0:00:02 > 0:00:10This film contains strong language and some scenes of a sexual nature
0:02:33 > 0:02:35So...
0:02:35 > 0:02:38We think vortex generators should do the job.
0:02:38 > 0:02:42But... Well, the quickest and the cheapest option would be, yes,
0:02:42 > 0:02:48to add some modified vortex generators or even sub boundary layer VGs but...
0:02:48 > 0:02:51- But?- Optimisation would still be severely limited.
0:02:51 > 0:02:54Particularly for long endurance or low-speed operations.
0:02:54 > 0:02:56So, what would you recommend?
0:02:57 > 0:02:59Boundary layer suction.
0:03:00 > 0:03:03Well, this is an existing UAV. The wing space is already utilised.
0:03:03 > 0:03:05Yes, I know.
0:03:05 > 0:03:08But if I can move the transitioned deturbulence further along the wing,
0:03:08 > 0:03:11I can reduce the drag and more than offset the AUM.
0:03:14 > 0:03:16Alternatively, you could rethink the increase and payload.
0:03:16 > 0:03:19Does that drone need both bombs as well as missiles?
0:03:19 > 0:03:22The Americans have both on the Reaper.
0:03:22 > 0:03:24So, if the drone is to have both bomb...
0:03:24 > 0:03:26Drone is a media term.
0:03:26 > 0:03:30We prepare to use remotely piloted air systems.
0:03:31 > 0:03:33If you want more than a second-rate alteration,
0:03:33 > 0:03:35if you actually want to solve the problem,
0:03:35 > 0:03:37this is the way you will have to go.
0:03:37 > 0:03:38Boundary layer suction.
0:03:38 > 0:03:41We need the redesign spec by the end of the year.
0:03:41 > 0:03:43- You have eight weeks. - Eight weeks?!
0:03:43 > 0:03:45Not a problem, gentlemen.
0:03:45 > 0:03:48I'm part of the team, too, you know, remember?
0:03:48 > 0:03:50Sorry. It's when they look at me like that.
0:03:50 > 0:03:53- It gives my adrenaline a kick. - Yeah? Well, good for you.
0:03:53 > 0:03:57- We made the last deadline, we'll make this one. - But eight weeks?
0:03:57 > 0:04:00Did we have a choice?
0:04:00 > 0:04:01I'd say there's room to wiggle.
0:04:01 > 0:04:04I don't wiggle. Especially not for them.
0:04:10 > 0:04:14- Any more questions?- If you're going to work in aerospace,
0:04:14 > 0:04:16it seems you can't escape from the military.
0:04:16 > 0:04:20I was wondering if that bothers you, ethically speaking.
0:04:20 > 0:04:22No, not at all. None of us are outside the military industrial complex.
0:04:22 > 0:04:25That is, you know, unless you don't use the internet.
0:04:25 > 0:04:28The internet is as much part of the military RND as it is a promoter of
0:04:28 > 0:04:29knowledge.
0:04:31 > 0:04:33It also promotes porn.
0:04:33 > 0:04:36What do you think about porn, Dr Lethbridge?
0:04:36 > 0:04:41Well, I don't know if all this talk of suction and drag has overstimulated
0:04:41 > 0:04:44your adolescent brain...
0:04:44 > 0:04:46But yeah, go back to your question of ethics.
0:04:46 > 0:04:51Yes, any aircraft can be adapted for military purposes, but I don't know,
0:04:51 > 0:04:54I'm not a philosopher. I'm more interested in the beauty of flight
0:04:54 > 0:04:56rather than our ability to fight.
0:05:26 > 0:05:29Hi, Robert, I'm going to be here until about two,
0:05:29 > 0:05:32so wait with the aerofoil test until I'm back. Thank you.
0:05:35 > 0:05:36Do you need some help?
0:05:38 > 0:05:41Oh, no, thanks. I've been a twit.
0:05:41 > 0:05:44Lost my keys.
0:05:44 > 0:05:46Do you want me to break into the car?
0:05:51 > 0:05:54- Are you serious?- No!
0:05:57 > 0:06:00My dad's got a spare set. He'll be here in a minute.
0:06:01 > 0:06:03By the way, it was a good lecture.
0:06:05 > 0:06:06Inspiring.
0:06:07 > 0:06:10- Thank you.- Really.
0:06:11 > 0:06:13But that edition's out of date.
0:06:15 > 0:06:16Oh.
0:06:19 > 0:06:21Bye.
0:06:38 > 0:06:40Hello?
0:06:41 > 0:06:42Alex, I've got the new data.
0:06:43 > 0:06:45- And you want me to put it in now? - Please.
0:06:46 > 0:06:48- Great.- Thank you. Thank you.
0:06:56 > 0:07:01Frankie, you want to grab a drink? Frankie!
0:07:01 > 0:07:04- Mmm?- Fancy a drink on the way home?
0:07:04 > 0:07:05Oh, erm...
0:07:06 > 0:07:09No, thanks. I can't.
0:07:09 > 0:07:10Why?
0:07:10 > 0:07:13You meeting whatshisname?
0:07:14 > 0:07:17No. Whatshisname and I finished a couple of weeks ago.
0:07:19 > 0:07:22He cried and said thank you after sex.
0:07:22 > 0:07:24I'll make a note.
0:07:52 > 0:07:54HEIGHTENED VOLUME OF FEET ON TREADMILL
0:07:56 > 0:08:00MACHINE BEEPS
0:08:01 > 0:08:02Hello.
0:08:04 > 0:08:05What a coincidence!
0:08:05 > 0:08:08- Yeah. It's nice to meet you again. - Yeah.
0:08:10 > 0:08:12As long as you're not stalking me.
0:08:14 > 0:08:16Excuse me. Excuse me.
0:08:16 > 0:08:19- You forgot your money. - Oh, my God.
0:08:19 > 0:08:24Thank you. Well, you must think I've got my head in the clouds.
0:08:24 > 0:08:26Aeronaut. It's your job.
0:08:29 > 0:08:30Did you get that new book?
0:08:30 > 0:08:34- The new edition.- No, no, no. It's a little expensive.
0:08:34 > 0:08:35Oh, well, I could lend you a copy.
0:08:37 > 0:08:40Give you a lift? I'm just round the corner.
0:08:41 > 0:08:46- No, thanks. That's too much trouble. - OK. OK.
0:08:57 > 0:09:00OK. I accept.
0:09:13 > 0:09:16- Oh, erm, I'll just be a minute. - OK.
0:09:52 > 0:09:54Thanks.
0:09:54 > 0:09:56- This is very kind of you.- Oh, God, it's nothing.
0:09:56 > 0:09:58I get sent them for free.
0:10:00 > 0:10:01I will buy you dinner.
0:10:03 > 0:10:04To thank you.
0:10:39 > 0:10:41You OK?
0:10:56 > 0:10:59The duck says, "Have you got any bread?"
0:10:59 > 0:11:04The man says, "Look, if you ask me again, I will nail your beak to the bar, understood?"
0:11:04 > 0:11:08Duck says, "Have you got any nails?" The man shouts, "No!"
0:11:08 > 0:11:13And the duck says, "Have you got any bread?"
0:11:40 > 0:11:44Do you want a drink? Glass of wine?
0:11:44 > 0:11:46No, thanks. I don't drink.
0:11:47 > 0:11:50You're not a recovering alcoholic, are you?
0:11:50 > 0:11:53- Yeah.- Shit.
0:11:55 > 0:11:57- I'm Muslim.- I'm sorry! - What?!
0:11:59 > 0:12:02- I mean about the drink. - It's OK, you didn't know.
0:12:08 > 0:12:10Also, I'm a poor engineering student.
0:12:12 > 0:12:16That you do know. Not very exotic.
0:12:16 > 0:12:17Well...
0:12:17 > 0:12:20I don't see you as exotic.
0:12:20 > 0:12:21You don't?
0:12:23 > 0:12:25Not in the slightest.
0:12:27 > 0:12:28I can belly dance.
0:12:29 > 0:12:32- Would you like to see?- No!
0:12:34 > 0:12:36Where do you live?
0:12:36 > 0:12:39East End.
0:12:40 > 0:12:43Under the motorway.
0:12:46 > 0:12:49We've got Bristol City flags instead of curtains.
0:12:53 > 0:12:55And where are you from?
0:12:57 > 0:12:58What?
0:13:00 > 0:13:01Where are you from?
0:13:03 > 0:13:05Lived in Bristol all my life.
0:13:09 > 0:13:11Say something to me in Arabic.
0:13:14 > 0:13:16Say something to me in Bristol-English first.
0:13:24 > 0:13:25Take...
0:13:27 > 0:13:29your shirt off.
0:13:45 > 0:13:53HE SPEAKS ARABIC
0:13:55 > 0:13:57Which means?
0:14:04 > 0:14:09Is there anything you just said that would stop me from kissing you?
0:14:14 > 0:14:16I'll be back in a minute.
0:15:04 > 0:15:06Hello, yes. What can I do for you?
0:15:06 > 0:15:09Excuse me, can you tell me what this says?
0:15:09 > 0:15:13Let me have a look. It sounds a bit romantic and complicated.
0:15:13 > 0:15:16HE SPEAKS ARABIC
0:15:19 > 0:15:22- Do you know what it means? - It's classic Arabic poetry.
0:15:22 > 0:15:24The hair is ripping.
0:15:24 > 0:15:27No, no, his wings are broken.
0:15:27 > 0:15:29- See here.- Oh, he lost everything.
0:15:29 > 0:15:32Where do you see "wings"?
0:15:32 > 0:15:37A sandstorm destroyed his tent and his wings.
0:15:37 > 0:15:39That doesn't make sense.
0:15:39 > 0:15:42The sandstorm is in the shape of a woman.
0:15:42 > 0:15:44It refers to this woman.
0:15:44 > 0:15:46She destroyed the wicked man's bed.
0:15:46 > 0:15:49- Let's see. Let's try it.- Go ahead.
0:15:49 > 0:15:54I cry remembering my home and my lover.
0:15:54 > 0:15:57- Yeah.- Like a storm she broke my wings.
0:15:57 > 0:15:59Yeah. Makes sense.
0:15:59 > 0:16:01- Yeah.- Yeah.- That's good.
0:16:01 > 0:16:03That's good translation. What it's mean,
0:16:03 > 0:16:06"Damn, baby, you're too much for me."
0:16:06 > 0:16:09THEY ALL LAUGH
0:16:54 > 0:16:56HE SPEAKS IN ARABIC
0:17:00 > 0:17:02- Can I help you?- Hi. Is Kahil in?
0:17:08 > 0:17:10- Are you the police?- No.
0:17:10 > 0:17:12Second door on the left.
0:17:14 > 0:17:16It's open.
0:17:18 > 0:17:21HE SPEAKS ARABIC
0:17:32 > 0:17:33Kahil?
0:17:35 > 0:17:37It's Frankie.
0:19:36 > 0:19:38What happened?
0:19:47 > 0:19:50Sorry, I didn't mean to pry.
0:19:50 > 0:19:52It's fine.
0:20:02 > 0:20:04How old are you, Kahil?
0:20:06 > 0:20:0724.
0:20:10 > 0:20:12You're not going to tell the other students
0:20:12 > 0:20:16- you had a visiting lecturer, are you?- I wouldn't do that.
0:20:20 > 0:20:22Unless you refuse to see me again.
0:20:26 > 0:20:28Are you serious?
0:20:28 > 0:20:29Yeah.
0:20:32 > 0:20:35Well, that sounds like blackmail to me.
0:20:35 > 0:20:37Yeah. It is.
0:20:38 > 0:20:40I'll walk you home.
0:20:45 > 0:20:47Hey, Kahil...
0:20:47 > 0:20:50THEY SPEAK ARABIC
0:20:53 > 0:20:56Oh, hi.
0:20:56 > 0:20:57Hi.
0:20:59 > 0:21:01Come watch the game.
0:21:01 > 0:21:04- It's half-time. 3-2.- Erm... No, I've got a lot of work to do.
0:21:04 > 0:21:06I should probably get back.
0:21:06 > 0:21:08Work? Come on, it's weekend.
0:21:08 > 0:21:10Kahil will play, you can cheer him on.
0:21:10 > 0:21:13He doesn't play very well, he needs encouragement.
0:21:13 > 0:21:15You want to come?
0:21:15 > 0:21:20- Yeah. Do you want me to come?- I want you to come if you want to come.
0:21:20 > 0:21:23LIVELY CHATTER
0:21:44 > 0:21:46Stop showing off!
0:21:49 > 0:21:51So, you're a professor, right?
0:21:51 > 0:21:55No, I just give lectures now and then at the university.
0:21:55 > 0:21:57Aeronautics?
0:22:01 > 0:22:03- And you?- Me?
0:22:03 > 0:22:05Well, this, that and the other.
0:22:07 > 0:22:09Keeping it vague.
0:22:09 > 0:22:10Mysterious.
0:22:10 > 0:22:12I prefer mysterious.
0:22:14 > 0:22:16Hey! Hey!
0:22:16 > 0:22:18HE WHISTLES
0:22:29 > 0:22:31CHEERING
0:22:53 > 0:22:56INDISTINCT
0:23:24 > 0:23:27PHONE RINGS
0:23:27 > 0:23:29Shit!
0:23:30 > 0:23:33Dad, I am so sorry, I completely forgot.
0:23:33 > 0:23:37'Please tell me you're not up there still waiting, are you?'
0:23:37 > 0:23:39No, no, don't worry about it.
0:23:39 > 0:23:42We can do it another day.
0:23:42 > 0:23:44'You sound tired.'
0:23:44 > 0:23:46Yeah, I've been working all day. I just got caught up in it.
0:23:46 > 0:23:48You know how it is.
0:23:48 > 0:23:50'Are you at home now?'
0:23:50 > 0:23:52Yes, yes.
0:23:52 > 0:23:54Just watching the telly.
0:23:54 > 0:23:55'Good.'
0:23:55 > 0:23:58'OK, I love you, Dad. I'm going to get in the shower now.
0:23:58 > 0:24:00'Bye.'
0:24:00 > 0:24:02DIALLING TONE
0:24:12 > 0:24:16OK. Well, let's go back to structural waste savings.
0:24:16 > 0:24:19We could switch to high modulus brake tape.
0:24:19 > 0:24:23We could alter steel hard points to co-forge titanium.
0:24:23 > 0:24:26And we could consider...
0:24:26 > 0:24:28Frankie. Frankie, what's wrong?
0:24:30 > 0:24:32I've met someone.
0:24:36 > 0:24:37Oh.
0:24:37 > 0:24:39Well, that's, erm...
0:24:39 > 0:24:41That's great. Isn't it?
0:24:42 > 0:24:44I think so.
0:24:44 > 0:24:46What does he do?
0:24:46 > 0:24:49Erm, he's an engineer...ing student.
0:24:51 > 0:24:52Wh-What?
0:24:53 > 0:24:55Um...
0:24:56 > 0:25:00Well, if he has any thoughts on how to improve this project, then...
0:25:00 > 0:25:01SHE LAUGHS
0:25:11 > 0:25:13Is this OK?
0:25:13 > 0:25:15- Yeah.- Really?- Mm-hm.
0:25:16 > 0:25:17Great.
0:25:19 > 0:25:22- I've never had one of those before. - Shisha?- Mm-hm.
0:25:22 > 0:25:24You want to try it?
0:25:24 > 0:25:27- Yeah.- OK.
0:25:30 > 0:25:31Hello?
0:25:31 > 0:25:35Please could you bring us a shisha pipe?
0:25:35 > 0:25:36Of course.
0:25:36 > 0:25:39THEY SPEAK ARABIC
0:25:41 > 0:25:42Thank you.
0:25:52 > 0:25:54You should try this one.
0:25:54 > 0:25:57- This is really good. - Oh, it's like a tomato soup?
0:25:57 > 0:25:58Yeah. Try it.
0:25:58 > 0:26:00You both will be using it?
0:26:00 > 0:26:02- Yeah.- Mm-hm.
0:26:02 > 0:26:05THEY SPEAK ARABIC
0:26:08 > 0:26:11SHISHA BUBBLES
0:26:14 > 0:26:17SHE SPEAKS ARABIC
0:26:22 > 0:26:24- Enjoy.- Thank you.
0:26:26 > 0:26:27Taste it.
0:26:29 > 0:26:34SHE INHALES AND EXHALES
0:26:34 > 0:26:37THUNDER RUMBLES
0:26:44 > 0:26:47What were you talking about with the waitress tonight?
0:26:47 > 0:26:49Well...I don't remember.
0:26:57 > 0:27:00I didn't know she was working there.
0:27:02 > 0:27:03Who's "she"?
0:27:05 > 0:27:08Well, she used to be my girlfriend.
0:27:08 > 0:27:09In Algeria.
0:27:24 > 0:27:25Are you jealous?
0:27:28 > 0:27:29Fuck you.
0:27:43 > 0:27:45Yes. You are jealous.
0:27:45 > 0:27:47I'm never fucking jealous.
0:27:47 > 0:27:49Really?
0:27:52 > 0:27:54Why do I want you so much?
0:27:54 > 0:27:56Because I want you only.
0:27:56 > 0:27:58Say it again.
0:28:40 > 0:28:42PHONE VIBRATES
0:28:42 > 0:28:45Could you pass me the phone?
0:28:48 > 0:28:51Thank you.
0:28:52 > 0:28:55HE SPEAKS ARABIC
0:29:17 > 0:29:19Bye.
0:29:22 > 0:29:23Sorry.
0:29:25 > 0:29:28It was my Egyptian nagging wife.
0:29:28 > 0:29:30SHE LAUGHS
0:29:35 > 0:29:38- It was Mummy.- Isn't that Algerian?
0:29:38 > 0:29:40No, Egyptian.
0:29:41 > 0:29:43Are your family still in Algeria?
0:29:43 > 0:29:47Some in Algeria, some in France.
0:29:47 > 0:29:49I have a big family.
0:29:52 > 0:29:54- Do you go home a lot?- No.
0:29:56 > 0:29:58You must miss it.
0:29:59 > 0:30:01No.
0:30:07 > 0:30:08It's just me and my dad.
0:30:13 > 0:30:15He worked on Concorde.
0:30:18 > 0:30:21Long way before I can match that.
0:30:25 > 0:30:27And your mother?
0:30:27 > 0:30:29She died when I was young.
0:30:29 > 0:30:30Car accident.
0:30:34 > 0:30:37I can still remember her laugh.
0:31:00 > 0:31:02Hey.
0:31:02 > 0:31:05- Oh, you're not supposed to see this. - Come to bed.- No, I'm serious.
0:31:06 > 0:31:08You're working on drones.
0:31:08 > 0:31:10What type of payload is it?
0:31:10 > 0:31:13- It's private.- Really?
0:31:13 > 0:31:18Really. And my work takes precedence over everything and everybody.
0:31:18 > 0:31:20Except for my body.
0:31:23 > 0:31:25- One more thing.- Mm-hm.
0:31:25 > 0:31:27Then I join you.
0:31:27 > 0:31:29OK.
0:31:29 > 0:31:31- Good night.- Good night.
0:32:03 > 0:32:04Nice!
0:32:07 > 0:32:09Yeah, you modified the wings.
0:32:09 > 0:32:12Just tinkering. I wasn't happy with its manoeuvrability.
0:32:12 > 0:32:14Ah, I know how you feel.
0:32:16 > 0:32:19Don't give in to those vortex generators.
0:32:19 > 0:32:20That Robert's a fool.
0:32:20 > 0:32:22I won't. And he's not.
0:32:23 > 0:32:26- It's still hard going. - It's meant to be hard going.
0:32:26 > 0:32:28You're at the top of your game.
0:32:28 > 0:32:30- Well, nearly there. - How's the new boyfriend?
0:32:30 > 0:32:34- What?!- You have got a bit of colour in your cheeks. Sex must be good.
0:32:34 > 0:32:36- Dad!- What's his name?
0:32:36 > 0:32:38- Kahil.- Kahil what?
0:32:40 > 0:32:43- What kind of name is that? - Erm, French-Algerian.
0:32:43 > 0:32:45Engineering student.
0:32:45 > 0:32:48- Bit young for you.- How do you know he's a bit young for me?
0:32:48 > 0:32:50Just assumed.
0:32:54 > 0:32:58Do you think it wise to have an Arab boyfriend?
0:32:58 > 0:33:01- I mean, given the nature of your work.- Dad! Come on.
0:33:01 > 0:33:04- Just cos he's... - No, hear me out, Frankie.
0:33:04 > 0:33:06I'm just thinking of your career.
0:33:06 > 0:33:08Am I only allowed to date white middle-aged men?
0:33:08 > 0:33:11- What's wrong with white middle-aged men?- Oh, right, thank you.
0:33:11 > 0:33:13This is a ridiculous conversation.
0:33:13 > 0:33:15Frankie, you don't even know his surname.
0:33:15 > 0:33:17- Ah...- I'm only looking out for you.
0:33:17 > 0:33:21Wouldn't it be awful if this just crashed into the ground?
0:33:21 > 0:33:23Hey! Hey, take care. Be careful.
0:33:23 > 0:33:25SHE IMITATES AN EXPLOSION
0:33:28 > 0:33:31DOORBELL RINGS
0:33:37 > 0:33:39Hey. It's me.
0:33:39 > 0:33:41Can I come up?
0:33:44 > 0:33:46No.
0:33:46 > 0:33:47- What?- No.
0:33:47 > 0:33:50I don't know who you are.
0:33:50 > 0:33:51What do you mean?
0:33:51 > 0:33:53Tell me your name.
0:33:56 > 0:33:58- Frankie...- Mr Kahil,
0:33:58 > 0:34:00tell me your last name.
0:34:08 > 0:34:11Hey, your neighbour just gave me a funny look.
0:34:11 > 0:34:14- Let me in.- Tell me your last name.
0:34:16 > 0:34:18Or else.
0:34:23 > 0:34:25Do you refuse?
0:34:25 > 0:34:27Othmani.
0:34:27 > 0:34:29- Othmani?- Yeah.- Can I help you?
0:34:29 > 0:34:31Shit.
0:34:32 > 0:34:34ENTRY SYSTEM BUZZES
0:34:39 > 0:34:41Kahil Othmani.
0:35:00 > 0:35:02You're angry with me.
0:35:04 > 0:35:06You're not going to show your anger.
0:35:09 > 0:35:12Am I that intimidating, Mr Othmani?
0:35:15 > 0:35:17Come on.
0:35:17 > 0:35:18Mr Othmani.
0:35:20 > 0:35:22Is that your anger?
0:35:23 > 0:35:25SHE GASPS
0:36:13 > 0:36:16INAUDIBLE
0:36:29 > 0:36:31Fuck.
0:36:31 > 0:36:33- Fuck!- Well, that's unanimous, then.
0:36:36 > 0:36:39Let's call it a day. It's almost five.
0:36:39 > 0:36:41We've got that meeting at 5.30, remember?
0:36:41 > 0:36:43The team has a meeting.
0:36:43 > 0:36:46Reschedule. I have to go.
0:36:48 > 0:36:50You're the boss.
0:36:55 > 0:36:57Had enough for one day, Dr Lethbridge?
0:36:57 > 0:36:59First time for everything, Terry.
0:36:59 > 0:37:01- Making your escape, eh? - See you tomorrow.
0:37:01 > 0:37:02See ya!
0:37:43 > 0:37:45'Welcome to the messaging service.
0:37:45 > 0:37:48'Please leave your message after the tone.'
0:37:48 > 0:37:49BEEP
0:37:49 > 0:37:52Hi, I came over to your place to surprise you.
0:37:52 > 0:37:56You're not here. I thought you said you worked at home on Tuesdays.
0:37:56 > 0:37:57Erm...
0:37:58 > 0:38:00No matter. Call me.
0:38:46 > 0:38:49PHONE KEYPAD BEEPS
0:38:52 > 0:38:54LINE RINGING
0:38:57 > 0:39:00- 'Hey, Frankie.'- Hi.
0:39:00 > 0:39:05- What are you up to? - 'Oh, nothing. Studying.
0:39:05 > 0:39:08'Computational fluid dynamics. Things like that...
0:39:08 > 0:39:10'Oh, Frankie, I'm sorry.
0:39:10 > 0:39:13'Someone at the door. See you later, OK?'
0:39:27 > 0:39:31Erm... Listen, I was wondering, could you do me a huge favour?
0:39:33 > 0:39:36There's a student in the engineering department who I lent a book to.
0:39:37 > 0:39:39Yeah, generosity herself.
0:39:39 > 0:39:42Anyway, I've just realised I've got some notes in it
0:39:42 > 0:39:44and I can't get in touch.
0:39:44 > 0:39:46Kahil Othmani.
0:39:46 > 0:39:49I don't even know what year he's in.
0:39:54 > 0:39:56Nothing?
0:40:32 > 0:40:34- Hi.- You've got a fucking nerve.
0:40:34 > 0:40:36What do you mean?
0:40:37 > 0:40:40You're not an engineering student, you're a taxi driver.
0:40:41 > 0:40:44I saw you lying to me, Kahil.
0:40:44 > 0:40:46I saw you in the taxi yesterday.
0:40:48 > 0:40:51- Can we do this somewhere else?- No.
0:40:57 > 0:40:59I was a student.
0:41:02 > 0:41:04My uncle in Paris was paying my fees.
0:41:04 > 0:41:07He died so I had to give up the course.
0:41:07 > 0:41:12But I try to keep up with my studies so one day I can finish the degree.
0:41:15 > 0:41:18It's not easy. I couldn't get my visa renewed so I'm here illegally,
0:41:18 > 0:41:22- and Malik lets me drive his taxi. - Sorry, you're illegal?- Yeah.- Oh.
0:41:24 > 0:41:27- It happens to many people. It's not a big deal.- It's not a big deal?
0:41:27 > 0:41:31- Shit. I don't believe this. - Do you want me to go?
0:41:32 > 0:41:34Yes.
0:41:36 > 0:41:39Just don't ever lie again to me, Kahil.
0:41:41 > 0:41:42Promise me.
0:41:45 > 0:41:47HE SPEAKS ARABIC
0:41:53 > 0:41:56Did you just tell me to piss off?
0:41:59 > 0:42:00No.
0:42:02 > 0:42:04I said, "I promise...
0:42:06 > 0:42:08"..my love."
0:42:21 > 0:42:24HE REPEATS THE PHRASE IN ARABIC
0:42:52 > 0:42:54Kahil?
0:42:54 > 0:42:55Mmm?
0:42:57 > 0:43:02- Kahil?- What? - I want you to stop driving the taxi.
0:43:02 > 0:43:03Huh?
0:43:04 > 0:43:06I want you to stop driving the taxi.
0:43:06 > 0:43:08I can't, I need the money.
0:43:08 > 0:43:11Yeah, but if you get pulled over, you're going to be arrested.
0:43:11 > 0:43:13It's so dangerous.
0:43:13 > 0:43:15I'm used to it.
0:43:22 > 0:43:24You could work for me.
0:43:27 > 0:43:29Work for you?
0:43:35 > 0:43:37You mean to research for you?
0:43:38 > 0:43:41No, I meant repainting my flat.
0:43:43 > 0:43:46No, I'm serious. I've been meaning to redo it for months.
0:43:46 > 0:43:49It would be a huge favour for me. I've got paints. I've got brushes.
0:43:49 > 0:43:51What?
0:43:54 > 0:43:56Is this is how you see me,
0:43:56 > 0:43:58as some kind of servant?
0:43:58 > 0:44:00Oh, Jesus, no. Kahil...
0:44:02 > 0:44:05I just want to help. It will be temporary.
0:44:05 > 0:44:07Before we sort something out.
0:44:54 > 0:44:56Morning, Dr Lethbridge.
0:44:56 > 0:44:58Would you be so kind as to park on the other side?
0:44:58 > 0:45:01- Right now?- Yes, right now, please.
0:45:01 > 0:45:04- Thank you.- Sorry, could I know what this is about?
0:45:04 > 0:45:08Drive on through, Doctor, and I'll meet you on the other side.
0:45:39 > 0:45:41Dr Lethbridge, sorry about the wait.
0:45:41 > 0:45:43Nina Simons.
0:45:50 > 0:45:52Sorry, what's this about?
0:45:52 > 0:45:55How long have you known Kahil Othmani?
0:45:58 > 0:46:01- Why, what's going on? - Just answer the question, please.
0:46:01 > 0:46:04How long have you known Mr Othmani?
0:46:04 > 0:46:05Erm, three weeks.
0:46:08 > 0:46:09He's a friend.
0:46:09 > 0:46:15Right. He's 24 years old, Algerian, a part-time taxi driver.
0:46:18 > 0:46:20Yes.
0:46:20 > 0:46:23Are you aware that he's an illegal immigrant?
0:46:23 > 0:46:25No.
0:46:29 > 0:46:32We're concerned that you're putting yourself in an awkward position.
0:46:38 > 0:46:41Are you...are you asking me to stop seeing him?
0:46:41 > 0:46:45His immigration status is really neither here nor there to us.
0:46:45 > 0:46:48That's more an issue for our colleagues in the Border Agency.
0:46:48 > 0:46:52We're here just to make sure that no-one takes advantage.
0:46:52 > 0:46:53I see.
0:46:56 > 0:47:01Anything that seems out of the ordinary - a question, a phone call,
0:47:01 > 0:47:04an acquaintance - please don't hesitate to call me.
0:47:10 > 0:47:11Night, Frankie.
0:47:26 > 0:47:28Frankie, are you OK?
0:47:28 > 0:47:30Tired.
0:47:31 > 0:47:32Are you staying on?
0:47:34 > 0:47:37- Yeah, for a bit. - Are you sure you're all right?
0:47:37 > 0:47:39Christ, you're not my father!
0:47:55 > 0:47:57- See you tomorrow.- Night, boss.
0:48:01 > 0:48:04CONVERSATION IN ARABIC
0:48:23 > 0:48:25Oh, my God.
0:48:27 > 0:48:30Erm, it looks worse than it is.
0:48:30 > 0:48:32THEY SPEAK ARABIC
0:48:38 > 0:48:40Frankie.
0:48:43 > 0:48:46DOOR OPENS AND CLOSES
0:48:49 > 0:48:50Hey, baby.
0:48:51 > 0:48:54Now I look like a criminal, yeah?
0:48:54 > 0:48:56- You like it?- What happened?
0:48:56 > 0:48:59Well, I was happily painting your flat...
0:49:00 > 0:49:04..thinking to myself how the rich sit with such junk...
0:49:04 > 0:49:05Kahil, what happened?
0:49:07 > 0:49:11Malik got into an argument with a couple of guys who live with us.
0:49:11 > 0:49:14They wanted to kick Malik out of the house.
0:49:14 > 0:49:16I went over and I got into a fight.
0:49:16 > 0:49:19- That's it.- Well, I didn't see Malik with a black eye.
0:49:22 > 0:49:24- Malik is like a brother to me. - Really?
0:49:26 > 0:49:28Now he knows where I live.
0:49:32 > 0:49:34What do you mean?
0:49:35 > 0:49:37Well, yeah, I just don't...
0:49:37 > 0:49:40I just don't want strangers in my flat.
0:49:44 > 0:49:46Malik is not a stranger.
0:49:46 > 0:49:50Yeah, well, you know, I don't know where he is or what he's up to.
0:49:51 > 0:49:54What do you mean? You have what you want.
0:49:54 > 0:49:58Yeah, I hardly know you, and now my flat is full...
0:49:58 > 0:50:00What are you saying?!
0:50:03 > 0:50:06Don't you find it all a bit strange?
0:50:09 > 0:50:10What?
0:50:11 > 0:50:13Us.
0:50:15 > 0:50:17The two of us getting together.
0:50:23 > 0:50:25You know, some people...
0:50:28 > 0:50:30..might find it a bit,
0:50:30 > 0:50:32you know, weird.
0:50:36 > 0:50:39You know, perhaps you...do.
0:50:39 > 0:50:41You know, after we've...
0:50:50 > 0:50:53After we make love, I don't feel weird.
0:50:57 > 0:50:59I feel...
0:51:00 > 0:51:01..quiet...
0:51:07 > 0:51:10..on every place in my body.
0:51:14 > 0:51:16And for a while...
0:51:18 > 0:51:20..OK, a little while...
0:51:22 > 0:51:24..all the worries of my life are gone.
0:51:59 > 0:52:01INDISTINCT VOICE ECHOES
0:52:25 > 0:52:28HUSHED SPEECH IN ARABIC
0:53:45 > 0:53:48SPEECH IS MUFFLED
0:53:57 > 0:53:59Look, Frankie...
0:54:00 > 0:54:03I don't know what's been happening with you lately...
0:54:03 > 0:54:06- It is none of your business.- ..but if we don't make this deadline,
0:54:06 > 0:54:09and the way things are going, we haven't got a fucking prayer,
0:54:09 > 0:54:12then we can kiss goodbye to this company's chances of ever getting
0:54:12 > 0:54:15- another defence contract.- Are you telling me how to do my job?
0:54:15 > 0:54:18I'm telling you that it's not just your career on the line.
0:54:52 > 0:54:53His name is Nahim.
0:54:55 > 0:54:57This one's Malik.
0:54:59 > 0:55:01Malik's a friend of Kahil's.
0:55:01 > 0:55:04Nahim, I've seen from a distance.
0:55:04 > 0:55:07- Where?- Erm, in Easton in a football match.
0:55:09 > 0:55:11Have they ever been to your flat?
0:55:11 > 0:55:13No, I don't know them. I'm sorry, what is this about?
0:55:16 > 0:55:20They have become persons of interest to us, along with your boyfriend.
0:55:20 > 0:55:22A person of interest?
0:55:24 > 0:55:26Has it never even crossed your mind?
0:55:26 > 0:55:31A woman of your age in a sensitive industry?
0:55:38 > 0:55:40MUSIC PLAYS
0:57:41 > 0:57:43Hi.
0:57:44 > 0:57:45Hi.
0:57:54 > 0:57:55Are you OK?
0:57:59 > 0:58:01We need to talk.
0:58:03 > 0:58:04About what?
0:58:06 > 0:58:10I'm behind on my work. I've got a deadline I'm not going to make.
0:58:17 > 0:58:19You didn't tell me.
0:58:19 > 0:58:21Why should I tell you?
0:58:22 > 0:58:24Why should I tell you anything?
0:58:26 > 0:58:28Hey.
0:58:30 > 0:58:33The fact is, I can't work with you here.
0:58:34 > 0:58:36I need to work without distraction.
0:58:38 > 0:58:40Are you breaking up with me?
0:58:40 > 0:58:42My work keeps me going.
0:58:43 > 0:58:46It has to come first.
0:59:21 > 0:59:23Your work...
0:59:24 > 0:59:26What about it?
0:59:30 > 0:59:33Do you know what your drones do?
0:59:35 > 0:59:37Who they kill?
0:59:38 > 0:59:41The UAVs are targeted at the enemy.
0:59:41 > 0:59:43And the neighbours,
0:59:43 > 0:59:45the wedding parties...
0:59:46 > 0:59:49..the village elders.
0:59:49 > 0:59:53Do you even know the ratio of civilians to enemy death?
0:59:58 > 1:00:01It's 15 to 1.
1:00:04 > 1:00:0815 civilians to 1 intended target.
1:00:10 > 1:00:13This is not about your work.
1:00:14 > 1:00:17This is about people like me,
1:00:17 > 1:00:18who are there...
1:00:19 > 1:00:22..down on the ground
1:00:22 > 1:00:24below your drones.
1:00:24 > 1:00:27This is your fucking sensitive work.
1:00:38 > 1:00:40Then get out! Get the fuck out!
1:00:46 > 1:00:49Get the fuck out!
1:01:00 > 1:01:02- For the painting.- Fuck you.
1:02:07 > 1:02:10INAUDIBLE
1:02:50 > 1:02:54It's amazing what you've achieved, you know,
1:02:54 > 1:02:58with those toerags at the MoD.
1:02:58 > 1:03:01I always knew you'd crack it.
1:03:02 > 1:03:04Where's that white vase?
1:03:04 > 1:03:06Just use the other one.
1:03:15 > 1:03:18How are things with Kahil?
1:03:20 > 1:03:21We've broken up.
1:03:23 > 1:03:25Who broke up with who?
1:03:26 > 1:03:27I broke up with him.
1:03:29 > 1:03:31I am sorry.
1:03:57 > 1:04:00She'd have been so proud of you.
1:04:02 > 1:04:04I can't remember enough of her.
1:04:09 > 1:04:12- What did you love most about her, Dad?- Huh?
1:04:13 > 1:04:15What did you love most about her?
1:04:15 > 1:04:18Do you remember that song?
1:04:19 > 1:04:25# I love the way you always treat me tenderly
1:04:25 > 1:04:31# But, darling, most of all I love how you love me. #
1:04:32 > 1:04:34Her love was total.
1:04:34 > 1:04:36Full-on.
1:04:38 > 1:04:40And you loved her back like that.
1:04:42 > 1:04:44I don't know.
1:04:58 > 1:05:01CAR ALARM BLARES
1:05:09 > 1:05:12KNOCK ON DOOR
1:05:17 > 1:05:19Is he in?
1:05:20 > 1:05:23What if he is?
1:05:23 > 1:05:25I need to see him.
1:06:26 > 1:06:28Where have you been?
1:06:34 > 1:06:36Missing you.
1:07:28 > 1:07:30I should not forgive you.
1:09:05 > 1:09:07I looked at your computer.
1:09:13 > 1:09:16I saw the Islamic sites...
1:09:18 > 1:09:20..and I thought...
1:09:30 > 1:09:32HE LAUGHS
1:09:38 > 1:09:40Erm...
1:09:49 > 1:09:52I keep up with the news in Algeria...
1:09:55 > 1:09:58..and the fundamentalist sites tell the truth about the government.
1:10:03 > 1:10:06You have so many secrets.
1:10:15 > 1:10:17Yeah.
1:10:18 > 1:10:21But secrets are not the same as lies.
1:10:37 > 1:10:39MUFFLED CONVERSATION
1:10:41 > 1:10:44CLATTERING
1:10:45 > 1:10:48RAISED VOICES OUTSIDE
1:11:41 > 1:11:42KNOCK ON DOOR
1:11:42 > 1:11:44Frankie, are you OK?
1:11:44 > 1:11:46Yeah, I'm fine.
1:11:50 > 1:11:53I'll be out in a minute.
1:12:11 > 1:12:15Oh, my God, I've just noticed the time.
1:12:15 > 1:12:16I need to go.
1:12:18 > 1:12:20Why?
1:12:20 > 1:12:22Stay.
1:12:24 > 1:12:27- What's wrong?- Nothing. Really.
1:12:29 > 1:12:33- Malik and I are always arguing. - I just need to work. You know me.
1:12:39 > 1:12:41OK.
1:12:53 > 1:12:55Frankie.
1:13:02 > 1:13:04I can't remember anything else.
1:13:04 > 1:13:06Sorry.
1:13:08 > 1:13:10Thank you.
1:13:10 > 1:13:11You've been very helpful.
1:13:13 > 1:13:16Please, will you tell me what's going on?
1:13:16 > 1:13:17Who is he?
1:13:19 > 1:13:23Kahil Othmani spent 18 months in an Algerian prison.
1:13:27 > 1:13:29Christ.
1:13:31 > 1:13:32What did he do?
1:13:35 > 1:13:37Can I have a word, sir?
1:13:59 > 1:14:01INAUDIBLE
1:14:07 > 1:14:10- Subversive activity, what does... - That's all I can tell you.
1:14:10 > 1:14:14- They've gone. The house is empty. - What?!- Do you know where he is?
1:14:14 > 1:14:17No. No, I've got no idea.
1:14:20 > 1:14:22Sir, we should go.
1:14:22 > 1:14:25You'll tell us if he contacts you.
1:15:08 > 1:15:11Hey, if there's anything I can do, anything at all...
1:15:11 > 1:15:13What do you mean?
1:15:13 > 1:15:15Your...
1:15:16 > 1:15:18Your dad phoned me.
1:15:18 > 1:15:21- It's unbelievable.- Yeah.
1:15:21 > 1:15:22But don't worry, OK?
1:15:22 > 1:15:25They'll find him, and most likely they'll deport him,
1:15:25 > 1:15:28let the Algerians deal with it. You're safe.
1:16:10 > 1:16:14Sorry, excuse me. I don't know if you remember me from the restaurant?
1:16:14 > 1:16:16It's about Kahil.
1:16:16 > 1:16:19Look, I don't know you.
1:16:19 > 1:16:20I'm sorry.
1:16:25 > 1:16:29Look, I know there's no reason to talk to me, but would you tell me,
1:16:29 > 1:16:31how did he get his scars?
1:16:43 > 1:16:45He was tortured.
1:16:45 > 1:16:47Why?
1:16:52 > 1:16:56He was a student leader, a socialist.
1:16:57 > 1:17:00Well, why are the police after him? Why is he hiding guns?
1:17:00 > 1:17:02They weren't his guns.
1:17:02 > 1:17:05How could you believe that?
1:18:40 > 1:18:42KNOCK ON DOOR
1:18:48 > 1:18:52- Listen to me.- What do you want? - It's important I talk to him.
1:18:52 > 1:18:54DOOR OPENS
1:19:00 > 1:19:02THEY SPEAK ARABIC
1:19:20 > 1:19:21Erm...
1:19:28 > 1:19:30I've brought you some money.
1:19:33 > 1:19:34You could run.
1:19:34 > 1:19:37I don't want your help.
1:19:40 > 1:19:44- Look, I know that I... - You people always think you know
1:19:44 > 1:19:46but you know nothing.
1:19:56 > 1:19:58You're right.
1:19:59 > 1:20:01BANGING ON DOOR
1:20:01 > 1:20:03FRANTIC SHOUTING
1:20:10 > 1:20:13SOBBING
1:20:24 > 1:20:26We're very grateful to you, sir.
1:20:26 > 1:20:30Well, I just thought it was for the best.
1:20:30 > 1:20:31Here she is now,
1:20:31 > 1:20:33alive and well.
1:20:33 > 1:20:35- Fuck you.- Frankie...
1:20:35 > 1:20:37Be very careful, Dr Lethbridge.
1:20:37 > 1:20:40We could still charge you as an accessory.
1:20:40 > 1:20:42You'd need real evidence for that.
1:20:42 > 1:20:44You didn't contact us.
1:20:46 > 1:20:48Look... Look, he's innocent.
1:20:48 > 1:20:51We can hold him for up to 28 days,
1:20:51 > 1:20:53then he'll be someone else's problem.
1:21:06 > 1:21:08Why is she grateful to you, Dad?
1:21:09 > 1:21:11Let's go.
1:21:11 > 1:21:14- It's been...- Why is she grateful to you, Dad? What did you do?
1:21:17 > 1:21:20I never felt... I never...
1:21:20 > 1:21:22I did it to protect you.
1:21:26 > 1:21:29- What?- I made a phone call...
1:21:31 > 1:21:33..to alert security.
1:21:33 > 1:21:35What? Why?
1:21:35 > 1:21:37When?
1:21:37 > 1:21:39At the very beginning.
1:21:39 > 1:21:41Look, I had to do it. Frankie...
1:21:41 > 1:21:43No, don't touch me!
1:21:43 > 1:21:45Just get away from me, Dad.
1:21:45 > 1:21:46You know, just leave me alone!
1:21:46 > 1:21:49You just leave me alone!
1:21:56 > 1:21:59DOOR CLOSES
1:22:19 > 1:22:22POLICE RADIO BLEEPS
1:22:31 > 1:22:33Erm, this one's to stay.
1:22:33 > 1:22:35Dr Lethbridge.
1:22:41 > 1:22:43Hello.
1:22:47 > 1:22:50We just need to make sure we've got all our research.
1:23:11 > 1:23:13Two minutes.
1:23:19 > 1:23:21DOOR SYSTEM BUZZES
1:23:48 > 1:23:51DOOR SYSTEM BUZZES
1:25:01 > 1:25:05PLANE ENGINES ROAR OVERHEAD