0:00:02 > 0:00:06This programme contains some violent scenes, some strong language
0:00:06 > 0:00:08and some scenes of a sexual nature.
0:00:34 > 0:00:39- Darjeeling.- That your favourite? - Yeah, it's up there. For sure.
0:00:39 > 0:00:43- Varanasi was the best, I thought. - Varanasi?- Yeah, just surreal.- Yeah.
0:00:43 > 0:00:47- Amritsar was nice. - Yeah, you would say that!
0:00:47 > 0:00:52Never seen Deepak so Punjabi in my life. "Yeah, I'm a local.
0:00:52 > 0:00:55- "Golden Temple, that's me." - Goa, I like Goa.
0:00:55 > 0:00:58- You spent the whole time on the beach.- Kerela had better beaches.
0:00:58 > 0:01:00It's like the least Indian thing you could do.
0:01:00 > 0:01:03- Beaches in Kerela, girls in Goa. - Yeah, check.
0:01:04 > 0:01:07- Can't believe this is the end of the trip.- Yeah.
0:01:07 > 0:01:11- I'm back to work on Wednesday. - I know, mate, and the weather's going to suck, as well.
0:01:11 > 0:01:14Enjoy work, enjoy the weather, think of me,
0:01:14 > 0:01:15out here suffering in the heat.
0:01:16 > 0:01:21- You all right there, Mark?- Too many Bhang lassis.- How many did you have?
0:01:21 > 0:01:22Don't know.
0:01:22 > 0:01:23ALL LAUGH
0:01:31 > 0:01:32Remember this?
0:01:32 > 0:01:34# Shoot the runner
0:01:34 > 0:01:36# Shoot shoot the runner
0:01:36 > 0:01:40# I'm a king and she's my queen, bitch
0:01:40 > 0:01:41# Shoot the runner
0:01:41 > 0:01:43# Shoot shoot the runner
0:01:43 > 0:01:47# I'm a king and she's my queen, bitch... #
0:01:49 > 0:01:50Those were the days.
0:01:50 > 0:01:53You got laid twice in three years, how are those the days?
0:01:56 > 0:01:57HE GIVES AN INSTRUCTION
0:02:01 > 0:02:02# Shoot the runner
0:02:02 > 0:02:04# Shoot shoot the runner
0:02:04 > 0:02:08# I'm a king and she's my queen, bitch... #
0:02:08 > 0:02:11- How are you feeling, man? - Bit better.
0:02:11 > 0:02:14- Yeah?- Yeah.- Yeah, you look like you're feeling better!
0:02:23 > 0:02:24THEY CHEER
0:02:36 > 0:02:39# Shoot the runner Shoot shoot the runner
0:02:39 > 0:02:42# I'm a king and she's my queen
0:02:43 > 0:02:45# Shoot the runner
0:02:45 > 0:02:47# Shoot shoot the runner
0:02:47 > 0:02:50# I'm a king and she's my queen, bitch. #
0:02:51 > 0:02:53What's up?
0:02:55 > 0:02:56He's stuck.
0:02:56 > 0:02:58ENGINE REVS
0:02:58 > 0:02:59THEY SHOUT ENCOURAGEMENT
0:03:03 > 0:03:04THEY LAUGH
0:03:06 > 0:03:08Why are you bringing us here?
0:03:08 > 0:03:12There's a really nice temple. Look, you can see, look. See that?
0:03:12 > 0:03:13One temple.
0:03:13 > 0:03:16It's got, out of 400 plus pages in this guidebook,
0:03:16 > 0:03:19there's one paragraph dedicated to this place. It must be boom town.
0:03:19 > 0:03:20It's off the beaten track.
0:03:24 > 0:03:27This is the Jain temple of Mahavira.
0:03:27 > 0:03:30This temple is very oldest temple in India.
0:03:30 > 0:03:33Mohammad was the last, number 24 prophet, about a Jain.
0:03:33 > 0:03:36The statue from there is 2,500 years old,
0:03:36 > 0:03:39- handmade by sand with milk. - What were the eyes?
0:03:39 > 0:03:41- And eyes were diamond.- Diamonds?
0:03:41 > 0:03:43Real diamond, 24 carats.
0:03:43 > 0:03:45Who are these characters?
0:03:45 > 0:03:47They are the Apsara dancing girls.
0:03:47 > 0:03:51Dancing girls are represent for God the playful singing song and dancing.
0:03:51 > 0:03:53- See, he wants to convert now, I think, after that.- Yeah, yeah.
0:03:53 > 0:03:56And these are very old pillars of the gate.
0:03:56 > 0:03:59- And can you look the very big detail, sir.- Yeah.
0:03:59 > 0:04:01Now we build the new temple over here
0:04:01 > 0:04:05and these are the old temples of 2,500 years old.
0:04:05 > 0:04:07And the left-hand gallery, they all are female goddess
0:04:07 > 0:04:09of individuals.
0:04:09 > 0:04:14Like Parvati, Durga, Lakshimi, and Saraswati.
0:04:14 > 0:04:16First people go the main temple of the principle,
0:04:16 > 0:04:19then others go around, left to right,
0:04:19 > 0:04:21pray, pray to pray for the other temples.
0:04:21 > 0:04:23- Is there going to be a test at the end?- Yeah.
0:04:26 > 0:04:27Ah, it's nice, man.
0:04:27 > 0:04:30Yeah, we should have stayed here the whole time.
0:04:36 > 0:04:38So, was it worth the drive?
0:04:38 > 0:04:39It's a great place, man.
0:04:42 > 0:04:44The dancers have arrived.
0:04:52 > 0:04:54- Hello.- Good evening.
0:04:54 > 0:04:56Good evening.
0:04:58 > 0:05:00Thank you.
0:05:11 > 0:05:13Those girls are cute, right?
0:05:13 > 0:05:15Yeah, we should dance, come on.
0:05:15 > 0:05:17You should do it, man.
0:05:17 > 0:05:19You're boring.
0:05:19 > 0:05:21Yeah, your moves are great, bro.
0:05:25 > 0:05:27How are you? Rita? I'm Sandeep.
0:05:27 > 0:05:29MUSIC MIXES WITH CHAT
0:05:46 > 0:05:47MUSIC STOPS
0:05:49 > 0:05:52- What happened, buddy? - What do you mean, what happened?
0:05:52 > 0:05:56- Going so good.- So why didn't you guys join in?- You gave up far too easily.
0:05:56 > 0:05:58You know, I think I saw you at the temple today.
0:05:58 > 0:06:02Yeah, I was there with my sister and my brother. My sister's birthday today.
0:06:02 > 0:06:03- How old is she?- Six, sir.
0:06:03 > 0:06:06- How old are you?- Sir, I'm 19.
0:06:06 > 0:06:0919. Do you work here full-time?
0:06:09 > 0:06:14No, sir. Sir, I come here only on special occasions like today.
0:06:14 > 0:06:17But you don't go to college or university?
0:06:17 > 0:06:19No, sir. In Osian there is no college
0:06:19 > 0:06:23and if I had to study then I would have to go far,
0:06:23 > 0:06:25far away and it's very expensive for my family.
0:06:44 > 0:06:46Hey, guys, it's us. You need a lift?
0:06:49 > 0:06:50Guys, guys, listen.
0:06:50 > 0:06:53We've even got a chaperone here, look, there's a driver.
0:06:55 > 0:06:57- What did she say?- Get in the front.
0:07:05 > 0:07:09- You've never learned Hindi. - No, we never spoke it at home.
0:07:26 > 0:07:28Yeah, do you want to hear it?
0:07:30 > 0:07:31Oh, my God! Thank you.
0:07:31 > 0:07:35- What was that?- I would like to say one thing in Punjabi.
0:07:37 > 0:07:39Thank you very much.
0:07:42 > 0:07:44Thank you so much for that.
0:07:45 > 0:07:46So, maybe see you at the hotel?
0:07:46 > 0:07:48Bye-bye.
0:07:51 > 0:07:52- Your father's in.- Yes.
0:07:52 > 0:07:54- E-mail me.- Yes, I will.
0:07:54 > 0:07:56- Take care.- Bye-bye.- Bye.
0:08:09 > 0:08:10DANCE MUSIC ON TV
0:08:10 > 0:08:11# We twist, we twist
0:08:11 > 0:08:14# We twist, we twist, and we twist
0:08:14 > 0:08:16# We twist, we twist
0:08:16 > 0:08:18# We twist, and we twist
0:08:18 > 0:08:20# We twist, we twist, and we twist
0:08:20 > 0:08:23# We twist, we twist
0:08:23 > 0:08:25# And we twist, we twist... #
0:08:32 > 0:08:33MUSIC CONTINUES
0:09:36 > 0:09:37CHILDREN CHATTER
0:11:10 > 0:11:11HORN BEEPS
0:11:13 > 0:11:14HORN BLARES
0:11:25 > 0:11:27HUBBUB OF VOICES
0:11:49 > 0:11:50HUBBUB CONTINUES
0:12:07 > 0:12:08SHE SCREAMS
0:12:15 > 0:12:17SHE GROANS
0:12:23 > 0:12:24SHE SIGHS
0:13:42 > 0:13:44Enjoy the desert, dude.
0:13:46 > 0:13:47Wait, wait, stop, stop, stop.
0:13:51 > 0:13:52It's the girl from the hotel.
0:13:52 > 0:13:55Oh, yeah, go check on her, go be a doctor, bro.
0:13:55 > 0:13:56Trishna!
0:14:03 > 0:14:04What's he up to?
0:14:04 > 0:14:05He is a hit with the kids.
0:14:06 > 0:14:09You've got your own personal army.
0:14:09 > 0:14:12But they couldn't stop you from getting injured.
0:14:15 > 0:14:17How's your dad?
0:14:17 > 0:14:20- He's still in the hospital. - He has chest injuries.
0:14:20 > 0:14:23- Is this your sister?- Yes, sir.
0:14:23 > 0:14:25- What's your name? - My name is Devshri.
0:14:25 > 0:14:27Devshri?
0:14:27 > 0:14:29She just ran away from him.
0:14:29 > 0:14:30He's got to work a lot faster than this.
0:14:30 > 0:14:33So, if your dad's in hospital and you've got a broken arm,
0:14:33 > 0:14:37like, what are you guys going to do?
0:14:37 > 0:14:40It is going to be very difficult now
0:14:40 > 0:14:43because my father had to pay the loan for the jeep.
0:14:43 > 0:14:45Yo, Jay, we got to go, man.
0:14:45 > 0:14:47Yeah, one minute.
0:14:47 > 0:14:49Have you got a phone number or something?
0:14:49 > 0:14:51No, sir, my phone was broken in accident.
0:14:51 > 0:14:53My father's got a hotel near Jaipur.
0:14:53 > 0:14:58I can get my father to send a letter to your family offering you a job.
0:14:58 > 0:14:59Thank you, sir
0:14:59 > 0:15:01Jay, come on, bro.
0:15:01 > 0:15:03- Get well soon, and I hope it works out.- Thank you, sir.
0:15:03 > 0:15:05And I hope your dad gets better.
0:15:05 > 0:15:08- Thank you, sir.- See you later. - Thank you, bye.- Bye.
0:15:09 > 0:15:12- Take your time, man. - Have a game of cricket.- I don't want you to scuff your shoes.
0:15:12 > 0:15:15You want some extra time at the airport to buy each other perfume.
0:15:22 > 0:15:25- How was she?- What?- Was she OK?
0:15:25 > 0:15:27Can we get these guys out of the country straightaway?
0:15:27 > 0:15:28What did she say?
0:15:28 > 0:15:31She said, "Tell your friend that was a fake number...
0:15:31 > 0:15:34- "my friend gave your friend." - I've got an e-mail address, too.
0:15:34 > 0:15:36THEY ALL LAUGH
0:16:48 > 0:16:52"Dear sir, please accept this l-letter
0:16:52 > 0:16:55"as a formal offer of employment..."
0:19:19 > 0:19:21Hey.
0:19:21 > 0:19:23- Hello.- Hello, sir.
0:19:23 > 0:19:25How are you doing? You OK?
0:19:25 > 0:19:28My driver can't come till later so I thought I'd come and get you myself.
0:19:28 > 0:19:32- Thank you.- Don't want you breaking anything else.- OK.
0:19:32 > 0:19:35I'll put this in the luggage room. He can pick it up later.
0:19:35 > 0:19:36OK, sir.
0:19:38 > 0:19:41My friend, this is for the Samode Bagh Hotel.
0:19:41 > 0:19:44I thought that cast would come off by now.
0:19:44 > 0:19:48- Sir, two weeks more and then I can take off.- OK.
0:20:26 > 0:20:28You can hold onto me.
0:20:28 > 0:20:30I'm fine, sir.
0:21:08 > 0:21:11All the milk and butter comes from here.
0:21:11 > 0:21:13These are my dad's.
0:21:13 > 0:21:17He had two budgies when he was a kid and he's been upgrading ever since.
0:21:17 > 0:21:20You won't be able to start your training until your arm's better,
0:21:20 > 0:21:24- so we'll start you off with feeding these guys.- Thank you.
0:21:24 > 0:21:27THEY SPEAK IN OWN LANGUAGE
0:21:27 > 0:21:30What shall I say to them when they say that?
0:21:30 > 0:21:31SHE SPEAKS IN OWN LANGUAGE
0:21:31 > 0:21:33HE REPEATS THE PHRASE
0:21:33 > 0:21:35HE SPEAKS IN OWN LANGUAGE
0:21:35 > 0:21:38JAY REPLIES HESITANTLY
0:21:38 > 0:21:40Yeah, that wasn't bad.
0:21:41 > 0:21:43KNOCK ON DOOR
0:21:43 > 0:21:46Hey, this is Trishna.
0:21:46 > 0:21:48Hi.
0:21:48 > 0:21:51- This is, um...- Shweta. - ..Shweta.
0:21:51 > 0:21:54So you're going to be sharing. I'll get another mattress in.
0:21:54 > 0:21:56Leave you guys to it.
0:22:01 > 0:22:04BIRDSONG
0:22:08 > 0:22:11THEY CHATTER IN OWN LANGUAGE
0:22:19 > 0:22:22It's kind of like a retreat?
0:22:22 > 0:22:24Yeah, it would be a retreat for them.
0:22:24 > 0:22:28They'll be staying here 15, 16 nights.
0:22:38 > 0:22:41Yeah, mate, if there was something to report,
0:22:41 > 0:22:43I promise you, I'd be on the blower straightaway.
0:23:14 > 0:23:17And I will pay the builders directly.
0:23:30 > 0:23:33BIRDS CHIRP
0:23:33 > 0:23:36SHE CALLS TO THE BIRDS
0:23:38 > 0:23:41Hey. How's it going?
0:23:41 > 0:23:44- Oh, good. - Have you tried whistling to them?
0:23:44 > 0:23:47- You haven't?- No.
0:23:47 > 0:23:50My dad likes it when you whistle to them.
0:23:50 > 0:23:52HE WHISTLES
0:23:52 > 0:23:54You know how to whistle, don't you?
0:23:54 > 0:23:57- No, sir.- You just put your lips together and blow.
0:23:59 > 0:24:01Put your lips like this...
0:24:03 > 0:24:05..and then blow.
0:24:05 > 0:24:06SHE EXHALES
0:24:06 > 0:24:09Even more softly, softly.
0:24:09 > 0:24:12HE WHISTLES A NOTE
0:24:12 > 0:24:14SHE WHISTLES SOFTLY
0:24:17 > 0:24:19Yeah.
0:24:19 > 0:24:21SHE WHISTLES
0:24:21 > 0:24:24Yeah! See? Easy.
0:25:08 > 0:25:10You OK?
0:25:48 > 0:25:52What's the difference between that one and the others?
0:26:00 > 0:26:01May I?
0:26:01 > 0:26:03Yes. Thank you.
0:26:17 > 0:26:20So, sir, today we are having 27 rooms,
0:26:20 > 0:26:2123 are in a group...
0:26:21 > 0:26:26- OK.- ..and the others are on an IPIA plant...
0:26:26 > 0:26:28INDISTINCT
0:26:31 > 0:26:33KNOCK ON DOOR
0:26:33 > 0:26:35- May I come in?- OK.
0:26:59 > 0:27:02THEY SPEAK IN OWN LANGUAGE
0:27:03 > 0:27:05MUSIC PLAYS ON TV
0:27:29 > 0:27:32- Did you have a good journey?- Fine.
0:27:32 > 0:27:35It's so good to escape the frenzy of India's cities
0:27:35 > 0:27:40- and arrive here.- Hmm.- Oh, boy.
0:27:40 > 0:27:41Morning, sir.
0:27:41 > 0:27:43"Frenzy" isn't the word. Chaos...
0:27:43 > 0:27:46- Good morning, sir.- Hello! - BIRD CRIES
0:27:46 > 0:27:48Ah, there it is.
0:27:48 > 0:27:50There's my boy. How are you?
0:27:50 > 0:27:52Thank you.
0:27:52 > 0:27:54- What's that?- What?- That.
0:27:54 > 0:27:56- Do you know it?- No, what is it?
0:27:57 > 0:27:59- It's a variety of bird.- Of what?
0:27:59 > 0:28:02Little hummingbird kind of thing, you know?
0:28:02 > 0:28:04You don't know that.
0:28:04 > 0:28:07They flap their wings in one spot and drink nectar.
0:28:07 > 0:28:09Trishna, this is my dad.
0:28:09 > 0:28:13- Hello, sir.- Dad, this is Trishna, she's been looking after your birds.
0:28:13 > 0:28:16Oh, have you really, Trishna? How nice to meet you.
0:28:16 > 0:28:20- Good, I'm glad. Do you like the job?- Yes, sir.
0:28:20 > 0:28:21(Very nice.)
0:28:21 > 0:28:27But, you know, that peacock, that is so strange, isn't it?
0:28:27 > 0:28:33Half shriek, half lament, half call for its lover.
0:28:34 > 0:28:36BIRD CRIES
0:28:36 > 0:28:38- What is that?- Partridge.
0:28:39 > 0:28:41I used to shoot them as a boy.
0:28:41 > 0:28:43You don't know that, you don't know that.
0:28:43 > 0:28:48Your knowledge of flora and fauna is absolutely zero.
0:28:48 > 0:28:51- You were just making it up, weren't you?- No, of course not.
0:28:51 > 0:28:55- I bet you they're not.- Take your bets...- OK.- ..ladies and gentlemen
0:28:55 > 0:28:59before the roulette wheel turns.
0:29:07 > 0:29:08Sorry, sir.
0:29:08 > 0:29:09Not at all.
0:29:09 > 0:29:12- Good. Do you have a moment? - Yes, sir.
0:29:12 > 0:29:14- May I take your arm?- Yes, sir.
0:29:20 > 0:29:21What's that?
0:29:21 > 0:29:23HE SNIFFS
0:29:23 > 0:29:27Nice perfume. Is it you?
0:29:27 > 0:29:29Or is it jasmine?
0:29:32 > 0:29:36Oh, listen to them all singing.
0:29:36 > 0:29:38- SHE WHISTLES - Ah...
0:29:38 > 0:29:43Wonderful. Well, you whistle so well - no wonder.
0:29:43 > 0:29:46Who taught you to whistle like that?
0:29:46 > 0:29:49- Jay, sir.- Jay? I don't believe it.
0:29:49 > 0:29:52I used to be able to whistle.
0:29:52 > 0:29:55I can't whistle to save my life.
0:29:58 > 0:30:02Come here a minute, will you? Let's have a look at you.
0:30:02 > 0:30:04Take that. Come here.
0:30:09 > 0:30:10Oh, yes.
0:30:10 > 0:30:12Yes...
0:30:13 > 0:30:15Yes.
0:30:15 > 0:30:17Well...
0:30:19 > 0:30:22Jay said you were very beautiful.
0:30:23 > 0:30:26Well, he was right for a change. You are.
0:30:26 > 0:30:29Is he treating you well?
0:30:29 > 0:30:31Yes, sir.
0:30:31 > 0:30:32Good.
0:30:32 > 0:30:35As long as you're happy.
0:30:35 > 0:30:37No hotel runs itself. No business runs itself.
0:30:37 > 0:30:40Whatever gave you that idea? You've got to work at it.
0:30:42 > 0:30:46- Can one ask...what else you want to do?- Yeah.
0:30:46 > 0:30:50I'd like to go to Bombay and find some projects to invest in there.
0:30:50 > 0:30:54You really are sometimes impossible. Really are.
0:30:54 > 0:30:58I said I'd come here, I've given it a go. Great.
0:30:58 > 0:31:00Your mother was right.
0:31:00 > 0:31:02I really spoilt you.
0:31:02 > 0:31:05I'm not asking for any more than what you did for Ojun.
0:31:05 > 0:31:07Look, you're no longer a child.
0:31:07 > 0:31:11- You don't want to do this business, don't do it.- Thank you.
0:31:12 > 0:31:14It's OK.
0:31:15 > 0:31:18- Can you manage?- Yeah.
0:31:18 > 0:31:20Thanks a lot.
0:31:20 > 0:31:22See you.
0:31:50 > 0:31:55Listen, can you get Trishna to serve me lunch in my room from now on?
0:31:55 > 0:31:57- Upstairs.- Yes, sir.
0:32:02 > 0:32:05Hello, sir. May I come in?
0:32:05 > 0:32:07Oh, hey. Just here is fine.
0:32:34 > 0:32:35Thank you, sir.
0:32:35 > 0:32:40Listen, I found a course that you might be interested in.
0:32:40 > 0:32:43It is a diploma in hotel management.
0:32:43 > 0:32:46Would you be interested in going to that?
0:32:46 > 0:32:48Yes, sir.
0:32:48 > 0:32:51I could give you a couple of mornings off every week.
0:32:51 > 0:32:53Thank you, sir.
0:33:44 > 0:33:46Roll it like this.
0:33:46 > 0:33:49This part to go down side.
0:33:49 > 0:33:52OK, add more water.
0:33:52 > 0:33:55The table wine, we have red wine, white wine and rose wine...
0:33:55 > 0:33:58You know that all these champagnes are sparkling wine
0:33:58 > 0:34:02- but the sparkling wines are not... STUDENTS:- Champagne.- ..champagne.
0:34:02 > 0:34:04Bedroom, please.
0:34:06 > 0:34:07Sir, lunch.
0:34:07 > 0:34:10- Do you want to just put it down on the table?- OK.
0:34:10 > 0:34:13Actually, it would be better on the bed.
0:34:13 > 0:34:15Thank you, sir. Sorry.
0:34:18 > 0:34:20- How are you doing? You OK? - Yes, sir.- Good.
0:34:20 > 0:34:25Sir, on Friday it is my friend's wedding and I wanted to go.
0:34:25 > 0:34:27- Oh, of course.- Thank you, sir.
0:34:27 > 0:34:29Where is it? Back in...where you're from?
0:34:29 > 0:34:32- No, no, sir, Jaipur. - Is it somebody from the hotel?
0:34:32 > 0:34:33No, sir. Sir, from my class.
0:34:33 > 0:34:36- Oh, from the college? - From the college.- Ah, OK.
0:34:36 > 0:34:38Who are you going with?
0:34:38 > 0:34:41Sir, I asked to Chanchal, it is her day off, and she said OK.
0:34:43 > 0:34:45Are you sure you don't need a male chaperone
0:34:45 > 0:34:47- to take care of you out there? - No, sir.
0:34:47 > 0:34:49MUSIC PLAYS
0:34:51 > 0:34:54THEY SING ALONG
0:35:24 > 0:35:25Thank you.
0:35:27 > 0:35:28Nice!
0:35:30 > 0:35:32Hello.
0:36:28 > 0:36:31THEY MOUTH
0:37:08 > 0:37:09Excuse me.
0:37:09 > 0:37:11Excuse me!
0:37:13 > 0:37:15PHONE RINGS
0:37:18 > 0:37:20Excuse me. Hello?
0:37:24 > 0:37:27Trishna. Trishna!
0:37:27 > 0:37:29Are you all right? You OK?
0:37:31 > 0:37:33- Sorry? - You can go now.- Piss off.
0:37:43 > 0:37:45Thank you.
0:38:23 > 0:38:26Why have we stopped here?
0:38:29 > 0:38:30Are you OK?
0:38:30 > 0:38:32Yes.
0:38:33 > 0:38:36You're very beautiful.
0:39:16 > 0:39:19SHE SIGHS
0:39:19 > 0:39:21WATER RUNS
0:39:47 > 0:39:51SHE SOBS
0:40:50 > 0:40:52CHILDREN CHATTER
0:41:02 > 0:41:05Devshri.
0:41:05 > 0:41:07Devshri!
0:41:07 > 0:41:08Trishna.
0:51:47 > 0:51:49How are you doing?
0:51:55 > 0:51:56Can we talk?
0:52:14 > 0:52:16How did you find me?
0:52:16 > 0:52:19I went to your house and you weren't there.
0:52:19 > 0:52:21Your sister told me you were here.
0:52:24 > 0:52:26I left...
0:52:26 > 0:52:28I left the hotel.
0:52:29 > 0:52:31Why?
0:52:31 > 0:52:33Why?
0:52:33 > 0:52:35Because the hotel business isn't really my thing.
0:52:35 > 0:52:38I'm in Bombay now, it's good.
0:52:41 > 0:52:43Why did you leave that day?
0:52:46 > 0:52:48Tell me.
0:52:49 > 0:52:52I tried calling you, your phone was off.
0:52:52 > 0:52:55I carried on trying to call, it became disconnected.
0:52:57 > 0:52:59What happened?
0:53:00 > 0:53:02We didn't do anything wrong.
0:53:02 > 0:53:05Did it feel wrong to you?
0:53:08 > 0:53:11I've got my own place in Bombay, OK.
0:53:12 > 0:53:15And nobody cares if we're together over there.
0:53:15 > 0:53:18You don't have to worry about what people think.
0:53:20 > 0:53:23And I can't stop thinking about you.
0:53:23 > 0:53:24I want to be with you.
0:53:24 > 0:53:26I want you by my side.
0:53:26 > 0:53:28Will you come to Bombay with me?
0:53:32 > 0:53:34Will you come to Bombay with me?
0:53:40 > 0:53:42OK.
0:53:43 > 0:53:46- Yes.- When can you come?
0:53:48 > 0:53:51- Now.- Now?- Now.
0:53:51 > 0:53:53Don't you have to tell your uncle?
0:53:53 > 0:53:56No. No, if I tell him he won't let me leave.
0:54:12 > 0:54:14Is this like how you thought it would be?
0:54:14 > 0:54:16I think it's better.
0:54:36 > 0:54:38Almost there.
0:54:42 > 0:54:43This is it.
0:54:45 > 0:54:47This is the kitchen.
0:54:47 > 0:54:50This is where you're going to be spending most of your time,
0:54:50 > 0:54:51obviously(!)
0:54:51 > 0:54:53Nice, huh?
0:54:53 > 0:54:54Very nice.
0:54:57 > 0:55:00Wow, it's so big.
0:55:00 > 0:55:01So this is all yours?
0:55:01 > 0:55:03I'm renting it.
0:55:03 > 0:55:06And this is your room.
0:55:06 > 0:55:07- My room?- Yeah.
0:55:07 > 0:55:10- What do you think? - I don't need a room.
0:55:10 > 0:55:12In case you ever want your own space.
0:55:12 > 0:55:15This is beautiful. I've never seen the sea before.
0:55:15 > 0:55:18Well, I thought you might like the view.
0:55:52 > 0:55:54- What's up?- You OK?
0:55:54 > 0:55:57- Amit, this is Trishna.- Hi.- Hi.
0:55:57 > 0:55:59- How are you?- I'm fine.
0:55:59 > 0:56:01- Trishna, Anurag. - Hi. This is Amit, Shahin.
0:56:01 > 0:56:04- Hi.- Hi, Trishna, nice to meet you.
0:56:04 > 0:56:06They are dancers.
0:56:06 > 0:56:07So what is going on?
0:56:07 > 0:56:09This is for you.
0:56:09 > 0:56:11- What's this?- The script.
0:56:11 > 0:56:14We are trying to form a company together.
0:56:14 > 0:56:16You know he's got a rich father?
0:56:16 > 0:56:20I'm a writer/director, Amit is a music director.
0:56:20 > 0:56:22Thanks(!) Is that my only qualification? Rich father?
0:56:22 > 0:56:25You could have just said, "Jay's the producer,
0:56:25 > 0:56:26"he's good at organising things."
0:56:26 > 0:56:28He's got a father with lots of money
0:56:28 > 0:56:31and we are trying to make him a producer.
0:56:32 > 0:56:35- Tell us about you. - What do you want to know?
0:56:35 > 0:56:36- You act?- No.
0:56:36 > 0:56:39You don't act? You don't like to act?
0:56:40 > 0:56:43- You don't want to act? - No, I don't think so.
0:56:43 > 0:56:44OK, leave her alone.
0:56:44 > 0:56:47I going to put this up right here... So there we go.
0:56:47 > 0:56:49Hi, Anurag.
0:56:49 > 0:56:50Oh, hey, hey.
0:56:50 > 0:56:54Kalki, hello. Nice to see you. Are you OK? This is Trishna.
0:56:54 > 0:56:57- Trishna, Kalki.- Hi.- Hi.
0:56:57 > 0:57:00- Sit.- No, you know what, it's really loud in here.
0:57:00 > 0:57:03Shall we go somewhere else? We really have to talk right now.
0:57:03 > 0:57:05He's trying to get me to do his commercial.
0:57:05 > 0:57:09- I'll see you soon, all right? - I'll be back.- Bye, Kalki.- Bye.
0:57:11 > 0:57:13Don't worry, she's always like that.
0:57:13 > 0:57:15Why do you meet me in this place?
0:57:15 > 0:57:19- So you are originally from Rajasthan?- Osian, Rajasthan.
0:57:28 > 0:57:31THEY SPEAK IN OWN LANGUAGE
0:57:44 > 0:57:47MUSICIANS PLAY
0:57:53 > 0:57:55One, two, three and four!
0:57:55 > 0:57:58Five, six, seven and eight!
0:57:58 > 0:58:01SHE SINGS IN OWN LANGUAGE
0:58:11 > 0:58:14The end section was nice.
0:58:14 > 0:58:17We'll take the first section.
0:58:17 > 0:58:20THEY SING
0:58:41 > 0:58:44MUSIC PLAYS
0:58:46 > 0:58:48Yes, yes, correct.
0:59:04 > 0:59:06INDISTINCT CONVERSATION
0:59:06 > 0:59:09Espresso.
0:59:09 > 0:59:10Do you like it?
0:59:17 > 0:59:19What else do you need?
0:59:24 > 0:59:26One, two, three and four!
0:59:26 > 0:59:28Five, six, seven and eight!
0:59:28 > 0:59:33One, two, three, four, five, six, seven, eight!
0:59:33 > 0:59:35JAY LAUGHS
0:59:37 > 0:59:39Yeah, I like that one.
1:00:27 > 1:00:29- How are you?- OK.
1:00:32 > 1:00:33How are you?
1:00:33 > 1:00:37- OK. You all right?- Yeah. - So, you're playing a diva in this.
1:00:37 > 1:00:40Playing? I AM a diva, darling. What are we doing?
1:00:40 > 1:00:43Let's get it going, before I fucking melt.
1:00:43 > 1:00:45You're holding this...
1:00:59 > 1:01:02Why don't you want her to be a dancer?
1:01:02 > 1:01:03Have you been telling tales on me?
1:01:03 > 1:01:06- No, I just said... - SHE doesn't want to be a dancer.
1:01:06 > 1:01:08You don't like Trishna dancing?
1:01:08 > 1:01:09I love Trishna's dancing.
1:01:09 > 1:01:12You don't want to BE a dancer, and I don't want you to be a dancer.
1:01:12 > 1:01:15- Why not? Why not? - So we're happy.
1:01:16 > 1:01:18That's how we like it.
1:01:18 > 1:01:22Yeah? I'm glad you're so happy, but Trishna's happy as well.
1:01:25 > 1:01:28DANCE MUSIC PLAYS
1:01:32 > 1:01:33Wait, wait, wait.
1:01:33 > 1:01:35I thought you guys were meant to be the dancers.
1:01:35 > 1:01:38Show us how it's done.
1:01:57 > 1:01:59# Na-na-na-na-na-na-na... # Hey!
1:02:02 > 1:02:03Hoi!
1:02:03 > 1:02:04OK?
1:02:04 > 1:02:07One, two, three, four, five, six, seven, eight.
1:02:07 > 1:02:11One, two, three, four, five, six, seven, eight.
1:02:11 > 1:02:14One, two. One, two. One, two.
1:02:16 > 1:02:17Very good, very good.
1:02:18 > 1:02:20Hi.
1:02:20 > 1:02:21Hello.
1:02:23 > 1:02:24Trishna.
1:02:25 > 1:02:26Thank you.
1:02:44 > 1:02:46- Hello!- Hello!- Hello.- Hi.
1:02:55 > 1:02:56Bye.
1:02:56 > 1:02:57Bye.
1:02:57 > 1:02:59- Bye. Bye. Bye. Bye, Trishna.- Bye.
1:03:05 > 1:03:07It's really hard, you know, and Bollywood people
1:03:07 > 1:03:10don't take you seriously when you do theatre.
1:03:10 > 1:03:12They think, "Oh theatre, it's just a side job."
1:03:12 > 1:03:13What's the play you're doing?
1:03:13 > 1:03:16I'm doing two. One is a clown version of Hamlet.
1:03:16 > 1:03:19- Really?- Yeah, it's clowns playing Hamlet.
1:03:19 > 1:03:21- That's quite cool. - Yeah, and we talk in gibberish.
1:03:21 > 1:03:24The life of an actor would make a good movie, you know.
1:03:24 > 1:03:26- MAN: A white girl in Bollywood. - My life is dramatic enough.
1:03:26 > 1:03:28I do not want a movie about it, OK?
1:03:28 > 1:03:31Set it in stone in history so people could watch it and see...
1:03:31 > 1:03:34It wouldn't really be a movie - it would be soap opera.
1:03:34 > 1:03:35Oh, it's hot.
1:03:35 > 1:03:37What happened to the cherry? Who ate my cherry?
1:03:40 > 1:03:41I took your cherry.
1:03:41 > 1:03:44It is so cute how you guys have dressed up in the same coloured top.
1:03:44 > 1:03:46Why thank you. I'm glad we've got your blessing.
1:03:46 > 1:03:48- That's sweet.- It was deliberate.
1:03:48 > 1:03:50It's nice how you dress like Brangelina.
1:03:53 > 1:03:55Romance, hey? I need some of that.
1:04:18 > 1:04:19- Hi.- Hey.
1:04:23 > 1:04:25- Come back early?- Yeah.
1:04:28 > 1:04:29You OK?
1:04:31 > 1:04:33Just had a call from London...
1:04:34 > 1:04:37..and, um, my dad's in hospital.
1:04:40 > 1:04:41What happened?
1:04:41 > 1:04:43They're saying he's had a stroke.
1:04:45 > 1:04:46Is he OK now?
1:04:48 > 1:04:51- No, he's still in hospital.- OK.
1:04:51 > 1:04:53- I need to go back and see him. - Yes, OK.
1:04:53 > 1:04:55It's OK.
1:05:02 > 1:05:05When I go back and see my dad, I'm going to tell him about us, OK?
1:05:11 > 1:05:12Really?
1:05:14 > 1:05:15Is that OK?
1:05:26 > 1:05:30Listen, he's got this really old necklace my grandmother left for me.
1:05:32 > 1:05:36- And my grandmother told me to give it to the girl that I love.- Mm.
1:05:38 > 1:05:41And I want to get it and come back and give it to you.
1:05:43 > 1:05:47I don't want us to have any secrets that you find out about later.
1:05:48 > 1:05:52Before you came to Bombay, I slept with...
1:05:52 > 1:05:53Pooja
1:05:53 > 1:05:55and Kalki.
1:05:58 > 1:06:00It's OK.
1:06:02 > 1:06:03Promise?
1:06:03 > 1:06:05- (WHISPERS)- Yes.
1:06:10 > 1:06:13There's something I need to tell you too.
1:06:15 > 1:06:17When I went back home...
1:06:19 > 1:06:21..I found out that I got pregnant.
1:06:27 > 1:06:28My...
1:06:31 > 1:06:34My dad took me to the doctor.
1:06:35 > 1:06:38And... And I had to get an abortion.
1:06:54 > 1:06:56Why didn't you tell me?
1:07:01 > 1:07:02I...
1:07:02 > 1:07:04I was just so scared.
1:07:08 > 1:07:09Sorry.
1:07:11 > 1:07:13What... Wait, wait. What about...?
1:07:13 > 1:07:16I just want to understand, OK?
1:07:16 > 1:07:18- Yeah? I just want to understand.- Yeah.
1:07:18 > 1:07:20Why haven't you told me...
1:07:21 > 1:07:24..like, in Bombay, until now?
1:07:26 > 1:07:27Huh?
1:07:31 > 1:07:32That's like a big deal.
1:07:34 > 1:07:35Don't you think?
1:07:37 > 1:07:39Yes.
1:07:39 > 1:07:40So, then, why didn't you tell me?
1:07:45 > 1:07:48Do you think maybe I had a right to know?
1:07:51 > 1:07:52Huh?
1:07:54 > 1:07:57But I don't understand how you can...
1:07:57 > 1:07:58One second. Just one second.
1:07:58 > 1:08:01I don't understand how you can...
1:08:01 > 1:08:03Like, we've seen each other every day,
1:08:03 > 1:08:05we've been doing everything together.
1:08:05 > 1:08:09You can't say it's like you haven't had a chance to talk to me, can you?
1:08:09 > 1:08:12Hm? We've been sleeping together, we're meant to be in love.
1:08:12 > 1:08:16Now, that... That feels like a bit of a slap in the face.
1:08:16 > 1:08:20To think you don't trust me enough to tell me something that's so...
1:08:23 > 1:08:24Huh?
1:08:34 > 1:08:36I'm just coming down now.
1:08:36 > 1:08:37Thank you.
1:08:39 > 1:08:40Some tea for you.
1:08:40 > 1:08:43- I don't have time for tea, so just put it down.- OK.
1:08:45 > 1:08:49That's all I've got on me, but it should be enough.
1:09:07 > 1:09:10HORNS HONK LOUDLY
1:09:13 > 1:09:16THEY SPEAK OWN LANGUAGE
1:10:09 > 1:10:11Hi!
1:10:11 > 1:10:12Hi, Shahin.
1:10:16 > 1:10:17Sorry.
1:10:28 > 1:10:31HE SPEAKS OWN LANGUAGE
1:10:34 > 1:10:37FRONT DOOR OPENING
1:10:37 > 1:10:39Hello?
1:10:39 > 1:10:40FRONT DOOR CLOSING
1:10:41 > 1:10:43Oh. I'm sorry.
1:11:01 > 1:11:02Thank you.
1:11:26 > 1:11:28Good morning.
1:11:28 > 1:11:29Good morning.
1:11:29 > 1:11:30Good morning.
1:11:30 > 1:11:32- Hi, Agnes.- Hi.- Good morning.
1:11:38 > 1:11:41MUSIC PLAYS
1:11:45 > 1:11:46Ow!
1:11:55 > 1:11:57Zero,
1:11:57 > 1:11:58nine, nine,..
1:11:58 > 1:11:59Zero, nine, nine...
1:11:59 > 1:12:00..four, four...
1:12:00 > 1:12:02- ..four, four...- ..one, two.
1:12:04 > 1:12:05One, two, three, four!
1:12:09 > 1:12:11One, two, three, four!
1:12:12 > 1:12:14Ah!
1:12:25 > 1:12:27- Hi.- Hello.
1:12:28 > 1:12:29MUSIC BEGINS
1:12:44 > 1:12:45MUSIC ENDS
1:12:45 > 1:12:48CHEERING AND APPLAUSE
1:13:02 > 1:13:05SHE SINGS IN OWN LANGUAGE
1:13:24 > 1:13:28HORNS HONK
1:14:14 > 1:14:18PHONE RINGS
1:14:20 > 1:14:21Jay?
1:14:21 > 1:14:22Hey.
1:14:22 > 1:14:23Hi.
1:14:25 > 1:14:27You're OK?
1:14:27 > 1:14:31- I'm OK. How are y... - Listen, where are you?
1:14:31 > 1:14:32In Versova.
1:14:32 > 1:14:35OK, I'm back in Bombay. Can we meet, today?
1:14:50 > 1:14:51Hey.
1:14:54 > 1:14:55Are you OK?
1:14:57 > 1:14:58I'm OK.
1:14:58 > 1:15:00- I'm sorry I'm late.- How are you?
1:15:01 > 1:15:06I'm OK. Listen, I'm SO sorry about the flat.
1:15:07 > 1:15:09Why didn't you call me?
1:15:09 > 1:15:11I just didn't want to trouble you.
1:15:11 > 1:15:12Hi, sir.
1:15:12 > 1:15:14Um, a bottle of water, please. Mineral water, large bottle.
1:15:16 > 1:15:19Yeah, she said, "You have to leave because the owners are coming back."
1:15:19 > 1:15:21- It's ridiculous.- And so...
1:15:21 > 1:15:23They should have phoned me. YOU could have called me.
1:15:23 > 1:15:25How's your father?
1:15:25 > 1:15:27He's just not really himself.
1:15:28 > 1:15:30Should I open, sir?
1:15:30 > 1:15:32- I'm fine, thanks.- Oh.
1:15:32 > 1:15:34HE CLEARS THROAT
1:15:34 > 1:15:37Like, he's in bed - he's bedbound, he can't walk.
1:15:37 > 1:15:41They're not sure if he will be able to walk again. And, um...
1:15:41 > 1:15:44obviously, everyone's just massively on edge.
1:15:44 > 1:15:46Yeah.
1:15:46 > 1:15:51It's like...my brothers are actually just arguing in front of his bed.
1:15:51 > 1:15:52He's just lying there.
1:15:52 > 1:15:55All the stuff that my dad was doing might have been boring,
1:15:55 > 1:15:58but it's important - just being around, just taking care of stuff.
1:15:58 > 1:15:59They're not up for it.
1:15:59 > 1:16:01Like, they're not going to do it, so I'll have to do it.
1:16:03 > 1:16:06I feel like, you know, it's the least I can do for him.
1:16:07 > 1:16:10So I've got to take care of the hotels in Rajasthan,
1:16:10 > 1:16:12surprise, surprise(!)
1:16:22 > 1:16:24I know that, um...
1:16:24 > 1:16:27I know it's different in Rajasthan to here.
1:16:27 > 1:16:30I know for you it would be difficult,
1:16:30 > 1:16:32you know - how you would be seen if...
1:16:32 > 1:16:34You know, as my live-in girlfriend.
1:16:37 > 1:16:41But I could get... I was thinking I could get you a job at the hotel.
1:16:44 > 1:16:45OK.
1:16:46 > 1:16:49I guess it will be a little bit like before.
1:16:49 > 1:16:51In public, we...
1:17:05 > 1:17:06So this fucker is leaving us.
1:17:06 > 1:17:08- ALL:- Ohhh!
1:17:08 > 1:17:10- My movie is fucked. - LAUGHTER
1:17:10 > 1:17:15I hope...you fuck up your dad's hotel and go to hell.
1:17:15 > 1:17:19You son of a bitch. You bastard. Three cheers for the bastard.
1:17:19 > 1:17:22THEY CHEER
1:17:56 > 1:17:57How was your journey, sir?
1:17:57 > 1:17:59Um, long.
1:17:59 > 1:18:01Hello, sir. Welcome to Ranvas.
1:18:01 > 1:18:03- This is Trishna.- Hello, Trishna. - She'll be working with you now.
1:18:03 > 1:18:06- She was from the Samode Hotel. - Yes, yes, sir.
1:18:11 > 1:18:14At this hotel, we have 16 havelis.
1:18:14 > 1:18:17In past time, it was accommodation of the queens.
1:18:17 > 1:18:19- He had 16 wives?- 16 wives.
1:18:19 > 1:18:21Must have been a very happy man.
1:18:21 > 1:18:22Very happy.
1:18:37 > 1:18:41Amar Singh came here in 1638...
1:18:42 > 1:18:44This is the ladies' swimming pool.
1:18:46 > 1:18:48On other side, there is a men's swimming pool.
1:18:50 > 1:18:54This is the Amar Singh Palace, built in 16th century.
1:18:58 > 1:19:01- This is the bedroom? - It's the bedroom.
1:19:01 > 1:19:04- And these are all the different wives?- Yes.
1:19:09 > 1:19:10You can see our window.
1:19:12 > 1:19:17It's a different type of window, in which she can see outside
1:19:17 > 1:19:19but nobody can see inside this palace.
1:19:34 > 1:19:36Shall I open the water?
1:19:36 > 1:19:37No.
1:19:37 > 1:19:38Don't do anything.
1:19:40 > 1:19:41OK?
1:19:43 > 1:19:44- (WHISPERS)- Yeah.
1:20:33 > 1:20:34SHE GASPS
1:21:17 > 1:21:19Hell-o.
1:21:19 > 1:21:20Hello.
1:21:25 > 1:21:27Do you know what the Kama Sutra says?
1:21:28 > 1:21:30No.
1:21:30 > 1:21:33It says there are three different kinds of heroines
1:21:33 > 1:21:35that you're allowed to make love to, right?
1:21:35 > 1:21:37You've got the maid,
1:21:37 > 1:21:39the single lady
1:21:39 > 1:21:40and the courtesan.
1:21:40 > 1:21:42So which one are you?
1:21:45 > 1:21:47I don't know.
1:21:48 > 1:21:50You don't know?
1:21:50 > 1:21:51You have to pick one.
1:21:58 > 1:22:00You know what I think?
1:22:00 > 1:22:02I think you're all three.
1:22:06 > 1:22:07Three in one.
1:22:14 > 1:22:15No.
1:22:15 > 1:22:17Why not?
1:22:18 > 1:22:19Sh-sh. Come on.
1:22:27 > 1:22:29Not here.
1:22:29 > 1:22:30What's wrong?
1:22:33 > 1:22:34Not here.
1:22:36 > 1:22:38No-one can see us.
1:22:44 > 1:22:46DRUMMING AND SINGING FROM INSIDE
1:22:46 > 1:22:50SHE GREETS THEM IN OWN LANGUAGE
1:23:09 > 1:23:12- Hi, Trishna.- Hello, sir.
1:23:27 > 1:23:28SHE SPEAKS IN OWN LANGUAGE
1:23:52 > 1:23:54Why are you so late?
1:23:54 > 1:23:55Hm?
1:23:55 > 1:23:57Sorry. The kitchen was busy.
1:24:38 > 1:24:40Trishna?
1:24:40 > 1:24:41Huh?
1:24:59 > 1:25:00Mm.
1:25:37 > 1:25:40I want to see what the uniform looks like without that red thing.
1:25:40 > 1:25:42Just take the red thing off.
1:25:44 > 1:25:45Open your hair.
1:25:51 > 1:25:53Take your pants off.
1:25:56 > 1:25:57Uh?
1:26:11 > 1:26:12Just lift up your skirt.
1:28:07 > 1:28:11You know, it's so boring always seeing you wearing the same clothes.
1:28:11 > 1:28:13Can't you wear something else?
1:28:13 > 1:28:16You wear one of the dresses I got you in Bombay?
1:28:16 > 1:28:18How do I bring it here?
1:28:18 > 1:28:20Just put it in with my clean laundry.
1:28:26 > 1:28:28SHE GREETS THEM IN OWN LANGUAGE
1:28:28 > 1:28:30- Welcome to Ranvas.- Thank you.
1:28:30 > 1:28:31Drink, please?
1:28:47 > 1:28:49Your dress is inside.
1:29:05 > 1:29:08MUSIC PLAYS: All Mine by Portishead
1:29:08 > 1:29:10Looks nice.
1:29:10 > 1:29:11Turn around.
1:29:13 > 1:29:15Do you know why I've got champagne?
1:29:17 > 1:29:18It's our anniversary.
1:29:20 > 1:29:22I want you to dance for me.
1:29:22 > 1:29:24I don't want to dance.
1:29:24 > 1:29:25HE SIGHS
1:29:27 > 1:29:30I thought you liked dancing.
1:29:30 > 1:29:31You like it, don't you?
1:29:33 > 1:29:35Do you miss Bombay?
1:29:35 > 1:29:36- Yes.- Yeah.
1:29:36 > 1:29:39Well, you can dance - for me.
1:29:41 > 1:29:42Because we're celebrating.
1:30:19 > 1:30:22Look at me.
1:30:22 > 1:30:23Come here.
1:30:31 > 1:30:33Come HERE.
1:31:19 > 1:31:21Can't you do one little thing for me,
1:31:21 > 1:31:23after everything I've done for you?
1:31:23 > 1:31:24SHE GASPS
1:31:33 > 1:31:36WATER RUNNING
1:32:48 > 1:32:51HE GASPS AND CHOKES
1:32:55 > 1:32:57HE SPLUTTERS
1:36:14 > 1:36:16BOY SPEAKS IN OWN LANGUAGE
1:36:16 > 1:36:19THEY GIGGLE
1:38:56 > 1:39:00- ON TV:- # My fantasy Come and see
1:39:00 > 1:39:02# It's my fantasy
1:39:02 > 1:39:04# My fantasy Come and see... #
1:39:04 > 1:39:07CHILDREN SING ALONG QUIETLY
1:39:07 > 1:39:09# My fantasy Come and see
1:39:09 > 1:39:11# It's my fantasy
1:39:11 > 1:39:13# My fantasy Come and see
1:39:13 > 1:39:16# It's my fantasy... #
1:39:26 > 1:39:28- Eight.- Eight.- TOGETHER: Nine, ten.
1:39:57 > 1:39:59HORN HONKS A TUNE
1:40:00 > 1:40:02HORN HONKS A TUNE
1:40:17 > 1:40:18- Bye.- Bye.- Bye.
1:40:27 > 1:40:28- BOY:- Attention!
1:40:28 > 1:40:30Stand at ease!
1:40:30 > 1:40:31Attention!
1:40:31 > 1:40:33Get ready for the prayer!
1:40:34 > 1:40:37- Our Father... - ALL: Our father...
1:40:37 > 1:40:39- in heaven! - in heaven!
1:40:39 > 1:40:42- Give us today... - Give us today...
1:40:42 > 1:40:44- our daily bread... - our daily bread...
1:40:44 > 1:40:47- and forgive us... - and forgive us...
1:40:47 > 1:40:49- our sins! - our sins!
1:40:49 > 1:40:51- As we... - As we...
1:40:51 > 1:40:53- forgive those... - forgive those...
1:40:53 > 1:40:56- who sins... - who sins...
1:40:56 > 1:40:58- against us. - against us.
1:40:58 > 1:41:00- Do not bring us... - Do not bring us...
1:41:00 > 1:41:02- to the test... - to the test...
1:41:02 > 1:41:04- but deliver us... - but deliver us...
1:41:04 > 1:41:07- from evil! - from evil!
1:41:07 > 1:41:09- Amen! - Amen!
1:41:11 > 1:41:13Get ready for the pledge!
1:41:14 > 1:41:17- India is my country! - India is my country!
1:41:17 > 1:41:20- All Indians... - All Indians...
1:41:20 > 1:41:22- are my... - are my...
1:41:22 > 1:41:25- brothers and sisters! - brothers and sisters!
1:41:25 > 1:41:28- I shall give my parents... - I shall give my parents...
1:41:28 > 1:41:30- teachers... - teachers...
1:41:30 > 1:41:33- and all elders... - and all elders...
1:41:33 > 1:41:34- respect! - respect!
1:41:34 > 1:41:37- And treat everyone... - And treat everyone...
1:41:37 > 1:41:39- with courtesy! - with courtesy!
1:41:39 > 1:41:42- To my country... - To my country...
1:41:42 > 1:41:44- and my people... - and my people...
1:41:44 > 1:41:47- I pledge my devotion! - I pledge my devotion!
1:41:47 > 1:41:50- In their well-being... - In their well-being...
1:41:50 > 1:41:53- and prosperity... - and prosperity...
1:41:53 > 1:41:55- alone lies... - alone lies...
1:41:55 > 1:41:57- my happiness! - my happiness!
1:41:57 > 1:41:58Hands down!
1:43:10 > 1:43:11SHE GASPS
1:43:15 > 1:43:17SHE PANTS
1:43:21 > 1:43:24PANTING CONTINUES