0:01:25 > 0:01:27Miss Susan?
0:01:45 > 0:01:47Miss Susan.
0:01:47 > 0:01:50Miss Susan?
0:01:57 > 0:01:59BELL RINGS
0:02:03 > 0:02:07- Just five more minutes, Bessie. - No, ma'am - now.
0:02:07 > 0:02:11But, Bessie, I feel absolutely clunklish.
0:02:11 > 0:02:15You just clunklish yourself down to breakfast. I'm getting the judge up.
0:02:15 > 0:02:20- I'm up!- "Clunklish"! When I went to school I learnt English!
0:02:28 > 0:02:30Judge Turner?
0:02:45 > 0:02:48Judge Turner? Judge Turner?
0:02:53 > 0:02:55CLATTER
0:03:04 > 0:03:06Five more minutes.
0:03:06 > 0:03:09Breakfast is ready, Your Honour.
0:03:12 > 0:03:16- What time is it? - It's a few minutes past eight.
0:03:19 > 0:03:25- My sister up?- Yes, she was feeling a little clunklish but I got her up.
0:03:25 > 0:03:32- Next time she says she feels clunklish, tell her not to be a clunk.- Yes, Your Honour.
0:03:34 > 0:03:38- Good morning.- Good morning, dear. - PHONE RINGS
0:03:38 > 0:03:41Hello? Hi, Jerry!
0:03:42 > 0:03:48- No, we have a speech this afternoon. - Susan. Your breakfast.
0:03:48 > 0:03:51Hang on a second.
0:03:53 > 0:03:57- Sorry I'm late.- Did you sleep well? - Oh, clunklish.
0:03:57 > 0:04:00Don't be a clunk, Miss Susan.
0:04:00 > 0:04:04- You've coached her. - Someone has to protect her.
0:04:04 > 0:04:10- Margaret, the man who ran away with the 16-year-old girl...- Yes? - What did he get?- Three years.
0:04:10 > 0:04:16- That'll cost me 3! I always bet you won't sentence people.- Ridiculous!
0:04:16 > 0:04:20- How've you done? - You've cost me a fortune.
0:04:20 > 0:04:27- You should be interested in a more exact science, like geometry.- I do not like geometry.- Mr Roberts does.
0:04:27 > 0:04:31He said you described a triangle as two women crazy about one man.
0:04:31 > 0:04:34- Mr Roberts is definitely decadent. - Is he?
0:04:34 > 0:04:39- Margaret...?- How much?- Only 3 - in advance of my allowance.
0:04:39 > 0:04:42You're already working on 1949.
0:04:42 > 0:04:44And no more betting.
0:04:44 > 0:04:51- I often wonder why you're so good to me.- I'd die for you - but it's harder living with you.
0:04:51 > 0:04:54- HORN BLARES I got to go. - You haven't eaten your breakfast!
0:04:54 > 0:04:57Thanks! Bye.
0:05:01 > 0:05:03I can't talk now.
0:05:06 > 0:05:09- Er, Bessie.- Yes, ma'am?
0:05:09 > 0:05:13Have you followed the case of the man who ran away with the girl?
0:05:13 > 0:05:20- Yes, ma'am.- Do you think my sentence was too severe? - No! I'd have given him ten.
0:05:20 > 0:05:26- Would you?- I certainly would.- Thank you, Bessie. I was just curious.
0:05:26 > 0:05:29- HORN SOUNDS - The judges.
0:05:29 > 0:05:31I mustn't keep them waiting.
0:05:33 > 0:05:36- Oh.- Your Honour?
0:05:36 > 0:05:40- Oh, thank you. Bye, Bessie. - Bye, Miss Margaret.
0:05:43 > 0:05:46Exit woman, enter judge.
0:05:46 > 0:05:51- More's the pity.- Uncle Matt, I take exception to your innuendo.
0:05:51 > 0:05:58- I'm no problem to you. Now, Susan... - Oh, nothing wrong with Susan that a man in the house wouldn't cure.
0:05:58 > 0:06:06- I've been telling you that for years.- I will not put up with your constant attempts to get me married.
0:06:06 > 0:06:08- KNOCK ON DOOR - Come in.
0:06:09 > 0:06:14Good morning! Good morning! Good morning, Margaret, Herr Doktor.
0:06:14 > 0:06:20- Good morning.- Margaret, I've found a copy of this rare Exegi Fossius.
0:06:20 > 0:06:25- Thank you, Tom.- The night-blooming Exegi Fossius? Put it in a vase!
0:06:25 > 0:06:28You seem truculent this morning.
0:06:28 > 0:06:30Physician, heal thyself.
0:06:30 > 0:06:33See you later, Margaret.
0:06:34 > 0:06:41For the record - I'm not as interested in the woman marrying, as in her marrying the right man.
0:06:42 > 0:06:47He doesn't like me. It's a sixth sense one acquires in this office.
0:06:47 > 0:06:53No. He has a life beyond his job as court psychiatrist. Occasionally they become confused.
0:06:53 > 0:06:56Speaking of combining work with pleasure,
0:06:56 > 0:07:04- I understand you're reviewing a case involving Richard Nugent... - If your gift is in fact a bribe...
0:07:04 > 0:07:08Oh, put it out of your head. But he's given us a lot of difficulty.
0:07:08 > 0:07:13- Let's both go where we were going. So long, Tommy.- Very well.
0:07:13 > 0:07:16But remember - absit invidia.
0:07:18 > 0:07:22- We're ready, Your Honour. - All right, Max.
0:07:24 > 0:07:29 Do you swear that the evidence you shall give in the State v Nugent
0:07:29 > 0:07:33shall be the truth, the whole truth and nothing but the truth?
0:07:33 > 0:07:35ALL: Yes.
0:07:46 > 0:07:48Go ahead.
0:07:48 > 0:07:52We picked up Richard Nugent on a radio riot call.
0:07:52 > 0:07:56It was a free-for-all, and Nugent was at the bottom of it.
0:07:56 > 0:08:03- Which of you is Nugent? - Mr Nugent isn't here, Your Honour. - Is he in hospital?- No, out on bail.
0:08:03 > 0:08:10- He knew the hearing was at nine? - Yes, Your Honour. He must have been unavoidably detained.
0:08:10 > 0:08:15If Mr Nugent isn't here soon I shall forfeit his bail.
0:08:15 > 0:08:17- But...- I'll hear the evidence.
0:08:17 > 0:08:23- Your name? - Anthony Herman. I work at the Vampire Club.
0:08:23 > 0:08:27I throw people out if there's a disturbance.
0:08:27 > 0:08:34- What happened last night? - I got back from maintaining order on a guy who said the music stank,
0:08:34 > 0:08:39and I became aware of loud activities and screams.
0:08:39 > 0:08:42As I rushed over, a straight left catches me.
0:08:42 > 0:08:45As you can see.
0:08:45 > 0:08:49A short time later I'm informed it's all over. But I remember one thing -
0:08:49 > 0:08:54- Mr Nugent was at the centre of it. - You didn't see him fighting.
0:08:54 > 0:08:58Oh, he was fighting... THEY TALK OVER EACH OTHER
0:08:58 > 0:09:00SHE BANGS GAVEL
0:09:00 > 0:09:03- THEY FALL SILENT - Your name?
0:09:03 > 0:09:06- Miss Agnes Prescott. - Go on.
0:09:06 > 0:09:09I'm an entertainer. Huh!
0:09:09 > 0:09:15I've known Mr Nugent some time. I once posed for him - in costume.
0:09:15 > 0:09:18I've posed for Mr Nugent, too. In costume.
0:09:18 > 0:09:21- Shall I continue? - By all means.
0:09:21 > 0:09:26Last night, Mr Nugent dropped in. While we were having a few words,
0:09:26 > 0:09:29we were accosted by this...lady, which I resented!
0:09:29 > 0:09:35Harsh words were exchanged. Mr Nugent came to my defence. I knew him first!
0:09:35 > 0:09:40- THEY TALK OVER EACH OTHER - Just a moment.
0:09:41 > 0:09:44Mr Nugent has exactly 60 seconds.
0:09:44 > 0:09:50Mr Nugent's unpunctuality comes as no surprise to the District Attorney's office.
0:09:50 > 0:09:52The DA has a special interest.
0:09:52 > 0:09:57It's the third time Mr Nugent has created a public disturbance.
0:09:57 > 0:10:01I object, Your Honour. The remarks will prejudice the court.
0:10:01 > 0:10:04This case only should be considered.
0:10:04 > 0:10:09- Your Honour, it's important... > - I'll consider only this evidence.
0:10:09 > 0:10:12- Very well. > - Don't sulk.
0:10:36 > 0:10:38Good morning.
0:10:43 > 0:10:46- Morning. - Morning.
0:10:46 > 0:10:50- Good morning. - Good morning. Morning.
0:10:50 > 0:10:55May I assume this is Mr Nugent, the defendant?
0:10:55 > 0:11:01- I'm frankly and honestly delighted, Your Honour. - Is it all right to go ahead now?
0:11:01 > 0:11:07- I'm sorry...- I hope we haven't inconvenienced you.- It's just... - Your watch is slow.
0:11:07 > 0:11:09Stopped.
0:11:09 > 0:11:13- Forgot to wind it.- This court works on schedule, Mr Nugent.
0:11:13 > 0:11:18- Nine o'clock means nine o'clock. - Yes, sir... I mean, Your Honour.
0:11:18 > 0:11:22Did you go to the Vampire Club last night?
0:11:22 > 0:11:28Yes. I'm doing a series of paintings on Americana, including a nightclub scene.
0:11:28 > 0:11:31Creating one, more like.
0:11:31 > 0:11:35There seems to be some doubt as to how the fight started.
0:11:35 > 0:11:37Well...
0:11:37 > 0:11:44- Agnes had finished her spot. That's a theatrical term for routine.- Thank you(!)
0:11:46 > 0:11:50We were having a drink when Florence...
0:11:51 > 0:11:54- We've met.- ..appeared. She, er...
0:11:54 > 0:12:00- Florence has posed for me. - I merely stopped to say hello, which this canary resented.
0:12:00 > 0:12:05- Well, my escort...- I'd prefer to hear Mr Nugent's version.
0:12:05 > 0:12:06Thank you.
0:12:06 > 0:12:11Florence's escort appeared. You've met him, too?
0:12:13 > 0:12:18He objected to Florence coming to my table. Florence didn't like that.
0:12:18 > 0:12:21Tony slapped Florence and I slapped Tony.
0:12:21 > 0:12:25Defending American womanhood. Get that!
0:12:25 > 0:12:30Florence attempted to stop the fight. Agnes scratched Florence.
0:12:30 > 0:12:32Florence...
0:12:35 > 0:12:39No-one can remember a fight punch for punch.
0:12:39 > 0:12:44Mr Nugent has been in escapades, but never through any fault of his own.
0:12:44 > 0:12:51The fact that he is a painter of contemporary life can place him in unusual circumstances.
0:12:51 > 0:12:57- Mr Nugent should not get special privileges because he's an artist. - No, Your Honour.
0:12:57 > 0:13:02- The DA's office would like him held. - I see no reason for that.
0:13:02 > 0:13:08The fight involved everyone and they are equally guilty or innocent.
0:13:08 > 0:13:14- Go home, nurse your wounds and be a little less emotional next time. - Thank you. May I go?
0:13:14 > 0:13:21- You just got here. Don't you like our court?- Oh, I like it fine. Only I'm due to give a lecture.
0:13:21 > 0:13:24- Really! What in? - America as I see it.
0:13:24 > 0:13:27It should be interesting.
0:13:27 > 0:13:33Mr Nugent, I've met your type before. I sentence them every day of the week.
0:13:33 > 0:13:36Next time you won't be dealt with so leniently.
0:13:36 > 0:13:40I suggest you confine your painting to still life.
0:13:40 > 0:13:43Case dismissed. Next case.
0:13:43 > 0:13:46(Don't press your luck.)
0:13:56 > 0:14:01I wish we didn't have this thing. I hate lectures.
0:14:01 > 0:14:04..if your coach told you to get exercise...
0:14:08 > 0:14:12You OK for Saturday night, Susie? You promised.
0:14:12 > 0:14:17- Promises are the hollow shells of undone deeds.- What does that mean?
0:14:17 > 0:14:22You're a nice boy, Jerry, but you're callow.
0:14:22 > 0:14:27- Not too callow to take you out when money's low.- Don't create a scene.
0:14:27 > 0:14:34You're looking for a knight in shining armour. I'm competing with something medieval!
0:14:34 > 0:14:37Don't be a stube! BELL RINGS
0:14:40 > 0:14:43Students, members of the faculty,
0:14:43 > 0:14:46our High School is honoured
0:14:46 > 0:14:48in having as guest lecturer
0:14:48 > 0:14:53a man who will speak to us about the classical tradition of painting.
0:14:53 > 0:14:57He's well qualified to speak to us about painting
0:14:57 > 0:15:02because he's one of America's foremost exponents of painting.
0:15:03 > 0:15:05Students,
0:15:05 > 0:15:11I know you will express enthusiasm for his appearance here today.
0:15:11 > 0:15:13I present Mr Richard Nugent.
0:15:13 > 0:15:16SPARSE APPLAUSE
0:15:24 > 0:15:27APPLAUSE INCREASES
0:15:30 > 0:15:33CHEERS
0:15:45 > 0:15:48SOMEONE WOLF WHISTLES
0:15:56 > 0:15:59..A lot of people think of art as stuffy.
0:15:59 > 0:16:03But true art has something to say to everyone.
0:16:03 > 0:16:07Great art unites the masses in every country.
0:16:07 > 0:16:12- He's handsome!- I suppose so - for an older man.
0:16:13 > 0:16:16Look at it in terms of history.
0:16:16 > 0:16:23Each age, each era becomes visual to us when the artist recreates it in stone, bronze or on canvas.
0:16:23 > 0:16:28The essence of art is simplicity. If I wanted to capture America,
0:16:28 > 0:16:33I wouldn't look for towering mountains or fields of grain.
0:16:33 > 0:16:37I'd put America on canvas in a picture of one of you.
0:16:37 > 0:16:40In his denims, shirt open at the neck.
0:16:40 > 0:16:46He'd be young, eager and proud because of what's ahead of him.
0:16:46 > 0:16:53You're the kids who'll be running our factories, voting for what you want this country to be -
0:16:53 > 0:16:57- a place where there's freedom... - You all right?
0:16:57 > 0:17:02..I'd try to convey all that in the portrait, too. Thank you.
0:17:06 > 0:17:11Mr Nugent. Mr Nugent! My name is Susan Turner. I'm a student here.
0:17:11 > 0:17:13- No!- Yes!
0:17:13 > 0:17:15I loved your speech.
0:17:15 > 0:17:18Bye, Mr Nugent! SHE WHISTLES
0:17:22 > 0:17:26- Nice to have met you... - You don't understand!
0:17:26 > 0:17:31- I have to interview you.- What? - For the school paper. I'm editor.
0:17:31 > 0:17:39- Shall we go somewhere quiet?- Well... - We don't often have an artist here. I bet you've had an interesting life.
0:17:39 > 0:17:41Could we do this some other time?
0:17:41 > 0:17:47- I have a date.- You're not married! - No.- Oh, I knew it! You couldn't be!
0:17:47 > 0:17:49Well, I've had some offers.
0:17:49 > 0:17:52It's this way. We can talk in here.
0:17:52 > 0:17:55- Don't you see, I...?- Please?
0:18:02 > 0:18:05- Have you ever been married?- No.
0:18:05 > 0:18:12- Ever been in love?- Yes, I have. Tell me, what kind of paper does this school run?
0:18:12 > 0:18:14- Oh, all the students read it!- I bet!
0:18:14 > 0:18:19You probably have no idea what an unusual person you are.
0:18:19 > 0:18:23But I can see it. I'm really much older than I look.
0:18:23 > 0:18:29These are merely the vestments I don as a concession to our outworn educational anachronism.
0:18:29 > 0:18:33But I know what the artistic soul is like, how it suffers.
0:18:33 > 0:18:39- Did you have many ordeals before you found success?- No...- You can tell me.
0:18:39 > 0:18:44I want you to think of me not as a newspaper woman but as a friend.
0:18:46 > 0:18:48In that case, I'll tell you.
0:18:48 > 0:18:51I did suffer.
0:18:52 > 0:18:57When I was ten my parents had a suicide pact. They made it.
0:18:57 > 0:19:01I was sent to an orphanage. Some days they didn't beat me.
0:19:01 > 0:19:04Then I escaped.
0:19:04 > 0:19:07I ran away to New York. I used to steal.
0:19:07 > 0:19:11- What did you steal? - I beg your pardon?
0:19:11 > 0:19:14- What did you steal?- Crusts of bread.
0:19:14 > 0:19:16And things.
0:19:16 > 0:19:21One time I stole a valise. There were paints inside it.
0:19:21 > 0:19:25So I began to paint. Then they got me.
0:19:25 > 0:19:30- I was sent to a reform school, but I escaped again.- Go on!
0:19:30 > 0:19:35Back to New York. A wealthy lady saw my work, fell in love with me
0:19:35 > 0:19:39and sent me to art school. The rest is history.
0:19:39 > 0:19:41How wonderful.
0:19:41 > 0:19:44How terribly wonderful.
0:19:45 > 0:19:49Now, if you'll excuse me, I must rest.
0:19:49 > 0:19:50Of course.
0:19:50 > 0:19:53- Goodbye, Miss...- Turner!
0:19:53 > 0:19:57Susan Turner! Remember what you said about painting one of us?
0:19:57 > 0:20:00- America and the grain?- Yes, I do.
0:20:00 > 0:20:03D'you think I'd make a good model?
0:20:03 > 0:20:10- You're not quitting the paper?- It's a stopgap. My family want me to do law, but I don't want to be Portia.
0:20:10 > 0:20:16- That's something you can sort out. - One female judge in the family is enough.
0:20:16 > 0:20:22- Did you say your name was Turner? - Yes. My sister's Judge Margaret Turner.- Bye!
0:20:22 > 0:20:29- What about my posing for you? America?- Fine.- You think I'm ideal? - Sure. Sometime.
0:20:29 > 0:20:32Thanks for the interview. Bye.
0:20:32 > 0:20:34- Not goodbye, au revoir.- Au revoir!
0:21:14 > 0:21:18- Something wrong?- That picture. It's hideous.- It's very nice!
0:21:18 > 0:21:22It has no simplicity! It's so...so busy.
0:21:22 > 0:21:26- True art should unite the masses in every country.- Hmm.
0:21:26 > 0:21:31- Who lectured today?- What does that have to do with it?- Everything.
0:21:31 > 0:21:35Last month you wanted to be a designer.
0:21:35 > 0:21:39Then you wanted to be a female deep sea diver.
0:21:39 > 0:21:44Now you find our painting offensive. What does this artist look like?
0:21:44 > 0:21:47He's wonderful. I interviewed him.
0:21:47 > 0:21:52- I've never seen anyone in armour before.- Few people have, Susan.
0:21:52 > 0:21:54You don't know how wonderful he is.
0:21:54 > 0:22:00- He's had to lie and steal to get somewhere in life.- That's just dandy!
0:22:00 > 0:22:04- What's the name of this knight? - Richard Nugent.
0:22:04 > 0:22:06Richard Nugent... Richard Nugent?!
0:22:06 > 0:22:11- Have you heard of him?- We have a permanent courtroom for him!
0:22:11 > 0:22:17- How dare he lecture in a school?! - Don't get excited. All he did was talk about art.
0:22:17 > 0:22:21- And he was very good. - Perhaps you're right.
0:22:21 > 0:22:25I suppose there's nothing wrong with his lecturing.
0:22:25 > 0:22:28Have you ever thought of me as a model?
0:22:28 > 0:22:31I can't honestly say that I have. Why?
0:22:31 > 0:22:34Dicky wants me to pose for him.
0:22:34 > 0:22:36Isn't that nice(!)
0:22:36 > 0:22:38Dicky?!
0:22:38 > 0:22:42He's a very fine man. You don't know him.
0:22:42 > 0:22:47- Enough to advise you to go back to diving!- I don't need your advice.
0:22:47 > 0:22:51I'm acting in your own best interests.
0:22:51 > 0:22:58- You'll make me an old maid!- When a suitable man appears I'll be happy. - If he does a lie detector test first!
0:22:58 > 0:23:05- I want you to forget all about Mr Nugent.- Why don't you write out a court order?!
0:23:08 > 0:23:10KNOCKING
0:23:13 > 0:23:18- Good evening, Mr Chamberlain.- Is the lady in?- She's practically out.
0:23:18 > 0:23:22- Hello, Your Honour. - Only a moment, Tommy.
0:23:25 > 0:23:28- Are you all right?- Fine. Just fine.
0:23:28 > 0:23:32- I'm sorry about our... - Oh, it's all right. It was nothing.
0:23:32 > 0:23:36I'll be home early. See you in the morning.
0:23:36 > 0:23:39Goodbye. Have a good time.
0:23:44 > 0:23:50- Do I detect an air of trouble?- I never enjoy quarrelling with Susan.
0:23:50 > 0:23:56- She's entitled to growing pains. - They're rapidly becoming a disease.
0:24:02 > 0:24:07- Can I help?- What apartment is Mr Nugent in?- He isn't in any.
0:24:07 > 0:24:11- Doesn't he live here? - Sure, but he isn't home.
0:24:11 > 0:24:15- Anything I can do for you? - Thank you, I'll wait.
0:24:15 > 0:24:20- He expecting you? - I'm going to pose for him.- Oh.
0:24:20 > 0:24:25- D'you want to wait upstairs?- Would it be all right?- Sure. I'll take you.
0:24:25 > 0:24:28- You're new around here.- Yes.
0:24:28 > 0:24:33- I'm 15!- I'm 17. - That's OK. I like older women.
0:24:35 > 0:24:37Mademoiselle.
0:24:44 > 0:24:46Here we are.
0:24:46 > 0:24:49Some layout, huh?
0:24:49 > 0:24:54- This is where he lives.- I've got work to do. Make yourself at home.
0:25:32 > 0:25:34SHE MOUTHS
0:25:50 > 0:25:56- When did you discover she was gone? - About dinnertime.- What time was it?
0:25:56 > 0:26:00- A quarter past seven.- Did she leave a note?- I didn't find any.- Are...
0:26:00 > 0:26:05- This isn't a criminal investigation. Bessie, you may go.- Thank you.
0:26:05 > 0:26:11- You're Assistant District Attorney. Do something!- We have no clues.
0:26:11 > 0:26:18- Have you checked the hospitals?- Yes. Airports, railroad, bus stations. Did you call her friends?- Hours ago.
0:26:18 > 0:26:22- Jerry came to see her. She'd gone. - PHONE RINGS
0:26:23 > 0:26:28- Hello? It's for you. - Hello. Chamberlain speaking.
0:26:29 > 0:26:32Keep a man there. Check the morgue.
0:26:32 > 0:26:36HE HANGS UP I'm sorry. It's routine.
0:26:36 > 0:26:41- I remember an important...- If she's hurt I'll never forgive myself.
0:26:41 > 0:26:48- I shouldn't have quarrelled with her.- What was it about?- I said she couldn't pose for Richard Nugent...
0:27:04 > 0:27:07HE WHISTLES
0:27:39 > 0:27:44RADIO: '..Aggravated by the imponderables of international...'
0:27:45 > 0:27:49ORCHESTRA PLAYS RELAXING MUSIC
0:27:49 > 0:27:53HE WHISTLES THE MELODY
0:28:36 > 0:28:38Hello, Mr Nugent.
0:28:41 > 0:28:44Dicky, hello!
0:28:45 > 0:28:48BANGING ON DOOR
0:28:49 > 0:28:52< Let us in!
0:28:52 > 0:28:58RADIO: 'Now we bring you that sensational tune Fast Ride In A Patrol Wagon.'
0:29:01 > 0:29:03SIREN BLARES
0:29:05 > 0:29:08Tell me exactly what happened.
0:29:08 > 0:29:12- If I knew that I wouldn't be here! - Give me a rough idea.
0:29:12 > 0:29:20- Where were you when they let me use the phone last night?- I had not anticipated your winding up in jail.
0:29:20 > 0:29:25- I have a life of my own.- I hope I haven't inconvenienced you!
0:29:25 > 0:29:30- Not at all.- Sleep well? Good breakfast?- The facts!- Sit down.
0:29:31 > 0:29:33Get a load of this.
0:29:34 > 0:29:39I got home to my apartment last night. That much I know.
0:29:39 > 0:29:44This girl was there. At least, I think she was. I don't know.
0:29:44 > 0:29:47- Judge Turner's sister?- That's right.
0:29:47 > 0:29:51- Young girl?- What did you say? - Young girl?- Too young.
0:29:51 > 0:29:55Nugent, why don't you tell me the truth?
0:29:55 > 0:29:59I AM telling you the truth. That's what happened last night.
0:29:59 > 0:30:04Nobody listened to me. I couldn't explain. Now please...
0:30:04 > 0:30:08I got home to my apartment last night.
0:30:08 > 0:30:15I went up to my bedroom, took off my dinner coat, put on a robe, came downstairs, turned on the radio,
0:30:15 > 0:30:20got a nice highball, opened a book, sat down to read,
0:30:20 > 0:30:24when up popped this little girl. Little girl popped up.
0:30:24 > 0:30:28There's banging. Somebody busts in.
0:30:28 > 0:30:34- Did the girl...? - Everybody's talking at once...- Did the girl explain why she was there?
0:30:34 > 0:30:39Yes... She tried to explain. They wouldn't let her.
0:30:39 > 0:30:42She said she'd come to be a model.
0:30:42 > 0:30:48Did you or did you not invite her up there to be a model?
0:30:48 > 0:30:52Well, in a roundabout way, I guess I did.
0:30:52 > 0:30:56She kept saying I was going to paint her as Young America.
0:30:56 > 0:31:03- Did you tell her that? - I've told that to 500 little girls!- Let's not go into that.
0:31:03 > 0:31:09You're charged with hitting the District Attorney. Did you or did you not hit him?
0:31:09 > 0:31:11I hit him. That's right.
0:31:11 > 0:31:16I did not know he was the Assistant District Attorney.
0:31:16 > 0:31:21If I had known he was the Assistant DA...I would have hit him.
0:31:21 > 0:31:28He said some very bad things. Kept pulling on my arm. Wouldn't let the little girl explain.
0:31:28 > 0:31:35- And her sister - that's a mountain of ice, a gallon of poison! Jumping to conclusions!- Control yourself!
0:31:35 > 0:31:40If worst comes to worst, maybe I can get your sentence reduced.
0:31:40 > 0:31:46- But you have to remember coherently exactly what happened.- Oh, sure.
0:31:46 > 0:31:51If you talked like this in front of a court, you'd get 20 years.
0:31:52 > 0:31:54I'm ready to go now.
0:31:54 > 0:31:56Coherently. Exactly.
0:31:56 > 0:32:01See you later. You'll know me - I'll be dressed like a lawyer.
0:32:03 > 0:32:06HE MUTTERS
0:32:10 > 0:32:14Mr Nugent, you got a visitor. It's Dr Beemish.
0:32:17 > 0:32:19Mr Nugent?
0:32:22 > 0:32:28- I'm the court psychiatrist.- Return in an hour. I'll be crazy by then!
0:32:28 > 0:32:34I'm here to help. You're just an innocent bystander.
0:32:36 > 0:32:39- Sit down, doctor.- Thank you.
0:32:42 > 0:32:47- May I offer you a drink?- No, thanks. - Cigar?- No, no, I'm fine, thanks.
0:32:47 > 0:32:54- Is this cell comfortable? - I've nothing to compare it with. This is my first time.- Oh, oh.
0:32:54 > 0:33:01- I think you'll find our penology system is quite modern. - That's a load off my mind.
0:33:01 > 0:33:04What can they do to me if I kill a judge?
0:33:04 > 0:33:12- Judge Turner appears to be a very dominant woman, but her dominance is actually retreat.- Is that so?
0:33:12 > 0:33:16We call it a manifestation of the Oedipus complex.
0:33:16 > 0:33:21As Menangere so clearly points out, traumatic events seem to...
0:33:21 > 0:33:25The only traumatic event she needs is a good smack in the jaw.
0:33:25 > 0:33:28She's my niece.
0:33:28 > 0:33:31But you're absolutely right.
0:33:31 > 0:33:35- Judge Turner's ready for you, Doctor.- Thank you.
0:33:35 > 0:33:38Just leave things in my hands, Mr Nugent.
0:33:38 > 0:33:42- I dare say you'll be surprised at the results.- Dare say.
0:33:44 > 0:33:46I have a plan.
0:33:53 > 0:33:58- Nugent seems a nice fellow.- Sure you were talking to the right man(?)
0:33:58 > 0:34:02Certainly. About six feet, broad shoulders, blue eyes.
0:34:02 > 0:34:09- He has brown eyes.- Oh, has he? Margaret, have you made any definite plans about Nugent?
0:34:09 > 0:34:15It isn't my case. Judge Treadwell is viewing the evidence.
0:34:15 > 0:34:20Oh. Well, I hope Treadwell doesn't go too far.
0:34:21 > 0:34:24I won't be responsible for Susan.
0:34:26 > 0:34:28You were saying?
0:34:28 > 0:34:31Susan thinks she loves this man.
0:34:31 > 0:34:37If things take their normal course, in a few weeks she will have forgotten all about him.
0:34:37 > 0:34:41But sending him to prison will martyr him in her eyes.
0:34:41 > 0:34:45- It'll be a tragedy she'll never get over.- Nonsense!
0:34:45 > 0:34:52You don't understand. Susan's not like other children. She's above that sort of silliness.
0:34:52 > 0:34:54KNOCKING
0:34:57 > 0:35:01Sorry to bother you. This lady came to see Mr Nugent.
0:35:01 > 0:35:05- She claims to be your sister and his mother.- Susan!
0:35:05 > 0:35:08I just wanted to talk to him. About the steel business.
0:35:08 > 0:35:11She baked this.
0:35:11 > 0:35:13Thank you, Melvin.
0:35:15 > 0:35:17What's happening to you?
0:35:17 > 0:35:21I'm in love with him. Don't you realise that?
0:35:21 > 0:35:25If I lose him, life has no meaning. I love him.
0:35:27 > 0:35:30SUSAN SOBS
0:35:31 > 0:35:35- How about a reversal?- You win.
0:35:36 > 0:35:40KNOCKING Come in.
0:35:40 > 0:35:42Here's Mr Nugent.
0:35:42 > 0:35:49- Hello, Richard. Well, you don't look any the worse for wear.- Prison agrees with me(!)
0:35:49 > 0:35:53- Mr Nugent, I have good news. - They're going to hang me!
0:35:53 > 0:35:55I'm the one who ought to be hanged.
0:35:55 > 0:35:58Won't I sit down?
0:35:58 > 0:36:03- Please do. I believe you know Dr Beemish.- Yes.
0:36:03 > 0:36:06- This is Judge Treadwell. - How do you do?
0:36:06 > 0:36:10- How do you do? - You know Assistant DA Chamberlain?
0:36:10 > 0:36:16- Nice to see you again.- Sorry about that misunderstanding.- Forget it.
0:36:16 > 0:36:19- That's generous of you.- Not at all.
0:36:19 > 0:36:25- I lost my temper, too, last night. Pardon me.- That's all right. I hope you'll pardon ME!
0:36:26 > 0:36:30Thank you for holding this preliminary hearing in camera.
0:36:30 > 0:36:37That's all right. Given Mr Nugent's reputation, I see no reason to expose him to unnecessary publicity.
0:36:37 > 0:36:44This incident can be straightened out amicably, if the Assistant DA doesn't wish to press charges.
0:36:44 > 0:36:48I wouldn't want to see Mr Nugent in jail.
0:36:48 > 0:36:53- Well, thank you. I guess I'm free to go.- Just a moment.
0:36:53 > 0:36:57- I believe Judge Turner has a suggestion.- Anything.- Yes.
0:36:57 > 0:37:01It isn't much. I'm worried about Susan.
0:37:01 > 0:37:06- Oh.- She's become quite enamoured of you, Mr Nugent.- Well...
0:37:06 > 0:37:11- We wondered if you'd help us by taking her out.- I'd be glad to...
0:37:11 > 0:37:16- Doing what?!- Being her beau, just until she gets over you.
0:37:16 > 0:37:23- Dr Beemish says she mustn't feel you're being martyred.- Oh, does he? Let Dr Beemish take her out!
0:37:23 > 0:37:26There's no law says I have to.
0:37:26 > 0:37:30No-one's trying to force you. We hoped you'd WANT to.
0:37:30 > 0:37:38Because your attitude will have a bearing on the other charges, if the Assistant DA chooses to press them.
0:37:38 > 0:37:42- All I did was punch his nose! - Mr Walters,
0:37:42 > 0:37:48if a man was brought before you who'd enticed a 17-year-old to his apartment to "paint her portrait",
0:37:48 > 0:37:54and who'd brutally assaulted the Assistant DA, what would you do?
0:37:54 > 0:38:00- I'd give him 20 years.- Which side are you on?- You haven't proved it.
0:38:00 > 0:38:02- We will. - That's for the jury to decide.
0:38:02 > 0:38:08Mr Walters, if this man realised the young girl was in love with him,
0:38:08 > 0:38:12and agreed to help her get over him, wouldn't you be lenient?
0:38:12 > 0:38:15I would. I'd drop the charges.
0:38:15 > 0:38:18That's exactly what I'd do.
0:38:20 > 0:38:23What do I have to do?
0:38:23 > 0:38:29You'll see Susan whenever we deem proper. As soon as your fascination wears off, you're free to go.
0:38:29 > 0:38:33- What if it doesn't wear off? - It will.- Oh!
0:38:33 > 0:38:37Mr Nugent, please have no illusions about this matter.
0:38:37 > 0:38:42This is against my judgment. I'd as soon she went out with an actor.
0:38:42 > 0:38:47- Judge Turner doesn't mean that. - Oh, just wondering.
0:38:47 > 0:38:52She means I've recommended you as a vital therapy measure.
0:38:55 > 0:38:59Huh! That's great(!) Recommended for children!
0:39:19 > 0:39:21Get him!
0:39:26 > 0:39:32This row is reserved for faculty and important members of the student body. I hope you like basketball.
0:39:32 > 0:39:35Crazy about it!
0:39:38 > 0:39:40Good evening, Susan.
0:39:40 > 0:39:44- Geometry straightened out? - Yes, Mr Mittwig.
0:39:44 > 0:39:47- Your handkerchief. - You must be a new boy.
0:39:47 > 0:39:52- We'll probably run into each other. - I gave a lecture here on art.
0:39:52 > 0:39:57Oh, you're in Miss Hellop's class. Excellent teacher! Excellent!
0:39:57 > 0:40:00WHISTLE BLOWS There they go!
0:40:00 > 0:40:03CROWD CHEERS AND WHISTLES
0:40:10 > 0:40:13CROWD CHEERS
0:40:13 > 0:40:16WHISTLE
0:40:46 > 0:40:49M-F, S-U-N.
0:40:49 > 0:40:52F-F, S-E-T.
0:40:52 > 0:40:56S-U-N-S-E-T.
0:40:56 > 0:40:59- Sunset! Sunset! Sunset!- Ra!
0:41:13 > 0:41:18We had a better team last season, but our star centre graduated.
0:41:18 > 0:41:24- Too bad.- I think our new centre needs more experience.- Oh, at least.
0:41:24 > 0:41:28- He used to be sort of a boyfriend of mine.- What?
0:41:28 > 0:41:35- Oh, until I met you. - You mean that fine-looking young man who smiled at you?
0:41:35 > 0:41:38Yes, that's the one. He's just a child.
0:41:38 > 0:41:42- Is he in love with you? - I suppose so.
0:41:42 > 0:41:47But you needn't be jealous, Richard. He's really terribly unsophisticated.
0:42:00 > 0:42:03WHISTLE
0:42:05 > 0:42:08White out.
0:42:13 > 0:42:18- Sit it out for a while. Get your mind back on the game.- Yes, sir.
0:42:21 > 0:42:25Yes, fine figure of a man! I'd like to meet him.
0:42:25 > 0:42:28That can be arranged.
0:42:32 > 0:42:37- Great game, Mr...- Jerry White, Richard Nugent.- How do you do?
0:42:37 > 0:42:42Usually my game's better. It's kinda off. Personal troubles.
0:42:42 > 0:42:50It's too bad that certain athletes are concerned with their own problems, instead of beating PB High.
0:42:50 > 0:42:57Oh, I don't know, Susan. Why don't we all talk it over? Will you join us for a soda after the game?
0:42:57 > 0:43:00- You mean that?- Yes.- I'd love to!
0:43:00 > 0:43:02Thanks, Mr Nugent.
0:43:05 > 0:43:10I feel a lot better, Coach. Sure would like to get back in the game.
0:43:10 > 0:43:13- All right. Go in.- Thanks.
0:43:13 > 0:43:16CROWD CHANTS
0:43:16 > 0:43:18- White for Baldman.- Baldman, eh?
0:43:18 > 0:43:22CROWD CHEERS
0:43:22 > 0:43:24WHISTLE
0:43:39 > 0:43:41Hooray! Sunset!
0:43:41 > 0:43:44Hooray! What a player! Hooray!
0:43:45 > 0:43:49SWING MUSIC PLAYS
0:43:54 > 0:43:56Thank you.
0:44:05 > 0:44:07I feel sorry for Jerry.
0:44:07 > 0:44:11- Why?- I played basketball as a kid, about 20 years ago...
0:44:11 > 0:44:16- I'll bet you were wonderful. - Not as good as Jerry. He's a champ.
0:44:16 > 0:44:20- His game's off because of you. - You think?- I know.
0:44:20 > 0:44:27- It's awful what a woman can do. Look at Caesar and Cleopatra... - Napoleon and Josephine.- All of them.
0:44:27 > 0:44:33- Behind every defeated man is a frustrated love. - You're right.- You bet.
0:44:33 > 0:44:37And I promise all my life never to hurt you.
0:44:37 > 0:44:39It was a tough game.
0:44:39 > 0:44:42- Hello, Jerry.- But we won.
0:44:42 > 0:44:49- Certainly through no help from you. - I thought he played a splendid game. - No, he didn't.- He did.- I didn't.
0:44:49 > 0:44:56- What will you have?- I'm not hungry. I'll have a double sweetheart flip. - Aren't you in training?
0:44:56 > 0:44:59Sometimes a man just doesn't care.
0:44:59 > 0:45:03- You see? I know how you feel. - You do, huh?
0:45:03 > 0:45:08When Susan told me about you and her, I was sore. You can't blame me.
0:45:08 > 0:45:13- No...- My first instinct was to take a poke at you.- Jerry!- Let me finish.
0:45:13 > 0:45:17I said to myself, let's be civilised.
0:45:17 > 0:45:20If Susan feels that way, it's all right.
0:45:20 > 0:45:23That's big of you, and generous.
0:45:23 > 0:45:30- We can still be friends.- Of course. - No matter what.- Dick and I will treasure your friendship.
0:45:30 > 0:45:33If I can do anything for you, just call Jerry.
0:45:33 > 0:45:38- And if we can do anything for you, just ask.- Get in touch.
0:45:38 > 0:45:44- Well, I guess it's goodbye, Jerry. - I guess it is.- I guess it is...
0:45:56 > 0:45:58- Oh, Susan...- Yes, dear?
0:45:58 > 0:46:03It isn't becoming for you to call me "dear" and "darling".
0:46:03 > 0:46:05- Why, darling?- Stop that.
0:46:05 > 0:46:12- The basketball game was fun, but it can't go on.- I know. The season's over next week.
0:46:12 > 0:46:16No, Susan. Wait a minute. I mean the whole thing can't go on.
0:46:16 > 0:46:22You got me into this. You told your sister I asked you to pose for me.
0:46:22 > 0:46:27- That's true, in a way.- It isn't so and you know it. Let's not argue.
0:46:27 > 0:46:32- Everyone now has the crazy idea you're in love with me.- I am.
0:46:33 > 0:46:40Look at me. Susan, I wouldn't say this to many people, but I'm old enough to be your father.
0:46:40 > 0:46:47- You're so right, dear. - Honey, you've got to realise that this isn't proper for either of us.
0:46:47 > 0:46:50- You're so right, dear.- It's... - Step.- Thanks.
0:46:50 > 0:46:54- It's gonna embarrass you, too. - You're so right, dear.
0:46:54 > 0:46:58- You're not paying any attention. - You're so right, dear.
0:46:59 > 0:47:04Well! Good evening, Susan. Good evening, Nugent.
0:47:04 > 0:47:07- Glad to see you kids home early. - We're not home yet.
0:47:07 > 0:47:15- Did you have a good time? How'd you like a cigarette?- I'm not allowed to smoke.- Sorry, I've no bubble gum.
0:47:15 > 0:47:17Good night, Tommy.
0:47:17 > 0:47:24Nugent, we're having a birthday party Saturday for my niece. Love to have you come. She'll be six.
0:47:24 > 0:47:29- How's your jaw?- Fine. Why?- Because the worst I can get is 90 days.
0:47:29 > 0:47:33Temper, temper! Well, toodle-oo, kids!
0:47:38 > 0:47:40Hello, Margaret.
0:47:40 > 0:47:43Hello, Susan.
0:47:43 > 0:47:49- Good evening.- Good evening.- That's the new dress.- Like it?- Beautiful!
0:47:49 > 0:47:52Too bad you had to go to that dreary dinner.
0:47:52 > 0:47:57- It was nice. Did you enjoy yourself?- It was simply sensational.
0:47:57 > 0:48:02- You'd better turn in now. School tomorrow.- Yes, of course.
0:48:02 > 0:48:05Good night, Dicky.
0:48:06 > 0:48:09Good night, Susan.
0:48:09 > 0:48:11- Good night.- Good night.
0:48:14 > 0:48:16- Good night, Dicky.- Good night.
0:48:20 > 0:48:22Well, um, good night.
0:48:22 > 0:48:24Good night.
0:48:27 > 0:48:30That is a beautiful dress, and you look wonderful in it.
0:48:30 > 0:48:35Thank you. You said that gracefully - perhaps the result of practice.
0:48:35 > 0:48:42- You said that ungraciously - perhaps the result of practice. - I had that coming.
0:48:42 > 0:48:44- You got a moment?- Yes.
0:48:57 > 0:49:00That's right.
0:49:03 > 0:49:07My mother was a remarkable woman. She taught piano.
0:49:07 > 0:49:12Funnily enough, children liked to take lessons from her.
0:49:12 > 0:49:16Anyway, I read a lot of books she didn't want me to read.
0:49:16 > 0:49:19A perfectly normal attitude.
0:49:19 > 0:49:26One day, downstairs, I found a book with a very racy title. I sneaked it up to my room, started to read.
0:49:26 > 0:49:31I read for a long time. It was awful dull, but I kept on with it.
0:49:31 > 0:49:39Then I discovered Mother had stuck a philosophy book under that paper cover with a racy title.
0:49:39 > 0:49:46I waded through the thing. I never found anything exciting, but I learned a lot about philosophy.
0:49:46 > 0:49:49Very interesting.
0:49:49 > 0:49:55My father was a judge. When he gave me a book about law, I knew it would be about law.
0:49:55 > 0:50:03And when you meet a man labelled "artist", you know he'll be all you think an artist is supposed to be.
0:50:03 > 0:50:10Concerning you, I sat in judgment on a series of facts, not on your character or biography.
0:50:10 > 0:50:13I just took the long way around to tell you
0:50:13 > 0:50:18that when I said you look wonderful in that dress, I meant it.
0:50:18 > 0:50:24I'm sorry. I've never been subjected to so much charm before.
0:50:25 > 0:50:31Well, I'm afraid we're wasting a perfect, beautiful moon, and I'm keeping you up.
0:50:31 > 0:50:37- Good night.- We'll see you Saturday. You're taking Susan to the picnic.
0:50:37 > 0:50:43I'll be here, don't worry, with my very best Saturday picnic charm.
0:50:43 > 0:50:46- Good night, Your Honour.- Good night.
0:51:07 > 0:51:09Hi, Jerry.
0:51:09 > 0:51:12- Hi, Mr Nugent. - Why are you out here?
0:51:12 > 0:51:16- It's hard to get Susan out of your system.- I know.
0:51:16 > 0:51:19- Why don't you go inside? - I'm not welcome.
0:51:19 > 0:51:24- Susan probably doesn't know you're out here.- She put me here.
0:51:24 > 0:51:28I'm a square in Susan's social circle. It's not her fault.
0:51:28 > 0:51:33- It's her uncle - Judge Thaddeus. Have you met?- No.- He's fierce.
0:51:33 > 0:51:37All I said was "Greetings! Yookey dookey!" He blew a fuse.
0:51:37 > 0:51:45- Sounds OK.- He's been around lawyers so long he's forgotten how people talk.- Sure. "Greetings! Yookey..."
0:51:45 > 0:51:50- Are you going to the picnic? - I was, but...- Like to use my car?
0:51:50 > 0:51:54- You're kidding!- No, I'd like to borrow yours. Does it run?
0:51:54 > 0:52:01- Sure!- Where are the keys?- You don't need a key.- Oh. Here are the keys to mine.- Thanks.- See you there.
0:52:03 > 0:52:07- She sure is a honey. - Just a later model.
0:52:25 > 0:52:28- DOOR BUZZER - That must be Richard Nugent.
0:52:28 > 0:52:34- Who the devil is Richard Nugent? - He's taking Susan to the picnic.
0:52:34 > 0:52:38- You'll like him. - How in blazes do you know?
0:52:38 > 0:52:41Hi! Greetings! Yookey dookey!
0:52:41 > 0:52:44- Dicky!- Poot, let's scoot!- Reet!
0:52:44 > 0:52:49- You remind me of a man.- What man? - With the power of hoodoo.- Hoodoo?
0:52:49 > 0:52:52- You do!- What?- Remind me of a man...
0:52:52 > 0:52:58- Good morning.- Greetings. - (Are you mad?)- What?- (What are you doing?)- I don't dig you!
0:52:58 > 0:53:02- What are you whispering about? - I'm sorry.- Hi, Uncle Matt!
0:53:02 > 0:53:09- May I present Judge Turner? - How do you do?- Ooh! This isn't a pump handle.- He's sharp!
0:53:09 > 0:53:16- You remind me of a man.- What man? - With the power of hoodoo.- Hoodoo? - You do!- What?- Remind me of a man.
0:53:16 > 0:53:21- Judge Turner's an Associate Justice. - Better than working for a living!
0:53:21 > 0:53:24- Won't we be late to the picnic? - Yes.
0:53:24 > 0:53:28I'm a pepper shaker! The hot rod's outside!
0:53:31 > 0:53:33Come on, Thaddeus.
0:53:33 > 0:53:36Hmmm. "You remind me of a man..."
0:53:36 > 0:53:39- Who do? - No, I'm supposed to say that!
0:53:45 > 0:53:49- But that's Jerry's car. - Just looks like it.
0:53:49 > 0:53:52- What's this? - Friend of mine made it!
0:53:52 > 0:53:57You expect me to ride in that? Margaret, I want to talk to you.
0:53:57 > 0:54:01Come on, Thaddeus. There's no time for talking. Come on.
0:54:01 > 0:54:05Oh, this is nonsense!
0:54:05 > 0:54:07Yip-dippy-dee!
0:54:09 > 0:54:12TRAD JAZZ MUSIC
0:54:26 > 0:54:29EXHAUST BACKFIRES
0:54:29 > 0:54:32- Nice car, Richard(!)- Thank you.
0:54:33 > 0:54:37Ooh! I just hope you come up before me sometime!
0:54:37 > 0:54:41- It must run in your family. - Ooh! Ooh!
0:54:41 > 0:54:44- Hello.- I've been waiting. - We were delayed.
0:54:44 > 0:54:47- Mind your thumb! - It's the junior set!
0:54:47 > 0:54:50Hello. Ooh!
0:54:50 > 0:54:54- Can I get you something? - A seat that doesn't bounce!
0:54:54 > 0:55:00- We can get our lunch there. Come on.- I'm as hungry as a bear! Let's join the ants!
0:55:01 > 0:55:04Ladies and gentlemen,
0:55:04 > 0:55:08the first events of the afternoon are the novelty races,
0:55:08 > 0:55:12open to adults, parents and friends.
0:55:12 > 0:55:19- I used to be pretty good at these things as a kid.- It's open to parents.- I'm not a parent.
0:55:19 > 0:55:25- Too old, Chamberlain?- Of course not. - Of course not.- All right, then, I will.- How about you?
0:55:25 > 0:55:28- Don't be silly. - I want a medal.
0:55:28 > 0:55:32- Get her a medal.- Too old? - To run in a sack race? No.
0:55:32 > 0:55:36Then go on there and show them, Dicky.
0:55:36 > 0:55:39All right, I will.
0:55:39 > 0:55:41- Hold that.- Hold this.
0:55:43 > 0:55:51- Let's go to the finish line. I want to see Dicky win.- Coming, Uncle Matt?- You go ahead. I'll wait here.
0:55:51 > 0:55:54Thank you, gentlemen.
0:55:54 > 0:55:56Step right up and get a sack.
0:55:56 > 0:55:59You all set? All right, steady now.
0:55:59 > 0:56:02Ready, gentlemen?
0:56:02 > 0:56:04On your marks, get set...
0:56:14 > 0:56:15Oh!
0:56:28 > 0:56:33All right, ladies and gentlemen, all set for the three-legged race -
0:56:33 > 0:56:36one of the most hilarious events.
0:56:36 > 0:56:40Come on, folks, pick out your favourite
0:56:40 > 0:56:42and cheer him to the finish line.
0:56:42 > 0:56:46All right, on your marks, get set...
0:56:59 > 0:57:03All right, we're all set for the spoon-and-potato race.
0:57:03 > 0:57:06On you marks, get set...
0:57:26 > 0:57:29Disqualified. You have to finish on your feet!
0:57:35 > 0:57:38On your marks, get set....
0:57:41 > 0:57:44- Come on, Dicky! - Come on.
0:58:00 > 0:58:04Ladies and gentlemen, this is it.
0:58:04 > 0:58:08This is the main event of the afternoon.
0:58:08 > 0:58:12You are about to witness the obstacle race -
0:58:12 > 0:58:17a supreme test of skill, stamina and endurance.
0:58:17 > 0:58:22- Oh!- Come on, Dicky, stand up. I can't pin it when you're sitting.
0:58:22 > 0:58:24- You've had enough.- No.
0:58:24 > 0:58:28- We've just begun to fight. - Just begun.
0:58:28 > 0:58:31Can you hold these heavy medals, Uncle Ted?
0:58:31 > 0:58:36REFEREE: Everybody get ready. Report to the starting line.
0:58:36 > 0:58:40- Oh!- Come on, Dicky. I know can win. - Sure, sure.
0:58:40 > 0:58:44- REFEREE: Last call! - Hi.- Hi. Where have you been?
0:58:44 > 0:58:47- Trying out that super-gelati. Hi.- Hi, Jerry.
0:58:47 > 0:58:51Dicky, you've got to win me that cup.
0:58:51 > 0:58:55- You're going in the race?- Yep. - May the best man win.- He will.
0:58:57 > 0:59:02- I'm beginning to worry about him. - Why? He's got courage - a man's man.
0:59:02 > 0:59:04I hope he wins.
0:59:04 > 0:59:07For Susan's sake.
0:59:07 > 0:59:11- Of course! - Let's go down to the finish line.
0:59:11 > 0:59:19REFEREE: ..The obstacle race. All right. All you contestants take your places on the starting line.
0:59:19 > 0:59:23Anyone who fails to take an obstacle is disqualified.
0:59:23 > 0:59:26On your marks, get set... PISTOL FIRES
1:00:27 > 1:00:29Keep going.
1:00:31 > 1:00:33HE YELPS
1:00:47 > 1:00:51- Excuse me. I slipped. - You pushed me.
1:00:56 > 1:01:01- It was nothing - just a race. - Congratulations, Mr Nugent.
1:01:01 > 1:01:04Everybody to the bandstand for the grand award.
1:01:04 > 1:01:08You were wonderful. Grand award - that's you.
1:01:08 > 1:01:11Oh, sure. Grand reward.
1:01:14 > 1:01:19- Thanks for letting Dicky win.- You can pay the boys 75 cents apiece.
1:01:19 > 1:01:23- If it was anyone else, they'd have charged a buck.- I'll pay you, too.
1:01:23 > 1:01:30- No. Some things can't be bought.- Jerry, at times you're really very nice.
1:01:35 > 1:01:37Quiet, please.
1:01:39 > 1:01:45It gives me great pleasure to present this beautiful trophy
1:01:45 > 1:01:49to that great athlete and winner of the feature event,
1:01:49 > 1:01:51Mr Richard Nugent.
1:01:57 > 1:02:01CROWD: Speech! Speech! Speech!
1:02:02 > 1:02:06I don't know how this happened to me.
1:02:07 > 1:02:11But, er, I guess I owe it all to clean living,
1:02:11 > 1:02:16proper outlook, and the help of my friends.
1:02:16 > 1:02:21BAND PLAYS: "For He's A Jolly Good Fellow"
1:02:30 > 1:02:35What a wonderful day! What a wonderful picnic! I feel wonderful!
1:02:35 > 1:02:38Uncle Thaddeus, let's dance. No! No!
1:02:38 > 1:02:42Susan, your youthful exuberance is very tiring!
1:02:42 > 1:02:45I'm going upstairs to take a bath.
1:02:45 > 1:02:47Ah, life!
1:02:47 > 1:02:53- You'd better rest. You're going to a dance tonight.- Quite right.
1:02:53 > 1:03:00But I'd like this day to never end. I'd like everything to stay suspended, beautiful.
1:03:00 > 1:03:03You can leave everything suspended AFTER I sit down!
1:03:03 > 1:03:09- I'll take it, Margaret.- No, you'd better go up now.- All right, sis.
1:03:12 > 1:03:15DOOR CLOSES UPSTAIRS
1:03:41 > 1:03:45- Er, what's wrong?- Nothing's wrong.
1:03:45 > 1:03:49Er, a very odd thing happened to me today, Uncle Matt.
1:03:49 > 1:03:55It's simple to explain. Optical illusions have been known to, er...
1:03:55 > 1:03:58Or the power of suggestion through Susan.
1:03:58 > 1:04:01These things have been, well, er...
1:04:01 > 1:04:07What happened was a combination of the heat, a hurried lunch and the excitement.
1:04:07 > 1:04:10- Of course.- I merely thought I saw...
1:04:10 > 1:04:12- You understand?- Oh, sure.
1:04:12 > 1:04:16- However, it occurred to me that... - Mr Nugent?
1:04:16 > 1:04:21- He's been sweet about Susan. We ought not embarrass him longer.- Yes.
1:04:21 > 1:04:24Susan will get over her romance.
1:04:24 > 1:04:29We owe it to Mr Nugent to... I'd like to talk this over with him.
1:04:29 > 1:04:35- That's a...- We can't have him here because, with Susan in the house, we couldn't talk freely.
1:04:35 > 1:04:39- Naturally. - I couldn't go to his apartment.
1:04:39 > 1:04:44- Oh, no.- So the obvious thing to do is arrange a meeting place -
1:04:44 > 1:04:48something public, sophisticated and, er,
1:04:48 > 1:04:50we can talk things over.
1:04:50 > 1:04:55- Well...- Thanks for talking to me. You've cleared things up.
1:04:55 > 1:04:58I appreciate your confidence.
1:04:58 > 1:05:04- Problems become so simple when you control your emotions.- True.
1:05:04 > 1:05:06Where's the telephone?
1:05:38 > 1:05:41TELEPHONE RINGS
1:05:43 > 1:05:46Hello?
1:05:46 > 1:05:50..Yes. ..Oh. Anything wrong with Susan?
1:05:50 > 1:05:55..Can't go, huh? Sorry to hear that. Will you tell her?
1:05:55 > 1:05:57..Yeah.
1:05:57 > 1:05:59..With you?!
1:05:59 > 1:06:02I'd be delighted.
1:06:04 > 1:06:07..Do you want me to come over? ..Oh, I see.
1:06:07 > 1:06:11..You wouldn't want to come here? ..Oh, naturally.
1:06:11 > 1:06:14..We can meet any place you say.
1:06:14 > 1:06:18..Yeah, we'll celebrate my triumph.
1:06:18 > 1:06:22..Well, er, no, I'm not too tired to dance.
1:06:22 > 1:06:25Do you dance? I mean, er...
1:06:25 > 1:06:28..Well, OK. Anything you say.
1:06:28 > 1:06:34..Let's see. I know the head waiter at the Tick-Tock Club.
1:06:34 > 1:06:36..Fine. Sure. OK.
1:06:38 > 1:06:42- DOOR BUZZER - Come in.
1:06:45 > 1:06:47Oh.
1:06:47 > 1:06:50- Hello.- Hello, Nugent.
1:06:50 > 1:06:56Come on in. Last time I saw you, you were underwater. You weren't hurt?
1:06:56 > 1:07:03- I keep myself in excellent physical condition at all times. How do you feel?- Splendid.
1:07:04 > 1:07:09- To the victors the spoils. - You made a good race of it.
1:07:09 > 1:07:14- I don't like it there.- Nugent, I want to let you off the hook.
1:07:14 > 1:07:16Hold that. What hook?
1:07:16 > 1:07:21Taking Susan out wasn't good for her, and it was a strain on Margaret.
1:07:21 > 1:07:27- Which one of us are you most concerned about(?) - If I had to, I'd choose Margaret.
1:07:27 > 1:07:31- Who's your tailor? - The coach furnished them to me.
1:07:31 > 1:07:36- Oh, I had it there.- Nugent, I've something very important to tell you.
1:07:36 > 1:07:39I've decided to drop the charges.
1:07:39 > 1:07:43- Let me see. - I'm dropping the charges.
1:07:43 > 1:07:47- Oh, dropped my medal! Help me look for it.- Yes.
1:07:47 > 1:07:50You won't have to come around any more.
1:07:50 > 1:07:53Hey, you look silly in that coat.
1:07:53 > 1:08:00Let's stick to the subject. You're a free man now. We may not see any more of each other.
1:08:00 > 1:08:04- Found it. What?- I say we may not see any more of each other.
1:08:04 > 1:08:10You've put me in a position where I'm forced to make a confession.
1:08:10 > 1:08:12- About Margaret?- No.
1:08:12 > 1:08:16About Susan. I'm madly in love with her.
1:08:16 > 1:08:19- What?!- I don't know how or why -
1:08:19 > 1:08:24perhaps something she said, or how she looked, or something she wore.
1:08:24 > 1:08:31I'm happy when I'm near her. I... Well, you're a man. You must have felt what I feel. It's love!
1:08:31 > 1:08:34It's preposterous! She's only 17.
1:08:34 > 1:08:39She'll be 18 soon. We'll wait for our chance - spring and autumn.
1:08:39 > 1:08:42Stop it, Nugent! I forbid it!
1:08:42 > 1:08:47No court of law can stop this. This is bigger than you and me.
1:08:47 > 1:08:50As I thought, you're irresponsible.
1:08:50 > 1:08:53L'amour, my friend! L'amour!
1:08:53 > 1:08:56We'll see about "L'amour, my friend! l'amour!"
1:08:56 > 1:08:59DOOR SHUTS
1:09:03 > 1:09:08It's not the kind of wine we got before the war, but you'll like it.
1:09:08 > 1:09:11It's the best we can get.
1:09:11 > 1:09:15- Thank you, Alex. - Is that the mademoiselle?
1:09:15 > 1:09:19- No, no, no. Hey, that isn't... - I'm awfully sorry.
1:09:19 > 1:09:23ALEX SPEAKS RUSSIAN
1:09:23 > 1:09:28- I'm sorry. The polish - the best we can get nowadays.- It's all right.
1:09:28 > 1:09:35- Oh, perhaps that's mademoiselle? - No, no, no. I wish we had blue flowers. She'd like blue flowers.
1:09:35 > 1:09:40- We can get blue flowers, but it'll take time.- I'll try and fix these.
1:09:41 > 1:09:44Huh?
1:09:46 > 1:09:49Alex, that's the best you can get.
1:09:56 > 1:09:59- Oh, er...- Hello.- Hello. Hello.
1:10:00 > 1:10:04I didn't know. I should have checked. No black tie.
1:10:04 > 1:10:11That's all right. That's a beautiful suit, and you look wonderful in it.
1:10:24 > 1:10:29They're lovely. Thank you. Yellow's my favourite colour.
1:10:29 > 1:10:32I thought so.
1:10:32 > 1:10:35BAND: # ..Happy birthday to you
1:10:35 > 1:10:38# Happy birthday, dear Millicent
1:10:38 > 1:10:41# Happy birthday to you. #
1:10:41 > 1:10:44- Isn't that sweet?- Hmm.
1:10:44 > 1:10:48I can't say how glad I am we're here.
1:10:48 > 1:10:53Our relationship's been so odd, I thought we should try a new background.
1:10:53 > 1:10:56- Would you like to order now?- Later.
1:10:56 > 1:11:00- How about a drink in the meantime? Champagne?- Yes.
1:11:00 > 1:11:04- The time is now, Alex. Shall we dance?- Love to.
1:11:12 > 1:11:16- My father was a bachelor.- Really?
1:11:16 > 1:11:20Wait until... Wait, um... Wait until I finish.
1:11:20 > 1:11:23He was a bachelor until into his 30s.
1:11:23 > 1:11:30He always said he'd know who he'd marry the moment he met her. Then he met my mother.
1:11:30 > 1:11:35He put his arm around her. The way she felt in his arms did the trick.
1:11:35 > 1:11:38They were married three days later.
1:11:38 > 1:11:40That's a very romantic story.
1:11:40 > 1:11:45They were happy all their lives and had nothing in common.
1:11:45 > 1:11:51- She was a piano teacher and he was a flag decorator. - A what?- Flag decorator -
1:11:51 > 1:11:55a good one, until he fell off Newark City Hall.
1:11:55 > 1:11:58Your family sounds like fun.
1:12:00 > 1:12:05You must have come from a nice family. It shows in your face.
1:12:05 > 1:12:11My family weren't that impulsive. My father courted my mother through high school, college and law school.
1:12:11 > 1:12:1514 years after they met, they got married.
1:12:15 > 1:12:19They had a lot in common - they were both attorneys.
1:12:21 > 1:12:24You feel nice in MY arms.
1:12:25 > 1:12:32I imagine that if Mother and Father hadn't had so much in common, they needn't have waited 14 years.
1:12:32 > 1:12:36It could have happened suddenly - romantically.
1:12:38 > 1:12:40Dicky!
1:12:44 > 1:12:51- Oh, hello, Agnes.- You didn't congratulate me.- Should I? - It's my birthday.- Congratulations.
1:12:51 > 1:12:56Nugent, what do you say we let bygones be bygones?
1:12:56 > 1:13:01- Don't I know you?- Yes.- Where did I meet you? Dicky's apartment?
1:13:01 > 1:13:06- No, you remember Judge Turner. - Of course. Yes.
1:13:06 > 1:13:10You got to be friends? Dicky knows all the angles.
1:13:10 > 1:13:15- If it's too crowded, we could go to the table.- It's too crowded.
1:13:15 > 1:13:19- Happy birthday.- Goodbye.- Goodbye.
1:13:19 > 1:13:25There's a guy who never goes out of a girl's mind. He just stays there, like a heavy meal.
1:13:25 > 1:13:28What am I like?
1:13:28 > 1:13:30Orange juice!
1:13:30 > 1:13:35- I'm terribly sorry about that.- I'm sure you didn't know she'd be here.
1:13:35 > 1:13:39- Are you sure you're sure?- Yes. Why? - I just wondered.
1:13:39 > 1:13:43- I've given up jumping at conclusions.- Good.
1:13:43 > 1:13:48- Hello, Dicky.- Hello, Jolie. - Cigarettes?- No, thanks.- All righty.
1:13:48 > 1:13:52- Cute kid. I did a magazine cover of her.- She's nice.
1:13:52 > 1:14:00- This is absolutely forbidden! - Susan!- I do not intend to create a scene. You both ought to be ashamed.
1:14:00 > 1:14:07- I'm too young for such treachery. - What will you drink?- Lemonade. - Sit down.- I'm not staying.
1:14:07 > 1:14:11- And ice cream. How did I find out? - What's going on in your mind?
1:14:11 > 1:14:16You told me Dicky was sick - exhausted from the picnic.
1:14:16 > 1:14:22I went to his apartment and they told me where he was. And here I am!
1:14:22 > 1:14:27- I demand an explanation.- Susan! You're being a little childish.
1:14:27 > 1:14:30- Joey wants to buy you a birthday drink.- Well...
1:14:30 > 1:14:35- I owe it to you for being so nice. - Just a few minutes.
1:14:35 > 1:14:39- Garcon, this party's on me. Bring two chairs.- Yes, sir.
1:14:39 > 1:14:43- We've not been acquainted. - Er, Susan Turner...- Agnes and Joey.
1:14:43 > 1:14:48- Is this your daughter?- No, it's her sister - Margaret's sister.
1:14:48 > 1:14:54- Enough room?- Sure.- You look like mother and daughter.- We're sisters.
1:14:54 > 1:14:58I hate my sister. BAND: # Happy birthday to you
1:14:58 > 1:15:01# Happy birthday to you
1:15:01 > 1:15:04# Happy birthday, Mr Rosenheimer
1:15:04 > 1:15:07# Happy birthday to you. #
1:15:07 > 1:15:10I think birthdays are the best!
1:15:10 > 1:15:15- We could get Mr Rosenheimer to come over here.- I intend to wait here.
1:15:15 > 1:15:18- Nobody said anything to you. - Cute hat!
1:15:18 > 1:15:24- I don't intend to take it off. - I didn't ask you to. Bring another round.
1:15:24 > 1:15:29Take these away. We're not going to eat anything.
1:15:29 > 1:15:33- Hello, Jerry.- No-one's glad to see ME.- You weren't invited.
1:15:33 > 1:15:38- Meet Agnes and Joey. - I love kids with that floppy hair!
1:15:38 > 1:15:43- Wondering how I got here?- I am. - It's getting to be quite a party.
1:15:43 > 1:15:46- All is not gold that glitters. - Just a minute.
1:15:46 > 1:15:50Just a minute. I haven't got much time.
1:15:50 > 1:15:54I wanted to see you because I got word I'm being drafted.
1:15:54 > 1:16:01- I went to the house, then Mr Nugent's...- We know the rest of it. - I just wanted to say goodbye.
1:16:01 > 1:16:08- It's not such a big thing. The war is over.- But guns go off and a fellow could trip on a bayonet.
1:16:08 > 1:16:12I know how you feel - missing your loved ones.
1:16:12 > 1:16:17You're a good friend. Possibly Mr Nugent doesn't know HOW good.
1:16:17 > 1:16:21- You can't tell me anything about Jerry.- Maybe I could -
1:16:21 > 1:16:25how he made sure you won that race this afternoon.
1:16:25 > 1:16:28- AGNES: What race? - This doesn't concern you.
1:16:28 > 1:16:32- What?- You shouldn't... - A woman scorned is a fury!
1:16:32 > 1:16:34- JOEY:- What are you drinking? Egg nog.
1:16:34 > 1:16:36Jerry...
1:16:36 > 1:16:38Bring the boy an egg nog.
1:16:38 > 1:16:41- Jerry, what did you...? - Two eggs.- >
1:16:41 > 1:16:44BAND: # Happy birthday to you
1:16:44 > 1:16:47# Happy birthday to you... # Oh, Joey!
1:16:47 > 1:16:50# Happy birthday, dear Agnes... # Oh, thank you!
1:16:50 > 1:16:52# Happy birthday to you. #
1:16:52 > 1:16:55- Did you fix that race?- Well...
1:16:55 > 1:17:01- He did it because I love you. - Stop this!- Life's complicated. - Too complicated.
1:17:01 > 1:17:07- Good evening.- Sit down.- Wondering why I'm here? I went to your house...
1:17:07 > 1:17:11You were suspicious she was with me, so you went to my apartment.
1:17:11 > 1:17:15- You'd be a good detective! - I don't like this guy.
1:17:15 > 1:17:19I'm Chamberlain. How do you do? Get him - "How do you do?"!
1:17:19 > 1:17:22- You know what you're doing?- Yes.
1:17:22 > 1:17:27- You're a regular Blackbeard! - Bluebeard.- A rose by any colour...
1:17:27 > 1:17:34- Everybody's too excited. - Nobody's excited. This man told me he's in love with Susan.
1:17:34 > 1:17:37- Oh, Dicky, darling! - I was only kidding.
1:17:37 > 1:17:40- Don't kid Susan. - Stay out of this.
1:17:40 > 1:17:45- Let's have a drink, or some cake. - I don't feel like eating.
1:17:45 > 1:17:52- Chamberlain...- This is too public a place for this discussion.- You have my chair.- There are others.
1:17:52 > 1:17:55Tell me, do you love me or don't you?
1:17:55 > 1:17:58You're cute, but I don't love you.
1:17:58 > 1:18:05- She spent 4.50 to make sure you won that race. - Too bad! Have the cup back!
1:18:05 > 1:18:09- It was a frame-up? - For the last time, I want my chair!
1:18:09 > 1:18:14BAND: # Happy anniversary to you Happy anniversary to you
1:18:14 > 1:18:18# Happy anniversary, Mr and Mrs Alderhall
1:18:18 > 1:18:22- # Happy anniversary to you. # - I just want my chair!
1:18:22 > 1:18:26- Oh, stand up! - Please, sit down.
1:18:26 > 1:18:29- CRASH - What happened?
1:18:29 > 1:18:34- Always saying the wrong thing. - Shall we fight it out?- Calm down.
1:18:34 > 1:18:37- I'm leaving.- So am I. - Wait a minute.
1:18:37 > 1:18:41Everywhere you go, you attract trouble.
1:18:41 > 1:18:46- You're jumping again.- Shut up! Thanks for a lovely evening(!) - Thank you(!)
1:18:46 > 1:18:49I could make trouble for you.
1:18:49 > 1:18:54- You're no regular guy!- I hope this fixes your kettle of fish!
1:18:54 > 1:18:59I came to buy you a birthday drink and you've ruined my birthday!
1:18:59 > 1:19:02Joey got me a cake. You've ruined everything!
1:19:02 > 1:19:07- Let him pay for the drinks!- I'd punch you if I wasn't afraid to!
1:19:10 > 1:19:13Oh, I'm awfully sorry, Mr Nugent.
1:19:17 > 1:19:20Would there be anything else?
1:19:20 > 1:19:22For instance?
1:19:27 > 1:19:32Well, it's your move. It's been your move for several minutes.
1:19:32 > 1:19:36I was a little concerned about Margaret and Susan.
1:19:36 > 1:19:42They're old enough to take care of themselves. You just made a stupid move.
1:19:43 > 1:19:45DOOR SLAMS
1:19:45 > 1:19:47Susan?
1:19:47 > 1:19:49Susan!
1:19:53 > 1:19:56DOOR SLAMS Why does she do that?
1:19:56 > 1:20:00- I should find out what's wrong. - Your queen's in danger.
1:20:00 > 1:20:03FOOTSTEPS
1:20:03 > 1:20:05DOOR SLAMS
1:20:05 > 1:20:07Margaret!
1:20:07 > 1:20:09You and your psychology!
1:20:14 > 1:20:18DOOR SLAMS I won't stand for this excitement!
1:20:18 > 1:20:20- Your queen's still in danger.- Oh.
1:20:20 > 1:20:23DOOR SLAMS
1:20:23 > 1:20:29- What's wrong? - I must talk to Margaret.- That's impossible!- This is a conspiracy!
1:20:32 > 1:20:35DOOR SLAMS
1:20:35 > 1:20:38Do you intend to finish this game?
1:20:38 > 1:20:40Now, Thaddeus...
1:20:41 > 1:20:46- I've got to talk to Susan. - Come back in the morning.
1:20:46 > 1:20:49This is a fine way to treat a veteran!
1:20:49 > 1:20:52DOOR SLAMS
1:20:52 > 1:20:56Thaddeus! You're old enough to control yourself.
1:20:56 > 1:20:58Oh!
1:21:01 > 1:21:03DOOR SLAMS
1:21:03 > 1:21:07- Margaret, I want to talk to you. - Keep out of this!
1:21:10 > 1:21:16If you're leaving home, you might take something more practical than a doll.
1:21:16 > 1:21:23- I hate you!- You can't mean that. - My own sister stealing my love. - That's not fair.- The other woman!
1:21:23 > 1:21:30- It's not like that. - Why don't you send me to prison? - Susan!- I'll fight for my happiness.
1:21:30 > 1:21:33Anyway, I saw him first!
1:21:33 > 1:21:38I couldn't help overhearing. I had my ear to the door.
1:21:38 > 1:21:42Uncle Matt, you told Susan to come to that nightclub.
1:21:42 > 1:21:46Let's calm down. Susan, did I send you?
1:21:46 > 1:21:48No. It was all my own idea.
1:21:48 > 1:21:52- That's beside the point. - You're both hysterical.
1:21:52 > 1:21:57- THEY SHOUT - Margaret, let me talk to Susan.
1:21:57 > 1:22:02I have nothing to say. I will not make a statement of any kind.
1:22:02 > 1:22:05Unpack those clothes and hang them up.
1:22:05 > 1:22:10I'm strong enough to give you the spanking you deserve.
1:22:10 > 1:22:15- You wouldn't dare.- I won't spank you if you're sensible. Sit down.
1:22:15 > 1:22:19Sit down! Your infatuation for Mr Nugent is childish.
1:22:19 > 1:22:24You've been cruel and unfair to Mr Nugent, Margaret and Jerry.
1:22:24 > 1:22:28- You're going to get sensible about the matter.- I am!
1:22:28 > 1:22:30You are?
1:22:30 > 1:22:35You're going to listen to me and do just as I tell you.
1:22:35 > 1:22:37KNOCKING
1:22:37 > 1:22:41- Margaret?- Come in, dear.
1:22:46 > 1:22:50- I've had a long talk with Uncle Matt.- Yes?
1:22:50 > 1:22:52I see things more clearly.
1:22:52 > 1:22:55Richard is too old for me.
1:22:55 > 1:22:57When I'm 42, he'll be 60.
1:22:57 > 1:23:02- Jerry will look handsome in uniform, don't you think?- I think.
1:23:02 > 1:23:06- I've decided to renounce Richard for Jerry.- Very sensible.
1:23:06 > 1:23:11Now you ought to patch things up with Richard.
1:23:11 > 1:23:15I've acted very childishly and I'm sorry, really sorry.
1:23:15 > 1:23:20If I had a million sisters, I'd want them all to be like you.
1:23:20 > 1:23:24- You only say that because I'm clunklish.- You're smart.
1:23:24 > 1:23:27- Good night.- Good night.
1:23:28 > 1:23:33You know, in many ways, I think this has made a bigger woman of me.
1:23:41 > 1:23:46I'm not interested in any more of your psychological mumbo jumbo.
1:23:46 > 1:23:50You must look at this from the emotional point of view.
1:23:50 > 1:23:55I deal in facts. The conclusions I draw from them are depressing.
1:23:55 > 1:23:58You're in love with Richard Nugent.
1:23:58 > 1:24:03Uncle Matt, I'm weary. I'll discuss this with you in the morning.
1:24:03 > 1:24:06- Good night.- Very well.
1:24:06 > 1:24:10I thank you for one thing - straightening Susan out.
1:24:10 > 1:24:15- It's perfectly all right. Good night.- Good night.
1:24:31 > 1:24:36- Hi.- How did you get in here? - I opened the door and came in.
1:24:36 > 1:24:40- You can go right out. - You and Margaret are in trouble.
1:24:40 > 1:24:44- None of your business.- Don't forget, I started this thing.- I won't!
1:24:44 > 1:24:48- Where are you going?- Africa. - Far away.
1:24:48 > 1:24:52I'll be in Arabia first, which is pretty close.
1:24:52 > 1:24:56- Get out of here. I've got things to do.- All right.
1:24:56 > 1:25:00You can't run away from yourself. You're in love with Margaret.
1:25:00 > 1:25:07- Don't be ridiculous!- Look at the facts.- I'm an artist. I deal in emotions, which tell me to go.
1:25:07 > 1:25:11- What do your emotions tell YOU? Fine.- All right.
1:25:11 > 1:25:16- I've got a plan.- I've had enough of your plans and your family.
1:25:16 > 1:25:22I was carefree before I met you. I've been in trouble ever since.
1:25:22 > 1:25:24- Now buzz off!- All right.
1:25:24 > 1:25:28If you run into Professor Smedley, give him my regards.
1:25:28 > 1:25:32He's a cousin of ours. ..Just a fifth cousin.
1:25:34 > 1:25:39- Ah, beautiful morning! Simply beautiful! Isn't it?- Yes.
1:25:39 > 1:25:43- Wonderful weather for flying, isn't it?- Yes.
1:25:43 > 1:25:46It'll give you a chance to relax.
1:25:46 > 1:25:49I think you'd better take me home.
1:25:49 > 1:25:51That's ridiculous!
1:25:51 > 1:25:58It's ridiculous that I'm packing up for four days, running away, because of a very silly man.
1:25:58 > 1:26:00Let bygones be bygones.
1:26:00 > 1:26:05If your paths should happen to cross, that's another thing.
1:26:05 > 1:26:11- They'd better NOT cross. - You do what I tell you. - You haven't done so good lately.
1:26:11 > 1:26:18- I talked you into taking a plane trip.- You could talk the devil into going to church!
1:26:31 > 1:26:34- Keys, please.- Be right with you.
1:26:34 > 1:26:37- I'll take care of the baggage. - Baggage.
1:26:37 > 1:26:41TANNOY: 'Attention please...'
1:26:41 > 1:26:45- We can get you on the next flight. - All right. Thanks anyway.
1:26:45 > 1:26:49- Judge Turner's reservation, please. - Sir.
1:26:49 > 1:26:53Please thank Mr Martin for arranging this.
1:26:54 > 1:26:58- Beemish! Where's Margaret? - I'm looking for her.
1:26:58 > 1:27:05- You know she's leaving?- Yes. - It's Nugent's fault. If I see him, he'll get ten years.
1:27:05 > 1:27:11- Take my advice...- No. I should have locked him up. Where's Margaret? - I don't know. She should be here.
1:27:11 > 1:27:17- Watch that entrance. I'll keep watch here. - Let me know when she arrives.- Sure.
1:27:25 > 1:27:29- So long. Thanks. - Have fun. Stay out of jail.
1:27:31 > 1:27:35- Here.- Maybe I ought to have some second thoughts.
1:27:35 > 1:27:39You just go away and have a good time.
1:27:39 > 1:27:43I'm sorry I can't see you off. I have to get back.
1:27:43 > 1:27:46Thanks, Uncle Matt. I don't know what for, but thanks.
1:27:46 > 1:27:50- You're welcome. Happy landing.- Bye.
1:27:50 > 1:27:57TANNOY: 'Your attention, please. TWA flight 60 is ready for immediate departure...'
1:27:57 > 1:28:02- I'm Dr Matthew Beemish, the City Psychiatrist.- Glad to know you.
1:28:02 > 1:28:07- I'm observing a patient.- Who is he? - The blond fellow with the brown hat.
1:28:07 > 1:28:11- Oh, yeah.- He's harmless, but might create a scene.
1:28:11 > 1:28:18- What's his trouble?- He thinks he's the Assistant District Attorney. He likes to arrest people.- Poor guy.
1:28:18 > 1:28:23You'd think he'd at least want to be a desk sergeant!
1:28:23 > 1:28:28- I'll try to handle him, but I wanted you to know.- I'll be around.
1:28:28 > 1:28:34- You seen Margaret?- No. I'll tell you a story.- I don't wanna hear it.
1:28:36 > 1:28:44- There's Nugent! Get him!- Wait!- No. - You're sure you want to go through with this?- It'll be a pleasure.
1:28:44 > 1:28:47Officer, I want you to arrest someone.
1:28:47 > 1:28:50- You don't want to arrest people. - What?
1:28:50 > 1:28:54- Go on home. - I'm Assistant District Attorney.
1:28:54 > 1:28:56- Sure! - Tell him.
1:28:56 > 1:29:00- He is the Assistant DA.- Nice!
1:29:00 > 1:29:03- You blockhead! - Wait a moment.
1:29:03 > 1:29:09- Trouble? - I'm the Assistant DA. - Sure! Relax.
1:29:09 > 1:29:13We'll make you District Attorney. You'll be in charge.
1:29:13 > 1:29:17- I'll report you to the Police Commission.- I'll get a pencil.
1:29:17 > 1:29:21I'm the Assistant DA! Leave me alone!
1:29:36 > 1:29:38Margaret Turner.
1:29:38 > 1:29:41- Nugent, Richard.- Thank you, sir.
1:29:54 > 1:29:59- You remind me of a man.- What man? - The man with the power.- What power?
1:29:59 > 1:30:04- The power of hoodoo.- Hoodoo?- You do. - Do what?- Remind me of a man.
1:30:04 > 1:30:10- What man?- With the power.- What power?- Give up?- Give up. Let's go.