0:00:02 > 0:00:07This film contains strong language
0:00:28 > 0:00:31Right. So we're going to tell stories.
0:00:32 > 0:00:35Yeah? You all got a story.
0:00:35 > 0:00:38Something from you, from your heart. OK?
0:00:38 > 0:00:40Who's going to go first?
0:00:41 > 0:00:43Anyone? No?
0:00:45 > 0:00:48- All right, you go first, Miss. - Oh, God. I don't...
0:00:48 > 0:00:51- Oh, go on, please. - All right.
0:00:51 > 0:00:55Once upon a time there was a little girl,
0:00:55 > 0:00:59and she lived with her mum and her dad and brother in a small town in Wales,
0:00:59 > 0:01:02and she always dreamed of becoming a princess.
0:01:02 > 0:01:05So when she grew up, she ran away to the big city
0:01:05 > 0:01:08and she went to the princess college.
0:01:08 > 0:01:10There is such a place.
0:01:10 > 0:01:14And she worked really, really hard,
0:01:14 > 0:01:17and all her dreams came true.
0:01:17 > 0:01:19And she kissed a lot of frogs.
0:01:19 > 0:01:24And, anyway, she woke up one day, and she realised that she wasn't very happy.
0:01:24 > 0:01:27So she decided to go home, to teach.
0:01:27 > 0:01:31- And what's the moral of the story? - Be careful what you wish for?
0:01:31 > 0:01:33Yes. Yeah.
0:01:33 > 0:01:36Being a princess sucks.
0:01:36 > 0:01:40Right, come on, who's got a story? Davy, you've got a story.
0:01:46 > 0:01:49OK, round two.
0:01:49 > 0:01:51Let's start with artists that we love.
0:01:51 > 0:01:55We're going to make a list and then we're going to narrow it down. So... Go on.
0:01:55 > 0:01:57- David Bowie. - Bowie. What else?
0:01:57 > 0:02:00- Pink Floyd. - Floyd.
0:02:00 > 0:02:05Led Zep. Sabbath. Deep Purple. Rush.
0:02:05 > 0:02:09- ELO. ELP. Uh... - Thank you, Hoople, that's enough.
0:02:09 > 0:02:11Dena.
0:02:11 > 0:02:12- The Ramones. - The Ramones.
0:02:12 > 0:02:16- Iggy Pop. - Iggy P. Vicki?
0:02:16 > 0:02:19- 10cc. - 10cc. Stella?
0:02:19 > 0:02:21- Beach Boys. - Yeah. Kenny?
0:02:23 > 0:02:25Slade.
0:02:25 > 0:02:29I'm putting it down. Even if we cross it off.
0:02:29 > 0:02:33Right, in this hall, the normal rules don't apply.
0:02:33 > 0:02:36Everything out there doesn't count. Forget about it.
0:02:36 > 0:02:38In here, you show up on time and you can do what you like.
0:02:38 > 0:02:42You can explore what you like. Ideas, emotion, that's the idea.
0:02:42 > 0:02:44Cos I want to put on a show
0:02:44 > 0:02:48that William Shakespeare and David Bowie would be proud of.
0:02:48 > 0:02:50And that you would be proud of,
0:02:50 > 0:02:51most importantly.
0:02:53 > 0:02:55Are you in? Yes?
0:02:55 > 0:02:56- Yeah.- Yes?
0:02:56 > 0:02:59- Yeah.- Yes. - Yes? Kenny? Yes?
0:03:00 > 0:03:04- Yes, Miss. - Good. Excellent.
0:03:21 > 0:03:26# It's a God-awful small affair
0:03:26 > 0:03:30# To the girl with the mousy hair
0:03:30 > 0:03:34# But her mummy is yelling, "No"
0:03:34 > 0:03:38# And her daddy has told her to go
0:03:38 > 0:03:42# But her friend is nowhere to be seen... #
0:03:42 > 0:03:43Where are the others?
0:03:45 > 0:03:49- Where is everyone? - It's Friday.
0:03:49 > 0:03:53- Well, Stella said she'd be here. - Well, she's not, is she?
0:03:53 > 0:03:55- Miss, I've got to go to training. - What?
0:03:55 > 0:03:58- Rugby, Miss. I got trials coming up. - Oh, can't you wait a bit longer?
0:03:58 > 0:04:03- No, miss, I promised.- Right then, go. I need you on Monday.
0:04:05 > 0:04:08What about me, Miss? It's Friday, I got a date.
0:04:09 > 0:04:11- That's very funny. - No, Miss, it's not a joke.
0:04:11 > 0:04:14Oh, come on, let's try it again. Let's try it again.
0:04:14 > 0:04:17Now, I want you to make it very specific. And remember the quavers.
0:04:17 > 0:04:20One, two, three, four. One, two, three, four.
0:04:20 > 0:04:24# It's a God-awful small affair
0:04:24 > 0:04:28# To the girl with the mousy hair
0:04:28 > 0:04:32# But her mummy is yelling, "No"
0:04:32 > 0:04:36# And her daddy has told her to go... #
0:04:44 > 0:04:47- Miss Mae? - Mr Thornley.
0:04:47 > 0:04:50- Rehearsing on a Friday? Very keen. - Two weeks to go.
0:04:50 > 0:04:51- Beg your pardon? - Two weeks to go!
0:04:51 > 0:04:54Oh, well. "Tempest fugit", I suppose.
0:04:54 > 0:04:56Everything going all right, is it, generally?
0:04:56 > 0:04:59- Yes, hunky dory, Headmaster. I... - Very good. It's just that I've
0:04:59 > 0:05:03had the odd complaint. Well, a small delegation, actually.
0:05:03 > 0:05:09Um, issues of discipline came up and a concern about language.
0:05:09 > 0:05:11- Language? What...? - PHONE RINGS
0:05:11 > 0:05:12Excuse me.
0:05:14 > 0:05:16- What fucking language? - Hello?
0:05:17 > 0:05:20- Oh, shit. - Andy Dixon.
0:05:20 > 0:05:22- Where are you going? - Band practice, Miss.
0:05:22 > 0:05:24- For the gig, Monday. - You're supposed to be
0:05:24 > 0:05:26- at my rehearsals.- I weren't in the bit you were doing,
0:05:26 > 0:05:30Miss, I don't think. Anyway, I got to go, the band are waiting for me.
0:05:30 > 0:05:33Oh, right. Well, where's everyone else?
0:05:33 > 0:05:36Down the lido, Miss. It's Friday.
0:05:38 > 0:05:40Keep the faith, Miss.
0:05:41 > 0:05:45# Deep waters flow out to the sea
0:05:45 > 0:05:48# They never needed you or me... #
0:05:48 > 0:05:50"Down the lido, Miss. It's Friday."
0:05:50 > 0:05:54# One summer dream
0:05:54 > 0:05:58# One summer dream
0:05:58 > 0:06:02# Warm summer breeze blows endlessly
0:06:02 > 0:06:06# Touching the hearts of those who feel
0:06:06 > 0:06:09# One summer dream... #
0:06:09 > 0:06:12- Does anyone else want ice cream? - No, ta.
0:06:12 > 0:06:15# One summer dream... #
0:06:22 > 0:06:24You're fucking...
0:06:32 > 0:06:36- LOUDHAILER:- Evan and Mandy James. Dena Davies. Vicki Munro.
0:06:38 > 0:06:41- Stella Jones. - Oh, fuck.
0:06:41 > 0:06:45This is a final warning. OK. Double rehearsals Monday.
0:06:45 > 0:06:48Lunchtime and after school. I want you all there on time.
0:06:56 > 0:06:57- Hi, Kenny. - Wanker.
0:06:57 > 0:06:59Fucking wanker.
0:07:02 > 0:07:06- Oi, oi! - Oi, oi, Macca. Where have you been?
0:07:06 > 0:07:08Killing Pakis.
0:07:08 > 0:07:10Oh, Kenny boy here's only gone and given in, in't he?
0:07:10 > 0:07:15Going down Steady Eddie's fucking finally. Having a chop.
0:07:15 > 0:07:17- Going to be one of us, are you? Huh?- Yeah, I'm ready. Yeah.
0:07:17 > 0:07:20- Yeah? Well, come on, then. - Let's do it.
0:07:35 > 0:07:39Martini. Cinzano.
0:07:39 > 0:07:41Tia Maria. Anyone?
0:07:41 > 0:07:43Anyone?
0:07:45 > 0:07:46Oh, look at that.
0:07:50 > 0:07:55Earth calling Tim. Come in, Tim. Tim?
0:07:56 > 0:08:00- Someone's drunk everything. - I thought you were at rehearsals.
0:08:00 > 0:08:02- So did I.- Yeah, well, it is Friday, you mad cow.
0:08:02 > 0:08:05- You've had 'em at it all week. - Thank you, Tim.
0:08:05 > 0:08:07- I thought you were on my side. - Oh, I am, believe me.
0:08:07 > 0:08:09You should hear what the rest of them are saying.
0:08:09 > 0:08:11- Oh, spare me the details. - Mine was shit, by the way.
0:08:11 > 0:08:14- Thanks for asking. - Oh, sorry, love. How was your day?
0:08:14 > 0:08:15Shit. Thanks for asking.
0:08:18 > 0:08:23Oh... God, that Davy can sing, though.
0:08:23 > 0:08:25Yeah, and such dreamy eyes.
0:08:26 > 0:08:29I love it when you take an interest in my work.
0:08:29 > 0:08:33I don't want to sound like an alkie, but I got some gin stashed in my wardrobe.
0:08:33 > 0:08:36Oh, gin. That's just the taste of disappointment, innit?
0:08:36 > 0:08:38Well, why don't we do something different tonight?
0:08:38 > 0:08:40Why don't you show me some of your old haunts?
0:08:40 > 0:08:42Oh, they knocked most of them down.
0:08:42 > 0:08:43HE LAUGHS
0:08:48 > 0:08:49SHE SIGHS
0:08:51 > 0:08:53Not so fast, man. You've got to look for the bubbles.
0:08:53 > 0:08:56I'm trying to. I'm trying to get it in.
0:08:56 > 0:08:58Dad, there's no more clean shirts.
0:08:58 > 0:09:00Well, your nan haven't been round, have she?
0:09:00 > 0:09:03- Yeah, well, I'm going out tonight. - Look, spray some of that Brut on it.
0:09:03 > 0:09:07- Always works. - Oh, yeah. Great.
0:09:07 > 0:09:11- Mam would have washed one for me. - Anyway, you can be doing
0:09:11 > 0:09:13your own laundry now.
0:09:16 > 0:09:19Look, come here.
0:09:19 > 0:09:21You got to find the bubbles, see?
0:09:21 > 0:09:24There, there she blows.
0:09:24 > 0:09:27I thought you said Mam would be coming home by now.
0:09:37 > 0:09:39'Hello. Swansea 6-5-2-7.'
0:09:39 > 0:09:42- Stella. It's Davy. - 'Oh, hi, Davy.'
0:09:42 > 0:09:45Hiya. What are you doing?
0:09:45 > 0:09:48Nothing. What are you doing?
0:09:48 > 0:09:52'Nothing. Where were you this afternoon?'
0:09:52 > 0:09:55Went down to the lido to cool off.
0:09:55 > 0:09:57'You were supposed to be in rehearsals.'
0:09:57 > 0:10:00Yeah, on a Friday.
0:10:01 > 0:10:05So, uh... you still want to meet up tonight, then?
0:10:05 > 0:10:09- No. I... I can't. - Stella. Please?
0:10:09 > 0:10:11Look, we said we were going to be friends.
0:10:12 > 0:10:14Are you seeing someone else?
0:10:14 > 0:10:15PHONE BEEPS
0:10:17 > 0:10:18'Stella?'
0:10:20 > 0:10:22Fuck.
0:10:31 > 0:10:34- Have you heard from her? - Oh, don't start, Mam. Right?
0:10:34 > 0:10:36You know I don't want to talk about it, right?
0:10:36 > 0:10:38- All right. OK. - See you Tuesday.
0:10:38 > 0:10:41- All right. - Hi, Nan.
0:10:41 > 0:10:43- Hiya, my old son, you all right? - All right?
0:10:43 > 0:10:44- Ta-ra, love. - Ta-ra.
0:10:51 > 0:10:54Hello, ladies.
0:10:54 > 0:10:57- Beautiful night, innit? - It's all right.
0:10:57 > 0:10:59It's more beautiful now I've seen you.
0:11:04 > 0:11:07- Get a load of this! - Oi, oi, you fucking wankers!
0:11:07 > 0:11:09Enjoy your fucking chips.
0:11:09 > 0:11:11- All right, Kenny? - All right.
0:11:11 > 0:11:15- Nice haircut. What are you doing? - Nothing much.
0:11:15 > 0:11:17- What have you girls been doing? - Nothing...
0:11:17 > 0:11:23All right, girls? Stella. Fancy a shag?
0:11:23 > 0:11:24I don't think so.
0:11:25 > 0:11:28- You slag. - What's on your shoulder, Kenny?
0:11:36 > 0:11:38Idiots.
0:11:41 > 0:11:43You want to hear what Macca's been saying about you?
0:11:43 > 0:11:46- I don't give a shit. - Everyone thinks you're a poof.
0:11:46 > 0:11:48Fuck off, you dwarf.
0:11:49 > 0:11:52What's he going on about now? Hmm?
0:11:53 > 0:11:58Right, get the inner tube out. Careful of the valve.
0:11:58 > 0:12:02- What are you going on about, Angus? - Him. Being in a musical.
0:12:02 > 0:12:05- He's such a bummer, it's embarrassing.- You're embarrassing, more like.
0:12:05 > 0:12:07Don't let him wind you up, son.
0:12:07 > 0:12:10Your Uncle Neville used to love the dramatics.
0:12:10 > 0:12:13Exactly.
0:12:13 > 0:12:14Dad!
0:12:19 > 0:12:22Anyway, I thought you were going out tonight?
0:12:22 > 0:12:24He's been stood up, ain't he?
0:12:35 > 0:12:39# Our first stop is in Bogota
0:12:39 > 0:12:41# To check Colombian fields
0:12:43 > 0:12:48# The natives smile and pass along
0:12:48 > 0:12:51# A sample of their yield
0:12:53 > 0:12:55# Sweet Jamaican pipe dreams
0:12:55 > 0:13:00# Golden Acapulco nights Then Morocco and the East
0:13:00 > 0:13:02# Fly by morning light
0:13:02 > 0:13:05# We're on the train to Bangkok
0:13:07 > 0:13:10# Aboard the Thailand Express... #
0:13:10 > 0:13:12MUFFLED MUSIC CONTINUES
0:13:18 > 0:13:21# Yeah. #
0:13:45 > 0:13:47MIX OF CHEERS AND BOOING
0:13:47 > 0:13:52- Thank you, Epitaph. - Thank you, Swansea!
0:13:52 > 0:13:55Thank you, Munro, that's enough now.
0:13:55 > 0:13:56CHEERS AND BOOS CONTINUE
0:13:59 > 0:14:03- Mandy, your brother's a fucking poof.- Piss off.
0:14:03 > 0:14:09..will present us with her Thought For The Day. Lorraine?
0:14:10 > 0:14:12Silence!
0:14:14 > 0:14:16Miss, I'm supposed to give you this, Miss.
0:14:16 > 0:14:19- What is it? - From my parents, Miss.
0:14:19 > 0:14:22- I'm not supposed to do the show. - What?
0:14:22 > 0:14:25- Sorry. - You're Prospero.
0:14:25 > 0:14:29- Syd, it's two weeks away. - I know, Miss. Sorry.
0:14:33 > 0:14:34BELL RINGS
0:14:40 > 0:14:42The Shakespeare's a bit harder than the Bowie.
0:14:42 > 0:14:47- Yeah. - I record mine on a tape
0:14:47 > 0:14:49and play it back through my headphones.
0:14:49 > 0:14:52Maybe I'll try it.
0:14:52 > 0:14:55I can make you one if you want.
0:14:55 > 0:15:00Ah, here they are. The Epitaph band themselves. Good gig, boys.
0:15:00 > 0:15:04Now I know why rock stars go off the rails. It's the adrenaline rush.
0:15:04 > 0:15:07- Fucks you up. - Hoople, you were born fucked up.
0:15:07 > 0:15:08He's right.
0:15:11 > 0:15:14- Two and two, split those with you. - OK.
0:15:14 > 0:15:19- All right, Kenny? - Yes, Miss.
0:15:19 > 0:15:23Oh. I suppose Caliban's going to have to be a skinhead now, is he?
0:15:23 > 0:15:26- Yes, Miss. - Fucking lesbian.
0:15:26 > 0:15:30- What's that, sunshine? - Fuck off. You can't touch me.
0:15:30 > 0:15:32- I left school.- What are you still doing here, then?
0:15:32 > 0:15:34Talking to my brother, all right?
0:15:34 > 0:15:38I tell you what. You should probably get some friends your own age.
0:15:38 > 0:15:40- Leave him alone. - He's my brother, in't he?
0:15:40 > 0:15:43Aren't you, Kenny?
0:15:43 > 0:15:47Come on. Cheerio, lesbo. See you later, Kenny.
0:15:47 > 0:15:50He's all right, Miss.
0:15:50 > 0:15:51Do you want to come to rehearsals?
0:15:55 > 0:15:58Right, just before we get there, I just want to remind you, at the back,
0:15:58 > 0:16:01you are Ariel's choir of Martian spirits.
0:16:01 > 0:16:04Spirits, not elephants. Light. You keep it light.
0:16:04 > 0:16:07Right, go on, get up there. I'll be Prospero.
0:16:08 > 0:16:12More work? Let me remind you of what you promised me,
0:16:12 > 0:16:14- which is not yet been performed. - How now, moody?
0:16:14 > 0:16:16- What more can you want? - My liberty.
0:16:16 > 0:16:18- Miss? - Dena, come on, you can be Prospero.
0:16:18 > 0:16:21- I can't, Miss. I'm banned, sorry. - What?
0:16:21 > 0:16:24By the headmaster. Plus, a week's detention.
0:16:25 > 0:16:29- Bugger. - I know. Fascist.
0:16:30 > 0:16:31Would you stop it!
0:16:31 > 0:16:33- Little shit. - Prick.
0:16:33 > 0:16:35- Stop it, I am warning you. - Miss, it was him!
0:16:35 > 0:16:38I don't care. Just stop it.
0:16:38 > 0:16:41All right. Look, go from the song.
0:16:41 > 0:16:44Enter Ferdinand. Where's Miranda? Come on, Stella.
0:16:45 > 0:16:47- Right. - Fucking wanker.
0:16:47 > 0:16:48Cue us in.
0:16:51 > 0:16:53Where should this music be?
0:16:53 > 0:16:57In the air or the earth?
0:16:57 > 0:16:59It sounds no more.
0:16:59 > 0:17:02This music hath crept by me upon the waters,
0:17:02 > 0:17:06allaying both my fury and my passion with its sweet air.
0:17:06 > 0:17:10Thence I followed it. Or it hath drawn me rather.
0:17:10 > 0:17:12But 'tis gone.
0:17:12 > 0:17:16No, it begins again.
0:17:16 > 0:17:22# You're sailing softly through the sun
0:17:22 > 0:17:27# In a broken Stone Age dawn
0:17:27 > 0:17:30# You fly so high
0:17:30 > 0:17:35# I get a strange magic
0:17:35 > 0:17:39# Oh, what a strange magic
0:17:39 > 0:17:44# Oh, it's a strange magic
0:17:44 > 0:17:49# Got a strange magic
0:17:49 > 0:17:53# Got a strange magic
0:18:01 > 0:18:07# You're walking meadows in my mind
0:18:07 > 0:18:12# Making waves across my time
0:18:12 > 0:18:16# Oh, no, Oh, no
0:18:16 > 0:18:20# I get a strange magic
0:18:20 > 0:18:24# Oh, what a strange magic
0:18:24 > 0:18:29# Oh, it's a strange magic
0:18:29 > 0:18:33# Got a strange magic
0:18:34 > 0:18:40- # Got a strange magic - Now I'm
0:18:40 > 0:18:43# Never going to be the same again
0:18:43 > 0:18:48# Now I've seen the way it's meant to end
0:18:48 > 0:18:52# Sweet dream Sweet dream
0:18:52 > 0:18:56# I get a strange magic
0:18:56 > 0:19:01# Oh, what a strange magic
0:19:01 > 0:19:06# Oh, it's a strange magic
0:19:06 > 0:19:10# Got a strange magic
0:19:10 > 0:19:14# Got a strange magic
0:19:14 > 0:19:17# It's magic
0:19:17 > 0:19:18# It's magic
0:19:19 > 0:19:21# It's magic
0:19:23 > 0:19:25# Strange magic
0:19:25 > 0:19:30# Oh, what a strange magic... #
0:19:37 > 0:19:38- Miss Mae. - Hm.
0:19:40 > 0:19:42Miss Valentine.
0:19:44 > 0:19:46I hope you don't mind me speaking frankly,
0:19:46 > 0:19:48but some of us on the staff are a little concerned about how much
0:19:48 > 0:19:52this musical is taking of the children's time.
0:19:52 > 0:19:55Ah, the small delegation.
0:19:55 > 0:19:57And, well, since we're being frank,
0:19:57 > 0:20:00some indiscipline seems to be spilling over into their more serious studies.
0:20:00 > 0:20:03- I mean, it's all very well you... - Are you suggesting that what we
0:20:03 > 0:20:08are doing is not serious? I mean, compared to social studies?
0:20:08 > 0:20:11We have made our thoughts known to the headmaster, Miss Mae.
0:20:11 > 0:20:14It's as much as some of these children can do to read and write.
0:20:14 > 0:20:17We'd all do well to get them through their three R's before moving on.
0:20:17 > 0:20:20- Don't you agree, Mr Swinton? - Exams must come first.
0:20:20 > 0:20:22It's a bit late to be worrying about that.
0:20:22 > 0:20:25Half of them will be leaving here in three weeks' time. For good.
0:20:25 > 0:20:28It'd be nice for them to at least have one opportunity
0:20:28 > 0:20:31- for some self expression. - Self expression doesn't butter
0:20:31 > 0:20:33any parsnips, Miss Mae.
0:20:33 > 0:20:35BELL RINGS
0:20:35 > 0:20:38Parsnips? (Mad cow.)
0:20:38 > 0:20:41It's not even like it's a proper musical, is it, eh?
0:20:41 > 0:20:43Don't you start, Cafferty.
0:20:43 > 0:20:46I suppose you'd like to see the kids do Oliver, again.
0:20:46 > 0:20:49Ah, now you're talking. I love Oliver, I do.
0:20:49 > 0:20:51Lovely story, catchy tunes. Proper.
0:20:51 > 0:20:55If I ever find out it was you who put him up to it.
0:20:55 > 0:20:57- Who? - Syd Jones.
0:20:57 > 0:21:00His parents said he wanted to concentrate on his studies
0:21:00 > 0:21:02- and his rugby. - Yeah. He's a good rugby player.
0:21:02 > 0:21:05It's summer, you fucker.
0:21:06 > 0:21:09Oi. Oi! He's got trials coming up, right!
0:21:11 > 0:21:13Nice tits, though.
0:21:13 > 0:21:14Oh, aye.
0:21:31 > 0:21:33'Hello?'
0:21:33 > 0:21:34PHONE BEEPS
0:21:35 > 0:21:38Hello. Is Mam there?
0:21:38 > 0:21:42'No, she's not here at the moment. Angus, is that you?'
0:21:42 > 0:21:45- What time will she be back? - 'Not sure. About six.'
0:21:47 > 0:21:48'Angus, I...'
0:22:10 > 0:22:14- It's fucking hot.- Hot as fuck.
0:22:36 > 0:22:38DOORBELL RINGS
0:22:43 > 0:22:47Oh, hello, love. I was expecting you earlier.
0:22:47 > 0:22:50Your brother's upstairs. We've got a full house.
0:22:50 > 0:22:53- Well, it was rehearsals. - Oh, don't worry.
0:22:53 > 0:22:58Only Monday is "Merry Widows" night. And it's my turn to provide the nibbles.
0:22:58 > 0:23:00Come on in. The girls would love to see you, I'm sure.
0:23:00 > 0:23:05They're always asking after you. Girls, guess who's here?
0:23:05 > 0:23:08That wayward daughter of mine.
0:23:09 > 0:23:13She's teaching now, she's given up the acting. Isn't it lovely she's back?
0:23:13 > 0:23:14Yeah.
0:23:18 > 0:23:21Hello, love.
0:23:21 > 0:23:23Hey.
0:23:24 > 0:23:27- You met the coven, then. - Yeah.
0:23:27 > 0:23:29- They give you the third degree? - Oh...
0:23:30 > 0:23:34I think I let 'em down on the glamour front. You know...
0:23:34 > 0:23:38coming home to teach. Not very glittery, is it?
0:23:38 > 0:23:40How's the show going?
0:23:40 > 0:23:44Oh, I'm not sure. I think I've bitten off more than I can chew.
0:23:44 > 0:23:47Nothing new there, then. It'll be stunning.
0:23:47 > 0:23:52It's good, innit? She's making a move, finally.
0:23:52 > 0:23:55I can't believe it's been almost two years.
0:23:58 > 0:24:00I used to love coming up here and disturbing him.
0:24:00 > 0:24:01Yeah.
0:24:05 > 0:24:07What are you going to do with all those?
0:24:07 > 0:24:10Uh... I don't know. Jumble?
0:24:10 > 0:24:13We can't chuck 'em. I mean, that's...
0:24:13 > 0:24:16That's a whole life-time's worth of stuff, that is. I mean...
0:24:16 > 0:24:19- Do you want them? - I don't know. I'm...
0:24:19 > 0:24:23Why don't you take a look through and tell me what you want
0:24:23 > 0:24:24and I'll drop it off.
0:24:33 > 0:24:37Where were you two earlier? I was looking for you.
0:24:48 > 0:24:50You done?
0:25:01 > 0:25:04My mum and dad still shag.
0:25:04 > 0:25:09It's disgusting. They used to send me to Sunday school so they could do it.
0:25:10 > 0:25:15But now, I don't go to Sunday school. I got to sit there and listen to 'em.
0:25:15 > 0:25:17Fuck off, Hoople.
0:25:18 > 0:25:20Ah, I got to go.
0:25:20 > 0:25:23Why? What's wrong with you?
0:25:23 > 0:25:26- Oh, look, I'll come with you. - What about me?
0:25:26 > 0:25:28- Fuck off. - There's nothing wrong.
0:25:28 > 0:25:31I just got to go. It's me dad, you know.
0:25:31 > 0:25:32See you later.
0:25:36 > 0:25:40- What's wrong with him? - It's his dad, isn't it?
0:25:40 > 0:25:41I've told him...
0:25:41 > 0:25:42ELECTRONIC TUNE
0:25:43 > 0:25:45..life has to go on.
0:25:53 > 0:25:55DOORBELL RINGS
0:25:55 > 0:25:56All right?
0:26:03 > 0:26:05# I'm not in love
0:26:07 > 0:26:08# So don't forget it
0:26:10 > 0:26:14# It's just a silly phase I'm going through
0:26:17 > 0:26:19# And just because
0:26:20 > 0:26:22# I call you up
0:26:23 > 0:26:28# Don't get me wrong, don't think you've got it made
0:26:31 > 0:26:32# I'm not in love
0:26:32 > 0:26:34# No, no
0:26:36 > 0:26:39# It's because... #
0:26:40 > 0:26:41BELL RINGS
0:26:44 > 0:26:47So, as we've discussed, class is measured by sociologists
0:26:47 > 0:26:50in terms of income,
0:26:50 > 0:26:53education and...
0:26:55 > 0:26:57..values.
0:27:00 > 0:27:04To give you an example, I am middle class.
0:27:04 > 0:27:07You would be working class. Right, any questions so far?
0:27:10 > 0:27:12BELL RINGS
0:27:12 > 0:27:13Class dismissed.
0:27:17 > 0:27:21Right, human nature. What is human nature?
0:27:21 > 0:27:24It's one of the central questions of the play.
0:27:24 > 0:27:26What makes us tick, all of us?
0:27:27 > 0:27:32You think it's love? The need for love is at the core of the human experience?
0:27:32 > 0:27:35You think everyone's capable of love?
0:27:35 > 0:27:38Is Caliban capable of love? Kenny, what do you think?
0:27:40 > 0:27:42I... I don't know, Miss.
0:27:42 > 0:27:45- OK. - Caliban's an outsider, like me.
0:27:45 > 0:27:48I mean, like Ariel. They're both outsiders.
0:27:48 > 0:27:52Yeah, good. Exactly. They're both excluded by society.
0:27:52 > 0:27:55People make up their mind about Caliban because he's different.
0:27:55 > 0:27:59They think Caliban's a monster. His mother was a witch.
0:27:59 > 0:28:01You've met Kenny's mum then, Miss?
0:28:01 > 0:28:03- Fuck off! - All right, all right.
0:28:03 > 0:28:06- You are fucking dead. - Fuck you, Kenny.
0:28:06 > 0:28:07Lewis!
0:28:07 > 0:28:10- Lewis, sit down! - Fucking idiot!
0:28:10 > 0:28:12Don't! Oh, come on, Kenny.
0:28:12 > 0:28:15- Fucking prick. - Kenny, please. Stop.
0:28:15 > 0:28:16Just piss off, Miss, yeah?
0:28:18 > 0:28:20Stand still, Loder.
0:28:22 > 0:28:24Still.
0:28:26 > 0:28:30- Everything all right in here, Miss Mae?- Yes. Thank you, Mr Cafferty.
0:28:30 > 0:28:34I can deal with my own class, thank you. It's all part of the process.
0:28:34 > 0:28:37- Process? - Yes.
0:28:45 > 0:28:47Thanks for that, kids.
0:28:47 > 0:28:51Thanks for making me look like an idiot in front of the Incredible Bulk.
0:28:51 > 0:28:52LAUGHTER
0:28:52 > 0:28:54Right. Come on, Kenny.
0:28:54 > 0:28:57Let's forget the words, let's just do the song, all right?
0:28:57 > 0:28:59Anyone not involved can leave. OK?
0:29:04 > 0:29:08Lewis, you all right? Yes? Kenny? Good.
0:29:08 > 0:29:10- After school, you fucker. - Wanker.
0:29:10 > 0:29:13Just sit down and play, please. Thank you.
0:29:16 > 0:29:17CHATTER AND LAUGHTER
0:29:17 > 0:29:19Piss off, boys!
0:29:22 > 0:29:24Lads.
0:29:27 > 0:29:31You leave any marks on him and you'll be in big trouble.
0:29:31 > 0:29:32No towel again, Miller?
0:29:33 > 0:29:36- Sam, you mong, fuck off. - Miller!
0:29:36 > 0:29:38Shall I slipper him, Mr Cafferty?
0:29:38 > 0:29:39BOYS: Yeah!
0:29:58 > 0:30:01# Everybody
0:30:02 > 0:30:06# Has been burned before
0:30:09 > 0:30:14# Everybody knows the pain
0:30:17 > 0:30:22# Anyone in this place
0:30:23 > 0:30:27# Can tell you to your face
0:30:29 > 0:30:33# Why you shouldn't
0:30:34 > 0:30:37# Try to love someone
0:30:54 > 0:30:59# Everybody knows
0:30:59 > 0:31:02# It never works
0:31:05 > 0:31:11# Everybody knows and me
0:31:15 > 0:31:19# I know that door
0:31:19 > 0:31:24# That shuts just before
0:31:24 > 0:31:29# You get to the dream
0:31:29 > 0:31:34# You see... #
0:31:39 > 0:31:42- I got to go. Bye. - Bye.
0:31:53 > 0:31:54Bye.
0:31:57 > 0:31:59What are you doing tonight?
0:32:01 > 0:32:05- Homework. - What? Well, that's a first.
0:32:07 > 0:32:09Sure you don't want to come to Pizza Night?
0:32:09 > 0:32:13- That's for you college types. - Miss Mae organises a get-together
0:32:13 > 0:32:16for everyone who's leaving this year, you know.
0:32:16 > 0:32:20A get-together with teachers? Sounds a bit naff.
0:32:23 > 0:32:25Have you been telling people we're going out?
0:32:25 > 0:32:27No.
0:32:27 > 0:32:31That's not what I heard. Heard you been telling people we're going out.
0:32:32 > 0:32:35We're friends, remember, yeah?
0:32:35 > 0:32:37I don't get it.
0:32:39 > 0:32:42You said that you loved me, Stella.
0:32:42 > 0:32:44Oh, look, please, come on.
0:32:48 > 0:32:49Fucking hell!
0:33:00 > 0:33:03Kenny, you got to ignore Lewis and Hoople.
0:33:03 > 0:33:07They just say stuff to wind you up, you know. I know you can do it.
0:33:09 > 0:33:11Kenny, every line you get right,
0:33:11 > 0:33:14you got to think "fuck off" at the end of it.
0:33:14 > 0:33:16Make every line a "fuck off" to anybody who thinks that Kenny
0:33:16 > 0:33:19- can't play Caliban. Got it? - Yes, Miss.
0:33:24 > 0:33:26Could I scrounge a fag, Miss?
0:33:28 > 0:33:30Ah, go on.
0:33:33 > 0:33:37- What are your plans, Kenny? - What, Miss?
0:33:37 > 0:33:40When you leave at the end of term, what are your plans?
0:33:40 > 0:33:43- I... I don't know. Maybe the Army. - Kenny, you join the Army,
0:33:43 > 0:33:46they're going to send you straight to Northern Ireland. You know that, right?
0:33:46 > 0:33:48You understand that's what's going to happen?
0:33:48 > 0:33:52There's so many other things that you could... Shit.
0:33:52 > 0:33:55He hates me. Oh, I'm fucked!
0:33:55 > 0:33:57Oh, God.
0:34:01 > 0:34:05Ah, there's free booze and pizza.
0:34:05 > 0:34:06Sounds a bit naff.
0:34:06 > 0:34:09You can't dump us. Come on, man.
0:34:09 > 0:34:13Uh, no, I can't. Go on, go out and have a good night.
0:34:14 > 0:34:16See you, boys.
0:34:25 > 0:34:29Dunno why you bother. That Stella.
0:34:30 > 0:34:32Everyone knows she's the school bike.
0:34:34 > 0:34:37Women. They all lose it, don't they? In the end.
0:34:38 > 0:34:41What do you know? For fuck's sake.
0:34:41 > 0:34:43Mam, she lost it.
0:34:46 > 0:34:48You know, fuck off, Angus, right.
0:34:48 > 0:34:51Doing me fucking head in. You're doing fucking everyone's head in.
0:34:55 > 0:34:59Fucking Stella. Fucking tart. Just like Mam.
0:35:10 > 0:35:13You stupid fuck! Fuck off!
0:35:16 > 0:35:19Don't talk about Mam like that! Fuck off, right!
0:35:29 > 0:35:32Where you going? I'm doing sardines on toast, man.
0:35:34 > 0:35:36DOOR SLAMS
0:35:38 > 0:35:40It's because they don't think I'm a proper teacher.
0:35:40 > 0:35:45Any excuse for Cafferty to stitch me up. First Syd Jones, and now this.
0:35:45 > 0:35:48Watch, tomorrow morning he's going to go straight to the head about the smoking.
0:35:50 > 0:35:53I don't see what's so bad. In France, everybody smokes.
0:35:53 > 0:35:56Even small children. It's normal.
0:36:06 > 0:36:09They've been together for three years, have they?
0:36:09 > 0:36:11- And she never speaks? - We've never heard her.
0:36:11 > 0:36:13- Nobody has. - What about you, Miss?
0:36:13 > 0:36:17- You seeing anyone? - I'm not telling you that, Daz.
0:36:17 > 0:36:18- Why not? - Because I'm not.
0:36:18 > 0:36:20- Oh, come on. - And anyway,
0:36:20 > 0:36:23it's first name terms tonight. So you got to call me Viv.
0:36:23 > 0:36:24Sorry, Viv.
0:36:25 > 0:36:29Hey, any chance of a top-up, Mr Chisolm? I mean, Derek.
0:36:30 > 0:36:32Hey, now, lads, right. There's school tomorrow.
0:36:38 > 0:36:42Turn your frown upside down, Sir.
0:36:45 > 0:36:49Are you OK, Miss? I think you should have started eating earlier.
0:36:49 > 0:36:50KNOCK ON DOOR
0:36:50 > 0:36:52Oh, we're busy, we're busy.
0:36:52 > 0:36:53I need a towel.
0:36:56 > 0:36:59It's the prawn salad.
0:36:59 > 0:37:01I'm allergic. Always happens.
0:37:06 > 0:37:08Oh, Dawn.
0:37:08 > 0:37:10Whatever happens...
0:37:10 > 0:37:12- you got to promise me... - Miss Vivienne.
0:37:12 > 0:37:15..you'll never give up the violin.
0:37:15 > 0:37:18- It's piano, miss. - Yeah.
0:37:20 > 0:37:21Miss Mae?
0:37:21 > 0:37:25Viv, Vivienne. You all right?
0:37:38 > 0:37:41MARGARET THATCHER ON TV: 'Madam Chairman, ladies and gentlemen,
0:37:41 > 0:37:46'I presume this is to enable us to sweep Britain clean of socialism.
0:37:51 > 0:37:55'I can foresee that it will become as famous as Quentin Bell.'
0:37:56 > 0:37:58Davy?
0:38:06 > 0:38:08Angus?
0:38:26 > 0:38:28He's just being Angus, in't he?
0:38:29 > 0:38:31Come on, let me speak to him.
0:38:32 > 0:38:34What?
0:38:34 > 0:38:38No, no, no, no, no, hang on. This isn't about you and your new bloody life.
0:38:38 > 0:38:42I just wanted to know if you'd seen him. I wanted to know what's happening
0:38:42 > 0:38:44because I've got the right.
0:38:44 > 0:38:47Well, it wasn't me who bloody left, was it?!
0:39:20 > 0:39:23Oh, God.
0:39:25 > 0:39:28Smug twats.
0:39:28 > 0:39:31- Do they sleep in their tracksuits? - Oh, probably.
0:39:33 > 0:39:38- Oh, bugger. Bugger, bugger. - What are you going to do?
0:39:40 > 0:39:42Do you know, I've had an idea.
0:39:42 > 0:39:44Are you going to sleep with him?
0:39:44 > 0:39:47Oh, my God, you're so French. Headmaster!
0:39:48 > 0:39:52Headmaster. Can I just have an urgent word?
0:39:52 > 0:39:54- I need to talk to you about the show.- Yes, yes, of course.
0:39:54 > 0:39:56Come into my office.
0:39:56 > 0:40:00Now, the under-15s will be playing St Mary's tonight
0:40:00 > 0:40:03in the regional semifinals, so we wish them luck.
0:40:04 > 0:40:07Finally, I would like to make an announcement regarding
0:40:07 > 0:40:10this year's school musical.
0:40:10 > 0:40:13Miss Mae's groundbreaking production of Shakespeare's Tempest.
0:40:15 > 0:40:19I'm very happy to tell you that I have, like many of you,
0:40:19 > 0:40:22succumbed to Miss Mae's persuasive powers,
0:40:22 > 0:40:24and agreed, reluctantly of course,
0:40:24 > 0:40:27to take on the role of Prospero.
0:40:29 > 0:40:32It will provide me with a unique opportunity to participate
0:40:32 > 0:40:35in what will be, I'm sure, a very special evening.
0:40:38 > 0:40:39BELL RINGS
0:40:42 > 0:40:46Smoking, with a pupil? And in a public precinct?
0:40:46 > 0:40:49Very sorry, Headmaster, it won't happen again.
0:40:49 > 0:40:51For God's sake, woman, do you not understand?
0:40:51 > 0:40:56- There have to be boundaries. - Well, I'm not a maths teacher.
0:40:56 > 0:40:59I'm trying to get the kids to explore emotion.
0:41:00 > 0:41:03I want 'em to feel, when they sing a song
0:41:03 > 0:41:07or speak the written word, I want them to feel emotional impact.
0:41:07 > 0:41:09I want 'em to know what it's like when your heart breaks.
0:41:09 > 0:41:12When your soul or whatever you want to call it, soars and...
0:41:12 > 0:41:15I'm very well aware of the artistic process, Miss Mae.
0:41:15 > 0:41:18And, believe me, I know the potency of cheap music.
0:41:18 > 0:41:23No, it is not cheap music. I'm sorry, but they're a full orchestra.
0:41:23 > 0:41:26That's as may be. But there have to be boundaries,
0:41:26 > 0:41:30lines that do not get crossed.
0:41:30 > 0:41:33As I said, I'm very sorry. It won't happen again.
0:41:33 > 0:41:34Good.
0:41:34 > 0:41:38I'm... I'm glad we understand each other.
0:41:44 > 0:41:49Now, on a more positive note. How was the pizza evening?
0:41:50 > 0:41:54Great. Very successful, indeed.
0:41:54 > 0:41:56Good. Good.
0:41:56 > 0:41:59Um, uh, what time do you want me at rehearsals?
0:41:59 > 0:42:02Oh. Any time after 4.30.
0:42:03 > 0:42:05Hm.
0:42:12 > 0:42:14One bag of chips, please, Mrs Wong.
0:42:14 > 0:42:17One bag of chips, please, as well, Mrs Wong. Thank you.
0:42:20 > 0:42:23Davy. It's Stella.
0:42:25 > 0:42:26MUSIC DROWNS SPEECH
0:42:47 > 0:42:51Oh, where the hell is Stella?
0:42:51 > 0:42:55Come on, let's just...let's try it without her. I'll play Miranda.
0:42:55 > 0:42:57- What? - Come on, sing with me.
0:42:59 > 0:43:02All right.
0:43:02 > 0:43:06So, I want you to forget that you're on the stage. Right?
0:43:06 > 0:43:10Forget the world around you. Just feel what you're singing.
0:43:10 > 0:43:12Channel your emotions.
0:43:12 > 0:43:15You're lost. Shipwrecked.
0:43:15 > 0:43:18Miranda's your salvation, she's your destiny.
0:43:18 > 0:43:20This is the moment you fall in love.
0:43:27 > 0:43:31# I can hear so much
0:43:31 > 0:43:35# In your sighs
0:43:35 > 0:43:39# And I can see so much
0:43:39 > 0:43:43# In your eyes
0:43:43 > 0:43:49# There are words we both could say
0:43:51 > 0:43:53# Don't talk
0:43:53 > 0:43:59# Put your head on my shoulder
0:43:59 > 0:44:01# Come close
0:44:01 > 0:44:07# Close your eyes and be still
0:44:07 > 0:44:09# Don't talk
0:44:09 > 0:44:12# Take my hand
0:44:12 > 0:44:18# And let me hear your heart
0:44:18 > 0:44:21# Beat... #
0:44:23 > 0:44:24DOOR OPENS
0:44:24 > 0:44:28Hello, everyone. Apologies for my tardiness.
0:44:28 > 0:44:31- Welcome, Headmaster. - I thought I'd, uh, dress casual.
0:44:32 > 0:44:34Great.
0:44:34 > 0:44:37Ah, the goddess on whom the music attends.
0:44:37 > 0:44:40- Sorry I'm late, Miss.- Don't worry, I did your bit for you.
0:44:40 > 0:44:43You're not indispensable, Stella Jones. Just remember that. Nobody is.
0:44:43 > 0:44:46It won't happen again, Miss Mae. The both of us will be punctual next time.
0:44:46 > 0:44:49- Won't we, Stella?- Right, let's try it again, shall we?
0:44:49 > 0:44:50- From where? - Well, the same place.
0:44:50 > 0:44:54If that's all right with you. When Miranda first sets eyes on Ferdinand.
0:44:54 > 0:44:57- It's the moment they fall in love. - All these songs are about love.
0:44:57 > 0:44:59It gets confusing.
0:45:00 > 0:45:04- Um, where do you want me? - Oh, by Ariel and Iris.
0:45:08 > 0:45:10Well, you got to look into each other's eyes.
0:45:13 > 0:45:17Most sure, it is the goddess on whom the music attends.
0:45:18 > 0:45:23O you wonder! Tell me if you be maid or no.
0:45:23 > 0:45:26No wonder, sir, but certainly a maid.
0:45:29 > 0:45:33# I can hear so much
0:45:33 > 0:45:37# In your sighs
0:45:37 > 0:45:41# And I can see so much
0:45:41 > 0:45:45# In your eyes
0:45:45 > 0:45:53# There are words we both could say
0:45:53 > 0:45:56# Don't talk
0:45:56 > 0:46:00# Put your head on my shoulder
0:46:02 > 0:46:03# Come close
0:46:03 > 0:46:07# Close your eyes and be still
0:46:09 > 0:46:12# Don't talk
0:46:12 > 0:46:14# Take my hand
0:46:14 > 0:46:20# And let me hear your heart
0:46:20 > 0:46:22# Heart beat... #
0:46:23 > 0:46:26- Just piss off, Stella! - Well, what's wrong now?
0:46:26 > 0:46:29You know exactly what's wrong. You're just a fucking prick-tease.
0:46:29 > 0:46:31No, I'm not.
0:46:31 > 0:46:33- Miss, can I be excused? - Yeah, go on.
0:46:33 > 0:46:36All right, hush. Just take a five minute break. Right, everyone.
0:46:38 > 0:46:42- You got to be more careful. - Did you hear what he called me?
0:46:42 > 0:46:43Yeah, I know, that was unnecessary...
0:46:43 > 0:46:45I'm not bloody singing again with him. No way.
0:46:45 > 0:46:47- Come on, Stella. - No. Forget it.
0:46:47 > 0:46:50He's lost the plot, he has, big time.
0:46:50 > 0:46:51LAUGHTER
0:46:52 > 0:46:55Um, I...you know, uh, as I said,
0:46:55 > 0:46:59it's... it's important that they explore their emotions.
0:46:59 > 0:47:03- Explore or indulge? - Well, it can get a bit messy.
0:47:07 > 0:47:09You all right?
0:47:09 > 0:47:11I'm sorry, Miss, I...
0:47:14 > 0:47:17Don't waste too much time, Davy.
0:47:18 > 0:47:21- What? - On Stella.
0:47:25 > 0:47:29She's bloody gorgeous. I can see that.
0:47:31 > 0:47:34But she might not be the one. You ever thought of that?
0:47:38 > 0:47:43I don't know much, but... I know you can't persuade someone to love you.
0:47:43 > 0:47:45And you can't blame them when they don't.
0:47:49 > 0:47:51- Thanks, Miss. - You're welcome, Davy.
0:47:55 > 0:48:01# Strange face, with your eyes
0:48:01 > 0:48:06# So pale and sincere
0:48:06 > 0:48:12# Underneath you know well
0:48:12 > 0:48:18# You have nothing to fear
0:48:18 > 0:48:23# For the dreams that came
0:48:23 > 0:48:28# To you when so young
0:48:30 > 0:48:34# Told of a life
0:48:34 > 0:48:42# Where spring is sprung
0:48:51 > 0:48:56# You would seem so frail
0:48:56 > 0:49:02# In the cold of the night
0:49:02 > 0:49:08# When the armies of emotion
0:49:08 > 0:49:13# Go out to fight
0:49:15 > 0:49:19# But while the earth
0:49:19 > 0:49:25# Sinks to its grave
0:49:25 > 0:49:30# You sail to the sky
0:49:30 > 0:49:36# On the crest of a wave
0:49:38 > 0:49:46# Ah ah-ah ah ah-ah... #
0:50:15 > 0:50:20# And if one day
0:50:20 > 0:50:26# You should see me in the crowd
0:50:29 > 0:50:33# Lend a hand and lift me
0:50:37 > 0:50:40# To your place
0:50:40 > 0:50:44# In the cloud. #
0:50:49 > 0:50:51Do you ever feel like an alien?
0:50:52 > 0:50:56Like sometimes I think I've been stranded on this planet,
0:50:56 > 0:50:59and that one day they're going to come and pick me up. Take me back.
0:50:59 > 0:51:04Well, if that happens, let me know. Maybe they'll take me with you.
0:51:04 > 0:51:07Let's go for a swim. To cool off.
0:51:07 > 0:51:09- Let's not. - Oh, come on...
0:51:09 > 0:51:12Oh, yeah, let's. Let's go down the lido.
0:51:26 > 0:51:30- You sure they won't be back? - I told you. They're at my uncle's.
0:51:30 > 0:51:35- All night. - What about Lewis?
0:51:35 > 0:51:38He thinks you're at the hospital. He's over at Hoople's.
0:51:40 > 0:51:44Ah, I should go. I want to see my dad.
0:51:44 > 0:51:46Yeah, OK.
0:51:54 > 0:51:56I'll go see him tomorrow.
0:52:33 > 0:52:35Don't, you'll ruin my hair.
0:53:05 > 0:53:09Oh, I was starting to think you'd run away an' all.
0:53:09 > 0:53:11- No, I've just been riding around. - Oh, aye.
0:53:13 > 0:53:14Spoke to your mother.
0:53:16 > 0:53:18- All right? - Aye.
0:53:18 > 0:53:22No problem. Angus is staying over her place for a few days.
0:53:23 > 0:53:26Got a surprise for you boys.
0:53:26 > 0:53:27Come and see.
0:53:33 > 0:53:37- A fridge? - Freezer. Fridge...
0:53:37 > 0:53:39It's not ours yet, of course, but it will be,
0:53:39 > 0:53:42so I don't want any dents or scratches, right.
0:53:47 > 0:53:50- What are they? - Melon balls.
0:53:52 > 0:53:56Ice cream, too, and Tip Tops for Angus.
0:53:56 > 0:53:58He's always going on about your mam's deep freeze
0:53:58 > 0:54:01over her bloke's in Porthcawl.
0:54:01 > 0:54:04- Still don't know what she sees in him.- He's got a deep freeze, hasn't he?
0:54:17 > 0:54:23He's a nasty little troublemaker. A very disruptive influence in class.
0:54:23 > 0:54:27Yeah, well, that wouldn't happen on my watch, Miss Valentine.
0:54:27 > 0:54:31Next time, just send the little bugger over to me.
0:54:31 > 0:54:33- Who are we talking about? - Kenny Loder.
0:54:33 > 0:54:36His brother was just the same.
0:54:36 > 0:54:39You know, I'm interested, as an expert...
0:54:39 > 0:54:42Oh, no, wait, as a social studies teacher.
0:54:42 > 0:54:44Do you think he was born a nasty little troublemaker
0:54:44 > 0:54:48or did we turn him into one? Cos he's doing really well for me.
0:54:48 > 0:54:52- He can sing, for a start. - It won't last. Mark my words.
0:54:52 > 0:54:54- Biscuit fund. - Why? Because you only have
0:54:54 > 0:54:56- one approach? - Miss Mae, I believe you've already
0:54:56 > 0:55:00had one official warning in your brief time here.
0:55:00 > 0:55:03It might pay you to show some humility.
0:55:07 > 0:55:10- No, thanks, I'm on a diet. - But you had a biscuit.
0:55:10 > 0:55:13- What? - Yesterday. You had a biscuit.
0:55:13 > 0:55:18Actually, you had two. You had one on Tuesday as well. Digestive.
0:55:24 > 0:55:27- Am I really that ugly, then? - No.
0:55:27 > 0:55:28Well, what is it, then?
0:55:40 > 0:55:43I'm not sure it's...girls I like.
0:55:44 > 0:55:48What? You're...you're a poof?
0:55:48 > 0:55:52I just need some time to work it out.
0:55:53 > 0:55:55You've already worked it out, I reckon.
0:55:55 > 0:55:57I'm not ashamed of it.
0:56:05 > 0:56:08I always knew you were different.
0:56:08 > 0:56:10That's why I liked you, I suppose.
0:56:10 > 0:56:13Not like the other twats in this school.
0:56:19 > 0:56:20So have you told anyone else?
0:56:26 > 0:56:27Well, I'm glad you told me.
0:56:31 > 0:56:32So am I.
0:57:03 > 0:57:07# We passed upon the stair
0:57:07 > 0:57:11# We spoke of was and when
0:57:11 > 0:57:15# Although I wasn't there
0:57:15 > 0:57:18# He said I was his friend
0:57:18 > 0:57:22# Which came as some surprise
0:57:22 > 0:57:25# I spoke into his eyes
0:57:25 > 0:57:29# I thought you died alone
0:57:29 > 0:57:31# A long, long time ago
0:57:34 > 0:57:38# Oh, no, not me
0:57:38 > 0:57:42# I never lost control
0:57:42 > 0:57:46# You're face to face
0:57:46 > 0:57:51# With the man who sold the world
0:58:03 > 0:58:06# I laughed and shook his hand
0:58:07 > 0:58:11# And made my way back home
0:58:11 > 0:58:13# I searched for form and land
0:58:15 > 0:58:18# For years and years I roamed
0:58:18 > 0:58:22# I gazed a gazely stare
0:58:22 > 0:58:25# At all the millions here
0:58:25 > 0:58:28# We must have died alone
0:58:28 > 0:58:31# A long, long time ago
0:58:34 > 0:58:36# Who knows?
0:58:36 > 0:58:38# Not me
0:58:38 > 0:58:41# We never lost control
0:58:41 > 0:58:45# You're face to face
0:58:45 > 0:58:49# With the man who sold the world. #
0:58:56 > 0:59:00Right. Prospero, Caliban. Headmaster, you're on. Kenny.
0:59:00 > 0:59:02From, uh, "What ho, slave."
0:59:03 > 0:59:04Oh...
0:59:11 > 0:59:14What ho, slave! Caliban.
0:59:14 > 0:59:17Thou earth, thou! Fetch some wood.
0:59:17 > 0:59:20There's wood enough already. Fuck off.
0:59:21 > 0:59:25Yeah. Think it, don't say it, Kenny.
0:59:25 > 0:59:27He's improvising. He's just working it out.
0:59:27 > 0:59:30I don't think the f-word has any place in Shakespeare.
0:59:30 > 0:59:33Well, it's actually very old, the f-word.
0:59:33 > 0:59:36- It's also very offensive. - Well, so is Caliban.
0:59:36 > 0:59:39- Boundaries, Miss Mae, boundaries. - Yes, Headmaster.
0:59:39 > 0:59:40Carry on. Thank you.
0:59:43 > 0:59:48There's other business for thee, too. Come here, tortoise.
0:59:48 > 0:59:51This island's mine, by...
0:59:52 > 0:59:54- Sycorax. - Fuck!
0:59:54 > 0:59:58- It's all right, go on. - Sycorax, my mother,
0:59:58 > 1:00:00which you stole from me,
1:00:00 > 1:00:03uh, when you came first you stroked me.
1:00:04 > 1:00:05Sh! Stop!
1:00:05 > 1:00:08Just fuck off! You're fucking dead! And you!
1:00:10 > 1:00:12- Pay no attention to him, please. - Kenneth.
1:00:12 > 1:00:13Look, don't you get it?
1:00:13 > 1:00:16I never wanted to do this poxy musical in the first place.
1:00:16 > 1:00:19- I know, Kenny, just come back. - Just fuck off, Miss, will you!
1:00:19 > 1:00:20- ALL:- Ooh!
1:00:20 > 1:00:21Quiet!
1:00:48 > 1:00:52"Feeling both the fury and the passion of this sweet air."
1:01:13 > 1:01:15DOORBELL RINGS
1:01:20 > 1:01:23Oh, hi. You look smart.
1:01:23 > 1:01:26I'm just on my way home from work.
1:01:26 > 1:01:29I was wondering if you'd fancy going for a spin later, like?
1:01:29 > 1:01:32- Where to? - Anywhere you fancy.
1:01:32 > 1:01:35Have you ever heard of this place called The Casablanca?
1:01:35 > 1:01:38- No. - It's this club I fancied going to.
1:01:38 > 1:01:41Nightclub, sure. Why not?
1:01:44 > 1:01:47I propose a toast...
1:01:47 > 1:01:52to groundbreaking, cutting-edge, Shakespearean, concept rock operas.
1:01:52 > 1:01:54- Did I leave anything out? - No, I don't think so.
1:01:54 > 1:01:56- Good. Come on, then. - Right.
1:01:58 > 1:01:59- Cheers. - Cheers.
1:01:59 > 1:02:00Up your bum.
1:02:00 > 1:02:02THEY LAUGH
1:02:05 > 1:02:11Ah. Ah, I gained a Prospero and lost a Caliban. It's hardly a fair swap.
1:02:11 > 1:02:13- Kenny might come back. - No.
1:02:13 > 1:02:16I think Lord Olivier is here to stay, though. I...
1:02:16 > 1:02:19"I thought I'd dress casual."
1:02:19 > 1:02:21He's on my side, deep down.
1:02:21 > 1:02:22KNOCK ON DOOR
1:02:23 > 1:02:25Oh, my God, who the hell can that be?
1:02:25 > 1:02:27My God, who's that? You get it.
1:02:27 > 1:02:29- No, I'm not going. - I'll go!
1:02:34 > 1:02:36Hello?
1:02:36 > 1:02:39Davy. What are you doing up here?
1:02:39 > 1:02:43I was on my way to my nan's. She lives over in Briton Ferry.
1:02:43 > 1:02:45Oh, right.
1:02:45 > 1:02:50It's just... I come off my bike. I think I got a puncture.
1:02:50 > 1:02:53- Are you all right? - I'm fine.
1:02:53 > 1:02:54You want to come in?
1:02:55 > 1:02:57OK.
1:03:05 > 1:03:08# You got a thing about you
1:03:08 > 1:03:12# I just can't live without you
1:03:12 > 1:03:17# I really want you Elenore near me... #
1:03:19 > 1:03:21..always makes me want tequila.
1:03:21 > 1:03:23# Your looks intoxicate me
1:03:23 > 1:03:27# Even though your folks hate me
1:03:27 > 1:03:32# There's no-one like you Elenore really
1:03:35 > 1:03:39# Elenore gee I think you're swell
1:03:39 > 1:03:43# And you really do me well
1:03:43 > 1:03:47# You're my pride and joy et cetera
1:03:50 > 1:03:52# Elenore... #
1:03:52 > 1:03:54- Looks crap. - Come on, it sounds good.
1:03:54 > 1:03:58# ..to ask you to speak your mind
1:03:58 > 1:04:02# Tell me that you love me better
1:04:06 > 1:04:08# I really think you're groovy
1:04:08 > 1:04:12# Let's go out to a movie
1:04:12 > 1:04:17# What do you say now, Elenore, can we? #
1:04:21 > 1:04:22KNOCKS ON DOOR
1:04:51 > 1:04:54# Listen to the sound the drummer
1:04:54 > 1:04:56# Thumping to the beat of my heart
1:04:57 > 1:05:00# Feel that bass, you can't keep the pace
1:05:00 > 1:05:03# It's tearing my brain apart
1:05:03 > 1:05:05# Whoa, I never ever felt like this... #
1:05:05 > 1:05:07- Want a drink?- Yes, please.
1:05:07 > 1:05:09- What kind of drink do you want? - I don't mind.
1:05:12 > 1:05:15- # Turning my heartbeat up - Ooo eee
1:05:15 > 1:05:18- # Turning my heartbeat up - It's getting louder
1:05:18 > 1:05:22- # Turning my heartbeat up - Oooh ooh ooh
1:05:22 > 1:05:24# Turning my heartbeat up
1:05:24 > 1:05:27# I keep on telling you you're turning my heartbeat up... #
1:05:27 > 1:05:29- What's all these? - American imports.
1:05:29 > 1:05:31# You're turning my heartbeat up
1:05:31 > 1:05:33# Yeah, you're turning my heartbeat up
1:05:33 > 1:05:35# Yeah yeah yeah
1:05:35 > 1:05:39# You're turning my heartbeat up... #
1:05:39 > 1:05:44There's no bar. There's no fucking bar! What are we doing here?
1:05:44 > 1:05:45- It's good. - It's not good, it's shit.
1:05:45 > 1:05:47- It's good. - It's not good, it's crap.
1:05:47 > 1:05:50- Let's go somewhere else. - Just leave it.
1:05:50 > 1:05:52- What's your fucking game? - Get off me!
1:05:52 > 1:05:56# I got a little volcano about to erupt... #
1:05:56 > 1:05:57MUFFLED MUSIC CONTINUES
1:05:59 > 1:06:01- Let me give you a lift home. - Piss off.
1:06:13 > 1:06:16Right. There you go.
1:06:16 > 1:06:19You should be quite comfortable on that settee.
1:06:20 > 1:06:22Thanks.
1:06:24 > 1:06:29It's going to be great. The show.
1:06:29 > 1:06:30Yeah.
1:06:32 > 1:06:35Listen, are you sure you don't want to phone your dad?
1:06:36 > 1:06:38We don't have a phone.
1:06:40 > 1:06:43Anyway, he's working nights.
1:06:45 > 1:06:48OK, well, sleep tight, then.
1:07:00 > 1:07:01CAR HORN TOOTS
1:07:03 > 1:07:05Just get lost, will you!
1:07:05 > 1:07:08Stella, you OK?
1:07:12 > 1:07:13Are you all right?
1:08:25 > 1:08:26Davy?
1:08:29 > 1:08:30You all right?
1:08:32 > 1:08:34- What's wrong? - Um...
1:08:40 > 1:08:41Nothing.
1:09:09 > 1:09:10School tomorrow.
1:10:02 > 1:10:03KNOCK ON DOOR
1:10:03 > 1:10:04Hello.
1:10:09 > 1:10:10Hello?
1:10:14 > 1:10:17- All right? - Hi.
1:10:18 > 1:10:20- Viv about? - Through there.
1:10:26 > 1:10:29- Ah, Timothy. - All right?
1:10:30 > 1:10:33- Just brought these round for her. - Yeah, fine.
1:10:33 > 1:10:35Ah, Davy, you're up. I didn't want to knock.
1:10:35 > 1:10:39- How was the sofa? - Uh, OK.
1:10:39 > 1:10:43This is Rhys, by the way. Viv's... Miss Mae's brother.
1:10:43 > 1:10:45You're one of her pupils then, are you?
1:10:45 > 1:10:48- What are you doing here? - That's nice.
1:10:48 > 1:10:50On my way to work. I brought that stuff you wanted, of Dad's.
1:10:50 > 1:10:52- Oh, OK. - Shouldn't you be at school?
1:10:52 > 1:10:54- Yeah. - Bonjour.
1:10:54 > 1:10:57I had the most amazing dream last night.
1:10:57 > 1:11:02I was making love to a man with a beard.
1:11:02 > 1:11:03Hi.
1:11:03 > 1:11:06I'm Sylvie. I'm French.
1:11:06 > 1:11:08I am Rhys and I am Welsh.
1:11:20 > 1:11:23- Hey, Hoople, are you OK? - Yeah, I'm OK. You?
1:11:23 > 1:11:25Yeah. See you later.
1:11:42 > 1:11:44- What's going on? - Oh, it's the school hall, Miss.
1:11:44 > 1:11:46It burnt down. We got a day off.
1:11:46 > 1:11:47DAVY: Christ!
1:11:49 > 1:11:50Oh, no!
1:12:02 > 1:12:04All clear now, love.
1:12:20 > 1:12:22Oh, my God.
1:12:45 > 1:12:47MURMUR OF CONVERSATION
1:13:05 > 1:13:09If I could have your attention, please. Thank you.
1:13:09 > 1:13:12Now, all classes are suspended
1:13:12 > 1:13:15until the building has been made safe.
1:13:15 > 1:13:19Sporting events should go ahead on the field,
1:13:19 > 1:13:24but, uh, obviously there will be no school show.
1:13:24 > 1:13:27Otherwise, I think we should do our best to get on with things
1:13:27 > 1:13:29and get things back to normal as soon as possible.
1:13:29 > 1:13:33Now, I've just come off the telephone to the police.
1:13:33 > 1:13:35I reckon it was the wiring, Headmaster.
1:13:35 > 1:13:37Those lights were dodgy as shit anyway.
1:13:37 > 1:13:39There was nothing wrong with those lights.
1:13:39 > 1:13:41- Headmaster, I have made a list... - Oh, don't tell me.
1:13:41 > 1:13:45Of all the nasty, little troublemakers in the school.
1:13:45 > 1:13:49Do you hate kids? I mean, is it all kids or is it just the poor ones?
1:13:49 > 1:13:52- Miss Mae, Vivienne... - And I've underlined in red
1:13:52 > 1:13:54all those who have a history of delinquency.
1:13:54 > 1:13:57- Miss Valentine, please. - Christ, do you ever stop, woman?!
1:13:57 > 1:14:00What do you want to do? You want to feel the bumps on their heads next?
1:14:00 > 1:14:04Someone has burnt half the fucking school down!
1:14:04 > 1:14:06- Language, please. - So let us stop this petty, liberal
1:14:06 > 1:14:09procrastination and take control of the situation.
1:14:09 > 1:14:13We are fiddling while Rome burns! Action must be taken!
1:14:13 > 1:14:16You see, that's it. "Petty, liberal procrastination."
1:14:16 > 1:14:18That is what you think self-expression is.
1:14:18 > 1:14:21And God forbid that you would ever go the extra mile to find out
1:14:21 > 1:14:23what those kids are actually good at!
1:14:23 > 1:14:26Well, it is no surprise that the fire started where it did.
1:14:26 > 1:14:28What is that supposed to mean, you condescending cow?!
1:14:28 > 1:14:30- Please, ladies, please! - It is perfectly obvious!
1:14:30 > 1:14:33Please! Now, if you'd just listen to me.
1:14:33 > 1:14:36I've just been on the telephone to the police.
1:14:36 > 1:14:38They've informed me that as of half an hour ago,
1:14:38 > 1:14:41they've taken in Kenneth Loder for questioning.
1:14:52 > 1:14:54Miss Mae.
1:15:04 > 1:15:06I even fucked up being a teacher.
1:15:08 > 1:15:12Maybe being a teacher isn't as easy as it looks.
1:15:12 > 1:15:16Anyway, who says you fucked it up? Everybody says you're a great teacher.
1:15:16 > 1:15:19- Who says I'm a great teacher? - Your two nutty friends.
1:15:24 > 1:15:27It meant such a lot to me, this show.
1:15:27 > 1:15:30I thought it meant a lot to them, too, you know.
1:15:31 > 1:15:34Half the time he couldn't even be bothered to turn up to rehearsals.
1:15:34 > 1:15:36That is what kids do. They skive off. It's their job.
1:15:36 > 1:15:38I never did that.
1:15:40 > 1:15:43You know your trouble, don't you?
1:15:43 > 1:15:46You have got high expectations.
1:15:46 > 1:15:48Whereas I have always had low expectations,
1:15:48 > 1:15:50which is why I never disappoint myself.
1:15:51 > 1:15:53You should try it sometime.
1:15:54 > 1:15:59- Lowering your expectations. - I don't want to end up like you.
1:16:04 > 1:16:09Two chips, please, Mrs Wong. Bloody fantastic.
1:16:10 > 1:16:14"Hi, Hoople", she said, "see you later."
1:16:14 > 1:16:17And now there won't be any fucking rehearsals.
1:16:17 > 1:16:20Fuck! Just my bastard luck! Fucking Kenny.
1:16:20 > 1:16:23See, I don't think it was him. I think it was Angus.
1:16:23 > 1:16:26You know he's always setting stuff alight. You know, blowing things up.
1:16:26 > 1:16:27- Ah, you can talk.- True.
1:16:27 > 1:16:29Lots of salt and vinegar, please, Mrs Wong.
1:16:29 > 1:16:32A lot more than you'd think acceptable.
1:16:32 > 1:16:35See, he's always got that fucking lighter on him as well.
1:16:35 > 1:16:37- You know what I mean? - Well, he does smoke.
1:16:37 > 1:16:40Are you the fuckers that dropped my brother in it?
1:16:44 > 1:16:47- Oh, fucking hell, Hoople! - Let's fucking have them!
1:16:47 > 1:16:49Come back!
1:16:49 > 1:16:52- You're fucking dead! - Let's fucking get them!
1:16:52 > 1:16:54You fucking pricks!
1:16:54 > 1:16:55Come here!
1:16:55 > 1:16:57Come on!
1:16:58 > 1:16:59Let's have them!
1:17:01 > 1:17:03- Fucking wankers! - Let's fucking get them!
1:17:03 > 1:17:05Let's have 'em!
1:17:17 > 1:17:20- Oi, leave him alone! - Fuck off!
1:17:20 > 1:17:22I said fucking leave him alone!
1:17:22 > 1:17:24- Is that right? - Come on, then!
1:17:28 > 1:17:32Oi, leave him alone, you lot! I'll call the police.
1:17:32 > 1:17:35- Fuck off, you wanker! - Fucking wanker!
1:17:40 > 1:17:43- Hoople? You all right, or what? - Fuck.
1:17:48 > 1:17:50It's not the first time, to be honest with you.
1:17:52 > 1:17:54- It's boys, innit? - Is this him?
1:17:54 > 1:17:56No, it's my eldest boy, Davy.
1:17:56 > 1:18:01- Everything all right?- Angus is not at your mother's no more.
1:18:01 > 1:18:05Had an argument with her boyfriend a couple of nights ago.
1:18:05 > 1:18:06Run off, hasn't come back.
1:18:08 > 1:18:11- Well, where is he now? - Well, he's gone missing, ain't he?
1:18:11 > 1:18:12Again?
1:18:17 > 1:18:20Look. Fucking broke them. Jesus Christ.
1:18:20 > 1:18:24Look at 'em. Could have broken it.
1:18:32 > 1:18:35- You bastard! - Lewis, don't.
1:18:35 > 1:18:37Why him? You're my best mate, for fuck's sake.
1:18:37 > 1:18:40- That's way out of order. - I knew he'd act like this.
1:18:40 > 1:18:43You dumped me. I thought it was cos of your dad. You fucking used me.
1:18:43 > 1:18:46- Why are you so angry, Lewis? - Because you're my sister. You can't.
1:18:46 > 1:18:48- Why not? - He's in the band, you dozy cow,
1:18:48 > 1:18:49- that's why not. - Shut up, Hoople.
1:18:49 > 1:18:52- So? - You just don't get it, do you?
1:18:55 > 1:18:57Look, mate, there's some things you just don't do.
1:18:57 > 1:19:00Piss off, Hoople. Just piss off!
1:19:00 > 1:19:03All right, then. I will.
1:19:22 > 1:19:23Swig?
1:19:25 > 1:19:26Thanks.
1:19:28 > 1:19:30Talked to your mother.
1:19:30 > 1:19:33She said Angus has been spotted hanging round the arcades
1:19:33 > 1:19:35down by the fair in Porthcawl.
1:19:37 > 1:19:39Well, that's a relief, innit?
1:19:40 > 1:19:44- How come? - Well...
1:19:44 > 1:19:48means it couldn't have been him that started that fire, doesn't it?
1:19:48 > 1:19:51I mean, if he was in Porthcawl last night...
1:19:54 > 1:19:56He's probably gone round Nan's by now.
1:19:57 > 1:19:59I'll go round in the morning.
1:20:02 > 1:20:05Shame about the show, huh?
1:20:08 > 1:20:10You worked hard for that, son.
1:20:15 > 1:20:17So, what are you going to do, Miss Mae?
1:20:20 > 1:20:24We used to put on these little concerts in our back garden.
1:20:24 > 1:20:28Directed by me, of course. Starring me, obviously.
1:20:28 > 1:20:32Accompanied by Rhys on his plastic Woolworth Beatles guitar.
1:20:32 > 1:20:33God, I wish I'd had a bossy sister like you.
1:20:37 > 1:20:39So, what are you going to do?
1:20:42 > 1:20:46He always encouraged me, my dad. That's the thing.
1:20:52 > 1:20:55"Don't let the bastards grind you down."
1:20:55 > 1:20:58Oh, that was his favourite quote, even when he was ill.
1:20:58 > 1:21:00- Karl Marx? - Yeah, well, it's...
1:21:00 > 1:21:03actually got a lot more impact in the original German.
1:21:05 > 1:21:09Right, I think I spotted some sherry in the kitchen. From Christmas.
1:21:09 > 1:21:12- Really?- Technically it's an aperitif, I know.
1:21:26 > 1:21:29- Well, it hasn't rained all summer. - 'Beg your pardon?'
1:21:29 > 1:21:31- It hasn't rained all summer. - 'Very good.'
1:21:31 > 1:21:35- Yeah. If it rains, it rains. - 'It is called The Tempest.'
1:21:35 > 1:21:38Oh, yeah, it is called The Tempest, Headmaster, very funny, yeah.
1:21:38 > 1:21:40'Yes, good idea.'
1:21:40 > 1:21:43I think Shakespeare would approve. Out there in nature, under the stars.
1:21:43 > 1:21:45'Yes, yes, yes, yes, well, well...'
1:21:45 > 1:21:49Yes. Yes, Headmaster. Right, I'll see you later.
1:21:49 > 1:21:51'Bye-bye.'
1:21:51 > 1:21:54I've seen so many of these over the years.
1:21:54 > 1:21:58The children never get any older, do they?
1:21:58 > 1:22:00It's just the rest of us.
1:22:04 > 1:22:08You know the police have released Kenneth Loder?
1:22:09 > 1:22:13- I didn't know that, no. - Yeah, lack of evidence, apparently.
1:22:13 > 1:22:16So, the culprit is still out there somewhere.
1:22:19 > 1:22:21You thought about my proposal, then?
1:22:21 > 1:22:25Now, I know you think I'm an old fogey, but during the war,
1:22:25 > 1:22:30when I was in the Services, we used to put shows on all the time.
1:22:30 > 1:22:34Raise morale, that sort of thing. We had such fun.
1:22:34 > 1:22:41And those shows, well, I'd like to think that they made a difference.
1:22:41 > 1:22:44- Shall I take that as a yes, then? - Extreme times call for
1:22:44 > 1:22:47extreme measures, don't you think, Miss Mae?
1:22:47 > 1:22:53Not that there's a war on now, of course, but, uh, you get my drift?
1:22:53 > 1:22:55There's always a war on, Headmaster.
1:23:02 > 1:23:07What about Miss Valentine? Is she the future?
1:23:07 > 1:23:12"O brave new world that has such people in't."
1:23:22 > 1:23:26Kenny, what are you doing here? Are you all right?
1:23:29 > 1:23:33I bet you think it was me an' all, don't you? Who started the fire.
1:23:33 > 1:23:37- No, I don't. - Well, good. Because it wasn't.
1:23:43 > 1:23:46- I'm putting the show back on. - No.
1:23:46 > 1:23:50No way. No way, miss. Everybody fucking hates me.
1:23:50 > 1:23:52No, everybody hates me.
1:23:53 > 1:23:56You don't have to play Caliban.
1:23:56 > 1:24:00Just do a couple of lines. I got another part for you.
1:24:02 > 1:24:03Come on, let's show 'em.
1:24:07 > 1:24:09'A devil, a born devil.'
1:24:09 > 1:24:11On whose nature Nurture can never stick.
1:24:13 > 1:24:17On whom my pains humanely taken, all...
1:24:17 > 1:24:21All lost, quite lost.
1:24:21 > 1:24:24And as with age, his body uglier grows,
1:24:24 > 1:24:27so his mind canker.
1:24:27 > 1:24:31I will plague them all, even to roaring.
1:24:32 > 1:24:35Even to roaring!
1:24:36 > 1:24:38Roaring!
1:24:38 > 1:24:41HE COUGHS
1:24:45 > 1:24:50'Most sure, 'tis the goddess on whom the music attends.'
1:24:50 > 1:24:54Most sure, 'tis the goddess on whom the music attends.
1:24:54 > 1:24:58'O you wonder! Tell me if you be maid or no.'
1:24:59 > 1:25:03O you wonder! Tell me if you be maid or no.
1:25:03 > 1:25:06Davy? I'm off to work now.
1:25:06 > 1:25:08Good luck for tonight.
1:25:08 > 1:25:12No wonder, sir, but certainly a maid.
1:25:12 > 1:25:14Yeah, that sounds nice.
1:25:17 > 1:25:20More work. Let me remind you of what you promised me
1:25:20 > 1:25:24which has not yet been performed. My liberty.
1:25:24 > 1:25:26- Go on. - Be not a feared,
1:25:26 > 1:25:29the isle is full of noises, sounds and sweet airs
1:25:29 > 1:25:32that give delight and hurt not.
1:25:42 > 1:25:43Need a hand?
1:25:46 > 1:25:48I said I'm sorry, Lew.
1:25:51 > 1:25:52Fuck's sake, Lewis.
1:25:58 > 1:26:00One last gig?
1:26:36 > 1:26:38INSTRUMENTS TUNING UP
1:26:47 > 1:26:49HARP PLAYS
1:27:26 > 1:27:30# It's a God-awful small affair
1:27:30 > 1:27:34# To the girl with the mousy hair
1:27:34 > 1:27:38# But her mummy is yelling, "No"
1:27:38 > 1:27:43# And her daddy has told her to go
1:27:43 > 1:27:47# But her friend is nowhere to be seen
1:27:47 > 1:27:51# Now she walks through her sunken dream
1:27:51 > 1:27:55# To the seat with the clearest view
1:27:55 > 1:27:58# And she's hooked to the silver screen
1:27:59 > 1:28:03# But the film is a saddening bore
1:28:03 > 1:28:07# For she's lived it ten times or more
1:28:07 > 1:28:11# She could spit in the eyes of fools
1:28:11 > 1:28:14# As they ask her to focus on
1:28:14 > 1:28:18# Sailors fighting in the dance hall
1:28:18 > 1:28:23# Oh, man, look at those cavemen go
1:28:24 > 1:28:28# It's the freakiest show
1:28:28 > 1:28:31# Take a look at the lawman
1:28:31 > 1:28:33# Beating up the wrong guy
1:28:33 > 1:28:37# Oh, man, wonder if he'll ever know
1:28:39 > 1:28:43# He's in the bestselling show
1:28:43 > 1:28:51# Is there life on Mars? #
1:29:24 > 1:29:25CHEERING
1:29:34 > 1:29:36INSTRUMENTS MIMIC WIND
1:30:08 > 1:30:11Hi, hi, my hearts.
1:30:11 > 1:30:14Cheerily, cheerly my hearts.
1:30:14 > 1:30:16Take down the topsail.
1:30:16 > 1:30:19Tend to the master's whistle.
1:30:20 > 1:30:23Blow to thou, blow my wind.
1:30:23 > 1:30:25Down with the top mast.
1:30:25 > 1:30:28A plague upon this howling!
1:30:38 > 1:30:42# I've been thinking now
1:30:42 > 1:30:46# For a long time
1:30:46 > 1:30:48# How to go
1:30:48 > 1:30:53# My own separate way
1:30:55 > 1:30:59# It's a shame to think
1:30:59 > 1:31:03# About yesterday
1:31:03 > 1:31:08# It's a shame
1:31:08 > 1:31:12# A shame
1:31:12 > 1:31:17# A shame
1:31:17 > 1:31:21# A shame. #
1:32:53 > 1:32:56Our revels now are ended.
1:32:56 > 1:33:00And these, our actors, as I foretold you,
1:33:00 > 1:33:04were all spirits and are melted into air,
1:33:04 > 1:33:06into thin air.
1:33:06 > 1:33:10And like this insubstantial pageant, faded,
1:33:10 > 1:33:13leave not a rack behind.
1:33:15 > 1:33:20We are such stuff as dreams are made of,
1:33:20 > 1:33:24and our little life is rounded with a sleep.
1:34:02 > 1:34:03HE SIGHS
1:34:03 > 1:34:05ORCHESTRA PLAYS
1:34:30 > 1:34:33# Sailing away on the crest of a wave
1:34:33 > 1:34:37# It's like magic
1:34:37 > 1:34:41# Oh, rolling and riding and slipping and sliding
1:34:41 > 1:34:45# It's magic
1:34:45 > 1:34:47# And you
1:34:47 > 1:34:52# And your sweet desire
1:34:52 > 1:34:55# You took me
1:34:55 > 1:35:00- # Oh - Higher and higher, baby
1:35:01 > 1:35:03# It's a living thing
1:35:04 > 1:35:08# It's a terrible thing to lose
1:35:08 > 1:35:11# It's a given thing
1:35:12 > 1:35:16# What a terrible thing to lose
1:35:18 > 1:35:20And I'm taking a dive, dive, dive
1:35:22 > 1:35:24Halt the slide, slide, slide
1:35:29 > 1:35:33# Taking a dive cos you can't halt the slide
1:35:33 > 1:35:36- # Floating downstream - I'm taking a dive
1:35:36 > 1:35:40# Oh, so let her go Don't start spoiling the show
1:35:40 > 1:35:44- # It's a bad dream - I'm taking, I'm taking
1:35:44 > 1:35:46# And you
1:35:46 > 1:35:50# And your sweet desire
1:35:50 > 1:35:56- # Don't you do it - You took me
1:35:56 > 1:35:59# Higher and higher, baby
1:36:00 > 1:36:02# It's a living thing
1:36:04 > 1:36:08# It's a terrible thing to lose
1:36:08 > 1:36:10# It's a given thing
1:36:11 > 1:36:15# What a terrible thing to lose
1:36:15 > 1:36:17# It's a given thing
1:36:19 > 1:36:23# What a terrible thing to lose
1:36:23 > 1:36:25# It's a living thing
1:36:26 > 1:36:30# It's a terrible thing to lose
1:36:30 > 1:36:32# It's a given thing
1:36:34 > 1:36:37# What a terrible thing to lose
1:36:37 > 1:36:39# It's a living thing
1:36:41 > 1:36:45# What a terrible thing to lose
1:36:45 > 1:36:47# It's a given thing
1:36:48 > 1:36:52# What a terrible thing to lose
1:36:52 > 1:36:54# It's a living thing
1:36:56 > 1:37:01# What a terrible thing to lose. #
1:37:15 > 1:37:17CHEERING AND APPLAUSE
1:37:26 > 1:37:30# I think I'm going back
1:37:30 > 1:37:34# To the things I learned so well
1:37:34 > 1:37:38# In my youth
1:37:40 > 1:37:43# I think I'm returning to
1:37:43 > 1:37:49# Those days when I was young enough
1:37:49 > 1:37:52# To know the truth
1:37:52 > 1:37:57# Now there are no games
1:37:57 > 1:38:02# To only pass the time
1:38:02 > 1:38:06# No more colouring books
1:38:06 > 1:38:10# No Christmas bells to chime
1:38:11 > 1:38:18# But thinking young and growing older is no sin
1:38:21 > 1:38:28# And I can play the game of life to win
1:38:31 > 1:38:34# I can recall a time
1:38:34 > 1:38:42# When I wasn't ashamed to reach out to a friend
1:38:44 > 1:38:47# And now I think I've got
1:38:47 > 1:38:55# A lot more than a skipping rope to lend
1:38:57 > 1:39:00# Now there's more to do
1:39:00 > 1:39:04# Than watch myself or cry
1:39:04 > 1:39:09# And every day can be
1:39:09 > 1:39:13# My magical paradise
1:39:15 > 1:39:22# And I can play hide and seek with my fears
1:39:24 > 1:39:32# And live my days instead of counting my years
1:39:34 > 1:39:41# Let everyone debate the true reality
1:39:42 > 1:39:46# I'd rather see my world
1:39:46 > 1:39:50# The way it used to be
1:39:51 > 1:39:55# A little bit of freedom's
1:39:55 > 1:39:59# All we lack
1:40:01 > 1:40:04# So catch me if you can
1:40:04 > 1:40:10# I'm going back. #