0:00:02 > 0:00:08This film contains some violent scenes and very strong language.
0:00:08 > 0:00:09HE SPEAKS FRENCH
0:00:09 > 0:00:11WOMAN ON TAPE SPEAKS FRENCH
0:00:11 > 0:00:14HE SPEAKS FRENCH
0:00:39 > 0:00:41MAN SCREAMS
0:00:50 > 0:00:53Time travel has not yet been invented...
0:00:53 > 0:00:56but 30 years from now, it will have been.
0:00:58 > 0:01:01It will be instantly outlawed,
0:01:01 > 0:01:06used only in secret by the largest criminal organisations.
0:01:15 > 0:01:19It's nearly impossible to dispose of a body in the future...
0:01:19 > 0:01:23I'm told. Tagging techniques, whatnot.
0:01:23 > 0:01:27So when these criminal organisations in the future need someone gone,
0:01:27 > 0:01:32they use specialised assassins in our present called "loopers".
0:01:32 > 0:01:35And so,
0:01:35 > 0:01:38my employers in the future nab the target.
0:01:38 > 0:01:40They zap him back to me, their looper.
0:01:40 > 0:01:44He appears, hands tied and head sacked...
0:01:44 > 0:01:47and I do the necessaries.
0:01:47 > 0:01:50Collect my silver.
0:01:50 > 0:01:52So the target is vanished from the future
0:01:52 > 0:01:56and I've just disposed of a body that technically does not exist.
0:01:59 > 0:02:01Clean.
0:02:08 > 0:02:11THEY BOTH SPEAK FRENCH
0:02:11 > 0:02:13- How's the French?- Slow.
0:02:13 > 0:02:15- How's the coffee?- Burnt.
0:02:27 > 0:02:31- MAN:- ...the devil bring you into hell! You have to heal yourself.
0:02:44 > 0:02:45Two, Jed.
0:02:45 > 0:02:47BUZZER
0:02:52 > 0:02:53Hey, Joe.
0:02:53 > 0:02:56- Be at the club tonight?- Yeah.
0:02:56 > 0:02:58Four, Jed.
0:02:58 > 0:03:04MUSIC: Powerful Love by Chuck and Mack
0:03:04 > 0:03:08HE MUTTERS
0:03:18 > 0:03:19Bonjour, mademoiselle.
0:03:22 > 0:03:23Bang.
0:03:38 > 0:03:42TYRES SCREECH
0:03:59 > 0:04:01Hey, walk around.
0:04:01 > 0:04:05Around the bike. I'm not kidding! Wide around, you shit!
0:04:05 > 0:04:07Rude! If you had a mama, she didn't raise you right.
0:04:07 > 0:04:10That's funny because I'm going to pick your mother
0:04:10 > 0:04:14- up later on my bike, and I'm gonna take my blunderbuss...- Hey, Seth.
0:04:14 > 0:04:16- Hey, Joe.- That's new.
0:04:16 > 0:04:18Yeah, thanks.
0:04:18 > 0:04:21Goddamn thing won't fucking start.
0:04:22 > 0:04:24So you going to the Belle?
0:04:25 > 0:04:28- So you bought a slat bike?- Yup.
0:04:28 > 0:04:30How much that thing set you back? How much?
0:04:30 > 0:04:33I was gonna pull up in it tonight.
0:04:33 > 0:04:36Well, congratulations. You're pulling up with me instead.
0:04:36 > 0:04:39Don't. If we're going in, don't do that.
0:04:39 > 0:04:41- Chicks dig TKs.- They do not.
0:04:41 > 0:04:46- Yes, they do. - It's tacky. Don't do it.
0:04:46 > 0:04:51'About 10% of the population has this TK mutation.
0:04:51 > 0:04:53'When it first appeared,
0:04:53 > 0:04:55'everyone thought we were gonna get superheroes,
0:04:55 > 0:04:57'but it turns out this was it.
0:04:57 > 0:04:59'Now it's a bunch of assholes,
0:04:59 > 0:05:01'think they're blowing your mind floating quarters.
0:05:12 > 0:05:15'It's like this whole town.
0:05:15 > 0:05:18'Big heads, small potatoes.'
0:05:24 > 0:05:25BUZZER
0:05:26 > 0:05:29- Full house tonight, Joe. - We'll stick backstage.
0:05:29 > 0:05:32- Just meeting up. - Packing your blunderbusses?
0:05:32 > 0:05:34- Hardly. Right, Seth?- I'm with Joe.
0:05:34 > 0:05:36- Just meeting up, in and out.- Go on.
0:05:36 > 0:05:39CHATTER
0:05:41 > 0:05:43Suzie!
0:05:43 > 0:05:45- Hey! - You working a shift tonight?
0:05:45 > 0:05:47- Yeah.- Yeah?
0:05:47 > 0:05:49A gat man bought me out already for the night.
0:05:49 > 0:05:51Oh.
0:05:52 > 0:05:54Sweetie, I've got to work.
0:06:03 > 0:06:04Hey, Joe.
0:06:10 > 0:06:13- What?- Zach. He's in there right now with Abe.
0:06:13 > 0:06:15- For what?- Closed his loop.
0:06:15 > 0:06:17No shit?
0:06:19 > 0:06:22'There's a reason we're called loopers.
0:06:23 > 0:06:27'When we sign up for this job, taking out the future's garbage,
0:06:27 > 0:06:31'we also agree to a very specific proviso.'
0:06:31 > 0:06:33GUNSHOT
0:06:33 > 0:06:35'Time travel in the future is so illegal
0:06:35 > 0:06:38'that when our employers want to close our contracts,
0:06:38 > 0:06:40'they'll also want to erase any trace
0:06:40 > 0:06:43'of their relationship with us ever existing.
0:06:45 > 0:06:49'So if we're still alive 30 years from now,
0:06:49 > 0:06:53'they'll find our older self, zap him back to us,
0:06:53 > 0:06:56'and we'll kill him like any other job.
0:06:58 > 0:07:00'This is called closing your loop.
0:07:02 > 0:07:05'Eh, you get a golden payday, you get a handshake,
0:07:05 > 0:07:08'and you get released from your contract.
0:07:08 > 0:07:11'Enjoy the next 30 years.
0:07:11 > 0:07:15'This job doesn't tend to attract the most forward-thinking people.'
0:07:15 > 0:07:18So we celebrating?
0:07:18 > 0:07:20- ALL LAUGH - Yeah!
0:07:21 > 0:07:23Whoo!
0:07:29 > 0:07:32ELECTRONIC MUSIC PLAYS
0:07:55 > 0:07:56Look out!
0:07:58 > 0:07:59Shit!
0:07:59 > 0:08:02HE LAUGHS
0:08:02 > 0:08:04Jesus.
0:08:04 > 0:08:06Fuck, Joe.
0:08:16 > 0:08:18HE SPEAKS FRENCH
0:08:27 > 0:08:28Bonjour, Joe.
0:08:28 > 0:08:32HE SPEAKS FRENCH
0:08:32 > 0:08:34Ooh, la, la.
0:08:41 > 0:08:43What's that, fourth loop closed this month?
0:08:43 > 0:08:46- Loop closed. Here we go. - CHEERING
0:08:49 > 0:08:51GUNSHOT
0:08:58 > 0:09:02- Loop closed, baby! - CHEERING
0:09:02 > 0:09:05GUNSHOTS
0:09:23 > 0:09:25BANGING ON DOOR
0:09:30 > 0:09:33BANGING ON DOOR CONTINUES Yeah.
0:09:36 > 0:09:38BANGING ON DOOR CONTINUES
0:09:43 > 0:09:46BANGING ON DOOR CONTINUES
0:09:46 > 0:09:48Seth?
0:09:48 > 0:09:50Jesus.
0:09:50 > 0:09:55- Shh. They could be here any minute. Are they here?- No. Who?
0:09:55 > 0:09:58Oh, Christ. Joe, Christ!
0:09:59 > 0:10:01- What are you doing? - Give me the gun.
0:10:01 > 0:10:03Oh, right. That's smart.
0:10:03 > 0:10:05- Get away from the window. - Christ, Joe.
0:10:05 > 0:10:07- Just quiet down.- You can protect me.
0:10:07 > 0:10:09- So they...- What did you do?
0:10:09 > 0:10:12Oh, jeez. This is like a nightmare.
0:10:13 > 0:10:14This is a nightmare.
0:10:14 > 0:10:18'I knew then what he did, so I don't know why I asked.'
0:10:18 > 0:10:20What did you do?
0:10:21 > 0:10:24He... He was singing.
0:10:27 > 0:10:31'Through the gag and sack, but I could hear the tune.
0:10:31 > 0:10:33'Deep memories,
0:10:33 > 0:10:36'my mom in a dark room,
0:10:36 > 0:10:39'taking care of me, singing that tune.'
0:10:41 > 0:10:45Once I knew he was me...
0:10:49 > 0:10:51I...
0:10:51 > 0:10:52Joe, I couldn't.
0:10:52 > 0:10:55'I couldn't. I had to see.
0:10:58 > 0:11:02'He told me... I remember, he told me
0:11:02 > 0:11:06'there's a new holy terror boss man in the future'
0:11:06 > 0:11:09and he's closing all the loops.
0:11:09 > 0:11:12The Rainmaker, they call him.
0:11:12 > 0:11:16He told me it. Then he wanted a cigarette,
0:11:16 > 0:11:21so I untied him and he gives me this look.
0:11:23 > 0:11:25And he just starts running.
0:11:26 > 0:11:27I had my blunderbuss,
0:11:27 > 0:11:31so I know I've got about 15 strides till he's out of my range.
0:11:31 > 0:11:33And they come and they go...
0:11:34 > 0:11:38..and I just watch him till he's gone.
0:11:38 > 0:11:40'This is called letting your loop run -
0:11:40 > 0:11:42'it's not a good thing.'
0:11:42 > 0:11:44What do I do?
0:11:45 > 0:11:49You're the only friend I've got, Joe. You've got to help me.
0:11:51 > 0:11:53You're a fucking idiot coming here.
0:11:54 > 0:11:57You can't be here. I'll give you some money.
0:11:57 > 0:11:59Joe! A little money? Where am I gonna go?
0:11:59 > 0:12:02You hop a freight train. You beat it the hell out of town.
0:12:02 > 0:12:05- BANGING ON DOOR - Oh!- Shh!
0:12:08 > 0:12:10(Just don't move.)
0:12:12 > 0:12:14Tell Court, watch the window outside.
0:12:14 > 0:12:16You got it, window.
0:12:17 > 0:12:20BANGING ON DOOR Just a minute!
0:12:20 > 0:12:23- Open this goddamn door! - I can't do anything for you, Seth.
0:12:23 > 0:12:27(You've got to hide me! Please, Joe! Hide me!)
0:12:27 > 0:12:31(Please! Just buy me some time and then I'll go! Please?)
0:12:31 > 0:12:33You gonna make me blow this door down?
0:12:33 > 0:12:35Yeah, hold on!
0:12:36 > 0:12:37(Please?)
0:12:38 > 0:12:40Move.
0:12:40 > 0:12:43- BANGING ON DOOR - Come on, Joe! Open up!
0:12:52 > 0:12:54Jesus.
0:13:02 > 0:13:05- That took a while.- You think it's easy looking this good?
0:13:05 > 0:13:10Tye's gonna watch your apartment while we go have a talk with Abe.
0:13:10 > 0:13:12There's coffee in the tin.
0:13:12 > 0:13:13Thank you.
0:13:29 > 0:13:31KNOCK ON DOOR
0:13:31 > 0:13:33- MAN OVER INTERCOM:- Give me two minutes.
0:13:46 > 0:13:50Know why they call that pea shooter of yours a blunderbuss?
0:13:50 > 0:13:53Because it's impossible to hit anything farther than 15 yards.
0:13:53 > 0:13:56Impossible to miss anything closer.
0:13:56 > 0:13:59It's a gun for fuck-up turkeys...
0:13:59 > 0:14:01not like a gat.
0:14:02 > 0:14:06A gat has range...
0:14:06 > 0:14:08accuracy.
0:14:10 > 0:14:13Kid, cut it out. Don't blow your other foot off.
0:14:33 > 0:14:34Ow!
0:14:34 > 0:14:36GUNSHOT
0:14:36 > 0:14:40- Jesus Christ! - What the hell is going on out there?
0:14:40 > 0:14:42- How you doing, Abe?- Eh...
0:14:42 > 0:14:45You didn't shoot your other foot off, did you, Kid?
0:14:48 > 0:14:49All right.
0:14:51 > 0:14:56My great-grandfather told my grandfather, "Men are like spiders -
0:14:56 > 0:14:59"it's the little ones you've got to be careful of."
0:14:59 > 0:15:02Don't know I agree with that.
0:15:02 > 0:15:04Yeah? Huh.
0:15:04 > 0:15:07What the fuck did my great-grandfather know?
0:15:07 > 0:15:09'This man is from the future.
0:15:09 > 0:15:11'He was sent back here by the mob,
0:15:11 > 0:15:13'a one-way ticket, to run the loopers.
0:15:13 > 0:15:16'That's low effort, even for Abe, so to pass the time,
0:15:16 > 0:15:20'he recruited some real muscle, the gat men. Now he runs the city.
0:15:20 > 0:15:22'Any other city, that would be impressive.'
0:15:22 > 0:15:25HE SIGHS
0:15:35 > 0:15:38How can you kids stand to wear those chokers?
0:15:40 > 0:15:41- Cravats?- Ties.
0:15:41 > 0:15:44Ridiculous. You're aware we don't have a dress code?
0:15:44 > 0:15:46- Fashion. - You know... Well, you don't know.
0:15:46 > 0:15:50The movies that you're dressing like are just copying other movies.
0:15:50 > 0:15:54These goddamn 20th century affectations.
0:15:54 > 0:15:56Do something new. Huh?
0:15:56 > 0:16:01Put a glowing thing around your neck or use rubberised...
0:16:01 > 0:16:03Just be new. OK.
0:16:09 > 0:16:13- It was nice chatting with you, Abe. - I do like you, Joe,
0:16:13 > 0:16:16but we're sure enough that Seth paid you a visit.
0:16:16 > 0:16:18- We have to do something.- Seth?
0:16:18 > 0:16:21You're expecting we're gonna break your fingers with a hammer,
0:16:21 > 0:16:23or something awful,
0:16:23 > 0:16:26but I'm gonna defuse that tension right now. That's not gonna happen.
0:16:26 > 0:16:30What is gonna happen is that I'm gonna talk for a little,
0:16:30 > 0:16:32not even that long,
0:16:32 > 0:16:34and you're gonna give up your friend.
0:16:34 > 0:16:39My friend? Seth? Sorry, I'm confused.
0:16:39 > 0:16:40Well, then I'll talk a little.
0:16:40 > 0:16:44You know, you were the youngest looper I ever hired.
0:16:44 > 0:16:46You looked goddamn ridiculous, they said.
0:16:46 > 0:16:47THEY LAUGH
0:16:47 > 0:16:50Blunderbuss up to here on you.
0:16:50 > 0:16:53- They brought you in, I forget what for.- Watch shop.
0:16:53 > 0:16:58Yeah. You rolled one of our fronts, a watch shop.
0:16:58 > 0:17:02And they had you, you know, this kid, like an animal.
0:17:02 > 0:17:06But you looked at me, your hair stuck to half your face,
0:17:06 > 0:17:08just one eye looking at me.
0:17:08 > 0:17:09I could see,
0:17:09 > 0:17:14like seeing it happen on the TV, the bad version of your life.
0:17:14 > 0:17:19Like a vision, I could see how you'd turn bad,
0:17:19 > 0:17:22so I changed it.
0:17:22 > 0:17:25I cleaned you up and put a gun in your hand.
0:17:27 > 0:17:31- I gave you something that was yours. - I'm grateful for that, Abe.
0:17:31 > 0:17:34I gave you something that was yours.
0:17:36 > 0:17:37And I remember that kid.
0:17:39 > 0:17:41And I think if you ask yourself,
0:17:41 > 0:17:44you ask, Who would I sacrifice for what's mine?"
0:17:44 > 0:17:48I think Seth would be deep and cosy inside that circle.
0:17:48 > 0:17:50HE LAUGHS
0:17:50 > 0:17:53I'll show you how much I know you. Ahem.
0:17:53 > 0:17:57I'm not even gonna break you. I'm just gonna set you back a ways.
0:17:58 > 0:18:01We know that you've been stashing half your bars,
0:18:01 > 0:18:04which is smart, no law against it. You're gonna get out.
0:18:04 > 0:18:07You're gonna go overseas. Studying up your Mandarin?
0:18:07 > 0:18:09- French.- French?
0:18:11 > 0:18:16You give him up or you give us half your stash.
0:18:16 > 0:18:19You willing to dump your silver in the dirt...
0:18:19 > 0:18:21for Seth?
0:18:30 > 0:18:32You're gonna kill him.
0:18:32 > 0:18:36Not if we can help it. Be too cataclysmic a change for the future.
0:18:36 > 0:18:39What we'll do is dangerous in that regards,
0:18:39 > 0:18:41though not as dangerous as killing him.
0:18:41 > 0:18:46On top of which a man from the future runs free long enough,
0:18:46 > 0:18:50this time travel shit fries your brain like an egg.
0:18:50 > 0:18:51Why the fuck French?
0:18:52 > 0:18:54I'm going to France.
0:18:54 > 0:18:56- You should go to China. - I'm going to France.
0:18:56 > 0:18:59I'm from the future - you should go to China.
0:18:59 > 0:19:01- I'm going to France.- You're going...
0:19:12 > 0:19:16The floor safe, under the rug.
0:19:16 > 0:19:17Six, seven, four, two.
0:19:23 > 0:19:25It's the little ones that get you.
0:19:31 > 0:19:35Why don't you kill an hour, Joe, on the house.
0:19:39 > 0:19:41Call the doc.
0:20:51 > 0:20:53TYRES SCREECH
0:21:00 > 0:21:03HE SCREAMS
0:21:14 > 0:21:16Wait!
0:21:16 > 0:21:19Wait!
0:21:21 > 0:21:22Wait.
0:21:22 > 0:21:24HE SOBS
0:21:46 > 0:21:48GUNSHOT
0:22:10 > 0:22:13ROCK MUSIC PLAYS
0:22:25 > 0:22:28You know, I can't remember my mother's face.
0:22:28 > 0:22:33She used to run her hands through my hair.
0:22:33 > 0:22:34HE SIGHS
0:22:38 > 0:22:39Just like this.
0:22:56 > 0:23:00I think I just let my best friend get killed tonight...
0:23:00 > 0:23:01for silver.
0:23:07 > 0:23:09Shit.
0:23:09 > 0:23:11Yeah...
0:23:11 > 0:23:12Shit.
0:23:16 > 0:23:17(Sorry.)
0:23:20 > 0:23:22I'm gonna give you some money.
0:23:22 > 0:23:24I've been stashing my silver for years
0:23:24 > 0:23:26and I'm gonna give you half of it.
0:23:26 > 0:23:28You can raise your kid right.
0:23:28 > 0:23:30You wanna give me half your silver?
0:23:30 > 0:23:33Silver's got strings.
0:23:33 > 0:23:34I got my job.
0:23:36 > 0:23:38You got yours.
0:23:38 > 0:23:42It's sweet of you to worry about me, but I'm doing fine.
0:23:44 > 0:23:47Why don't we just stick to services rendered?
0:23:51 > 0:23:53(Is this what you want?)
0:25:16 > 0:25:19WATCH TICS
0:25:53 > 0:25:54Shit!
0:26:28 > 0:26:30PHONE RINGS
0:27:30 > 0:27:33Then it just becomes a mess, like a pig fucking a football.
0:27:33 > 0:27:36You know what I'm saying. Let's finish this up.
0:27:38 > 0:27:41There's 24 there. I'm keeping count.
0:27:44 > 0:27:46Two more trips should just do it.
0:27:53 > 0:27:55BANGING IN THE DISTANCE
0:28:06 > 0:28:09Goddamn it! Aah!
0:28:11 > 0:28:14Kid, I'm sorry! Tell Abe I'm gonna fix this!
0:28:14 > 0:28:17Tell him I'm gonna find my loop and I'm gonna kill him! Tell Abe...
0:28:17 > 0:28:20GUNSHOTS
0:28:20 > 0:28:21Motherfucker!
0:30:04 > 0:30:06INDISTINCT CHATTER
0:31:53 > 0:31:55- WOMAN ON TV:- Rainmaker....
0:32:08 > 0:32:09DOOR CLOSES
0:32:54 > 0:32:56HE GRUNTS
0:33:07 > 0:33:09CLOCK TICS
0:34:15 > 0:34:16Shit!
0:34:16 > 0:34:17GUNSHOT
0:34:39 > 0:34:41- You got any aspirin?- Uh-huh.
0:34:41 > 0:34:42All of them, please.
0:34:46 > 0:34:49I'll take that coat too.
0:34:51 > 0:34:53SIRENS BLARE IN DISTANCE
0:35:07 > 0:35:09What are you doing?
0:35:11 > 0:35:14What are you doing? Joe, I told you to run.
0:35:37 > 0:35:39Don't do it, you idiot.
0:35:43 > 0:35:45Hurry up, Blue!
0:35:45 > 0:35:50That's the second loop we had run this week. It's getting endemic.
0:35:51 > 0:35:53Fucking Kid Blue.
0:35:53 > 0:35:55About two more trips should do it.
0:36:24 > 0:36:26GUNSHOTS
0:36:26 > 0:36:27GLASS SMASHES
0:36:29 > 0:36:32GUNSHOTS
0:36:32 > 0:36:33Shit.
0:36:54 > 0:36:56You stupid little shit.
0:37:02 > 0:37:04TYRES SCREECH
0:37:05 > 0:37:07Pound the pavement, sweep the train yard.
0:37:07 > 0:37:11Every second that passes is bad. Get on it.
0:37:12 > 0:37:14Stupid little shit.
0:37:14 > 0:37:16I can fix this.
0:37:17 > 0:37:19- I can find him!- Go home.
0:37:19 > 0:37:21Let the grownups work.
0:37:22 > 0:37:24Kid Blue.
0:37:34 > 0:37:38TRAIN WHISTLE BLOWS IN DISTANCE
0:38:00 > 0:38:04You old bastard. How do I find you?
0:39:19 > 0:39:21DOOR OPENS
0:40:07 > 0:40:08Coffee?
0:40:10 > 0:40:12Please.
0:40:12 > 0:40:14Black and some water.
0:40:14 > 0:40:17Anything else?
0:40:17 > 0:40:19We eating?
0:40:19 > 0:40:20I ordered something.
0:40:20 > 0:40:23Steak and eggs, rare and scrambled.
0:40:23 > 0:40:25Two steak and eggs, coming up.
0:40:30 > 0:40:32Must hurt.
0:40:32 > 0:40:36- I wasn't sure you'd remember her. - Yeah, I put it together.
0:40:36 > 0:40:37Clever.
0:40:43 > 0:40:47You know, there's another girl who works here on the weekends.
0:40:49 > 0:40:53- Jen? - Right. Less letters.
0:40:53 > 0:40:55That'd be better.
0:40:56 > 0:40:58THEY SPEAK FRENCH
0:41:03 > 0:41:05How's your French coming?
0:41:05 > 0:41:08Good. You gonna tell me I ought to be learning Mandarin?
0:41:08 > 0:41:10I never regretted learning French.
0:41:15 > 0:41:17No? Well, you'll get it eventually.
0:41:18 > 0:41:20- Obviously.- All right, listen.
0:41:20 > 0:41:22I know this is a hard situation for you,
0:41:22 > 0:41:24but we both know how this has to go down.
0:41:24 > 0:41:26I can't let you walk away from this diner alive.
0:41:26 > 0:41:29This is my life now, I earned it. You had yours already.
0:41:29 > 0:41:34So why don't you do what old men do and die? Get the fuck out of my way.
0:41:34 > 0:41:38Why don't you take your gun out from between your legs and do it?
0:41:40 > 0:41:41Boy.
0:41:47 > 0:41:49It's hard staring into your eyes.
0:41:51 > 0:41:54- It's too strange. - Your face looks backwards.
0:41:56 > 0:42:00So you know what's gonna happen? You've done all this already, as me?
0:42:00 > 0:42:02I don't want to talk about time travel shit.
0:42:02 > 0:42:05If we start talking about it, we're gonna be here all day,
0:42:05 > 0:42:07making diagrams with straws.
0:42:07 > 0:42:10- It doesn't matter. - I hurt myself, it changes your body.
0:42:10 > 0:42:13- Does what I do change your memories? - It doesn't matter!
0:42:25 > 0:42:27My memory is cloudy.
0:42:28 > 0:42:30It's a cloud.
0:42:30 > 0:42:33Because my memories aren't really memories -
0:42:33 > 0:42:36they're just one possible eventuality now...
0:42:37 > 0:42:43..and they grow clearer or cloudier as they become more or less likely.
0:42:43 > 0:42:45But then they get to the present moment
0:42:45 > 0:42:48and they're instantly clear again.
0:42:48 > 0:42:51I can remember what you do after you do it...
0:42:54 > 0:42:55..and it hurts.
0:42:55 > 0:42:57So even when we're apart,
0:42:57 > 0:43:00- you can remember what I do after? - Yes.
0:43:00 > 0:43:04But this is a precise description of a fuzzy mechanism.
0:43:04 > 0:43:06It's messy.
0:43:06 > 0:43:08All I know... I know two things.
0:43:08 > 0:43:10I know what's happening in my head
0:43:10 > 0:43:13and I know that you're gonna meet her.
0:43:18 > 0:43:19Who?
0:43:25 > 0:43:27She's gonna save your life.
0:43:32 > 0:43:35For a long time, she thought we'd...
0:43:36 > 0:43:38We'd have a baby.
0:43:41 > 0:43:43She'd have been a great mother.
0:43:45 > 0:43:48- She wanted it so much. - Yeah, but she...?
0:43:49 > 0:43:50How...?
0:43:52 > 0:43:54- So she saves my life?- Yes.
0:43:56 > 0:43:58Let's take a look at your life.
0:43:58 > 0:44:01You're a killer and a junkie.
0:44:01 > 0:44:03A fucking child mentality.
0:44:03 > 0:44:07"What's mine. "My life." Save your life. You're asking me how.
0:44:07 > 0:44:10The question is why. Why would someone sacrifice their life?
0:44:10 > 0:44:12Cut your high and mighty bullshit. I don't need my life...
0:44:12 > 0:44:15Shut your fucking child mouth.
0:44:17 > 0:44:19You're so self-absorbed and stupid,
0:44:19 > 0:44:22and she's gonna clean you up and she's gonna...
0:44:30 > 0:44:32You're gonna take her love...
0:44:32 > 0:44:34like a sponge.
0:44:34 > 0:44:37And you think, "Maybe I'm clear of the past.
0:44:37 > 0:44:39"Maybe I'm safe."
0:44:41 > 0:44:42Yesterday.
0:44:43 > 0:44:44Yesterday what?
0:44:44 > 0:44:4830 years from now is yesterday.
0:44:49 > 0:44:52You're not gonna remember it.
0:45:02 > 0:45:04I'm gonna tell you what happens
0:45:04 > 0:45:07to this beautiful woman who saves your worthless fucking life.
0:45:50 > 0:45:52Have you heard of the Rainmaker?
0:45:54 > 0:45:57Yeah, Seth said that night.
0:45:57 > 0:46:00New boss in the future? He used the words "holy terror".
0:46:00 > 0:46:03Yeah. A reign of terror.
0:46:03 > 0:46:07Mass executions, vagrant purges, everywhere at once.
0:46:07 > 0:46:10Legend is the Rainmaker came out of nowhere.
0:46:10 > 0:46:11In the span of six months,
0:46:11 > 0:46:14he took total control of the five major syndicates.
0:46:14 > 0:46:16- That'd take an army. - He didn't have an army.
0:46:16 > 0:46:19The story is that he did it alone.
0:46:19 > 0:46:21- Alone, alone. - So how did he do it?
0:46:21 > 0:46:26That's the mystery. There's no pictures of him, even if it is a him. It's insane.
0:46:26 > 0:46:28There are stories he has a synthetic jaw,
0:46:28 > 0:46:30saw his morn shot, shit like that.
0:46:30 > 0:46:33Word spread through the ex-looper grapevine
0:46:33 > 0:46:37because the first thing he did was start closing loops - all of them.
0:46:41 > 0:46:43You know what this is? This number?
0:46:43 > 0:46:45Dale, wait. Slow down.
0:46:45 > 0:46:48It could lead us to the Rainmaker, Joe! It's in the hospital records.
0:46:48 > 0:46:50Write this down - 0, 7, 1, 5, 3...
0:46:51 > 0:46:54..9, 0, 2, 9, 3, 5!
0:47:02 > 0:47:06This is a piece of identifying information on the Rainmaker.
0:47:06 > 0:47:11He's here. He lives here now, in this county...
0:47:11 > 0:47:14and I'm gonna use this to find him
0:47:14 > 0:47:16and I'm gonna kill him.
0:47:16 > 0:47:18I'm gonna stop him from killing my wife.
0:47:18 > 0:47:22Fuck you and your wife. None of this concerns me.
0:47:22 > 0:47:25- This is gonna happen to you... - It happened to you.
0:47:25 > 0:47:26It doesn't have to happen to me.
0:47:26 > 0:47:29You got her picture right there in my watch?
0:47:29 > 0:47:32Show me the picture. As soon as I see her, I walk away.
0:47:32 > 0:47:35I'll fucking marry someone else...promise.
0:47:35 > 0:47:38When I see that picture, that fog inside your brain should just
0:47:38 > 0:47:41swallow up all the memories, right? She'll be gone.
0:47:41 > 0:47:45- If you give her up, she'll be safe. - Give her up?
0:47:45 > 0:47:49You're the one that got her killed. If she never meets you, she's safe.
0:47:49 > 0:47:51You don't understand. We don't have to give her up.
0:47:51 > 0:47:54I'm not gonna give her up.
0:47:54 > 0:47:55I'm gonna save her.
0:47:56 > 0:47:58HE GRUNTS
0:48:05 > 0:48:09GLASSES SMASH
0:48:09 > 0:48:11Get to the fields. We can lose them in the fields.
0:48:11 > 0:48:13DOOR OPENS
0:48:13 > 0:48:16Hop a train, get out of town!
0:48:39 > 0:48:44What the hell is everybody doing?! You wait for my signal!
0:48:44 > 0:48:46- Out back! He's running! - He ran out the back!
0:48:56 > 0:48:57Shit!
0:49:04 > 0:49:05Alive!
0:49:11 > 0:49:13Fuck! Shit! Come on, come on!
0:49:13 > 0:49:16Come on, you piece of shit! Come on!
0:49:25 > 0:49:28Get the tracker! The tracker! Go! Go!
0:49:28 > 0:49:30Fuck! Fuck!
0:49:31 > 0:49:32Shit.
0:51:11 > 0:51:13Come on, baby. Time to get up.
0:51:17 > 0:51:19DOOR CREAKS
0:51:45 > 0:51:46GUN LOADS
0:51:53 > 0:51:55Listen up, fucker!
0:51:55 > 0:52:01I have shot and buried three vagrants in the past year,
0:52:01 > 0:52:05so I don't care what hobo sob story you've got!
0:52:05 > 0:52:08I get a dozen a week, pal. It cuts no cash with me.
0:52:08 > 0:52:11But if you show your face here again,
0:52:11 > 0:52:13I will cut you the fuck in half!
0:52:53 > 0:52:54Well...
0:52:55 > 0:52:57..you found him.
0:52:57 > 0:53:01Tracking Seth's bike, that was clever.
0:53:01 > 0:53:04Then you rustled up a posse and went out to get him.
0:53:04 > 0:53:07- I could do it again. - You can fuck up again? Really?
0:53:07 > 0:53:10I've got too much riding, Kid.
0:53:10 > 0:53:13I can't afford a fuck-up playing cowboy.
0:53:14 > 0:53:16Put your gat on the table.
0:53:29 > 0:53:31HE SOBS
0:53:33 > 0:53:36I wanted you to say I did good.
0:53:38 > 0:53:40That's all I wanted.
0:53:42 > 0:53:44This is all I have.
0:53:52 > 0:53:54Please, just give me one more chance.
0:53:54 > 0:53:58I'll bring him here alive and hold him...
0:53:58 > 0:54:00and you can put a bullet in his brain yourself.
0:54:02 > 0:54:03No!
0:54:03 > 0:54:06HE SCREAMS
0:54:09 > 0:54:12Get off me! Get off me!
0:54:46 > 0:54:49LEAVES RUSTLE
0:54:59 > 0:55:01Hey, who's there?
0:55:03 > 0:55:04GUN LOADS
0:55:06 > 0:55:09Stop right there! I will shoot you.
0:55:11 > 0:55:13You stop! Stop right there!
0:55:16 > 0:55:19I'm telling you to stop!
0:55:19 > 0:55:20You stop!
0:55:35 > 0:55:37SHE SIGHS
0:55:40 > 0:55:43HE GROANS
0:55:43 > 0:55:45Hey.
0:55:50 > 0:55:52Head's splitting apart.
0:55:52 > 0:55:54- My head.- Hey.
0:55:54 > 0:55:57Look up at the light. Look up at me.
0:55:57 > 0:55:58How long since you dropped?
0:55:58 > 0:56:01- Dropped?- Dropped.
0:56:01 > 0:56:03- A day.- A day.
0:56:03 > 0:56:04I can't feel my legs.
0:56:04 > 0:56:07That's cos you're going through withdrawal, you fucking junkie.
0:56:07 > 0:56:09You gotta help me. I'm gonna die.
0:56:10 > 0:56:13I'm thirsty.
0:56:13 > 0:56:15Water. Water!
0:56:31 > 0:56:33(Thirsty.)
0:56:46 > 0:56:47Cid!
0:56:49 > 0:56:50Come inside, baby.
0:56:52 > 0:56:54- Who is that man? - He's just a vagrant.
0:56:54 > 0:56:56- No, he's not.- Oh, yeah?
0:56:56 > 0:56:59His shoes are too shiny.
0:56:59 > 0:57:01Aren't you a smart monkey.
0:57:01 > 0:57:03- Is he sick?- Yup.
0:57:03 > 0:57:06- Will he get better?- Yeah.
0:57:06 > 0:57:10- Promise? - Just go to sleep, OK, baby boy?
0:57:14 > 0:57:16- Night, sweetie.- Night, Sara.
0:57:19 > 0:57:21INDISTINCT SHOUTING
0:57:52 > 0:57:53Hey!
0:58:02 > 0:58:04The first time I saw her face.
0:58:04 > 0:58:06First time I saw her face.
0:58:06 > 0:58:08Look at me.
0:58:08 > 0:58:10No.
0:58:10 > 0:58:12The first time I saw her face.
0:58:13 > 0:58:17The first time I saw her face. The first time I saw your face.
0:58:17 > 0:58:19The first time I saw her face.
0:58:21 > 0:58:23HE GRUNTS
0:58:59 > 0:59:02Morning, monkey. Do you want something to eat?
0:59:02 > 0:59:05The man's up.
0:59:05 > 0:59:07Is he staying here now?
0:59:07 > 0:59:09No.
0:59:14 > 0:59:16Toss it.
0:59:17 > 0:59:19- I'm about to finish cleaning it. - Put it down.
0:59:23 > 0:59:26- How are you feeling? - I'd say I'm at 30%.
0:59:26 > 0:59:28You take it slow, by the end of the week you'll be at 50.
0:59:31 > 0:59:33I took you in so you wouldn't die.
0:59:33 > 0:59:35Now you're not gonna die, so just take the morning to rest,
0:59:35 > 0:59:38- then get off my farm. - I can't do that.- I'm sorry?
0:59:38 > 0:59:41I need to stay here for a little while.
0:59:41 > 0:59:42- I'm not cool with that.- Sorry.
0:59:42 > 0:59:45You just lost your "take the morning to rest" privileges.
0:59:45 > 0:59:47- Get off my farm.- No.
0:59:47 > 0:59:49Get off my farm.
0:59:49 > 0:59:52You couldn't scare a retarded hobo with that, literally.
0:59:52 > 0:59:55This is a Remington 870. One blast could cut you...
0:59:55 > 0:59:57In half. That's telling. You're holding a gun.
0:59:57 > 1:00:00I say I'm not afraid, so you describe the gun to me.
1:00:00 > 1:00:02It's not the gun I'm not afraid of.
1:00:02 > 1:00:05What are you gonna do, shoot in the air, try and scare me? Go ahead.
1:00:05 > 1:00:09- You wouldn't let me die, you're not gonna kill me.- So that makes me weak?
1:00:09 > 1:00:12I'm not a threat to you or your boy. I need to be on your property.
1:00:12 > 1:00:16I'd rather there's no contact at all. I'm gonna stay in the fields.
1:00:16 > 1:00:20There's one thing I need, then you'll never have to deal with me again.
1:00:20 > 1:00:22Verify this is your house, so I'm in the right place.
1:00:22 > 1:00:25- What's this?- It's a map.
1:00:25 > 1:00:26That's my house. Why is it marked?
1:00:26 > 1:00:30OK, doesn't matter. Look, I'm gonna be out of the barn in an hour.
1:00:30 > 1:00:33If you can spare it, I'm gonna take this canteen.
1:00:33 > 1:00:36- Is there somewhere I can fill it? - This number, how did you get this?
1:00:38 > 1:00:40That mean something to you?
1:00:41 > 1:00:44What? Hey! Hey! Hey!
1:00:57 > 1:00:59You're right, I'm not a killer,
1:00:59 > 1:01:03but I'm fine with how a blast of rock salt to your face won't kill you.
1:01:03 > 1:01:06Now you're gonna tell me who you are
1:01:06 > 1:01:08and what the fuck you're doing on my farm.
1:01:08 > 1:01:10GUN LOADS OK.
1:01:12 > 1:01:15Time travel hasn't been invented yet,
1:01:15 > 1:01:18but in 30 years, it will have been.
1:01:18 > 1:01:21- It's gonna be used by these criminal...- You're a looper?
1:01:33 > 1:01:36I can't go back to the city because Abe, the boss,
1:01:36 > 1:01:40his men will be searching for me 24/7 until they find me or find him.
1:01:40 > 1:01:42All I've got is that map.
1:01:42 > 1:01:46He had three houses marked on it, yours is one of them.
1:01:46 > 1:01:48I know he's coming here.
1:01:49 > 1:01:51You know about loopers? You know what we do?
1:01:51 > 1:01:55So he's coming here to murder my son
1:01:55 > 1:01:58because he thinks he might be this Rainmaker?
1:01:59 > 1:02:01Once he kills the Rainmaker, what happens?
1:02:01 > 1:02:04I think he thinks if he killed the Rainmaker,
1:02:04 > 1:02:06he never would have been sent back.
1:02:06 > 1:02:09He'd just vanish. He'd disappear, just like he appeared.
1:02:11 > 1:02:13He'd be back with his wife.
1:02:14 > 1:02:17Who is he, this guy you let run?
1:02:17 > 1:02:20Just some random guy from the future?
1:02:20 > 1:02:22He's just somebody. You know what the numbers mean?
1:02:26 > 1:02:28This is Cid's birthday
1:02:28 > 1:02:31and this is the med code of the hospital he was born in.
1:02:37 > 1:02:41How many kids were born in that hospital that day with your son?
1:02:41 > 1:02:42- Like, two?- Sounds right.
1:02:42 > 1:02:46Three kids, three houses marked on his map.
1:02:46 > 1:02:48He knows one of them is the Rainmaker - he doesn't know which.
1:02:48 > 1:02:50What's he gonna do?
1:02:51 > 1:02:53(Oh, God.)
1:03:52 > 1:03:55BABY CRIES
1:04:37 > 1:04:41- Can he really do this?- Think about what doing this would fix.
1:04:41 > 1:04:43What he thinks it would fix.
1:04:48 > 1:04:50If he comes here, will you stop him?
1:04:53 > 1:04:56- I'm asking, can I trust you? - I don't care if you trust me.
1:04:56 > 1:04:58I don't care about your son.
1:04:58 > 1:05:01I lost my life. I kill this man, I get it back.
1:05:05 > 1:05:10He'll kill the other two kids and come here last. Put off facing me.
1:05:10 > 1:05:13All this goddamn cane leaves us blind.
1:05:13 > 1:05:17He can get within 50 yards of this place without a hawk spotting him.
1:05:17 > 1:05:20What makes sense is we burn the fields, level them.
1:05:20 > 1:05:23How much gas you got in that barn?
1:05:23 > 1:05:25No, you can't burn down my cane fields.
1:05:25 > 1:05:27This stuff is half dead anyway.
1:05:27 > 1:05:32It's the seed for next year. It's not gonna happen, you fucking nut.
1:05:38 > 1:05:40Listen, use what you need and set up anywhere.
1:05:40 > 1:05:43But one thing - I don't want you talking to Cid.
1:05:43 > 1:05:45I watch my son, you watch the cane -
1:05:45 > 1:05:47- that's the deal.- Good by me.
1:05:47 > 1:05:48Fine.
1:05:48 > 1:05:50- Jesus.- All right, hold still.
1:05:52 > 1:05:55It's easy for things to get infected on a farm...
1:05:55 > 1:05:57start falling off.
1:05:59 > 1:06:01Pussy.
1:06:03 > 1:06:07I'm out here and you're in the house. We need a way to communicate.
1:06:07 > 1:06:09There's a dinner bell in the barn,
1:06:09 > 1:06:11you can ring that if someone's coming.
1:06:11 > 1:06:15Dinner bell. We need buzzers or walkies or something.
1:06:15 > 1:06:17I don't know what we've got, but I'll look.
1:06:17 > 1:06:19Cid!
1:06:21 > 1:06:24- How's the math coming? - I want to help the man.
1:06:24 > 1:06:27- Help him with what? - I could help him with my toys.
1:06:27 > 1:06:29No. Let me talk to you.
1:06:29 > 1:06:32I need you to stay away from that man. OK?
1:06:32 > 1:06:34Let him do his thing, but stick with me.
1:06:34 > 1:06:37- OK? Is he not good? - SHE SIGHS
1:06:37 > 1:06:39Well, we're gonna see what he is. All right?
1:06:39 > 1:06:42But I need you to stick with me.
1:06:42 > 1:06:43Good boy.
1:07:16 > 1:07:17(Shh.)
1:07:30 > 1:07:31Hand me that Phillips.
1:07:36 > 1:07:39- Tell me if you hear her coming. - What are we doing here?
1:07:39 > 1:07:41Commundication.
1:07:43 > 1:07:46But I need to make it stronger.
1:07:46 > 1:07:49- And how do we do that? - Bigger battery.
1:07:49 > 1:07:50Smart.
1:07:53 > 1:07:55Do you kill people?
1:07:59 > 1:08:02Uh... Let's say I kill people.
1:08:03 > 1:08:04With your gun?
1:08:04 > 1:08:06Uh-huh.
1:08:08 > 1:08:10- You want a gun like mine?- Yeah.
1:08:10 > 1:08:14What are you gonna do with it, pole vaulting? It's bigger than you.
1:08:15 > 1:08:18Stop bad things from happening.
1:08:19 > 1:08:21TOY BEEPS LOUDLY Shit!
1:08:36 > 1:08:39So how long you and your mom been out here on the farm?
1:08:39 > 1:08:41She's not.
1:08:41 > 1:08:43She's not what?
1:08:44 > 1:08:48Sara doesn't know, but I remember my real mom.
1:08:50 > 1:08:54When I was a baby, I couldn't stop it.
1:08:54 > 1:08:56Couldn't stop what?
1:08:57 > 1:09:01I couldn't stop her from getting killed.
1:09:01 > 1:09:04I saw it, but I couldn't stop it.
1:09:04 > 1:09:06I wasn't strong enough.
1:09:09 > 1:09:11You should...
1:09:11 > 1:09:15- You should talk to your mom about this.- She's not my mom.
1:09:15 > 1:09:17She's a liar.
1:09:20 > 1:09:22GUNSHOTS
1:09:31 > 1:09:33Spotted him coming out of a sewer tunnel on the west end.
1:09:33 > 1:09:35He's on the run.
1:09:46 > 1:09:49Think he's heading to the west on Talbott Street,
1:09:49 > 1:09:52possibly to Whore's Alley. We have a visual.
1:09:55 > 1:09:58You can't take that thing out with a plough or something?
1:09:59 > 1:10:00Uh-huh.
1:10:01 > 1:10:04Listen, I found a...
1:10:05 > 1:10:08In the barn, I found some parts and I made a thing.
1:10:10 > 1:10:11Here.
1:10:12 > 1:10:14So if you see something, just push that.
1:10:14 > 1:10:17TOY FROG CROAKS
1:10:17 > 1:10:18When?
1:10:20 > 1:10:24Last night he woke me up. Don't tell him I told you. He didn't...
1:10:28 > 1:10:30You said you were his mom.
1:10:32 > 1:10:34Yeah.
1:10:34 > 1:10:35He told me you're not.
1:10:37 > 1:10:39He said that?
1:10:40 > 1:10:42Yeah.
1:10:42 > 1:10:45- If he's not your son, who is he? - He's my son.
1:10:48 > 1:10:50I had Cid when I was 22...
1:10:50 > 1:10:53but I didn't want to give up my life in the city,
1:10:53 > 1:10:57so I dropped him here on the farm with my sister,
1:10:57 > 1:11:01and she saw how I was living, so she took him.
1:11:01 > 1:11:04And my sister, she raised him.
1:11:06 > 1:11:10She loved him. He called her mom.
1:11:16 > 1:11:18How did she get killed?
1:11:18 > 1:11:19Jesus Christ.
1:11:19 > 1:11:21He remembers it. You've gotta talk to him.
1:11:21 > 1:11:24I told you one thing. I told you to stay away from my son.
1:11:24 > 1:11:27- He asked about my gun. - Stay out of it!
1:11:27 > 1:11:29And stay the fuck away from my son!
1:11:32 > 1:11:35Where does 56 go?
1:11:37 > 1:11:40Oh, good. You're smart.
1:11:40 > 1:11:4121?
1:11:41 > 1:11:43How long can you not sleep?
1:11:43 > 1:11:46I don't know. Probably a while.
1:11:46 > 1:11:47It's a good question.
1:11:47 > 1:11:49Where does it go? Come on.
1:11:51 > 1:11:53Good.
1:11:53 > 1:11:5432?
1:11:54 > 1:11:57- You should help Joe watch.- Joe?
1:11:57 > 1:12:00Because he can't stay awake all the time.
1:12:00 > 1:12:02- Isn't our business, OK? - He's keeping us safe.
1:12:02 > 1:12:04Let's do this now, OK?
1:12:04 > 1:12:07You have 32 there. I know you know this one.
1:12:10 > 1:12:13- No. Eight times three is what? - 32.
1:12:13 > 1:12:15Eight times three is what?
1:12:15 > 1:12:1732.
1:12:20 > 1:12:25- I want you to count three eights. - 8, 16...
1:12:26 > 1:12:27..32.
1:12:27 > 1:12:30- You telling me you want alone time? - No.
1:12:30 > 1:12:32Then why don't you put that where it belongs?
1:12:38 > 1:12:42- Alone time.- He's protecting us because you can't do it.
1:12:42 > 1:12:45- I told you to stay away from him, didn't I?- I never did anything.
1:12:45 > 1:12:47- Do you think I'm stupid?- So?
1:12:48 > 1:12:50- I told Joe to leave...- So?!
1:12:50 > 1:12:53- You do what I tell you! - You can't tell me what to do
1:12:53 > 1:12:54cos you're not my mom!
1:12:54 > 1:12:56You're not my mom! You're a liar!
1:12:56 > 1:12:59You're gonna get killed because you won't stop lying!
1:12:59 > 1:13:02- Cid, calm down. - You're lying! I hate you!
1:13:02 > 1:13:04- You're lying to me! I hate you! - Cid...
1:13:04 > 1:13:07- I hate you! Liar! You're lying! - Calm down.
1:13:22 > 1:13:25Liar!
1:13:25 > 1:13:26Liar!
1:13:28 > 1:13:31You're not my mom! You're a liar!
1:13:31 > 1:13:33HE CONTINUES SHOUTING OUTSIDE
1:13:36 > 1:13:38You're not my mom!
1:13:38 > 1:13:39I hate you!
1:13:39 > 1:13:41Liar!
1:13:41 > 1:13:43Liar! Liar!
1:14:15 > 1:14:17I'm sorry.
1:14:19 > 1:14:21It's OK, sweetie.
1:15:06 > 1:15:08Holy shit.
1:15:13 > 1:15:15INDISTINCT SPEECH
1:15:37 > 1:15:39KNOCK ON DOOR
1:15:41 > 1:15:43KNOCK ON DOOR
1:15:51 > 1:15:53TOY FROG CROAKS
1:15:59 > 1:16:00Evening, ma'am.
1:16:02 > 1:16:04Evening. How can I help you?
1:16:04 > 1:16:09Ahem. You can start by accepting my apologies re the hour.
1:16:09 > 1:16:12- Hope I didn't catch you at supper. - No, that's fine.
1:16:12 > 1:16:14I've been walking between empty farms all day.
1:16:14 > 1:16:17Thought I'd just tick this one off the list,
1:16:17 > 1:16:20- not have to come back tomorrow. - What's this about?
1:16:20 > 1:16:22You alone here, ma'am?
1:16:22 > 1:16:24My husband should be back any time.
1:16:24 > 1:16:26- Happy to hear it.- Mm-hm.
1:16:29 > 1:16:31Could I trouble you for some water?
1:16:31 > 1:16:35I'll get you some. You can take the glass with you.
1:16:35 > 1:16:36Actually, ma'am,
1:16:36 > 1:16:41my business today, this ticking off the list business,
1:16:41 > 1:16:44is gonna require me coming in, if that's all right.
1:16:44 > 1:16:47- Will you tell me what this is about? - I will, yes.
1:16:50 > 1:16:51Can I come in?
1:16:55 > 1:16:56Ma'am?
1:17:04 > 1:17:08I'm a deputised police officer, looking for an escaped criminal.
1:17:09 > 1:17:12Anyone through here in the past two days, vagrants?
1:17:12 > 1:17:14Vagrants are always passing, nobody near the house.
1:17:14 > 1:17:16That man there?
1:17:16 > 1:17:18He's young. No.
1:17:18 > 1:17:22We're looking for his father too. Similar-looking build, late 50s,
1:17:22 > 1:17:25may or may not be travelling together.
1:17:27 > 1:17:28Do you recognise them?
1:17:30 > 1:17:32- No.- Keep them.
1:17:34 > 1:17:36Your kids with your husband?
1:17:38 > 1:17:39Yeah, just one.
1:17:39 > 1:17:42- How old?- Ten.
1:17:42 > 1:17:43Ten.
1:18:03 > 1:18:05I'm gonna show you the barn and house,
1:18:05 > 1:18:07and then you can be on your way.
1:18:07 > 1:18:10I took the liberty with your barn. Apologies.
1:18:11 > 1:18:14So...the house.
1:18:16 > 1:18:18DOOR CLOSES
1:18:29 > 1:18:31- Ten, you said? Your boy?- Yeah.
1:18:31 > 1:18:34- And your husband?- Mm-hm.
1:18:34 > 1:18:37I've just gotta check in with the home office.
1:18:39 > 1:18:42The boy's in the city with his father. When they getting back?
1:18:42 > 1:18:43Couldn't tell you.
1:18:47 > 1:18:48Ah.
1:18:50 > 1:18:52This goddamn thing.
1:18:52 > 1:18:54I can never get a signal this far out of town.
1:18:56 > 1:18:58Ah. Piece of shit.
1:19:04 > 1:19:06OK. Here we go.
1:19:07 > 1:19:09Is this man dangerous?
1:19:09 > 1:19:11He shoots men down for a living.
1:19:11 > 1:19:13He's a stone-cold killer.
1:19:13 > 1:19:16My boss has half the city looking for him.
1:19:16 > 1:19:18Half the city and me, so...
1:19:18 > 1:19:21And if you find him, there's a hell of a price.
1:19:21 > 1:19:24Chunk of money like that, you should think on it.
1:19:24 > 1:19:28- I will.- All right. Show me upstairs. - DOOR CLOSES
1:19:30 > 1:19:33There's drafts in the house.
1:19:33 > 1:19:34GUN LOADS
1:19:51 > 1:19:55My grandad built this tunnel when the vagrant raids got bad.
1:19:55 > 1:19:58- Nana said he was nuts. - Thank you, Grandad.
1:19:58 > 1:20:03- That wasn't the man.- No. It's funny. I know that guy, though.
1:20:03 > 1:20:07His name is Jesse. I like him. He's good.
1:20:07 > 1:20:10He's gonna go away once he doesn't find me.
1:20:10 > 1:20:12He won't hurt your mom.
1:20:12 > 1:20:15- Sara. - Where's your morn?
1:20:17 > 1:20:19Where's my mom?
1:20:21 > 1:20:26- She...gave me up. - I was younger than you.
1:20:27 > 1:20:30We were vagrants and she was alone.
1:20:32 > 1:20:35I thought she was stupid for getting on the drugs she was on,
1:20:35 > 1:20:39but now I see she was just so alone.
1:20:39 > 1:20:41It's what she had.
1:20:42 > 1:20:45She sold me to a panhandle gang.
1:20:46 > 1:20:49I got away and I ran and ended up on this train.
1:20:49 > 1:20:52I remember I was sitting there in an empty car.
1:20:52 > 1:20:54And I saw myself over and over again,
1:20:54 > 1:20:59killing those men that bought me, that got my mom on what she was on.
1:20:59 > 1:21:03Just finding them and tearing them apart. Saving my mom.
1:21:03 > 1:21:04But you didn't.
1:21:05 > 1:21:08No, a man in the city found me, put a gun in my hand.
1:21:08 > 1:21:10Gave me something that was mine.
1:21:11 > 1:21:13That's just men trying to figure out what
1:21:13 > 1:21:16they would do to keep what's theirs, what they've got.
1:21:16 > 1:21:17DOOR CLOSES
1:21:17 > 1:21:20That's the only kind of man there is.
1:21:20 > 1:21:22I'm not gonna let Sara get killed.
1:21:33 > 1:21:35I think we're clear.
1:21:46 > 1:21:48Sara!
1:21:51 > 1:21:53Baby.
1:22:10 > 1:22:12All working girls, yeah?
1:22:12 > 1:22:15This whole block and a couple of blocks over.
1:22:17 > 1:22:18Hello, Joe.
1:22:18 > 1:22:21If you want to check those, too, I can arrange.
1:22:25 > 1:22:28I'm an arranger, stranger.
1:22:28 > 1:22:30If you don't see what you want to see, no refunds.
1:23:29 > 1:23:32FOOTSTEPS APPROACH
1:23:32 > 1:23:33What?
1:23:35 > 1:23:37What happened?
1:24:21 > 1:24:23That's pretty good.
1:24:26 > 1:24:29In the city, young guys would
1:24:29 > 1:24:33hit on me by floating fucking quarters.
1:24:33 > 1:24:36And I wouldn't tell them I was TK,
1:24:36 > 1:24:39but I would keep their quarters down.
1:24:39 > 1:24:43This one guy just busted a blood vessel in his eye
1:24:43 > 1:24:44trying to get it up.
1:24:57 > 1:24:59He's you.
1:24:59 > 1:25:00Your loop.
1:25:02 > 1:25:04You lied to me.
1:25:06 > 1:25:09But I know you're not lying when you say you're gonna kill this guy,
1:25:09 > 1:25:12your own self.
1:25:12 > 1:25:15You protected Cid from that gat man.
1:25:15 > 1:25:16Uh...
1:25:18 > 1:25:20- Yeah. - He saved your ass, didn't he?
1:25:20 > 1:25:22He saved my ass, yeah.
1:25:22 > 1:25:24He's a...
1:25:26 > 1:25:28He's a good kid.
1:25:28 > 1:25:30Yeah, he is.
1:25:33 > 1:25:38You know, when I came back, after my sister died,
1:25:38 > 1:25:41I remember seeing him
1:25:41 > 1:25:46for the first time in two years, just sitting on the porch.
1:25:46 > 1:25:50I drove up crying. I'd been at this
1:25:50 > 1:25:55party all night in the city when I got the call...
1:25:57 > 1:26:01..so I was wearing this ridiculous party dress.
1:26:04 > 1:26:06All my ridiculous shit.
1:26:08 > 1:26:11And I don't know if he...
1:26:11 > 1:26:14..even remembered me...
1:26:15 > 1:26:18..but he looked at me...
1:26:24 > 1:26:26- SOBBING:- I abandoned him.
1:26:29 > 1:26:32I abandoned my baby.
1:26:36 > 1:26:40And I've seen so many men in the city...
1:26:40 > 1:26:44who I look in their eyes and they're just lost.
1:26:46 > 1:26:49So whether he loves me back or not...
1:26:51 > 1:26:54..as long as I'm there to raise him...
1:26:55 > 1:26:58..he's gonna be taken care of.
1:26:59 > 1:27:01He's gonna be safe.
1:27:03 > 1:27:06He's never gonna get lost.
1:27:14 > 1:27:17LOW RUMBLING
1:27:27 > 1:27:28Hello, Joe.
1:27:30 > 1:27:32Jesse.
1:27:33 > 1:27:36Put this down and let her go.
1:27:37 > 1:27:41Sara, Jesse here is the best shot with a gat that I know.
1:27:41 > 1:27:45When he lets you go, just sit on the couch. Don't do anything stupid.
1:27:50 > 1:27:53He's coming here, Jess. My loop is coming here.
1:27:53 > 1:27:57- I gotta take you in. - I got 948 bars of pure silver.
1:27:57 > 1:27:59I close my loop, I get right with Abe.
1:27:59 > 1:28:02Whatever he gives back, I'll split it with you.
1:28:02 > 1:28:03Was that your plan?
1:28:04 > 1:28:06OK, take all of it.
1:28:06 > 1:28:08Are you delusional? You ain't getting right.
1:28:08 > 1:28:11Long as Abe's got one gat man standing,
1:28:11 > 1:28:13he's gonna hunt you till his dying day.
1:28:13 > 1:28:16We're gonna go now. Gonna get in my truck and you're just gonna...
1:28:16 > 1:28:17STAIRS CREAK
1:28:17 > 1:28:19GUN LOADS
1:28:27 > 1:28:28SHE GASPS
1:28:31 > 1:28:32I'm sorry.
1:29:33 > 1:29:34The Rainmaker.
1:29:50 > 1:29:52SHE GROANS
1:29:57 > 1:29:58Cid!
1:29:58 > 1:30:01Cid!
1:30:01 > 1:30:03Oh, my God!
1:30:05 > 1:30:07Cid! Cid!
1:30:09 > 1:30:11Cid.
1:30:11 > 1:30:15It's him. What is he, some TK freak?
1:30:15 > 1:30:17You knew.
1:30:19 > 1:30:22- What are you doing? - How did your sister die?
1:30:22 > 1:30:23What are you doing with those guns?
1:30:23 > 1:30:25How did she die? Is that what happened to her?
1:30:25 > 1:30:27- No!- He kill her like that?
1:30:27 > 1:30:30No. He was climbing a bookshelf and it fell back on him.
1:30:30 > 1:30:33He can get scared. It exploded.
1:30:33 > 1:30:35- Jesus frigging... - He'll learn to control it.
1:30:35 > 1:30:39- Imagine what he's gonna do! - If he did good with it, though.
1:30:39 > 1:30:42If he grew up with me raising him.
1:30:42 > 1:30:44If he grew up good...
1:30:46 > 1:30:47He doesn't.
1:30:47 > 1:30:50You stay away from him, Joe!
1:30:54 > 1:30:59Cid! Cid, stay away from Joe, baby!
1:30:59 > 1:31:00Follow me, baby!
1:31:58 > 1:32:00Come to me. It's OK.
1:32:04 > 1:32:06(It's OK, baby.)
1:32:09 > 1:32:11Right now, two things have happened -
1:32:11 > 1:32:13my loop knows Cid's the kid he's looking for
1:32:13 > 1:32:15and my gang knows I'm here.
1:32:15 > 1:32:19That means in 15 minutes, one or both of them is coming down that highway.
1:32:19 > 1:32:22Pack up the gat man's truck. Take everything you can and go.
1:32:22 > 1:32:25Drive north, away from the city.
1:32:25 > 1:32:26Thank you.
1:32:39 > 1:32:41Got everyone here, all our men.
1:32:41 > 1:32:42Arm them up. Let's go.
1:32:51 > 1:32:53I got him, Abe. I got him.
1:32:54 > 1:32:56Well, shit.
1:32:59 > 1:33:01That's right, motherfuckers.
1:33:01 > 1:33:03- Whoa.- I got him.
1:33:03 > 1:33:05Knew he was sweet on this one whore,
1:33:05 > 1:33:07so I checked her building...
1:33:07 > 1:33:09They found Joe in a farm on the east side -
1:33:09 > 1:33:11that's why all the gat men are here.
1:33:11 > 1:33:14The whole crew is arming up to make a sweep.
1:33:14 > 1:33:16Joe?
1:33:16 > 1:33:19Fuck Joe. Save your bullets! I've got the loop!
1:33:19 > 1:33:23Not such a fuck-up now, huh? I'm bringing him up to see Abe.
1:33:33 > 1:33:34Get this asshole!
1:33:36 > 1:33:38Motherfuckers!
1:33:39 > 1:33:41HE SCREAMS
1:33:44 > 1:33:46FOOTSTEPS RAPIDLY APPROACH
1:34:00 > 1:34:03GUNS LOAD
1:34:04 > 1:34:07RAPID GUNFIRE
1:34:19 > 1:34:22RAPID GUNFIRE CONTINUES
1:34:47 > 1:34:49Holy shit.
1:34:55 > 1:34:57Joe!
1:34:59 > 1:35:01Guess I put the gun in that kid's hand, huh?
1:35:04 > 1:35:07I guess everything comes back around...
1:35:09 > 1:35:11..like your goddamn ties.
1:35:23 > 1:35:25HE GROANS
1:35:29 > 1:35:31HE GROANS
1:36:23 > 1:36:25GUN LOADS
1:36:32 > 1:36:35Take this truck and take your gold, and go live your life.
1:36:35 > 1:36:39Nobody's coming after you. I fixed it.
1:36:39 > 1:36:41You go kill the boy, that how you fix it?
1:36:41 > 1:36:44You're goddamn right I'm gonna kill that boy!
1:36:44 > 1:36:47- You just got your life back. - My life?!
1:36:47 > 1:36:50Your life! Becoming you!
1:36:50 > 1:36:53Goddamn it! You've lost your fucking mind!
1:36:53 > 1:36:57You let this boy live, he's gonna take everything you've got
1:36:57 > 1:36:58and everything I got!
1:36:59 > 1:37:02- See what he becomes. - I haven't seen that yet.
1:37:02 > 1:37:04Goddamn it!
1:37:17 > 1:37:18GUNSHOT
1:37:54 > 1:37:55Shit.
1:37:55 > 1:37:57OK, baby, we're going.
1:37:59 > 1:38:00Put your seat belt on.
1:38:26 > 1:38:28- Stop.- Duck down. It's OK.
1:38:28 > 1:38:30- Stop, please. He can shoot us. - Duck down.
1:38:30 > 1:38:32Stop!
1:38:32 > 1:38:34Stop! Stop! Stop!
1:38:54 > 1:38:57- Cid.- I'm sorry.
1:38:57 > 1:39:00It's OK. It's OK. I'm gonna get you down.
1:39:09 > 1:39:12OK, we're going into the cane. Go. Go.
1:39:15 > 1:39:18GUNSHOTS
1:39:18 > 1:39:20Go.
1:39:21 > 1:39:23GUNSHOTS CONTINUE
1:39:32 > 1:39:33GUN LOADS
1:39:34 > 1:39:37GUNSHOT
1:39:37 > 1:39:38No!
1:39:46 > 1:39:47No. Cid, no.
1:40:34 > 1:40:36No!
1:40:41 > 1:40:45(It's OK, baby. You're OK.)
1:40:47 > 1:40:49(It's OK, baby.)
1:40:53 > 1:40:55(It's OK.)
1:40:55 > 1:40:59(I love you. Calm down.)
1:40:59 > 1:41:01(Good boy.)
1:41:03 > 1:41:05(Mommy loves you.)
1:41:07 > 1:41:10(Mommy loves you.)
1:41:11 > 1:41:13(It's OK.)
1:41:15 > 1:41:16Mom.
1:41:26 > 1:41:28Shit.
1:41:29 > 1:41:32Oh. Oh. You did good.
1:41:32 > 1:41:34You did so good. Good boy.
1:41:37 > 1:41:40OK, listen to me. I need you to run into the fields now.
1:41:40 > 1:41:44- No, Mom, I don't want to leave you. - It's OK.
1:41:44 > 1:41:46- You need to go. Go!- Move!
1:41:46 > 1:41:48Move, goddamn it!
1:42:04 > 1:42:06Move.
1:42:10 > 1:42:12'Then I saw it.
1:42:16 > 1:42:19'I saw a mom who would die for her son.
1:42:21 > 1:42:23'A man who would kill for his wife.
1:42:26 > 1:42:29'A boy, angry and alone.
1:42:30 > 1:42:32'Laid out in front of him, the bad path, I saw it.
1:42:35 > 1:42:36'And the path was a circle...
1:42:40 > 1:42:41'..round and round.
1:42:52 > 1:42:53'So I changed it.'
1:43:09 > 1:43:10Cid!
1:43:33 > 1:43:34Where's Joe?
1:43:36 > 1:43:38He had to go away, baby.
1:44:55 > 1:44:56WATCH TICS
1:46:10 > 1:46:16# Why in the world do I love you like I do, baby?
1:46:19 > 1:46:23# When you told me over ain't over
1:46:23 > 1:46:27# Showing off, girl, that you wouldn't be true... #