0:01:23 > 0:01:26Who you voting for this November, Sheriff?
0:01:26 > 0:01:28- Me?- Yes.
0:01:28 > 0:01:31James G Blaine.
0:01:31 > 0:01:33- Yeah?- Yeah.
0:01:33 > 0:01:36Eph here is casting his ballot for Grover Cleveland.
0:01:36 > 0:01:37No?!
0:01:37 > 0:01:40You voting for that New York Copperhead?
0:01:40 > 0:01:43You bet your life I be,
0:01:43 > 0:01:46and he's going to beat the breeches off of your Mr Blaine.
0:01:48 > 0:01:50Lem! Lookit.
0:01:51 > 0:01:54Slapping stickem all over your walls.
0:01:54 > 0:01:56Well, you've got a gall,
0:01:56 > 0:01:59smearing up Darke County with them consarned stickers.
0:01:59 > 0:02:01Well, a man's gotta make a living.
0:02:01 > 0:02:02Well, I can't help that.
0:02:02 > 0:02:06You take that ding-busted thing down off of my wall.
0:02:06 > 0:02:08Why, even the side of a man's cow
0:02:08 > 0:02:10ain't safe from you fellows nowadays.
0:02:10 > 0:02:12Go on, take it down.
0:02:14 > 0:02:16Go on, take it down.
0:02:19 > 0:02:22Lem, let's see the top half of it.
0:02:23 > 0:02:26All right, hitch up the rest of him.
0:02:26 > 0:02:29If Annie Oakley likes him, he stays up.
0:02:29 > 0:02:32If she don't, down he comes.
0:02:48 > 0:02:52Gosh, ain't he pretty?
0:02:53 > 0:02:55All right, leave him up.
0:02:55 > 0:02:57Who is he, Annie?
0:02:57 > 0:03:00Toby Walker. He's the greatest shot in the whole world.
0:03:00 > 0:03:01Maybe at trick shooting, Annie,
0:03:01 > 0:03:04but I'll bet he ain't one-two-three with you on quail.
0:03:04 > 0:03:06Oh, Lem, I just point a gun at them.
0:03:07 > 0:03:09Say, that big hotel in Cinci's
0:03:09 > 0:03:12still begging for some of your birds.
0:03:12 > 0:03:14- You got some for me today? - Sure, six dozen.
0:03:14 > 0:03:16All dressed and picked.
0:03:16 > 0:03:19Bet at 50 yards, she can knock the eye out of a bumblebee.
0:03:19 > 0:03:20Yeah?
0:03:20 > 0:03:23Yeah. Them quail she shoots don't know what hits them.
0:03:23 > 0:03:25Slab in the head every time.
0:03:25 > 0:03:28Supported her folks pretty near five years on that gun of hers.
0:03:28 > 0:03:30Wish I could shoot that way.
0:03:30 > 0:03:33Wish you could. We'd have law and order in this county.
0:03:33 > 0:03:34Sheriff!
0:03:34 > 0:03:37Do you remember the time you aimed at a chicken thief...
0:03:37 > 0:03:39- Yeah... - ..and killed a hog?
0:03:39 > 0:03:40Killed...
0:03:47 > 0:03:51Mr And Mrs Quail, won't you walk into my broiler?
0:03:53 > 0:03:57Yes, sir and ma'am, a warm welcome sure do await you.
0:03:57 > 0:03:59Oh, my!
0:03:59 > 0:04:02I's going to baptise you slow in hot butter.
0:04:02 > 0:04:04Hot butter!
0:04:04 > 0:04:07And put you to sleep in a bed of rice.
0:04:07 > 0:04:10# Sleep on, sweet quail! #
0:04:10 > 0:04:13Say, boy, how many of those quails you done already counted?
0:04:13 > 0:04:16- 26.- Well, forget to count about four of them.
0:04:17 > 0:04:20Don't you think I like quail myself?
0:04:20 > 0:04:23- I done already uncounted eight. - That's right.
0:04:23 > 0:04:24Boys!
0:04:25 > 0:04:26Uh-oh.
0:04:30 > 0:04:34Your bad arithmetic's going to get you in trouble one of these days.
0:04:35 > 0:04:39Them quails ain't no good, Mr MacIvor. They full of buckshot.
0:04:39 > 0:04:41Not these quail. They cost me fancy prices.
0:04:41 > 0:04:44The hunter always hits them in the head.
0:04:44 > 0:04:47That's right, boss. That hunter sure is a shooting fool.
0:04:47 > 0:04:49I want you boys to outcook yourselves on these quail.
0:04:49 > 0:04:52The Mayor is giving this banquet for Toby Walker.
0:04:52 > 0:04:55Yes, sir, and it'll be fit for a king, too.
0:04:55 > 0:04:59It better be. Mr Walker is very particular.
0:05:13 > 0:05:15Well, Toby Walker, I hereby pronounce you
0:05:15 > 0:05:17a member of Buffalo Bill's happy family.
0:05:17 > 0:05:20Yep, you've done a good day's work, Jeff.
0:05:20 > 0:05:23Yes, I think so. I think my partner will think so, too.
0:05:23 > 0:05:26Colonel Cody and I don't sign up any second-raters, only champions.
0:05:26 > 0:05:31So, you're a champion shooter, huh? I don't believe it.
0:05:31 > 0:05:32Take it easy. That's Toby Walker.
0:05:32 > 0:05:36Never heard of him. Bet I could beat him myself.
0:05:43 > 0:05:45What are you laughing at?
0:05:45 > 0:05:49Well, maybe he could. We haven't seen you shoot yet.
0:05:49 > 0:05:50Well, money talks, Cap.
0:05:50 > 0:05:52Your shooting rate's pretty high around here.
0:05:52 > 0:05:53Why don't you take me on?
0:05:53 > 0:05:55I'm only an amateur.
0:05:55 > 0:05:58I don't want any contest with you, Walker.
0:05:58 > 0:06:01I'll lay you 3-to-1, and you can name your own targets and distance.
0:06:01 > 0:06:03Take him on, Cap. He may not be so good.
0:06:03 > 0:06:04Sure, Cap. You're a good shot.
0:06:04 > 0:06:06Take him on, Cap.
0:06:06 > 0:06:09Ain't there one sport in this burg?
0:06:09 > 0:06:11I'll give you 4-to-1.
0:06:14 > 0:06:17Could you make that 5-to-1, Mr Walker?
0:06:17 > 0:06:19Look, Mac, you better keep out of this.
0:06:19 > 0:06:21We ain't betting marbles. This is for money.
0:06:21 > 0:06:22Oh, is that a fact?
0:06:22 > 0:06:25I believe I've got someone that might make it interesting for you.
0:06:25 > 0:06:29How about a little side bet of 100 to make it more interesting?
0:06:31 > 0:06:34100, eh? No, I don't think that would interest me, but...
0:06:36 > 0:06:38..200 should do it.
0:06:39 > 0:06:43Mac, it's a bet.
0:06:43 > 0:06:46But you'll have to see my new boss here to arrange the details.
0:06:46 > 0:06:49Well, would tomorrow morning at the Gun Club suit you gentlemen?
0:06:49 > 0:06:52It's a go. Let's have a drink on it. Oscar, set them up, on the house.
0:06:52 > 0:06:54ALL: On the house!
0:06:54 > 0:06:56Well, Mac...
0:06:56 > 0:06:59Beers all around. And make mine a short one.
0:06:59 > 0:07:00Make mine a champagne cocktail.
0:07:00 > 0:07:02- I'll take champagne, too. - Make mine champagne, too.
0:07:02 > 0:07:07All right, Oscar, I'll have a champagne cocktail.
0:07:07 > 0:07:11Mac, if I hadn't been here to see this, I wouldn't have believed it.
0:07:14 > 0:07:17Put it back. I've lost my thirst.
0:07:18 > 0:07:19What's the matter, Mac? Are you mourning?
0:07:19 > 0:07:21Yeah, for his 200.
0:07:23 > 0:07:25Oh, that's no' for ladies.
0:07:25 > 0:07:26Oh, I'm no lady.
0:07:28 > 0:07:31Pardon me, miss, this is a saloon.
0:07:31 > 0:07:33Oh, how cosy.
0:07:36 > 0:07:37I've lived for 60 years
0:07:37 > 0:07:41and that's the first time I ever saw a woman going into a saloon.
0:07:41 > 0:07:44The next thing you know, they will be smoking cigarettes.
0:07:44 > 0:07:46Talk sense, man, talk sense.
0:07:46 > 0:07:50- Here's to Toby Walker. - ALL: Here's to Toby Walker!
0:07:50 > 0:07:54Well, gentlemen, I hardly know what to...
0:07:55 > 0:07:57Hello, honey. Getting your hair curled?
0:08:04 > 0:08:07What's the matter? Don't I get introduced?
0:08:07 > 0:08:11Allow me, gents. The great Toby Walker and Company.
0:08:15 > 0:08:17I nearly forgot what time it is.
0:08:17 > 0:08:22They're probably yelling for me at the theatre. I...
0:08:23 > 0:08:25Come on, get out of here.
0:08:27 > 0:08:30Seems there's nothing sacred any more.
0:08:32 > 0:08:34In all my born days I've never seen such gall.
0:08:34 > 0:08:35What are you trying to do,
0:08:35 > 0:08:38make a jackass out of me in front of my public?
0:08:38 > 0:08:41- Aw, honey!- Don't honey me. You're too dang fresh.
0:08:41 > 0:08:44Toby Walker, you're supposed to be a sharpshooter,
0:08:44 > 0:08:48and you can't even see a willing gal right under your own nose.
0:08:48 > 0:08:50- I can see anything I'm aiming at. - Yeah, I know.
0:08:50 > 0:08:54You only go high, wide and handsome for the lady swells,
0:08:54 > 0:08:57like you claim you was with Sarah Bernhardt.
0:08:58 > 0:09:00Let's leave Miss Bernhardt's name out of this.
0:09:00 > 0:09:04Bernhardt. You never knowed her well enough to carry her trunks.
0:09:04 > 0:09:06Listen, Vera, I think you're a swell little trouper.
0:09:06 > 0:09:08Now, let's leave it like that.
0:09:08 > 0:09:11You've got your ticket back to New York and two weeks' extra pay.
0:09:11 > 0:09:12I'd keep you in the act if I could,
0:09:12 > 0:09:16but there just ain't no place in the Buffalo Bill show for a gal.
0:09:16 > 0:09:18Well, sharpshooter, I got to hand it to you.
0:09:18 > 0:09:21You sure got the power to resist a beautiful woman.
0:09:21 > 0:09:23Well, don't take it too much to heart, little girl.
0:09:23 > 0:09:25Maybe I'm doing you a favour.
0:09:25 > 0:09:27You know, Lillie Langtry couldn't act for sour apples
0:09:27 > 0:09:29till I turned her down.
0:09:30 > 0:09:33Talk louder, will you, Lem? I can't hear you.
0:09:36 > 0:09:39Blast these newfangled instruments of torture.
0:09:39 > 0:09:42Hello? Oh, Lem, Lem. Just a minute.
0:09:44 > 0:09:48Hello, Lem. Lem, I want you to get a hold of that quail-shooter,
0:09:48 > 0:09:50the one that sells you the birds you send up here.
0:09:50 > 0:09:52I've got a shooting match.
0:09:52 > 0:09:56A shoot... A shooting match, Lem.
0:09:56 > 0:10:00Aye. If he wins, there's 50 in it for him.
0:10:00 > 0:10:03Yes, I said 30. What did you say his name is?
0:10:04 > 0:10:07Shake up the telephone, Lem. I can't hear a word.
0:10:07 > 0:10:12What? Oh, Oakley. Andy Oakley?
0:10:12 > 0:10:15All right, Lem, all right. Have him here in the morning
0:10:15 > 0:10:19Oh, Lem, Lem, Lem, and make certain sure he's sober.
0:10:19 > 0:10:21Aye, aye.
0:10:27 > 0:10:28All ready, Joe?
0:10:30 > 0:10:33Bend down, please. I want to see the sign.
0:10:35 > 0:10:37Everybody ready?
0:10:37 > 0:10:39Smile.
0:10:40 > 0:10:41Smile bigger.
0:10:41 > 0:10:43That's fine.
0:11:38 > 0:11:41That's fine. That's a beauty.
0:11:46 > 0:11:50- Well, don't they know you're here? - Come on, Ma.
0:11:52 > 0:11:56- Who's shooting against you, Mr Walker?- Fella by the name of Oakley.
0:11:56 > 0:12:00A rube from the tall timber, by crackey!
0:12:00 > 0:12:01Well, good luck to you.
0:12:01 > 0:12:03Well, we'll have some fun, anyway.
0:12:03 > 0:12:04If he ever gets here.
0:12:04 > 0:12:07Hey, Mac, better get your man here. I can't wait all day.
0:12:07 > 0:12:11Oh, he'll be here all right. He's had a long ways to come.
0:12:14 > 0:12:16Well, I'll go down and warm up a bit.
0:12:20 > 0:12:22I'm waiting to see that dark horse, Mac.
0:12:22 > 0:12:25And the longer we wait, the longer Mac keeps that 200.
0:12:25 > 0:12:28Anyone that can hit quail in the head with a single ball
0:12:28 > 0:12:32- can shoot for my money.- Are you looking for me? My name is Oakley.
0:12:33 > 0:12:35Oakley?
0:12:35 > 0:12:38- Where is your father? - Well, he's dead.
0:12:39 > 0:12:41Dead?
0:12:41 > 0:12:44- When did it happen? - Oh, a long time ago.
0:12:47 > 0:12:50- Then where is your brother? - This is my brother.
0:12:52 > 0:12:55And this is my sister Susie and this is Ma.
0:12:56 > 0:12:57Excuse me.
0:12:57 > 0:13:02I am looking for an Andy Oakley, who's been supplying me with game.
0:13:02 > 0:13:06Oh, I guess you made a mistake, mister. Not Andy Oakley. Annie.
0:13:06 > 0:13:08It's me you sent for.
0:13:08 > 0:13:10You?
0:13:10 > 0:13:14A joke's a joke, but this one is just a little too practical.
0:13:14 > 0:13:17But it's not a joke. I want to bet my own money.
0:13:17 > 0:13:19Show him what you've got, Ma.
0:13:19 > 0:13:22Lem sent down 10 and Sheriff Bixby sent down 5,
0:13:22 > 0:13:25and a lot of other people chipped in. 37 in all.
0:13:25 > 0:13:26Yes, sirree.
0:13:26 > 0:13:30Then forget about it. There's not going to be any contest.
0:13:30 > 0:13:32Maybe you can settle for half, Mac.
0:13:32 > 0:13:35You mean just because I'm not a man, you ain't going to let me shoot?
0:13:35 > 0:13:37That's perfectly all right, Miss Oakley.
0:13:37 > 0:13:40You're going to get your chance. The bet still stands.
0:13:40 > 0:13:42But I'll discount it and pay off right away, Mr Hogarth.
0:13:42 > 0:13:44Oh, no, you don't. The whole hog or nothing at all.
0:13:44 > 0:13:46And I'm speaking for Toby Walker, too.
0:13:46 > 0:13:50- Toby Walker?- Mm-hm. You're in big company now, Miss Oakley.
0:13:52 > 0:13:54Oh, I couldn't shoot against Toby Walker.
0:13:54 > 0:13:57Oh, now, you mustn't be afraid. You just do the best you can.
0:13:57 > 0:13:59Just pretend you're shooting quail.
0:13:59 > 0:14:01Oh, I ain't scared he could beat me.
0:14:01 > 0:14:04It's just that it don't seem reasonable.
0:14:04 > 0:14:05Of course it isn't.
0:14:05 > 0:14:07But we're going through with it just the same.
0:14:07 > 0:14:09Ma, can I have the money?
0:14:12 > 0:14:15Would... Would you bet the money for me?
0:14:15 > 0:14:18Oh, yes, of course I'll bet it for you.
0:14:31 > 0:14:32Och!
0:14:57 > 0:14:59Here's yours, Annie.
0:14:59 > 0:15:02Here. They don't belong to you.
0:15:02 > 0:15:04Here's a seat for you, Mrs Oakley.
0:15:19 > 0:15:21Hey, don't meddle with those guns.
0:15:21 > 0:15:24Oh, I'm sorry, mister, but whenever I see a gun, I always...
0:15:24 > 0:15:26What's a kid like you know about guns?
0:15:26 > 0:15:29I got one here. It was clean through the Civil War.
0:15:29 > 0:15:30Well, gee... Well...
0:15:30 > 0:15:34Well, gee whiz, don't tell me you shoot with a thing like that?
0:15:34 > 0:15:35Of course I do.
0:15:35 > 0:15:38What do you shoot? Doodlebugs?
0:15:38 > 0:15:40You hang around, kid, and you'll see some shooting that is shooting.
0:15:40 > 0:15:42I figured on seeing some tall shooting,
0:15:42 > 0:15:44otherwise I wouldn't be here.
0:15:44 > 0:15:47Up from the sticks to see me make a monkey out of that Oakley?
0:15:47 > 0:15:49The shootingest monkey you ever saw,
0:15:49 > 0:15:51and we got 37 says so.
0:15:51 > 0:15:55No! About all the ready cash in that county, I suppose.
0:15:55 > 0:15:57Bring on that hickory-nut-knocker.
0:15:57 > 0:15:59Mr Walker, meet Miss Hickory-Nut-Knocker.
0:15:59 > 0:16:02- What?- Your opponent, Miss Annie Oakley.
0:16:02 > 0:16:04What do you mean?
0:16:04 > 0:16:07Hey, MacIvor, is this your idea of a joke,
0:16:07 > 0:16:11asking me to shoot against a half-baked kid, and a girl at that?
0:16:11 > 0:16:13Now, if you'd like to call off the bet...
0:16:13 > 0:16:15He's right, Mr MacIvor.
0:16:15 > 0:16:18He'd look awful silly if I beat him in front of all these folks.
0:16:18 > 0:16:21Beat me! Why, you...
0:16:21 > 0:16:23Get those targets ready. Beat me!
0:16:23 > 0:16:26Make him earn his money, Annie.
0:16:28 > 0:16:30I was wondering, Mr MacIvor,
0:16:30 > 0:16:33if you could help me find some plain sewing.
0:16:33 > 0:16:36Well, I don't know about needlework,
0:16:36 > 0:16:39but I've got a cigar stand at the hotel...
0:16:39 > 0:16:41Oh, I love a man who smokes a cigar.
0:16:43 > 0:16:46Mind you, the job only calls for selling cigars.
0:16:48 > 0:16:52As the challenger, you shoot first. Start with the end target.
0:16:52 > 0:16:53Yes, sir.
0:16:53 > 0:16:55Clear the range, boys.
0:16:55 > 0:16:57All right.
0:17:05 > 0:17:07You started at the wrong end.
0:17:07 > 0:17:10- That's all right. Set it up again. - Set them up.
0:17:12 > 0:17:14First pot-shot I ever took.
0:17:16 > 0:17:18All right, Mr Walker.
0:17:23 > 0:17:26This is too easy. Give us something to shoot at.
0:17:26 > 0:17:29Certainly. We'll use moving targets, if it's agreeable with Miss Oakley.
0:17:29 > 0:17:33Well, I never shot a quail while it was sitting down.
0:17:33 > 0:17:35All right, miss.
0:17:35 > 0:17:37Get in the pit, boys.
0:17:38 > 0:17:39You'll shoot alternately.
0:17:39 > 0:17:41The first one to miss will lose the contest.
0:17:41 > 0:17:43- Is that all right with you? - Yes.
0:17:43 > 0:17:44- And you, Mr Walker? - Fine.
0:17:44 > 0:17:46And you, Mr MacIvor?
0:17:47 > 0:17:49It's fine with me.
0:17:49 > 0:17:51Just call "Ready".
0:17:57 > 0:17:58- Ready.- Throw!
0:18:01 > 0:18:03A hit!
0:18:03 > 0:18:04Good shot.
0:18:08 > 0:18:11- That was well done, little lady. - Thank you, sir.
0:18:11 > 0:18:13- Ready.- Throw!
0:18:16 > 0:18:17A hit.
0:18:17 > 0:18:19Good shot.
0:18:24 > 0:18:26- Ready.- Throw!
0:18:28 > 0:18:29A hit.
0:18:29 > 0:18:31- Ready.- Throw!
0:18:33 > 0:18:34- Ready.- Throw!
0:18:37 > 0:18:39- Ready.- Throw!
0:18:43 > 0:18:44- Ready.- Throw!
0:18:46 > 0:18:49Hey, Hogarth, you signed up the wrong shooter.
0:18:51 > 0:18:56You better look for another job, Toby. There goes your championship.
0:18:57 > 0:18:58- Ready.- Throw!
0:19:00 > 0:19:02Hogarth, you better get that contract back,
0:19:02 > 0:19:04in case the girl beats Toby.
0:19:07 > 0:19:09- So, you're the champ! - LAUGHTER
0:19:10 > 0:19:12Quiet, please, gentlemen.
0:19:12 > 0:19:15Ready, Miss Oakley?
0:19:15 > 0:19:17Honey, I hope you ain't going to be the cause
0:19:17 > 0:19:19of that young man losing his position.
0:19:19 > 0:19:21Don't worry, Ma. I ain't going to be.
0:19:29 > 0:19:31- Ready.- Throw!
0:19:34 > 0:19:36A miss!
0:19:50 > 0:19:52- Ready.- Throw!
0:19:53 > 0:19:54A hit!
0:19:59 > 0:20:02Sister, don't take it too much to heart.
0:20:02 > 0:20:05You gave me about as good a match as anybody does.
0:20:05 > 0:20:06Thanks, Mr Walker.
0:20:06 > 0:20:08You know, you've got possibilities.
0:20:08 > 0:20:11It's too bad I won't be around to give you a few pointers.
0:20:16 > 0:20:18Come on, Ma, let's go home.
0:20:22 > 0:20:25Everybody! Everybody up to the bar! The drinks are on me!
0:20:36 > 0:20:40All right, Fritz, it's on me. Beers for everybody.
0:20:40 > 0:20:44- Make mine a champagne cocktail. - I'll have champagne, too!
0:20:59 > 0:21:02I don't see how she could have lost.
0:21:03 > 0:21:09Newt said she tied him shot for shot right up till the very last.
0:21:09 > 0:21:13I never knew her to miss a shot before.
0:21:45 > 0:21:47You'd better break the news to them, Annie.
0:21:47 > 0:21:49I'll keep an eye on the young'uns.
0:22:07 > 0:22:08Hello, Annie.
0:22:10 > 0:22:12- Howdy, Annie.- Good evening.
0:22:14 > 0:22:16I'm going to pay you folks back the money I lost
0:22:16 > 0:22:18if it takes a whole winter's shooting.
0:22:18 > 0:22:21Oh, forget it, Annie. You done the best you could.
0:22:21 > 0:22:23- Sure you did.- You bet.
0:22:23 > 0:22:25That's just it, I didn't.
0:22:25 > 0:22:29Now, Annie, you don't know what you're saying.
0:22:29 > 0:22:32I know, all right, and I'm going to fess up.
0:22:32 > 0:22:34I missed that last shot a purpose.
0:22:34 > 0:22:37You missed it a purpose?!
0:22:37 > 0:22:38Yes, I did.
0:22:41 > 0:22:45I couldn't beat that fella. I didn't have the heart to.
0:22:45 > 0:22:47He was...
0:22:47 > 0:22:48He was just too pretty.
0:23:00 > 0:23:02- Hello, Miss Oakley.- Hello.
0:23:02 > 0:23:04Mrs Oakley. You know, in all the excitement,
0:23:04 > 0:23:07I completely forgot to get that bet of yours covered.
0:23:07 > 0:23:10When I remembered, I had to chase all this way to find you.
0:23:10 > 0:23:12- Honest, you didn't bet the money? - No, I didn't.
0:23:12 > 0:23:14Gee, now I can pay back the boys.
0:23:14 > 0:23:17Just a minute. There's something else I wanted to see you about.
0:23:17 > 0:23:18Mrs Oakley, this daughter of yours
0:23:18 > 0:23:20is one of the finest shots I've ever seen.
0:23:20 > 0:23:22We're mighty proud of her.
0:23:22 > 0:23:24And we'd be mighty proud to have her with the Buffalo Bill show.
0:23:24 > 0:23:26Buffalo Bill?
0:23:26 > 0:23:28Yes, you see, I'm a partner of Colonel Cody's.
0:23:28 > 0:23:29Well, I hope you ain't suggesting
0:23:29 > 0:23:31that Annie go gallivanting around the country
0:23:31 > 0:23:33with a lot of cowboys and wild Injuns.
0:23:33 > 0:23:35Well, you'd like that, wouldn't you, Annie?
0:23:35 > 0:23:37But what would Ma and the kids do without me?
0:23:37 > 0:23:39We'd pay you good money.
0:23:39 > 0:23:43Just think of it, Annie Oakley in the greatest shooting act in the country,
0:23:43 > 0:23:45billed right next to Toby Walker.
0:23:45 > 0:23:47You don't mean he's going to be there?
0:23:47 > 0:23:51Every day for the next two years, rain or shine.
0:23:51 > 0:23:53Mister, it's a deal.
0:24:29 > 0:24:31Reckon the first thing you'd better know about this outfit
0:24:31 > 0:24:32is how I figure on running it.
0:24:32 > 0:24:35This is a real Wild West show
0:24:35 > 0:24:37with he-men doing the things they did on the plains.
0:24:37 > 0:24:40Now, if you're carrying any sleight of hand up your sleeve,
0:24:40 > 0:24:42you'd better forget it.
0:24:42 > 0:24:45I want the real, genuine article or nothing
0:24:45 > 0:24:47That's what you're getting, Colonel.
0:24:47 > 0:24:50And, naturally, I expect to get billed right up there on top.
0:24:50 > 0:24:52I don't suppose you'd mind, Walker,
0:24:52 > 0:24:54if we put Buffalo Bill's name on the posters, too(?)
0:24:54 > 0:24:57Oh, I think that'd be all right.
0:24:57 > 0:25:00No hard feelings, Colonel, just a little friendly chat.
0:25:00 > 0:25:01- Ach!- What?
0:25:10 > 0:25:13Now, you wait here until I break the news to the Colonel.
0:25:13 > 0:25:15- I hope he likes me. - How could he help it?
0:25:21 > 0:25:24Well, you old horse-thief. About time you turned up.
0:25:24 > 0:25:25I'm sorry. I was a little delayed, Bill.
0:25:25 > 0:25:27I should think you would be.
0:25:27 > 0:25:28Probably ashamed to show your face
0:25:28 > 0:25:30after sending me that New York buckaroo.
0:25:30 > 0:25:34Who? Toby Walker? Why, he's the greatest shot on earth.
0:25:34 > 0:25:37With the exception, maybe, of a gunslinger I've just signed up.
0:25:37 > 0:25:39Another one? Well, what's his name?
0:25:40 > 0:25:43- Annie.- Annie?
0:25:43 > 0:25:45What in tarnation do you think we're running around here,
0:25:45 > 0:25:47a danged burlesque?
0:25:47 > 0:25:51Calm yourself, Bill. Annie Oakley's as good a shot as any man I ever saw.
0:25:51 > 0:25:53Did I hear someone call my name?
0:25:53 > 0:25:56Colonel Cody, meet Miss Annie Oakley.
0:25:56 > 0:25:59Well, dog my cats!
0:25:59 > 0:26:01- How do, little missy?- Howdy.
0:26:01 > 0:26:03And, Bill, she shoots as pretty as she looks.
0:26:03 > 0:26:04Maybe so,
0:26:04 > 0:26:06but I never knowed any woman
0:26:06 > 0:26:08could shoot good enough to join this outfit.
0:26:08 > 0:26:13They say you're a mighty fine shot yourself, Mr Buffalo Bill.
0:26:13 > 0:26:16How much you got says I can't beat you?
0:26:16 > 0:26:19Well, bust my buttons, how much you got says you can?
0:26:19 > 0:26:21Say, now, hold on, wait a minute.
0:26:21 > 0:26:22With a woman who can outshoot most men,
0:26:22 > 0:26:24why, she'd soon be the greatest attraction in our show.
0:26:24 > 0:26:27Maybe you're right. But how would it look on the billing?
0:26:27 > 0:26:31"Buffalo Bill's blood-curdling Wild West show
0:26:31 > 0:26:33"with the dainty Annie Oakley."
0:26:34 > 0:26:37You know, Bill, you're a downright chicken liver when it comes to women.
0:26:37 > 0:26:41No, it ain't that, Jeff. It's... Well, it's the boys.
0:26:41 > 0:26:43To tell you the truth,
0:26:43 > 0:26:46I ain't got the gumption to go out there and tell them.
0:26:46 > 0:26:48Well, you leave that to me.
0:26:50 > 0:26:53Boys, now that we're all here...
0:26:54 > 0:26:59What I mean is I've brought you all together because...
0:26:59 > 0:27:01well, you see...
0:27:02 > 0:27:06This is kind of in the nature of an occasion and...
0:27:08 > 0:27:09And I...
0:27:13 > 0:27:16Well, boys, I want you to...
0:27:17 > 0:27:19I really want you to...
0:27:20 > 0:27:22You tell them, Jeff. It was your idea.
0:27:22 > 0:27:25Well, I've got some good news for you, boys.
0:27:25 > 0:27:27The Colonel and I have decided that what this outfit really needs
0:27:27 > 0:27:29is an uplifting influence.
0:27:29 > 0:27:31And what could be more uplifting than the presence among us
0:27:31 > 0:27:33of a fine, high-minded little woman?
0:27:33 > 0:27:35Here she is, boys.
0:27:35 > 0:27:39The newest member of our happy family, Miss Annie Oakley.
0:27:39 > 0:27:41MUTTERING
0:27:45 > 0:27:47That's all, boys.
0:27:48 > 0:27:50- What could she do in a show like this?- I don't like this, anyway.
0:27:50 > 0:27:52Well, I can get a job with Pawnee Bill.
0:27:52 > 0:27:54What could a woman do in a show like this?
0:27:54 > 0:27:56Come on, Annie. I'll show you the papooses.
0:27:56 > 0:27:59Yes, little missy, we're all just one big, happy family.
0:28:01 > 0:28:03Here we are.
0:28:04 > 0:28:06This way, missy.
0:28:16 > 0:28:17Perfume.
0:28:18 > 0:28:21Dang it, you smell like Happy Minnie's back in Omaha.
0:28:27 > 0:28:29The Colonel's had me out there sleeping with the horses.
0:28:29 > 0:28:33Judging from the turnout, I guess you boys see the light.
0:28:33 > 0:28:36All right, fellas, what do you say?
0:28:36 > 0:28:38- ALL:- Howdy, Miss Oakley.
0:28:38 > 0:28:41Well, that sounds mighty good, boys. Now, let me tell you something,
0:28:41 > 0:28:44someday you're going to be darn proud to say you knew Annie Oakley.
0:28:44 > 0:28:47That's right. Take it from one who knows.
0:28:54 > 0:28:57Miss Oakley, I want you to meet that old scallywag Ned Buntline,
0:28:57 > 0:28:59- my press agent.- Howdy.
0:28:59 > 0:29:00Howdy, little lady.
0:29:00 > 0:29:03It's up to you to put her across, Ned.
0:29:09 > 0:29:11You might even write her into one of those dime novels
0:29:11 > 0:29:13you write about the Colonel there.
0:29:13 > 0:29:16Sure thing, if it's all right with the Colonel.
0:29:16 > 0:29:17How's this?
0:29:17 > 0:29:19When she was just a little tyke,
0:29:19 > 0:29:22Bill here saved her from Chief Sitting Bull's redskins.
0:29:22 > 0:29:23Sitting Bull?
0:29:23 > 0:29:24Why, sure thing, Colonel.
0:29:24 > 0:29:27Sitting Bull's worth five cents of any man's dime novel.
0:29:27 > 0:29:30The papers say old Bull's in Washington,
0:29:30 > 0:29:32calling on the great white father.
0:29:32 > 0:29:34We've got to grab him, Jeff.
0:29:34 > 0:29:38Great way to start our season if we got him out the opening night.
0:29:38 > 0:29:41Not to see the show, to join the show.
0:29:41 > 0:29:43Well, that's tall thinking, Bill.
0:29:43 > 0:29:46Why drag in a dirty Sioux to mess up a good outfit?
0:29:46 > 0:29:49He might forget himself and saw off another massacre.
0:29:49 > 0:29:51Surely Mr Bull's learned some manners
0:29:51 > 0:29:53since he chawed up General Custer.
0:29:53 > 0:29:54Of course he has.
0:29:54 > 0:29:57Besides, folks will pay good money to see him.
0:29:57 > 0:29:59Out in the woods, maybe,
0:29:59 > 0:30:01but as long as you play these eastern spots,
0:30:01 > 0:30:04Toby Walker's the lad who will pack your arena.
0:30:08 > 0:30:10You can see for yourself, Annie,
0:30:10 > 0:30:12you're in the safest possible neighbourhood.
0:30:12 > 0:30:14That's where Major Buntline lives,
0:30:14 > 0:30:18that's my tent, right next to Colonel Cody's quarters.
0:30:20 > 0:30:22And that's where you live.
0:30:24 > 0:30:27Oh, a chiffonier! And flowers, too!
0:30:28 > 0:30:30Oh, I do want to thank you for everything.
0:30:30 > 0:30:32Don't thank me.
0:30:32 > 0:30:33Mr Hogarth, then.
0:30:33 > 0:30:36Well, I thought a few flowers might help.
0:30:36 > 0:30:37Oh, it's wonderful.
0:30:37 > 0:30:40Good night, Annie. Sleep tight.
0:30:40 > 0:30:42Good night. Good night, Colonel.
0:30:42 > 0:30:43Good night, Annie.
0:30:51 > 0:30:52Hey, what's this?
0:30:56 > 0:30:59Hey, you. Razorback.
0:30:59 > 0:31:01What's eating you, Jeff?
0:31:01 > 0:31:02Listen...
0:31:06 > 0:31:08What's the matter?
0:31:08 > 0:31:12Oh, nothing an old bullwhacker like you would understand. Come on.
0:31:13 > 0:31:17The main thing for you boys to remember is never get discouraged.
0:31:17 > 0:31:20Now, when I think about how I started in that shooting gallery,
0:31:20 > 0:31:22nothing seems impossible.
0:31:22 > 0:31:23Whenever the boss would go out,
0:31:23 > 0:31:26I'd just keep popping away until finally I was...
0:31:26 > 0:31:27- the best there was. - ALL: The best there was...
0:31:27 > 0:31:29Nope. The best there is.
0:31:29 > 0:31:32Whereabouts was this shooting gallery?
0:31:32 > 0:31:34The Bowery.
0:31:35 > 0:31:37The Bowery! What do you know about that?
0:31:37 > 0:31:39A Bowery cowboy!
0:31:39 > 0:31:42Boys, I just had to make this jaunt...
0:31:43 > 0:31:46..to show you western monkeys how to shoot.
0:31:48 > 0:31:51That bronc's begging to be busted.
0:31:59 > 0:32:01Hello, cowboy.
0:32:11 > 0:32:13Hey, what's going on here?
0:32:13 > 0:32:15A little change in the layout, Mr Walker.
0:32:15 > 0:32:18Mr Hogarth's fixed you a place all by yourself.
0:32:18 > 0:32:20The other side of the buffalo corral.
0:32:21 > 0:32:24Well, now, ain't that thoughtful of him?
0:32:30 > 0:32:33Well, maybe I shouldn't let them buckaroos
0:32:33 > 0:32:35sleep close to these firearms.
0:32:35 > 0:32:38One of them might go off and scare my little playmates.
0:32:45 > 0:32:50Mr Walker, I've been thinking,
0:32:50 > 0:32:52I guess you thought I was sort of fresh coming up to Cincinnati
0:32:52 > 0:32:53to shoot against you.
0:32:53 > 0:32:56Why, no, kid. What put that idea in your noodle?
0:32:56 > 0:32:57Well, I don't know.
0:32:57 > 0:33:01You being Toby Walker and famous and all that.
0:33:01 > 0:33:03Say, there was the grandest picture of you
0:33:03 > 0:33:05on the side of Lem Jordan's store.
0:33:05 > 0:33:09- Yeah, was it really good? - Move on, there.
0:33:09 > 0:33:12- Who are you talking to? - Mr Hogarth's orders.
0:33:12 > 0:33:15- Nobody's to annoy Miss Oakley. - What do you mean, "annoy"?
0:33:15 > 0:33:18Nobody ever accused me of annoying a gal when I was talking to her.
0:33:18 > 0:33:20Them's the orders, Mr Walker.
0:33:23 > 0:33:26Oh, Mr Walker, you know that time up in Cincinnati?
0:33:26 > 0:33:29- Yeah.- I let you beat me.
0:33:45 > 0:33:48Ah! That's it!
0:34:10 > 0:34:12How do you like that, Colonel?
0:34:12 > 0:34:14Not bad, Walker.
0:34:14 > 0:34:16A little harder than pot-shotting a herd of buffalo, eh, Colonel?
0:34:16 > 0:34:19Yeah, and almost as dangerous.
0:34:35 > 0:34:37Afraid she don't know how to sell it, Jeff.
0:34:37 > 0:34:39Well, she hasn't had a chance yet.
0:34:39 > 0:34:41Anyway, you don't see her missing, do you?
0:34:41 > 0:34:44No, but she's just a shooting machine.
0:34:44 > 0:34:46No colour to her work.
0:34:46 > 0:34:48I'll be as sorry as you are,
0:34:48 > 0:34:50but I don't think she'll make the grade.
0:35:01 > 0:35:03Gosh, that looks just like him.
0:35:03 > 0:35:06A little trick I was saving for next year,
0:35:06 > 0:35:08but on account of the act I'm doing is going so good,
0:35:08 > 0:35:09I'm going to pass it along to you.
0:35:09 > 0:35:12That's mighty fine of you, Toby. And I can do it, too.
0:35:12 > 0:35:14Sure you can, and here's another one.
0:35:14 > 0:35:16You take these and come on down here.
0:35:20 > 0:35:21This one's a pippin.
0:35:21 > 0:35:23When I say ready, you throw them up high.
0:35:23 > 0:35:24- Both of them?- Mm-hm.
0:35:30 > 0:35:31Throw them.
0:35:40 > 0:35:42I'll bet I can do that, too.
0:35:42 > 0:35:44Of course. You can shoot as good as I can.
0:35:44 > 0:35:45All you need is colour, showmanship.
0:35:45 > 0:35:47Let me try it.
0:36:10 > 0:36:12Oh, Colonel!
0:36:12 > 0:36:17Get out of here, you darned sneaking coyotes.
0:36:17 > 0:36:18Get out of here!
0:36:21 > 0:36:23Close, Colonel, but no cigar!
0:36:25 > 0:36:27Here you are, Bill.
0:36:32 > 0:36:34Dad bob it, Jeff. Why can't I get a haircut?
0:36:34 > 0:36:37Well, Bill, that mane of yours is the biggest thing in the show.
0:36:37 > 0:36:38You might as well have your head cut off.
0:36:38 > 0:36:40What would the President and the rest of the bigwigs say
0:36:40 > 0:36:42if you came out like a shorn Samson?
0:36:42 > 0:36:44And they're all here today, Bill,
0:36:44 > 0:36:46everybody that is anybody in Washington.
0:36:46 > 0:36:49That's fine. What about Sitting Bull?
0:36:49 > 0:36:50No cause for you to worry.
0:36:50 > 0:36:53Ned Buntline's got him out there as big as life in a front box.
0:36:53 > 0:36:56Great, Jeff, that's great.
0:36:56 > 0:36:58Go ahead now and comb out your curls.
0:36:59 > 0:37:03ANNOUNCER: Introducing Ogallala Slim...
0:37:03 > 0:37:07and his band of bronco-busting, bull-dogging cowboys.
0:37:27 > 0:37:31You'd like being with the show, Chief. Travel all over.
0:37:31 > 0:37:34Maybe you'll join, too, Rain-in-the-Face.
0:37:34 > 0:37:36How old are you?
0:37:36 > 0:37:37- Me?- Yes.
0:37:37 > 0:37:39- 94.- A spring chicken.
0:38:06 > 0:38:08Magnificent, huh?
0:38:56 > 0:39:00Rain-in-the-Face, ask Chief Sitting Bull how he likes the show.
0:39:06 > 0:39:08What's his nibs saying?
0:39:08 > 0:39:12Bull said all show no good like that, he go home.
0:39:17 > 0:39:20Thrilling feats of horsemanship by Russian Cossacks.
0:40:33 > 0:40:34What was that?
0:40:34 > 0:40:38Bull say all show smell bad.
0:40:46 > 0:40:47Do you know something?
0:40:47 > 0:40:49The Colonel thinks I'm not going to make good.
0:40:49 > 0:40:51- Oh, I doubt... - He really does.
0:40:51 > 0:40:53I can tell the way he's been looking at me lately.
0:40:53 > 0:40:54Listen, will you do like I showed you?
0:40:54 > 0:40:56I've been practising.
0:40:56 > 0:41:00Introducing the world's greatest rifle shot,
0:41:00 > 0:41:03Mr Toby Walker!
0:41:45 > 0:41:47Well, wait till you see this one.
0:41:47 > 0:41:50He's going to shoot a two-bit piece right out of that fella's fingers.
0:42:06 > 0:42:09- What's that? - He said not bad for paleface.
0:42:09 > 0:42:11Bull can hit dime.
0:42:14 > 0:42:20Introducing one of the country's greatest woman rifle shots,
0:42:20 > 0:42:23Miss Annie Oakley!
0:42:35 > 0:42:37Boys, throw up five.
0:42:38 > 0:42:41Five? You want to ruin the only chance you've got?
0:42:41 > 0:42:42I can hit them.
0:42:42 > 0:42:46Tell Bull I'll bet he hasn't any squaws that can shoot.
0:42:54 > 0:42:58He don't want the squaw shoot, he want the squaw cook.
0:43:03 > 0:43:05All right.
0:43:23 > 0:43:25Wait a minute. Wait a minute, Chief. Wait a minute.
0:43:25 > 0:43:28Will you wait a minute? Don't be scared, Annie.
0:43:28 > 0:43:31Bull is just trying to tell you how scrumptious he thinks you are.
0:43:31 > 0:43:33Goodness, I thought I was a goner until you grabbed him.
0:43:33 > 0:43:35What's the matter, Chief?
0:43:41 > 0:43:44Annie, Chief Sitting Bull has just rechristened you Ipawa.
0:43:44 > 0:43:45That means "little sure shot".
0:43:45 > 0:43:50ANNOUNCER: And now a thrilling battle between the Indians and the cowboys
0:43:50 > 0:43:53during an attack on the immigrant train.
0:43:56 > 0:43:59He says if you'll do this every day, he'll join the show.
0:43:59 > 0:44:02I certainly will if he won't do that again.
0:44:03 > 0:44:05Chief, it's a bargain.
0:44:57 > 0:45:00Hey, pal, take it easy. This is all in fun.
0:45:07 > 0:45:12"Buffalo Bill's trusty rifle barked and another redskin bit the dust.
0:45:12 > 0:45:16"Riding like the wind, he swept from the ground the beautiful girl,
0:45:16 > 0:45:19"last survivor of the ill-fated wagon train.
0:45:19 > 0:45:22"He spurred his mustang to greater speed,
0:45:22 > 0:45:26"sending leaden messages of death into the ranks of the foe,
0:45:26 > 0:45:31"but the redskins, with fiendish screams, still pursued him.
0:45:31 > 0:45:34"Little did the doughty plainsman realise
0:45:34 > 0:45:36"that this tiny prairie primrose
0:45:36 > 0:45:40"was one day to burgeon into womanhood's fairest flower,
0:45:40 > 0:45:42"Annie Oakley."
0:45:42 > 0:45:44Ned, you're a genius.
0:45:44 > 0:45:4750,000 people will be wanting to see her after reading that.
0:45:47 > 0:45:49You know what I'm going to do?
0:45:49 > 0:45:52I'm going to bill her right up, name for name, with Toby Walker.
0:45:52 > 0:45:53Oh, Colonel!
0:45:53 > 0:45:55So, I'm going to be aced out of my own act, huh?
0:45:55 > 0:45:57Now, listen, Walker.
0:45:57 > 0:45:59Colonel Cody and I are still running this outfit.
0:45:59 > 0:46:01Since you're asking for it, I may as well tell you something.
0:46:01 > 0:46:04When it comes to draw, you're not quite the biggest thing out.
0:46:04 > 0:46:07No wonder, with everybody else getting all the razzle-dazzle.
0:46:07 > 0:46:09Taking a green kid and billing her up even with me!
0:46:09 > 0:46:11Oh, now, please.
0:46:11 > 0:46:14Mr Walker knows I wouldn't do anything to hurt his chances.
0:46:14 > 0:46:15You? Hurt my chances?
0:46:15 > 0:46:17Not you or anybody else with this troupe.
0:46:17 > 0:46:19I'll still be headlining
0:46:19 > 0:46:21when the rest of you are working in livery barns.
0:46:21 > 0:46:24- Just one big... - .happy family.
0:46:24 > 0:46:26Just a minute! Just a minute, Colonel!
0:46:26 > 0:46:28There's gold in this domestic crisis.
0:46:28 > 0:46:31I can see it on the billboards.
0:46:31 > 0:46:33"Toby Walker versus Annie Oakley.
0:46:33 > 0:46:35"Male against female.
0:46:35 > 0:46:37"A titanic battle of the sexes
0:46:37 > 0:46:40"for the rifle championship of the world."
0:46:40 > 0:46:44Ned, you're the thinkingest horse thief in history.
0:46:44 > 0:46:4840 years in the business and never lost a spangle.
0:46:48 > 0:46:50Darned if this don't call for a drink.
0:46:50 > 0:46:52Everybody back to my car.
0:46:52 > 0:46:56I'm going to break out a bottle of Old Crow.
0:46:56 > 0:46:58I'm sorry, Toby.
0:46:58 > 0:47:00If it wasn't for you, I wouldn't be with the show.
0:47:00 > 0:47:03I don't take it personal, kid. Business is business.
0:47:03 > 0:47:06Besides, I enjoy a brush with them hairy-pantsers once in a while.
0:47:06 > 0:47:09Don't you worry. You're aces with me.
0:47:51 > 0:47:54- Mad, Toby?- No.
0:47:55 > 0:47:57Well, you're looking kind of mad.
0:47:59 > 0:48:02Got on a new rig, ain't you? Sure looks pretty.
0:48:03 > 0:48:07- Gosh, it's funny how things turn out.- Ain't it, though?
0:48:07 > 0:48:10It seems like only yesterday I saw your picture on the billboard
0:48:10 > 0:48:12and Lem Jordan wanted to tear it down.
0:48:12 > 0:48:14Why, the fellow must have been crazy.
0:48:14 > 0:48:16He wanted to, but I wouldn't let him.
0:48:18 > 0:48:19Well, it's a funny world,
0:48:19 > 0:48:22you looking at my picture on the billboard
0:48:22 > 0:48:24and thinking I was so gosh-darn grand,
0:48:24 > 0:48:26and now you...
0:48:26 > 0:48:28now you really got me.
0:48:30 > 0:48:35- I got you?- You sure have, Annie. No other girl's got a chance.
0:48:37 > 0:48:38But look, we...
0:48:41 > 0:48:45Look, we can't let anybody know we're stuck on each other.
0:48:45 > 0:48:46It's good show business
0:48:46 > 0:48:49if we even let the company think we're unfriendly,
0:48:49 > 0:48:51- pretty near enemies.- Oh.
0:48:51 > 0:48:53Do you think so?
0:48:53 > 0:48:54I know the ins and outs, kid.
0:48:54 > 0:48:57People will pay to see us battle each other.
0:48:57 > 0:49:00I don't care no more who wins those matches.
0:49:00 > 0:49:02- You don't?- No.
0:49:02 > 0:49:06I know you can beat me, and I'm proud of you.
0:49:06 > 0:49:09Never thought I'd see the day when I could stand that, but now...
0:49:09 > 0:49:13Toby, I'm going to tell everybody how wonderful you really are.
0:49:13 > 0:49:16Honey, we've got to give the folks who think we hate each other
0:49:16 > 0:49:18a run for their money.
0:49:18 > 0:49:21Now, remember, you hate me.
0:49:21 > 0:49:24Mister, I hate you to pieces.
0:49:44 > 0:49:47- Hello, Lem. - I got no time for you today.
0:49:47 > 0:49:49Just leaving.
0:49:52 > 0:49:54Looks like the whole township's leaving.
0:49:54 > 0:49:57- What's going on? Immigrating west? - Immigrating nothing.
0:49:57 > 0:49:58We're going to Cincinnati
0:49:58 > 0:50:00to see the gal that's making this county famous.
0:50:34 > 0:50:36Now I know why they call him Sitting Bull.
0:50:42 > 0:50:45I guess he wants us to share the sofa.
0:50:51 > 0:50:52Thank you, Chief.
0:51:00 > 0:51:02Positively, Chief.
0:51:02 > 0:51:04He says you'd make a fine squaw.
0:51:04 > 0:51:08You may know pretty near everything, Toby Walker, but not Indian talk.
0:51:08 > 0:51:12Anything nice about you, honey, I'd understand in any lingo.
0:51:16 > 0:51:19Toby, your tepee.
0:51:27 > 0:51:30Annie, your tepee.
0:51:36 > 0:51:40I savvy. Two can live in tepee cheap as one.
0:51:40 > 0:51:41Look!
0:51:49 > 0:51:51Papooses good, too.
0:51:55 > 0:51:57Hey, hey, hey, Bull. Take it easy.
0:52:03 > 0:52:05That's the best I've heard in two weeks.
0:52:05 > 0:52:07Mr MacIvor! How are you?
0:52:07 > 0:52:10Well, well, how fine you're looking, Annie.
0:52:10 > 0:52:12She hasn't changed much, has she, Mac,
0:52:12 > 0:52:14considering the fact that she's become a very famous young lady?
0:52:14 > 0:52:17- And didn't I invent her? - Sure you did.
0:52:17 > 0:52:20If it wasn't for you, I'd still be quail-shooting down on the farm.
0:52:20 > 0:52:23And now, Mac, I want you to meet a new member of our family,
0:52:23 > 0:52:25the one and only Sitting Bull.
0:52:26 > 0:52:28How.
0:52:28 > 0:52:32You won't need that tent, Mr Bull, not while you're in Cincinnati.
0:52:32 > 0:52:34Yes, Mac's invited us all to stay at his hotel while we're here.
0:52:34 > 0:52:35Oh, how nice.
0:52:35 > 0:52:38We're advertising for the MacIvor House.
0:52:38 > 0:52:41There'll be customers sleeping on the billiard tables.
0:52:41 > 0:52:44Gosh, it'll be great sleeping under a ceiling again.
0:52:44 > 0:52:46Ever since I joined this hairy-pants outfit, I...
0:52:46 > 0:52:51Walker, if you can't say something pleasant, don't say nothing at all.
0:52:51 > 0:52:53I just told this little squirt a thing or two.
0:52:53 > 0:52:55I'm getting sick and tired of pulling my shots
0:52:55 > 0:52:57- just to make her look good. - Pulling your shots?
0:52:57 > 0:53:00Walker, one of these days somebody's going to bust
0:53:00 > 0:53:02that gas bag you call your head.
0:53:02 > 0:53:04Better cowboys than you have tried it, Colonel.
0:53:04 > 0:53:08Why, you lowdown, yapping Bowery puppy!
0:53:08 > 0:53:12What this happy family needs is a good spanking. Come on.
0:53:20 > 0:53:23Come on, Bull, we'll get your stuff together.
0:53:25 > 0:53:27Now, just a minute, gentlemen.
0:53:28 > 0:53:30Where do you keep them Indians?
0:53:30 > 0:53:31Well, the Indian village is right over there.
0:53:31 > 0:53:35In fact, if you'll hurry, you'll find Sitting Bull right at home.
0:53:37 > 0:53:40They'll dig him a new home when I get through with him.
0:53:40 > 0:53:43Forget it, Dan. Them Indian wars are all over.
0:53:43 > 0:53:45Let me alone.
0:53:45 > 0:53:47I ain't forgetting that I had
0:53:47 > 0:53:49a brother with Custer at Little Big Horn.
0:53:58 > 0:54:02Now, you Sioux snake, I'm going to pay you for one of Custer's boys.
0:54:25 > 0:54:26Call them off.
0:54:33 > 0:54:36You all right, partner?
0:54:36 > 0:54:39A little scrap now and then means nothing to you, eh, Bull?
0:54:41 > 0:54:46Gosh, I wouldn't have wanted that blast much closer to my peepers.
0:54:46 > 0:54:47Well, come on, kid, I'll flag a hansom
0:54:47 > 0:54:49and ship you off to a bulletproof hotel room.
0:55:02 > 0:55:05Well, young man, it's not as bad as it might have been.
0:55:05 > 0:55:07Come on, come on, Doc. How about it?
0:55:07 > 0:55:10You're suffering from a form of corneal opacity.
0:55:10 > 0:55:11You don't say.
0:55:11 > 0:55:15A compressed condition of the optic membrane. But don't worry.
0:55:15 > 0:55:18- You'll be able to see reasonably well.- Oh, sure, I can see.
0:55:18 > 0:55:20Come in and see me again tomorrow.
0:55:20 > 0:55:23In the meantime, go easy with those eyes.
0:55:29 > 0:55:30What business are you in?
0:55:30 > 0:55:35- Me? I'm Toby Walker. - That doesn't answer my question.
0:55:35 > 0:55:37I can see you're not a patron of the theatre, Doc.
0:55:37 > 0:55:40- I'm an actor.- Oh, an actor.
0:55:40 > 0:55:44Well, you'll be able to go on with your work all right.
0:55:44 > 0:55:47- It's lucky you're not a book-keeper.- Yeah...
0:55:55 > 0:55:58- Toby, darling! - Well, well, Vera.
0:55:59 > 0:56:02You sure look elegant back there with all them explosive stogies.
0:56:02 > 0:56:03You don't look pekid yourself.
0:56:03 > 0:56:05Oh, I'm all right, I guess.
0:56:05 > 0:56:07It was nice of Mac to give you the job here.
0:56:07 > 0:56:09Oh, he didn't lose nothing by it.
0:56:09 > 0:56:12- The smoke business has perked up some since I took over.- Oh!
0:56:12 > 0:56:14Say, tonight's my night off.
0:56:14 > 0:56:17How about a little supper after the show, just for old times' sake?
0:56:17 > 0:56:19Well, I'd like to, Vera,
0:56:19 > 0:56:22but I've got a little business to attend to this evening.
0:56:24 > 0:56:27Is that the little business over there?
0:56:32 > 0:56:38Tell me, Annie, is it true them Injuns eat D-O-G?
0:56:38 > 0:56:41Oh, I know what that spells. That spells "dog".
0:56:45 > 0:56:47Hey, I'll see you later.
0:56:47 > 0:56:49Do they, Annie?
0:56:49 > 0:56:50Well, I don't think so.
0:56:50 > 0:56:54Mr Sitting Bull just loves hash. He likes it with molasses.
0:56:55 > 0:56:57Oh, here's Toby.
0:56:57 > 0:56:59Mr Walker, I want you to meet my mother
0:56:59 > 0:57:01and all the folks from down home.
0:57:01 > 0:57:04Mrs Oakley, folks, I'm delighted to meet you.
0:57:04 > 0:57:06Mac, have you seen the Colonel?
0:57:06 > 0:57:09The last I saw of him, he and Mr Hogarth were busy sending telegrams.
0:57:09 > 0:57:12- Try and locate him for me, will you?- Aye.
0:57:12 > 0:57:16Well, Mr Walker, I reckon you ain't going to win so easy tonight
0:57:16 > 0:57:18as you did the last time you shot here.
0:57:18 > 0:57:19That's right.
0:57:19 > 0:57:22Annie's had a chance to get used to his good looks.
0:57:24 > 0:57:26I'm sure you'll see her at her best tonight.
0:57:26 > 0:57:28And how about you, Mr Walker?
0:57:28 > 0:57:32You know, Annie is a show all by herself. She don't need me at all.
0:57:32 > 0:57:33You see, folks what I mean...
0:57:33 > 0:57:36You ain't getting cold feet, are ya?
0:57:37 > 0:57:39You mustn't mind the folks, Toby.
0:57:39 > 0:57:42They're up here from down home to see me,
0:57:42 > 0:57:43just like if we were playing New York,
0:57:43 > 0:57:46all the people from the Bowery would come to see you.
0:57:46 > 0:57:50And we aren't going to disappoint them, are we?
0:57:50 > 0:57:52Well, Walker, what's on your mind?
0:57:54 > 0:57:57I'm sorry I bothered you, Colonel.
0:57:57 > 0:58:00I guess what I wanted to say just sort of slipped my mind.
0:58:05 > 0:58:08Fresh buttered popcorn? A bag of popcorn, sir?
0:58:08 > 0:58:10It's very bad for you.
0:58:17 > 0:58:20Step lively, folks. Count your change before leaving.
0:58:20 > 0:58:22Thank you, neighbour.
0:58:22 > 0:58:25Step lively, please, and see the big performance,
0:58:25 > 0:58:29the big show, Wild West show, a congress of rough riders.
0:58:29 > 0:58:33- Get tickets. How many, neighbour? - How much are they?
0:58:33 > 0:58:34One dollar and a half, sir.
0:58:34 > 0:58:37- Have you any dollars? - We have dollar tickets. Yes, sir.
0:58:37 > 0:58:39- How many?- Oh, er...
0:58:44 > 0:58:47You're keeping 11,000 people from seeing the show.
0:58:47 > 0:58:48Aye.
0:58:49 > 0:58:52You know, Vera, the more I think about this...
0:58:52 > 0:58:53Now, it isn't the money,
0:58:53 > 0:58:56it's poor Colonel Cody's feelings I'm thinking about.
0:58:56 > 0:58:58Why, he'd be all broken up if I paid for tickets.
0:58:58 > 0:59:00Yeah, the shock would probably floor him.
0:59:00 > 0:59:04Well, make up your mind. Step lively, please. Step lively, folks.
0:59:04 > 0:59:07- How many, neighbour?- Well...
0:59:10 > 0:59:11Give me...
0:59:11 > 0:59:15Wait a minute. Wait a minute.
0:59:15 > 0:59:19Your money's bogus around here, Mac. Don't you know that?
0:59:19 > 0:59:22- I didn't know it was you. - Give me a couple of blues.
0:59:27 > 0:59:31Here we are, my friend. A couple of Annie Oakleys.
0:59:31 > 0:59:33Step lively, folks.
0:59:33 > 0:59:36Annie Oakleys. Oh, that's a bonny name for them.
0:59:36 > 0:59:39Two holes, and clean as Annie might have shot them herself.
0:59:40 > 0:59:43Just a minute. This is hardly right.
0:59:43 > 0:59:47- Oh, go on, go on. - Well, if you insist.
1:00:05 > 1:00:08Miss Annie Oakley, the winner.
1:00:18 > 1:00:23I am sure Miss Oakley will favour us with an encore.
1:00:26 > 1:00:29Is there any brave gentleman in the audience
1:00:29 > 1:00:33who would like to have Miss Oakley shoot a cigarette from his mouth
1:00:33 > 1:00:34at 30 paces?
1:00:42 > 1:00:44I'll do it.
1:00:45 > 1:00:51Ladies and gentlemen, proving chivalry is not dead,
1:00:51 > 1:00:57Mr Toby Walker will show his faith in the marksmanship
1:00:57 > 1:00:58of his fair opponent.
1:01:00 > 1:01:03I wish I was making that shot.
1:01:19 > 1:01:22Give me a coin. I'll hold it for Toby.
1:01:25 > 1:01:27Ladies and gentlemen,
1:01:27 > 1:01:31the courage of the fair sex is a match to that of the male.
1:01:31 > 1:01:34The little lady will now permit Mr Toby Walker
1:01:34 > 1:01:35to shoot a 25-cent piece
1:01:35 > 1:01:40out of her hand at the same distance, 30 paces.
1:01:40 > 1:01:42Since when did you take over setting my routines?
1:01:42 > 1:01:45- Why I only thought...- You're paid to jabber, not to think.
1:01:45 > 1:01:49My contract don't call for carrying out your half-wit brainstorms.
1:01:52 > 1:01:59Sorry, friends, but Mr Walker seems indisposed to accept the challenge.
1:01:59 > 1:02:01Oh, he's scared he'll miss.
1:02:01 > 1:02:03Indisposed nothing. He's afraid.
1:02:03 > 1:02:05Yeah, he's afraid she'll beat him.
1:02:05 > 1:02:07I always did say he didn't have any nerve.
1:02:07 > 1:02:09He's trying to queer Annie's act.
1:02:09 > 1:02:11What's the matter with you, trying to start a stampede?
1:02:11 > 1:02:13Oh, just having a little fun with him, Mr Hogarth.
1:02:13 > 1:02:15He's got it coming to him. Any fellow that chicken-livered...
1:02:15 > 1:02:18Shut up. I ought to fire the whole lot of you.
1:02:18 > 1:02:21He could do it easy. He's just trying to queer the show.
1:02:22 > 1:02:25He's got a yellow streak down his back a yard wide.
1:02:58 > 1:02:59He aimed to hit her!
1:03:02 > 1:03:06- Annie!- Walker, I ought to kill you right here.
1:03:06 > 1:03:08There now, honey. We'll have a doctor for you in just a second.
1:03:08 > 1:03:10Oh, I'm all right.
1:03:10 > 1:03:11Bring on the next act!
1:03:11 > 1:03:13Honest, Colonel, I tried...
1:03:13 > 1:03:15Walker, I'm giving you ten minutes to pack up and get off the grounds.
1:03:15 > 1:03:17That suits me fine, but first I'm going to see Annie.
1:03:17 > 1:03:19She don't want no part of you.
1:03:21 > 1:03:23This is my fault. I should have thrown him out a long time ago.
1:03:23 > 1:03:24He didn't mean to do it. I know he didn't.
1:03:24 > 1:03:26Oh, yes, he did. He deliberately hit you in the shooting hand.
1:03:26 > 1:03:29Oh, he wouldn't try to hurt anybody. You don't understand him.
1:03:29 > 1:03:31Rustle him out of here, boys.
1:03:33 > 1:03:35- I've got to see him.- Come on, Annie, we'll see the doctor.
1:03:35 > 1:03:39ANNOUNCER: Presenting riders of all nations in revue!
1:03:57 > 1:03:58Well, Doctor, what's the verdict?
1:03:58 > 1:03:59No tendons severed. She'll be all right.
1:03:59 > 1:04:02- To shoot? - Oh, yes, it's not really serious
1:04:02 > 1:04:04if she takes care of her hand for a few weeks.
1:04:04 > 1:04:06Better let Annie rest now, folks.
1:04:06 > 1:04:09Please stop fussing over me and tell me where Toby is.
1:04:09 > 1:04:12- Now, now, now, now.- You children, run out in the hall and play.
1:04:12 > 1:04:13But I want him. Why isn't he here?
1:04:13 > 1:04:16You mustn't upset yourself, Miss Oakley. Please try to rest.
1:04:16 > 1:04:19But I can't rest until I find what's become of him.
1:04:19 > 1:04:21It doesn't hurt a bit any more.
1:04:22 > 1:04:23You're all keeping him away from me.
1:04:23 > 1:04:27Now, honey, you mustn't have any more truck with that...
1:04:27 > 1:04:29He didn't mean to do it.
1:04:29 > 1:04:31He's sweet and kind.
1:04:33 > 1:04:35You don't understand him.
1:04:35 > 1:04:37- None of you do. - Annie, please.
1:04:37 > 1:04:40You never gave him a chance from the first day you saw him.
1:04:40 > 1:04:41Well, I'll tell you something,
1:04:41 > 1:04:44he's better than the whole bunch of you put together.
1:04:44 > 1:04:46There, there, precious, everything will be all right.
1:04:46 > 1:04:48Now, don't you worry, little missy.
1:04:48 > 1:04:52We're going to have you right as rain in just a few days.
1:04:52 > 1:04:55- Good night, Annie. - Boys, if you don't mind...
1:04:57 > 1:04:58Bye.
1:05:00 > 1:05:03- You're going to be fit as a fiddle, Annie.- Good night, Annie.
1:05:03 > 1:05:05- Goodbye, Doctor.- Good night.
1:05:09 > 1:05:11There, there, baby.
1:05:11 > 1:05:13Try to get some sleep.
1:05:15 > 1:05:18I'll be along in a minute, Mrs Oakley.
1:05:22 > 1:05:26It wasn't his fault. I know it wasn't. If I could only talk to him.
1:05:26 > 1:05:28Annie, dear, you're just a kid.
1:05:28 > 1:05:31You've got to believe in the people who really love you,
1:05:31 > 1:05:34and the sooner you forget about him, the better.
1:05:34 > 1:05:36But I'm not going to forget about him.
1:05:38 > 1:05:40Try to get some sleep.
1:05:47 > 1:05:48Toby!
1:05:48 > 1:05:52Honey, your hand, honest, I...
1:05:52 > 1:05:55It's nothing. Nothing, now that you're here.
1:05:55 > 1:05:57They're saying I done it on purpose.
1:05:57 > 1:05:58There's something I've got to tell you, Annie.
1:05:58 > 1:06:00- You've said enough already, Walker.- Please, Jeff.
1:06:00 > 1:06:02I'm sorry, Annie. You may hate me for this
1:06:02 > 1:06:04but tonight he'll do his talking to me.
1:06:04 > 1:06:07I've got nothing to say to you, Hogarth.
1:06:07 > 1:06:09What did you want to tell me, Toby?
1:06:09 > 1:06:10The less you say, the better, Walker.
1:06:10 > 1:06:12But I've got something to tell you.
1:06:12 > 1:06:14You're going to clear out of this kid's life.
1:06:14 > 1:06:17I see, trying to fix it up for yourself, huh?
1:06:17 > 1:06:19You know that isn't so.
1:06:19 > 1:06:22I think Annie knows that her happiness is all that matters to me,
1:06:22 > 1:06:24to everybody in this show except you.
1:06:24 > 1:06:25What have you got to offer?
1:06:25 > 1:06:29A selfish, swelled head and a future that's behind you.
1:06:32 > 1:06:34Maybe you're right.
1:06:34 > 1:06:36Toby, you know I don't believe that.
1:06:39 > 1:06:40- Goodbye.- Toby!
1:06:42 > 1:06:44Now, now, now.
1:06:47 > 1:06:51I'm going to run along and let you get some rest.
1:06:51 > 1:06:53You mustn't be too hurt about this.
1:06:53 > 1:06:57You'll find that a fellow like that is pretty easy to forget.
1:07:06 > 1:07:09Well, I guess I'll let you get a little sleep, Chief.
1:07:12 > 1:07:13Good night.
1:07:18 > 1:07:20Good night.
1:07:52 > 1:07:54- KNOCK ON DOOR - Come in.
1:07:58 > 1:07:59Hello.
1:08:01 > 1:08:05I thought you might need a little cheering up.
1:08:05 > 1:08:07You're wasting your time, kid.
1:08:07 > 1:08:10The great Toby Walker is on the skids.
1:08:12 > 1:08:14Don't let them sell you that, Toby.
1:08:14 > 1:08:16Why, we could put the old vaudeville act together again
1:08:16 > 1:08:19and play to standing room only.
1:08:19 > 1:08:22I'm all played out, Vera. You've got a good job. Hang on to it.
1:08:22 > 1:08:26Oh, that. Listen, Toby, what you need is a little romping.
1:08:26 > 1:08:28I'm going to take you out and show you the town.
1:08:31 > 1:08:33Toby?
1:08:33 > 1:08:35Well, well, if it ain't little dead-eye.
1:08:35 > 1:08:37Maybe you'd like to join us.
1:08:37 > 1:08:40We're just going out and paint the town.
1:08:40 > 1:08:42Toby, I've got to talk to you.
1:08:42 > 1:08:45Your friend Hogarth was right. There's been enough said already.
1:08:45 > 1:08:48- But...- Listen, dead-eye, why don't you quit pounding this man?
1:08:48 > 1:08:50You ain't done him a nickel's worth of good.
1:08:50 > 1:08:51Ever since he first seen you,
1:08:51 > 1:08:53he's had one piece of rotten luck after the other.
1:08:53 > 1:08:54- Vera!- Ain't you satisfied
1:08:54 > 1:08:57with the way you got him messed up now?
1:09:12 > 1:09:16Just busting with the juices of human kindness, ain't you?
1:09:16 > 1:09:19Well, I guess you helped me do her a favour, at that.
1:09:20 > 1:09:23Well, so long, my little sugar plum.
1:09:23 > 1:09:27So long? I thought we was going to paint the town.
1:09:27 > 1:09:29The Bill show's celebrating with the rip-snortingest blowout
1:09:29 > 1:09:31this old town's ever had!
1:09:31 > 1:09:33Bill, don't bother Annie tonight. Wait and tell her in the morning.
1:09:33 > 1:09:35Why, this will do her more good than a barrel of medicine.
1:09:35 > 1:09:37Don't be such a bluenose, Jeff.
1:09:37 > 1:09:40You'd have the poor kid thinking there wasn't no Santa Claus.
1:09:40 > 1:09:42Annie! Annie!
1:09:49 > 1:09:51Well, missy, we've got great news,
1:09:51 > 1:09:53and you're going to be the first to hear it.
1:09:53 > 1:09:57Buffalo Bill's Wild West show with the one and only Annie Oakley
1:09:57 > 1:10:00is breaking camp for a tour of Europe.
1:10:00 > 1:10:01- Europe?- That's right.
1:10:01 > 1:10:03Why, Annie, you'll have kings and queens
1:10:03 > 1:10:04throwing their crowns in the air.
1:10:04 > 1:10:06But right now, you're going to help us celebrate.
1:10:06 > 1:10:08Champagne for the boys,
1:10:08 > 1:10:11but for Annie Oakley, a big bottle of sarsaparilla.
1:10:11 > 1:10:14- Come on, Annie.- Would...
1:10:15 > 1:10:18Would you mind very much if I didn't come to your party?
1:10:18 > 1:10:22Why, no, no. Of course we wouldn't mind. Come on, Bill.
1:10:25 > 1:10:29I guess I'm just an old blundering fool.
1:10:29 > 1:10:33- Your little hand. You must... - My hand's all right.
1:10:33 > 1:10:35- Come on. Good night, Annie. - Good night.
1:10:35 > 1:10:37Good night, missy.
1:11:28 > 1:11:30What's this?
1:11:32 > 1:11:34Here. Gas.
1:11:34 > 1:11:35- Chief!- He's been shooting out the lights.
1:11:35 > 1:11:38- Of all the unmitigated nerve... - What happened to you?
1:11:38 > 1:11:41All right, all right, all right. Never mind, never mind.
1:11:41 > 1:11:44Don't you worry. Don't you worry, Mac. I'll pay all the damage.
1:11:44 > 1:11:47The Chief can shoot up all the hotels he wants tonight.
1:11:47 > 1:11:49We're celebrating, Mac. We're celebrating!
1:12:14 > 1:12:19Annie, you're to be presented to the Czar and the Czarina.
1:12:19 > 1:12:22Your Majesty, may I present to you Miss Oakley?
1:12:29 > 1:12:32Annie, I'm afraid you just never will learn about crowned heads.
1:12:32 > 1:12:34You're supposed to always take the gentleman's hand first
1:12:34 > 1:12:36and kiss it, not shake it.
1:12:36 > 1:12:38And I shook hands first with the Czarina.
1:12:38 > 1:12:40Gosh, I suppose that was terrible.
1:12:40 > 1:12:42No, no, you were just yourself.
1:12:42 > 1:12:44That's why we all love you.
1:12:44 > 1:12:45I love you all, too,
1:12:45 > 1:12:50Colonel Cody and Mr Buntline and Buck, Jim and Sam...
1:12:50 > 1:12:53Hey, now, wait a minute. What about a fellow named Hogarth?
1:12:53 > 1:12:56You're first on the list, Jeff. I thought you knew that.
1:12:56 > 1:12:59First in the show or first everywhere?
1:13:00 > 1:13:03Oh, Annie, I know I'm not your idea of something romantic,
1:13:03 > 1:13:07but I can't help it if I love you, if that counts for anything.
1:13:07 > 1:13:11Wait a minute, wait a minute. I see it all in the crystal ball.
1:13:13 > 1:13:16Madam, I see a blond villain hovering about you.
1:13:18 > 1:13:21He seems to have designs on your future.
1:13:21 > 1:13:23I see him pursuing you to Germany.
1:13:39 > 1:13:41Annie, His Highness Crown Prince Wilhelm wants to ask you something.
1:13:41 > 1:13:43Is it true, Fraulein Oakley,
1:13:43 > 1:13:45that you are able to shoot a cigarette from a person's mouth?
1:13:45 > 1:13:49- Yes.- Very well. You will shoot one from mine.
1:13:49 > 1:13:52But kindly do not muss the Schnurrbart.
1:13:58 > 1:14:00For heaven's sake, be careful, Annie.
1:14:00 > 1:14:01This fellow has to be Kaiser some day.
1:14:01 > 1:14:05Gosh, an inch the wrong way might change the history books.
1:14:08 > 1:14:11Oh, gosh, that spring breeze smells wonderful.
1:14:11 > 1:14:14Madam, do you realise that at this moment it's spring in New York, too?
1:14:14 > 1:14:17- I was thinking of that.- Yeah.
1:14:17 > 1:14:20Just about this time a man named Anson's come on from Chicago
1:14:20 > 1:14:23and hit at least four home runs,
1:14:23 > 1:14:25the organ grinders are tuning up their hurdy-gurdies,
1:14:25 > 1:14:28the little girls are maypole dancing in Central Park,
1:14:28 > 1:14:31and the new bock beer is foaming at Luchow's.
1:14:31 > 1:14:36Every time they broach a keg, Annie, they ring a gong.
1:14:36 > 1:14:38That, my darling, is when you know it is spring.
1:14:38 > 1:14:42Gosh. And down home in Ohio, the buds are coming out on the trees,
1:14:42 > 1:14:46and the bluebirds are wondering why they ever went away.
1:14:46 > 1:14:50I guess spring is the time to make you think of far away and long ago.
1:14:51 > 1:14:55It was spring the first time I went up to Cincinnati to shoot against...
1:14:57 > 1:15:01Cheer up, Annie, you're not the only one who's homesick.
1:15:01 > 1:15:05Why, dog my cats, in exactly two weeks and four days,
1:15:05 > 1:15:07the Buffalo Bill Wild West show
1:15:07 > 1:15:10will be putting on the dad-bustedest parade
1:15:10 > 1:15:14up Fifth Avenue that was ever gawked at by man or critter.
1:15:14 > 1:15:16I'm leaving the show when we get to New York.
1:15:16 > 1:15:17Annie!
1:15:17 > 1:15:19Oh, I'm not happy, Jeff.
1:15:21 > 1:15:23It's still Toby, isn't it?
1:15:26 > 1:15:27I guess it's human nature
1:15:27 > 1:15:30to fight for anything we love, isn't it, Annie?
1:15:30 > 1:15:32I guess so.
1:15:33 > 1:15:35But we don't always win.
1:15:36 > 1:15:38No, we don't always win.
1:15:44 > 1:15:48Here's something I should have given you a long time ago.
1:16:02 > 1:16:03Oh, I know what you must be thinking of me.
1:16:03 > 1:16:07Oh, I'm only thinking of one thing, Jeff. We've got to find him.
1:16:10 > 1:16:11We will.
1:16:40 > 1:16:42Step right up, ladies and gents,
1:16:42 > 1:16:44and take a lesson from the champ shot.
1:16:44 > 1:16:48Never beat in any contest anywhere by any living man.
1:16:53 > 1:16:56Say, Charlie, if the champ is such a razzmatazz,
1:16:56 > 1:16:58how come he don't never do no shooting?
1:16:58 > 1:17:00It's the lamps, the lamps.
1:17:07 > 1:17:09Holy gee! Annie Oakley.
1:17:09 > 1:17:12Gosh, and the Buffalo Bill show is coming here next Monday.
1:17:12 > 1:17:15Hey, mister, do you know Annie Oakley?
1:17:17 > 1:17:22Son, I knew her way back when.
1:17:22 > 1:17:23Sure, he knew them all.
1:17:23 > 1:17:27Annie Oakley, Sarah Bernhardt, Mrs Astor's horse, Bessie...
1:17:27 > 1:17:28Yeah, you...
1:17:49 > 1:17:55Introducing a congress of the world's roughest riders.
1:17:55 > 1:17:58First, a group of Sioux Indians.
1:17:58 > 1:18:02Next, Crow Indians, Cherokees,
1:18:02 > 1:18:07Cheyenne, Blackfeet and Arapaho.
1:18:07 > 1:18:11Cowboys from Montana, from Wyoming,
1:18:11 > 1:18:16from Oklahoma Territory, from Colorado, from Dakota.
1:18:16 > 1:18:18Mexicans from old Mexico,
1:18:18 > 1:18:22Russian Cossacks from the steppes of Russia.
1:18:22 > 1:18:25And the South American gauchos.
1:18:25 > 1:18:30And a troop of the United States Cavalry.
1:18:37 > 1:18:43And now, introducing Colonel WF Cody,
1:18:43 > 1:18:45Buffalo Bill!
1:18:59 > 1:19:01Well, dog my cats.
1:19:03 > 1:19:05Annie, did you see that crowd?
1:19:05 > 1:19:07Why, half of New York's out there tonight.
1:19:07 > 1:19:10Do you think Toby might be out there? Do you think he'd come?
1:19:10 > 1:19:12Now, don't you worry about finding him, honey.
1:19:12 > 1:19:14Today, your Uncle Jeff took it on himself
1:19:14 > 1:19:16to engage the Pinkertons to locate him.
1:19:16 > 1:19:17Jeff, you're real.
1:19:17 > 1:19:19Ladies and gentlemen,
1:19:19 > 1:19:24it is my pleasure personally to introduce that little lady
1:19:24 > 1:19:28who has played before all the crowned heads of Europe,
1:19:28 > 1:19:32the greatest shooting star the world has ever known,
1:19:32 > 1:19:34Annie Oakley!
1:19:49 > 1:19:51Can I borrow your glasses?
1:20:03 > 1:20:06Wild West, are you ready?
1:20:22 > 1:20:27Poor Little Sure Shot. She's always so sad.
1:20:44 > 1:20:49We present that world-famous, thrilling spectacle,
1:20:49 > 1:20:52the Indian attack on the Deadwood stage,
1:20:52 > 1:20:58featuring the one and only Chief Sitting Bull!
1:21:51 > 1:21:54Toby! Toby!
1:23:12 > 1:23:14What's the matter? Couldn't you get in?
1:23:14 > 1:23:16I saw all I wanted to see.
1:23:16 > 1:23:17Well, that's fine.
1:23:17 > 1:23:21Then you can help handle the trade, of which there ain't none.
1:24:12 > 1:24:19Introducing an aggregation of the outstanding horsemen of the world,
1:24:19 > 1:24:24brought for your entertainment from the four corners of the earth.
1:24:24 > 1:24:29Military riders, representative of all nations.
1:24:31 > 1:24:35And last, the United States Cavalry!
1:24:55 > 1:24:57Annie, I found Toby.
1:24:57 > 1:24:59- Chief, where is he?- Come quick.
1:24:59 > 1:25:01I will take you.
1:25:30 > 1:25:33Gee, Toby, did you honestly know Annie Oakley?
1:25:35 > 1:25:36Did I know her?
1:25:36 > 1:25:38Did he know her(?)
1:25:41 > 1:25:43Six shots for a dime, ten cents.
1:25:43 > 1:25:46Step up and try your luck over here. Here, over here.
1:25:46 > 1:25:49But, Toby, we ain't got no dime.
1:25:51 > 1:25:52All right.
1:25:53 > 1:25:55Here you are. You kids can have three apiece.
1:25:55 > 1:25:57But hurry up before the boss gets back.
1:25:57 > 1:25:59Let's see you hit something, for a change.
1:26:15 > 1:26:16Annie!
1:26:16 > 1:26:17Toby!
1:26:20 > 1:26:21Gosh, it's her!
1:26:26 > 1:26:28Did I know Annie Oakley?