0:00:03 > 0:00:04HEARTBEAT
0:00:12 > 0:00:14MAN: I'm in. I'm doing it!
0:00:19 > 0:00:20How long has this been?
0:00:20 > 0:00:22SECOND MAN: Try!
0:00:32 > 0:00:34HEARTBEAT STOPS
0:00:40 > 0:00:43It's about time.
0:00:43 > 0:00:45You can handle the body?
0:00:46 > 0:00:48Yes.
0:01:26 > 0:01:28GRUNTING
0:01:53 > 0:01:56GRUNTING
0:02:01 > 0:02:04PLASTIC RUSTLING
0:02:19 > 0:02:21PLASTIC RUSTLING
0:02:21 > 0:02:23HE GASPS
0:03:22 > 0:03:25BELL RINGS
0:03:25 > 0:03:28MUSIC PLAYING
0:03:28 > 0:03:30INDISTINCT CHATTER
0:03:31 > 0:03:33Yay! Yay!
0:03:33 > 0:03:36Oh, my God. That was tough.
0:03:36 > 0:03:37Do you think you passed?
0:03:37 > 0:03:40I don't know. Guess I'll find out in a couple weeks.
0:03:40 > 0:03:41OK, let's do a shot, right?
0:03:41 > 0:03:43Ah...I think I'll have a beer.
0:03:43 > 0:03:44Seriously?
0:03:44 > 0:03:46Yes. Why?
0:03:46 > 0:03:49Boring.
0:03:49 > 0:03:50I heard Kevin's coming. Oy.
0:03:50 > 0:03:52He's hot, and he likes you. What more do you want?
0:03:52 > 0:03:54Plus you're not getting any younger.
0:03:54 > 0:03:55CELL PHONE RINGING
0:03:55 > 0:03:57Ouch.
0:03:57 > 0:04:00Oh, sorry. Hold on one second.
0:04:00 > 0:04:03Hey, Mom?
0:04:03 > 0:04:04Mom?
0:04:05 > 0:04:09Mom, I can't talk to you if you're not going to say anything.
0:04:09 > 0:04:11SHE SOBS
0:04:13 > 0:04:17Are you OK? What's going on?
0:04:17 > 0:04:20I got a call about Halie.
0:04:20 > 0:04:21What is it now?
0:04:21 > 0:04:23Can you come home?
0:04:23 > 0:04:25Mom, I can't come right now.
0:04:27 > 0:04:30Can I come by first thing tomorrow?
0:04:30 > 0:04:31OK.
0:04:31 > 0:04:33I'll come by tomorrow, OK?
0:04:36 > 0:04:37BEEP
0:05:03 > 0:05:04Ohh.
0:05:05 > 0:05:08Mom, seriously.
0:05:11 > 0:05:14You cannot get yourself worked up like this.
0:05:14 > 0:05:17A friend of Halie's called from Texas,
0:05:17 > 0:05:19a Jenny something.
0:05:19 > 0:05:22I guess they work together at a bar in Laredo.
0:05:22 > 0:05:25She thinks something bad might have happened.
0:05:25 > 0:05:28Mom, how many times have we been through this before with Halie?
0:05:28 > 0:05:30It's different this time, Abbey.
0:05:30 > 0:05:34I mean it. Even when she's off getting high, she always checks in.
0:05:34 > 0:05:38I get phone calls in the middle of the night. You know what it's like.
0:05:38 > 0:05:42I haven't heard from her in three weeks, not a peep.
0:05:42 > 0:05:46I've left messages and e-mails... nothing back.
0:05:46 > 0:05:48Well, that is unusual, but...
0:05:48 > 0:05:49Yeah. Now, with her friend calling,
0:05:49 > 0:05:52I know something's happened.
0:05:52 > 0:05:55I'm sure everything is OK.
0:05:57 > 0:05:59If your father were alive,
0:05:59 > 0:06:01he'd have been out there weeks ago.
0:06:01 > 0:06:02SHE SNIFFS
0:06:02 > 0:06:04I know things aren't good between the two of you,
0:06:04 > 0:06:09but, Abbey, she's your sister, your blood.
0:06:09 > 0:06:12She needs your help. I need your help.
0:06:14 > 0:06:17I'll look into it, OK?
0:06:17 > 0:06:19Thank you.
0:06:19 > 0:06:22Oh, how... how was the exam?
0:06:22 > 0:06:23It was fine.
0:06:37 > 0:06:39Hey, Tim. It's Abbey.
0:06:39 > 0:06:41Ah, it's been a while.
0:06:41 > 0:06:43I'm actually headed out to Texas.
0:06:43 > 0:06:45Let's catch up.
0:06:52 > 0:06:55Halie? Abbey.
0:06:55 > 0:06:58Like the fifth time. Call me back.
0:07:00 > 0:07:02STEADY BEEPING
0:07:04 > 0:07:08There. Mira. Nothing to it.
0:07:08 > 0:07:11A few sutures, and we're done.
0:07:11 > 0:07:13Preguntas?
0:07:13 > 0:07:14No, Doctor.
0:07:14 > 0:07:15Good.
0:07:15 > 0:07:19Are you ready to give it a try?
0:07:19 > 0:07:20Si. KNOCK ON DOOR
0:07:22 > 0:07:23Paco?
0:07:23 > 0:07:25No lo encontramos.
0:07:27 > 0:07:28The body?
0:07:31 > 0:07:35Go out there and find that little punk.
0:08:46 > 0:08:48Halie?
0:08:53 > 0:08:54Hello?
0:09:03 > 0:09:04Hello?
0:09:26 > 0:09:28Halie?
0:09:31 > 0:09:32Halie?
0:09:40 > 0:09:42What in the world?
0:09:58 > 0:09:59OK.
0:10:10 > 0:10:12MOM: For plastic surgery?
0:10:12 > 0:10:14I'll have it back to you in no time.
0:10:14 > 0:10:17Ohh. I...I don't know.
0:10:17 > 0:10:20You know I've been doing good, you know, staying clean.
0:10:20 > 0:10:22Yeah, I know.
0:10:22 > 0:10:25This is just going to help me get ahead, you know?
0:10:26 > 0:10:28SHE SIGHS
0:10:28 > 0:10:31I swear I will have it back to you before you know it's gone.
0:10:31 > 0:10:33Halie, that's not the point.
0:10:33 > 0:10:36You don't need that stuff.
0:10:36 > 0:10:38You don't.
0:10:40 > 0:10:42ABBEY: Hi.
0:10:42 > 0:10:44What's going on?
0:10:44 > 0:10:45Nothing.
0:10:48 > 0:10:49Mom?
0:10:52 > 0:10:55Halie, there's no more money.
0:10:55 > 0:10:56We talked about this.
0:10:56 > 0:10:57It's different this time, Abbey. Butt out.
0:10:57 > 0:10:59I know it's different, and the answer's still no.
0:10:59 > 0:11:01It's not your money. It's nothing to do with you.
0:11:01 > 0:11:03This has nothing to do with me?
0:11:03 > 0:11:04I...I am trying to do something good here.
0:11:04 > 0:11:08Save it, Halie.
0:11:08 > 0:11:10Don't you think that you have done enough damage to this family?
0:11:10 > 0:11:12Abbey. Mom!
0:11:12 > 0:11:13It's got to stop.
0:11:13 > 0:11:15You have done way more damage than I have,
0:11:15 > 0:11:17Miss High And Mighty,
0:11:17 > 0:11:19too good for your own father.
0:11:19 > 0:11:22You broke his heart when you dropped out.
0:11:22 > 0:11:23How dare you?
0:11:23 > 0:11:25Yeah, the truth hurts, doesn't it?
0:11:25 > 0:11:28At least I didn't snort my family's savings up my nose.
0:11:28 > 0:11:30That's enough, girls.
0:11:31 > 0:11:33Unbelievable.
0:11:33 > 0:11:38We have carried you for so many years.
0:11:38 > 0:11:41It ends now. Choke on it.
0:11:41 > 0:11:43We're done. No problem.
0:11:43 > 0:11:45We're done, Halie.
0:11:45 > 0:11:47Don't come back here asking for handouts.
0:11:47 > 0:11:50MOM: Halie.
0:11:52 > 0:11:53DOOR CLOSES
0:12:10 > 0:12:11BEEP
0:12:11 > 0:12:14ROBOTIC VOICE: You have two messages. That's weird.
0:12:14 > 0:12:16ABBEY'S VOICE: Hey, Halie. It's me again,
0:12:16 > 0:12:18Um...trying you. So...call me back.
0:12:18 > 0:12:19BEEP
0:12:19 > 0:12:22Halie, Abbey.
0:12:22 > 0:12:24Like the fifth time. Call me back.
0:12:24 > 0:12:25BEEP
0:12:25 > 0:12:27ROBOTIC VOICE: End of messages.
0:12:28 > 0:12:31Hi. Who are you?
0:12:31 > 0:12:33I'm Halie's sister.
0:12:34 > 0:12:37And you? Building manager.
0:12:37 > 0:12:39Where's Halie?
0:12:39 > 0:12:41Ah...I'm not sure.
0:12:41 > 0:12:42Have you seen her around?
0:12:42 > 0:12:45I'm not her keeper.
0:12:45 > 0:12:46Not short on charm, either.
0:12:50 > 0:12:52Is there anything that I can do for you?
0:12:52 > 0:12:55Rent's due in a few days.
0:12:55 > 0:12:57Well...
0:12:57 > 0:12:58until then.
0:13:32 > 0:13:33The sister's here.
0:13:52 > 0:13:53BEEP
0:13:59 > 0:14:01Deputy Corbin, please.
0:14:19 > 0:14:21ENGINE STARTS
0:14:36 > 0:14:39RADIO PLAYING SOFTLY
0:14:46 > 0:14:48Tim.
0:14:50 > 0:14:52Long time.
0:14:52 > 0:14:54Yeah, tell me about it.
0:14:57 > 0:14:59So... cryptic message out of the blue...
0:14:59 > 0:15:01It's not really your style.
0:15:01 > 0:15:03Yeah. Sorry about that.
0:15:03 > 0:15:04Unexpected trip.
0:15:04 > 0:15:05How about for you, hon?
0:15:05 > 0:15:08Uh, I'm OK. Just coffee, please?
0:15:08 > 0:15:10What brings you to Laredo?
0:15:10 > 0:15:13I am looking for my sister.
0:15:13 > 0:15:15Your sister?
0:15:15 > 0:15:16Remember Halie?
0:15:16 > 0:15:18Sure. She lives here now?
0:15:18 > 0:15:19Yeah, for, uh...
0:15:19 > 0:15:22I guess, like, the last year?
0:15:22 > 0:15:24Things seem to be going OK.
0:15:24 > 0:15:26She's working at some place called Ray's,
0:15:26 > 0:15:28keeping her nose clean.
0:15:28 > 0:15:29Thank you.
0:15:29 > 0:15:30The strip club?
0:15:32 > 0:15:34There's only one Ray's in town.
0:15:37 > 0:15:41Oh, wow. Uh...
0:15:41 > 0:15:45Yeah. I guess that would explain the wigs and the clothes.
0:15:45 > 0:15:46Oh, Halie.
0:15:46 > 0:15:47And she's missing?
0:15:47 > 0:15:49I'm not sure.
0:15:49 > 0:15:52Something's not right, you know?
0:15:52 > 0:15:54I just have that feeling.
0:15:54 > 0:15:56That's what would have made you a good cop.
0:15:58 > 0:16:00Nah. It's in your blood.
0:16:00 > 0:16:03You were one of the tough ones coming out of the academy...
0:16:03 > 0:16:05Till you bailed.
0:16:07 > 0:16:09So what are you doing instead.
0:16:11 > 0:16:14Um, I just took the bar exam.
0:16:14 > 0:16:16That's close enough, I guess.
0:16:16 > 0:16:19So you need my help?
0:16:19 > 0:16:20Maybe.
0:16:20 > 0:16:22I'm going to poke around a little bit,
0:16:22 > 0:16:25see if I can come up with anything.
0:16:25 > 0:16:27You should file a missing persons.
0:16:27 > 0:16:29Yeah. I don't know that she's missing, you know?
0:16:29 > 0:16:33It'll get her picture out there. It couldn't hurt.
0:16:33 > 0:16:34Thanks, Tim.
0:16:34 > 0:16:37Us blue dogs have to stick together.
0:17:02 > 0:17:04ROCK MUSIC PLAYING
0:17:08 > 0:17:10MAN SPEAKING INDISTINCTLY ON PA
0:17:13 > 0:17:15CHEERS AND WHISTLING
0:17:15 > 0:17:17MAN: Come on, baby!
0:17:20 > 0:17:21Can I help you?
0:17:21 > 0:17:24Hi. Are you Ray?
0:17:24 > 0:17:27Are you looking for work?
0:17:27 > 0:17:28If I was?
0:17:28 > 0:17:30Then I'm Ray.
0:17:30 > 0:17:31SHE SCOFFS
0:17:33 > 0:17:36Do you have a girl who works here named Halie Morgan?
0:17:36 > 0:17:39I have a lot of girls who work here.
0:17:39 > 0:17:40Right.
0:17:42 > 0:17:44Well...ahem.
0:17:44 > 0:17:47Maybe this will help.
0:17:49 > 0:17:51Yeah, Halie. Right.
0:17:51 > 0:17:53I'm looking for her.
0:17:53 > 0:17:54And you are?
0:17:54 > 0:17:56I'm her sister.
0:17:56 > 0:17:58OK.
0:17:58 > 0:18:00Yeah, I can see it now.
0:18:00 > 0:18:02So...is she around?
0:18:02 > 0:18:04No, she doesn't work here any more.
0:18:04 > 0:18:05Oh.
0:18:05 > 0:18:07When's the last time you saw her?
0:18:07 > 0:18:08I couldn't really say.
0:18:08 > 0:18:10Take a guess.
0:18:10 > 0:18:14Maybe a month. Maybe longer.
0:18:16 > 0:18:20Um...do you mind if I talk to some of the girls?
0:18:20 > 0:18:22You a cop?
0:18:22 > 0:18:24No.
0:18:30 > 0:18:32Unless you plan on buying a drink,
0:18:32 > 0:18:34you might want to go ahead and get out of here.
0:18:36 > 0:18:38OK.
0:18:38 > 0:18:40Thanks for your time.
0:19:39 > 0:19:41CELL PHONE RINGING
0:19:45 > 0:19:47Hey, Mom.
0:19:47 > 0:19:49MOM: So?
0:19:49 > 0:19:51I just got into town today.
0:19:51 > 0:19:52I'm at Halie's place now.
0:19:52 > 0:19:53She's not there?
0:19:53 > 0:19:57No, but that doesn't mean much.
0:19:57 > 0:19:58SHE EXHALES
0:19:58 > 0:20:01Don't get upset, Mom. We don't know anything yet.
0:20:03 > 0:20:05I'll call you tomorrow with an update, OK?
0:20:05 > 0:20:07OK.
0:20:07 > 0:20:09Love you.
0:20:09 > 0:20:10You too, hon.
0:20:13 > 0:20:15ZIPPER
0:20:45 > 0:20:46"Michael."
0:21:02 > 0:21:06"Michael O'Hare, journalist."
0:22:57 > 0:22:59ROCK MUSIC PLAYING
0:23:32 > 0:23:34So...
0:23:36 > 0:23:39Are we set? For?
0:23:39 > 0:23:43Hips, lips, and cheekbones.
0:23:43 > 0:23:46I want to look like a young Diana Ross.
0:23:46 > 0:23:48You have something for me?
0:24:09 > 0:24:10Your ticket.
0:24:10 > 0:24:12Bus leaves at 8:00 AM be on it.
0:24:12 > 0:24:14CELL PHONE RINGING
0:24:14 > 0:24:16Give me a second, will you, sweetheart?
0:24:20 > 0:24:22We have a situation with the errand boy, Paco.
0:24:22 > 0:24:23What?
0:24:23 > 0:24:26He panicked and disappeared.
0:24:26 > 0:24:29The body?
0:24:29 > 0:24:31The body is not where it should be.
0:24:31 > 0:24:34Listen, Victor.
0:24:34 > 0:24:35We cannot be connected.
0:24:35 > 0:24:39Do you understand? Don't worry about it. I will take care of it.
0:24:39 > 0:24:41We cannot be connected!
0:24:41 > 0:24:45I said I will take care of it.
0:24:45 > 0:24:47Victor? Victor?
0:24:50 > 0:24:52SPEAKS SPANISH
0:24:52 > 0:24:55One for the road?
0:24:55 > 0:24:56So is Bella a done deal?
0:24:56 > 0:24:59Your cut is the least of your worries.
0:24:59 > 0:25:01We have a situation.
0:26:19 > 0:26:22DOOR OPENS
0:26:56 > 0:26:58Hello?
0:27:44 > 0:27:46Oh. I have...
0:27:46 > 0:27:48her picture as well.
0:27:48 > 0:27:51Great.
0:27:51 > 0:27:54Have you ever heard of a local reporter named Michael O'Hare?
0:27:54 > 0:27:56Eh, he's a bit of a quack.
0:27:56 > 0:27:58But he makes for a good read.
0:28:01 > 0:28:03Do you know anything about the, um...
0:28:03 > 0:28:05the border clinics that he's been writing about?
0:28:05 > 0:28:07Oh, yeah, unfortunately, I do.
0:28:07 > 0:28:09It's the curse of a border town.
0:28:09 > 0:28:11Is that something that you guys focus on?
0:28:11 > 0:28:13No, not really.
0:28:13 > 0:28:15You know, it's not a priority.
0:28:16 > 0:28:17Hmm.
0:28:19 > 0:28:22I found this envelope at Halie's apartment.
0:28:22 > 0:28:26I guess she was gathering some information.
0:28:26 > 0:28:28There was a brochure on plastic surgery
0:28:28 > 0:28:31with names and costs and...
0:28:31 > 0:28:33Hmm. That's interesting.
0:28:36 > 0:28:38Be perfectly honest with you,
0:28:38 > 0:28:41we have our hands full with guns going out and drugs coming in.
0:28:41 > 0:28:43Yeah, of course.
0:28:43 > 0:28:45You bring the package by,
0:28:45 > 0:28:47and I'll see if I can help.
0:28:48 > 0:28:50Sure.
0:28:51 > 0:28:54OK. Sign here.
0:28:56 > 0:28:59All right. Let me process this.
0:28:59 > 0:29:00You know...
0:29:00 > 0:29:03I would love to find that O'Hare guy.
0:29:03 > 0:29:04Seriously?
0:29:08 > 0:29:10All right. Well, he's always moving around,
0:29:10 > 0:29:11but he filed a few death threats,
0:29:11 > 0:29:13so we have the addresses.
0:29:13 > 0:29:15You did not get this from me.
0:29:15 > 0:29:18No.
0:29:18 > 0:29:21Al, can you pull Michael O'Hare's addresses
0:29:21 > 0:29:22and give them to Abbey?
0:29:22 > 0:29:24Thanks.
0:29:24 > 0:29:27You keep checking in.
0:29:27 > 0:29:28Yeah. Will do.
0:29:33 > 0:29:38DOOR OPENS AND CLOSES
0:30:11 > 0:30:13Hey, excuse me.
0:30:13 > 0:30:15Hey.
0:30:15 > 0:30:16Wait.
0:30:25 > 0:30:28Stay back! Are you Michael O'Hare?
0:30:28 > 0:30:30Not another step. I mean it.
0:30:30 > 0:30:33I'll use it. Who do you work for?
0:30:33 > 0:30:34I don't work for anybody. My name's...
0:30:34 > 0:30:36I saw you at the apartment
0:30:36 > 0:30:38and meeting with the deputy.
0:30:38 > 0:30:39You've been following me?
0:30:39 > 0:30:41Damn straight.
0:30:41 > 0:30:44Look. I'm not sitting on the apartment, OK?
0:30:44 > 0:30:46I'm staying there.
0:30:46 > 0:30:48I'm Abbey Morgan. I'm Halie's older sister.
0:30:51 > 0:30:52Can we put the mini-mace away now, please?
0:30:56 > 0:30:59Is it the death threats that have you living like a transient?
0:30:59 > 0:31:00No. I've been getting death threats
0:31:00 > 0:31:05ever since my first expose on border clinics a couple years ago.
0:31:05 > 0:31:07That just fuels my writing.
0:31:07 > 0:31:09It's when they actually follow through with
0:31:09 > 0:31:11those death threats that's got me spooked.
0:31:12 > 0:31:14Seriously?
0:31:14 > 0:31:17Yeah. Last year, a couple scary-looking Mexican guys
0:31:17 > 0:31:20came by my place and roughed me up a bit,
0:31:20 > 0:31:21made it very clear that I was to stop.
0:31:21 > 0:31:23So did you stop?
0:31:23 > 0:31:25I did for a bit.
0:31:25 > 0:31:26But I was getting anonymous letters
0:31:26 > 0:31:29from people who have been hurt and cheated.
0:31:32 > 0:31:34So how does my sister fit into all of this?
0:31:37 > 0:31:39I've been going to the club looking for an insider.
0:31:39 > 0:31:42She had heard about a couple of the girls going to Mexico
0:31:42 > 0:31:43to get really cheap surgery.
0:31:43 > 0:31:46She's thinking about doing the same thing.
0:31:46 > 0:31:49So, what, you sent her undercover?
0:31:49 > 0:31:52No. We had only talked a couple times.
0:31:55 > 0:31:58She just seemed sympathetic to the stories that I was telling her.
0:31:58 > 0:32:00MUSIC PLAYING, WHISTLING
0:32:00 > 0:32:04Did you bring the letters?
0:32:04 > 0:32:06Like you're giving me a tip.
0:32:20 > 0:32:22Are you sure you're down for this?
0:32:25 > 0:32:27Yeah.
0:32:27 > 0:32:30Since she was already exploring surgical options,
0:32:30 > 0:32:32I simply asked her to pass on information.
0:32:35 > 0:32:36Right.
0:32:44 > 0:32:45This is for you.
0:32:49 > 0:32:51I knew she'd come through.
0:32:52 > 0:32:54When's the last time you saw her?
0:32:57 > 0:32:59I'd say about a month ago now.
0:33:02 > 0:33:03I leave tomorrow.
0:33:06 > 0:33:07How are you feeling?
0:33:09 > 0:33:11A bit nervous, but...
0:33:11 > 0:33:13I'm sure that's normal.
0:33:14 > 0:33:16Everything I've gathered so far
0:33:16 > 0:33:18is in an envelope at my place.
0:33:18 > 0:33:20Got my blue card today.
0:33:20 > 0:33:21Blue card?
0:33:24 > 0:33:25Yeah.
0:33:26 > 0:33:29It's the key to getting on the bus and over the border.
0:33:31 > 0:33:33When I get back,
0:33:33 > 0:33:35I should have everything you need.
0:33:37 > 0:33:38If anything should go wrong...
0:33:38 > 0:33:40It won't.
0:33:40 > 0:33:42You'll be fine.
0:33:46 > 0:33:47So were you two...
0:33:47 > 0:33:51No. Like I said, we only talked a couple times.
0:33:51 > 0:33:53And you haven't talked to her since?
0:33:53 > 0:33:56No. Waited about a week or so.
0:33:56 > 0:33:58I figured she needed time to recover.
0:33:58 > 0:34:00I went looking for her at the club,
0:34:00 > 0:34:03watched her place, and nothing.
0:34:03 > 0:34:06So she may have never come back from Mexico?
0:34:07 > 0:34:10I've been waiting for the right moment to look for that envelope,
0:34:10 > 0:34:11but they've been sitting on her place.
0:34:11 > 0:34:13Wretched landlady.
0:34:13 > 0:34:17Figured there's got to be something in there that might be a clue.
0:34:24 > 0:34:27My sister is a bit of a scatterbrain.
0:34:29 > 0:34:30This is good.
0:34:30 > 0:34:34Why? Does anything look familiar?
0:34:34 > 0:34:37This clinic, I called a couple times and just got the machine.
0:34:37 > 0:34:38I've never been able to zone in
0:34:38 > 0:34:41on who's involved for the medical community on this end.
0:34:41 > 0:34:43There's some important names here.
0:34:44 > 0:34:47Dr Sparks. Wow. Do you know him?
0:34:47 > 0:34:49I know of him.
0:34:49 > 0:34:51Looks like he did the consult.
0:34:51 > 0:34:54I can't wait to break this thing wide open.
0:34:56 > 0:34:58Look.
0:34:58 > 0:35:02This may all be Pulitzer material for you.
0:35:02 > 0:35:04All I want to do is find my sister.
0:35:07 > 0:35:09Yeah.
0:35:11 > 0:35:13There's somewhere I want to take you.
0:35:15 > 0:35:17I don't have time to mess around.
0:35:17 > 0:35:19I like your sister.
0:35:19 > 0:35:22She was really kind and open with me.
0:35:22 > 0:35:24Look. You don't have to do this alone.
0:35:24 > 0:35:25I know the town and its people.
0:35:25 > 0:35:28I can help.
0:35:28 > 0:35:29OK.
0:35:36 > 0:35:38Hi, Michael. Hi, Jean.
0:35:38 > 0:35:39This is Abbey Morgan.
0:35:39 > 0:35:41Hi. Hi.
0:35:41 > 0:35:43Please, come in. Thank you.
0:35:44 > 0:35:45What can I do for you?
0:35:45 > 0:35:49My sister's missing.
0:35:49 > 0:35:50I'm sorry to hear that.
0:35:52 > 0:35:55I have a picture.
0:36:00 > 0:36:03She's very pretty.
0:36:03 > 0:36:04Thank you.
0:36:04 > 0:36:06She went across the border to one of these clinics,
0:36:06 > 0:36:09but, um...
0:36:09 > 0:36:11she hasn't come back.
0:36:11 > 0:36:12How awful.
0:36:12 > 0:36:15Halie was collecting information for me when she disappeared.
0:36:15 > 0:36:17Information? About the process.
0:36:17 > 0:36:20We believe Dr Sparks is involved.
0:36:23 > 0:36:25Was he your doctor as well?
0:36:26 > 0:36:28Jean, I brought Abbey here
0:36:28 > 0:36:30so you could share your story with her,
0:36:30 > 0:36:33hoping that maybe you could lead us in the right direction.
0:36:33 > 0:36:36This is not something that I'm comfortable talking about.
0:36:36 > 0:36:38I understand that.
0:36:42 > 0:36:43Please?
0:36:47 > 0:36:50My surgery...
0:36:50 > 0:36:52in Mexico...
0:36:54 > 0:36:57was one of the biggest mistakes of my life.
0:36:57 > 0:36:59What happened?
0:37:01 > 0:37:04When my husband Bert passed away,
0:37:04 > 0:37:07I...I...
0:37:07 > 0:37:13really didn't think I would be interested in another, you know,
0:37:13 > 0:37:15man.
0:37:15 > 0:37:19But dating, and he'd been gone four years,
0:37:19 > 0:37:20and I was 50.
0:37:20 > 0:37:24So I thought maybe some...
0:37:24 > 0:37:25cosmetic work...
0:37:25 > 0:37:29you know, enhancements...
0:37:29 > 0:37:32might make me more desirable.
0:37:32 > 0:37:35I remember going home in a taxi,
0:37:35 > 0:37:41and I was very sick and in a lot of pain.
0:37:41 > 0:37:42I, uh, had strep infection,
0:37:42 > 0:37:46but I was too ashamed to tell my physician.
0:37:46 > 0:37:48One morning, I... I just...
0:37:48 > 0:37:50I felt like my heart was going to explode.
0:37:50 > 0:37:52So I called an ambulance.
0:37:53 > 0:37:57The doctor said I was very lucky to survive
0:37:57 > 0:38:01because my liver and my kidneys, they were failing,
0:38:01 > 0:38:06and I had gone into toxic shock.
0:38:06 > 0:38:08I didn't tell you this, Michael, but...
0:38:09 > 0:38:12well, because I was warned not to,
0:38:12 > 0:38:15but I had a visitor one afternoon.
0:38:15 > 0:38:20He was a very... frightening character.
0:38:20 > 0:38:24He said I was not to tell anybody what had happened
0:38:24 > 0:38:28and that would be what was best for everybody.
0:38:28 > 0:38:31Was Dr Sparks your consulting physician?
0:38:36 > 0:38:38But he didn't perform the procedure.
0:38:38 > 0:38:40Was it a Mexican physician?
0:38:40 > 0:38:44Nothing was like it was supposed to be.
0:38:44 > 0:38:47The clinic, the doctors...
0:38:47 > 0:38:49it was all so scary.
0:38:54 > 0:38:55Jean, you don't have to...
0:38:55 > 0:38:57No. I'm not afraid any more.
0:39:02 > 0:39:04Those weren't real surgeons.
0:39:04 > 0:39:05My God.
0:39:05 > 0:39:07Real surgeons wouldn't do this.
0:39:09 > 0:39:12No, I want them to pay for what they did to me.
0:39:25 > 0:39:27Why'd you take me there?
0:39:27 > 0:39:28I had a feeling she might open up to you,
0:39:28 > 0:39:31with your sister and all.
0:39:31 > 0:39:34I have to go to that clinic.
0:39:34 > 0:39:36The Villa Majestic?
0:39:36 > 0:39:37Yeah.
0:39:39 > 0:39:40I don't think that's a good idea.
0:39:40 > 0:39:42If that's where my sister went,
0:39:42 > 0:39:43then that's where I'm going.
0:39:43 > 0:39:46Americans disappear in Mexico all the time.
0:39:46 > 0:39:48It's dangerous.
0:39:48 > 0:39:49You don't have to come.
0:39:49 > 0:39:50Come on.
0:39:50 > 0:39:52I don't care if it's dangerous.
0:39:52 > 0:39:54I need to find her.
0:39:56 > 0:39:59All right. Fine.
0:40:00 > 0:40:01Thank you.
0:40:27 > 0:40:28Abbey!
0:40:28 > 0:40:30TYRES SCREECHING
0:40:33 > 0:40:34Ugh. Are you OK?
0:40:34 > 0:40:36Yeah. I think so.
0:40:36 > 0:40:37Should I call an ambulance?
0:40:37 > 0:40:41No. No. I'm OK.
0:40:41 > 0:40:43Did you get his plates? No.
0:40:43 > 0:40:45You've been here two days,
0:40:45 > 0:40:46and they're already gunning for you.
0:40:48 > 0:40:49SHE GROANS
0:40:49 > 0:40:52Maybe I should follow you home.
0:40:52 > 0:40:54I'm OK.
0:40:54 > 0:40:55Are you sure?
0:41:00 > 0:41:027:00 AM.
0:41:40 > 0:41:42CELL PHONE RINGS
0:41:45 > 0:41:46Hey, you.
0:41:46 > 0:41:48Tim?
0:41:48 > 0:41:49Halie's apartment was ransacked.
0:41:49 > 0:41:51Really?
0:41:51 > 0:41:53I just got back. The door was open.
0:41:53 > 0:41:55And the whole place is a wreck.
0:41:55 > 0:41:57LIGHT RATTLING IN DISTANCE
0:41:58 > 0:42:00Oh, my God. Someone's still here.
0:42:00 > 0:42:01Abbey, get out of there.
0:42:01 > 0:42:02Please hurry. Abbey...
0:42:02 > 0:42:03SHE HANGS UP
0:42:04 > 0:42:07Abbey? Abbey?!
0:42:27 > 0:42:29Stop. Whoa.
0:42:29 > 0:42:31Who the hell are you?
0:42:31 > 0:42:33I, uh, I'm Jenny... Halie's friend.
0:42:33 > 0:42:34Why are you trashing the place?
0:42:34 > 0:42:38I didn't. I...I live across the hall.
0:42:38 > 0:42:39I came over after they left.
0:42:39 > 0:42:40Who's "they"?
0:42:40 > 0:42:42Some guys from the club.
0:42:42 > 0:42:44What club? Ray's?
0:42:46 > 0:42:47Yeah.
0:42:48 > 0:42:50How do I know that you didn't let them in?
0:42:50 > 0:42:52It was Irena, the landlord.
0:42:52 > 0:42:54I'm worried about Halie, too.
0:42:54 > 0:42:57I'm the one who called her mother.
0:42:57 > 0:42:59Please...
0:42:59 > 0:43:01put the knife down.
0:43:04 > 0:43:06Are you the one who's been looking through the blinds?
0:43:06 > 0:43:08I've been wanting to talk to you.
0:43:08 > 0:43:11Why haven't you?
0:43:11 > 0:43:13It's hard.
0:43:13 > 0:43:15They've got eyes everywhere.
0:43:17 > 0:43:20And Halie isn't the first girl who's gone missing.
0:43:20 > 0:43:23Then why wouldn't you stop her?
0:43:23 > 0:43:25She was determined to go through with it.
0:43:25 > 0:43:27And most girls come back,
0:43:27 > 0:43:29and they work off the surgery in a couple months.
0:43:29 > 0:43:30What do you mean, they work it off?
0:43:30 > 0:43:32Well, if you can't afford it, Ray will spot you,
0:43:32 > 0:43:35but you got to work it off.
0:43:35 > 0:43:37Have you talked to her since she's been gone?
0:43:37 > 0:43:39No.
0:43:40 > 0:43:42She said if anything went wrong,
0:43:42 > 0:43:44that I should call home.
0:43:44 > 0:43:47She gave me your mother's number.
0:43:47 > 0:43:49She said you'd come looking for her.
0:43:51 > 0:43:53She always talked about her big sister.
0:43:53 > 0:43:56Abbey this and Abbey that.
0:43:57 > 0:43:59Shoot. I feel like I know you.
0:44:01 > 0:44:04You're prettier than your pictures.
0:44:05 > 0:44:07I'm sorry.
0:44:07 > 0:44:10So what's your next move?
0:44:13 > 0:44:15I don't know.
0:44:15 > 0:44:17Look, I've been at Ray's a long time.
0:44:17 > 0:44:19If you need to know how things work there.
0:44:19 > 0:44:21Yeah. Maybe.
0:44:21 > 0:44:23I might.
0:44:23 > 0:44:24SIREN PULSES
0:44:26 > 0:44:29Do you want some help?
0:44:29 > 0:44:30Down on the ground!
0:44:30 > 0:44:32ABBEY: Oh, it's OK. It's OK. She's a friend.
0:44:34 > 0:44:36Is everything all right?
0:44:36 > 0:44:39Yeah. We're all right. Um...
0:44:39 > 0:44:40Just the place is a mess.
0:44:40 > 0:44:41Is there anything missing?
0:44:41 > 0:44:43I think I had what they were looking for.
0:44:43 > 0:44:46I'm sorry to have you rush down here like that.
0:44:46 > 0:44:49It's OK. I'll file a report.
0:44:49 > 0:44:52It was a couple of guys from Ray's.
0:44:52 > 0:44:53Right?
0:44:53 > 0:44:55Jenny?
0:44:57 > 0:44:59Yeah, it was.
0:44:59 > 0:45:01Did they have a key?
0:45:01 > 0:45:04No. Apparently the landlady let them in.
0:45:04 > 0:45:06I'll talk to her.
0:45:08 > 0:45:09Thank you.
0:45:09 > 0:45:11Need help?
0:45:11 > 0:45:14No. We got this.
0:45:14 > 0:45:17OK. I'll talk to you later.
0:45:17 > 0:45:19Sorry.
0:45:29 > 0:45:31You got to be more careful.
0:45:31 > 0:45:33SHE SIGHS
0:45:36 > 0:45:38You can be replaced.
0:45:49 > 0:45:50ROCK MUSIC PLAYING
0:45:50 > 0:45:52MAN: Number one rule at Ray's...
0:45:52 > 0:45:54Look but don't touch.
0:45:54 > 0:45:55SECOND MAN: All right. All right.
0:45:57 > 0:46:00And a warm welcome for Veronica.
0:46:00 > 0:46:01Where's Ray?
0:46:08 > 0:46:10So?
0:46:10 > 0:46:12Did you find anything?
0:46:12 > 0:46:14No. We trashed the place.
0:46:14 > 0:46:16There was nothing there.
0:46:16 > 0:46:17Is the sister backing off?
0:46:17 > 0:46:19Hopefully she got the hint.
0:46:19 > 0:46:21Handle it. I will.
0:46:21 > 0:46:24Otherwise all of this goes away.
0:46:24 > 0:46:26I got it.
0:46:27 > 0:46:28The cops?
0:46:30 > 0:46:32It's covered.
0:46:34 > 0:46:36I'll check in with you later, OK?
0:46:36 > 0:46:38You have a right to be worried.
0:46:38 > 0:46:40I love you too. Bye.
0:47:02 > 0:47:04Hey. Hey.
0:47:04 > 0:47:06Ohh. You look tired.
0:47:06 > 0:47:09You really know what to say to a lady.
0:47:09 > 0:47:10Sorry.
0:47:10 > 0:47:13A couple of guys from the strip club tossed Halie's apartment.
0:47:13 > 0:47:14What? Are you OK?
0:47:14 > 0:47:17Yeah. Tim's going to take care of it.
0:47:17 > 0:47:21The deputy? Stop being so paranoid.
0:47:21 > 0:47:24How did she know it was guys from ray's?
0:47:24 > 0:47:27Jenny. One of the dancers who lives across the hall.
0:47:28 > 0:47:30All right. You ready for this?
0:47:30 > 0:47:31Yup. Let's go.
0:47:53 > 0:47:55ABBEY: You OK?
0:47:55 > 0:47:58Yeah. I just hate going through checkpoints.
0:47:59 > 0:48:00We'll be fine.
0:48:05 > 0:48:07Officer.
0:48:07 > 0:48:09Go on.
0:48:21 > 0:48:24Hold it together.
0:48:26 > 0:48:27Thank you.
0:48:30 > 0:48:32See? No problem.
0:49:14 > 0:49:16Is this the right street?
0:49:17 > 0:49:19Yeah, according to the map.
0:49:22 > 0:49:24Maybe it's just back further on the property.
0:49:54 > 0:49:56This doesn't make any sense.
0:49:58 > 0:50:00Maybe we took down the wrong address.
0:50:00 > 0:50:02Well, this is the place.
0:50:02 > 0:50:04I mean, it should be right here.
0:50:04 > 0:50:07Unless it doesn't really exist.
0:50:07 > 0:50:11Why would they...? Think about it.
0:50:12 > 0:50:16So what? She could just be anywhere right now?
0:50:19 > 0:50:21How are we supposed to find her?
0:50:21 > 0:50:23I don't know.
0:50:31 > 0:50:33I can feel her slipping away.
0:50:33 > 0:50:35Don't say that.
0:50:38 > 0:50:41Come on. You really think that she just forgot to call?
0:50:45 > 0:50:47Something happened.
0:50:49 > 0:50:51Maybe she died on the table or...
0:50:53 > 0:50:54I don't know. Maybe they found out
0:50:54 > 0:50:56that she was feeding you information.
0:50:56 > 0:51:00No. There are other possibilities.
0:51:03 > 0:51:04Like what?
0:51:04 > 0:51:06I don't know.
0:51:06 > 0:51:09But you can't give up hope.
0:51:09 > 0:51:11Great.
0:51:11 > 0:51:13ABBEY: How did they even know that we were out here?
0:51:18 > 0:51:20MAN: This is private property.
0:51:20 > 0:51:22What are you doing out here?
0:51:25 > 0:51:27Do you want me to ask you in Spanish?
0:51:27 > 0:51:31No. Sorry. We were just looking around.
0:51:31 > 0:51:34It's a beautiful landscape.
0:51:38 > 0:51:40You're going to have to come with us.
0:51:40 > 0:51:41SPEAKING SPANISH
0:51:44 > 0:51:45Get your hands off me.
0:51:45 > 0:51:46Michael.
0:51:46 > 0:51:48OFFICER: Just give him your keys.
0:51:50 > 0:51:51You got to stop.
0:51:51 > 0:51:54I don't think you understand the gravity of the situation.
0:51:55 > 0:51:56Could you just put a call in
0:51:56 > 0:51:58to deputy Tim Corbin in Laredo?
0:51:58 > 0:52:00He will be able to clear all of this up.
0:52:00 > 0:52:02Get into the car.
0:52:24 > 0:52:27I'm sorry. Is this really necessary?
0:52:27 > 0:52:28We didn't break any laws.
0:52:28 > 0:52:33Trespassing and resisting arrest.
0:52:33 > 0:52:36Passports and cell phone, please.
0:52:36 > 0:52:37No way.
0:52:37 > 0:52:40We can take them from you if you like.
0:52:51 > 0:52:53Can I make a phone call, please?
0:52:53 > 0:52:55A phone call. Ha ha.
0:52:55 > 0:52:59You are not in the United States any more.
0:53:05 > 0:53:07What is going on?
0:53:18 > 0:53:20This is bad.
0:53:20 > 0:53:22They can't keep us in here.
0:53:24 > 0:53:26You still don't get it, do you?
0:53:26 > 0:53:28They're all in on it. They can do whatever they want with us.
0:53:28 > 0:53:30Come on, Michael. Not now.
0:53:30 > 0:53:32Think about it. How did they find us so quickly?
0:53:45 > 0:53:47Our luck just changed.
0:53:49 > 0:53:50Are you sure about this?
0:53:50 > 0:53:52Yeah.
0:53:56 > 0:53:58Your call.
0:53:58 > 0:54:00He's releasing you to my custody.
0:54:00 > 0:54:01Thank you.
0:54:06 > 0:54:08You, too, Michael.
0:54:10 > 0:54:12You got lucky this time.
0:54:14 > 0:54:15Don't come back here.
0:54:23 > 0:54:25Did you at least find what you were looking for?
0:54:25 > 0:54:29No. There was nothing there.
0:54:29 > 0:54:31What do you mean, there was nothing there?
0:54:31 > 0:54:33There's just land.
0:54:33 > 0:54:36There's no building, no clinic. Nothing.
0:54:36 > 0:54:38TIM: Well, where do they bring the girls?
0:54:40 > 0:54:41I don't know.
0:54:41 > 0:54:43It's just another dead end.
0:54:45 > 0:54:48I can't pull that favour again.
0:54:50 > 0:54:52All right. Follow me back,
0:54:52 > 0:54:53so I can bring you across the border.
0:55:00 > 0:55:03ABBEY: OK. What do we do now?
0:55:03 > 0:55:07I don't know. Maybe Jean will come forward.
0:55:07 > 0:55:09Maybe we can get her to press charges.
0:55:09 > 0:55:10That's going to take too long.
0:55:10 > 0:55:12KNOCK ON DOOR
0:55:17 > 0:55:19Jenny.
0:55:19 > 0:55:21Hi. Come on in.
0:55:21 > 0:55:23Hi. Thanks.
0:55:23 > 0:55:25Jenny, Michael.
0:55:25 > 0:55:27He's helping me find Halie.
0:55:29 > 0:55:32It's all right. We can trust him.
0:55:32 > 0:55:34I've seen you around the club.
0:55:34 > 0:55:36Yeah. I'm a reporter.
0:55:36 > 0:55:38Did you find the clinic?
0:55:38 > 0:55:40No. The address we had was a cover.
0:55:40 > 0:55:41There was nothing there.
0:55:41 > 0:55:43So what's next?
0:55:43 > 0:55:44We're trying to figure that out.
0:55:44 > 0:55:46Maybe I could ask around the club.
0:55:46 > 0:55:48Can you do that without drawing too much attention?
0:55:48 > 0:55:50That's it.
0:55:51 > 0:55:53The club.
0:55:54 > 0:55:56Plastic surgery... Dr Sparks.
0:55:56 > 0:55:58I'm not following.
0:55:58 > 0:56:00I'll go in and get a consultation.
0:56:00 > 0:56:02For what?
0:56:02 > 0:56:03It doesn't matter.
0:56:03 > 0:56:05Boobs, hips, thighs, whatever.
0:56:05 > 0:56:07Oh, that sounds great and all, Abbey,
0:56:07 > 0:56:09but they know who you are.
0:56:09 > 0:56:11They'll see that coming a mile away.
0:56:11 > 0:56:13There has to be some way.
0:56:17 > 0:56:19Or...
0:56:24 > 0:56:25what?
0:56:25 > 0:56:26You could inquire.
0:56:26 > 0:56:27We just need that blue card.
0:56:27 > 0:56:28Exactly.
0:56:28 > 0:56:31Now, wait a minute, guys. What are you talking about?
0:56:31 > 0:56:32Take a seat.
0:56:38 > 0:56:39OK.
0:56:41 > 0:56:42Tonight at work,
0:56:42 > 0:56:45just do your regular thing.
0:56:45 > 0:56:47MUSIC PLAYING
0:57:08 > 0:57:10It's a good night?
0:57:10 > 0:57:11Mmm.
0:57:11 > 0:57:13I've had better.
0:57:13 > 0:57:16What's up, honey?
0:57:16 > 0:57:20I'm...looking to make some improvements.
0:57:21 > 0:57:23Little tuck, if you know what I mean.
0:57:23 > 0:57:24Are you serious?
0:57:24 > 0:57:26Well, I ain't getting any younger.
0:57:26 > 0:57:28You still look good to me, baby.
0:57:31 > 0:57:33Can you set it up?
0:57:33 > 0:57:34Consider it done.
0:57:34 > 0:57:36You're a doll.
0:57:47 > 0:57:51A tummy tuck, little bit off the sides.
0:57:51 > 0:57:55You made arrangements with Ray?
0:57:55 > 0:57:57Yeah.
0:57:57 > 0:57:58It's covered.
0:58:00 > 0:58:02OK. Well, then I will make sure
0:58:02 > 0:58:06that they take extra-special care of you.
0:58:06 > 0:58:07Hmm.
0:58:08 > 0:58:10Thank you.
0:58:16 > 0:58:18Perfect.
0:58:18 > 0:58:21Thank you.
0:58:21 > 0:58:22Be careful.
0:58:22 > 0:58:26Yeah. Michael's going to follow the bus.
0:58:26 > 0:58:27It leaves at 8:00 AM sharp.
0:58:27 > 0:58:29OK.
0:58:29 > 0:58:33You should get out of town for a while.
0:58:33 > 0:58:35Oh.
0:58:35 > 0:58:37You're going to need these.
0:58:39 > 0:58:42Got to play the part.
0:58:42 > 0:58:43Mmm.
0:58:43 > 0:58:45Thanks.
0:58:48 > 0:58:50SHE EXHALES
0:58:52 > 0:58:54Just find her, OK?
0:58:55 > 0:58:57One way or another,
0:58:57 > 0:58:59just find her.
0:59:26 > 0:59:28Hey.
0:59:28 > 0:59:30We're on track.
0:59:30 > 0:59:32Everything's going to be OK.
0:59:32 > 0:59:34We will find her.
0:59:37 > 0:59:38Thank you.
0:59:38 > 0:59:39You don't have to thank me.
0:59:42 > 0:59:44Your help means a lot to me.
1:00:03 > 1:00:04Hi.
1:00:04 > 1:00:07Can you please make sure that Deputy Corbin gets this?
1:00:07 > 1:00:09Thank you.
1:00:27 > 1:00:29Not too late to change your mind.
1:00:29 > 1:00:31Just don't lose the bus.
1:02:35 > 1:02:36Officer.
1:02:46 > 1:02:47TYPING
1:02:53 > 1:02:54Would you please pull over?
1:02:54 > 1:02:56Is there a problem? Why do I have to pull over?
1:02:56 > 1:02:58Now.
1:03:26 > 1:03:28Good morning, Al.
1:03:28 > 1:03:30I didn't think you'd be in.
1:03:57 > 1:03:59ABBEY, VOICE-OVER: Tim, when you get this,
1:03:59 > 1:04:03I'll hopefully be in Mexico at the clinic my sister went to.
1:04:03 > 1:04:06You'll find everything you need in here to start a case file.
1:04:06 > 1:04:09I didn't tell you because I knew you'd try to stop me.
1:04:09 > 1:04:10After I find my sister,
1:04:10 > 1:04:13Michael and I will make our way back across the border
1:04:13 > 1:04:16with the rest of the info you'll need to put these people away.
1:04:26 > 1:04:28Hey.
1:04:28 > 1:04:29Yeah, we have a problem.
1:04:45 > 1:04:46Michael!
1:05:01 > 1:05:03ROCK MUSIC PLAYING
1:05:06 > 1:05:07Hey.
1:05:07 > 1:05:09We got to go. What's going on?
1:05:09 > 1:05:12Jenny sold us out. Now, I will explain on the way.
1:05:12 > 1:05:14Clean this up.
1:06:59 > 1:07:01Hello, everyone.
1:07:01 > 1:07:03Follow me, and I'll take you in.
1:07:23 > 1:07:26You can wait in here until we call your name.
1:08:03 > 1:08:05TELEPHONE RINGS
1:08:07 > 1:08:10Digame.
1:08:12 > 1:08:13They just arrived.
1:08:15 > 1:08:17She'd be on the bus.
1:08:18 > 1:08:20OK.
1:08:21 > 1:08:24Claro que si. Claro.
1:08:25 > 1:08:26HANGS UP PHONE
1:09:04 > 1:09:05Hands up!
1:09:05 > 1:09:07SPEAKING SPANISH
1:09:07 > 1:09:08Keep your hands where I can see them.
1:09:08 > 1:09:09This is not necessary.
1:09:09 > 1:09:11I'm looking for my friend...hey! What the hell?
1:09:11 > 1:09:13I told you not to come back here.
1:09:13 > 1:09:15I'm searching for my friend. She's out here somewhere.
1:09:15 > 1:09:17Can you at least help me out?
1:10:33 > 1:10:35Uh...bathroom?
1:10:43 > 1:10:44Oh!
1:10:44 > 1:10:46Aah!
1:10:58 > 1:11:01Where is my sister?
1:11:01 > 1:11:03SPEAKING SPANISH
1:11:05 > 1:11:08Put her in the room with Paco for now.
1:11:08 > 1:11:11SHOUTING
1:11:20 > 1:11:22SOBBING
1:11:32 > 1:11:33GASP
1:11:39 > 1:11:41MICHAEL: Sheriff, if you're not in on it,
1:11:41 > 1:11:43then please help us.
1:11:43 > 1:11:44This is happening all over the place.
1:11:44 > 1:11:45You've got to know about it.
1:11:45 > 1:11:48Of course I know about it.
1:12:09 > 1:12:11SPEAKING SPANISH
1:12:22 > 1:12:24OK.
1:12:32 > 1:12:33OK.
1:12:41 > 1:12:42What can we do?
1:12:45 > 1:12:46What can we use?
1:12:46 > 1:12:48OK.
1:12:48 > 1:12:49What else?
1:12:53 > 1:12:54OK.
1:13:34 > 1:13:36Um...
1:13:51 > 1:13:54CAR ENGINE REVS
1:14:08 > 1:14:09ENGINE STOPS
1:14:10 > 1:14:11So?
1:14:11 > 1:14:13Todo bien.
1:14:13 > 1:14:14We have her locked up.
1:14:14 > 1:14:17Perfect. Then we will wait.
1:14:17 > 1:14:18I'm not happy about this, Dr Martinez.
1:14:18 > 1:14:20Your problema no esta aqui.
1:14:20 > 1:14:21You have a problem up north.
1:14:21 > 1:14:24Then maybe we should take our business somewhere else
1:14:24 > 1:14:25if you can't handle it.
1:14:28 > 1:14:30Oh, thank God.
1:15:05 > 1:15:06Who else has this?
1:15:06 > 1:15:08I don't know,
1:15:08 > 1:15:10but she's been working with that reporter Michael.
1:15:10 > 1:15:13Is there enough to make a case here?
1:15:13 > 1:15:15Not quite yet.
1:15:15 > 1:15:20There's no proof of murder or illegal medical practice in it.
1:15:20 > 1:15:22If she disappears?
1:15:22 > 1:15:23It all goes away.
1:15:23 > 1:15:25So what are we waiting for?
1:15:35 > 1:15:37I want to find a new place.
1:15:37 > 1:15:39Find me a new place.
1:15:39 > 1:15:41Calm down. This is fine.
1:15:59 > 1:16:01SHE YELLS
1:16:09 > 1:16:11Don't!
1:16:14 > 1:16:17You son of a bitch.
1:16:17 > 1:16:19You kept pushing.
1:16:19 > 1:16:21This can't be about money.
1:16:21 > 1:16:22Why else?
1:16:22 > 1:16:25She was my sister, Tim.
1:16:26 > 1:16:28YELLING
1:16:28 > 1:16:29Aah!
1:16:32 > 1:16:34Aah!
1:16:34 > 1:16:36Oh, it's so sad.
1:16:39 > 1:16:43Wait! Ray. Not here. Doctor!
1:16:51 > 1:16:56Can we take her around back and get this done, please?
1:16:58 > 1:16:59SHE MOANS
1:17:18 > 1:17:20What are we waiting for?
1:17:35 > 1:17:37SIREN
1:17:39 > 1:17:40Damn it!
1:17:42 > 1:17:44Relax. Lose the gun.
1:17:44 > 1:17:45SPEAKING SPANISH
1:17:49 > 1:17:52Vamonos. All right, come on! Let's move it in!
1:17:52 > 1:17:54Hands up!
1:17:54 > 1:17:55POLICEMAN SPEAKING SPANISH
1:17:55 > 1:17:57Get down on the ground!
1:17:57 > 1:18:00Down on your knees! Down, I said!
1:18:00 > 1:18:02You OK?
1:18:02 > 1:18:03What happened to you?
1:18:03 > 1:18:05Sorry. I got caught up.
1:18:11 > 1:18:13Come on! Take it easy.
1:18:17 > 1:18:20So...that was all of them.
1:18:20 > 1:18:21Yes.
1:18:23 > 1:18:25And the doctor and the nurses are in on it.
1:18:27 > 1:18:29SPEAKING SPANISH
1:18:30 > 1:18:31Wait.
1:18:34 > 1:18:37Can you translate something for me?
1:18:37 > 1:18:38Yes.
1:18:44 > 1:18:47Did this woman come through here?
1:18:47 > 1:18:49SPEAKING SPANISH
1:18:51 > 1:18:54Do you recognise this woman?
1:18:54 > 1:18:55SPEAKING SPANISH
1:18:58 > 1:19:01Did this woman come through here?
1:19:01 > 1:19:03SPEAKING SPANISH
1:19:04 > 1:19:05Please.
1:19:05 > 1:19:07Si o no?
1:19:07 > 1:19:09She was my sister.
1:19:09 > 1:19:11Era la hermana de ella.
1:19:14 > 1:19:15Que?
1:19:15 > 1:19:16Yes?
1:19:16 > 1:19:17SPEAKING SPANISH
1:19:17 > 1:19:19You recognise her?
1:19:19 > 1:19:21SPEAKING SPANISH
1:19:26 > 1:19:28He said that, uh,
1:19:28 > 1:19:30that she was a patient here
1:19:30 > 1:19:33and that she died on the table.
1:19:37 > 1:19:38I...I...
1:19:38 > 1:19:41I can show you to the body.
1:19:43 > 1:19:44What?
1:19:44 > 1:19:46I can show you to the body.
1:19:46 > 1:19:48You can?
1:19:48 > 1:19:51Yes, please.
1:19:51 > 1:19:52Guillermo will take you.
1:19:52 > 1:19:54Thank you.
1:20:37 > 1:20:39I can come with you if you want.
1:20:45 > 1:20:46It's OK.
1:21:20 > 1:21:22Where is the body?
1:22:19 > 1:22:21SNIFFLING
1:22:26 > 1:22:28FLIES BUZZING
1:22:30 > 1:22:32CRYING
1:23:19 > 1:23:20Mom?
1:23:24 > 1:23:26I'm bringing her home.
1:23:29 > 1:23:31I love you.