0:03:25 > 0:03:27I will die.
0:03:53 > 0:03:55St John?
0:03:56 > 0:03:57I found her at the door. at the door.
0:03:57 > 0:03:58She's white as death.
0:04:01 > 0:04:03Hannah, some of that hot milk.
0:04:03 > 0:04:06St John, we would have stumbled upon her corpse in the morning.
0:04:06 > 0:04:09And she would have haunted us for turning her away.
0:04:09 > 0:04:11She's no vagrant. I'm sure of it.
0:04:12 > 0:04:13There's milk for you.
0:04:15 > 0:04:16Here.
0:04:18 > 0:04:19Ask her her name.
0:04:19 > 0:04:21What's your name?
0:04:21 > 0:04:23'Jane Eyre.'
0:04:24 > 0:04:26Tell us how we may help you.
0:04:26 > 0:04:27Your name?
0:04:31 > 0:04:33'Where are you?'
0:04:36 > 0:04:38Must hide.
0:04:42 > 0:04:44St John, we must get her warm.
0:04:44 > 0:04:46Let us take her upstairs.
0:04:46 > 0:04:48Will she die?
0:04:50 > 0:04:51Where are you, rat?
0:05:03 > 0:05:04I know you're here.
0:05:09 > 0:05:12If you crawl out and say, "Forgive me, Master Reed,"
0:05:12 > 0:05:13I might consider it.
0:05:20 > 0:05:22- Mama.- John.
0:05:39 > 0:05:40There you are.
0:05:41 > 0:05:43That book belongs to me, rat.
0:05:43 > 0:05:45It belongs to my Uncle Reed.
0:05:58 > 0:06:01Spoilt, miserable brat!
0:06:03 > 0:06:05- Mama!- For shame!
0:06:08 > 0:06:11Mama!
0:06:11 > 0:06:13You wretched imp.
0:06:13 > 0:06:14She attacked me.
0:06:14 > 0:06:17- I hate you, John Reed! I hate you! - Hilary, take her! Take her!
0:06:18 > 0:06:20Lock her in the red room.
0:06:20 > 0:06:21No!
0:06:23 > 0:06:27Please, please! No, it's haunted. Please It's haunted! No!
0:06:28 > 0:06:30Please! Please!
0:06:30 > 0:06:32If you don't sit still, you will be tied down.
0:06:32 > 0:06:34What we do is for your own good.
0:06:34 > 0:06:35Pray for forgiveness, Miss Eyre,
0:06:35 > 0:06:39or something bad will come down that chimney and fetch you away.
0:06:44 > 0:06:47Let me out, please! Have mercy, Aunt Reed! Please!
0:07:01 > 0:07:03WIND HOWLS
0:07:09 > 0:07:11SHE SCREAMS
0:07:30 > 0:07:34Do you know, Jane Eyre, where the wicked go after death?
0:07:35 > 0:07:37They go to hell.
0:07:37 > 0:07:39And what is hell?
0:07:41 > 0:07:43A pit full of fire.
0:07:43 > 0:07:45Should you like to fall into this pit
0:07:45 > 0:07:47and be burned there for ever?
0:07:47 > 0:07:49No, sir.
0:07:49 > 0:07:51How might you avoid it?
0:07:51 > 0:07:54I must keep in good health and not die.
0:07:55 > 0:07:57What is her parentage?
0:07:58 > 0:08:00She's an orphan.
0:08:01 > 0:08:04Her mother was my husband's sister.
0:08:04 > 0:08:06On his deathbed he exhorted me to care for her.
0:08:08 > 0:08:11I have always treated her as one of my own.
0:08:11 > 0:08:14If you accept her at Lowood School, Mr Brocklehurst...
0:08:16 > 0:08:17..keep a strict eye on her.
0:08:19 > 0:08:21She has a heart of spite...
0:08:24 > 0:08:27..and I'm sorry to say that her worst fault is that of deceit.
0:08:27 > 0:08:30You can rest assured
0:08:30 > 0:08:33that we shall root out the wickedness
0:08:33 > 0:08:36in this small, ungrateful plant.
0:08:36 > 0:08:41And as for its vacations, it must spend them all at Lowood.
0:08:43 > 0:08:45SHE RINGS BELL
0:08:54 > 0:08:55You may leave.
0:09:00 > 0:09:03You said I was a liar. I'm not.
0:09:05 > 0:09:07If I were, I should say I loved you, and I don't.
0:09:09 > 0:09:10I dislike you worse than anybody in the world.
0:09:12 > 0:09:17People think you are good but you're bad and hard-hearted.
0:09:17 > 0:09:18I'll let everyone know what you have done.
0:09:19 > 0:09:22Children must be corrected for their faults.
0:09:22 > 0:09:24Deceit is not my fault.
0:09:24 > 0:09:25But you are passionate.
0:09:25 > 0:09:29My Uncle Reed is in heaven, so are my mother and father.
0:09:29 > 0:09:31They know how you hate me and wish me dead. They can see.
0:09:31 > 0:09:34They see everything you do and they will judge you, Mrs Reed
0:09:36 > 0:09:37Get out.
0:10:30 > 0:10:33Next. Show me your hands.
0:10:33 > 0:10:34Stop there.
0:10:42 > 0:10:43Very grand.
0:10:46 > 0:10:47Next.
0:10:55 > 0:10:56Step out of your fine dress.
0:10:59 > 0:11:00Stay there.
0:11:03 > 0:11:04Show me your hands.
0:11:14 > 0:11:16My name is Jane Elliott.
0:11:17 > 0:11:20Who can we send for to help you?
0:11:20 > 0:11:21No-one.
0:11:22 > 0:11:24I mustn't ever be found.
0:11:35 > 0:11:37Join me to Thyself with an inseparable band of love.
0:11:39 > 0:11:42For Thou, even Thou alone, dost satisfy him that loveth Thee.
0:11:44 > 0:11:48And without Thee, all things are vain and empty.
0:11:49 > 0:11:51Amen.
0:11:51 > 0:11:52Amen.
0:12:03 > 0:12:05It's wonderful to see you up, Miss Elliott.
0:12:05 > 0:12:07Last week we thought we'd be escorting your remains
0:12:07 > 0:12:09to an unmarked grave.
0:12:09 > 0:12:11She read The Bride of Lindorf
0:12:11 > 0:12:15and suddenly it's all woebegone maidens and dramatic deaths.
0:12:15 > 0:12:17I'm sorry to have caused so much trouble.
0:12:17 > 0:12:18Nonsense.
0:12:18 > 0:12:19You're the most exciting thing that's happened here
0:12:19 > 0:12:21since St John's sermon on the fall of Babylon.
0:12:28 > 0:12:31I hope I'll not be eating long at your expense, Mr Rivers.
0:12:31 > 0:12:33Then tell me where to place you.
0:12:33 > 0:12:35Show me where to seek work, that is all I ask.
0:12:35 > 0:12:37You're not fit enough to work. Is she, Di?
0:12:37 > 0:12:39No. Stay with us.
0:12:39 > 0:12:41You return to your posts at the end of the month.
0:12:41 > 0:12:43What must Miss Elliott do then?
0:12:49 > 0:12:50I'll endeavour to help you...
0:12:52 > 0:12:53..if that's what you wish.
0:12:54 > 0:12:56With all my heart, sir.
0:13:02 > 0:13:04This school you were at, Miss Elliott,
0:13:04 > 0:13:07this charitable institution.
0:13:07 > 0:13:09What did it prepare you for?
0:13:09 > 0:13:10WHIPPING
0:13:10 > 0:13:13Was it a thorough education?
0:13:15 > 0:13:16Most thorough.
0:13:19 > 0:13:20A little wit...
0:13:20 > 0:13:22A little wit...
0:13:22 > 0:13:24- ..will serve... - ..will serve...
0:13:24 > 0:13:27- ..a fortunate man. - ..a fortunate man.
0:13:27 > 0:13:29Again. A little wit...
0:13:29 > 0:13:31A little wit...
0:13:31 > 0:13:33- ..will serve... - ..will serve...
0:13:33 > 0:13:40- ..a fortunate man. - ..a fortunate man.
0:13:40 > 0:13:42Burns!
0:13:42 > 0:13:44I will not have you before me in that attitude.
0:13:51 > 0:13:52All rise.
0:13:54 > 0:13:58I see you are mortifying this girl's flesh.
0:13:58 > 0:13:59Sir, she was not...
0:13:59 > 0:14:02It is your mission to render her contrite and self-denying.
0:14:02 > 0:14:04Continue.
0:14:18 > 0:14:20The new girl.
0:14:25 > 0:14:27This is the pedestal of infamy,
0:14:27 > 0:14:30and you will remain upon it all day long.
0:14:30 > 0:14:33You will have neither food nor drink,
0:14:33 > 0:14:37for you must learn how barren is the life of a sinner.
0:14:38 > 0:14:43Children, I exhort you to shun her, exclude her,
0:14:43 > 0:14:45shut her out from this day forth.
0:14:46 > 0:14:48Withhold the hand of friendship
0:14:48 > 0:14:53and deny your love to Jane Eyre,
0:14:53 > 0:14:54the liar.
0:15:29 > 0:15:31How do you bear being struck?
0:15:32 > 0:15:34Miss Scatcherd hits me to improve me.
0:15:35 > 0:15:37She's tormented by my faults.
0:15:37 > 0:15:39If she hit me, I'd get that birch and break it under her nose.
0:15:39 > 0:15:41She'd find another soon enough.
0:15:43 > 0:15:45My father used to preach that life's too short
0:15:45 > 0:15:47to spend in nursing animosity.
0:15:51 > 0:15:55At my aunt's house, I was solitary and despised.
0:15:57 > 0:15:59She thought I could do without one bit of love or kindness.
0:16:01 > 0:16:02You are loved.
0:16:05 > 0:16:07There's an invisible world all around you...
0:16:09 > 0:16:12.a kingdom of spirits commissioned to guard you, Jane.
0:16:14 > 0:16:16Do you not see them?
0:16:23 > 0:16:24Jane?
0:16:27 > 0:16:28Have you something for me to do?
0:16:28 > 0:16:30You're doing something already.
0:16:31 > 0:16:32May I see?
0:16:41 > 0:16:42These are wonderful.
0:16:46 > 0:16:48St John.
0:16:48 > 0:16:50No, Mary, please...
0:16:50 > 0:16:52See how skilled Jane is.
0:16:57 > 0:17:00Is this how you perceive me, Miss Elliott?
0:17:05 > 0:17:08Well. How fierce I am.
0:17:14 > 0:17:15Jane.
0:17:16 > 0:17:19You're freezing. Your little feet are bare.
0:17:22 > 0:17:24Come into bed and cover yourself.
0:17:29 > 0:17:31SHE COUGHS
0:17:35 > 0:17:36How are you?
0:17:38 > 0:17:39I'm happy, Jane.
0:17:41 > 0:17:42I'm going home.
0:17:44 > 0:17:45Back to your father?
0:17:48 > 0:17:49I'm going to God.
0:17:53 > 0:17:55Don't be sad.
0:17:55 > 0:17:57You have a passion for living, Jane.
0:17:59 > 0:18:02And one day you'll come to the region of bliss.
0:18:10 > 0:18:11Don't leave me.
0:18:13 > 0:18:14I like to have you near.
0:18:17 > 0:18:18I will not leave you.
0:18:23 > 0:18:25No-one shall take me from you.
0:18:57 > 0:18:58Helen!
0:19:01 > 0:19:02Helen!
0:19:24 > 0:19:28Mr Rivers? I wondered if you had yet heard of any work I could do.
0:19:29 > 0:19:31I found you a situation some time ago,
0:19:31 > 0:19:35but I've delayed telling you because the work is lowly and I fear you'll scorn it.
0:19:35 > 0:19:37I shan't mind what I do.
0:19:40 > 0:19:43When I took over the parish two years ago it had no school.
0:19:44 > 0:19:47I opened one for boys. I now intend to open one for girls.
0:19:49 > 0:19:51The schoolmistress will have a cottage paid for by benefactors
0:19:51 > 0:19:53and she'll receive £15 a year.
0:19:54 > 0:19:58You can see how humble, how ignoble it is.
0:19:58 > 0:19:59Mr Rivers, thank you.
0:19:59 > 0:20:01I accept.
0:20:02 > 0:20:03With all my heart.
0:20:03 > 0:20:04But you comprehend me?
0:20:06 > 0:20:08'Tis a village school - cottagers' daughters.
0:20:09 > 0:20:12What will you do with all your fine accomplishments?
0:20:12 > 0:20:15I will save them till they're wanted. They will keep.
0:20:47 > 0:20:48'Jane.'
0:20:57 > 0:20:59You will be quite alone here.
0:20:59 > 0:21:00I'm not afraid of solitude.
0:21:02 > 0:21:04This is my first home where I am neither dependent
0:21:04 > 0:21:05nor subordinate to anyone.
0:21:06 > 0:21:08Thank you, Mr St John.
0:21:11 > 0:21:15It is small and plain, as I told you.
0:21:15 > 0:21:18Then it'll suit me very well.
0:21:32 > 0:21:36'Safe journey, Miss Eyre. Godspeed.'
0:21:36 > 0:21:37Goodbye, Miss Eyre.
0:21:37 > 0:21:39- Safe journey. - Thank you.
0:21:39 > 0:21:42Bye, Miss Eyre.
0:21:42 > 0:21:43Girls!
0:21:53 > 0:21:54Goodbye.
0:22:01 > 0:22:03Thornfield, Miss.
0:22:39 > 0:22:40Wait here, Miss
0:23:05 > 0:23:07How do you do, my dear?
0:23:07 > 0:23:09- Are you Mrs Fairfax?- Indeed I am.
0:23:13 > 0:23:16What a tedious journey you must have had.
0:23:16 > 0:23:18Your hands must be frozen. Here.
0:23:24 > 0:23:26Goodness. How young you are.
0:23:26 > 0:23:28I'm quite experienced, I can assure you.
0:23:28 > 0:23:31Of course you are. I'm sure we're very lucky to have you.
0:23:31 > 0:23:34Leah, would you ask Martha to bring a little hot port
0:23:34 > 0:23:35and cut a sandwich or two?
0:23:35 > 0:23:37Draw nearer the fire.
0:23:37 > 0:23:40John is taking your trunk up to your room.
0:23:44 > 0:23:46I've put you at the back of the house, I hope you don't mind.
0:23:46 > 0:23:48The rooms at the front have much finer furniture,
0:23:48 > 0:23:51but they're so gloomy and solitary, I think.
0:23:53 > 0:23:54I'm glad you're come.
0:23:55 > 0:23:58To be sure, this is a grand old house,
0:23:58 > 0:24:03but I must confess that in winter one can feel a little dreary and alone.
0:24:03 > 0:24:07Leah's a very nice girl, and John and Martha are good people, too,
0:24:07 > 0:24:10but...they are servants.
0:24:10 > 0:24:13One cannot talk to them on terms of equality.
0:24:16 > 0:24:18Am I meeting Miss Fairfax tonight?
0:24:18 > 0:24:20Who?
0:24:20 > 0:24:22Miss Fairfax, my pupil?
0:24:22 > 0:24:24Oh, you mean Miss Varens, Mr Rochester's ward.
0:24:24 > 0:24:26She's to be your pupil.
0:24:26 > 0:24:29Who's Mr Rochester?
0:24:29 > 0:24:33Why, the owner of Thornfield. Mr Edward Fairfax Rochester.
0:24:34 > 0:24:36I thought Thornfield Hall belonged to you.
0:24:36 > 0:24:40Bless you, child, what an idea. Me?
0:24:40 > 0:24:41I'm only the housekeeper.
0:24:41 > 0:24:43Forgive me.
0:24:43 > 0:24:46There is a distant connection between Mr Rochester and me -
0:24:46 > 0:24:49his mother was a Fairfax, but I'd never presume on it.
0:24:49 > 0:24:52Heavens. Me, owner of Thornfield?
0:24:52 > 0:24:55We shall have a cheerful house this winter.
0:24:55 > 0:24:57With Miss Varens here and with you,
0:24:57 > 0:24:59we'll have quite a merry time of it.
0:24:59 > 0:25:03I'm sure that last winter, and what a severe one it was, if it didn't rain, it snowed,
0:25:03 > 0:25:05if it didn't snow, it blew.
0:25:05 > 0:25:10I declare, not one soul came to the house from November to February.
0:25:10 > 0:25:14When spring finally came, I thought it a great relief I hadn't gone distracted.
0:25:17 > 0:25:21I've had Martha lay a fire. I hope you'll be comfortable.
0:26:00 > 0:26:02Now, get that lot turned over before frost comes down.
0:26:02 > 0:26:04Do you want the upper bit doing as well?
0:26:04 > 0:26:05Yes.
0:26:12 > 0:26:15We must open the window in the study today to let in some air.
0:26:18 > 0:26:21I've never seen such an ancient old house
0:26:21 > 0:26:23How beautifully you've preserved it.
0:26:23 > 0:26:26Well, Mr Rochester's visits are always unexpected.
0:26:26 > 0:26:29He doesn't like to arrive and find everything all swathed up,
0:26:29 > 0:26:31so I keep it in constant readiness.
0:26:31 > 0:26:35Now, come and meet Miss Varens.
0:26:38 > 0:26:40Did I mention she's French?
0:26:40 > 0:26:41THEY SPEAKS FRENCH
0:26:49 > 0:26:52Will you ask her about her parents?
0:26:52 > 0:26:54Mr Rochester neglected to tell me anything about her.
0:27:04 > 0:27:06Her mother has passed away.
0:27:23 > 0:27:25Adele is going to show us her accomplishments.
0:27:25 > 0:27:27Oh!
0:27:30 > 0:27:33SHE SINGS IN FRENCH
0:28:07 > 0:28:09How very French.
0:28:11 > 0:28:12Very good. Very good.
0:28:17 > 0:28:20Now, we're going to make a press. Shut the book up.
0:28:21 > 0:28:23Butterfly.
0:28:23 > 0:28:25And what was it before it was a butterfly?
0:28:25 > 0:28:28Caterpillar.
0:28:28 > 0:28:31"I shall leave and walk into town."
0:28:31 > 0:28:33"Do not go," begged her maid.
0:28:33 > 0:28:35"The Gytrash roams these hills."
0:28:38 > 0:28:42A spirit of the North that lies in wait for travellers.
0:28:42 > 0:28:44It tenants the carcasses of beasts,
0:28:44 > 0:28:48possesses horses, wolves, great dogs.
0:28:48 > 0:28:50You know it only by its eyes,
0:28:50 > 0:28:52which burn as red as coals,
0:28:52 > 0:28:53and if one should chance upon you...
0:28:57 > 0:29:00Nothing. A mere story
0:29:32 > 0:29:33What nonsense.
0:29:49 > 0:29:51Whatever brings you up here?
0:29:51 > 0:29:53I've been waiting to pour our tea.
0:29:53 > 0:29:55I'm not in need of tea, thank you.
0:29:59 > 0:30:01It's a quiet life, isn't it?
0:30:03 > 0:30:08This isolated house, a still doom for a young woman.
0:30:12 > 0:30:15I wish a woman could have action in her life, like a man.
0:30:17 > 0:30:21It agitates me to pain that the skyline over there is ever our limit.
0:30:22 > 0:30:26I long sometimes for a power of vision that would overpass it
0:30:26 > 0:30:28If I could behold all I imagine...
0:30:29 > 0:30:32I've never seen a city
0:30:32 > 0:30:33I've never spoken with men
0:30:33 > 0:30:35And I fear my whole life will pass.
0:30:40 > 0:30:43Now, exercise and fresh air -
0:30:43 > 0:30:46great cures for anything, they say.
0:30:46 > 0:30:49I have some letters to post. Will you take them?
0:31:11 > 0:31:14BIRD CALLS
0:31:39 > 0:31:42HORSE WHINNEYS
0:31:45 > 0:31:48Up! Up, you cursed beast! Up!
0:31:52 > 0:31:54- Stand back. - Are you injured, sir?
0:31:54 > 0:31:56May I be of some help?
0:31:56 > 0:31:58Where did you come from?
0:31:58 > 0:32:01Just below, at Thornfield Hall. I am the governess.
0:32:03 > 0:32:07I'm on my way to post a letter. Can I fetch someone to help?
0:32:07 > 0:32:08The governess.
0:32:10 > 0:32:11You may help me yourself.
0:32:11 > 0:32:14Get hold of his bridle and lead him to me.
0:32:18 > 0:32:20If you would be so kind.
0:32:25 > 0:32:27HORSE WHINNEYS
0:32:30 > 0:32:32It would be easier to bring me to the horse. Come here.
0:32:36 > 0:32:39I must beg of you to please come here, Miss Governess.
0:32:54 > 0:32:55Hold it.
0:33:04 > 0:33:06Make haste with your letter,
0:33:06 > 0:33:08for who knows what might lurk in these dark woods.
0:33:26 > 0:33:29Leah, go and light the fire in the master's bedroom.
0:33:29 > 0:33:31- And tell Martha to prepare for tea. - Yes, ma'am.
0:33:33 > 0:33:35Mr Rochester's here.
0:33:35 > 0:33:37Go and change your frock. He wishes to meet you.
0:33:37 > 0:33:39- Leah, take her cloak. - I have to change?
0:33:39 > 0:33:42I always dress for the evening when Mr Rochester's here.
0:33:42 > 0:33:44But all my dresses are the same.
0:33:44 > 0:33:46You must have one that's better.
0:33:46 > 0:33:48He's in a terrible humour.
0:33:48 > 0:33:52His horse fell in Hay Lane, and his ankle is sprained
0:33:52 > 0:33:54He's at the doctor this half hour. Where have you been?
0:34:23 > 0:34:24Let her sit.
0:34:39 > 0:34:42I've examined Adele and I find you've taken great pains with her.
0:34:42 > 0:34:45She's not bright, she has no talents,
0:34:45 > 0:34:47yet in a short time she's improved.
0:34:48 > 0:34:50Thank you, Mr Rochester.
0:34:50 > 0:34:51You've been resident here three months?
0:34:51 > 0:34:53Yes, sir.
0:34:53 > 0:34:56And from whence do you hail?
0:34:56 > 0:34:57What's your tale of woe?
0:34:59 > 0:35:00Pardon?
0:35:00 > 0:35:04All governesses have a tale of woe. What's yours?
0:35:04 > 0:35:07I was brought up by my aunt, Mrs Reed of Gateshead,
0:35:07 > 0:35:09in a house even finer than this.
0:35:09 > 0:35:11I then attended Lowood School, where I received
0:35:11 > 0:35:14as good an education as I could hope for.
0:35:14 > 0:35:16I have no tale of woe, sir.
0:35:16 > 0:35:17Where are your parents?
0:35:17 > 0:35:18Dead.
0:35:18 > 0:35:20- Do you remember them?- No.
0:35:22 > 0:35:25And why are you not with Mrs Reed of Gateshead now?
0:35:26 > 0:35:28She cast me off, sir
0:35:29 > 0:35:31Why?
0:35:31 > 0:35:33Because I was burdensome and she disliked me.
0:35:34 > 0:35:36No tale of woe?
0:35:40 > 0:35:42I daily thank providence for sending us Miss Eyre.
0:35:43 > 0:35:45She's an invaluable...
0:35:45 > 0:35:48Don't trouble yourself to give her a character. I'll judge for myself.
0:35:49 > 0:35:51I have her to thank for this sprain.
0:35:51 > 0:35:53Sir?
0:35:54 > 0:35:56You bewitched my horse.
0:35:56 > 0:35:57I did not.
0:35:57 > 0:36:00Were you waiting for your people on that lane?
0:36:00 > 0:36:01I have no people, sir
0:36:01 > 0:36:05I mean for the imps and elves and little green men.
0:36:07 > 0:36:09The sad truth is, they are all gone.
0:36:09 > 0:36:12Your land is neither wild nor savage enough for them.
0:36:19 > 0:36:20Adele brought me these. Are they yours?
0:36:20 > 0:36:22Yes, sir.
0:36:22 > 0:36:24Where did you get your copies?
0:36:24 > 0:36:26Out of my head.
0:36:26 > 0:36:29That head I now see on your shoulders?
0:36:29 > 0:36:30Yes, sir.
0:36:33 > 0:36:34Who's this?
0:36:37 > 0:36:38The evening star.
0:36:40 > 0:36:43- Were you happy when you painted these?- Yes.
0:36:43 > 0:36:46To paint is one of the keenest pleasures I have ever known.
0:36:46 > 0:36:48Then your pleasures have been few.
0:36:49 > 0:36:51Are you satisfied with them?
0:36:51 > 0:36:55Far from it. I imagine things I'm powerless to execute.
0:36:55 > 0:36:57You've secured the shadow of your thoughts.
0:36:59 > 0:37:01Yet the drawings are, for a schoolgirl, peculiar.
0:37:15 > 0:37:16Good night.
0:37:19 > 0:37:20Come, Adele.
0:37:28 > 0:37:29Most merciful Father,
0:37:29 > 0:37:32we give Thee humble thanks for this, Thy special bounty.
0:37:33 > 0:37:35Amen.
0:37:35 > 0:37:36Amen. Amen.
0:37:51 > 0:37:53Sit nicely, please, Adele.
0:37:56 > 0:37:57BANGING
0:38:02 > 0:38:04Pilot, come here!
0:38:05 > 0:38:08SHOTS FIRED
0:38:12 > 0:38:14Go on, further down!
0:38:15 > 0:38:17By the river!
0:38:17 > 0:38:19He's very abrupt and changeful.
0:38:22 > 0:38:24What manner of man is he?
0:38:24 > 0:38:26He's a good master.
0:38:26 > 0:38:29He's fine company, too, when he...
0:38:29 > 0:38:31SHOTS FIRED
0:38:31 > 0:38:34Except when he's in an ill humour.
0:38:34 > 0:38:35Adele.
0:38:46 > 0:38:48I hate to reload.
0:39:16 > 0:39:18On three. One, two, three.
0:39:20 > 0:39:21Ready?
0:39:23 > 0:39:24Oh!
0:39:26 > 0:39:28Think that's it, sir. Take it down to the river.
0:39:33 > 0:39:35Come on.
0:39:35 > 0:39:37HE PLAYS PIANO NOTES
0:39:49 > 0:39:51Keep it.
0:40:09 > 0:40:11Take it away and disembowel it.
0:40:16 > 0:40:18- Beautiful.- Miss Eyre.
0:40:26 > 0:40:28I'm not fond of children.
0:40:28 > 0:40:31Nor do I particularly enjoy simple-minded old ladies.
0:40:32 > 0:40:34But you might suit me, if you would.
0:40:35 > 0:40:37How, sir?
0:40:37 > 0:40:39By distracting me from the mire of my thoughts.
0:40:45 > 0:40:47That is how Maman used to say.
0:40:47 > 0:40:49Precisely.
0:40:49 > 0:40:51And that's how she charmed my English gold
0:40:51 > 0:40:53out of my English pocket.
0:40:55 > 0:40:57Let's go and try it on, shall we?
0:41:08 > 0:41:10Your gaze is very direct, Miss Eyre.
0:41:12 > 0:41:15Do you think me handsome?
0:41:15 > 0:41:16No, sir.
0:41:17 > 0:41:19What fault do you find with me?
0:41:19 > 0:41:21I have all my limbs and features.
0:41:21 > 0:41:23I beg your pardon, sir.
0:41:23 > 0:41:26I ought to have replied that beauty is of little consequence.
0:41:32 > 0:41:34You're blushing, Miss Eyre.
0:41:35 > 0:41:38And though you're not pretty any more than I am handsome,
0:41:38 > 0:41:40I must say it becomes you.
0:41:45 > 0:41:48And now I see you're fascinated by the flowers on the rug
0:41:51 > 0:41:53Come, speak to me.
0:41:53 > 0:41:56Fact is, Miss Eyre, I'd like to draw you out.
0:41:56 > 0:41:59You have rather the look of another world about you.
0:42:03 > 0:42:07I don't wish to treat you as inferior.
0:42:07 > 0:42:09Yet you'd command me to speak?
0:42:09 > 0:42:11Are you very hurt by my tone of command?
0:42:11 > 0:42:13There are few masters who'd trouble to enquire
0:42:13 > 0:42:16whether their paid subordinates were hurt by their commands.
0:42:16 > 0:42:19Paid subordinate? I'd forgotten the salary.
0:42:21 > 0:42:22Well, on that mercenary ground,
0:42:22 > 0:42:24will you consent to speak as my equal
0:42:24 > 0:42:28without thinking that the request arises from insolence?
0:42:28 > 0:42:30I'd never mistake informality for insolence, sir.
0:42:30 > 0:42:35One, I rather like. The other, nothing freeborn should ever submit to.
0:42:35 > 0:42:37Humbug.
0:42:37 > 0:42:38Even for a salary.
0:42:38 > 0:42:41Most free-born things would submit to anything for a salary.
0:42:44 > 0:42:46But I mentally shake hands with you for your answer.
0:42:48 > 0:42:50Not three in 3,000 schoolgirl governesses
0:42:50 > 0:42:52would have answered me as you've just done.
0:42:52 > 0:42:55Then you've not spent much time in our company, sir.
0:42:55 > 0:42:58I'm the same plain kind of bird as all the rest,
0:42:58 > 0:42:59with my common tale of woe.
0:43:03 > 0:43:04I envy you.
0:43:07 > 0:43:08How?
0:43:08 > 0:43:10Your openness, your unpolluted mind.
0:43:12 > 0:43:15When I was your age, fate dealt me a blow.
0:43:17 > 0:43:19And since happiness is denied me,
0:43:19 > 0:43:21I've a right to get pleasure in its stead.
0:43:21 > 0:43:23And I will get it, cost what it may.
0:43:25 > 0:43:28Then you'll degenerate still more.
0:43:28 > 0:43:29But, Miss Eyre...
0:43:32 > 0:43:35..if the pleasure I was seeking was sweet and fresh...
0:43:38 > 0:43:42..if it was an inspiration if it wore the robes of an angel of light...
0:43:43 > 0:43:45..what then?
0:43:49 > 0:43:51To speak truth, sir, I don't understand you at all.
0:43:53 > 0:43:55I fear the conversation has got out of my depth.
0:43:57 > 0:43:59You're afraid of me.
0:43:59 > 0:44:03I'm not afraid. I've simply no wish to talk nonsense.
0:44:11 > 0:44:13Do you never laugh, Miss Eyre?
0:44:16 > 0:44:17Only rarely, perhaps.
0:44:18 > 0:44:23But you're not naturally austere, any more than I'm naturally vicious.
0:44:23 > 0:44:26I can see in you the glance of a curious sort of bird
0:44:26 > 0:44:28through the close-set bars of a cage,
0:44:28 > 0:44:31a vivid, restless captive.
0:44:34 > 0:44:39Were it but free, it would soar, cloud-high.
0:45:05 > 0:45:08- Leah, have you seen Mrs Poole? - Yes, ma'am.
0:45:08 > 0:45:10The master's in no mood for any more mistakes.
0:45:39 > 0:45:41Who's there?
0:46:14 > 0:46:19Wake up, sir! Wake up! Sir! Wake up!
0:46:35 > 0:46:37The quilt! Give it here!
0:47:07 > 0:47:09A noise aroused me from my sleep.
0:47:10 > 0:47:12What noise?
0:47:12 > 0:47:14There was someone at my door.
0:47:18 > 0:47:19Stay here.
0:47:25 > 0:47:27Don't make a sound.
0:48:07 > 0:48:11Say nothing about this. You're no talking fool.
0:48:11 > 0:48:13- But...- I'll account for this state of affairs.
0:48:13 > 0:48:14Say nothing.
0:48:16 > 0:48:17Yes, sir.
0:48:20 > 0:48:21Is that how you would leave me?
0:48:23 > 0:48:27Jane, fire is a horrible death. You've saved my life.
0:48:28 > 0:48:30Don't walk past me as if we were strangers.
0:48:31 > 0:48:33But what am I to do, then?
0:48:49 > 0:48:50I've a pleasure in owing you my life.
0:48:55 > 0:48:56There is no debt.
0:48:59 > 0:49:01I knew you would do me good in some way.
0:49:03 > 0:49:05I saw it in your eyes when I first beheld you.
0:49:07 > 0:49:11Their expression did not strike my very inmost being so for nothing.
0:49:14 > 0:49:18People talk of natural sympathies. You...
0:49:22 > 0:49:25Good night, then, sir
0:49:25 > 0:49:26You will leave me, then?
0:49:28 > 0:49:30I am cold.
0:49:33 > 0:49:34Go.
0:50:17 > 0:50:19Has Mr Rochester not sent for us today?
0:50:19 > 0:50:21Why, he's gone away
0:50:21 > 0:50:23Were you not aware? He left after breakfast.
0:50:25 > 0:50:29He's gone to the Leas. It's Mr Eshton's place.
0:50:30 > 0:50:32I believe Blanche Ingram is there.
0:50:32 > 0:50:34She's a great favourite of his.
0:50:35 > 0:50:39I saw her two years ago when Mr Rochester gave a party here.
0:50:39 > 0:50:41She's a most elegant girl.
0:50:41 > 0:50:45They sang a duet together. They made a lovely harmony.
0:50:47 > 0:50:49I was quite surprised he didn't make a proposal,
0:50:49 > 0:50:50but she has no fortune.
0:50:50 > 0:50:53In every other way, they'd make a splendid match.
0:50:53 > 0:50:55Perhaps it's his intention now.
0:50:59 > 0:51:01He's far more likely to have gone off to Europe.
0:51:01 > 0:51:03He often goes without so much as a fare-you-well
0:51:03 > 0:51:06and I don't see him for a year.
0:51:06 > 0:51:07I collected the burnt linen from the master's room.
0:51:07 > 0:51:09That's fine. Just go make up the bed.
0:51:22 > 0:51:24England is a great power, Adele.
0:51:25 > 0:51:29British ships set sail from here to the outer limits of our empire,
0:51:29 > 0:51:32navigating the five oceans and four corners of our world.
0:51:33 > 0:51:37From Canada, here, all the way to the south of Africa
0:51:37 > 0:51:40and the Cape of Good Hope.
0:51:40 > 0:51:43Across the Indian Ocean, to Australia and New Zealand,
0:51:43 > 0:51:47and on to Burma, China, India and Malaya.
0:51:53 > 0:51:54Nothing.
0:51:55 > 0:51:58On these distant horizons, you will find all manner of men.
0:52:38 > 0:52:39KNOCKING AT DOOR
0:52:40 > 0:52:42He's coming back tomorrow.
0:52:43 > 0:52:46He's given me directions to prepare all the rooms.
0:52:46 > 0:52:49I'm to get more staff from the George Inn.
0:52:49 > 0:52:50Miss Ingram's coming.
0:52:52 > 0:52:54Supplies to be got, the linen, mattresses...
0:52:55 > 0:52:59I'll go to the George now. No, no, I'll tell Martha...
0:52:59 > 0:53:01May I assist you, Mrs Fairfax?
0:53:01 > 0:53:03Oh.
0:53:41 > 0:53:43South-facing rooms for Lady Ingram and Miss Ingram.
0:53:43 > 0:53:46Colonel Dent and Mrs Dent must have the river view.
0:53:46 > 0:53:48I reckon master's taken a fancy to that Miss Ingram.
0:53:48 > 0:53:50He may well have asked her already
0:53:50 > 0:53:52I'll wager he will by end of week.
0:53:52 > 0:53:53You mark my words.
0:53:55 > 0:53:57Adele.
0:54:00 > 0:54:02SHE SPEAKS FRENCH
0:54:05 > 0:54:07What's she saying?
0:54:07 > 0:54:09Mr Rochester is here.
0:54:09 > 0:54:10Everybody out.
0:54:18 > 0:54:20Edward.
0:54:20 > 0:54:21Allow me, Miss Ingram.
0:54:25 > 0:54:28I'd forgotten how masculine Thornfield is.
0:54:31 > 0:54:34I think you need more flowers. I have the fairest of all on my arm.
0:54:36 > 0:54:38Come away, Adele
0:54:38 > 0:54:41Tonight, he wants both of you in the drawing room after dinner.
0:54:41 > 0:54:43Not me, surely.
0:54:43 > 0:54:45I'm instructed to tell you, if you resist,
0:54:45 > 0:54:47he'll come up and get you himself.
0:54:49 > 0:54:51But I don't have a dress.
0:54:51 > 0:54:53Don't worry, child, who'll notice?
0:54:55 > 0:54:56Mademoiselle!
0:55:00 > 0:55:02I thought you were not fond of children, Mr Rochester.
0:55:02 > 0:55:04Nor am I, Lady Ingram.
0:55:04 > 0:55:06What induced you to take charge of her?
0:55:06 > 0:55:08She was left on my hands.
0:55:08 > 0:55:10Why don't you send her to school?
0:55:10 > 0:55:12She has a governess.
0:55:12 > 0:55:15Poor child. I had about half a dozen in my day,
0:55:15 > 0:55:17all detestable incubi.
0:55:17 > 0:55:18It's true.
0:55:20 > 0:55:22Mr Rochester, beware the governess
0:55:22 > 0:55:23Mama thinks they're generally hysterics.
0:55:23 > 0:55:25Or degenerates.
0:55:25 > 0:55:28I thank heaven I have done with them.
0:55:28 > 0:55:30It's a miracle I survived my education.
0:55:30 > 0:55:34I remember Miss Wilson screaming, "You villainous child!"
0:55:34 > 0:55:35That's right. She tried to set her hair on fire
0:55:35 > 0:55:37Frequently, I might add.
0:55:42 > 0:55:44Anyway, enough of this dreary race.
0:55:44 > 0:55:48We shall have music and a new subject.
0:55:48 > 0:55:51Signor Eduardo, what shall it be?
0:55:51 > 0:55:52I give you beauty.
0:55:52 > 0:55:54There's nothing new to be said.
0:55:54 > 0:55:56I give you back male beauty.
0:55:56 > 0:55:58Well, that's my son.
0:55:58 > 0:56:00Hear, hear.
0:56:00 > 0:56:02A man should pay no heed to his looks.
0:56:02 > 0:56:06He should possess only strength and valour.
0:56:06 > 0:56:08Gentleman or highwayman,
0:56:08 > 0:56:11his beauty lies in his power.
0:56:11 > 0:56:13Then a pirate would do for you?
0:56:17 > 0:56:20SHE SINGS
0:56:43 > 0:56:45Why did you leave the room?
0:56:49 > 0:56:51I am tired, sir.
0:56:52 > 0:56:53Why didn't you come and speak to me?
0:56:53 > 0:56:55I haven't seen you for weeks.
0:56:55 > 0:56:59It would have been normal and polite to wish me good evening.
0:57:00 > 0:57:02You seemed engaged.
0:57:04 > 0:57:05You look pale.
0:57:06 > 0:57:08I am well.
0:57:09 > 0:57:11What have you been doing while I've been away?
0:57:11 > 0:57:13Teaching Adele.
0:57:16 > 0:57:18You're depressed.
0:57:18 > 0:57:19What's the meaning of this?
0:57:19 > 0:57:22Your eyes are full...
0:57:22 > 0:57:23What is it?
0:57:23 > 0:57:25There's a gentleman to see you, sir.
0:57:26 > 0:57:30From Spanish Town, Jamaica.
0:57:30 > 0:57:32And indeed I think he does come from some hot place,
0:57:32 > 0:57:34because he won't take off his coat.
0:57:34 > 0:57:36Mr Richard Mason
0:57:36 > 0:57:38I've put him in the morning room.
0:57:39 > 0:57:41Have I done wrong?
0:57:43 > 0:57:44Bring him to my study.
0:57:53 > 0:57:55Jane, this is a blow.
0:57:57 > 0:58:00If I were to go to those people
0:58:00 > 0:58:01and they looked at me coldly and sneered,
0:58:01 > 0:58:03and then left me one by one,
0:58:03 > 0:58:06what would you do? Would you go with them?
0:58:06 > 0:58:07No, sir. I'd stay with you.
0:58:11 > 0:58:13You'd dare condemnation for my sake?
0:58:14 > 0:58:17For the sake of any friend who deserved it.
0:58:22 > 0:58:23Richard.
0:58:25 > 0:58:26Fairfax.
0:58:28 > 0:58:30How the devil are you?
0:58:30 > 0:58:31Splendid.
0:58:33 > 0:58:36I'm sorry. I see you have guests.
0:58:36 > 0:58:38'Tis no trouble. Come.
0:58:53 > 0:58:55BANGING
0:58:57 > 0:58:58What on Earth was that?
0:58:58 > 0:59:01- Where is Rochester? - Wait for me.
0:59:01 > 0:59:06I'm here. Be composed A servant has had a nightmare, that's all.
0:59:06 > 0:59:08I must see you back into your rooms
0:59:08 > 0:59:10because until the house is settled,
0:59:10 > 0:59:11she can't be properly looked after.
0:59:11 > 0:59:13Is there anything I might do?
0:59:14 > 0:59:17Miss Ingram, ladies, please,
0:59:17 > 0:59:20return to your nests like the doves that you are.
0:59:20 > 0:59:21I assure you all is well.
0:59:21 > 0:59:23Noisy old house.
0:59:23 > 0:59:26Come, my lily flower. I told you it was nothing.
0:59:30 > 0:59:31Please.
0:59:37 > 0:59:38Come with me.
0:59:58 > 1:00:00Can you clean this?
1:00:08 > 1:00:09Yes.
1:00:10 > 1:00:13Drink, Richard. It will give you the strength you lack.
1:00:13 > 1:00:15- Will it hurt me? - Drink!
1:00:15 > 1:00:16I must go for the doctor.
1:00:16 > 1:00:18Sponge the blood away when it returns.
1:00:18 > 1:00:20Give him water if he wants it.
1:00:20 > 1:00:23Do not speak to him for any reason.
1:00:23 > 1:00:26And, Richard, on pain of death, do not speak to her.
1:00:36 > 1:00:39WIND HOWLS
1:00:45 > 1:00:48CREAKING
1:00:58 > 1:01:00BANGING
1:01:47 > 1:01:48BANGING
1:02:02 > 1:02:04FOOTSTEPS
1:02:10 > 1:02:12How does he?
1:02:12 > 1:02:13He is sleeping.
1:02:15 > 1:02:17Hurry, Carter. Be on alert.
1:02:17 > 1:02:19The sun will soon rise and he must be gone.
1:02:19 > 1:02:21Let's have a look, shall we?
1:02:21 > 1:02:24Flesh is torn as well as cut.
1:02:24 > 1:02:25Very, very unpleasant
1:02:34 > 1:02:36- Fairfax.- Drive!
1:02:55 > 1:02:56It's a strange night you've passed.
1:02:57 > 1:03:00Yes, sir.
1:03:00 > 1:03:01You showed no fear.
1:03:03 > 1:03:04I was afraid of the inner room.
1:03:06 > 1:03:07You were in no danger.
1:03:07 > 1:03:09Mr Rochester, who did that violence?
1:03:09 > 1:03:10I cannot tell you.
1:03:12 > 1:03:14Why do you protect them?
1:03:16 > 1:03:18I drag through life a capital error.
1:03:19 > 1:03:21Its consequence blights my existence.
1:03:21 > 1:03:24For years, I've sought to escape it.
1:03:25 > 1:03:30This spring, I came home heart-sore and soul-withered.
1:03:30 > 1:03:33And I met a gentle stranger whose society revives me.
1:03:34 > 1:03:37With her, I feel I could live again
1:03:37 > 1:03:38in a higher, purer way.
1:03:40 > 1:03:41Tell me -
1:03:41 > 1:03:45am I justified in overleaping an obstacle of custom to attain her?
1:03:48 > 1:03:50There is an obstacle?
1:03:50 > 1:03:53A mere conventional impediment.
1:03:53 > 1:03:55But what can it be?
1:03:55 > 1:03:57If you cherish an affection, sir,
1:03:57 > 1:03:59then fortune alone cannot impede you
1:04:00 > 1:04:02Yes.
1:04:02 > 1:04:04And if the lady is of noble stock,
1:04:04 > 1:04:06and has indicated that she may reciprocate...
1:04:09 > 1:04:11Jane, of whom do you think I speak?
1:04:12 > 1:04:14Of Miss Ingram
1:04:16 > 1:04:21I'm asking what Jane Eyre would do to secure my happiness.
1:04:21 > 1:04:23I would do anything for you, sir.
1:04:23 > 1:04:25Anything that was right.
1:04:27 > 1:04:29You transfix me quite.
1:04:33 > 1:04:37I feel I can speak to you now of my lovely one
1:04:37 > 1:04:40for you've met her and you know her.
1:04:41 > 1:04:43She's a rare one, isn't she?
1:04:43 > 1:04:48Fresh and healthy, without soil or taint.
1:04:52 > 1:04:55I'm sure she'll regenerate me with a vengeance.
1:06:13 > 1:06:14You look ridiculous.
1:06:14 > 1:06:16This game is ridiculous.
1:06:23 > 1:06:24Excuse me, sir
1:06:31 > 1:06:34Does that creeping creature want you?
1:06:34 > 1:06:35Excuse me.
1:06:45 > 1:06:48This is from my old nurse, Bessie.
1:06:48 > 1:06:50She says my cousin John Reed is dead.
1:06:50 > 1:06:52He squandered his fortune and has committed suicide.
1:06:53 > 1:06:55The news has so shocked my aunt
1:06:55 > 1:06:56it's brought on a stroke.
1:06:56 > 1:06:59What, the aunt who cast you out?
1:07:01 > 1:07:03She's been asking for me.
1:07:03 > 1:07:07I parted from her badly and I can't neglect her wishes now.
1:07:13 > 1:07:16Promise me you won't stay long.
1:07:19 > 1:07:22Mr Rochester, I've had no wages.
1:07:22 > 1:07:23I need funds for my journey.
1:07:25 > 1:07:27How much do I owe you?
1:07:27 > 1:07:2930 pounds.
1:07:41 > 1:07:43Here's 50.
1:07:43 > 1:07:44That's too much.
1:07:44 > 1:07:46Take your wages, Jane
1:07:46 > 1:07:47I cannot.
1:07:49 > 1:07:51Then I only have 10.
1:07:57 > 1:07:59Now you owe me.
1:07:59 > 1:08:01Indeed I do.
1:08:01 > 1:08:05Meantime, I shall safeguard it here.
1:08:07 > 1:08:09Do you trust me to keep it?
1:08:11 > 1:08:13Not a whit, sir.
1:08:13 > 1:08:15You are not to be trusted at all.
1:08:36 > 1:08:37Jane Eyre.
1:08:40 > 1:08:41I've twice done you wrong.
1:08:45 > 1:08:48And I broke the vow I made to Reed.
1:08:48 > 1:08:50Please, don't think of it.
1:08:52 > 1:08:53Open that box.
1:09:00 > 1:09:03Take out the letter and read it.
1:09:08 > 1:09:10"Madam,
1:09:10 > 1:09:12"will you have the goodness to send me
1:09:12 > 1:09:15"the address of my niece, Jane Eyre?
1:09:15 > 1:09:18"I desire her to come to me at Madeira.
1:09:18 > 1:09:20"Fortune has blessed my endeavours,
1:09:20 > 1:09:22"and as I am childless, I wish to adopt her
1:09:22 > 1:09:27"and bequeath her at my death whatever I may have to leave
1:09:27 > 1:09:29"Yours, John Eyre, Madeira."
1:09:32 > 1:09:36This is dated three years ago. Why did I never hear of it?
1:09:39 > 1:09:41Because I wrote and told him
1:09:41 > 1:09:43you'd died of typhus at Lowood School.
1:09:48 > 1:09:51You called the names of the dead down upon me.
1:09:53 > 1:09:54You cursed me.
1:09:57 > 1:09:59I would have loved you if you'd let me.
1:10:02 > 1:10:05You were born to be my torment.
1:10:13 > 1:10:16Then love me or hate me as you will.
1:10:16 > 1:10:18You have my full and free forgiveness.
1:10:21 > 1:10:23Be at peace.
1:10:33 > 1:10:35'My dear uncle,
1:10:35 > 1:10:38'some years ago, my Aunt Reed mistakenly informed you that I had died.
1:10:40 > 1:10:42'I am writing to tell you that I'm very much alive
1:10:42 > 1:10:45'and gratified to find I have a relative.
1:10:45 > 1:10:47'I look forward to our correspondence,
1:10:47 > 1:10:49'hoping one day we may meet.
1:10:49 > 1:10:51'I'm currently living at Thornfield Hall,
1:10:51 > 1:10:55'where I am governess to the ward of Mr Edward Fairfax Rochester.'
1:11:01 > 1:11:02Ah. There you are.
1:11:04 > 1:11:06Just like one of your tricks,
1:11:06 > 1:11:08to steal in along with the twilight.
1:11:10 > 1:11:13If I dared I'd touch you to see if you were real.
1:11:15 > 1:11:16Come, Jane
1:11:16 > 1:11:19Stay your wandering feet at a friend's threshold.
1:11:25 > 1:11:28Thank you, Mr Rochester, for your great kindness.
1:11:28 > 1:11:30I'm strangely glad to get back again.
1:11:39 > 1:11:41There's been nothing official yet,
1:11:41 > 1:11:44but he's ordered jewels from his bank
1:11:44 > 1:11:46and he's making preparations to travel to Europe.
1:11:46 > 1:11:49FAINT VOICES
1:11:57 > 1:11:58Mademoiselle.
1:12:01 > 1:12:03He's taken to singing,
1:12:03 > 1:12:06the operas Miss Ingram favours so well.
1:12:06 > 1:12:09We'll hear their announcement soon, I'm sure.
1:12:37 > 1:12:38You are to be married.
1:12:40 > 1:12:43I see Mrs Fairfax has intimated my intention
1:12:43 > 1:12:46to put my neck into the sacred noose.
1:12:46 > 1:12:47Adele should go to school,
1:12:47 > 1:12:49and I must seek another situation.
1:12:54 > 1:12:55Congratulations, sir
1:13:18 > 1:13:21Thornfield is a pleasant place in spring, isn't it?
1:13:21 > 1:13:23Yes, sir.
1:13:23 > 1:13:26You'll be sorry to part with it.
1:13:26 > 1:13:28It's always the way with events in life.
1:13:28 > 1:13:29No sooner have you got settled
1:13:29 > 1:13:31than a voice cries, "Rise and move on!"
1:13:33 > 1:13:35I'll find you a new situation, Jane,
1:13:35 > 1:13:37one I hope that you'll accept.
1:13:37 > 1:13:41I shall be ready when your order to march comes.
1:13:41 > 1:13:45Must I really lose a faithful paid subordinate such as yourself?
1:13:45 > 1:13:46You must.
1:13:48 > 1:13:51We've been good friends haven't we?
1:13:51 > 1:13:52Yes, sir.
1:13:56 > 1:13:59I've a strange feeling with regard to you,
1:13:59 > 1:14:03as if I had a string somewhere under my left ribs,
1:14:03 > 1:14:06tightly knotted to a similar string in you.
1:14:06 > 1:14:08And if you were to leave
1:14:08 > 1:14:10I'm afraid that cord of communion would snap.
1:14:13 > 1:14:16And I've a notion that I'd take to bleeding inwardly.
1:14:19 > 1:14:21As for you, you'd forget me.
1:14:24 > 1:14:26How?
1:14:26 > 1:14:28I have lived a full life here.
1:14:28 > 1:14:30I have not been trampled on.
1:14:30 > 1:14:32I have not been petrified.
1:14:32 > 1:14:35I have not been excluded from every glimpse of what is bright
1:14:35 > 1:14:38I have known you, Mr Rochester,
1:14:38 > 1:14:42and it strikes me with anguish to be torn from you.
1:14:42 > 1:14:43Then why must you leave?
1:14:43 > 1:14:46- Because of your wife. - I have no wife.
1:14:46 > 1:14:47But you are to be married.
1:14:47 > 1:14:49Jane, you must stay.
1:14:51 > 1:14:53And become nothing to you?
1:14:53 > 1:14:56Am I a machine without feelings?
1:14:56 > 1:15:00Do you think that because I am poor, obscure, plain and little
1:15:00 > 1:15:03that I am soulless and heartless?
1:15:03 > 1:15:06I have as much soul as you and full as much heart.
1:15:06 > 1:15:08And if God had blessed me with beauty and wealth,
1:15:08 > 1:15:10I could make it as hard for you to leave me
1:15:10 > 1:15:13as it is for I to leave you.
1:15:13 > 1:15:16I'm not speaking to you through mortal flesh.
1:15:16 > 1:15:18It is my spirit that addresses your spirit
1:15:18 > 1:15:22as if we'd passed through the grave and stood at God's feet, equal,
1:15:22 > 1:15:23- as we are.- As we are.
1:15:27 > 1:15:29I am a free human being with an independent will,
1:15:29 > 1:15:31which I now exert to leave you.
1:15:31 > 1:15:33Then let your will decide your destiny.
1:15:33 > 1:15:37I offer you my hand, my heart.
1:15:37 > 1:15:38Jane,
1:15:38 > 1:15:41I ask you to pass through life at my side.
1:15:41 > 1:15:44You are my equal and my likeness.
1:15:45 > 1:15:46Will you marry me?
1:15:49 > 1:15:50Are you mocking me?
1:15:50 > 1:15:52Do you doubt me?
1:15:52 > 1:15:54Entirely.
1:15:54 > 1:15:55Your bride is Miss Ingram.
1:15:55 > 1:15:57Miss Ingram?
1:15:57 > 1:15:59She is the machine without feelings.
1:15:59 > 1:16:02It's you. You rare unearthly thing
1:16:02 > 1:16:04Poor and obscure as you are
1:16:04 > 1:16:07please accept me as your husband.
1:16:07 > 1:16:09I must have you for my own.
1:16:11 > 1:16:12You wish me to be your wife?
1:16:12 > 1:16:14I swear it.
1:16:14 > 1:16:16You love me?
1:16:16 > 1:16:17I do.
1:16:22 > 1:16:24Then, sir, I will marry you
1:16:40 > 1:16:45THUNDER RUMBLES
1:17:21 > 1:17:24Good night. Good night, my love.
1:17:24 > 1:17:25Good night.
1:17:36 > 1:17:38Am I a monster?
1:17:38 > 1:17:41Is it so impossible that Mr Rochester should love me?
1:17:41 > 1:17:43No.
1:17:43 > 1:17:46I've long noticed you were a sort of pet of his.
1:17:46 > 1:17:50But you're so young and you're so little acquainted with men.
1:17:52 > 1:17:55I don't want to grieve you, child
1:17:55 > 1:17:57but let me just put you on your guard.
1:17:57 > 1:18:00Gentlemen in his position...
1:18:00 > 1:18:02Well, let's just say
1:18:02 > 1:18:05they're not accustomed to marry their governesses.
1:18:06 > 1:18:11Until you are wed, distrust yourself as well as him.
1:18:11 > 1:18:12Please,
1:18:12 > 1:18:15keep him at a distance.
1:18:22 > 1:18:24Come.
1:18:41 > 1:18:42What is it?
1:18:45 > 1:18:48Jane Eyre with nothing to say?
1:18:48 > 1:18:50Everything seems unreal.
1:18:51 > 1:18:53I am real enough.
1:18:55 > 1:18:58You, sir, are most phantom-like of all.
1:20:00 > 1:20:02ADELE SPEAKS FRENCH
1:20:26 > 1:20:28I will be Jane Eyre no longer.
1:20:50 > 1:20:52Edward!
1:20:54 > 1:20:55Move it!
1:20:57 > 1:20:59Have the carriage loaded and ready within the hour.
1:21:02 > 1:21:03Take courage, Jane.
1:21:03 > 1:21:05I will.
1:21:07 > 1:21:08Come on.
1:21:31 > 1:21:33I require and charge you both,
1:21:33 > 1:21:36as you will answer at the dreadful Day of Judgment,
1:21:36 > 1:21:39when the secrets of all hearts shall be revealed
1:21:39 > 1:21:41that if either of you do know of any impediment
1:21:41 > 1:21:44why you may not be joined together lawfully,
1:21:44 > 1:21:46You do now confess it.
1:21:50 > 1:21:53Edward Fairfax Rochester.
1:21:53 > 1:21:54The marriage cannot go on
1:21:56 > 1:21:58An insurmountable impediment exists.
1:21:58 > 1:22:00Proceed.
1:22:00 > 1:22:01"I affirm and can prove..."
1:22:01 > 1:22:03Proceed!
1:22:03 > 1:22:05"..that Edward Fairfax Rochester was,
1:22:05 > 1:22:08"15 years ago, married to my sister,
1:22:08 > 1:22:11"Bertha Antoinetta Mason, at St James' Church,
1:22:11 > 1:22:12"Spanish Town, Jamaica.
1:22:12 > 1:22:16"A copy of the register is now in my possession
1:22:16 > 1:22:18"Signed, Richard Mason."
1:22:18 > 1:22:20She lives at Thornfield Hall.
1:22:33 > 1:22:35This girl knew nothing of this.
1:22:37 > 1:22:39She thought all was fair and legal.
1:22:39 > 1:22:41She never dreamt she was being entrapped
1:22:41 > 1:22:44into a feigned union with a defrauded wretch.
1:22:48 > 1:22:50Come, Jane.
1:22:50 > 1:22:53Come, all of you. Meet my wife.
1:22:54 > 1:22:55Get back!
1:22:55 > 1:22:58Go, all of you. Go!
1:22:58 > 1:23:00You're 15 years too late.
1:23:03 > 1:23:06- Mrs Poole. - You ought to give warning, sir
1:23:19 > 1:23:21This is Bertha Antoinetta Mason.
1:23:21 > 1:23:23My wife.
1:23:23 > 1:23:26'Antoinetta. It's I, Richard.
1:23:27 > 1:23:31'She has her quiet times and her rages.
1:23:32 > 1:23:36'The windows are shuttered lest she throw herself out.
1:23:36 > 1:23:39'We have no furniture, as she can make a weapon out of anything.
1:23:39 > 1:23:43'I take her for a turn upon the roof each day, securely held,
1:23:43 > 1:23:46'as she's taken to thinking she can fly.'
1:23:51 > 1:23:53My own demon.
1:24:03 > 1:24:05SHE YELLS
1:24:05 > 1:24:08SHE WAILS
1:25:06 > 1:25:08Jane.
1:25:11 > 1:25:14Forgive me. I'm worthless. How could I?
1:25:17 > 1:25:18Jane.
1:25:21 > 1:25:23No tears.
1:25:23 > 1:25:25Why don't you cry?
1:25:25 > 1:25:28Why not scream at me? I deserve a hail of fire.
1:25:30 > 1:25:32- I need some water.- Of course.
1:25:35 > 1:25:36Jane.
1:26:32 > 1:26:34How are you now?
1:26:34 > 1:26:36I will be well again soon.
1:26:47 > 1:26:49I know you. You're thinking.
1:26:49 > 1:26:51Talking is of no use, you're thinking how to act.
1:26:54 > 1:26:57All is changed, sir. I must leave you.
1:26:58 > 1:27:01No. No.
1:27:01 > 1:27:03Jane, do you love me?
1:27:10 > 1:27:12Then the essential things are the same.
1:27:14 > 1:27:15Be my wife.
1:27:16 > 1:27:17You have a wife.
1:27:18 > 1:27:21I pledge you my honour, my fidelity.
1:27:21 > 1:27:24- You cannot.- My love, until death do us part.
1:27:24 > 1:27:27What of truth?
1:27:27 > 1:27:28I would have told you the truth.
1:27:28 > 1:27:30You are deceitful, sir!
1:27:35 > 1:27:36I was wrong to deceive you.
1:27:36 > 1:27:39I see that now. It was cowardly.
1:27:41 > 1:27:43I should have appealed to your spirit as I do now.
1:27:45 > 1:27:48Bertha Antoinetta Mason.
1:27:48 > 1:27:50She was wanted by my father for her fortune.
1:27:51 > 1:27:54I hardly spoke with her before the wedding.
1:27:57 > 1:27:59I lived with her for four years.
1:27:59 > 1:28:03Her temper ripened, her vices sprang up,
1:28:03 > 1:28:05violent and unchaste.
1:28:05 > 1:28:08Only cruelty would check her, and I'd not use cruelty.
1:28:09 > 1:28:11I was chained to her for life, Jane.
1:28:12 > 1:28:14Not even the law could free me.
1:28:16 > 1:28:18Have you ever set foot in a madhouse, Jane?
1:28:18 > 1:28:19No, sir.
1:28:19 > 1:28:23The inmates are caged and baited like beasts.
1:28:25 > 1:28:27I spared her that at least.
1:28:29 > 1:28:30Jane.
1:28:30 > 1:28:32I earnestly pity you, sir
1:28:32 > 1:28:33No.
1:28:38 > 1:28:41Who would you offend by living with me?
1:28:41 > 1:28:44- Who would care?- I would.
1:28:45 > 1:28:49You'd rather drive me to madness than break some mere human law?
1:28:52 > 1:28:54I must respect myself.
1:28:55 > 1:28:56Listen to me.
1:28:58 > 1:28:59Listen.
1:29:09 > 1:29:13I could bend you with my finger and my thumb,
1:29:13 > 1:29:15a mere reed you feel in my hands.
1:29:24 > 1:29:27But whatever I do with this cage,
1:29:27 > 1:29:30I cannot get at you.
1:29:30 > 1:29:32And it is your soul that I want.
1:29:36 > 1:29:39Why don't you come of your own free will?
1:29:40 > 1:29:42God help me!
1:30:42 > 1:30:44Jane! JANE!
1:30:47 > 1:30:50JANE!
1:32:01 > 1:32:03I asked how you were.
1:32:05 > 1:32:07I'm getting on very well.
1:32:08 > 1:32:10Do you find the work too hard?
1:32:10 > 1:32:13Not at all
1:32:13 > 1:32:15Is the solitude an oppression?
1:32:15 > 1:32:17I hardly have time to notice it.
1:32:17 > 1:32:18Thank you, girls.
1:32:18 > 1:32:19Yes, ma'am.
1:32:23 > 1:32:25Then perhaps you are dwelling on things past.
1:32:27 > 1:32:29When I came to your door I had nothing.
1:32:30 > 1:32:33Now I have a home and work, free and honest.
1:32:33 > 1:32:36I thank God for the generosity of my friends.
1:32:39 > 1:32:42What you had left before I met you, I don't know.
1:32:42 > 1:32:47But I counsel you to resist firmly every temptation to look back.
1:32:47 > 1:32:49That's what I intend to do.
1:32:49 > 1:32:53A year ago, I was myself intensely miserable.
1:32:53 > 1:32:56I scorned this weakness,
1:32:56 > 1:32:58fought hard against it and won.
1:33:04 > 1:33:07I wonder if we do not share the same alloy.
1:33:07 > 1:33:10You are ambitious, I think.
1:33:10 > 1:33:13And this little school will not hold you for long.
1:33:20 > 1:33:22- Is this yours?- Yes.
1:33:24 > 1:33:27What's the matter?
1:33:27 > 1:33:28Nothing.
1:33:30 > 1:33:32Good night.
1:33:52 > 1:33:54BANGING
1:33:56 > 1:33:58BANGING CONTINUES
1:34:12 > 1:34:14Jane.
1:34:28 > 1:34:30Miss Eyre.
1:34:36 > 1:34:39What brings you from your hearth on a night like this?
1:34:39 > 1:34:40There is no bad news, I hope.
1:34:40 > 1:34:43How easily alarmed you are, Miss Eyre.
1:34:45 > 1:34:47Please, won't you sit down?
1:34:47 > 1:34:49Thank you, Miss Eyre.
1:34:54 > 1:34:58I saw an advertisement in The Times from a solicitor named Briggs
1:34:58 > 1:35:00inquiring of a Jane Eyre.
1:35:01 > 1:35:03I knew a Jane Elliott.
1:35:04 > 1:35:07This paper resolved my suspicion into certainty.
1:35:10 > 1:35:12And so, I wrote to him.
1:35:12 > 1:35:14He told the story of a young governess.
1:35:16 > 1:35:18And her employer, a Mr Fairfax Rochester.
1:35:18 > 1:35:19Mr Rivers.
1:35:23 > 1:35:24I can guess your feelings, but please hear me.
1:35:28 > 1:35:31As you know so much, perhaps you'll tell me how he is?
1:35:31 > 1:35:33- Who?- Mr Rochester.
1:35:33 > 1:35:35I'm ignorant of all concerning him.
1:35:36 > 1:35:38But he has been seeking me?
1:35:38 > 1:35:42No, he hasn't.
1:35:42 > 1:35:44Mr Briggs has.
1:35:45 > 1:35:47And what does he want with me?
1:35:47 > 1:35:50Merely to tell you that your uncle,
1:35:50 > 1:35:53Mr John Eyre of Madeira, is dead,
1:35:53 > 1:35:56that he has left you all his property
1:35:56 > 1:35:57and that you are now rich.
1:35:59 > 1:36:01What?
1:36:01 > 1:36:03You are rich,
1:36:03 > 1:36:04quite an heiress.
1:36:07 > 1:36:10Will you ask how much you are worth?
1:36:10 > 1:36:12How much am I worth?
1:36:12 > 1:36:1420,000 pounds.
1:36:14 > 1:36:17HE LAUGHS
1:36:17 > 1:36:18If you had committed a murder
1:36:18 > 1:36:21and I'd found you out, you could scarcely look more aghast.
1:36:21 > 1:36:23There must be some mistake.
1:36:23 > 1:36:25Not at all.
1:36:27 > 1:36:30You look desperately miserable about it, I must say
1:36:32 > 1:36:37Please, sit down. I've shocked you.
1:36:58 > 1:37:00Mr St John.
1:37:00 > 1:37:02The debt I owe to you and your sisters...
1:37:02 > 1:37:03Is nothing.
1:37:05 > 1:37:06You saved my life.
1:37:10 > 1:37:12Please write to them.
1:37:12 > 1:37:14This money frees us.
1:37:14 > 1:37:15They will have 5,000 each
1:37:15 > 1:37:16and so will you, if you'll take it.
1:37:16 > 1:37:17Certainly not.
1:37:17 > 1:37:19And if you would accept me as a sister,
1:37:19 > 1:37:20perhaps we could live together,
1:37:20 > 1:37:21at Moor House.
1:37:21 > 1:37:23I told you the news too quickly.
1:37:23 > 1:37:25You're confused.
1:37:25 > 1:37:27My only relative is dead.
1:37:27 > 1:37:29You have family.
1:37:29 > 1:37:31You cannot know what isolation means.
1:37:31 > 1:37:33And you cannot know what it means to be wealthy.
1:37:33 > 1:37:36I have been alone always
1:37:36 > 1:37:38I've never had a brother or sisters.
1:37:38 > 1:37:39Please, let me be yours.
1:37:45 > 1:37:48Are you reluctant to have me?
1:37:48 > 1:37:50No, Miss Eyre.
1:37:50 > 1:37:52On the contrary.
1:37:52 > 1:37:55I shall write to my sisters, as you request.
1:37:55 > 1:37:56Brother.
1:38:03 > 1:38:06'We are bid to work while it is day.
1:38:07 > 1:38:10'For night cometh, when no man shall work.
1:38:12 > 1:38:14'Help us to choose the harder path,'
1:38:14 > 1:38:17for as our master is long-suffering,
1:38:17 > 1:38:20so must we be.
1:38:22 > 1:38:25- Amen.- Amen.- Amen.
1:38:29 > 1:38:34- Good night.- Good night.
1:38:35 > 1:38:37Good night.
1:38:38 > 1:38:40Is Jane not our sister, too?
1:38:49 > 1:38:51Good night.
1:39:00 > 1:39:02Jane.
1:39:09 > 1:39:10I go to India in six weeks.
1:39:13 > 1:39:15I can see what your gifts are
1:39:15 > 1:39:16and why they were given.
1:39:17 > 1:39:21God intended you for a missionary's wife.
1:39:23 > 1:39:25I want to claim you.
1:39:26 > 1:39:28I'm not fit for it.
1:39:30 > 1:39:32I trust you unreservedly.
1:39:33 > 1:39:36And know this -
1:39:36 > 1:39:40in you, I recognise a fellow soul.
1:40:47 > 1:40:48I'll go with you to India.
1:40:49 > 1:40:52- Jane.- I'll go if I may go free.
1:40:53 > 1:40:54Free?
1:40:56 > 1:40:59How can I take out to India a girl of 19 unless she is my wife?
1:40:59 > 1:41:02I love you as a brother. As a husband, no.
1:41:02 > 1:41:05My heart is mute.
1:41:06 > 1:41:08Then I must speak for it.
1:41:08 > 1:41:10You've said you'll come.
1:41:10 > 1:41:12We shall marry.
1:41:12 > 1:41:14And undoubtedly enough of love would follow.
1:41:18 > 1:41:19Enough of love?
1:41:21 > 1:41:22Yes, quite enough.
1:41:22 > 1:41:24Of love?
1:41:24 > 1:41:27Yes. In all its forms.
1:41:27 > 1:41:29Forgive me, but the very name of love
1:41:29 > 1:41:32is an apple of discord between us.
1:41:32 > 1:41:35My dear brother, abandon your scheme of marriage.
1:41:35 > 1:41:37Why this refusal?
1:41:37 > 1:41:39It makes no sense.
1:41:39 > 1:41:41I earnestly wish to be your friend.
1:41:41 > 1:41:43You can't give half a sacrifice.
1:41:45 > 1:41:46You must give all.
1:41:46 > 1:41:48To marry you would kill me!
1:41:48 > 1:41:50Kill you?
1:41:51 > 1:41:52Kill you?
1:41:54 > 1:41:57Those words are unfeminine and untrue.
1:42:00 > 1:42:04I know where your heart turns and to what it still clings.
1:42:06 > 1:42:07Say his name.
1:42:11 > 1:42:12Say it. Say it!
1:42:13 > 1:42:15'Jane.'
1:42:15 > 1:42:18Why have you not yet crushed this lawless passion?
1:42:21 > 1:42:22Jane!
1:42:23 > 1:42:25It offends me and it offends God!
1:42:25 > 1:42:26What is it?
1:42:27 > 1:42:29Where are you?
1:42:31 > 1:42:32Wait for me.
1:42:32 > 1:42:34Why do you speak to the air?
1:42:36 > 1:42:38Jane.
1:42:38 > 1:42:39'Jane.'
1:42:41 > 1:42:43- I am coming.- Jane!
1:43:17 > 1:43:19Wait, please, Miss.
1:44:57 > 1:44:58Jane Eyre.
1:45:00 > 1:45:02I thought gypsies were come.
1:45:03 > 1:45:06And then I saw you and I thought it cannot be -
1:45:06 > 1:45:07you are a ghost.
1:45:10 > 1:45:12No-one knows how it started.
1:45:13 > 1:45:17I expect that Mrs Poole took too much of the gin and water
1:45:17 > 1:45:19and, as she slept, the lady,
1:45:19 > 1:45:22Mrs Rochester, unhooked the keys.
1:45:23 > 1:45:25She did what she failed to do a year ago -
1:45:25 > 1:45:27set the whole place to fire.
1:45:29 > 1:45:31We would have all perished in the smoke,
1:45:31 > 1:45:36but Mr Rochester would not rest till we were all safe.
1:45:36 > 1:45:38Then he went in for her.
1:45:39 > 1:45:41The flames were tearing up so high,
1:45:41 > 1:45:44it brought men running from the village.
1:45:44 > 1:45:46I saw her standing on the roof.
1:45:46 > 1:45:47The very edge.
1:45:47 > 1:45:50I heard Mr Rochester beg her to come down.
1:45:52 > 1:45:53But she jumped.
1:45:55 > 1:45:56Mr Rochester remained,
1:45:56 > 1:46:00as if he would not move until the fire consumed him.
1:46:02 > 1:46:03I didn't know.
1:46:05 > 1:46:07I didn't know it was his wife, I promise you.
1:46:08 > 1:46:10Why did you run away, child?
1:46:11 > 1:46:14I would have helped you.
1:46:14 > 1:46:16I had some money saved.
1:46:16 > 1:46:18You could have come to me.
1:46:22 > 1:46:23Where is he?
1:47:04 > 1:47:05Pilot.
1:47:20 > 1:47:21Who's there?
1:47:46 > 1:47:48This hand...
1:48:05 > 1:48:07Jane Eyre.
1:48:15 > 1:48:17Edward, I am come back to you.
1:48:28 > 1:48:32Fairfax Rochester with nothing to say?
1:48:37 > 1:48:39You are altogether a human being, Jane.
1:48:41 > 1:48:44I conscientiously believe so.
1:49:00 > 1:49:02A dream.
1:49:07 > 1:49:09Awaken, then.