0:00:26 > 0:00:29FOOTSTEPS
0:01:03 > 0:01:05Shall we paddle?
0:01:05 > 0:01:07I'd rather not.
0:01:07 > 0:01:09I'm going to.
0:01:20 > 0:01:22Oh! SHE LAUGHS
0:01:22 > 0:01:24Is it cold?
0:01:33 > 0:01:35Hey, Ursula, stop it!
0:01:37 > 0:01:40- Oh! Ursula, stop! - SHE LAUGHS
0:01:40 > 0:01:42No, please, I beg you, don't.
0:01:49 > 0:01:52RADIO: 'White, Dover, Thames, Humber, Heligoland.
0:01:52 > 0:01:55'South-to-southwest gales spreading from the west,
0:01:55 > 0:01:59'with rain and moderate or poor visibility.
0:01:59 > 0:02:00'Storms are imminent.'
0:02:05 > 0:02:07I'm going up.
0:02:07 > 0:02:11Right. Oh, I'm coming now.
0:02:25 > 0:02:28WIND HOWLING
0:02:54 > 0:02:57SEAGULLS SCREECHING
0:03:03 > 0:03:04Janet?
0:03:05 > 0:03:08- Janet!- Hmm?
0:03:08 > 0:03:10The sun's out again.
0:03:11 > 0:03:13JANET GROANS
0:03:15 > 0:03:18- SHE SIGHS - Oh, good.
0:03:22 > 0:03:26Oh. It's so gorgeous.
0:03:28 > 0:03:31Everything smells so fresh after the storm.
0:03:31 > 0:03:34We seem to have escaped relatively unscathed.
0:03:34 > 0:03:37Oh, the buddleia's knocked about a bit, though.
0:03:42 > 0:03:44The tide was quite high last night.
0:03:44 > 0:03:46Yes.
0:03:50 > 0:03:54What's that? Janet, quick, come here.
0:03:54 > 0:03:56What's that? There. At the end of the beach. That black thing.
0:03:58 > 0:04:00- I can't see it. - There... There.
0:04:02 > 0:04:03Oh. Oh, dear.
0:04:03 > 0:04:05I think it's a body.
0:04:06 > 0:04:09I'll telephone Pendered.
0:04:11 > 0:04:13'Where do you think he's gone?'
0:04:13 > 0:04:15I don't know. Perhaps he's doing his nets or something.
0:04:15 > 0:04:19- Did you telephone Dr Mead? - Yes, of course I did.
0:04:20 > 0:04:21Oh!
0:04:23 > 0:04:26Do you think he's dead?
0:04:32 > 0:04:36I suppose the sensible thing would be to turn him over.
0:04:36 > 0:04:38Oh, God.
0:04:38 > 0:04:40Oh, Janet, you do it.
0:04:53 > 0:04:55He's alive.
0:04:55 > 0:04:58The tide's low enough for you to get round the point.
0:04:58 > 0:05:01See if you can find Pendered...and Luke.
0:05:01 > 0:05:02Get them to bring a stretcher.
0:05:02 > 0:05:04And ask Mrs Pendered for some brandy.
0:05:06 > 0:05:08Go on! He's barely alive!
0:05:10 > 0:05:14And send Joe Gallow on his bike to find Dr Mead.
0:05:28 > 0:05:30What you got there, missus?
0:05:30 > 0:05:33I should have thought that was obvious, Mr Pendered.
0:05:36 > 0:05:40I don't know where he's come from. There ain't no sign of a wreck.
0:05:40 > 0:05:42- You hear anything, Lukey?- No.
0:05:42 > 0:05:44That's enough for now.
0:05:44 > 0:05:46Right. Get him on the stretcher.
0:05:51 > 0:05:54Be careful with that ankle. I think it's broken.
0:05:54 > 0:05:57Lift on three, Lukey.
0:05:57 > 0:05:59Three!
0:06:00 > 0:06:01Did you send Gallow for Dr Mead?
0:06:01 > 0:06:03Yes, I suggested he came straight to the house.
0:06:03 > 0:06:05Good.
0:06:07 > 0:06:09Good heavens! What's going on here?
0:06:09 > 0:06:11Dorcas, we have a visitor. Is the spare room ready?
0:06:11 > 0:06:14- I'll do it, Miss Janet. - This way, Mr Pendered.
0:06:14 > 0:06:17We have to go straight up the stairs.
0:06:18 > 0:06:20BIRD CHIRPING
0:06:20 > 0:06:22You can get out for a start.
0:06:22 > 0:06:24- What?- I was talking to the magpie.
0:06:24 > 0:06:28- You should've been more polite. - Oh, get on with it.
0:06:32 > 0:06:34He's decent. You can come in now.
0:06:36 > 0:06:39He's obviously exhausted. That ankle's going to take some time.
0:06:39 > 0:06:43Doesn't have much to say for himself, does he?
0:06:43 > 0:06:46Perhaps he doesn't understand. He doesn't look English.
0:06:46 > 0:06:47Yes, well, leave him to sleep now.
0:06:47 > 0:06:50I'll take another look in the morning.
0:06:50 > 0:06:52- I'll see myself out. - Thank you, Doctor.
0:06:52 > 0:06:54Don't keep building up that fire.
0:06:54 > 0:06:57If he doesn't have a fever now, he soon will have.
0:06:58 > 0:07:02We'd better leave him. There's nothing we can do for the moment.
0:07:39 > 0:07:41DOOR OPENING
0:07:41 > 0:07:42Tea.
0:07:42 > 0:07:44Shhh.
0:07:45 > 0:07:47Do you want tea?
0:07:47 > 0:07:49You'll wake him up.
0:07:49 > 0:07:51Think I'll wait until Janet gets up from her nap.
0:07:51 > 0:07:53- Well, she's up.- Is she?
0:07:53 > 0:07:56She hasn't been long.
0:07:56 > 0:07:59All right. I'll be down directly.
0:07:59 > 0:08:00Well, he isn't going to run off.
0:08:04 > 0:08:05DOOR SLAMS
0:08:08 > 0:08:11Shhh, shhh.
0:08:11 > 0:08:13Don't be frightened. You're among friends.
0:08:15 > 0:08:16HE SPEAKS POLISH
0:08:16 > 0:08:19What did you say?
0:08:19 > 0:08:20HE SPEAKS POLISH
0:08:22 > 0:08:24Don't you speak English?
0:08:27 > 0:08:30Parlez-vous francais?
0:08:30 > 0:08:31No.
0:08:31 > 0:08:32No, no, you mustn't move.
0:08:32 > 0:08:35No. Um...
0:08:35 > 0:08:39Sprechen die... Sprechen Sie Deutsch?
0:08:39 > 0:08:41Ja.
0:08:41 > 0:08:45HE SPEAKS GERMAN
0:08:47 > 0:08:49Oh, dear, I give up.
0:08:49 > 0:08:51Um...
0:08:51 > 0:08:53We... No, no.
0:08:53 > 0:08:56Um...
0:08:56 > 0:08:59We think... We think...
0:08:59 > 0:09:01that you were shipwrecked...
0:09:01 > 0:09:02SHE IMITATES WIND
0:09:02 > 0:09:04Oh!
0:09:04 > 0:09:08..and you managed to swim
0:09:08 > 0:09:10to shore.
0:09:10 > 0:09:13And somehow, you, um,
0:09:13 > 0:09:16broke your ankle.
0:09:16 > 0:09:17Erm...
0:09:19 > 0:09:23You broke your ankle.
0:09:23 > 0:09:25Dr Mead,
0:09:25 > 0:09:27um, the doctor,
0:09:27 > 0:09:30he thinks you need much rest.
0:09:34 > 0:09:36Dziekuje.
0:09:37 > 0:09:39HE KISSES
0:09:50 > 0:09:51Dzieki.
0:09:56 > 0:09:58But you don't think he's German?
0:09:58 > 0:10:00- Oh, no.- Just as well.
0:10:00 > 0:10:03- He seemed to understand the language.- Oh, Ursula. Please.
0:10:03 > 0:10:06Sorry. He seems to understand the language.
0:10:06 > 0:10:09Oh, really? Since when did you speak German?
0:10:09 > 0:10:11Well, I...
0:10:11 > 0:10:12How is he?
0:10:12 > 0:10:15If he drinks any more tea, he's going to need a chamber pot,
0:10:15 > 0:10:17cos he ain't fit to walk to the bathroom.
0:10:17 > 0:10:18You finished with this lot?
0:10:18 > 0:10:22Er, yes, I think so.
0:10:23 > 0:10:25What's he going to do without his clothes?
0:10:25 > 0:10:26His own are ruined.
0:10:26 > 0:10:29I thought perhaps some of Father's might fit him.
0:10:29 > 0:10:31I doubt it, but you could try.
0:10:31 > 0:10:33Suppose you want me to get the chest, then?
0:10:33 > 0:10:35If you wouldn't mind, Dorcas.
0:10:35 > 0:10:37They're probably a bit damp.
0:10:37 > 0:10:41I'll take him the pot, too, shall I?
0:10:41 > 0:10:44Well, I'm sure he hasn't got nothin' I haven't seen before.
0:10:49 > 0:10:51TOILET FLUSHES
0:11:05 > 0:11:07They're nice and warm.
0:11:40 > 0:11:43- Dziekuje. - Hmm?
0:11:43 > 0:11:45- Danke schon.- Oh.
0:11:45 > 0:11:48English - thank you.
0:11:48 > 0:11:50Thank you.
0:11:50 > 0:11:53Polnisch - dziekuje.
0:11:53 > 0:11:55I see.
0:11:57 > 0:11:59I'll just, um...
0:11:59 > 0:12:01leave the door ajar.
0:12:01 > 0:12:04And I'm going to get my knitting.
0:12:22 > 0:12:24Why are you creeping about?
0:12:24 > 0:12:26I'm not creeping about.
0:12:26 > 0:12:27I'm just...
0:12:27 > 0:12:30Ollendorff and I are going to speak to him.
0:12:30 > 0:12:33- What, now?- Yes.
0:12:33 > 0:12:35He might be asleep.
0:12:35 > 0:12:36Well, if he is, I won't.
0:12:37 > 0:12:41What's the matter with you?
0:12:41 > 0:12:42I think he's Polish.
0:12:42 > 0:12:44What?
0:12:44 > 0:12:46He used the word "Polnisch."
0:12:46 > 0:12:48Well, why didn't you say so?
0:12:48 > 0:12:51Neither of us speak Polish - we haven't even been to Poland.
0:12:51 > 0:12:54Oh! Hopeless, Ursula.
0:12:54 > 0:12:58- Shh!- When did he say it? - Shush.- When did he say it?
0:12:58 > 0:13:00Don't push!
0:13:00 > 0:13:02FOOTSTEPS
0:13:02 > 0:13:03Shh!
0:13:03 > 0:13:05- Ah!- Oh!
0:13:05 > 0:13:07Hello.
0:13:07 > 0:13:09Are you feeling better?
0:13:09 > 0:13:11Are you hungry? Mmm-mmm!
0:13:11 > 0:13:12Ursula, stop it.
0:13:12 > 0:13:15You look like a cannibal.
0:13:15 > 0:13:17Kommen aus Polen?
0:13:18 > 0:13:19Aus Polen? Ja.
0:13:19 > 0:13:21I told you.
0:13:23 > 0:13:25Was ist dein Name?
0:13:25 > 0:13:28Marowski. Andrea.
0:13:28 > 0:13:30Andrea Marowski.
0:13:30 > 0:13:32- Ja. - JANET LAUGHS
0:13:32 > 0:13:35Ich, Miss Widdington.
0:13:35 > 0:13:37Und das ist mein Schwester.
0:13:37 > 0:13:39Ursula.
0:13:39 > 0:13:40Ursula.
0:13:44 > 0:13:46CHEERING
0:13:48 > 0:13:51- Young, see?- What?- Young.
0:13:51 > 0:13:54He never would've won if I hadn't had a bad leg.
0:13:54 > 0:13:57Bad leg? You haven't got any skill in your fingers.
0:13:59 > 0:14:01How's your castaway getting along, then, Doctor?
0:14:01 > 0:14:04Pretty bashed about a bit, actually, Jon.
0:14:04 > 0:14:06God knows where he came from. Bugger doesn't speak
0:14:06 > 0:14:08a word of English.
0:14:08 > 0:14:10He isn't from around here, that's for sure.
0:14:10 > 0:14:13MEN LAUGHING
0:14:13 > 0:14:15Christ Almighty, Lukey!
0:14:15 > 0:14:17What the hell's the matter wi' thee?
0:14:27 > 0:14:30When did Dr Mead say he'd be here?
0:14:30 > 0:14:33When he's finished his surgery.
0:14:33 > 0:14:36So, what do people from Poland have for breakfast?
0:14:36 > 0:14:38Probably some awful kind of sausage.
0:14:39 > 0:14:43But I'm sure porridge will do him much more good.
0:14:43 > 0:14:45We'll soon find out.
0:14:55 > 0:14:58- Nothing wrong with his appetite. - Glad to hear it.
0:14:58 > 0:15:00Are the sisters of mercy in attendance?
0:15:00 > 0:15:02Yes, we are.
0:15:02 > 0:15:05Good morning, Doctor. Shall we go up?
0:15:05 > 0:15:06Morning, Janet.
0:15:10 > 0:15:12I'm glad to see that bruise.
0:15:12 > 0:15:14Doesn't look very pretty, but better it's there than not.
0:15:14 > 0:15:18- Eh, nurse? How's his temperature? - It's a little over, I think.
0:15:18 > 0:15:21Make sure he drinks lots of water.
0:15:21 > 0:15:23So, Polish, is he?
0:15:23 > 0:15:25It would appear so.
0:15:27 > 0:15:29What are you going to do with him?
0:15:29 > 0:15:31What do you mean, "do with him"?
0:15:31 > 0:15:33He can't stay here for ever.
0:15:33 > 0:15:37No. When he's recovered, that's for him to decide.
0:16:35 > 0:16:37You look a little flushed, dear.
0:16:37 > 0:16:39Do I?
0:16:40 > 0:16:43Perhaps you should get some fresh air.
0:16:43 > 0:16:46Well, when it's a little cooler, I will.
0:16:49 > 0:16:53Well, it's time for my rest, I think.
0:16:53 > 0:16:55I'll look in on the patient.
0:17:14 > 0:17:16Hello.
0:17:17 > 0:17:18Hello.
0:17:20 > 0:17:22I've had an idea.
0:17:24 > 0:17:25Now, look.
0:17:27 > 0:17:29I say the word,
0:17:29 > 0:17:33and you repeat it after me.
0:17:33 > 0:17:35You understand?
0:17:35 > 0:17:37Never mind. You'll soon catch on.
0:17:37 > 0:17:40"Chair." Now you say it.
0:17:40 > 0:17:42"Chair."
0:17:42 > 0:17:44Chair.
0:17:44 > 0:17:46Very good! Very good!
0:17:47 > 0:17:50"Door."
0:17:50 > 0:17:52Door.
0:17:52 > 0:17:54Oh!
0:17:54 > 0:17:56Uh, "clock."
0:17:56 > 0:17:59- Clock.- Yes.
0:17:59 > 0:18:00"Mirror."
0:18:00 > 0:18:03- Mirror.- Very good.
0:18:04 > 0:18:05"Curtain."
0:18:05 > 0:18:07- Curtain.- Yes!
0:18:10 > 0:18:13- "Bed."- Bed.
0:18:19 > 0:18:21"Ursula." SHE LAUGHS
0:18:21 > 0:18:25Ursula. Me. Ursula.
0:18:25 > 0:18:26Ursula.
0:18:26 > 0:18:30Now, I'm going to take the paper away.
0:18:30 > 0:18:33- Window.- Window.
0:18:33 > 0:18:35Yes! Very good!
0:18:39 > 0:18:41We're learning English.
0:18:41 > 0:18:43He might be, Ursula.
0:18:43 > 0:18:46You are making holes in the furniture.
0:18:53 > 0:18:54RADIO: 'Another sausage, and he still owes for the brushes.
0:18:54 > 0:18:56'AUDIENCE LAUGHS
0:18:56 > 0:18:59'Well, now I'm going to get on with my little song.
0:18:59 > 0:19:01'HE LAUGHS
0:19:01 > 0:19:03'Excuse me laughing. I know what's coming but it's awfully good.'
0:19:03 > 0:19:06VOLUME INCREASE: 'I'd like to have done my dance for you tonight...
0:19:06 > 0:19:08VOLUME DECREASES: 'cos my dancing...'
0:19:08 > 0:19:11- I can hardly hear it. - I don't want it to disturb Andrea.
0:19:11 > 0:19:13- Anyway, you don't like Arthur Askey. - That's beside the point.
0:19:13 > 0:19:15"Ghastly little man," you call him.
0:19:17 > 0:19:19Right.
0:19:19 > 0:19:22I might as well go to bed.
0:19:24 > 0:19:25You coming?
0:19:25 > 0:19:28Not for a minute, no.
0:19:28 > 0:19:29MAN SINGING ON RADIO
0:19:31 > 0:19:34SHE HUMS
0:19:38 > 0:19:40So you want pilchards, do you?
0:19:40 > 0:19:41I think so.
0:19:41 > 0:19:44We always used to use coley fish.
0:19:44 > 0:19:48I'm sure. I think pilchards would be better.
0:19:48 > 0:19:51You going to make it, are you?
0:19:53 > 0:19:57All right. What did he think of my pasties?
0:19:57 > 0:19:59He loved them.
0:19:59 > 0:20:02Ha! Thought he might.
0:20:02 > 0:20:04Don't forget the washing. Looks like rain.
0:20:06 > 0:20:08You know...
0:20:08 > 0:20:12when Andrea's able to walk, he's going to need some clothes.
0:20:12 > 0:20:15- Yes, I know. - I thought I'd use some
0:20:15 > 0:20:18of the money Aunt Elizabeth left me to get him a new outfit.
0:20:18 > 0:20:20Why?
0:20:20 > 0:20:21What do you mean, "Why?"?
0:20:21 > 0:20:24Why not use our joint account?
0:20:24 > 0:20:25What?
0:20:25 > 0:20:27We're both responsible for him.
0:20:27 > 0:20:31And I was the one who saw him first.
0:20:33 > 0:20:36Oh, don't be ridiculous!
0:20:38 > 0:20:41Very well. We'll use the joint account.
0:20:41 > 0:20:44- Don't be angry with me. - I'm not angry with you, Ursula.
0:20:44 > 0:20:46I'm just going to get the washing.
0:20:46 > 0:20:48No, no, I'll do it. I'll do it!
0:21:04 > 0:21:06Oh, Ursula.
0:21:10 > 0:21:11MEN CHATTERING
0:21:11 > 0:21:14Not cheap, is it?
0:21:14 > 0:21:16It is for everyone else. You can afford it.
0:21:16 > 0:21:17It's just as well.
0:21:17 > 0:21:20MEN CHATTERING
0:21:22 > 0:21:24I want some pilchards.
0:21:24 > 0:21:26No more left.
0:21:26 > 0:21:27What do you mean, haven't got any left?
0:21:27 > 0:21:28I did have half an hour ago.
0:21:28 > 0:21:29What have you done with it, then?
0:21:29 > 0:21:32All right. Phyllis has got 'em up at the shed.
0:21:32 > 0:21:35She'd better have.
0:21:39 > 0:21:41What's she want pilchards for?
0:21:41 > 0:21:43Stargazey pie.
0:21:43 > 0:21:45What's the matter with coley fish?
0:21:45 > 0:21:47She wants pilchards.
0:21:47 > 0:21:50- Can she tell the difference? - DORCAS CHUCKLES
0:21:52 > 0:21:56Andrea seems a lot brighter.
0:21:56 > 0:21:59Why don't you take him up a cup of tea?
0:22:01 > 0:22:03Ursula.
0:22:03 > 0:22:05- Ursula.- What?
0:22:05 > 0:22:08Don't you think you're being rather silly?
0:22:08 > 0:22:10Silly now, is it?
0:22:10 > 0:22:13Oh, for goodness' sake!
0:22:20 > 0:22:22How many?
0:22:38 > 0:22:42I think we need some more.
0:22:42 > 0:22:44- Mm-hmm. - JANET CHUCKLES
0:22:45 > 0:22:48It hasn't let up for a minute.
0:22:50 > 0:22:54- I said...- I heard you.
0:22:56 > 0:22:59I think you should apologise.
0:22:59 > 0:23:00What for?
0:23:00 > 0:23:01For snapping at me.
0:23:04 > 0:23:06Right.
0:23:06 > 0:23:08I'm sorry.
0:23:09 > 0:23:12I'd call that perfunctory.
0:23:12 > 0:23:15- Ursula.- You can be so insensitive.
0:23:16 > 0:23:18On the contrary.
0:23:18 > 0:23:20Sehr gut?
0:23:20 > 0:23:22What did you say?
0:23:23 > 0:23:24Nothing.
0:23:24 > 0:23:28THUNDER RUMBLING
0:23:28 > 0:23:30Ursula, I'm sorry if I upset you.
0:23:30 > 0:23:32Thank you.
0:23:36 > 0:23:38Don't you think you're behaving rather oddly?
0:23:38 > 0:23:41Janet, you've apologised. I've accepted your apology.
0:23:41 > 0:23:43Just leave it at that, please.
0:23:51 > 0:23:54- All right for you?- Get out.
0:23:57 > 0:23:59Jump in. You'll get soaked.
0:23:59 > 0:24:01Oh, bloomin' heck!
0:24:01 > 0:24:04I knew this was comin'.
0:24:04 > 0:24:06Oh, what's all this about?
0:24:06 > 0:24:09It's for your patient.
0:24:09 > 0:24:11Ain't my patient.
0:24:11 > 0:24:12- SHE COUGHS - Bit of a fog in here.
0:24:12 > 0:24:17She were a cracker 40 year ago.
0:24:18 > 0:24:20Do you think he's ready for this?
0:24:20 > 0:24:23If it gets him from the bed to the chair, it's a start.
0:24:23 > 0:24:26He mustn't put any weight on the ankle, though.
0:24:26 > 0:24:28Do be careful.
0:24:28 > 0:24:32- Oh!- Oh, goodness.- Bravo.
0:24:32 > 0:24:36Good. Right. I'll see you in a week or so.
0:24:36 > 0:24:40LOUDLY: Don't try and run before you can walk.
0:24:42 > 0:24:46RADIO: 'Events of major importance happened in Europe today.
0:24:46 > 0:24:47'First, this morning,
0:24:47 > 0:24:50'the representatives of Britain, France and...'
0:24:50 > 0:24:54- Do you think Andrea would be a soldier if he were at home?- Probably.
0:24:54 > 0:24:55'..informed by the German government
0:24:55 > 0:24:57'that Germany regarded the Franco-Russian...'
0:24:57 > 0:25:00We're going to have to go into Truro to get him some clothes.
0:25:00 > 0:25:03- I know.- Who did father go to?
0:25:03 > 0:25:05Can't remember.
0:25:05 > 0:25:08'..by the obligations assumed at the Carno.'
0:25:08 > 0:25:11He's so young, isn't he?
0:25:11 > 0:25:14Yes, he is.
0:25:14 > 0:25:17- I think we can eat. - I'll take Andrea's tray up.
0:25:17 > 0:25:20Perhaps he might want to try coming downstairs.
0:25:20 > 0:25:23Oh, no. It's far too early for that.
0:25:26 > 0:25:28I hope he's going to like it.
0:25:36 > 0:25:38They look so sad, don't they?
0:25:39 > 0:25:41Not at all.
0:25:44 > 0:25:46Don't eat too quickly.
0:25:46 > 0:25:48Hmm?
0:25:48 > 0:25:49Doesn't matter.
0:25:54 > 0:25:57It's very filling, isn't it?
0:25:58 > 0:26:01You don't have to eat it, Ursula.
0:26:01 > 0:26:04I'm sure Andrea will eat what you can't manage.
0:26:08 > 0:26:10Perhaps I'll eat later.
0:26:17 > 0:26:19He might like some of my bottled pears.
0:26:22 > 0:26:24Penhaligan and Hallett.
0:26:24 > 0:26:26What, dear?
0:26:26 > 0:26:29Father's tailors. Penhaligan and Hallett.
0:26:29 > 0:26:31Oh, yes.
0:26:39 > 0:26:41INDISTINCT CHATTERING
0:27:21 > 0:27:22Socks.
0:27:23 > 0:27:24Socks.
0:27:27 > 0:27:29Socks.
0:27:29 > 0:27:30For your feet.
0:27:31 > 0:27:33HE LAUGHS
0:27:34 > 0:27:36"Tank" you.
0:27:36 > 0:27:40Th-th-thank you.
0:27:40 > 0:27:43Th-thank you.
0:27:43 > 0:27:45It's my pleasure.
0:27:45 > 0:27:49PIANO PLAYS
0:28:00 > 0:28:01SPEAKING POLISH
0:28:04 > 0:28:08Bitte, das ist furchtbar... schrecklich!
0:28:09 > 0:28:11Schrecklich!
0:28:11 > 0:28:12Um...
0:28:13 > 0:28:15HE SIGHS
0:28:16 > 0:28:19Straszne!
0:28:19 > 0:28:21- Janet!- Straszne!
0:28:22 > 0:28:24Janet.
0:28:25 > 0:28:27Janet, stop!
0:28:27 > 0:28:29What's the matter?
0:28:29 > 0:28:32It's Andrea. I don't think he likes your playing.
0:28:32 > 0:28:34He's become almost violent.
0:28:36 > 0:28:38Andrea? Andrea?
0:28:42 > 0:28:44Lieben Sie nicht Musik?
0:28:46 > 0:28:49HE SPEAKS GERMAN
0:28:55 > 0:28:58Oh! Oh, he does...
0:28:58 > 0:28:59He does like music.
0:28:59 > 0:29:01He just prefers the violin.
0:29:01 > 0:29:04- Ja.- Ja.- Ja.
0:29:04 > 0:29:07Oh, dear. What a pity we don't have a gramophone.
0:29:07 > 0:29:09- We could buy one.- Well, they're frightfully expensive.
0:29:09 > 0:29:11Adam Penruddocke plays the violin.
0:29:11 > 0:29:12Does he?
0:29:12 > 0:29:14I believe so.
0:29:17 > 0:29:19- Wipe your feet. - FEET WIPING
0:29:19 > 0:29:21All right.
0:29:21 > 0:29:24Just a minute. Lift them up.
0:29:24 > 0:29:26And the other one.
0:29:26 > 0:29:27All right.
0:29:36 > 0:29:38Oh, Adam.
0:29:38 > 0:29:40How good of you to come.
0:29:40 > 0:29:42Our guest has expressed a desire
0:29:42 > 0:29:45to hear some music on the violin.
0:29:45 > 0:29:47All right.
0:29:50 > 0:29:51Andrea.
0:29:53 > 0:29:57This is Adam Penruddocke.
0:29:57 > 0:30:01Er ist gekommen zu spielen fur Dich.
0:30:01 > 0:30:02Oh.
0:30:02 > 0:30:04You've come to play for him.
0:30:04 > 0:30:06Perhaps you better sit down.
0:30:21 > 0:30:23TUNING
0:30:55 > 0:30:58HE HITS BAD NOTE
0:31:06 > 0:31:09Shall I play something else for you?
0:31:11 > 0:31:12Give me.
0:31:28 > 0:31:30TUNING
0:31:33 > 0:31:36HE PLAYS PENRUDDOCKE'S SONG
0:32:37 > 0:32:39Bravo! Encore! Encore!
0:32:42 > 0:32:44Forgive me.
0:32:44 > 0:32:47I simply couldn't help responding to such marvellous playing.
0:32:47 > 0:32:48Was it you?
0:32:48 > 0:32:50It was neither of us.
0:32:50 > 0:32:52Well, whoever it is is extremely gifted.
0:32:53 > 0:32:56Yes, they are.
0:32:56 > 0:32:57Now if you'll excuse us.
0:33:00 > 0:33:04- You don't think that was rather rude?- No, I do not.
0:33:04 > 0:33:07HE SPEAKS GERMAN
0:33:07 > 0:33:09It's no good looking at me.
0:33:09 > 0:33:10Who was that, then?
0:33:10 > 0:33:13I don't know. Never seen her in my life before.
0:33:13 > 0:33:15Would he like me to leave me fiddle?
0:33:15 > 0:33:18Oh, that would be very kind, Adam.
0:33:18 > 0:33:21You can be assured, it will be well looked after.
0:33:21 > 0:33:25It's all right. You can hang onto it for a bit.
0:33:27 > 0:33:29SPEAKING GERMAN
0:33:34 > 0:33:36Well, now.
0:33:36 > 0:33:39I think that's enough excitement for today.
0:33:39 > 0:33:43Thank you, Adam. It's so kind of you.
0:33:43 > 0:33:46This way. Mind your head.
0:34:27 > 0:34:31CRANKING MOTOR
0:34:31 > 0:34:32SHE EXHALES
0:34:34 > 0:34:37Perhaps we should phone Mr Bennett.
0:34:37 > 0:34:39Certainly not. Is the choke full out?
0:34:39 > 0:34:41I don't know.
0:34:41 > 0:34:43Oh...
0:34:43 > 0:34:45Ursula.
0:34:45 > 0:34:48There's the choke.
0:34:49 > 0:34:52Now, come on, old girl.
0:34:52 > 0:34:55ENGINE STARTS
0:35:20 > 0:35:22FOOTSTEPS
0:35:25 > 0:35:27I've got a job for you.
0:35:31 > 0:35:35You put the peel in here and the spuds in here.
0:35:35 > 0:35:38You have done this before, haven't you?
0:35:41 > 0:35:43No.
0:35:44 > 0:35:46You put the peel in here
0:35:46 > 0:35:48and the spuds in here.
0:35:48 > 0:35:50"Spuds"?
0:35:50 > 0:35:52Yes.
0:35:52 > 0:35:56Proper name is potato, but we calls 'em spuds.
0:35:56 > 0:35:57Potato.
0:35:57 > 0:35:58Potato!
0:35:58 > 0:36:01Oh. Ziemniaka.
0:36:01 > 0:36:02What?
0:36:02 > 0:36:04Ziemniaka.
0:36:04 > 0:36:06Right.
0:36:11 > 0:36:12What?
0:36:17 > 0:36:23It's no good. I can't understand a word you're saying.
0:36:27 > 0:36:30And don't get artistic. Just peel the bloomin' thing.
0:36:36 > 0:36:37Harris tweed.
0:36:37 > 0:36:41Your father had a suit not dissimilar to this one.
0:36:41 > 0:36:44I remember. It lasted him for years.
0:36:44 > 0:36:46It's a lovely colour, Janet.
0:36:46 > 0:36:49Hmm. That's as may be.
0:36:52 > 0:36:53That's it.
0:36:53 > 0:36:57You don't think it a little heavy for the summer, Mr Penhaligan?
0:36:57 > 0:36:59No, the advantage of tweed, Miss Widdington,
0:36:59 > 0:37:02is that it allows the wearer to breathe, as it were,
0:37:02 > 0:37:04because of the openness of the weave.
0:37:04 > 0:37:08- I see.- I like it.
0:37:08 > 0:37:11It's also very hard wearing.
0:37:11 > 0:37:12And the price?
0:37:12 > 0:37:16Um...just over three guineas.
0:37:16 > 0:37:18Oh, good Lord.
0:37:18 > 0:37:19WHISPERING
0:37:19 > 0:37:20Oh, yes.
0:37:20 > 0:37:22And that includes an extra pair of trousers.
0:37:22 > 0:37:24And without?
0:37:25 > 0:37:28Zip or button fly, sir?
0:37:28 > 0:37:29Zip, please.
0:37:29 > 0:37:31Two pounds and 15 shillings.
0:37:31 > 0:37:33Fine. Shirts?
0:37:33 > 0:37:35Certainly. Size?
0:37:35 > 0:37:38Is this a five or a six, Ursula?
0:37:38 > 0:37:40Ursula?
0:37:40 > 0:37:41What? Sorry.
0:37:41 > 0:37:44Neck size. Is it a 15 or a 16?
0:37:44 > 0:37:47- 16. You need new glasses. - Not at all. It's your writing.
0:37:49 > 0:37:51- 16, please.- Just a minute.
0:37:51 > 0:37:53We have collars, Miss Widdington.
0:37:53 > 0:37:56Attached and for detached.
0:37:58 > 0:38:00A stiff collar looks awfully smart, Janet.
0:38:00 > 0:38:04Possibly, but it's awfully uncomfortable.
0:38:04 > 0:38:06Attached, I think.
0:38:07 > 0:38:09Ties?
0:38:09 > 0:38:11Hmm?
0:38:15 > 0:38:17Either of you?
0:38:17 > 0:38:19CHURCH BELLS RINGING
0:38:49 > 0:38:51That's it. Spread it out nice.
0:38:58 > 0:38:59Keep them coming.
0:38:59 > 0:39:02What's Barry doing? Counting it?
0:39:03 > 0:39:05INAUDIBLE
0:39:27 > 0:39:30All done now, nearly.
0:39:42 > 0:39:43'Do you think he should go?'
0:39:43 > 0:39:46Oh, why not? The harvest party's always fun.
0:39:46 > 0:39:48No, I mean, with Luke on his motorcycle.
0:39:48 > 0:39:50Oh, I think he'll be all right.
0:39:51 > 0:39:53Oh.
0:39:53 > 0:39:55- Oh, you do look smart. - HORN HONKS
0:39:55 > 0:39:59- That sounds like your chauffeur. - Thank you.
0:40:01 > 0:40:02Oh!
0:40:02 > 0:40:05Do be careful, Luke.
0:40:05 > 0:40:07Goodbye.
0:40:07 > 0:40:08Bye.
0:40:08 > 0:40:10Have a lovely time.
0:40:16 > 0:40:19# Going up Camborne Hill Coming down
0:40:19 > 0:40:23# Going up Camborne Hill Coming down... #
0:40:24 > 0:40:26There you go, boys.
0:40:26 > 0:40:29I used to run up Camborne Hill.
0:40:30 > 0:40:32All right, Barry?
0:40:33 > 0:40:35- Who's he?- Who?
0:40:35 > 0:40:37- Him there. - He's a foreigner.
0:40:37 > 0:40:39- A foreigner? - He plays the fiddle.
0:40:39 > 0:40:42Well, he can come and fiddle with me any day he likes.
0:40:42 > 0:40:44ANDREA: What is Camborne Hill?
0:40:44 > 0:40:48A bloody great hill, as big as a mountain, between Redruth...
0:40:48 > 0:40:50- I should have retired a long time ago.- No, really?
0:40:50 > 0:40:55Yes, but I have the energy of a man ten years my junior.
0:40:55 > 0:40:59I don't believe it. But you were saying
0:40:59 > 0:41:00he lives with the old ladies.
0:41:00 > 0:41:02- Who?- The young man.
0:41:02 > 0:41:06Oh, yes. For the time being. Yes. But I...
0:41:06 > 0:41:07What else do you know about him?
0:41:07 > 0:41:11Precious little other than that he's Polish.
0:41:11 > 0:41:13Come on, Adam. Let's have The White Rose.
0:41:13 > 0:41:15CROWD CHEERS
0:41:22 > 0:41:26# I love the white rose in its splendour
0:41:26 > 0:41:31# I love the white rose in its bloom
0:41:31 > 0:41:33# I love the white rose
0:41:34 > 0:41:38- # So fair as she blows... # - Come on, have a dance.
0:41:38 > 0:41:40No, thank you.
0:41:42 > 0:41:46Cheer up, Barry. It'll never happen.
0:41:47 > 0:41:51# The first time I met you, my darling
0:41:51 > 0:41:55# Your face was as red as the rose
0:41:56 > 0:42:00# But now your dear face has grown pale
0:42:01 > 0:42:05# As pale as the lily white rose
0:42:05 > 0:42:09# I love the white rose in its splendour
0:42:09 > 0:42:14# I love the white rose in its bloom
0:42:14 > 0:42:17# I love the white rose... #
0:42:17 > 0:42:19Now then, keep in tune.
0:42:21 > 0:42:23# It's the rose that reminds me of you
0:42:25 > 0:42:28# I love the white rose in its splendour... #
0:42:28 > 0:42:29FOOTSTEPS
0:42:31 > 0:42:34Keep your foreign eyes off her, boy.
0:42:34 > 0:42:36Pack it up, Barry...
0:42:36 > 0:42:41or I shall have to piss all over you.
0:42:46 > 0:42:48MUSIC FINISHES, APPLAUSE
0:42:57 > 0:42:59Bravo!
0:43:15 > 0:43:18HUSHED CHATTER
0:43:21 > 0:43:22LAUGHTER
0:43:22 > 0:43:24Shh!
0:44:38 > 0:44:41CROWD CHEERING
0:44:46 > 0:44:47SHE SPEAKS GERMAN
0:44:54 > 0:44:56Polish.
0:44:56 > 0:44:58Polish.
0:44:58 > 0:45:00MAN LAUGHING OUTSIDE
0:45:00 > 0:45:02Janet.
0:45:02 > 0:45:04Janet!
0:45:04 > 0:45:05JANET GROANS, DOOR OPENS
0:45:05 > 0:45:08Shh-shh-shh!
0:45:08 > 0:45:11MEN TALKING, INDISTINCTLY
0:45:11 > 0:45:14DRUNKLY: # Going up Camborne Hill Coming down
0:45:14 > 0:45:18# Going up Camborne Hill Coming down
0:45:18 > 0:45:20# Coming down
0:45:20 > 0:45:23# Going up Camborne Hill Coming down... #
0:45:23 > 0:45:25HE CHUCKLES
0:45:39 > 0:45:41Trevor?
0:45:42 > 0:45:44Trevor!
0:45:44 > 0:45:46- What? - What do you mean, "what?"?
0:45:47 > 0:45:50Get them out of here!
0:45:50 > 0:45:51Go on.
0:45:52 > 0:45:54Go on. Go on by, then.
0:45:54 > 0:45:56Go on.
0:45:56 > 0:45:58Get past me.
0:45:58 > 0:45:59Go on.
0:45:59 > 0:46:01I said go on.
0:46:04 > 0:46:07Do you think we should wake him?
0:46:07 > 0:46:08I'd rather you didn't.
0:46:08 > 0:46:10He hasn't made a sound.
0:46:10 > 0:46:12He made enough last night.
0:46:12 > 0:46:14- DOOR OPENS - Morning.
0:46:14 > 0:46:15Morning, Dorcas.
0:46:15 > 0:46:18That Trevor's in a right state this morning.
0:46:18 > 0:46:20- Beasts all over the place. - He's not the only one.
0:46:20 > 0:46:23We think Andrea may be rather the worse for wear.
0:46:23 > 0:46:26So I hear. Jan had to take him back.
0:46:26 > 0:46:28We haven't woken him yet.
0:46:28 > 0:46:30Want me to?
0:46:30 > 0:46:32Perhaps some strong tea.
0:46:32 > 0:46:33Right.
0:46:33 > 0:46:35SNORING
0:46:40 > 0:46:42Oi.
0:46:45 > 0:46:47Oi!
0:46:55 > 0:46:58Look at the state of you.
0:47:08 > 0:47:09He's up.
0:47:12 > 0:47:14How do you feel?
0:47:14 > 0:47:17Pretty sorry for himself, I should think.
0:47:20 > 0:47:22Never mind.
0:47:22 > 0:47:26Dorcas has made you some pasties for lunch.
0:47:37 > 0:47:39This is where we found you.
0:48:10 > 0:48:13I was dead.
0:48:13 > 0:48:15We thought you were.
0:48:56 > 0:49:00VIOLIN PLAYS
0:49:41 > 0:49:43Wunderbar!
0:49:43 > 0:49:45- Wunderbar! - SHE LAUGHS
0:49:45 > 0:49:47Hello, again.
0:49:47 > 0:49:48My name is Olga.
0:49:48 > 0:49:51- How do you do? - Good afternoon.
0:49:54 > 0:49:55Wie geht es Ihnen?
0:49:55 > 0:49:57Gut, danke.
0:49:57 > 0:50:01We met the other evening at the village hall.
0:50:02 > 0:50:06Forgive me. I had to stop to listen to that music.
0:50:06 > 0:50:08You have such a beautiful garden.
0:50:10 > 0:50:12Thank you.
0:50:12 > 0:50:15Well, I should go.
0:50:15 > 0:50:16Goodbye.
0:50:19 > 0:50:22Mmm. That's delicious. Auf wiedersehen.
0:50:22 > 0:50:25ANDREA SPEAKS GERMAN KISSES
0:50:33 > 0:50:35I know it's not really Christian of me,
0:50:35 > 0:50:38but I dislike that woman intensely.
0:50:38 > 0:50:40Is she German?
0:50:40 > 0:50:42I wouldn't be at all surprised.
0:50:42 > 0:50:47Olga's a Russian name.
0:50:47 > 0:50:49She frightens me.
0:50:49 > 0:50:52She's like the witch in a fairytale.
0:50:52 > 0:50:55She's no better than she ought to be, that one.
0:50:57 > 0:50:59For you.
0:50:59 > 0:51:03Music and flowers.
0:51:03 > 0:51:06Thank you. Dankeschon.
0:51:06 > 0:51:09Oh. Oh, thank you.
0:51:12 > 0:51:14Shall we put them in water, Ursula?
0:51:19 > 0:51:21I only said Dankeschon.
0:51:21 > 0:51:24I just think it would be better for Andrea
0:51:24 > 0:51:28if we spoke in English from now on.
0:51:28 > 0:51:31Whatever you say, Janet.
0:51:39 > 0:51:42SOFTLY: # Three blind mice three blind mice
0:51:42 > 0:51:46# See how they run see how they run
0:51:46 > 0:51:50# They all ran after the farmer's wife... #
0:52:01 > 0:52:04URSULA: "Forgive my intrusion recently.
0:52:04 > 0:52:07"I feel I should explain my interest in your companion and his music.
0:52:07 > 0:52:10"My name is Daniloff. My brother
0:52:10 > 0:52:13"is the violinist Boris Daniloff, of whom you may have heard."
0:52:13 > 0:52:16Daniloff?
0:52:16 > 0:52:18"Your companion has a rare gift,
0:52:18 > 0:52:21"and I should like to know a lot more about him.
0:52:21 > 0:52:24"I'm here for a short holiday
0:52:24 > 0:52:27"in the hope of improving my meagre ability as a painter.
0:52:27 > 0:52:30"Perhaps you would be good enough to pass on my best wishes to -
0:52:30 > 0:52:32"is it Andrea?
0:52:32 > 0:52:34"Yours sincerely, Olga Daniloff"
0:52:34 > 0:52:37- Boris? - FOOTSTEPS
0:52:37 > 0:52:39Good morning.
0:52:39 > 0:52:41- Morning. - Good morning, Andrea.
0:52:41 > 0:52:42Would you like some tea?
0:52:42 > 0:52:44Yes, thank you.
0:52:44 > 0:52:46Well, there's no cup. Some porridge?
0:52:46 > 0:52:48No. No, thank you.
0:52:48 > 0:52:51You sit and I'll get you a cup.
0:52:56 > 0:52:58Andrea.
0:52:58 > 0:53:00SHE SPEAKS GERMAN
0:53:00 > 0:53:01..Daniloff?
0:53:01 > 0:53:05Daniloff? Boris Daniloff?
0:53:05 > 0:53:08Possibly.
0:53:08 > 0:53:09Ja. He's a god.
0:53:09 > 0:53:11Really?
0:53:11 > 0:53:13Maestro.
0:53:13 > 0:53:15Why you ask?
0:53:16 > 0:53:18Oh!
0:53:20 > 0:53:24- How clumsy of me. - Please, I will do.
0:53:24 > 0:53:26Breaking up the happy home, are we?
0:53:48 > 0:53:51TURNS OFF ENGINE
0:54:00 > 0:54:03HUMMING
0:54:17 > 0:54:19RINGS BELL
0:54:24 > 0:54:27- Good afternoon! - Good afternoon.
0:54:32 > 0:54:34Oh.
0:54:35 > 0:54:37Very lovely.
0:54:37 > 0:54:39Thank you.
0:54:39 > 0:54:41Please, carry on.
0:54:41 > 0:54:45Well, I'm not sure how I feel about having an audience.
0:54:45 > 0:54:47Admirer.
0:54:47 > 0:54:50Nevertheless.
0:54:50 > 0:54:54I'm sorry. It's just that you puzzle me.
0:54:54 > 0:55:00A talented and, may I say, attractive woman, alone.
0:55:00 > 0:55:03The fact that I am alone should not give you,
0:55:03 > 0:55:05or anyone else, cause for concern.
0:55:05 > 0:55:07Yes, of course.
0:55:07 > 0:55:09HE EXHALES
0:55:10 > 0:55:12That building over there is a folly.
0:55:12 > 0:55:14Is it?
0:55:14 > 0:55:16It was built by the owner of the big house
0:55:16 > 0:55:19as a place to escape from his wife.
0:55:19 > 0:55:22Enjoy a quiet drink with his cronies.
0:55:22 > 0:55:24Rather a good idea, don't you think?
0:55:24 > 0:55:26Mm.
0:55:27 > 0:55:30Well, better let you get on.
0:55:30 > 0:55:34I have to heal the sick.
0:55:34 > 0:55:37Make the lame walk.
0:55:37 > 0:55:39How is your Polish patient?
0:55:39 > 0:55:41The Polish patient?
0:55:41 > 0:55:45Yes, the young musician who is staying with the old ladies.
0:55:45 > 0:55:46Well... Yes, he's fine.
0:55:46 > 0:55:49I'm a bit of a musician myself, you know.
0:55:49 > 0:55:50Are you?
0:55:50 > 0:55:54Contrabass with the Hospital Orchestral Society.
0:55:54 > 0:55:56I haven't played for years, mind.
0:55:56 > 0:55:58My late wife couldn't abide it.
0:56:00 > 0:56:02Well, I better be off.
0:56:02 > 0:56:04HE GRUNTS
0:56:07 > 0:56:10Perhaps I should have built myself a folly.
0:56:12 > 0:56:14Goodbye.
0:56:28 > 0:56:30It's mended very well.
0:56:30 > 0:56:34I don't see why we can't send him back to Poland.
0:56:34 > 0:56:37Andrea is part of the family, Doctor.
0:56:37 > 0:56:40Is he, now? That's very nice.
0:56:40 > 0:56:43All these artistic visitors, suddenly.
0:56:43 > 0:56:46What do you mean, "all these visitors"?
0:56:46 > 0:56:48I saw that young painter woman on my way here.
0:56:48 > 0:56:50She asked after you.
0:56:51 > 0:56:53Hmm.
0:56:53 > 0:56:55SHE SPEAKS GERMAN
0:57:03 > 0:57:04Olga.
0:57:04 > 0:57:07Yes, indeed.
0:57:07 > 0:57:09Right. Well, I'll shoot off now, then.
0:57:09 > 0:57:12No need for me to see him again.
0:57:12 > 0:57:17Don't you think perhaps you should tell the authorities that he's here?
0:57:17 > 0:57:19Probably, yes.
0:57:19 > 0:57:22- Thank you, Doctor. - I'll see you out.
0:57:37 > 0:57:39Just a moment, Andrea.
0:57:41 > 0:57:43What is it?
0:57:43 > 0:57:46- He asked me again about Daniloff. - What did you say?
0:57:46 > 0:57:48I said we'd heard his name on the wireless.
0:57:48 > 0:57:51We do listen to the occasional concert on Friday evenings.
0:57:51 > 0:57:53- But we didn't.- Janet.
0:57:53 > 0:57:57Do we have to tell the authorities?
0:57:57 > 0:57:58We hear wireless?
0:57:58 > 0:58:02Well, in the evenings - Abend.
0:58:02 > 0:58:05- This evening?- No, no, no. Not this evening.
0:58:05 > 0:58:07We'd rather hear you play, Andrea.
0:58:07 > 0:58:11No. If you could hear Boris Daniloff!
0:58:14 > 0:58:19That way is America - a new life for me.
0:58:19 > 0:58:22Let's go back. It's getting chilly.
0:58:28 > 0:58:31Aunt Elizabeth used to say,
0:58:31 > 0:58:34"America was made up of the sweepings of Europe."
0:58:34 > 0:58:36I no understand.
0:58:36 > 0:58:38It doesn't matter.
0:58:41 > 0:58:45CLASSICAL MUSIC ON RADIO
0:58:47 > 0:58:49SHE COUGHS
0:58:50 > 0:58:54- Shall I make some cocoa?- Shh!
0:58:54 > 0:58:56SHE MOUTHS
0:58:56 > 0:58:57SHE MOUTHS
0:59:34 > 0:59:37- Do you think he should?- Hmm?
0:59:37 > 0:59:40Yes, it's a bit like falling off a horse.
0:59:40 > 0:59:44The sooner you get back on, the sooner you conquer the fear.
0:59:44 > 0:59:45I see.
0:59:48 > 0:59:52I hope you checked Father's bathing costume for moth holes.
0:59:52 > 0:59:53Yes, silly.
1:00:02 > 1:00:05Don't go out of your depth!
1:00:32 > 1:00:33Andrea?
1:00:35 > 1:00:38Andrea!
1:00:38 > 1:00:39Andrea!
1:00:39 > 1:00:42- Andrea!- Andrea!
1:00:44 > 1:00:47Where's he gone? Janet, where's he gone?
1:00:47 > 1:00:48I don't know.
1:00:49 > 1:00:51Andrea?
1:00:51 > 1:00:53HE COUGHS
1:00:53 > 1:00:54Oh!
1:00:54 > 1:00:57- Andrea?- Oh!
1:01:03 > 1:01:07HE LAUGHS
1:01:11 > 1:01:12That is not funny.
1:01:22 > 1:01:27# Roses are shining in Picardy
1:01:27 > 1:01:33# In the hush of the silver dew
1:01:33 > 1:01:38# Roses are showering in Picardy
1:01:38 > 1:01:44# But there's never a rose like you
1:01:44 > 1:01:49# And the roses will die in the summertime
1:01:49 > 1:01:54# And our paths may be far apart
1:01:54 > 1:02:00# But there's one rose that dies not in Picardy
1:02:00 > 1:02:03# 'Tis the rose
1:02:03 > 1:02:09# That I keep in my heart... #
1:02:19 > 1:02:23Were you very much in love with Peter?
1:02:23 > 1:02:24Ursula, really.
1:02:24 > 1:02:27It's just that I keep thinking about you both.
1:02:28 > 1:02:31You never speak of him.
1:02:31 > 1:02:33I have done.
1:02:38 > 1:02:41Did he want to go back to the war?
1:02:41 > 1:02:43He felt it was his duty.
1:02:43 > 1:02:45They all did.
1:02:45 > 1:02:48I don't think they had any choice.
1:02:48 > 1:02:50Pillow.
1:02:56 > 1:02:58Did you nurse Germans, too?
1:02:58 > 1:03:01If they were brought to us.
1:03:05 > 1:03:08I hope it doesn't happen all over again.
1:03:09 > 1:03:11So do I.
1:03:18 > 1:03:20THUMP
1:03:20 > 1:03:22- COUGHING - Oh!
1:03:24 > 1:03:26Oh!
1:03:26 > 1:03:29Oh! Oh!
1:03:29 > 1:03:31Oh!
1:03:35 > 1:03:37You!
1:03:37 > 1:03:40You're full of the joys of spring this morning.
1:03:40 > 1:03:42Oh!
1:03:42 > 1:03:43SHE COUGHS
1:03:53 > 1:03:56I want to go to America.
1:03:56 > 1:03:59- You want to go where, boy? - America he said, I think.
1:04:01 > 1:04:03- Ask Joe over there. - Joe will take you.
1:04:03 > 1:04:06MEN LAUGH He'll take you on his back, won't he?
1:04:06 > 1:04:07Barry would.
1:04:08 > 1:04:11- Barry would take him anywhere. - America?
1:04:11 > 1:04:13Don't be daft.
1:04:13 > 1:04:16Land's End is about as far as I'll take you.
1:04:37 > 1:04:39MEN LAUGH
1:04:39 > 1:04:42Gave you a bit of a fright, didn't it, boy?
1:06:21 > 1:06:22SHUTS OFF ENGINE
1:06:28 > 1:06:30OLGA LAUGHING
1:06:31 > 1:06:33SPEAKING GERMAN
1:06:36 > 1:06:38STARTS ENGINE
1:06:49 > 1:06:51Did you have an enjoyable day, Andrea?
1:06:54 > 1:06:55I no understand.
1:06:57 > 1:07:01Haben Sie einen schonen Tag gehabt?
1:07:01 > 1:07:04Yes. Yes. I had a good day.
1:07:04 > 1:07:05Good.
1:07:08 > 1:07:10Mm-hmm.
1:07:10 > 1:07:12Interessant.
1:07:14 > 1:07:15InteresTING.
1:07:15 > 1:07:17InteresTING.
1:07:22 > 1:07:23Will you have some more?
1:07:23 > 1:07:25No. Thank you.
1:07:29 > 1:07:31I go to play.
1:07:40 > 1:07:43What do you think's the matter with him?
1:07:45 > 1:07:46I don't know.
1:07:46 > 1:07:49OLGA: My dear brother,
1:07:49 > 1:07:50I hope this finds you well
1:07:50 > 1:07:52and that your concerts are a huge success.
1:07:52 > 1:07:55During my stay in Cornwall, I have had the great good fortune
1:07:55 > 1:07:58to meet a young man of extraordinary talent.
1:07:58 > 1:08:03He plays the violin almost as exquisitely as you.
1:08:05 > 1:08:07If only you could hear him.
1:08:07 > 1:08:10I believe you would be astounded.
1:08:32 > 1:08:34(Ursula!
1:08:36 > 1:08:40(What are you doing?
1:08:40 > 1:08:42(Come back to bed.)
1:09:21 > 1:09:23I made you a sandwich.
1:09:29 > 1:09:32What do you think you were doing last night?
1:09:34 > 1:09:36Ursula.
1:09:39 > 1:09:41I don't know.
1:09:51 > 1:09:53You were happy with Peter, weren't you?
1:09:55 > 1:09:58It wasn't all pain.
1:09:59 > 1:10:02Why, no, but...
1:10:02 > 1:10:04Before he was killed, you...
1:10:08 > 1:10:10Ursula...
1:10:10 > 1:10:13Andrea's a boy.
1:10:13 > 1:10:15Yes, and I'm an old woman...
1:10:15 > 1:10:17Silly and ridiculous and...
1:10:17 > 1:10:20foolish.
1:10:20 > 1:10:21Naive.
1:10:22 > 1:10:24Well, how could I be anything else?
1:10:27 > 1:10:30It's not fair.
1:10:30 > 1:10:31No.
1:10:33 > 1:10:36No, it isn't.
1:10:37 > 1:10:40SNIFFLES Do you want him to go?
1:10:40 > 1:10:41What?
1:10:41 > 1:10:44Andrea - do you want him to leave?
1:10:46 > 1:10:48No, but...
1:10:51 > 1:10:54I'll be all right, Janet.
1:10:54 > 1:10:56Will you?
1:11:16 > 1:11:18SHUTS OFF ENGINE
1:11:50 > 1:11:53RESUMES PLAY SLOWLY
1:12:14 > 1:12:15SHE SIGHS
1:13:50 > 1:13:52I think you should go.
1:13:55 > 1:13:56I no understand.
1:14:02 > 1:14:04Please, Andrea.
1:14:15 > 1:14:16Andrea.
1:14:18 > 1:14:21Auf wiedersehen.
1:14:21 > 1:14:23Auf wiedersehen.
1:14:32 > 1:14:34SHE SIGHS
1:14:39 > 1:14:42The nights will soon be drawing in.
1:14:42 > 1:14:43Hmm.
1:14:45 > 1:14:48Shouldn't we wait for Andrea?
1:14:48 > 1:14:50I don't see why.
1:14:50 > 1:14:52Well, he'll be hungry.
1:14:52 > 1:14:54He's been away a long time.
1:14:54 > 1:14:57DOOR OPENS
1:14:57 > 1:14:58DOOR SLAMS
1:15:00 > 1:15:01Andrea?!
1:15:01 > 1:15:03Ursula? Ursula!
1:15:03 > 1:15:06VIOLIN PLAYING
1:15:08 > 1:15:09Andrea?
1:15:12 > 1:15:13Andrea?
1:15:13 > 1:15:14Andrea, what's the matter?!
1:15:14 > 1:15:17What do you think?!
1:15:17 > 1:15:19Boris Daniloff.
1:15:20 > 1:15:21What?
1:15:21 > 1:15:23Boris Daniloff. Why you not tell me?
1:15:23 > 1:15:24Because she didn't know.
1:15:24 > 1:15:25It's all right, Ursula.
1:15:25 > 1:15:27I no understand.
1:15:27 > 1:15:29Because she didn't know.
1:15:29 > 1:15:30I no understand why.
1:15:32 > 1:15:33Now do you understand?
1:15:46 > 1:15:49How did you know?
1:15:49 > 1:15:53Stupid, stupid, stupid.
1:16:08 > 1:16:10SHE SIGHS
1:16:16 > 1:16:19Ursula, I sorry.
1:16:19 > 1:16:22No, no. I'm sorry.
1:16:22 > 1:16:23It's not your fault.
1:16:23 > 1:16:26Fault? What is fault?
1:16:26 > 1:16:27It doesn't matter.
1:16:27 > 1:16:30Really, Andrea,
1:16:30 > 1:16:32it's all right.
1:16:32 > 1:16:34SHE SIGHS
1:16:55 > 1:16:57- Good morning. - Morning, Madam.
1:16:57 > 1:17:00- Uh, I've got a telegram for you.- Oh.
1:17:05 > 1:17:06Any reply?
1:17:06 > 1:17:08No, thank you. Thank you.
1:17:25 > 1:17:28- Yeah?- That's better.
1:17:29 > 1:17:31Wait a minute.
1:17:33 > 1:17:35Yeah.
1:17:36 > 1:17:37Oh.
1:17:37 > 1:17:39Dankeschon.
1:17:39 > 1:17:42They're never going to recognise you down at the pub.
1:17:42 > 1:17:44Shall we go in?
1:17:56 > 1:17:58Get low and strong, right?
1:17:58 > 1:18:02Now, you get three goes.
1:18:02 > 1:18:04Take the ball.
1:18:04 > 1:18:05Mind your front foot there.
1:18:05 > 1:18:07That's right.
1:18:07 > 1:18:08Now you're going to pull it back.
1:18:08 > 1:18:10Slow but sure. Slow.
1:18:13 > 1:18:15- ALL CHATTERING - There you are, huh?
1:18:15 > 1:18:17Set 'em up again, Hedley.
1:18:17 > 1:18:21He's foreign, you see.
1:18:21 > 1:18:23Holland?
1:18:23 > 1:18:24I don't know.
1:18:24 > 1:18:26CHATTERING CONTINUES
1:18:44 > 1:18:47Miss Daniloff, what an unexpected pleasure.
1:18:47 > 1:18:49I'd offer you a drink, but I doubt that Arthur
1:18:49 > 1:18:51has any schnapps.
1:18:51 > 1:18:53No, please, allow me, Doctor.
1:18:53 > 1:18:54What would you like?
1:18:54 > 1:18:57Good God. That's beyond belief. I wouldn't think of it.
1:18:57 > 1:19:00Please, I insist.
1:19:00 > 1:19:01Oh, all right, then.
1:19:01 > 1:19:03Another whiskey and soda, please, Arthur.
1:19:03 > 1:19:06And a beer for me. A pint, please.
1:19:06 > 1:19:08A whiskey and soda and a pint for the lady.
1:19:08 > 1:19:10How's the painting coming along?
1:19:10 > 1:19:13Oh, it's improving, I think.
1:19:13 > 1:19:18I haven't seen much of you alfresco lately.
1:19:18 > 1:19:20Andrea!
1:19:20 > 1:19:21My, my, you look very smart.
1:19:23 > 1:19:24You like?
1:19:24 > 1:19:26Yeah.
1:19:26 > 1:19:28Miss Janet thinks I look like girl.
1:19:28 > 1:19:31That is not possible.
1:19:31 > 1:19:34Your English is improving. Been having private lessons?
1:19:34 > 1:19:36He has a very good ear.
1:19:36 > 1:19:37That'll be two and eight.
1:19:37 > 1:19:39Thank you. Would you like a drink?
1:19:39 > 1:19:41Yeah.
1:19:41 > 1:19:42Beer.
1:19:42 > 1:19:45- And another beer for my friend. - Righty-ho.
1:20:08 > 1:20:09RADIO: '..our principal cities
1:20:09 > 1:20:12'within 24 hours of an outbreak of war...'
1:20:12 > 1:20:16VIOLIN PLAYING, HIGH-PITCHED
1:20:16 > 1:20:19'People will be billeted in the country...'
1:20:23 > 1:20:27Doesn't sound good. I can't listen any more.
1:20:27 > 1:20:29Don't know how you can stand it. Sounds like a strangled cat.
1:20:29 > 1:20:31I meant the news.
1:20:31 > 1:20:33Oh.
1:20:33 > 1:20:35Do we have any parsnips?
1:20:35 > 1:20:37Bit early for parsnips.
1:20:37 > 1:20:39Plenty of spuds, though.
1:20:39 > 1:20:41Then we'll have to have extra spuds.
1:20:41 > 1:20:43Potatoes.
1:20:43 > 1:20:47FOOTSTEPS ON STAIRS
1:20:47 > 1:20:48I walk.
1:20:48 > 1:20:50Oh, good.
1:20:50 > 1:20:53Um, we have chicken for supper.
1:20:53 > 1:20:55Hmm?
1:20:55 > 1:20:56Um...
1:21:00 > 1:21:02Oh...
1:21:06 > 1:21:08Hundchen?
1:21:11 > 1:21:14Hundchen. Das ist gut. Auf wiedersehen.
1:21:14 > 1:21:16I'll see you later.
1:21:30 > 1:21:33I don't think I'll bother Truro with it just yet.
1:21:33 > 1:21:35Well, that's up to you.
1:21:35 > 1:21:38But I still think it's rather odd.
1:21:38 > 1:21:40I'll look into it, Francis.
1:21:43 > 1:21:46- All right.- Morning.
1:21:46 > 1:21:48Dr Mead said they were speakin' German.
1:21:48 > 1:21:50- I, uh...- I speak fluent German.
1:21:50 > 1:21:53Does he think I'm involved in espionage as well?
1:21:54 > 1:21:56Well, no, but...
1:21:56 > 1:21:59I've never heard of anything so ridiculous.
1:22:02 > 1:22:05- I know you were only doing your job. - Well, you can't be too careful.
1:22:05 > 1:22:08- All right, Miss Ursula. - Goodbye.
1:22:08 > 1:22:09Uh...
1:22:09 > 1:22:12- You don't know where he's gone, then?- Sorry?
1:22:12 > 1:22:15The young foreign chap - you don't know where he's gone?
1:22:15 > 1:22:18Oh, for a walk, I think.
1:22:18 > 1:22:19Right. Bye, then.
1:22:19 > 1:22:21Bye.
1:22:27 > 1:22:29You don't speak fluent German at all.
1:22:29 > 1:22:32- But she does. - Oh, don't you start.
1:22:40 > 1:22:42Hello?
1:22:42 > 1:22:44There you are.
1:22:44 > 1:22:46- Are you going? - WE are going.
1:22:46 > 1:22:49My brother is in London for the next 24 hours
1:22:49 > 1:22:51- and he said he could see you tonight.- Slowly, please. What?
1:22:51 > 1:22:54Mein Bruder ist fur 24 Stunden in London
1:22:54 > 1:22:55und kann euch heute Abend treffen.
1:23:04 > 1:23:05HORN HONKING
1:23:14 > 1:23:18You can take those two cases and I can manage everything else.
1:23:22 > 1:23:24Come on!
1:23:34 > 1:23:36SHE SIGHS
1:23:37 > 1:23:39He won't be here any sooner.
1:23:39 > 1:23:41Oh, I know. I just...
1:23:41 > 1:23:45I told him we were having chicken.
1:23:45 > 1:23:47I think we should eat.
1:23:47 > 1:23:49No, let's wait.
1:23:49 > 1:23:52He's sure to be here soon.
1:24:11 > 1:24:14- I'm going to phone Pendered. - All right.
1:24:17 > 1:24:21Trevannic 412, please, Mrs Pengelley.
1:24:23 > 1:24:24Hello?
1:24:24 > 1:24:26Mr Pendered?
1:24:26 > 1:24:28It's Janet Widdington.
1:24:28 > 1:24:31Yeah... Hello.
1:24:31 > 1:24:34We're rather worried about Andrea.
1:24:34 > 1:24:37We were expecting him for supper, and we...
1:24:43 > 1:24:46Oh, I...
1:24:46 > 1:24:47I see.
1:24:51 > 1:24:54No. No, we didn't know.
1:24:56 > 1:24:58Mm. Yes.
1:24:59 > 1:25:01Well...thank you.
1:25:04 > 1:25:05Janet, what's happened?
1:25:05 > 1:25:07They've gone.
1:25:09 > 1:25:10What do you mean?
1:25:12 > 1:25:13I mean Andrea is gone.
1:25:15 > 1:25:17With that woman.
1:25:18 > 1:25:21I don't understand.
1:25:21 > 1:25:23Andrea...
1:25:23 > 1:25:27and the Daniloff woman were seen getting on the train to London.
1:25:30 > 1:25:32Oh... Oh, Janet.
1:25:32 > 1:25:34No.
1:25:34 > 1:25:36- Oh, Janet.- Don't.
1:25:36 > 1:25:39- SOBBING - Ursula.
1:25:41 > 1:25:42Oh, don't.
1:25:42 > 1:25:45SOBBING
1:25:48 > 1:25:50Shh.
1:25:52 > 1:25:54Don't.
1:25:54 > 1:25:56You mustn't, Ursula.
1:25:56 > 1:25:58No, you mustn't. Please.
1:26:23 > 1:26:26RADIO BROADCAST, INDISTINCT
1:26:38 > 1:26:39SWITCHES OFF RADIO
1:27:25 > 1:27:27Waste not, want not.
1:27:27 > 1:27:28I wanted her to see Mead.
1:27:28 > 1:27:31- She won't hear of it.- Oh.
1:27:31 > 1:27:33KNOCK ON DOOR
1:27:37 > 1:27:40From London. "Fragile."
1:27:40 > 1:27:42- London?- Yeah.
1:27:46 > 1:27:48It's from London.
1:27:52 > 1:27:54ANDREA: I am sorry I left without goodbye.
1:27:54 > 1:27:57Please do not think bad of me.
1:27:57 > 1:28:01You gave me life. Now I have chance to use it.
1:28:01 > 1:28:04So much has happened since I met Maestro Daniloff.
1:28:04 > 1:28:06But even with Olga's help,
1:28:06 > 1:28:09my English is not enough to tell you all.
1:28:09 > 1:28:13What I can tell is that on Friday, November 10th,
1:28:13 > 1:28:15I'm on wireless.
1:28:15 > 1:28:16Please to listen.
1:28:16 > 1:28:18You are always in my thoughts.
1:28:18 > 1:28:20Andrea.
1:28:20 > 1:28:23PS. I hope you like the painting.
1:28:23 > 1:28:26It was done by Olga.
1:28:47 > 1:28:49CHATTERING
1:28:58 > 1:28:59Come on in, then.
1:28:59 > 1:29:02SYMPHONY TUNING ON RADIO
1:29:02 > 1:29:04Evening.
1:29:04 > 1:29:05Make yourselves comfortable.
1:29:05 > 1:29:09Mrs Pendered, I've got a chair for you over there.
1:29:11 > 1:29:13Come in. Hurry up, please.
1:29:13 > 1:29:16Startin' soon.
1:29:16 > 1:29:17You keep quiet now.
1:29:20 > 1:29:23SYMPHONY STOPS TUNING
1:29:23 > 1:29:24RADIO: 'Good evening, ladies and gentlemen,
1:29:24 > 1:29:27'and welcome to the Queen's Hall, London.'
1:29:27 > 1:29:31- Could you turn it up a bit? - Cant go up no more.- Shh!
1:29:31 > 1:29:35..with "Fantasy for Violin and Orchestra," by Boris Daniloff.
1:29:35 > 1:29:39Under the baton of Mr Daniloff himself,
1:29:39 > 1:29:41the soloist is the gifted
1:29:41 > 1:29:44'young violinist, Andrea Marowski.
1:29:44 > 1:29:47'APPLAUSE'
1:30:00 > 1:30:02ORCHESTRA BEGINS
1:33:57 > 1:33:59CHATTERING
1:34:13 > 1:34:15No.
1:34:15 > 1:34:17I don't believe...
1:34:18 > 1:34:20Is it you?
1:34:21 > 1:34:24- You were wonderful.- Wonderful.
1:34:24 > 1:34:27- Just wonderful. - Thank you. I was so nervous.
1:34:27 > 1:34:30- Did it show? - No. Not at all.
1:34:30 > 1:34:31How did you get here?
1:34:31 > 1:34:33Why you not say you were coming?
1:34:33 > 1:34:35It was Dorcas's idea.
1:34:35 > 1:34:38Janet wanted to come by car, but we came by train.
1:34:38 > 1:34:40Do excuse me, ladies.
1:34:40 > 1:34:43Andrea, Sir Thomas is simply dying to meet you.
1:34:43 > 1:34:45- No, wait.- Go.
1:34:45 > 1:34:47Yes, go.
1:34:59 > 1:35:01Let's go, Janet.