0:00:04 > 0:00:11This programme contains some strong language and some scenes which some viewers may find upsetting.
0:00:51 > 0:00:53MAN: Welcome to bonnie Scotland.
0:00:53 > 0:00:56It is the year of Our Lord 1828.
0:00:56 > 0:00:58And this is where I work,
0:00:58 > 0:01:01the market square in Edinburgh, our capital city.
0:01:01 > 0:01:03INDISTINCT CONVERSATIONS, GEESE HONKING
0:01:03 > 0:01:06They're calling this the Scottish Enlightenment.
0:01:07 > 0:01:10- HE CHUCKLES - Enlightenment?
0:01:10 > 0:01:11You could have fooled me.
0:01:11 > 0:01:14I mean, look at the state of them.
0:01:14 > 0:01:18The only people round here looking to be enlightened are the medical students.
0:01:18 > 0:01:21They come to study at the feet of our famous doctors.
0:01:21 > 0:01:24Edinburgh is the medical capital of the world.
0:01:24 > 0:01:27Get yourselves an education there, lads.
0:01:27 > 0:01:31On one side of the city, you have Barclay's School of Anatomy,
0:01:31 > 0:01:35And that's run by the esteemed surgeon, Doctor Robert Knox.
0:01:35 > 0:01:39Now some say that he's the finest surgeon in all of Scotland.
0:01:39 > 0:01:44All I can say about Doctor Knox is that he dresses well.
0:01:44 > 0:01:46Quite the dandy.
0:01:46 > 0:01:50Ah, there's nothing like starting off a new term with a fresh corpse.
0:01:50 > 0:01:52- Is there, Patterson? - Indeed, sir.
0:01:52 > 0:01:56Today I think I shall commence by removing the top of the cranium.
0:01:56 > 0:01:59It will certainly give the freshmen something to write home about.
0:01:59 > 0:02:03And on the other side of the city...
0:02:03 > 0:02:05you've got Scotland's Royal College of Surgeons.
0:02:05 > 0:02:09And that's run by Professor Alexander Monro.
0:02:09 > 0:02:11He's...
0:02:11 > 0:02:14how do you put it? Old-school.
0:02:14 > 0:02:16MUFFLED SCREAMING, SAWING
0:02:19 > 0:02:21CRACK
0:02:26 > 0:02:28That would be an artery.
0:02:32 > 0:02:36Anyway, you'll have to excuse me for a wee moment, ladies and gentlemen.
0:02:36 > 0:02:38It's...showtime!
0:02:54 > 0:02:57HE CLEARS HIS THROAT
0:02:57 > 0:03:01Maggie O'Donnell of the West Port, also known as Mad Maggie.
0:03:01 > 0:03:05You are convicted of the heinous crimes of thievery,
0:03:05 > 0:03:12prostitution, public drunkenness, and a bad attitude.
0:03:12 > 0:03:15Do you have anything to say before you are consigned to hell?
0:03:15 > 0:03:16Aye!
0:03:16 > 0:03:21Only that I hope it's as hot down there as they say it is!
0:03:25 > 0:03:28ALL CHEER
0:03:29 > 0:03:34INDISTINCT CONVERSATIONS, DOG BARKS
0:03:34 > 0:03:37You see, you can only teach anatomy by cutting up people's bodies.
0:03:37 > 0:03:40And the law of the land says you can only cut up bodies
0:03:40 > 0:03:43of people like Mad Maggie here, the recently deceased.
0:03:43 > 0:03:45So we sell them to the highest bidder.
0:03:53 > 0:03:57But now, Professor Monro, the swine,
0:03:57 > 0:04:00has used his influence to pass a new city bylaw.
0:04:08 > 0:04:10Where's the body, Angus?
0:04:12 > 0:04:13But we had an arrangement.
0:04:13 > 0:04:16Professor Monro at the Royal College gets all the bodies now.
0:04:16 > 0:04:20MUTTERING ANGRILY
0:04:20 > 0:04:23Now when the demand for a certain commodity exceeds supply,
0:04:23 > 0:04:26it creates a business opportunity
0:04:26 > 0:04:31just waiting for the right kind of clever entrepreneurs to step in.
0:04:31 > 0:04:34Ladies and gentlemen, gather round! Gather round!
0:04:34 > 0:04:36My name is William Burke.
0:04:36 > 0:04:38Like many of you, my colleague Mr Hare and I
0:04:38 > 0:04:40came to this land looking for work.
0:04:40 > 0:04:44We've dug canals, we've built roads, we've started a new life.
0:04:44 > 0:04:48But none of us has forgotten that Emerald Isle from which we came.
0:04:48 > 0:04:49That mystical land where a man...
0:04:49 > 0:04:52- Get to the bloody point, Willy. - Right, sorry. - HE CLEARS HIS THROAT
0:04:52 > 0:04:55In the County of Donegal, on the highest, greenest slopes,
0:04:55 > 0:04:58there grows a certain moss which any educated person will tell you
0:04:58 > 0:05:00cures all known afflictions.
0:05:00 > 0:05:03The smallest cut, ladies and gentlemen,
0:05:03 > 0:05:05can let in poisons from the earth and the air,
0:05:05 > 0:05:09and before you know it, your very brain starts to boil.
0:05:09 > 0:05:13But a touch of the moss from the hills of Donegal, ladies and gentlemen,
0:05:13 > 0:05:15and it's gone in a flash.
0:05:15 > 0:05:17A boil appears. You pay it no mind.
0:05:19 > 0:05:21But suddenly there's a second! And a third!
0:05:21 > 0:05:24And before you know it, the sufferings of Job are upon you!
0:05:24 > 0:05:28A wart, madam. Starts off small, doesn't it?
0:05:28 > 0:05:33But without a touch of the moss, it can grow as big as your head!
0:05:33 > 0:05:35This is never moss.
0:05:35 > 0:05:37It's cheese mould.
0:05:37 > 0:05:40They're a pair of confidence men!
0:05:40 > 0:05:41ANGRY SHOUTING
0:05:41 > 0:05:43MAN: You bastards!
0:05:43 > 0:05:46WOMAN: Fetch a constable!
0:05:48 > 0:05:50INDISTINCT CONVERSATIONS
0:05:57 > 0:05:58MAN: Gentlemen!
0:06:00 > 0:06:01APPLAUSE
0:06:12 > 0:06:17Gentlemen, the Lord created the heavens and the earth.
0:06:17 > 0:06:23But His greatest work, His most perfect creation is Man.
0:06:23 > 0:06:27The study of human anatomy, therefore,
0:06:27 > 0:06:34is nothing less than a direct insight into the mind of God.
0:06:41 > 0:06:42Gentlemen...
0:06:42 > 0:06:47I give you the human form...
0:06:47 > 0:06:48in all its glory.
0:06:48 > 0:06:50- CROWD GASPS - MAN: Jesus Christ!
0:06:55 > 0:06:57I've a very, very good explanation, sir.
0:07:00 > 0:07:01Well, Patterson?
0:07:01 > 0:07:05Let's hear this very, very good explanation.
0:07:13 > 0:07:16Not content with butchering his own patients,
0:07:16 > 0:07:18Monro has now taken to using political influence
0:07:18 > 0:07:21to hinder the advancement of medical science.
0:07:21 > 0:07:25Beggars can't be choosers, sir. I had to take the only one that Resurrectionist McTavish had left.
0:07:25 > 0:07:27That's the third rotter I've had from McTavish and his gang
0:07:27 > 0:07:29of grave robbers in the last three weeks.
0:07:29 > 0:07:31I can't go on like this.
0:07:31 > 0:07:33Is there anything I can do, doctor?
0:07:33 > 0:07:39You could start praying, Patterson, for the one thing that could save us.
0:07:39 > 0:07:40And what's that, sir?
0:07:40 > 0:07:44An enormous and awful calamity right here in Edinburgh.
0:07:44 > 0:07:48An accident or a... or a natural disaster.
0:07:48 > 0:07:53Something which generates the large numbers of cadavers I need for my work.
0:07:53 > 0:07:54Wouldn't that be nice, sir?
0:07:54 > 0:07:57Yes, Patterson.
0:07:57 > 0:07:59It would be nice.
0:07:59 > 0:08:02You told your wife you was going to get a job. You lied.
0:08:02 > 0:08:05An economy with the truth, Willy, isn't the same as a flat-out lie.
0:08:05 > 0:08:08- HE LAUGHS - And you think Lucky's going to grasp that distinction?
0:08:08 > 0:08:10She's not exactly a forgiving woman.
0:08:10 > 0:08:13- I'll not hear a bad word said against her.- All right!
0:08:13 > 0:08:16I'll grant you she's had her problems with the bottle,
0:08:16 > 0:08:19but she's fighting her demons.
0:08:19 > 0:08:22Besides she's bound to be in high spirits.
0:08:22 > 0:08:24- It's rent day for Old Donald. - Ah!
0:08:24 > 0:08:26Ah, ya see?
0:08:26 > 0:08:29Within every cloud, there's a silver lining.
0:08:31 > 0:08:33WOMAN: Where's the money you owe us, Mr Hare?!
0:08:45 > 0:08:48I know this looks bad, love, but there's a good explanation.
0:08:48 > 0:08:52You see, Willy here came up with this fantastic new product.
0:08:52 > 0:08:55- Donegal moss. - It started off a roaring success.
0:08:55 > 0:08:58Aye, for a while it looked as though all our troubles were over.
0:09:01 > 0:09:03Jesus, what's that smell?
0:09:03 > 0:09:05Er, it was an accident.
0:09:05 > 0:09:08You're a lazy good-for-nothing, William Hare.
0:09:08 > 0:09:10We're flat-out broke.
0:09:12 > 0:09:14What about Old Donald's rent money?
0:09:14 > 0:09:16HE GURGLES
0:09:17 > 0:09:20- He's dead. - BOTH LAUGH
0:09:20 > 0:09:21- Dead.- Dead!
0:09:21 > 0:09:23HE SCOFFS What do you mean "dead"?
0:09:23 > 0:09:26I mean deceased. He stopped living and died.
0:09:26 > 0:09:28So he didn't pay his rent, then?
0:09:29 > 0:09:31Are you telling us Old Donald is dead?
0:09:31 > 0:09:32As a doornail.
0:09:32 > 0:09:36So my suggestion is that you sort yourselves out
0:09:36 > 0:09:41and get rid of the body before it starts to stink up the place more than you two.
0:09:41 > 0:09:43How are we supposed to do that?
0:09:43 > 0:09:45Use your imagination, William.
0:09:45 > 0:09:48It's about all you're good for these days.
0:09:52 > 0:09:54That's not working.
0:09:54 > 0:09:56BOTH GRUNT
0:09:56 > 0:09:59- Right, now push his right leg down.- It won't go!
0:09:59 > 0:10:02- Going to have to break his back. - What?!
0:10:02 > 0:10:04Well, it's either that, or we chop his legs off.
0:10:06 > 0:10:08I know a building site in the New Town.
0:10:08 > 0:10:09We can dump him there. No problem at all.
0:10:09 > 0:10:12- Don't know about this, William. - It'll be a piece of cake.
0:10:12 > 0:10:15- It's only another mile or so. - Only another mile or so?!
0:10:17 > 0:10:20Let's stop over there, William. This is thirsty work.
0:10:27 > 0:10:29Right, get it up. THEY GRUNT
0:10:29 > 0:10:31DOOR OPENS
0:10:34 > 0:10:39Watch your language, you fuckin' son-of-a-bitch bastard!
0:10:39 > 0:10:41DOOR CLOSES
0:10:43 > 0:10:45INDISTINCT CONVERSATIONS
0:10:52 > 0:10:55What are we going to do, William? There's no more canals to dig.
0:10:55 > 0:10:58Don't you worry, Willy. I have got all kinds of ideas.
0:10:58 > 0:11:01Aye, but no money to speak of. No plan.
0:11:04 > 0:11:06Just enough money for one last dram.
0:11:06 > 0:11:08- HE CHUCKLES - I'll drink to that.
0:11:13 > 0:11:15- Couple of large ones, Eileen. - Right away.
0:11:15 > 0:11:18Willy! How's business?
0:11:18 > 0:11:19Never better, Fergus.
0:11:23 > 0:11:25What about you?
0:11:25 > 0:11:27Diversifying is what we're doing.
0:11:27 > 0:11:32Mr McTavish has moved into gambling, opium distribution and...
0:11:32 > 0:11:34pimping whores.
0:11:34 > 0:11:35WOMAN LAUGHS
0:11:35 > 0:11:37SQUEALS OF LAUGHTER
0:11:37 > 0:11:39We've gone legitimate.
0:11:42 > 0:11:44So no more digging up graves, then?
0:11:44 > 0:11:46Eh, it's nae worth the bother anymore.
0:11:46 > 0:11:49Wee Tam McLintoch and his militia,
0:11:49 > 0:11:52they've declared a war on grave robbery.
0:11:52 > 0:11:54They're patrolling the graveyards every night.
0:11:54 > 0:11:56It's a shame, really.
0:11:56 > 0:12:01We used to sell to Doctor Knox at £3 a cadaver.
0:12:01 > 0:12:06And these days, he'd be happy to pay double that.
0:12:06 > 0:12:09And I thought life round here was supposed to be cheap?
0:12:09 > 0:12:10It is.
0:12:13 > 0:12:16But the price rockets once you're dead.
0:12:27 > 0:12:28Willy...
0:12:32 > 0:12:36So, this doctor is going to give us money to cut Old Donald up?
0:12:36 > 0:12:39Old Donald is in heaven. These are just his mortal remains.
0:12:39 > 0:12:43- You seem to have given this an awful lot of thought. - When have I ever let you down?
0:12:43 > 0:12:45- When have you ever let me down?! - Oh, come on now, Willy.
0:12:45 > 0:12:47Oh!
0:13:19 > 0:13:20Holy shite!
0:13:31 > 0:13:33This is wrong.
0:13:33 > 0:13:35There's only one Surgeon's Square in Edinburgh, Willy.
0:13:35 > 0:13:37No, what we're doing is wrong.
0:13:37 > 0:13:38Sorry to disturb you, Doctor,
0:13:38 > 0:13:40but we've two gentlemen at the door to see you.
0:13:40 > 0:13:42They have a herring barrel with them, sir.
0:13:42 > 0:13:45I have no taste for herring, Patterson. Send them away.
0:13:45 > 0:13:48I believe there's something else in their herring barrel for you, sir.
0:13:51 > 0:13:54I commend you both on account of his freshness.
0:13:54 > 0:13:55Thank you, Doctor.
0:13:55 > 0:13:57Why is he bent in half like that?
0:13:58 > 0:14:02Er, this man obviously died in some kind of construction accident.
0:14:02 > 0:14:06That is exactly what hap... isn't that exactly what happened, Mr Burke?
0:14:06 > 0:14:09Aye, Mr Hare, yeah, that's exactly what happened.
0:14:09 > 0:14:12Right. I'll give you £3.
0:14:12 > 0:14:15We was looking for six pounds, sir.
0:14:15 > 0:14:17I'm afraid I can go no higher than four pounds ten shillings.
0:14:17 > 0:14:21Doctor Knox, sir, y-you yourself complimented us on account of its...
0:14:21 > 0:14:23freshness, sir.
0:14:23 > 0:14:26- HE CHUCKLES - Quite the salesman, aren't you, uh, Mr Hare?
0:14:26 > 0:14:29Could you make it five pounds ten shillings?
0:14:29 > 0:14:34What with so much... construction work going on in Edinburgh,
0:14:34 > 0:14:38if we were to, uh, stumble on any other unfortunates...
0:14:39 > 0:14:41would you be interested, Doctor?
0:14:43 > 0:14:46I'll give you five pounds for your efforts, gentlemen.
0:14:46 > 0:14:50And I'll pay you the same for any more unfortunates that you can deliver,
0:14:50 > 0:14:53except in the summer, when we have a few problems keeping them fresh.
0:14:53 > 0:14:55I completely understand, Doctor Knox.
0:14:55 > 0:14:58All right, Patterson. Prepare this gentleman for the lecture.
0:14:58 > 0:15:02What about his, uh... posture, sir?
0:15:02 > 0:15:05Uh, straighten him out. I'm sure he won't complain.
0:15:05 > 0:15:06- HE CHUCKLES - Sir?
0:15:06 > 0:15:10Unbend him! These fellows will assist you. And then show them out. Goodnight.
0:15:10 > 0:15:13- HE SIGHS - All right, give me a hand with this.
0:15:16 > 0:15:18CRACKS AND SNAPPING
0:15:27 > 0:15:30Here's to our new product.
0:15:34 > 0:15:36And where exactly are we going to find more?
0:15:36 > 0:15:41Oh, there's lots more... product just waiting for us to dig it up.
0:15:57 > 0:15:59DOG WHINES
0:16:07 > 0:16:09He's looking at me.
0:16:09 > 0:16:12I'm sure he knows what we're doing.
0:16:12 > 0:16:15Forget the damn dog, Willy. Just keep an eye out for the militia.
0:16:18 > 0:16:22- You know this is hallowed ground. - Touch of frost is all.
0:16:22 > 0:16:23THUMP
0:16:29 > 0:16:31Look lively, men.
0:16:54 > 0:16:55BOTH SCREAM
0:16:55 > 0:16:57Who goes there?!
0:16:57 > 0:16:58Fix bayonets!
0:17:01 > 0:17:03- HE WHISPERS - It's the militia!
0:17:07 > 0:17:08Listen up, lads!
0:17:08 > 0:17:09- Agh! - GUNSHOT
0:17:09 > 0:17:11They got guns!
0:17:13 > 0:17:15Oh, for pity's sake, Private.
0:17:17 > 0:17:18Come on.
0:17:20 > 0:17:22Be careful.
0:17:25 > 0:17:28Either we give ourselves up and risk being transported,
0:17:28 > 0:17:31or we run for it and risk getting shot.
0:17:31 > 0:17:34As much as I like to travel, I think I'm going to go with the latter.
0:17:34 > 0:17:37- On three. - Right. One...
0:17:44 > 0:17:45Ow!!
0:17:45 > 0:17:47Well shot, sir!
0:17:47 > 0:17:48Thank you, Sergeant.
0:17:51 > 0:17:52DOG BARKS
0:17:54 > 0:17:57GROANING
0:17:58 > 0:18:00I can't believe this.
0:18:00 > 0:18:03Six years in the Donegal Militia, and I never got a scratch.
0:18:03 > 0:18:06And three hours as a grave robber, and I get shot in the arse.
0:18:06 > 0:18:08All right, Willy, show me your wounds.
0:18:08 > 0:18:10All right, just be careful.
0:18:12 > 0:18:16I think you've got a perfectly lovely arse.
0:18:19 > 0:18:20Evening, Mrs McFie.
0:18:24 > 0:18:27- Is it bad?- It's nothing but a scratch, you big baby.
0:18:27 > 0:18:29- Well, it still hurts. - Come on, Willy.
0:18:29 > 0:18:32Oh, who was that screaming in the graveyard like a wee girl?
0:18:32 > 0:18:33You!
0:18:43 > 0:18:46For the love of Lord Jesus. She's fallen off the wagon again.
0:18:51 > 0:18:54SHE GASPS AND SIGHS
0:18:54 > 0:18:55Are you all right, love?
0:18:58 > 0:19:00It's God.
0:19:00 > 0:19:01He's punishing us.
0:19:01 > 0:19:03Oh, you know that's not true.
0:19:03 > 0:19:07First Old Donald. Now Joseph.
0:19:07 > 0:19:09What's happened to Joseph?
0:19:09 > 0:19:12That's two rents just gone.
0:19:32 > 0:19:33Hello?
0:19:33 > 0:19:35Are you all right, Joseph?
0:19:38 > 0:19:41DO I LOOK ALL RIGHT, you bleedin' Irish bastards?!
0:19:44 > 0:19:46You'll no' be takin' my coat.
0:19:48 > 0:19:50I remember.
0:19:50 > 0:19:53Old Nosey was there himself.
0:19:53 > 0:19:56He says, "Stand up, guards.
0:19:56 > 0:20:00"Now, Maitland, now's your time."
0:20:00 > 0:20:05And over we go, fightin', fightin' the Frogs.
0:20:05 > 0:20:07Did I ever tell you about the time...
0:20:07 > 0:20:09HE COUGHS WETLY
0:20:09 > 0:20:12- The time... - HE COUGHS
0:20:12 > 0:20:17I saw the man, the wee man himself, Napoleon?
0:20:17 > 0:20:19Aye, it were a treat.
0:20:19 > 0:20:21HE LAUGHS
0:20:21 > 0:20:23And that idiotic hat.
0:20:31 > 0:20:34Forgive me, Father...
0:20:34 > 0:20:36for I know not what I do.
0:20:37 > 0:20:39He shouldn't have to go like this.
0:20:41 > 0:20:43A hero should be laid to rest among his comrades
0:20:43 > 0:20:46in the corner of some distant foreign field,
0:20:46 > 0:20:49on the battle ground surrounded by his fellow men-at-arms.
0:20:50 > 0:20:53No, Willy, it's far better this way.
0:20:53 > 0:20:55A man deserves to die in the comfort of his own bed
0:20:55 > 0:20:57surrounded by his friends.
0:21:02 > 0:21:04HOOVES CLOPPING
0:21:04 > 0:21:06LIVELY FOLK MUSIC PLAYING
0:21:10 > 0:21:12CHEERING AND LAUGHTER
0:21:42 > 0:21:45Never again, William. Old Joseph was the last one for me.
0:21:45 > 0:21:47Look, we'll talk about it later, Willy.
0:21:47 > 0:21:49For now just smile and try to look important.
0:22:08 > 0:22:11SONG ENDS, ALL CHEER
0:22:13 > 0:22:17- Er, excusez-moi...- You're not coming in wearing those.
0:22:17 > 0:22:22- But they are French. - Exactly. So sling your hook.
0:22:22 > 0:22:24- Pardon? - Sling your hook.
0:22:24 > 0:22:25- Hook? - Your hook.
0:22:25 > 0:22:28- Hook? - Your hook, sling it.
0:22:28 > 0:22:30Je ne comprends pas.
0:22:30 > 0:22:32- We're on the guest list. - Name?
0:22:35 > 0:22:38ENGLISH ACCENT: William Wordsworth.
0:22:38 > 0:22:39Plus one.
0:22:40 > 0:22:43Welcome to McOakley's, Mr Wordsworth.
0:22:43 > 0:22:47And may I say how much I admired your poem about the daffodils.
0:22:47 > 0:22:49HE CHUCKLES Oh, too kind.
0:22:49 > 0:22:51Very nice, very nice. Aye.
0:22:53 > 0:22:55No chance. Piss off. Get out.
0:22:55 > 0:22:57LIVELY MUSIC PLAYING, CHEERING AND LAUGHTER
0:23:12 > 0:23:13What are you having?
0:23:13 > 0:23:16It's inconceivable that the height of culture
0:23:16 > 0:23:19on offer in Edinburgh is this bloody dive.
0:23:19 > 0:23:23Which is why I'm proposing... and don't laugh at me...
0:23:23 > 0:23:24that we put on...
0:23:26 > 0:23:27"Macbeth."
0:23:28 > 0:23:34It's got everything. Sex, murder, magic, betrayal.
0:23:34 > 0:23:36I think it's a great idea, Ginny.
0:23:36 > 0:23:38- You do? - I really do.
0:23:38 > 0:23:40There's just one problem.
0:23:40 > 0:23:41Wasn't Macbeth a king?
0:23:42 > 0:23:44Wouldn't that make him a man?
0:23:45 > 0:23:49I'm talking about the first all-female production
0:23:49 > 0:23:50of a Shakespeare play!
0:23:50 > 0:23:53But it costs money to put on a play, Ginny.
0:23:53 > 0:23:55None of us want to go back on the game.
0:23:55 > 0:23:58- Never. - Nobody's going back on the game.
0:23:58 > 0:24:04All we need is for a wealthy and discerning patron to take the bait.
0:24:04 > 0:24:06What are you doing?
0:24:06 > 0:24:09That which hath made them drunk hath made me bold, Em.
0:24:09 > 0:24:11LAUGHTER
0:24:13 > 0:24:17Had I but died an hour before this chance,
0:24:17 > 0:24:19I had liv'd a blessed time...
0:24:19 > 0:24:22Someone's had a few too many.
0:24:22 > 0:24:28Who can be wise, amaz'd, temp'rate and furious
0:24:28 > 0:24:31- loyal and neutral in a moment? - DRAMATIC MUSIC SWELLING
0:24:31 > 0:24:33- No man... - CHOIR SINGING BOISTEROUSLY
0:24:33 > 0:24:35..the violent expedition of my love
0:24:35 > 0:24:37has outrun the pauser reason.
0:24:43 > 0:24:45MOCKING CONVERSATIONS
0:24:47 > 0:24:50Have you not heard of William bloody Shakespeare?!
0:24:51 > 0:24:53Show some respect! Bollocks.
0:24:56 > 0:24:57Can I help you?
0:24:57 > 0:25:02Uh... just, your... your speech there was...
0:25:02 > 0:25:03it was wonderful, madam.
0:25:09 > 0:25:12- Doctor. - Doctor.
0:25:12 > 0:25:14Doctor!
0:25:14 > 0:25:17You look like the proverbial cat that swallowed the canary, Doctor Monro.
0:25:17 > 0:25:19You must know what this is all about.
0:25:19 > 0:25:21I do, actually.
0:25:21 > 0:25:25But forgive me, I need to have a word with Doctor Knox.
0:25:25 > 0:25:27I'd be surprised if Knox would speak to you, now that...
0:25:27 > 0:25:30Excuse me Doctor Lister.
0:25:30 > 0:25:34And please do not misunderstand this, but...
0:25:34 > 0:25:37your breath is appalling.
0:25:39 > 0:25:40Ah!
0:25:43 > 0:25:47Doctor Knox. How wonderful it is to see you.
0:25:47 > 0:25:49Yes, I'm sure it is.
0:25:49 > 0:25:53And your new students, are they enjoying your lectures?
0:25:53 > 0:25:57Er, not as much as I understand they're enjoying your wife, sir.
0:26:01 > 0:26:04Oh, I hate that man.
0:26:04 > 0:26:08Doctors, professors, gentlemen, please take your seats.
0:26:15 > 0:26:16Your attention, gentlemen.
0:26:17 > 0:26:22His Majesty will be in residence at Holyrood Palace in eight weeks' time.
0:26:22 > 0:26:24The King has decided that, in his wisdom,
0:26:24 > 0:26:29he will create a competition to further the progress of medical science.
0:26:29 > 0:26:33Accordingly, His Majesty has decided that during his visit,
0:26:33 > 0:26:37he will listen to presentations from Scotland's leading physicians.
0:26:37 > 0:26:40Whomsoever he determines has made the greatest advances
0:26:40 > 0:26:42in the field of medicine,
0:26:42 > 0:26:47will be awarded the Royal Seal and a handsome monetary reward.
0:26:47 > 0:26:49ALL: Mmm!
0:26:49 > 0:26:52This honour will confer immeasurable economic
0:26:52 > 0:26:54and social status on Edinburgh,
0:26:54 > 0:26:56on Scotland, on the medical profession,
0:26:56 > 0:26:59and, of course, on its recipient.
0:26:59 > 0:27:01I thank you, and goodnight.
0:27:02 > 0:27:05Lord Harrington, I just...
0:27:05 > 0:27:06Yes, I know.
0:27:06 > 0:27:10I played Agnes in Moliere's "School For Wives"
0:27:10 > 0:27:12at the Garrick Theatre in London.
0:27:12 > 0:27:15And after that, times got tough,
0:27:15 > 0:27:17and I branched out into... physical theatre.
0:27:17 > 0:27:20- Ah, like acrobatics? - Sometimes.
0:27:20 > 0:27:22Then I became a dancer and a showgirl,
0:27:22 > 0:27:25and now I'm trying to produce my first play.
0:27:25 > 0:27:27- Sounds very exciting. - It is.
0:27:27 > 0:27:30I just need to put together a consortium of investors.
0:27:30 > 0:27:34Anyway enough about me. Let's talk more about you.
0:27:34 > 0:27:38- What do you do for a living? - Er, I'm in surgical supplies.
0:27:38 > 0:27:41Sorry to interrupt, Willy, but we should be heading home.
0:27:41 > 0:27:44- Got an early start.- It was lovely to meet you, Mr Burke.
0:27:44 > 0:27:47- Well, can I see you again? - Oh, I'd like that.
0:27:47 > 0:27:49- How about Friday night? - I'll meet you here at 7:00.
0:27:49 > 0:27:51Goodnight, miss. Come along, Willy.
0:27:51 > 0:27:53- Goodnight. - Goodnight.
0:27:57 > 0:28:02I'll not explain myself again. Mr Wordsworth is already in the club.
0:28:02 > 0:28:05That cannot be. I am he.
0:28:05 > 0:28:07Newly returned from my tour of the continent.
0:28:07 > 0:28:09And I am Samuel Coleridge.
0:28:09 > 0:28:13Aye. And I'm Robbie fuckin' Burns! Now piss off, the both of youse!
0:28:15 > 0:28:18Strange and peculiar gentleman.
0:28:18 > 0:28:22I never realised there was so much to know about the human foot.
0:28:22 > 0:28:25Doctor Knox? Will you be presenting to the committee?
0:28:25 > 0:28:28I will, my Lord.
0:28:28 > 0:28:32And I believe I shall prevail in His Majesty's competition.
0:28:32 > 0:28:35And how will you do that, Doctor Knox?
0:28:35 > 0:28:38I'm creating a complete map of the human body,
0:28:38 > 0:28:40both inside and out.
0:28:41 > 0:28:43If such a thing were possible,
0:28:43 > 0:28:46it would constitute the greatest medical advance since Vesalius.
0:28:46 > 0:28:48It is also impossible.
0:28:48 > 0:28:54Such a map would be entirely useless unless it was 100% accurate.
0:28:54 > 0:28:57And no artist can guarantee that.
0:28:57 > 0:28:59No illustrator or painter, I agree.
0:28:59 > 0:29:03So how on earth do you propose to achieve it?
0:29:03 > 0:29:07You shall see, Professor, in the fullness of time.
0:29:07 > 0:29:09My Lord.
0:29:09 > 0:29:11Come, Patterson.
0:29:30 > 0:29:31Vous etes pret?
0:29:31 > 0:29:34Aye, ready.
0:29:34 > 0:29:36Bon. Excuse me, sir.
0:29:37 > 0:29:40Uh, Patterson?
0:30:00 > 0:30:01Patterson?
0:30:11 > 0:30:16Un, deux, trois, quatre, cinq,
0:30:16 > 0:30:20six, sept, huit, neuf.
0:30:21 > 0:30:22Patterson?
0:30:29 > 0:30:32Voila. HE CHUCKLES
0:30:36 > 0:30:40Merci. HE SINGS IN FRENCH
0:30:44 > 0:30:46GLASS SHATTERS Ah! Merde.
0:30:46 > 0:30:49SINGING CONTINUES
0:30:49 > 0:30:51LIQUID POURS
0:30:58 > 0:31:00CLANG Ah!
0:31:00 > 0:31:02SINGING CONTINUES
0:31:13 > 0:31:15Voila.
0:31:15 > 0:31:17Excellent.
0:31:17 > 0:31:20It is an heliographic,
0:31:20 > 0:31:23a device to capture the image forever.
0:31:23 > 0:31:25An heliographic?
0:31:25 > 0:31:27Oui.
0:31:27 > 0:31:30We shall have to come up with something better than that.
0:31:33 > 0:31:35That was a great night.
0:31:35 > 0:31:37Best night of my life.
0:31:37 > 0:31:39It was a different world.
0:31:39 > 0:31:42A world up high where the air is balmy and anything's possible.
0:31:42 > 0:31:44That's where we belong, Willy.
0:31:44 > 0:31:46SHE SNORTS
0:31:46 > 0:31:50You know, we should probably keep this run of good fortune to ourselves.
0:31:50 > 0:31:52Just till Lucky straightens herself out.
0:31:52 > 0:31:54SHE SNORTS
0:31:54 > 0:31:55Not a problem, William.
0:31:55 > 0:31:58Besides, for us to come across any more of those unfortunates,
0:31:58 > 0:32:00we'd need the devil's own luck.
0:32:00 > 0:32:03That's where you're wrong, Willy.
0:32:03 > 0:32:06Men like us make our own luck.
0:32:06 > 0:32:08What do you mean?
0:32:15 > 0:32:17Have you gone mad?
0:32:17 > 0:32:19No, Willy. We've gone into business.
0:32:19 > 0:32:23That doesn't give us the right to determine another man's fate.
0:32:23 > 0:32:26Man is going to die from the moment he leaves his mother's womb.
0:32:26 > 0:32:29Their fate's already been determined.
0:32:29 > 0:32:32All we'd be doing is... helping them along a bit.
0:32:36 > 0:32:37You know...
0:32:39 > 0:32:41you look very elegant in that new suit.
0:32:43 > 0:32:45Fine tailoring becomes you.
0:32:45 > 0:32:47TRUNK CLOSES
0:32:47 > 0:32:50If you think you're going to convince me like that, you're wrong.
0:32:50 > 0:32:52I don't care about clothes.
0:32:52 > 0:32:54No, but you care about women, right?
0:32:54 > 0:32:58And a fine one costs an arm and a leg, at the very least.
0:33:00 > 0:33:04And that Miss Ginny, she's a VERY fine one indeed.
0:33:07 > 0:33:08Beautiful.
0:33:10 > 0:33:11Talented.
0:33:11 > 0:33:15- Not to mention a fine pair... - All right, you've made your point.
0:33:15 > 0:33:16But not like this.
0:33:16 > 0:33:20There's a place in the Old Town that'll suit us fine.
0:33:20 > 0:33:22HE MUTTERS ANGRILY
0:33:26 > 0:33:28HE LAUGHS
0:33:31 > 0:33:33HE WHISTLES CHEERFULLY
0:33:37 > 0:33:40BOTH GRUNT
0:33:40 > 0:33:41THUDDING AND CRACKING
0:33:53 > 0:33:55HE LAUGHS
0:33:57 > 0:34:00- HE SLURS - Madam...
0:34:01 > 0:34:04# I-I-I-I'll...
0:34:04 > 0:34:07# Take the high road... #
0:34:07 > 0:34:09Right.
0:34:09 > 0:34:11The next one we just stab in the heart with a knife.
0:34:11 > 0:34:13No!
0:34:13 > 0:34:19# And I will be in Scotland afore ye! #
0:34:19 > 0:34:20Look, I have another idea.
0:34:37 > 0:34:39- Yah! - WHIP CRACKING
0:34:39 > 0:34:41Yah!
0:34:41 > 0:34:45I say, coachman! Can't this bloody thing go faster?!
0:34:45 > 0:34:46Yah!
0:34:46 > 0:34:49HORSE NEIGHS
0:34:50 > 0:34:52They're coming!
0:34:55 > 0:34:57Faster, Willy, faster!
0:34:57 > 0:34:59Faster!
0:34:59 > 0:35:00Yah! Yah!
0:35:10 > 0:35:12Come on, Willy. Put your back into it.
0:35:14 > 0:35:16Yah! Yah!
0:35:18 > 0:35:20HORSES NEIGH
0:35:23 > 0:35:25Aaaah!
0:35:34 > 0:35:35Fuck me.
0:35:43 > 0:35:45I'm telling you, Willy, it'll be over in a flash.
0:35:45 > 0:35:47And I'm telling you I don't like this one bit.
0:35:47 > 0:35:50And I am confident that this is the only way.
0:35:50 > 0:35:54You know, William, I had confidence in a fart once
0:35:54 > 0:35:56and I shat all over myself.
0:35:56 > 0:35:57HE SIGHS
0:36:02 > 0:36:07MAN: # When a body meets a body comin' through the rye
0:36:07 > 0:36:10# When a body meets a body, a body cry? #
0:36:10 > 0:36:12SINGING CHEERFULLY
0:36:17 > 0:36:20BRICK SHATTERS, SINGING STOPS
0:36:24 > 0:36:26CHEERFUL SINGING CONTINUES
0:36:33 > 0:36:35BRICK CLATTERS, SINGING STOPS
0:36:43 > 0:36:44HE SINGS NERVOUSLY
0:36:53 > 0:36:54METAL SCRAPES
0:36:56 > 0:37:00Who's there? Is anybody there?!
0:37:02 > 0:37:03SINGING UNDER HIS BREATH
0:37:11 > 0:37:12Agh! Ah!
0:37:12 > 0:37:13D'you have a light?
0:37:18 > 0:37:20HE SHRIEKS
0:37:20 > 0:37:22Agh! Ah!
0:37:22 > 0:37:24HE GURGLES
0:37:24 > 0:37:27HE GASPS
0:37:43 > 0:37:45Are you... are you all right?
0:37:45 > 0:37:49This man's untimely and premature death...
0:37:49 > 0:37:53was, as should be fairly obvious to all of you,
0:37:53 > 0:37:57the direct result of gluttony!
0:38:01 > 0:38:03- HE WHISTLES CHEERFULLY - I cooked your favourite.
0:38:08 > 0:38:10Arbroath smokie and champit tattie.
0:38:20 > 0:38:21That's lovely.
0:38:27 > 0:38:29Thank you.
0:38:35 > 0:38:36I'm not stupid, William.
0:38:36 > 0:38:39Three dead bodies and a pocket full of money?
0:38:39 > 0:38:40Doesn't take a genius to work out
0:38:40 > 0:38:42what the pair of you have been up to.
0:38:44 > 0:38:47I think it's the best bloody idea you've ever had.
0:38:49 > 0:38:52One condition... I want a pound for every body you sell.
0:38:52 > 0:38:56- A pound?- Man starts getting fancy clothes...
0:38:56 > 0:38:59also starts getting fancy ideas.
0:38:59 > 0:39:03Just think of it as a tax between a man and a wife.
0:39:03 > 0:39:06A kind of nuptial agreement, if you will.
0:39:08 > 0:39:12You may be named Lucky,
0:39:12 > 0:39:14but I'm the lucky one, my darlin'.
0:39:17 > 0:39:19I'm not listening to you. I'm watching you.
0:39:19 > 0:39:20I'm watching you.
0:39:20 > 0:39:25Oh, champagne! I AM impressed, William.
0:39:25 > 0:39:27That must have set you back a pretty penny.
0:39:27 > 0:39:29Well...thank you.
0:39:29 > 0:39:32- To good news. - To good news.
0:39:33 > 0:39:36- Mmm. - What good news?
0:39:36 > 0:39:38I have decided to finance your play.
0:39:39 > 0:39:41No! SHE SQUEALS
0:39:41 > 0:39:44Mr Burke! SHE SQUEALS
0:39:48 > 0:39:52Who's that over there with Ginny Hawkins?
0:39:54 > 0:39:57- That's Willy Burke. - Who?
0:39:57 > 0:40:01Regular at The Grave-diggers. Always in the company of William Hare.
0:40:02 > 0:40:05They're drinking champagne.
0:40:05 > 0:40:08Find out what his racket is.
0:40:08 > 0:40:11May I ask what persuaded you to be so bold
0:40:11 > 0:40:14as to invest in an all-female production of the Scottish play?
0:40:14 > 0:40:17You have an incredible talent, Ginny.
0:40:17 > 0:40:19I saw that the night we met.
0:40:19 > 0:40:21A talent like that is a gift from God.
0:40:21 > 0:40:24To see it go to waste over something as trivial as money,
0:40:24 > 0:40:26that'd be a travesty.
0:40:26 > 0:40:31I had no idea you were so passionate about the theatre, Mr Burke.
0:40:31 > 0:40:33Not the theatre, Ginny. You.
0:40:41 > 0:40:43Thank you for a lovely evening, Mr Burke.
0:40:43 > 0:40:45Uh, William, please.
0:40:48 > 0:40:50- Oh, sorry. Um... - HE CLEARS HIS THROAT
0:40:53 > 0:40:56When will I be able to see you again, Ginny?
0:40:56 > 0:40:58At the Lyceum Theatre.
0:40:58 > 0:40:59Really? When?
0:40:59 > 0:41:01When we put down the deposit.
0:41:04 > 0:41:05Goodnight, William.
0:41:19 > 0:41:21I need to make more money. Fast.
0:41:21 > 0:41:23Don't tell me she charged you for the night.
0:41:23 > 0:41:26She is an actress, not a whore.
0:41:26 > 0:41:29- What's the difference? - I am going to finance her play.
0:41:29 > 0:41:31With the economy in its current condition,
0:41:31 > 0:41:34I think I'd have to advise against such a high-risk investment.
0:41:34 > 0:41:37Not everything is about money, William.
0:41:37 > 0:41:39William Hare?
0:41:39 > 0:41:41This is no time to be resting on your laurels.
0:41:41 > 0:41:44Or to be getting yourself inebriated.
0:41:44 > 0:41:46You got a business to run.
0:41:46 > 0:41:49We was just talking about that. Why don't you join us, love?
0:41:49 > 0:41:53- She knows?! - Yes, she does.
0:41:53 > 0:41:55Don't worry, Willy. I can keep me mouth shut.
0:41:55 > 0:41:57I'm sorry to take so long.
0:41:57 > 0:41:59But I was just having a word with that old lady over there.
0:41:59 > 0:42:00Tragic story.
0:42:00 > 0:42:04Just lost her whole family to the pox, and it's left her homeless.
0:42:04 > 0:42:05I'll be back.
0:42:15 > 0:42:16SHE SHRIEKS
0:42:16 > 0:42:19Lucky got her drunk. Now you just hold her still.
0:42:19 > 0:42:21I'm trying!
0:42:21 > 0:42:25You know, this is how they put wounded soldiers out of their misery
0:42:25 > 0:42:26on the battlefield.
0:42:26 > 0:42:30- Oh, aye, what's that called? - Doesn't really have a name.
0:42:30 > 0:42:32- Perhaps we should invent one. - Just get it over with, William.
0:42:32 > 0:42:35I've got it, I've got it... in honour of my best friend,
0:42:35 > 0:42:39from now on this shall be called...
0:42:39 > 0:42:41"Burking."
0:42:54 > 0:42:56WOMAN SHRIEKS
0:42:56 > 0:43:00Help! Help! Help!
0:43:00 > 0:43:01Help! Help!
0:43:07 > 0:43:09Is she dead?
0:43:09 > 0:43:10I think so.
0:43:17 > 0:43:20- Yeah, she snuffed it. - I certainly hope so!
0:43:31 > 0:43:35And thou opposed, being of no woman born,
0:43:35 > 0:43:38Yet will I try the last.
0:43:38 > 0:43:39Lay on, Macduff!
0:43:39 > 0:43:43And damned be him who first cry, "Hold, enough!"
0:43:43 > 0:43:46Thank you, Lucy. That was...
0:43:46 > 0:43:48Please let go. That was interesting.
0:43:48 > 0:43:51Well done. We'll, um, we'll be in touch.
0:43:51 > 0:43:55- Just don't hold your breath. - Shh, silence, gentlemen.
0:43:55 > 0:43:56Sorry.
0:43:56 > 0:43:59I thought we'd agreed you'd keep your mouth shut?
0:43:59 > 0:44:03- This is costing me enough without incurring any further delays. - I was just being honest.
0:44:03 > 0:44:05This is the theatre, William. It's not a place for honesty.
0:44:05 > 0:44:07GINNY: Next!
0:44:07 > 0:44:12Miss Clarissa Windsor reading for the part of Macbeth.
0:44:12 > 0:44:15GINNY: Thank you!
0:44:15 > 0:44:17We're going to need another day of auditions.
0:44:17 > 0:44:18Maybe even two, Willy.
0:44:20 > 0:44:22That's not going to be a problem, is it?
0:44:22 > 0:44:24Eh...no, no.
0:44:24 > 0:44:25You take as much time as you like, love.
0:44:25 > 0:44:27Could you unbutton me, darling?
0:44:29 > 0:44:31- Aye, uh... - HE CLEARS HIS THROAT
0:44:56 > 0:44:59- I trust all is well with your business?- Aye, I...
0:44:59 > 0:45:01- HE CLEARS HIS THROAT - Can't complain.
0:45:01 > 0:45:05I just don't know if we're ever going to find a convincing Macbeth.
0:45:05 > 0:45:08Well, er, I think you should play the role.
0:45:09 > 0:45:13What makes you think I could star and direct?
0:45:13 > 0:45:16Your talent and your vision.
0:45:16 > 0:45:19I have been blessed with a lot of talent.
0:45:19 > 0:45:21And I have a vision.
0:45:21 > 0:45:24- D'you think?- I know.
0:45:38 > 0:45:40Climb in, Willy.
0:45:40 > 0:45:43We're going for a wee chat with Mr McTavish.
0:45:48 > 0:45:52Let me tell you how things work in this little city of mine.
0:45:52 > 0:45:56Anyone who attempts to start a new business here
0:45:56 > 0:45:59has to agree to pay me a small percentage of the gross.
0:45:59 > 0:46:03And in return, I make sure you stay out of jail.
0:46:03 > 0:46:07You're not harassed by the authorities, the competition,
0:46:07 > 0:46:10or any other antagonist that might just come along.
0:46:10 > 0:46:12So we pay you for...
0:46:14 > 0:46:15protection?
0:46:17 > 0:46:20Why, yes, I like that. Protection.
0:46:20 > 0:46:23How much of a percentage are we talking about?
0:46:23 > 0:46:24- 50%. - Half?!
0:46:24 > 0:46:27Don't be unhappy, boys.
0:46:27 > 0:46:31Mr McTavish hasnae yet told you the good part.
0:46:31 > 0:46:35And, uh... what would be the good part?
0:46:35 > 0:46:37You get to remain alive.
0:46:49 > 0:46:52We should leave town immediately. Go to London or America.
0:46:52 > 0:46:54I think I might even have a cousin there.
0:46:54 > 0:46:57And quit the most lucrative enterprise we're ever likely to find?
0:46:57 > 0:46:59I don't think so.
0:46:59 > 0:47:02Willy, we have identified a demand and found a supply.
0:47:02 > 0:47:03It's perfect.
0:47:03 > 0:47:06Yeah, but McTavish is not the full shilling, is he?
0:47:06 > 0:47:08The last thing I want to do is get into bed with that man.
0:47:08 > 0:47:11Ah, but you do want to get into bed with Ginny, right?
0:47:11 > 0:47:15And to do that, you're going to have to stay right here and continue to finance her play.
0:47:15 > 0:47:21Will all great Neptune's ocean wash this blood clean from my hand?
0:47:21 > 0:47:24Ah! No! Aah!
0:47:24 > 0:47:28This is my hand will rather the multitudinous seas incarnadine,
0:47:28 > 0:47:31making the green ones red.
0:47:31 > 0:47:33My hands are of your colour,
0:47:33 > 0:47:36but I am shamed to wear a heart so white.
0:47:36 > 0:47:38- Wait, stop right there. - Oh, what now?!
0:47:38 > 0:47:42No, something's still not quite right. I need a minute to think.
0:47:42 > 0:47:45Ginny, please! Just say the words!
0:47:56 > 0:47:59I can't work out what makes this character commit murder.
0:48:01 > 0:48:03Why, Ginny... he does it for love.
0:48:07 > 0:48:09And power.
0:48:09 > 0:48:11Macbeth isn't wholly evil.
0:48:11 > 0:48:14There are traces of...of goodness and regret within him.
0:48:14 > 0:48:17That's what makes him such a great tragic hero.
0:48:17 > 0:48:18The whole play is about his...
0:48:18 > 0:48:21his inner struggle between good and evil.
0:48:21 > 0:48:23Right and wrong.
0:48:26 > 0:48:27You have hidden depths, William.
0:48:29 > 0:48:31Women like that in a man.
0:48:36 > 0:48:38- May I see you tonight? - Uh, um...
0:48:38 > 0:48:41I-I don't think that's a good idea.
0:48:41 > 0:48:44I-I've got costume fittings tomorrow.
0:48:49 > 0:48:51This is ground-breaking work, sir.
0:48:53 > 0:48:56Now the King will be in residence at Holyrood in just three weeks.
0:48:56 > 0:48:58Will this work be completed in time?
0:48:58 > 0:49:02Aye, I shall have to step up the pace, but I don't foresee any major problems.
0:49:02 > 0:49:04Sir Astley-Cooper acquired his knighthood
0:49:04 > 0:49:07by having successfully lanced a boil on the King's head.
0:49:07 > 0:49:10I can only begin to imagine the level of patronage
0:49:10 > 0:49:13His Majesty will confer on you having seen these, uh...
0:49:13 > 0:49:19Oh, I'm, um... I'm calling them "photographs," sir.
0:49:19 > 0:49:21Photographs.
0:49:21 > 0:49:24Excellent. HE CHUCKLES
0:49:24 > 0:49:26My Lord.
0:49:26 > 0:49:27Gentlemen.
0:49:34 > 0:49:37Any difficulties acquiring subjects, Doctor?
0:49:37 > 0:49:41I'll admit the anatomical bylaw was a temporary inconvenience.
0:49:41 > 0:49:44But not even you, Monro, can stand in the way of progress.
0:49:44 > 0:49:46Good day, gentlemen.
0:49:49 > 0:49:51BOTH GRUNTING
0:49:53 > 0:49:56You know, you got a good business going there, Willy.
0:49:56 > 0:49:57I know. I know!
0:49:57 > 0:50:00But the problem is... product acquisition.
0:50:00 > 0:50:02HE PANTS What?
0:50:02 > 0:50:05You know, killing people. That's how you acquire your product.
0:50:05 > 0:50:06It's not efficient.
0:50:06 > 0:50:08It's bloody hard work, that's what it is.
0:50:08 > 0:50:10People are starting to notice, you know.
0:50:10 > 0:50:13There's all kinds of crazy rumours flying around the West Port.
0:50:13 > 0:50:17Keep going, Willy. Helps me think.
0:50:17 > 0:50:19SHE MOANS
0:50:19 > 0:50:22The thing is that nobody likes dealing with dead bodies.
0:50:22 > 0:50:26So, for a fee, you could take them off their hands.
0:50:26 > 0:50:28Sell them a coffin for their loved ones, arrange a burial.
0:50:28 > 0:50:32Yeah, and when people are grieving they don't think about how much things cost.
0:50:32 > 0:50:35- We could call it a "funeral store." - HE GROANS
0:50:35 > 0:50:39- SHE MOANS - Funeral store, no.
0:50:39 > 0:50:41Sounds too down-market.
0:50:41 > 0:50:44I'd prefer something like "funeral parlour."
0:50:44 > 0:50:48Oh, God, yes! Yeah, that's a fantastic idea!
0:50:48 > 0:50:52Oh, don't stop! Don't stop, Willy! I'm almost there.
0:50:52 > 0:50:56SHE MOANS
0:51:05 > 0:51:07Ah, Mr Hare.
0:51:07 > 0:51:09Doctor Knox would like the pleasure of your company.
0:51:09 > 0:51:13As from now, I shall require two bodies a week.
0:51:15 > 0:51:17Fresh ones, mind you, in good condition.
0:51:17 > 0:51:20That won't be easy, Doctor.
0:51:20 > 0:51:23Mr Hare I've never asked you how you came by these subjects.
0:51:23 > 0:51:26Oh, my partner and I have arrangements
0:51:26 > 0:51:28with the low lodging houses in the West Port.
0:51:28 > 0:51:33- Whenever someone dies... - Mr Hare, I'm a doctor.
0:51:33 > 0:51:37I know the difference between death by natural and unnatural causes.
0:51:37 > 0:51:41Edinburgh's a very dangerous place, Doctor Knox.
0:51:41 > 0:51:43And something tells me that recently,
0:51:43 > 0:51:46it's become a lot MORE dangerous.
0:51:47 > 0:51:51I don't presume to judge, Mr Hare.
0:51:51 > 0:51:57But I know that as a result of my work and the doctors I train,
0:51:57 > 0:52:02thousands, perhaps millions of lives will be saved.
0:52:03 > 0:52:07Two a week, Mr Hare. Can you manage that?
0:52:10 > 0:52:11At your service, sir.
0:52:14 > 0:52:16What more could a man ask for?
0:52:16 > 0:52:18Mighty fine place you have here, gentlemen.
0:52:18 > 0:52:20How much will you be asking?
0:52:22 > 0:52:24Nothing. HE CHUCKLES
0:52:27 > 0:52:28HE SHOUTS
0:52:30 > 0:52:31HE CHOKES
0:52:34 > 0:52:35Willy, do something!
0:52:44 > 0:52:46Unhand my boys!
0:52:48 > 0:52:50Gentlemen...
0:52:50 > 0:52:53we live, thank God, in enlightened times.
0:52:53 > 0:52:56The watchword of our age is "progress."
0:52:56 > 0:52:59Progress in the arts.
0:53:01 > 0:53:05ALL GASP
0:53:05 > 0:53:08Progress in science. Progress in technology.
0:53:10 > 0:53:11Progress in transportation.
0:53:21 > 0:53:23Progress in society.
0:53:23 > 0:53:24Please help me.
0:53:24 > 0:53:27Fox, get your sketchbook.
0:53:27 > 0:53:29KNOX: In all these fields,
0:53:29 > 0:53:32we've moved further and faster in the last two decades
0:53:32 > 0:53:35than in the previous two centuries.
0:53:35 > 0:53:37Never before have ordinary people
0:53:37 > 0:53:41had so much freedom and opportunity.
0:53:41 > 0:53:47The year is 1828, and we are building a new world.
0:53:49 > 0:53:53A new and better world.
0:53:55 > 0:53:58CROWD SHOUTING HYSTERICALLY
0:53:58 > 0:54:00Sergeant, keep them quiet!
0:54:00 > 0:54:02Quiet, please!
0:54:02 > 0:54:07As men of science, it is our role...nae!
0:54:07 > 0:54:13Our duty to be in the vanguard of that movement.
0:54:13 > 0:54:16HE SNORES This is not the time for rest.
0:54:16 > 0:54:19It is not a time for half measures.
0:54:19 > 0:54:23This is not the time to sit on our achievements.
0:54:23 > 0:54:29It is the time to work harder...
0:54:29 > 0:54:32and faster than ever before.
0:54:33 > 0:54:37Gentlemen, I give you...
0:54:37 > 0:54:39a multiple dissection!
0:54:57 > 0:55:01You don't think I look a little bit too masculine?
0:55:01 > 0:55:04- You know, too much like a man? - I think you look lovely.
0:55:04 > 0:55:06- SHE GIGGLES - I'll see you on Friday?
0:55:25 > 0:55:29Excellent work, Fox. Now, we'll go and do the New Town.
0:55:35 > 0:55:36Willy.
0:55:41 > 0:55:44The militia have posters up all over the streets.
0:55:44 > 0:55:46- Of us?- No!
0:55:46 > 0:55:50Of the people we've... you know...
0:55:50 > 0:55:52HE GURGLES
0:55:52 > 0:55:54They're closing in, William.
0:55:54 > 0:55:57Then it's our good fortune that we're not doing it any more.
0:55:57 > 0:55:58I've been doing the sums, Willy.
0:55:58 > 0:56:02I have got enough money put aside to start our new business.
0:56:02 > 0:56:06- What new business? - Funeral parlours.
0:56:06 > 0:56:08Funeral parlours?
0:56:08 > 0:56:11It's a place where people bring bodies to be buried.
0:56:11 > 0:56:13- And we wouldn't have to kill 'em? - They're already dead!
0:56:15 > 0:56:18- Thank you.- I like it.
0:56:18 > 0:56:21I knew you would. We're going straight to the top, Willy.
0:56:21 > 0:56:24And nobody... NOBODY is going to stop us.
0:56:45 > 0:56:47All right... Shh! Everyone.
0:56:49 > 0:56:52I'd like to propose a toast
0:56:52 > 0:56:56to the man whose hard work and whose commitment
0:56:56 > 0:56:57made this possible.
0:56:57 > 0:56:59To William Burke.
0:56:59 > 0:57:01To William Burke!
0:57:01 > 0:57:04- ALL: William Burke. - No, come on, now.
0:57:07 > 0:57:09- You embarrassed me. - I know.
0:57:14 > 0:57:15That's me!
0:57:15 > 0:57:19Oh, Willy, I don't know how to thank you.
0:57:19 > 0:57:21I can think of a few ways.
0:57:27 > 0:57:28Come to buy a ticket, Danny?
0:57:28 > 0:57:32Blood and guts aren't entertainment for me, William.
0:57:32 > 0:57:35They're business. Now get in.
0:57:40 > 0:57:45I've decided to bring you and Mr Burke into the firm.
0:57:45 > 0:57:46Sorry?
0:57:46 > 0:57:49You'll have regular employment. A steady wage.
0:57:49 > 0:57:51We'll be partners.
0:57:51 > 0:57:54Partners, is it?!
0:57:57 > 0:58:00But Willy and I are out of the body-snatching business now.
0:58:00 > 0:58:03Mm. So you say.
0:58:03 > 0:58:06- Do I have a choice, Danny? - Of course you do, William.
0:58:06 > 0:58:10Free will is what distinguishes man from beast.
0:58:21 > 0:58:23Our final subject.
0:58:30 > 0:58:32Isn't that Danny McTavish?
0:58:34 > 0:58:37Danny McTavish has been dissected by Doctor Knox.
0:58:43 > 0:58:47I am Captain McLintoch, and this is the Edinburgh Militia.
0:58:49 > 0:58:52Your reputation precedes you, Captain McLintoch.
0:58:53 > 0:58:55Thank you, sir.
0:58:55 > 0:58:59Your preposterous war on grave robbery was a model of incompetence.
0:58:59 > 0:59:02It has come to my attention, sir, that earlier on today,
0:59:02 > 0:59:05you publicly dissected a corpse.
0:59:05 > 0:59:08Well, if this is him, then your information is correct.
0:59:11 > 0:59:14Pull yourself together, Private.
0:59:16 > 0:59:18How did you obtain this body?
0:59:18 > 0:59:19Patterson?
0:59:19 > 0:59:23I believe it was dumped in the alley behind this building. Some students found him.
0:59:23 > 0:59:26This is a notorious villain. Danny McTavish.
0:59:26 > 0:59:29Ah, at least his demise might not be in vain.
0:59:29 > 0:59:33Saint Peter might look kindly on his services to the teaching of medicine.
0:59:38 > 0:59:40Fox, show me your hand.
0:59:45 > 0:59:49A defensive wound, clear evidence of foul play.
0:59:49 > 0:59:52And you, sir, have been tampering with the evidence.
0:59:52 > 0:59:56That's an outrageous accusation, Captain McLintoch.
0:59:56 > 1:00:00I shall be reporting this matter to the Solicitor-General.
1:00:00 > 1:00:02Lord Harrington will back my judgment on this.
1:00:02 > 1:00:04I stake my job on it.
1:00:04 > 1:00:07You just did.
1:00:13 > 1:00:15EXCITED CONVERSATIONS AND LAUGHTER
1:00:20 > 1:00:22Er, Ginny?
1:00:22 > 1:00:24How many people are out there?
1:00:24 > 1:00:26- Standing room only. - SHE SQUEALS
1:00:28 > 1:00:30Aw, thank you.
1:00:32 > 1:00:37When shall we three meet again?
1:00:37 > 1:00:42In thunder, lightning, or in rain?
1:00:42 > 1:00:44When the hurly-burly's done.
1:00:44 > 1:00:47When the battle's lost and won.
1:00:47 > 1:00:51That will be ere the set of the sun.
1:00:51 > 1:00:54Where the place?
1:00:54 > 1:00:56Upon the heath.
1:00:56 > 1:01:00There to meet with... Macbeth.
1:01:00 > 1:01:03ALL CACKLE
1:01:13 > 1:01:16If I stand here, I saw him!
1:01:16 > 1:01:18Fie, for shame!
1:01:18 > 1:01:22Blood hath been shed here now, in the olden time.
1:01:22 > 1:01:27Ere humane statute purged the gentle weal...
1:01:27 > 1:01:32Ay, and since, too, murders have been committed.
1:01:32 > 1:01:34Too terrible for the ear!
1:01:34 > 1:01:38There was a time that, when the brains were out,
1:01:38 > 1:01:42the man would die, and there an end.
1:01:42 > 1:01:46But now he rise again!
1:01:47 > 1:01:51With 20 mortal murders on their crown!
1:01:51 > 1:01:55And push us from our stools!
1:01:55 > 1:01:57This is more strange.
1:01:57 > 1:02:00Than such a murder is.
1:02:00 > 1:02:03All our missing persons are here.
1:02:03 > 1:02:05Qu'est ce que vous faites ici?
1:02:05 > 1:02:08Who did all this?!
1:02:08 > 1:02:10C'est moi.
1:02:10 > 1:02:12APPLAUSE
1:02:18 > 1:02:20HE LAUGHS
1:02:24 > 1:02:26Bravo!
1:02:40 > 1:02:41SHE LAUGHS
1:02:41 > 1:02:43Ginny?
1:02:43 > 1:02:44I think they liked it.
1:02:44 > 1:02:47Five curtain calls and a standing ovation. I'd say it's a smash hit.
1:02:47 > 1:02:49This is the happiest day of my life.
1:02:49 > 1:02:53What's wrong, Willy? You don't seem happy.
1:02:53 > 1:02:56I'm happy for you, Gin. I...
1:02:56 > 1:02:58I just can't help thinking now this is over,
1:02:58 > 1:03:00you don't really need me any more.
1:03:00 > 1:03:03You're right. I don't need you.
1:03:05 > 1:03:08- But I do want you. - Really?
1:03:11 > 1:03:14Mm! Oh! We should take the play to London.
1:03:14 > 1:03:17Make it a musical. I'm blessed with the voice of an angel.
1:03:17 > 1:03:20Aye, they could do with something new in the West End.
1:03:20 > 1:03:23Besides Edinburgh's changed. You know, people have changed.
1:03:23 > 1:03:25- I've changed.- Me, too.
1:03:27 > 1:03:30- Oh, I want us to be together, Willy.- Tonight?
1:03:30 > 1:03:33Tomorrow. Tonight, I'm the star. I must shine.
1:03:33 > 1:03:35Oh, there's Mary. Mary!
1:03:35 > 1:03:39Oh, Ginny! They absolutely loved us!
1:03:45 > 1:03:50These are not bad, but as you can see, the heliograph is the future.
1:03:50 > 1:03:51Did you kill these people?!
1:03:51 > 1:03:55Certainly not! They were all already...
1:03:55 > 1:03:57How you say? Chopped into pieces.
1:03:57 > 1:04:00You disgusting little French fop!
1:04:00 > 1:04:02I was just doing what I was told.
1:04:02 > 1:04:06What you were told? Told by whom?!
1:04:09 > 1:04:10How do I look, Patterson?
1:04:10 > 1:04:13Like someone who's about to go down in history, sir.
1:04:17 > 1:04:19Yes?
1:04:19 > 1:04:24We have questions on urgent militia matters for Doctor Knox.
1:04:24 > 1:04:25He's not here.
1:04:29 > 1:04:30Ow...
1:04:33 > 1:04:36Well, I'd appreciate if you could tell us where we can find him.
1:04:36 > 1:04:39He's making an official presentation at Holyrood Palace.
1:04:44 > 1:04:47Sharpen up, men. We're going to pay the King a visit.
1:04:52 > 1:04:53Morning, Willy.
1:04:56 > 1:05:00For the love of Lord Jesus, she finally gave it up.
1:05:00 > 1:05:03No! No.
1:05:03 > 1:05:05Although I'm pretty sure tonight's the night.
1:05:06 > 1:05:10I know this amazing trick you can do with your tongue.
1:05:10 > 1:05:11Thank you, William!
1:05:17 > 1:05:19Well, that could have been worse.
1:05:19 > 1:05:21Do you mean if he'd fallen asleep earlier?
1:05:21 > 1:05:24Excuse me, what would you like us to do with these, sir?
1:05:24 > 1:05:27I don't care. Just get rid of them.
1:05:27 > 1:05:29MAN: Doctor Robert Knox!
1:05:32 > 1:05:35The King is looking forward to seeing your map of the human body.
1:05:35 > 1:05:36Excellent.
1:05:36 > 1:05:38My advice is to keep the presentation short.
1:05:38 > 1:05:40And don't ask him to read too much.
1:05:41 > 1:05:44His Majesty can just, er, look at the pictures.
1:05:47 > 1:05:50Doctor Robert Knox!
1:05:50 > 1:05:51Stop right there!
1:05:55 > 1:06:00I demand you hand over these photographs in the name of the Solicitor-General.
1:06:00 > 1:06:04May I remind you, Captain, that I AM the Solicitor-General.
1:06:06 > 1:06:08What exactly do you think you're doing here?
1:06:08 > 1:06:10Solving a crime, sir.
1:06:13 > 1:06:15What on earth are you talking about?
1:06:15 > 1:06:16I'm talking about murder, sir.
1:06:16 > 1:06:19That volume contains evidence of foul play.
1:06:19 > 1:06:22I don't know what this absurd little man is trying to prove,
1:06:22 > 1:06:26but he's making a mockery of our profession. I want him removed.
1:06:26 > 1:06:30It is YOU, sir who is making a mockery of the medical profession.
1:06:30 > 1:06:36And if there is one single shred of truth in this man's allegations,
1:06:36 > 1:06:39we shall all have to pay the price.
1:06:41 > 1:06:44His Majesty has asked to see my work.
1:06:44 > 1:06:47I intend to fulfil his wish.
1:06:47 > 1:06:48Good day.
1:06:49 > 1:06:52Either you hand over the evidence, Doctor Knox,
1:06:52 > 1:06:55or I'll be forced to arrest you!
1:06:55 > 1:06:57You're not touching it.
1:07:26 > 1:07:31How many cadavers were used to create the portfolio?
1:07:33 > 1:07:35- 16.- 16?!
1:07:35 > 1:07:38And who provided the 16 cadavers?!
1:08:12 > 1:08:14Edinburgh Militia! Nobody moves!
1:08:14 > 1:08:17Oh, for the love of Lord Jesus!
1:08:17 > 1:08:19I beg your pardon.
1:08:21 > 1:08:23GRUNTING AND MOANING
1:08:27 > 1:08:28Mr And Mrs Hare.
1:08:28 > 1:08:34I'm arresting you both on suspicion of murder in the first degree!
1:08:39 > 1:08:41We did terrible things, William.
1:08:41 > 1:08:43A man has a right to scratch out a living.
1:08:43 > 1:08:45Nobody's going to blame us for that.
1:08:45 > 1:08:48Ginny can.
1:08:48 > 1:08:51Ah.
1:08:51 > 1:08:54She's going to find out, isn't she? She'll know everything.
1:08:56 > 1:08:59I won't lie to you, Willy, it is a possibility.
1:09:08 > 1:09:10This is unbelievable.
1:09:10 > 1:09:15I can see the headline: "Macbeth accused of murder."
1:09:15 > 1:09:17You really have no idea, do you?
1:09:17 > 1:09:18DOOR OPENS
1:09:18 > 1:09:22Captain, you've no right to keep us here.
1:09:22 > 1:09:25I have every right. Will you please sit down?
1:09:27 > 1:09:31Now, Mrs Hare, I have some questions I'd like to ask you.
1:09:31 > 1:09:35I'm not saying anything, especially not to a Presbyterian.
1:09:35 > 1:09:37I'm half Jewish.
1:09:37 > 1:09:41I'm being persecuted by a heathen! This is an outrage.
1:09:41 > 1:09:44I demand to speak to the... Solicitor-General!
1:09:44 > 1:09:46- I demand to be released immediately.- Immediately!
1:09:46 > 1:09:49I demand to speak to a Catholic!
1:09:49 > 1:09:51Miss Hawkins and Mrs Hare,
1:09:51 > 1:09:54either you keep quiet, or I'll have you both shot!
1:09:58 > 1:10:02"Wee Captain Tam McLintoch of the Edinburgh Militia
1:10:02 > 1:10:06"has apprehended the perpetrators of the notorious West Port murders.
1:10:06 > 1:10:12"The list of victims include Mrs Mary O'Toole of the New Town...
1:10:12 > 1:10:14"Daft Jamie of the West Port...
1:10:14 > 1:10:18"the freed slave John Martin of London...
1:10:18 > 1:10:22"Mrs Susanna McCorkindale of Aberdeen!"
1:10:22 > 1:10:23In the name of the law!
1:10:25 > 1:10:28I demand you disperse immediately!
1:10:28 > 1:10:30- Let's get the bastards! Come on! - ALL SHOUTING
1:10:38 > 1:10:40Stand fast, men.
1:10:49 > 1:10:51CROWD SHOUTING WOMAN: Kill the bastards!
1:11:04 > 1:11:07I can't live with this on my conscience.
1:11:07 > 1:11:09All right?
1:11:09 > 1:11:10I've got to confess.
1:11:13 > 1:11:16The minute we're outta here, we'll find you a priest.
1:11:16 > 1:11:19There's no way I will ever be redeemed in the eyes of the Lord Almighty.
1:11:19 > 1:11:22I've gotta confess to the proper authorities here on earth.
1:11:22 > 1:11:26That's not such a, a good idea, Willy.
1:11:27 > 1:11:30Cos you'd be putting a noose around your own neck.
1:11:30 > 1:11:33It's no more than I deserve.
1:11:35 > 1:11:38Not to mention putting a noose around my neck.
1:11:41 > 1:11:42And Lucky's.
1:11:46 > 1:11:48And Ginny's.
1:11:49 > 1:11:51DOOR UNLOCKS
1:11:53 > 1:11:55Let me handle this.
1:11:55 > 1:11:59Ahh, pleasure to see you again, Captain.
1:11:59 > 1:12:00All right.
1:12:00 > 1:12:02Can you tell us what we're supposed to have done?
1:12:02 > 1:12:0616 counts of first-degree murder.
1:12:06 > 1:12:10That does sound serious. And do you have any of the bodies?
1:12:10 > 1:12:13Do you have any eyewitnesses?
1:12:13 > 1:12:16In fact, do you have a single shred of evidence?
1:12:18 > 1:12:20It's all in there, laddie.
1:12:31 > 1:12:33DOOR OPENS
1:12:35 > 1:12:37Captain, a message from Lord Harrington, sir.
1:12:37 > 1:12:40He wants to see you, sir, at your earliest convenience.
1:12:40 > 1:12:44His Lordship also said to bring Doctor Knox's portfolio with you.
1:12:55 > 1:12:57Captain.
1:12:57 > 1:12:58Take a seat.
1:12:58 > 1:12:59Oh, thank you, my Lord.
1:13:01 > 1:13:04- Chocolate? - Uh, thank you, my Lord.
1:13:04 > 1:13:07The Lord Provost and I are very interested to know
1:13:07 > 1:13:08how we're doing on this case.
1:13:08 > 1:13:14Well, at present, I have Mr Burke and Mr Hare under lock and key.
1:13:14 > 1:13:16They're not admitting anything, but I'm sure by the time
1:13:16 > 1:13:20I have finished with them, they will crack, I'm sure of that.
1:13:20 > 1:13:24But is that really what we want, Captain?
1:13:24 > 1:13:25Excuse me, sir?
1:13:25 > 1:13:28This city is renowned for its medical facilities.
1:13:28 > 1:13:30Students come from all over the world
1:13:30 > 1:13:32to train in our anatomy schools.
1:13:32 > 1:13:35They bring a great deal of money with them.
1:13:35 > 1:13:40We're rightfully proud of our status and of our traditions.
1:13:40 > 1:13:42It would be a pity to sully them
1:13:42 > 1:13:46with a scandal such as a high-profile murder trial.
1:13:46 > 1:13:48Especially a murder trial that might compromise
1:13:48 > 1:13:52the reputations of our esteemed teaching hospitals.
1:13:52 > 1:13:56You're surely not suggesting that I let these two men go free?
1:13:56 > 1:14:01No, no, we need someone to swing for these crimes, but no trial.
1:14:01 > 1:14:03The city will gladly show its gratitude
1:14:03 > 1:14:05for your delicate handling of this affair.
1:14:05 > 1:14:07In fact, in a city of this standing,
1:14:07 > 1:14:11surely the militia should be commanded by a...a Major.
1:14:11 > 1:14:14Or even a Colonel. Hmm?
1:14:16 > 1:14:17Indeed.
1:14:17 > 1:14:21Rest assured, my Lord, my Lords, that the city can rely on me.
1:14:21 > 1:14:23That's settled, then.
1:14:26 > 1:14:28We'll look after that, Colonel.
1:14:31 > 1:14:33Thank you, my lord. My lord.
1:14:56 > 1:14:58So let me get this straight, Captain.
1:14:58 > 1:14:59Colonel.
1:15:01 > 1:15:02Colonel?
1:15:04 > 1:15:09If one of us confesses to having committed these crimes
1:15:09 > 1:15:12- the others will walk free? - Precisely.
1:15:12 > 1:15:15But that is outrageous! We're all innocent!
1:15:15 > 1:15:18Nobody's going to confess to a crime they didn't commit,
1:15:18 > 1:15:20just to make YOU popular with the mob out there!
1:15:20 > 1:15:21It's all right, William!
1:15:21 > 1:15:24This is the chance for one of us to do the decent thing.
1:15:24 > 1:15:27You call that decent?
1:15:27 > 1:15:29What kind of man would do such a thing?
1:15:32 > 1:15:33I will.
1:15:38 > 1:15:40Thank you, God.
1:15:40 > 1:15:42On one condition.
1:16:00 > 1:16:03- I know what you did. - I am so sorry, Ginny.
1:16:05 > 1:16:09I-I don't expect you to forgive me.
1:16:09 > 1:16:11It's just so romantic.
1:16:12 > 1:16:16Confessing to save the life of your lover.
1:16:18 > 1:16:19It's like Shakespeare.
1:16:23 > 1:16:29For never was there a story of... of such woe,
1:16:29 > 1:16:31as of Ginny and her Romeo.
1:17:12 > 1:17:14ALL SHOUTING ANGRILY
1:17:41 > 1:17:43William Burke of the West Port,
1:17:43 > 1:17:46formerly of County Donegal in Ireland...
1:17:46 > 1:17:47MAN: Irish scum!
1:17:47 > 1:17:50You are convicted of the heinous crimes of grave robbery
1:17:50 > 1:17:52and multiple murder.
1:17:57 > 1:17:59Do you have anything to say before you are consigned to hell?
1:17:59 > 1:18:01CROWD QUIETS
1:18:03 > 1:18:05Only this.
1:18:09 > 1:18:11I did it for love.
1:18:16 > 1:18:19CROWD CHEERS
1:18:22 > 1:18:24THUD
1:18:40 > 1:18:42I know he seemed like a nice guy and all that.
1:18:47 > 1:18:49And I suppose you have to respect the fact
1:18:49 > 1:18:51that he made the ultimate sacrifice for love.
1:18:55 > 1:18:58But he did kill all those people just for money.
1:18:58 > 1:19:00And that's just evil.
1:19:02 > 1:19:03Thank you.
1:19:07 > 1:19:08As for the rest of them...
1:19:11 > 1:19:14The Doctor ended up in the New World.
1:19:14 > 1:19:16After all, anything goes over there.
1:19:22 > 1:19:24Rat catcher! Rat catcher!
1:19:24 > 1:19:27Fergus took protection to a new level
1:19:27 > 1:19:29and made a fortune selling life insurance.
1:19:31 > 1:19:36As for our French friend here, he also became a minor celebrity.
1:19:36 > 1:19:39He returned to Paris and continued his work.
1:19:40 > 1:19:43Allez, allez, allez. Vite, vite, vite. Ah, come here.
1:19:45 > 1:19:47I can't live without you. You're beautiful.
1:19:47 > 1:19:48Ah, arret! Arret!
1:19:48 > 1:19:51Say "cheese"!
1:19:51 > 1:19:53ALL: Fromage!
1:19:53 > 1:19:57Nicephore is widely credited as one of the inventors of photography.
1:19:57 > 1:19:59Parfait. Bravo.
1:20:00 > 1:20:04Lord Harrington, having weathered the storm of the West Port murders,
1:20:04 > 1:20:08was later forced to resign after Colonel wee Tam McLintoch's
1:20:08 > 1:20:12racy private memoirs were a publishing sensation.
1:20:13 > 1:20:14But the real star turned out to be
1:20:14 > 1:20:18Professor Monro's young assistant, Charles Darwin.
1:20:18 > 1:20:23He went on to write a book that sold almost as well as the Bible.
1:20:23 > 1:20:26It said only the fittest survive.
1:20:26 > 1:20:30And living proof of that is young Ginny.
1:20:30 > 1:20:33She finally overcame her grief and became a popular actress.
1:20:33 > 1:20:35AUDIENCE BOOING WOMAN: She's terrible!
1:20:35 > 1:20:37MAN: Get her off!
1:20:37 > 1:20:38Well, not that popular.
1:20:38 > 1:20:42As for our two heroes, William Hare followed his dream.
1:20:50 > 1:20:53In the end, only Hare got the Royal Seal.
1:20:55 > 1:20:59And William Burke ended up in the same place as his victims.
1:20:59 > 1:21:00Where shall I start?
1:21:02 > 1:21:05I think the feet.
1:21:05 > 1:21:08THE PROCLAIMERS' "500 MILES" PLAYS
1:21:08 > 1:21:11# When I wake up Well, I know I'm gonna be
1:21:11 > 1:21:15# I'm gonna be the man who wakes up next to you
1:21:15 > 1:21:18# When I go out Yeah, I know I'm gonna be
1:21:18 > 1:21:22# I'm gonna be the man who goes along with you
1:21:22 > 1:21:25# If I get drunk Well, I know I'm gonna be
1:21:25 > 1:21:29# I'm gonna be the man who gets drunk next to you
1:21:29 > 1:21:33# And if I haver Yeah, I know I'm gonna be
1:21:33 > 1:21:36# I'm gonna be the man who's havering to you
1:21:36 > 1:21:42# But I would walk 500 miles And I would walk 500 more
1:21:42 > 1:21:47# Just to be the man who walks a thousand miles
1:21:47 > 1:21:50# To fall down at your door
1:21:50 > 1:21:53# When I'm working Yes, I know I'm gonna be
1:21:53 > 1:21:56# I'm gonna be the man who's working hard for you
1:21:56 > 1:22:00# And when the money comes in for the work I do
1:22:00 > 1:22:03# I'll pass almost every penny on to you
1:22:03 > 1:22:06# When I come home Yeah, I know I'm gonna be
1:22:06 > 1:22:10# I'm gonna be the man who comes back home to you
1:22:10 > 1:22:13# And if I grow old Yeah, I know I'm gonna be
1:22:13 > 1:22:17# I'm gonna be the man who's growing old wi' you
1:22:17 > 1:22:24# And I would walk 500 miles And I would walk 500 more
1:22:24 > 1:22:28# Just to be the man who walks a thousand miles
1:22:28 > 1:22:31# To fall down at your door
1:22:31 > 1:22:34- # Da la la la,- da la la la - Da la la la,- da la la la
1:22:34 > 1:22:38# Da da da dun diddle un Diddle un diddle uh da da
1:22:38 > 1:22:42- # Da la la la,- da la la la - Da la la la,- da la la la
1:22:42 > 1:22:45# Da da da dun diddle un Diddle un diddle uh da da
1:22:49 > 1:22:52# When I'm lonely Well, I know I'm gonna be
1:22:52 > 1:22:55# I'm gonna be the man who's lonely without you
1:22:55 > 1:22:59# And when I'm dreaming Well, I know I'm gonna dream
1:22:59 > 1:23:03# I'm gonna dream about the times when I'm wi' you
1:23:03 > 1:23:06- # When I go out,- when I go out - Yeah, I know I'm gonna be
1:23:06 > 1:23:09# I'm gonna be the man who goes along wi' you
1:23:09 > 1:23:11- # And when I come home - Ooh, I come home
1:23:11 > 1:23:13# Oh, I know I'm gonna be
1:23:13 > 1:23:16# I'm gonna be the man who comes back home wi' you
1:23:16 > 1:23:21# I'm gonna be the man who's coming home wi' you
1:23:22 > 1:23:30# And I would walk 500 miles And I would walk 500 more
1:23:30 > 1:23:34# Just to be the man who walked a thousand miles
1:23:34 > 1:23:37# To fall down at your door
1:23:37 > 1:23:41- # Da la la la,- da la la la - Da la la la,- da la la la
1:23:41 > 1:23:44# Da da da dun diddle un Diddle un diddle uh da da
1:23:44 > 1:23:48- # Da la la la,- da la la la - Da la la la,- da la la la
1:23:48 > 1:23:51# Da da da dun diddle un Diddle un diddle uh da da
1:23:51 > 1:23:54- # Da la la la,- da la la la - Da la la la,- da la la la
1:23:54 > 1:23:58# Da da da dun diddle un Diddle un diddle uh da da... #