0:01:40 > 0:01:44MUSIC: "Roll Out The Barrel"
0:02:51 > 0:02:53Don't let anyone out.
0:02:59 > 0:03:00Cops.
0:03:04 > 0:03:06Take it easy, folks. Don't anyone leave.
0:03:21 > 0:03:23Stand where you are. Don't touch a thing.
0:03:23 > 0:03:26Joe, hold the sealers and housemen. Let the others go.
0:03:26 > 0:03:27- OK.- Come along.
0:03:27 > 0:03:29Let's get out of here, quick.
0:03:33 > 0:03:34All right, folks.
0:03:34 > 0:03:36Please go home quickly and quietly.
0:03:36 > 0:03:38Sorry to spoil your fun, but this place is closed.
0:03:44 > 0:03:46OK, girls, you're through.
0:03:46 > 0:03:48We're not leaving until we get paid.
0:03:48 > 0:03:50You'll have a long wait. Your boss took a run-out powder.
0:03:50 > 0:03:53- Go on, change your clothes. - Take your big paws off me.
0:03:53 > 0:03:55Then beat it or I'll throw you all in the tank.
0:03:55 > 0:03:58You can't do that. We have nothing to do with the gambling.
0:03:58 > 0:04:01You knew it was going on and didn't report it. You're accessories.
0:04:01 > 0:04:02Come on.
0:04:02 > 0:04:05We're not accessories any more than the people who come here.
0:04:05 > 0:04:07We're just trying to earn our living, same as you are...
0:04:07 > 0:04:10and we'd like to be paid before we leave.
0:04:10 > 0:04:12LONE CLAPPING
0:04:12 > 0:04:14Bravo.
0:04:14 > 0:04:17The little lady's right, officer, and you know it.
0:04:17 > 0:04:21How'd you like to dance your feet off for a jaded public
0:04:21 > 0:04:22and not get paid?
0:04:22 > 0:04:25Citizens of Akron, I appeal to your well-known generosity.
0:04:25 > 0:04:29Let's take up a collection for these innocent victims of a man's avarice.
0:04:29 > 0:04:32I'll start it with 14.
0:04:32 > 0:04:36Now, who's next? Thanks, officer. That's the old spirit.
0:04:36 > 0:04:38I never expected to find you here, Mr Harris.
0:04:38 > 0:04:41Now, who else has some old spirit? Thank you, boys. Thank you.
0:04:41 > 0:04:43How about the ladies? Thank you, too.
0:04:43 > 0:04:46Thank you, everybody. This is the finest demonstration...
0:04:46 > 0:04:49of something or other that I've ever seen.
0:04:49 > 0:04:51Maybe there's lots of things you haven't seen.
0:04:51 > 0:04:53Maybe.
0:04:55 > 0:04:57Thank you.
0:04:57 > 0:04:58Thank you all.
0:04:58 > 0:05:00Thank you very much.
0:05:00 > 0:05:02Come on, boys.
0:05:03 > 0:05:05May I have this dance?
0:05:06 > 0:05:08It's my favourite number.
0:05:09 > 0:05:13HE WHISTLES A TUNE
0:05:20 > 0:05:22SHE LAUGHS
0:05:24 > 0:05:26Lose something, Bubbles, dear?
0:05:35 > 0:05:37What's the big rush?
0:05:43 > 0:05:46Of course, I could go on for ever, but the piccolo's a little dry.
0:05:50 > 0:05:52You've got a funny face.
0:05:52 > 0:05:54I mean, this is a funny place for your face.
0:05:54 > 0:05:57- Seemed a grand place when we landed it.- Irish?
0:05:57 > 0:05:58Once removed.
0:05:58 > 0:06:00You know...
0:06:00 > 0:06:01you look like a star.
0:06:01 > 0:06:05The one that keeps shining after all the others have quit.
0:06:06 > 0:06:08You know, the morning star.
0:06:08 > 0:06:09That's a very nice thing to say.
0:06:09 > 0:06:11I'm a very nice fellow.
0:06:11 > 0:06:14Well, then what are you doing in a place like this?
0:06:19 > 0:06:23I'm having a swell time, and I'm going on having a swell time.
0:06:23 > 0:06:27Miss Irish, this is a very special occasion. I'm celebrating something.
0:06:27 > 0:06:28Something important.
0:06:28 > 0:06:31I don't think you are.
0:06:31 > 0:06:32What?
0:06:32 > 0:06:34Having a good time, even if you are celebrating.
0:06:34 > 0:06:37There are celebrations and celebrations.
0:06:37 > 0:06:39You wouldn't understand.
0:06:44 > 0:06:45You have blue eyes.
0:06:48 > 0:06:50I don't like girls with blue eyes.
0:06:59 > 0:07:01Mind if I take over?
0:07:08 > 0:07:10Hello, handsome, what goes on under your hat?
0:07:14 > 0:07:17It was just telling me to find that gorgeous blonde.
0:07:17 > 0:07:20I always was a mind-reader.
0:07:23 > 0:07:25- Good night, boys.- Good night.
0:07:25 > 0:07:27Good night.
0:07:35 > 0:07:37Bubbles just burns me.
0:07:37 > 0:07:39She's got all the men she wants.
0:07:39 > 0:07:41She have to run off with the one you really like?
0:07:41 > 0:07:43Oh, forget it.
0:07:46 > 0:07:48Anyway...
0:07:48 > 0:07:50the only thing I really care about is dancing.
0:07:50 > 0:07:54Well, he can't be so much or he wouldn't fall for her.
0:07:54 > 0:07:57He doesn't like Bubbles, not really.
0:07:57 > 0:07:59Have it your own way.
0:08:01 > 0:08:03Good night.
0:08:09 > 0:08:11Sally's asleep.
0:08:11 > 0:08:13So what?
0:08:13 > 0:08:15Back kind of early, aren't you?
0:08:15 > 0:08:16Oh, that guy.
0:08:16 > 0:08:19He took me to the Ritz Bar. Everything was going along swell...
0:08:19 > 0:08:22when all of a sudden, he spots this thing on the floor,
0:08:22 > 0:08:24and he goes completely cuckoo.
0:08:24 > 0:08:28He plants it on me and tells me to be good to it, and he walks out.
0:08:28 > 0:08:31"Be good to Ferdinand," he says.
0:08:33 > 0:08:35It's cute.
0:08:35 > 0:08:36You can have it.
0:08:52 > 0:08:54I'll say one thing for you, Pavlova.
0:08:54 > 0:08:58You've certainly got ambition, even if it's dumb.
0:08:58 > 0:09:00You know, I got ambition, too.
0:09:00 > 0:09:03Only I don't have to crack my joints to get where I'm going.
0:09:03 > 0:09:04I got brains.
0:09:04 > 0:09:07Your brains told you how you'll get back to New York tomorrow?
0:09:07 > 0:09:08Oh, yeah.
0:09:08 > 0:09:11Gee, if only that guy tonight...
0:09:11 > 0:09:13Oh, well. Let's see, there's Jerry.
0:09:13 > 0:09:16Oh, no, Jerry's out. Found out he has a wife.
0:09:16 > 0:09:19Stew Martin.
0:09:19 > 0:09:21I'd rather walk.
0:09:21 > 0:09:24Sam. That's the travelling salesman that's so sweet on me.
0:09:24 > 0:09:26He's got a roadster. He's starting East tomorrow.
0:09:26 > 0:09:28Wouldn't there be room for Sally?
0:09:28 > 0:09:31He's a fur salesman, not a mother.
0:09:35 > 0:09:37All right, she can go, but don't blame me.
0:09:37 > 0:09:39That guy's got more arms than an octopus.
0:09:56 > 0:09:57Nanette.
0:09:57 > 0:10:01He's here. Mr Harris, your husband.
0:10:01 > 0:10:03"Monsieur," I said, "consider Madame.
0:10:03 > 0:10:06"She bought a ticket for Reno. You can't come here."
0:10:06 > 0:10:08- Well, where is he? - In there. In your boudoir, Madame.
0:10:08 > 0:10:11Don't go in, Madame. Remember, the lawyer told you...
0:10:11 > 0:10:13not to see him before the divorce.
0:10:23 > 0:10:25Jimmy.
0:10:26 > 0:10:28You know you have no right to come here.
0:10:28 > 0:10:31We're not supposed to be friendly for six weeks and a day.
0:10:32 > 0:10:35Who says we're friendly?
0:10:35 > 0:10:37What were you doing in the Ritz Bar, Elinor?
0:10:37 > 0:10:39You're going in for espionage.
0:10:39 > 0:10:42You left Ferdinand on the floor, where he could be kicked around.
0:10:42 > 0:10:45Oh, dear, did I? Where's he now? Did you bring him home?
0:10:45 > 0:10:48No, I didn't. You don't deserve him, so I gave him away.
0:10:48 > 0:10:50You didn't.
0:10:50 > 0:10:52Oh, but, Jimmy, he was our...
0:10:52 > 0:10:55Our Ferdinand.
0:10:55 > 0:10:58- Do you remember the night we got him?- Sure, the Club Ferdinand.
0:10:58 > 0:11:01You insisted on wearing that silly little short jacket.
0:11:01 > 0:11:04Snow makes the air warmer. Always told you that.
0:11:04 > 0:11:07Anyway, it was a beautiful night.
0:11:07 > 0:11:09Jimmy, I...
0:11:18 > 0:11:20Well...
0:11:20 > 0:11:21so long.
0:11:23 > 0:11:24Have a good trip.
0:11:24 > 0:11:28- Oh, won't you have a drink before you go?- Certainly.
0:11:28 > 0:11:29Nanette.
0:11:33 > 0:11:36- Drinks, Nanette.- The usual?
0:11:36 > 0:11:38- Of course.- Yes, sir.
0:11:48 > 0:11:50Well, this is cosy.
0:11:50 > 0:11:52Yes.
0:11:54 > 0:11:55Elinor?
0:11:55 > 0:11:57Yes, Jimmy?
0:11:57 > 0:11:59Promise me you'll be careful out there.
0:11:59 > 0:12:04- Those western horses are very dangerous.- I promise.
0:12:04 > 0:12:06Your eyes are extraordinarily blue tonight.
0:12:07 > 0:12:11Harris Tyre heir, valve-and-bearing heiress. It ought to fit.
0:12:11 > 0:12:13Maybe if we'd been plain Mr and Mrs Harris...
0:12:13 > 0:12:20worrying about butcher's bills and... If Harold could see us now.
0:12:20 > 0:12:22He made me promise not to see you until after the...
0:12:22 > 0:12:25- You know what I mean. - Puss in Boots? What is he anyway?
0:12:25 > 0:12:27Your lawyer or a suitor?
0:12:27 > 0:12:30Now, let's not quarrel about that again, please.
0:12:32 > 0:12:34By the way...
0:12:34 > 0:12:37who'd you say you gave my...? Gave Ferdinand to?
0:12:37 > 0:12:40- Oh, some girl. - I must mean an awful lot to you.
0:12:40 > 0:12:42Who started this Reno business, anyway?
0:12:42 > 0:12:44Who supplied me with the grounds?
0:12:44 > 0:12:47Add insanity to the list. I was nuts to come up here.
0:12:47 > 0:12:50- Where's my hat? - Where it usually is, on the floor.
0:12:50 > 0:12:52Goodbye. Have a nice six weeks with Puss in Boots.
0:12:52 > 0:12:55He doesn't mean a thing. Don't call him that.
0:12:55 > 0:12:57This is the happiest moment of my life.
0:12:59 > 0:13:01Thanks for the hospitality.
0:13:37 > 0:13:41But, Mr Faber, they got such beautiful notices,
0:13:41 > 0:13:45such talent, such, how you say, snap.
0:13:45 > 0:13:49Everywhere, my girls are the sensation.
0:13:51 > 0:13:54I think you make big mistake.
0:13:56 > 0:14:00Well, goodbye, Mr Faber.
0:14:05 > 0:14:06I'm back.
0:14:09 > 0:14:13So, you decided finally to come home again.
0:14:13 > 0:14:16That's very nice of you. That's very lovely of you.
0:14:16 > 0:14:21Now, Madame, hitchhiking from Akron in three days is pretty good.
0:14:21 > 0:14:23I had to walk all the way from the Bronx.
0:14:23 > 0:14:26I make you in charge of the troupe and what happens?
0:14:26 > 0:14:30First one comes back, then a couple more. A flea circus I run?
0:14:30 > 0:14:32Isn't everyone back?
0:14:32 > 0:14:35- Now all but Bubbles. - But Sally was with her.
0:14:35 > 0:14:39Bubbles' boyfriend put her in a train at Ashtabula.
0:14:39 > 0:14:42Now, who knows when Bubbles will be back?
0:14:42 > 0:14:45Without her, we might as well try to sell apples.
0:14:45 > 0:14:49"Where's the hot one?", they ask.
0:14:49 > 0:14:52What a life for an artist.
0:14:52 > 0:14:53You, I could maybe teach.
0:14:53 > 0:14:56But, no, a flesh peddler I must be.
0:14:56 > 0:14:59A jellyfish salesman.
0:15:02 > 0:15:04Don't worry, Madame.
0:15:04 > 0:15:06Someday, you'll be famous again.
0:15:06 > 0:15:08And I'll be your discovery.
0:15:08 > 0:15:10I got an idea for a dance in Akron.
0:15:10 > 0:15:13All the way across Ohio, I've been working on it in my mind.
0:15:13 > 0:15:17I never knew whether I was driving in a truck or a swell private car.
0:15:17 > 0:15:22I could hear the music and my feet kept making up the steps.
0:15:22 > 0:15:23It's called Morning Star.
0:15:23 > 0:15:26You know, the last star before sunrise?
0:15:26 > 0:15:28Watch me, Madame.
0:15:31 > 0:15:36Stop, stop, stop. Where can I sell a Morning Star?
0:15:36 > 0:15:39They want Bubbles, I tell you.
0:15:39 > 0:15:41Over in Hoboken, there is a chance for a hula.
0:15:41 > 0:15:44Good pay. Bubbles could do the solo.
0:15:44 > 0:15:46But where is she?
0:15:46 > 0:15:48I could do it for you.
0:15:48 > 0:15:52- You know I'm good at learning new steps.- A hula is not dancing.
0:15:52 > 0:15:56It's nothing but oomph and you haven't got it.
0:15:56 > 0:15:57I could learn it.
0:15:57 > 0:16:02You don't learn oomph. You are born with it.
0:16:02 > 0:16:04It's got to be done and we'll do it,
0:16:04 > 0:16:07if we have to break every bone in my body.
0:16:10 > 0:16:13HULA MUSIC
0:17:24 > 0:17:26Very nice.
0:17:26 > 0:17:28Neat, in fact. Classy.
0:17:28 > 0:17:31What a great showman you are, Mr Kajoolian.
0:17:31 > 0:17:33Very classy.
0:17:33 > 0:17:34Too classy, in fact.
0:17:34 > 0:17:38Look, I run a dance and drink place, not a kindergarten.
0:17:38 > 0:17:40But, Mr Kajoolian, you do not understand.
0:17:40 > 0:17:44She could do it different. She could do it how you want.
0:17:44 > 0:17:49- What my customers go for, she ain't got.- Wait a minute, Mr Hoboken.
0:17:50 > 0:17:53- Bubbles.- Hello, Madame.
0:17:53 > 0:17:56Mr Kajoolian, now we got what your customers go for.
0:17:56 > 0:17:58I ain't got an ounce of class, sugar. Honest.
0:17:58 > 0:18:02- Can you dance? - Well, it's been called that.
0:18:04 > 0:18:06- Hi, kids!- Hello, Bubbles.
0:18:07 > 0:18:09Bubbles.
0:18:09 > 0:18:12The landlady told me ma'am was having a hula audition,
0:18:12 > 0:18:13- so here I am.- Can she really dance?
0:18:13 > 0:18:16Sit down, Mr Kajoolian.
0:18:19 > 0:18:20Please don't mind.
0:19:22 > 0:19:25OK. She's got what I want. You see what I mean?
0:19:25 > 0:19:2825 a week from tonight. Come the way you are.
0:19:28 > 0:19:30- Well, thanks, but what about the rest?- Yes, for background.
0:19:30 > 0:19:33Oh, she don't need no background. I'll be seeing you, honey.
0:19:33 > 0:19:37But, Mr Kajoolian, girls would be such a wonderful background.
0:19:37 > 0:19:40- Couldn't use them.- I'm sorry. I was hoping he'd take all of us.
0:19:40 > 0:19:43Congratulations, Bubbles. I'm glad one of us got a job.
0:19:43 > 0:19:46- Imagine that, 25 a week. - Gee, you're lucky.
0:19:46 > 0:19:49Yeah, if you fell in a gutter, you'd come up with a diamond necklace.
0:19:49 > 0:19:53Listen, squirt, I don't fall in gutters. I pick my spots.
0:19:53 > 0:19:57- Nice fur. From Sam?- Yeah. It's fox.
0:19:57 > 0:20:00But there's a little skunk in Sam or I wouldn't be here.
0:20:00 > 0:20:04Well, if it isn't my old friend Ferdinand.
0:20:19 > 0:20:22Don't let it get you down, Judy. Come on, let's get dressed.
0:20:22 > 0:20:26You run along, Sally. I'll be down later.
0:20:26 > 0:20:27All right.
0:22:19 > 0:22:21If you won't tell me where we're going,
0:22:21 > 0:22:23why did I have to bring my ballet costume?
0:22:23 > 0:22:27- You may have to dance, my dear. - But what about the other girls?
0:22:27 > 0:22:31Aren't you the best, now that Bubbles has gone?
0:22:32 > 0:22:34We have arrived.
0:22:38 > 0:22:42You look very, very smart in your new hat today.
0:22:53 > 0:22:57We are but a few short steps from destiny, Judy.
0:22:57 > 0:23:00There is where our fortune lies.
0:23:02 > 0:23:04Never shall it be said...
0:23:04 > 0:23:09that the great Basilova did not make the last sacrifice for art.
0:23:09 > 0:23:12We are not too proud to beg favours.
0:23:12 > 0:23:15- Wait. Wait! - HORN HONKS
0:23:16 > 0:23:20PEOPLE SCREAM
0:23:20 > 0:23:22Get me an ambulance.
0:23:22 > 0:23:24- Is she dead?- Who is she?
0:23:24 > 0:23:26All right, folks, stand back. Give her air. Come on.
0:23:26 > 0:23:29Get away from there. Don't touch her. Stand back.
0:23:29 > 0:23:31- Please let me through. - Relative of yours, lady?
0:23:31 > 0:23:33Madame.
0:23:35 > 0:23:38I'll be all right, Judy.
0:23:38 > 0:23:41- I'll be all right.- Sure you will.
0:23:41 > 0:23:43Don't forget...
0:23:43 > 0:23:46Mr Adams.
0:23:46 > 0:23:48It's a great chance.
0:23:48 > 0:23:50- A great...- Don't talk.
0:23:50 > 0:23:52Judy...
0:23:52 > 0:23:54don't forget...
0:23:54 > 0:23:56Adams.
0:23:56 > 0:23:58Steve Adams.
0:23:58 > 0:24:00Dance...
0:24:00 > 0:24:02Dance...
0:24:03 > 0:24:05Dance.
0:25:56 > 0:25:59Hold it. Hold it!
0:25:59 > 0:26:02Very nice, Vivian. All right, take a rest.
0:26:02 > 0:26:04- It still needs plenty of work. - I know.
0:26:04 > 0:26:07Some of the figures are slurred. Poses aren't quite definite.
0:26:07 > 0:26:09- It needs more precision.- Of course.
0:26:09 > 0:26:12Will you type those notes, Olmy? I'll buzz you when I'm ready.
0:26:12 > 0:26:13Frankly, Fitch,
0:26:13 > 0:26:17I'm afraid your classical influence has been a little strong.
0:26:17 > 0:26:18PHONE RINGS
0:26:18 > 0:26:21- Yes?- Honey, there's a Miss O'Brien here...
0:26:21 > 0:26:25from a Madame Basil... Basil something.
0:26:25 > 0:26:27But she claims she had an appointment,
0:26:27 > 0:26:28or Madame Basil did, last Thursday.
0:26:28 > 0:26:31Only she was killed on the way or something.
0:26:31 > 0:26:33OK, darling.
0:26:35 > 0:26:38Miss Olmstead will see you. Right through that door.
0:26:42 > 0:26:45What a dreadful experience, Miss O'Brien.
0:26:45 > 0:26:48You see, Madame Basilova was our teacher and manager.
0:26:48 > 0:26:51She was bringing me here to try and place us.
0:26:51 > 0:26:54- Us? - Oh, I meant to say we're a troupe.
0:26:54 > 0:26:58There are eight of us. Well, that is, there used to be...
0:26:58 > 0:27:02but one of the girls got a job in a nightclub in Hoboken.
0:27:02 > 0:27:05Miss O'Brien, I don't think you quite understand.
0:27:05 > 0:27:08I mean, I think you've come to the wrong place.
0:27:08 > 0:27:10You see, Mr Adams is...
0:27:10 > 0:27:12Well, he's only interested in the very exceptional...
0:27:12 > 0:27:16You've never seen us dance. You can't tell from just talking.
0:27:16 > 0:27:18They work so hard, and they've has such rotten luck.
0:27:18 > 0:27:20You've got to give us a chance.
0:27:21 > 0:27:24- Well... Well, I'll see...- Yeah, I know. All right, all right.
0:27:24 > 0:27:27- Oh, Mr Fitch, this young lady... - Have a seat, young lady.
0:27:27 > 0:27:29I'll try to see you after.
0:27:29 > 0:27:31Places!
0:27:34 > 0:27:39Sit down, and if I get a chance, I'll ask Mr Adams to see you.
0:28:45 > 0:28:49And your interpretation of a bluebird...
0:28:49 > 0:28:50was lovely.
0:28:51 > 0:28:53But who do you think cares?
0:28:53 > 0:28:56Have you never hears of telephones, factories, cafeterias?
0:28:59 > 0:29:01That'll never do. You write it, Olmy.
0:29:01 > 0:29:03Your rejections are always so tactful.
0:29:06 > 0:29:08Looks like it's going to rain.
0:29:10 > 0:29:15Sometimes I think if I ever see another bird dancing, I'll shoot it.
0:29:16 > 0:29:18Hey, I'm talking to you.
0:29:18 > 0:29:20"What we're interested in, Miss Hemingway...
0:29:20 > 0:29:23is not an interpretation of birdlife, however lovely,
0:29:23 > 0:29:25but an interpretation of American life today.
0:29:25 > 0:29:27Shopkeepers, mechanics, aviators..."
0:29:27 > 0:29:32Why is it, Olmy, that you're the only woman who can ever understand me?
0:29:32 > 0:29:35Now, that letter to Mexico City...
0:31:48 > 0:31:50OK, OK.
0:31:50 > 0:31:52You still need lots of work, though.
0:31:52 > 0:31:54Take a rest. I'll be back in five minutes.
0:32:01 > 0:32:04Well, young lady, what can I so for you?
0:32:04 > 0:32:06Nothing, I...
0:32:07 > 0:32:09I guess I made a mistake.
0:32:15 > 0:32:19Oh, there's a girl waiting in my office.
0:32:19 > 0:32:21She's awfully anxious to see you.
0:32:21 > 0:32:23I told her you would.
0:32:27 > 0:32:29She must have been awfully anxious.
0:32:29 > 0:32:32Well, isn't that funny? Your umbrella.
0:32:32 > 0:32:35Tell Fitch I'll be down at the music hall.
0:32:35 > 0:32:37Going down.
0:33:09 > 0:33:11Hey, Steve. I was just going up to see you.
0:33:11 > 0:33:13You know that niece of mine?
0:33:13 > 0:33:16I never saw a six-year-old who could tap like she can.
0:33:16 > 0:33:18Bring her around when she's 16, Arthur.
0:33:22 > 0:33:23I hope we get a taxi.
0:33:23 > 0:33:25Yeah, so do I.
0:33:35 > 0:33:38Taxi.
0:33:38 > 0:33:39Taxi!
0:34:03 > 0:34:05Can I help?
0:34:05 > 0:34:06Have you got a fishing rod?
0:34:06 > 0:34:08You're the same girl.
0:34:08 > 0:34:10I beg your parson?
0:34:10 > 0:34:12Well, I can see it wasn't mutual, but...
0:34:12 > 0:34:14Did you lose something valuable?
0:34:14 > 0:34:16Yes, a dime.
0:34:16 > 0:34:20Oh, you've missed your bus. That's too bad.
0:34:20 > 0:34:22There'll be another along presently.
0:34:28 > 0:34:30You're very kind, but I like the rain.
0:34:32 > 0:34:34That's no way to treat a good Samaritan.
0:34:36 > 0:34:38Mind if I share my own umbrella?
0:34:45 > 0:34:47Thank you very much. Goodbye.
0:34:56 > 0:34:58That was your last dime, wasn't it?
0:35:00 > 0:35:03You know, it's dangerous to turn up your nose on a day like this.
0:35:03 > 0:35:05You might drown.
0:35:06 > 0:35:09- When I first saw you in the elevator...- So you followed me.
0:35:09 > 0:35:13No, I didn't. But I wanted to. I wanted to speak to you.
0:35:13 > 0:35:16Oh, not just because you happen to be beautiful...
0:35:16 > 0:35:19but you looked unhappy, as if you were worried about something.
0:35:19 > 0:35:22It was... Well, the sort of day when a fellow needs a friend.
0:35:22 > 0:35:25You figured me out during that rise in the elevator?
0:35:25 > 0:35:28Oh, when it reaches the ground floor, I felt as if I knew you very well.
0:35:28 > 0:35:30Look here...
0:35:30 > 0:35:33there's something awfully nice about a taxi on a rainy day.
0:35:33 > 0:35:37Now, please, I like the rain, and I like walking alone.
0:35:54 > 0:35:56Come on. Eat this while it's hot.
0:35:56 > 0:35:59It's good soup stock and there's an onion in it.
0:35:59 > 0:36:00Where on earth did you get an onion?
0:36:00 > 0:36:03I borrowed it from Mrs Simpson.
0:36:03 > 0:36:06Oh, go on. Eat that before it's too cold.
0:36:06 > 0:36:09And the next time a fellow offers you his umbrella in a rainstorm,
0:36:09 > 0:36:11take it.
0:36:11 > 0:36:13Oh, go on, eat.
0:36:13 > 0:36:16You know a dancer needs plenty of vitamins.
0:36:16 > 0:36:18Don't talk to me about dancing again.
0:36:18 > 0:36:20I'm through.
0:36:20 > 0:36:23At that place today...
0:36:23 > 0:36:25I saw what real dancing is.
0:36:25 > 0:36:29I discovered I just don't know anything.
0:36:30 > 0:36:34- Sally, what's the use of pretending?- Oh, I know, Judy.
0:36:34 > 0:36:36I wish I could help.
0:36:37 > 0:36:40I feel like an awful dumbbell just hanging around.
0:36:42 > 0:36:44Wait.
0:36:45 > 0:36:48Bubbles. Miss Bubbles.
0:36:48 > 0:36:52Yeah, it's me. Only it's Lily now, Lily White.
0:36:54 > 0:36:58I always did think you were the smartest of the lot, Miss Bu...
0:36:58 > 0:36:59Miss White.
0:36:59 > 0:37:01Thank you.
0:37:06 > 0:37:11That suite of mine is vacant, with half a private bath.
0:37:11 > 0:37:14Thanks, but my new position demands a better address.
0:37:14 > 0:37:16I'm living on the drive.
0:37:16 > 0:37:21I like the view of the park, and Rollo just loves the trees.
0:37:21 > 0:37:24- Are the girls in?- Some of the girls left without paying their rent.
0:37:24 > 0:37:26Miss Judy and Sally owe me back rent...
0:37:26 > 0:37:29not counting the butter, eggs and sugar they've borrowed.
0:37:29 > 0:37:31How much are they in hock for?
0:37:31 > 0:37:3318.
0:37:35 > 0:37:37Here's the money, but don't tell them I paid you.
0:37:37 > 0:37:39I won't.
0:37:41 > 0:37:43Hey.
0:37:43 > 0:37:47- Bubbles. - How's Pavlova and the dying swan?
0:37:47 > 0:37:50Gosh.
0:37:50 > 0:37:53I mean, Hoboken must be treating you pretty well.
0:37:53 > 0:37:55That joint? Listen, baby, I've been discovered.
0:37:55 > 0:37:59On my third night, by a great big capitalist, a Mr Humplewinger.
0:37:59 > 0:38:01He's in the artificial limb business...
0:38:01 > 0:38:03and owns half-interest in the Bailey Brothers' show.
0:38:03 > 0:38:06No more hula for me, kids. I've been promoted.
0:38:07 > 0:38:09- To a burlesque queen?- Yeah.
0:38:09 > 0:38:11They're going to feature me.
0:38:13 > 0:38:15Say, getting down to brass tacks, Judy.
0:38:15 > 0:38:18How'd you like a job doing your solo?
0:38:18 > 0:38:21- You know, Twinkle, Twinkle, Little Star?- Oh, Judy.
0:38:21 > 0:38:23But the Bailey Brothers is burlesque.
0:38:23 > 0:38:24Well, what's wrong with that?
0:38:24 > 0:38:27Say, you might be discovered yourself, like I was.
0:38:27 > 0:38:30But would they want my kind of dancing?
0:38:30 > 0:38:32Listen, me and Dwarfie -
0:38:32 > 0:38:34that's what I call Mr Humplewinger - we put it over.
0:38:34 > 0:38:36"What we need is a toney number," we said.
0:38:36 > 0:38:38To go on right before my act.
0:38:38 > 0:38:41You know, to sort of lead up to it. "Do you know anybody?" they said.
0:38:41 > 0:38:44Well, right away, I said, "Sure, my girlfriend Judy O'Brien."
0:38:44 > 0:38:47"If you pay her enough money," I said.
0:38:47 > 0:38:51I laughed at them when they said 20. "Not a cent under 25," I said.
0:38:51 > 0:38:52- 25?- Yeah.
0:38:52 > 0:38:54Oh, Bubbles, you're an angel.
0:38:55 > 0:38:57Save the mascara.
0:38:59 > 0:39:03Step right in, the box office is open.
0:39:03 > 0:39:04The Bailey Brothers' big extravaganza.
0:39:04 > 0:39:0836 little ladies whose only wish is to entertain you.
0:39:08 > 0:39:12Step right in. The show is going on now.
0:39:12 > 0:39:14We are proud and fortunate to present to you...
0:39:14 > 0:39:19in her daring novel speciality, Manhattan's Tiger Lily White.
0:39:25 > 0:39:28- Give them all you got, baby. - They couldn't take it.
0:39:49 > 0:39:52# I am not a goody-goody
0:39:52 > 0:39:54# Just a baby in the woody
0:39:54 > 0:39:57# Love has got me worried and perplexed
0:39:57 > 0:39:58Oh, yeah?
0:39:58 > 0:40:01# Gosh, oh, gee, I want my mama
0:40:01 > 0:40:04# Goodness me, I need my mama
0:40:04 > 0:40:06# Maybe she could tell me What comes next
0:40:06 > 0:40:07I'll tell you.
0:40:07 > 0:40:10# My mother told me
0:40:10 > 0:40:13# There'd be days like this
0:40:13 > 0:40:15# When I wouldn't know what to do
0:40:15 > 0:40:18# She told me what not to do
0:40:18 > 0:40:21# She said some boy # Would take me in his arms
0:40:21 > 0:40:23# And tell me, oh, what lies
0:40:23 > 0:40:25# But did mother realise
0:40:25 > 0:40:27# The boy would be you? #
0:40:29 > 0:40:30- Or you.- She means me.
0:40:30 > 0:40:31- No, not you.- Oh, me.
0:40:31 > 0:40:34- Or you.- It's a date, honey!
0:40:34 > 0:40:37Or you. What boat you off, buddy?
0:40:37 > 0:40:39LAUGHTER
0:40:41 > 0:40:43# My mother told me
0:40:43 > 0:40:46# Better count to ten
0:40:46 > 0:40:49# Then if that doesn't do the trick
0:40:49 > 0:40:51# Start counting again
0:40:51 > 0:40:54# I counted up to ten a thousand times
0:40:54 > 0:40:56# But I kissed him, anyhow
0:40:56 > 0:40:58# Oh, mother, tell me
0:40:58 > 0:41:00# What do I do now?
0:41:06 > 0:41:08# My mother told me
0:41:08 > 0:41:11# There'd be days like this
0:41:11 > 0:41:13# When the wind would begin to blow
0:41:13 > 0:41:15# And I wouldn't know where to go
0:41:19 > 0:41:21# She said the night
0:41:21 > 0:41:22# Would be so cold and dark
0:41:22 > 0:41:25# And I'd be all alone
0:41:25 > 0:41:28# And every dream I owned would blow away
0:41:36 > 0:41:39# My mother told me
0:41:39 > 0:41:41# Baby, you keep warm
0:41:41 > 0:41:44# Keep your little self bundled up
0:41:44 > 0:41:45# When you're caught in a storm
0:41:45 > 0:41:47LAUGHTER
0:41:51 > 0:41:54# She told me just exactly what to do
0:41:54 > 0:41:56# But didn't tell me how
0:41:56 > 0:41:58# Oh, mother, mother... #
0:41:58 > 0:42:00LAUGHTER
0:42:18 > 0:42:22Hey, Mom, what do I do now?
0:42:22 > 0:42:26APPLAUSE
0:42:48 > 0:42:51Hey, what is this?
0:42:51 > 0:42:54Go home, little girl. Your mother wants you.
0:42:57 > 0:42:59Go home, little girl. Go home.
0:42:59 > 0:43:01What is this?
0:43:02 > 0:43:04Yeah, beat it. We want Lily.
0:43:04 > 0:43:07Yeah, we want Lily!
0:43:07 > 0:43:09Yeah, we want Lily!
0:43:16 > 0:43:19AUDIENCE JEERS
0:43:28 > 0:43:30LAUGHTER
0:43:32 > 0:43:34We want Lily back!
0:43:34 > 0:43:37Yeah, bring back Lily.
0:43:42 > 0:43:44Take it from the 2-4 again.
0:43:44 > 0:43:47- AUDIENCE: - We want Lily! We want Lily!
0:43:47 > 0:43:49We want Lily!
0:43:49 > 0:43:52We want Lily! We want Lily!
0:43:52 > 0:43:55We want Lily!
0:43:55 > 0:43:59We want Lily! We want Lily!
0:43:59 > 0:44:03We want Lily!
0:44:03 > 0:44:07We want Lily! We want Lily!
0:44:07 > 0:44:14We want Lily! We want Lily! We want Lily!
0:44:14 > 0:44:17We want Lily! We want Lily!
0:44:19 > 0:44:21That was a riot.
0:44:21 > 0:44:24- That's the way you're going to do this.- Sensational.
0:44:24 > 0:44:26That's all she's got to do, the same thing every show.
0:44:26 > 0:44:29That's all you got to do. Listen to them yelling.
0:44:29 > 0:44:31You'll get used to it, kid.
0:44:36 > 0:44:39APPLAUSE
0:45:27 > 0:45:30# I am just a sweet young thing of 22
0:45:30 > 0:45:32LAUGHTER
0:45:32 > 0:45:34# Or so
0:45:34 > 0:45:37# I never think to smoke or drink
0:45:37 > 0:45:40# My life is one long... #
0:45:40 > 0:45:41What?
0:45:41 > 0:45:43# No
0:45:43 > 0:45:46# I finished at Miss Sniffing's school
0:45:46 > 0:45:48# A model debutante
0:45:48 > 0:45:50# I know each fork and spoon and rule
0:45:50 > 0:45:53# I don't say "can't" but "ca-r-n't"
0:45:53 > 0:45:55LAUGHTER
0:45:56 > 0:45:59# My etiquette is ooh, mais, oui
0:45:59 > 0:46:01# I pour a proper pot of tea
0:46:01 > 0:46:04# And even when I need a nip
0:46:04 > 0:46:09# I never, never, never slip. #
0:46:12 > 0:46:14Well, almost never.
0:46:17 > 0:46:19Oh, cut it out, fellows.
0:46:19 > 0:46:24APPLAUSE
0:46:28 > 0:46:30# Try to be a lady
0:46:30 > 0:46:33# Morning, noon and night
0:46:33 > 0:46:35# But when I hear music
0:46:38 > 0:46:40# Get the jitterbug bite
0:46:40 > 0:46:42# Over tea and crumpets
0:46:42 > 0:46:45# Gee, but I'm polite
0:46:45 > 0:46:46# But when I hear trumpets
0:46:49 > 0:46:52# Get the jitterbug bite
0:46:52 > 0:46:54# I'm quite the quiet type
0:46:54 > 0:46:56# Poise in every move
0:46:56 > 0:46:58# But, boy, do I get noisy
0:46:58 > 0:47:01# When the boys get in the groove, yeah
0:47:01 > 0:47:03# How can I be highbrow?
0:47:03 > 0:47:06# What an awful plight
0:47:06 > 0:47:08# Gotta say goodbye now
0:47:08 > 0:47:10# You'll pardon me, I gotta blow
0:47:10 > 0:47:13# I got a slight twitch in my toe
0:47:13 > 0:47:15# My feet are just itching to go
0:47:19 > 0:47:22# Got the jitterbug bite, ouch
0:47:22 > 0:47:24# Got a jitterbug bite, yeah, yeah
0:47:33 > 0:47:34# Got a jitterbug bite. #
0:47:46 > 0:47:48Why didn't you tell me you wanted a stooge?
0:47:48 > 0:47:52It's 25 bucks a week. That's twice what you could make anywhere else.
0:47:52 > 0:47:54and twice as nice work, I suppose.
0:47:54 > 0:47:56Listen. There's about 4,000 girls in this town...
0:47:56 > 0:47:58who can fill that spot just as good as you can.
0:47:58 > 0:48:01- I got you because I felt sorry for you.- Thanks(!)
0:48:01 > 0:48:03KNOCK ON DOOR What is it?
0:48:03 > 0:48:06What a gag. What a gag. The best gag on Broadway.
0:48:06 > 0:48:09Not bad, Miss O'Brien. Don't you think so, Larry?
0:48:09 > 0:48:11- It was great.- Well, I don't know.
0:48:11 > 0:48:14Toe dancer, maybe for a few weeks. Might be OK, Harry.
0:48:14 > 0:48:16For 25 bucks a week, we can take a chance.
0:48:16 > 0:48:17- Yeah.- Yeah.
0:48:17 > 0:48:21You're wasting your time. We got to find another girl. She's quitting.
0:48:25 > 0:48:27Who says I'm quitting?
0:48:29 > 0:48:34'See the country's favourite, Tiger Lily! Just a few seats left!'
0:48:37 > 0:48:41# My mother told me better count to ten
0:48:41 > 0:48:45# And if that doesn't do the trick Start counting again. #
0:49:13 > 0:49:16'Go home, little girl, your mother wants you.'
0:49:31 > 0:49:33Something rather depraved about you, Steve.
0:49:33 > 0:49:36Hiding a yen for burlesque under cover of the ballet.
0:49:36 > 0:49:39Chasing after Tiger Lilies.
0:49:39 > 0:49:42It's not the Tiger Lily we're after.
0:49:42 > 0:49:44We're going to see her little stooge.
0:49:49 > 0:49:53- Her footwork isn't bad, at all. - Her eyes aren't, either.
0:49:54 > 0:49:56We want Lily!
0:49:58 > 0:49:59This is it, buddy.
0:49:59 > 0:50:02Tiger Lily's just what you need.
0:50:02 > 0:50:04How so you know what I need?
0:50:04 > 0:50:08How would you like to be accused of mental cruelty at 9:00 this morning?
0:50:08 > 0:50:09She's probably drinking mint juleps...
0:50:09 > 0:50:12or whatever they drink in Reno, with a cowboy or a lawyer.
0:50:12 > 0:50:15In there, if you got something to forget, you can forget it.
0:50:15 > 0:50:18If you got something to remember, you can remember it.
0:50:18 > 0:50:20- I can't change a 20.- Keep it.
0:50:20 > 0:50:21Thanks.
0:50:23 > 0:50:25- You better let me have a dollar.- Sure.
0:50:26 > 0:50:28- Thanks.- You're welcome.
0:50:28 > 0:50:30Hey.
0:50:30 > 0:50:33Better make it two.
0:50:33 > 0:50:35- Thanks.- OK.
0:50:40 > 0:50:42AUDIENCE JEERS
0:50:48 > 0:50:50Oh, give us a break!
0:50:56 > 0:50:58AUDIENCE: We want Lily!
0:50:58 > 0:51:00We want Lily!
0:51:01 > 0:51:04Boo!
0:51:04 > 0:51:07Boo!
0:51:09 > 0:51:12I wouldn't so that. Give the little lady a break.
0:51:17 > 0:51:19Send her back!
0:51:21 > 0:51:24Come on, now, cut it out. She's trying to entertain you.
0:51:26 > 0:51:28We want Lily! We want Lily!
0:51:28 > 0:51:31Say, what's the matter with you guys? You're mixing her up.
0:51:31 > 0:51:33It must be part of the act.
0:51:36 > 0:51:37Boo!
0:51:37 > 0:51:39Keep still and let her dance.
0:51:39 > 0:51:41I didn't come here to see no fairytale.
0:51:41 > 0:51:43- Then go someplace else.- Oh, yeah?
0:51:44 > 0:51:46We want Lily!
0:51:46 > 0:51:48It's OK, I know him.
0:51:49 > 0:51:52Boo! Get out of there!
0:51:52 > 0:51:55Don't let them rattle you. You keep right on with your dance.
0:51:55 > 0:51:57They've got no right to heckle you.
0:51:59 > 0:52:01Don't let them get you down. You keep right on.
0:52:03 > 0:52:06That's the ticket. Show them you can take it.
0:52:06 > 0:52:10Hey, cut that out. Throwing things at a girl.
0:52:10 > 0:52:13You keep right on there. Come back here, little girl.
0:52:13 > 0:52:17Don't let them scare you. Come back and finish your dance.
0:52:18 > 0:52:20Bring Lily back!
0:52:20 > 0:52:25APPLAUSE
0:52:40 > 0:52:43Hello, Akron. Dressing Room 4, honey. I'll be off in a minute.
0:52:46 > 0:52:48Hey, you should have used the stage entrance.
0:52:48 > 0:52:51- It's Dressing Room 4. - Must be a well-beaten trail...
0:52:51 > 0:52:54- but it's twinkle-toes I'm after. - Same trail, Mr.
0:52:59 > 0:53:01Come in.
0:53:01 > 0:53:03Say, you were going on fine.
0:53:03 > 0:53:05What's the matter with that gang out there?
0:53:05 > 0:53:07You shouldn't have done that.
0:53:07 > 0:53:10- They're supposed to laugh at me.- Oh, I don't see why.
0:53:10 > 0:53:12I thought your dance was very pretty.
0:53:12 > 0:53:14I didn't think you'd remember me.
0:53:17 > 0:53:20- Yeah, we so know each other, don't we?- Do we?
0:53:20 > 0:53:22Sure, it was at the Winter Garden, wasn't it?
0:53:22 > 0:53:26No, it wasn't the Winter Garden. Well, it was some place.
0:53:26 > 0:53:30- It was Akron, Ohio.- Don't tell me we went to school together?
0:53:30 > 0:53:31SHE LAUGHS
0:53:39 > 0:53:41Where did you get this?
0:53:41 > 0:53:43Think hard.
0:53:45 > 0:53:49Palais Royale. Don't you remember?
0:53:49 > 0:53:51The police closed it up and you kept it open.
0:53:51 > 0:53:55- You said you were celebrating something.- Celebrating?
0:53:55 > 0:53:58Of course, how rude of me. I took you out.
0:53:58 > 0:54:02- But didn't I leave you flat? - No, no, that was Lily.
0:54:03 > 0:54:05You gave her this little bull.
0:54:08 > 0:54:10You're the girl with the blue eyes.
0:54:12 > 0:54:15But you said you didn't like me because I has blue eyes.
0:54:15 > 0:54:16That's a thing of the past.
0:54:19 > 0:54:20Say, did you get me in a jam.
0:54:20 > 0:54:22I tried to pass you off as Judy's boyfriend.
0:54:22 > 0:54:24Dwarfie said, "You're going to sneak out with him."
0:54:24 > 0:54:27So I said we're all going out together on a foursome.
0:54:27 > 0:54:29We can start out with them, like you're for Judy.
0:54:29 > 0:54:31I'd like to meet Dwarfie,
0:54:31 > 0:54:35but perhaps the young lady in question...
0:54:35 > 0:54:38Judy?! Well, she totes that bull around everywhere she goes.
0:54:38 > 0:54:40I guess she won't mind.
0:54:42 > 0:54:44- Come on.- Give an encore. - Tearing the house sown.
0:54:44 > 0:54:45- Yeah.- Yeah.
0:54:45 > 0:54:50- OK, OK. One Tiger Lily coming up.- Shake it up.
0:54:51 > 0:54:54And remember, no walking out on me tonight.
0:54:55 > 0:54:58Hurry up. We sneak out before Tiger Lily floats back.
0:54:58 > 0:54:59But she expects you.
0:54:59 > 0:55:02Oh, you wouldn't want to break Dwarfie's heart. Come on.
0:55:02 > 0:55:04We'll have that date I thought we had.
0:55:04 > 0:55:07All right, but I'll take Ferdinand.
0:55:07 > 0:55:10Sure, but hurry up. I'll meet you outside.
0:55:17 > 0:55:20- You were very amusing.- Thanks.
0:55:20 > 0:55:21Miss O'Brien?
0:55:25 > 0:55:26Miss O'Brien has gone.
0:55:28 > 0:55:31Would you mind giving her my card?
0:55:32 > 0:55:35Thanks. Ask her to get in touch with me.
0:55:42 > 0:55:45- Friend of yours?- No.
0:55:46 > 0:55:49- Night, Dad. Thanks.- Good night, Dad.
0:55:53 > 0:55:56- Well, next time. Yeah.- Next time.
0:55:56 > 0:55:58- Well, there goes our date. - Never mind.
0:55:58 > 0:56:01I know a nice lunch wagon halfway home and you helped me once.
0:56:01 > 0:56:04You'll never regret this investment, Miss O'Brien.
0:56:19 > 0:56:23I never saw New York on foot before. It's exciting.
0:56:23 > 0:56:25Or is it you?
0:56:28 > 0:56:30I could go on for ever.
0:56:30 > 0:56:32Everything's so shiny.
0:56:32 > 0:56:34Even the garbage cans.
0:56:35 > 0:56:38Say, isn't it about time you were buying me another meal?
0:56:38 > 0:56:42I'm afraid you'll have to go hungry. Here we are.
0:56:42 > 0:56:43What, already?
0:56:45 > 0:56:48- It was a lovely evening.- It was.
0:56:50 > 0:56:53- Well, good night.- Good night.
0:57:02 > 0:57:04Good morning.
0:57:12 > 0:57:16- Well, good night.- Good night.
0:57:24 > 0:57:26Keep away from guys like me, Judy. We're rotten.
0:57:26 > 0:57:28We make nice people like you unhappy.
0:57:28 > 0:57:31We're unhappy ourselves. Everything we touch goes wrong.
0:57:32 > 0:57:36It's bad for you to see me again. You're too sweet, too real.
0:57:36 > 0:57:38and I've got just enough decency to keep away from you.
0:57:39 > 0:57:41Goodbye.
0:57:46 > 0:57:48I'll see you tonight, darling.
0:57:50 > 0:57:54Irish, we met at just the right moment. Tonight, we'll celebrate.
0:57:54 > 0:57:56I'll give you the history of Jimmy Harris and Ferdinand.
0:57:56 > 0:58:00and if you're very good, I'll give you Jimmy Harris.
0:58:00 > 0:58:02Good night. Good morning.
0:58:02 > 0:58:04See you in about 16 hours.
0:58:49 > 0:58:51# Star bright, star light
0:58:51 > 0:58:53# The last star I see tonight
0:58:53 > 0:58:55# I wish I may, I wish I might
0:58:55 > 0:58:57# Have the wish I wish tonight. #
0:59:00 > 0:59:03Please make me a dancer too.
0:59:12 > 0:59:13Wah-wah-wah!
0:59:13 > 0:59:15Oh, no.
0:59:15 > 0:59:18I'm sorry, sir. I must have fell asleep, sir.
0:59:18 > 0:59:20Oh!
0:59:20 > 0:59:23She's in there. I couldn't stop her, sir.
0:59:23 > 0:59:26She came in just after you went out last night, sir.
0:59:37 > 0:59:38Elinor.
0:59:43 > 0:59:48Oh...it's morning.
0:59:49 > 0:59:50I must have fallen asleep.
0:59:50 > 0:59:53What are you doing here?
0:59:53 > 0:59:57I flew. What are you doing coming home at this hour?
0:59:57 > 0:59:59I can't see it's any of your business.
0:59:59 > 1:00:02You're right, it isn't.
1:00:02 > 1:00:04Not any more.
1:00:04 > 1:00:07Your freedom, Mr Harris. The final decree.
1:00:07 > 1:00:10I had it tied in blue, your favourite colour.
1:00:10 > 1:00:15It may not be a very gallant thing to say, Elinor, but I'm very happy.
1:00:15 > 1:00:17Are you? Really?
1:00:17 > 1:00:19Yes.
1:00:20 > 1:00:24Well, in that case, I might as well be running along.
1:00:30 > 1:00:33Aren't you going to offer me some breakfast?
1:00:33 > 1:00:35I'm sorry. What'll it be?
1:00:35 > 1:00:38- What have you been drinking? - Nothing.
1:00:38 > 1:00:40My...
1:00:40 > 1:00:42she must be a lot more interesting than me.
1:00:46 > 1:00:50Reno seems to have agreed with you, Elinor. You look fine.
1:00:50 > 1:00:53Thank you. Oh, don't let's have a drink.
1:00:53 > 1:00:56Such finality about it.
1:01:00 > 1:01:03Well, there's no reason why we can't see each other...
1:01:03 > 1:01:05occasionally.
1:01:05 > 1:01:08Some of the past wasn't so bad, was it?
1:01:08 > 1:01:11- Some of it was wonderful.- Paris?
1:01:11 > 1:01:14Havana, and that little balcony in Rome.
1:01:14 > 1:01:16The Club Ferdinand.
1:01:16 > 1:01:18That girl, you didn't take her there, did you?
1:01:18 > 1:01:19Of course not.
1:01:19 > 1:01:22- And don't you go there with Puss in Boots.- Oh, of course not.
1:01:24 > 1:01:26By the way...
1:01:26 > 1:01:28we're getting married tomorrow, or rather today.
1:01:28 > 1:01:30That's what I came to tell you.
1:01:30 > 1:01:33- Elinor, you can't. You mustn't.- Why?
1:01:33 > 1:01:35Because he's a fool and a nincompoop.
1:01:35 > 1:01:37You're another to think you could be happy.
1:01:37 > 1:01:38- You're jealous.- I'm not jealous!
1:01:38 > 1:01:42- How could I be jealous of a puss in boots?- Oh, don't call him that!
1:01:44 > 1:01:47Marry him, Elinor. I hope you'll be happy. I know I will.
1:01:48 > 1:01:52I was a fool to come here in the first place.
1:01:52 > 1:01:53We're sailing for Bermuda tomorrow
1:01:53 > 1:01:55and I wanted to say goodbye decently.
1:01:55 > 1:01:56But you haven't changed.
1:01:56 > 1:01:59You never will. You're a weak, silly adolescent
1:01:59 > 1:02:01and I hope I never see you again in my life!
1:02:04 > 1:02:05DOOR SLAMS
1:02:05 > 1:02:07Bon voyage, Madame.
1:02:09 > 1:02:11My pyjamas, Claude. I have to get a good say's sleep.
1:02:13 > 1:02:21# Morning star, morning star
1:02:21 > 1:02:26# Don't you know the night has ended?
1:02:28 > 1:02:35# You and I flew too high
1:02:35 > 1:02:40# Now it's time that we descended. #
1:02:40 > 1:02:42- Good evening, Mr Harris. - How do you so?
1:02:43 > 1:02:46# The other stars have fled
1:02:46 > 1:02:50# You're on your own now
1:02:50 > 1:02:52Champagne, Mr Harris?
1:02:52 > 1:02:54Champagne cocktails for Mr Harris.
1:02:54 > 1:02:56# I'm all alone now
1:02:56 > 1:03:04# Morning star, here we are
1:03:04 > 1:03:10# This new dawn is far from bright
1:03:10 > 1:03:16# So, morning star, good night. #
1:03:20 > 1:03:22Did you see Ferdinand's father?
1:03:26 > 1:03:30- All right, Mr, I want a nice one.- Nice big smile.
1:03:30 > 1:03:32Thank you.
1:03:32 > 1:03:34Hello, Jim.
1:03:39 > 1:03:41Everybody seems to know you.
1:03:41 > 1:03:44Yes, well, that's part of what I have to tell you.
1:03:44 > 1:03:46I'm dying of curiosity.
1:03:46 > 1:03:49Well, I used to come here occasionally, before...
1:03:49 > 1:03:50Before I met you in Akron.
1:03:52 > 1:03:55- Oh, hello, Jim.- Oh, hello.
1:03:55 > 1:03:58- How are you? - I'm fine. Glad to see you.
1:03:58 > 1:04:01- Big doings, huh?- Yes, big doings.
1:04:02 > 1:04:04Oh, hello there.
1:04:04 > 1:04:06Did you see what I saw?
1:04:09 > 1:04:12- Is my petticoat showing or something?- No, I guess it's mine.
1:04:12 > 1:04:15Your cocktails, Mr Harris.
1:04:20 > 1:04:22- To the end of something.- The end?
1:04:22 > 1:04:25And the beginning of something better, Irish.
1:04:31 > 1:04:33Sometimes I wish your eyes were brown.
1:04:35 > 1:04:37What is it you have to tell me, Jimmy?
1:04:41 > 1:04:43Well, here goes.
1:04:43 > 1:04:46To begin with, I'm disgustingly rich. I was born that way.
1:04:47 > 1:04:51- Go on.- I used to come here a lot.
1:04:51 > 1:04:56- You said that before.- Yes, but I uses to come here with someone.
1:04:56 > 1:04:58I never thought I'd bring anyone else here.
1:04:58 > 1:05:00It seemed to stand for something.
1:05:00 > 1:05:02Something phoney, I guess.
1:05:02 > 1:05:05I'm cured now. I must be, because here I am back at the old Ferdinand.
1:05:05 > 1:05:07You're with me and I'm having the time of my life.
1:05:07 > 1:05:10MUSIC: "Bridal Chorus"
1:05:10 > 1:05:13APPLAUSE
1:05:33 > 1:05:36You promised you would never come here again.
1:05:36 > 1:05:38Well, you promised, too.
1:05:38 > 1:05:40You've never been able to keep your word.
1:05:40 > 1:05:42- Don't talk like that to my wife.- Keep out of this.
1:05:42 > 1:05:44I was his wife before I was yours.
1:05:44 > 1:05:48- Please, Elinor, let's not have a scene.- Why not?
1:05:49 > 1:05:51Jimmy, you can't so that. Excuse me.
1:05:51 > 1:05:53- Get this...- I got it.
1:05:53 > 1:05:54Attaboy.
1:05:56 > 1:05:58- Pardon me, just a minute. - Come, let's...
1:05:58 > 1:06:01- Let's go someplace where it's quiet.- Yes, and safe.
1:06:21 > 1:06:24I want to go, please.
1:06:25 > 1:06:27- Waiter.- Yes, Mr Harris?
1:06:27 > 1:06:29- Check, please.- Right away.
1:06:30 > 1:06:31Thank you.
1:06:32 > 1:06:35- Meet you at Ciro's. - That's fine, all right.
1:06:36 > 1:06:39- I'm not coming.- What?
1:06:39 > 1:06:41But, darling, they're expecting us.
1:06:41 > 1:06:43We're married.
1:06:43 > 1:06:46Get it annulled. You're a smart lawyer.
1:06:47 > 1:06:49Taxi!
1:06:57 > 1:07:00- Good night, Jimmy. - Judy, please, let me explain. L...
1:07:00 > 1:07:04You're still in love with her. I knew as soon as I saw her blue eyes.
1:07:04 > 1:07:06Thanks, folks. Now, stand a little closer.
1:07:08 > 1:07:09Judy!
1:07:26 > 1:07:29- Keep the change. - Well, if it isn't the Tiger Lily.
1:07:29 > 1:07:32Miss, have you seen the papers? Who'd ever think our Judy...?
1:07:32 > 1:07:33Where is she?
1:07:33 > 1:07:35Locked herself in her room. She refuses to see no-one.
1:07:35 > 1:07:38- Get her to come out. - Take your picture with her.
1:07:38 > 1:07:41I don't need her to get me in the papers!
1:07:47 > 1:07:49Let me in, it's Bubbles.
1:07:49 > 1:07:51I don't feel like talking with anyone, Bubbles.
1:07:51 > 1:07:53You're afraid to face me.
1:07:53 > 1:07:56You never told me he has money.
1:07:56 > 1:07:58After all I've done for you. If it wasn't for me,
1:07:58 > 1:08:01you'd be starving in the gutters, where I found you.
1:08:01 > 1:08:04Please, Bubbles, I'll see you later at the theatre.
1:08:04 > 1:08:05Judy.
1:08:05 > 1:08:07Judy!
1:08:07 > 1:08:09Your rich fellow's here.
1:08:09 > 1:08:12That Mr Harris, in a taxi.
1:08:12 > 1:08:14He says he won't go away until he sees you.
1:08:14 > 1:08:17I don't want to see anybody, Mrs Simpson.
1:08:17 > 1:08:20He's sitting on the running board.
1:08:20 > 1:08:22He won't move.
1:08:22 > 1:08:25Says he's on a sit-down strike.
1:08:25 > 1:08:28Judy, are you listening?
1:08:28 > 1:08:29Judy.
1:08:30 > 1:08:35Judy, honey, I'm sorry I lost my temper.
1:08:35 > 1:08:37I know how you feel.
1:08:37 > 1:08:41I'll go right down and get rid of him for you, Judy, honey.
1:08:43 > 1:08:45- How are you, Jimmy? - You sure pinned on a pip.
1:08:45 > 1:08:48- How long have you known the lady? - Look this way a moment.
1:08:48 > 1:08:49Leave me alone.
1:08:49 > 1:08:54I got squatters' rights on this step and I'm entitled to a little privacy.
1:08:54 > 1:08:57Gentlemen, gentlemen, please.
1:08:59 > 1:09:01There, there, lambie.
1:09:01 > 1:09:03Oh, can't you see he's tired?
1:09:03 > 1:09:07Lily's tired baby. There now, sweetie, chin up.
1:09:07 > 1:09:08Light all right?
1:09:08 > 1:09:10Smile, duckie.
1:09:10 > 1:09:13- Thanks a lot.- Thanks.
1:09:13 > 1:09:14I won't forget that, kid.
1:09:14 > 1:09:18Just call it "Playboy finds consolation in Tiger Lily."
1:09:18 > 1:09:19OK, Tiger.
1:09:35 > 1:09:37- Now what, Olmy? - You could have knocked me over.
1:09:37 > 1:09:40Such sweet, innocent look that girl has. Just look at that.
1:09:40 > 1:09:43You remember that girl I told you wanted to see you?
1:09:43 > 1:09:45- This girl came to see me?- Yes.
1:09:45 > 1:09:47- Why didn't you tell me?- I did.
1:09:47 > 1:09:50She was waiting for you, only she didn't wait.
1:09:50 > 1:09:51The day it rained.
1:09:51 > 1:09:53Oh, that's why we didn't hear from her.
1:09:53 > 1:09:56The funny part is we took this fellow, Harris,
1:09:56 > 1:09:58- to be part of her act. - Yeah, I guess he is, too.
1:09:58 > 1:10:00After all, she's a Gaiety Girl.
1:10:00 > 1:10:03That's right. Condemn a girl because she has to earn her own living.
1:10:03 > 1:10:07Why, she belongs in that place just about as much as I so.
1:10:07 > 1:10:11Fitch, go and tell Helen she'll break her back if she doesn't relax more.
1:10:14 > 1:10:16Got a heavy date tonight, Olmy?
1:10:16 > 1:10:17Well, I...
1:10:17 > 1:10:20You will come with me, won't you, Olmy?
1:10:21 > 1:10:25I always wanted to see a burlesque show.
1:10:27 > 1:10:29Lily come in yet?
1:10:30 > 1:10:32Heard from her?
1:10:35 > 1:10:38- Well?- Same thing.
1:10:38 > 1:10:41Ain't been home since morning. I can't reach Humplewinger either.
1:10:41 > 1:10:43We're going to have to put Gracie on.
1:10:43 > 1:10:45If you put a substitute on, they'll tear the house down.
1:10:45 > 1:10:47They always tear it down anyhow.
1:10:47 > 1:10:48- Yeah.- Yeah.
1:10:48 > 1:10:52- Where the devil you been? - Yeah, where have you been?
1:10:52 > 1:10:55- Why wasn't you at the matinee? - You've got about three minutes.
1:10:55 > 1:10:57Scram, and let a lady dress. Go on, get out.
1:10:57 > 1:10:58Why...
1:11:03 > 1:11:06Anything wrong?
1:11:06 > 1:11:08Not a thing, sweetie pie.
1:11:23 > 1:11:26This is my last performance.
1:11:31 > 1:11:34I said this is my last performance.
1:11:34 > 1:11:37I'm sorry. Did you get a better offer?
1:11:37 > 1:11:39Yes.
1:11:39 > 1:11:41I accepted it, too.
1:11:41 > 1:11:45- I got married this afternoon. - I hope you'll be very happy.
1:11:45 > 1:11:47Where have you been? I've been looking for you.
1:11:47 > 1:11:49What so you mean by busting in here?
1:11:49 > 1:11:51Hey, wait a minute. I got something...
1:11:51 > 1:11:53Come on, get going.
1:11:56 > 1:11:59You mean it wasn't Dwarfie?
1:11:59 > 1:12:01That sucker? Why, no, darling, I married a friend of yours.
1:12:01 > 1:12:05A Mr James Harris, Jr.
1:12:05 > 1:12:10- For the love of heaven, Lily. - OK, OK, one Tiger Lily coming up.
1:12:16 > 1:12:19CHEERING AND APPLAUSE
1:12:23 > 1:12:26# She told me just exactly what to do
1:12:26 > 1:12:30# But didn't tell me how Oh, Mother, Mother...
1:12:30 > 1:12:33STEAM HISSING
1:12:43 > 1:12:47- Step on it, Judy. - Hey, ma, what do I do now?!
1:12:50 > 1:12:51Come on, Judy.
1:12:51 > 1:12:55- We didn't pay to see a tree. - What's the matter back there?
1:12:55 > 1:12:57Give us some action!
1:12:57 > 1:13:04- Hurry up.- You are fired.- You...
1:13:04 > 1:13:07- Get on.- What's the matter, can't you take it?
1:13:07 > 1:13:09- How could you do it to him? - Go on, get out there.
1:13:14 > 1:13:17LAUGHTER
1:13:22 > 1:13:24Trying to steal Tiger Lily's stuff, little girl?
1:13:35 > 1:13:37- Bring Lily back!- We want Lily!
1:13:40 > 1:13:42CATCALLING
1:13:42 > 1:13:43We want Lily back!
1:13:47 > 1:13:50LAUGHTER
1:13:51 > 1:13:53Don't mind us, we can take it.
1:13:57 > 1:13:59Oh, she's going home to mama.
1:14:13 > 1:14:15What are you going to do now, cry?
1:14:24 > 1:14:26Go ahead and stare. I'm not ashamed.
1:14:26 > 1:14:30Go on, laugh, get your money's worth. Nobody's going to hurt you.
1:14:30 > 1:14:32I know you want me to tear my clothes off,
1:14:32 > 1:14:34so you can look your 50 cents' worth.
1:14:34 > 1:14:3750 cents for the privilege of staring at a girl
1:14:37 > 1:14:38the way your wives won't let you.
1:14:38 > 1:14:41What do you suppose we think of you up here?
1:14:41 > 1:14:44With your silly smirks your mothers would be ashamed of.
1:14:44 > 1:14:48It's the thing of the moment for the dress suits to come and laugh at us.
1:14:48 > 1:14:52We'd laugh right back at you, only we're paid to let you sit there
1:14:52 > 1:14:54and roll your eyes and make your screamingly-clever remarks.
1:14:54 > 1:14:55What's it for?
1:14:55 > 1:14:59So you can go home when the show's over and strut before your wives
1:14:59 > 1:15:04and sweethearts and play at being the stronger sex for a minute?
1:15:07 > 1:15:11I'm sure they see through you, just like we do.
1:15:15 > 1:15:17APPLAUSE GROWS
1:15:27 > 1:15:30- Go on back.- You're a sensation. - They want you.- Take another bow.
1:15:35 > 1:15:37Come here. Crabbing my act, you jealous little pig.
1:15:44 > 1:15:45BOOING
1:16:13 > 1:16:16- Come on. Get her quick. - Break it up. Break it up.
1:16:16 > 1:16:21- I'll kill her!- Come on, girls. Break it up. Come on!
1:16:30 > 1:16:33PHONE RINGS
1:16:40 > 1:16:43Hello.
1:16:43 > 1:16:47What are you giving me, brother? I'm not married, I'm divorced.
1:16:47 > 1:16:50But at 4:00 this afternoon, in Richmond, Virginia,
1:16:50 > 1:16:52you and Tiger Lily White...
1:16:52 > 1:16:54You mean, I married her?
1:16:56 > 1:16:59I don't care if she's in a night court or a circus.
1:16:59 > 1:17:01She can take care of herself.
1:17:01 > 1:17:04Look, Mr Harris, she had a fight with your other girl,
1:17:04 > 1:17:06her dancing partner, Judy O'Brien.
1:17:06 > 1:17:07Judy?
1:17:08 > 1:17:11Mr Harris' marriage has nothing to so with me.
1:17:11 > 1:17:14They're in the night court. You want to make a statement?
1:17:14 > 1:17:16I'm not interested. I don't care who's where
1:17:16 > 1:17:18and I'm not making any statements.
1:17:18 > 1:17:20Where in the blazes is the night court?
1:17:20 > 1:17:22Judge, look at my eye, look at my leg.
1:17:22 > 1:17:24Look where she slapped me on the back.
1:17:24 > 1:17:27LAUGHTER
1:17:27 > 1:17:30I must remind the complainant, as well as the spectators,
1:17:30 > 1:17:32that this is a night court, not a burlesque.
1:17:35 > 1:17:37The complaint states that you slapped her.
1:17:37 > 1:17:40Oh, no, Your Honour. I punched her and then jumped on her
1:17:40 > 1:17:44- and tried to strangle her. - You mean, you happened to catch
1:17:44 > 1:17:47your arms around your opponent's neck, in an act of self-defence?
1:17:47 > 1:17:49Oh, no, Your Honour, I wanted to kill her.
1:17:49 > 1:17:52LAUGHTER
1:17:52 > 1:17:54Miss O'Brien, will you please sit up here?
1:18:00 > 1:18:03I must warn you again, Miss O'Brien,
1:18:03 > 1:18:05that whatever you say may be used as evidence against you.
1:18:05 > 1:18:07You want me to tell the truth, don't you?
1:18:08 > 1:18:10Yes, of course.
1:18:13 > 1:18:15Well, let us proceed.
1:18:15 > 1:18:20Now, about this temper of yours. You are Irish, aren't you?
1:18:20 > 1:18:24Well, I have a habit of simmering, Your Honour,
1:18:24 > 1:18:27but I usually keep myself from boiling over.
1:18:27 > 1:18:28LAUGHTER
1:18:28 > 1:18:32Miss O'Brien, you seem to be positively enjoying yourself.
1:18:32 > 1:18:34Have you ever got a load off your mind?
1:18:34 > 1:18:37Everything at once, after you've gone around for weeks holding it in?
1:18:37 > 1:18:40You are the one on trial, Miss O'Brien, not I.
1:18:40 > 1:18:43She's jealous because I'm the whole show.
1:18:43 > 1:18:46She thinks she's a wonderful dancer, but she's just a little stooge.
1:18:46 > 1:18:51- I won't warn you again, Miss. Quiet!- Go on, Miss O'Brien.
1:18:51 > 1:18:53I can't say being a stooge is fun, Your Honour,
1:18:53 > 1:18:56but it was just like practise to me.
1:18:56 > 1:19:00It isn't that I think I'm a great dancer, I know I'm not,
1:19:00 > 1:19:03but dancing means everything to me
1:19:03 > 1:19:07- I've never cared about anything else.- She's lying, Judge!
1:19:07 > 1:19:10She tries to steal my boyfriend and she got sore because he married me.
1:19:10 > 1:19:13LAUGHTER
1:19:13 > 1:19:17- I must ask the complainant to wait her turn.- Just a minute, Your Honour.
1:19:17 > 1:19:19I think I can explain.
1:19:19 > 1:19:25- And who are you? - He's my husband - James Harris, Jr.
1:19:25 > 1:19:27- He'll tell you, Judge. - Let the young man come in.
1:19:27 > 1:19:31Everything's my fault. I feel responsible for all this.
1:19:31 > 1:19:35He had nothing to do with this. He thinks he did and I thought he did.
1:19:35 > 1:19:37Miss O'Brien, are you sure that jealousy
1:19:37 > 1:19:40had nothing to do with your behaviour? After all,
1:19:40 > 1:19:43the complainant is the wife of an admitted friend of yours.
1:19:46 > 1:19:51You see, all of us have been kind of mixed up about each other.
1:19:51 > 1:19:54Lots of times I've been mad at Bubbles, but I shouldn't have been.
1:19:54 > 1:19:58She's just like a kid who can't stand if another kid has one marble,
1:19:58 > 1:20:01even if she has 20.
1:20:01 > 1:20:06And Mr Harris, he was wrong in his feelings for me.
1:20:06 > 1:20:08He was running away from something,
1:20:08 > 1:20:11when the best thing he could've done was run after it and face it
1:20:11 > 1:20:14and struggle with it for the rest of his life, if he had to.
1:20:14 > 1:20:18He was running away from a part of himself.
1:20:18 > 1:20:22You can't separate a man from what really belongs to him.
1:20:23 > 1:20:29I found that out and I'm afraid Bubbles will find it out, too.
1:20:29 > 1:20:33Naturally, it was a little bit hard for me to face tonight,
1:20:33 > 1:20:35but I discovered my mistake,
1:20:35 > 1:20:38but I hadn't quite got around to facing things again and...
1:20:40 > 1:20:48Well, I'm sorry, but I lost my head, that's all, Your Honour.
1:20:50 > 1:20:52There are times when it seems hard
1:20:52 > 1:20:55to punish human nature for just being human.
1:20:57 > 1:20:59However...
1:20:59 > 1:21:03- are you ready for the sentence, Miss O'Brien?- Yes, Your Honour.
1:21:10 > 1:21:14I know, in spirit, you will both bear Miss O'Brien's punishment with her,
1:21:14 > 1:21:17knowing yourselves equally to blame.
1:21:17 > 1:21:22Miss O'Brien, in view of your own admission,
1:21:22 > 1:21:24I find you guilty of disorderly conduct.
1:21:25 > 1:21:28Ten days or 50.
1:21:28 > 1:21:30- I'll pay the fine. - I'll take the ten days.
1:21:30 > 1:21:34- Please. Where do I pay? - I won't accept it.- You've got to.
1:21:34 > 1:21:36The young lady seems to mean it.
1:21:41 > 1:21:42Judy?
1:21:45 > 1:21:47It's all right, Bubbles.
1:21:47 > 1:21:50You'd better put some raw meat on your eye.
1:21:58 > 1:22:02Abraham Lincoln Johnson, Martha Washington Johnson.
1:22:02 > 1:22:05Abraham Lincoln Johnson, Martha Washington Johnson.
1:22:17 > 1:22:20It looks like our marriage was a mistake.
1:22:20 > 1:22:24Well, you may be right, but desertion's rather expensive.
1:22:24 > 1:22:28Oh, I have an excellent lawyer for annulments.
1:22:28 > 1:22:31With two in the family, he might even make us a wholesale price.
1:22:31 > 1:22:34- Put your arms around both of them. - In a little closer, Mrs Harris.
1:22:34 > 1:22:36And you, too, Mrs Harris.
1:22:39 > 1:22:43Just call it, "Tiger Lily throws playboy back to mate...
1:22:45 > 1:22:47"..for 50,000."
1:22:53 > 1:22:56- Third door on your left.- Thank you.
1:22:56 > 1:22:58Miss O'Brien, go right in.
1:23:04 > 1:23:07Oh, come in, my dear. He's expecting you.
1:23:14 > 1:23:17It's all right, go on in.
1:23:25 > 1:23:27You're not Mr Adams.
1:23:27 > 1:23:30Not really. Are you?
1:23:30 > 1:23:34Yes, I'm awfully sorry. I'd have bailed you out last night,
1:23:34 > 1:23:37but the judge and I decided you weren't in a mood to accept favours.
1:23:37 > 1:23:40- I'm still in no mood. - Now, listen to me, you silly child.
1:23:42 > 1:23:44I've encountered your temperament before.
1:23:44 > 1:23:47There are times when it's distinctly out of place,
1:23:47 > 1:23:49not to say downright idiotic.
1:23:50 > 1:23:52You've had your own way long enough.
1:23:52 > 1:23:54From now on, you're going to listen to me.
1:23:57 > 1:23:59- Pardon me.- I couldn't stop him.
1:23:59 > 1:24:02Fitch, in this corner, we have Battling Judy O'Brien,
1:24:02 > 1:24:03my latest discovery.
1:24:03 > 1:24:07She was born with more than any dancer we've got. And she knows less.
1:24:07 > 1:24:09It's our job to teach her what we know.
1:24:09 > 1:24:12Glad to have met you, Miss O'Brien.
1:24:14 > 1:24:17I hear you pack a mighty fine wallop.
1:24:17 > 1:24:20HE CHUCKLES
1:24:28 > 1:24:30SHE SOBS
1:24:33 > 1:24:37Excuse me, but when I think of everything,
1:24:37 > 1:24:39of how simple things could have been, I...
1:24:41 > 1:24:43..I've just got to laugh!
1:24:47 > 1:24:49Go ahead and laugh, Judy O'Brien.