0:00:44 > 0:00:47CAR PASSES BY
0:01:03 > 0:01:06SHALLOW BREATHING
0:01:18 > 0:01:20CARS PASS BY
0:01:30 > 0:01:32DOOR LATCH OPENS
0:01:32 > 0:01:34Miss Emerson?
0:01:35 > 0:01:37Are you prepared?
0:01:39 > 0:01:41I brought this.
0:01:53 > 0:01:55CLOCK CHIMES
0:02:13 > 0:02:16Just get it ready. Get it ready.
0:02:34 > 0:02:37Life given. Life returned.
0:02:38 > 0:02:41Life given. Death lifted.
0:02:43 > 0:02:47Take this life force, consume its flesh.
0:02:49 > 0:02:51Open our eyes to what is lost.
0:02:57 > 0:03:00Memento mori. Memento mori.
0:03:00 > 0:03:05- Memento mori. - ALL: Memento mori.
0:03:05 > 0:03:11Memento mori. Memento mori. Memento mori.
0:03:17 > 0:03:20Who? Whose loss?
0:03:26 > 0:03:28This woman?
0:03:28 > 0:03:30This grieving woman?
0:03:30 > 0:03:32SHE GASPS
0:03:42 > 0:03:46- Darling?- Oh, God!- Don't look away. You mustn't look away.
0:03:46 > 0:03:49Rose? Rose, darling.
0:03:51 > 0:03:54I can see you.
0:03:54 > 0:03:56I can see you.
0:03:56 > 0:04:00Life given. Death lifted. Life given. Death...
0:04:00 > 0:04:03- CHILD GROANS - Get off me!
0:04:03 > 0:04:05Sergeant Evans, the curtains.
0:04:06 > 0:04:08The door! The door!
0:04:08 > 0:04:10- Stay there, Captain. - Get off me!
0:04:10 > 0:04:13If you're a captain at all. Sergeant Evans, fetch the others.
0:04:13 > 0:04:15POLICE WHISTLE BLOWS
0:04:16 > 0:04:20- My spirit!- You bastard. You'll kill him!
0:04:20 > 0:04:23- I'll fetch a doctor. - I'll manage.
0:04:25 > 0:04:27- Ah! Ow! - Another miracle.
0:04:27 > 0:04:30Miss Cathcart, you shouldn't do that.
0:04:30 > 0:04:33Cathcart. Florence Cathcart.
0:04:33 > 0:04:37How dare you come here under false pretences? Is your soldier boy even dead?
0:04:40 > 0:04:44- SHE SCOFFS - And this grotesque charade won't bring him back.
0:04:44 > 0:04:47Neither will your blood capsules which you slipped from your cup
0:04:47 > 0:04:51and your handkerchief as we started.
0:04:51 > 0:04:55Nor your free hand pulling the wick from this woman's candle.
0:04:55 > 0:04:58As if the dead had something against naked flames.
0:04:59 > 0:05:01You're charlatans.
0:05:01 > 0:05:02And poor ones at that.
0:05:05 > 0:05:06Get them out of here, Evans.
0:05:09 > 0:05:11Get off! You bastard.
0:05:30 > 0:05:33- I've got your brooch. - Oh, thank you, Evans.
0:05:41 > 0:05:42Miss Cathcart, when you do these things
0:05:42 > 0:05:45you've taken to ordering me around a little.
0:05:45 > 0:05:48- I just think with you being... - What, you don't want your colleagues
0:05:48 > 0:05:50seeing you bossed by a civilian woman?
0:05:50 > 0:05:53Uh, I mean, if anyone was going to order me around, it'd be...
0:05:53 > 0:05:56I mean, if Mrs Evans wasn't Mrs Evans...
0:05:56 > 0:06:01But she is. And she's very lucky, she is.
0:06:01 > 0:06:04I won't bully you any more. Promise.
0:06:06 > 0:06:08You've never had a child, have you?
0:06:11 > 0:06:14No, of course you haven't.
0:07:01 > 0:07:04- Allow me, miss. - Thank you, Katie.
0:07:10 > 0:07:12DOORBELL
0:07:12 > 0:07:13It's all right.
0:07:16 > 0:07:18Oh, for heaven's sake. Um...
0:07:20 > 0:07:21- Who shall I make it out to? - I'm sorry?
0:07:21 > 0:07:23- Please, Mr... - Mallory.
0:07:23 > 0:07:27Mr Mallory, you'll excuse my brevity, but this is my home.
0:07:27 > 0:07:31- Very glad you enjoyed the book. - I didn't.
0:07:31 > 0:07:34- Excuse me? - I didn't much like your book.
0:07:34 > 0:07:36I found it too certain.
0:07:37 > 0:07:40Perhaps that's only fitting for someone so rude to strangers.
0:07:40 > 0:07:45I'm a history master at a boy's prep school.
0:07:45 > 0:07:47Forgive my daughter, Mr Mallory.
0:07:47 > 0:07:49She's not taking on any more work. She's quite exhausted.
0:07:49 > 0:07:54Um, let him speak, Harry. Please.
0:07:54 > 0:07:58Um, I'm afraid Harry's right. I'm really not taking on any more work.
0:07:59 > 0:08:03But you are a ghost hunter as well as an author?
0:08:03 > 0:08:06Well, you can't hunt what doesn't exist.
0:08:06 > 0:08:08Ah, well, that's just it.
0:08:10 > 0:08:12We think we have one that does.
0:08:17 > 0:08:19I need to change.
0:08:19 > 0:08:21Katie, will you show Mr Mallory to my study.
0:08:21 > 0:08:23- Yes, miss. - I'll be fine.
0:08:31 > 0:08:34- SHE SIGHS - You're fine?
0:08:34 > 0:08:35Mmm.
0:08:42 > 0:08:48- SHE SOBS - We always know why you throw yourself into this.
0:08:48 > 0:08:52And we don't blame you for thinking that it will help.
0:08:53 > 0:08:58But every time now, all we can see is the pain it causes you.
0:09:06 > 0:09:08Yes.
0:09:09 > 0:09:12I know. I'm sorry I keep doing this to you.
0:09:13 > 0:09:15It's not fair.
0:09:34 > 0:09:36"May your skin be flayed from your body"
0:09:36 > 0:09:39"in the hell you so arrogantly claim does not exist."
0:09:39 > 0:09:43An elderly woman in Dorset, I seem to remember.
0:09:43 > 0:09:47Our school matron is a devotee of your book
0:09:47 > 0:09:51and has told the headmaster about the work you do.
0:09:51 > 0:09:52She assures him you're quite respected
0:09:52 > 0:09:57and your book sits alongside the Bible on many book shelves.
0:09:57 > 0:10:01Miss Cathcart, rumour is a dangerous thing.
0:10:02 > 0:10:06Conversations in this room are confidential, Mr Mallory.
0:10:06 > 0:10:09Especially if I don't take the case.
0:10:12 > 0:10:14Our school is called Rookford in Cumbria.
0:10:14 > 0:10:18Some years ago, a child was said to have been murdered there.
0:10:18 > 0:10:20Not a pupil. It was a private house then.
0:10:20 > 0:10:23Well, who? Did they catch the killer?
0:10:23 > 0:10:25There's no record. It was an important family. All hushed up.
0:10:25 > 0:10:28Still, it's perfectly possible someone died there.
0:10:28 > 0:10:31So you're here about a death that may or may not have happened
0:10:31 > 0:10:33- however many years ago?- No.
0:10:34 > 0:10:37I'm here about another death.
0:10:39 > 0:10:44A pupil. Three weeks ago.
0:10:44 > 0:10:47His name was Walter. Walter Portman.
0:10:48 > 0:10:51The day before he died, Walter went to see the headmaster,
0:10:51 > 0:10:54quaking with fear, convinced he'd seen a ghost.
0:10:54 > 0:10:56The ghost of the murdered child.
0:10:56 > 0:10:59Well, how did he know what the murdered child looked like?
0:10:59 > 0:11:02This was taken 18 years ago.
0:11:07 > 0:11:09Mr Mallory, this is... This is an old school prank.
0:11:09 > 0:11:12As the camera sweeps across to expose the plate...
0:11:12 > 0:11:14One of the boys runs behind the row to appear at both sides.
0:11:14 > 0:11:16He was still moving when it reached him.
0:11:16 > 0:11:18I know. That was 1902.
0:11:21 > 0:11:23This was '03.
0:11:25 > 0:11:27'04.
0:11:28 > 0:11:301905.
0:11:30 > 0:11:32And, lastly, '06.
0:11:32 > 0:11:35All the boys in the school are accounted for.
0:11:35 > 0:11:38All of them. In all the photographs.
0:11:38 > 0:11:41Including this one, taken just one month ago.
0:11:41 > 0:11:44Miss Cathcart, I can understand a child running the length of the line
0:11:44 > 0:11:48in the 15 seconds it takes for the camera to make its sweep.
0:11:48 > 0:11:51What I can't explain is how he could get there.
0:12:02 > 0:12:04The Millford woman.
0:12:04 > 0:12:07Either a batch of partially exposed photographic plates
0:12:07 > 0:12:09or the same ghost was in my mother's potting shed.
0:12:09 > 0:12:13It's half-term in two days. We'll be lucky to get any of the children back unless...
0:12:13 > 0:12:15I'm not interested in the commercial fortunes of your school.
0:12:15 > 0:12:18There have been other sightings. The boys believe...
0:12:18 > 0:12:21Boys believe in Santa Claus and the Tooth Fairy.
0:12:21 > 0:12:22I'm sure some of them even believe in God.
0:12:24 > 0:12:27You don't need me to tell you what happened
0:12:27 > 0:12:29to that generation of boys, Mr Mallory,
0:12:29 > 0:12:32and yet you don't see their ghosts stalking the halls of your school.
0:12:32 > 0:12:36Rookford is a boarding school, Miss Cathcart.
0:12:36 > 0:12:39Most of the boys are as good as orphans.
0:12:40 > 0:12:43I don't say that just because of your circumstances.
0:12:43 > 0:12:45Well, then, why say it?
0:12:49 > 0:12:52"Fear is all I remember of my childhood."
0:12:52 > 0:12:54"I have glimpses of my parents' death"
0:12:54 > 0:12:57"but nothing of our life in Kenya, nor coming to London."
0:12:57 > 0:13:00"Nothing but a feeling of perpetual black terror."
0:13:01 > 0:13:02Your tactics are despicable.
0:13:02 > 0:13:06"Fear swallows children and the adults we become."
0:13:07 > 0:13:10These boys aren't worried about bumps in the night.
0:13:10 > 0:13:13They're frightened to death.
0:13:20 > 0:13:22Please leave.
0:13:26 > 0:13:29I was sent to request your help and I've done that.
0:13:29 > 0:13:33You strike me as a woman who won't do anything she doesn't want to.
0:13:35 > 0:13:38I'm at the Wellington Hotel. Thank you for your time.
0:14:22 > 0:14:25Semper veritas.
0:14:25 > 0:14:28Latin gives a new school an air of respectability.
0:14:28 > 0:14:30Means they can add a pound to the fees.
0:14:30 > 0:14:34And I should imagine a bona fide ghost knocks it right off again.
0:14:34 > 0:14:36Latin puns. What fun.
0:14:36 > 0:14:39"Always the truth."
0:14:39 > 0:14:41Let's see, shall we?
0:14:41 > 0:14:42You can't wait.
0:14:42 > 0:14:44You're that keen that people believe in nothing?
0:14:44 > 0:14:47No, without science people don't believe in nothing.
0:14:47 > 0:14:49They believe in anything, including spirits.
0:14:49 > 0:14:52So we need them. But you don't.
0:14:52 > 0:14:55I believe in evidence. Need has nothing to do with it.
0:14:55 > 0:14:57And yet you carry someone else's cigarette case.
0:14:59 > 0:15:01Touche.
0:15:04 > 0:15:05I'm sorry.
0:15:12 > 0:15:14Mr Mallory, am I...
0:15:14 > 0:15:15TYRES SCREECH
0:15:21 > 0:15:23Go on.
0:15:23 > 0:15:26HE REVS THE ENGINE Judd.
0:15:41 > 0:15:44THE CHILDREN SHOUT
0:15:50 > 0:15:54- WHISTLE BLOWS - Hey! Knees, boys!
0:16:35 > 0:16:39Miss Cathcart, this is Miss Hill, the school matron. Maud to you and me.
0:16:39 > 0:16:41- How do you do? - Maud?
0:16:45 > 0:16:47She's taken this very hard.
0:16:48 > 0:16:51She's an odd fish at the best of times.
0:16:52 > 0:16:55For a start, she liked your book.
0:17:03 > 0:17:05I feel like I know you.
0:17:05 > 0:17:07I've read your book a dozen times at least.
0:17:07 > 0:17:09It's on my book shelf next to the Bible.
0:17:11 > 0:17:14I've never met an educated lady before.
0:17:14 > 0:17:16Not Cambridge and everything.
0:17:16 > 0:17:18Never mind someone famous.
0:17:18 > 0:17:20Oh, the Kaiser was famous, Miss Hill.
0:17:20 > 0:17:22I... I just wrote a book.
0:17:22 > 0:17:24Maud.
0:17:24 > 0:17:26Mr Mallory told you to call me Maud.
0:17:26 > 0:17:28Maud.
0:17:28 > 0:17:30- Hello. - Hello.
0:17:33 > 0:17:35Did Mr McNair not say all boys inside, Thomas?
0:17:35 > 0:17:37- Tom.- Er...
0:17:39 > 0:17:42Everyone's nerves are shot to pieces.
0:17:46 > 0:17:49I've been here 14 years. I know this place.
0:17:49 > 0:17:52And I don't hold with any ghostly nonsense.
0:17:53 > 0:17:59I just wanted you to know I'm at your service.
0:18:07 > 0:18:08Hello.
0:18:10 > 0:18:12Stop it. Go on.
0:18:12 > 0:18:15Howell, stick up for yourself And get that hair cut.
0:18:15 > 0:18:17All of you, downstairs.
0:18:17 > 0:18:20Thank you, Maud. I'll take Miss Cathcart to the headmaster
0:18:22 > 0:18:25Came with the building. It's the boys' favourite.
0:18:25 > 0:18:28John the Baptist, I think. This way.
0:18:28 > 0:18:31It's actually Judith slaying Holofernes.
0:18:32 > 0:18:34Story of a woman who stole into the enemy camp
0:18:34 > 0:18:38and seduced then beheaded their highest general.
0:18:38 > 0:18:40Hmm. Those were the days, eh, Maud?
0:18:43 > 0:18:48- KNOCK ON THE DOOR - I'm not in, I'm out.
0:18:48 > 0:18:51At least I was out. Now I'm in.
0:18:51 > 0:18:53You must be the ghost lady. Come through.
0:18:53 > 0:18:56Reverend Purslow, this is Miss Florence Cathcart.
0:18:56 > 0:18:59An educated woman. Well, well, well. Glad you're here.
0:18:59 > 0:19:01Presume you know you've a matron to thank.
0:19:01 > 0:19:03So I believe. Glad I can be of service.
0:19:03 > 0:19:06Child dying before a parent. Dreadful thing.
0:19:06 > 0:19:08I lost three of them.
0:19:08 > 0:19:12I imagine you don't believe in the afterlife, Miss Cathcart.
0:19:12 > 0:19:14No, I don't.
0:19:14 > 0:19:15Terrible, isn't it?
0:19:17 > 0:19:20Mr Mallory will give you a tour of the school.
0:19:20 > 0:19:24I'm on my way to the dining room should you wish to see it.
0:19:27 > 0:19:29THEY DINE IN SILENCE
0:19:33 > 0:19:35Mr Mallory.
0:19:37 > 0:19:38So I'm the guide now?
0:19:38 > 0:19:41- BOY WHISPERS:- He's coming. He's coming.
0:19:41 > 0:19:45After supper there's an hour of scrubs, that's compulsory reading to you.
0:19:45 > 0:19:48Then lights out at 8:00.
0:19:48 > 0:19:50I'll show you where Walter was found.
0:19:50 > 0:19:54I'd like to see everywhere the boys claim to have seen the ghost.
0:19:54 > 0:19:57And perhaps you'd ask Maud to join us?
0:20:01 > 0:20:04Most of the sightings were in here, including Walter's.
0:20:04 > 0:20:09In fact, he was found outside here on the terrace.
0:20:11 > 0:20:13Many of the boys are now too frightened to come in here.
0:20:13 > 0:20:15Mr Mallory.
0:20:15 > 0:20:19She doesn't like any superfluous sound.
0:20:22 > 0:20:27"Ego contemno Latin." I hate Latin.
0:20:27 > 0:20:29That you, Mallory?
0:20:34 > 0:20:36- SCHOOL BELL RINGS - Walter was found there.
0:20:36 > 0:20:39Mr Broad found him just before breakfast.
0:20:39 > 0:20:41- And these doors were locked? - Mmm-hmm.
0:20:52 > 0:20:54Did he have a bear or a toy animal?
0:20:54 > 0:20:57- It's in the front office, yes. - Could you?
0:21:06 > 0:21:07You don't like him.
0:21:09 > 0:21:12I have my reasons. It would be indiscreet.
0:21:16 > 0:21:20Where are his glasses? He used to keep up the pretence.
0:21:20 > 0:21:24Used to have a limp, too. Kept him out of the trenches.
0:21:25 > 0:21:28- His mother couldn't bear to keep it.- Thank you.
0:21:30 > 0:21:32And this was still on his bed the morning he was found?
0:21:32 > 0:21:34Yes.
0:21:34 > 0:21:38- You said there were other sightings elsewhere in the house? - Yes. Mostly in the west dormitory.
0:21:38 > 0:21:40Maud, perhaps I could leave this to you?
0:21:48 > 0:21:51- Why aren't you at scrubs? - My book, sir.
0:21:51 > 0:21:53Are you all right?
0:22:17 > 0:22:19HE GROANS AND WINCES
0:22:27 > 0:22:29And it's half-term tomorrow?
0:22:29 > 0:22:33Boys with parents in far-flung places stay behind.
0:22:33 > 0:22:35Apart from that, we have the place to ourselves.
0:22:44 > 0:22:46Was he bullied?
0:22:46 > 0:22:49They called him "Wheezy Walter". He was asthmatic.
0:22:49 > 0:22:51Who were his friends?
0:22:52 > 0:22:54Did he have any friends?
0:22:54 > 0:22:56Miss Cathcart, this is a good school.
0:22:56 > 0:23:00But if you're different, the wrong kind of different...
0:23:00 > 0:23:03His isn't the only mattress like this.
0:23:03 > 0:23:07- CANE WHACKS ON THE TABLE - "Then spake King Arthur to Sir Bedivere."
0:23:07 > 0:23:10- CANE WHACKS ON THE TABLE - "The sequel of today unsolders all"
0:23:10 > 0:23:13"The goodliest fellowship of famous knights."
0:23:13 > 0:23:16- CANE WHACKS ON THE TABLE - "Where-of this world hold record."
0:23:16 > 0:23:19"Such a sleep they sleep, the men I loved."
0:23:19 > 0:23:21CANE WHACKS ON THE TABLE "I think that we shall..."
0:23:21 > 0:23:24"We shall never more, at..."
0:23:24 > 0:23:27"I think that we shall never more, at any future time,"
0:23:27 > 0:23:32"Delight our souls with talk of knightly deeds."
0:23:32 > 0:23:34HE COUGHS AND WHEEZES
0:23:38 > 0:23:40BOY COUGHS UNDER THE DESK
0:23:40 > 0:23:41Dowden!
0:23:49 > 0:23:51Now.
0:23:56 > 0:23:59Matron, I presume you've brought this young lady to my classroom for a purpose
0:23:59 > 0:24:03besides subjecting her to the outrageous behaviour of Mr Dowden?
0:24:03 > 0:24:05Mr McNair. Boys,
0:24:05 > 0:24:08I know you're all upset and frightened at the moment.
0:24:08 > 0:24:12Well, Miss Cathcart is here to put your fears to bed.
0:24:12 > 0:24:17She's one of the cleverest people in England. Miss Cathcart.
0:24:17 > 0:24:19Stand.
0:24:23 > 0:24:26- Good evening. - ALL: Good evening.
0:24:27 > 0:24:29Sit. Please sit.
0:24:31 > 0:24:35How many of you did Walter Portman talk to about this ghost?
0:24:38 > 0:24:43Well, did any of you see this ghost boy for yourselves?
0:24:45 > 0:24:48I did, miss. I saw it.
0:24:48 > 0:24:51- Stand, boy.- Would you like to come with me and describe...
0:24:51 > 0:24:53It was horrible. It was on the upper corridor.
0:24:53 > 0:24:57- Wouldn't you rather... - His face was twisted. Blurred and sort of twisted.
0:24:57 > 0:25:02Like in the photographs. But he was in pain. Crying out.
0:25:02 > 0:25:04It was him. Please kill it, miss.
0:25:04 > 0:25:07ALL: Yes, please. Kill it, miss.
0:25:07 > 0:25:09Silence.
0:25:10 > 0:25:14Pocket Premo, 12 exposure pack with meniscus lens.
0:25:14 > 0:25:16Sound recorder, part Bell-Tainter.
0:25:16 > 0:25:19Fumigator for measuring contact traces.
0:25:19 > 0:25:22Can Walter's dormitory sleep elsewhere in the house?
0:25:22 > 0:25:24We could move their mattresses to the dining room.
0:25:24 > 0:25:27Marconi magnetic field detector.
0:25:29 > 0:25:34Third of an ounce of magnesium and potassium chlorate per tray.
0:25:34 > 0:25:37As the wire is tripped the aperture opens for a thirtieth of a second,
0:25:37 > 0:25:41and an electrical charge ignites the powder.
0:25:47 > 0:25:51- What about these? - Those are footprint catchers.
0:25:51 > 0:25:52Ghosts have footprints?
0:25:52 > 0:25:54No, people pretending to be ghosts do.
0:25:54 > 0:25:56They must hate you.
0:25:56 > 0:25:58Who? The spiritualists?
0:25:58 > 0:26:00No, the ghosts.
0:26:17 > 0:26:20MAN SHOUTING: Be quiet.
0:26:20 > 0:26:23You'll be quiet or so help me!
0:26:36 > 0:26:38FOOTSTEPS ON CREAKING FLOOR BOARDS
0:26:59 > 0:27:01Victor, you did the run today.
0:27:02 > 0:27:05- What's the matter? - Nothing.
0:27:08 > 0:27:10BOYS WHISPER
0:27:16 > 0:27:18What's this mess?
0:27:18 > 0:27:21Will she do what they say? The lady?
0:27:22 > 0:27:24And what do they say?
0:27:24 > 0:27:26That she'll kill the ghost.
0:27:26 > 0:27:30And that one boy a night will die until she does.
0:27:30 > 0:27:32She's not here to catch ghosts.
0:27:32 > 0:27:34She's here to catch naughty boys up to mischief.
0:27:44 > 0:27:47Silence now. Eyes closed.
0:27:47 > 0:27:49It'll be dark soon.
0:27:54 > 0:27:56Parry.
0:27:58 > 0:27:59Parry.
0:28:05 > 0:28:06Nobody...
0:28:06 > 0:28:07Likes...
0:28:07 > 0:28:09You!
0:28:09 > 0:28:10LAUGHTER
0:28:31 > 0:28:33BELL RINGS
0:28:38 > 0:28:40MAN SHOUTING: Be quiet.
0:28:40 > 0:28:42You'll be quiet or so help me!
0:28:53 > 0:28:55COUGHING
0:29:24 > 0:29:26COUGHING IN THE DISTANCE
0:29:36 > 0:29:39BREEZE WHISTLES THROUGH THE HOUSE
0:29:41 > 0:29:43WATER SPLASHES
0:29:58 > 0:30:00WATER TRICKLES
0:30:29 > 0:30:31SHE GASPS
0:30:35 > 0:30:36HE WINCES
0:30:47 > 0:30:49HE WINCES
0:30:51 > 0:30:53MUFFLED CRIES
0:30:54 > 0:30:56TRAP BELL RINGS
0:30:56 > 0:30:57SHE GASPS
0:30:57 > 0:30:58TRAP BELL RINGS
0:32:58 > 0:33:00CREAKING
0:33:11 > 0:33:12TRAP BELL RINGS
0:33:26 > 0:33:27A BOY LAUGHS
0:33:58 > 0:34:00BOY WHISPERS: Shh! Keep still.
0:34:56 > 0:34:57Hello?
0:35:54 > 0:35:56SHE GASPS
0:36:19 > 0:36:20SHE SCREAMS
0:36:23 > 0:36:26I heard bells. Are you all right?
0:36:26 > 0:36:28SHE SIGHS HEAVILY
0:36:31 > 0:36:33First bell!
0:36:34 > 0:36:36First bell!
0:36:38 > 0:36:42Next three boys, please. Quieten down.
0:36:45 > 0:36:46Next.
0:36:46 > 0:36:49Boys who have been seen can go to their classrooms at once.
0:36:49 > 0:36:50They couldn't have been made with socks?
0:36:50 > 0:36:54The prints I followed were definitely barefoot.
0:36:54 > 0:36:57- Get back! - Come on. Come on.
0:36:57 > 0:36:59Why are we here, sir?
0:36:59 > 0:37:01All right, turn around, stick your feet up.
0:37:10 > 0:37:12Headmaster.
0:37:12 > 0:37:14Parry.
0:37:14 > 0:37:18- Sir.- Parry. What would your father have thought?
0:37:18 > 0:37:21The night Walter died, he got up to use the latrine.
0:37:21 > 0:37:23He wasn't wearing his spectacles.
0:37:23 > 0:37:26Mr Parry here frightened him, using this to blur his face.
0:37:26 > 0:37:29I didn't. I didn't do it to Walter.
0:37:29 > 0:37:32And last night he tried to do the same thing to me. Didn't you?
0:37:34 > 0:37:35Victor.
0:37:39 > 0:37:44They said if I did it then they'd be nice.
0:37:44 > 0:37:47- Stop snivelling. - Malcolm, please.
0:37:48 > 0:37:50Who?
0:37:51 > 0:37:52- Them.- Scab!
0:37:52 > 0:37:54- Quiet! - But I didn't do it before.
0:37:54 > 0:37:56Not to Walter. I liked Walter. We shared grots.
0:37:56 > 0:37:57- Victor.- I didn't scare him.
0:37:57 > 0:37:59- No-one knows who did. - A boy is dead.
0:37:59 > 0:38:02- Wasn't me! - All right, it wasn't just him.
0:38:02 > 0:38:04There was another boy last night.
0:38:04 > 0:38:06I saw him down in the stairwell.
0:38:06 > 0:38:07What?
0:38:07 > 0:38:09Dowden?
0:38:09 > 0:38:11- There wasn't another boy. - Ah-ah-ah. You're behind this.
0:38:11 > 0:38:13- Honestly, sir. - You will name this other boy now.
0:38:13 > 0:38:15There wasn't another boy. Please!
0:38:15 > 0:38:18You will name this boy or you'll be thrashed where you stand. Mr McNair.
0:38:18 > 0:38:20Honestly. No, there wasn't another boy, sir.
0:38:20 > 0:38:23Please, I tell you, sir. There wasn't another boy! HE SOBS
0:38:23 > 0:38:25Please, sir, I promise, it was only me!
0:38:25 > 0:38:26Wait, stop!
0:38:26 > 0:38:28Honestly, I'm telling you the truth!
0:38:28 > 0:38:32For God's sakes. You've done quite enough damage, you will not do this.
0:38:32 > 0:38:33BOY SOBS
0:38:34 > 0:38:36What did you say?
0:38:38 > 0:38:40You use a balsam for your chest.
0:38:42 > 0:38:45I just smelled it on you. I also found it smeared on the glass
0:38:45 > 0:38:47of the French doors and on the handles
0:38:47 > 0:38:48and on Walter's bear.
0:38:49 > 0:38:53You were... You were there the night he died.
0:38:53 > 0:38:54I protest. This is...
0:38:54 > 0:38:58And did he protest when you found him downstairs,
0:38:58 > 0:39:00ripped the bear from him and left him out in the dark?
0:39:01 > 0:39:05I came here to protect children from fear and you...
0:39:05 > 0:39:07You are hell-bent on making them live in it.
0:39:07 > 0:39:09- You can't die of fear. - No.
0:39:09 > 0:39:13But you can die of an asthma attack brought on by it.
0:39:29 > 0:39:32- He was alive when I left him. - Malcolm.
0:39:33 > 0:39:35He was crying.
0:39:35 > 0:39:37Insisting he'd seen a ghost.
0:39:39 > 0:39:41I thought...
0:39:42 > 0:39:44I thought I'd toughen him up.
0:39:52 > 0:39:55It's not enough to be mollycoddled, Robert.
0:39:57 > 0:39:59These boys must be strong.
0:40:02 > 0:40:04Stronger than us.
0:40:12 > 0:40:16- HEADMASTER:- Malcolm, there's not a man on earth I'd rather protect.
0:40:16 > 0:40:21But the parents arrive shortly, and I must ask you to leave this school
0:40:21 > 0:40:23at once.
0:40:36 > 0:40:39SINGING INAUDIBLE
0:40:55 > 0:40:59# Be still, my soul
0:40:59 > 0:41:03# Though dearest friends depart... #
0:41:14 > 0:41:17There was a chap in a trench not far from ours.
0:41:17 > 0:41:20He used to sing this hymn most sunsets.
0:41:24 > 0:41:26It's odd separating the past from the present.
0:41:32 > 0:41:35The boys are transformed. You should be pleased.
0:41:40 > 0:41:43Semper veritas.
0:41:43 > 0:41:45- Mmm. - Truth comes at a price.
0:41:46 > 0:41:48Ruined a damaged man.
0:41:48 > 0:41:52Oh, I'm not thinking about Malcolm.
0:41:52 > 0:41:53Nor are you.
0:41:55 > 0:41:57I saw you.
0:41:57 > 0:42:00As soon as you proved the ghost was a fraud, something happened to you.
0:42:00 > 0:42:02- You were suddenly... - Please, Robert.
0:42:05 > 0:42:08I've done what was asked of me.
0:42:09 > 0:42:11Proved there's nothing to fear.
0:42:14 > 0:42:16Nothing.
0:42:39 > 0:42:41You left church early.
0:42:43 > 0:42:44Mr Judd.
0:42:44 > 0:42:46You going home?
0:42:47 > 0:42:48Found your ghost?
0:42:51 > 0:42:55Another case to write up while McNair's thrown to the dogs.
0:42:55 > 0:42:57After all he's been through.
0:43:00 > 0:43:02You know, I wonder whether any of us really know
0:43:02 > 0:43:04what he went through, Mr Judd.
0:43:04 > 0:43:07- You shouldn't talk to me like that.- Excuse me?
0:43:13 > 0:43:17- I'm sorry. I didn't mean to... - You think I don't know?
0:43:17 > 0:43:19Staying at home was wrong?
0:43:20 > 0:43:23Come down here
0:43:23 > 0:43:24and tell me that?
0:43:24 > 0:43:27Let me tell you something, ghost lady.
0:43:27 > 0:43:30It's the living you want to watch out for.
0:43:32 > 0:43:33Not the dead.
0:43:43 > 0:43:47There she is. Now try to forget all about it. The headmaster will.
0:43:48 > 0:43:52Getting to go home. Cakes and puddings.
0:43:52 > 0:43:54Lucky beggars.
0:43:54 > 0:43:57Still, we'll have a nice time.
0:43:58 > 0:44:00You always say that.
0:44:00 > 0:44:03Lucky beggars. You always say that.
0:44:37 > 0:44:39GUNFIRE
0:44:45 > 0:44:46No!
0:44:53 > 0:44:54SHE GASPS
0:44:58 > 0:45:01SHE SOBS
0:45:04 > 0:45:06There's nothing.
0:45:12 > 0:45:14There's nothing.
0:45:44 > 0:45:47Goodbye. See you in a week.
0:45:47 > 0:45:50Check the out buildings before you go, Mr Baxter.
0:45:50 > 0:45:52There are gypsies on the Tarrow farm.
0:46:02 > 0:46:05Your ma and pa overseas, Tom?
0:46:05 > 0:46:07They live in India.
0:46:07 > 0:46:11Takes three weeks to travel to India. They have tigers there.
0:46:12 > 0:46:14Goodbye, Matron.
0:46:14 > 0:46:15Mary.
0:46:16 > 0:46:18Have you been?
0:46:18 > 0:46:21No.
0:46:21 > 0:46:23No, but I've seen the lions in Africa.
0:46:24 > 0:46:27One of them even attacked me.
0:46:28 > 0:46:31How come you're not dead?
0:46:31 > 0:46:34Apparently I was rescued by one of the villagers.
0:46:34 > 0:46:36Actually, a tribal chieftain.
0:46:36 > 0:46:40- Did he kill the lion? - I was very young. I think so.
0:46:41 > 0:46:45The villagers took me in and looked after me until help came
0:46:45 > 0:46:48They called me their "Mowa-Zee".
0:46:49 > 0:46:50White doll.
0:46:54 > 0:46:57I wonder what they'd think of me today, seeing me in such a silly state.
0:46:57 > 0:47:00- Tom, can you leave us now?- Were your mother and father with you?
0:47:01 > 0:47:04- Were they killed? - Afraid they were.
0:47:04 > 0:47:07Tom, Miss Cathcart and I want a grown-up conversation.
0:47:07 > 0:47:10- I like grown-up conversations. - Now.
0:47:12 > 0:47:15Goodbye, Mowa-Zee.
0:47:22 > 0:47:27Maud, it was an accident. I lost my cigarette case.
0:47:27 > 0:47:29How could someone like you want to do such a thing?
0:47:29 > 0:47:30I don't want to talk about it.
0:47:30 > 0:47:33Don't go. Miss, something has happened to you.
0:47:33 > 0:47:34You can't leave this house now.
0:47:34 > 0:47:37Please stop calling me miss. It's Florence.
0:47:38 > 0:47:40And I can't stay here.
0:47:41 > 0:47:43I'm sorry.
0:47:59 > 0:48:00Thank you.
0:48:03 > 0:48:05I'll be gone in an hour.
0:48:13 > 0:48:14I fell.
0:48:16 > 0:48:18I fell.
0:48:48 > 0:48:50SHE SIGHS
0:50:05 > 0:50:07CREAKING
0:50:39 > 0:50:41I know you're there, Robert.
0:50:44 > 0:50:46Please don't go away.
0:50:59 > 0:51:01Don't go.
0:51:10 > 0:51:12SHE SCREAMS
0:52:02 > 0:52:03- HEADMASTER:- 'You must be the ghost lady.
0:52:05 > 0:52:07'Come through.'
0:52:13 > 0:52:14'Good evening.'
0:52:14 > 0:52:16ALL: 'Good evening.'
0:52:44 > 0:52:46SHE SCREAMS, DOOR CREAKS
0:53:14 > 0:53:16MAN: Be quiet.
0:53:16 > 0:53:18You'll be quiet or so help me!
0:53:18 > 0:53:20GLASS SMASHES
0:53:28 > 0:53:30Mr Mallory, I need your help.
0:53:30 > 0:53:31You're not going?
0:53:31 > 0:53:33Some of the equipment needs resetting.
0:53:33 > 0:53:34- Can I... - I don't understand.
0:53:34 > 0:53:37You have your culprit. You're doing more?
0:53:37 > 0:53:39- Oh, would you... - No, thank you.
0:53:39 > 0:53:41Don't you like sherry?
0:53:41 > 0:53:43I need to keep my wits about me.
0:53:44 > 0:53:46I don't think I shall ever drink alcohol.
0:53:46 > 0:53:49- It makes you cross and sick. - Mr Judd,
0:53:49 > 0:53:51you're welcome to join us.
0:53:51 > 0:53:54Things to do, Matron.
0:53:54 > 0:53:55Mallory.
0:53:57 > 0:53:59Mr Mallory.
0:54:01 > 0:54:03- Florence, what are you doing? - I was brought here
0:54:03 > 0:54:04to explain a phenomenon in this house,
0:54:04 > 0:54:07and whatever everyone else may believe, I have yet to do that.
0:54:07 > 0:54:11A collective delusion has been experienced here,
0:54:11 > 0:54:14a child moving through the house as if there were no walls or floors.
0:54:15 > 0:54:18You said that a child was murdered here.
0:54:18 > 0:54:19What if that was also caused by...
0:54:19 > 0:54:21You're doing this because of a feeling?
0:54:21 > 0:54:24- This morning, you were... - This is not a feeling!
0:54:24 > 0:54:27This is a thesis. It's science.
0:54:27 > 0:54:31- Tell me about the original murder. - One can't even be sure there was one.
0:54:31 > 0:54:34- Something is causing this. - Two hours ago, you...
0:54:36 > 0:54:38- Florence, why are you doing this? - Florence.
0:54:43 > 0:54:45- What is it? - A differential thermometer.
0:54:45 > 0:54:49It means this side of the corridor has suddenly become
0:54:49 > 0:54:51much colder than that side.
0:54:51 > 0:54:54You said this was a private house.
0:54:56 > 0:54:59Housemaids often had hidden cupboards
0:54:59 > 0:55:03for mops and brooms and so forth.
0:55:08 > 0:55:12May even be stairs to the upper levels.
0:55:44 > 0:55:47TOY RABBIT PLAYS A NURSERY RHYME
0:55:53 > 0:55:56I know this.
0:55:56 > 0:55:57It's an old nursery rhyme.
0:55:57 > 0:56:00RABBIT CONTINUES PLAYING
0:56:00 > 0:56:03Ladybird, ladybird,
0:56:03 > 0:56:05fly away home.
0:56:07 > 0:56:09Your house is on fire.
0:56:11 > 0:56:13Your children are gone.
0:56:17 > 0:56:19All except one.
0:56:23 > 0:56:25We need to work. Lock the house.
0:56:25 > 0:56:27- Florence, you don't need... - Robert, LOCK the house.
0:56:31 > 0:56:34This is nothing, it's a silly nursery rhyme.
0:56:34 > 0:56:35I'm frightened.
0:56:35 > 0:56:39- Tom.- Tom.- He wants to get me.
0:56:40 > 0:56:43Tom, nothing is going to happen to you. Nothing.
0:56:43 > 0:56:45I promise you that.
0:56:46 > 0:56:49Now I must work. I'll be upstairs if you need me.
0:56:56 > 0:56:57HE BOLTS THE DOOR
0:57:29 > 0:57:31Can I sit with you? I won't talk.
0:57:31 > 0:57:33Of course.
0:57:41 > 0:57:43I get in trouble for talking.
0:57:46 > 0:57:48But I don't talk much.
0:57:50 > 0:57:51Did you have any friends at school?
0:57:53 > 0:57:55You can talk to me.
0:57:58 > 0:58:01I have make-believe friends. Sometimes.
0:58:01 > 0:58:05There's nothing wrong with that. Many children do. I know I did.
0:58:06 > 0:58:07What was his name?
0:58:11 > 0:58:12I'm not sure he had a name.
0:58:14 > 0:58:17- Do yours have names? - You're still lonely.
0:58:17 > 0:58:18Aren't you?
0:58:22 > 0:58:24I can tell.
0:58:24 > 0:58:26With the boys at school, too,
0:58:26 > 0:58:27I can tell.
0:58:30 > 0:58:33You had a real friend once.
0:58:33 > 0:58:34And you don't any more.
0:58:36 > 0:58:38Did you love him or something?
0:58:42 > 0:58:44Yes, I loved him.
0:58:46 > 0:58:48He was a very kind man, a very good man.
0:58:55 > 0:58:57But I was...
0:58:58 > 0:59:01I did something very silly and very cruel.
0:59:04 > 0:59:07I think I was frightened of losing him, I loved him so much.
0:59:10 > 0:59:12He was in the war.
0:59:13 > 0:59:14What did you do?
0:59:15 > 0:59:17I wrote to him and told him
0:59:17 > 0:59:19I couldn't marry him and I didn't love him any more.
0:59:21 > 0:59:22What did he say?
0:59:26 > 0:59:27He died.
0:59:29 > 0:59:31Not long after he got the letter.
0:59:31 > 0:59:32But you did love him.
0:59:34 > 0:59:35That's why you want him back.
0:59:37 > 0:59:39MAUD CLEARS HER THROAT
0:59:49 > 0:59:51Thank you. Mowa-Zee.
1:00:00 > 1:00:02I don't think there's a place on earth
1:00:02 > 1:00:05people understand loneliness better than here.
1:00:22 > 1:00:26You're torturing yourself. Is that what you're doing here?
1:00:26 > 1:00:28Proving again and again that he's really gone?
1:00:28 > 1:00:31- Twisting the blade in deeper? - You tell me.- Why? Is it guilt?
1:00:31 > 1:00:33Preaching to me while you rip your leg to shreds
1:00:33 > 1:00:36as if that'll make you feel better for having survived!
1:00:42 > 1:00:44You don't know what you're talking about.
1:00:50 > 1:00:51Robert.
1:00:52 > 1:00:55I'm frightened. And I can't live with that.
1:00:55 > 1:00:58And yes, you're right, what I do comes at a price.
1:00:58 > 1:01:02I hate myself more and more, but I can't live with fear.
1:01:03 > 1:01:05I'd sooner be dead myself.
1:02:15 > 1:02:18Red four goes on the black five.
1:02:18 > 1:02:21Every card has its place.
1:02:21 > 1:02:24When they're back where they should be, you win the game.
1:02:25 > 1:02:26And that goes there.
1:02:28 > 1:02:30That one there.
1:02:31 > 1:02:34Black eight can go on red nine.
1:02:36 > 1:02:37It takes time.
1:02:38 > 1:02:40That's why they call it "patience".
1:02:48 > 1:02:49She's downstairs.
1:02:55 > 1:02:57VANES CREAK
1:04:02 > 1:04:05- Mowa-Zee. - Tom. Tom!
1:04:05 > 1:04:06Tom!
1:04:12 > 1:04:15I know it's you, Tom.
1:04:15 > 1:04:17I won't chase you.
1:04:17 > 1:04:18Keep playing.
1:04:19 > 1:04:24RHYTHMIC THUDDING
1:04:36 > 1:04:38A BOY GIGGLES
1:04:58 > 1:04:59Florence!
1:05:07 > 1:05:09Why are you doing this? You!
1:05:09 > 1:05:11I heard you giggle.
1:05:11 > 1:05:13- I heard him giggle. - Florence!
1:05:13 > 1:05:16You took me to a man. Who was he? Who was he?
1:05:16 > 1:05:18There was a... There was a man! There was... There was a man!
1:05:18 > 1:05:20Stop this!
1:05:20 > 1:05:22It's... It's all of you!
1:05:22 > 1:05:24You're all doing this!
1:05:24 > 1:05:25You, you...
1:05:25 > 1:05:28You cruel and horrid little boy.
1:05:29 > 1:05:30Florence!
1:05:31 > 1:05:33I hate you.
1:05:35 > 1:05:38Thomas Hill, you will come back here at once and apologise!
1:05:38 > 1:05:42Stop bossing me around. I haven't done anything wrong.
1:05:45 > 1:05:47I don't recognise you.
1:05:47 > 1:05:50I thought you were a kind, loving girl but there's...
1:05:51 > 1:05:53There's nothing left.
1:05:58 > 1:06:00You're a shell.
1:06:15 > 1:06:16She's very troubled.
1:06:22 > 1:06:24You have to understand that.
1:06:29 > 1:06:31She likes you very, very much.
1:06:39 > 1:06:41She doesn't care about me.
1:06:43 > 1:06:45I may as well be dead like Walter.
1:06:47 > 1:06:48I hate her.
1:07:09 > 1:07:11KNOCKING
1:07:14 > 1:07:17Robert, I need your help.
1:07:20 > 1:07:24He had a shotgun, and he WAS there,
1:07:24 > 1:07:26and one of these will prove it.
1:07:30 > 1:07:35I can leave an amber light on, but are you...
1:07:36 > 1:07:38I'll be fine.
1:07:50 > 1:07:52If you could just lift them.
1:07:55 > 1:07:56That's good.
1:07:58 > 1:08:00The dark used to bother me.
1:08:01 > 1:08:05Later, of course, it came to mean safety, no sniper fire, or...
1:08:05 > 1:08:07- Thank you. - ...shells, but
1:08:09 > 1:08:11as a lad I'd huddle into my bed...
1:08:13 > 1:08:17..wanting to see what was there but too frightened to open my eyes.
1:08:19 > 1:08:21Thank you.
1:08:22 > 1:08:25It's never darker than when we close our eyes and yet we keep them shut.
1:08:29 > 1:08:30Why is that?
1:08:33 > 1:08:34Thank you.
1:08:44 > 1:08:48The motion's not blurred, so even if he's moving
1:08:48 > 1:08:51one of these will have him clearly.
1:08:51 > 1:08:53Why do you keep your eyes closed, Florence?
1:08:58 > 1:09:00Where is he?
1:09:04 > 1:09:06Oh, God!
1:09:14 > 1:09:15- No! - HER VOICE SHAKES
1:10:40 > 1:10:42THEY MOAN AND GASP
1:11:01 > 1:11:03You're real.
1:11:13 > 1:11:18Why are these things here? What do they want with me?
1:11:28 > 1:11:30Maybe they aren't here for you.
1:11:33 > 1:11:36BELL RINGS
1:11:42 > 1:11:45Tom, stay here. Do not leave this room.
1:11:55 > 1:11:56BELL RINGS
1:12:11 > 1:12:13PING PONG ECHOES
1:12:42 > 1:12:45No! No! No!
1:13:34 > 1:13:35Open the door!
1:13:55 > 1:13:59Have you left this room? Something's happened to Florence.
1:14:00 > 1:14:01- Promise me you'll stay here. - All right.
1:14:01 > 1:14:03Tom!
1:14:03 > 1:14:04I promise.
1:14:08 > 1:14:09Maud! Florence!
1:14:16 > 1:14:17I saw you.
1:14:19 > 1:14:21I saw you with him.
1:14:21 > 1:14:23The war hero.
1:14:23 > 1:14:24I don't know what you...
1:14:24 > 1:14:27I've seen plenty through these windows making my rounds,
1:14:27 > 1:14:29but never that.
1:14:31 > 1:14:35Women. Just lap up the sob stories, don't you?
1:14:35 > 1:14:37They were sent, you know. They didn't sign up.
1:14:37 > 1:14:39Suddenly they're heroes.
1:14:44 > 1:14:46How dare you!
1:14:47 > 1:14:51You did nothing, and you think you can mock men like him?
1:14:51 > 1:14:53You take care of what you're saying.
1:14:54 > 1:14:57You did... You did nothing when men gave every...
1:15:27 > 1:15:28SCREAMING
1:15:30 > 1:15:32No!
1:15:33 > 1:15:35SHE GASPS AND SCREAMS
1:15:47 > 1:15:49SHE GASPS AND CHOKES
1:16:54 > 1:16:57Robert! Robert!
1:16:57 > 1:16:59Whatever happened? What's happened, Florence?
1:16:59 > 1:17:01- Florence, what is it? My darling girl!- Florence!
1:17:03 > 1:17:04Judd attacked me.
1:17:06 > 1:17:10He tried to... He tried to... I think I killed him.
1:17:10 > 1:17:12- I think I killed him. - Maud, get a blanket.
1:17:12 > 1:17:14And run a bath. Now, please.
1:17:14 > 1:17:15Where? Where's Judd?
1:17:15 > 1:17:18By the trees at the end of the driveway.
1:17:18 > 1:17:22No, go inside. Get to Maud and stay there. You hear?
1:17:27 > 1:17:31Robert. Robert, don't tell Tom.
1:17:31 > 1:17:32Tom?
1:17:32 > 1:17:35Little Tom. He's frightened enough. He's the only child here.
1:17:35 > 1:17:38Florence, there are no children here. It's just us three!
1:17:39 > 1:17:41What?
1:18:02 > 1:18:04PING PONG ECHOES
1:18:14 > 1:18:15Mowa-Zee?
1:18:17 > 1:18:19Mowa-Zee?
1:18:24 > 1:18:26Mowa-Zee.
1:18:43 > 1:18:45Mowa-Zee.
1:19:16 > 1:19:19I didn't mean to scare Walter that night.
1:19:22 > 1:19:24I know.
1:19:27 > 1:19:29I believe you.
1:19:56 > 1:19:59You can control that?
1:19:59 > 1:20:01Sometimes I can.
1:20:02 > 1:20:04But I don't know why he could see me.
1:20:06 > 1:20:07No one sees me.
1:20:08 > 1:20:10I can't make them.
1:20:11 > 1:20:13We see what we need to.
1:20:15 > 1:20:16He needed a friend.
1:20:18 > 1:20:20So did I.
1:20:20 > 1:20:22But you were frightened. When you heard the music from
1:20:22 > 1:20:25that rabbit doll, you said someone was going to get you.
1:20:25 > 1:20:30- Who were you frightened of? - I can't tell you. - Please. Tell me, please.
1:20:30 > 1:20:32You have to see for yourself.
1:20:32 > 1:20:35It's the only way we can be together.
1:20:36 > 1:20:38Again.
1:20:40 > 1:20:42What?
1:20:42 > 1:20:43Promise you won't go away again.
1:20:44 > 1:20:46Mousie.
1:20:46 > 1:20:48Mow-zee?
1:20:49 > 1:20:52Look at the doll's house. Look at it.
1:20:54 > 1:20:57- No.- You started to remember, I know you did.- No.
1:20:57 > 1:21:00- Look at it. You'll remember the rest! Look at it.- I don't want to look.
1:21:00 > 1:21:03You started to remember, I know you did! Look at the house.
1:21:03 > 1:21:06- I don't want to look!- Look at the house.- Get away from me!
1:21:17 > 1:21:19Mousie.
1:21:19 > 1:21:21You started to remember! You started!
1:21:24 > 1:21:27You started to remember! I know you did!
1:21:27 > 1:21:30- MAN:- But you go on and on!
1:21:30 > 1:21:34I don't even want to look at you! I can't live like this!
1:21:34 > 1:21:36Look at it. You'll remember the rest.
1:21:40 > 1:21:44You don't know! You scheme and you laugh at me and plot!
1:21:44 > 1:21:48No one is plotting. It's just that we can't care any more.
1:21:48 > 1:21:51You make it impossible to care. You don't speak for days.
1:21:51 > 1:21:53You don't speak to me. You won't even look at her.
1:21:55 > 1:21:58Be quiet. You will be quiet, or so help me!
1:22:01 > 1:22:03Your own child? You despise her.
1:22:03 > 1:22:06- You're a monster! - She's not a boy!
1:22:06 > 1:22:09She's bright, and she's sweet, and she's...
1:22:09 > 1:22:12- Give me a son! Stay here! - You have one!
1:22:17 > 1:22:19How do you think that makes me feel? Watching your bastard boy
1:22:19 > 1:22:24- running around with... Your bastard boy running around with Florence! - Leave Tom out of this!
1:22:28 > 1:22:31..making us pay because you...
1:22:31 > 1:22:32Mummy! Mummy!
1:22:36 > 1:22:40Stay back, Florence. You can't help Mummy now.
1:22:41 > 1:22:43Move out of the way!
1:22:47 > 1:22:50You can't help Mummy now. Move out of the way!
1:22:57 > 1:23:00You can't help Mummy now. Move out of the way!
1:23:09 > 1:23:11I need you to move out of the way.
1:23:12 > 1:23:14Please, Daddy.
1:23:14 > 1:23:17Mousie, Mousie, run! Run!
1:23:28 > 1:23:30Think I don't know your little hiding places?
1:23:33 > 1:23:36Know where my little mouse hides herself for hours on end?
1:23:40 > 1:23:42GUNSHOT, SHE SCREAMS
1:24:00 > 1:24:01Little Mousie!
1:24:12 > 1:24:14Little Mousie!
1:24:21 > 1:24:23I really am sorry, Little Mousie.
1:24:33 > 1:24:35I will find you, darling.
1:24:41 > 1:24:43You have to go with Mummy now.
1:24:48 > 1:24:52TOY RABBIT PLAYS THE NURSERY RHYME
1:24:54 > 1:24:56GUNSHOT
1:25:26 > 1:25:28Mousie.
1:25:30 > 1:25:31Mousie!
1:25:34 > 1:25:35Little Mousie!
1:25:40 > 1:25:41GUNSHOT
1:26:17 > 1:26:19- MAUD:- You never said school.
1:26:24 > 1:26:27From the moment you arrived, you called this place a house.
1:26:29 > 1:26:31You, nanny.
1:26:33 > 1:26:34Tom's mother.
1:26:34 > 1:26:37I thought bringing you here would be enough.
1:26:37 > 1:26:40But you didn't remember me, let alone the terrible things.
1:26:40 > 1:26:43I knew your little mind had blacked it all out.
1:26:43 > 1:26:45But one thing kept me certain.
1:26:46 > 1:26:48You saw him.
1:26:49 > 1:26:51You saw my...
1:26:52 > 1:26:53My...
1:26:54 > 1:26:56..darling...
1:26:57 > 1:26:58..murdered child.
1:27:00 > 1:27:04Who's lived here all these years with friends he could never have.
1:27:07 > 1:27:08I was his friend.
1:27:09 > 1:27:12We shared everything.
1:27:13 > 1:27:15A father,
1:27:15 > 1:27:16everything.
1:27:16 > 1:27:19But you needed to see.
1:27:19 > 1:27:22That's why I sent Tom to frighten you those times.
1:27:25 > 1:27:26To make you stay.
1:27:26 > 1:27:29Because I know what's best for you.
1:27:29 > 1:27:30I always did.
1:27:32 > 1:27:33Because I raised you.
1:27:35 > 1:27:37I wet-nursed you.
1:27:37 > 1:27:40I watched you
1:27:40 > 1:27:41taken away...
1:27:42 > 1:27:44..adopted.
1:27:45 > 1:27:49You were ripped from me like my boy had been.
1:27:53 > 1:27:55I never asked anything of the world.
1:27:57 > 1:27:59And it's a perfect hell on earth...
1:28:02 > 1:28:06..to give a woman children to love
1:28:06 > 1:28:08and to rob her of them.
1:28:25 > 1:28:27Little Tom.
1:28:28 > 1:28:30Little Tom.
1:28:57 > 1:28:59I'd forgotten everything.
1:29:01 > 1:29:04Well, perhaps not everything.
1:29:06 > 1:29:07"Eaten by lions."
1:29:10 > 1:29:13Well, all memories are a hoax of some sort.
1:29:13 > 1:29:17You can't blame anyone for letting you believe that one.
1:29:17 > 1:29:18Mmm.
1:29:23 > 1:29:24You needn't worry.
1:29:27 > 1:29:28No one will find Judd's body.
1:29:31 > 1:29:34I've buried better men than him.
1:29:37 > 1:29:40You see your own ghosts, too?
1:29:48 > 1:29:51Are they with us now?
1:30:01 > 1:30:02Your friends.
1:30:06 > 1:30:09They look like my friends.
1:30:09 > 1:30:11They don't have the right.
1:30:11 > 1:30:14No amount of guilt deserves the pain you inflict on yourself.
1:30:14 > 1:30:18- They died. I lived. - No, you didn't.
1:30:18 > 1:30:20A life haunted...
1:30:21 > 1:30:23..isn't a life at all.
1:30:25 > 1:30:26We may as well...
1:30:28 > 1:30:30..be ghosts ourselves.
1:30:36 > 1:30:38Light a fire, get some glasses.
1:30:57 > 1:31:00Someone once told me it makes one cross and sick.
1:31:17 > 1:31:20Tom, what... What is it? What's wrong?
1:31:20 > 1:31:22Mother said it would be all right.
1:31:24 > 1:31:26She said that you would want us to.
1:31:26 > 1:31:30The loneliest boys are starting to see Tom now,
1:31:30 > 1:31:33but will he listen to me? Will he hide? He needs you.
1:31:36 > 1:31:37Maud, I'm going home.
1:31:37 > 1:31:40Imagine what a fright you gave me going in the lake like that
1:31:40 > 1:31:42before you saw the truth.
1:31:43 > 1:31:45But it's all right now.
1:31:47 > 1:31:49Because he can have you forever.
1:31:49 > 1:31:51Everything in its place.
1:31:53 > 1:31:54Maud...
1:31:56 > 1:31:57..knows best.
1:32:00 > 1:32:02Robert!
1:32:02 > 1:32:04Florence?
1:32:05 > 1:32:08- Florence? - Mr Mallory!
1:32:08 > 1:32:12Florence and I will be leaving now.
1:32:12 > 1:32:15Tom needs his family with him.
1:32:15 > 1:32:18Florence? Florence?
1:32:18 > 1:32:21Robert, the medicine cabinet in Maud's room. Quickly.
1:32:21 > 1:32:24Something to make me sick. Something to make me sick.
1:32:24 > 1:32:27Oh, God! No! No!
1:32:31 > 1:32:32Tom?
1:32:34 > 1:32:36Tom?
1:32:39 > 1:32:44Don't be angry, I just miss you.
1:32:44 > 1:32:46All the time.
1:32:48 > 1:32:52My whole life I've never been happy, not one second since you left me.
1:32:52 > 1:32:57But I can't... I can't... I can't come.
1:32:57 > 1:32:58You know that, don't you?
1:33:01 > 1:33:03You're the only friend I've ever had.
1:33:05 > 1:33:09But if I go with you now, my soul will never be happy, and I...
1:33:10 > 1:33:12I can be, thanks to you.
1:33:13 > 1:33:15But you won't need me.
1:33:15 > 1:33:17No one will need me.
1:33:18 > 1:33:21Tom, you must be brave.
1:33:21 > 1:33:25Can you move through the house like there are no walls?
1:33:25 > 1:33:27No walls and no floors.
1:33:27 > 1:33:29Help her, help her, help her!
1:33:29 > 1:33:31Then fly, little Tom.
1:33:33 > 1:33:34Fly.
1:33:54 > 1:33:55Are you dead?
1:33:57 > 1:33:59Are you dying?
1:33:59 > 1:34:00I don't know.
1:34:01 > 1:34:03I need to sleep.
1:34:05 > 1:34:07I need to close my eyes.
1:34:08 > 1:34:10I'll stay with you.
1:34:11 > 1:34:12I promise.
1:34:13 > 1:34:15Even if you can't see me.
1:34:18 > 1:34:20I can...
1:34:20 > 1:34:22I can feel you now.
1:35:18 > 1:35:21I'll tell the boys it was an accident, of course.
1:35:21 > 1:35:23They'll be devastated. They adored her.
1:35:23 > 1:35:25We all did. Uh-uh-uh.
1:35:26 > 1:35:29I can only think the Walter incident hit her harder than we thought.
1:35:30 > 1:35:33Mind you, the Cathcart girl didn't help.
1:35:33 > 1:35:35I suspect she wasn't altogether well herself.
1:35:36 > 1:35:38You know, I read a study last term.
1:35:38 > 1:35:41Ladies' minds often can't cope with further education.
1:35:56 > 1:35:58I know you're there.
1:35:58 > 1:36:01That's more than your headmaster does.
1:36:08 > 1:36:10I used to play here.
1:36:10 > 1:36:11Hide and seek.
1:36:11 > 1:36:14She would...
1:36:14 > 1:36:16Maud would sit over there.
1:36:25 > 1:36:28I'm thinking of writing another book.
1:36:29 > 1:36:31The Interpretation of Ghosts.
1:36:32 > 1:36:34Oh, God help us.
1:36:36 > 1:36:38Victor, do your laces.
1:36:42 > 1:36:44- Hello. - Hello, again.
1:36:47 > 1:36:50Actually, Robert, can you tell the driver to wait for me
1:36:50 > 1:36:53at the end of drive? I like the walk.
1:36:53 > 1:36:54I always have.
1:36:55 > 1:36:57Till Saturday week.
1:37:06 > 1:37:08Not seeing them...
1:37:10 > 1:37:12It's not the same as forgetting.
1:37:16 > 1:37:17It isn't.
1:37:30 > 1:37:32- Hello. - Hello.