0:01:34 > 0:01:38PIANO PLAYS "ONE FOR THE ROAD"
0:01:38 > 0:01:41THUNDER CRACKS
0:01:58 > 0:02:01STAIR CREAKS
0:02:25 > 0:02:27GUNSHOT
0:02:27 > 0:02:28GUNSHOT
0:02:32 > 0:02:34WOMAN'S FOOTSTEPS APPROACH
0:02:36 > 0:02:37WOMAN GASPS No!
0:02:37 > 0:02:40GUNSHOTS/SHE SCREAMS
0:02:40 > 0:02:43FOOTSTEPS QUICKLY RECEDE
0:02:43 > 0:02:45DOOR SLAMS
0:02:49 > 0:02:51GUNSHOT
0:03:01 > 0:03:08HE PLAYS "ONE FOR THE ROAD"
0:03:15 > 0:03:18Johnny, that tune is getting on my nerves. You've been playing it for weeks now.
0:03:18 > 0:03:22Two weeks, ever since this rain started. It soothes me.
0:03:22 > 0:03:24What do you expect me to do?
0:03:24 > 0:03:26Well, you could figure out where you go next.
0:03:26 > 0:03:28Milk, George.
0:03:28 > 0:03:30Besides, Johnny, this is the way it is.
0:03:30 > 0:03:35This attorney thinks there was a witness and he's determined to produce such a witness at the trial.
0:03:35 > 0:03:42- Furthermore, he feels... Are you listening?- Go on.
0:03:42 > 0:03:47- You shot and killed a man named Battaglia.- In self-defence. - Well, naturally.
0:03:47 > 0:03:50It seems perfectly reasonable that Battaglia drew a gun on you.
0:03:50 > 0:03:54- Thanks, George. - The DA is a hard man to convince.
0:03:54 > 0:03:57Without a witness, of course, he has no case.
0:03:57 > 0:04:01With a witness, your plea of self-defence will be laughable.
0:04:01 > 0:04:06- I'm not laughing. - Neither is the dead man.
0:04:07 > 0:04:12However, since you think you know where this alleged witness is hiding
0:04:12 > 0:04:17may I suggest you think of something else while you're still on bail.
0:04:17 > 0:04:19HE STOPS PLAYING
0:04:19 > 0:04:23That's your job! Make sure you get the right witness.
0:04:23 > 0:04:27We are just guessing who it is. We've got to be sure.
0:04:27 > 0:04:28There's a plane leaves at midnight.
0:04:28 > 0:04:32You can rent a car when you get there - know other people.
0:04:32 > 0:04:36Get on friendly terms with our so-called witness
0:04:36 > 0:04:38then make sure it looks like an accident, a real accident.
0:04:39 > 0:04:41What a hideout.
0:04:41 > 0:04:44No wonder we couldn't find her until just yesterday.
0:04:44 > 0:04:48It's the last place in the world you would expect anybody to hide.
0:04:50 > 0:04:54DRAMATIC MUSIC
0:04:59 > 0:05:04- CAR RADIO: - "On your local news... Meanwhile, the New York murder
0:05:04 > 0:05:07"involving Johnny Yonkers continues to mystify the public.
0:05:07 > 0:05:10"A missing witness is said to be hiding somewhere..."
0:05:21 > 0:05:25- Good morning.- Morning.- First trip into the park this season. - That's right.
0:05:25 > 0:05:27- Staying long?- About a week.
0:05:27 > 0:05:30- Not camping out? - Staying over at the hotel.
0:05:38 > 0:05:40That will be a dollar, please.
0:05:44 > 0:05:47These pamphlets might be of some interest. I hope you enjoy your stay.
0:05:47 > 0:05:49Thank you very much.
0:05:59 > 0:06:01Headquarters, please. Joe Parker.
0:06:01 > 0:06:04PHONE RINGS
0:06:05 > 0:06:09Parker speaking. Yes, Dobson.
0:06:10 > 0:06:14It's worth a look. I'll pick you up right away.
0:06:20 > 0:06:23I'm going over to the hotel. I'll be back in a little while.
0:06:23 > 0:06:25Yes, sir.
0:06:52 > 0:06:54Thank you.
0:06:59 > 0:07:03- Good afternoon, sir.- I hope it stays that way.- You have a reservation?
0:07:03 > 0:07:05No, do you have a single?
0:07:05 > 0:07:08Yes, sir. How long will you be with us?
0:07:08 > 0:07:10Who knows? Maybe a week, maybe two.
0:07:13 > 0:07:15216.
0:07:21 > 0:07:24- Say, buddy... - Yes, sir?- Take the bags ahead.
0:07:24 > 0:07:25Thank you, sir.
0:07:33 > 0:07:36GENERAL LOBBY CHATTER
0:07:36 > 0:07:40Paul, I don't know if I feel up to quite such a big party tonight.
0:07:40 > 0:07:42Oh, look Louise, I'd be glad to pass it up too
0:07:42 > 0:07:44but Barrett's depending on me.
0:07:44 > 0:07:47He's new around here and he doesn't know all of the people.
0:07:47 > 0:07:51Socially, he's a little awkward and this is his first Hey, Rube.
0:07:51 > 0:07:54- Come along, Louise, it will be good fun.- Well, I...
0:07:54 > 0:07:59- There's a good girl. I'll pick you up at 8.30pm. Hm? Bye.- Goodbye.
0:07:59 > 0:08:03Mr Adams. You haven't forgotten your promise to take a picture of me?
0:08:03 > 0:08:05I haven't forgotten, Mary.
0:08:12 > 0:08:14Pardon me, miss, but what is a Hey, Rube?
0:08:14 > 0:08:16I see you've been listening.
0:08:16 > 0:08:19- Well, a Hey, Rube is a square dance. - Oh...
0:08:19 > 0:08:21One of our dude ranchers is giving a party
0:08:21 > 0:08:23and he's invited some of the hotel guests.
0:08:23 > 0:08:26Great. What time shall I pick you up?
0:08:26 > 0:08:32- Well, it was an invitation, wasn't it?- No. Just information.
0:08:32 > 0:08:37- This Mr Barrett, is he from New York?- Yes, do you know him?- No.
0:08:37 > 0:08:41I didn't know anyone around here. Not yet.
0:08:41 > 0:08:42Thanks.
0:08:47 > 0:08:49CASH REGISTER PINGS
0:09:00 > 0:09:06TELEGRAM MACHINE CLACKS
0:09:11 > 0:09:15- Get this off to New York straight wire.- Yes, sir. Right away.
0:09:27 > 0:09:31SALOON PIANO MUSIC PLAYS
0:09:35 > 0:09:37- Bourbon and water.- Yes, sir.
0:09:38 > 0:09:41- Hello.- Hi.
0:09:41 > 0:09:43- Just got in, I see. - Does it show?
0:09:43 > 0:09:45Oh, no. You get to know everybody around the hotel.
0:09:45 > 0:09:50- New face is news, in a sense. - Thanks. You work here?
0:09:50 > 0:09:54- Professional greeter or something? - No. Just friendly.
0:09:54 > 0:09:58- It's quite an outfit you have there. - Oh, thanks. It's a hobby of mine.
0:09:58 > 0:10:01And I might add, quite a profitable one at times.
0:10:01 > 0:10:05- Nice to make a hobby pay.- Yeah. Some people can't even make work pay.
0:10:05 > 0:10:07Takes finesse.
0:10:09 > 0:10:13- There he is. The one with Adams. - Wait outside.
0:10:19 > 0:10:21Sorry to barge in but I'd like to talk to your friend.
0:10:21 > 0:10:24- It's perfectly all right, Joe. - Could I speak to you?
0:10:24 > 0:10:25Sure, go ahead.
0:10:25 > 0:10:28Let's make it a little more private.
0:10:36 > 0:10:39- I'm District Ranger Joe Parker. - Yeah.
0:10:39 > 0:10:43That gun in your glove compartment, why didn't you declare it?
0:10:44 > 0:10:46I have a permit.
0:10:48 > 0:10:51Matt Hallett, New York City. Marine.
0:10:51 > 0:10:53Ex-marine. As of two months ago.
0:10:55 > 0:10:58- The gun still should have been declared.- All right.
0:10:58 > 0:10:59I'll declare it now.
0:10:59 > 0:11:02Permit or not, there's no hunting in the park, you know?
0:11:02 > 0:11:05Now what kind of hunting could I do with a .38?
0:11:08 > 0:11:11- Everything looks wonderful, Charlie. - Thank you, Paul.
0:11:11 > 0:11:13Great party.
0:11:13 > 0:11:17- Plenty of whiskey? - Yes, Mr Barrett, everything is fine.
0:11:21 > 0:11:24- Good evening, sir.- Good evening.
0:11:24 > 0:11:26Say, quite a layout.
0:11:26 > 0:11:29Mr Barrett is very rich, or so they say.
0:11:29 > 0:11:32Nobody knows much about him except that he came to the park a few weeks ago.
0:11:32 > 0:11:36So I've heard. Well, rich or poor this is the way to live.
0:11:36 > 0:11:38DOOR BELL CHIMES
0:11:40 > 0:11:44- Hello, Mary. I'm so happy you came. - Good evening, Mr Barrett.
0:11:44 > 0:11:48- This is Mr Hallett. Mr Barrett. - Hallett. Which Mr Hallett?
0:11:48 > 0:11:49I'm the one who wasn't invited.
0:11:49 > 0:11:52Maybe not but you are most welcome, sir.
0:11:52 > 0:11:56Forgive me but for a moment either the name or face was familiar.
0:11:56 > 0:11:59- Haven't we met before? - I don't believe so.
0:11:59 > 0:12:01But thanks for letting me barge in.
0:12:01 > 0:12:03You come with Mary, you don't barge in.
0:12:03 > 0:12:05You're virtually the guest of honour.
0:12:05 > 0:12:08- Come on, meet some people and have a drink.- Sure.
0:12:08 > 0:12:12- Having fun?- It's a nice place you have here.- Thanks.
0:12:12 > 0:12:15- The only house in Montana built smack into the side of a mountain.- Oh.
0:12:15 > 0:12:17- Hello, Mary!- Hello, Joe.
0:12:17 > 0:12:19- You know Mr Hallett. - Yes, we've met.
0:12:19 > 0:12:22What's this I hear about you winning some kind of an award.
0:12:22 > 0:12:23It's true - from the university.
0:12:23 > 0:12:26I am going to receive it in my old schoolhouse.
0:12:26 > 0:12:28And rightfully so. And she is as smart as she looks.
0:12:28 > 0:12:30And what a dancer. Do you mind, Hallett?
0:12:30 > 0:12:34If it's all right with Mary, it's all right with me.
0:12:34 > 0:12:36Show him around, Joe.
0:12:37 > 0:12:40You're a pretty fast worker. How come Mary brought you?
0:12:40 > 0:12:42I asked her. She's my buddy. Any objections?
0:12:42 > 0:12:45No, not at all. She can use all the friends she can get right now.
0:12:45 > 0:12:46Why?
0:12:46 > 0:12:51You mean you haven't heard? Usually the first thing they tell someone around here.
0:12:55 > 0:12:59- Who's he?- Mary's father.
0:12:59 > 0:13:02Killed a man some weeks back in self-defence, we think.
0:13:02 > 0:13:05- That's tough. She's a nice kid. - You can say that again.
0:13:05 > 0:13:07I'm the one who has to bring him in.
0:13:07 > 0:13:09- You guys policeman too?- Well, yes.
0:13:09 > 0:13:12- Why, should that interest you for any reason?- Not particularly.
0:13:12 > 0:13:14A ranger has to be a little bit of everything -
0:13:14 > 0:13:18- lumberjack, veterinarian, mountain climber. As a matter-of-fact... - HE WHISPERS
0:13:18 > 0:13:20No!
0:13:20 > 0:13:24- Yes. It's a fact. Come on, let's have a drink.- OK. That's very good.
0:13:26 > 0:13:28Meet some of the folks.
0:13:28 > 0:13:31Mr Hallett, Mrs Elster, Mrs Alvord, Mr and Mrs Jones.
0:13:31 > 0:13:34- Of course you know Dobson.- Oh, yes, of course.- What do you drink?
0:13:34 > 0:13:36- Bourbon and water.- Same for me.
0:13:36 > 0:13:44SLOW DANCE MUSIC
0:13:49 > 0:13:50Hey, Joe.
0:13:50 > 0:13:53- Hi, Louise. Paul, you know Mr Hallett.- Certainly.
0:13:53 > 0:13:56Glad you could join us. Bourbon and soda. Sherry?
0:13:56 > 0:13:57Yes, please.
0:13:57 > 0:14:01- Mr Adams, I'm so happy you're here. Mrs Alvord is so worried about her clothes.- Oh?
0:14:01 > 0:14:03What's the matter? What is it?
0:14:03 > 0:14:07Well, Mr Adams, I don't think these pants cover my silly background.
0:14:07 > 0:14:10Oh, indeed they do, Mrs Alvord.
0:14:10 > 0:14:13You are the Old Roaring West come to life!
0:14:13 > 0:14:17- I'm sure you're flattering me, Mr Adams. But I like it.- Thanks.
0:14:17 > 0:14:21RECORD SCRATCHES AND STOPS
0:14:21 > 0:14:25This is really a funny contraption.
0:14:25 > 0:14:29There goes that playful husband of mine again. He just loves toys.
0:14:29 > 0:14:32He's got an electric train layout at home that cost 7,000.
0:14:32 > 0:14:35- Can you believe it? - Yes, I can believe it.
0:14:36 > 0:14:40Seems to have a mind of its own! Ha, ha, ha!
0:14:40 > 0:14:42Pardon me, Mary.
0:14:42 > 0:14:45- I'll have to stop that fella or he will break the machine.- All right.
0:14:49 > 0:14:54- Mary, how pretty you look tonight. - And how prettily she dances.
0:14:54 > 0:14:58Thank you, Mr Adams. Will you dance with me sometime?
0:14:58 > 0:15:02- Why certainly, Mary. I'd love to.- Go ahead, Mary. I'll finish my drink.
0:15:04 > 0:15:07- Excuse us, Louise.- Of course.
0:15:20 > 0:15:23It was very clever of you to arrange an invitation.
0:15:23 > 0:15:26Thanks to your information.
0:15:26 > 0:15:29Now if I can only be clever enough to arrange a dance with you.
0:15:29 > 0:15:32- You were going to finish your drink. - It's finished.
0:15:35 > 0:15:38Are you angry because I asked you to dance with me?
0:15:38 > 0:15:42Of course not, Mary. As a matter of fact, you do dance beautifully.
0:15:42 > 0:15:44You're very kind.
0:15:48 > 0:15:50RECORD SCRATCHES AND STOPS AGAIN
0:15:50 > 0:15:52You and I have the strangest effect on jukeboxes.
0:15:52 > 0:15:55Every time I start to dance they stop.
0:15:55 > 0:15:59- I knew you would play around the machine until he broke it.- Not me!
0:15:59 > 0:16:01This thing works like a charm.
0:16:01 > 0:16:06I guess I'll sell my trains and turn them in on jukeboxes.
0:16:06 > 0:16:09And just what are you selling, Mr Hallett?
0:16:09 > 0:16:13- Well, I was trying to sell myself. - Well, you're a very good salesman.
0:16:13 > 0:16:15You sell just a little bit too fast.
0:16:15 > 0:16:19MUSIC RECOMMENCES
0:16:25 > 0:16:28SLOW DANCE MUSIC
0:16:40 > 0:16:47- My dancing can't be that bad.- No, it isn't that. It's that music.- Music?
0:16:47 > 0:16:50- Oh, it's a little too slow to dance to.- Do you want to sit down?
0:16:50 > 0:16:53No, no. It's all right.
0:17:06 > 0:17:10Barrett, this music is dead. Haven't you got something with some life?
0:17:10 > 0:17:14- I've got a hoedown.- That's it! A hoedown. Hey, everybody.
0:17:14 > 0:17:17Hoedown coming up!
0:17:17 > 0:17:18Grab your partners!
0:17:21 > 0:17:26- Sure you don't want to try? - No, I'd rather watch.
0:17:48 > 0:17:49Hi, Joe.
0:17:57 > 0:18:03LOUD RUMBLING OVERHEAD
0:18:15 > 0:18:19Listen, everybody. Listen!
0:18:19 > 0:18:21Turn off that music, Barrett. Folks, if you'll all...
0:18:21 > 0:18:23GLASS BREAKS
0:18:33 > 0:18:38Avalanche. Avalanche!
0:18:38 > 0:18:40SCREAMING
0:18:46 > 0:18:50SCREAMING CONTINUES
0:19:02 > 0:19:06Quiet! Take it easy. Now listen. Listen!
0:19:09 > 0:19:14All right. I think it's all over. But walk, don't crowd. Walk.
0:19:17 > 0:19:18SCREAMING
0:19:18 > 0:19:22A live wire!
0:19:22 > 0:19:26Easy now. Stand back from them broken power lines.
0:19:33 > 0:19:36Easy. Quiet!
0:19:46 > 0:19:49Hallett, come back. You want to get killed?
0:20:34 > 0:20:38All clear, folks. You and your house on the side of a mountain.
0:20:38 > 0:20:40Never again, I'll tell you that!
0:20:44 > 0:20:48- Hallett, that was really wonderful. - Yeah, you handled that pretty well for a civilian.
0:20:48 > 0:20:52- What do you mean, civilian? - And ex-marine is still a civilian up here.
0:20:52 > 0:20:55- I simply must kiss that man! - Really, I don't deserve it.
0:20:55 > 0:21:00Oh, yes, you do. What a man, he's a hero and so handsome to!
0:21:00 > 0:21:04Hallett you're a braver man than I thought.
0:21:22 > 0:21:25- Miss... - Just one minute.
0:21:31 > 0:21:33Howdy there, friend. And I do mean friend.
0:21:33 > 0:21:36When a man saves my life, I'll always call him friend.
0:21:36 > 0:21:41- What's with the Indians? Powwow. - Big ceremonial dance tonight.
0:21:41 > 0:21:44A corn dance, rain dance or some such.
0:21:44 > 0:21:46Man, when I give up the hay grain
0:21:46 > 0:21:50and chicken feed business I'm going to operate this kind of a hotel.
0:21:50 > 0:21:52First you have to get yourself a partner.
0:21:52 > 0:21:57Yeah, first I have to get myself a partner.
0:21:58 > 0:22:01- Hello, Hallett. Recovered yet? - From the avalanche?
0:22:01 > 0:22:06- No, the kiss.- Oh, that.- Hello, hero. - Don't you start on me too.
0:22:06 > 0:22:10- Miss, how about a little service? - Yes, ma'am, one moment.
0:22:10 > 0:22:13- You need eight more arms and a couple of helpers.- I know.
0:22:13 > 0:22:16Today's Mary's day off. She is helping arrange the Indian dance.
0:22:16 > 0:22:18- Are you going? - Your dances are a little rugged.
0:22:18 > 0:22:20However, I would chance it if you were the girl on my arm.
0:22:20 > 0:22:24Oh, no, Hallett. She's coming with me. She just promised. See you.
0:22:24 > 0:22:28Too bad. At least I admire his taste in women.
0:22:28 > 0:22:35- I accept the compliment even if I can't accept the invitation. - Maybe later. I'll be there.
0:22:35 > 0:22:38INDIAN CHANTING
0:23:12 > 0:23:15APPLAUSE
0:23:22 > 0:23:27- Evening, Hallett. Quite a show you're missing.- Yeah, I bet.
0:23:27 > 0:23:31- Did you see Miss Graham? - Yeah, she's down there.- Thanks.
0:23:40 > 0:23:44ADAMS: Just a sec, Louise. I want to get another one.
0:23:47 > 0:23:50I think I got a couple of good ones at that.
0:23:52 > 0:23:56Excuse me, sir. Paging Mr Paul Adams. Paging Mr Paul Adams.
0:23:56 > 0:23:58- Mr Paul Adams.- Here you are, boy.
0:23:58 > 0:24:03- Mr Adams, you are wanted long distance, sir. - Oh, I will be right up. Oh...
0:24:04 > 0:24:06- Thank you, sir.- Thanks.
0:24:07 > 0:24:09I'm sorry, Louise,
0:24:09 > 0:24:12it must be San Francisco about the layout for the magazine.
0:24:12 > 0:24:16- It's all right, I will stay here and watch the dance.- I won't be long.
0:24:39 > 0:24:43- That couldn't have been neater if I'd arranged myself.- Did you?
0:24:43 > 0:24:48- Do I look like the kind of guy who would do anything like that?- Yes.
0:24:49 > 0:24:52Kind of dull, isn't it? How about taking a little walk?
0:24:52 > 0:24:55Well, I'm waiting for Paul. He had to answer a long-distance call.
0:24:55 > 0:24:58We'll walk towards the hotel and meet him on the way.
0:24:58 > 0:25:00- You know how those long-distance phone calls are.- All right.
0:25:04 > 0:25:08Oh, let's go this way. It's a prettier view of the lake.
0:25:08 > 0:25:13- Paul won't be able to find me. - Of course he will. Don't worry about that.
0:25:13 > 0:25:15- Hello, Mr Adams.- Hello, Mary.
0:25:15 > 0:25:20- Oh, Mr Adams. Will you take a picture of me in my costume?- Costume?
0:25:20 > 0:25:21It's for the ceremonial.
0:25:23 > 0:25:25Do you like it?
0:25:27 > 0:25:30Yes, I like it very much. Look, Mary, dear,
0:25:30 > 0:25:32I have a very important telephone call
0:25:32 > 0:25:35- but shall we meet after the dance? - I'd love to.
0:25:35 > 0:25:38It may be late but I will call you.
0:25:38 > 0:25:40We can meet then, if you would like that.
0:25:40 > 0:25:44Oh, yes. Thank you, Mr Adams.
0:26:20 > 0:26:22- Shall we turn back?- What's the rush?
0:26:22 > 0:26:25Did you ever see such a beautiful moonlight bay?
0:26:26 > 0:26:30Oh, last night, the night before. And the night before that.
0:26:30 > 0:26:35- In other words, we've walked far enough.- I think so.- I'm flattered.
0:26:35 > 0:26:38- Women aren't usually afraid of me. - I'm not afraid.
0:26:38 > 0:26:39I'm just a little tired.
0:26:41 > 0:26:44Are you sure you're tired? Or is something bothering you?
0:26:44 > 0:26:48- Why do you say that? - I was just wondering.
0:26:48 > 0:26:49As a matter of fact,
0:26:49 > 0:26:52I've been wondering quite a few things about you.
0:26:54 > 0:26:58Should I be flattered now? What sort of things?
0:26:58 > 0:27:00Paul Adams, for example.
0:27:01 > 0:27:04- Paul's nice.- You should know, he's always around.- He isn't now.
0:27:04 > 0:27:07No, he isn't now.
0:27:07 > 0:27:10Something else I've been wondering about you.
0:27:10 > 0:27:13How come you're working so far away from home?
0:27:13 > 0:27:16- You don't know where I'm from. - How would you know?
0:27:17 > 0:27:20Maybe I worked in a carnival. Maybe I'm a mind-reader.
0:27:20 > 0:27:23Tell your age and where you're from.
0:27:24 > 0:27:26You're 23. From New York City.
0:27:29 > 0:27:30You're not far-off.
0:27:32 > 0:27:34Why the sudden interest?
0:27:34 > 0:27:36Sudden?
0:27:36 > 0:27:39This dates all the way back to Adam and Eve.
0:27:39 > 0:27:41You put it very nicely.
0:27:43 > 0:27:48- Anything else you're wondering about? - Yes. That music.- Music?
0:27:49 > 0:27:52Last night when we were dancing.
0:27:52 > 0:27:56Why did you stop when they started to play One More For The Road?
0:27:56 > 0:27:59Well... I told you. It's too slow to dance to.
0:27:59 > 0:28:01I know that's what you told me.
0:28:01 > 0:28:04But I have a hunch it reminds you of something else.
0:28:04 > 0:28:07Well, sometimes tunes can play tricks on your mind.
0:28:07 > 0:28:11You can hear a song too often.
0:28:12 > 0:28:14In a New York nightclub?
0:28:16 > 0:28:20- HIS VOICE ECHOES - Nightclub.... nightclub... nightclub
0:28:23 > 0:28:31PIANO PLAYS "ONE FOR THE ROAD"
0:28:38 > 0:28:41SHE SCREAMS
0:28:43 > 0:28:46- Louise!- What happened?- I don't know.
0:28:46 > 0:28:49What is it, Louise?
0:28:49 > 0:28:52I guess I imagined...
0:28:52 > 0:28:54I don't know what I imagined.
0:28:54 > 0:28:57Oh, I'm so terribly embarrassed.
0:28:57 > 0:29:00- Please forgive me. My mind must have been playing tricks.- Forget it.
0:29:00 > 0:29:02Are you all right now?
0:29:02 > 0:29:05- Yes, I'm all right. - Let's go back to the hotel.
0:29:08 > 0:29:11Take a look at that face - Katoonai Tiller.
0:29:11 > 0:29:14It is the face and name of a killer Indian.
0:29:14 > 0:29:18His daughter's presentation this afternoon may be too strong for him to resist.
0:29:18 > 0:29:20He might try to watch it from a hiding place.
0:29:20 > 0:29:24Keep looking for him every minute. We will meet at the clearing.
0:29:33 > 0:29:35This is a very happy occasion.
0:29:35 > 0:29:40And it couldn't be more right or fitting that our honoured guest,
0:29:40 > 0:29:43Mary Tiller, should return to this,
0:29:43 > 0:29:48her first school, to receive this honour from her university.
0:29:48 > 0:29:50Mary started here, left us,
0:29:50 > 0:29:56and went on to big things and now she has come back a deservedly important young lady.
0:29:58 > 0:30:00APPLAUSE
0:30:02 > 0:30:05- Took me an hour to find you.- Did you have to find us?- Not you. You.
0:30:05 > 0:30:07PERSON IN BACKGROUND: Sh!
0:30:07 > 0:30:10Ladies and gentlemen, it's with gratitude
0:30:10 > 0:30:14and humility that I speak, and it could be in no other spirit
0:30:14 > 0:30:18since this is a realisation of a dream come true.
0:30:18 > 0:30:22But it's not only been my dream. I've shared it with another.
0:30:22 > 0:30:24My father.
0:30:24 > 0:30:27He's helped me with books, advice,
0:30:27 > 0:30:32and more than any other, he made me see that knowledge makes men free.
0:30:33 > 0:30:37At his knee I learned about the American way of life.
0:30:37 > 0:30:38About strong...
0:30:42 > 0:30:44..God fearing men.
0:30:47 > 0:30:48EXCITED CHATTER
0:30:50 > 0:30:52- PAUL:- Stand back and give her air.
0:30:52 > 0:30:54Do you feel better now, dear?
0:30:55 > 0:30:58Oh, she's all right. It was just the excitement.
0:30:58 > 0:31:01- I'm so ashamed. - Oh, now, you mustn't be!
0:31:04 > 0:31:06SHE SPEAKS A BLACKFOOT PRAYER
0:31:10 > 0:31:13That's a Blackfoot prayer asking forgiveness for my weakness.
0:31:20 > 0:31:21Shall we go?
0:31:23 > 0:31:25- Thank you, Louise. - I'll take you home.
0:31:25 > 0:31:27I'm terribly sorry.
0:31:27 > 0:31:28I'll be glad to drive you both back.
0:31:28 > 0:31:32Oh, thank you, Matt, but I think she'd rather be alone.
0:31:34 > 0:31:37If you must do your good deed for the day you can buy me a drink.
0:31:37 > 0:31:38What's good about that?
0:31:57 > 0:31:58TRUCK HORN
0:32:07 > 0:32:08- MAN:- Katoonai didn't show.
0:32:08 > 0:32:10Nothing left to do but start at daylight,
0:32:10 > 0:32:12beating every bush around here. Get in.
0:32:15 > 0:32:16TRUCK ENGINE STARTS
0:32:39 > 0:32:41UP TEMPO JAZZ MUSIC
0:32:43 > 0:32:44Hiya, John.
0:32:48 > 0:32:50Just the man I want to see.
0:32:50 > 0:32:51HE LAUGHS
0:32:51 > 0:32:55- Just the man.- You know, Mr Elster, I admire your energy.
0:32:55 > 0:32:58You have the most unflagging enthusiasm I've ever run into.
0:32:58 > 0:33:02Enthusiasm is a state of mind!
0:33:02 > 0:33:08Psychology. Example. I feel lousy. Customer says, "How do you feel?".
0:33:08 > 0:33:10Do I say I feel lousy?
0:33:10 > 0:33:13I say, "I feel fine, wonderful!".
0:33:13 > 0:33:15HE LAUGHS
0:33:15 > 0:33:18Makes him feel fine. Enthusiasm. Get it?
0:33:18 > 0:33:21- It's contagious. - The word is "infectious".
0:33:21 > 0:33:23MR ELSTER LAUGHS
0:33:23 > 0:33:27You remind me a lot of my sales manager. He's the one for words.
0:33:27 > 0:33:30Always saying to me, "You wouldn't put the wrong
0:33:30 > 0:33:34"figure in a book-keeping column, why put a word in the wrong place?".
0:33:34 > 0:33:35MR ELSTER LAUGHS
0:33:35 > 0:33:37Infectious, it is.
0:33:37 > 0:33:41- Yes, sir?- Beer for me and another what ever he has.
0:33:41 > 0:33:43- What is this, an occasion or something?- That it is.
0:33:43 > 0:33:47One for the road. My wife and I are leaving tomorrow or the next day.
0:33:47 > 0:33:51- Oh, so soon?- Yeah, well, all good things must come to an end.
0:33:51 > 0:33:52HE LAUGHS
0:33:52 > 0:33:55Oh. Something to remember us by,
0:33:55 > 0:33:59since you were nice enough to take the pictures of Mrs Elster and me.
0:33:59 > 0:34:00Well, thank you.
0:34:01 > 0:34:02Open it!
0:34:10 > 0:34:11MR ELSTER CHUCKLES
0:34:11 > 0:34:13I don't understand. Is it a joke?
0:34:13 > 0:34:14MR ELSTER CHUCKLES
0:34:14 > 0:34:19- No joke. A little reminder from you know where.- What time do we eat?
0:34:19 > 0:34:21Or have you forgotten about dinner?
0:34:21 > 0:34:25Me forget about grub? You don't know me very well!
0:34:25 > 0:34:29- Meet me right here at seven. - Right. See you here at seven.
0:34:29 > 0:34:30Me forget about grub.
0:34:30 > 0:34:32HE CHUCKLES
0:34:32 > 0:34:35- All the time I thought you were just...- I know.
0:34:35 > 0:34:38Adams, what do you think you're doing?
0:34:38 > 0:34:40Johnny didn't send you up here to waste your time romancing
0:34:40 > 0:34:42an Indian girl.
0:34:42 > 0:34:46- How do you know about her? - It's our business to know.
0:34:46 > 0:34:49Now, Mister, you better get down to brass tacks.
0:34:49 > 0:34:53But this gun, I... I thought it was supposed to look like an accident.
0:34:53 > 0:34:57The DA is positive now the dame was a witness.
0:34:57 > 0:34:59We can't take any more chances.
0:34:59 > 0:35:02If he finds her, she'll be slapped into protective custody.
0:35:02 > 0:35:04Then we're cooked.
0:35:04 > 0:35:07Now, don't waste any more time.
0:35:07 > 0:35:09- Understand?- Yes, I understand.
0:35:11 > 0:35:16Tell you something, Paul, there are two necks stuck out here a mile.
0:35:16 > 0:35:18Mine and yours.
0:35:20 > 0:35:23And if Johnny Yonkers is going to chop one of them off...
0:35:25 > 0:35:27..it won't be mine.
0:35:28 > 0:35:30Well, so long, old partner!
0:35:30 > 0:35:31HE CHUCKLES
0:35:31 > 0:35:32See you later.
0:35:32 > 0:35:34MR ELSTER LAUGHS
0:35:34 > 0:35:35Hiya, folks!
0:35:59 > 0:36:03- Hello, Paul.- Where's Louise? - Louise? She's in the coffee shop.
0:36:03 > 0:36:04Why do you want to see her?
0:36:04 > 0:36:07Oh, it's about some colour photos I took for her.
0:36:07 > 0:36:10- She wants them sent on to New York. - Oh. I'll see you tonight, won't I?
0:36:10 > 0:36:14- Certainly, Mary. It may be late however.- I don't care how late.
0:36:20 > 0:36:23Thanks for the dinner, Hallett. Real neighbourly.
0:36:23 > 0:36:26- Don't thank me, it was her bright idea.- Stop arguing, you two.
0:36:26 > 0:36:28- You might even get to like each other.- Oh, no, not that!
0:36:28 > 0:36:30- How are you two spending the evening?- Alone.- Matt!
0:36:30 > 0:36:33- Here comes that man again.- Louise, I've been looking all over for you.
0:36:33 > 0:36:35Is there something special, Paul?
0:36:35 > 0:36:38When we have a dinner date it's always special.
0:36:38 > 0:36:41Dinner date? Why, we had no date for tonight.
0:36:41 > 0:36:43As a matter of fact, I just had an early dinner with Matt and Joe.
0:36:43 > 0:36:45Can't you see the lady's busy, Adams?
0:36:45 > 0:36:48I'm terribly sorry, Paul, but I must have gotten the dates mixed.
0:36:48 > 0:36:50That's the trouble with you civilians,
0:36:50 > 0:36:52- you never keep things organised. - Well, there's no harm done.
0:36:52 > 0:36:56- There's still time for our moonlight ride.- He means our moonlight ride.
0:36:56 > 0:36:59Any combination of this trio could see the park much
0:36:59 > 0:37:01- better in the daylight. - How do you like that guy?
0:37:01 > 0:37:04I feed him and he's not giving me any help at all.
0:37:04 > 0:37:05ELECTRONIC BEEPING
0:37:06 > 0:37:08- MAN ON RADIO:- Parker, come in. Parker, come in.
0:37:08 > 0:37:09Come in, Parker.
0:37:11 > 0:37:13Excuse me.
0:37:13 > 0:37:16Louise, you know you did promise to have dinner with me.
0:37:16 > 0:37:18The least you could do is go for a ride.
0:37:18 > 0:37:21Well, I suppose if I promised....
0:37:21 > 0:37:23This is Parker, I'm at the hotel. What's the alarm?
0:37:23 > 0:37:25'Forest fire, looks like a hot one.
0:37:25 > 0:37:28'We've pinned it down 500 yards northwest of Dutch Creek Trail.
0:37:28 > 0:37:29'Class C.'
0:37:29 > 0:37:31How many men you got?
0:37:31 > 0:37:33'Suppression crew of 30 and a half dozen college kids.'
0:37:33 > 0:37:36We'll need more. I'm on my way.
0:37:36 > 0:37:40- What's up?- Get in.- Get in? - There's a fire.- So? There's a fire.
0:37:40 > 0:37:42- You don't take orders very well, do you?- No any more.
0:37:42 > 0:37:45- From now on in, I'm just a... - Yes, I know, just a plain civilian.
0:37:45 > 0:37:47But in an emergency, I have the right to commandeer anybody,
0:37:47 > 0:37:51- civilian or otherwise.- Go ahead, commandeer.- Look, this is serious.
0:37:51 > 0:37:53You like action and I need every man I can get.
0:37:53 > 0:37:57- I counted on that moonlight ride. - I'll be here when you get back.
0:37:57 > 0:38:01- What about Adams? He's an outdoor man.- Well, Adams?- Like this?
0:38:01 > 0:38:05- What do you think this is, burlap? If he goes, I'll go.- Come on, Adams.
0:38:05 > 0:38:07- Well, I...- That's the old spirit!
0:38:09 > 0:38:11This can't take long.
0:38:11 > 0:38:12Careful, all of you.
0:38:23 > 0:38:24MEN SHOUT EXCITEDLY
0:38:29 > 0:38:31Came to give us a hand, Hallett?
0:38:31 > 0:38:33- I'd better or Parker will say I started it.- Never mind that.
0:38:33 > 0:38:36- You and Adams get into some work clothes.- Right in there, fellas.
0:38:36 > 0:38:39- What's the last report? - Getting hotter by the minute.
0:38:39 > 0:38:42- Humidity ten with ten mile wind direction southwest.- No help there.
0:38:42 > 0:38:46- No.- Get them rolling, I'll be right with you.- Yes, sir. Let's go, men.
0:39:24 > 0:39:26Keep them coming, keep them coming.
0:39:36 > 0:39:38All right, civilians, let's go.
0:39:45 > 0:39:48Get that equipment out there, jump to it!
0:39:55 > 0:39:58- Take them down there. - Come on, boys, let's go.
0:40:02 > 0:40:05Yeah, Parker's here. Just arrived. Pretty hot right now.
0:40:05 > 0:40:08Sure we can hold it, if the wind stays right.
0:40:09 > 0:40:12- That wind's picking up on us. - We'll need more men.
0:40:12 > 0:40:16- That dozer can't get up the ridge. - Try to reach headquarters.
0:40:16 > 0:40:17Start a trench at the edge of the clearing.
0:40:17 > 0:40:20We'll try to pin it down before it reaches the ridge.
0:40:20 > 0:40:22Come on, boys, let's go. Follow me on the double.
0:40:22 > 0:40:24Come on, boys. Come on.
0:40:27 > 0:40:30- Got Jim at headquarters.- Hello, Jim? It's got a big start on us.
0:40:30 > 0:40:34Wind's from the southwest. Better get a couple more crews started.
0:40:34 > 0:40:36Fire at the top of the bluff is heavy and hot right now.
0:40:36 > 0:40:38I don't think we can hold it. Right.
0:40:38 > 0:40:40Come on.
0:40:51 > 0:40:52All right, let's start here.
0:40:52 > 0:40:55You three fellas cut me a clearing three feet wide.
0:40:55 > 0:40:58Cut out everything that will burn. headed towards that ridge.
0:40:58 > 0:40:59Come on, Tom.
0:41:23 > 0:41:24Look at that.
0:41:24 > 0:41:26LOUD THUD
0:41:26 > 0:41:29That tree's coming down. Let's get out of here.
0:41:34 > 0:41:35Those guys are cut off!
0:41:40 > 0:41:42Try to go around. We've got to get through.
0:41:44 > 0:41:47- Hallett!- Fletcher!
0:41:47 > 0:41:50- Adams! Can you hear us, Adams?- Look out!
0:41:51 > 0:41:54Those guys will never get out of there alive.
0:42:01 > 0:42:03TREE CREAKS LOUDLY
0:42:03 > 0:42:04- More.- Move!
0:42:06 > 0:42:08No, no, we won't get through.
0:42:08 > 0:42:11- Better start a back fire over at the north end.- OK.
0:42:11 > 0:42:14- Fire made another jump. Dutch Creek this time.- Give me that.
0:42:14 > 0:42:18This is Parker. Check down the line, see if any men are trapped.
0:42:18 > 0:42:19Look, there's Braskins.
0:42:19 > 0:42:20Braskins! Over here!
0:42:22 > 0:42:25- Where are the rest of your men? - They've been cut off.
0:42:25 > 0:42:27- Hallett, Adams and that kid. - We've got to get them out.
0:42:27 > 0:42:30- I'm afraid there's no way through. - We'll make a way!
0:42:30 > 0:42:31Come on. You stay here.
0:42:37 > 0:42:38LOUD BANG
0:42:40 > 0:42:44You men on the back fire... See anything of those missing guys?
0:42:44 > 0:42:47No sign of them yet! They'll never live through that blaze!
0:42:49 > 0:42:51We've GOT to find them. Keep a way open if you can.
0:42:55 > 0:42:56LOUD BANG
0:43:00 > 0:43:01Come on, keep moving!
0:43:01 > 0:43:04There's water. They're moving downstream.
0:43:06 > 0:43:07This way, come on.
0:43:09 > 0:43:10LOUD BANG
0:43:17 > 0:43:19It's suicide to go through there.
0:43:22 > 0:43:25- Let's go back.- Go back?! We can't go back.- Adams, you fool!
0:43:25 > 0:43:26Are you crazy?
0:43:27 > 0:43:30- Take it easy! - Let go of me or I'll kill you!
0:43:30 > 0:43:34You won't kill me or anybody else. Give me your hand.
0:43:34 > 0:43:37He must've gone crazy. Come on, we'll find a way out.
0:43:42 > 0:43:43LOUD BANG
0:43:55 > 0:43:57That's a pretty bad cut you got there.
0:43:57 > 0:43:59You could use a couple of stitches in that.
0:43:59 > 0:44:01Are you a doctor or a ranger?
0:44:01 > 0:44:03I told you, a ranger has to be a little bit of everything.
0:44:03 > 0:44:05It's a man-size job.
0:44:05 > 0:44:08Believe me, Adams, I didn't know what I was letting you in for.
0:44:08 > 0:44:11I used to go to a lot of fires when I was a kid, but not kind.
0:44:11 > 0:44:13We'll put it down to experience, shall we?
0:44:13 > 0:44:16I guess I really should apologise to both of you for dragging
0:44:16 > 0:44:17you into this.
0:44:17 > 0:44:19Just a couple of helpless civilians, Hurry up, Doc, hurry up.
0:44:19 > 0:44:21I've got a date.
0:44:21 > 0:44:23A firefighting job like you fellas did would qualify
0:44:23 > 0:44:27- a man for a temporary tryout as a ranger.- Are you listening, Adams?
0:44:27 > 0:44:30Of course, there's a one year probationary period.
0:44:30 > 0:44:32When you pass the civil service exams, you're permanent.
0:44:32 > 0:44:34Are you listening, Adams?
0:44:34 > 0:44:38I'll direct it to you, Hallett, you're more the Buck Rogers type.
0:44:38 > 0:44:40You know, Adams, I'm learning not to like you.
0:44:40 > 0:44:44Then it won't be at all necessary. Saving my life was enough.
0:44:44 > 0:44:47OK, Buck Rogers, try that leg out, see how it feels.
0:44:47 > 0:44:49Great, great. Oof!
0:44:49 > 0:44:52- What's the matter? - It's great, but I can't walk!
0:44:52 > 0:44:55Put on your pants, I'll drive you back to the hotel.
0:44:55 > 0:44:56'Thank you, Dr Christian!'
0:45:03 > 0:45:06- Paul, you're back! I didn't see you come in.- No, we came in the back way.
0:45:06 > 0:45:09- We were pretty messy. - Oh, thank goodness you're all right.
0:45:09 > 0:45:12- Oh, thanks, Louise. - Must've been terrible.
0:45:12 > 0:45:16- Where's Matt? Is he all right? - Oh, he's fine. He's upstairs.
0:45:16 > 0:45:18- Is Mary here?- No, she left early.
0:45:18 > 0:45:22- Louise, I'm terribly concerned about something and...- Matt!
0:45:22 > 0:45:24Hi. Almost didn't make it.
0:45:24 > 0:45:27- Well, I'm here to collect that moonlight ride.- Mr Hallett?
0:45:27 > 0:45:30Long distance is trying to get you. Says it's important.
0:45:30 > 0:45:34- I'll be right there. Can you be ready in an hour?- I'll be ready.
0:45:34 > 0:45:35Good.
0:45:41 > 0:45:45Louise, I must talk to you, it's very urgent. It's about Mary.
0:45:45 > 0:45:49- Mary?- Yes. I've just got to have your advice.
0:45:49 > 0:45:51You're Mary's best friend and I know you'd want to help her.
0:45:51 > 0:45:55- Well, of course. But I don't understand.- Could you...
0:45:55 > 0:45:57Can you spare just half an hour before your date?
0:45:57 > 0:45:59My car's right outside.
0:46:00 > 0:46:05Well...yes, if it's about Mary. It'll take me one minute to close up.
0:46:05 > 0:46:06Thanks.
0:46:22 > 0:46:25Yes, operator, this is Matt Hallett. I'm waiting.
0:46:25 > 0:46:27- I'll be back in a few minutes. - Where are you going?
0:46:27 > 0:46:29- I have to talk to Paul. - Yes. Talk to Paul?
0:46:29 > 0:46:33- I'll be back in plenty of time. - But... Yes, operator.
0:46:33 > 0:46:34Hello?
0:46:34 > 0:46:35CAR ENGINE STARTS
0:46:37 > 0:46:38Yeah.
0:46:39 > 0:46:40I can't hear you.
0:46:42 > 0:46:44Yeah.
0:46:45 > 0:46:46Right.
0:46:49 > 0:46:50What?
0:46:52 > 0:46:54OK. Right.
0:46:57 > 0:47:00- What's the matter?- Did you see them? - Who?- Louise and Adams.
0:47:00 > 0:47:02- Yeah, they just drove off. - Which way?
0:47:02 > 0:47:04They could've taken any one of three roads. Why?
0:47:04 > 0:47:06Look, Joe, I need your help.
0:47:06 > 0:47:09- New York Police. You? - I'm with the DA's office.
0:47:09 > 0:47:13- I've got to arrest Paul Adams.- Why? - Come on, I'll tell you in the car.
0:47:21 > 0:47:24Summer flirtation that got out of control.
0:47:24 > 0:47:27Only this has just about reached the hopeless stage.
0:47:27 > 0:47:31Paul, I just couldn't be more surprised or, frankly,
0:47:31 > 0:47:34- more disappointed in you.- I know, Louise, but Mary fascinated me.
0:47:37 > 0:47:39Look, Louise, if you'd just talk to her,
0:47:39 > 0:47:43explain that she's taken this much too seriously.
0:47:43 > 0:47:47- Well, all right, I will. Not for you. For Mary.- Thanks, Louise.
0:47:47 > 0:47:50- It's a big load off my mind.- Now I think I'd better get back to Matt.
0:47:50 > 0:47:53Of course. Sorry to have delayed you.
0:47:53 > 0:47:56- RADIO ANNOUNCER:- We interrupt this programme to bring you a special
0:47:56 > 0:47:59bulletin from Park Ranger Headquarters. Stand by, please.
0:47:59 > 0:48:02- PARKER:- This a blue alert.
0:48:02 > 0:48:04It's Joe.
0:48:04 > 0:48:07All citizens in this area are warned to be on the lookout for Paul Adams.
0:48:07 > 0:48:12Repeat. Paul Adams. Notorious New York gunman.
0:48:12 > 0:48:15Believed to have kidnapped Louise Graham with intent to kill.
0:48:15 > 0:48:18Adams is driving a light, cream coloured convertible...
0:48:18 > 0:48:20ADAMS TURNS RADIO OFF
0:48:23 > 0:48:25LOUISE SCREAMS
0:48:43 > 0:48:44No, Paul!
0:48:44 > 0:48:45SHE SCREAMS
0:48:47 > 0:48:49TYRES SCREECH
0:49:51 > 0:49:54'The car went south on Lacall Road. She doesn't know anything else.
0:49:54 > 0:49:56'She was down the canyon'.
0:49:56 > 0:49:57How long ago was that?
0:49:59 > 0:50:00About an hour, I guess.
0:50:00 > 0:50:04About an hour ago is as near as she can figure. About an hour.
0:50:04 > 0:50:07- 'Louise.'- I hear you, Joe. - 'You all right?'
0:50:07 > 0:50:12- Yes, fine.- 'I've sent Matt by boat to get you. Stay there.
0:50:12 > 0:50:13'I will check with you later.'
0:50:13 > 0:50:17All right, Joe.
0:50:17 > 0:50:20RADIO: All citizens in this area are warned to be on the lookout
0:50:20 > 0:50:22'for Paul Adams - repeat, Paul Adams -
0:50:22 > 0:50:26'a notorious New York gunman, believed to have...'
0:50:26 > 0:50:28Could you try Mr Paul Adams' room again, please?
0:50:28 > 0:50:30KNOCKING
0:50:36 > 0:50:38Paul! I've been trying to phone you.
0:50:38 > 0:50:40I'm here, darling.
0:50:40 > 0:50:42I've been so worried. You're two hours late.
0:50:42 > 0:50:45I'm sorry, but it couldn't be helped.
0:50:46 > 0:50:48Is something wrong, Paul?
0:50:48 > 0:50:49What is it? Tell me.
0:50:49 > 0:50:52Oh, it's nothing. It's too ridiculous even to talk about.
0:50:52 > 0:50:57- But it must be something. - Mary, I am about to be arrested.
0:50:57 > 0:50:58Arrested?!
0:50:58 > 0:51:02All of the rangers are looking for me, all of the roads are closed.
0:51:02 > 0:51:04Red flares are burning all over the place.
0:51:04 > 0:51:07- Everybody in Glacier Park is looking for Paul Adams.- But why?
0:51:07 > 0:51:11I told you, it's ridiculous. Something I had absolutely nothing
0:51:11 > 0:51:13- to do with.- Then, can't you tell me?
0:51:13 > 0:51:19Mary, my car was stolen some time ago. It was used in a robbery.
0:51:19 > 0:51:23- But you didn't do it?- Of course I didn't, but to prove it,
0:51:23 > 0:51:25I've got to get back to New York, before the police find me.
0:51:25 > 0:51:27I had to sneak into the hotel to see you.
0:51:27 > 0:51:30That's why we've got to go tonight.
0:51:30 > 0:51:33You do want to go with me, don't you?
0:51:34 > 0:51:35You know I do.
0:51:38 > 0:51:40- But, if you didn't do anything... - Look, Mary,
0:51:40 > 0:51:45my family is well-known in the east. Bad publicity would be disastrous.
0:51:45 > 0:51:49Even though I'm innocent, If I'm arrested, the damage is done.
0:51:49 > 0:51:52Then, we'll leave at once. I'll write a note for Louise,
0:51:52 > 0:51:55- so she won't worry. - Oh, don't say anything about us.
0:51:55 > 0:51:58Just tell her you'll contact her in a couple of days.
0:51:58 > 0:52:01Are you sure you know some way we can get out of the park,
0:52:01 > 0:52:03so that we won't be seen?
0:52:03 > 0:52:06Yes. Through the Mahtotopa Canyon.
0:52:06 > 0:52:07Good!
0:52:07 > 0:52:09Good. Hurry, darling.
0:52:09 > 0:52:11But you'd better change your clothes.
0:52:15 > 0:52:18You could have saved yourself a lot of trouble by telling the police
0:52:18 > 0:52:21about the murder, instead of running away.
0:52:21 > 0:52:23- And set myself up as a clay pigeon? - With Adams on your trail,
0:52:23 > 0:52:25you're a clay pigeon, anyway.
0:52:26 > 0:52:28Look at those flares.
0:52:28 > 0:52:30I guess he's still on the loose.
0:52:30 > 0:52:34So's Johnny Yonkers. He's already admitted to the killing,
0:52:34 > 0:52:36but he's going to try and claim self-defence.
0:52:36 > 0:52:38That's why I'm taking you to New York.
0:52:39 > 0:52:41Is that official, Mr Hallett?
0:52:41 > 0:52:43And selfish, too.
0:52:43 > 0:52:46I'm not going to spend the rest of my life worrying about someone
0:52:46 > 0:52:49- taking a pot-shot at my girl.- Why, Mr Hallett, what brought that on?
0:52:49 > 0:52:53You know, it just occurred to me that I'm in love with a clay pigeon.
0:52:59 > 0:53:02Matt...how do the police know I was the witness?
0:53:02 > 0:53:04We didn't. Not for sure.
0:53:04 > 0:53:07There was a janitor working in the building next door.
0:53:07 > 0:53:11Hearing someone playing the piano. They kept playing the same piece,
0:53:11 > 0:53:14over and over again. Then, there was a shot
0:53:14 > 0:53:17and a girl ran from the building. It was dark and he could not see
0:53:17 > 0:53:19very clearly, but from his description,
0:53:19 > 0:53:23- you could have been the one.- I was.
0:53:23 > 0:53:25I came back to lock my cash box
0:53:25 > 0:53:28and instead I saw something I shouldn't have.
0:53:28 > 0:53:29That's what we figured.
0:53:29 > 0:53:31But my job was to prove it
0:53:31 > 0:53:35and also keep you from getting killed by one of his men.
0:53:35 > 0:53:37I almost slipped up on that.
0:53:37 > 0:53:39But how did you suspect Paul Adams?
0:53:39 > 0:53:41I phoned New York and had the police check him.
0:53:41 > 0:53:44They phoned back - and almost too late.
0:53:48 > 0:53:50- Mary.- What?
0:53:50 > 0:53:52She doesn't know that Adams is a killer.
0:53:52 > 0:53:54We've got to warn her.
0:54:00 > 0:54:01That's all it says -
0:54:01 > 0:54:04"I'm leaving for New York. I'll write you in a few days.
0:54:04 > 0:54:07"Love. Mary." Yeah. OK, we'll get there as soon as we can.
0:54:07 > 0:54:11- Parker wants to see us right away. - Is there any word on Paul?
0:54:11 > 0:54:14They think he slipped out of the park before the roads were blocked.
0:54:16 > 0:54:19Hey! Where do you find the law around here?
0:54:19 > 0:54:21- The law? What's the matter? - A guy just ditched a car up there
0:54:21 > 0:54:24in the woods. I was in my sleeping bag, waiting for daylight,
0:54:24 > 0:54:26to go fishing. I heard a terrific racket.
0:54:26 > 0:54:29This guy just ditched this car in the woods. He must have been
0:54:29 > 0:54:31drunk or crazy. He drove it smack right into the bushes.
0:54:31 > 0:54:35- Hey, what kind of a car?- Kind of a light-coloured convertible.
0:54:35 > 0:54:38- '51 or '52.- That's his car. - Can you show it to me?- Sure thing.
0:54:38 > 0:54:39Come on!
0:54:44 > 0:54:47Like I said, by the time I got here, he was gone.
0:54:47 > 0:54:51- Wanted by the police, huh?- Yeah.
0:54:51 > 0:54:53He must have had another car standing by.
0:54:53 > 0:54:55He left this here to throw us off.
0:54:55 > 0:54:57- Then, again, maybe he didn't. - What do you mean?
0:54:57 > 0:54:59There is a trail here that leads to the Cave of the Winds,
0:54:59 > 0:55:03- an old Indian hideout. I've been up there with Mary.- How far is it?
0:55:03 > 0:55:05It's long hike - and a dangerous one.
0:55:05 > 0:55:08- You take the car and get Parker. - You'll never find it without me.
0:55:08 > 0:55:12- Louise, this guy is a killer. - I know, but I've been shot at before.
0:55:12 > 0:55:15Look, I want you to do me a favour. My name is Hallett.
0:55:15 > 0:55:17Get to a phone, call the ranger station,
0:55:17 > 0:55:20tell Joe Parker what happened. Tell him I'm going to try and find Adams.
0:55:20 > 0:55:22- I sure will. Be glad to.- Thanks.
0:55:35 > 0:55:38Just a moment, please. I have your paper for you now.
0:55:38 > 0:55:41Hello? This is Boone. Get me a rewrite.
0:55:41 > 0:55:44He tried to kill her. She didn't say how. Didn't talk much about it.
0:55:44 > 0:55:47- Where is she now?- She and this Hallett fella took off after him.
0:55:47 > 0:55:51I never would have believed it. How can you believe a thing like that?
0:55:51 > 0:55:55- One of the nicest fellas I ever knew.- Girl sure had a narrow escape.
0:55:55 > 0:55:59- It's really terrible.- Boy... my wife and I are checking out.
0:55:59 > 0:56:01- Get our bags and take them down to the car.- Yes, sir.
0:56:46 > 0:56:49- We're getting close to the Cave of the Winds.- Where?
0:56:49 > 0:56:53- Over there. Right around that bend. - You stay here, I'll take a look.
0:57:02 > 0:57:03GUNSHOT
0:57:03 > 0:57:05Matt!
0:57:09 > 0:57:11Get down! It's Adams!
0:57:16 > 0:57:18It's Katoonai.
0:57:19 > 0:57:20GUNSHOT
0:57:20 > 0:57:23It's Katoonai, it's not Paul Adams!
0:57:23 > 0:57:25Go back, Louise! Go back!
0:57:26 > 0:57:29- Are you crazy?!- It's Katoonai. He thinks you're after him.
0:57:29 > 0:57:31He won't shoot us.
0:57:33 > 0:57:34Katoonai!
0:57:34 > 0:57:35We didn't come for you.
0:57:37 > 0:57:40We're looking for Mary. She needs help.
0:57:40 > 0:57:44Katoonai, I saw you in the attic at the school and I didn't tell.
0:57:44 > 0:57:46I won't trick you now.
0:57:46 > 0:57:48Mary needs help.
0:57:56 > 0:57:57Why does Mary need help?
0:57:57 > 0:58:00Last night, a man named Paul Adams tried to kill me.
0:58:00 > 0:58:02He's talked Mary into running away with him.
0:58:02 > 0:58:06We thought they might have come this way. Have you seen them?
0:58:06 > 0:58:08- Maybe he's hiding them. - Katoonai, Mary doesn't know
0:58:08 > 0:58:09how bad this man is.
0:58:09 > 0:58:12- She's in real danger. - This guy Adams is a killer.
0:58:12 > 0:58:15What's the quickest way out of the park that Mary would know?
0:58:15 > 0:58:17- Across the glacier, but it's very dangerous.- Let's go!
0:58:20 > 0:58:22There are many hidden crevasses.
0:58:22 > 0:58:24Crossing the glacier could mean death for Mary.
0:58:47 > 0:58:51- I'm afraid we'll have to turn back. - Turn back?!- I'm awfully sorry, Paul,
0:58:51 > 0:58:53it's all my fault, but we should have taken another trail
0:58:53 > 0:58:54about two miles back.
0:58:54 > 0:58:58- But you told me you knew the way. Now we're lost.- Not lost.
0:58:58 > 0:59:00Just delayed. I'm certain of the way now.
0:59:29 > 0:59:30The Mahtotopa.
0:59:30 > 0:59:35See, I told you. That canyon there leads over the glacier
0:59:35 > 0:59:37- then out of the park. - Let's get there.
1:00:03 > 1:00:05Mahtotopa. Glacier's not far away now.
1:00:13 > 1:00:17- How much farther?- We're almost there. There's the glacier.
1:00:17 > 1:00:20- But then how far?- Not far. Not far.
1:00:29 > 1:00:32- Get down there.- Wait. He might hit Mary.
1:00:34 > 1:00:35Adams!
1:00:37 > 1:00:39Come on down, you haven't got a chance.
1:00:44 > 1:00:48- It's Hallett.- Hallett?! But why are you shooting at him?- Quiet!
1:00:51 > 1:00:53Not yet.
1:00:53 > 1:00:57Let's give him a shock. Louise, let him know you're here.
1:00:59 > 1:01:00Paul!
1:01:00 > 1:01:03Paul, you'd better come down.
1:01:03 > 1:01:06- It's Louise!- Quiet! Keep your mouth shut.
1:01:10 > 1:01:13We've got to get out of here. Keep low.
1:01:13 > 1:01:14Go on, move! Go on!
1:01:18 > 1:01:19Keep them in there.
1:01:22 > 1:01:23GUNSHOT
1:01:25 > 1:01:26Fire another.
1:01:28 > 1:01:30That's just a waste of time.
1:01:30 > 1:01:32- I've got to get him between us. - Wait.
1:01:32 > 1:01:35You keep him pinned down with the rifle. I'll take your gun.
1:01:35 > 1:01:38- I'll go round and get above him. - Good.
1:02:03 > 1:02:05GUNSHOT
1:02:05 > 1:02:06GUNSHOT
1:02:17 > 1:02:18GUNSHOT
1:02:20 > 1:02:22GUNSHOT IN DISTANCE
1:02:40 > 1:02:41No, Paul, it's my father!
1:02:41 > 1:02:43GUNSHOT
1:02:43 > 1:02:45MARY SCREAMS
1:02:46 > 1:02:47MARY SCREAMS
1:02:52 > 1:02:53MARY SCREAMS
1:03:29 > 1:03:30PAUL'S TRIGGER CLICKS
1:03:36 > 1:03:38Matt...
1:03:58 > 1:04:01We're going ahead, do you hear? Now move.
1:04:03 > 1:04:04Matt.
1:04:05 > 1:04:11- Are you all right?- I'm all right. - They've gone, across the glacier.
1:04:11 > 1:04:14- The rope. We'll need the rope. - I'll get it.
1:04:30 > 1:04:31Stay here.
1:04:46 > 1:04:48- Matt, wait.- I told you to stay back.
1:04:48 > 1:04:50But Matt...
1:05:00 > 1:05:02We'll leave our horses here.
1:05:20 > 1:05:21Adams!
1:05:22 > 1:05:24GUNSHOT
1:05:50 > 1:05:52Go on. Go on!
1:06:08 > 1:06:12- What's the matter?- We can't cross here.- You're lying. Go on.
1:06:14 > 1:06:16GUNSHOT
1:06:23 > 1:06:24GUNSHOT
1:06:52 > 1:06:55- I'm going to get his gun.- No! Louise!
1:06:56 > 1:06:58SHE SCREAMS
1:07:03 > 1:07:05PAUL SCREAMS
1:07:05 > 1:07:07Mr Hallett! Louise!
1:07:21 > 1:07:22Bring that rifle.
1:07:28 > 1:07:29Hold on to that.
1:08:36 > 1:08:37GUNSHOT
1:08:42 > 1:08:44(Lie still, Louise.)
1:08:53 > 1:08:55Let me slip this rope around you.
1:09:00 > 1:09:01It's OK.
1:09:07 > 1:09:08ROCKS HIT THE GROUND
1:09:12 > 1:09:14Lie still. Don't move.
1:09:24 > 1:09:25GUNSHOT
1:10:08 > 1:10:10LOUISE SCREAMS
1:10:11 > 1:10:12PAUL SCREAMS
1:10:49 > 1:10:50- Oh, Matt.- You're all right.
1:10:51 > 1:10:53(Stop.)
1:10:54 > 1:10:55- PARKER:- Hallett!
1:10:55 > 1:10:57Hallett?
1:11:00 > 1:11:03- Louise.- She's OK. - What about Adams?- He's dead.
1:11:03 > 1:11:06Too bad you're tied up, Hallett, we could use you in the Rangers.
1:11:06 > 1:11:10Thanks a lot, Joe. Your country up here is way too rugged for me.
1:11:10 > 1:11:14What are you going to do with a character like this?
1:11:14 > 1:11:17- I can marry him. - Now, there's an idea!