Saving Mr Banks

0:00:11 > 0:00:14PIANO PLAYS

0:00:26 > 0:00:30MUSIC: Chim Chim Cher-ree from Mary Poppins

0:00:59 > 0:01:02MAN: 'Winds in the east... WORDS FOLLOW THE SONG'S RHYTHM

0:01:02 > 0:01:04'..mist coming in.

0:01:04 > 0:01:06'Like something is brewing...'

0:01:08 > 0:01:11'..about to begin.

0:01:11 > 0:01:13'Can't put me finger

0:01:13 > 0:01:16'on what lies in store.

0:01:16 > 0:01:21'But I feel what's to happen all happened before.'

0:01:34 > 0:01:35DOORBELL RINGS

0:01:43 > 0:01:44DOORBELL RINGS AGAIN

0:01:53 > 0:01:54DOORBELL RINGS AGAIN

0:01:57 > 0:01:59- Mr Russell.- Mrs Travers.

0:02:06 > 0:02:08Like pink clouds on sticks.

0:02:09 > 0:02:10Excuse me?

0:02:10 > 0:02:14The cherry blossom, I was trying to think of what it looks like.

0:02:14 > 0:02:16The car should be here by now.

0:02:16 > 0:02:19May I use the phone?

0:02:19 > 0:02:22- I cancelled it.- You...?

0:02:22 > 0:02:23What?

0:02:24 > 0:02:28- Pamela?- Mrs Travers. - Mrs Travers...

0:02:28 > 0:02:31- Why would you cancel the car? - I shan't be going.

0:02:31 > 0:02:33We've been through this.

0:02:33 > 0:02:36- I've changed my mind. - You made an agreement.

0:02:36 > 0:02:39Do you understand? A verbal agreement.

0:02:39 > 0:02:42Why in the world are you speaking to me as if I were a neonate?

0:02:42 > 0:02:44- He's going to...- What? What is he going to do? Sue?

0:02:44 > 0:02:47He is very welcome to every penny I don't possess.

0:02:47 > 0:02:52Look... I've represented you for a long time.

0:02:52 > 0:02:55I like to think of you as a friend

0:02:55 > 0:02:58Yes, I like to think of it, believe me, I know it's not reciprocated.

0:02:59 > 0:03:03I would never suggest anything that would cause you anguish,

0:03:03 > 0:03:04but there's no more money, Pamela!

0:03:04 > 0:03:07Mrs Travers. Simply no more.

0:03:07 > 0:03:10Sales have dried up, no more royalties.

0:03:10 > 0:03:12You refuse to write further books, so...

0:03:14 > 0:03:16Do you understand? I'm...

0:03:16 > 0:03:18I'm frightened you don't understand what that means.

0:03:18 > 0:03:22I know what he's going to do to her! She'll be cavorting and twinkling!

0:03:22 > 0:03:24Careening towards a happy ending like a kamikaze!

0:03:24 > 0:03:27We've been trying to do this deal for 20 years!

0:03:27 > 0:03:29He's agreed to both your stipulations. No animation,

0:03:29 > 0:03:31- script approval... - Use her to pay my bills?

0:03:31 > 0:03:34If I believed in a hell, I'd be sitting in its waiting room!

0:03:34 > 0:03:36Script approval! He's never granted that before!

0:03:36 > 0:03:38I don't know what else to do!

0:03:45 > 0:03:47- Where's Polly?- I fired her.

0:03:49 > 0:03:53It's just as well. It seems I can't afford her any more anyway.

0:03:57 > 0:03:59You don't know what she means to me.

0:04:00 > 0:04:03- Polly?- Of course not Polly!

0:04:03 > 0:04:05For God's sake!

0:04:05 > 0:04:08Los...Angeles.

0:04:11 > 0:04:14You have only to go there and work for two weeks.

0:04:14 > 0:04:15Collaborate.

0:04:15 > 0:04:18- You haven't signed over the rights yet.- Yet!

0:04:18 > 0:04:20You must make this work, Mrs Travers.

0:04:20 > 0:04:22- Oh, I must, must I? - You need the money.

0:04:22 > 0:04:25- I don't want...- Stop saying money! It's a filthy, disgusting word!

0:04:25 > 0:04:29- I am picking up the phone now, Mrs Travers...- I-I have final say.

0:04:34 > 0:04:36You do.

0:04:36 > 0:04:38I have final say.

0:04:38 > 0:04:41And if I don't like what they're doing to her...

0:04:41 > 0:04:43Then you don't sign the papers.

0:04:43 > 0:04:45He can't make the film unless you grant the rights.

0:04:47 > 0:04:49It's an exploratory trip...

0:04:51 > 0:04:52What do you say?

0:04:54 > 0:04:55I...

0:04:56 > 0:04:58I want to keep my house.

0:05:09 > 0:05:14Ahem! Excuse me, madam, have you seen my daughter?

0:05:14 > 0:05:18I was quite sure I left her around here somewhere!

0:05:18 > 0:05:20Her name is Helen.

0:05:20 > 0:05:22No, er... Shirley.

0:05:22 > 0:05:26No, erm, um... Ah.

0:05:26 > 0:05:29Good Lord... I've quite forgotten!

0:05:29 > 0:05:32- Could it be Prunella?- No!

0:05:32 > 0:05:34- Pamela?- No, no, no.

0:05:34 > 0:05:38- I'm sure I have a special name for her...- Ginty!

0:05:38 > 0:05:42Why, thank you, ma'am! Ginty it is, of course! Yeah.

0:05:42 > 0:05:45- Now, have you seen her?- It's me!

0:05:46 > 0:05:49SHE GIGGLES

0:05:49 > 0:05:51Gosh! So it is!

0:05:51 > 0:05:53Thank goodness for that!

0:05:55 > 0:05:57I was positive I was going to be beheaded for losing...

0:05:57 > 0:06:02Her Highness The Royal Princess Ginty McFeatherfluffy!

0:06:02 > 0:06:05- Don't lose me!- Never.

0:06:05 > 0:06:07I promise.

0:06:07 > 0:06:09I'll never lose you!

0:06:09 > 0:06:11You ready? Are you sure?

0:06:11 > 0:06:13BELL RINGS C'mon!

0:06:13 > 0:06:16The adventure is about to begin! C'mon.

0:06:16 > 0:06:17Up!

0:06:17 > 0:06:19There we go.

0:06:19 > 0:06:20SHE LAUGHS, HE NEIGHS

0:06:26 > 0:06:30- Can I help you? - I'm perfectly capable, thank you.

0:06:30 > 0:06:32They've used all the space. So greedy.

0:06:32 > 0:06:34I'll take it, madam. I can put it up in front.

0:06:34 > 0:06:36I don't want it there. I would like it here

0:06:36 > 0:06:38in the corresponding holding area for my assigned seat!

0:06:38 > 0:06:41- The flight's closing in a moment, madam. I'll have to take it.- Ah, ah!

0:06:41 > 0:06:44You can move mine instead. It's the grey one.

0:06:44 > 0:06:45Thank you.

0:06:52 > 0:06:55Will the child be a nuisance? It's an 11-hour flight.

0:06:58 > 0:07:00- Er...I don't... - Jolly good.

0:07:08 > 0:07:10I hope we crash.

0:07:11 > 0:07:13CAR HORN HONKS

0:07:15 > 0:07:17- WOMAN:- Where's the carriage?

0:07:17 > 0:07:20- A carriage? Who needs a carriage? - But, darling, there's so many...

0:07:20 > 0:07:24Every leisurely stroll is a gift, darling! It's a gift!

0:07:24 > 0:07:26Now, Biddy... are you staying?

0:07:26 > 0:07:29- You're coming with us? - Mm-hm.- Excellent!

0:07:32 > 0:07:36- SHE SIGHS - Thank you so much. For everything.

0:07:36 > 0:07:38Thank you, Miss.

0:07:38 > 0:07:41Hurry up, everyone! We mustn't be late for the train.

0:07:43 > 0:07:46- All aboard! Everybody ready?- Yes.

0:07:47 > 0:07:49- See you soon, Katie Nanna! - Take care, love.

0:07:50 > 0:07:52Everybody ready?

0:07:54 > 0:07:55Walking bus!

0:07:55 > 0:07:58- Left, right! Left, right! - Miss? Miss...

0:08:01 > 0:08:02Thank you.

0:08:13 > 0:08:17Left! Left, right, left... And, one, two, three!

0:08:17 > 0:08:21New town, new job, new bank. New life.

0:08:21 > 0:08:25Come on, my little ducklings! CHILDREN GIGGLE

0:08:25 > 0:08:29Left, right, left... C'mon, come along!

0:08:29 > 0:08:30DOG BARKS

0:08:35 > 0:08:38CAR HORN HONKS Halt!

0:09:00 > 0:09:02"Allora."

0:09:02 > 0:09:04Ginty. Come on, my love.

0:09:04 > 0:09:07TRAIN WHISTLE BLOWS

0:09:52 > 0:09:54- TANNOY BEEPS - Mmm...

0:09:54 > 0:09:56'Ladies and gentlemen,

0:09:56 > 0:09:58'we are beginning our descent into Los Angeles.'

0:10:10 > 0:10:13BUZZ OF CONVERSATION

0:10:23 > 0:10:25Oh, he does, does he?

0:10:25 > 0:10:27Travers? PL Travers?

0:10:27 > 0:10:28- "Mrs".- OK.

0:10:28 > 0:10:32Well, welcome, Mrs PL Travers. Welcome to the City of Angels.

0:10:32 > 0:10:33Let me take those for you.

0:10:33 > 0:10:36- I'm perfectly capable... - Come.- Oh, never mind.

0:10:42 > 0:10:45The sun came out to say hello just to you.

0:10:45 > 0:10:47Don't be preposterous.

0:10:47 > 0:10:49It smells, like...

0:10:49 > 0:10:52- Jasmine.- Chlorine and sweat. Ugh!

0:10:52 > 0:10:54It's dreadful.

0:10:55 > 0:10:56Ugh!

0:11:13 > 0:11:14GLASS CLINKS

0:11:17 > 0:11:18Absurd.

0:11:18 > 0:11:20Are you all right back there, Mrs PL Travers?

0:11:20 > 0:11:22It's not "Mrs PL".

0:11:22 > 0:11:23It's just "Mrs".

0:11:23 > 0:11:25Oh...

0:11:25 > 0:11:27It's so hot.

0:11:27 > 0:11:29Oh. No problemo!

0:11:29 > 0:11:30No problemo.

0:11:30 > 0:11:32We got a brand-new air-conditioning system, Mrs.

0:11:32 > 0:11:34Yeah.

0:11:34 > 0:11:35Just about make you feel like

0:11:35 > 0:11:38you're in good old Eng-er-land again!

0:11:38 > 0:11:40I tell you, the things they can put in cars these days.

0:11:40 > 0:11:42Gosh almight...

0:11:44 > 0:11:45No problemo.

0:12:00 > 0:12:03And here we are, ma'am.

0:12:07 > 0:12:09- Thank you.- Ma'am?

0:12:09 > 0:12:12Would you like me to unpack for you, ma'am?

0:12:12 > 0:12:15Young man, if it is your ambition to handle ladies' garments,

0:12:15 > 0:12:17may I suggest you take employment in a launderette?

0:12:20 > 0:12:21Odd.

0:12:21 > 0:12:24Odd, odd...

0:12:29 > 0:12:31Oh, dear.

0:12:31 > 0:12:33For heaven's sake.

0:12:33 > 0:12:36What on earth is...?

0:12:37 > 0:12:39How...? What on...?

0:12:46 > 0:12:49No, no, no. This will never do.

0:12:49 > 0:12:51Absolutely no pears.

0:12:51 > 0:12:53No pears.

0:13:06 > 0:13:08A palace.

0:13:08 > 0:13:10Complete with mighty steed.

0:13:10 > 0:13:13- And chickens. - FATHER LAUGHS

0:13:13 > 0:13:16- Oh, my.- Oh, we'll make beautiful memories here, my angel.

0:13:16 > 0:13:18Come on.

0:13:18 > 0:13:21- All right?- Mmm.- Girls. Come on.

0:13:21 > 0:13:22DOGS BARK

0:13:22 > 0:13:27In this house, you get to share a room!

0:13:51 > 0:13:53Good riddance.

0:13:53 > 0:13:55Now...

0:13:59 > 0:14:01Ridiculous.

0:14:01 > 0:14:04How old do they think I am?

0:14:05 > 0:14:07Five years old, or something.

0:14:09 > 0:14:12Poor AA Milne.

0:14:12 > 0:14:13Ghastly business.

0:14:13 > 0:14:15Duck, dog, out.

0:14:26 > 0:14:27Much better.

0:14:38 > 0:14:42And you can stay there until you learn the art of subtlety.

0:15:01 > 0:15:03- Oh!- 'Lassie!'

0:15:06 > 0:15:07Ah!

0:15:08 > 0:15:10There you are.

0:15:10 > 0:15:12LAUGHING: 'Don't worry.

0:15:12 > 0:15:14'There's nothing wrong with your television set.

0:15:14 > 0:15:15'This is a pixie bell.

0:15:15 > 0:15:18'The sound is much too high for human ears.

0:15:18 > 0:15:20'Oh!

0:15:20 > 0:15:22'There you are, Tink.

0:15:22 > 0:15:24'Hey!

0:15:24 > 0:15:28'Hey! Get that stuff off of me!

0:15:28 > 0:15:32'You know, if you're familiar with our story of Peter Pan,

0:15:32 > 0:15:34'you know a little sprinkling of Tinker Bell's fairy dust

0:15:34 > 0:15:36'can make you fly. Huh.

0:15:36 > 0:15:39'Where are you going, Tink? Haven't you forgotten something?'

0:15:39 > 0:15:40Off!

0:15:40 > 0:15:42That's how we deal with YOU.

0:15:58 > 0:15:59Good morning, Mrs.

0:15:59 > 0:16:02It's not "Mrs". It's... Never mind.

0:16:02 > 0:16:04We're just not going to get it right, are we?

0:16:04 > 0:16:06What's that?

0:16:06 > 0:16:10- Will it be the same driver every day?- Yes, ma'am.

0:16:10 > 0:16:12I am all yours.

0:16:14 > 0:16:17- Hey, sun came out again. - You say it as if you're surprised.

0:16:17 > 0:16:20As if the sun were particular about for whom it appears.

0:16:20 > 0:16:22- It seems you think that- I- am responsible for

0:16:22 > 0:16:25its miraculous dawning every day. For heaven's sake, it's California.

0:16:25 > 0:16:27Certainly is!

0:16:33 > 0:16:36I'd so much rather be accountable for the rain.

0:16:36 > 0:16:37Oh, that's sad.

0:16:37 > 0:16:40Sad is entirely the wrong emotion.

0:16:40 > 0:16:43I shan't bother explaining why. It would just... Zip!

0:16:43 > 0:16:45Huh. Okey dokey.

0:16:47 > 0:16:49The rain brings life.

0:16:52 > 0:16:54So does the sun!

0:16:55 > 0:16:56- Be quiet.- Yes, ma'am.

0:17:18 > 0:17:19I'll get that, sir.

0:17:19 > 0:17:22- Got it?- Yes, sir.

0:17:25 > 0:17:27Good morning, Pamela.

0:17:27 > 0:17:30It is so discomfiting to hear a perfect stranger

0:17:30 > 0:17:32use my first name.

0:17:32 > 0:17:33"Mrs Travers", please.

0:17:33 > 0:17:36I do apologise, Mrs Travers.

0:17:36 > 0:17:39I'm Don DaGradi, the scriptwriter.

0:17:39 > 0:17:43Co-scriptwriter. I shall certainly be having my say, Mr DiGradi.

0:17:43 > 0:17:45"DaGradi".

0:17:45 > 0:17:47Uh... Wonderful, I welcome your input.

0:17:47 > 0:17:49If, indeed, we ever sign off on a script.

0:17:50 > 0:17:52Right. Um...

0:17:52 > 0:17:54This is the rest of your team.

0:17:54 > 0:17:56This is Dick and Bob Sherman, music and lyrics.

0:17:56 > 0:17:58Boys, the one and only Mrs PL Travers.

0:17:58 > 0:18:00The creator of our beloved Mary.

0:18:00 > 0:18:02- Poppins.- Who else?- "Mary Poppins".

0:18:02 > 0:18:05Never, ever just "Mary".

0:18:05 > 0:18:06- It's a pleasure to meet you. - Hello.

0:18:06 > 0:18:09- I fear we shan't be acquainted for very long.- Why is that?

0:18:09 > 0:18:11Because these books simply do not

0:18:11 > 0:18:14lend themselves to chirping and prancing.

0:18:14 > 0:18:16No, it's certainly not a musical.

0:18:16 > 0:18:17Now, where is Mr Disney?

0:18:17 > 0:18:20I should so much like to get this started and finished

0:18:20 > 0:18:22as briskly as is humanly possible. Perhaps someone could

0:18:22 > 0:18:23point me in his direction. I'd be so grateful.

0:18:23 > 0:18:27- Thank you.- We were hoping to give you a little tour of the studio.

0:18:27 > 0:18:30- No, thank you.- Walt just wanted to show the place off.

0:18:30 > 0:18:33No-one likes a show-off.

0:18:33 > 0:18:35Mrs Travers, it's quite a long way.

0:18:35 > 0:18:37Not a musical?

0:18:41 > 0:18:44I am perfectly capable of walking.

0:18:55 > 0:18:56Good morning.

0:18:56 > 0:18:58Could you let Mr Disney know I've arrived, please?

0:18:58 > 0:19:00Absolutely. Please, have a seat.

0:19:00 > 0:19:01Oh, no, there's no need.

0:19:01 > 0:19:05He'll be just a moment, Mrs Travers.

0:19:05 > 0:19:07Why don't we sit?

0:19:14 > 0:19:15(She's here.)

0:19:15 > 0:19:17Uh...

0:19:17 > 0:19:19A word of advice, Mrs Travers, if I may.

0:19:19 > 0:19:22You may. Whether I heed it or not will be another matter entirely.

0:19:23 > 0:19:24Wow.

0:19:24 > 0:19:26Uh, it's just that

0:19:26 > 0:19:29he can't stand being called "Mr Disney".

0:19:29 > 0:19:32We're all on a first-name basis here.

0:19:32 > 0:19:33Mmm.

0:19:33 > 0:19:35LOUD COUGHING

0:19:38 > 0:19:41Well, here you are at last.

0:19:41 > 0:19:43Oh, my dear gal,

0:19:43 > 0:19:48you can't imagine how excited I am to finally meet you.

0:19:48 > 0:19:49HE LAUGHS

0:19:49 > 0:19:50It's an honour, Mr Disney.

0:19:50 > 0:19:52Oh, "Walt". Now, you gotta call me Walt.

0:19:52 > 0:19:55- Mr Disney was my old man, isn't that right, Don?- Absolutely, Walt.

0:19:55 > 0:19:56Come here. Come here.

0:19:56 > 0:19:58Tommie.

0:19:58 > 0:20:02Say hello to the one and only Pamela Travers.

0:20:02 > 0:20:05It's so nice to meet you.

0:20:05 > 0:20:06You know, I can't believe it.

0:20:06 > 0:20:09PL Travers, right here in my office.

0:20:09 > 0:20:11After all these years, almost 20 of them?

0:20:11 > 0:20:13Mmm. Yes.

0:20:13 > 0:20:1520 long years.

0:20:15 > 0:20:17I wish you could have seen me, then, Pam.

0:20:17 > 0:20:19Lean as a whippet, I was.

0:20:19 > 0:20:21A racehorse.

0:20:21 > 0:20:22Well, anyway.

0:20:22 > 0:20:24Now, here you are, and look at you.

0:20:24 > 0:20:26I could just eat you up.

0:20:26 > 0:20:29Uh... That wouldn't be appropriate.

0:20:30 > 0:20:32You know what... When Diane, here,

0:20:32 > 0:20:34was about, uh, seven years old...

0:20:34 > 0:20:36Oh, can I get you something to drink? A coffee, or...

0:20:36 > 0:20:38A pot of tea would be most welcome.

0:20:38 > 0:20:40Anyway, she was about seven years old

0:20:40 > 0:20:41when I was walking past her room

0:20:41 > 0:20:44and she was on her bed reading to her sister, Sharon,

0:20:44 > 0:20:47and those girls, they were just giggling their little socks off.

0:20:47 > 0:20:48- Tommie?- Yes?

0:20:48 > 0:20:50- A hot tea for Pamela and me. - Right away, Walt.

0:20:50 > 0:20:52Ah, you're a doll.

0:20:52 > 0:20:54She is. She's a doll.

0:20:54 > 0:20:59Anyways, I asked them, I said, "Girls, what's so funny?"

0:20:59 > 0:21:01And Diane said to me,

0:21:01 > 0:21:04- "Why, Daddy, Mary Poppins." - HE LAUGHS

0:21:05 > 0:21:09I didn't even know what a Mary Poppins was.

0:21:09 > 0:21:10But then she gave me one of your books,

0:21:10 > 0:21:13and, oh, by gosh, my imagination caught on fire.

0:21:13 > 0:21:15Absolutely on fire.

0:21:15 > 0:21:17And those embers have burned ever since, as you know.

0:21:17 > 0:21:19- I do. Yes.- 20 years.

0:21:19 > 0:21:21So you keep saying.

0:21:21 > 0:21:26Pam, a man cannot break a promise he's made to his kids.

0:21:26 > 0:21:30No matter how long it takes for him to make it come true.

0:21:30 > 0:21:32Now, you've kept me dangling all this time.

0:21:32 > 0:21:34But now, I gotcha.

0:21:34 > 0:21:36"Gotcha", indeed.

0:21:36 > 0:21:39Mr Disney, if you have "dangled",

0:21:39 > 0:21:42it is at the end of a rope you have fashioned for yourself.

0:21:42 > 0:21:44I was perfectly clear when you approached me 20 years ago

0:21:44 > 0:21:46that she wasn't for sale. And I was clear again

0:21:46 > 0:21:49when you approached me the following year and clear again

0:21:49 > 0:21:52when you approached me every annum for the subsequent 18 years,

0:21:52 > 0:21:54and, quite honestly, I feel corralled.

0:21:54 > 0:21:57Oh, now, Pam, the last thing I want to do is make you feel as though...

0:21:57 > 0:21:59Would you mind? My name is "Mrs Travers". I do...

0:21:59 > 0:22:01See, I promised them, Pam. Now, that's a fact.

0:22:01 > 0:22:02You got kids?

0:22:02 > 0:22:04No. Well, not precisely.

0:22:04 > 0:22:06I have never, and absolutely never,

0:22:06 > 0:22:08gone back on a promise I made to either one of my daughters.

0:22:08 > 0:22:12- Now, that's what being "Daddy" is all about, right?- Is it?

0:22:12 > 0:22:15See, our motion picture is not just going to make my kids happy.

0:22:15 > 0:22:18It's going to make all kids happy. Adults, too.

0:22:18 > 0:22:20Because my guys are going to do things with it

0:22:20 > 0:22:22that are revolutionary, Pam. Revolutionary!

0:22:22 > 0:22:25Your Mary Poppins is going to literally fly off the pages

0:22:25 > 0:22:26of your books.

0:22:26 > 0:22:27Oh. Thank you, Tommie.

0:22:27 > 0:22:30This magical woman who has only lived inside your head,

0:22:30 > 0:22:32well, you are going to be able to meet her, speak to her.

0:22:32 > 0:22:33You're going to hear her sing.

0:22:33 > 0:22:36Now, the singing, I'm very glad you've come to that.

0:22:36 > 0:22:38Oh! Milk in first, please.

0:22:38 > 0:22:40Then the tea.

0:22:40 > 0:22:42And a spoonful of sugar.

0:22:43 > 0:22:46You don't intend for this film to be a musical?

0:22:46 > 0:22:48I absolutely do.

0:22:48 > 0:22:49No.

0:22:49 > 0:22:52- No?- No.

0:22:52 > 0:22:56Mr Disney, Mary Poppins does not sing.

0:22:56 > 0:22:58Yes, she does.

0:22:58 > 0:23:00- When?- In your books.

0:23:00 > 0:23:02No, those aren't songs. They're recitations.

0:23:02 > 0:23:06She's not a giddy woman. She's doesn't jig about.

0:23:06 > 0:23:07I mean, singing is frivolous.

0:23:07 > 0:23:10It's wholly unnecessary in a governess, an educatress.

0:23:10 > 0:23:12No, it would simply ruin it.

0:23:12 > 0:23:15I won't have her turned into one of your silly cartoons.

0:23:25 > 0:23:26Now, Pam...

0:23:26 > 0:23:28HE CLEARS HIS THROAT

0:23:31 > 0:23:33I want you to know

0:23:33 > 0:23:35that the last thing I would do,

0:23:35 > 0:23:37the very last thing,

0:23:37 > 0:23:39is tarnish a story I have cherished.

0:23:39 > 0:23:44Now, the pages of your books are worn to tissue.

0:23:44 > 0:23:46They are dog-eared and falling out,

0:23:46 > 0:23:48because I have pored over them, gripped and tormented.

0:23:48 > 0:23:51Because I love her, Pam.

0:23:51 > 0:23:53I love Mary Poppins.

0:23:53 > 0:23:58And you, you have got to share her with me.

0:24:01 > 0:24:04And nothing happens without your say-so.

0:24:04 > 0:24:05Quite right.

0:24:05 > 0:24:07It's all right here in the rights agreement

0:24:07 > 0:24:10that was approved by your agent.

0:24:10 > 0:24:11Uh... Dermot?

0:24:11 > 0:24:12Diarmuid.

0:24:12 > 0:24:13Dar...

0:24:13 > 0:24:15A live-action film. No animation.

0:24:15 > 0:24:17Live-action. Here's a pen.

0:24:19 > 0:24:21I'd like this on tape.

0:24:21 > 0:24:22On tape?

0:24:22 > 0:24:23Mmm. Your promise,

0:24:23 > 0:24:26and all the conversations we have here, on tape.

0:24:30 > 0:24:31Ah-ha. There you are.

0:24:33 > 0:24:37Mary Poppins and the Bankses, they are family to me.

0:24:37 > 0:24:40I understand that. I do.

0:24:40 > 0:24:44Well, then. Shall we begin?

0:24:46 > 0:24:47Let's make something wonderful.

0:24:47 > 0:24:50Well, let's see if that's at all possible.

0:24:58 > 0:24:59Whoa...

0:24:59 > 0:25:01(Damn!)

0:25:11 > 0:25:14Testing. One, two, three.

0:25:16 > 0:25:18'Testing. One, two.'

0:25:19 > 0:25:23What is all this jollification?

0:25:23 > 0:25:27We've got a whole script to get through. It'll be a long day, Mrs T.

0:25:27 > 0:25:29Mrs Travers.

0:25:29 > 0:25:31You could save a starving country

0:25:31 > 0:25:32with benefaction from this room alone.

0:25:32 > 0:25:34It's just, ugh, so vulgar.

0:25:34 > 0:25:36Did you turn on the thing?

0:25:36 > 0:25:38Uh...

0:25:39 > 0:25:42Yes. Now, let us begin.

0:25:42 > 0:25:44Mmm. So...

0:25:44 > 0:25:45"Scene one."

0:25:45 > 0:25:49"Exterior, Cherry Tree Lane..." "Ext"? What's "Ext"?

0:25:50 > 0:25:51"Exterior."

0:25:51 > 0:25:55It means the scene takes place outside.

0:25:55 > 0:25:57Oh, I see. It is an abbreviation.

0:25:57 > 0:26:00I'm so sorry, Mr DaGradi, do you feel that you should be...?

0:26:00 > 0:26:02Oh. Please, be my guest, Mrs Travers.

0:26:02 > 0:26:04I do think it's best. I have the most practice.

0:26:04 > 0:26:06Readings of my books, you know?

0:26:06 > 0:26:08- Absolutely.- Anyway.

0:26:08 > 0:26:09"Scene one. Exterior.

0:26:09 > 0:26:14"17, Cherry Tree Lane, London. Day."

0:26:14 > 0:26:16- Yes, that's good. That can stay. - That's just the scene heading.

0:26:16 > 0:26:19Although, I do think we should say "Number 17", instead of just "17".

0:26:19 > 0:26:20It's proper, yes?

0:26:20 > 0:26:21BOTH: No-one's going to see it.

0:26:21 > 0:26:24I will see it.

0:26:24 > 0:26:26Write it down. Write it down. Chop, chop.

0:26:26 > 0:26:28Is that on the tape? Have we got that?

0:26:28 > 0:26:29Uh... Yes.

0:26:29 > 0:26:31Very good. Onwards.

0:26:31 > 0:26:34I'm sorry to interrupt.

0:26:34 > 0:26:36- Is that a joke?- Excuse me?

0:26:36 > 0:26:38Do you think you are a comedienne?

0:26:38 > 0:26:41- I'm sorry, I don't understand. - Well, it's...

0:26:41 > 0:26:45- Unbelievable. In the way.- Dolly, I think we're all set with food.

0:26:45 > 0:26:47Thank you.

0:26:47 > 0:26:49"Scene one. Exterior.

0:26:49 > 0:26:53"Number 17, Cherry Tree Lane, London. Day."

0:26:53 > 0:26:56"Bert, a one-man..." Oh, the rumour is that this is

0:26:56 > 0:26:58- to be your Mr Van Dyke. Is that right?- We do hope so.

0:26:58 > 0:27:00We'll see about that. It's a horrid idea.

0:27:00 > 0:27:01Dick is one of the greats.

0:27:03 > 0:27:05Dick Van Dyke?

0:27:05 > 0:27:06Yes.

0:27:07 > 0:27:10Robert, my dear.

0:27:10 > 0:27:12Olivier is one of the greats.

0:27:12 > 0:27:15Burton, Guinness, greats without question.

0:27:15 > 0:27:20I can assure... I can assure you that Dick Van Dyke is not.

0:27:20 > 0:27:22Dick Van Dyke.

0:27:22 > 0:27:25Uh... "Bert, a one-man band, plays to a small gathering

0:27:25 > 0:27:27"outside the gates to the park.

0:27:27 > 0:27:28"Bert..." Yes, "Bert says..."

0:27:28 > 0:27:29You can do Bert.

0:27:29 > 0:27:32- Thank you. Um...- Go on.

0:27:32 > 0:27:33Guys, shall we...

0:27:35 > 0:27:36..give it a whirl?

0:27:36 > 0:27:40What's happening? What are you doing?

0:27:40 > 0:27:43PIANO: Chords From Chim Chim Cher-ee from Mary Poppins

0:27:43 > 0:27:45"All right, ladies and gents,

0:27:45 > 0:27:46"comical poem

0:27:46 > 0:27:48"suitable for the occasion.

0:27:48 > 0:27:52"Extemporised and thought up before your very eyes.

0:27:52 > 0:27:55"All right, here we go."

0:27:55 > 0:27:59# Room here for everyone Gather around

0:27:59 > 0:28:02# The Constable's responstable Now, how does that sound? #

0:28:02 > 0:28:04- No, no, no! No, no, no! - SHE SLAMS THE TABLE

0:28:04 > 0:28:08"Responstable" is not a word.

0:28:09 > 0:28:10We made it up.

0:28:10 > 0:28:13Well, un-make it up.

0:28:29 > 0:28:32Responstable...?

0:28:55 > 0:28:58There's my girl.

0:29:01 > 0:29:02Here's a good boy. Come on.

0:29:02 > 0:29:04That's it, Albert, give Ginty a smooch.

0:29:04 > 0:29:06There you go. There you go.

0:29:09 > 0:29:11Oh.

0:29:13 > 0:29:15Poor old Albert.

0:29:15 > 0:29:17He's your secret uncle, you know.

0:29:17 > 0:29:21But a miserable, horrid witch turned him into a nag.

0:29:21 > 0:29:23Why did she do that?

0:29:23 > 0:29:26She said she hated the sound of his laugh.

0:29:27 > 0:29:28Poor Uncle Albert.

0:29:28 > 0:29:29Yeah.

0:29:29 > 0:29:31How can we fix him?

0:29:31 > 0:29:35We have to teach the witch to be happy again.

0:29:35 > 0:29:36How?

0:29:36 > 0:29:38Well,

0:29:38 > 0:29:40I'm not quite sure, darling.

0:29:45 > 0:29:47Do you want to know what it feels like to fly, Ginty?

0:29:49 > 0:29:52Come on. Albert, you old nag.

0:29:52 > 0:29:53Come here.

0:29:56 > 0:29:57Up you come.

0:30:00 > 0:30:01Three, two, one.

0:30:05 > 0:30:07- Do you trust me?- Yes.

0:30:08 > 0:30:10H'yah!

0:30:27 > 0:30:28Nobody walks.

0:30:31 > 0:30:33A leisurely stroll is a gift.

0:30:53 > 0:30:55Beautiful, ain't it?

0:30:56 > 0:30:58If you like that sort of thing.

0:30:58 > 0:31:00I do.

0:31:21 > 0:31:23We do find it's helpful to have a visual.

0:31:23 > 0:31:26Plus, it's fun.

0:31:28 > 0:31:30Oh, no, no. No, no. Goodness me, no.

0:31:30 > 0:31:32No?

0:31:32 > 0:31:35The Banks' house doesn't look like that. No, no.

0:31:35 > 0:31:36Mm-hm.

0:31:36 > 0:31:39My house is a terraced house

0:31:39 > 0:31:42with a pink door, white-bricked, with a crack in the gable.

0:31:42 > 0:31:46OK, we get it. The house is not what you pictured.

0:31:46 > 0:31:49The windows are lead-lined and the flower boxes grow

0:31:49 > 0:31:52pink nasturtiums to go with the pink door. Have we got that?

0:31:52 > 0:31:55Oh, dear, it's all a big mistake. It's all wrong.

0:31:55 > 0:31:56It's ALL wrong?

0:31:56 > 0:31:58Well, it's too grand!

0:31:58 > 0:32:00The Bankses are normal, everyday sort of people,

0:32:00 > 0:32:04and this isn't normal. This isn't "everyday". They're not aristocrats.

0:32:20 > 0:32:21OK.

0:32:26 > 0:32:27Oh.

0:32:27 > 0:32:29Do I even have to say it?

0:32:29 > 0:32:31I'm afraid so.

0:32:31 > 0:32:34Why in the world have you made Mrs Banks a silly suffragette?

0:32:34 > 0:32:37I wonder if Emmeline P would agree with that adjective.

0:32:37 > 0:32:39Quite possibly, looking back.

0:32:39 > 0:32:41It does seem strange

0:32:41 > 0:32:44that Mrs Banks allows her kids to spend all of their time

0:32:44 > 0:32:46with the nanny, when she doesn't have a job to speak of.

0:32:46 > 0:32:48Are you calling Mrs Banks neglectful?

0:32:48 > 0:32:50- Yep.- No, of course not.

0:32:50 > 0:32:53We just thought that giving her a job would go some way to explain...

0:32:53 > 0:32:55Being a mother is a job. It's a very difficult job,

0:32:55 > 0:32:56and one that not everyone is up to.

0:32:56 > 0:32:59One that not everyone should have taken on in the first place.

0:32:59 > 0:33:01And I won't have her called Cynthia.

0:33:01 > 0:33:04Absolutely not. It feels... it feels unlucky.

0:33:04 > 0:33:06It needs to be something warm.

0:33:06 > 0:33:10Something a bit, I don't know, sexy.

0:33:10 > 0:33:11How about Mavis?

0:33:11 > 0:33:13Uh...

0:33:13 > 0:33:14- "Sybil"?- Great.

0:33:14 > 0:33:17- Prudence?- Gwendolyn? - Perfect.- Winifred.

0:33:17 > 0:33:20- Winifred? Winifred. - I could go with Winifred.

0:33:20 > 0:33:22That's because it's very good.

0:33:22 > 0:33:26This isn't Mr Banks. This isn't... This isn't him.

0:33:26 > 0:33:29- Uh, yes, that's Mr Banks. - But he has a set of moustaches.

0:33:29 > 0:33:31In the book, he has them.

0:33:31 > 0:33:33I told the illustrator I did not like the facial hair,

0:33:33 > 0:33:35but she chose to ignore me.

0:33:35 > 0:33:37Now this time around, this is my film,

0:33:37 > 0:33:38and I shall have my way.

0:33:38 > 0:33:41Mrs Travers, this is a specific request from Walt.

0:33:41 > 0:33:43Why?

0:33:43 > 0:33:45- Well, I think he identifies... - He didn't, he doesn't.

0:33:45 > 0:33:46Mr Banks is clean-shaven.

0:33:46 > 0:33:49Does it matter?

0:33:49 > 0:33:51Bob...

0:33:53 > 0:33:55Does it matter?

0:33:55 > 0:33:56Bob...

0:33:58 > 0:34:01You can wait outside.

0:34:03 > 0:34:06I shan't say it again, Robert.

0:34:20 > 0:34:21What is wrong with his leg?

0:34:21 > 0:34:22He got shot.

0:34:22 > 0:34:24(That's hardly surprising.)

0:34:24 > 0:34:26Can I expect any more drama from anyone else?

0:34:28 > 0:34:30CHILDREN LAUGH AND SHOUT

0:34:58 > 0:34:59Why do you do that?

0:35:01 > 0:35:02For you, my dear.

0:35:03 > 0:35:06Tell me, Gintamina...

0:35:07 > 0:35:10..which kind of kisses do you prefer?

0:35:11 > 0:35:13Scratchy ones, or silky ones?

0:35:13 > 0:35:15Silky ones.

0:35:17 > 0:35:19Well, then, swish!

0:35:21 > 0:35:22Swoosh!

0:35:23 > 0:35:27A man must shave for to spare his daughter's cheeks.

0:35:34 > 0:35:35Swish.

0:35:35 > 0:35:36Swoosh.

0:35:37 > 0:35:39Swoosh.

0:35:44 > 0:35:47# Supercalifragilistic- expialidocious! #

0:35:47 > 0:35:48Stop! Stop! Stop!

0:35:48 > 0:35:50What on earth are you talking about?

0:35:50 > 0:35:54"Supercali..."? "Supercal..."? Or whatever the infernal thing is.

0:35:54 > 0:35:57It's something you say when you don't know what to say.

0:35:57 > 0:35:59Well, I always know what to say.

0:35:59 > 0:36:02If you so much as step one foot in here with that trolley,

0:36:02 > 0:36:04I shall scream.

0:36:04 > 0:36:06One cannot live on cake alone.

0:36:08 > 0:36:09'Well, hit me with it.'

0:36:09 > 0:36:13She has a lot of...ideas.

0:36:13 > 0:36:16Yeah? What kind of ideas?

0:36:17 > 0:36:20The name "Cynthia" has been changed to "Winifred".

0:36:20 > 0:36:21Fine, fine, fine.

0:36:21 > 0:36:24She won't approve Dick Van Dyke.

0:36:24 > 0:36:26HE LAUGHS

0:36:26 > 0:36:28SHE GIGGLES

0:36:28 > 0:36:32The sketches of the Banks house make it look too opulent.

0:36:32 > 0:36:37There must be no hint of romance between Mary Poppins and Bert.

0:36:37 > 0:36:39She wants to know why Mr Banks has been given a moustache.

0:36:39 > 0:36:41Oh, I asked for that.

0:36:41 > 0:36:44Yes, they told her that, but she wants to know why.

0:36:44 > 0:36:46Because I asked for it.

0:36:46 > 0:36:49Right. Of course.

0:36:49 > 0:36:51Uh, the tape measure Mary Poppins uses

0:36:51 > 0:36:55to record Jane and Michael's height must be a roll tape, not a ruler.

0:36:55 > 0:36:58She only wants green vegetables and broth.

0:36:58 > 0:36:59I don't know what that is,

0:36:59 > 0:37:02but she wants it in the room from now on.

0:37:02 > 0:37:03And... Oh!

0:37:03 > 0:37:07She doesn't want the colour red in the film.

0:37:07 > 0:37:09At all.

0:37:09 > 0:37:12I've simply gone off the colour.

0:37:12 > 0:37:15We can't make the picture without the colour red.

0:37:15 > 0:37:17The film is set in London, for Pete's sake.

0:37:17 > 0:37:18And?

0:37:18 > 0:37:24Well, there's buses and mailboxes and guards' uniforms and things.

0:37:24 > 0:37:26And heck, the English flag.

0:37:26 > 0:37:29I understand your predicament, Mr Disney, I do.

0:37:29 > 0:37:31Uh, it's just...

0:37:31 > 0:37:33I don't know what it is.

0:37:33 > 0:37:36I'm suddenly very anti-red.

0:37:36 > 0:37:38I shan't be wearing it ever again.

0:37:38 > 0:37:40Is this a test, Pamela?

0:37:40 > 0:37:43Are you requiring proof as to how much I want to make you happy,

0:37:43 > 0:37:46so we can create this beautiful thing together?

0:37:47 > 0:37:50I took you at your word, Mr Disney.

0:37:50 > 0:37:53And it seems my first stipulation has been denied.

0:37:53 > 0:37:55There will be many more.

0:37:55 > 0:37:59So, perhaps we should just call it quits

0:37:59 > 0:38:01and I should hand you back these.

0:38:15 > 0:38:17All right.

0:38:17 > 0:38:19No red in the picture.

0:38:19 > 0:38:21- Walt.- Walt!

0:38:21 > 0:38:22Wait.

0:38:32 > 0:38:34He doesn't have the rights.

0:38:34 > 0:38:36Quite.

0:38:42 > 0:38:43Tommie?

0:38:46 > 0:38:48Scotch Mist?

0:38:49 > 0:38:50What do you think?

0:38:50 > 0:38:53- What do I think, what? - You're a woman.

0:38:53 > 0:38:56Oh, that's a canny observation, Walt.

0:38:56 > 0:38:58What am I missing here?

0:38:59 > 0:39:02You think the female of the species has some sort of psychic insight

0:39:02 > 0:39:05when it comes to others of her kind?

0:39:05 > 0:39:07We don't.

0:39:07 > 0:39:09You're going to get an ulcer with all that unriddling.

0:39:09 > 0:39:11Give it up.

0:39:14 > 0:39:16That woman.

0:39:49 > 0:39:51Good afternoon, ma'am. What can I fix you?

0:39:51 > 0:39:53A pot of tea, if you please.

0:39:53 > 0:39:55Sure thing.

0:40:10 > 0:40:11Ma'am.

0:40:13 > 0:40:17Tea is balm for the soul, don't you agree?

0:40:27 > 0:40:28Catch the chook!

0:40:28 > 0:40:30Grab her!

0:40:34 > 0:40:37Girls, will you please just stop?

0:40:37 > 0:40:38BABY CRIES

0:40:38 > 0:40:42It's OK, it's OK. I know, I know.

0:40:42 > 0:40:44In you go.

0:40:45 > 0:40:46All right?

0:40:46 > 0:40:48CRYING CONTINUES

0:40:48 > 0:40:51It's OK.

0:40:51 > 0:40:53Ahoy, Goffs! Ahoy!

0:40:53 > 0:40:54Father!

0:40:54 > 0:40:57Whoa! That's better.

0:40:59 > 0:41:01What a wonderful surprise.

0:41:01 > 0:41:03Did you finish early?

0:41:03 > 0:41:06No, I couldn't stop thinking of my beautiful girls

0:41:06 > 0:41:09on this beautiful day in this beautiful place.

0:41:09 > 0:41:11And I thought, "To hell with it!"

0:41:11 > 0:41:13But don't you have work to do?

0:41:13 > 0:41:16"But, but, but..."

0:41:16 > 0:41:18Butts are for goats, my love.

0:41:21 > 0:41:24I'll put in extra hours tomorrow.

0:41:26 > 0:41:29A gift of a pear for milady.

0:41:30 > 0:41:31Thank you.

0:41:33 > 0:41:35Now, what are we playing?

0:41:35 > 0:41:38- The hen got out and we've been trying to catch her.- Ah.

0:41:44 > 0:41:46That's no hen.

0:41:48 > 0:41:52That's Aunt Ellie, your mother's horrendiferous sister!

0:41:52 > 0:41:54That's a made-up word.

0:41:54 > 0:41:55Yes, it is.

0:41:55 > 0:41:58- Hurry, catch her before she flies away on the...- West wind!

0:41:58 > 0:42:00West wind.

0:42:00 > 0:42:02- Quick, get Aunt Ellie!- Ellie!

0:42:02 > 0:42:03Come on, Biddy!

0:42:11 > 0:42:13That way.

0:42:13 > 0:42:15Oh, she's a foul fowl!

0:42:15 > 0:42:18Get Aunt Ellie!

0:42:18 > 0:42:19Come on.

0:42:22 > 0:42:24Grab her!

0:42:24 > 0:42:26Hurry, Sergeant Ginty! Fell the beast!

0:42:28 > 0:42:30Darling, it's just that I'm a little scared.

0:42:30 > 0:42:34Meg, sweet, I had a throat scratch.

0:42:35 > 0:42:38But the bank is getting you down again.

0:42:39 > 0:42:42- Perhaps my sister can help. - No. God, no.

0:42:45 > 0:42:50I can endure. I will endure.

0:42:50 > 0:42:54For the girls. Just, please...

0:42:54 > 0:42:56Oh, God, not Ellie.

0:43:12 > 0:43:15She's a foul fowl.

0:43:18 > 0:43:21- It's gotta be like a slogan. - Her prescription for life.

0:43:21 > 0:43:24- "An apple a day?" - "A stitch in time."

0:43:24 > 0:43:26"Time and tide wait for no man."

0:43:31 > 0:43:33Sugar.

0:43:33 > 0:43:34"Sugar"? Yeah?

0:43:34 > 0:43:36Jeff had vaccination day at school yesterday.

0:43:36 > 0:43:39- Ouch.- No ouch. - No ouch?- Sugar.

0:43:39 > 0:43:41They put it in a cube.

0:43:41 > 0:43:44- Medicine in sugar? - "Cube" is an odd word.

0:43:46 > 0:43:47"Spoonful."

0:43:49 > 0:43:51You need sugar? We have sugar.

0:43:52 > 0:43:56Well, morning! May I walk with you?

0:43:56 > 0:43:58I'm sure there aren't any laws in your country against it.

0:43:58 > 0:44:01# A robin feathering his nest

0:44:01 > 0:44:04# Has very little time to rest... #

0:44:04 > 0:44:05Go back to the chorus.

0:44:07 > 0:44:13# For a spoonful of sugar helps the medicine go down

0:44:13 > 0:44:15# The medicine... #

0:44:15 > 0:44:17It's not... It's missing...

0:44:17 > 0:44:20Wait.

0:44:20 > 0:44:23- She always does the unexpected. - Mm-hm.

0:44:23 > 0:44:25She goes up the banisters.

0:44:25 > 0:44:27BOTH: Go up!

0:44:27 > 0:44:31# Just a spoonful of sugar

0:44:31 > 0:44:33# Helps the medicine go down... #

0:44:33 > 0:44:35That's it, that's it, that's it.

0:44:35 > 0:44:36COUGHING

0:44:36 > 0:44:39Man is in the forest. I want you to play that for him.

0:44:39 > 0:44:41Walt, hold on. I want you to hear this.

0:44:42 > 0:44:45- It's just the chorus. - Tell us what you think.

0:44:46 > 0:44:47# He knows... #

0:44:47 > 0:44:51THEY BOTH HARMONISE

0:44:51 > 0:44:57# For a spoonful of sugar helps the medicine go down

0:44:57 > 0:45:01# The medicine go down Medicine go down

0:45:01 > 0:45:06# Just a spoonful of sugar helps the medicine go down... #

0:45:06 > 0:45:10THEY HARMONISE

0:45:10 > 0:45:11We'll work out the rest of the lyrics.

0:45:11 > 0:45:14- You see how it goes up on the word "down"?- On "down", it goes up.

0:45:14 > 0:45:17- It's ironic. - Oh, forget "ironic". It's iconic.

0:45:17 > 0:45:19I won't be able to stop singing that for weeks.

0:45:19 > 0:45:21HE HUMS HAPPILY

0:45:21 > 0:45:24Well, it seems enormously patronising to me.

0:45:24 > 0:45:26Just the sort of annoying tune you'd have playing

0:45:26 > 0:45:28in your themed park, I dare say.

0:45:28 > 0:45:31All giddy and carefree, encouraging children to face the world unarmed.

0:45:31 > 0:45:33All they need is a spoon and some sugar

0:45:33 > 0:45:37and a brain full of fluff and they're equipped with life's tools.

0:45:37 > 0:45:38Wonderful(!)

0:45:39 > 0:45:41What's your point, Pam?

0:45:41 > 0:45:42"Mrs Travers", please.

0:45:42 > 0:45:44My point is that, unlike yourself,

0:45:44 > 0:45:47Mary Poppins is the very enemy of whimsy and sentiment.

0:45:47 > 0:45:51She's truthful. She doesn't sugar-coat the darkness in the world

0:45:51 > 0:45:54that these children will eventually, inevitably come to know.

0:45:54 > 0:45:56She prepares them for it. She deals in honesty.

0:45:56 > 0:45:58One must clean one's room.

0:45:58 > 0:46:00It won't magically do it by itself.

0:46:00 > 0:46:03This entire script is flim-flam. Hmm?

0:46:03 > 0:46:06Where is its heart? Where is its reality?

0:46:06 > 0:46:09Where...is the gravitas?

0:46:19 > 0:46:21No weight, Mr Disney.

0:46:24 > 0:46:25See?

0:46:26 > 0:46:29"No whimsy or sentiment," says the woman

0:46:29 > 0:46:32who sent a flying nanny with a talking umbrella

0:46:32 > 0:46:33to save the children.

0:46:33 > 0:46:37You think Mary Poppins has come to save the children, Mr Disney?

0:46:41 > 0:46:43Oh, dear.

0:46:51 > 0:46:52Mr Belhatchett.

0:46:52 > 0:46:53Good afternoon.

0:46:55 > 0:46:57After you, my dear.

0:46:58 > 0:47:00Allow me.

0:47:00 > 0:47:03INDISTINCT SHOUTING

0:47:03 > 0:47:06..or if I'm five minutes late opening his stupid bank!

0:47:06 > 0:47:08Well, then, he'll take to me

0:47:08 > 0:47:10with the business end of his beautiful hatchet!

0:47:10 > 0:47:11There! Whack!

0:47:11 > 0:47:14"Take that for not dropping your bairns on schedule!"

0:47:14 > 0:47:18Whack! "Go on, then! Take that! Take that!"

0:47:26 > 0:47:28- Mr Belhatchett... - I want you gone.

0:47:33 > 0:47:35Ginty.

0:47:37 > 0:47:40Sweet thing, what are you doing here?

0:47:41 > 0:47:44You said today was ice-cream day.

0:47:44 > 0:47:47Ice-cream day. Yes, I did.

0:47:47 > 0:47:49Of course, of course.

0:47:50 > 0:47:53What kind of a father am I? Come here.

0:47:56 > 0:47:58Are you fired again?

0:48:00 > 0:48:03Yes. It does seem that...

0:48:03 > 0:48:05No, sweetheart. No.

0:48:06 > 0:48:08He's not.

0:48:08 > 0:48:09HE SIGHS

0:48:11 > 0:48:14Darling, wait inside for a second.

0:48:15 > 0:48:16Mr Belhatchett...

0:48:16 > 0:48:19If you can't straighten up for your own sake,

0:48:19 > 0:48:21do it for your daughter.

0:48:21 > 0:48:23Irresponsible.

0:48:46 > 0:48:49We share a Celtic soul, you and I.

0:48:50 > 0:48:53This world,

0:48:53 > 0:48:55it's just an illusion, Ginty, old girl.

0:48:57 > 0:49:00As long as we hold that thought dear, they can't break us.

0:49:00 > 0:49:04They can't make us endure their reality.

0:49:04 > 0:49:07Bleak and bloody as it is.

0:49:10 > 0:49:14Money. Money, money.

0:49:16 > 0:49:18Don't you buy into it, Ginty.

0:49:20 > 0:49:22It'll bite you on the bot.

0:49:36 > 0:49:39I loathe this place, Mr Russell.

0:49:39 > 0:49:42It's bringing up these...

0:49:42 > 0:49:45Well, it's so hot and stuffy.

0:49:45 > 0:49:48I feel as if I'm being attacked.

0:49:48 > 0:49:50There's these odd dreams,

0:49:50 > 0:49:52as if my subconscious were after me,

0:49:52 > 0:49:56punishing me for entertaining the idea

0:49:56 > 0:49:59that I might hand her over.

0:50:00 > 0:50:03I'm at war with myself, Mr Russell.

0:50:05 > 0:50:07The script's ghastly.

0:50:07 > 0:50:11Empty pap, just as I expected.

0:50:12 > 0:50:17Yes. A few more days, then I'll decide.

0:50:31 > 0:50:32Oh.

0:50:42 > 0:50:45Serves me right.

0:50:45 > 0:50:47Money, money, money.

0:50:47 > 0:50:49It bit me on the bot.

0:51:15 > 0:51:21# Feed the birds Tuppence a bag

0:51:21 > 0:51:28# Tuppence, tuppence Tuppence a bag

0:51:28 > 0:51:34# Feed the birds That's what she cries

0:51:34 > 0:51:40# While overhead her birds fill the skies

0:51:40 > 0:51:46# All around the cathedral The saints and apostles

0:51:46 > 0:51:52# Look down as she sells her wares

0:51:52 > 0:51:58# Although you can't see it You know they are smiling

0:51:58 > 0:52:05# Each time someone shows that he cares

0:52:06 > 0:52:12# Though her words are simple and few

0:52:12 > 0:52:18# Listen, listen She's calling to you

0:52:18 > 0:52:26# Feed the birds Tuppence a bag

0:52:26 > 0:52:28# Tuppence

0:52:29 > 0:52:31# Tuppence

0:52:33 > 0:52:39# Tuppence a bag. #

0:52:42 > 0:52:44That'll work.

0:52:46 > 0:52:49But she's going to say no, isn't she?

0:52:51 > 0:52:53The woman's a conundrum.

0:53:08 > 0:53:10# My world was calm

0:53:10 > 0:53:14# Well ordered, exemplary... #

0:53:14 > 0:53:15"Exemplary."

0:53:15 > 0:53:21# Then came this person With chaos in her wake

0:53:23 > 0:53:28# And now my life's ambitions go

0:53:28 > 0:53:32# With one fell blow

0:53:32 > 0:53:40# It's quite a bitter pill to take... #

0:53:40 > 0:53:42Inspired by someone we know?

0:53:42 > 0:53:45You'd have to ask Bob.

0:53:46 > 0:53:49- She might surprise us all. - No, no, no, she won't.

0:53:49 > 0:53:53- You don't know that. - No, I do. I do know it.

0:53:53 > 0:53:56I know it only too well.

0:53:56 > 0:53:58I fought this battle from her side.

0:53:58 > 0:54:01Pat Powers.

0:54:01 > 0:54:02Oh, he wanted the mouse,

0:54:02 > 0:54:05and I didn't have a bean in my pocket back then.

0:54:05 > 0:54:08He was this big, terrifying New York producer,

0:54:08 > 0:54:11I was just a kid from Missouri with a sketch of Mickey.

0:54:13 > 0:54:15It would've killed me to give him up.

0:54:15 > 0:54:18Honest to God, would've killed me.

0:54:19 > 0:54:22That mouse is family.

0:54:29 > 0:54:31Go home.

0:54:48 > 0:54:51FATHER: 'This world,

0:54:51 > 0:54:53'it's just an illusion, Ginty old girl.'

0:55:05 > 0:55:09Ah, the Countess Mary Sparklestick.

0:55:09 > 0:55:13Pray, tell me, what are you concentrating so hard on?

0:55:13 > 0:55:14I'm laying eggs.

0:55:14 > 0:55:17Really? Fabulous.

0:55:17 > 0:55:21- Today, I'm a hen.- Indeed.

0:55:21 > 0:55:23I can see the feathers sprouting as we speak.

0:55:23 > 0:55:26Helen Goff, will you lay the table for supper, please?

0:55:26 > 0:55:27I'm not Helen.

0:55:27 > 0:55:30She can't possibly lay the table, she's busy laying eggs.

0:55:31 > 0:55:34- Helen, will you lay the table for supper, please?- She's laying!

0:55:40 > 0:55:41Sorry.

0:55:41 > 0:55:44- BABY CRIES - Ssh!

0:55:44 > 0:55:46- I should...- Ginty.

0:55:48 > 0:55:52Don't you ever stop dreaming, Ginty, my love.

0:55:52 > 0:55:54You can be anyone you want to be.

0:55:54 > 0:55:58- Anyone.- I want to be just like you.

0:56:01 > 0:56:03Don't.

0:56:03 > 0:56:05Don't...

0:56:28 > 0:56:30HE SOBS

0:56:43 > 0:56:45SOBBING CONTINUES

0:56:58 > 0:57:01Are you all right, Mrs?

0:57:05 > 0:57:06Mrs Travers?

0:57:09 > 0:57:10Mrs Travers.

0:57:11 > 0:57:14We were saying we'd like to play you the song in the bank.

0:57:14 > 0:57:15Would that be good?

0:57:15 > 0:57:17Mmm.

0:57:17 > 0:57:18OK.

0:57:19 > 0:57:21Fidelity Fiduciary Bank.

0:57:22 > 0:57:24I am Dawes.

0:57:24 > 0:57:26"So, you have tuppence.

0:57:26 > 0:57:28"May I be permitted to see it?

0:57:28 > 0:57:30"No, I want it

0:57:30 > 0:57:32"to feed the birds," Michael says.

0:57:32 > 0:57:33"Fiddlesticks, boy!

0:57:33 > 0:57:35"Feed the birds and what have you got?"

0:57:35 > 0:57:37ALL: Fat birds!

0:57:37 > 0:57:38But...

0:57:38 > 0:57:42# If you invest your tuppence Wisely in the bank

0:57:42 > 0:57:46# Safe and sound

0:57:46 > 0:57:49# Soon the tuppence Safely invested in the bank... #

0:57:49 > 0:57:50VOICE FADES

0:57:50 > 0:57:52BELL RINGS

0:57:52 > 0:57:55BRASS BAND PLAYS: Men Of Harlech

0:58:06 > 0:58:10Mrs Brill says Father is presenting the medals.

0:58:10 > 0:58:13He is, indeed. On behalf of the bank.

0:58:13 > 0:58:17- Maybe he'll pin one on me for the maypole.- He might.

0:58:17 > 0:58:19Where is Father?

0:58:19 > 0:58:21I think he's practising his speech somewhere.

0:58:21 > 0:58:23Two, please.

0:58:27 > 0:58:32'# And you'll achieve That sense of conquest

0:58:32 > 0:58:36'# As your affluence expands'

0:58:36 > 0:58:41# In the hands of the directors

0:58:41 > 0:58:45# Who invest as propriety demands. #

0:58:47 > 0:58:48Father!

0:59:22 > 0:59:24MEN LAUGH AND CHATTER

0:59:37 > 0:59:38Back in Ireland. Ah!

0:59:38 > 0:59:41I miss her green hills so.

0:59:47 > 0:59:50BACKGROUND MUSIC DROWNS SINGING

0:59:57 > 1:00:00BRASS BAND STOPS

1:00:00 > 1:00:02SILENCE DESCENDS

1:00:02 > 1:00:04Why is he speaking for the bank?

1:00:04 > 1:00:07- He IS the manager, sir. - He looks terrible.

1:00:07 > 1:00:11Good afternoon, distinguished guests,

1:00:11 > 1:00:14our biggest supporter, Mr Randolph Belhatchett,

1:00:14 > 1:00:17and his lovely wife.

1:00:17 > 1:00:20Ladies and gentlemen, boys and girls.

1:00:20 > 1:00:23I'm honoured to be here on behalf of

1:00:23 > 1:00:25the Belhatchett Bank of Australia.

1:00:25 > 1:00:27Shortly, it will, uh...

1:00:27 > 1:00:29it will be my very pleasant duty

1:00:29 > 1:00:32to present the awards to our young performers.

1:00:32 > 1:00:37But, we, uh... But before I begin,

1:00:37 > 1:00:40allow me a very few words to our very youngest citizens

1:00:40 > 1:00:43about the, uh... About the, uh,

1:00:43 > 1:00:47the role of the bank in our community.

1:00:47 > 1:00:51# When you deposit tuppence in a bank account

1:00:51 > 1:00:54- # Soon... # - Soon, you'll see...

1:00:55 > 1:00:58# ..that it blooms into credit of a... #

1:00:58 > 1:01:00..generous amount.

1:01:00 > 1:01:03# ..semiannually... #

1:01:03 > 1:01:08ALL: # And you'll achieve that sense of stature

1:01:08 > 1:01:12# As your influence expands

1:01:12 > 1:01:16# To the high financial strata

1:01:16 > 1:01:21# That established credit now commands

1:01:21 > 1:01:23# You can purchase first and second trust deeds

1:01:23 > 1:01:25- # Think of the... - Foreclosures!

1:01:25 > 1:01:27- Bonds!- Chattels!

1:01:27 > 1:01:29- Dividends!- Shares!

1:01:29 > 1:01:32- Bankruptcies!- Debtor sales! - Opportunities!

1:01:32 > 1:01:35- 'All manner of...' - Private enterprise!

1:01:35 > 1:01:37- Shipyards!- The Mercantile!

1:01:37 > 1:01:38- Collieries!- Tanneries!

1:01:38 > 1:01:40- Incorporations! - Amalgamations!

1:01:40 > 1:01:42ALL: Banks!

1:01:42 > 1:01:44APPLAUSE

1:01:45 > 1:01:47Thanking you kindly. Thank you.

1:01:47 > 1:01:49HE COUGHS

1:01:56 > 1:01:58I, um...

1:01:58 > 1:01:59Where was I?

1:01:59 > 1:02:00Ah!

1:02:00 > 1:02:02Oh, yeah.

1:02:02 > 1:02:08It's a marvellous thing to encourage our children to open bank accounts.

1:02:08 > 1:02:09Marvellous thing!

1:02:09 > 1:02:13My, my, uh... My daughter, the Princess Ginty!

1:02:13 > 1:02:15She's... She's...

1:02:17 > 1:02:18Uh, how old are you?

1:02:22 > 1:02:24Ginty, come up. Come up here.

1:02:27 > 1:02:28Come, Ginty.

1:02:37 > 1:02:43Ginty has an account, and that's good!

1:02:43 > 1:02:45Well, give her a drink!

1:02:45 > 1:02:47I mean, give her a hand.

1:02:47 > 1:02:48MURMURING

1:02:48 > 1:02:50SCATTERED APPLAUSE

1:02:58 > 1:03:01I shall return in just a few moments to present the awards.

1:03:01 > 1:03:03But right now...

1:03:05 > 1:03:06I need to relieve myself.

1:03:07 > 1:03:09Give us your shoulder, Ginty, will you?

1:03:09 > 1:03:12I'm bursting. There's a good girl.

1:03:14 > 1:03:16LOUD GASPS

1:03:19 > 1:03:20HE LAUGHS

1:03:24 > 1:03:26HE LAUGHS

1:03:26 > 1:03:30'# ..in the Dawes Tomes, Mousely, Grubbs

1:03:30 > 1:03:34'# Fidelity Fiduciary'

1:03:34 > 1:03:38# Bank! #

1:03:38 > 1:03:41- I think it works. - It's getting close.

1:03:41 > 1:03:46Why did you have to make him so cruel? He was not a monster!

1:03:46 > 1:03:48Who are we talking about? I'm confused.

1:03:48 > 1:03:49You all have children, yes?

1:03:49 > 1:03:50Yes, yes.

1:03:50 > 1:03:52And do those children make letters for you?

1:03:52 > 1:03:55Do they write letters? Do they make you drawings?

1:03:55 > 1:03:58And would you tear up those gifts in front of them?

1:03:58 > 1:04:01It's a dreadful thing to do. I don't understand.

1:04:01 > 1:04:04Why must Father tear up the advertisement

1:04:04 > 1:04:07his children have made, and throw it in the fireplace?

1:04:07 > 1:04:08Why won't he mend their kite?

1:04:08 > 1:04:11Why have you made him so unspeakably awful?

1:04:11 > 1:04:16In glorious Technicolor, for all the world to see?

1:04:16 > 1:04:20If you claim to make them live, why can't he...

1:04:20 > 1:04:23they...live well?

1:04:24 > 1:04:27I can't bear it. Please, don't.

1:04:27 > 1:04:32Please, don't. I feel like I let him down again.

1:04:33 > 1:04:35Mrs Travers?

1:04:38 > 1:04:42I don't suppose you can give me any more for the pain?

1:04:48 > 1:04:50When will enough be enough, Travers?

1:04:50 > 1:04:52Hmm?

1:04:59 > 1:05:01I brought you something, Father.

1:05:03 > 1:05:07Be a darling, Ginty, my old pal. Come here.

1:05:09 > 1:05:10(Come here. Come close.)

1:05:13 > 1:05:14I'm sick.

1:05:14 > 1:05:16You'll help Father out, won't you?

1:05:20 > 1:05:25In my washroom, there's a bottle of medicine that Father needs.

1:05:25 > 1:05:27Mother took it away.

1:05:27 > 1:05:28Oh, goddamn it!

1:05:31 > 1:05:33I wrote you a poem, Father.

1:05:36 > 1:05:39It won first place at school.

1:05:41 > 1:05:44Shall I read it to you, Father?

1:05:50 > 1:05:52HE SNATCHES PAPER

1:05:52 > 1:05:55HE RUSTLES PAGE

1:05:58 > 1:06:01HE WHIMPERS QUIETLY

1:06:07 > 1:06:09It's hardly Yeats, is it?

1:07:24 > 1:07:26Mrs?

1:07:27 > 1:07:30I, uh... I brought you a tea.

1:07:30 > 1:07:33It's blasphemy to drink tea from a paper cup.

1:07:33 > 1:07:35Oh. Uh...

1:07:35 > 1:07:37Here.

1:07:40 > 1:07:42Is everything OK, Mrs?

1:07:43 > 1:07:46Would you like me to drive you home?

1:07:46 > 1:07:49All the way to England? Yes, please.

1:07:51 > 1:07:53You, uh... You got family back there, Mrs?

1:07:53 > 1:07:55You're an impertinent man, you know?

1:07:55 > 1:07:58You ask an awful lot of questions that have absolutely no relevance

1:07:58 > 1:08:00to your being able to carry out your duties.

1:08:00 > 1:08:02HE LAUGHS

1:08:02 > 1:08:04I know. Yeah, I do, do that, yes.

1:08:04 > 1:08:06And you have no barometer.

1:08:08 > 1:08:11Let's just say I haven't family

1:08:11 > 1:08:13who would notice whether I were halfway across the world

1:08:13 > 1:08:16or sitting in my living room.

1:08:18 > 1:08:21Make a furrow. There.

1:08:21 > 1:08:23That's a good stick for digging.

1:08:23 > 1:08:25- A furrow?- Yes.

1:08:25 > 1:08:26All right.

1:08:33 > 1:08:35I got a kid.

1:08:35 > 1:08:37Most people do.

1:08:37 > 1:08:39Jane.

1:08:39 > 1:08:41Yeah.

1:08:41 > 1:08:43What a terrific kid.

1:08:43 > 1:08:47Beautiful little girl.

1:08:47 > 1:08:50She's got a lot of problems, though.

1:08:50 > 1:08:52She's handicapped, you know?

1:08:55 > 1:08:57She's in a wheelchair.

1:08:58 > 1:09:02See, and that's why I concern myself with the weather so much.

1:09:02 > 1:09:06Sunny day, she can sit outside in the garden.

1:09:07 > 1:09:10Rainy day, I gotta leave her cooped up inside.

1:09:14 > 1:09:16I worry about the future...

1:09:16 > 1:09:19but you can't do that.

1:09:20 > 1:09:21Only today.

1:09:23 > 1:09:24Mmm.

1:09:24 > 1:09:26Yeah.

1:09:28 > 1:09:29Now, look.

1:09:29 > 1:09:31It's a bandstand.

1:09:31 > 1:09:32Ah!

1:09:34 > 1:09:36Ah! A river!

1:09:36 > 1:09:38- Lake.- Lake.

1:09:38 > 1:09:40Hmm.

1:09:40 > 1:09:43Hey, hey, hey, I sure would like to take her there.

1:09:43 > 1:09:45Wouldn't that be nice?

1:09:57 > 1:09:58Mother?

1:10:02 > 1:10:04I know you gave it to him.

1:10:09 > 1:10:11Take care of your sisters.

1:10:12 > 1:10:13What?

1:10:13 > 1:10:15I know you love your father more.

1:10:19 > 1:10:23But one day, you will understand.

1:10:30 > 1:10:31Hmm.

1:10:35 > 1:10:37Mother!

1:10:49 > 1:10:50Mother?

1:10:53 > 1:10:54< Mother!

1:10:54 > 1:10:56Mother!

1:10:56 > 1:10:58BABY CRIES

1:11:19 > 1:11:21Come on, Albert.

1:11:39 > 1:11:41Mother!

1:11:45 > 1:11:46Please!

1:11:48 > 1:11:49Mother!

1:11:56 > 1:11:57Mother!

1:12:00 > 1:12:01Mother!

1:12:12 > 1:12:14It's time to go home.

1:12:22 > 1:12:25- SHE SOBS - I'm sorry!

1:12:26 > 1:12:28Oh, my God.

1:12:28 > 1:12:30I'm sorry.

1:12:30 > 1:12:32SHE SOBS

1:12:38 > 1:12:40Yes, that will be very good.

1:12:40 > 1:12:42Let's have that.

1:12:42 > 1:12:44I think we should go with Frida Kahlo.

1:12:44 > 1:12:46TELEPHONE RINGS

1:12:50 > 1:12:52Mrs Travers. Yes?

1:12:52 > 1:12:54HE COUGHS

1:12:55 > 1:12:56Pam. Walt.

1:12:56 > 1:12:58Mr Disney.

1:12:58 > 1:13:02I'm calling to, uh... Well, to check up on you.

1:13:02 > 1:13:04'I understand things didn't go so well today.

1:13:04 > 1:13:06'Something about Mr Banks?'

1:13:06 > 1:13:09They went as well as they've gone on every other day that I've been here.

1:13:09 > 1:13:11I don't recall any special phone calls from you

1:13:11 > 1:13:13on any of those other evenings.

1:13:13 > 1:13:16Pam, what's this all about?

1:13:16 > 1:13:17I mean, really?

1:13:17 > 1:13:20I'm wondering what I have to do to make you happy.

1:13:20 > 1:13:22Oh.

1:13:22 > 1:13:25'And you're wondering that, too, aren't you?'

1:13:25 > 1:13:29You know, you've never been to Disneyland,

1:13:29 > 1:13:31'and that's the happiest place on Earth.'

1:13:31 > 1:13:33Tommie! Cancel my morning tomorrow.

1:13:33 > 1:13:35I'm going to take a ride with my favourite author.

1:13:35 > 1:13:38No, no, no, please, Mr Disney, I cannot begin to tell you

1:13:38 > 1:13:41how uninterested, no, positively sickened I am

1:13:41 > 1:13:44at the thought of visiting your dollar-printing machine.

1:13:44 > 1:13:46Well, for crying out loud,

1:13:46 > 1:13:49when does anybody get to go to Disneyland with Walt Disney himself?

1:13:49 > 1:13:51Disappointments are to the soul

1:13:51 > 1:13:53what the thunderstorm is to the air.

1:13:55 > 1:13:56Hello?

1:13:56 > 1:13:57HE SLAMS THE PHONE DOWN

1:13:59 > 1:14:00LINE BUZZES

1:14:00 > 1:14:02He...

1:14:02 > 1:14:03He hung up. He hung up...!

1:14:13 > 1:14:15Guys, we gotta fix this.

1:14:17 > 1:14:19HORSES NEIGH

1:14:24 > 1:14:27Father, wind's from the east.

1:14:29 > 1:14:31The aunt.

1:14:43 > 1:14:45FLIES BUZZ

1:14:55 > 1:14:57Oh, dear.

1:15:04 > 1:15:05Now...

1:15:07 > 1:15:10I've brought every newfangled treatment available in Sydney.

1:15:17 > 1:15:19Close your mouth, Biddy. We are not a codfish.

1:15:23 > 1:15:24Hmm.

1:15:29 > 1:15:31Now, I see a multitude of jobs that need to be done.

1:15:31 > 1:15:34I've just been, um... I've been so worried.

1:15:34 > 1:15:37Oh, stop your babbling nonsense.

1:15:37 > 1:15:40I'm here now, and I shall fix everything.

1:15:41 > 1:15:46I thought I made it perfectly clear that you two ought to start helping.

1:15:46 > 1:15:47Hmm?

1:15:48 > 1:15:49Spit-spot!

1:15:52 > 1:15:55Where are we? This isn't the way.

1:15:55 > 1:15:57Change of venue this morning, apparently.

1:15:57 > 1:15:59Oh...

1:16:15 > 1:16:17Wow!

1:16:17 > 1:16:18There he is!

1:16:18 > 1:16:21Living and breathing.

1:16:21 > 1:16:22HE LAUGHS

1:16:22 > 1:16:24Oh, boy!

1:16:37 > 1:16:39Oh, I can get that.

1:16:39 > 1:16:43Mrs Travers, welcome to the Magic Kingdom.

1:16:48 > 1:16:50- Is it all like this?- Yep.

1:16:50 > 1:16:52Isn't it wonderful?

1:16:52 > 1:16:55- Hey.- Do you always get everything you want, Walter?

1:16:55 > 1:16:59- Pretty much.- With the exception of the rights to my books, of course.

1:16:59 > 1:17:01Well, the war ain't over yet, Pam.

1:17:01 > 1:17:03The war ain't over yet.

1:17:03 > 1:17:06- I love you so much. - Oh, whoa!- Can you sign...?

1:17:06 > 1:17:08Sure, sure. Here you go.

1:17:09 > 1:17:11Here you go.

1:17:11 > 1:17:13- Pre-signed? - Hey, you should get hers, too.

1:17:13 > 1:17:15This woman is a bona fide genius.

1:17:17 > 1:17:20The tour starts this way, Pam.

1:17:20 > 1:17:23Hot dog.

1:17:23 > 1:17:24Whoa, whoa, whoa...

1:17:24 > 1:17:27Move along, move along. Up, up, up, up!

1:17:27 > 1:17:28That's good. That's good.

1:17:31 > 1:17:33Each section of the park has a high point

1:17:33 > 1:17:35so you can get your bearings.

1:17:35 > 1:17:39In Adventureland, there's a tree.

1:17:39 > 1:17:41This is a fun fact, this is a titbit.

1:17:41 > 1:17:42"Tidbit".

1:17:42 > 1:17:47It's got three million leaves, four million flowers.

1:17:47 > 1:17:50- Gosh.- They said only God could make a tree.

1:17:50 > 1:17:54MAN: Mr Disney, sir, would you mind signing this?

1:17:54 > 1:17:56No. Do you one better. Here you go, have a great day.

1:17:56 > 1:17:58Oh. Thank you so much.

1:18:04 > 1:18:06- Mr Disney!- Hey.

1:18:08 > 1:18:11Where did she come from?

1:18:11 > 1:18:12Who?

1:18:12 > 1:18:13Oh, I think you know.

1:18:13 > 1:18:17She flew in through the window one day.

1:18:17 > 1:18:19"Flew in through the window."

1:18:19 > 1:18:22It was just that easy, was it, Mrs Travers?

1:18:24 > 1:18:26Do you see those spires?

1:18:26 > 1:18:28Plated with 24-carat gold.

1:18:28 > 1:18:29Roy was against it,

1:18:29 > 1:18:31so I waited until he was out of town to get it done.

1:18:31 > 1:18:33How clever.

1:18:33 > 1:18:34Now, I know you don't want to be here,

1:18:34 > 1:18:37so, I'm just going to take you to one ride.

1:18:37 > 1:18:39My favourite amusement, and then I'll set you free.

1:18:39 > 1:18:40Hello, Mr Disney!

1:18:40 > 1:18:43Hello, folks, how are you? Enjoy the day.

1:18:43 > 1:18:44Hey, kids.

1:18:46 > 1:18:47Ernie.

1:18:47 > 1:18:50- Welcome. Right this way.- Thank you so much. Excuse me, please.

1:18:50 > 1:18:52Mrs Travers, I would be honoured

1:18:52 > 1:18:55if you would take a ride on Jingles, here.

1:18:55 > 1:18:56This is Mrs Disney's favourite horse.

1:18:56 > 1:19:00No, thank you. I'm happy to watch.

1:19:00 > 1:19:02Now, there's no greater joy than that

1:19:02 > 1:19:03seen through the eyes of a child,

1:19:03 > 1:19:05and there's a little bit of a child in all of us.

1:19:05 > 1:19:09Maybe in you, Mr Disney, but certainly not in me.

1:19:09 > 1:19:11Get on the horse, Pamela.

1:19:18 > 1:19:19Now, when we first met,

1:19:19 > 1:19:22you said to me, "They're family."

1:19:22 > 1:19:24I said what?

1:19:24 > 1:19:27Mary Poppins, the Bankses. They're family.

1:19:27 > 1:19:30The boys have come up with an idea for your Mr Banks.

1:19:30 > 1:19:31I think it's going to make you happy.

1:19:31 > 1:19:33You didn't bring me all the way out here to tell me that?

1:19:33 > 1:19:35Oh, no, no, no.

1:19:35 > 1:19:37I brought you all the way out here for monetary gain.

1:19:37 > 1:19:40I had a wager with the boys. Couldn't get you on a ride.

1:19:40 > 1:19:41I just won 20 bucks.

1:19:41 > 1:19:42BELL RINGS

1:19:42 > 1:19:44H'yah!

1:19:56 > 1:19:58I see you. I see you.

1:20:35 > 1:20:37Well begun is half done.

1:20:38 > 1:20:40There you go.

1:20:41 > 1:20:44Give it a whack, Biddy. Nice and hard.

1:20:47 > 1:20:49HE COUGHS

1:21:17 > 1:21:19Morning, Mrs Travers.

1:21:19 > 1:21:23What horrors have you in store for my beautiful characters today?

1:21:23 > 1:21:25You sit here.

1:21:27 > 1:21:29All right.

1:21:29 > 1:21:31What are you up to?

1:21:33 > 1:21:37We were thinking about what you said,

1:21:37 > 1:21:39and you're right.

1:21:41 > 1:21:45Mr Banks isn't cruel. He isn't.

1:21:45 > 1:21:49So, we have a new end for the film.

1:21:49 > 1:21:52Oh, God, I hope you like it.

1:22:06 > 1:22:10Michael says, "He mended it. It's wonderful."

1:22:10 > 1:22:12"However did you manage it?"

1:22:12 > 1:22:14He mended the kite?

1:22:14 > 1:22:16PIANO INTRO STARTS

1:22:18 > 1:22:23# With tuppence for paper and strings

1:22:23 > 1:22:26# You can have your own set of wings

1:22:26 > 1:22:30# With your feet on the ground you're a bird in flight

1:22:30 > 1:22:32# With your fist holding tight

1:22:32 > 1:22:35# To the string of your kite

1:22:35 > 1:22:37ALL: # Oh, oh, oh!

1:22:37 > 1:22:41# Let's go fly a kite

1:22:41 > 1:22:44# Up to the highest height

1:22:44 > 1:22:47# Let's go fly a kite

1:22:47 > 1:22:51# And send it soaring

1:22:51 > 1:22:54# Up through the atmosphere

1:22:54 > 1:22:58# Up where the air is clear

1:22:58 > 1:23:03# Oh, let's go fly a kite... #

1:23:03 > 1:23:06Then, Mrs Banks runs through her house.

1:23:06 > 1:23:09She gets the suffragette ribbon, and says...

1:23:09 > 1:23:13"A proper kite deserves a proper tail, don't you think?"

1:23:13 > 1:23:15# Oh, oh, oh!

1:23:15 > 1:23:19# Let's go fly a kite

1:23:19 > 1:23:22# Up to the highest height

1:23:22 > 1:23:25# Let's go fly a kite

1:23:25 > 1:23:29# And send it soaring

1:23:29 > 1:23:33# Up through the atmosphere

1:23:33 > 1:23:36# Up where the air is clear

1:23:36 > 1:23:41# Oh, let's go fly a kite

1:23:43 > 1:23:46# When you send it flying up there

1:23:46 > 1:23:50# All at once You're lighter than air

1:23:50 > 1:23:51# You can dance on the breeze

1:23:51 > 1:23:53# Over houses and trees

1:23:53 > 1:23:55# With your fist holding tight

1:23:55 > 1:23:58# To the string of your kite... #

1:24:01 > 1:24:03Mr Disney! Walt!

1:24:03 > 1:24:06I'm sorry to interrupt. It's just she's...she's dancing.

1:24:07 > 1:24:10Mrs Travers. She's dancing with Don.

1:24:10 > 1:24:13# Oh, oh, oh!

1:24:13 > 1:24:16# Let's go fly a kite

1:24:16 > 1:24:20# Up to the highest height

1:24:20 > 1:24:23# Let's go fly a kite

1:24:23 > 1:24:27# And send it soaring

1:24:27 > 1:24:30# Up through the atmosphere

1:24:30 > 1:24:34# Up where the air is clear

1:24:34 > 1:24:40# Oh, let's go fly a kite. #

1:24:40 > 1:24:42SHE LAUGHS

1:24:42 > 1:24:45He... He fixes the kite.

1:24:45 > 1:24:46Oh, I love it.

1:24:48 > 1:24:52Although, the proper English would be, "Let us go and fly a kite."

1:24:52 > 1:24:55# Let us go and fly a kite... #

1:24:55 > 1:24:57I might be willing to overlook that.

1:24:57 > 1:25:00All right.

1:25:00 > 1:25:01Very good.

1:25:11 > 1:25:13(Look at you.)

1:25:15 > 1:25:18I rewrote the poem, Father.

1:25:27 > 1:25:29The aunt gave me tuppence.

1:25:30 > 1:25:33Shall I buy you something, Father?

1:25:38 > 1:25:40(Pears.)

1:25:46 > 1:25:48(Pears.)

1:25:48 > 1:25:50Father.

1:25:52 > 1:25:55Tuppence for pears, pears, pears, pears...

1:25:55 > 1:25:58Tuppence for pears, pears, pears, pears...

1:26:09 > 1:26:11You're quite right, you know? It is beautiful.

1:26:11 > 1:26:12Exquisite.

1:26:14 > 1:26:16It's always new.

1:26:23 > 1:26:26- So, Jolly Holiday is in? - Mmm. By all means.

1:26:26 > 1:26:27Wonderful.

1:26:27 > 1:26:29I do have a question about it, actually.

1:26:29 > 1:26:31How in the world does Mr Disney propose

1:26:31 > 1:26:34to train all the penguins to dance?

1:26:34 > 1:26:37I've heard about his implausibly-leaved trees.

1:26:37 > 1:26:39So, I presume he does have some insane penguin-wrangling scheme.

1:26:39 > 1:26:41But it does seem a little far-fetched, even for him.

1:26:41 > 1:26:45Can you train a penguin to dance?

1:26:45 > 1:26:49No, I don't think you can train...

1:26:49 > 1:26:50- They're animated.- Dick...

1:26:53 > 1:26:55- They're what?- Cartoons.- Dick!

1:27:00 > 1:27:01What?

1:27:06 > 1:27:08Are we getting real penguins?

1:27:08 > 1:27:13Yes, two o'clock, Tuesday. Good afternoon, Mrs Travers.

1:27:13 > 1:27:16- I'm here to see Mr Disney. - Oh, please, have a...

1:27:16 > 1:27:18- Mrs Travers, please!- Disney!

1:27:20 > 1:27:22Mrs Travers?

1:27:23 > 1:27:24Mrs Travers!

1:27:25 > 1:27:27I'm terribly sorry, Walt.

1:27:27 > 1:27:29It's all right, Tommie. Just close the door.

1:27:29 > 1:27:31I never let anyone see me smoking.

1:27:31 > 1:27:34I hate to encourage bad habits.

1:27:34 > 1:27:35Please, sit down.

1:27:35 > 1:27:39I shall not sit in the seat of a trickster, a fraudster, a sneak!

1:27:39 > 1:27:42- Pamela! - "Mrs Travers", please!

1:27:42 > 1:27:45Mrs Travers, what has you so upset now?

1:27:45 > 1:27:47Penguins.

1:27:47 > 1:27:50Penguins have very much upset me, Mr Disney.

1:27:50 > 1:27:51Animated dancing penguins.

1:27:51 > 1:27:55Now, you...you have seduced me with the music, Mr Disney. Yes, you have.

1:27:55 > 1:27:57Those Sherman boys have quite turned my head.

1:27:57 > 1:28:01But I shall not be moved upon the matter of cartoons, sir.

1:28:01 > 1:28:03Not one inch!

1:28:03 > 1:28:06- It is a sequence. - You promised me.

1:28:06 > 1:28:10You promised me that this film would not be an animation!

1:28:10 > 1:28:12And it isn't.

1:28:14 > 1:28:15So, they're real penguins?

1:28:15 > 1:28:18No. No, they are animated.

1:28:18 > 1:28:22But the actors, you see, the actors are very, very much real.

1:28:22 > 1:28:24Foolish old woman.

1:28:25 > 1:28:28Have a good day, Mr Disney.

1:28:32 > 1:28:34Pamela.

1:28:34 > 1:28:35Pam!

1:28:41 > 1:28:43Oh, Dolly, would you be so kind as to ring my driver,

1:28:43 > 1:28:46- and ask him to collect me? - Yes, ma'am.

1:28:46 > 1:28:48Thank you.

1:29:00 > 1:29:03Here we are, Mrs.

1:29:03 > 1:29:04- Thank you.- Yeah.

1:29:14 > 1:29:17It's been a real pleasure driving you, Mrs.

1:29:18 > 1:29:19No-one likes a fibber.

1:29:19 > 1:29:23Oh, no, no. I really have enjoyed it.

1:29:26 > 1:29:28I didn't know who you were at first.

1:29:28 > 1:29:29And then, guess what.

1:29:29 > 1:29:31You found out?

1:29:31 > 1:29:34I was telling my daughter all about my day,

1:29:34 > 1:29:37and how I'm driving this nice writer lady, Mrs Travers,

1:29:37 > 1:29:40for Mr Disney, and, uh...

1:29:41 > 1:29:43And?

1:29:43 > 1:29:44And...

1:29:46 > 1:29:50And she made me go to her bedroom,

1:29:50 > 1:29:52and bring her this.

1:29:53 > 1:29:55I can't stop reading it, you know.

1:29:55 > 1:29:58I'm very slow, mind you, so...

1:29:58 > 1:30:00Would you like me to sign it?

1:30:00 > 1:30:02Would you?

1:30:02 > 1:30:03I'd be honoured.

1:30:07 > 1:30:09Uh...

1:30:13 > 1:30:16Let me see, now. "To Jane

1:30:16 > 1:30:21"and her dearest father..."

1:30:23 > 1:30:25I've just this instant realised I don't know your name.

1:30:25 > 1:30:27Ralph.

1:30:27 > 1:30:30- Pamela.- Pamela.

1:30:34 > 1:30:37You're the only American I've ever liked, Ralph.

1:30:37 > 1:30:39Oh... Well, may I ask why?

1:30:39 > 1:30:43No. Now, take this.

1:30:43 > 1:30:48"Albert Einstein, Van Gogh, Roosevelt.

1:30:48 > 1:30:50"Frida K-ai-hlo."

1:30:50 > 1:30:51- "K-a-hlo."- Kahlo.

1:30:52 > 1:30:53What is this?

1:30:53 > 1:30:55They all had difficulties.

1:30:55 > 1:30:59Jane can do anything that anyone else can do.

1:30:59 > 1:31:01Do you understand?

1:31:05 > 1:31:07Oh.

1:31:07 > 1:31:09I almost forgot, turn it around.

1:31:10 > 1:31:11"Walt Disney."

1:31:11 > 1:31:15Hyperactive behaviour and deficiencies in concentration.

1:31:15 > 1:31:17It explains everything.

1:31:20 > 1:31:22Thank you, Mrs.

1:31:26 > 1:31:29She acted like an angry person a lot of the time.

1:31:29 > 1:31:30Mm-hm.

1:31:30 > 1:31:33So, she's come and gone, huh?

1:31:33 > 1:31:35Yeah, her flight left ten minutes ago.

1:31:35 > 1:31:38Beverly Hills Hotel, private limousine.

1:31:38 > 1:31:41First-class plane ticket back to England for...

1:31:41 > 1:31:44Wait. "Goff"?

1:31:44 > 1:31:46Who is... Who is Helen Goff?

1:31:46 > 1:31:48That's her. That's her real name.

1:31:48 > 1:31:52She acts so hoity-toity British, and she's really an Aussie.

1:31:52 > 1:31:55Then who is Travers?

1:31:57 > 1:32:00I've been talking to the wrong person?

1:32:20 > 1:32:21He's gone.

1:32:26 > 1:32:27No, no, no. You mustn't.

1:32:29 > 1:32:30Let her go, Margaret.

1:33:07 > 1:33:09I dropped the pears.

1:33:10 > 1:33:13I'm sorry, Daddy.

1:33:19 > 1:33:21Helen, dear girl...

1:33:21 > 1:33:24You promised you would fix everything.

1:33:59 > 1:34:01Hello, house.

1:34:12 > 1:34:16KNOCK ON DOOR

1:34:16 > 1:34:17SHE GASPS

1:34:34 > 1:34:36Oh, dear God!

1:34:36 > 1:34:39It was one heck of a job getting a seat

1:34:39 > 1:34:41on the very next flight, let me tell you.

1:34:44 > 1:34:46Mrs Travers,

1:34:46 > 1:34:49I could sure use a nice pot of English tea about now.

1:34:57 > 1:34:59Here we are.

1:35:00 > 1:35:02Allow me.

1:35:03 > 1:35:05Milk in first, remember?

1:35:05 > 1:35:07Yeah, I remember.

1:35:08 > 1:35:11And a spoonful of sugar?

1:35:11 > 1:35:12No, I think I'll have whisky.

1:35:12 > 1:35:14Oh.

1:35:16 > 1:35:17Ooh.

1:35:19 > 1:35:20That's OK.

1:35:21 > 1:35:24Well, when in Rome...

1:35:30 > 1:35:31(Thank you.)

1:35:31 > 1:35:34You've come to change my mind, haven't you?

1:35:34 > 1:35:36To beat me into submission.

1:35:36 > 1:35:37No. No.

1:35:37 > 1:35:42I've come because you misjudge me.

1:35:45 > 1:35:47How do I misjudge you?

1:35:47 > 1:35:51You look at me and you see some kind of Hollywood King Midas.

1:35:51 > 1:35:54You think I've built an empire, and I want your Mary Poppins

1:35:54 > 1:35:57as just another brick in my kingdom.

1:35:57 > 1:35:59And don't you?

1:35:59 > 1:36:03Now, if that was all it was, would I have suckered up

1:36:03 > 1:36:06to a cranky, stubborn dame like you for 20 years?

1:36:06 > 1:36:09No, I would have saved myself an ulcer.

1:36:09 > 1:36:10No... You, uh...

1:36:10 > 1:36:14You expected me to disappoint you, and so you made sure I did.

1:36:17 > 1:36:20Well, I think life disappoints you, Mrs Travers.

1:36:20 > 1:36:22I think it's done that a lot,

1:36:22 > 1:36:25and I think Mary Poppins is the only person in your life who hasn't.

1:36:26 > 1:36:29Mary Poppins isn't real.

1:36:29 > 1:36:30That's not true. No, no, no.

1:36:30 > 1:36:33She's as real as can be to my daughters.

1:36:33 > 1:36:36And to thousands of other kids. Adults, too.

1:36:36 > 1:36:38She's been there as a night-time comfort

1:36:38 > 1:36:41to a heck of a lot of people.

1:36:41 > 1:36:43Well, where is she when I need her, hmm?

1:36:43 > 1:36:45I open the door to Mary Poppins,

1:36:45 > 1:36:49and who should be standing there, but Walt Disney?

1:36:51 > 1:36:53Mrs Travers, I'm sorry.

1:36:53 > 1:36:58I'd hoped this would have been a magical experience,

1:36:58 > 1:37:01for you and for all of us, but I've let you down.

1:37:01 > 1:37:02And, in doing so,

1:37:02 > 1:37:05I've broken a 20-year-old promise I made to my daughters.

1:37:05 > 1:37:09I've been racking my brain, trying to figure out why

1:37:09 > 1:37:13this has been so hard for you and I.

1:37:14 > 1:37:16And, well...

1:37:18 > 1:37:23You see, I have my own Mr Banks.

1:37:24 > 1:37:26Mine had a moustache.

1:37:26 > 1:37:31So, not true that Disney created man in his own image?

1:37:31 > 1:37:33No, no.

1:37:33 > 1:37:37But it is true that you created yourself in someone else's, yes?

1:37:39 > 1:37:41Have you ever been to Kansas City, Mrs Travers?

1:37:41 > 1:37:43Do you know Missouri at all?

1:37:43 > 1:37:45I can't say I do.

1:37:45 > 1:37:49Well, it's mighty cold there in the winters. Bitter cold.

1:37:49 > 1:37:51And my dad, Elias Disney,

1:37:51 > 1:37:53he owned a newspaper delivery route there.

1:37:53 > 1:37:55A thousand papers, twice daily.

1:37:55 > 1:37:58A morning and an evening edition.

1:37:58 > 1:38:00And Dad was a tough businessman.

1:38:00 > 1:38:03He was a "save a penny anyway you can" type of fella.

1:38:03 > 1:38:06So he wouldn't employ delivery boys.

1:38:06 > 1:38:10No, no, no. He used me and my big brother Roy.

1:38:10 > 1:38:14I was, uh... I was eight back then.

1:38:14 > 1:38:16Just eight years old.

1:38:16 > 1:38:20And, like I said, winters are harsh.

1:38:20 > 1:38:22And old Elias, well, he didn't believe in new shoes,

1:38:22 > 1:38:25until the old ones were worn through.

1:38:25 > 1:38:27Honestly, Mrs Travers,

1:38:27 > 1:38:29the snowdrifts, sometimes they were up over my head.

1:38:29 > 1:38:32And we'd push through that snow like it was molasses.

1:38:33 > 1:38:38The cold and wet seeping through our clothes and the shoes.

1:38:38 > 1:38:40Skin peeling from our faces.

1:38:40 > 1:38:44Sometimes I'd find myself sunk down in that snow,

1:38:44 > 1:38:45just waking up,

1:38:45 > 1:38:47because I must have passed out or something, I don't know.

1:38:47 > 1:38:51And then it was time for school, and I was too cold or wet

1:38:51 > 1:38:54to figure out equations and things.

1:38:54 > 1:38:56And then it was right back out in the snow again

1:38:56 > 1:38:59to get home just before dark.

1:38:59 > 1:39:02Mother would feed us dinner.

1:39:02 > 1:39:04And then it was time to go right back out

1:39:04 > 1:39:06and do it again for the evening edition.

1:39:09 > 1:39:10"You best be quick there, Walt.

1:39:10 > 1:39:12"You better get those newspapers up

1:39:12 > 1:39:15"on that porch and under that storm door.

1:39:15 > 1:39:16"Poppa's going to lose his temper again

1:39:16 > 1:39:19"and show you the buckle end of his belt, boy."

1:39:25 > 1:39:28I don't... I don't tell you this to make you sad, Mrs Travers.

1:39:28 > 1:39:31I don't. I love my life. I think it's a miracle.

1:39:31 > 1:39:35And I loved my dad. He was a... He was a wonderful man.

1:39:35 > 1:39:37But rare is the day

1:39:37 > 1:39:41when I don't think about that eight-year-old boy

1:39:41 > 1:39:44delivering newspapers in the snow,

1:39:44 > 1:39:48and old Elias Disney with that strap in his fist.

1:39:48 > 1:39:50And I am just so tired.

1:39:51 > 1:39:52Mrs Travers,

1:39:52 > 1:39:57I'm tired of remembering it that way.

1:39:57 > 1:40:01Aren't you tired, too, Mrs Travers?

1:40:01 > 1:40:03Now we all have our sad tales,

1:40:03 > 1:40:07but don't you want to finish the story?

1:40:07 > 1:40:11Let it all go and have a life that isn't dictated by the past?

1:40:15 > 1:40:19It's not the children she comes to save.

1:40:19 > 1:40:20It's their father.

1:40:23 > 1:40:25It's your father.

1:40:26 > 1:40:28Travers Goff.

1:40:34 > 1:40:37I don't know what you think you know about me, Walter...

1:40:37 > 1:40:41You must have loved and admired him a lot to take his name.

1:40:41 > 1:40:44- I...- It's him this is all about, isn't it?

1:40:44 > 1:40:46All of it, everything.

1:40:49 > 1:40:52Forgiveness, Mrs Travers.

1:40:52 > 1:40:54It's what I learned from your books.

1:40:54 > 1:40:57I don't have to forgive my father. He was a wonderful man.

1:40:57 > 1:40:59No, no.

1:40:59 > 1:41:01You need to forgive Helen Goff.

1:41:03 > 1:41:07Life is a harsh sentence to lay down for yourself.

1:41:11 > 1:41:13Give her to me,

1:41:13 > 1:41:18Mrs Travers. Trust me with your precious Mary Poppins.

1:41:19 > 1:41:21I won't disappoint you.

1:41:21 > 1:41:24I swear, every time a person walks into a movie house,

1:41:24 > 1:41:27from Leicester Square to Kansas City,

1:41:27 > 1:41:30they will see George Banks being saved.

1:41:30 > 1:41:33They will love him and his kids.

1:41:33 > 1:41:36They will weep for his cares.

1:41:36 > 1:41:39They will wring their hands when he loses his job.

1:41:40 > 1:41:43And when he flies that kite...

1:41:45 > 1:41:47Oh, Mrs Travers, they will rejoice.

1:41:48 > 1:41:50They will sing.

1:41:50 > 1:41:52In movie houses all over the world,

1:41:52 > 1:41:54in the eyes and hearts of my kids and other kids,

1:41:54 > 1:41:57and mothers and fathers for generations to come,

1:41:57 > 1:42:00George Banks will be honoured.

1:42:01 > 1:42:04George Banks will be redeemed.

1:42:04 > 1:42:07George Banks and all he stands for will be saved.

1:42:08 > 1:42:13Now, maybe not in life, but in imagination.

1:42:13 > 1:42:16Because that's what we storytellers do.

1:42:16 > 1:42:18We restore order with imagination.

1:42:18 > 1:42:22We instil hope again and again and again.

1:42:25 > 1:42:28So, trust me, Mrs Travers.

1:42:28 > 1:42:29Let me prove it to you.

1:42:30 > 1:42:33I give you my word.

1:42:49 > 1:42:50Enough.

1:43:12 > 1:43:13Just make those two changes

1:43:13 > 1:43:17and I'm sure everything will be just fine. Just fine.

1:43:17 > 1:43:19- Walt, could I get your approval on that, please?- What is it?

1:43:19 > 1:43:21Invitation list to the premiere.

1:43:21 > 1:43:23Yeah? Is this everyone?

1:43:23 > 1:43:24It's not everyone.

1:43:28 > 1:43:30Now, there will be a premiere in London.

1:43:30 > 1:43:32That will be more convenient for her.

1:43:32 > 1:43:35Tommie, this wasn't an easy decision for me,

1:43:35 > 1:43:37but you know what she's like.

1:43:37 > 1:43:41We got press, interviews, cameras. I need to protect the picture.

1:43:43 > 1:43:45OK.

1:43:49 > 1:43:52- DOORBELL RINGS - Ah.

1:43:52 > 1:43:54I should say so, too.

1:43:55 > 1:43:57WOMAN: Mrs Travers!

1:44:01 > 1:44:04DOORBELL RINGS AGAIN Mrs Travers!

1:44:04 > 1:44:06Will you stop screeching like an alley cat!

1:44:06 > 1:44:09And answer the door!

1:44:09 > 1:44:11I'm very pleased to hear that, Pamela.

1:44:11 > 1:44:14I should think you will have a draft fairly soon.

1:44:14 > 1:44:15Polly, where's that tea?

1:44:15 > 1:44:17It's coming along marvellously.

1:44:17 > 1:44:19Ah, ah, ah. No peeking.

1:44:21 > 1:44:23Aren't you going to pour it for us?

1:44:23 > 1:44:26You're perfectly capable of pouring it yourself.

1:44:28 > 1:44:30She's quite the worst maid I've ever had.

1:44:30 > 1:44:34- So why do you keep her? - I don't know. She reminds me of me.

1:44:34 > 1:44:35HE LAUGHS

1:44:35 > 1:44:36Do you have a title?

1:44:36 > 1:44:39Mary Poppins in the Kitchen.

1:44:39 > 1:44:40Wonderful.

1:44:40 > 1:44:44So, should we start talking about the film rights?

1:44:44 > 1:44:47- Never again.- OK.

1:44:48 > 1:44:51Now, tell me, have you got your tiara for the premiere?

1:44:51 > 1:44:53Oh, I'm not going to that.

1:44:53 > 1:44:54Why not?

1:44:54 > 1:44:57Hollywood premieres aren't for old trout like me.

1:44:57 > 1:45:01Anyway, it's not convenient.

1:45:01 > 1:45:03He hasn't invited you, has he?

1:45:06 > 1:45:09Mary Poppins wouldn't stand for that.

1:45:14 > 1:45:16Can I help you?

1:45:16 > 1:45:19- I'm perfectly capable, thank you. - As I recall.

1:45:21 > 1:45:22Sweet of you.

1:45:27 > 1:45:29- Walt... Um... - Hello, Dolly!

1:45:29 > 1:45:34- Walt...- Tommie, we're going to have to move that meeting with GE.

1:45:35 > 1:45:37What?

1:45:44 > 1:45:45Mrs Travers!

1:45:45 > 1:45:47Me again!

1:45:47 > 1:45:49How wonderful to see you.

1:45:49 > 1:45:51I'm here for my premiere.

1:45:52 > 1:45:53Great!

1:45:53 > 1:45:55I didn't receive my invitation,

1:45:55 > 1:45:57but I just assumed the American postal service

1:45:57 > 1:46:00had fallen down upon the job, as per usual.

1:46:00 > 1:46:04I will have a replacement sent to your hotel right away.

1:46:04 > 1:46:06You're very kind, Mr Disney.

1:46:06 > 1:46:08I knew you wouldn't have forgotten me.

1:46:09 > 1:46:11Pamela.

1:46:11 > 1:46:14How could I forget you?

1:46:19 > 1:46:21- Good evening.- Oh, hello.

1:46:21 > 1:46:24- Could you please order me a cab? - Absolutely.- Thank you.

1:46:31 > 1:46:32THEY CHATTER

1:46:41 > 1:46:45- Ralph?- I had a feeling a certain friend of mine

1:46:45 > 1:46:46might be needing me tonight.

1:46:50 > 1:46:51Oh.

1:46:51 > 1:46:54Hey! Wow.

1:46:55 > 1:46:57You look like a million bucks.

1:46:57 > 1:46:59Thank you.

1:46:59 > 1:47:03- Let's get you to that ball. Huh? Come on.- Thank you, Ralph. Thank you.

1:47:03 > 1:47:07ORCHESTRAL VERSION: A Spoonful of Sugar from Mary Poppins

1:47:19 > 1:47:21CHEERING

1:47:37 > 1:47:39Oh, no, no, no. I got that, brother.

1:47:49 > 1:47:51This is your night.

1:47:51 > 1:47:55None of this would be possible without you.

1:47:58 > 1:48:00ORCHESTRAL VERSION: Jolly Holiday from Mary Poppins

1:48:39 > 1:48:42ORCHESTRAL VERSION: Feed the Birds from Mary Poppins

1:49:06 > 1:49:08APPLAUSE

1:49:18 > 1:49:21OPENING THEME PLAYS

1:49:32 > 1:49:34And snap!

1:49:34 > 1:49:36The job's a game.

1:49:36 > 1:49:39# And every task you undertake

1:49:39 > 1:49:41# Becomes a piece of cake

1:49:41 > 1:49:46# A lark, a spree It's very clear to see... #

1:49:50 > 1:49:53AUDIENCE LAUGHS

1:49:59 > 1:50:02HE CHUCKLES

1:50:06 > 1:50:09# ..Step in time, step in time Step in time, step in time

1:50:09 > 1:50:11# Never need a reason Never need a rhyme

1:50:11 > 1:50:14# Step in time You step in time... #

1:50:14 > 1:50:17Sometimes, a person we love, through no fault of his own,

1:50:17 > 1:50:20can't see past the end of his nose.

1:50:20 > 1:50:21JANE: Past the end of his nose?

1:50:21 > 1:50:24- BERT:- Well, now, there must be some mistake.

1:50:24 > 1:50:26Your dad is a fine gentleman, and he loves you.

1:50:26 > 1:50:28'I don't think so.

1:50:28 > 1:50:30You should have seen the look on his face.

1:50:30 > 1:50:33He doesn't like us at all.

1:50:33 > 1:50:37'Well, now, that don't seem likely, does it? Let's sit down.

1:50:37 > 1:50:40'You know, begging your pardon,

1:50:40 > 1:50:43'but the one my heart goes out to is your father.

1:50:43 > 1:50:47'There he is in that cold, heartless bank, day after day.

1:50:47 > 1:50:51'Hemmed in by mounds of cold, heartless money.

1:50:51 > 1:50:53'I don't like to see any living thing caged up.

1:50:53 > 1:50:55'Father in a cage?

1:50:55 > 1:50:58'They makes cages in all sizes and shapes, you know.

1:50:58 > 1:51:01'Bank-shaped some of them, carpets and all.

1:51:01 > 1:51:04'Mary Poppins, you won't ever leave us, will you?

1:51:04 > 1:51:06'Whatever would we do without you?

1:51:06 > 1:51:09'I shall stay until the wind changes.'

1:51:42 > 1:51:46It's all right. It's all right, Mrs Travers.

1:51:46 > 1:51:49Mr Banks is going to be all right, I promise.

1:51:49 > 1:51:51No, no. It's just...

1:51:51 > 1:51:54I can't abide cartoons.

1:51:58 > 1:52:00Mmm.

1:52:00 > 1:52:02# ..Oh, oh, oh!

1:52:02 > 1:52:05# Let's go fly a kite

1:52:05 > 1:52:09# Up to the highest height

1:52:09 > 1:52:12# Let's go fly a kite

1:52:12 > 1:52:16# And send it soaring

1:52:16 > 1:52:19# Up through the atmosphere

1:52:19 > 1:52:22# Up where the air is clear

1:52:22 > 1:52:25# Oh, let's go... #

1:52:27 > 1:52:31PIANO VERSION: Chim Chim Cher-ree from Mary Poppins

1:52:49 > 1:52:50Don't leave me.

1:52:52 > 1:52:55Never.

1:52:55 > 1:52:57I promise.

1:52:57 > 1:52:59I will never leave you.

1:53:10 > 1:53:12FATHER: 'Winds in the east...'

1:53:12 > 1:53:15WORDS FOLLOW THE SONG'S RHYTHM '..mist coming in,

1:53:15 > 1:53:17'like something is brewing,

1:53:17 > 1:53:20'about to begin.

1:53:20 > 1:53:23'Can't put my finger

1:53:23 > 1:53:26'on what lies in store,

1:53:26 > 1:53:28'but I feel what's to happen

1:53:28 > 1:53:32'all happened...before.'

1:55:46 > 1:55:49- PL TRAVERS, ON TAPE: - Now, who's reading? And go slowly.

1:55:49 > 1:55:51You start and I'll take over...

1:55:51 > 1:55:55"Autumn. In the early part of the 20th century, 1910. London.

1:55:55 > 1:55:59"At Number 17, Cherry Tree Lane, the Banks household is in an uproar."

1:55:59 > 1:56:02Hold it. Now, I see that Cherry Tree Lane

1:56:02 > 1:56:07as not too townified on one side of the park.

1:56:07 > 1:56:10And we'll get you a photograph of 50, Smith Street,

1:56:10 > 1:56:14in order to see that the house is really quite like that.

1:56:14 > 1:56:17But it has more of a garden than my house had.

1:56:17 > 1:56:21But it might be useful and amusing to put it in as my house. You see?

1:56:23 > 1:56:27"Upstairs in the nursery, where Mary is measuring up the children

1:56:27 > 1:56:29"with a long row of tape measure,

1:56:29 > 1:56:31"Mary reads off the tape that Jane is..."

1:56:31 > 1:56:34First she says, "What kind of material have we got to work with?"

1:56:34 > 1:56:38No, no. That, we cannot have. That would be quite un-English.

1:56:38 > 1:56:40Mrs Travers, basically, what we want to do here

1:56:40 > 1:56:42is use pretty much what you have in the book.

1:56:42 > 1:56:43Yes, yes.

1:56:43 > 1:56:46Now, I want this tape measure to be used,

1:56:46 > 1:56:48because it was a tape measure that my mother had

1:56:48 > 1:56:50- when she was a little girl. - Mm-hm.

1:56:50 > 1:56:52And I think it would be very nice.

1:56:52 > 1:56:55- "At the end of the chorus..." - Read me all that, now.

1:56:55 > 1:56:57- We were going to...- Read it.

1:56:57 > 1:56:58No, no. You read it.

1:56:58 > 1:57:00Do you want to bear us?

1:57:00 > 1:57:03- No. Go on.- This is torture!

1:57:03 > 1:57:06Now, go on. "At the end of the chorus..."

1:57:06 > 1:57:10There ought perhaps to have been people in this countryside.

1:57:10 > 1:57:12Do you see? Are you making note of it?

1:57:12 > 1:57:14And they would be the Pearly people.

1:57:14 > 1:57:17They'd be arriving and they'd come nearer

1:57:17 > 1:57:19and they'd see, "Ah. Hmm."

1:57:19 > 1:57:22They know they are not grand enough to eat at this table.

1:57:22 > 1:57:26- Have you got this on tape?- Yes. Oh, yes.- Because I think it's important.

1:57:26 > 1:57:29I'm not going to do this film unless I'm available for it.

1:57:29 > 1:57:33- There are these tapes also, you know.- No, it's not enough.

1:57:33 > 1:57:36We, uh... We have to feel the impact of it.

1:57:36 > 1:57:39Yes, yes. Well, anyway, it brings about whatever it is,

1:57:39 > 1:57:41Mr Banks, um, is able.

1:57:41 > 1:57:45He has a tender, good heart. Not a change of heart.

1:57:45 > 1:57:50Because he's always been sweet, but worried with the cares of life.