0:00:02 > 0:00:08This film contains strong language
0:00:09 > 0:00:14'I knew Matthew Smith for 15 years before the night of his final show.
0:00:14 > 0:00:17'Everyone remembers his talent and face,
0:00:17 > 0:00:22'but the Matthew I knew was strange, funny
0:00:22 > 0:00:26and unbearably insecure.
0:00:26 > 0:00:29'Matthew didn't show up for that show ten years ago...
0:00:29 > 0:00:31'or any other show after that.
0:00:31 > 0:00:33'He left us all behind.
0:00:33 > 0:00:38'He left me, his girlfriend, speeding off into the night,
0:00:38 > 0:00:41'completely and utterly totalled.'
0:00:41 > 0:00:43CHATTER
0:01:01 > 0:01:05# Sitting on the floor in your bedroom
0:01:05 > 0:01:08# Spinning Bowie around... #
0:01:11 > 0:01:12- Hey, El?- I'm fucking freezing.
0:01:12 > 0:01:15Yeah, I was that...that maybe we shouldn't do this anymore.
0:01:15 > 0:01:17You're breaking up with me?
0:01:17 > 0:01:20Well, you know, breaking up would imply that we were actually going out, I guess.
0:01:20 > 0:01:22We have been going out for three months.
0:01:22 > 0:01:25No, you've been coming over to my apartment after shows
0:01:25 > 0:01:27for three months...you know, which is awesome.
0:01:27 > 0:01:30- I like having sex with you, but...- Oh, wow.
0:01:30 > 0:01:32..to date, I suppose one would go out on dates.
0:01:32 > 0:01:34That's what I'm saying.
0:01:34 > 0:01:38It's just I like you and it's not that you're older.
0:01:38 > 0:01:40At this point in my life,
0:01:40 > 0:01:43it's just like I want something more than just, like, casual sex
0:01:43 > 0:01:46and...and it doesn't seem like you do. Now I sound like a dick.
0:01:46 > 0:01:49- What I'm saying is that... - Yeah, you sound like a dick.
0:01:49 > 0:01:52OK, you're leaving. Hey, look, let's, like, still be
0:01:52 > 0:01:54friends and just don't slam the...
0:01:54 > 0:01:57# Even though I know that I've done wrong
0:01:57 > 0:02:01# Oh, it still weighs a tonne
0:02:01 > 0:02:06# A safe-haven child cryin' mother
0:02:06 > 0:02:09# Try to keep it together, oh, yeah
0:02:09 > 0:02:13# Now, everybody wakes up and holds on
0:02:13 > 0:02:18# But I'm just not like them, no, no
0:02:18 > 0:02:21# Starin' at her eyes cos I need them
0:02:21 > 0:02:27# No, but they can't see my pain, no
0:02:27 > 0:02:31# Seizure comin' like a rush of blood
0:02:31 > 0:02:35# Pressure breaks and you start to black out
0:02:35 > 0:02:39# Wake up cos you're mad inside
0:02:39 > 0:02:41# No-one else sees a blackout
0:02:41 > 0:02:46# No, like you do yeah, yeah... #
0:02:58 > 0:03:01# So what you want with me?
0:03:01 > 0:03:04# Oh, please just let me be
0:03:04 > 0:03:07# Just leave me simply singin'
0:03:07 > 0:03:11# Yeah, yeah, yeah
0:03:11 > 0:03:13# Oh, my God
0:03:13 > 0:03:16# Here we go again... #
0:03:19 > 0:03:21SHE SIGHS
0:03:33 > 0:03:38# There's a hole in my head so all the light can shine in... #
0:03:38 > 0:03:40- PHONE BEEPS - 'Hi, darling.
0:03:40 > 0:03:44'Just Doris calling to remind
0:03:44 > 0:03:46'you that the rent was due yesterday.
0:03:46 > 0:03:51'I'm sure it's in the mail. OK. Bye-bye.'
0:03:51 > 0:03:55'Miss Ellie, it's your boss. I need to talk to you, dear.'
0:03:58 > 0:04:00Kurt, where's Courtney?
0:04:00 > 0:04:03Or, Courtney, where's Kurt?
0:04:04 > 0:04:08# I, I, I, I... #
0:04:08 > 0:04:10Oh!
0:04:14 > 0:04:19# Do you know what I mean? #
0:04:21 > 0:04:24SHE SIGHS
0:04:43 > 0:04:47I would love to have him shoot the cover, but, you know...
0:04:47 > 0:04:51Miss Ellie's here. I got to go. I need to talk to you.
0:04:51 > 0:04:54All right, well, you know, keep up the good work.
0:04:54 > 0:04:57I want to feature this guy.
0:04:57 > 0:04:59Yeah. Who is it?
0:04:59 > 0:05:02- Lucas Stone.- Why do you got to keep on featuring all these nobodies?
0:05:02 > 0:05:05You know, I thought Stax was all about, you know,
0:05:05 > 0:05:07discovering new talent. Isn't that why you hired me?
0:05:07 > 0:05:11I probably said that when Stax was still a beloved,
0:05:11 > 0:05:13Neolithic music magazine.
0:05:13 > 0:05:16- Things change.- Mm-hmm.
0:05:21 > 0:05:23- No.- I've been surveying the territory and,
0:05:23 > 0:05:26from where I'm sitting, things are looking pretty bleak.
0:05:26 > 0:05:29Well, I think you're underestimating our readers.
0:05:29 > 0:05:32You clearly have not been attending the same shareholders
0:05:32 > 0:05:34meetings that I have. Thank God.
0:05:34 > 0:05:40Honey, I need you to go after a bigger piece of the readership.
0:05:40 > 0:05:42You used to be my go-to gal.
0:05:42 > 0:05:46Your last story...got like two comments...
0:05:46 > 0:05:48One of them was spam.
0:05:50 > 0:05:52Apparently, that means the world wide web finds your
0:05:52 > 0:05:56current sensibility neither controversial or...
0:05:56 > 0:05:59I don't know...interesting.
0:06:02 > 0:06:03Matthew Smith.
0:06:05 > 0:06:07Last month's anniversary issue,
0:06:07 > 0:06:10every artist we polled called this one of the top-five most
0:06:10 > 0:06:11influential records.
0:06:11 > 0:06:15- Yeah, I'm-I'm aware of that. - Well, I think it justifies a story.
0:06:15 > 0:06:19"Matthew Smith - The Lasting Impact."
0:06:19 > 0:06:22- Giles...- You discovered him. You broke him, for Christ's sake.
0:06:22 > 0:06:24I know that there was a personal element,
0:06:24 > 0:06:26but for God's sake, it was ten years ago.
0:06:26 > 0:06:28You got to have enough distance by now.
0:06:28 > 0:06:33- He's probably dead.- He's not dead. He's just an asshole who's gone.
0:06:33 > 0:06:35Even better.
0:06:35 > 0:06:37"Matthew Smith - The Truth Behind The Mystery."
0:06:37 > 0:06:40You are in a unique position to do this.
0:06:40 > 0:06:42You're sitting on a huge fucking story.
0:06:42 > 0:06:45The professional side of you has got to understand that.
0:06:45 > 0:06:49I am not sitting on a story, OK? I'm just not...picking at a scab.
0:06:49 > 0:06:53OK, well, I cannot have you ignore what's happening here anymore.
0:06:53 > 0:06:55We got to put a shock through the system
0:06:55 > 0:06:58and everybody's got to do their part.
0:06:58 > 0:06:59Don't make me do this.
0:06:59 > 0:07:01You have to reclaim your place at this magazine.
0:07:10 > 0:07:14- I mean, I do not get paid enough to go there again.- Right.
0:07:14 > 0:07:17- I don't want to relive this.- So quit.
0:07:17 > 0:07:20Mm. I can't quit my job - it's all I've got.
0:07:20 > 0:07:22So write it.
0:07:22 > 0:07:26- Are there any other choices?- No.
0:07:26 > 0:07:29- Excuse me?- Do you want another?
0:07:29 > 0:07:32Doesn't part of you want to know what happened?
0:07:32 > 0:07:35I'm trying to think what I'd do if Angela just...
0:07:35 > 0:07:37I mean, I couldn't handle it. I'd have to know.
0:07:37 > 0:07:41Well, how about this idea? Let's not talk about it anymore.
0:07:41 > 0:07:43Oh, now you're heading out?
0:07:43 > 0:07:45Yeah. I've got a singer to interview.
0:07:45 > 0:07:48Well, hey, um, don't sleep with him.
0:07:48 > 0:07:49I'm a professional.
0:07:49 > 0:07:52OK. There's a name for that.
0:07:52 > 0:07:53SHE SIGHS
0:07:55 > 0:08:03# Well, she always wears blue jeans
0:08:03 > 0:08:10# She falls heavy like a freight train going down, spittin' grease
0:08:10 > 0:08:12# And it's just like... #
0:08:12 > 0:08:14Oola neat.
0:08:14 > 0:08:17# What my father told me
0:08:17 > 0:08:23# He said, "Son, never trust a woman who drinks whisky neat
0:08:23 > 0:08:27# She might kiss you
0:08:27 > 0:08:30# But she'll never miss you
0:08:30 > 0:08:33# These rock and roll girls... #
0:08:33 > 0:08:35- Ellie, right?- Yeah, yeah.- Hey.
0:08:35 > 0:08:37Hey. You're the guy from the other night.
0:08:37 > 0:08:40Yes, the business card instead of a buck.
0:08:40 > 0:08:43Ah... I'm not always so cheap.
0:08:43 > 0:08:46Pull up a pew.
0:08:46 > 0:08:50OK, so, this is weird. This is, like, my first real interview.
0:08:50 > 0:08:53- Are you really as naive as you seem? - I don't know. Am I?
0:08:53 > 0:08:55Let's find out.
0:08:55 > 0:08:59- OK, do you mind if I...? - Yes, please. OK. Record away.
0:08:59 > 0:09:01This is all very professional.
0:09:01 > 0:09:04Hello.
0:09:04 > 0:09:08So... When did you start writing music?
0:09:08 > 0:09:10- This morning. - BOTH LAUGH
0:09:10 > 0:09:13SHE IMITATES TRUMPET PLAYING
0:09:13 > 0:09:16See? Nobody... I have never met anyone who can do that.
0:09:16 > 0:09:17Me either.
0:09:17 > 0:09:20Uh, so, performing on the street, I mean, who does that anymore?
0:09:20 > 0:09:22Who does that? People do that. I do that.
0:09:22 > 0:09:26- You do do that.- I don't know. I love to play, you know?- Mm.
0:09:26 > 0:09:31And... I'm really broke, so, uh, the money helps.
0:09:31 > 0:09:34But, uh, you know, business cards are also welcome.
0:09:34 > 0:09:36- Oh.- Thanks for that.
0:09:36 > 0:09:38- Just...- You're welcome.
0:09:38 > 0:09:43- ..hard to pay for the rent on business cards.- Hmm.
0:09:46 > 0:09:49Hard to pay for groceries with it.
0:09:57 > 0:09:59Oh, no, no.
0:09:59 > 0:10:01- Oh, God.- I'm sorry. I'm sorry.
0:10:01 > 0:10:04- You just...- This cannot happen.
0:10:04 > 0:10:09I'm...drunk and I am leaving.
0:10:25 > 0:10:32# There but for the grace of God go I
0:10:32 > 0:10:37# There but for the grace of God go I
0:10:39 > 0:10:42# Oh, no money in his pocket
0:10:45 > 0:10:49# And no hope in his eyes
0:10:52 > 0:10:56# Oh, but who am I
0:10:56 > 0:10:58# But
0:10:58 > 0:11:01# But for the grace of God?
0:11:05 > 0:11:09# And there are those who when they pray... #
0:11:09 > 0:11:11PHONE RINGS
0:11:21 > 0:11:22Jesus Christ.
0:11:22 > 0:11:24Were you asleep?
0:11:24 > 0:11:27- It's 3:00 in the morning. - SHE LAUGHS
0:11:27 > 0:11:30I remember a guy that used to say the party was just getting
0:11:30 > 0:11:31started at 3am.
0:11:31 > 0:11:36- May I help you?- Well, I've decided to do the Matthew piece.
0:11:36 > 0:11:39No. I decided that you do the Matthew piece.
0:11:39 > 0:11:41OK, well, I'm agreeing to it.
0:11:41 > 0:11:43I am just so overwhelmed.
0:11:45 > 0:11:48Fucking nut-job.
0:11:49 > 0:11:52SHE SIGHS
0:12:03 > 0:12:06Matthew, man, he was intense, but in a fucking sexy way.
0:12:06 > 0:12:10I mean, we broke up three times, but we always got back together.
0:12:10 > 0:12:12I mean, he had his shit, he had his demons, but he...
0:12:12 > 0:12:14And he was talented, as everybody knows,
0:12:14 > 0:12:17but there is no way... There is no way that he would have jumped.
0:12:17 > 0:12:20Matthew...he was scared of heights... Is... Is scared of heights.
0:12:20 > 0:12:22Who was scared of heights?
0:12:22 > 0:12:25Oh, this musician who's been lost for years and years,
0:12:25 > 0:12:28- and years and years. - Really? Lost? Huh.
0:12:28 > 0:12:30Charlie.
0:12:30 > 0:12:32Ellie.
0:12:32 > 0:12:34- Ellie Klug.- OK.
0:12:34 > 0:12:37It is good to see you. Oh...
0:12:37 > 0:12:41Coming in for an obligatory hug.
0:12:41 > 0:12:43The timing wasn't right when we dated.
0:12:43 > 0:12:45I was emotionally unavailable.
0:12:45 > 0:12:48Oh, yeah, that's... That's probably it.
0:12:48 > 0:12:51I do think that your lack of open-mindedness affected your
0:12:51 > 0:12:53judgment of me. I'm much cooler now.
0:12:53 > 0:12:55Hmm-hmm.
0:12:55 > 0:13:00Miss, could I get a clean glass, a bottle of water and a whole lime?
0:13:00 > 0:13:01No.
0:13:01 > 0:13:02Is she a friend of yours?
0:13:02 > 0:13:05She's closing up. We're going to a gig.
0:13:05 > 0:13:07A gig? Huh. A gig.
0:13:07 > 0:13:12- What kind of gig? - Er, a music show.- A music gig.
0:13:12 > 0:13:15Nah, that's not my scene.
0:13:15 > 0:13:16Good.
0:13:16 > 0:13:18What style of music is it?
0:13:18 > 0:13:20Alternative rock.
0:13:20 > 0:13:22Hmm. Alt rock.
0:13:22 > 0:13:25You may call it that if you wish.
0:13:25 > 0:13:28- OK.- "OK" what?
0:13:28 > 0:13:31I'll tag along.
0:13:31 > 0:13:34# Even if it was a mistake
0:13:34 > 0:13:38# I can't forget your face
0:13:38 > 0:13:42# Even if it was just a day
0:13:42 > 0:13:47# You won't forget the one who's making you shake... #
0:13:58 > 0:14:00Charlie, what do you do?
0:14:00 > 0:14:03I'm retired but, until recently, I was in the jewellery business.
0:14:03 > 0:14:04Really?
0:14:04 > 0:14:09Yeah, we had pieces crafted from Mexican pesos, bits of
0:14:09 > 0:14:12Caribbean currency, seashells.
0:14:12 > 0:14:13Sold that online.
0:14:13 > 0:14:16I got tired of it, so I dumped the business last year.
0:14:16 > 0:14:19Before that, I had a software company and made about
0:14:19 > 0:14:22300 million on an IPA, so I can pay the rent.
0:14:22 > 0:14:25- Yeah, but you were rich before that, right?- It's true.
0:14:25 > 0:14:29I come from one of the oldest families in north America
0:14:29 > 0:14:33but, truth be told, we lost our fortune in the panic of 1907.
0:14:33 > 0:14:351907.
0:14:35 > 0:14:38Anyway...lately, I've been taking some documentary-filmmaking
0:14:38 > 0:14:40classes and I love it.
0:14:40 > 0:14:44I really think it's what I'm meant to do in this world, I do.
0:14:44 > 0:14:47- What do you do again, Ellie? - I'm a music critic.
0:14:47 > 0:14:50Ugh! That would be the worst job for me.
0:14:50 > 0:14:52I hate music.
0:14:52 > 0:14:53All music you hate.
0:14:53 > 0:14:55Is Bear a catholic? I mean, really.
0:14:55 > 0:14:57I think he might be.
0:14:57 > 0:14:59- I mean, you like music? - OK, well, I'm beat.
0:14:59 > 0:15:01I am so exhausted.
0:15:01 > 0:15:03Uh... It was really great seeing
0:15:03 > 0:15:06- you, Charlie, but we...- OK. - ...Dana...- Do we?- Yeah.
0:15:06 > 0:15:09You know what? Maybe we could get lunch sometime.
0:15:09 > 0:15:12I haven't seen you in five years and...
0:15:12 > 0:15:13it could be nice to see you again.
0:15:13 > 0:15:17- Uh, I say...- Yes!- I should be clear about one thing.
0:15:17 > 0:15:19Uh, I'm off dating, so...
0:15:19 > 0:15:23Great. That takes the pressure off of me to do all the work in bed.
0:15:23 > 0:15:26Do you want to...? You want to...? Or do you want to write it?
0:15:26 > 0:15:28You know what? I'll get it.
0:15:28 > 0:15:30There's a crispness to my writing that I enjoy.
0:15:30 > 0:15:35"Ellie...Klug."
0:15:35 > 0:15:37Goodnight, girls.
0:15:38 > 0:15:44So...the design on this site is so...
0:15:45 > 0:15:47- ..just sad.- There was a time, my little friend,
0:15:47 > 0:15:50when it was actually difficult to build a website.
0:15:50 > 0:15:52What are you finding?
0:15:52 > 0:15:56There's a message board where people post sightings.
0:15:56 > 0:15:58All these people claim to have seen him?
0:15:58 > 0:16:01Claim to, yes. Here's one for you this year.
0:16:01 > 0:16:02Is there an e-mail?
0:16:02 > 0:16:06It does not look like it, but we can comment on his post.
0:16:06 > 0:16:09Send him my e-mail, ask for more info.
0:16:09 > 0:16:11- No, no, no.- Wait, wait. Don't.
0:16:11 > 0:16:13Yeah, do, do.
0:16:13 > 0:16:14Ellie?
0:16:19 > 0:16:21- I meant to call you.- Yeah?
0:16:21 > 0:16:24I... I just... I-I couldn't write the feature.
0:16:24 > 0:16:28Couldn't-couldn't write it this month? What do you mean?
0:16:28 > 0:16:31- It just felt wrong...somehow. - Felt wrong?
0:16:31 > 0:16:34What are you...? What are you saying? You're not gonna write it?
0:16:34 > 0:16:38- OK. Is this because we kissed? - Whoop!
0:16:38 > 0:16:42Uh, could you answer that, please?
0:16:42 > 0:16:44Ellie Klug's desk.
0:16:44 > 0:16:45Wow. Well, that sucks.
0:16:45 > 0:16:47It's Giles.
0:16:49 > 0:16:52- Hey, can I call you back? - What's up? How's the story going?
0:16:52 > 0:16:55Well, I can't do it if you keep talking to me, can I?
0:16:55 > 0:16:57- OK. I didn't know you had a son. - Ha-ha! Very funny.- Back to work.
0:16:57 > 0:16:59I don't even get, like, a blurb?
0:16:59 > 0:17:02I don't even get, like, a little side blurb, like, the blurb
0:17:02 > 0:17:04- underneath the blurb? - What do you want me to do?
0:17:04 > 0:17:07- I don't know. Apologise, maybe. - OK. OK.
0:17:07 > 0:17:11I'm sorry. I really am sorry.
0:17:11 > 0:17:15Well, apology accepted...hesitantly.
0:17:15 > 0:17:17Do you want to go out sometime?
0:17:17 > 0:17:20Hey, look, if you're not gonna write the story, we might as well, right?
0:17:20 > 0:17:22- What? No.- Yeah.
0:17:22 > 0:17:24Listen, whatever you think is gonna happen...
0:17:24 > 0:17:25- Yeah?- ...is not gonna happen.
0:17:25 > 0:17:29No? So, you're gonna crush my dreams and then you're not gonna give me a date?
0:17:29 > 0:17:33- Oh, you seem fine to me. - I'm not fine.- WHISPERS:- I'm broken.
0:17:43 > 0:17:48So... Who's...? Who's the looker?
0:17:48 > 0:17:50That is not intern-level intel...
0:17:50 > 0:17:52Sir.
0:17:59 > 0:18:02INAUDIBLE SPEECH
0:18:13 > 0:18:15He says that's Matthew.
0:18:15 > 0:18:17Could be anybody.
0:18:17 > 0:18:20He's in Washington, I hope - or at a guess.
0:18:20 > 0:18:23- He wants 1,000 bucks. - Oh, I know. I know.
0:18:23 > 0:18:25I know we don't do that, so...
0:18:28 > 0:18:31- Don't do what?- Pay for sources.
0:18:31 > 0:18:34Pay for sources? What are we? The National Enquirer?
0:18:34 > 0:18:36We don't pay for sources.
0:18:36 > 0:18:39I can't believe you'd actually make...
0:18:39 > 0:18:41that kind of suggestion.
0:18:41 > 0:18:43I could get fired.
0:18:43 > 0:18:45Uh...he wants cash.
0:19:14 > 0:19:17# Yeah, yeah, oh, yeah
0:19:19 > 0:19:22# Oh, yeah
0:19:25 > 0:19:30# Hey, there she goes the girl who don't wanna talk to me
0:19:30 > 0:19:31# But that's OK
0:19:31 > 0:19:34# Just gonna annoy you till you make out with me
0:19:34 > 0:19:36# Yeah, till you make out with me
0:19:36 > 0:19:38# You know you want to
0:19:38 > 0:19:40# Just make out with me, baby
0:19:40 > 0:19:44# Just make out with me-e-e. #
0:19:44 > 0:19:47So, listen, I've been doing a lot of serious thinking and,
0:19:47 > 0:19:49all joking aside, I-I think
0:19:49 > 0:19:51I'm willing to give you a second chance.
0:19:51 > 0:19:54Clearly, all those years of playing music have left you with
0:19:54 > 0:19:57- a serious hearing problem. - Come on. What is it?
0:19:57 > 0:19:58Is it me? Is it my music?
0:19:58 > 0:20:01Is my face funny-looking? I mean, what? Give me something.
0:20:01 > 0:20:03Nope. Yeah. I don't know.
0:20:03 > 0:20:05"No, yes, I don't know." What? I didn't get any of that.
0:20:05 > 0:20:07Musicians, I mean, men...
0:20:07 > 0:20:10Toxic to me, and you're both, so it's...it's...it's not personal.
0:20:10 > 0:20:12"It's not personal."
0:20:12 > 0:20:14How can you say that's not personal?
0:20:45 > 0:20:46Hey.
0:20:47 > 0:20:49- I need your help.- Shoot.
0:20:49 > 0:20:52I need you to come with me tomorrow morning
0:20:52 > 0:20:54to interview this guy who says he knows where Matthew is.
0:20:54 > 0:20:56I can't. I got groundwater thing.
0:20:56 > 0:20:58Oh, come on. Don't make me go alone.
0:20:58 > 0:21:02And Angela's finally going with me and you know she hates my "causes".
0:21:02 > 0:21:05- Hello? Excuse me. - Yes, I see you. Yeah.
0:21:17 > 0:21:19Oh, no!
0:21:19 > 0:21:22No, no, no, no, no. Fuck!
0:21:22 > 0:21:24Shit! SHE SIGHS
0:21:25 > 0:21:29- I promise it's gonna be fine. - No, I am gonna get fired
0:21:29 > 0:21:32- or...fucking sued or both.- Giles isn't gonna do that to you.
0:21:32 > 0:21:34He already basically said that I'm irrelevant.
0:21:34 > 0:21:37Ellie, please call and get it over with.
0:21:37 > 0:21:40- Oh, yes, and in, other news... - Who's Lucius?
0:21:40 > 0:21:43- It's... Can you read? It's Lucas. - Lucas. I'm sorry.
0:21:43 > 0:21:46It's the singer that I didn't do the story on.
0:21:46 > 0:21:48He keeps...and I keep...
0:21:48 > 0:21:50Well, what'd he say? Did you listen to it?
0:21:50 > 0:21:52Should you listen to it?
0:21:52 > 0:21:56Well, then delete it because you know how it plays out.
0:21:56 > 0:21:59- What about that guy?- What guy?
0:21:59 > 0:22:02The rich guy from the...the fundraiser at the bar.
0:22:02 > 0:22:06- Oh, God. Charlie?- Yeah, he likes you and he's got money,
0:22:06 > 0:22:09- and...and he can help you. - No. No way. No... No way.
0:22:09 > 0:22:11- I am not doing that. - Well, you should.
0:22:11 > 0:22:12I have some pride.
0:22:17 > 0:22:20- So, you think he's still alive. - Yeah, I do.
0:22:20 > 0:22:23- He just ditched you?- Well, I mean, not ditched, but...
0:22:23 > 0:22:26And then disappeared, never to be heard from again?
0:22:26 > 0:22:27Yeah, except maybe for this
0:22:27 > 0:22:30- guy who says he saw him in a bar a few months ago.- Wow.
0:22:30 > 0:22:34This is really interesting to me.
0:22:34 > 0:22:37OK. I'll give you the money to find that guy.
0:22:37 > 0:22:39- You will? Oh, really?- Mm-hmm.
0:22:39 > 0:22:42But it's conditional. OK?
0:22:42 > 0:22:43Lately, I've been taking some
0:22:43 > 0:22:46documentary-filmmaking courses at a local junior college.
0:22:46 > 0:22:49I've been looking for something that really speaks to me.
0:22:49 > 0:22:52Speaks to me...right here.
0:22:52 > 0:22:54OK, so you want to do a story about Matthew.
0:22:54 > 0:22:59No. I want to do a documentary about YOU trying to find Matthew.
0:22:59 > 0:23:01SHE LAUGHS No, no, no.
0:23:01 > 0:23:03I don't want to be in your documentary.
0:23:03 > 0:23:07And I don't want to just give you 1,000.
0:23:20 > 0:23:24- What do you think? - Jesus. What's this?
0:23:24 > 0:23:26What the hell is this?
0:23:26 > 0:23:30Well, anyone who makes movies has one of these, so this one is ours.
0:23:30 > 0:23:33- You bought this?- I did.
0:23:33 > 0:23:34They just delivered it.
0:23:34 > 0:23:36What do you think?
0:23:36 > 0:23:42- Uh...- Permission to board granted, my lady.
0:23:42 > 0:23:44You know how to drive, right?
0:23:48 > 0:23:49What are you doing?
0:23:49 > 0:23:51Interviewing you.
0:23:51 > 0:23:53- What? Now?- Why not?
0:23:53 > 0:23:54It's for the documentary.
0:23:54 > 0:23:58Because I'm basically driving a submarine on wheels and I'm
0:23:58 > 0:24:00not exactly a strong driver, so...
0:24:00 > 0:24:02Well, let me just tell you,
0:24:02 > 0:24:05you are piloting this submarine on wheels brilliantly.
0:24:05 > 0:24:08Interview one, take one.
0:24:08 > 0:24:10Ellie Klug.
0:24:10 > 0:24:12And...action.
0:24:12 > 0:24:13OK.
0:24:13 > 0:24:18Uh... So... So, Matthew Smith's music is unique in that it was a
0:24:18 > 0:24:20- blend of...- Cut! What is that?
0:24:20 > 0:24:23That's, uh... I mean, I don't really care about that.
0:24:23 > 0:24:25Is that, like, music criticism or something?
0:24:25 > 0:24:27- Yeah, that's what I do.- Right.
0:24:27 > 0:24:29Well, I don't care about that
0:24:29 > 0:24:32and I'm fairly certain that anybody that views this
0:24:32 > 0:24:34documentary won't care, either.
0:24:34 > 0:24:37You know what? I think I'm just gonna focus on the road here...
0:24:37 > 0:24:41- if that's OK with you. - OK. Hostile interview. Cut.
0:24:41 > 0:24:42You know what?
0:24:42 > 0:24:46I'm just gonna get some...various shots of the landscape.
0:24:46 > 0:24:50You know, we call it "B roll" in...filmmaking.
0:24:50 > 0:24:52It's for editing.
0:24:52 > 0:24:55You're not gonna understand it. It's over your head.
0:25:08 > 0:25:11This better be the right way.
0:25:11 > 0:25:14- How are you feeling? - Uh...anxious.
0:25:14 > 0:25:17You know, it'd be good for me and the documentary film that we're
0:25:17 > 0:25:19shooting if you could expound on your feelings and whatnot.
0:25:19 > 0:25:21I don't want to expound on it, OK? I'm anxious.
0:25:21 > 0:25:23It's been a long time.
0:25:34 > 0:25:36OK. There he is. That's him.
0:25:36 > 0:25:40- That...that's Matthew? - What? No.
0:25:50 > 0:25:52- Hey.- Hi.
0:25:52 > 0:25:53- Joshua?- Yes.
0:25:53 > 0:25:56You...you guys want to have a seat?
0:25:56 > 0:26:00No. I'd invite you in, but...the place is kind of a mess.
0:26:00 > 0:26:04So, that-that-that video you sent, where was that recorded?
0:26:04 > 0:26:09Yeah. Um... Can I ask...? Did...did you bring the money?
0:26:09 > 0:26:11I'm sorry to ask up front like this.
0:26:11 > 0:26:13It's just I've been burned before, you know?
0:26:13 > 0:26:17So I thought if we'd just get this out of the way, then we'll be more comfortable.
0:26:17 > 0:26:22Sure. Uh, well, actually, maybe I can give you, uh, half
0:26:22 > 0:26:25now and then half when your information leads to Matthew.
0:26:25 > 0:26:29- OK, yeah. Sounds fair. - OK.
0:26:36 > 0:26:38Great. Thanks.
0:26:38 > 0:26:40So, I mean, what was it about
0:26:40 > 0:26:43- this guy that made you think it was Matthew?- Hang on a second.
0:26:43 > 0:26:44- Hang on.- Wh...? What's this about?
0:26:44 > 0:26:47Oh, we're making a documentary about this.
0:26:47 > 0:26:49- Great.- Rolling.
0:26:49 > 0:26:53Let me... Let me tidy up the scene for you.
0:26:53 > 0:26:58So...you said you knew where...where Matthew was?
0:26:58 > 0:26:59Oh, yeah.
0:26:59 > 0:27:02- He... he lives close by. - Where is he, exactly?
0:27:03 > 0:27:06Uh...do you want me to just go get him?
0:27:06 > 0:27:10You know what? I'll... I'll go get him.
0:27:10 > 0:27:13Just stay put. He lives like ten minutes away, ten minutes' walk.
0:27:13 > 0:27:15Uh, so I'll just grab him and come right back.
0:27:15 > 0:27:16- Should we come with you?- Uh, no.
0:27:16 > 0:27:19Well, he doesn't know I'm coming, so I'll just grab him.
0:27:19 > 0:27:21We'll be right back. Just, uh, hang tight.
0:27:21 > 0:27:24Just make...make yourself at home. Be right back.
0:27:26 > 0:27:29We trust you...sir!
0:27:44 > 0:27:46PHONE RINGS
0:27:46 > 0:27:49Oh, great. Lucas.
0:27:49 > 0:27:52- Is it all the way out?- Yes.
0:27:52 > 0:27:54Does it look cool?
0:27:54 > 0:27:57There's so many switches in here, it's like a spaceship.
0:27:57 > 0:27:59Are you kidding me?
0:28:00 > 0:28:02CAR APPROACHES
0:28:02 > 0:28:03Charlie?
0:28:16 > 0:28:17What's going on here?
0:28:17 > 0:28:21Uh, we're just... We're just waiting for Joshua to come back.
0:28:21 > 0:28:24- Joshua?- The guy that lives in that trailer.
0:28:24 > 0:28:25- Nope.- He was just here.
0:28:25 > 0:28:29Don't no-one live in that trailer cos I know who live in my trailer.
0:28:29 > 0:28:31- It sure looked like he lived in there.- This is your trailer?
0:28:31 > 0:28:34- I'm gonna need you off my property. - OK.
0:28:34 > 0:28:37- Well...- Yep. Yep. Yep. We're out of here.
0:28:37 > 0:28:39Have a great night.
0:28:42 > 0:28:44Maybe we should call the police.
0:28:44 > 0:28:45What are they gonna do,
0:28:45 > 0:28:51apart from arrest me for being completely...naive and stupid?
0:28:51 > 0:28:54Well, the good news is you can take your time paying me back.
0:28:54 > 0:28:58Of course, I'll have to charge you interest.
0:28:58 > 0:29:00Please tell me you're joking.
0:29:02 > 0:29:05- Charlie?- Yes, I'm joking.
0:29:05 > 0:29:08But we're not going to quit, OK?
0:29:08 > 0:29:10This is nowhere near the end of it.
0:29:10 > 0:29:14Uh...this is a complete and utter dead end.
0:29:14 > 0:29:15We have the video.
0:29:15 > 0:29:17The video is just some stupid bait.
0:29:17 > 0:29:19You can't even see who's really playing.
0:29:19 > 0:29:21- Come on.- Listen to me.
0:29:21 > 0:29:25You have an obligation to your story, to your magazine and,
0:29:25 > 0:29:28most importantly, to me to complete a documentary film
0:29:28 > 0:29:30that we set out to make.
0:29:30 > 0:29:31And I don't have enough footage, OK?
0:29:31 > 0:29:34I have like three minutes and most of it
0:29:34 > 0:29:36is him running away up that hill.
0:29:36 > 0:29:40Well, I... I am not an investigative reporter.
0:29:40 > 0:29:42I am a music critic.
0:29:42 > 0:29:45I don't know what the hell I'm doing, so...
0:29:47 > 0:29:49Then let's find someone who does.
0:29:51 > 0:29:54This is a note he... He left me.
0:29:58 > 0:30:02- This is the last communication he had with you?- Yes.
0:30:05 > 0:30:07"Babe, well, it's been a run,
0:30:07 > 0:30:11"honey, a real run, a sprint at times.
0:30:11 > 0:30:15"Does this got to be? Yeah, for me, and I say for you.
0:30:15 > 0:30:20"I'm in a dark place. You know, what comes up must come down.
0:30:20 > 0:30:23"I know you understand.
0:30:23 > 0:30:25"Matthew."
0:30:25 > 0:30:28- What do you think? - What is he talking about?
0:30:28 > 0:30:30I don't know. It's just... It's him.
0:30:30 > 0:30:35- But he says, "I know you understand."- Well, I don't.
0:30:35 > 0:30:37I don't think it's useful.
0:30:37 > 0:30:40- Don't you want to analyse it or something?- Why?
0:30:40 > 0:30:43I don't know. Just, like, figure out where the paper was manufactured or
0:30:43 > 0:30:46analyse his handwriting. I don't know.
0:30:46 > 0:30:50- What? Do you think it's not his handwriting?- No. It is.
0:30:50 > 0:30:54You know what? We have a video.
0:30:54 > 0:30:57It's crude, but it's a documentation of sorts.
0:30:57 > 0:31:00OK, yeah. OK, I have this video of him singing.
0:31:00 > 0:31:01Well, it sounds like him.
0:31:01 > 0:31:03Maybe you can take a look at it.
0:31:03 > 0:31:06Like, isolate the voice or something.
0:31:06 > 0:31:09I-I think you have some wrong expectations about what I do.
0:31:09 > 0:31:11I follow people...
0:31:11 > 0:31:13Living people.
0:31:13 > 0:31:16- Would you like this back? - You don't need it?- No.
0:31:20 > 0:31:23You know, I think maybe I should take on your case.
0:31:23 > 0:31:26You can't take on the case because you're not a private detective, Charlie.
0:31:26 > 0:31:32We need to go back to the beginning, back to the scene of the crime.
0:31:32 > 0:31:36And this one... it's a move that I invented.
0:31:36 > 0:31:38It's a pistol whip.
0:31:38 > 0:31:39A gunslinger whip.
0:31:39 > 0:31:41A gunslinger tilt. You ready?
0:31:41 > 0:31:43You ready? You ready?
0:31:43 > 0:31:45Action.
0:31:45 > 0:31:48How old were you when you met Matthew Smith?
0:31:48 > 0:31:49I was 16.
0:31:49 > 0:31:52In the interest of documentary film-making, just elaborate.
0:31:52 > 0:31:55I was 16 when I met Matthew Smith.
0:31:56 > 0:31:59Here, at this camp.
0:32:01 > 0:32:04Mm...that was a little dry, emotionally.
0:32:04 > 0:32:05Want to try it again?
0:32:05 > 0:32:07This is where we had our first kiss.
0:32:07 > 0:32:09Really? How was it?
0:32:09 > 0:32:11Too much tongue.
0:32:11 > 0:32:15I mean, neither of us knew what we were doing.
0:32:15 > 0:32:18We got much better at it over time.
0:32:18 > 0:32:19That was it? Just kissing?
0:32:19 > 0:32:22Yeah. That was a big deal for me back then.
0:32:22 > 0:32:24I wasn't exactly... confident.
0:32:24 > 0:32:26Nobody here was.
0:32:26 > 0:32:27Why?
0:32:27 > 0:32:29Why weren't you confident?
0:32:29 > 0:32:33It was... It was...
0:32:33 > 0:32:35It was a weight-loss camp.
0:32:35 > 0:32:37Weight-loss camp? Hang on.
0:32:37 > 0:32:39You met at fat camp?
0:32:39 > 0:32:42- It's not funny, Charlie.- Fat camp.
0:32:42 > 0:32:43Fat camp is a little funny.
0:32:43 > 0:32:45Stop saying "fat camp".
0:32:45 > 0:32:50Well, did they call it something else, like k-a-m-p p-h-a-t?
0:32:50 > 0:32:52Come here.
0:32:52 > 0:32:55This is where we he wrote his first song.
0:32:55 > 0:32:58He performed it at talent night.
0:32:58 > 0:33:01Oh, God, it was really beautiful.
0:33:01 > 0:33:03Yeah?
0:33:03 > 0:33:04What'd you do?
0:33:05 > 0:33:07I cried.
0:33:07 > 0:33:10No, f-for talent night.
0:33:10 > 0:33:14Oh. I, uh... I hula-hooped.
0:33:14 > 0:33:17Did you terrify small children?
0:33:17 > 0:33:19Shut up.
0:33:23 > 0:33:26After camp, you know, we said we'd stay in touch.
0:33:31 > 0:33:34Yeah. He wrote me these...
0:33:36 > 0:33:38..really beautiful letters.
0:33:42 > 0:33:44Is that enough?
0:33:49 > 0:33:50You know, I got to figure out
0:33:50 > 0:33:54how to get this footage on to my new editing system.
0:33:54 > 0:33:58Or you know what? Maybe I can just edit on here.
0:33:58 > 0:34:00That was weird.
0:34:03 > 0:34:07I don't think you're letting yourself see the new me.
0:34:07 > 0:34:10Charlie, neither of us are new.
0:34:10 > 0:34:11Pfft!
0:34:11 > 0:34:13I just think that you and I could...
0:34:13 > 0:34:17OK, don't do take this personally, but I'm not looking.
0:34:17 > 0:34:20Seriously, I'm... I'm not.
0:34:20 > 0:34:22That's cool.
0:34:22 > 0:34:25It's totally cool. That's a gracious rejection.
0:34:25 > 0:34:28I don't know why I'd take that personal.
0:34:28 > 0:34:30I'm going to hit the hay.
0:34:30 > 0:34:32I'll take the rear bunk...
0:34:32 > 0:34:35and you're in the, uh, forward deck.
0:34:37 > 0:34:39Solo.
0:34:39 > 0:34:41Goodnight.
0:34:41 > 0:34:43Night.
0:34:46 > 0:34:49Ready? Ready?
0:34:49 > 0:34:52And...action.
0:34:52 > 0:34:55This is where Matthew first started playing.
0:34:57 > 0:34:58Man, he loved it here.
0:34:58 > 0:35:02I used to... I used to sneak out of college to come see him.
0:35:02 > 0:35:04Then we'd go on the road together and...
0:35:04 > 0:35:06Yeah, it was a lot of fun.
0:35:08 > 0:35:11Actually, you know what? It... it wasn't that much fun.
0:35:11 > 0:35:13Everybody wanted him and it was
0:35:13 > 0:35:17like I got into some kind of fucked-up conga line.
0:35:21 > 0:35:23Was this the place?
0:35:23 > 0:35:28Mm-hmm. Yeah. Uh, they found his car...over there.
0:35:28 > 0:35:31That's a long way down.
0:35:33 > 0:35:36- No-one could survive that. No-one.- Charlie.
0:35:36 > 0:35:39I'm sorry. My bad.
0:35:53 > 0:35:56I think that Matthew may have been left-handed.
0:35:56 > 0:35:57Yeah, he was.
0:35:57 > 0:36:00- Really?- Mm.
0:36:05 > 0:36:08- So, did you know Matthew Smith? - I knew him.
0:36:08 > 0:36:11I mean, I didn't know him, know him, but I-I-I knew him.
0:36:11 > 0:36:14I mean, if I've seen the inside of his house, I've seen the
0:36:14 > 0:36:15inside of his house, but a lot
0:36:15 > 0:36:17of people have seen the inside of that guy's house.
0:36:17 > 0:36:19He was hugely talented. Hugely. Hugely.
0:36:19 > 0:36:23What does...? What does Matthew Smith's music mean to you?
0:36:23 > 0:36:28He was a huge influence on my music, all my friends' music...
0:36:28 > 0:36:30Maybe all music, I mean, music itself.
0:36:30 > 0:36:33People talk about Cobain, but fuck Cobain.
0:36:33 > 0:36:34He could have been so much more.
0:36:34 > 0:36:37He could have been our generation's...voice.
0:36:37 > 0:36:41There's people that kind of come and go in the music scene
0:36:41 > 0:36:46whose "ghosts" always live on, you know?
0:36:46 > 0:36:49And he's definitely one of them.
0:36:49 > 0:36:52I mean, you guys... You guys were pretty tight, right?
0:36:52 > 0:36:54We got wasted a couple times.
0:36:54 > 0:37:00And did he ever seem like he, you know, just wanted to...disappear?
0:37:00 > 0:37:03What the hell do I know? I bounce drunks.
0:37:05 > 0:37:08Lucas. There she is. How you doing?
0:37:08 > 0:37:11Yeah, good. Uh, Lucas... This is Lucas.
0:37:11 > 0:37:14Lucas, this is Charlie. He's making a documentary I'm helping him with.
0:37:14 > 0:37:16- How's it going?- Good.
0:37:16 > 0:37:19Um...man, you never called me back.
0:37:19 > 0:37:22Yeah. I just... yeah.
0:37:22 > 0:37:24These things happen.
0:37:24 > 0:37:27Hey, you should... you should at least have one of these.
0:37:27 > 0:37:31- Here, you too, man.- No, sir.
0:37:31 > 0:37:34- When did you get these made? - Uh, last week, actually.
0:37:34 > 0:37:35- These look really good.- Yeah?
0:37:35 > 0:37:37- Yeah. Good for you. - Thanks very much.
0:37:37 > 0:37:40Hey, if you guys are free tonight, you should come down the street.
0:37:40 > 0:37:43I'm playing a little gig on the stage, so not just a sidewalk
0:37:43 > 0:37:45and drunk people yelling at me.
0:37:45 > 0:37:46Yeah, sure. Why not? Yeah.
0:37:46 > 0:37:49- Do you want to?- Of course. You should come, too, man.
0:37:49 > 0:37:54- Wait. What?- You...you want to come, Charlie, or...?
0:37:54 > 0:37:57- Now? We're... We're quitting? - I think we're good for tonight.
0:37:57 > 0:38:00I mean, if you guys are doing your thing, you know, maybe I'll see you.
0:38:00 > 0:38:01- I don't want to...- Let's go.
0:38:01 > 0:38:03- I'll come with you now.- All right, cool. Then...
0:38:03 > 0:38:06- Hey, see you later, Doug. - Um, good luck with the doc, man.
0:38:09 > 0:38:11What just happened, man?
0:38:16 > 0:38:20APPLAUSE
0:38:20 > 0:38:21Thank you, guys.
0:38:22 > 0:38:26Um, OK, this is a new one, and...we haven't really played
0:38:26 > 0:38:29it before live, so we'll see how it goes.
0:38:29 > 0:38:32But, uh, I wrote it for someone special.
0:38:32 > 0:38:35I know that sounds cheesy, but it's true.
0:38:37 > 0:38:40# Yeah, she
0:38:40 > 0:38:44# Caught me by surprise
0:38:48 > 0:38:51# Well, she
0:38:51 > 0:38:55# She wants to feel the eyes
0:39:00 > 0:39:03# Oh, well, she
0:39:03 > 0:39:07# Was as restless as moonlight
0:39:11 > 0:39:19# Oh, now, she wasn't daylight turned into night... #
0:39:29 > 0:39:31SHE LAUGHS
0:39:31 > 0:39:34I want you to be my permanent alarm clock.
0:39:34 > 0:39:36Sure. Just follow you around...
0:39:36 > 0:39:38singing all the time, yeah.
0:39:38 > 0:39:42Wow. Someone singing songs written about me -
0:39:42 > 0:39:43hasn't happened in a long time.
0:39:43 > 0:39:48Actually, um, I didn't... I didn't write that one about you.
0:39:48 > 0:39:50Oh, my God.
0:39:50 > 0:39:53No, I-I-I wrote it for this guy I met in prison.
0:39:53 > 0:39:56His name's Bobby. "Big Bob."
0:39:56 > 0:39:59- Big Bob?- Big Bob.- Big Bobby.
0:39:59 > 0:40:01Big Bob was a sweetheart.
0:40:03 > 0:40:05Here we are.
0:40:05 > 0:40:07Wow.
0:40:07 > 0:40:11- Yeah.- What are we going to do today?
0:40:11 > 0:40:13I don't know.
0:40:13 > 0:40:18Well, you know what? I-I think we should do something really stupid.
0:40:19 > 0:40:21Like, really stupid.
0:40:23 > 0:40:27Let's do this! Oh, my God! Oh, my God!
0:40:27 > 0:40:29Terrible, terrible idea.
0:40:29 > 0:40:31Oh, my God.
0:40:31 > 0:40:35- Holy shit! You're a madman. - What was that?
0:40:35 > 0:40:38- Put something on. Here. - I can't feel my testicles.
0:40:38 > 0:40:41- I'll feel your testicles.- Fantastic.
0:40:42 > 0:40:44Man, you got a lot of records.
0:40:44 > 0:40:48- And, by the way, who the hell still has CDs?- I do.
0:40:48 > 0:40:50That is a lot of CDs.
0:40:50 > 0:40:52Man, it is crazy that you used to hang with him.
0:40:52 > 0:40:55Like, you used to hang out with Matthew Smith.
0:40:55 > 0:40:58- Yeah, well...- That's insane.
0:41:01 > 0:41:04- Dude's, like, my idol.- No kidding.
0:41:04 > 0:41:06And why did he kill himself?
0:41:06 > 0:41:09It's like, if I had half the talent that this guy had...
0:41:14 > 0:41:17That is the best song. Inside? I love that song.
0:41:17 > 0:41:20I used to listen to that song on repeat in eighth grade.
0:41:22 > 0:41:23Hi. You guys ready to order?
0:41:23 > 0:41:26- Uh...the salad. The dressing. - Yes?
0:41:26 > 0:41:29- Does that have dairy? - I can check for you.
0:41:29 > 0:41:31I'm extremely lactose-intolerant.
0:41:31 > 0:41:34- If it has dairy, uh, I can't have it anywhere near me.- OK.
0:41:34 > 0:41:36Also, I will have the toast, but you'll need to burn that
0:41:36 > 0:41:38because I cannot ingest live gluten.
0:41:38 > 0:41:42OK, so, I'll... I'll just take the burger, medium-rare, please.
0:41:42 > 0:41:45Thank you.
0:41:45 > 0:41:48So, I met a sound specialist who thinks he might be able to
0:41:48 > 0:41:50- do something with the video.- Hmm.
0:41:50 > 0:41:53I think I might be a better investigative journalist
0:41:53 > 0:41:55than I am a documentary film-maker.
0:41:58 > 0:42:01Well, Ellie, I think I have found the woman that I am going
0:42:01 > 0:42:04to spend the rest of my life with,
0:42:04 > 0:42:07until they crank my coffin into a coffin-sized hole.
0:42:07 > 0:42:09Wow. That was fast.
0:42:09 > 0:42:12Love happens, it happens.
0:42:12 > 0:42:15- Are you shocked?- I'm... I'm... no, I'm happy for you.- Thank you.
0:42:15 > 0:42:16Yeah, I really am.
0:42:16 > 0:42:18Her name is Charlotte.
0:42:18 > 0:42:21She's fun. She's beautiful.
0:42:21 > 0:42:22She's young.
0:42:22 > 0:42:25She's amazing and I know she's the one - I have a way of telling now.
0:42:25 > 0:42:26Oh, really? How?
0:42:26 > 0:42:30I've devised a system that can apply to any couple.
0:42:30 > 0:42:31It goes like this.
0:42:31 > 0:42:34If the relationship can be summed up in a single sentence,
0:42:34 > 0:42:37it will never survive. I'll give you an example.
0:42:37 > 0:42:39The previous relationship,
0:42:39 > 0:42:44our single sentence was, "She is the lost child to my father figure."
0:42:44 > 0:42:49In another one, I was the exotic aesthete to her Midwestern homebody.
0:42:49 > 0:42:51Exotic aesthete?
0:42:51 > 0:42:53And with another, "She is my
0:42:53 > 0:42:57"every sexual fantasy, but she just wants her bare bottom spanked."
0:42:57 > 0:43:00Right. So, you're saying it works with you and Charlotte
0:43:00 > 0:43:04- because there's not one sentence that describes it.- Exactly.
0:43:04 > 0:43:06And what about you and Matthew?
0:43:06 > 0:43:09I was the carpenter to his
0:43:09 > 0:43:12unfixable...fixer-upper.
0:43:12 > 0:43:16"Can't save nobody" - it's a famous saying.
0:43:16 > 0:43:21An enormous earthquake hit Kabanjahe, Indonesia two days ago.
0:43:21 > 0:43:26There are probably over 500 animals that have died.
0:43:26 > 0:43:29Most of these animals will, unfortunately,
0:43:29 > 0:43:30go without proper burial.
0:43:30 > 0:43:33We need to aid these souls,
0:43:33 > 0:43:38help them transition into the next stage of their existence.
0:43:38 > 0:43:43So please remember today, heart to heart...
0:43:43 > 0:43:47soul to soul...paw to paw.
0:43:47 > 0:43:51Charlie has told me all about your search for Matthew Smith.
0:43:51 > 0:43:55I was a huge fan of his in junior high school.
0:43:55 > 0:43:59You know, originally, I volunteered to help Ellie find Matthew
0:43:59 > 0:44:01because I wanted to have sex with her.
0:44:01 > 0:44:05- Jesus! That's not... That's not true. - It's fine. I'm not threatened.
0:44:05 > 0:44:06- You shouldn't be. - SHE CLEARS HER THROAT
0:44:06 > 0:44:11Look at the house. Look at how she's completely made it over.
0:44:11 > 0:44:17It's just aglow with love and warmth, and that dream catcher.
0:44:17 > 0:44:21She's got a great eye, not unlike my mother...
0:44:21 > 0:44:24Except, you know, Charlotte's alive and gorgeous.
0:44:24 > 0:44:26That sounds like your sentence.
0:44:26 > 0:44:27Oh, come on.
0:44:27 > 0:44:32By the way, what are you and...
0:44:32 > 0:44:35- La...Lagary...?- Lucas. His name is Lucas.
0:44:35 > 0:44:38- What are you and Lucas doing on Saturday?- I don't know.
0:44:38 > 0:44:42Well, Charlotte and I have something wonderful to celebrate.
0:44:42 > 0:44:44Don't we, my dear?
0:44:44 > 0:44:45Celebrate?
0:44:45 > 0:44:50Her lips are like tiny sugar pillows.
0:44:50 > 0:44:52SHE CLEARS HER THROAT
0:44:52 > 0:44:53# Endless love... #
0:44:55 > 0:44:57That's lovely.
0:44:57 > 0:44:59Oh, my God. That thing is huge!
0:44:59 > 0:45:01Look at that. That is beautiful.
0:45:01 > 0:45:02You guys are coming, right?
0:45:02 > 0:45:04- Uh...- To the wedding?
0:45:04 > 0:45:06Yeah. Yeah. When is it?
0:45:06 > 0:45:08- Next week.- Oh, God!
0:45:08 > 0:45:09What? Uh, wow.
0:45:09 > 0:45:12- That's...- It's really great.- That's really kind of...- Exciting.
0:45:12 > 0:45:16Well, when you know, you know, and we know.
0:45:16 > 0:45:19So, I'm chartering a jet and we're flying over, and you got to come with us.
0:45:19 > 0:45:21- You have a private jet?- Mm-hmm.
0:45:21 > 0:45:23Yeah, we'll... We'll fly on your private jet, sure.
0:45:23 > 0:45:25Of course, you know, I've really been trying to get
0:45:25 > 0:45:27Charlie to enjoy objects more.
0:45:27 > 0:45:30I just... I think it would be good for him, you know,
0:45:30 > 0:45:32because we're in such a golden era of materialism.
0:45:32 > 0:45:35And we all have a slot to fill in the world and,
0:45:35 > 0:45:37until you learn to fill that slot,
0:45:37 > 0:45:40you're fighting against the natural order.
0:45:40 > 0:45:43You'll never be completely at peace. I've been studying all about this.
0:45:43 > 0:45:46Oh, wow. So, there's, like, papers written on this?
0:45:46 > 0:45:50- Oh, yeah, tonnes. - Are they written in crayon?
0:45:50 > 0:45:53Ha-ha! That's really insulting. No, they're not in crayon.
0:45:53 > 0:45:57- Charlie has rich-man's guilt. - I do?- Mm-hmm.
0:45:57 > 0:45:59Even your...your documentary film-making
0:45:59 > 0:46:02is an effect of your misalignment.
0:46:02 > 0:46:06- Right.- Documentaries, they're a platform for the poor.
0:46:06 > 0:46:09They should be by poor people, for poor people, about poor people.
0:46:09 > 0:46:12You know, I once saw this little film online and it was...
0:46:12 > 0:46:15made by monkeys, about monkeys, for monkeys.
0:46:15 > 0:46:17That's not true, is it?
0:46:17 > 0:46:19The whole thing's like ten seconds long and it's just
0:46:19 > 0:46:22this shaking camera with occasional glimpses of, like,
0:46:22 > 0:46:25a banana and other monkeys and then the camera breaks.
0:46:25 > 0:46:29That's...not funny at all.
0:46:29 > 0:46:31- That would be animal cruelty.- Right.
0:46:31 > 0:46:34It was just a funny little...
0:46:34 > 0:46:36It's just a little...video.
0:46:36 > 0:46:41The golden age of materialism? What? She's kind of crazy, right?
0:46:41 > 0:46:43- Thank you for being nice. - Yeah. When am I not nice?
0:46:43 > 0:46:46You're the one who can't fake it.
0:46:46 > 0:46:48You look really cute tonight.
0:46:48 > 0:46:50Thanks, baby.
0:46:52 > 0:46:55- What's going on? Are you nervous about your meeting?- Hmm? No.
0:46:55 > 0:46:57You don't need to be. I mean, he's going to love you.
0:46:57 > 0:47:01No, it's going to be good. Thank you for hooking that up.
0:47:01 > 0:47:03Of course. You don't have to thank me.
0:47:03 > 0:47:05- You're up, champ.- Thanks, bud.
0:47:05 > 0:47:07Glory hole is stall three.
0:47:07 > 0:47:09- Wow. - HE SIGHS
0:47:10 > 0:47:12It's exciting, isn't it?
0:47:12 > 0:47:15- What?- Love.
0:47:15 > 0:47:17Me, Charlotte. You, Lucas.
0:47:17 > 0:47:20You guys are going to have a great time at the wedding
0:47:20 > 0:47:23and I'm going to tell Charlotte to throw the bouquet
0:47:23 > 0:47:24at you as hard as she can.
0:47:29 > 0:47:33So, what is going on? What do you got for me?
0:47:33 > 0:47:36- Well, yeah, it's coming along. - Ellie, your deadline is next week.
0:47:36 > 0:47:38Can I just get a little, tiny progress report, please?
0:47:38 > 0:47:44OK. Uh, well, if you... If you have to know, the truth is... I...
0:47:44 > 0:47:46- I'm kind of seeing somebody, so my time is...- Oh, for God's sake.
0:47:46 > 0:47:48I could give a shit. Honey, the story.
0:47:48 > 0:47:50What's going on with the story?
0:47:50 > 0:47:52You know, what happened with the internet guy?
0:47:52 > 0:47:55What internet guy?
0:47:55 > 0:47:58The guy that I gave 1,000 to because he knew where Matthew was -
0:47:58 > 0:48:00- that guy.- Oh, yeah.
0:48:00 > 0:48:03Uh, that guy. Uh... Funny thing.
0:48:03 > 0:48:08- People on the internet, they aren't always honest.- Huh.
0:48:08 > 0:48:09And I want to state for the record
0:48:09 > 0:48:11that I had my doubts from the beginning.
0:48:11 > 0:48:13So, what else have you tried?
0:48:13 > 0:48:16What do you mean? Like, have I found Matthew? Is that what you're asking?
0:48:16 > 0:48:19Cos, I mean, you said it - he may not even be out there.
0:48:19 > 0:48:24Did our conversation just have no effect on you whatsoever?
0:48:24 > 0:48:28Because here's the deal, honey. I just... I cannot cover for you
0:48:28 > 0:48:32anymore while you self-destruct over some idiot fucking musician.
0:48:32 > 0:48:36My magazine is on the line here.
0:48:36 > 0:48:40OK, I need you to do three things, all right?
0:48:40 > 0:48:42Get your shit together,
0:48:42 > 0:48:44find Matthew,
0:48:44 > 0:48:47write a very good story about it.
0:48:47 > 0:48:50Or what? SHE SCOFFS
0:48:50 > 0:48:51You'll fire me?
0:48:51 > 0:48:53That's right.
0:49:08 > 0:49:11DOOR OPENS
0:49:11 > 0:49:12HE PANTS
0:49:13 > 0:49:15- Hey. Come on in. - I was just running.
0:49:15 > 0:49:18Really weird. It was good. The meeting was really, really...
0:49:18 > 0:49:21Oh, God, yeah. What happened? I think, uh...
0:49:21 > 0:49:23- I think I'm flying to LA tomorrow, yeah.- Oh, my God.
0:49:23 > 0:49:26And they want to set up a bunch of meetings and shows and...
0:49:26 > 0:49:29- Wow! Ahh! That's amazing!- Crazy!
0:49:29 > 0:49:31I cannot believe it.
0:49:31 > 0:49:33Wow. Wait.
0:49:33 > 0:49:35- Uh, when...? When will you be back? - Uh... I don't know.
0:49:35 > 0:49:39- Oh, um... Charlie's wedding.- Yeah.
0:49:39 > 0:49:41- What day is it?- Saturday.
0:49:41 > 0:49:43But he's going to fly us over on Friday.
0:49:43 > 0:49:46So, that's fine. I'll just fly in and meet you Saturday.
0:49:47 > 0:49:49OK. Yeah.
0:49:49 > 0:49:51- What was that?- What?
0:49:51 > 0:49:53What was that?
0:49:53 > 0:49:56- I'm going to make the wedding.- I know.
0:49:56 > 0:49:57I am.
0:49:57 > 0:50:00- And I'm going to call you every day. - OK.
0:50:00 > 0:50:02- Name a day, any day.- Monday.
0:50:02 > 0:50:05- I'm going to call you Monday. Name another day.- Thursday.
0:50:05 > 0:50:07- Yeah, Thursday's bad for me. - Fuck you!
0:50:07 > 0:50:09I'm going to call you Thursday.
0:50:11 > 0:50:15I'm glad we're back to work on the...documentary.
0:50:15 > 0:50:18Nice to have the distraction.
0:50:18 > 0:50:20What's the latest on the wunderkind?
0:50:20 > 0:50:21I figured it out.
0:50:21 > 0:50:24I am the industry-wise transition girlfriend to his
0:50:24 > 0:50:27soon-to-be model-fucking teen heart-throb.
0:50:27 > 0:50:30Ooh. Your sentence.
0:50:30 > 0:50:32I'm sorry.
0:50:32 > 0:50:36This is... Well, this is the house where Matthew grew up.
0:50:36 > 0:50:39- Who do you think lives there now? - Apparently, nobody.
0:50:39 > 0:50:42I mean, no-one answered when I knocked.
0:50:42 > 0:50:46I know how to break into his room - done that before.
0:50:46 > 0:50:50This used to be easier.
0:50:50 > 0:50:54There is a door here...that's unlocked.
0:50:55 > 0:50:58Let's just... Let's go in this door.
0:50:58 > 0:51:00SHE SIGHS
0:51:00 > 0:51:02It's exactly as I remember it.
0:51:02 > 0:51:03It even smells the same.
0:51:05 > 0:51:10Luckily, for the documentary, I don't have smell-o-vision.
0:51:15 > 0:51:18This is where I lost my virginity.
0:51:18 > 0:51:22- Maybe that shouldn't go on record. - Oh, no. That's great.
0:51:22 > 0:51:25That's just the kind of...detail we're looking for in
0:51:25 > 0:51:28hard-hitting documentary film-making.
0:51:28 > 0:51:29How was it?
0:51:29 > 0:51:33Eh... What do you expect for the first time?
0:51:33 > 0:51:34How was yours?
0:51:34 > 0:51:38Oh, man. I lost my virginity about 200 or 300 times. Uh...
0:51:38 > 0:51:44- Just answer the question.- All right. If you must know, I was 14.
0:51:44 > 0:51:47- It was our 46-year-old Jamaican housekeeper.- What?!
0:51:47 > 0:51:48She was very tender.
0:51:48 > 0:51:51- She had a lot of moles. - OK, thank you.
0:51:52 > 0:51:57Hey, I'm going to leave you and the ghost of Matthew alone for a second.
0:51:57 > 0:51:59I got to pee.
0:52:13 > 0:52:16Holy shit. I didn't know he had these.
0:52:16 > 0:52:20Hey, I just found a bunch of issues of Stax.
0:52:20 > 0:52:25I think he was a subscriber from way back. His mom must have... Shit.
0:52:28 > 0:52:30- Ellie?- Mr Smith.
0:52:30 > 0:52:32What are you doing in my house?
0:52:32 > 0:52:35Uh, I just... I-I knocked on the door, and there...there was
0:52:35 > 0:52:37- no answer, so I...- So you broke in.
0:52:37 > 0:52:40Well, I thought you might have moved or...
0:52:40 > 0:52:42- TOILET FLUSHES - Oh, for the love of God.
0:52:42 > 0:52:45Check it out...potty cam.
0:52:45 > 0:52:48HE LAUGHS
0:52:48 > 0:52:51- Who the hell is this? - This is... This is Charlie.
0:52:51 > 0:52:53He and I are making a documentary together.
0:52:53 > 0:52:55A documentary? Oh. On that?
0:52:55 > 0:52:58This is cutting-edge Japanese technology, sir.
0:52:58 > 0:53:00I am... I am so sorry we broke in.
0:53:00 > 0:53:03Obviously, it was a very stupid idea.
0:53:03 > 0:53:05I just want to apologise again.
0:53:05 > 0:53:11I mean, it must be unpleasant to be reminded of everything.
0:53:13 > 0:53:15Yeah.
0:53:16 > 0:53:17You guys know the way.
0:53:17 > 0:53:19Yes...
0:53:20 > 0:53:24And you have a beautiful home - it's really lovely.
0:53:27 > 0:53:29- He always hated me.- Really? Why?
0:53:29 > 0:53:30Yeah, I don't know.
0:53:30 > 0:53:34He... He didn't want Matthew to be famous and I think he
0:53:34 > 0:53:37thought I encouraged Matthew too much with his music.
0:53:37 > 0:53:39He held me responsible when...
0:53:39 > 0:53:43He rebelled and left home and, eventually, when he...
0:53:43 > 0:53:45SHE SIGHS
0:53:49 > 0:53:51Would you come back with me to my house?
0:53:51 > 0:53:54I have something for the wedding being delivered.
0:53:54 > 0:53:56- Ooh! Your tux?- No.
0:53:56 > 0:53:58- The ring?- No.
0:53:58 > 0:54:01- What? Cake?- No.
0:54:01 > 0:54:03- Lingerie?- No.
0:54:03 > 0:54:05What is it?
0:54:05 > 0:54:072,400 - it's all there.
0:54:07 > 0:54:10Is that one of those things you can't get water on?
0:54:10 > 0:54:13- Uh, it's Galagos bush baby. - He's endangered, though, right?
0:54:13 > 0:54:14Cos that's the more expensive one?
0:54:14 > 0:54:17Yeah, it's a girl, actually, but, yes.
0:54:17 > 0:54:19Does she get lonely in there?
0:54:19 > 0:54:23Galagos is not puppies. They don't want love.
0:54:23 > 0:54:25They just want to be left alone.
0:54:26 > 0:54:28Lucky them.
0:54:39 > 0:54:42Oh, Lucas, it's...
0:54:42 > 0:54:46you-know-who calling you
0:54:46 > 0:54:50again...and again and again.
0:54:50 > 0:54:53Uh...just call me.
0:54:53 > 0:54:55When do you start serving?
0:54:55 > 0:54:58SHE SIGHS
0:54:59 > 0:55:02KNOCK ON DOOR
0:55:02 > 0:55:05- Good. Come in.- Oh, you look so nice. - Thank you.
0:55:05 > 0:55:11- You look quite elegant yourself. - Oh, yeah, that's me(!)- Have a seat.
0:55:11 > 0:55:13What's happening?
0:55:13 > 0:55:15Oh... I just needed to talk
0:55:15 > 0:55:18about something before I actually go through with this.
0:55:18 > 0:55:20I'm not a religious guy,
0:55:20 > 0:55:23so I hope you don't mind sitting in for my confession.
0:55:23 > 0:55:25- I'd be honoured.- It's dark and sordid.
0:55:25 > 0:55:28- Really?- No, not at all.- I'm excited.
0:55:28 > 0:55:31You know, after I got
0:55:31 > 0:55:33divorced, I went through...
0:55:33 > 0:55:37A period of...failed relationships.
0:55:37 > 0:55:40And now, recently, I see you and Lucas and realise
0:55:40 > 0:55:42that something's missing in my life,
0:55:42 > 0:55:47so I did something out of character, something I'd never done before.
0:55:50 > 0:55:53I called an escort service.
0:55:53 > 0:55:56- You'd never done that before? - No, no.
0:55:56 > 0:55:58I was always too afraid that something would go wrong.
0:55:58 > 0:56:02- Worry about diseases or...- Of course. They're everywhere.
0:56:02 > 0:56:04No, it was more the protocol of it all.
0:56:04 > 0:56:06If you don't take up all your time,
0:56:06 > 0:56:09do you get to snuggle for the rest of the hour?
0:56:09 > 0:56:12Or if you need more time, do you pay extra?
0:56:12 > 0:56:16If you run over, is there a bell and they just shove you off of them?
0:56:16 > 0:56:19- There's a bell? - As it turns out, there was
0:56:19 > 0:56:21not a bell, which was a relief.
0:56:21 > 0:56:27But one night...there was a knock at the door and I opened it,
0:56:27 > 0:56:31and...and there stood Charlotte.
0:56:31 > 0:56:33Wow.
0:56:33 > 0:56:34I thought she was a socialite.
0:56:34 > 0:56:38- Like, all the charity work and...- She loves animals.
0:56:38 > 0:56:39She has a big heart.
0:56:39 > 0:56:42She wasn't cut out for that life.
0:56:42 > 0:56:45She said that I was her first client as a prostitute.
0:56:45 > 0:56:47- I'm not naive, but...- Yeah.
0:56:47 > 0:56:51Anyway, I love her
0:56:51 > 0:56:55and...I'm going to marry her.
0:56:56 > 0:56:59I don't know, Ellie. I know I'm not a deep guy,
0:56:59 > 0:57:02but I'm not a shallow guy either.
0:57:02 > 0:57:04Eh, what can I say?
0:57:04 > 0:57:06Life's pretty weird.
0:57:06 > 0:57:08I got to agree.
0:57:08 > 0:57:11So, here before your family and friends,
0:57:11 > 0:57:17and everyone who knows you best, I pronounce you husband and wife.
0:57:17 > 0:57:19You may kiss each other.
0:57:20 > 0:57:23CHEERING
0:57:29 > 0:57:32- Where's Lucas?- I haven't heard from him in two days.
0:57:32 > 0:57:34Well, just pick somebody out.
0:57:34 > 0:57:38There's a lot of guys here, a lot of available man cake.
0:57:38 > 0:57:41- You can do a lot of damage with some of these guys.- Charlie...
0:57:41 > 0:57:45Come on, piece of man cake.
0:57:45 > 0:57:48You see that big hunk of rock and roll man back there?
0:57:48 > 0:57:51Are you calling him rock and roll because of his hair?
0:57:51 > 0:57:52No, seriously, that's my buddy Craig.
0:57:52 > 0:57:54He's a good guy.
0:57:54 > 0:57:56- I'll hook it up.- No. Charlie, no!
0:57:56 > 0:58:00Why not? He's a good guy.
0:58:00 > 0:58:01- You and Craig.- Charlie, no.
0:58:01 > 0:58:05You and Craig. You and Craig!
0:58:05 > 0:58:07Yes, I have the jaw of a superhero.
0:58:07 > 0:58:10Yes, I could light up a dark room with my smile.
0:58:10 > 0:58:12Yes, I have the hair of an '80s rock star.
0:58:12 > 0:58:16But this... This is what I'm really proud of.
0:58:16 > 0:58:17This is God-given.
0:58:17 > 0:58:20I can't do anything about this, but this, I feel, is-is
0:58:20 > 0:58:23something that I've... I've earned through hard work and determination.
0:58:23 > 0:58:27And I'll tell you something else that I think is going to impress you.
0:58:27 > 0:58:28What is that?
0:58:28 > 0:58:33I am 14 credits away from an online degree from the
0:58:33 > 0:58:36- university of Phoenix, no less, to be a therapist.- Wow.
0:58:36 > 0:58:39A licensed, accredited therapist.
0:58:39 > 0:58:42OK. I am going to let you give me a free like five-minute consultation.
0:58:42 > 0:58:44- How do you feel about that? - Oh, yeah.
0:58:44 > 0:58:50OK, so, I have this boyfriend...or maybe had,
0:58:50 > 0:58:54and...well, he was supposed to meet me here.
0:58:54 > 0:58:56- But I think the gig is up. - Ah! See?
0:58:56 > 0:58:59Now, why do you call it a gig?
0:58:59 > 0:59:01See, gig is a very temporary term.
0:59:01 > 0:59:03It's very...transient.
0:59:03 > 0:59:05It's here today, gone tomorrow.
0:59:05 > 0:59:09I think that you get on that stage knowing that you're going
0:59:09 > 0:59:11to get off that stage quickly.
0:59:11 > 0:59:14Quickly, like maybe after a couple of songs, hmm?
0:59:17 > 0:59:21Are we...? Are they still serving?
0:59:21 > 0:59:24I mean, either whisky or cake or...
0:59:24 > 0:59:26something sweet.
0:59:26 > 0:59:29Oh, here we go.
0:59:29 > 0:59:31CHARLOTTE LAUGHS
0:59:31 > 0:59:34- Charlie, what is this?- Well, Charlotte, it's something
0:59:34 > 0:59:38that I know you've always wanted and thought you would never,
0:59:38 > 0:59:39ever get in this lifetime.
0:59:39 > 0:59:41From the Galapagos islands in
0:59:41 > 0:59:43the South pacific...
0:59:45 > 0:59:47It's so beautiful!
0:59:48 > 0:59:50Oh, God. Is it dead?
0:59:52 > 0:59:55Oh.
1:00:01 > 1:00:03Oh, shit.
1:00:07 > 1:00:09Hey. Surprise.
1:00:10 > 1:00:12What are you doing here?
1:00:12 > 1:00:18Uh... This... This was our plan... I thought.
1:00:18 > 1:00:21You didn't... You didn't even show. You didn't call me back.
1:00:21 > 1:00:25Yeah, well, I got held up.
1:00:28 > 1:00:30- Well, some of us know some of us. - HE LAUGHS
1:00:30 > 1:00:33Um, who is this?
1:00:33 > 1:00:37He's sort of my...therapist.
1:00:40 > 1:00:41Great.
1:00:41 > 1:00:43You two should probably talk.
1:00:43 > 1:00:45No, no, no. You stay right there.
1:00:45 > 1:00:47I mean, what could possibly be said
1:00:47 > 1:00:50that could make this any better, you know?
1:00:52 > 1:00:54Yeah, all right.
1:00:58 > 1:01:02So, I should stay?
1:01:02 > 1:01:03No.
1:01:07 > 1:01:10KNOCK ON DOOR (Oh, God!)
1:01:10 > 1:01:11SHE SIGHS
1:01:11 > 1:01:13QUICKER KNOCKING
1:01:22 > 1:01:27Well, I heard about you and Lucas...and Craig.
1:01:28 > 1:01:30I don't even want to talk about it.
1:01:30 > 1:01:34Look on the bright side, at least you didn't give a dead animal
1:01:34 > 1:01:36to somebody on their wedding day.
1:01:36 > 1:01:38Guilty.
1:01:38 > 1:01:39Come on.
1:01:39 > 1:01:41It's a new day. You know what you need to do -
1:01:41 > 1:01:43you need to go back to work.
1:01:43 > 1:01:46Need to get started looking for Matthew again, get back in the RV.
1:01:46 > 1:01:48Or, you know what?
1:01:48 > 1:01:51Just take a trip somewhere. It's on me.
1:01:51 > 1:01:52How about that?
1:01:52 > 1:01:54Charlie...that's fucking ridiculous.
1:01:54 > 1:01:56I'm just trying to help you out.
1:01:56 > 1:01:59I know you feel bad about last night and I'm...
1:01:59 > 1:02:01I just want to be your friend.
1:02:01 > 1:02:05You're only my friend cos you had a thousand bucks when I needed it.
1:02:11 > 1:02:14I didn't mean that. Came out the wrong way.
1:02:14 > 1:02:16Did it?
1:02:16 > 1:02:19Charlie...
1:02:20 > 1:02:23Oh, fuck. Charlie!
1:02:50 > 1:02:53"Ellie, I think we could have been something special,
1:02:53 > 1:02:55"but what's done is done.
1:02:55 > 1:02:59"Here's the money you wouldn't let me return."
1:02:59 > 1:03:01Holy shit.
1:03:01 > 1:03:05"It paid for my demo, so thank you. Take care. Lucas."
1:03:05 > 1:03:07ANSWER MACHINE BEEPS
1:03:07 > 1:03:10Ellie, your deadline came and went weeks ago.
1:03:10 > 1:03:13You know, this business, it's fickle enough.
1:03:13 > 1:03:16I would be absolutely justified never publishing another word
1:03:16 > 1:03:20from you, based on the way you've been screwing me around.
1:03:31 > 1:03:39# I would come back and admit that it wasn't your fault
1:03:39 > 1:03:47# And I'm tried and unwilling to be the only one who was wrong
1:03:50 > 1:03:57# And I would sail back to you
1:04:00 > 1:04:05# And I would sail back to you... #
1:04:05 > 1:04:07Whisky and a beer.
1:04:09 > 1:04:15# And I would sail back to you
1:04:20 > 1:04:26# I'll be sailing on your deep blue eyes
1:04:30 > 1:04:36# I'll be sailing on your deep blue eyes
1:04:39 > 1:04:46# I'll be sailing on your deep blue eyes
1:04:49 > 1:04:55# I'll be sailing on your deep blue eyes
1:04:57 > 1:05:04# I'll be sailing on your deep blue eyes
1:05:06 > 1:05:11# I'll be sailing on your deep blue eyes... #
1:05:11 > 1:05:13KNOCKING ON DOOR
1:05:20 > 1:05:23Hey, you cannot be going dark on me like that.
1:05:23 > 1:05:25Yeah. Yeah.
1:05:25 > 1:05:27No, this is what I was worried about.
1:05:27 > 1:05:29What?
1:05:29 > 1:05:31No guy, just you wallowing.
1:05:31 > 1:05:33I'm not wallowing! I'm working!
1:05:33 > 1:05:36- I was getting so close to figuring this out.- OK, what is this shit?
1:05:36 > 1:05:37This song, it's Matthew. It is.
1:05:37 > 1:05:40And he's singing about me... I mean, us. Listen.
1:05:40 > 1:05:44# I'll be sailing on your... #
1:05:44 > 1:05:46I tracked the IP address where this e-mail came from,
1:05:46 > 1:05:49when the guy sent me this, but it's just some fucking library computer.
1:05:49 > 1:05:51And I just... Ugh!
1:05:51 > 1:05:53I know that I'm just not thinking of something.
1:05:53 > 1:05:57I mean, he's out there, singing about me, wanting me to find him.
1:06:00 > 1:06:03OK, but, Ellie, don't you think he'd just call you?
1:06:03 > 1:06:04Him?
1:06:04 > 1:06:05SHE LAUGHS No.
1:06:05 > 1:06:08God. He was such a dick.
1:06:08 > 1:06:10SHE SIGHS
1:06:11 > 1:06:14Hey, listen...don't... Fuck you.
1:06:14 > 1:06:15Oh, wait. Fuck me?
1:06:15 > 1:06:18- Yeah, fuck you.- Oh, all right, cool.
1:06:18 > 1:06:22Um, listen...you need to stop this shit, OK?
1:06:22 > 1:06:24- Excuse me.- Hey. I am working.
1:06:24 > 1:06:26OK, it's not work, all right?
1:06:26 > 1:06:28You're in crazy town!
1:06:28 > 1:06:30Listen to me. Listen!
1:06:30 > 1:06:32All right, you have to stop this.
1:06:32 > 1:06:34OK.
1:06:34 > 1:06:37Please, please, please let go, please let go, please let go!
1:06:37 > 1:06:39I want you to look at him...
1:06:39 > 1:06:43OK? ..and remember him for the shithead that he was.
1:06:43 > 1:06:44Is!
1:06:44 > 1:06:46Was/is.
1:06:56 > 1:06:59- Holy shit.- Yeah.
1:06:59 > 1:07:01Holy fucking shit.
1:07:01 > 1:07:03- Yeah, tough stuff.- I love you.
1:07:03 > 1:07:04I love you, too.
1:07:04 > 1:07:06Oh, my God.
1:07:06 > 1:07:07Wait. What?
1:07:38 > 1:07:40(Oh, God.)
1:07:55 > 1:07:57Where's Charlotte?
1:07:57 > 1:08:00Have a seat.
1:08:06 > 1:08:10Before you apologise - and I assume that's why you're here -
1:08:10 > 1:08:12I have something I'd like to say to you.
1:08:12 > 1:08:14OK.
1:08:14 > 1:08:16I only had good intentions toward you.
1:08:16 > 1:08:18I didn't deserve to be treated the way I was treated.
1:08:18 > 1:08:22I know, I know. I... I was totally out of line.
1:08:22 > 1:08:24- Sometimes I can be a jackass. - Mm. Yeah.
1:08:24 > 1:08:29I wasn't necessarily asking you to agree with that specific point.
1:08:29 > 1:08:32I am really sorry, Charlie.
1:08:32 > 1:08:33Really sorry.
1:08:33 > 1:08:36Thank you. I believe you.
1:08:36 > 1:08:39- So, you asked about Charlotte.- Yeah.
1:08:39 > 1:08:41Yeah, well, Charlotte and I are done.
1:08:41 > 1:08:43Wow. What happened?
1:08:43 > 1:08:44We had some issues.
1:08:44 > 1:08:46What kind of issues?
1:08:46 > 1:08:47You know, "issues."
1:08:47 > 1:08:49You couldn't get it up?
1:08:49 > 1:08:52Why is that always the assumption? No.
1:08:52 > 1:08:53I could get it up.
1:08:53 > 1:08:56But there were some bigger issues.
1:08:56 > 1:08:57Like what?
1:08:57 > 1:08:59That she was already married.
1:08:59 > 1:09:00No!
1:09:00 > 1:09:03- Yeah.- Wow.
1:09:03 > 1:09:06I don't know...what to say.
1:09:06 > 1:09:08There's no logic to love.
1:09:08 > 1:09:12It's just a painful, brutal process of trial and error
1:09:12 > 1:09:17and you just go through it again and again and again...
1:09:17 > 1:09:20and again and again and again...
1:09:22 > 1:09:23..and again.
1:09:23 > 1:09:27Well, I think I might have something that will take your
1:09:27 > 1:09:31- mind off Charlotte for a little while, at least.- OK.
1:09:31 > 1:09:33SHE CLEARS HER THROAT
1:09:33 > 1:09:36Think I've... I really found him.
1:09:36 > 1:09:37"Him"?
1:09:37 > 1:09:39- Matthew.- Matthew?
1:09:39 > 1:09:40Really?
1:09:40 > 1:09:42Mm-hmm. I've rented a car...
1:09:43 > 1:09:47..and I would very much appreciate your help.
1:09:49 > 1:09:52I'm ready to hit the road again.
1:09:56 > 1:09:57OK. Remember in Matthew's house,
1:09:57 > 1:09:59- he had all these back issues of Stax? - Mm.
1:09:59 > 1:10:02Right? So, according to the subscriber database,
1:10:02 > 1:10:03it's never been dropped.
1:10:03 > 1:10:05Just the address was changed to the bar.
1:10:05 > 1:10:08So, his mom got him the subscription back in high school,
1:10:08 > 1:10:11but I think he's just kept it in her name all this time.
1:10:11 > 1:10:13Mm. Huh.
1:10:13 > 1:10:16This is good. This is good investigative journalism. Good.
1:10:16 > 1:10:20- Why, thank you.- You're welcome.
1:10:20 > 1:10:21Check these out.
1:10:21 > 1:10:24Got them on an online spy store.
1:10:24 > 1:10:27See? A camera and a microphone.
1:10:27 > 1:10:30And no matter what I look at, you can see it on the screen.
1:10:30 > 1:10:32Like, look.
1:10:32 > 1:10:34Gonna pan right...
1:10:34 > 1:10:36and then pan left.
1:10:38 > 1:10:40- Stop looking at my tits.- OK.
1:10:40 > 1:10:45I just happened to be looking over there. I was... I like your scarf.
1:10:45 > 1:10:47How is it you don't like music?
1:10:47 > 1:10:49It's not so much that I don't like music.
1:10:49 > 1:10:53Um...it's just hard to find a song that doesn't annoy me.
1:10:53 > 1:10:55Well, what do you like?
1:10:55 > 1:10:58I remember liking a Canadian artist.
1:10:58 > 1:10:59- Leonard Cohen?- No.
1:10:59 > 1:11:00- Neil Young?- No.
1:11:00 > 1:11:02- Rufus Wainwright?- No.
1:11:02 > 1:11:05OK. So, listen, when we're finished with all this,
1:11:05 > 1:11:07you should come over to my apartment and I'll...
1:11:07 > 1:11:09- I'll play you some stuff. I'll... - Bryan Adams.
1:11:09 > 1:11:10Bryan Adams.
1:11:10 > 1:11:14I remember, on the album cover, he's doing this...this pose,
1:11:14 > 1:11:18like a guy...like, running across the street.
1:11:18 > 1:11:20- I thought that was kind of cool. - Mm. Mm.
1:11:20 > 1:11:22Well, that's it. That's a start.
1:11:24 > 1:11:25Wait.
1:11:25 > 1:11:26Someone's going in.
1:11:26 > 1:11:28Oh, yeah, it's the bartender.
1:11:29 > 1:11:33- Should we go?- No, no, no. Just give her... Give her a few minutes.
1:11:35 > 1:11:38I have been thinking, what was our sentence?
1:11:38 > 1:11:39Hmm?
1:11:39 > 1:11:42What was our sentence when we were dating?
1:11:42 > 1:11:43I know... Two dates doesn't...
1:11:43 > 1:11:45It doesn't really count as dating anyway.
1:11:47 > 1:11:48Anyway, let's go.
1:11:48 > 1:11:50We should probably...
1:11:50 > 1:11:53- SHE SIGHS - Do you want me to go in first?
1:11:53 > 1:11:56I think you should. And, you know, settle in, and then I'll wander in.
1:11:56 > 1:11:59- She won't know we're together. - OK. All right.
1:11:59 > 1:12:01Remember, I'm filming.
1:12:01 > 1:12:02How could I forget?
1:12:08 > 1:12:10Hi.
1:12:10 > 1:12:13- What can I get you? - HE SIGHS
1:12:13 > 1:12:19Could I get a clean glass, a bottle of water and a whole lime, please?
1:12:19 > 1:12:21A whole lime?
1:12:21 > 1:12:22Please.
1:12:46 > 1:12:49Hey. I'm actually looking for someone.
1:12:49 > 1:12:51I was hoping you could help me.
1:12:51 > 1:12:54His name's Matthew... Matthew Smith.
1:12:54 > 1:12:57- Matthew Smith?- Mm-hmm. Matthew Smith...
1:12:57 > 1:13:00Isn't that the dude that killed himself over at the falls?
1:13:00 > 1:13:04Well, I mean...yeah, but... He...
1:13:04 > 1:13:07- I was told, you know, he used to play here a lot and...- Probably.
1:13:07 > 1:13:09I... I don't know.
1:13:11 > 1:13:12- Sorry.- OK.
1:13:12 > 1:13:15No, no. Thanks. Thanks anyway.
1:13:30 > 1:13:33Hey.
1:13:33 > 1:13:35Yeah.
1:13:35 > 1:13:37INDISTINCT SPEECH
1:13:37 > 1:13:39I'm just going to mosey along.
1:14:05 > 1:14:07There she is.
1:14:07 > 1:14:09Let's go.
1:14:20 > 1:14:22You're really good at this.
1:14:40 > 1:14:42You know that last night,
1:14:42 > 1:14:44when they found his car out by the falls?
1:14:44 > 1:14:48I fucking... I just drove out there, like a maniac,
1:14:48 > 1:14:51and I stood there with the cops, just waiting.
1:14:51 > 1:14:54I feel like that's what I'm still doing.
1:14:56 > 1:14:59So... Should we wait a little longer?
1:14:59 > 1:15:02Just until the morning?
1:15:02 > 1:15:05Yeah, it's much better to confront the demons of your past
1:15:05 > 1:15:09in the harsh, unforgiving light of early dawn.
1:15:09 > 1:15:10Yeah?
1:15:10 > 1:15:13- Definitely.- Yeah.
1:15:14 > 1:15:16So...
1:15:16 > 1:15:20HE SIGHS
1:15:20 > 1:15:22We have this item.
1:15:23 > 1:15:27This is an ancient weapon, purely designed to protect you from
1:15:27 > 1:15:29the detritus of your relationships past.
1:15:29 > 1:15:32- SHE SCOFFS - It's a powerful weapon.
1:15:32 > 1:15:34Do you require a demonstration?
1:15:34 > 1:15:38So... Mm. Mm!
1:15:38 > 1:15:40Mmmm!
1:15:40 > 1:15:44It makes your face light up like Satan's concubine.
1:15:44 > 1:15:46WHISPERS: You are so weird.
1:15:46 > 1:15:48BANGING IN DISTANCE
1:15:52 > 1:15:55HE COUGHS
1:16:11 > 1:16:13Ellie.
1:16:13 > 1:16:15Ellie, wake up.
1:16:18 > 1:16:19Is that Matthew?
1:16:23 > 1:16:25Is that him?
1:16:30 > 1:16:31I can't tell.
1:16:33 > 1:16:35What do you want to do?
1:16:35 > 1:16:37Do you want to go?
1:16:40 > 1:16:41No.
1:16:44 > 1:16:47This is...
1:16:47 > 1:16:49This is weird now.
1:16:51 > 1:16:52- Are you OK?- Yeah.
1:16:54 > 1:16:55Yeah.
1:17:21 > 1:17:25BANGING CONTINUES
1:17:39 > 1:17:40Well...
1:17:49 > 1:17:51Please turn the camera off.
1:17:56 > 1:17:58Thank you.
1:18:01 > 1:18:03Hi.
1:18:05 > 1:18:08SHE SOBS
1:18:09 > 1:18:13What...? Oh, God.
1:18:17 > 1:18:19I...
1:18:29 > 1:18:33Hey, Matthew, we're going to go... Oh.
1:18:39 > 1:18:43Sara, this is...Ellie.
1:18:43 > 1:18:45Hi.
1:18:45 > 1:18:47Hey, there.
1:18:47 > 1:18:49I'm Charlie.
1:18:57 > 1:18:59I...
1:19:00 > 1:19:02I saw your dad.
1:19:04 > 1:19:06Wow.
1:19:06 > 1:19:08Yeah.
1:19:09 > 1:19:12I haven't seen him in a long, long time.
1:19:14 > 1:19:17I don't think he was very happy to see me.
1:19:18 > 1:19:20He's not very happy.
1:19:22 > 1:19:24I heard your...your new song.
1:19:24 > 1:19:26Heard the new song?
1:19:26 > 1:19:29Yeah, you played at a bar around here somewhere.
1:19:30 > 1:19:31No.
1:19:31 > 1:19:33No new songs.
1:19:43 > 1:19:45You look great, kid.
1:19:47 > 1:19:54So, do you guys...want to come in for coffee or something?
1:19:54 > 1:19:56I would really enjoy some delicious coffee.
1:19:56 > 1:19:58Thank you.
1:19:59 > 1:20:02We can't stay. We can't stay, actually.
1:20:04 > 1:20:06It's really nice to meet you.
1:20:14 > 1:20:16Bye, Matthew.
1:20:38 > 1:20:40We can go to the park.
1:20:40 > 1:20:43Yeah? Yeah? Yes?
1:20:43 > 1:20:46- You all right?- Yeah.
1:20:46 > 1:20:48Talk about it in a sec.
1:20:48 > 1:20:50Yeah, yeah. Yeah, you're heavy.
1:21:16 > 1:21:18You may want to hang on to this.
1:21:21 > 1:21:23Everything's still in it that I shot.
1:21:25 > 1:21:28If you want it, you can have it.
1:21:39 > 1:21:42RADIO STATIC
1:21:42 > 1:21:44# I'm gonna run to you
1:21:44 > 1:21:48# Yeah, I'm gonna run to you
1:21:48 > 1:21:51# Cos when the feeling's right
1:21:51 > 1:21:53# I'm gonna stay all night
1:21:53 > 1:21:55# I'm gonna run to you... #
1:21:55 > 1:21:58'We all have someone like Matthew Smith.
1:21:58 > 1:22:02'We spend thousands of hours wondering, imagining and
1:22:02 > 1:22:04'recreating our time with them.
1:22:04 > 1:22:06'We look backwards to avoid going forwards.
1:22:06 > 1:22:10'But, at a certain point, it's time to stop singing that old song
1:22:10 > 1:22:12'and write a new tune.'
1:22:14 > 1:22:18I'd be...pretty embarrassed to walk in here if I were you.
1:22:18 > 1:22:21Your deadline - it came and went weeks ago.
1:22:21 > 1:22:24I had to push a total piece-of-shit story to the cover because of you.
1:22:24 > 1:22:29I need people I can rely on, Ellie. This business is fickle enough.
1:22:29 > 1:22:34I mean, your story, it's... It was OK. It was pretty good. It's good.
1:22:34 > 1:22:36You know, it's very good.
1:22:37 > 1:22:40I recognise this...this chick.
1:22:41 > 1:22:44Are you sure you want to reveal this much about yourself?
1:22:44 > 1:22:47It's just as much about your defects as it is about Matthew.
1:22:47 > 1:22:49I mean, it's like a goddamn confession.
1:22:49 > 1:22:52Yeah, well, I've... I've decided to...
1:22:52 > 1:22:56embrace my defects. It's all...
1:22:56 > 1:22:57part of the package.
1:22:57 > 1:23:00I got to admit, you really had me going with all that,
1:23:00 > 1:23:02you know, "Matthew is alive" stuff.
1:23:02 > 1:23:05Yeah, well, we can all close the book on that one now.
1:23:05 > 1:23:08So, I'm thinking about using it to...
1:23:08 > 1:23:10launch our first digital issue.
1:23:10 > 1:23:11Wait. What?
1:23:11 > 1:23:14Oh, yeah. The last paper edition went out last month.
1:23:14 > 1:23:16I know that you're not concerned
1:23:16 > 1:23:18with such mundane...
1:23:18 > 1:23:21- matters. - SHE CLEARS HER THROAT
1:23:21 > 1:23:26Did I tell you that they want me to add a lifestyle section?
1:23:26 > 1:23:28What does that even mean?
1:23:31 > 1:23:34I have no fucking idea.
1:23:34 > 1:23:36I'm serious. I'm proud of you.
1:23:36 > 1:23:39I mean, you could've had reporters swarming to do a story
1:23:39 > 1:23:43and labels trying to get him to sign a new record deal,
1:23:43 > 1:23:45but you took the high road.
1:23:45 > 1:23:47Yeah. What is wrong with me?
1:23:47 > 1:23:49There's a lot wrong with you. No, but that's...
1:23:49 > 1:23:52- You know, the list is getting... - Oh, thank you.- ..smaller.
1:23:52 > 1:23:55- # Ellie's growing up... # - Oh, Jesus, I hope not.
1:23:55 > 1:23:59- THEY LAUGH - Do you want to get food?
1:23:59 > 1:24:02- Uh, no, thanks. I'm... I'm gonna go out for dinner later.- With who?
1:24:04 > 1:24:06- Lucas.- You're... What?
1:24:06 > 1:24:08With Lucas? "Lucius Lucas" Lucas?
1:24:08 > 1:24:10No, this is... this is Lucas.
1:24:10 > 1:24:13- # ..was a day that... # - I hate it.
1:24:13 > 1:24:15- We hate him, right?- He's good.
1:24:15 > 1:24:17- Yeah, yeah, yeah.- He is. He's talented.- Super-talented.
1:24:17 > 1:24:19You don't have to do this. I'm really happy for him.
1:24:19 > 1:24:22No, I'm saying... That's what I was saying.
1:24:22 > 1:24:24I was like, "Oh, my God, Lucius.
1:24:24 > 1:24:27"So stoked for him. And I would like to listen to this song..."
1:24:27 > 1:24:29- You are an ass.- I'm serious!
1:24:32 > 1:24:34SHE CLEARS HER THROAT
1:24:38 > 1:24:42MUSIC PLAYS
1:24:55 > 1:24:58# Sunday morning
1:24:58 > 1:25:03Got the hazy, hazy jeans
1:25:03 > 1:25:08# I turn to you and inhale where you lay
1:25:10 > 1:25:14# Took a wander through the garden
1:25:14 > 1:25:18# To awake the long, long day
1:25:18 > 1:25:26# And then roll for a while on violet flower bed
1:25:26 > 1:25:30# Oh, you kiss my lips again and again and again
1:25:30 > 1:25:33# And then again and then
1:25:33 > 1:25:38# We would watch the sun comin' up easy
1:25:38 > 1:25:43# While the rain came tumbling down
1:25:43 > 1:25:46# And it washed our bodies so cleanly
1:25:46 > 1:25:51# We could see them rise up off of the cold, cold ground
1:25:51 > 1:25:55# I seen the sun comin' up easy
1:25:55 > 1:25:58# While the rain came tumbling down
1:25:58 > 1:26:04# Oh, and it washed our bodies so clean that we could
1:26:04 > 1:26:09# Feel them rise up off of the cold, cold ground
1:26:09 > 1:26:13# Yeah, yeah
1:26:13 > 1:26:19# It was in love I was created and in love is how I hope I die
1:26:19 > 1:26:21# Oh, I
1:26:21 > 1:26:26# Yeah, it was in love I was created and in love is how I hope I die... #
1:26:26 > 1:26:29CAR HORN BEEPS # Oh, I, yeah!
1:26:29 > 1:26:35# It was in love I was created and in love is how I hope I die
1:26:35 > 1:26:37# Oh, I, yeah
1:26:37 > 1:26:42# It was in love I was created and in love is how I hope I die
1:26:42 > 1:26:44# Oh, I, yeah!
1:26:44 > 1:26:51# It was in love I was created and in love is how I hope I die
1:26:51 > 1:26:52# Oh, I, yeah
1:26:52 > 1:26:58# It was in love I was created and in love is how I hope I die
1:26:58 > 1:27:00# Oh, I, yeah
1:27:00 > 1:27:04# But that sun is comin' up easy
1:27:04 > 1:27:08# Yeah, we watched the sun comin' up easy
1:27:08 > 1:27:12# Yeah, we watched the sun comin' up easy
1:27:12 > 1:27:15# Oh, we watched the sun comin' up easy
1:27:15 > 1:27:22# Oh, it was in love I was created and in love is how I hope I die
1:27:22 > 1:27:24# Oh, I, whoo!
1:27:24 > 1:27:31# It was in love I was created and in love is how I hope I die. #
1:28:00 > 1:28:07# My friends become my foes and my foes become my friends
1:28:07 > 1:28:11# I tend to fall in love with the girls my boyfriend ends
1:28:11 > 1:28:17# I don't work 9:00 to 5:00 but I'll always work the weekends
1:28:17 > 1:28:24# And each time I'll get the world in my fingers something happens
1:28:24 > 1:28:30# I'm working backwards, forwards and left to right
1:28:30 > 1:28:36# And I'm pretty darn hard-headed but I can't make up my mind
1:28:36 > 1:28:38# I'll take a tragedy over a fairy tale
1:28:38 > 1:28:41# But only when the sun is shining
1:28:41 > 1:28:44# I'll be the voice of hope in your darkest hour
1:28:44 > 1:28:46# I'm an expert in the silver lining... #