0:00:02 > 0:00:10This film contains some violent scenes
0:00:10 > 0:00:18This film contains very strong language
0:00:18 > 0:00:26This film contains some scenes of a sexual nature
0:00:37 > 0:00:39Panasonic. Ideas for life.
0:00:39 > 0:00:41WOMAN GROANS
0:00:41 > 0:00:44These are terrible.
0:00:44 > 0:00:49- It's actually...really bad.- Yep.
0:00:49 > 0:00:51Horrible.
0:00:52 > 0:00:54We need something raw.
0:00:54 > 0:00:59- Something that doesn't look like it's from outer space.- Yeah.
0:00:59 > 0:01:03I mean, our smartphone has to be the smartest.
0:01:03 > 0:01:04- Yeah.- Yeah.
0:01:04 > 0:01:06THEY LAUGH
0:01:09 > 0:01:12- We need... - We need...
0:01:52 > 0:01:54It's so beautiful here. It's perfect.
0:01:56 > 0:01:58Thank you.
0:02:01 > 0:02:02You have excellent taste.
0:02:04 > 0:02:05Not only that.
0:02:05 > 0:02:08You know what I like about you?
0:02:09 > 0:02:12You are...conscientious.
0:02:12 > 0:02:15You are incredibly bright.
0:02:15 > 0:02:19And...you're driven.
0:02:21 > 0:02:22Like me.
0:02:30 > 0:02:33Oh, wow! What's that?
0:02:34 > 0:02:37It's... It's... It's organic.
0:02:37 > 0:02:39- GIGGLING - It's organic?
0:02:45 > 0:02:47GIGGLING CONTINUES It's healthy.
0:02:47 > 0:02:50- Oh, so it's good for me?- Yeah!
0:02:52 > 0:02:56- Oh, hello!- Hello.
0:02:56 > 0:02:59Two drunken bees hard at work, huh?
0:02:59 > 0:03:03And I'm disturbing you. I should go.
0:03:03 > 0:03:08Oh, no, no, no, no. Don't go. Stay. Love surprises.
0:03:08 > 0:03:10Yes, you do.
0:03:17 > 0:03:19- Hello, Isabelle.- Hello, Dirk.
0:03:20 > 0:03:22I better be going.
0:03:24 > 0:03:28- Um, just... Isabelle, leave it. - Yeah.
0:03:28 > 0:03:32You should stay, Isabelle.
0:03:32 > 0:03:36- Good night, Dirk. Good night. - Good night.- Isabelle.
0:03:38 > 0:03:40It's freezing out.
0:03:42 > 0:03:44There. That's lovely.
0:03:44 > 0:03:46You keep that.
0:03:46 > 0:03:49- Oh, no, no, no. I can't take stuff like...- Yes, you can.
0:03:51 > 0:03:54I think we make a really good team.
0:03:54 > 0:03:56We do. I'll-I'll work on this at home.
0:03:56 > 0:03:59You're crazy. SHE KISSES
0:03:59 > 0:04:01I love it.
0:04:31 > 0:04:33MOANING
0:04:51 > 0:04:52Fuck!
0:04:54 > 0:04:56Stop. Just fucking stop.
0:05:14 > 0:05:18- 'Your devoted assistant here.' - Hi, I-I'm sorry to wake you up.
0:05:18 > 0:05:22I just got a great idea for the campaign. Can you come over?
0:05:22 > 0:05:24- 'You're the boss.'- Yeah.
0:05:24 > 0:05:27And bring the tightest pair of jeans you've got.
0:05:34 > 0:05:36- Morgen.- Morgen.
0:05:50 > 0:05:52Rolf? Hi.
0:05:54 > 0:05:57No, I can't. No, no.
0:05:57 > 0:05:58This weekend is terrible.
0:05:58 > 0:06:01I'm going to London. I'm going to London in, like, three hours.
0:06:04 > 0:06:05Reynolds is going.
0:06:08 > 0:06:10OK.
0:06:10 > 0:06:12Yeah.
0:06:12 > 0:06:13I'll figure it out.
0:06:14 > 0:06:18OK, I think we got it.
0:06:18 > 0:06:19Let's see what we have.
0:06:24 > 0:06:28- What do you think? - I love my ass.
0:06:28 > 0:06:31Yeah, but what do you think about the rest of it?
0:06:31 > 0:06:33I think it's brilliant.
0:06:45 > 0:06:50And I want a list of everybody's budgets, research accounts and financials on my desk by tomorrow.
0:06:50 > 0:06:53- Christine, I can't make it so soon...- Do you want me to do it?
0:06:53 > 0:06:54No, but...
0:06:54 > 0:06:57- No, because that's your job, Eric. Right?- Right.
0:06:57 > 0:06:59Right. Thank you, that's all.
0:07:05 > 0:07:09- Good morning. - Oh, hi! Good morning.
0:07:09 > 0:07:13Oh, look at those eyes. Are you all hungover?
0:07:13 > 0:07:16Oh, no. I woke up in the middle of the night and I, uh,
0:07:16 > 0:07:18I think I got it.
0:07:18 > 0:07:21- You got it?- Yeah, I think so.
0:07:21 > 0:07:25I did something this morning, and, er, I want you to have a look.
0:07:25 > 0:07:26Hmm. OK.
0:07:26 > 0:07:30- I, er, I think it's pretty good. - Do you?
0:07:32 > 0:07:38Hi, guys. So, how hot are my girlfriend's new jeans?
0:07:38 > 0:07:40SHE CHUCKLES
0:07:40 > 0:07:43Pretty hot.
0:07:43 > 0:07:48I-I have a little stick for you so you can run it on the plane.
0:07:48 > 0:07:50Hmmm.
0:07:50 > 0:07:51No.
0:07:51 > 0:07:53I don't think so.
0:07:53 > 0:07:56Oh! Er, why not?
0:07:57 > 0:08:01Because...you are going to London.
0:08:01 > 0:08:04- Oh! Really?- Yes, really.
0:08:04 > 0:08:08Isabelle, you know these campaigns inside and out.
0:08:08 > 0:08:11Including this latest brainstorm. I think you will do an amazing job.
0:08:11 > 0:08:14- Ah, but you haven't finished seeing it.- I've seen enough.
0:08:14 > 0:08:16And I trust you.
0:08:16 > 0:08:19Dirk is going to meet you at the airport. He knows London very well,
0:08:19 > 0:08:21so you'll be in good hands.
0:08:21 > 0:08:27Hi, guys. So, how hot are my girlfriend's new jeans?
0:08:29 > 0:08:32Well...pretty hot.
0:08:32 > 0:08:34But I'm prejudice. So...
0:08:34 > 0:08:38how can I find out? I don't know.
0:08:38 > 0:08:41But what's that thing in my back pocket? Ohh!
0:08:41 > 0:08:42You ready?
0:08:42 > 0:08:44- You bet.- Good!
0:08:44 > 0:08:46Ass cam.
0:08:47 > 0:08:49- What?- Ass cam.- Ooh!
0:08:49 > 0:08:53WOMEN GIGGLE
0:08:53 > 0:08:57- Are you ready to see what the man in the street thinks?- I am.
0:09:33 > 0:09:34Let the party begin.
0:09:34 > 0:09:36I've made some primo dinner reservations at Margaux.
0:09:36 > 0:09:38For eight o'clock. It's highly recommended.
0:09:38 > 0:09:40It's got more stars than the galaxy.
0:09:40 > 0:09:41You know what, Dani? I'm really tired.
0:09:41 > 0:09:45I think I'll just head back to the hotel and order some room service.
0:09:45 > 0:09:47I'll see you in the morning. Thanks.
0:10:27 > 0:10:33- I can't believe you're here with me. - You're incredible. You're beautiful.
0:10:33 > 0:10:35WOMAN MOANING
0:10:35 > 0:10:36Dirk!
0:10:52 > 0:10:54We are crazy about this idea.
0:10:54 > 0:10:58We love it. We're actually thinking of going international with it.
0:10:58 > 0:11:02Oh! What? That's amazing! I...
0:11:03 > 0:11:07It's funny. I just got this brainstorm in the middle of the night and...
0:11:07 > 0:11:10Funny how that happens sometimes.
0:11:10 > 0:11:11Outstanding!
0:11:11 > 0:11:13I can tell you now I was a little worried
0:11:13 > 0:11:16when I heard you weren't going to be here yourself.
0:11:16 > 0:11:18Oh, well, I'm sorry if I worried you, JJ.
0:11:18 > 0:11:21It's just, we have our annual audit coming up and I thought
0:11:21 > 0:11:23I should probably stay put.
0:11:23 > 0:11:25I briefed Isabelle down to the very last detail.
0:11:25 > 0:11:26She was on the ground,
0:11:26 > 0:11:28I was in reserve, ready to step in if need be.
0:11:28 > 0:11:32- Well, OK. Well done, Christine. - Oh, thank you.
0:11:32 > 0:11:37Tell me something. Have you got any interest in coming home to New York?
0:11:39 > 0:11:43And desert the natives?
0:11:43 > 0:11:46Ah, I've grown rather attached to them.
0:11:46 > 0:11:50But...they might be ready to make a go of it on their own.
0:11:50 > 0:11:54- Can I think about it?- Sure.
0:11:54 > 0:11:59- You call me. We talk.- OK. - Bye now.- We'll talk. Bye-bye.- Bye.
0:12:03 > 0:12:05Amazing.
0:12:10 > 0:12:13And you're shocked because I took credit for your idea.
0:12:15 > 0:12:19Honestly, I would expect you to do the exact same thing in my place.
0:12:19 > 0:12:22I wanted New York, but I wasn't counting on it.
0:12:22 > 0:12:25And thanks to you, I got my shot and I took it.
0:12:25 > 0:12:29I mean, there's no backstabbing here. This is business, Isabelle.
0:12:29 > 0:12:32And we're all on the same team.
0:12:32 > 0:12:35You have talent, I made the best use of it.
0:12:37 > 0:12:38So, thank you.
0:12:40 > 0:12:45Now, tell me. How was London?
0:12:45 > 0:12:47Oh!
0:12:47 > 0:12:49It was good.
0:12:49 > 0:12:52Things are so much more fun with Dirk around, aren't they?
0:12:52 > 0:12:58- I heard the news. I think it sucks.- What sucks?
0:12:58 > 0:13:01Christine going to New York thanks to you.
0:13:01 > 0:13:05When the team works, everybody wins. My success depends on hers.
0:13:07 > 0:13:09Here, take a look at this.
0:13:11 > 0:13:13It's a new polling on our Omniphone ad.
0:13:13 > 0:13:16Have you ever seen numbers like this?
0:13:18 > 0:13:20And these?
0:13:20 > 0:13:23And their revisions.
0:13:23 > 0:13:26Personally, I think they're clueless.
0:13:29 > 0:13:31Thank you.
0:13:39 > 0:13:44Hey! Hey! Guess what? I'm kidnapping you.
0:13:44 > 0:13:48MAN SPEAKING GERMAN
0:13:54 > 0:13:56INAUDIBLE
0:14:01 > 0:14:04- Beautiful.- Uh-huh. Yeah.
0:14:04 > 0:14:11- Hey?- Very high. - MAN CONTINUES IN GERMAN
0:14:11 > 0:14:15Red. Amazing red.
0:14:16 > 0:14:19I like those details.
0:14:19 > 0:14:25SHE WHISPERS MAN CONTINUES IN GERMAN
0:14:25 > 0:14:28All right, come on, let's go, let's go.
0:14:28 > 0:14:33Oh, Christ! Who hired this woman? Can you get off the stage, please?
0:14:33 > 0:14:35MAN SPAKS GERMAN
0:14:39 > 0:14:42I'm so glad you're coming with me.
0:14:42 > 0:14:44These cocktail parties are so boring,
0:14:44 > 0:14:46but you have to go and work the room.
0:14:46 > 0:14:48OK.
0:14:48 > 0:14:51- How do they feel?- They look good.
0:14:51 > 0:14:55- Mm-hm. That's all that matters.- I'm not sure that I can walk in them.
0:14:55 > 0:14:57SHE GIGGLES
0:14:57 > 0:15:00Don't they make you feel just a little naughty?
0:15:05 > 0:15:09- You're very secretive, you know. - Am I?
0:15:09 > 0:15:12Yes. I mean, we've been working together, what, eight months,
0:15:12 > 0:15:14and I don't even know where you're from.
0:15:14 > 0:15:17Or what you want. What do you want?
0:15:20 > 0:15:22I don't know.
0:15:22 > 0:15:24What do you want?
0:15:26 > 0:15:30- Well, I used to want to be admired.- I admire you.
0:15:30 > 0:15:33Hmm. Well, now I want to be loved.
0:15:47 > 0:15:49You need some colour.
0:15:50 > 0:15:54MUSIC: Violin Concerto No 4 in D Major by Mozart
0:15:54 > 0:15:57- OK. Are you ready?- Yeah, I think so.
0:15:57 > 0:15:59I'm not sure that I will survive, though.
0:15:59 > 0:16:00Well, here.
0:16:00 > 0:16:04I'll teach you to make meaningless small talk and you'll be fine.
0:16:04 > 0:16:08Mark! Hello! Nice to see you.
0:16:08 > 0:16:10INAUDIBLE
0:16:13 > 0:16:16Thank you. This is Isabelle.
0:16:16 > 0:16:18INAUDIBLE
0:16:21 > 0:16:22GIGGLING
0:16:22 > 0:16:26- OK. Now, you're up.- Up for what?
0:16:26 > 0:16:28Well, you see that guy over there,
0:16:28 > 0:16:30the bald guy, with his nose in his drink?
0:16:30 > 0:16:34- Yeah.- Hmm? He's a very big fish for our company.
0:16:34 > 0:16:38If you land him, you can run the account.
0:16:42 > 0:16:45Oh, I-I can't. I'm not like you. I don't know how to do this.
0:16:45 > 0:16:48You're more like me than you think.
0:16:48 > 0:16:50I'm drunk.
0:16:51 > 0:16:54Even better, that's great.
0:16:54 > 0:16:57Just...get him to talk about himself, you know.
0:16:57 > 0:17:00I mean, it's man's favourite subject.
0:17:00 > 0:17:04- OK.- OK?- OK.- You ready?- Yeah. - OK, go.
0:17:06 > 0:17:09Mm-mm! Hang on, hang on. Here.
0:17:09 > 0:17:12He likes some skin.
0:17:12 > 0:17:14There you go.
0:17:14 > 0:17:19- You're perfect.- OK.
0:17:24 > 0:17:27- Nice to meet you.- Hi.- Hi. Isabelle.
0:17:46 > 0:17:49What a nice surprise. I love this just running into you.
0:17:49 > 0:17:51Rolf, hi, how are you?
0:17:51 > 0:17:55- How about next weekend?- I'm very busy right now. Maybe another time?
0:17:55 > 0:17:56Mm!
0:17:56 > 0:18:00- Rolf, please.- Can't get away? My jet is at your disposal.
0:18:00 > 0:18:04- And not just my dick, you know. - You're embarrassing yourself.
0:18:04 > 0:18:05Go home.
0:18:05 > 0:18:09- Remember, I'm the guy that saved you from dreary London.- Shh!
0:18:09 > 0:18:13- How about the Seychelles next time? - You know what?- What?
0:18:13 > 0:18:15- How about I call you next week. - Can't get away?
0:18:15 > 0:18:17Have you lost your little stand-in, your little puppet?
0:18:17 > 0:18:21You are drunk. Go home.
0:18:23 > 0:18:27- Isabelle. I... - I'm going home. I have a headache.
0:18:29 > 0:18:35- It's not what you think. - What? That I'm your little puppet?
0:18:35 > 0:18:38You think that I sent you to London because it was convenient for me.
0:18:38 > 0:18:42But I sent you to London because I trust you.
0:18:42 > 0:18:45And what difference does it make?
0:18:45 > 0:18:48Come on, just... Just stay, just...stay.
0:18:48 > 0:18:51We'll have another drink.
0:18:51 > 0:18:54I'm going home. I-I'm not well.
0:18:55 > 0:18:57I'll just grab a taxi.
0:18:57 > 0:19:00MUSIC PLAYING IN CAR
0:19:07 > 0:19:09You understand, right?
0:19:09 > 0:19:12See?
0:19:12 > 0:19:15This is where I live.
0:19:15 > 0:19:18- Do you like it?- I do.
0:19:18 > 0:19:20- You do?- Mm-hm.
0:19:23 > 0:19:26What's it like with her?
0:19:26 > 0:19:28Excites you, doesn't it?
0:19:30 > 0:19:32- Hmm?- How is she?
0:19:35 > 0:19:37She likes to play games. She likes surprises.
0:19:39 > 0:19:42Sounds like fun?
0:19:42 > 0:19:44Her fun.
0:19:44 > 0:19:47You see the drawer beneath the sink?
0:19:47 > 0:19:48Yeah.
0:19:48 > 0:19:50Open it.
0:19:56 > 0:19:59Whatever she needs, I supply.
0:20:01 > 0:20:05Whatever Christine wants, she gets.
0:20:05 > 0:20:07She's exactly the same in bed.
0:20:07 > 0:20:10But she can be very generous sometimes.
0:20:10 > 0:20:13She gave me a very beautiful scarf.
0:20:13 > 0:20:15She gave you my scarf.
0:20:15 > 0:20:17- Oh, no!- Oh, yes!
0:20:17 > 0:20:20SHE LAUGHS
0:20:20 > 0:20:23Do you want it back?
0:20:23 > 0:20:25No.
0:20:25 > 0:20:28It looks better on you. Keep it.
0:20:28 > 0:20:31- Thank you.- A pleasure.
0:20:35 > 0:20:37It's her, isn't it?
0:20:40 > 0:20:44OK. So, that takes care of current business. Any questions?
0:20:44 > 0:20:46Ah, Isabelle. I got a memo from New York.
0:20:46 > 0:20:49Something about a new research poll sent your way.
0:20:49 > 0:20:51Did you get that?
0:20:51 > 0:20:54- Uh... Did I?- Yes...
0:20:54 > 0:20:57Yeah, yeah, yeah, yeah. I got it...
0:20:57 > 0:20:59yesterday. I haven't really had a chance to look at it, though.
0:20:59 > 0:21:02OK. Well, let's not fall asleep at the switch here.
0:21:02 > 0:21:03Of course not.
0:21:03 > 0:21:05- Any new developments, I want to know about them immediately.- Yes.
0:21:05 > 0:21:08OK, thank you, everyone. That's all.
0:21:08 > 0:21:11Oh, Isabelle, could you just stay for a minute, please?
0:21:11 > 0:21:13Yeah, yeah.
0:21:33 > 0:21:34Hey!
0:21:38 > 0:21:42- Are you still mad about London?- No!
0:21:42 > 0:21:46- Really?- Yeah. No.- I think you are.
0:21:48 > 0:21:53And it's driving me crazy, because I-I-I want everything to be OK.
0:21:53 > 0:21:56Because I care about you, you know that.
0:21:56 > 0:21:58I-I actually...I love you.
0:21:58 > 0:22:00I do.
0:22:04 > 0:22:06I do, too.
0:22:10 > 0:22:12You can't say it.
0:22:14 > 0:22:15Why can't you just say it?
0:22:25 > 0:22:27When I was six years old,
0:22:27 > 0:22:31my parents bought me and my twin sister a bike...
0:22:31 > 0:22:33cos we liked to share everything.
0:22:33 > 0:22:36- You have a twin sister?- Hmm.
0:22:37 > 0:22:40So we would take turns riding it to school.
0:22:40 > 0:22:44And...Clarissa was so much better on the bike than I was.
0:22:44 > 0:22:48She could pedal standing up and, you know, ride no hands.
0:22:50 > 0:22:54So, one day, it was my turn and I was just so determined that I was...
0:22:54 > 0:22:58going to show her I could be just as good as she could.
0:22:58 > 0:23:02I started pedalling faster and faster
0:23:02 > 0:23:06and she had to run like hell to keep up with me.
0:23:06 > 0:23:10And then I-I let go of the handlebars
0:23:10 > 0:23:12and I felt like I was flying.
0:23:12 > 0:23:14And it felt so good.
0:23:16 > 0:23:18I just wanted to see myself,
0:23:18 > 0:23:23so I-I looked...into the window
0:23:23 > 0:23:26and I caught my reflection.
0:23:28 > 0:23:31And then I-I don't know what happened.
0:23:31 > 0:23:36I swerved into the street and...
0:23:36 > 0:23:38this truck was coming right at me.
0:23:40 > 0:23:42And then I suddenly felt my sister
0:23:42 > 0:23:44push me from behind out of the way,
0:23:44 > 0:23:46and I flew over the handlebars.
0:23:48 > 0:23:50And the last thing I remember...
0:23:53 > 0:23:56..was this horrible thunk.
0:24:03 > 0:24:09I-I woke up in the hospital, and my mother was sobbing,
0:24:09 > 0:24:14and I asked her what happened to Clarissa and she said...
0:24:14 > 0:24:19Well she didn't, she wouldn't even look at me.
0:24:19 > 0:24:23And no-one ever said anything, but I knew what they were thinking.
0:24:26 > 0:24:28(That I killed her.)
0:24:34 > 0:24:37And they never told me that they loved me ever again.
0:24:42 > 0:24:44Oh, Christine.
0:24:46 > 0:24:48I love you.
0:24:49 > 0:24:51You do?
0:24:51 > 0:24:53You're a lovely person.
0:25:12 > 0:25:14Dirk!
0:25:17 > 0:25:21You wanted me to come.
0:25:21 > 0:25:22Here I am.
0:25:25 > 0:25:27- Hello, Isabelle.- Hello, Dirk.
0:25:29 > 0:25:31- You OK?- I'm good.
0:25:31 > 0:25:34SHE SCOFFS You're both so complicated.
0:25:34 > 0:25:39- No. Really?- Really? All right.
0:25:39 > 0:25:42If that's how it is, then I guess we should get back to work.
0:25:42 > 0:25:43Yeah.
0:25:43 > 0:25:45- Good.- Good.
0:25:45 > 0:25:48- Isabelle, could you leave us in private, please.- Absolutely.
0:25:55 > 0:26:00- Aw. She's lovely.- Yes, she is.
0:26:04 > 0:26:08So, what are we going to do about your little Ponzi scheme?
0:26:08 > 0:26:10"Ponzi scheme"?
0:26:10 > 0:26:12HE CHUCKLES
0:26:12 > 0:26:16I told you. I need two or three months to balance the sums
0:26:16 > 0:26:19- and everything will fall into place. - Well, you have a week.
0:26:19 > 0:26:23You're fucking mad, Christine. It's impossible.
0:26:23 > 0:26:26Now time is up, New York's doing its audit.
0:26:26 > 0:26:28There's no way I can have this kind of exposure.
0:26:28 > 0:26:30I can't cover for you any more.
0:26:30 > 0:26:31Christine.
0:26:33 > 0:26:35My firm has been working for you for a long time.
0:26:35 > 0:26:37You can cut me some slack.
0:26:37 > 0:26:40I wrote up an addendum to the budgets and it's dated today.
0:26:40 > 0:26:43I'm attaching it to the file. Here, read it.
0:26:50 > 0:26:53Hey, you know my mole in New York that got the hots for me?
0:26:53 > 0:26:57- Yeah.- He told me they're getting cold feet.
0:26:57 > 0:27:01Now they think your ad is too raw and experimental.
0:27:01 > 0:27:04They want to get professional actors and redo the whole thing.
0:27:07 > 0:27:09OK.
0:27:09 > 0:27:11OK? No!
0:27:11 > 0:27:14If I were you, I would upload your ad onto YouTube
0:27:14 > 0:27:16and show them who the real genius is around here.
0:27:16 > 0:27:21Anybody sees this...I'm ruined.
0:27:21 > 0:27:24Pay it back, I'll happily tear it up.
0:27:26 > 0:27:30Christine...listen.
0:27:30 > 0:27:35- It's me.- What the fuck do you think you're doing?
0:27:35 > 0:27:38I'm not your little Isabelle.
0:28:03 > 0:28:05Hi.
0:28:06 > 0:28:14- Did you get my text?- I got it, yes. Now's not a good time.
0:28:14 > 0:28:19- What's going on? - I have problems. Problems.
0:28:19 > 0:28:21And Christine, she won't help me to solve them.
0:28:21 > 0:28:25- Tell me about it. I can help you. - You can't.
0:28:25 > 0:28:28SPEAKING IN GERMAN
0:28:30 > 0:28:32You can't help me.
0:28:39 > 0:28:43- Talk to me. Tell me what happened.- It's over.
0:28:44 > 0:28:46What?
0:28:46 > 0:28:48You and me.
0:28:48 > 0:28:50This.
0:28:50 > 0:28:51Ends now.
0:28:58 > 0:29:00Why?
0:29:00 > 0:29:02What did she say, huh?
0:29:02 > 0:29:06What did Christine tell you? What happened in that room? Talk to me!
0:29:06 > 0:29:08You don't get it, do you?
0:29:08 > 0:29:11Christine doesn't think a shit about us. She doesn't care.
0:29:13 > 0:29:16Don't do this.
0:29:16 > 0:29:17Don't call me.
0:29:19 > 0:29:20Don't text me.
0:29:20 > 0:29:24- LIFT BELL - Go back to work.
0:29:38 > 0:29:41Hey. You're late.
0:29:43 > 0:29:44What?
0:29:46 > 0:29:50Who-Who? Who's sick?
0:29:50 > 0:29:54Your daughter? No, I didn't... I didn't know you had a daughter.
0:29:56 > 0:30:00Tomorrow? Um, how about...
0:30:00 > 0:30:03How about this? How about you call me NEVER?
0:30:03 > 0:30:04PHONE CLATTERS
0:30:25 > 0:30:26SHE SNIFFS
0:30:29 > 0:30:30SHE GROANS
0:30:34 > 0:30:35CUTLERY CLATTERS
0:31:02 > 0:31:03SHE BREATHES HEAVILY
0:31:26 > 0:31:27INTERCOM RINGS
0:31:27 > 0:31:29Dani, can you come in for a second?
0:31:33 > 0:31:38Mark? Hi. It's Christine.
0:31:38 > 0:31:43Yeah, I know. It's been a really long time. Too long.
0:31:43 > 0:31:47Um... What-What are you doing?
0:31:47 > 0:31:50Yeah.
0:31:50 > 0:31:51You want to come over?
0:31:51 > 0:31:56You're right. This is crap.
0:31:56 > 0:31:57Fuck them.
0:31:59 > 0:32:02Let's find out what the world thinks of my ad, my way.
0:32:06 > 0:32:09CHUCKLING Yes, I love it.
0:32:09 > 0:32:13Ah, you-you do, you know, very well. I...
0:32:13 > 0:32:18It's-It's not too noisy? OK, good. Well, I'm...
0:32:18 > 0:32:22Yeah, I want to take it. I-I know, I know.
0:32:22 > 0:32:25Manhattan apartments are so much more expensive than the...
0:32:31 > 0:32:35Yeah, except...yeah. OK, let's, ah, let's talk in a couple of days. OK.
0:32:35 > 0:32:37All right. Bye.
0:32:37 > 0:32:39HE PANTS
0:32:39 > 0:32:42Oh...my God!
0:32:42 > 0:32:44HE WHIMPERS
0:32:44 > 0:32:46Wow, Mark!
0:32:46 > 0:32:51PHONE RINGING
0:32:52 > 0:32:54Yeah.
0:32:54 > 0:32:58'Isabelle? JJ Koch here. Am I waking you?'
0:32:58 > 0:33:01Oh, hi. No, not at all.
0:33:01 > 0:33:03'I can't believe what you've done.
0:33:03 > 0:33:05'I tried to call Christine, but I couldn't reach her.'
0:33:05 > 0:33:08Oh, my God. Ah, ah, I'm so sorry.
0:33:08 > 0:33:10Christine has nothing to do with this. It's all my fault.
0:33:10 > 0:33:12I just felt like the new ideas were so...
0:33:12 > 0:33:15'No, no, it's great, it's wonderful.
0:33:15 > 0:33:18'You were right, 1,000% right.
0:33:18 > 0:33:22- 'Do you realise how many time your ad has been viewed?'- No.
0:33:22 > 0:33:27'Ten million. And it's only been on for five hours.
0:33:27 > 0:33:32- 'My phone is ringing off the hook.' - Oh, my God. That's... That's great.
0:33:32 > 0:33:36'That's brilliant! And guess what? We're coming to see you tomorrow.
0:33:36 > 0:33:37'We have to go back to London,
0:33:37 > 0:33:39'so we're going to stop off and see you on the way.'
0:33:39 > 0:33:44So, to cut to the chase, Isabelle's Omniphone ad has gone viral.
0:33:44 > 0:33:47They want us to spin off some print and TV spots.
0:33:47 > 0:33:49According to preliminary estimates,
0:33:49 > 0:33:53we're talking about over 50 million in billings.
0:33:53 > 0:33:56Plus, I've got every jean company on the planet
0:33:56 > 0:33:59to beg me to represent them.
0:33:59 > 0:34:03Well, guys, this is a total home run. OK, thanks a lot.
0:34:03 > 0:34:05Isabelle, Christine,
0:34:05 > 0:34:08- I would like to have a word with you in private.- Mm-hm.
0:34:12 > 0:34:17- Nice work, Isabelle.- Thank you. - You're now on our short list.
0:34:17 > 0:34:21Congratulations on the concept and the follow through.
0:34:21 > 0:34:23Christine, you sure have a nose for talent,
0:34:23 > 0:34:27you know how to find them and train them.
0:34:27 > 0:34:31About New York, I don't think this is really the best time.
0:34:32 > 0:34:37- We should wait. Let's talk about it later, OK?- OK.
0:34:38 > 0:34:42Yeah. I'm not really in any hurry. I still have a lot of work to do here.
0:34:42 > 0:34:46Outstanding. So, Isabelle, I expect you
0:34:46 > 0:34:48in New York with a completed campaign within the month.
0:34:48 > 0:34:50- Yes.- Thanks.
0:34:50 > 0:34:52- Thank you.- Both of you.
0:34:52 > 0:34:54Thank you.
0:35:07 > 0:35:10- Why?- You knew about the memo.
0:35:10 > 0:35:14They want to change it, I thought they were wrong, so...
0:35:14 > 0:35:17I did what had to be done. Everything happened really fast.
0:35:17 > 0:35:19I tried to update you last night, but you weren't answering...
0:35:19 > 0:35:24Just answer the question. Why?
0:35:24 > 0:35:27I watched you.
0:35:27 > 0:35:29I listened.
0:35:29 > 0:35:31I learned.
0:35:31 > 0:35:33I did exactly what you would do.
0:35:35 > 0:35:37There no backstabbing here, Christine.
0:35:37 > 0:35:40It's just business.
0:35:44 > 0:35:47Well...
0:35:47 > 0:35:49there it is, then.
0:36:07 > 0:36:10PHONE RINGS
0:36:23 > 0:36:28- Yeah.- 'Oh, thank God.
0:36:28 > 0:36:30'Thank God you answered.
0:36:30 > 0:36:36- 'It's me, Isabelle.' - I know. What do you want?
0:36:36 > 0:36:39'Look. You were right. It's Christine.
0:36:39 > 0:36:43'She... Look, she forced me to break it off. OK?'
0:36:43 > 0:36:50- She forced you?- 'Yes, she forced me. She's fucking dangerous, Isabelle.'
0:36:50 > 0:36:54You don't understand. Well, she's screwed up with everything
0:36:54 > 0:36:56that happened with her sister.
0:36:56 > 0:36:59'What? Her sister? What are you talking about? What sister?'
0:36:59 > 0:37:00Her twin sister, Clarissa.
0:37:00 > 0:37:03'What are you talking about? She doesn't have a twin sister.
0:37:03 > 0:37:06'You see, this is it. This is what she does.
0:37:06 > 0:37:10'She's told you some sad story to get your sympathy.'
0:37:10 > 0:37:15- She doesn't have a sister?- 'No.'
0:37:15 > 0:37:21- How do you know?- 'Because I know her. I know Christine.
0:37:21 > 0:37:25'I know what she's like. This is what she does.
0:37:25 > 0:37:28'She'll say anything to fuck you up.
0:37:28 > 0:37:33'Please, Isabelle, don't let her do this. Don't let her do this to us.
0:37:33 > 0:37:37'Look. Can you meet me? Can you...
0:37:37 > 0:37:40'Can you... Can you see me tonight, please?'
0:37:40 > 0:37:48- I don't know, Dirk. - 'Isabelle...I... I need you.'
0:37:50 > 0:37:55'I need to see you. I want you, Isabelle.
0:37:55 > 0:38:00'I'm sorry. Do you understand?
0:38:00 > 0:38:05- 'It's her, not me. I'm sorry.'- OK.
0:38:05 > 0:38:10- OK.- 'Good.'- Yeah. - 'OK, good.'- Yeah.
0:38:10 > 0:38:15'Good, good, good. I'll pick you up.'
0:38:15 > 0:38:18- OK.- 'I'll come by the office - eight o'clock.'- OK.
0:38:27 > 0:38:30COMPUTER ALERT
0:38:32 > 0:38:34Hey.
0:38:34 > 0:38:36You're late.
0:38:36 > 0:38:38And I can't see you.
0:38:38 > 0:38:41You have your camera on? Dirk?
0:38:41 > 0:38:45MOANING IN BACKGROUND Guess again. It's me.
0:38:45 > 0:38:48Are you looking for Dirk?
0:38:48 > 0:38:50He's right here!
0:38:53 > 0:38:58Don't point that fucking thing at me. Take it off. Take it off.
0:38:58 > 0:39:00He's a little bit grumpy right now.
0:39:00 > 0:39:04But I don't know why because we're just having a nice evening
0:39:04 > 0:39:06at home watching a movie.
0:39:06 > 0:39:10Your movie, actually...from London.
0:39:10 > 0:39:12Want to take a look?
0:39:12 > 0:39:14MOANING
0:39:35 > 0:39:36SHE SNIFFS
0:39:44 > 0:39:45SHE CHOKES UP
0:40:55 > 0:40:59ALARM BLARES
0:40:59 > 0:41:05Fuck! Fucking fuck! Fuck!
0:41:05 > 0:41:06ALARM STOPS
0:41:06 > 0:41:09LOCKS CHIRP
0:41:17 > 0:41:18ENGINE REVS
0:41:20 > 0:41:21TYRES SCREECH
0:41:49 > 0:41:51Fuck me!
0:41:51 > 0:41:54Oh!
0:41:54 > 0:41:57Fuck!
0:41:57 > 0:42:02SHE WAILS
0:42:33 > 0:42:34Isabelle!
0:42:37 > 0:42:41Isabelle! Are you all right?
0:42:43 > 0:42:45What happened?
0:42:46 > 0:42:49Isabelle, I need to talk to you. I found something very strange.
0:42:53 > 0:42:56I was looking for a file in the archives
0:42:56 > 0:42:58on a deal made earlier this year.
0:42:58 > 0:43:00I noticed an enormous difference
0:43:00 > 0:43:02between Dirk Harriman's projected figures
0:43:02 > 0:43:06and the ones off the actual budget in the Middle East market.
0:43:06 > 0:43:08The weird thing is that Christine
0:43:08 > 0:43:10just added an addendum to the file
0:43:10 > 0:43:13that reads like a criminal indictment.
0:43:25 > 0:43:28I always knew there was something strange about that guy.
0:43:28 > 0:43:30What are you talking about?
0:43:30 > 0:43:34Dirk was stealing money. And Christine stopped covering for him.
0:43:40 > 0:43:44- Is there anything I can do for you? - Yes, get me a coffee.
0:43:46 > 0:43:48Hey, did you hear?
0:43:48 > 0:43:51Our fearless leader is throwing
0:43:51 > 0:43:54a company reception with all the department heads.
0:43:54 > 0:43:56It's tomorrow night, right here.
0:43:58 > 0:44:01It's one of those if you don't show, you get a toaster for Christmas.
0:44:09 > 0:44:14We'll have a little surprise for you tonight. An amusing one, I hope.
0:44:14 > 0:44:20So, what really goes on within these walls? Hmm?
0:44:20 > 0:44:23I've put together a little reality show.
0:44:23 > 0:44:27"The not so secret life of the very stressed-out executives."
0:44:27 > 0:44:28LAUGHTER
0:44:28 > 0:44:34Their ecstasies, their agonies and the lessons to be learned.
0:44:46 > 0:44:48LAUGHTER
0:44:56 > 0:45:02An executive meltdown. Yes, we have all been there, haven't we?
0:45:02 > 0:45:07Now. The trick is to not succumb to your frustrations.
0:45:07 > 0:45:12Take a deep breath, relax, move on. Hmmm?
0:45:12 > 0:45:15Yeah, right. OK. Next.
0:45:22 > 0:45:25- Oooh.- Oh.- My God.
0:45:25 > 0:45:28Caught in the act.
0:45:28 > 0:45:31Now, we all need to blow off a little steam at work, it's true.
0:45:31 > 0:45:33And you both know who you are.
0:45:33 > 0:45:37I suggest next time you rent a room. OK?
0:45:37 > 0:45:39Outside the work space. Thank you.
0:45:39 > 0:45:41All right, what's next?
0:45:45 > 0:45:46LAUGHTER
0:45:46 > 0:45:48Ouch!
0:45:48 > 0:45:51Going toe-to-toe with a concrete pillar.
0:45:52 > 0:45:56GASPING AND LAUGHTER
0:45:58 > 0:46:02So, someone's not very happy with their parking spot.
0:46:02 > 0:46:05LAUGHTER DIES
0:46:06 > 0:46:09LOW WHISPERING
0:46:11 > 0:46:12CHRISTINE CUCKLES
0:46:14 > 0:46:18Oh, come on, it's just a joke.
0:46:21 > 0:46:23Where's your sense of humour?
0:46:25 > 0:46:28Oh, my God.
0:46:28 > 0:46:30This really hurt you, didn't it?
0:46:33 > 0:46:34I'm so sorry.
0:46:36 > 0:46:38But I just thought we could laugh together.
0:46:42 > 0:46:44SHE LAUGHS
0:46:53 > 0:46:56Yeah. It's funny.
0:46:57 > 0:46:59BOTH LAUGHING
0:47:29 > 0:47:33Hi. I want to talk to Dr Katzman, please.
0:47:36 > 0:47:40Stefan? It's Isabelle James. I need to come and see you.
0:48:12 > 0:48:14Come in.
0:48:14 > 0:48:16Close the door.
0:48:28 > 0:48:31Isabelle, I said I was sorry.
0:48:31 > 0:48:35- And now this?- What is it?
0:48:35 > 0:48:39"I will never forget how you humiliated me.
0:48:39 > 0:48:41"And you'll pay for it."
0:48:41 > 0:48:44"Vengeance is a dish best served cold."
0:48:47 > 0:48:50- I never wrote that.- It's from your computer.- I didn't write it.
0:48:50 > 0:48:54- It's not very smart, Isabelle. - I never wrote it.
0:48:54 > 0:48:57Well, I think that's going to be hard to believe
0:48:57 > 0:48:58after your unfortunate performance.
0:48:58 > 0:49:00I never wrote it.
0:49:00 > 0:49:01OK. Fine.
0:49:04 > 0:49:07How about I just put it in a safe place for now?
0:49:08 > 0:49:09There.
0:49:17 > 0:49:20I feel like things have just gotten
0:49:20 > 0:49:23so out of control around here lately. It's so crazy.
0:49:26 > 0:49:29I'm having a small, intimate dinner party on Saturday night.
0:49:31 > 0:49:34Just a few close friends and I would really like it if you would come.
0:49:42 > 0:49:46- That file you were telling me about? Dirk's file?- Yeah?
0:49:46 > 0:49:49- Bring it to me.- OK.
0:49:59 > 0:50:03Here's the file you asked for.
0:50:03 > 0:50:05Thank you.
0:50:08 > 0:50:11I want to go to the ballet.
0:50:11 > 0:50:14Afternoon Of A Faun.
0:50:16 > 0:50:22- Ten o'clock, Saturday night.- OK.
0:50:46 > 0:50:49CHATTERING
0:50:52 > 0:50:55- You OK?- Yeah, I'm sorry.
0:51:02 > 0:51:05- Excuse me.- Sure.
0:51:08 > 0:51:11THEY SPEAK GERMAN
0:51:26 > 0:51:27BUZZER RINGS
0:51:27 > 0:51:29Yeah, I-I'm coming.
0:51:58 > 0:52:01OK. Well done. Yes. And a bit more of a smile, please.
0:52:01 > 0:52:04Yes, everybody. Very good. Yes.
0:52:34 > 0:52:36Thank you very much. Thank you.
0:52:36 > 0:52:38Thank you. Thank you so much.
0:52:38 > 0:52:40Thank you, thank you for coming.
0:52:41 > 0:52:43I'll see you out.
0:52:45 > 0:52:47Thank you. Take care.
0:52:50 > 0:52:52Isabelle...
0:52:52 > 0:52:55I'm glad to see you wearing the scarf.
0:52:57 > 0:53:00Why don't we kiss and make up? Hmm?
0:53:08 > 0:53:09Mm-ah!
0:53:11 > 0:53:12CHRISTINE CHUCKLES
0:53:12 > 0:53:14Mm!
0:53:21 > 0:53:25- Isabelle, what are you doing? - What do you mean?
0:53:25 > 0:53:29Kissing that bitch? I saw you. After all she's done?
0:53:29 > 0:53:31Don't take that tone with me.
0:53:31 > 0:53:34Who do you think you're talking to? Shut up and go back to work.
0:53:47 > 0:53:52- Do you think no-one can tell? - Tell what?
0:53:52 > 0:53:55- What you really want.- I don't know what you're talking about.
0:53:55 > 0:53:58Her cunt.
0:53:58 > 0:54:04- Isabelle and I laugh about it all the time.- I don't believe you.
0:54:04 > 0:54:06Do you think I don't see what's going on
0:54:06 > 0:54:09in that dyke brain of yours?
0:54:10 > 0:54:13Your jealousy is fucking up our working relationship.
0:54:13 > 0:54:17And I won't stand for it. I want you out of here.
0:54:17 > 0:54:19You can't fire me.
0:54:20 > 0:54:23I'm not going to fire you.
0:54:23 > 0:54:25You're resigning.
0:54:25 > 0:54:28I want your letter on my desk Monday morning.
0:54:28 > 0:54:30I'm not doing it.
0:54:35 > 0:54:37CHRISTINE GASPS
0:54:39 > 0:54:40OH!
0:54:46 > 0:54:48Oh!
0:54:48 > 0:54:51- I believe I've been sexually assaulted.- What?
0:54:53 > 0:54:58And in the "she said, she said", who are they going to believe? Hmm?
0:55:47 > 0:55:50CHATTER
0:55:53 > 0:55:56Charming, all of you. Very charming.
0:55:56 > 0:56:02All very wonderfully boring. All of you.
0:56:04 > 0:56:07Especially you. Oh, you are.
0:56:11 > 0:56:13Good night.
0:56:18 > 0:56:20Christine.
0:56:22 > 0:56:26Hello, Christine.
0:56:26 > 0:56:28Thank you for all your help tonight.
0:56:28 > 0:56:32- Christine, we really need to talk...- I'll see you on Monday.
0:56:32 > 0:56:33..you and I.
0:56:33 > 0:56:35- Thank you. Good night. Good night. Thank you.- We need to talk.
0:56:35 > 0:56:38- Cheerio, all of you. - You're really drunk.
0:56:38 > 0:56:43- Yes, I am. Let's go inside. - No. Let's not.
0:56:44 > 0:56:47How did you get here?
0:56:47 > 0:56:48I drove here...
0:56:48 > 0:56:51- What?- ..very fast.
0:56:51 > 0:56:53- Oh, my God.- Look.
0:56:53 > 0:56:55What's wrong with you? What are you... What's going on?
0:56:55 > 0:56:57We need to talk. That's all.
0:56:57 > 0:57:00- You...made me... - This is not a time for talking.
0:57:00 > 0:57:04You made me do a very bad thing. OK?
0:57:04 > 0:57:12INAUDILBE
0:57:25 > 0:57:29You owe me, Christine. You do not let me down.
0:58:04 > 0:58:07SHE CHUCKLES Mm.
0:58:36 > 0:58:39CHRISTINE CHUCKLES
0:59:57 > 0:59:58Let me in, Christine.
1:00:01 > 1:00:04Open the door, Christine.
1:00:04 > 1:00:06Christine!
1:01:32 > 1:01:35I'm coming.
1:01:35 > 1:01:37Are you down there?
1:01:39 > 1:01:42SHE GASPS
1:01:47 > 1:01:49SHE GASPS
1:01:51 > 1:01:53SHE GASPS
1:01:53 > 1:01:56SHE PANTS
1:01:56 > 1:01:59DOORBELL
1:01:59 > 1:02:01DOORBELL
1:02:03 > 1:02:05DOORBELL
1:02:07 > 1:02:08DOORBELL
1:02:11 > 1:02:12DOORBELL
1:02:12 > 1:02:13KNOCKING
1:02:15 > 1:02:19KNOCKING
1:02:19 > 1:02:21HEAVY KNOCKING
1:02:22 > 1:02:23HEAVY THUMPING ON DOOR
1:02:25 > 1:02:28RAPID BANGING ON DOOR
1:02:33 > 1:02:35Hello.
1:02:37 > 1:02:40Inspector Bach. My colleague.
1:02:40 > 1:02:43- Are you Isabelle James?- Yes.
1:02:43 > 1:02:46- Mind if we come in?- Why?
1:02:48 > 1:02:50Are you all right?
1:02:51 > 1:02:56- Are you all right? - No. No, I'm-I'm not all right.
1:02:56 > 1:03:00I-I took some sleeping pills. I can't sleep.
1:03:02 > 1:03:04Do you know that Christine Stanford was murdered,
1:03:04 > 1:03:07her throat slashed in her home Saturday night?
1:03:12 > 1:03:14Do you recognise this?
1:03:20 > 1:03:22Do you recognise this?
1:03:24 > 1:03:26It was written on your computer.
1:03:33 > 1:03:37Didn't the victim recently humiliate you in front of your staff?
1:03:39 > 1:03:40Miss James?
1:03:45 > 1:03:48We found a piece of materia... Miss James!
1:03:48 > 1:03:52- I'm here. - HE CLICKS HIS FINGERS
1:03:52 > 1:03:54We found a piece of material in the victim's hand
1:03:54 > 1:03:56which appears to come from a scarf.
1:03:56 > 1:04:00Identical to the one... you are wearing here.
1:04:03 > 1:04:06Can you explain that?
1:04:06 > 1:04:08Where were you Saturday night
1:04:08 > 1:04:11between the hours of 11:30pm and 1am?
1:04:15 > 1:04:18- Ballet.- Where?
1:04:20 > 1:04:23- At the ballet. - Oh, at the ballet.
1:04:23 > 1:04:26- Were you alone?- Yes.
1:04:26 > 1:04:32- Did anyone see you or recognise you? - Why would anyone recognise me?
1:04:32 > 1:04:36Sometimes you see people, you talk to someone. They might remember.
1:04:37 > 1:04:40- Remember what?- Remember you.
1:04:40 > 1:04:44You would have an alibi, which means you didn't kill Christine Stanford.
1:04:44 > 1:04:46Kill Christine? Oh.
1:04:46 > 1:04:51I could... I would never...
1:04:51 > 1:04:54If you have a lawyer, it's a good time to call him.
1:05:00 > 1:05:02Could you open your mouth, please?
1:05:07 > 1:05:10Lab analysis has confirmed that the scarf fibres
1:05:10 > 1:05:13match the one you were seen wearing.
1:05:13 > 1:05:16In conclusion, you're going to be indicted for first-degree murder.
1:05:23 > 1:05:28Isabelle. Isabelle, are you all right?
1:05:28 > 1:05:33- Could we get her some water, please?- Miss James. Miss James!
1:05:34 > 1:05:38Would you like us to take a break? Do you need a doctor?
1:05:38 > 1:05:41- No.- Yes. I believe my client's present con...
1:05:41 > 1:05:43Fine, fine, fine. Fine. Then we'll do this quickly.
1:05:43 > 1:05:47By staging the crime scene to simulate a robbery,
1:05:47 > 1:05:51you've aggravated the circumstance of your crime.
1:05:51 > 1:05:56So, we're now dealing with premeditated murder.
1:05:56 > 1:06:01Why don't you just confess? And save us all a lot of time...and money.
1:06:01 > 1:06:02What?
1:06:02 > 1:06:04Hold on. You have some fibres that match a picture
1:06:04 > 1:06:06of a scarf my client was wearing.
1:06:06 > 1:06:08How many other real scarves would they match?
1:06:08 > 1:06:09What about the DNA evidence?
1:06:09 > 1:06:12Has any of my client's DNA actually been found on the victim?
1:06:12 > 1:06:14- That evidence is being processed. - You let me know when you come up
1:06:14 > 1:06:16with something that'll stand up in court.
1:06:16 > 1:06:18- Until then, my client isn't... - Did you kill Christine Stanford?.
1:06:18 > 1:06:20- She doesn't have to answer that. Don't answer that.- Was it you?
1:06:20 > 1:06:23Ah, get... Please, this is outrageous.
1:06:23 > 1:06:25- Did you kill her? - Would you stop harassing her?
1:06:25 > 1:06:27Yes, yes, yes. Yes, I must have.
1:06:27 > 1:06:31Isabelle, please, careful. Isabelle, think about what you're saying.
1:06:31 > 1:06:35What do you mean by you must have? Did you do it?
1:06:35 > 1:06:39- Was it you? - Isabelle, don't answer that.
1:06:39 > 1:06:41- Are you confessing to this?- Well, how could she? She didn't do it.
1:06:41 > 1:06:46- Are you confessing to this? - Yes. I confess.
1:06:46 > 1:06:49SHOUTING IN GERMAN
1:06:53 > 1:06:55SHE SHOUTS IN GERMAN
1:07:09 > 1:07:14SHE GASPS AND PANTS
1:07:30 > 1:07:33Mm.
1:07:33 > 1:07:36Mm.
1:08:00 > 1:08:03'By staging the crime scene to simulate a robbery...
1:08:03 > 1:08:06'Isabelle. Isabelle, are you all right?
1:08:06 > 1:08:09- 'Did you kill Christine Stanford? - She doesn't have to...
1:08:09 > 1:08:11- 'Would you like us to take a break? - Did you do it?
1:08:11 > 1:08:13- 'This is outrageous...' - Did you do it?- No, she didn't.
1:08:13 > 1:08:16- 'Did you kill her? - Would you stop harassing her?
1:08:16 > 1:08:18'Prosecutor, let me point out that my client's mental state...
1:08:18 > 1:08:23- 'Your client has just confessed to murder.- Yes, I confess.'
1:08:28 > 1:08:30SHE KNOCKS
1:08:37 > 1:08:39SHE KNOCKS
1:08:41 > 1:08:44- SHE SPEAKS GERMAN - I want to see my attorney.
1:08:44 > 1:08:48- I didn't kill Christine.- You're withdrawing your confession?
1:08:48 > 1:08:53- Yes. I'm innocent. I didn't do it. - Then why did you confess?
1:08:53 > 1:08:58I don't know. I was so tired, so fucked up by all those pills.
1:08:58 > 1:09:01I would have confessed to anything.
1:09:02 > 1:09:05I've gotta speak to the prosecutor...immediately.
1:09:07 > 1:09:11It looks like the same material. You're right.
1:09:11 > 1:09:13But my scarf isn't torn.
1:09:14 > 1:09:18- Where is it?- I don't know exactly. Somewhere in my apartment.
1:09:18 > 1:09:22We already searched your apartment thoroughly. We found nothing.
1:09:22 > 1:09:24You have to look again. I know it's there.
1:09:24 > 1:09:26Look, my client has no reason to lie about this.
1:09:26 > 1:09:29- Either she has an identical scarf or she doesn't.- Yes.
1:09:29 > 1:09:32All right, I think you've wasted enough of my time.
1:09:32 > 1:09:33Oh, please.
1:09:33 > 1:09:35Wait a minute. I didn't do it. Why would I kill Christine?
1:09:35 > 1:09:39Cos you had motive. And a very powerful one. Vengeance.
1:09:39 > 1:09:40I never wrote that. Never.
1:09:40 > 1:09:44And even if I did, killing her after writing that would be insane.
1:09:44 > 1:09:48Christine must have sent this from my computer to...
1:09:52 > 1:09:53Oh, my God.
1:09:55 > 1:09:57Look at the date.
1:09:57 > 1:10:00It was sent the day before the company reception.
1:10:02 > 1:10:06Do you see? The day before she did that terrible thing to me.
1:10:08 > 1:10:12It doesn't make any sense. I never wrote that.
1:10:12 > 1:10:15My career was taking off and Christine couldn't stand it.
1:10:15 > 1:10:17She hated me.
1:10:17 > 1:10:18Yes, She tried to destroy her.
1:10:18 > 1:10:20We have statements from several of the executives
1:10:20 > 1:10:22close to my client and the victim.
1:10:22 > 1:10:24And they all confirm that my client was falling apart
1:10:24 > 1:10:25as a direct result of Christine Stanford's...
1:10:25 > 1:10:28Is this a plea of insanity, Miss James? Is that your defence?
1:10:28 > 1:10:30- Plus she took a lot of prescription medicine.- No, I'm saying I'm innocent.
1:10:30 > 1:10:33Take your pleas of mitigating circumstances to the judge!
1:10:33 > 1:10:34- I'm only interested in evidence. - Which we tried to deliver here.
1:10:34 > 1:10:36This is not evidence.
1:10:36 > 1:10:39Look, I was never at Christine's house. I was at the ballet.
1:10:39 > 1:10:42Yes. That's what YOU say.
1:10:46 > 1:10:48I spoke to an usher.
1:10:48 > 1:10:52At the ballet. He had grey curly hair. He was German.
1:10:52 > 1:10:53His English was quite bad.
1:10:53 > 1:10:55He'd remember me.
1:12:44 > 1:12:48My client was wrongly accused. She has a confirmed alibi.
1:12:48 > 1:12:50There's no physical evidence against her.
1:12:50 > 1:12:52No DNA found at the scene. Nothing.
1:12:52 > 1:12:56- What about the piece of scarf found in the victim's hand?- It's not mine.
1:12:56 > 1:12:58So you still claim you have an identical scarf?
1:12:58 > 1:12:59Yes, exactly the same scarf.
1:12:59 > 1:13:02And if we could find it, it wouldn't have a tear.
1:13:02 > 1:13:05May I make a request?
1:13:05 > 1:13:07Please, go ahead.
1:13:07 > 1:13:08Would you allow my client to
1:13:08 > 1:13:11accompany the police officers to look for the scarf?
1:13:13 > 1:13:17CLATTERING
1:13:58 > 1:14:00What is this?
1:14:00 > 1:14:02Christine found that Dirk...
1:14:02 > 1:14:04er, Mr Harriman...attempted to conceal
1:14:04 > 1:14:07a diversion of a very large sum of money in connection with the deal.
1:14:07 > 1:14:09- How much?- I don't know exactly.
1:14:09 > 1:14:13It seems to be well over five million euros.
1:14:13 > 1:14:17He embezzled five million euros and Christine was going to expose him?
1:14:17 > 1:14:19Why were you hiding the evidence?
1:14:19 > 1:14:22Oh, well. He was a friend. And he said that
1:14:22 > 1:14:25if he just had some more time, he could put the money back.
1:14:25 > 1:14:27So you snatched the file and hid it.
1:14:27 > 1:14:29Didn't you realise that this is the motive for murder?
1:14:29 > 1:14:33Oh, no. No, Dirk could never do anything like that.
1:14:34 > 1:14:37- So, time's up. Let's go. - Oh, no, just wait.
1:14:37 > 1:14:38Can I have a look, please?
1:14:38 > 1:14:41Because I keep my-my scarf in one of those drawers
1:14:41 > 1:14:42and sometimes things fall behind.
1:14:42 > 1:14:45- Please, can I have a look, please, please, please.- OK.- Thank you.
1:14:45 > 1:14:48- HE SPEAKS GERMAN - Thank you.
1:14:58 > 1:15:01- Oh, it's gotta be there.- Isabelle. Isabelle! It's finished.
1:15:01 > 1:15:02- No, no!- Let's go.
1:15:02 > 1:15:05- It's supposed to be here! - HE SPEAKS GERMAN
1:15:05 > 1:15:06It's got to be here! No, please, please!
1:15:06 > 1:15:08Please, give me one more minute, please!
1:15:08 > 1:15:11Please, give me one more minute! No!
1:15:14 > 1:15:15I didn't do it.
1:15:16 > 1:15:20Of course. Of course you didn't do it. I know that.
1:15:22 > 1:15:24SHE SNIFFS
1:15:26 > 1:15:29You know my scarf?
1:15:29 > 1:15:31It's somewhere in my flat.
1:15:31 > 1:15:33You've got to find it.
1:15:56 > 1:16:00What a mess. I guess I'm expected to clean this up?
1:16:02 > 1:16:06- Where did you get this?- Back of that drawer. Filthy as can be.
1:16:06 > 1:16:08Took it straight to the cleaners.
1:16:09 > 1:16:11- Ms Wirth, this is an outrageous situation.- Mm-hm.
1:16:11 > 1:16:15- You're going to have find someone else.- OK.
1:16:17 > 1:16:19Hello? Inspector Bach?
1:16:22 > 1:16:26- Mr Harriman. - Yes, what is this?
1:16:26 > 1:16:27Inspector Bach.
1:16:27 > 1:16:30The prosecutor has filed charges against you for embezzlement.
1:16:30 > 1:16:33We are to immediately proceed with proactive searches.
1:16:33 > 1:16:36We will first search this vehicle, then your residence.
1:16:36 > 1:16:39You're out of your mind.
1:16:39 > 1:16:42The prosecutor will explain everything when you see him.
1:16:42 > 1:16:44Did you try to break into Christine Stanford's house
1:16:44 > 1:16:47- the night of the murder? - No, absolutely not.
1:16:47 > 1:16:49Do you deny being there?
1:16:49 > 1:16:50No.
1:16:52 > 1:16:58- Were you a guest?- Yes, I was. Actually, I arrived late.
1:16:58 > 1:17:01- When did you arrive? - I can't remember.
1:17:01 > 1:17:03- You can't remember?- No..
1:17:03 > 1:17:05- And what... - I can't remember.
1:17:13 > 1:17:15Is this yours?
1:17:17 > 1:17:20That WAS my scarf. Yes.
1:17:22 > 1:17:24- Was?- Was.
1:17:24 > 1:17:27If that's Christine Stanford's blood on there...
1:17:27 > 1:17:31HE SPEAKS GERMAN
1:17:31 > 1:17:36- Look. This is ridiculous.- You embezzled money from the company.
1:17:36 > 1:17:40She was going to turn you in. You're not just a crook, but a murderer.
1:17:40 > 1:17:46I want to see my lawyer. I'll not say another word until I do.
1:17:48 > 1:17:52GIGGLING
1:17:52 > 1:17:53Can you believe it?
1:17:53 > 1:17:57- So he goes out and he buys a bunch of roses.- No.
1:17:57 > 1:18:01- Yes. And then he shows up on my doorstep to apologise.- Oh, my God.
1:18:01 > 1:18:06I know! He was red in the face and sweating all over my carpet.
1:18:06 > 1:18:08And he was so sorry for locking me up.
1:18:08 > 1:18:11Well, I think it's rather cute. Did you invite him in?
1:18:11 > 1:18:16No! Are you crazy? No! I just smiled sweetly,
1:18:16 > 1:18:18and I took his cheap roses
1:18:18 > 1:18:21and his lame excuses and I threw them in the trash.
1:18:21 > 1:18:24Oh, poor Bach. To pick a cliche,
1:18:24 > 1:18:27tough cop falls for beautiful murderess.
1:18:29 > 1:18:32Yeah, but I'm-I'm not a murderess.
1:18:33 > 1:18:35Right.
1:18:36 > 1:18:39Dani...
1:18:39 > 1:18:40I know what you did for me.
1:18:42 > 1:18:47- You would have done the same for me.- Yes, of course.
1:18:53 > 1:19:00- Shall we, eh, have a look at 26 again?- Oh. Yeah, sure.
1:19:09 > 1:19:12ADVERT PLAYS
1:19:17 > 1:19:22Well...I think they're OK, but they're not good enough.
1:19:22 > 1:19:25What do you think?
1:19:29 > 1:19:31Whoa! Dani!
1:19:31 > 1:19:33SHE LAUGHS
1:19:33 > 1:19:36That kiss never happened. OK?
1:19:36 > 1:19:41But... But I love you. I want you, Isabelle.
1:19:41 > 1:19:43ISABELLE LAUGHS
1:19:43 > 1:19:45Whoa. That's a problem.
1:19:47 > 1:19:53- But why? - Oh, my God, Dani! You're serious.
1:19:53 > 1:19:57SHE LAUGHS
1:19:57 > 1:20:01- But you love me.- No. No, Dani. No. What's wrong with you?
1:20:01 > 1:20:05- No, I don't love you.- Yes, you do.
1:20:05 > 1:20:08- I've even... Maybe you won't admit it, but you love me.- Dani.
1:20:08 > 1:20:10Please. You know what? I think we've been drinking too much.
1:20:10 > 1:20:13I'll just make us some espresso, I'll call you a cab.
1:20:13 > 1:20:15You can get home, you can have a good night's sleep
1:20:15 > 1:20:16and then we talk tomorrow. OK?
1:20:16 > 1:20:22No, not-not tomorrow. Isabelle, tha...that is not true, right?
1:20:22 > 1:20:23- Please.- You love me.
1:20:23 > 1:20:25- Please, Dani, ple...- You have to love me, please.- Stop it.
1:20:25 > 1:20:28- You're pathetic now. Please, please. - I'm pathetic?- Yes.
1:20:28 > 1:20:30After all I did for you?
1:20:30 > 1:20:32And I'm grateful, OK? Thank you.
1:20:35 > 1:20:37Yes, you said thank you.
1:20:39 > 1:20:41Here's your espresso.
1:20:41 > 1:20:44Please sit down, sober up. I'll call you a taxi, OK?
1:21:45 > 1:21:48Some killer drug.
1:21:51 > 1:21:54Of course you know I'm in no danger.
1:21:54 > 1:21:58I was first mystified by your pill-popping routine.
1:21:58 > 1:22:01Until a couple landed in my tea and I accidently tested them out.
1:22:03 > 1:22:06They were nothing. Just a harmless sweetener.
1:22:08 > 1:22:12So I followed you... to see what was up.
1:22:17 > 1:22:19First stop at the scarf shop.
1:22:21 > 1:22:24You buy the identical scarf that Christine gave you
1:22:24 > 1:22:26and then hide it behind a drawer?
1:22:26 > 1:22:27How intriguing.
1:22:29 > 1:22:33So what's next? Oh, yeah. Dance night.
1:22:35 > 1:22:37I followed you to the theatre
1:22:37 > 1:22:41and watched you making a scene and an alibi.
1:23:13 > 1:23:17Last stop, Christine's house.
1:23:51 > 1:23:54And all the puzzle pieces come together.
1:23:57 > 1:23:59Picture-perfect moment.
1:24:11 > 1:24:14Christine.
1:24:14 > 1:24:17Christine! Let me in, Christine.
1:24:19 > 1:24:21Christine!
1:24:22 > 1:24:24You baited the hook with a confession.
1:24:24 > 1:24:27Yes, I confess.
1:24:27 > 1:24:29And an ass of an inspector swallowed every phoney clue,
1:24:29 > 1:24:31hook, line and sinker.
1:24:42 > 1:24:45A perfect murder.
1:24:45 > 1:24:46Except...
1:24:46 > 1:24:48The videos?
1:24:48 > 1:24:51Oh, I've collected them into a deep and incriminating album
1:24:51 > 1:24:54addressed to Inspector Bach
1:24:54 > 1:24:55and uploaded them into this.
1:24:55 > 1:24:59- Untraceable?- I picked up this little disposable.
1:24:59 > 1:25:03It's cute, isn't it? All I have to do...
1:25:03 > 1:25:06is press this little send button.
1:25:15 > 1:25:16What do you want?
1:25:16 > 1:25:19First of all, I don't like that tone of voice. Change it!
1:25:22 > 1:25:24What do you want?
1:25:26 > 1:25:27Come here.
1:25:41 > 1:25:42Sit down.
1:25:47 > 1:25:48Come closer.
1:25:56 > 1:25:58Now kiss me.
1:26:08 > 1:26:11You like that, don't you?
1:26:11 > 1:26:12So you do love me.
1:26:25 > 1:26:27Turn around.
1:26:37 > 1:26:39(I love you.)
1:27:36 > 1:27:38(I thought you made up the twin sister.)
1:27:40 > 1:27:43I never had the chance to apologise to her.
1:27:57 > 1:28:01PHONE RINGING
1:28:10 > 1:28:13Yeah.
1:28:14 > 1:28:18PHONE RINGING
1:29:04 > 1:29:09PHONE RINGING
1:30:25 > 1:30:27DOORBELL
1:30:27 > 1:30:29DOORBELL
1:30:32 > 1:30:35STRUGGLING
1:30:46 > 1:30:47DANI GASPING
1:31:01 > 1:31:03SHE CHOKES
1:31:51 > 1:31:53DOORBELL
1:31:53 > 1:31:54PHONE RINGING
1:32:32 > 1:32:34SHE GASPS