. I won't keep you long.
0:14:43 > 0:14:45It's just a... just a quick word.
0:14:45 > 0:14:49Literally, it's one single word.
0:14:49 > 0:14:50Blanka.
0:14:52 > 0:14:54Got your attention now, haven't I?
0:14:54 > 0:14:56I don't know what you're talking about.
0:14:56 > 0:14:57Oh, I think you do, Michael.
0:14:57 > 0:15:02Because after you left, I went over to chat to our little Slovakian friend.
0:15:02 > 0:15:06And after it turned out that her 7:00 appointment was a no-show,
0:15:06 > 0:15:09I did the only decent thing that a gentleman could do
0:15:09 > 0:15:12in these circumstances and I booked her.
0:15:12 > 0:15:15Now after the main event,
0:15:15 > 0:15:17which was excellent, by the way,
0:15:17 > 0:15:20Olympic, five-star review on its way,
0:15:20 > 0:15:24I asked her what she had been doing at the bar of the hotel.
0:15:24 > 0:15:26Is this where she would always drum up business
0:15:26 > 0:15:28or had she been stood up?
0:15:28 > 0:15:31And she told me that she had gone there
0:15:31 > 0:15:35to meet someone from the automobile show.
0:15:35 > 0:15:36"Really?" I said. "Who?"
0:15:36 > 0:15:39Cos I know a lot of the guys, right?
0:15:39 > 0:15:41Now thinking that she would say something like,
0:15:41 > 0:15:43"Mr Presley" or "Mr Pacino,"
0:15:43 > 0:15:46cos they'd never be stupid enough to give their actual name,
0:15:46 > 0:15:48do you know what she said?
0:15:50 > 0:15:52"Daly."
0:15:52 > 0:15:54"Michael Daly."
0:15:56 > 0:15:59So, Mr Michael Daly,
0:15:59 > 0:16:03esteemed company director with a little self-respect
0:16:03 > 0:16:05and wedding ring on finger,
0:16:05 > 0:16:08how about we have breakfast tomorrow morning,
0:16:08 > 0:16:11you and me, and we renegotiate whatever it is
0:16:11 > 0:16:14you agreed with those Estonian gypsies?
0:16:14 > 0:16:17Let's say 7:30 in the restaurant?
0:16:43 > 0:16:45SIREN WAILS IN DISTANCE
0:17:12 > 0:17:17MUSIC: "Les Etoiles" by Melody Gardot
0:21:48 > 0:21:49CAMERA CLICKS
0:22:11 > 0:22:13- Hi, Siobhan. - Hello again.
0:22:23 > 0:22:26SHOWER RUNNING
0:22:37 > 0:22:38Coming.
0:22:45 > 0:22:49- Hi.- You're half an hour late. - I know.
0:22:50 > 0:22:52- Hi. - I missed you.
0:22:52 > 0:22:54Rui?
0:22:54 > 0:22:56- I want to talk to you. - Yeah?
0:22:56 > 0:22:58- Can we talk? - Can I kiss you?
0:22:58 > 0:23:01Can we talk first, please? I need to talk to you.
0:23:01 > 0:23:03Why? What's wrong?
0:23:06 > 0:23:10We... Will you stop? We can't... We have to stop this.
0:23:10 > 0:23:12You're kidding, right?
0:23:12 > 0:23:14No. Can you put some clothes on, please?
0:23:14 > 0:23:16- Put your clothes on. - OK.
0:23:16 > 0:23:19Yeah, OK, I'm decent now.
0:23:19 > 0:23:20- Rui! - Let's... Let's talk.
0:23:20 > 0:23:23What? It's not the first time you see it, is it?
0:23:26 > 0:23:29Please help me out here a little bit.
0:23:29 > 0:23:31You are so beautiful. I missed you.
0:23:34 > 0:23:35(Rui.)
0:23:38 > 0:23:41What's wrong? Do I make too many demands on you?
0:23:41 > 0:23:43No, that's not what I'm talking about.
0:23:43 > 0:23:45Do I make you...?
0:23:45 > 0:23:48I make you happy, right? I make you feel good.
0:23:48 > 0:23:50- Yes. - We have a good time together?
0:23:50 > 0:23:53- Yes. - So why change it?
0:23:53 > 0:23:57Cos you're 25 years old.
0:23:57 > 0:23:59That's the beauty of it. We're different.
0:23:59 > 0:24:00I have so many responsibilities.
0:24:00 > 0:24:03I love your responsibilities.
0:24:03 > 0:24:05We don't have a future.
0:24:06 > 0:24:08We have a beautiful present.
0:24:08 > 0:24:12We can have a future if you'll let me try.
0:24:12 > 0:24:14- Rui. - Let me be part of your life.
0:24:59 > 0:25:03And what about work?
0:25:03 > 0:25:06How should we do that?
0:25:06 > 0:25:09I mean, like total strangers?
0:25:09 > 0:25:13We... We have to stop that, too.
0:25:15 > 0:25:19You know you promised to... to keep me in work, right?
0:25:21 > 0:25:23Said you would make me...
0:25:23 > 0:25:25a staff photographer and all that?
0:25:27 > 0:25:29That was very irresponsible.
0:25:31 > 0:25:33A little.
0:25:34 > 0:25:37That's OK, I guess.
0:25:43 > 0:25:46If you need help with money, I can always do that.
0:25:49 > 0:25:52What was that, now?
0:25:52 > 0:25:55Rose, you just never understand, you never accept
0:25:55 > 0:25:57how I feel about you, you know?
0:25:57 > 0:25:59What this means to me. I actually love you.
0:25:59 > 0:26:01I'm sorry about that.
0:26:22 > 0:26:26- WOMAN:- And finally, the "Day in the Life of the City" spread.
0:26:26 > 0:26:28We've locked down the text. And with regard to the photos,
0:26:28 > 0:26:32Rose, I know you've suggested your Brazilian photographer again.
0:26:32 > 0:26:35And I just want to confirm we're all very happy with that idea.
0:26:35 > 0:26:37Well, I actually wanted to make a suggestion.
0:26:37 > 0:26:39I feel that we've been using him a lot recently.
0:26:39 > 0:26:41So there are two photographers here whose work
0:26:41 > 0:26:44I think might suit this story better.
0:26:46 > 0:26:48Well, thank you, everyone.
0:26:49 > 0:26:51SHE SIGHS
0:27:03 > 0:27:05HE WHISTLES
0:27:05 > 0:27:06Laura?
0:27:14 > 0:27:16Laura?
0:28:23 > 0:28:25Hi... Harriet?
0:28:25 > 0:28:27This is Rui.
0:28:27 > 0:28:30Is Laura there with you? Did she call you or something?
0:28:30 > 0:28:32Because she's gone. I don't know what happened.
0:28:32 > 0:28:35She packed up everything and she is gone.
0:28:35 > 0:28:38I mean, she's really gone.
0:28:40 > 0:28:42Yeah, OK, if she calls you or anything,
0:28:42 > 0:28:46just call me. Yeah.
0:28:46 > 0:28:49Yeah, OK. Thank you.
0:28:49 > 0:28:53MUSIC: "Mente Ao Meu Coracao" by Paulinho da Viola
0:29:25 > 0:29:27- MICHAEL:- Here's 80. Keep the change.
0:29:43 > 0:29:44I'm in the kitchen!
0:29:50 > 0:29:51- Hi. - Hi, darling.
0:29:51 > 0:29:53- You all right? - Fine.
0:29:53 > 0:29:55- You look lovely. - Thank you.
0:29:56 > 0:29:59- Have I got time for a shower?- No, absolutely not. We're very late.
0:29:59 > 0:30:01All right, fresh shirt.
0:30:01 > 0:30:03There's one in the utility room.
0:30:03 > 0:30:04Esther left it there.
0:30:29 > 0:30:30When did you get home?
0:30:30 > 0:30:33Oh, about half an hour ago.
0:30:38 > 0:30:40THUNDER RUMBLES
0:30:48 > 0:30:50I forgot, in the first year, what was she?
0:30:50 > 0:30:51A cloud.
0:30:53 > 0:30:56And then, memorably, a comet.
0:30:56 > 0:30:58What is she this year?
0:30:58 > 0:30:59A tree?
0:30:59 > 0:31:02You've been away too much. No, she's Shprintze.
0:31:02 > 0:31:04Shprintze?
0:31:05 > 0:31:07What is that? Does it at least have a pulse?
0:31:07 > 0:31:11It's a Ukrainian Jewess. They're doing "Fiddler on the Roof."
0:31:11 > 0:31:15And she...she's also got a line.
0:31:15 > 0:31:17Wow.
0:31:17 > 0:31:20"I think he has a pleasing air."
0:31:23 > 0:31:25Is that it?
0:31:25 > 0:31:28Well, they... She was going to say,
0:31:28 > 0:31:32"Mama, Yente's coming," but they thought that might be a bit much for her, so...
0:31:39 > 0:31:41You're right. I have been away too long.
0:31:45 > 0:31:48- GIRL:- How can Grandma's recipe be world famous?
0:31:48 > 0:31:50She never left the village once in her life.
0:31:50 > 0:31:52- GIRL:- Don't be clever, Chava.
0:31:52 > 0:31:55- Why not? I'll never be pretty... - Excuse me.
0:31:55 > 0:31:57- Or a good singer. Allow me to excel in something.- Sorry.
0:31:57 > 0:32:00I've seen Mosha outside. He's so handsome.
0:32:00 > 0:32:02Isn't he a little bit cross-eyed?
0:32:02 > 0:32:04This is it. This is her cue.
0:32:04 > 0:32:06No, I think he's gorgeous.
0:32:06 > 0:32:08Don't be silly. He's hideous.
0:32:08 > 0:32:11Shprintze, we need you to cast the deciding vote.
0:32:11 > 0:32:12What is he like?
0:32:17 > 0:32:18Oh, God, she's dried.
0:32:20 > 0:32:22- WHISPERS:- "I think he has a pleasing air."
0:32:22 > 0:32:24Since you have nothing to say, Shprintze,
0:32:24 > 0:32:26Tzeitel, what do you think?
0:32:26 > 0:32:30- I think he has a pleasing air. - Excuse me.
0:32:30 > 0:32:33Motel's coming and he's with Yente.
0:32:40 > 0:32:41Seeing all the audience.
0:32:41 > 0:32:43Feel a bit better? Yes.
0:32:43 > 0:32:46OK. I don't remember you wearing this in the play.
0:32:46 > 0:32:48- No. - You've stolen it from someone?
0:32:48 > 0:32:49No.
0:32:49 > 0:32:51It's a bit tight.
0:32:53 > 0:32:55Suits you.
0:32:55 > 0:32:58Mum, look what I have. I have a beard.
0:32:58 > 0:33:00I look like a man.
0:33:01 > 0:33:05Yes, she was all right. She did...
0:33:08 > 0:33:10She went out like a light.
0:33:10 > 0:33:12She was totally exhausted.
0:33:16 > 0:33:18- You must be too. - Mmm.
0:33:20 > 0:33:21Yeah.
0:33:22 > 0:33:24It's been a crazy few days.
0:33:31 > 0:33:33How did it go in Vienna?
0:33:33 > 0:33:35Fine.
0:33:36 > 0:33:38Did you get your deal done?
0:33:41 > 0:33:44You did have a deal to do there, didn't you?
0:33:44 > 0:33:47- I did and I did. - That's good. That's great.
0:33:56 > 0:34:00That means a trip to Estonia in the near future.
0:34:02 > 0:34:04Berlin, actually.
0:34:06 > 0:34:09Do you know, I've never been to Berlin?
0:34:09 > 0:34:12- How was it here? - It was fine.
0:34:16 > 0:34:19I got your messages last night.
0:34:19 > 0:34:21You sounded emotional.
0:34:23 > 0:34:24Did I?
0:34:24 > 0:34:26Am I wrong?
0:34:29 > 0:34:30No.
0:34:31 > 0:34:36Well, I tried to call you straight back, but it went to voice-mail so...
0:34:39 > 0:34:42Anyway, it was very nice what you said.
0:34:44 > 0:34:46What did I say?
0:34:48 > 0:34:50You said that you wished I was there.
0:34:54 > 0:34:56It's true, I did.
0:34:56 > 0:34:58That's nice.
0:35:42 > 0:35:43SECURITY GATE BUZZES
0:35:48 > 0:35:52- WOMAN:- Morning, Tyler. So you asked to see me.
0:35:52 > 0:35:53MAN: Clear. SECURITY DOOR BUZZES
0:35:53 > 0:35:56I'm so pleased you agreed to do this halfway house.
0:35:56 > 0:35:59- Clear. TYLER:- Miss Olsen, I believe...
0:35:59 > 0:36:02I believe I've done everything you've asked of me here.
0:36:02 > 0:36:04You have. You've worked hard.
0:36:04 > 0:36:05Yeah.
0:36:07 > 0:36:09But what if I'm no different?
0:36:09 > 0:36:12You know, after everything we've done, what if...
0:36:13 > 0:36:14What if I haven't changed?
0:36:17 > 0:36:19The way I'm feeling right now is that maybe you were right...
0:36:19 > 0:36:21maybe I should go to that halfway house first...
0:36:23 > 0:36:25..for my own protection.
0:36:26 > 0:36:28Because like you said,
0:36:28 > 0:36:32I've been in... I've been in an all-male situation here
0:36:32 > 0:36:36for six...six years.
0:36:36 > 0:36:41And it's going to be quite a shock being on the outside with all the...
0:36:41 > 0:36:43the temptations and distractions.
0:36:44 > 0:36:47Yes, it is.
0:36:47 > 0:36:51And I would hate for everything that we've done together to be undone.
0:36:54 > 0:36:57You said you'd spoken to some people in Louisville
0:36:57 > 0:37:01who have experience working with people like me?
0:37:01 > 0:37:04If I remember, they were even happy to fly over here
0:37:04 > 0:37:07to collect you and accompany you on the plane.
0:37:07 > 0:37:09On the plane?
0:37:10 > 0:37:13No, they can...they can spare themselves that.
0:37:13 > 0:37:16They can just meet me at the Louisville airport.
0:37:17 > 0:37:21Tyler, I am so happy that you've agreed to do this.
0:37:21 > 0:37:23You think it's right?
0:37:23 > 0:37:25- Yes, I do. - OK.
0:37:30 > 0:37:32I never want to end up in a place like this again.
0:38:00 > 0:38:02PLANE RUMBLES
0:38:43 > 0:38:45- Hi. - Oh.
0:38:45 > 0:38:46Thank you.
0:38:46 > 0:38:48I wasn't sure if you were hungry.
0:38:50 > 0:38:53So the choice is chicken or fish.
0:38:53 > 0:38:55I got you chicken.
0:38:55 > 0:38:58Though now I'm eating it myself, I'm not sure which one I got.
0:38:58 > 0:39:01- I'm not hungry. - You sure?
0:39:01 > 0:39:04They said they wouldn't be coming around again.
0:39:04 > 0:39:06Maybe some wine.
0:39:06 > 0:39:08OK, have mine as well.
0:39:08 > 0:39:12- You don't want it? - No, I've got some work to do.
0:39:12 > 0:39:14Going direct to Denver?
0:39:17 > 0:39:19Miami.
0:39:19 > 0:39:21Then home to Rio de Janeiro.
0:39:24 > 0:39:26Been in London long?
0:39:26 > 0:39:28Too long.
0:39:28 > 0:39:30Studying,
0:39:30 > 0:39:33doing stupid jobs,
0:39:33 > 0:39:36but mostly waiting at home while my boyfriend slept with other women.
0:39:38 > 0:39:41Oh... That's bad.
0:39:41 > 0:39:42Sorry to drink like this.
0:39:42 > 0:39:44It's not very elegant, but I want to sleep.
0:39:44 > 0:39:46That's OK, I understand.
0:39:47 > 0:39:51- You OK?- I'm fine, I'm fine.- OK.
0:39:53 > 0:39:55You a Manchester United fan?
0:40:18 > 0:40:20Sorry.
0:40:20 > 0:40:23It's OK. My daughter, Julia.
0:40:23 > 0:40:24Missing?
0:40:24 > 0:40:26Yes.
0:40:26 > 0:40:29Sadly, some think she's long dead.
0:40:31 > 0:40:34- I'm sorry. - No.
0:40:34 > 0:40:36She's beautiful.
0:40:36 > 0:40:38Yes, she is.
0:40:38 > 0:40:40You look so happy.
0:40:40 > 0:40:41Yeah, I was.
0:40:47 > 0:40:50That's before she ran away. Thank you.
0:41:01 > 0:41:03Where did she run to?
0:41:05 > 0:41:07America?
0:41:07 > 0:41:09Yeah, eventually.
0:41:09 > 0:41:11That's where we think she ended up.
0:41:12 > 0:41:15Can I ask why?
0:41:15 > 0:41:17- Why she ran away? - Yeah.
0:41:17 > 0:41:21Yes, you can, but I don't think you'll like me when I've told you.
0:41:21 > 0:41:23Is it important if I like you?
0:41:23 > 0:41:26No, not remotely.
0:41:28 > 0:41:33Well, my daughter and I have the same initial, "J".
0:41:33 > 0:41:37One day she opened the wrong letter and found out I was having an affair.
0:41:37 > 0:41:40She was devastated.
0:41:40 > 0:41:43She told me if I didn't stop, she would tell her mother.
0:41:43 > 0:41:47Of course I agreed to stop, but I didn't.
0:41:48 > 0:41:49I couldn't.
0:41:50 > 0:41:53And so she told her mother. Her mother screamed at me
0:41:53 > 0:41:56and I screamed at my daughter. My daughter ran away...
0:41:58 > 0:42:03..presumably to the arms of someone who...did her harm, I guess.
0:42:09 > 0:42:12Your daughter... Why do people think she's...?
0:42:12 > 0:42:15- Dead? - Yes.
0:42:15 > 0:42:18Oh, silence, mostly, especially to her mother.
0:42:18 > 0:42:23So unlike Julia. That and the sheer length of time.
0:42:23 > 0:42:26And you're going to Phoenix because...
0:42:26 > 0:42:28Arizona state police have found the body of a woman
0:42:28 > 0:42:35reported to be the same age. White, British, died in a fire.
0:42:35 > 0:42:39And I'm taking out samples of DNA,
0:42:39 > 0:42:42bits and pieces of Julia's hair we kept from childhood.
0:42:43 > 0:42:45Madness, really.
0:42:45 > 0:42:48They closed the file on Julia years ago.
0:42:48 > 0:42:51Well, when you're a father,
0:42:51 > 0:42:53- what can you do? - Yeah.
0:42:53 > 0:42:55You can't give up, you know?
0:42:55 > 0:42:58- No. - No.
0:42:58 > 0:42:59- I'll see you. - Yeah.
0:42:59 > 0:43:00Bye.
0:43:15 > 0:43:16Excuse me.
0:43:20 > 0:43:22- Hi. - You didn't get away either.
0:43:22 > 0:43:25- No.- I've heard them say it could be quite a wait.
0:43:25 > 0:43:26- Really? - Yeah, I also heard them say
0:43:26 > 0:43:29they may be putting us in hotels for the night.
0:43:29 > 0:43:32Oh, God. They told me to report back at 7:00.
0:43:32 > 0:43:35Yeah, me too. I think that's to collect the vouchers for the hotels.
0:43:35 > 0:43:37Look, if you fancy it,
0:43:37 > 0:43:41I saw a reasonably good restaurant up there by the phones.
0:43:41 > 0:43:43Maybe we could get together for an hour
0:43:43 > 0:43:45and, you know, in an hour's time have something to eat?
0:43:45 > 0:43:48Because it beats eating room service in our separate hotels.
0:43:48 > 0:43:50What do you think?
0:43:50 > 0:43:51- Yeah, OK. - Good.
0:43:51 > 0:43:53Laura.
0:43:53 > 0:43:55Laura. I'm Laura.
0:43:55 > 0:43:57- John. - OK.
0:43:57 > 0:43:59Laura, pretty name. All right, see you then.
0:43:59 > 0:44:00- Thank you. See you. - Bye.
0:44:27 > 0:44:28- WOMAN:- How are you doing, Tyler?
0:44:28 > 0:44:30It's crazy here. There are people everywhere.
0:44:30 > 0:44:33Some are crying. Some are getting angry.
0:44:33 > 0:44:36It's...it's just a stress situation.
0:44:36 > 0:44:39I hear what you're saying about everyone,
0:44:39 > 0:44:40but how are you?
0:44:40 > 0:44:42How are you doing?
0:44:43 > 0:44:46What? I'm... I'm OK.
0:44:47 > 0:44:50Though I'm beginning to wish I had said yes
0:44:50 > 0:44:53to those guys escorting me on the flight.
0:44:53 > 0:44:55If I'm honest, I do feel a little...
0:44:58 > 0:44:59..triggered.
0:44:59 > 0:45:02Well, I'm going to make sure we get help to you.
0:45:02 > 0:45:06The second I hang up this phone, that's what I'm going to get on to.
0:45:06 > 0:45:07OK?
0:45:07 > 0:45:09But I want you to remember
0:45:09 > 0:45:11that if you weren't able to cope with this challenge,
0:45:11 > 0:45:13it wouldn't have been presented to you.
0:45:13 > 0:45:14You think?
0:45:14 > 0:45:16Absolutely.
0:45:16 > 0:45:20Now go find somewhere quiet and safe to sit.
0:45:20 > 0:45:22I'll make a few calls. But I'd like for you to call me
0:45:22 > 0:45:26in exactly an hour from now, OK?
0:45:26 > 0:45:27One hour.
0:45:27 > 0:45:29You'll be fine.
0:45:30 > 0:45:33Thank you, Miss Olsen.
0:45:33 > 0:45:34All right, take care.
0:46:01 > 0:46:03That's my seat.
0:46:03 > 0:46:05- Really? - Didn't see my stuff?
0:46:05 > 0:46:07What stuff?
0:46:07 > 0:46:10The stuff that I left... deliberately left right here.
0:46:10 > 0:46:12No, I didn't see it. I'm sorry.
0:46:12 > 0:46:14Well, you see it now, don't you?
0:46:14 > 0:46:16Yeah, I do.
0:46:16 > 0:46:20OK. OK, no problem. I can...can go.
0:46:20 > 0:46:22OK, folks.
0:46:22 > 0:46:26Some wine, two glasses.
0:46:26 > 0:46:28And I'll get you some bread.
0:46:32 > 0:46:34I'm sorry.
0:46:34 > 0:46:37I... I ordered a drink for me and my friend.
0:46:37 > 0:46:40He'll be here in a second.
0:46:40 > 0:46:43Can I just stay here until he comes?
0:46:43 > 0:46:45As soon as he comes, we'll move.
0:46:45 > 0:46:47I promise.
0:46:50 > 0:46:52You want a glass of wine?
0:46:52 > 0:46:54I don't want a glass of wine.
0:46:56 > 0:46:58He shouldn't be long.
0:47:23 > 0:47:25Where are you headed?
0:47:25 > 0:47:28Louisville, Kentucky.
0:47:28 > 0:47:30Rio, Brazil.
0:47:30 > 0:47:32They give you a hotel room yet?
0:47:34 > 0:47:37- Hotel room? - Yeah. No, they did.
0:47:37 > 0:47:39I'm just hoping these people meet me here first.
0:47:42 > 0:47:44I'm Laura, by the way.
0:47:44 > 0:47:45Tyler.
0:47:49 > 0:47:53- You OK? - What's with all the questions?
0:47:53 > 0:47:54Just being friendly.
0:47:58 > 0:48:00- Switch seats with me. - Sorry?
0:48:00 > 0:48:03Would you mind switching seats with me?
0:48:03 > 0:48:05I'm waiting for some friends.
0:48:05 > 0:48:08So if I sit here, I can see them coming.
0:48:08 > 0:48:11Oh, OK. OK, sorry.
0:48:19 > 0:48:21So who's meeting you here?
0:48:21 > 0:48:23Just someone I met on the plane.
0:48:23 > 0:48:25He sat next to me and we got talking.
0:48:25 > 0:48:28Just talking? We just talkin' too?
0:48:30 > 0:48:32What else are we doing?
0:48:32 > 0:48:37Well, I don't know. I mean, now, I'm not doing anything.
0:48:38 > 0:48:39But you...
0:48:41 > 0:48:43- What am I doing? - You tell me.
0:48:46 > 0:48:50I don't know. Just passing the time, making conversation.
0:48:53 > 0:48:55You ever been to Brazil?
0:48:55 > 0:48:56No.
0:48:58 > 0:49:01You would like it. Everyone likes it.
0:49:01 > 0:49:04We have the best beaches in the world.
0:49:05 > 0:49:08It's the first thing I'm going to do when I get home,
0:49:08 > 0:49:10go to the beach,
0:49:10 > 0:49:13lie down, close my eyes...
0:49:14 > 0:49:16..and smoke a joint.
0:49:18 > 0:49:21- What? - You're bad.
0:49:22 > 0:49:25Me?
0:49:25 > 0:49:26No, I'm not.
0:49:26 > 0:49:30364 days of the year, I'm a good Catholic girl.
0:49:30 > 0:49:34- Right now, I'm just feeding off the situation.- What situation?
0:49:36 > 0:49:39The situation we're in now.
0:49:39 > 0:49:41No-one knows where we are. No-one can reach us.
0:49:44 > 0:49:45It's perfect.
0:49:45 > 0:49:47For what?
0:49:51 > 0:49:52I don't know.
0:49:56 > 0:49:57You tell me.
0:50:00 > 0:50:02Stay there a second.
0:50:02 > 0:50:03OK?
0:50:12 > 0:50:15- WOMAN ON PHONE:- His name's McGregor, Tyler McGregor,
0:50:15 > 0:50:17on flight 240 to Louisville.
0:50:17 > 0:50:19He's newly released from jail
0:50:19 > 0:50:21and he called me in a highly stressed state.
0:50:21 > 0:50:23Ma'am, we have an airport shutdown and 60 grounded flights.
0:50:23 > 0:50:25We are extremely stretched.
0:50:25 > 0:50:27I need to know if you consider this McGregor
0:50:27 > 0:50:29to be a threat to public safety.
0:50:29 > 0:50:30It's hard to say.
0:50:30 > 0:50:32I mean, I think we'd all feel a lot better,
0:50:32 > 0:50:34including him, if you could keep an eye on him.
0:50:34 > 0:50:37Ma'am, is that a yes or a no?
0:50:37 > 0:50:38Yes.
0:50:38 > 0:50:40Right, OK. Thank you, I'll get back to you.
0:50:43 > 0:50:45Security to information desk, over.
0:50:45 > 0:50:47This is information. Go ahead, security, over.
0:50:47 > 0:50:51Yeah, I need you to put out a call for passenger McGregor,
0:50:51 > 0:50:54Tyler McGregor on flight 240 to Louisville, over.
0:50:54 > 0:50:57"McGregor... 240 to Louisville."
0:50:57 > 0:51:00Yeah, tell him to report to your desk immediately.
0:51:01 > 0:51:03Is that it? No more information than that?
0:51:03 > 0:51:05He's a convicted sex offender.
0:51:05 > 0:51:09You want to put that out over the loudspeaker, be my guest. Over.
0:51:10 > 0:51:13Let's have a drink.
0:51:13 > 0:51:15- OK. - Come with me.
0:51:17 > 0:51:20I'm sorry. I'm sorry. I'm sorry.
0:51:20 > 0:51:22It's OK.
0:51:22 > 0:51:23So? You want to come?
0:51:25 > 0:51:26Yeah.
0:51:29 > 0:51:31TANNOY: 'Would passenger McGregor
0:51:31 > 0:51:35'travelling on the 18:30 flight 240 to Louisville
0:51:35 > 0:51:37'please report to the information desk immediately?
0:51:37 > 0:51:40'That's passenger McGregor to the information desk.
0:51:40 > 0:51:41'Thank you.'
0:51:47 > 0:51:51Sir, would you happen to be John looking for Laura?
0:51:51 > 0:51:53- Yeah. - She described you well.
0:51:53 > 0:51:54She left a message for you.
0:51:54 > 0:51:56- Thank you. - You're welcome.
0:52:07 > 0:52:08OK.
0:52:11 > 0:52:13Welcome to my crib.
0:52:13 > 0:52:15Very luxurious.
0:52:16 > 0:52:19One window, with a view of...
0:52:20 > 0:52:21..a brick wall.
0:52:23 > 0:52:25Come on in.
0:52:25 > 0:52:27I should really go.
0:52:27 > 0:52:30Go where? Do what?
0:52:30 > 0:52:32Come on, we're stuck here.
0:52:41 > 0:52:42I wonder could you help me?
0:52:42 > 0:52:46- Could you put out a call for a passenger who's travelling to Miami? - Passenger's name?
0:52:46 > 0:52:48Well, I don't know her last name, but the first name is Laura.
0:52:48 > 0:52:51- We arranged to meet in the restaurant across by...- OK, sir, this is an information desk.
0:52:51 > 0:52:53I know that, I know that. But this young girl,
0:52:53 > 0:52:55she's a kid and she could be in trouble. She's missing.
0:52:55 > 0:52:57Sir, I'm busy. I'm going to have to ask you to step away...
0:52:57 > 0:52:59One call, that's it. 30 seconds. You could have done it by now.
0:52:59 > 0:53:01Hey, fellas, will you get this guy out of here?
0:53:01 > 0:53:04What's your problem? Screw you.
0:53:04 > 0:53:06Make yourself useful.
0:53:06 > 0:53:08Find us something to watch.
0:53:08 > 0:53:11And relax, will you?
0:53:11 > 0:53:16So we have a 30 credit for food and drink.
0:53:16 > 0:53:18- But we're not hungry, right? - No.
0:53:20 > 0:53:21So let's celebrate instead...
0:53:22 > 0:53:25..or drown our sorrows.
0:53:25 > 0:53:28Which?
0:53:28 > 0:53:31- You've had too much already. - Too much sorrows.
0:53:31 > 0:53:33I agree.
0:53:35 > 0:53:37No, too much to drink.
0:53:38 > 0:53:40Don't be silly.
0:53:43 > 0:53:45Yeah.
0:53:45 > 0:53:47I really should go.
0:53:47 > 0:53:48Why?
0:53:49 > 0:53:52Why do you want to go?
0:53:52 > 0:53:55Why does every man nowadays want to leave me?
0:53:55 > 0:53:57Is there something wrong with me?
0:53:57 > 0:53:59No.
0:53:59 > 0:54:01God, no, you're...
0:54:02 > 0:54:04You're fine.
0:54:05 > 0:54:08- Then prove it.- Please.
0:54:09 > 0:54:11Kiss me.
0:54:11 > 0:54:12I can't.
0:54:14 > 0:54:16Why not?
0:54:16 > 0:54:17Kiss me, come on.
0:54:20 > 0:54:21You're drunk.
0:54:22 > 0:54:24You don't like me.
0:54:25 > 0:54:26Then what's the problem?
0:54:28 > 0:54:29What's the problem?
0:54:29 > 0:54:32- What's the problem? - Please don't do that.
0:55:14 > 0:55:18PANTING
0:55:19 > 0:55:21(Say you're fuckin' sorry.)
0:55:26 > 0:55:28(Say you're fuckin' sorry.)
0:57:16 > 0:57:20Hey, Laura? Laura.
0:57:20 > 0:57:21Hey.
0:57:21 > 0:57:23- Hey. Sorry. - Hey.
0:57:23 > 0:57:25- Hi. - How you doing? All right?
0:57:25 > 0:57:28- You OK? I was worried about you. - I'm fine. Sore head.
0:57:28 > 0:57:30- Hungover? - Little bit.
0:57:30 > 0:57:32- Yeah. - Sorry about last night.
0:57:32 > 0:57:34That's no problem. I got your note. Thanks.
0:57:34 > 0:57:36- Nice note. - Good.
0:57:36 > 0:57:38And so did you have fun?
0:57:38 > 0:57:39I'm not sure.
0:57:39 > 0:57:41I think I must have fallen asleep.
0:57:41 > 0:57:43Oh, I know all about that stuff. Yeah.
0:57:43 > 0:57:45It's been a crazy few days.
0:57:45 > 0:57:47I bet it has.
0:57:47 > 0:57:49- Anyway... - So...
0:57:49 > 0:57:51- Good luck. Have a good journey. - Yeah.
0:57:51 > 0:57:53You really take care now.
0:57:53 > 0:57:55It was really nice to meet you again.
0:57:55 > 0:57:57It was great to talk to you, great to meet you.
0:57:57 > 0:57:59- Maybe we'll meet again one day. - Yeah.
0:58:03 > 0:58:05- OK. - OK.
0:58:05 > 0:58:07- See you. - See you. Travel safe.
0:58:07 > 0:58:09Yeah, you stay out of trouble.
0:58:09 > 0:58:12- I'm going to try. - I'm keeping my eye on you.
0:58:12 > 0:58:16SOFT MELANCHOLIC GUITAR PLAYS
0:58:21 > 0:58:23Have a good flight.
0:58:40 > 0:58:42You did it, Tyler.
0:58:42 > 0:58:44You made the call. You did the right thing.
0:58:45 > 0:58:47I'm so proud of you.
0:58:47 > 0:58:49Stay in touch.
0:59:16 > 0:59:18No, thank you.
0:59:20 > 0:59:21Thank you.
0:59:24 > 0:59:25See you next time.
0:59:28 > 0:59:29'"See you next time."
0:59:29 > 0:59:31'They were four innocent enough words,
0:59:31 > 0:59:33'but they went through me like a knife.
0:59:33 > 0:59:36'Because in that moment, I realised to them I'd become a familiar face,
0:59:36 > 0:59:40'a joke...the British guy who was running a one-man campaign,'
0:59:40 > 0:59:42stubbornly scratching away, refusing to do
0:59:42 > 0:59:45what you've all been urging me to do for years and years,
0:59:45 > 0:59:47move on, let go, and all that stuff.
0:59:49 > 0:59:51Yeah, it's not easy.
0:59:51 > 0:59:53I got sober a long time ago out in Los Angeles...
0:59:53 > 0:59:56I don't know... 35, 36 years ago.
0:59:56 > 0:59:58And I was crazy. I was insane. I was sickened to death,
0:59:58 > 1:00:02drunk and insane, and... I was sentenced to AA meetings.
1:00:02 > 1:00:04And I hated... I hated the damn things.
1:00:04 > 1:00:08I hated all this...God stuff. It made me want to puke.
1:00:08 > 1:00:11You know, "Move on. Let go, let God. Surrender and win" and all this.
1:00:11 > 1:00:15I was a winner. I've been a winner all my life.
1:00:15 > 1:00:17And...
1:00:17 > 1:00:19But I was fighting all the time.
1:00:19 > 1:00:21And anyway, to cut a long story short,
1:00:21 > 1:00:24I met...there was this old man. He was a priest,
1:00:24 > 1:00:28a Jesuit priest. His name was Joe Riley, Father Joe Riley
1:00:28 > 1:00:30and I'll never forget him as long as I live.
1:00:30 > 1:00:33One night I was about to leave the meeting. I had to get the hell out.
1:00:33 > 1:00:36And he stood in my way, said, "Where the hell do you think you're going?"
1:00:36 > 1:00:37I said, "You get out of my way."
1:00:37 > 1:00:39He said, "You're not going anywhere."
1:00:39 > 1:00:42But he looked up into my face, and he had these piercing blue eyes,
1:00:42 > 1:00:44a cigarette in his mouth. He said, "You know..."
1:00:44 > 1:00:46He said, "You look like to me...
1:00:46 > 1:00:50"You look like you're busted, disgusted and not to be trusted."
1:00:50 > 1:00:51And he was right.
1:00:53 > 1:00:57I wasn't to be trusted by anyone, I'd never trust myself either.
1:00:57 > 1:00:59And one day I asked him... I said, "OK, Father,
1:00:59 > 1:01:01"you know all the"... I called him Father and he got a kick out of that.
1:01:01 > 1:01:03I said, "You know all the answers. You're a pretty smart guy.
1:01:03 > 1:01:05"What's the shortest, most powerful prayer in the world?"
1:01:05 > 1:01:07Cos I was fast. I needed quick answers.
1:01:07 > 1:01:09Cos I wanted to be back on the fast track.
1:01:09 > 1:01:11I said, "What is the fastest, most powerful prayer in the world?"
1:01:11 > 1:01:13He said, "The fastest, most powerful prayer in the world..."
1:01:13 > 1:01:16He looked at me and said, "The fastest, most powerful prayer in the world,
1:01:16 > 1:01:18"my friend, is 'Fuck it'."
1:01:20 > 1:01:21Father Joe Riley.
1:01:21 > 1:01:25He was a Jesuit priest... "Fuck it." Can you believe it?
1:01:25 > 1:01:27He said, "It's the prayer of release and surrender."
1:01:27 > 1:01:31And I felt the whole weight of the world going off my shoulders.
1:01:31 > 1:01:33And just before Father Riley died,
1:01:33 > 1:01:36I asked him... I said, "How do I get it? How do I know?"
1:01:36 > 1:01:38He said, "You will see when you're ready to see.
1:01:38 > 1:01:41"You will hear when you're ready to hear."
1:01:41 > 1:01:43He said, "You're a particularly tough nut."
1:01:45 > 1:01:48And the weird thing is that happened two days ago.
1:01:48 > 1:01:50I was travelling on my way here...
1:01:50 > 1:01:53my journey here with a young girl from Brazil.
1:01:53 > 1:01:57She was a kid, beautiful little thing. Name was Laura.
1:01:57 > 1:01:59And there was a snowstorm at Denver.
1:01:59 > 1:02:02Flights were delayed and so we arranged to have dinner
1:02:02 > 1:02:04and when I showed up, she wasn't there.
1:02:04 > 1:02:06But she left me this note. Hold that, will you?
1:02:08 > 1:02:11And she said, "Ran into someone cute.
1:02:11 > 1:02:14"Never done this kind of thing before.
1:02:14 > 1:02:17"But you only live once.
1:02:17 > 1:02:20"How many chances do we get?"
1:02:23 > 1:02:26"Out of the mouths of babies and sucklings,
1:02:26 > 1:02:29"thou hast perfected praise."
1:02:29 > 1:02:32The guy was right, whoever wrote that stuff.
1:02:32 > 1:02:36And it's taken me all these years.
1:02:36 > 1:02:38I tell you, if my...
1:02:40 > 1:02:41If my daughter is alive...
1:02:43 > 1:02:46..she knows where I am, where to find me.
1:02:46 > 1:02:51And her silence means that she's probably made the choice not to be in touch.
1:02:51 > 1:02:53But if she's dead...
1:02:56 > 1:02:58..then she's dead.
1:03:01 > 1:03:04And she's gone for ever.
1:03:04 > 1:03:08And I have to move on and forget and let go.
1:03:08 > 1:03:10Weird stuff.
1:03:14 > 1:03:16I tell you, it's a mystery, all of it.
1:03:16 > 1:03:19Anyway, I'll shut up now. Thanks for listening.
1:03:19 > 1:03:21ALL: Thank you, John.
1:03:22 > 1:03:26- MAN:- OK, before I open the meeting to our regular members,
1:03:26 > 1:03:28we have another guest from overseas.
1:03:28 > 1:03:30Valentina?
1:03:30 > 1:03:32Yes. Hello, my name is Valentina.
1:03:32 > 1:03:35ALL: Welcome, Valentina.
1:03:35 > 1:03:36I'm an alcoholic.
1:03:38 > 1:03:41I'm here from Europe visiting my sister,
1:03:41 > 1:03:43waiting outside.
1:03:43 > 1:03:47She has married an American who lives here in Phoenix.
1:03:47 > 1:03:50And they're so happy, so in love.
1:03:50 > 1:03:51This makes me sick.
1:03:53 > 1:03:57Tomorrow I will fly home to my Russian husband.
1:04:00 > 1:04:04'We married very young. We were like children.
1:04:04 > 1:04:07'But now we've grown up, become different people.
1:04:11 > 1:04:13'I am sober three years.
1:04:13 > 1:04:17'I have a good new job, a new life,
1:04:17 > 1:04:19'but he's still the same...
1:04:19 > 1:04:23'doing bad things, working with bad people.
1:04:25 > 1:04:28'For a long time I'm waiting for him to change.'
1:04:28 > 1:04:30And...
1:04:30 > 1:04:34like Brazilian girl said, "You only live once.
1:04:34 > 1:04:37"How many chances do we have?"
1:04:37 > 1:04:39I don't want to wait any more.
1:04:39 > 1:04:41So maybe this is the time.
1:04:44 > 1:04:47Plus there is someone else I am interested in.
1:04:49 > 1:04:52A nice man, a good man. My boss, actually.
1:04:52 > 1:04:54LAUGHTER
1:04:54 > 1:04:58And he knows nothing from my past.
1:04:58 > 1:05:00He thinks I am a good innocent girl.
1:05:02 > 1:05:06But if we get together, he will get a shock the first night.
1:07:42 > 1:07:43MAN: 'Hi.'
1:07:44 > 1:07:48'I'm coming to the city tomorrow and would like some company.
1:07:48 > 1:07:50'What have you got for me?'
1:07:50 > 1:07:52Who have you got for me?
1:07:52 > 1:07:54Best... I need the best.
1:07:55 > 1:07:57Kate?
1:07:57 > 1:07:59Maybe, maybe.
1:07:59 > 1:08:02Maybe do you have a brunette?
1:08:02 > 1:08:06Maybe do you have someone new?
1:09:12 > 1:09:16MOBILE PHONE RINGS
1:09:39 > 1:09:42MOBILE PHONE CONTINUES TO RING
1:13:05 > 1:13:06PATIENT GROANS
1:14:45 > 1:14:49MUSIC: "Madame Reve" by Alain Bahsung
1:15:30 > 1:15:32MAN ON CD: 'English is made up from words
1:15:32 > 1:15:33'borrowed from various languages.
1:15:33 > 1:15:35'So words in English...' CAR HORN BEEPS
1:15:35 > 1:15:37'..can give rise to pronunciation problems.
1:15:37 > 1:15:39'When "Y" comes at the beginning of a word,
1:15:39 > 1:15:42'it acts as a consonant.
1:15:42 > 1:15:43- 'Yellow.' - Yellow.
1:15:43 > 1:15:45- 'Year.' - Year.
1:15:45 > 1:15:46- 'Yet.' - Yet.
1:15:46 > 1:15:48- 'Yesterday.' - Yesterday.
1:15:48 > 1:15:51- 'Yolk.' - Yolk, yolk.
1:16:57 > 1:17:02MOBILE PHONE RINGS
1:18:26 > 1:18:29MAN ON CD: 'Remember, when two vowels go walking,
1:18:29 > 1:18:31'only one does the talking.
1:18:32 > 1:18:33'Repeat after me.'
1:18:42 > 1:18:46No fucking aisle seat ever.
1:18:46 > 1:18:48Repeat after me.
1:18:51 > 1:18:53- No... - No...
1:18:53 > 1:18:54- ..fucking... - ..fucking...
1:18:54 > 1:18:55- ..aisle seat. - ..aisle seat.
1:18:55 > 1:18:58Don't park my fucking car in the fucking airport parking.
1:20:02 > 1:20:04Ciao.
1:20:04 > 1:20:06- Ciao. - Ciao.
1:20:09 > 1:20:12MOBILE PHONE RINGS
1:20:16 > 1:20:18- Yes? - ROCCO: You there yet?
1:20:18 > 1:20:21- Two minutes. - OK, you meet him at the bar.
1:20:21 > 1:20:22They are booking us for one hour.
1:20:22 > 1:20:25One hour? You bring me here for one hour?
1:20:25 > 1:20:27Relax. Do the job good,
1:20:27 > 1:20:29he will stay longer.
1:20:47 > 1:20:49OK.
1:20:56 > 1:20:58- Blanka? - Yes.
1:20:59 > 1:21:01Yes.
1:21:01 > 1:21:02I am Sergei.
1:21:02 > 1:21:04You are meeting with my boss today.
1:21:13 > 1:21:15Open it.
1:22:09 > 1:22:11MAN SIGHS
1:22:37 > 1:22:39You OK?
1:22:41 > 1:22:43No, you're not.
1:22:45 > 1:22:47You're not OK.
1:22:47 > 1:22:49OK, I'm not OK, but it's OK.
1:22:54 > 1:22:58RAIN BEGINS TO FALL HEAVILY
1:23:05 > 1:23:08THUNDER RUMBLES
1:23:11 > 1:23:14HE WHISTLES
1:23:24 > 1:23:26Close the door.
1:23:26 > 1:23:28Thank you.
1:23:28 > 1:23:30It's so cold.
1:23:30 > 1:23:31Yes.
1:23:33 > 1:23:35Where are you from?
1:23:36 > 1:23:38I am from Russia.
1:23:38 > 1:23:40- Russia? - Yeah.
1:23:40 > 1:23:41I'm from Slovakia.
1:23:54 > 1:23:55Nice car.
1:23:55 > 1:23:57- Auto? - Auto, yeah.
1:23:57 > 1:23:58Thank you.
1:23:59 > 1:24:02But it's not mine.
1:24:02 > 1:24:03Your boss's?
1:24:03 > 1:24:05Yes.
1:24:07 > 1:24:09Must be important.
1:24:11 > 1:24:13What does he do?
1:24:15 > 1:24:16Business.
1:24:17 > 1:24:19What kind of business?
1:24:22 > 1:24:23Business.
1:24:28 > 1:24:31Well, at least the atmosphere is yours.
1:24:32 > 1:24:34The atmosphere.
1:24:38 > 1:24:39It's a nice place to be.
1:24:42 > 1:24:44That's a compliment.
1:24:50 > 1:24:52So many buttons.
1:24:55 > 1:24:57Yeah, this is interesting.
1:25:01 > 1:25:03So perfect.
1:25:06 > 1:25:07Go for a drive?
1:25:09 > 1:25:11Just once around the Ring?
1:25:11 > 1:25:13- Ring? - Ring.
1:25:13 > 1:25:15Ring... You know... You don't know "Ring"?
1:25:15 > 1:25:17What is this Ring?
1:25:17 > 1:25:20Ring is the most famous street in this city.
1:25:20 > 1:25:21It's a circle.
1:25:29 > 1:25:31Come on.
1:25:32 > 1:25:34OK, let's try.
1:25:34 > 1:25:36Let's try.
1:25:47 > 1:25:50I've never been in anything like this.
1:25:50 > 1:25:52Really?
1:25:52 > 1:25:55Why do some people have these nice things
1:25:55 > 1:25:57and others don't?
1:25:57 > 1:25:58I don't know.
1:25:58 > 1:26:00But I'm afraid it doesn't make them happy.
1:26:03 > 1:26:05It would make me happy.
1:26:07 > 1:26:09Maybe, maybe.
1:26:11 > 1:26:12I'm Anna.
1:26:12 > 1:26:14I'm Sergei.
1:26:16 > 1:26:19- "Nice to meet you." - Yes.
1:26:22 > 1:26:25- So you're a driver? - Yes, I'm a driver...
1:26:27 > 1:26:28..and bodyguard.
1:26:30 > 1:26:31What?
1:26:31 > 1:26:32- Dog. - Dog?
1:26:32 > 1:26:38Dog, yes. I must be dog because this is how my boss treats me.
1:26:38 > 1:26:40It's not a joke.
1:26:40 > 1:26:43- Sorry. - No problem.
1:26:43 > 1:26:46So why don't you leave?
1:26:46 > 1:26:47I will.
1:26:47 > 1:26:50I will soon.
1:26:50 > 1:26:52Maybe start again, a new life.
1:26:52 > 1:26:54- New life? - New life, yes.
1:26:54 > 1:26:55Nice.
1:27:10 > 1:27:11So many books.
1:27:14 > 1:27:16- Yes! All yours? - Yes.
1:27:19 > 1:27:21My boss doesn't read.
1:27:21 > 1:27:23He doesn't need to.
1:27:25 > 1:27:27Reading is for dreamer...
1:27:27 > 1:27:29poor dreamers.
1:27:29 > 1:27:31Do you read?
1:27:31 > 1:27:33All the time.
1:27:34 > 1:27:35Good.
1:27:37 > 1:27:39Poor dreamer.
1:27:42 > 1:27:46MOANS OF PLEASURE FADE IN
1:28:31 > 1:28:32Blanka.
1:28:32 > 1:28:34Blanka.
1:28:39 > 1:28:40Blanka.
1:29:32 > 1:29:37MUSIC: "Ripe (With Decay)" by Nine Inch Nails
1:29:58 > 1:30:00Hello.
1:30:00 > 1:30:03I want some tea on room 823.
1:30:39 > 1:30:41SHE GROANS IN PAIN
1:31:08 > 1:31:11That's it. We've come full circle.
1:31:11 > 1:31:14Pity. I enjoyed it.
1:31:17 > 1:31:18Me too.
1:31:22 > 1:31:24It was nice meeting you.
1:31:25 > 1:31:27You too.
1:31:27 > 1:31:31SERGEI'S MOBILE PHONE RINGS
1:31:40 > 1:31:42You're not going to answer it?
1:31:49 > 1:31:50Goodbye.
1:31:53 > 1:31:55Goodbye.
1:31:55 > 1:31:57Goodbye.
1:32:17 > 1:32:22MOBILE PHONE CONTINUES TO RING
1:32:33 > 1:32:34Hello?
1:32:55 > 1:32:58MOBILE PHONE RINGS
1:33:12 > 1:33:14Excuse me.
1:33:15 > 1:33:17Thank you.
1:33:29 > 1:33:31- Which floor? - Eight.
1:33:42 > 1:33:45Flu, always goes to my lungs.
1:33:45 > 1:33:48MOBILE PHONE RINGS
1:33:51 > 1:33:53Have a good day.
1:34:05 > 1:34:07KNOCK ON DOOR
1:34:27 > 1:34:28GUNSHOT HEARD THROUGH PHONE
1:34:28 > 1:34:30TWO MUFFLED GUNSHOTS
1:34:41 > 1:34:44MAN BREATHING SHALLOWLY ON PHONE
1:34:44 > 1:34:47MAN GROANS
1:35:28 > 1:35:30HE WHISTLES
1:35:30 > 1:35:31Hi.
1:35:31 > 1:35:33Hi.
1:35:33 > 1:35:35- Hi again. - Hi.
1:35:38 > 1:35:40- Where are you going? - I don't know.
1:35:40 > 1:35:43- Come.- I can't. I'm waiting for my sister.
1:35:43 > 1:35:45Let's go, come on.
1:35:45 > 1:35:46To do what?
1:35:47 > 1:35:49I don't know.
1:35:49 > 1:35:51When are you coming back?
1:35:51 > 1:35:52I don't know.
1:35:52 > 1:35:55- You don't know that either? - No. Come on.
1:35:55 > 1:35:58- I can't. - Come on, let's go.
1:35:58 > 1:35:59Come on.
1:36:02 > 1:36:04Come on.
1:36:04 > 1:36:05OK.
1:36:23 > 1:36:26"After what happened, I can't stay in your house."
1:36:28 > 1:36:30- House, house, house. - House is...
1:36:30 > 1:36:31- Yes, yes. - The same in Slovak.
1:37:35 > 1:37:40POLICE SIRENS WAIL
1:38:13 > 1:38:15So did you settle whatever you needed to settle back home?
1:38:15 > 1:38:17I'm sorry?
1:38:17 > 1:38:19There must have been something the matter
1:38:19 > 1:38:22or else you wouldn't have wanted to see Blanka in the first place, right?
1:38:22 > 1:38:24Yes.
1:38:24 > 1:38:26And yes.
1:38:26 > 1:38:29God, it's brutal... marriage, just brutal.
1:38:29 > 1:38:31That's why I won't have anything to do with it.
1:38:31 > 1:38:33Like religion...all that cruelty in the name of kindness.
1:38:33 > 1:38:36I don't share that point of view. I'm hopeful.
1:38:36 > 1:38:38Or I'm stupid.
1:38:39 > 1:38:41Or I'm still in love.
1:38:41 > 1:38:42This is my wife.
1:38:42 > 1:38:44She's been at an art gallery,
1:38:44 > 1:38:46and spending too much on our daughter.
1:38:48 > 1:38:49And this is Peter. Rose.
1:38:49 > 1:38:51- Hello. How do you do? - Very nice to meet you.
1:38:51 > 1:38:53Darling, we have to go to the airport. We're late.
1:38:53 > 1:38:56- I'll be in touch with you about the contacts.- Absolutely.
1:38:56 > 1:39:00- So spending money?- Oh, I just bought some kids' clothes.
1:39:02 > 1:39:03Taxi.
1:39:10 > 1:39:16MUSIC: "Helium Reprise" by Tin Hat Trio feat. Tom Waits
1:39:32 > 1:39:34- GIRL:- A drink? No.
1:39:37 > 1:39:40I don't need a drink to relax.
1:39:43 > 1:39:46# This blinding kiss
1:39:47 > 1:39:51# Breathes helium
1:39:51 > 1:39:54# Into my heart
1:39:55 > 1:40:00# And erases the embraces
1:40:00 > 1:40:03# Of all of the lovers
1:40:06 > 1:40:09# With this kiss
1:40:14 > 1:40:16# Your ruby lips
1:40:19 > 1:40:21# Speak for themselves
1:40:21 > 1:40:25# They tell nothing but lies
1:40:26 > 1:40:30# I dissolve into the wax
1:40:30 > 1:40:33# Of a flickering candle
1:40:37 > 1:40:40# In this kiss. #
1:41:50 > 1:41:53Subtitles by Red Bee Media Ltd