War and Peace

0:02:20 > 0:02:22'As the 19th century began...

0:02:22 > 0:02:25'a darkening shadow moved across the face of Europe.

0:02:25 > 0:02:29'This shadow was propelled by the voice of one man...

0:02:29 > 0:02:30'Napoleon Bonaparte.

0:02:30 > 0:02:34'Only Russia and England offered impressive resistance.

0:02:34 > 0:02:38'Over Russia the weather was clear, the sun was shining.

0:02:38 > 0:02:41'Napoleon was a thousand miles away...

0:02:41 > 0:02:45'and the streets of Moscow were excellent for parades.'

0:02:45 > 0:02:48PARADE MUSIC

0:03:20 > 0:03:24Splendid sight. Splendid men. Eh, Pierre?

0:03:24 > 0:03:28- For parades. - What do you mean by that?

0:03:28 > 0:03:31Remember. I've seen the French marching too.

0:03:31 > 0:03:33Don't tell me they march better than that.

0:03:37 > 0:03:40Led by the greatest man in Europe.

0:03:40 > 0:03:42Bonaparte?

0:03:42 > 0:03:47A usurper. A murderer. A deposer of kings.

0:03:47 > 0:03:51A colossus. A fresh wind. A cleansing force.

0:03:51 > 0:03:54What does your father say when he hears you say things like that?

0:03:54 > 0:03:57We don't talk about things like that, my father and I.

0:03:58 > 0:04:00How is he?

0:04:01 > 0:04:04The doctors say he will die at any moment.

0:04:04 > 0:04:08- Have you been to see him? - I'm waiting to be asked.

0:04:08 > 0:04:11In heaven all things will be arranged.

0:04:11 > 0:04:14I believe that's the rumour.

0:04:14 > 0:04:17Remember, Pierre, this is your home when you want it to be

0:04:17 > 0:04:20and the Rostovs are your family when you want them to be.

0:04:23 > 0:04:25I smoke too much.

0:04:29 > 0:04:33Isn't it lovely? How can you bear not to go with them?

0:04:33 > 0:04:34I can bear it.

0:04:34 > 0:04:37If I were a man, I'd be down there...

0:04:37 > 0:04:41riding a terrible black horse, waving a sword.

0:04:45 > 0:04:47It's so unfair.

0:04:47 > 0:04:50Men are the only people permitted to have any fun.

0:05:07 > 0:05:09What is it, Natasha?

0:05:11 > 0:05:15All those handsome young men marching away to fight...

0:05:15 > 0:05:17to be killed.

0:05:25 > 0:05:26PLAYS PIANO

0:05:38 > 0:05:41Don't be frightened. Come on.

0:05:44 > 0:05:45Nicholas!

0:05:49 > 0:05:51Well, what's this?

0:05:53 > 0:05:56You look so dazzling in your uniform.

0:05:56 > 0:06:00And you're going so far away. Austria is miles.

0:06:00 > 0:06:03I looked it up on the map.

0:06:03 > 0:06:05That brute Napoleon.

0:06:05 > 0:06:07The Austrians make the most beautiful bracelets.

0:06:07 > 0:06:10- I'll bring you back one. - Nicholas, two.

0:06:10 > 0:06:13- They're wearing them in pairs. - Two.

0:06:13 > 0:06:17Pierre, you remember our cousin, Sonya? She's come to stay with us.

0:06:17 > 0:06:19Of course, although she was considerably younger

0:06:19 > 0:06:21the last time I saw her.

0:06:21 > 0:06:24Girls grow up, Pierre, very fast.

0:06:24 > 0:06:26Doesn't he look glorious?

0:06:26 > 0:06:30Who would've thought Mama and Papa would have had such handsome children?

0:06:30 > 0:06:32Mother, did you hear that?

0:06:32 > 0:06:34Now attention.

0:06:34 > 0:06:36Ensign Count Nicholas Rostov,

0:06:36 > 0:06:38I decorate you with the order of...

0:06:38 > 0:06:41absolutely everything.

0:06:41 > 0:06:42LAUGHTER

0:06:42 > 0:06:44I don't think you ought to laugh at her

0:06:44 > 0:06:46when she makes jokes about the army.

0:06:46 > 0:06:50Oh, well, Petya, women... you have to humour them a little.

0:06:50 > 0:06:53You do look shiny, Nicholas. If only I was old enough.

0:06:53 > 0:06:56- That'll come, Petya. - Not in time.

0:06:56 > 0:06:59By the time I'm old enough, there won't be a Frenchman left to be killed.

0:06:59 > 0:07:02Don't worry, Petya! There will always be plenty of Frenchmen.

0:07:02 > 0:07:04Good luck.

0:07:04 > 0:07:06With your views on war, that's very civil of you.

0:07:06 > 0:07:09But seriously, Pierre, why don't you take a commission?

0:07:09 > 0:07:10It's so easy for men.

0:07:10 > 0:07:13All you have to do is decide to do something. Then do it.

0:07:13 > 0:07:16If you were a man what would you decide to do?

0:07:16 > 0:07:19I'd decide to become enormously powerful.

0:07:19 > 0:07:21I'd become the czar's most trusted minister...

0:07:21 > 0:07:23and he wouldn't dare make a move without consulting me.

0:07:23 > 0:07:26And you would sit at my right hand and judge the nations.

0:07:26 > 0:07:29Whenever anything was complicated or an injustice was being done,

0:07:29 > 0:07:33the case would be laid before you and your word would be law.

0:07:33 > 0:07:34Why me?

0:07:35 > 0:07:37Because your heart is pure and you're good.

0:07:39 > 0:07:42Well done, my dear. Well done.

0:07:42 > 0:07:44On that note, I think I should leave.

0:07:44 > 0:07:48What about if you did have that power, what would you do?

0:07:48 > 0:07:49I?

0:07:51 > 0:07:53I would hesitate.

0:07:53 > 0:07:55Now I really must go.

0:07:55 > 0:07:57Come again soon.

0:07:57 > 0:08:00I'll walk you to the door, my Lord Hesitator.

0:08:00 > 0:08:03- Goodbye, Pierre. - Come soon again.

0:08:03 > 0:08:05You will come again soon, won't you? 01686 620725 ryan

0:08:05 > 0:08:06Mama and Papa don't show it,

0:08:06 > 0:08:09but they're going to be lonely when Nicholas is gone.

0:08:09 > 0:08:12- And they do love seeing you. - Yes, of course I'll come.

0:08:12 > 0:08:14I love this house and the whole family.

0:08:14 > 0:08:16The whole family? That's not as simple as you think.

0:08:18 > 0:08:19What do you mean by that?

0:08:19 > 0:08:22Oh, there are currents and countercurrents.

0:08:26 > 0:08:27Au revoir.

0:08:29 > 0:08:32Now, where are you going? To Dolokhov's rooms?

0:08:32 > 0:08:35As a matter of fact I am. How did you know?

0:08:35 > 0:08:38I hear things, I hear things.

0:08:40 > 0:08:44Go. Go to your night of disgusting and fascinating debauchery.

0:08:47 > 0:08:49Au revoir.

0:09:01 > 0:09:03FAST-PACED MUSIC

0:10:04 > 0:10:06Careful. There's a bet on here.

0:10:06 > 0:10:08Go on. Bring me a bottle of rum.

0:10:08 > 0:10:10And you two, break this up.

0:10:10 > 0:10:13Now, let's get this straight.

0:10:13 > 0:10:1650 imperials against Prince Anatole Kuragin...

0:10:16 > 0:10:19that I will drink a bottle of rum without taking it from my mouth.

0:10:19 > 0:10:21Balancing on the outside ledge

0:10:21 > 0:10:25and not touching the sides of the windows.

0:10:25 > 0:10:27Want to make it 100, Anatole?

0:10:27 > 0:10:29Fifty's enough for you to lose.

0:10:29 > 0:10:31Here. Get down from there, you weaklings.

0:10:31 > 0:10:33Calculus, come on.

0:10:33 > 0:10:35- Come on. - You do it.

0:11:05 > 0:11:07Hail Moscow!

0:11:07 > 0:11:09Give me that.

0:11:09 > 0:11:12Don't be crazy, Dolokhov. You'll be killed!

0:11:13 > 0:11:16If you touch me again I will throw you down there.

0:11:16 > 0:11:19And that goes for everyone of you here.

0:11:19 > 0:11:22Play, play! What are we paying you for?

0:11:23 > 0:11:25JOVIAL MUSIC

0:11:26 > 0:11:28Now then, my friends.

0:11:28 > 0:11:32Remember, without taking the bottle from your lips, huh?

0:12:13 > 0:12:15CHEERING

0:12:17 > 0:12:2050 imperials, Anatole.

0:12:20 > 0:12:24And it's double for anyone else who will do it.

0:12:24 > 0:12:26I'll do it for nothing... without a bet.

0:12:26 > 0:12:28LAUGHTER

0:12:32 > 0:12:34You get dizzy walking up a flight of steps.

0:12:34 > 0:12:35Get out of my way.

0:12:42 > 0:12:44Give me a bottle.

0:12:53 > 0:12:56- Get down from there.- Can't take the bottle from your mouth...

0:12:56 > 0:12:59- Get down from there, Pierre. - No, let him do it.

0:13:01 > 0:13:03Your father's calling for you.

0:13:05 > 0:13:07(SLURRED) Excuse me, gentlemen.

0:13:09 > 0:13:11I suggest a little cold water first.

0:13:12 > 0:13:15I'll wait for you.

0:13:15 > 0:13:16Prince Andre.

0:13:16 > 0:13:19Is the old boy really dying this time?

0:13:19 > 0:13:22The doctors are fairly certain Count Bezukhov won't last the night.

0:13:24 > 0:13:26Are my father and sister there?

0:13:26 > 0:13:29Your father was there and the Princess Helene was expected.

0:13:29 > 0:13:33That's good. I don't have to go. The family's well represented.

0:13:40 > 0:13:41Careful, careful.

0:13:43 > 0:13:45- You disapprove of me? - Well...

0:13:45 > 0:13:46Of course you do.

0:13:46 > 0:13:48You'd be wrong if you didn't.

0:13:48 > 0:13:51Arriving at the deathbed of my father bleary-eyed...

0:13:51 > 0:13:54stinking of alcohol.

0:13:54 > 0:13:57He disapproves, too, my father.

0:13:57 > 0:13:58Well, that's fair enough.

0:13:58 > 0:14:02I disapprove of many things about him.

0:14:02 > 0:14:07Chiefly, I disapprove of the fact that he didn't marry my mother.

0:14:07 > 0:14:09Perhaps if I was legitimate...

0:14:10 > 0:14:14I have sinned, Lord, but I have several excellent excuses.

0:14:15 > 0:14:19With all that, Andre, you still disapprove?

0:14:19 > 0:14:21You're not being worthy of yourself, Pierre.

0:14:21 > 0:14:24You're not living up to the best things in yourself.

0:14:24 > 0:14:26You must be somebody.

0:14:26 > 0:14:29That's where the puzzle begins. Be somebody. Be what?

0:14:29 > 0:14:32Who am I? Am I the next Count Bezukhov...

0:14:32 > 0:14:35Lord of vast estates and the fixed positions...

0:14:35 > 0:14:38fixed responsibilities?

0:14:38 > 0:14:40Not quite.

0:14:40 > 0:14:43My father cannot quite acknowledge that I am his son...

0:14:43 > 0:14:47but he cannot quite acknowledge that I am not his son.

0:14:47 > 0:14:50That makes everybody uncomfortable, including myself.

0:14:50 > 0:14:53Well, you must aim at something, find a beginning.

0:14:53 > 0:14:56Oh, you're right. Don't think I don't agree with you.

0:14:56 > 0:14:59Each morning I wake up, I'm disgusted with myself...

0:14:59 > 0:15:02with what I did the night before.

0:15:02 > 0:15:06I tell myself today... a change.

0:15:06 > 0:15:07If my headache is bad enough, I say...

0:15:07 > 0:15:11"Pierre, today you must take steps to become a saint."

0:15:13 > 0:15:16I say, I'll drop in at the club and watch the card playing.

0:15:16 > 0:15:18Just order a glass of water...

0:15:18 > 0:15:23to prove to myself how marvelously I resist temptation.

0:15:23 > 0:15:25Then someone comes along and says...

0:15:25 > 0:15:28"Just one vodka, Pierre."

0:15:28 > 0:15:31Next morning my headache is worse, my pockets are emptier.

0:15:31 > 0:15:34There must be something you want to do.

0:15:34 > 0:15:36Of course. I want to discover.

0:15:36 > 0:15:38- Discover what?- Everything.

0:15:38 > 0:15:42I want to discover why I know what's right and still do what's wrong.

0:15:43 > 0:15:46I want to discover what happiness is...

0:15:46 > 0:15:48and what value there is in suffering.

0:15:48 > 0:15:51I want to discover why men go to war...

0:15:51 > 0:15:54and what they really say...

0:15:54 > 0:15:56deep in their hearts when they pray to God.

0:15:57 > 0:16:01I want to discover what it is that men and women feel when they say they love.

0:16:03 > 0:16:05You see, there's enough to keep me busy.

0:16:08 > 0:16:11It's hard for you to understand someone like me.

0:16:11 > 0:16:13Everything is so clear for you.

0:16:13 > 0:16:16You always know exactly what you must do and you do it.

0:16:16 > 0:16:18- Exactly.- You're different from me.

0:16:18 > 0:16:20You study, you become enlightened.

0:16:20 > 0:16:24I study, I become confused.

0:16:24 > 0:16:27You love, you marry. You believe, you act.

0:16:27 > 0:16:28There's a war, you serve.

0:16:28 > 0:16:31How wonderful it would be if I really answered to your description.

0:16:31 > 0:16:35- You do, I tell you.- Shall I show you how wrong you are?

0:16:35 > 0:16:37I know you. I'm not wrong.

0:16:37 > 0:16:39Do you know why I'm going to the war?

0:16:39 > 0:16:42You think it's because I think that Napoleon is a monster?

0:16:42 > 0:16:45You think I believe that we have any business fighting Austria's battles

0:16:45 > 0:16:472,000 miles from home?

0:16:47 > 0:16:49You think that I think Russia will be a greater nation

0:16:49 > 0:16:50when this war is over?

0:16:50 > 0:16:52Then why are you going?

0:16:52 > 0:16:54Because I'm married to one of the most loving and honorable

0:16:54 > 0:16:57and attractive women in Moscow...

0:16:57 > 0:16:59and I can't stand it.

0:17:00 > 0:17:02Never, never marry, Pierre.

0:17:02 > 0:17:05Or if you must marry, marry when you're old and good for nothing.

0:17:05 > 0:17:08Or else everything that is fine and noble in you will be lost.

0:17:08 > 0:17:11You'll waste yourself on trifles.

0:17:11 > 0:17:14Yes, yes, don't look at me like that.

0:17:14 > 0:17:17You talk of Bonaparte and his career.

0:17:17 > 0:17:19If Bonaparte had married when he was young

0:17:19 > 0:17:21he'd still be a half-pay captain in Marseilles

0:17:21 > 0:17:24going to dinner parties and carrying his wife's handbag

0:17:24 > 0:17:26and inviting idiots to his house because his wife

0:17:26 > 0:17:28wanted to be invited to their houses.

0:18:29 > 0:18:31Prince Andre.

0:18:31 > 0:18:33Princess Helene.

0:18:33 > 0:18:35Didn't you tell my brother that he was expected here?

0:18:35 > 0:18:37- I did.- Isn't he coming?

0:18:37 > 0:18:39I believe not.

0:18:40 > 0:18:42Thank you.

0:18:56 > 0:18:59How is he, Prince Vasili?

0:18:59 > 0:19:01His confessor is with him.

0:19:01 > 0:19:03They are giving him extreme unction.

0:19:05 > 0:19:06He was asking for you.

0:19:07 > 0:19:11I hope you are in a proper condition to see him at this time.

0:19:13 > 0:19:15Follow me.

0:19:15 > 0:19:18Go ahead. I'll wait for you here.

0:19:18 > 0:19:20CHANTING

0:20:11 > 0:20:14If you please, Monsieur Pierre.

0:20:15 > 0:20:18He wishes you to kiss him goodbye.

0:20:46 > 0:20:48This is for you.

0:20:56 > 0:20:58Now he would like to sleep.

0:21:25 > 0:21:28So late. Finally at the end he loved me.

0:21:28 > 0:21:29So late.

0:21:30 > 0:21:32He gave me this.

0:21:37 > 0:21:40This letter is for the czar,

0:21:40 > 0:21:42and this one for you, Pierre.

0:21:42 > 0:21:44Open it.

0:21:53 > 0:21:56Your father wishes you to know that in the letter to the czar

0:21:56 > 0:22:00he begs that you be legitimately acknowledged as his son

0:22:00 > 0:22:02and the next Count Bezukhov,

0:22:02 > 0:22:05the sole heir to all his estates.

0:22:15 > 0:22:18Be worthy, my boy.

0:22:18 > 0:22:21Be worthy of your great father.

0:22:21 > 0:22:23How often we sin,

0:22:23 > 0:22:25how much we deceive, and for what?

0:22:25 > 0:22:28All ends in death.

0:22:28 > 0:22:30Kiss your cousin,Helene.

0:22:30 > 0:22:33He has been reborn. Embrace him.

0:22:33 > 0:22:35Wish him well.

0:22:59 > 0:23:02It's a good thing we're going back to Moscow.

0:23:02 > 0:23:06After three weeks in the country I can hardly keep my eyes open.

0:23:06 > 0:23:11Still, it was a profitable trip, wasn't it, Pierre?

0:23:13 > 0:23:15Very profitable.

0:23:39 > 0:23:42I'll see how long we have to wait. It shouldn't be too long.

0:23:42 > 0:23:45There's no hurry. It'll give Papa a few extra winks of sleep.

0:23:51 > 0:23:52Andre!

0:23:54 > 0:23:55Pierre!

0:23:59 > 0:24:01- Where are you going, to your father's?- Yes.

0:24:01 > 0:24:04What have you been up to? Tell me all the news. Are you alone?

0:24:04 > 0:24:08No. Prince Vasili is with me and his daughter too.

0:24:08 > 0:24:11We've made a tour of inspection of my estates.

0:24:11 > 0:24:15I've never been there before. It's huge. So backward.

0:24:15 > 0:24:18And now that I'm Count Bezukhov, I feel I must do something about it.

0:24:18 > 0:24:21I see. That's why you went with Prince Vasili and Helene.

0:24:21 > 0:24:24Well, Prince Vasili helps me with the administration.

0:24:24 > 0:24:25Of course.

0:24:25 > 0:24:27Come say hello to Lise. It will give her pleasure.

0:24:27 > 0:24:30She's miserable at the idea of being stuck away in the country.

0:24:30 > 0:24:32Helene is different. She loves the country.

0:24:32 > 0:24:35- It was her idea to come along. - I'm sure.

0:24:36 > 0:24:40- Children, go away.- How long do you expect to stay here?

0:24:40 > 0:24:43Forever. Months and months and months.

0:24:43 > 0:24:45Until after the baby's born.

0:24:45 > 0:24:47No, thank you.

0:24:47 > 0:24:49You know Andre's leaving tomorrow?

0:24:49 > 0:24:52He thought it would be better for me to be here with his father and sister

0:24:52 > 0:24:54than alone in Moscow.

0:24:54 > 0:24:56And how do you feel about it?

0:24:56 > 0:24:58I dread it.

0:24:58 > 0:25:01And even so, you consented to bury yourself down here?

0:25:01 > 0:25:04Andre wants me to. What else is there to do?

0:25:04 > 0:25:07I assure you, if it were I, I would find something else to do.

0:25:07 > 0:25:11I suppose so, but we're very different, you and I.

0:25:11 > 0:25:12Yes, indeed we are.

0:25:12 > 0:25:15- Have you asked her to marry you yet?- No.

0:25:16 > 0:25:18Are you going to?

0:25:19 > 0:25:21I don't know yet.

0:25:22 > 0:25:25- Do you want some advice? - On any subject, Andre.

0:25:25 > 0:25:27Not on this.

0:25:28 > 0:25:29All right.

0:25:38 > 0:25:40Andre!

0:25:46 > 0:25:48We thought you would never come.

0:25:48 > 0:25:51- Oh, Lise, you look so beautiful. - You too, Mary.

0:25:51 > 0:25:54No, I'm just a little country mouse.

0:25:54 > 0:25:57Andre, it isn't true what you wrote in your letter...

0:25:57 > 0:25:59that you're only staying overnight?

0:25:59 > 0:26:03- I'm afraid it is. - Lise, talk to him.

0:26:03 > 0:26:05- Make him stay. - I've tried.

0:26:05 > 0:26:08Mary, Lise's very tired. I think she'd better get some rest.

0:26:08 > 0:26:11- Yes? - Excellency, your father heard you.

0:26:11 > 0:26:13He would like you to present yourself immediately.

0:26:13 > 0:26:16Thank you. No, you'd better go upstairs, Lise.

0:26:16 > 0:26:18You'll see him at dinner.

0:26:18 > 0:26:19Come.

0:26:26 > 0:26:28Here is the warrior.

0:26:28 > 0:26:31Here's the Bolkonsky who's going to beat Napoleon.

0:26:33 > 0:26:35How are you, my boy? How are you?

0:26:36 > 0:26:39I'm well, Father. How is your health?

0:26:39 > 0:26:43Oh, the same, boy. The same. Only fools fall ill.

0:26:43 > 0:26:46You know me, busy from morning till night.

0:26:46 > 0:26:49Little to eat, less to drink. So of course I'm well.

0:26:49 > 0:26:50Thank God.

0:26:50 > 0:26:52God has nothing to do with it.

0:27:01 > 0:27:03Just a moment, Andre, please.

0:27:03 > 0:27:04- Don't refuse. - What is it?

0:27:07 > 0:27:12Father's father used to take it along with him...in all his wars.

0:27:12 > 0:27:14If it's not too heavy and won't break my neck.

0:27:14 > 0:27:19Andre, promise that you'll never take it off.

0:27:19 > 0:27:22- Promise?- Yes.

0:27:27 > 0:27:28Kiss me here.

0:27:37 > 0:27:40Thank you, my boy. Thank you.

0:27:40 > 0:27:42Why do you thank me, Father?

0:27:42 > 0:27:44For doing your duty.

0:27:44 > 0:27:48For not allowing yourself to be tied to a woman's apron strings.

0:27:49 > 0:27:52The army before everything. Thank you. Thank you.

0:27:56 > 0:27:58About my wife, Father.

0:27:58 > 0:28:00Your wife?

0:28:00 > 0:28:01Well, go on, speak.

0:28:01 > 0:28:05When her confinement is due, send to Moscow for a doctor.

0:28:05 > 0:28:06A doctor?

0:28:06 > 0:28:08I know that if nature won't do its work, no-one can.

0:28:08 > 0:28:11But they've been telling her things and...

0:28:11 > 0:28:12she's had a dream.

0:28:12 > 0:28:15She's frightened.

0:28:15 > 0:28:16All right, all right.

0:28:17 > 0:28:19Give this to Michael Kutuzov.

0:28:20 > 0:28:23We were at school together.

0:28:23 > 0:28:25He wasn't exactly a bright lad, but never mind.

0:28:27 > 0:28:30I've written to him to tell him to keep you away from headquarters.

0:28:30 > 0:28:32They're bad places.

0:28:34 > 0:28:37Tell him I remember him and I admire him.

0:28:37 > 0:28:39Now goodbye.

0:28:45 > 0:28:47Remember this, Prince Andre.

0:28:48 > 0:28:50If they kill you, it will hurt me, your old father.

0:28:52 > 0:28:55But if I hear that you've not behaved like a son of Nicholas Bolkonsky...

0:28:55 > 0:28:57it will be worse.

0:28:57 > 0:29:00I shall be shamed.

0:29:00 > 0:29:03You needn't have said that to me, Father.

0:29:03 > 0:29:05L...

0:29:05 > 0:29:08I also wanted to ask you...

0:29:08 > 0:29:10if I am killed and I have a son...

0:29:11 > 0:29:14..don't let him be taken away from you.

0:29:15 > 0:29:17Let him grow up...here...

0:29:18 > 0:29:20..with you, please.

0:29:25 > 0:29:29Well, what are you waiting for? We've said goodbye. Go, go.

0:29:39 > 0:29:43You're leaving already. Don't go. Don't leave me here.

0:29:43 > 0:29:45I won't be able to stand it. I'll be so lonely.

0:29:45 > 0:29:48I leave you in my family's house, with my father, with Mary.

0:29:48 > 0:29:51Stay until tomorrow. Stay another day, please, I beg you.

0:29:51 > 0:29:53I can't, Lise. You know that.

0:29:54 > 0:29:57You're delighted to go. You're delighted to get rid of me.

0:30:14 > 0:30:16Goodbye, Mary.

0:30:21 > 0:30:23Ketya, go and get some smelling salts.

0:30:32 > 0:30:35Would you please tell your horse to stop shaking his head?

0:30:35 > 0:30:37I'll never get it this way.

0:30:37 > 0:30:41You heard the lady. Stop shaking your head.

0:30:42 > 0:30:46You see, animals are much more reasonable than people.

0:30:52 > 0:30:55Mademoiselle, I wonder if I might offer you a million rubles...

0:30:55 > 0:30:58to paint my portrait.

0:30:58 > 0:30:59Pierre!

0:30:59 > 0:31:03On one condition. You must make me look at least as good as the horse.

0:31:04 > 0:31:08It's not fair to look at it before it's finished.

0:31:08 > 0:31:09Very unpromising, isn't it?

0:31:09 > 0:31:11Yes, it is.

0:31:11 > 0:31:14You needn't be in such a hurry to agree.

0:31:14 > 0:31:17Anyways, it's not meant to be a work of art.

0:31:17 > 0:31:19Papa bought the colt to give to Nicholas

0:31:19 > 0:31:21when he comes back from the war.

0:31:21 > 0:31:23And I'm going to send him the picture to show him what it's like.

0:31:23 > 0:31:25Have you finished?

0:31:25 > 0:31:27For the moment.

0:31:30 > 0:31:33Charge! Come on! Hurry! Come on!

0:31:33 > 0:31:35HORSE NEIGHS

0:31:35 > 0:31:37Yahoo! Come on!

0:31:40 > 0:31:43- Have you heard from Nicholas? - Mama and Papa received a letter.

0:31:43 > 0:31:45He hasn't written me or Sonya.

0:31:45 > 0:31:48Men forget about women immediately when they go to war, don't they?

0:31:48 > 0:31:49Men don't. Boys do.

0:31:49 > 0:31:52Nicholas would be furious if he heard you call him a boy.

0:31:52 > 0:31:54He'd probably challenge you to a duel.

0:31:54 > 0:31:56That's better a reason than most for fighting a duel.

0:31:56 > 0:31:59Actually, the only reason he wrote was that he wanted some more money.

0:31:59 > 0:32:02He keeps lending money to his captain

0:32:02 > 0:32:03who keeps losing it at cards.

0:32:03 > 0:32:06The captain sounds a lot like Papa.

0:32:06 > 0:32:07His name's Denisov.

0:32:07 > 0:32:10And Nicholas says he's got moustaches out to here,

0:32:10 > 0:32:13he lisps and he's the bravest man in the world.

0:32:13 > 0:32:15Nicholas says he's having a perfectly glorious time

0:32:15 > 0:32:18and we're bound to win the war soon.

0:32:18 > 0:32:20He's beginning to feel quite sorry for Napoleon.

0:32:20 > 0:32:23Charge! Kill 'em!

0:32:23 > 0:32:25Come on, men!

0:32:25 > 0:32:27Take that!

0:32:27 > 0:32:28Come on!

0:32:31 > 0:32:34There's no doubt about it. Wars must be very amusing.

0:32:34 > 0:32:37- I must put it on my list. - What list?

0:32:37 > 0:32:39I'm making a list of the greatest pleasures human beings

0:32:39 > 0:32:42are capable of in the order of their importance.

0:32:42 > 0:32:43I neglected war.

0:32:43 > 0:32:46What are the other pleasures in the order of their importance?

0:32:46 > 0:32:48The opera, eternal friendship, summertime,

0:32:48 > 0:32:51dancing the mazurka, moving to the country in the springtime,

0:32:51 > 0:32:53and welcoming soldiers home from the war.

0:32:53 > 0:32:56- Have you any suggestions? - Well, let me think.

0:32:56 > 0:32:59To be able to believe in God,

0:32:59 > 0:33:02to cause happiness, to love.

0:33:02 > 0:33:04Love? Look at Sonya. She's in love with Nicholas

0:33:04 > 0:33:07and she cries every day between 8:00 and 9:00 in the morning,

0:33:07 > 0:33:08a full hour.

0:33:08 > 0:33:10Don't you ever intend to fall in love?

0:33:10 > 0:33:12Ten or 11 times. Only for recreation.

0:33:12 > 0:33:15I'll keep changing partners like a dance.

0:33:16 > 0:33:19When I finally say I love you to a man and really mean it,

0:33:19 > 0:33:22it'll be like a defeated general who's lost all his troops,

0:33:22 > 0:33:25surrendering and handing his sword to his enemy.

0:33:25 > 0:33:27You'll change.

0:33:27 > 0:33:28The hideous thing about being young

0:33:28 > 0:33:32is everybody is always telling you you'll change.

0:33:34 > 0:33:36Are you dining with us tonight?

0:33:36 > 0:33:39I'm afraid I can't. I have a previous engagement.

0:33:39 > 0:33:41Oh? With whom?

0:33:42 > 0:33:44My cousin, Princess Helene.

0:33:46 > 0:33:49I'd like to be like her when I grow up.

0:33:51 > 0:33:53Of course I'll have to fill out around here.

0:33:53 > 0:33:57Tall, proud, beautiful, cold and untouchable...

0:33:57 > 0:34:00with regiments of men dropping at my feet.

0:34:02 > 0:34:04I'm going to marry her, Natasha.

0:34:06 > 0:34:08Gently, gently.

0:34:10 > 0:34:12Who's surrendering his sword, you or she?

0:34:17 > 0:34:19Be happy, dearest Pierre.

0:34:24 > 0:34:27I order you to be supremely happy.

0:34:48 > 0:34:50I'll be leaving again directly. Wait.

0:35:00 > 0:35:04I have a message for General Kutuzov and I must deliver it immediately.

0:35:05 > 0:35:08There's the general's aide. You talk to him, Ensign.

0:35:10 > 0:35:13Sir. I've just come from the picket lines.

0:35:13 > 0:35:16I have a message and it must be delivered immediately to the commander.

0:35:16 > 0:35:18His Excellency is in the middle of a council of war.

0:35:18 > 0:35:21- Give it to me. I'll deliver it. - A verbal message.

0:35:21 > 0:35:23Deliver it to me now.

0:35:24 > 0:35:26My squadron is on picket duty.

0:35:26 > 0:35:28This evening we saw the French put out their fires

0:35:28 > 0:35:30and we heard sounds in their camp.

0:35:30 > 0:35:32- The enemy's on the move, sir. - Is that all?

0:35:34 > 0:35:35Is that all?

0:35:37 > 0:35:40I would say that you have seen no action yet, am I right?

0:35:45 > 0:35:48Good luck, my friend.

0:35:48 > 0:35:51It is quite apparent that the enemy has regrouped his position.

0:35:51 > 0:35:55Surely now, Your Excellency should take into consideration

0:35:55 > 0:35:57the fact that we must change the orders for tomorrow.

0:35:57 > 0:35:59Or rather for today

0:35:59 > 0:36:01for it is past midnight.

0:36:02 > 0:36:04Gentlemen.

0:36:07 > 0:36:09Gentlemen...

0:36:10 > 0:36:12..the orders for tomorrow...

0:36:12 > 0:36:14cannot now be ordered.

0:36:16 > 0:36:19You've heard them...

0:36:19 > 0:36:21and we shall all do our duty.

0:36:23 > 0:36:25But before the battle...

0:36:25 > 0:36:27there is nothing more important...

0:36:29 > 0:36:31..than to have a good sleep.

0:36:34 > 0:36:36Good night.

0:36:36 > 0:36:38- Good night, sir. - Good night.

0:36:52 > 0:36:54But, sir...

0:36:55 > 0:36:57..if the French are that far south of Austerlitz...

0:36:57 > 0:36:59Plans.

0:37:00 > 0:37:02Tomorrow after the battle

0:37:02 > 0:37:05they will all have 100 reasons why the plans didn't work.

0:37:05 > 0:37:08They'll blame everything but themselves.

0:37:08 > 0:37:10How do you think it will go tomorrow?

0:37:14 > 0:37:15I think the battle will be lost.

0:37:21 > 0:37:23We shall not have lost the war, Andre...

0:37:23 > 0:37:26because of this one battle.

0:37:26 > 0:37:28There will be peace...

0:37:30 > 0:37:32..and then a new war.

0:37:32 > 0:37:35Men like Napoleon can never stop

0:37:35 > 0:37:37until their own ambition destroys them.

0:37:40 > 0:37:43The only important battle is the last.

0:37:44 > 0:37:45Good night.

0:37:47 > 0:37:49SHOOTING

0:37:52 > 0:37:53Fire!

0:38:02 > 0:38:05Sir, it looks as if the French have broken our flank.

0:38:09 > 0:38:12Captain, the hussars must charge.

0:39:03 > 0:39:06- You're wounded.- Wound's not here. There's my wound!

0:39:09 > 0:39:11Stop them!

0:39:12 > 0:39:14Stop those cowards!

0:39:22 > 0:39:25Forward! Forward!

0:39:27 > 0:39:29Forward!

0:39:29 > 0:39:31Forwards, lads. Forward!

0:39:59 > 0:40:01That... is a fine death.

0:40:03 > 0:40:05He's alive.

0:40:06 > 0:40:08Have this man attended to and take him

0:40:08 > 0:40:10to my bivouac like all the others.

0:40:10 > 0:40:13Let my doctor examine his wounds.

0:40:44 > 0:40:46It's so early in the morning, Pierre.

0:40:46 > 0:40:49- It's 11:00.- It's so early.

0:40:49 > 0:40:51Since we decided to go to the country in a week,

0:40:51 > 0:40:53we have a lot of shopping to do.

0:40:53 > 0:40:55Oh, Pierre, I'm so tired.

0:40:55 > 0:40:58It's all right. I'll go this morning and come back early.

0:40:58 > 0:40:59KNOCK ON DOOR

0:41:03 > 0:41:05- The morning papers, sir. - Thank you.

0:41:13 > 0:41:15Anything amusing in the Gazette?

0:41:15 > 0:41:18It's not very amusing. We've lost again.

0:41:19 > 0:41:21An armistice is going to be discussed.

0:41:22 > 0:41:26Prisoners wounded on both sides will be immediately returned.

0:41:26 > 0:41:30In a word... we're suing for peace.

0:41:30 > 0:41:31You sound bitter.

0:41:32 > 0:41:34Maybe I am.

0:41:34 > 0:41:37What difference does it make if a piece of Poland changes hand,

0:41:37 > 0:41:40a new prince is established in Austria?

0:41:40 > 0:41:43Oh, it's so boring to worry about things like that.

0:41:43 > 0:41:46So, no more war.

0:41:46 > 0:41:49- For the time being. - For the time being.

0:41:50 > 0:41:53- Then the armies will be coming back. - Yes, I suppose so.

0:41:53 > 0:41:56Moscow will be very gay and exciting.

0:41:56 > 0:42:00Pierre, why don't we stay here and not go to the country?

0:42:00 > 0:42:04Not this year, at least. It'll be such a gay season.

0:42:04 > 0:42:06I'm not particularly interested in a gay season.

0:42:06 > 0:42:08Besides, I have so much work to do down there -

0:42:08 > 0:42:10the hospital, the school.

0:42:10 > 0:42:12They will die just as well without you in the hospital.

0:42:12 > 0:42:15And they'll learn just as many idiotic things without you

0:42:15 > 0:42:18- in the schools.- I promised those people. I can't disappoint them.

0:42:18 > 0:42:20Well, I never liked the idea.

0:42:21 > 0:42:24Pierre, come here.

0:42:25 > 0:42:28Listen. You know what we can do?

0:42:28 > 0:42:31You go to the country all by yourself.

0:42:31 > 0:42:35Do there what you have to do. Get the house ready and so on.

0:42:35 > 0:42:38Then I'll join you in the spring, huh?

0:42:38 > 0:42:40The country's so dreary in the winter.

0:42:41 > 0:42:44Please don't force it on me, Pierre.

0:42:44 > 0:42:48If you must stay, stay, but I'll be lost without you there, Helene.

0:42:48 > 0:42:49Nonsense.

0:42:49 > 0:42:52It will be good for the both of us.

0:42:52 > 0:42:56And you will appreciate me so much more when you haven't seen me for some time.

0:42:56 > 0:42:58I couldn't appreciate you more, Helene.

0:43:02 > 0:43:04If you only knew how many things I have to do.

0:43:04 > 0:43:07There's a dozen dresses I have to have made

0:43:07 > 0:43:09and lots of shoes and things.

0:43:10 > 0:43:12Why are you looking at me like that?

0:43:12 > 0:43:14Why?

0:43:17 > 0:43:18What does it mean?

0:43:19 > 0:43:21Nothing, my dear.

0:43:35 > 0:43:39They lost. They were defeated. What are they cheering about?

0:43:39 > 0:43:41Because they fought, because they're alive,

0:43:41 > 0:43:43because they've come home.

0:43:57 > 0:43:59Vaska, I hope nothing's happened.

0:43:59 > 0:44:02Gracious heavens. The young count.

0:44:03 > 0:44:06- Can it possibly be? - Prokofy. Is everything all right?

0:44:06 > 0:44:09- The Lord be thanked, yes. - Good.

0:44:16 > 0:44:18You're back!

0:44:18 > 0:44:19It's you!

0:44:19 > 0:44:20Oh, dear!

0:44:33 > 0:44:36Papa!

0:44:49 > 0:44:50Mama.

0:44:59 > 0:45:02- And you must be... - Vasili Denisov, your son's friend.

0:45:02 > 0:45:05I know. Nicholas wrote to us.

0:45:05 > 0:45:07Darling. Welcome.

0:45:09 > 0:45:11Welcome.

0:45:11 > 0:45:13Isn't it wonderful?

0:45:13 > 0:45:16Nicholas, you haven't said hello to Sonya yet.

0:45:19 > 0:45:21What's the sense of coming home from a war

0:45:21 > 0:45:23if that's all you're going to do?

0:45:36 > 0:45:37- Good morning. - Good morning.

0:45:37 > 0:45:39Gwishka, my pipe.

0:45:40 > 0:45:42Rostov, wake up.

0:45:43 > 0:45:46- Why? Is it late? - Late? It's 10:00.

0:45:46 > 0:45:48- What?- Get up, Nicholas.

0:45:48 > 0:45:49Directly.

0:45:52 > 0:45:55Is this your sabre or yours?

0:45:55 > 0:45:57Take that, you Frenchman!

0:45:58 > 0:46:01- Here I come!- At last!

0:46:05 > 0:46:09Why did you stay in bed so long? I've been waiting for you to get up.

0:46:10 > 0:46:12You're quite a man, aren't you?

0:46:12 > 0:46:15I'm awfully glad you're my brother.

0:46:16 > 0:46:19I want to know what men are like.

0:46:19 > 0:46:21Are you the same as all of them?

0:46:23 > 0:46:25Sonya is so young.

0:46:25 > 0:46:27You know, Sonya's my dearest friend.

0:46:27 > 0:46:30If she loves someone, she does it for life.

0:46:30 > 0:46:32And she loves you and me like that.

0:46:32 > 0:46:35You remember before you went away?

0:46:35 > 0:46:37Well, she told me to forget all that.

0:46:37 > 0:46:41She said, "I will love him always, but let him be free."

0:46:41 > 0:46:43Isn't that lovely and noble?

0:46:43 > 0:46:46- Isn't it? - I'll never go back on my word.

0:46:46 > 0:46:49We knew you'd say that, but you see, it won't do.

0:46:49 > 0:46:53Because if you marry her just because you're bound by a promise...

0:46:53 > 0:46:56it'll seem as if you're marrying her because you must.

0:46:56 > 0:46:59It wouldn't be right, Nicholas.

0:46:59 > 0:47:01We'll talk it over later.

0:47:01 > 0:47:04Oh, I'm so glad I have you.

0:47:04 > 0:47:07Tell me, are you still true to Pierre now that he's married?

0:47:07 > 0:47:09Don't be silly.

0:47:09 > 0:47:12- I'll be a dancer.- I'll never marry. What?

0:47:12 > 0:47:14- But don't tell anyone.- Oh, no.

0:47:15 > 0:47:17Go and get dressed and we'll have breakfast together.

0:47:28 > 0:47:29Andre!

0:47:32 > 0:47:34Did you get my letter?

0:47:34 > 0:47:36- We met the doctor at the last relay.- She'll be relieved.

0:47:36 > 0:47:39- Is he in time?- Let's hope so. We must pray for her.

0:47:39 > 0:47:42- She's longed for you.- What a strange fate, Masha, darling.

0:48:02 > 0:48:04My darling. God is merciful.

0:48:04 > 0:48:08I love you. I love you all.

0:48:08 > 0:48:10I've never done any harm to anyone.

0:48:12 > 0:48:16Why must I suffer so? Andre, please help me.

0:48:16 > 0:48:18My boy, you'll have to leave now.

0:48:24 > 0:48:26There, there, my dear.

0:48:42 > 0:48:44SCREAMING

0:50:22 > 0:50:26Upon my word, Rostov, if I were to see 50 more operas,

0:50:26 > 0:50:29I'd wager I might wind up liking them.

0:50:31 > 0:50:33But I do like the intermissions.

0:50:36 > 0:50:38I say, Rostov...

0:50:38 > 0:50:39that one there.

0:50:39 > 0:50:42- Yes?- She's superb.

0:50:44 > 0:50:47But wait. Well.

0:50:47 > 0:50:49- Where's the husband?- Pierre.

0:50:50 > 0:50:53He spends most of his time in the country nowadays.

0:50:57 > 0:50:59If I were the husband

0:50:59 > 0:51:02I'd come up from the country...fast.

0:51:02 > 0:51:03HE LAUGHS

0:51:44 > 0:51:48So, listen. So we took the bear to the house of that actress

0:51:48 > 0:51:50and when the police tried to arrest us,

0:51:50 > 0:51:52we took the most insolent policeman

0:51:52 > 0:51:56tied him on the back of the bear and shoved them both into the river.

0:51:56 > 0:51:58What happened to him?

0:51:58 > 0:52:01There they were, swimming, both of them, the man and the bear.

0:52:01 > 0:52:04Hey, Hercules. Wake up. The party's still young.

0:52:04 > 0:52:06Don't be rough with him.

0:52:06 > 0:52:09- One should always be polite to the husbands of pretty women. - That's right.

0:52:09 > 0:52:12Let's drink to the health of beautiful women everywhere.

0:52:12 > 0:52:15Yes, to the health of lovely women. Huh, Pierre?

0:52:17 > 0:52:19And to their lovers.

0:52:24 > 0:52:27Look at this. It's a new song written about General Kutuzov.

0:52:32 > 0:52:34- That interests me. - What are you doing?

0:52:34 > 0:52:36I said that interests me.

0:53:01 > 0:53:03Then allow me to express your regrets

0:53:03 > 0:53:05and I'm sure your opponent will accept.

0:53:05 > 0:53:07What is there to talk about? Is everything ready?

0:53:07 > 0:53:11- No apologies.- First, tell me how to use this thing.

0:53:12 > 0:53:15It's very simple. You cock it. There's the trigger.

0:53:15 > 0:53:17Oh, yes. I know. I just forgot.

0:53:20 > 0:53:22No apologies, none whatever.

0:53:29 > 0:53:33On the count of three, begin to advance.

0:53:37 > 0:53:38One...

0:53:38 > 0:53:40two, three.

0:53:56 > 0:53:58Get away from here!

0:53:58 > 0:54:00It's not over.

0:54:08 > 0:54:11To your barrier! Stay where you are!

0:54:15 > 0:54:16Cover yourself, you fool!

0:54:53 > 0:54:57Well, now, the hero. The dashing duelist.

0:54:57 > 0:55:00My protector. Thank you so much for defending my honour.

0:55:00 > 0:55:03You were told that Dolokhov was my lover and you believed it.

0:55:03 > 0:55:05Well, what did you prove?

0:55:05 > 0:55:08That you are a fool, but everybody knew that.

0:55:08 > 0:55:10Now I will be the laughingstock of all Moscow.

0:55:10 > 0:55:13Everyone will say that you were drunk, not knowing what you were doing.

0:55:13 > 0:55:17Challenging a man that you were jealous of without cause.

0:55:17 > 0:55:21A man that is a better man than you are in every way.

0:55:23 > 0:55:26- We had better separate. - Separate?

0:55:26 > 0:55:30That's a charming idea. It's a wonderful idea!

0:55:30 > 0:55:34It's the best idea you've had in your whole life.

0:55:34 > 0:55:38Good. By all means we'll separate, but you will pay for it.

0:55:38 > 0:55:39You'll give me a fortune for it.

0:55:44 > 0:55:45Get out!

0:55:53 > 0:55:56The count is waiting for you upstairs, sir.

0:55:56 > 0:55:58PIANO PLAYS

0:56:14 > 0:56:18- What have you heard? - He'll recover. Dolokhov won't die.

0:56:18 > 0:56:19Thank God.

0:56:21 > 0:56:25It's only easier to kill good men.

0:56:25 > 0:56:28Men like Dolokhov are only good for wars.

0:56:28 > 0:56:31In between wars, they ought to be locked up in cages.

0:56:31 > 0:56:33Here.

0:56:34 > 0:56:36I'd like to leave Moscow.

0:56:36 > 0:56:39I want to get away from these people who believe it's normal to kill,

0:56:39 > 0:56:42who are scornful of a man if he doesn't kill.

0:56:44 > 0:56:47At the banquet, when Dolokhov made the toast,

0:56:47 > 0:56:50I looked across at him smiling at me.

0:56:50 > 0:56:53I was convinced of the guilt of my wife.

0:56:53 > 0:56:55Well, is that a reason to kill?

0:56:55 > 0:56:58- Look, my dear fellow... - Helene was guilty, not Dolokhov.

0:56:58 > 0:57:00In his place, I might have done the same thing.

0:57:00 > 0:57:03Maybe it's even certain that I'd have done the same thing.

0:57:03 > 0:57:07There we were in the snow facing each other with pistols.

0:57:09 > 0:57:11You know who's the guilty one? I. Only I.

0:57:11 > 0:57:14Pierre, don't be silly.

0:57:14 > 0:57:18And you know why? Because I married her without loving her.

0:57:18 > 0:57:22I wanted her. I had to have her, so I made myself blind.

0:57:22 > 0:57:26I lied when I said to her, "I love you."

0:57:26 > 0:57:28And because of that...

0:57:28 > 0:57:32there's Dolokhov stretched in pain, alive only by the grace of God.

0:57:32 > 0:57:37Because of my weakness, my lie. I'm guilty. I must suffer for it.

0:57:37 > 0:57:39Pierre, you must stop thinking like this.

0:57:39 > 0:57:42It'll become an obsession, and it's not like you.

0:57:43 > 0:57:46Look, if you'll agree...

0:57:46 > 0:57:48we'll all take a fine trip to our place in the country.

0:57:48 > 0:57:52It'll do us all good, and Nicholas wants to show it to Denisov.

0:57:52 > 0:57:54We'll start tonight, and you'll come with us, eh?

0:57:54 > 0:57:57Of course you'll come with us. I'll go and tell the family.

0:58:02 > 0:58:06Hurry! We'll start for the country tonight.

0:58:06 > 0:58:09Why didn't you tell me Pierre was here? Will you go, Pierre?

0:58:09 > 0:58:11We must start while the moon is still high.

0:58:11 > 0:58:13Of course Pierre will go.

0:58:13 > 0:58:16What has happened, Ilya? And what moon are you speaking of?

0:58:16 > 0:58:20Is there more than one, my pet?

0:58:20 > 0:58:22Oh, how long must we wait for Nicholas?

0:58:22 > 0:58:24I'm so happy you made up your mind.

0:58:24 > 0:58:26I was just saying, "One more day and the snow will be gone."

0:58:26 > 0:58:28Thank you.

0:58:30 > 0:58:33- Order the troikas. - Immediately, sir.

0:58:33 > 0:58:34We're off!

0:58:34 > 0:58:38Hurry up, Nicholas. You're delaying the trip to the country.

0:58:38 > 0:58:39The country?

0:58:39 > 0:58:42You said you wanted to go to the country to show Denisov.

0:58:42 > 0:58:44- Come, hurry. - Come, Vaska. You'll like this.

0:58:44 > 0:58:46I was just beginning to enjoy Moscow!

0:58:51 > 0:58:54Faster, faster!

0:58:54 > 0:58:55Faster, Nitka!

0:58:59 > 0:59:01# As we ride in the troika you and I

0:59:01 > 0:59:04# Stars are twinkling up in the sky

0:59:04 > 0:59:07# Strains of sweet balalaika soft and low

0:59:07 > 0:59:11# Sleigh bells twinkling across the snow. #

0:59:11 > 0:59:13Whoa, careful!

0:59:30 > 0:59:31Come on. It's your turn.

0:59:37 > 0:59:39# Hold me close and kiss me, katiusha

0:59:39 > 0:59:41# Let's be happy and gay, hey. #

1:00:30 > 1:00:33Ever since Nicholas joined the army, he's become terribly efficient.

1:00:33 > 1:00:36Hardly seems to be my own son.

1:00:36 > 1:00:39- I quite agree with you. - Just a minute.

1:00:41 > 1:00:43I believe that's my friend Prince Andre Bolkonsky.

1:00:43 > 1:00:46- May I ask him to join us? - Yes, by all means.

1:00:46 > 1:00:48Do ask him.

1:00:52 > 1:00:54Come on, Natasha.

1:01:00 > 1:01:02Greetings. How glad I am to see you.

1:01:02 > 1:01:04I didn't know you were still in the country.

1:01:04 > 1:01:07The Rostovs invite you to join the hunt.

1:01:07 > 1:01:09For the time being, I'm afraid anyone else's society...

1:01:09 > 1:01:11would give me more pain than pleasure.

1:01:15 > 1:01:18Prince Andre, may I present the Countess Rostova...

1:01:18 > 1:01:21and her brother Petya Rostov.

1:01:21 > 1:01:24I do hope Pierre has convinced you to come, Prince Andre.

1:01:24 > 1:01:26It promises to be one of the very best hunts of the year.

1:01:26 > 1:01:29And the huntsman swears he knows where there's a wolf and her cubs.

1:01:29 > 1:01:33And the ground's just perfect. We'd be so delighted if you'd...

1:01:33 > 1:01:35What I mean is, I do think you would enjoy it.

1:01:35 > 1:01:38Perhaps I'll join you later, if I may.

1:01:38 > 1:01:41- And stay to dinner?- Possibly.

1:01:41 > 1:01:44- But you just said... - Shall I come now?

1:01:44 > 1:01:46Wonderful!

1:02:47 > 1:02:50- I'm glad you stayed tonight. - So am I.

1:02:50 > 1:02:53- Aren't the Rostovs charming? - Charming.

1:02:53 > 1:02:55It's wonderful to watch them together.

1:02:55 > 1:02:57They're like a special race - a race of handsome, healthy,

1:02:57 > 1:02:59gay, thoughtless animals.

1:02:59 > 1:03:00Thoughtless?

1:03:00 > 1:03:03That's the most charming of their characteristics.

1:03:03 > 1:03:05- All of them, you think? - All of them.

1:03:05 > 1:03:10No, within a year or two, the girl, Natasha, will begin to think.

1:03:10 > 1:03:13That will make her even more charming and less of a Rostov.

1:03:13 > 1:03:15- You follow me?- I think so.

1:03:21 > 1:03:23I think it's bad for you. It's wrong to stay down here

1:03:23 > 1:03:26year after year, brooding, not seeing anyone,

1:03:26 > 1:03:28living the life of a hermit.

1:03:28 > 1:03:31Bad? Wrong?

1:03:32 > 1:03:35There are only two things in this life that are really wrong.

1:03:35 > 1:03:38Remorse and illness.

1:03:38 > 1:03:41When I've recovered from the both, I'll go out in the world again.

1:03:41 > 1:03:45Remorse? What have you got to be remorseful for?

1:03:45 > 1:03:46I was too late.

1:03:47 > 1:03:50I let Lise die feeling unloved, uncomforted.

1:03:50 > 1:03:52I was too busy on the trail of glory

1:03:52 > 1:03:55to take the time to comfort my wife.

1:03:57 > 1:04:00Well, I found glory.

1:04:00 > 1:04:03I stopped the retreat of 100 men for five minutes.

1:04:03 > 1:04:07I was left for dead on a lost battlefield in a lost war.

1:04:08 > 1:04:10I'll stop being a hermit

1:04:10 > 1:04:12when something happens to make me forget all those things.

1:04:16 > 1:04:19Well, I think I'd better go to bed now.

1:04:20 > 1:04:21Good night, Pierre.

1:04:25 > 1:04:26Thank you again.

1:04:28 > 1:04:30Good night, Andre.

1:04:42 > 1:04:44Natasha, come to bed. You'll catch cold.

1:04:44 > 1:04:47I won't. I can't sleep. What's the use?

1:04:47 > 1:04:49After a day like this, it's impossible to sleep.

1:04:49 > 1:04:51How can anyone sleep?

1:04:51 > 1:04:54Do just come and see what a moon. Look how glorious it is.

1:04:58 > 1:04:59Yes?

1:04:59 > 1:05:02Do you think Prince Andre likes us?

1:05:02 > 1:05:05Of course he does. He's so silent.

1:05:05 > 1:05:08He keeps sitting there as though he's passing judgment on us.

1:05:08 > 1:05:11I'm a little frightened of him, aren't you?

1:05:11 > 1:05:14I'm a little frightened, and yet when I sang after dinner,

1:05:14 > 1:05:17I wanted to go up to him and take him by the hand,

1:05:17 > 1:05:20look in his eyes and sing just for him.

1:05:20 > 1:05:23Poor man. He'd never come here again if I'd done that.

1:05:25 > 1:05:28Did you notice he almost never smiles?

1:05:29 > 1:05:33While I was singing, I turned and caught him looking at me.

1:05:33 > 1:05:36He was smiling then.

1:05:36 > 1:05:38And I felt...

1:05:38 > 1:05:40But it's almost impossible to describe.

1:05:40 > 1:05:42I felt as if someone had given me

1:05:42 > 1:05:46the most enormous, beautiful present.

1:05:46 > 1:05:48Come to bed, Natasha. It's terribly late.

1:05:48 > 1:05:51Oh, you try to spoil everything.

1:05:51 > 1:05:54A night like this, I feel like hugging myself

1:05:54 > 1:05:58and straining tight as possible and flying away.

1:05:58 > 1:06:00- Take care! You'll fall out! - All right.

1:06:00 > 1:06:04But it is a shame to go in on such a night.

1:06:04 > 1:06:06It's as though you can hear wonderful music

1:06:06 > 1:06:09and you just know that the next song or the song after that

1:06:09 > 1:06:13will be the most beautiful thing you've ever heard in your life.

1:06:13 > 1:06:15And being pulled away and missing it forever.

1:06:20 > 1:06:21Forever.

1:06:24 > 1:06:26All right.

1:06:51 > 1:06:53- The expression on my face. - What about it?

1:06:53 > 1:06:56- Do I look disdainful? - No.

1:06:56 > 1:06:58You're impossible. I'm sure I look disdainful.

1:06:58 > 1:07:00What do you want to look disdainful for?

1:07:00 > 1:07:02I thought if I looked bored and disdainful,

1:07:02 > 1:07:05nobody would notice that this is the first ball I've ever been to.

1:07:08 > 1:07:12- How's this? Better? - Oh, that's much better.

1:07:12 > 1:07:13Good.

1:07:25 > 1:07:27- You must promise me one thing. - What's that?

1:07:27 > 1:07:29- Not to dance with me... - Not a chance.

1:07:29 > 1:07:31No matter if I just stand against the wall for five hours

1:07:31 > 1:07:34and nobody comes over and says a word to me.

1:07:34 > 1:07:36No matter how much I seem to be appealing to you,

1:07:36 > 1:07:39you must absolutely promise me not to ask me to dance.

1:07:39 > 1:07:41- Why not? - It will be too humiliating

1:07:41 > 1:07:44for the world to see the only person who asked me to dance

1:07:44 > 1:07:47is my brother out of pity.

1:07:48 > 1:07:50- Promise?- I promise.

1:08:07 > 1:08:09What now?

1:08:09 > 1:08:12- Is everybody looking at me? - Can't you see for yourself?

1:08:12 > 1:08:15Not without changing the expression on my face.

1:08:15 > 1:08:18Natasha, you know, there's one awful thing about you.

1:08:18 > 1:08:21Tell it to me! Tell me the whole truth.

1:08:21 > 1:08:25No girl I'll ever meet will ever be able to amuse me like you do.

1:08:25 > 1:08:28Don't talk like that. Now go and leave us to our fate.

1:08:28 > 1:08:31Excuse me, my dear. Nicholas, look after your mother.

1:08:31 > 1:08:34- You all right, Mother? - Yes, my darling.

1:09:13 > 1:09:16'What a horrible mistake.

1:09:16 > 1:09:18'I shouldn't have come.

1:09:18 > 1:09:20'Nothing is going to happen.

1:09:20 > 1:09:24'The night is going to be one horrible, black...

1:09:24 > 1:09:26'degrading zero.'

1:09:28 > 1:09:31Aw, Count Denilov, come and meet my family.

1:09:31 > 1:09:33Madame Maria Peronskaya.

1:09:33 > 1:09:38You know my wife. My niece Sonya. And my daughter Natasha.

1:09:38 > 1:09:40- How do you do? - May I have the pleasure?

1:09:53 > 1:09:54Oh, dear.

1:10:02 > 1:10:04Perhaps I shall be more fortunate later on.

1:10:04 > 1:10:07Have no fear. I shall try again.

1:10:12 > 1:10:15Denilov is our hostess' first cousin.

1:10:15 > 1:10:18- Supposed to be worth millions. - Second cousin, dear.

1:10:18 > 1:10:21Ah, there's the French ambassador himself.

1:10:21 > 1:10:23He looks as if he were a king.

1:10:24 > 1:10:28You're rather late, you know. Most of my dances are gone.

1:10:42 > 1:10:46'Why must I keep thinking of Prince Andre?

1:10:46 > 1:10:48'Am I so much in love with him...

1:10:48 > 1:10:51'that all others seem ridiculous?

1:10:51 > 1:10:54'We saw so little of each other...

1:10:54 > 1:10:57'and yet I remember every moment.

1:10:58 > 1:11:02'Oh, if only he could have brought me here tonight.

1:11:02 > 1:11:04'Why doesn't he like the city?

1:11:04 > 1:11:06'It isn't right for a man to shut himself off

1:11:06 > 1:11:08'for months and months as he does.'

1:11:08 > 1:11:11I am so delighted to see you again.

1:11:17 > 1:11:19Will you honour me with this dance?

1:11:21 > 1:11:24- Pierre, nice to see you again. - Pierre, my boy.

1:11:26 > 1:11:28Will you honour me with this dance?

1:12:31 > 1:12:34Don't you just love dances?

1:12:34 > 1:12:36Not ordinarily.

1:12:36 > 1:12:38This is the first one I've come to in more than two years.

1:12:38 > 1:12:40I'm so glad you did come.

1:12:40 > 1:12:43I mean, after the night of the hunt

1:12:43 > 1:12:45Mama and Papa said how nice it was that you came to visit

1:12:45 > 1:12:48and they hoped you'd come again.

1:12:48 > 1:12:52I hope you tell Mama and Papa that I intend to visit often.

1:12:52 > 1:12:54Very often, if they will permit me.

1:12:54 > 1:12:58- I certainly shall tell them. - And on moonlit nights,

1:12:58 > 1:13:02do you still want to hold yourself tight and fly off to the moon?

1:13:02 > 1:13:04How do you know? Where did you hear?

1:13:04 > 1:13:08I couldn't help overhearing. My window is just below yours.

1:13:10 > 1:13:13What a disaster. You heard everything.

1:13:13 > 1:13:15No. You disappeared too soon.

1:13:20 > 1:13:22You must think I'm an utter idiot.

1:13:22 > 1:13:25No. I don't think you're an idiot.

1:13:26 > 1:13:28- I think... - Permit me, mademoiselle.

1:13:28 > 1:13:30May I have the pleasure of this dance?

1:13:34 > 1:13:36Thank you.

1:13:54 > 1:13:57'What a joy it is to dance with her.

1:13:57 > 1:14:00'Like holding springtime in your arms.

1:14:00 > 1:14:04'Like holding a branch of lilac or a kitten.

1:14:04 > 1:14:06'Look at her now.

1:14:12 > 1:14:16'If she looks back at me and smiles on the next turn

1:14:16 > 1:14:18'she'll be my wife.'

1:14:46 > 1:14:49Guide us with thy infinite wisdom.

1:14:51 > 1:14:53Teach us to abide in thy mercy.

1:14:55 > 1:15:00And if it be thy will, let this bed be my grave.

1:15:00 > 1:15:02Mama, I must talk to you just once more.

1:15:02 > 1:15:05Well, well.

1:15:05 > 1:15:08It's about Prince Andre, I suppose.

1:15:10 > 1:15:14Thursday, Friday, Saturday, Sunday, Monday.

1:15:14 > 1:15:17Five days that he hasn't been heard from.

1:15:17 > 1:15:20First he comes and sees me every day, morning and evening,

1:15:20 > 1:15:23and quite turns my head, then nothing happens and all's finished.

1:15:23 > 1:15:27Now, let me tell you about myself when I was young.

1:15:27 > 1:15:30I had a cousin. A handsome young man.

1:15:30 > 1:15:33Yes, really handsome.

1:15:33 > 1:15:36I know... Cyril Nutvich.

1:15:36 > 1:15:39But must everything, as in your case, end up in nothing?

1:15:39 > 1:15:41Now you're being impulsive, as I used to be.

1:15:41 > 1:15:44You must be patient, very patient.

1:15:44 > 1:15:48You must wait till a proper proposal has been made to you.

1:15:48 > 1:15:50- He'll show up. - The last time he came

1:15:50 > 1:15:53he had it right here on the tip of his tongue, his proposal.

1:15:53 > 1:15:56And he seemed so in love.

1:15:56 > 1:15:59I'm always a little afraid when I'm in his presence.

1:15:59 > 1:16:03What does it mean? Does it mean that it's real love?

1:16:03 > 1:16:07- Mama, are you asleep? - No, my pet.

1:16:07 > 1:16:11I'm a little frightened myself. Now go.

1:16:11 > 1:16:14Oh, it's not fair. I shan't sleep.

1:16:14 > 1:16:17Mommy, such a thing has never happened to me before.

1:16:17 > 1:16:21Could we ever have thought it when he first came to the country

1:16:21 > 1:16:23that we should meet at the ball?

1:16:23 > 1:16:25Well, it must be fate.

1:16:25 > 1:16:29Clearly it must be fate if everything led up to this.

1:16:29 > 1:16:32Mama, need one be ashamed of his being a widower?

1:16:32 > 1:16:36No, darling. Pray to God. Marriages are made in heaven.

1:16:38 > 1:16:41Mama, how I love you. I'm so happy.

1:16:41 > 1:16:43KNOCK ON DOOR

1:16:43 > 1:16:46Little countess, are you asleep?

1:16:47 > 1:16:51Yes, dear, I'm asleep. Good night.

1:16:55 > 1:16:57Marry. Marry?

1:16:58 > 1:17:02As though life were not complicated enough as it is.

1:17:02 > 1:17:04And in such a hurry.

1:17:04 > 1:17:07You thought you knew what you were doing last time too.

1:17:07 > 1:17:09- Do you remember? - This is completely different.

1:17:09 > 1:17:12- It's always completely different. - Before I met her

1:17:12 > 1:17:16life was sad, meaningless, hopeless.

1:17:16 > 1:17:19You're over 30. By the time a man's over 30,

1:17:19 > 1:17:22life should be sad, meaningless and hopeless.

1:17:22 > 1:17:25- Father.- All right, all right!

1:17:25 > 1:17:28Let's be reasonable.

1:17:28 > 1:17:31- Her family is nothing. - Now, Father...

1:17:31 > 1:17:33Nothing compared to the Bolkonskys. Nothing.

1:17:33 > 1:17:37Her father is well known as a man who used to chase

1:17:37 > 1:17:40every woman in Moscow and St Petersburg...

1:17:40 > 1:17:42without success.

1:17:42 > 1:17:44Now that he's grown older

1:17:44 > 1:17:47he's well known as a man who plays in every card game

1:17:47 > 1:17:51in Moscow and St Petersburg, equally without success.

1:17:51 > 1:17:53They're a happy and delightful family.

1:17:53 > 1:17:57That's a success too. Perhaps the greatest success.

1:17:58 > 1:18:02But do you think you're being fair to the girl?

1:18:02 > 1:18:04You're much older than she.

1:18:04 > 1:18:06You have a son to bring up.

1:18:06 > 1:18:08Who's going to take the responsibility?

1:18:08 > 1:18:10A little chit of a girl?

1:18:12 > 1:18:15I beg of you, put it off for just one year

1:18:15 > 1:18:18and go abroad.

1:18:18 > 1:18:20There's this peace mission to Prussia.

1:18:20 > 1:18:22The czar and the emperor Napoleon.

1:18:22 > 1:18:25They'll be signing a treaty there.

1:18:25 > 1:18:28I know you wanted to go on the mission.

1:18:28 > 1:18:31Now, after one year, if you still have this love

1:18:31 > 1:18:34or obstinacy, passion, whatever you choose to call it, marry her.

1:18:34 > 1:18:37That is my last word on the subject.

1:18:37 > 1:18:39It's my last word.

1:18:51 > 1:18:54'Is it possible that I, Natasha

1:18:54 > 1:18:58'am to be the wife of this strange, dear, clever man

1:18:58 > 1:19:00'whom even my father looks up to?

1:19:00 > 1:19:02'Can it be true?

1:19:02 > 1:19:06'Can it be true that there can be no more playing with life

1:19:06 > 1:19:08'that now I am grown up, that on me now lies

1:19:08 > 1:19:12'the responsibility of my every word and deed?'

1:19:23 > 1:19:26I have loved you from the first moment I saw you.

1:19:33 > 1:19:35- Do you love me?- Yes.

1:19:53 > 1:19:55What is it? What's the matter?

1:19:57 > 1:19:59I'm so happy.

1:20:09 > 1:20:12Did your mother tell you what I explained to her?

1:20:12 > 1:20:13There's nothing to explain.

1:20:13 > 1:20:16Did she tell you that it can't be for a year?

1:20:16 > 1:20:19Forgive me, but you're so young. I want you to be absolutely sure.

1:20:19 > 1:20:21I am sure.

1:20:21 > 1:20:24One year isn't too terribly long, and you'll be free.

1:20:24 > 1:20:27If within that year you find that you don't love me

1:20:27 > 1:20:29or if you come to love someone else...

1:20:29 > 1:20:32Don't say that. You must never say anything like that again.

1:20:34 > 1:20:37A year? Am I going to see you, though?

1:20:37 > 1:20:40Of course. I have to go to Poland, but I'll be gone only a few months.

1:20:40 > 1:20:43Well, can't it be helped? Is there anything that can be done?

1:20:43 > 1:20:46It's awful! I'll die waiting a year! It's impossible!

1:20:49 > 1:20:51No, I'll do anything. Whatever you say.

1:20:51 > 1:20:55Oh, I'm so happy. We have the rest of our lives.

1:21:00 > 1:21:04'At Tilsit, in Prussia, on June 13, 1807...

1:21:04 > 1:21:08'Napoleon met with Emperor Alexander of Russia

1:21:08 > 1:21:11'for the purpose of discussing a treaty of peace.'

1:21:31 > 1:21:34'They can't help liking me.

1:21:34 > 1:21:37'I'm so willing to do anything they wish.

1:21:37 > 1:21:40'So ready to be fond of him

1:21:40 > 1:21:42'for being his father.'

1:21:48 > 1:21:51- I am Mary Bolkonsky. - Charmed.

1:21:51 > 1:21:54- And this is my daughter Natasha. - How do you do?

1:21:54 > 1:21:56Good afternoon.

1:21:56 > 1:21:59Please excuse my father. He doesn't feel well.

1:21:59 > 1:22:02He asked me to welcome you in his name.

1:22:06 > 1:22:09- Will you have some tea? - Well, I think that would be...

1:22:09 > 1:22:11No, thank you.

1:22:12 > 1:22:13No, thank you.

1:22:20 > 1:22:22I suppose you've heard from Andre?

1:22:23 > 1:22:24Yes.

1:22:27 > 1:22:28Father!

1:22:29 > 1:22:32Ah, you're the young Countess Rostov.

1:22:32 > 1:22:35I didn't know you were paying me the honour of a visit.

1:22:35 > 1:22:39You must excuse my costume. I came to speak to my daughter.

1:22:39 > 1:22:42Why wasn't I told?

1:22:42 > 1:22:45- Count Rostov.- Oh, yes, I've heard a great deal about you.

1:22:45 > 1:22:48A great deal about you.

1:22:48 > 1:22:52As the Lord is my witness, nobody told me that they were here.

1:22:53 > 1:22:56This house... utter confusion, chaos.

1:22:56 > 1:22:59People coming and going, and you can't find anything.

1:22:59 > 1:23:01Even the papers in my desk.

1:23:01 > 1:23:03You must excuse me.

1:23:03 > 1:23:06As you see, I'm not prepared to entertain.

1:23:06 > 1:23:08I can't stand Moscow anyhow!

1:23:09 > 1:23:12I wouldn't be here except I've no alternative.

1:23:12 > 1:23:16I'm forced to be here. You understand, don't you?

1:23:18 > 1:23:21Well, I think we'd better leave now, Princess.

1:23:25 > 1:23:28Wait. I must talk to you.

1:23:28 > 1:23:30Dear Natasha, I want to tell you

1:23:30 > 1:23:33that I'm certain my brother has found happiness.

1:23:33 > 1:23:37Princess, I think it is not convenient to speak of that now.

1:23:55 > 1:23:57Isn't it wonderful?

1:23:57 > 1:24:01Aren't you glad you decided to come instead of sitting home all night?

1:24:01 > 1:24:03I don't know. Until Andre comes back

1:24:03 > 1:24:05I can't be glad about anything.

1:24:05 > 1:24:10Well, it's only a few weeks. Do you see that tall man over there?

1:24:10 > 1:24:11Yes. What about him?

1:24:11 > 1:24:14When we passed him, I heard him say to his wife,

1:24:14 > 1:24:18"That's the Countess Rostov, the one who's going to marry Bolkonsky.

1:24:18 > 1:24:19"Lucky man."

1:24:19 > 1:24:22- He said, "Lucky man?" - Lucky man.

1:24:25 > 1:24:27I must write that to Andre.

1:24:27 > 1:24:30He can pass it on to his horrible old father.

1:24:34 > 1:24:37- Countess Bezukhov has arrived. - Bezukhov?

1:24:37 > 1:24:40One of my favourites. I must call on her.

1:24:41 > 1:24:44Countess Bezukhov! You're back in Moscow.

1:24:44 > 1:24:47I'm delighted to see you. The city hasn't been the same without you.

1:24:49 > 1:24:52I've brought my two girls with me, as you can see.

1:25:00 > 1:25:02Magnificent woman.

1:25:02 > 1:25:06Yes. You can understand how men must fall in love with her.

1:25:08 > 1:25:11Dolokhov, see the girl in that box?

1:25:11 > 1:25:13Yes. She's lovely, but...

1:25:17 > 1:25:20For you? Anatole, she's not exactly your type.

1:26:35 > 1:26:37MUSIC BEGINS

1:26:49 > 1:26:51Count Rostov, may I borrow your lovely daughter

1:26:51 > 1:26:53to sit with me through the next act?

1:26:53 > 1:26:57Oh, Countess, how charming. Natasha, my dear, come along.

1:26:57 > 1:26:59- Isn't it exciting?- Yes.

1:27:06 > 1:27:09Enchanting. You mustn't bury her in the country again.

1:27:09 > 1:27:12Oh, you're too kind. Natasha, sit down.

1:27:15 > 1:27:17Now we can tear all our friends to pieces.

1:27:21 > 1:27:25You realise that everyone in the theatre is talking about you.

1:27:25 > 1:27:28How lovely you are and the brilliant match you've made.

1:27:28 > 1:27:32- You know about that? - It's the news of the season.

1:27:32 > 1:27:34Prince Andre Bolkonsky?

1:27:34 > 1:27:38Why, every woman here tonight is jealous of you at this moment.

1:27:39 > 1:27:40Why, Anatole!

1:27:42 > 1:27:46May I present my brother? Countess Natasha Rostov.

1:27:47 > 1:27:50My brother is the centre of fashion in Moscow.

1:27:50 > 1:27:52That means that he eats and drinks too much

1:27:52 > 1:27:54and plays for too high stakes.

1:27:54 > 1:27:57He also sees the worst and most amusing people.

1:27:57 > 1:28:00You simply must get him to tell you all there is to do this season.

1:28:00 > 1:28:03- Countess! - Prince, you've been neglecting me.

1:28:03 > 1:28:05- I was convinced you were dead.- Dead?

1:28:05 > 1:28:08When I saw you the first time at the ball...

1:28:08 > 1:28:10When was it, six, seven weeks ago?

1:28:10 > 1:28:14I thought, "What a pretty girl." That's all I thought.

1:28:14 > 1:28:16But tonight...

1:28:16 > 1:28:19But you felt it too, hmm?

1:28:20 > 1:28:23- I felt... - When our eyes met?

1:28:23 > 1:28:26Don't look guilty. What's there to be ashamed of?

1:28:29 > 1:28:33Are you enjoying the opera? It's very good, isn't it?

1:28:33 > 1:28:36Oh, is it? I haven't noticed.

1:28:36 > 1:28:38I haven't looked at the stage tonight.

1:28:40 > 1:28:42I must see you again.

1:28:42 > 1:28:45You must come to my sister's house...very soon.

1:28:47 > 1:28:48I think...

1:28:50 > 1:28:54I think my mother's in the country. I may go up to be with her.

1:28:56 > 1:28:58She's enchanting.

1:28:58 > 1:29:00MUSIC BEGINS

1:29:09 > 1:29:12Go away, Anatole. You will distract us.

1:29:12 > 1:29:14All right.

1:29:15 > 1:29:16You'll come.

1:29:18 > 1:29:20I'll take this as a pledge.

1:29:25 > 1:29:28My brother is very amusing, isn't he?

1:29:50 > 1:29:52SPEAKS FRENCH

1:30:12 > 1:30:14How lovely she is.

1:30:14 > 1:30:18I don't think so... when I look at you.

1:30:18 > 1:30:20Natasha, come.

1:30:30 > 1:30:32You're enchanting.

1:30:32 > 1:30:36From the moment I saw you, I never ceased worshipping you.

1:30:39 > 1:30:42I do hope you don't think us too informal, Count.

1:30:42 > 1:30:44Oh, Countess!

1:30:57 > 1:30:59I'm madly in love with you.

1:31:05 > 1:31:08The success was triumphant. The whole theatre...

1:31:08 > 1:31:12- Papa, we must leave. - My dear, we can't go now.

1:31:12 > 1:31:16It was like one big heart, palpitating with emotion.

1:31:16 > 1:31:20His Majesty the king was so moved

1:31:20 > 1:31:22that tears were streaming down his face.

1:31:26 > 1:31:28My cloak, please.

1:31:56 > 1:31:58I can't. You know I can't.

1:32:48 > 1:32:50"Dearest Natasha...

1:32:50 > 1:32:53"My fate has been sealed... to be loved by you or die.

1:32:53 > 1:32:55"I know your parents won't give you to me

1:32:55 > 1:32:58"for secret reasons I will reveal only to you.

1:32:58 > 1:33:00"But if you love me, you need only say the word yes

1:33:00 > 1:33:03""and no human power can hinder us.

1:33:03 > 1:33:04"Anatole."

1:33:11 > 1:33:13You're back.

1:33:15 > 1:33:18How was your evening? Did you amuse yourself?

1:33:18 > 1:33:23Yes. I made excuses for you.

1:33:23 > 1:33:26I was worried about you. How's your headache? Better?

1:33:26 > 1:33:29- Sonya, you read that letter. - Yes.

1:33:29 > 1:33:32I'm glad you read it. I couldn't keep it from you any longer.

1:33:35 > 1:33:38- You know we love one another. - But Anatole Kuragine.

1:33:38 > 1:33:41- If only you knew how happy I am. - And Andre?

1:33:41 > 1:33:44- You don't know what love is. - Then you are refusing Andre?

1:33:44 > 1:33:47You don't understand anything. Don't talk nonsense. Listen.

1:33:47 > 1:33:50How is it that you loved a man for so many months, and suddenly...

1:33:50 > 1:33:54Why? You've only seen Anatole three times.

1:33:54 > 1:33:58I've never loved anyone before. I know it's hard to understand.

1:33:58 > 1:34:01I've heard it's happened that way. You must have too.

1:34:01 > 1:34:03It's only now I feel such love.

1:34:03 > 1:34:07As soon as I saw him, I felt he was my master

1:34:07 > 1:34:10and I his slave, and I couldn't help loving him.

1:34:10 > 1:34:13Yes, his slave! Whatever he commands, I must do!

1:34:13 > 1:34:16- What can I do, Sonya? - If he loves you

1:34:16 > 1:34:19why doesn't he come honestly to the house, to your fatherm

1:34:19 > 1:34:22ask for your engagement to Andre to be broken off?

1:34:22 > 1:34:25- Why all this secrecy? - I don't know. It doesn't matter.

1:34:25 > 1:34:28Whatever his reasons, they are good ones.

1:34:28 > 1:34:30I told you I have no will. I love him!

1:34:30 > 1:34:34Then I won't let it come to that. I shall tell.

1:34:34 > 1:34:37Sonya, what do you mean? You wouldn't tell anyone!

1:34:37 > 1:34:40Don't torture me! I can't live without him!

1:34:40 > 1:34:44Natasha, what are you saying? Think about Father and Nicholas.

1:34:44 > 1:34:47I don't love anyone but him.

1:34:48 > 1:34:50Go, Sonya.

1:34:50 > 1:34:53I don't want to quarrel with you. Go away!

1:35:01 > 1:35:05Anatole, where do you mean to take her?

1:35:05 > 1:35:09Her family will find out about that girl in Poland you had to marry.

1:35:09 > 1:35:12- If you're caught, it'll mean jail. - It will be worth it...

1:35:12 > 1:35:17even if it is for one month or one week with that girl.

1:35:17 > 1:35:21There are some things in life it's impossible not to have.

1:35:23 > 1:35:27- The driver you sent for, Prince. - Come here. Have a drink.

1:35:27 > 1:35:29- You've got to drive far and fast. - Call Matrevna.

1:35:29 > 1:35:32- Tell her to bring the cloak. - We go again, sir?

1:35:32 > 1:35:35- Elopement. - Oh, I like a job like that!

1:35:35 > 1:35:37Youth, romance, excitement!

1:35:37 > 1:35:39There's a priest of a sort waiting for us at Tver.

1:35:39 > 1:35:41Run down anyone who tries to stop you.

1:35:41 > 1:35:43There is a man for you!

1:35:45 > 1:35:49- You want me? - Now, you take this.

1:35:49 > 1:35:52Listen to me. I know something about this game.

1:35:52 > 1:35:55You find the girl shivering and having forgotten everything.

1:35:55 > 1:35:58You wrap her up, for the minute she gets into the cold night air

1:35:58 > 1:36:01there will be a stampede back to the house for furs.

1:36:01 > 1:36:04Papa awakened, Mama screaming, tears, recriminations...

1:36:04 > 1:36:06challenges, et cetera.

1:36:06 > 1:36:09Always keep a young girl warm, my boy.

1:36:09 > 1:36:12Now, up with the collar!

1:36:16 > 1:36:18- Take it.- Yes, sir!

1:36:18 > 1:36:21- But my cloak. - I will get another one someday.

1:36:21 > 1:36:24- But when? - All take glasses! Yours.

1:36:24 > 1:36:27Now, comrade and friend of my youth...

1:36:27 > 1:36:29we've had our fling, we've lived and reveled.

1:36:29 > 1:36:32Yeah. Now let's...farewell.

1:36:32 > 1:36:34- To your health. - -To your health.

1:36:38 > 1:36:41- How sad it is. - Sure. Let's go.

1:36:41 > 1:36:44Anatole! I still think you shouldn't do it.

1:36:44 > 1:36:46So do I.

1:37:21 > 1:37:24No, I won't open it. And I've sent for Pierre.

1:37:27 > 1:37:30I'll hate you forever for this! Open the door!

1:37:30 > 1:37:32No, I won't open it.

1:37:52 > 1:37:54What's the matter with you?

1:37:54 > 1:37:57Your sister is not famous for keeping quiet about things -

1:37:57 > 1:37:59things that are good subjects for gossip.

1:37:59 > 1:38:01What are you talking about?

1:38:01 > 1:38:04I know all about the money you had to send to Poland and why.

1:38:07 > 1:38:08It's not true.

1:38:08 > 1:38:10You must leave Moscow.

1:38:10 > 1:38:12You must never breathe a word of this to anyone.

1:38:12 > 1:38:15You must understand that besides your pleasure,

1:38:15 > 1:38:17there's such a thing as other people's happiness.

1:38:17 > 1:38:20You're willing to ruin a whole life for the sake of your own amusement.

1:38:20 > 1:38:24Well, amuse yourself with women of your own rotten breed.

1:38:24 > 1:38:26They're armed against you with the same experience.

1:38:26 > 1:38:30As a man of honour, you can't talk to me that way.

1:38:30 > 1:38:33- Is it satisfaction you want? - Yes.

1:38:33 > 1:38:37I take it back. I beg your forgiveness.

1:38:38 > 1:38:41Drive this gentleman wherever he wants to go.

1:39:06 > 1:39:08He's gone.

1:39:09 > 1:39:12She's in her room.

1:39:24 > 1:39:25What are you doing here?

1:39:27 > 1:39:29I came to stop you.

1:39:30 > 1:39:33Nothing is going to stop me from going to him.

1:39:33 > 1:39:35What do you plan to tell Andre when you see him next time?

1:39:35 > 1:39:37I'm never going to see Andre again. I wrote to him, telling him everything.

1:39:37 > 1:39:40Did you? He's not good enough for you, is he?

1:39:40 > 1:39:43No, you've got to go crawling after a gambler and a liar,

1:39:43 > 1:39:45the most notorious woman-chaser in Moscow.

1:39:45 > 1:39:47I'm going to him, I tell you. I'm going to marry him!

1:39:47 > 1:39:51Whatever he's told you, he's lying. He's married already.

1:39:54 > 1:39:55It isn't true.

1:39:57 > 1:39:59Look at me, Natasha.

1:39:59 > 1:40:02Could I purposely deceive you?

1:40:39 > 1:40:42- The rumour's all over Moscow. - But who could've started it?

1:40:42 > 1:40:45And now Prince Andre has sent back all her letters.

1:40:45 > 1:40:47That's bad. I am sorry.

1:40:47 > 1:40:50She's been quite ill. Hardly ever leaves her room.

1:40:50 > 1:40:53But when she knew you were coming, she insisted upon getting up.

1:40:53 > 1:40:55She's dressed now and is waiting for you.

1:41:01 > 1:41:04Now, mind you, don't tell her everything.

1:41:04 > 1:41:07One hasn't the heart to scold her. She's so much to be pitied.

1:41:35 > 1:41:37I hear he's in Moscow now.

1:41:41 > 1:41:42Ask him...

1:41:45 > 1:41:46Ask him to forgive me.

1:41:48 > 1:41:50Yes, I will tell him, but Natasha...

1:41:50 > 1:41:52I know that can never be.

1:41:52 > 1:41:53All is over.

1:41:54 > 1:41:58Only I'm so tormented by the wrong I've done him.

1:42:02 > 1:42:04Tell him...

1:42:04 > 1:42:07Tell him I beg him to forgive...

1:42:07 > 1:42:08forgive me for everything.

1:42:15 > 1:42:17I will tell him everything.

1:42:17 > 1:42:20But one thing I beg of you. Remember, I'm your friend.

1:42:20 > 1:42:23If you want help, advice or simply to open your heart to someone...

1:42:23 > 1:42:26not now, but when your mind is clearer... think of me.

1:42:28 > 1:42:31I shall be happy, if it's in my power.

1:42:31 > 1:42:32Don't speak to me like that. I'm not worth it.

1:42:32 > 1:42:35Don't talk like that. You have your whole life ahead of you.

1:42:35 > 1:42:38Ahead of me? No. All is over, all is lost.

1:42:38 > 1:42:42Nonsense, Natasha. Listen to me. Look.

1:42:42 > 1:42:46If I were not myself, but the handsomest, cleverest,

1:42:46 > 1:42:49best man in the world, and if I were free...

1:42:49 > 1:42:51I would not hesitate for one moment to ask on my knees

1:42:51 > 1:42:53for your hand and your love.

1:43:32 > 1:43:36- It's not cold, Mishka. - That's a matter of opinion.

1:43:36 > 1:43:38- I think it must be well below zero.- Wonderful!

1:43:38 > 1:43:42- Where to now, sir? - Where? I don't know.

1:43:42 > 1:43:45- Are you looking at the comet? - Yes.

1:43:45 > 1:43:46They say it means bad.

1:43:46 > 1:43:49They say it means war and famine and plague.

1:43:49 > 1:43:51- All sorts of woes.- Nonsense.

1:43:51 > 1:43:53That comet's beautiful. Life is beautiful!

1:43:53 > 1:43:56- Go, Mishka! - Where to? The club?

1:43:56 > 1:43:57- No.- Home?

1:43:57 > 1:44:00No. Go. Just go, Mishka!

1:44:20 > 1:44:23"If Your Majesty wishes to avoid shedding our people's blood

1:44:23 > 1:44:25"for a mere misunderstanding

1:44:25 > 1:44:29"and consents to the withdrawal of Your Majesty's troops,

1:44:29 > 1:44:32"I, on my side, will forget what has happened

1:44:32 > 1:44:34"and agreement between us will be possible.

1:44:34 > 1:44:37"Otherwise, Your Majesty,

1:44:37 > 1:44:39"I shall be forced to repel an aggression

1:44:39 > 1:44:43"that has been totally unprovoked by me.

1:44:43 > 1:44:45"The decision whether to preserve humanity

1:44:45 > 1:44:48"from the disasters of another war

1:44:48 > 1:44:51"lies in Your Majesty's hands."

1:44:51 > 1:44:54"I am," et cetera, "Alexander."

1:44:55 > 1:44:58So, this letter is very polite, very eloquent...

1:44:58 > 1:45:01and it is full of the most fraternal expressions

1:45:01 > 1:45:05of devotion and love from your master, the tsar.

1:45:05 > 1:45:07Sentiments which, I assure you

1:45:07 > 1:45:10are reciprocated by me.

1:45:10 > 1:45:13However, in essence, Colonel...

1:45:13 > 1:45:14- Bolkonsky. - Bolkonsky.

1:45:14 > 1:45:17What would you say this letter in my hand expresses?

1:45:17 > 1:45:20It is not for me, sire, as a mere messenger,

1:45:20 > 1:45:24to express the wishes of His Imperial Majesty the tsar.

1:45:24 > 1:45:28Come, come, my dear fellow. You must have an opinion of your own.

1:45:28 > 1:45:29What...

1:45:33 > 1:45:37Where have we met before?

1:45:37 > 1:45:39Your face is familiar to me.

1:45:39 > 1:45:43On the field at Austerlitz, sire.

1:45:43 > 1:45:45Austerlitz, Austerlitz.

1:45:47 > 1:45:51Yes, I do remember.

1:45:51 > 1:45:54You were lying with a banner in your hand.

1:45:54 > 1:45:56Yes, sire.

1:45:56 > 1:45:58I thought you were dead.

1:46:00 > 1:46:04Well, well, here you are again. I'm glad to see you.

1:46:04 > 1:46:10Now, Colonel, this letter. What do you think it represents?

1:46:10 > 1:46:12I think it can only represent, sire,

1:46:12 > 1:46:15the sincere wish of His Majesty the tsar to avoid war

1:46:15 > 1:46:18and to prevent the shedding of both Russian and French blood.

1:46:19 > 1:46:23A praiseworthy aim, and one in which I completely concur.

1:46:23 > 1:46:25However, what else?

1:46:25 > 1:46:29What else would you say was in this letter?

1:46:29 > 1:46:33Since you press me, sire, for a personal opinion,

1:46:33 > 1:46:36I would say that it contained a request for the withdrawal

1:46:36 > 1:46:39of Your Majesty's troops from the frontiers of our country.

1:46:39 > 1:46:40A personal opinion.

1:46:40 > 1:46:44So that's how the tsar told his messenger to put it.

1:46:44 > 1:46:46You personally say "withdrawal," do you?

1:46:46 > 1:46:48Say "retreat!"

1:46:48 > 1:46:50I am a soldier, and I use soldiers' words!

1:46:50 > 1:46:52I am not a fool!

1:46:52 > 1:46:54I have been asked to put my head into a noose

1:46:54 > 1:46:57while my enemies are conspiring against me.

1:46:57 > 1:47:01Sire, it is not a personal opinion of mine

1:47:01 > 1:47:03when I say that the tsar is not Your Majesty's enemy

1:47:03 > 1:47:06and that he is not conspiring against you.

1:47:07 > 1:47:10If you'll read his letter carefully...

1:47:15 > 1:47:19I will read the letter more carefully

1:47:19 > 1:47:23and send the tsar my answer later.

1:47:23 > 1:47:25Good night to you, Colonel.

1:47:38 > 1:47:43Gentlemen, tomorrow at dawn we cross the Niemen into Russia.

1:47:43 > 1:47:45We'll talk of peace...

1:47:45 > 1:47:47in Moscow!

1:47:53 > 1:47:56'And on the 12th of June, 1812,

1:47:56 > 1:48:00'Napoleon Bonaparte, at the head of an army of 200,000 men

1:48:00 > 1:48:03''crossed the river Niemen into Russia.

1:48:03 > 1:48:06'To combat this aggressive invasion of their homeland

1:48:06 > 1:48:08'the Russian peasant chose to welcome the French

1:48:08 > 1:48:11'with nothing more than a destroyed storehouse,

1:48:11 > 1:48:14'a widely desolated land.'

1:48:22 > 1:48:24Looting, burning.

1:48:24 > 1:48:26As soon as Napoleon approaches a village,

1:48:26 > 1:48:30the peasants and serfs run off with their carts and horses and grain.

1:48:30 > 1:48:33What they can't take away with them, they burn or slaughter.

1:48:33 > 1:48:36If we don't put a stop to it somewhere

1:48:36 > 1:48:40we're going to leave behind us a desert, a scorched earth.

1:48:40 > 1:48:42We must fight.

1:48:42 > 1:48:45The army demands it, the tsar demands it,

1:48:45 > 1:48:47and the people demand it.

1:48:50 > 1:48:54What does the army want...

1:48:54 > 1:48:56to be destroyed?

1:48:56 > 1:49:00Because that will be what would happen if we fought now.

1:49:00 > 1:49:03What does the tsar want? To be brought to his knees?

1:49:03 > 1:49:07Because that would be what would happen if we fought now.

1:49:07 > 1:49:10What do the people want?

1:49:10 > 1:49:12To be the subjects of Napoleon?

1:49:12 > 1:49:15Because that would be what would happen if we fought now.

1:49:18 > 1:49:21Gentlemen, I've been put in command

1:49:21 > 1:49:26to give the army, the tsar and the people what they really want.

1:49:26 > 1:49:29And what they really want is to drive the last Frenchman

1:49:29 > 1:49:31from the soil of Russia!

1:49:33 > 1:49:38And that I propose to do when I can.

1:49:38 > 1:49:40But the looting and the burning, General.

1:49:40 > 1:49:42Let it continue!

1:49:42 > 1:49:43Let it increase!

1:49:59 > 1:50:01Soon they will be at our gates! He will not enter Moscow!

1:50:01 > 1:50:03We will stop it!

1:50:10 > 1:50:13- Why doesn't he replace him? - We will show Europe

1:50:13 > 1:50:15how Russia rises in the defence of Russia!

1:50:15 > 1:50:17Napoleon will not enter Moscow!

1:50:28 > 1:50:31Lord God, hear us when we pray to thee.

1:50:33 > 1:50:37Strengthen with thy might our most gracious sovereign

1:50:37 > 1:50:39Emperor Alexander Pavlovich

1:50:39 > 1:50:41and give him victory over his enemy

1:50:41 > 1:50:45even as thou gavest Moses the victory over Amalek,

1:50:45 > 1:50:48Gideon over Midian, David over Goliath.

1:50:48 > 1:50:52Smite down our enemies and destroy them swiftly

1:50:52 > 1:50:56beneath the feet of thy faithful servants.

1:50:56 > 1:50:58Preserve our army.

1:50:58 > 1:51:01Put a bow of brass in the hands of those

1:51:01 > 1:51:04who have armed themselves in thy name,

1:51:04 > 1:51:07and gird their loins with strength for the fight.

1:51:07 > 1:51:12Take up the spear and shield and arise to help us.

1:51:12 > 1:51:15Confound and put to shame those who have devised evil against us.

1:51:15 > 1:51:18May they be before the faces of thy faithful warriors

1:51:18 > 1:51:21as dust before the wind

1:51:21 > 1:51:25and may thy mighty angel confound them and put them to flight.

1:51:25 > 1:51:29Let them fall before thy servants' feet

1:51:29 > 1:51:31and be laid low by our host.

1:51:32 > 1:51:34I came to say goodbye.

1:51:34 > 1:51:36- I'm leaving Moscow today. - Where are you going?

1:51:36 > 1:51:41To the army. They hope to make a stand against Napoleon at Borodino.

1:51:41 > 1:51:44You're going to join up yourself, finally?

1:51:44 > 1:51:46I don't know.

1:51:46 > 1:51:49I'm going to see... I have to see what it's like...

1:51:49 > 1:51:51what it means for myself.

1:51:51 > 1:51:53Prince Andre is in command of a regiment.

1:51:53 > 1:51:55I'm going to try to find him and stay with him.

1:51:55 > 1:51:57When did you decide to do this?

1:51:57 > 1:51:59I've been thinking about it for a long time.

1:51:59 > 1:52:01Even you, Pierre?

1:52:01 > 1:52:04- You will stay to dinner, won't you?- Yes, do, Pierre.

1:52:04 > 1:52:06- By all means. - Only to say goodbye.

1:52:06 > 1:52:08That's good. Come along.

1:52:08 > 1:52:10Lots of my school friends are going, and they are younger than I.

1:52:10 > 1:52:12- Nonsense. - You must study.

1:52:12 > 1:52:16It's not nonsense. Every man is needed.

1:52:16 > 1:52:18Every man, not every infant.

1:52:18 > 1:52:21Besides, I can't study now when our fatherland's in danger.

1:52:21 > 1:52:23Petya, be quiet!

1:52:23 > 1:52:25You heard from Andre?

1:52:25 > 1:52:27Yes. One letter.

1:52:27 > 1:52:29Did he...

1:52:29 > 1:52:31How is he?

1:52:31 > 1:52:34Well enough, but sad. His father died, you know.

1:52:34 > 1:52:36Yes, I know.

1:52:36 > 1:52:40And although his father was my enemy, I prayed for him.

1:52:40 > 1:52:41He was the first person in the whole world

1:52:41 > 1:52:44to disapprove of me, Pierre.

1:52:44 > 1:52:46I suppose you're not really grown up until that happens to you.

1:52:48 > 1:52:52Did Andre say anything about me in his letter?

1:52:52 > 1:52:53No, Natasha.

1:52:53 > 1:52:56Do you think he'll ever forgive me?

1:52:56 > 1:52:58He has nothing to forgive.

1:53:03 > 1:53:05Pierre, you must promise me something.

1:53:05 > 1:53:07Yes?

1:53:07 > 1:53:09Don't let anything happen to you.

1:53:11 > 1:53:13If it did, I'd...

1:53:23 > 1:53:26Did you hear me, Pierre?

1:53:26 > 1:53:28Yes, I heard you.

1:53:28 > 1:53:30I promise.

1:53:38 > 1:53:41- And Pierre?- Yes?

1:53:41 > 1:53:43If you do see Andre, tell him...

1:53:48 > 1:53:51..tell him I prayed for the soul of his father.

1:54:02 > 1:54:04Can you tell me where I'll find Colonel Bolkonsky?

1:54:41 > 1:54:45Colonel, this gentleman's been asking to see you.

1:54:50 > 1:54:53- At last. - What are you doing here?

1:54:53 > 1:54:55It's a little hard to say.

1:54:55 > 1:54:58I came to see the battle.

1:54:58 > 1:54:59Why?

1:55:01 > 1:55:03It's hard to explain, Andre.

1:55:03 > 1:55:06It's such an enormous event.

1:55:06 > 1:55:08All our lives will be different from now on

1:55:08 > 1:55:11because of what's going to happen here tomorrow.

1:55:15 > 1:55:18I'm sorry about your father's death, Andre.

1:55:18 > 1:55:19He was an old man.

1:55:19 > 1:55:21He couldn't live with the thought

1:55:21 > 1:55:24of being driven away from Bald Hills.

1:55:24 > 1:55:25How are they taking it in Moscow?

1:55:28 > 1:55:31You know that Mary has gone to your aunt's at Ryazan.

1:55:31 > 1:55:34It was Nicholas Rostov who got her out of Bald Hills just in time.

1:55:34 > 1:55:35Nicholas?

1:55:41 > 1:55:45So Anatole Kuragine did not honour Countess Rostov with his hand?

1:55:45 > 1:55:48He couldn't. He was married already.

1:55:50 > 1:55:52Well, it was all very long ago. I'm sure she's had time

1:55:52 > 1:55:54to forget her disappointment.

1:55:58 > 1:56:00You remember one of our old discussions about it?

1:56:00 > 1:56:03I said that a fallen woman should be forgiven.

1:56:03 > 1:56:05But I didn't say I could forgive her, and I can't.

1:56:05 > 1:56:08But you can't compare Natasha to a fallen woman.

1:56:10 > 1:56:12What romantic dreams I had.

1:56:14 > 1:56:17You mean ask for her hand again? Be magnanimous and so on.

1:56:17 > 1:56:21Yes, that would be very noble, but...

1:56:25 > 1:56:26I'm sorry.

1:56:28 > 1:56:31How are you, Andre? You seem so strange, disturbed.

1:56:31 > 1:56:34The first thing you must learn about a battle is that

1:56:34 > 1:56:36on the night before it is fought, the men who are to fight it

1:56:36 > 1:56:38are likely to seem a little disturbed.

1:56:38 > 1:56:41No. It's more than that.

1:56:41 > 1:56:43Perhaps it is.

1:56:48 > 1:56:51I've been in many battles, Pierre...

1:56:51 > 1:56:55but for the first time I feel that I'm going to die tomorrow.

1:56:55 > 1:56:57Nonsense. Why?

1:56:57 > 1:56:59I just feel it.

1:56:59 > 1:57:01Why are you really here, Pierre?

1:57:01 > 1:57:03Why, when you hate violence and war,

1:57:03 > 1:57:05did you decide to do this?

1:57:07 > 1:57:09I don't know.

1:57:10 > 1:57:13Because I've finally realised you can't hate something

1:57:13 > 1:57:15you've never known and don't understand.

1:57:17 > 1:57:20How do you think the battle will go? They say our position is good.

1:57:20 > 1:57:26Success never depends on positions, orders, plans, or even on numbers.

1:57:26 > 1:57:29The battle is won by men determined to win it,

1:57:29 > 1:57:33and despite those men at headquarters who consider war a game.

1:57:33 > 1:57:35War is the most horrible thing in life.

1:57:35 > 1:57:38If it were in my power, I would not take one prisoner.

1:57:38 > 1:57:40The French are my enemies!

1:57:40 > 1:57:42They destroyed my home, caused my father's death,

1:57:42 > 1:57:45exiled my sister and my child.

1:57:45 > 1:57:47Now they hope to destroy Moscow.

1:57:47 > 1:57:50Why take prisoners? That's playing at war.

1:57:50 > 1:57:52Take no prisoners!

1:57:52 > 1:57:55Kill and be killed! If there were none of this playing at war

1:57:55 > 1:57:58we would go to war only when it was worthwhile going to certain death...

1:57:58 > 1:57:59as now.

1:58:02 > 1:58:04I'm sorry.

1:58:04 > 1:58:06Why should I burden you with all this?

1:58:08 > 1:58:10If we're both alive tomorrow night, we'll have a bottle

1:58:10 > 1:58:12and we'll laugh at everything I've said tonight.

1:58:12 > 1:58:14Forgive me. You're sleepy.

1:58:14 > 1:58:17- It's time for me to sleep too. - I'd like to stay here.

1:58:19 > 1:58:23Go! I have no time for you now! The only friends I have

1:58:23 > 1:58:26are the men who are going to fight at my side tomorrow.

1:58:38 > 1:58:39Goodbye.

1:58:39 > 1:58:42Whether we meet again or not.

3:00:00 > 3:00:03Take down a proclamation to all troops.

3:00:05 > 3:00:06Soldiers...

3:00:08 > 3:00:11..this is the battle you have all longed for.

3:00:11 > 3:00:13Victory depends on you. It will give us all we need -

3:00:13 > 3:00:15comfortable quarters

3:00:15 > 3:00:18and a speedy return to our country.

3:00:18 > 3:00:21Act as you did at Austerlitz,

3:00:21 > 3:00:23Friedland, Vitebsk and Smolensk!

3:00:24 > 3:00:30Let posterity say with pride of each of you,

3:00:30 > 3:00:32"He was in the great battle before Moscow."

3:00:35 > 3:00:37Well, de Beausset, what is Paris saying?

3:00:37 > 3:00:39All Paris regrets your absence.

3:00:39 > 3:00:42I should say they do. What have you in there?

3:00:42 > 3:00:44- A surprise, Your Majesty. - What's that?

3:00:44 > 3:00:47A present from the empress for Your Majesty.

3:00:56 > 3:00:57My son.

3:01:01 > 3:01:02The king of Rome.

3:01:06 > 3:01:07Admirable.

3:01:15 > 3:01:16Take him away, de Beausset.

3:01:17 > 3:01:20It is too soon for him to see a field of battle.

3:01:25 > 3:01:26Follow me, de Beausset.

3:01:30 > 3:01:32You must not leave, de Beausset.

3:01:32 > 3:01:35Stay, and we'll give you something to tell Paris.

3:02:17 > 3:02:19CANNON FIRES

3:02:27 > 3:02:28MORE CANNONS FIRE

3:05:08 > 3:05:10There's a lot of wind out there, isn't there?

3:05:10 > 3:05:12But it happens to be made of iron!

3:05:14 > 3:05:16Better get down from there, mate,

3:05:16 > 3:05:19or the next time it won't be your hat that blows off.

3:05:19 > 3:05:21- It'll be your head! - Excuse me. I didn't realise.

3:05:21 > 3:05:23Number three, you're too slow!

3:05:25 > 3:05:26Ready! Fire!

3:05:28 > 3:05:31- Sir, you can't stand here. You're in the way.- Sorry.

3:05:31 > 3:05:34I'll try to keep out of everybody's way.

3:05:35 > 3:05:38Up with your sights there, number four! You're firing low!

3:05:38 > 3:05:40Number five, quicker with your charges!

3:05:47 > 3:05:50- How is it you're not afraid, sir? - Are you afraid?

3:05:50 > 3:05:53They have no mercy, you know, when they come singing over.

3:05:53 > 3:05:54Heaven help us.

3:06:01 > 3:06:02Ready! Fire!

3:06:06 > 3:06:08Having a pleasant morning, sir?

3:06:08 > 3:06:10- Interesting morning.- Interesting?

3:06:10 > 3:06:12You hear that, mates? Interesting!

3:06:17 > 3:06:19Here comes a live one!

3:06:19 > 3:06:22Hey, don't come this way. Back there, towards the infantry.

3:06:24 > 3:06:26Found you a friend, eh? Know him well?

3:06:31 > 3:06:34Sir, beyond the trees, the French infantry advancing en masse.

3:06:47 > 3:06:49Hold your fire!

3:06:49 > 3:06:50CANNONS CEASE

3:07:38 > 3:07:41Lower your sights and wait till you hear the order to fire.

3:08:58 > 3:08:59Fire!

3:09:34 > 3:09:37Sire, I must report more infantry regiments have turned back,

3:09:37 > 3:09:39and they're retreating in full disorder.

3:09:39 > 3:09:42The horse cavalry should have gone first to clear the way.

3:09:42 > 3:09:44Send them now.

3:09:49 > 3:09:51There's only enough ammunition for four more charges.

3:09:51 > 3:09:53- Run to the reserves and bring up more.- I'll go too.

3:11:55 > 3:11:56Water.

3:12:00 > 3:12:01Take me to a dressing station.

3:12:01 > 3:12:03Help me.

3:12:31 > 3:12:33Doctor, this boy needs help.

3:12:35 > 3:12:38- How far have you carried him? - I don't know.

3:12:42 > 3:12:45You should have saved yourself the trouble. He is dead.

3:13:37 > 3:13:39Damn you, Napoleon.

3:13:40 > 3:13:42Damn you to hell!

3:13:47 > 3:13:49Well, we've stood our ground.

3:13:49 > 3:13:52We've taken the worst that Napoleon has to offer.

3:13:53 > 3:13:56We must attack tomorrow morning. Do you agree, sir?

3:13:57 > 3:13:59Yes, I agree, theoretically.

3:14:01 > 3:14:06According to all the rules that we have ever learned about warfare,

3:14:06 > 3:14:08we must attack tomorrow morning.

3:14:08 > 3:14:09But we cannot attack!

3:14:10 > 3:14:12We are too exhausted to attack!

3:14:12 > 3:14:14But, sire, if we retreat now...

3:14:14 > 3:14:16We leave the ground to the enemy.

3:14:17 > 3:14:19But he has paid too high a price for it.

3:14:20 > 3:14:23Finally, he will bleed to death from this victory.

3:14:23 > 3:14:26But it will be impossible to make a stand in front of Moscow.

3:14:26 > 3:14:28Yes, General, you are right.

3:14:28 > 3:14:31Do you mean to abandon Russia's ancient and sacred capital?

3:14:32 > 3:14:35Russia's ancient and sacred capital?

3:14:35 > 3:14:37Allow me to tell you, Your Excellency,

3:14:37 > 3:14:40that that question has no meaning for a Russian.

3:14:40 > 3:14:43Such a question cannot be put. It is senseless!

3:14:43 > 3:14:45The question I've asked you and these gentlemen

3:14:45 > 3:14:47to meet to discuss is a military one!

3:14:48 > 3:14:50The question is of saving Russia!

3:14:51 > 3:14:53Is it better to give up Moscow without a battle

3:14:53 > 3:14:57or by accepting battle lose the army as well as Moscow?

3:15:02 > 3:15:05Well, gentlemen, I see I am the one

3:15:05 > 3:15:07who has to pay for the broken crockery.

3:15:09 > 3:15:12Gentlemen, I've heard your views.

3:15:12 > 3:15:15Some of you will not agree with me,

3:15:15 > 3:15:17but I, by the authority entrusted to me

3:15:17 > 3:15:19by my sovereign and my country...

3:15:22 > 3:15:23..order a retreat.

3:15:33 > 3:15:35No, faster! Faster! The French will be here

3:15:35 > 3:15:38before we're ready to leave, unless you move more quickly.

3:15:38 > 3:15:40Now, come on. Up! Up!

3:15:51 > 3:15:54Put all the glass things in the front wagons. And the books...

3:15:54 > 3:15:57And the books, put them in the low wagon.

3:15:57 > 3:15:59- Here, take this. And this. - Thank you.

3:15:59 > 3:16:02- And these gloves. I'll never wear them again.- Thank you.

3:16:51 > 3:16:53They are the wounded from Borodino.

3:17:03 > 3:17:04Hurry!

3:17:05 > 3:17:07Vera, come!

3:17:08 > 3:17:09Give me some water.

3:17:13 > 3:17:17- Papa, have you seen the wounded men? - Yes. I've given permission for them

3:17:17 > 3:17:19to live in the house after we've gone.

3:18:13 > 3:18:14Someone badly wounded?

3:18:16 > 3:18:18Just about alive.

3:18:18 > 3:18:21It is a miracle His Excellency has lasted this long.

3:18:21 > 3:18:23- His Excellency?- Our colonel, miss.

3:18:34 > 3:18:35Miss Sonya!

3:18:37 > 3:18:39Mavra, don't tell anyone about this.

3:18:39 > 3:18:40Not yet. Promise me.

3:18:59 > 3:19:02Aunt! Prince Andre is here. Among the wounded.

3:19:04 > 3:19:06- Andre?- I saw him.

3:19:06 > 3:19:08He is unconscious. Terribly wounded.

3:19:08 > 3:19:11- Natasha.- She doesn't know yet.

3:19:11 > 3:19:14- She mustn't know. - His men say he's dying.

3:19:14 > 3:19:15Natasha must not know.

3:19:19 > 3:19:20All right! Get those wagons moving!

3:19:20 > 3:19:23Pull them up ahead and turn them around!

3:19:23 > 3:19:27You, in the back, pull ahead! We've got another load of wounded!

3:19:27 > 3:19:29- Officer?- Get them moving! Yes, miss?

3:19:29 > 3:19:32After we've left and the wounded men are in our house, what then?

3:19:32 > 3:19:34I'm afraid I don't know. I'm only a transport officer.

3:19:34 > 3:19:38My orders are to get back quickly and pick up another load of wounded.

3:19:38 > 3:19:41They're to be left here deserted with nobody to take care of them?

3:19:41 > 3:19:43To be taken prisoner? To die?

3:19:43 > 3:19:46I'm afraid that's in other hands than ours, mademoiselle.

3:19:46 > 3:19:47If you will permit me...

3:19:47 > 3:19:50That's enough. Now, put it down now.

3:19:50 > 3:19:52- Come along. - Father, you can't do this!

3:19:52 > 3:19:55What do you mean? The settee?

3:19:55 > 3:19:57If you left that here, those three men wouldn't have to stay here

3:19:57 > 3:20:00- and become prisoners of the French! - What three men?

3:20:02 > 3:20:03But of course!

3:20:03 > 3:20:05If we leave the settee behind,

3:20:05 > 3:20:07I don't know what will happen to your mother.

3:20:07 > 3:20:10- I'll speak to mother. - Back into the house with it!

3:20:10 > 3:20:12You three are to come with us on that cart, please.

3:20:20 > 3:20:22Sir, your men must make themselves at home in my house.

3:20:22 > 3:20:25Count, please help us. Is there no room in one of your carts

3:20:25 > 3:20:27- for this poor fellow?- Of course.

3:20:49 > 3:20:50Hurry. Hurry.

3:20:52 > 3:20:53- Oh, my.- Oh, those men, Papa.

3:20:53 > 3:20:55I know. It's very sad.

3:20:55 > 3:20:58- Still, in a war... - We must take them with us.

3:20:58 > 3:21:01Papa, we're going to unload everything

3:21:01 > 3:21:02and take every man who's able to travel.

3:21:04 > 3:21:06You're right. So very right.

3:21:08 > 3:21:10Take those back. Put that down.

3:21:11 > 3:21:13Vasilich, unload all the carts.

3:21:13 > 3:21:15- Unload?- Do as you're told.

3:21:15 > 3:21:18- You can tell your men we'll find room for them all.- Thank you, sir.

3:21:19 > 3:21:21- Papa!- Come along now!

3:21:23 > 3:21:25Take this off. Take it all down.

3:21:25 > 3:21:27Unload the carts.

3:21:27 > 3:21:29Unload this cart completely. Take it all down.

3:21:29 > 3:21:32- Overboard with that.- Take all that down.- You, come here.

3:21:33 > 3:21:37Take down that terrible table. Leave it behind. We don't need it.

3:21:37 > 3:21:38Empty the cart straightaway.

3:21:38 > 3:21:40All of this out. You, come here and help.

3:21:42 > 3:21:45Ilya, what is this? They're unloading everything.

3:21:46 > 3:21:49To make room for the wounded, my dear.

3:21:49 > 3:21:51But these are our things.

3:21:51 > 3:21:53Things, things. Things that can be bought.

3:21:53 > 3:21:56Think what it means to be left behind to all these men.

3:21:56 > 3:21:59It isn't fair. The government ought to care for the wounded.

3:22:00 > 3:22:02Mama, you can't object. Look at them.

3:22:02 > 3:22:05You'd leave them behind to save a few sticks of furniture?

3:22:07 > 3:22:09Mama, suppose Nicholas was one of them...

3:22:09 > 3:22:10or Petya?

3:22:16 > 3:22:18Of course you are right, darling.

3:22:19 > 3:22:20I'm sorry, Ilya.

3:22:23 > 3:22:24The chicks are teaching the hen.

3:22:25 > 3:22:28Ten more minutes! We leave in ten minutes.

3:22:40 > 3:22:41I'm ready now, Ilya.

3:22:42 > 3:22:45Now, come along, girls. In you get. Quickly, quickly.

3:22:51 > 3:22:52In God's name, off!

3:23:42 > 3:23:44Dear Moscow, everybody's leaving you.

3:23:51 > 3:23:54Look! Look over there by the corner!

3:23:54 > 3:23:57- Who is it? I can't see.- Pierre!

3:23:57 > 3:23:58Over here, Pierre!

3:24:02 > 3:24:03Over here, Pierre!

3:24:07 > 3:24:11You're safe. You promised you'd come back, and you have.

3:24:11 > 3:24:13You mustn't stay, Pierre. You must come with us.

3:24:13 > 3:24:15Did you see the battle, Pierre?

3:24:16 > 3:24:19Yes, I saw it. I saw too much.

3:24:19 > 3:24:22- Come with us, Pierre.- I can't. I must stay in the city. There's...

3:24:22 > 3:24:24- I have something... - Stop the coach.- Something I must do.

3:24:24 > 3:24:25Pierre!

3:24:27 > 3:24:28Go on.

3:24:30 > 3:24:32Remember me. Remember.

3:24:39 > 3:24:41Why wouldn't he come with us?

3:24:43 > 3:24:44I don't understand.

3:24:48 > 3:24:50- Natasha...- Sonya.

3:24:53 > 3:24:55You're crying. For Pierre?

3:24:55 > 3:24:58For us because we're leaving? Well, what then?

3:24:59 > 3:25:00- I have to tell her.- No!

3:25:00 > 3:25:03There's someone among the wounded... someone we know.

3:25:07 > 3:25:08Andre?

3:25:10 > 3:25:12He's travelling with us now.

3:25:15 > 3:25:18Well, is he badly hurt? Why didn't you tell me before?

3:25:18 > 3:25:20I didn't know how to tell you.

3:25:22 > 3:25:23He told you not to tell me.

3:25:25 > 3:25:29No. He's asleep or unconscious. He didn't speak.

3:25:38 > 3:25:39He didn't speak?

3:26:31 > 3:26:32Moscow.

3:26:34 > 3:26:36Asiatic city of innumerable churches.

3:26:37 > 3:26:38Lots of them.

3:26:40 > 3:26:42Moscow the holy,

3:26:42 > 3:26:43here at my feet,

3:26:43 > 3:26:44at last.

3:26:46 > 3:26:50On the ancient monuments of barbarism and despotism,

3:26:50 > 3:26:54I shall inscribe great words of justice. And mercy.

3:26:54 > 3:26:55Mercy.

3:27:10 > 3:27:14What a splendid reign Emperor Alexander's might have been.

3:27:17 > 3:27:20Now, I'm ready to accept the surrender of the city.

3:27:20 > 3:27:21Now.

3:27:29 > 3:27:31Well, where are the boyards? Where is the deputation?

3:27:36 > 3:27:37There is no-one, sire.

3:27:39 > 3:27:41The city is empty, half of it on fire.

3:27:44 > 3:27:45There is no government...

3:27:47 > 3:27:48..no-one to surrender to you.

3:27:53 > 3:27:54That's impossible.

3:27:56 > 3:27:59Impossible and ridiculous!

3:28:04 > 3:28:05There must be a surrender.

3:28:13 > 3:28:14This is an insult!

3:28:16 > 3:28:18They're going to pay for this.

3:28:28 > 3:28:31- The skyline! Look! - It's a village on fire.

3:28:35 > 3:28:37- It could be Magdagachi. - Look at it.

3:28:40 > 3:28:43- Moscow is on fire. - But it's so windy and dry.

3:28:44 > 3:28:46- God have mercy.- Save us.

3:28:48 > 3:28:50Oh, it is Moscow. Poor Moscow.

3:28:55 > 3:28:57Natasha, Sonya, come and look. Moscow's on fire.

3:29:00 > 3:29:01Moscow? Oh, no.

3:29:04 > 3:29:05How terrible.

3:29:07 > 3:29:08Natasha!

3:29:08 > 3:29:12Let's go back to bed. We have a long day tomorrow.

3:29:12 > 3:29:16- Papa, I must talk to you. - Again? Go back to bed.

3:29:16 > 3:29:18You must give me your permission to join the army.

3:29:18 > 3:29:21You already know it. It's no.

3:29:21 > 3:29:24I must go where I can do the most good for my country.

3:29:24 > 3:29:27Petya. Your duty now is not what you think.

3:29:27 > 3:29:31Your duty is to stay with us and to help your mother.

3:29:31 > 3:29:34I'm sorry, Papa. I've already made up my mind.

3:29:53 > 3:29:56Natasha, do look. The whole city's on fire.

3:29:56 > 3:29:58You can see it from the window.

3:30:02 > 3:30:04- You didn't even look. - Yes, really, I did.

3:30:06 > 3:30:09Go back to sleep. You'll catch your death of cold.

3:30:11 > 3:30:13And you too, Natasha, darling. Go to sleep.

3:31:32 > 3:31:35- Venture we were burning the city. - Who knows?

3:31:37 > 3:31:38Please.

3:31:39 > 3:31:41Your officers, where are they?

3:31:41 > 3:31:42Officers, miss?

3:31:43 > 3:31:45I don't know. Down there somewhere.

3:32:48 > 3:32:49Forgive me. Forgive me.

3:32:52 > 3:32:53I love you.

3:32:55 > 3:32:57- Forgive me.- Forgive what?

3:32:57 > 3:33:00For everything I have done.

3:33:04 > 3:33:05I love you more...

3:33:06 > 3:33:08..better than before.

3:35:03 > 3:35:06- I want all these fires put out. See to it now.- Yes, sire.

3:35:44 > 3:35:48No! Let me go! Take your hands off me!

3:35:49 > 3:35:51Let me go!

3:35:54 > 3:35:55Let me go.

3:36:10 > 3:36:12- Where did he come from? - I don't know.

3:36:12 > 3:36:13Take him over there.

3:36:20 > 3:36:22Ready!

3:36:26 > 3:36:27Aim!

3:36:28 > 3:36:29Fire!

3:36:32 > 3:36:33Cut 'em down.

3:36:38 > 3:36:40Two others. Quickly. Come on.

3:36:40 > 3:36:41No! Help me!

3:36:42 > 3:36:45Help me, please! Please don't let them!

3:36:45 > 3:36:47- Hurry up. Come on!- No!

3:36:49 > 3:36:50No, that's all.

3:36:50 > 3:36:54The orders were to shoot only the incendiaries.

3:36:54 > 3:36:56Take them back to prison.

3:36:58 > 3:36:59Forward, march!

3:37:13 > 3:37:15Don't brood, sir.

3:37:15 > 3:37:18That's not for us to judge whether to be spared or not spared.

3:37:18 > 3:37:20Finally, in the world to come

3:37:20 > 3:37:22God will give us a word or two of explanation,

3:37:22 > 3:37:23and then it'll all be clear.

3:37:32 > 3:37:35Here you are, Grey. Come here, boy.

3:37:35 > 3:37:38You found me again. That's a little fella.

3:37:38 > 3:37:41That's right. You sit right down there. Be a good boy.

3:37:43 > 3:37:45Do you like cold potatoes?

3:37:45 > 3:37:48We had soup for dinner, and the potatoes were delicious.

3:37:54 > 3:37:55Here you are, boy.

3:37:58 > 3:38:00Perhaps you'd like some salt.

3:38:09 > 3:38:10Ah, that's better now, huh?

3:38:10 > 3:38:12I'm all right.

3:38:13 > 3:38:17Why did they shoot those poor fellows? The last one was barely 20.

3:38:17 > 3:38:18Ah, what a sin, what a sin.

3:38:19 > 3:38:22Well, where there's law, there's injustice.

3:38:22 > 3:38:24Come on, boy, get up.

3:38:25 > 3:38:28The maggot eats the cabbage, yet dies first.

3:38:28 > 3:38:30What did you say?

3:38:30 > 3:38:33I say things happen not as we plan, but as God judges.

3:38:34 > 3:38:37Have you got a family estate, sir, and a housewife?

3:38:37 > 3:38:40Your old parents, are they still living?

3:38:42 > 3:38:44Perhaps you've got little ones, then?

3:38:46 > 3:38:48Never mind, dear lad.

3:38:48 > 3:38:51You're young folks yet, and pray God may have some still.

3:38:51 > 3:38:52The great thing is to live in harmony.

3:38:54 > 3:38:56Well, dear lad,

3:38:56 > 3:38:58I was still living at home.

3:38:58 > 3:39:01We had a well-to-do homestead, a nice piece of land

3:39:01 > 3:39:03and a house that one could thank God for.

3:39:03 > 3:39:06When Father and we went a-mowin', there was seven of us.

3:39:06 > 3:39:08We were real peasants. We lived well.

3:39:09 > 3:39:10Well, one day I...

3:39:12 > 3:39:15I went into someone else's forest to cut wood.

3:39:15 > 3:39:19But a keeper found me. I was taken before a judge for trial,

3:39:19 > 3:39:21flogged and sent to serve as a soldier.

3:39:22 > 3:39:25Well, lad, we thought that was a misfortune,

3:39:25 > 3:39:27but that turned out to be a blessing.

3:39:27 > 3:39:30You see, if it hadn't been for my sin,

3:39:30 > 3:39:33my brother would've gone instead of me, and he's got five little ones.

3:39:33 > 3:39:36Whereas I only had a wife to leave behind.

3:39:37 > 3:39:41We had a little girl, but God took her before I left for the wars.

3:39:41 > 3:39:43You've had hard luck.

3:39:45 > 3:39:47We can make it into misery or into joy.

3:39:48 > 3:39:50Our luck's like water in a dragnet.

3:39:50 > 3:39:52You pull at it, and it bulges.

3:39:52 > 3:39:55But when you've drawn it out, there's nothing in it.

3:39:55 > 3:39:57That's how it is, dear boy.

3:39:57 > 3:39:59Well, now I think it's time to sleep.

3:40:05 > 3:40:09Lord Jesus Christ, holy Saint Nicholas, Frola and Lavra.

3:40:09 > 3:40:11Lord Jesus Christ, have mercy upon us and save us.

3:40:13 > 3:40:15That's the way.

3:40:16 > 3:40:19Lay me down like a stone, O, God, and raise me up like a loaf.

3:40:19 > 3:40:21What prayer was that you were saying?

3:40:21 > 3:40:23I was praying. Don't you pray?

3:40:24 > 3:40:27- Yes, I do.- But what did you say... - Frola and Lavra?

3:40:27 > 3:40:29Ah, the horse's saints.

3:40:29 > 3:40:31One must pity the animals too.

3:40:31 > 3:40:33Come on, Grey. Come over here. That's right.

3:40:33 > 3:40:36You get warm and lie down. That's it. That's right.

3:41:08 > 3:41:10I thought you were asleep.

3:41:10 > 3:41:13No, I was lying here watching you,

3:41:13 > 3:41:17enjoying you, being thankful for you.

3:41:17 > 3:41:18Sleep, my dearest.

3:41:18 > 3:41:20No, not yet.

3:41:20 > 3:41:22I want to keep my eyes open.

3:41:22 > 3:41:24I want to look at you.

3:41:25 > 3:41:27You know...

3:41:27 > 3:41:30you're not the girl I saw dancing all night,

3:41:30 > 3:41:33the girl who whispered on the balcony to the moon.

3:41:34 > 3:41:36You're something much better.

3:41:38 > 3:41:39How serene you are.

3:41:39 > 3:41:41How valuable.

3:41:44 > 3:41:45I love you so much.

3:41:46 > 3:41:49It's a terrible thing.

3:41:49 > 3:41:52Only at a moment like this can one talk so openly.

3:41:52 > 3:41:54Until now, I knew nothing about love.

3:41:55 > 3:41:57I was a great hater, Natasha.

3:41:58 > 3:42:03I hated so many things, but most of all I hated you.

3:42:03 > 3:42:04You had every right.

3:42:06 > 3:42:08I love you more than I've ever loved anything on this earth.

3:42:10 > 3:42:13Maybe this place has something to do with it, this monastery.

3:42:14 > 3:42:16Maybe the monks really know about love.

3:42:18 > 3:42:20Now I'm beginning to understand too.

3:42:22 > 3:42:24Maybe death is my private monastery.

3:42:24 > 3:42:25Ssh.

3:42:40 > 3:42:42Where is he?

3:42:42 > 3:42:43- Can I see him?- Of course.

3:42:43 > 3:42:46But a moment, my dear. Is that his son?

3:42:46 > 3:42:47- Yes.- And he's called?

3:42:47 > 3:42:49- Kolja.- Kolja! But what a lovely boy!

3:42:50 > 3:42:53- Where is he?- Natasha's with him. We've sent to ask.

3:42:54 > 3:42:57I think you must be tired, Princess.

3:42:57 > 3:42:59We've prepared rooms for you.

3:42:59 > 3:43:01- And where is Petya? - He left a few days ago.

3:43:01 > 3:43:04We simply couldn't control him any longer.

3:43:05 > 3:43:08He kept on and on about going into the army,

3:43:08 > 3:43:09until we just had to let him go.

3:43:09 > 3:43:12Don't worry. The war will probably be over

3:43:12 > 3:43:14before he gets his commission.

3:43:14 > 3:43:16- Did you receive my letter?- Yes.

3:43:16 > 3:43:17Thanks be to God.

3:43:17 > 3:43:19That was a good piece of news.

3:43:19 > 3:43:21You and Princess Mary.

3:43:21 > 3:43:23- I'm worried about Sonya. - That's all right.

3:43:23 > 3:43:25I told her immediately.

3:43:25 > 3:43:28But, Mother, I wanted to explain it to her myself.

3:43:32 > 3:43:35- Mary.- There, now. You're going to stay with us, little man?

3:43:35 > 3:43:37Come, my dear.

3:43:45 > 3:43:47- Come, little darling. - Come see him, Mary.

3:43:50 > 3:43:52Nicholas, you come along.

3:43:53 > 3:43:55Nicholas, I've read your letter.

3:43:55 > 3:43:57I know.

3:43:58 > 3:43:59She's a fine woman, isn't she?

3:44:01 > 3:44:04If you want to, Nicholas, you're free.

3:44:04 > 3:44:06Forgive me, Sonya.

3:44:07 > 3:44:11Natasha. No-one will tell me anything.

3:44:12 > 3:44:14How is his wound, his condition?

3:44:14 > 3:44:15What do the doctors say?

3:44:15 > 3:44:18Is he worse?

3:44:43 > 3:44:45- Andre.- Hello, Mary.

3:44:46 > 3:44:50How did you manage to get here? Have you brought little Kolja?

3:44:50 > 3:44:52How are you now?

3:44:52 > 3:44:54That, my dear, you must ask the doctor.

3:44:55 > 3:44:58There, you see how strangely fate has brought us together?

3:44:59 > 3:45:02She looks after me all the time.

3:45:02 > 3:45:04- Mary came from Ryazan.- Really?

3:45:06 > 3:45:08So you've met Count Nicholas, Mary?

3:45:08 > 3:45:10Yes.

3:45:10 > 3:45:13He wrote that he took a great liking to you. If you like him too,

3:45:13 > 3:45:16it would be a good thing if you were to get married.

3:45:16 > 3:45:17Why talk of me, Andre?

3:45:19 > 3:45:22Would you like to see little Kolja?

3:45:22 > 3:45:25- He's outside. - I'd be very glad to see him.

3:45:35 > 3:45:37Is it too much for you, all this talking?

3:45:38 > 3:45:40No. It's worse for Mary.

3:45:40 > 3:45:43I want to tell her so many things, but I don't seem to be able to.

3:45:55 > 3:45:56Kiss him, Kolja.

3:45:57 > 3:45:58Kiss your father.

3:46:06 > 3:46:11Kolja, no-one is permitted to cry in this room, you know.

3:46:12 > 3:46:15Not children, and not grownups either.

3:46:20 > 3:46:22I think you'd better go out and play now.

3:46:30 > 3:46:31He's a handsome little boy.

3:46:35 > 3:46:38What is it, Mary? Is it about the child?

3:46:39 > 3:46:40You know the Gospel.

3:46:43 > 3:46:45"The fowls of the air sow not, neither do they reap,

3:46:45 > 3:46:47"yet your Father feedeth them."

3:46:49 > 3:46:50That's why you mustn't cry.

3:46:54 > 3:46:55Come sit beside me.

3:47:02 > 3:47:04The hardest thing is to keep alive at sunset.

3:47:23 > 3:47:24I had a wonderful dream.

3:47:25 > 3:47:27I saw a door.

3:47:28 > 3:47:29I could see beyond it.

3:47:31 > 3:47:32I dreamt that I died...

3:47:34 > 3:47:35..and as I died, I awoke.

3:47:37 > 3:47:38Yes...

3:47:39 > 3:47:41..death is an awakening.

3:47:42 > 3:47:43You see?

3:47:44 > 3:47:45It's all so simple.

3:47:55 > 3:47:56Is it over?

3:48:08 > 3:48:09Where is he now?

3:48:11 > 3:48:12Where has he gone?

3:48:18 > 3:48:21What is this? What is this?

3:48:22 > 3:48:23Here we are,

3:48:23 > 3:48:27the masters of the capital of the largest country in the world.

3:48:28 > 3:48:30We don't have a single civilian to feed,

3:48:30 > 3:48:32and even so, I get these reports!

3:48:32 > 3:48:34"The stocks are dwindling. Food is disappearing.

3:48:34 > 3:48:38"Ammunition is on fire. The danger point is approaching."

3:48:38 > 3:48:40Who writes out these reports?

3:48:41 > 3:48:42Who is taking steps to correct them?

3:48:47 > 3:48:51I brought the greatest army in Europe into this city.

3:48:51 > 3:48:53What do I see around me now? A mob of looters and drunkards.

3:48:55 > 3:48:56They are not soldiers any more.

3:48:58 > 3:48:59They are ragpickers.

3:49:00 > 3:49:01Junk men!

3:49:08 > 3:49:11I am sure Kutuzov must have sent emissaries

3:49:11 > 3:49:13to ask for the terms of surrender.

3:49:14 > 3:49:18What happened? Were they detained at the outposts? Are they shot?

3:49:18 > 3:49:21Sire, I myself have given explicit instructions

3:49:21 > 3:49:24to all the commanders of all the outposts.

3:49:24 > 3:49:26There have been no emissaries

3:49:26 > 3:49:28from the Russian commander-in-chief.

3:49:39 > 3:49:42The city's burning down around our ears, house by house.

3:49:43 > 3:49:46I have given strictest orders to shoot all incendiaries,

3:49:46 > 3:49:48and even here, in my own headquarters, you cannot get the...

3:49:48 > 3:49:52You cannot get the stink of smoke out of your nostrils!

3:49:54 > 3:49:56Gentlemen, take hold.

3:49:56 > 3:49:58Take hold, or I promise you, I will replace you all.

3:49:58 > 3:50:00With all your titles,

3:50:00 > 3:50:03with all your decorations and all your battles.

3:50:03 > 3:50:07I'll go out into the streets and pick the first ten soldiers I can find

3:50:07 > 3:50:08who are not drunk...

3:50:11 > 3:50:12..and put them in your place!

3:50:18 > 3:50:21I warn you, gentlemen. I cannot sit here much longer...

3:50:23 > 3:50:24..watching my army...

3:50:25 > 3:50:26..decay.

3:50:31 > 3:50:32Close the window, someone.

3:50:56 > 3:50:58Already, the wild geese are flying south.

3:50:58 > 3:51:01What if we are trapped here through winter?

3:51:02 > 3:51:05Time and patience.

3:51:05 > 3:51:06Patience and time.

3:51:08 > 3:51:10The grand army's wounded.

3:51:10 > 3:51:12But is it mortally wounded?

3:51:14 > 3:51:18An apple should not be plucked while it's green.

3:51:20 > 3:51:22Patience and time.

3:51:26 > 3:51:30- KNOCK ON THE DOOR - Yeah? Who is it?

3:51:30 > 3:51:31Come in!

3:51:31 > 3:51:33A special courier, Your Excellency.

3:51:38 > 3:51:42Excellency, the French are preparing to leave Moscow.

3:51:46 > 3:51:47Come closer.

3:52:16 > 3:52:18Excellency, would you like me to...

3:52:49 > 3:52:52O Lord...my creator...

3:52:53 > 3:52:55..thou hast heard our prayer.

3:52:58 > 3:53:00Russia is saved.

3:53:01 > 3:53:03I thank thee, O, Lord.

3:53:24 > 3:53:25Russian women.

3:53:27 > 3:53:29They're the lice that live on the conquerors.

3:53:29 > 3:53:31They have to leave with them or die.

3:54:16 > 3:54:17Attack!

3:54:18 > 3:54:20The word "attack" is always on your tongues.

3:54:22 > 3:54:24Gentlemen...

3:54:24 > 3:54:27they came into our country like locusts...

3:54:28 > 3:54:31..leaving nothing behind, food nor shelter.

3:54:31 > 3:54:34Now they're going back the way they came,

3:54:34 > 3:54:38through the desolation they made themselves.

3:54:38 > 3:54:40A cold, hungry army,

3:54:40 > 3:54:412,000 miles from home,

3:54:41 > 3:54:44doing what every Russian wants...

3:54:46 > 3:54:48..leaving our country with all possible speed.

3:54:50 > 3:54:53The country is destroying them.

3:54:53 > 3:54:54And the Russian army?

3:54:54 > 3:54:58Since Borodino, the Russian army has been in constant retreat.

3:54:58 > 3:55:00- Now it must attack.- For what?

3:55:02 > 3:55:06I wouldn't give one Russian soldier for ten Frenchmen!

3:55:07 > 3:55:09Those retreats

3:55:09 > 3:55:13have brought about the destruction of the French army,

3:55:13 > 3:55:17and will bring about the liberation of our country.

3:55:20 > 3:55:22The animal is running.

3:55:22 > 3:55:23We will follow it...

3:55:25 > 3:55:28..and flick its haunches with whips,

3:55:28 > 3:55:30to encourage it to keep moving.

3:55:31 > 3:55:34We will follow it to the borders of our country.

3:55:36 > 3:55:38We will offer the French a golden bridge

3:55:38 > 3:55:40to the west.

3:59:15 > 3:59:17Get moving there! Get moving!

3:59:18 > 3:59:20All stragglers will be shot.

3:59:21 > 3:59:22Get up.

3:59:22 > 3:59:25Get up! Keep moving! Get up!

3:59:27 > 3:59:29Come on!

3:59:29 > 3:59:30Get into line!

3:59:30 > 3:59:32Get up. Come on, get up!

3:59:33 > 3:59:36- I can't.- Get up! Now!

4:01:38 > 4:01:41971...972...

4:01:42 > 4:01:43..73, 74...

4:01:46 > 4:01:47..75, 76...

4:01:49 > 4:01:52Get up! Get moving!

4:01:56 > 4:01:58- One, two...- Clear the road!

4:01:58 > 4:02:00Out of the way! Clear the road.

4:02:00 > 4:02:02Clear the road there. Stand aside.

4:02:02 > 4:02:04Out of the way. Out of the way.

4:02:18 > 4:02:19Move on!

4:02:19 > 4:02:21Move on! Keep moving!

4:02:24 > 4:02:26- Move on! Move on!- One...

4:02:27 > 4:02:28..two, three.

4:02:30 > 4:02:32What are you...counting all the time?

4:02:33 > 4:02:37I count to 1,000 and start again to keep my feet going.

4:02:37 > 4:02:40- My feet are numb. - You've never needed them before.

4:02:40 > 4:02:41Have you?

4:02:41 > 4:02:44Gentlemen ride in carriages or on horseback.

4:02:45 > 4:02:48I've lived my whole life on foot,

4:02:48 > 4:02:50yet you'll outlast me.

4:02:50 > 4:02:52Start again. One, two...

4:03:21 > 4:03:23..four, five, six...

4:03:25 > 4:03:26Get up!

4:03:28 > 4:03:29Come on. Keep moving.

4:03:46 > 4:03:47Are you afraid too, friend?

4:03:50 > 4:03:51GUN FIRES

4:04:32 > 4:04:33One, two...

4:04:36 > 4:04:38..three, four, five...

4:04:44 > 4:04:45Halt!

4:04:47 > 4:04:50- Who are you?- Ensign Rostov, looking for Colonel Dolokhov's detachment.

4:04:50 > 4:04:53- I have a dispatch from the commander-in-chief.- Come, then.

4:04:55 > 4:04:58- How did you find us?- Some peasants in the village below told me.

4:05:06 > 4:05:08- Dragoons?- Yes, sir. Dragoons.

4:05:08 > 4:05:10How many infantrymen?

4:05:10 > 4:05:13- Maybe 100.- Or 200?

4:05:14 > 4:05:15Yes, sir. Perhaps 200.

4:05:15 > 4:05:19Perhaps! Perhaps! Get out of here before I lose my temper! Out!

4:05:33 > 4:05:35When was he captured?

4:05:35 > 4:05:38Last night, but we won't keep him long.

4:05:38 > 4:05:39I usually do not take prisoners.

4:05:43 > 4:05:46- What is this dispatch? - It's my general's dispatch, sir.

4:05:49 > 4:05:51- Who are you?- Ensign Rostov, sir.

4:05:51 > 4:05:54Rostov. Do you have a brother Nicholas?

4:05:54 > 4:05:55- Yes, sir. Do you know him?- Yes.

4:06:00 > 4:06:03"All patrols are to pull back immediately to join the main army

4:06:03 > 4:06:05"and prepare for a general attack

4:06:05 > 4:06:10"when the French attempt to cross the Berezina River."

4:06:21 > 4:06:24Rostov, you didn't find me tonight.

4:06:24 > 4:06:26You didn't find me to give me this till tomorrow.

4:06:26 > 4:06:28Why, sir?

4:06:28 > 4:06:30That French column of stragglers.

4:06:30 > 4:06:32I'm going to attack them tomorrow morning.

4:06:32 > 4:06:35- One last fight.- Let me come.- No.

4:06:35 > 4:06:38I'll say I didn't find you tonight if you let me fight too, sir.

4:06:38 > 4:06:41- I'll make you a bargain.- No, no, no, no.- Yes, sir. Let me come.

4:06:42 > 4:06:45It's a bargain, but you keep out of trouble,

4:06:45 > 4:06:47or you will make trouble for me with the general.

4:06:47 > 4:06:50- Thank you. Thank you. - Go and eat something.

4:06:53 > 4:06:56Now, I will move in through the forest.

4:06:56 > 4:06:59You take your men around to the other side of the valley during the night.

4:06:59 > 4:07:02Be ready to attack at my signal.

4:07:02 > 4:07:05- Right. Any reserves?- No reserves.

4:07:05 > 4:07:06This is our last fight,

4:07:06 > 4:07:08and we're not going to hold back anything.

4:07:12 > 4:07:14- Ensign, you want some?- Thank you.

4:07:33 > 4:07:35Hungry? Have this.

4:07:36 > 4:07:38Thank you very much.

4:07:56 > 4:07:58Remember, stay behind me at all times.

4:07:58 > 4:07:59Charge!

4:08:07 > 4:08:08ALL: Cossacks! Cossacks!

4:09:19 > 4:09:22You must have wished often you had killed me in that stupid duel.

4:09:22 > 4:09:25You probably haven't heard that Helene died in St Petersburg.

4:09:28 > 4:09:30Finally, I want to ask you to forgive me

4:09:30 > 4:09:32for the harm I did you.

4:09:46 > 4:09:47Halt!

4:09:51 > 4:09:53Take them away. You know what to do with them.

4:10:05 > 4:10:08He wouldn't stay behind. It was a game for him.

4:10:10 > 4:10:12His sabre was a toy.

4:10:12 > 4:10:14EXPLOSION, SCREAMING

4:10:17 > 4:10:19I never take prisoners.

4:11:10 > 4:11:11Stand by your guns!

4:11:12 > 4:11:14Stand by your guns!

4:11:14 > 4:11:15Stand by your guns!

4:11:32 > 4:11:33- Fire!- Fire!

4:13:06 > 4:13:07Yes, burn them.

4:14:00 > 4:14:01Hooray, lads!

4:14:01 > 4:14:02ALL: Hoorah!

4:14:08 > 4:14:11I thank you all for your hard

4:14:11 > 4:14:12and faithful service.

4:14:14 > 4:14:16The victory is complete,

4:14:16 > 4:14:18and Russia will not forget you!

4:14:19 > 4:14:20Honour to you for ever!

4:14:23 > 4:14:27ALL: Hoorah! Hoorah! Hoorah!

4:15:33 > 4:15:36Well, shall we see what's happened to the rest of the house?

4:15:37 > 4:15:39Come on, Mary.

4:15:45 > 4:15:47Sonya, why don't you see what the kitchen's like?

4:15:47 > 4:15:50- Yes, surely. - Prokofy, you might find some tea.

4:15:50 > 4:15:51Yes, miss.

4:15:51 > 4:15:53- Will you look in the cellar, Vasilich?- Very well.

4:16:04 > 4:16:06Mama! Papa!

4:16:06 > 4:16:09The north wing is just as it was. Nothing's happened.

4:16:09 > 4:16:13We have a house... Half a house.

4:16:13 > 4:16:14Isn't it wonderful?

4:16:15 > 4:16:18Mama, you can come and rest. We're home.

4:16:20 > 4:16:23Dunyasha, make Mama a cold compress.

4:16:23 > 4:16:25And, oh, take this footstool.

4:16:25 > 4:16:26She always liked that.

4:16:28 > 4:16:29The baby can go in my room. Whoops.

4:16:31 > 4:16:32Up you go. There.

4:16:34 > 4:16:37Oh, I do hope Vasilich will find a bottle of port.

4:16:37 > 4:16:41You see, Mary? You're going to have a born optimist as a father-in-law.

4:17:09 > 4:17:12I have loved you from the first moment I saw you.

4:17:20 > 4:17:24Hurry up, Nicholas! You're delaying the trip to the country!

4:17:46 > 4:17:47Pierre.

4:17:51 > 4:17:54We were so worried when we heard you were taken prisoner.

4:17:57 > 4:17:58But you've come back.

4:18:13 > 4:18:14You are like this house.

4:18:16 > 4:18:18You suffer, you show your wounds,

4:18:18 > 4:18:20but you stand.